Podcasts about Recitative

Johann Sebastian Bach (1685-1750) - Cantata BWV 147 “Herz und Mund und Tat und Leben” Part I1.       Chorus: Herz und Mund und Tat und Leben2.       Recitative (tenor): Gebenedeiter Mund!3.       Aria (alto, oboe d'amore): Schäme dich, o Seele nicht4.       Recitative (bass): Verstockung kann Gewaltige verblenden5.       Aria (soprano, violin): Bereite dir, Jesu, noch itzo die Bahn6.       Chorale: Wohl mir, daß ich Jesum habe Part II7.       Aria (tenor): Hilf, Jesu, hilf, daß ich auch dich bekenne8.       Recitative (alto): Der höchsten Allmacht Wunderhand9.       Aria (bass, trumpet, oboes): Ich will von Jesu Wundern singen10.   Chorale: Jesus bleibet meine FreudeChristine Schäfer, sopranoBernarda Fink, mezzo-sopranoIan Bostridge, tenorChristopher Maltman, baritone Arnold Schoenberg ChoirConcentus Musicus Wien Nikolaus Harnoncourt, conductor

Hello Krewmates! Today, the Krew shall indeed be continuing their misadventure in Revan, having defeated the Black Legions to uncover the Tangle at the heart of the Catacombs. Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you

Hello Krewmates! Today, the Krew shall indeed be continuing their misadventure in Revan, having defeated the Black Legions to uncover the Tangle at the heart of the Catacombs. Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you

The Nightmare Krew continues their exploration into the Revanite Catacombs, hoping to unearth the source of the Sage's power, and the reasons for which an empire was borne. Having harvested fungus from a druidic deep-dweller, and holding a vigil for a long-dead royal, the Krew found the spiritual resting place of the ancient Ruler of Revan, Oda Valtameri. But for each question Ryujin had Oda answer, like the Hydra of legend, more questions sprung up in their place. Now, as the other Valtameri, Tatsu, asks their relative long-awaited questions, the Krew takes a moment to wonder what awaits them next in the dark, and what steps to take to get there... Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

The Nightmare Krew continues their exploration into the Revanite Catacombs, hoping to unearth the source of the Sage's power, and the reasons for which an empire was borne. Having harvested fungus from a druidic deep-dweller, and holding a vigil for a long-dead royal, the Krew found the spiritual resting place of the ancient Ruler of Revan, Oda Valtameri. But for each question Ryujin had Oda answer, like the Hydra of legend, more questions sprung up in their place. Now, as the other Valtameri, Tatsu, asks their relative long-awaited questions, the Krew takes a moment to wonder what awaits them next in the dark, and what steps to take to get there... Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

The Nightmare Krew continues their delving, within the treacherous halls of the Revanite Catacombs. Having just acquired the final skull required for their necessary passage deeper in the dark, the Krew decided to take a brief rest to replenish themselves before facing the next bleak step... Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

The Nightmare Krew continues their delving, within the treacherous halls of the Revanite Catacombs. Having just acquired the final skull required for their necessary passage deeper in the dark, the Krew decided to take a brief rest to replenish themselves before facing the next bleak step... Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

Desiderium joins the Nightmare Krew as they delve deeper into the living catacombs beneath the city of Revan. Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

Desiderium joins the Nightmare Krew as they delve deeper into the living catacombs beneath the city of Revan. Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

The Krew delves deeper into the Mason de Reve in hopes to find the secrets hidden there. More than just one surprise lurks in the Necropolis... even for the players themselves... Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

The Krew delves deeper into the Mason de Reve in hopes to find the secrets hidden there. More than just one surprise lurks in the Necropolis... even for the players themselves... Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht Special Guest: Rachel Knight as Desiderium If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

*The Nightmare Krew had a wistfully delightful breakfast in Nestleton, before reuniting with Yara, Keepa, Cora and the others. Once whole again, the Krew made their way to the Great Dead City, the heart of the Cordian Empire, Revan. But Lilith and Ryujin discovered the city was...improved? Perhaps cleaner and quieter than they remembered? Unsettled by the change, the Krew found their way to the Ville Brasse, a speakeasy run by the Silent Consortium. Now, briefly safe from prying eyes, the Krew and Rosaline DuBois begin to plan their first steps to scout their most mysterious quarry yet: the Grand Necropolis...* Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

