Podcasts about Grice

Alder's Razor: If something cannot be settled by experiment or observation, then it is not worthy of debate.Sagan Standard: Positive claims require positive evidence, extraordinary claims require extraordinary evidence.Grice's Razor: Conversational implications are to be preferred over semantic context for linguistic explanations.Chekhov's Gun: If it appeared in foreshadowing, it will likely be used in the future. Epileptic Trees: The wild, off-the-wall theories that happen when you are looking for Chekov's gun. THE SOURCES: https://www.sahilbloom.com/newsletter/the-most-powerful-decision-making-razorshttps://en.wikipedia.org/wiki/Philosophical_razorhttps://tvtropes.org/pmwiki/pmwiki.php/Main/ChekhovsGunhttps://tvtropes.org/pmwiki/pmwiki.php/Main/EpilepticTreeshttps://tvtropes.org/pmwiki/pmwiki.php/Main/WildMassGuessinghttps://en.wikipedia.org/wiki/Chekhov%27s_gun#:~:text=Chekhov's%20gun%20(or%20Chekhov's%20rifle,fired%20at%20some%20later%20point. Donate to Palestinian Children's Relief Fund::www.pcrf.netDonate to Mutual Aid Funds: https://www.folxhealth.com/library/mutual-aid-fundsGET AN OCCASIONAL PERSONAL EMAIL FROM ME: www.makeyourdamnbedpodcast.comTUNE IN ON INSTAGRAM FOR COOL CONTENT: www.instagram.com/mydbpodcastOR BE A REAL GEM + TUNE IN ON PATREON: www.patreon.com/MYDBpodcastOR WATCH ON YOUTUBE: www.youtube.com/juliemerica The opinions expressed by Julie Merica and Make Your Damn Bed Podcast are intended for entertainment purposes only. Make Your Damn Bed podcast is not intended or implied to be a substitute for professional medical advice, diagnosis or treatment. Get bonus content on PatreonSupport this show http://supporter.acast.com/make-your-damn-bed. Hosted on Acast. See acast.com/privacy for more information.

Dean chats with Noreen Grice, the founder of You Can Do Astronomy, an accessibility design and consulting company with a focus on making astronomy and space science accessible for everyone! Music from Blue Dot Sessions (CC BY-NC) this episode includes the following titles: Batholith, Spinning Cam, Silent Obelisk and Flame.Send us your thoughts at lookingup@wvxu.org or post them on social media using #lookinguppodcastFind Us Online: Twitter: @lookinguppod @deanregas, Instagram: @917wvxu @deanregas, Tiktok: @cincinnatipublicradio @astronomerdean, Episode transcript: www.wvxu.org/podcast/looking-up, More from Dean: www.astrodean.com

In this episode, Leighton & Eddie are joined by Phil Grice – industry veteran and founder of Custodian Golf and GC Media. With deep roots in golf club ownership, management (including the transformation of Royal Norwich), and leadership as former Chairman of the GCMA, Phil brings a data-driven lens to the future of club sustainability. Phil shares insights into why data must lead decision-making and unpacks years of research identifying common traits of struggling clubs — insights that are helping others avoid the same pitfalls. He also introduces his compelling analogy of “Lions, Meerkats & Ostriches” to describe leadership styles and behaviours within clubs — a must-hear framework for any club manager or board. The conversation wraps with a look into technology in golf, and why clubs must embrace innovation to thrive in a rapidly evolving industry.

Regis Grice, Crew Chief at Camo Crew Junk Removal, is in the hot seat to break down what he's learned in the trenches—how the job has shaped him both personally and professionally, and the doors it's opened along the way. Learn more: https://camocrewjunkremoval.com/ Experience Jobber for yourself, tell them Andy sent ya: https://go.getjobber.com/CamoCrewJunkRemoval Watch This Episode: https://www.youtube.com/watch?v=-cJj6qB7MZA Subscribe on YouTube: https://www.youtube.com/@trashtalkbusinesspodcast ------- Listen in as industry expert Andy Weins of Camo Crew Responsible Junk Removal, and guests, break it down for you. Join our VIP Listeners Group: https://www.facebook.com/groups/trashtalkbusinessowners Connect with Andy: https://www.linkedin.com/in/andyweins/ Get Andy's Book: https://a.co/d/9uIApkU

In this episode, from a chapel service held on Tuesday 11 March 2025, Peter Grice, Bishop of the Diocese of Rockhampton, speaks on Luke 4:1-15 and the testing of Jesus by Satan.He reminds us that Jesus' testing proves beyond a doubt that he is the real deal: he is worthy of our trust and praise. Furthermore, as those who serve him, we too will face testing, as he did.For more audio resources, visit the Moore College website. There, you can also make a donation to support the work of the College.Contact us and find us on socials.Find out more about upcoming events at Moore.Please note: The episode transcript provided is AI-generated and has not been checked for accuracy. If quoting, please check against the audio.