*The Nightmare Krew had a wistfully delightful breakfast in Nestleton, before reuniting with Yara, Keepa, Cora and the others. Once whole again, the Krew made their way to the Great Dead City, the heart of the Cordian Empire, Revan. But Lilith and Ryujin discovered the city was...improved? Perhaps cleaner and quieter than they remembered? Unsettled by the change, the Krew found their way to the Ville Brasse, a speakeasy run by the Silent Consortium. Now, briefly safe from prying eyes, the Krew and Rosaline DuBois begin to plan their first steps to scout their most mysterious quarry yet: the Grand Necropolis...* Find your way to the scrying pool known as Bards of New York. Sponsored by Magic Mind https://www.magicmind.com/bardsny Use code BARDSNY20 at checkout for up to 56% off! Catch us live on Mondays 6:00pm EST at https://www.twitch.tv/bardsofnewyork​​​ Instagram: https://www.instagram.com/bardsofnewyork Discord: https://discord.gg/4zVZ6BdbSA Tiktok: https://tinyurl.com/mrcbx5yj Podcast: https://linktr.ee/bardsofnewyork​​ Cast: Woody Minshew as Dungeon Master Kyle Knight as Ember/Fim Fam Drew Nauden as Ryujin Valtimeri Hannah Minshew as Lilith La Fleur Will Champion as Kallias Myr Dan Krackhardt as Leonidas Goldspear II Jonathan Champion as Thinker/Rek'Niht If you liked our show, leave us a comment/like. Review us on Apple Podcasts and Spotify and spread the word! Thank you! Tell a friend Spread some joy We love you Thank you to the talented artists who graciously let us use their music. For more info on their work, head to our about page and go to the "Magic Items" section on Twitch.

J. S. Bach (1685 - 1750) – Cantata Himmelskoenig sei willkommen BWV 182Cantata per la Domenica delle Palme  1. Sonata  0:002. Chorus: Himmelskönig, sei willkommen 2:373. Recitative (bass): Siehe, ich komme, im Buch ist von mir geschrieben  6:524. Aria (bass): Starkes Lieben 7:305. Aria (alto): Leget euch dem Heiland unter 10:196. Aria (tenor): Jesu, laß durch Wohl und Weh 20:397. Chorale: Jesu, deine Passion ist mir lauter Freude 24:548. Chorus: So lasset uns gehen in Salem der Freuden 27:50 Münchener Bach-OrchesterMünchener Bach-ChorKarl Richter, conductor more info: https://it.wikipedia.org/wiki/Himmelsk%C3%B6nig,_sei_willkommen

J.S. Bach (1685-1750) - Cantata Christen, ätzet diesen Tag, BWV 63 1. Chorus: Christen, ätzet diesen Tag 0:002. Recitative (alto): Oh, selger Tag! o ungemeines Heute 5:353. Aria (soprano, bass): Gott, du hast es wohl gefüget  9:224. Recitative (tenor): So kehret sich nun heut  16:475. Aria (alto, tenor): Ruft und fleht den Himmel an  17:426. Recitative (bass): Verdoppelt euch demnach  21:547. Chorus: Höchster, schau in Gnaden an  23:09Edith Mathis SopranoAnna Reynolds AltPeter Schreier TenorDietrich Fischer-Dieskau BassMunchener Bach ChorMunchener Bach OrchesterKarl Richter Conductor

Recorded by Academy of American Poets staff for Poem-a-Day, a series produced by the Academy of American Poets. Published on June 3, 2023. www.poets.org

Oggi a Break a Leg vi parliamo dei metodi recitativi più famosi da Diderot a Stanislavskij, da Mejerchol'd a Strasberg, per passare per il mondo del teatrodanza, dove tecniche del corpo e della voce si incontrano.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books' series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist's life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell's novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

On this special LARB Book Club episode of the Radio Hour, Boris Dralyuk and Medaya Ocher are joined by Namwali Serpell, to speak about her new novel, The Furrows. One of the most daring and protean literary voices working today, Serpell is a Zambian-born novelist and essayist, and a professor of English at Harvard University. Her debut novel, The Old Drift, a genre-bending saga tracing the legacies of three families, appeared in 2019 and won the Anisfield-Wolf Book Award, the Arthur C. Clarke Award for science fiction, and the Los Angeles Times's Art Seidenbaum Award for First Fiction. Her equally unclassifiable — a compliment, that — work of nonfiction, Stranger Faces, appeared the following year, as part of Transit Books' series of Undelivered Lectures, and was a finalist for a National Book Critics Circle Award. Serpell is also the recipient of a 2020 Windham-Campbell Literature Prize, the 2015 Caine Prize for African Writing, and a 2011 Rona Jaffe Foundation Writers' Award. Like The Old Drift, The Furrows defies narrative conventions and readerly expectations, but it does so with a narrower aim in view, homing in on the after-affects — which are, truth be told, manifold — of a particular, though uncertain, trauma, an event that fractures the protagonist's life and sense of self at the age of 12. Blamed for the death of her younger brother, Cassandra is haunted by the presence of his absence — or is it simply his presence? — for the rest of her days. What Serpell's novel tells us is what Cassandra promises to tell us: not what happened, but how it felt. Also, Kathern Scanlan, author of Kick the Latch returns to recommend Charles Reznikoff's Testimony: The United States 1885-1915: Recitative.

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

The acclaimed Norwegian pianist Leif Ove Andsnes joins us to talk about the second album release in his Mozart Momentum project, which documents the genius of Wolfgang Mozart by focusing on touchstone years in the composer's life (in this case, 1786). Performing with the Mahler Chamber Orchestra, Leif Ove presents a beautiful portrait during the years in which Mozart's writing for the piano was at its most revolutionary, creative and game-changing (a creativity also evidenced by his landmark opera The Marriage of Figaro, which dates from the same year). Released by Sony Classical, the album includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring Mozart specialist (and wonderful soprano) Christiane Karg.

Episode #63: All Bach All Day Uploaded: May 7, 2022 Johann Sebastian Bach Toccata in E Minor, BWV 914 Toccata in C Minor, BWV 911 Toccata in G Major, BWV 916 Toccata in G Minor, BWV 915 Toccata in D Minor, BWV 913 Toccata in F-sharp Minor, BWV 910 Toccata in D Major, BWV 912 Colin Tilney, Harpsichord DORIAN RECORDINGS DR-90115 Cantata, BWV 199, “Mein Herze schwimmt im Blut” I. Recitative. Mein Herze schwimmt im Blut II. Aria and Recitative. Stumme Seufzer, stille Klagen III. Recitative. Doch Gott Muß mir gnädig sein IV. Aria. Tief gebückt und voller Reue V. Recitative. Auf diese Schmerzensreu VI. Chorale. Ich, dein betrübtes Kind VII. Recitative. Ich lege mich in diese Wunden VIII. Aria. Wie freudig ist mein Herz Lorraine Hunt Lieberson, mezzo-soprano The Orchestra of Emmanuel Music Craig Smith, conductor NONESUCH PRCD 301093 Concerto, BWV 593. Transcription of Antonio Vivaldi's Concerto for 2 Violins in A Minor, RV 222, from L'Estro Armonico, Op. III, No. 8 I. [without tempo indication] II. Adagio III. Allegro Ton Koopman, organ (Weingarten Basilica) NOVALIS 150 020-2