In this episode we chat with the goat, DG about his footy journey.

After enjoying her new book Open Socrates so much (and having written about her previous book Aspiration in Second Act), I was delighted to talk to Agnes Callard, not least because, as she discusses in Open Socrates, she is a big Tolstoy admirer. We talked about Master and Man, one of my favourite Tolstoy stories, but also about the value of reading fiction, the relationship between fiction and a thought experiment, and other topics of related interest. George Eliot makes an appearance too. In the discussion about the use of fiction in philosophy classes, I was slightly shocked to hear about how much (or how little) reading her undergraduates are prepared to do, but I was interested that they love Pessoa. Agnes has previously written that the purpose of art is to show us evil. Here is Agnes on Twitter. Transcript below, may contain errors!I found this especially interesting.Exactly, and I mean, 10 seconds, that's a wild exaggeration. So do you know what the actual number is? No. On average. Okay, the average amount of time that you're allowed to wait before responding to something I say is two tenths of a second, which, it's crazy, isn't it? Which, that amount of time is not enough time for, that is a one second pause is an awkward pause, okay? So two tenths of a second is not long enough time for the signal that comes at the end of my talking, so the last sound I make, let's say, to reach your ears and then get into your brain and be processed, and then you figure out what you want to say. It's not enough time, which means you're making a prediction. That's what you're doing when I'm talking. You're making a prediction about when I'm going to stop talking, and you're so good at it that you're on almost every time. You're a little worse over Zoom. Zoom screws us up a little bit, right? But this is like what our brains are built to do. This is what we're super good at, is kind of like interacting, and I think it's really important that it be a genuine interaction. That's what I'm coming to see, is that we learn best from each other when we can interact, and it's not obvious that there are those same interaction possibilities by way of text at the moment, right? I'm not saying there couldn't be, but at the moment, we rely on the fact that we have all these channels open to us. Interestingly, it's the lag time on the phone, like if we were talking just by phone, is about the same. So we're so good at this, we don't need the visual information. That's why I said phone is also face-to-face. I think phone's okay, even though a lot of our informational stream is being cut. We're on target in terms of the quick responses, and there's some way in which what happens in that circumstance is we become a unit. We become a unit of thinking together, and if we're texting each other and each of us gets to ponder our response and all that, it becomes dissociated.Transcript (AI generated)Henry: Today, I am talking to Agnes Callard, professor of philosophy at the University of Chicago, author of Aspiration, and now most recently, Open Socrates. But to begin with, we are going to talk about Tolstoy. Hello, Agnes: .Agnes: Hello.Henry: Shall we talk about Master of Man first?Agnes: Yeah, absolutely.Henry: So this is one of Tolstoy's late stories. I think it's from 1895. So he's quite old. He's working on What is Art? He's in what some people think is his crazy period. And I thought it would be interesting to talk about because you write a lot in Open Socrates about Tolstoy's midlife crisis, for want of a better word. Yeah. So what did you think?Agnes: So I think it's sort of a novel, a story about almost like a kind of fantasy of how a midlife crisis could go if it all went perfectly. Namely, there's this guy, Brekhunov, is that his name? And he is, you know, a landowner and he's well off and aristocratic. And he is selfish and only cares about his money. And the story is just, he takes this, you know, servant of his out to, he wants to go buy a forest and he wants to get there first before anyone else. And so he insists on going into this blizzard and he gets these opportunities to opt out of this plan. And he keeps turning them down. And eventually, you know, they end up kind of in the middle of the blizzard. And at kind of the last moment, when his servant is about to freeze to death, he throws himself on top of the servant and sacrifices himself for the servant. And the reason why it seems like a fantasy is it's like, it's like a guy whose life has a lacuna in it where, you know, where meaning is supposed to be. And he starts to get an inkling of the sort of terror of that as they're spending more and more time in the storm. And his initial response is like to try to basically abandon the servant and go out and continue to get to this forest. But eventually he like, it's like he achieves, he achieves the conquest of meaning through this heroic act of self-sacrifice that is itself kind of like an epiphany, like a fully fulfilling epiphany. He's like in tears and he's happy. He dies happy in this act of self-sacrifice. And the fantasy part of it is like, none of it ever has to get examined too carefully. It doesn't like, his thought doesn't need to be subjected to philosophical scrutiny because it's just this, this one momentary glorious kind of profusion of love. And then it all ends.Henry: So the difficult question is answered the moment it is asked. Exactly, exactly, right?Agnes: It's sort of, it's, I see it as like a counterpart to the death of Ivan Ilyich.Henry: Tell me, tell me more.Agnes: Well, in the death of Ivan Ilyich, the questions surface for even, you know, when death shows up for him. And he suddenly starts to realize, wait a minute, I've lived my whole life basically in the way that Brekhunov did. Basically in the way that Brekhunov does as, you know, pursuing money, trying to be a socially successful person. What was the point of all that? And he finds himself unable to answer it. And he finds himself, it's the exact opposite. He becomes very alienated from his wife and his daughter, I think.Henry: Yeah.Agnes: And the absence of an answer manifests as this absence of connection to anyone, except an old manservant who like lifts up his legs and that's the one relief that he gets. And, you know, it's mostly in the gesture of like someone who will sacrifice themselves for another. Right, that's once again where sort of meaning will show up for a Tolstoy, if it ever will show up in a kind of direct and unashamed way.Henry: Right, the exercise of human compassion is like a running theme for him. Like if you can get to that, things are going great. Otherwise you've really screwed up.Agnes: Yeah, that's like Tolstoy's deus ex machina is the sudden act of compassion.Henry: Right, right. But you think this is unphilosophical?Agnes: I think it's got its toe in philosophical waters and sort of not much more than that. And it's in a way that makes it quite philosophical in the sense that there's a kind of awareness of like a deep puzzle that is kind of like at the heart of existence. Like there's a sensitivity to that in Tolstoy that's part of what makes him a great writer. But there's not much faith in the prospect of sort of working that through rationally. It's mostly something we just got a gesture at.Henry: But he does think the question can be answered. Like this is what he shares with you, right? He does think that when you're confronted with the question, he's like, it's okay. There is an answer and it is a true answer. We don't just have to make some, he's like, I've had the truth for you.Agnes: Yes, I think that that's right. But I think that like the true answer that he comes to is it's compassion and it's sort of religiously flavored compassion, right? I mean, that it's important. It's not just. Yeah, it's a very Christian conclusion. Right, but the part that's important there in a way, even if it's not being Christian, but that it's being religious in the sense of, yes, this is the answer. But if you ask for too much explanation as to what the answer is, it's not going to be the right answer. But if you ask for too much explanation as to why it's the answer, you're going the wrong way. That is, it's gotta, part of the way in which it's the answer is by faith.Henry: Or revelation.Agnes: Or, right, faith, exactly. But like, but it's not your task to search and use your rational faculties to find the answer.Henry: I wonder though, because one of the things Tolstoy is doing is he's putting us in the position of the searcher. So I read this, I'm trying to go through like all of Tolstoy at the moment, which is obviously not, it's not currently happening, but I'm doing a lot of it. And I think basically everything in Tolstoy is the quest for death, right? Literature is always about quests. And he's saying these characters are all on a quest to have a good death. And they come very early or very late to this. So Pierre comes very early to this realization, right? Which is why he's like the great Tolstoy hero, master of man, Ivan Ilyich, they come very, and Tolstoy is like, wow, they really get in under the wire. They nearly missed, this is terrible. And all the way through this story, Tolstoy is giving us the means to see what's really going on in the symbolism and in all the biblical references, which maybe is harder for us because we don't know our Bible, like we're not all hearing our Bible every week, whereas for Tolstoy's readers, it's different. But I think he's putting us in the position of the searcher all the time. And he is staging two sides of the argument through these two characters. And when they get to the village and Vasily, he meets the horse thief and the horse thief's like, oh, my friend. And then they go and see the family and the family mirrors them. And Tolstoy's like, he's like, as soon as you can see this, as soon as you can work this out, you can find the truth. But if you're just reading the story for a story, I'm going to have to catch you at