Leif Ove Andsnes and the Mahler Chamber Orchestra follow their “triumphant” (Gramophone), “sparkling” (New York Times), and award-winning Mozart Momentum 1785 release with its partner album, focusing on the composer's extraordinary creativity in the year 1786. “When you realize how quickly Mozart developed during the early years of the 1780s, it makes you ask: why did this happen? What was going on? It's about the momentum of his creativity at this time,” says Leif Ove Andsnes.The double-album Mozart Momentum 1786 includes Mozart's Piano Concertos Nos. 23 & 24, Piano Quartet in E-flat major, Piano Trio in B-flat major and Recitative and Aria Ch'io mi scordi di te? featuring guest soprano Christiane Karg. Purchase the music (without talk) at:Mozart Momentum 1786 (classicalsavings.com)Your purchase helps to support our show! Classical Music Discoveries is sponsored by La Musica International Chamber Music Festival and Uber. @CMDHedgecock#ClassicalMusicDiscoveries #KeepClassicalMusicAlive#LaMusicaFestival #CMDGrandOperaCompanyofVenice #CMDParisPhilharmonicinOrléans#CMDGermanOperaCompanyofBerlin#CMDGrandOperaCompanyofBarcelonaSpain#ClassicalMusicLivesOn#Uber Please consider supporting our show, thank you!http://www.classicalsavings.com/donate.html staff@classicalmusicdiscoveries.com This album is broadcasted with the permission of Crossover Media Music Promotion (Zachary Swanson).

In this ‘listener's guide' to one of opera's favorite comedies, Seattle Opera Dramaturg Jonathan Dean investigates Mozart's use of some eighteenth-century musical idioms in THE MARRIAGE OF FIGARO. Musical examples from Seattle Opera Marriage of Figaro productions in 1997 (conducted by Antonello Allemandi, starring Mary Mills); 2009 (conducted by Dean Williamson, starring Marius Kwiecien, Twyla Robinson, Christine Brandes, Arthur Woodley, and Oren Gradus); and 2016, (conducted by Gary Thor Wedow, starring Morgan Smith, Karin Mushegain,  Shenyang, Nuccia Focile, Bernarda Bobro).

IF YOU'RE NEW HERE: You're in the right place! On this podcast, we nerd out on the music & sound of Star Wars 5 cinematic minutes at a time. This season, each episode hyper-focuses on a single 5-minute chunk of A New Hope. Doing so allows us to get really specific about the composition, orchestration, motifs, underscore, ambience, sound design, mixing, dialogue, and most importantly, explore how the sound works in symbiosis with the film as a whole. You don't need to listen to these episodes in order, so feel free to jump around! This episode is also available on YouTube in video format.  Discussion Guide: 0:00:00 - Hello there. 0:02:31 - Layers of sound in Luke's garage. 0:06:59 - Luke's interactions with the droids and what that indicates about his character. 0:12:20 - Threepio introduces himself to Luke. Does he make a dirty joke? 0:17:06 - Threepio sounds so self-deprecating. 0:18:00 - Zap! Bloop! Cello. "Help me Obi-Wan Kenobi; you're my only hope." 0:19:18 - Hologram message looping but artfully mixed in and out. 0:20:30 - We discuss the "bigness"/drama of the cello entrance (sound clip example). This is "The Princess Appears" on the soundtrack. 0:21:34 - Leia's theme (and the difficulty thereof). 0:25:36 - Context matters when it comes to evaluating the impact/drama of musical cues. 0:27:54 - Parallel to Luke in his hut on Ahch-To in The Last Jedi. 0:29:00 - Cat bomb. 0:29:46 - Orchestration of Leia's theme while the hologram plays. Lots of beautiful space for the dialogue to lay on top. Orchestration as "pre-mixing." 0:35:26 - Recitative (the sung-style of dialogue in opera). 0:38:29 - Artoo is the smartest in the room. 0:39:09 - "Where'd she go? Bring her back! Play back the entire message!" 0:40:41 - The quirkiness of old robots (like R2) running on the same hardware and software. Aiden has a robot. 0:42:45 - Aiden talks about showing his robot Star Wars and how the robot tries to mimic Artoo and the soundtrack... 0:47:57 - Moving on to the Lars kitchen, comparing the ambient hums in the kitchen and garage. 0:55:00 - Our different relationships with scores/soundtracks, consumption habits, etc. 1:01:11 - Threepio name drops Obi-Wan Kenobi and Captain Antilles. Worldbuilding. 1:03:21 - Dialogue between Uncle Owen and Luke (while Aunt Beru watches and gives looks). 1:06:55 - Luke's personality, adventure-seeking, quick buy-in to the Force. Do gullible people take to the Force the most? 1:12:33 - Star Wars Minute podcast references. 1:15:54 - Shazam test. 1:17:18 - SWMM Questionnaire. 1:23:15 - Cat bomb. Musical Themes: 4. Leia Note: For consistency, I use the theme names and numbers established in Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars. You can download it free at his website: https://franklehman.com/starwars/. Where we are in the soundtrack album: "The Princess Appears" "Hologram/Binary Sunset" Shazam test: "Sector 12" by Marsfinder "Who Am I" by Marsfinder "Daft Fader (Original Mix)" by DJ Phully "Alot More" by Jett I Masstyr "Tron, Clu, & R2D2" by DJ Digital Josh "Luke Skywalker" by MISTER References: Aiden's robots are Sony aibo: https://en.wikipedia.org/wiki/AIBO 10 hours of the Lars family kitchen hum: https://youtu.be/ZJXEoG66LUY Switched-On Bach by Wendy Carlos: http://www.wendycarlos.com/+sob.html STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Expansive. Dramatic. Romantic. 2. What's something related to Star Wars music or sound that you want to learn more about? R2-D2. 3. What's a score or soundtrack you're fond of besides anything Star Wars? TRON (composed by Wendy Carlos) GUEST LINKS: Follow Aiden Feltkamp! Website: https://www.aidenkimfeltkamp.com/ Twitter: https://www.twitter.com/TransCherubino Instagram: https://instagram.com/TransCherubino SWMM LINKS: Star Wars Music Minute: YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