the end. And you're going to have to have the revelation and be like, oh my God, it's a whole, oh, it's a whole thing. Okay, I thought they were just having a journey in the snow. And I think he does that a lot, right? That's, I think that's why people love War and Peace because we go on Pierre's journey so much. And we can recognize that like, people's lives have, a lot of people's lives happen like that. Like Pierre's always like half thinking the question through and then half like, oh, there's another question. And then thinking that one through and then, oh, no, wait, there's another question. And I think maybe Tolstoy is very pragmatic. Like that's as philosophical as most people are going to get. Pierre is in some ways the realistic ideal.Agnes: I mean, Pierre is very similar to Tolstoy just in this respect that there's a specific like moment or two in his life where, he basically has Tolstoy's crisis. That is he confronts these big questions and Tolstoy describes it as like, there was a screw in his head that had got loose and he kept turning it, but it kept, it was like stripped. And so no matter when you turned it, it didn't go. It didn't grab into anything. And what happens eventually is like, oh, he learns to have a good conventional home life. Like, and like not, don't ask yourself these hard questions. They'll screw you up. And I mean, it's not exactly compassion, but it's something close to that. The way things sort of work out in War and Peace. And I guess I think that you're sort of right that Tolstoy is having us figure something out for ourselves. And in that way, you could say we're on a journey. There's a question, why? Why does he have us do that? Why not just tell us? Why have it figured out for ourselves? And one reason might be because he doesn't know, that he doesn't know what he wants to tell us. And so you got to have them figure out for themselves. And I think that that is actually part of the answer here. And it's even maybe part of what it is to be a genius as a writer is to be able to write from this place of not really having the answers, but still be able to help other people find them.Henry: You don't think it's, he wants to tell us to be Christians and to believe in God and to take this like.Agnes: Absolutely, he wants to tell us that. And in spite of that, he's a great writer. If that were all he was achieving, he'd be boring like other writers who just want to do that and just do that.Henry: But you're saying there's something additional than that, that is even mysterious to Tolstoy maybe.Agnes: Yeah.Henry: Did you find that additional mystery in Master in Man or do you see that more in the big novels?Agnes: I see it the most in Death of Ivan Ilyich. But I think it's true, like in Anna Karenina, I can feel Tolstoy being pulled back and forth between on the one hand, just a straight out moralistic condemnation of Anna. And of, there are the good guys in this story, Levine and Kitty, and then there's this like evil woman. And then actually being seduced by her charms at certain moments. And it's the fact that he is still susceptible to her and to the seductions of her charms, even though that's not the moral of the story, it's not the official lesson. There's like, he can't help but say more than what the official lesson is supposed to be. And yeah, I think if he were just, I think he makes the same estimation of himself that I am making in terms of saying, look, he finds most of his own art wanting, right? In what is art? Because it's insufficiently moralistic basically, or it's doing too much else besides being, he's still pretty moralistic. I mean, even War and Peace, even Anna Karenina, he's moralistic even in those texts, but his artistry outstrips his moralism. And that's why we're attracted to him, I think. If he were able to control himself as a writer and to be the novelist that he describes as his ideal in what is art, I don't think we would be so interested in reading it.Henry: And where do you see, you said you saw it in Ivan Ilyich as well.Agnes: Yes, so I think in Ivan Ilyich, it is in the fact that there actually is no deus ex machina in Ivan Ilyich. It's not resolved. I mean, you get this little bit of relation to the servant, but basically Ivan Ilyich is like the closest that Tolstoy comes to just like full confrontation with the potential meaninglessness of human existence. There's something incredibly courageous about it as a text.Henry: So what do you think about the bit at the end where he says he was looking for his earlier accustomed fear of death, but he couldn't find it. Where was death? What death? There was no fear whatsoever because there was no death. Instead of death, there was light. Suddenly he said, oh, that's it, oh bliss.Agnes: Okay, fair enough. I'd like forgotten that.Henry: Oh, okay. Well, so my feeling is that like you're more right. So my official thing is like, I don't agree with that, but I actually think you're more right than I think because to me that feels a bit at the end like he saw