a cura di Massimiliano Samsa.J.S. Bach (1685 – 1750) - Cantata Ich hatte viel Bekümmernis, BWV 211. Sinfonia2. Chorus: Ich hatte viel Bekümmernis in meinem Herzen3. Aria (soprano): Seufzer, Tränen, Kummer, Not4.Recitative (tenor): Wie hast du dich, mein Gott5. Aria (tenor): Bäche von gesalznen Zähren6. Chorus: Was betrübst du dich7. Recitative (Dialogus soprano, bass): Ach Jesu, meine Ruh8. Aria (soprano, bass): Komm, mein Jesu, und erquicke/Ja, ich komme und erquicke9. Chorus: Sei nun wieder zufrieden, meine Seele10. Aria (tenor): Erfreue dich, Seele, erfreue dich, Herze11. Chorus: Das Lamm, das erwürget istEdith Mathis SopranErnst Haefliger TenorDietrich Fischer Dieskau BassMunchener Bach ChorMunchener Bach OrchesterKarl Richter Conductor

In our tenth episode, we celebrate the genesis of this podcast's main premise. Using a humble and unassuming bit of connecting music from the St. Matthew Passion, Christian shows how Bach portrayed the soul swimming in tears. Love emerges victorious in the last line, where the music reaches a shimmering conclusion. "How can we talk about moments like this?!" That was our question to each other, so that's why we've got a podcast now! "Wiewohl" recitative: https://youtu.be/ZwVW1ttVhuQ?t=1732

In our second episode, Christian introduces the royal processional of the cantata Nun komm, der Heiden Heiland. We celebrate the launch of the podcast with this cantata for the new church year, an early Bach work. But the "moment" is hidden later on, where the young Bach uses an experimental sound: a knock at the door from plucked strings with an unresolved harmony. The voice of Jesus sings "Behold, I stand at the door and knock." BWV 61 bass recitative: https://youtu.be/MzWJsRjanC4?t=571

In 1997, Robert Sarazin Blake dropped out of college and hit the road. The folk music of his father's house had combined with the DIY punk ethos of the day and produced his first album, ‘Another Irrelevant Year.' For two decades, Blake toured across the US, Canada, Ireland, Germany, and beyond performing concerts to small groups of people in small rooms. In 2017, Blake released his 11th album ‘Recitative,' which earned an A- from The Dean of American Rock Critics, Robert Christgau, who writes, “Chants that riff on the titles WORK, COUPLES, and SINGLE WOMEN are as instantly indelible as the Springsteen, Weill, Reed, and Van Morrison lifts woven in.”Blake's latest release, ‘Ukrainian Phone Call,' features Canada's beat-boxing harmonica poet, C.R. Avery, who drives the band into discord as Blake sings the news of presidential corruption.— From Robert's websiteFacebook: https://www.facebook.com/robertsarazinblakeInstagram: https://www.instagram.com/robertsarazinblake/YouTube: https://www.youtube.com/channel/UCBKsWkKe33Hrh3TQPJdMN_AWebsite: https://robertsarazinblake.com/homeSpotify: https://open.spotify.com/artist/7w1cIWvRkIH85psvV9zUFg?si=PXPOFAYQRgKWnxBnaE-ysw

Scrapisodes are segments not in the episodes that are too good to be left on the cutting room floor.This scrapisode is sponsored by Anthony Buck. Anthony Buck has been teaching people to sing with greater ease and strength and with more beautiful tone for over ten years. His students successfully sing musical theatre, pop, classical, and even rock music. Let Anthony help you meet your singing goals! Email atb@anthonythomasbuck.com to schedule a lesson today.Full interview with Anthony Buck available at PatreonSupport the show (https://www.patreon.com/LizChristensen)

Join William Sitwell as he welcomes Alexander Armstrong into the Classical Kitchen. Alexander is a BAFTA winning comedian and host of ‘Pointless’ on BBC One, but he’s also an accomplished bass-baritone singer who trained at Cambridge University. In this episode, William explores Xander’s culinary roots in 1970’s cookbooks, discovering his voice, and the splendour of Tudor evening-song. Together they prepare a fragrant dish close to Xander’s heart - a Beautifully Simple Gujarati Sweet Potato Curry with oven baked Naan. The pieces played in this episode are: Bach. Cantatas No. 208 'Sheep May Safely Graze'. Extreme Music Bach. St Matthew's Passion: Aria: Mache Dich, Mein Herze, rein, Stuttgart Bach Collegium, Helmuth Rilling, Gachinger Kantorei. Chandos Elgar. The Enigma Variations, Royal Scottish National Orchestra, Sir Alexander Gibson. Chandos Handel. Jephtha: HWV 70, Act II, Scene 2: Recitative. "Again Heav'n Smiles" - Airia "Freedom Now”. Solo Tenor: James Gilchrist, Chandos. Verdi. La Traviata. Extreme Music. Purcell. Hear My Prayer, O Lord. Extreme Music. Albinoni, Oboe Concerto in D Minor, Extreme Music. Grieg. Piano Concerto in A Minor- Adagio. Extreme Music Beethoven Symphony No.7, Allegretto, 2nd Movement. Extreme Music

This piece uses a repetitive recitative melodic style to express a prayer.

On 7 March 2010 the Orchestra of St Cecilia, Dublin completed its project of performing all two hundred of Bach’s Church Cantatas over ten years and sixty concerts! Cantata 146 Wir müssen durch viel Trübsal (No. 4) Recitative (S) Ach! wer doch schon im Himmel wär! from highlights from the Orchestra of St Cecilia Complete Bach Cantatas Project 2001-2010 (Disc 1)

On 7 March 2010 the Orchestra of St Cecilia, Dublin completed its project of performing all two hundred of Bach’s Church Cantatas over ten years and sixty concerts! Cantata 199 Mein Herze schwimmt im Blut (No 1) Recitative (S) Mein Herze schwimmt im Blut from highlights from the Orchestra of St Cecilia Complete Bach Cantatas Project 2001-2010 (Disc 1)