the light and he, okay, we got him right under the line, it's fine. And actually the bulk of the story just isn't, it's leading up to that. And it's the very Christian in all its imagery and symbolism, but it's interesting that this, when it's, this is adapted into films like Ikiru and there was a British one recently, there's just nothing about God. There's nothing about seeing the light. They're just very, very secular. They strip this into something totally different. And I'm a little bit of a grumpy. I'm like, well, that's not what Tolstoy was doing, but also it is what he was doing. I mean, you can't deny it, right? The interpreters are, they're seeing something and maybe he was so uncomfortable with that. That's why he wrote what is art.Agnes: Yeah, and that's the, I like that. I like that hypothesis. And right, I think it's like, I sort of ignore those last few lines because I'm like, ah, he copped out at the very end, but he's done the important, he's done the important, the important work, I think, is for instance, the scene with, even on his wife, where they part on the worst possible terms with just hatred, you know, like just pure hatred for the fact that she's forcing him to pretend that he isn't dying. Like that is like the profound moment.Henry: What I always remember is they're playing cards in the other room. And he's sitting there, he's lying there thinking about like the office politics and curtain, like what curtain fabrics we have to pick out and the like, his intense hatred of the triviality of life. And I love this because I think there's something, like a midlife crisis is a bit like being an adolescent in that you go through all these weird changes and you start to wonder like, who am I? What is my life? When you're an adolescent, you're told that's great. You should go ahead and you should, yes, lean into that. And when you're like in your forties, people are going, well, try and just put a lid on that. That's not a good idea. Whereas Tolstoy has the adolescent fury of like curtains and cards. Oh my, you know, you can feel the rage of his midlife crisis in some of that seemingly mundane description. Yeah. I think that's what we respond to, right? That like his hatred in a way.Agnes: Yeah. I mean, maybe we, many of us just have trouble taking ourselves as seriously as Tolstoy was able to, you know? And that's something, there's something glorious about that, that anyone else would listen to the people around them telling him, hey, don't worry, you're a great guy. Look, you wrote these important novels. You're a hero of the Russian people. You've got this wife, you're an aristocrat. You've got this family, you've got your affairs. I mean, come on, you've got everything a man could want. Just be happy with it all, you know? Many of us might be like, yeah, okay, I'm being silly. And Tolstoy is like, no one's going to tell me that I'm silly. Like I'm the one who's going to tell myself, if anything. And that kind of confidence is, you know, why he's sort of not willing to dismiss this thought.Henry: Yeah, yeah, interesting. So how do you think of Master and Man in relation to all the others? Because you know Tolstoy pretty well. You teach him a lot. How do you place it? Like how good do you think it is?Agnes: I don't teach him a lot. I'm trying to think if I ever taught Tolstoy.Henry: Oh, I'm sorry. I thought I read that you had.Agnes: I've taught The Death of Ivan Ilyich. That's the one, I have taught that one. I wish, I mean, I would love to teach. I just can't imagine assigning any of these novels in a philosophy, my students wouldn't read it.Henry: They wouldn't read it?Agnes: No.Henry: Why?Agnes: It's pretty hard to get people to read long texts. And I mean, some of them certainly would, okay, for sure. But if I'm, you know, in a philosophy class where you'd have to kind of have pretty high numbers of page assignments per class, if we're going to, I mean, you know, forget War and Peace. I mean, even like Ivan Ilyich is going to be pushing it to assign it for one class. I've learned to shorten my reading assignments because students more and more, they're not in the habit of reading. And so I got to think, okay, what is the minimum that I can assign them that where I can predict that they will do it? Anyway, I'm going to be pushing that next year in a class I'm teaching. I normally, you know, I assign fiction in some of my classes but that's very much not a thing that most philosophers do. And I have to sign it alongside, you know, but so it's not only the fiction they're reading, they're also reading philosophical texts. And anyway, yeah, no, so I have not done much, but I have done in a class on death, I did assign Ivan Ilyich. I don't tend to think very much about the question, what is the level of quality of a work of art?Henry: Well, as in, all I mean is like, how does it compare for you to the other Tolstoy you've read?Agnes: I, so the question that I tend to ask myself is like, what can I learn from it or how much can I learn? Not, it's