In Ep. 7, The Life of Fritz Kreisler, Part III finishes the story of the great Fritz Kreisler, from the end of the First World War, through his retirement in 1950, and all the way to the twilight of his life. ---------------- For all things GCP Please rate, review, and subscribe on iTunes! The App!  https://apps.apple.com/us/app/the-great-composers-the-gcp/id1465809545?fbclid=IwAR0tQTElluT8I3jn6SYFcQst70IY0Ym52LjEz1Z3DR11oq5ZGDLV_URNyHk&ls=1 Like our Facebook page! https://www.facebook.com/thegreatcomposerspodcast/ A complete bibliography for all episodes can be found on my website: www.kevinnordstrom.com The introductory quotation is from the close of Joseph Szigeti's autobiography of 1947, 'With Strings Attached' - it is telling how Szigeti ends his own autobiography with a story about Kreisler... Thank you to archive.org for all the Kreisler recordings! All works are performed by Kreisler unless otherwise noted. 1. The World is Waiting for Sunrise - by Ernst Seitz arr. Kreisler (1928) 2. Beethoven Violin Concerto in D major op. 61 (cadenza) - by Fritz Kreisler 3. String Quartet in A minor mvt. 2 'Scherzo' - by Fritz Kreisler (1935) - Fritz Kreisler and Thomas Petrie violins, William Primrose viola, Lauri Kennedy cello 4. Sicilliene et Rigaudon (in the style of Francoeur)- by Fritz Kreisler, Jascha Heifetz violin 5. Stars in My Eyes from 'Sissy" - by Fritz Kreisler (1946) 6. Songs My Mother Taught Me op. 55 no. 4 - by Antonin Dvorak arr. Kreisler (1928) 7. Beautiful Ohio Waltz - by Mary Earl (1919) 8. Recitative and Scherzo Caprice - by Fritz Kreisler, Jascha Heifetz violin 9. Violin Concerto in E minor mvt. 1 - by Felix Mendelssohn 10. Underneath the Stars - by Herbert Spencer (1917) 11. La Gitana - by Fritz Kreisler (1946)

On the first of two programs devoted to Benjamin Britten (in honor of his 100th birthday anniversary on November 22), we present instrumental works from the beginning and end of his compositional lifetime, plus a movement by Britten's teacher, Frank Bridge. November 6 Britten and Bridge: Instrumental Music BENJAMIN BRITTEN (1913–1976) Phantasy Quartet, Op. 2 (1932) (13:16) From Britten & Bliss Cedille Records CDR 90000 093 (Track 1) Alex Klein, oboe Vermeer Quartet BENJAMIN BRITTEN String Quartet No. 3, Op. 94 (1975) (25:58) I. Duets: With moderate movement II. Ostinato: Very fast III. Solo: Very calm IV. Burlesque: Fast–con fuoco V. Recitative and Passacaglia (La Serenissima) From Britten & Bliss Cedille Records CDR 90000 093 (Tracks 5–9) Vermeer Quartet FRANK BRIDGE (1879–1941) Cello Sonata I. Allegro ben moderato (9:39) From Blackwood & Bridge: Cello Sonatas Cedille Records CDR 90000 008 (Track 1) Kim Scholes, cello Easley Blackwood, piano

Ronda reads her poems "Walking Late," "Bad Architecture," "Short Fiction," "Sonnet," and "Recitative."

English Diction is our topic this week, covering the texts to "The Roadside Fire" and the aria "Iris, hence away" from Händel's Semele with vocal coach Mark Lawson, contralto Rebecca Raffell and tenor Donald George. Our focus is on what to do with Rs, WH words, the crazy spelling in English and some differences between American Standard and British Received pronunciation. Some of the new phonetic symbols referred to on this episode are [ɝ] and [ɚ] (for those Rs in diphthongs and triphthongs) and [ɒ] (for the British open back rounded vowel). The Roadside Fire is the 11th poem in Robert Louis Stevenson's Songs of Travel and Other Verses (although most of us know it as the 3rd song in Ralph Vaughan Williams' song cycle Songs of Travel). Most of Stevenson's novels, poems and essays are in the public domain and available as free downloads at Project Gutenberg. Here is a libretto for Händel's Semele, for Juno's Aria, scroll down to Accompagnato Nr. 31 "Awake Saturnia from thy lethargy" and Air Nr. 34 "Iris, hence away", skipping over Iris' Recitative in the middle. iTunes University is a free way to "visit" university classes--they have topics ranging from all the classical to modern languages, history, Fine Arts, mathematics, humanities... pretty much anything that universities offer, there's a class on iTunes U for it. Just go to your iTunes Store and look across the top for the heading iTunes U. I also mention the term "Lingua franca" at the beginning of the podcast, and I learned that phrase from iTunes U! Just as a reminder, I refer quite a bit to the two main books on English Diction, Madeleine Marshall's The Singer's Manual of English Diction which has been the standard for many years, and Kathryn LaBouff's Singing and Communicating in English, which covers the differences between American Standard, British Received and the Mid-Atlantic Dialect in great detail. Feel free to contact me with questions, comments or suggestions here, at the Facebook page or directly at ellen@ellenrissinger.com

The In Tune A-Z of Opera. Today's letter is R for Recitative. Our guides are Sir Mark Elder, Mary King, Joyce DiDonato and Danielle De Niese. For details of the music used in today's podcast please visit the In Tune playlist pages http://www.bbc.co.uk/programmes/b00sq4zv

The In Tune A-Z of Opera. Today's letter is R for Recitative. Our guides are Danielle de Niese, Laurence Cummings, Gerald Martin-Moore and Graham Vick. For details of the music used in today's podcast please visit the In Tune playlist pages http://www.bbc.co.uk/programmes/b00smvbg

Recitative from "Carmen"

Maybe you haven't noticed, but recitative is treated differently in different  eras of opera history.  Earlier operas utilized harpsichord and other keyboard instruments to accompany recitative, later operas used the full orchestra.  But are operatic characters treated differently, even within the same opera?  Let's explore!

Transcript -- A taste of Handel's elaborate arias, dramatic plots and impressive stage scenery. Highlights from a modern ENO performance, and a preserved eighteenth century theatre.

A taste of Handel's elaborate arias, dramatic plots and impressive stage scenery. Highlights from a modern ENO performance, and a preserved eighteenth century theatre.

A taste of Handel's elaborate arias, dramatic plots and impressive stage scenery. Highlights from a modern ENO performance, and a preserved eighteenth century theatre.

Transcript -- Donald Burrows introduces an authentic recording, performed by Harry Christopher and The Sixteen.

Transcript -- A taste of Handel's elaborate arias, dramatic plots and impressive stage scenery. Highlights from a modern ENO performance, and a preserved eighteenth century theatre.

Donald Burrows introduces an authentic recording, performed by Harry Christopher and The Sixteen.

Transcript -- Donald Burrows introduces an authentic recording, performed by Harry Christopher and The Sixteen.

Donald Burrows introduces an authentic recording, performed by Harry Christopher and The Sixteen.

Whatever happened to recitative?  Did it die with Donizetti or did composers somehow carry on the style?  And more importantly, does recitative still have a place in so called modern opera?

Recitative.  It's a word you hear thrown around a lot in operatic circles, but do you know what it really means?  Not to worry...here's everything you need to know about recitative and then some.  You'll be thanking me when you can use it intelligently during the next intermission at the opera.  Your friends will be impressed.  Seriously.

Music 271: 2/19/07II: Concerning European Opera: A: Two separate discussions to be synthesized: Bonds and Crawford: (Bonds p. 459-481) (Crawford p.• Opera was imported to America• Jenny Lynn (sp?) “Swedish Nightingale” influenced the role of women in music in America B: Three National approaches:• Italians and Germans were most influential, France as much C: Italian Opera in the 19th Century:1. Four “generations” of composers• Gioacchino Rossini (1792-1868)• Gaetano Donizetti (1797-1848) & Vincenzo Bellini (1801-1835)• Guiseppe Verdi (1813-1901)• Giocomo Puccini (1858-1924)2. The Italian opera libretto (script of the opera) of the first half of the 19th-century: two levels of conflict• Dramas in the Early half of the 19th Century displayed the conflict• Love triangles between people• Political conflict based on the desire of Italians for a unified nation• Bellini’s Norma (1831) - Love between a Druid priestess and a Roman officer set during the Roman occupation of Gaul, mirrors the conflict in Italy under the rule of various larger empires• Italy unified in 18713. The changing map of Europe: an indicator of political content of the Italian opera: (Bonds pp. 307, 385)D: Two musical traits of Italian opera:• Recitative and Aria served similar functions as in previous operas• Notion that the Recitative should be accompanied by the full orchestra instead of just a harpsichord• Harpsichord fell into obscurity