not because I don't think the question of, the other one is a good one. I just think I trust other people's judgment more than mine unlike artistic quality. And I guess I think it's not as good as Death of Ivan Ilyich and I kind of can't see, like, it's like, what do I learn from it that I don't learn from Death of Ivan Ilyich? Which is like a question that I ask myself. And, there's a way in which that like that little final move, maybe when I'm reading Death of Ivan Ilyich, I can ignore that little final bit and here I can't ignore it. Tolstoy made it impossible for me to ignore in this story. So that's maybe the advantage of this story. Tolstoy makes his move more overt and more dominating of the narrative.Henry: Yeah, I think also, I've known people who read Ivan Ilyich and not really see that it's very Christian. Yeah, oh yeah.Agnes: I don't think I- Much less.Henry: Yeah.Agnes: That's what I'm doing. I'm erasing that from the story.Henry: But that's like much less possible with this one. I agree.Agnes: Right, exactly. That's sort of what I mean is that- Yeah, yeah, yeah. It's like, here the message is more overt. And so therefore I think it's actually a pretty important story in that way. Like, let's say for understanding Tolstoy. That is, if you were to try to take your view of Tolstoy and base it on Death of Ivan Ilyich, which sometimes I do in my own head, because it's occupied such an important place for me, then this is a good way to temper that.Henry: Yeah, they make a nice pairing. Yeah. Yeah, definitely. Let's pick up on this question about philosophers and fiction because you write about that in Open Socrates. You say, great fiction allows us to explore what we otherwise look away from. So it makes questions askable, but then you say only in relation to fictional characters, which you think is a limitation. Are you drawing too hard of a line between fictional characters and real people? Like if someone said, oh, we found out, we were in the archives, Ivan Ilyich, he didn't, it's not fiction. He was just a friend, just happened to a friend, basically word for word. He just did the work to make it kind of look okay for a novel, but basically it's just real. Would that really change very much?Agnes: I think it wouldn't, no. So it might change a little bit, but not that much. So maybe the point, maybe a better thing I could have said there is other people. That is one thing that fictional people are is resolutely other. There's no chance you're going to meet them. And like they are, part of what it is for them to be fictional is that, there isn't even a possible world in which you meet them because metaphysically what they are is the kind of thing that can't ever interact with you. And, like the possible world in which I run into Ivan and Ivan Ilyich is the world in which he's not a Tolstoy character anymore. He's not a character in a novel, obviously, because we're both real people. So I think it's that there's a kind of safety in proving the life of somebody who is not in any way a part of your life.Henry: The counter argument, which novelists would make is that if you gave some kind of philosophical propositional argument about death, about what it means to die, a lot of people just wouldn't, they'd like, maybe they'd understand what you're saying, but it just wouldn't affect them very much. Whereas if they've read Ivan Ilyich, this will actually affect them. I don't want to say it'll resonate with them, but you know what I mean. It will catch them in some way and they're more likely then to see something in their own life and be like, oh my God, I'm appreciating what Ivan Ilyich was telling me. Whereas, this is the argument, right? The statistics of social science, the propositions of philosophy, this just never gets through to people.Agnes: Yeah, so one way to put this is, novelists are fans of epiphanies. I mean, some novelists, like Tolstoy, it's quite explicit. You just get these epiphanies, right? Like in this story, epiphany. James Joyce, I mean, he's like master of every story in Dubliners, epiphany. Novelists have this fantasy that people's lives are changed in a sudden moment when they have a passionate, oh, I just read this story and I'm so happy about it. And I don't actually doubt that these things happen, these epiphanies, that is people have these passionate realizations. I don't know how stable they are. Like they may have a passionate realization and then, maybe it's a little bit the novelist's fantasy to say you have the passionate realization and everything is changed. In this story, we get around that problem because he dies, right? So, that, I don't know. I somehow am now James Joyce. I don't know. I somehow am now James Joyce is in my head. The final story in Dubliners is the dead. And there's this like, amazing, I don't know who read the story.Henry: Yeah, yeah. Also with snow, right?Agnes: Yeah, exactly.You know, and it's this amazing where this guy is realizing his wife, their relationship is not what he thought it was, whatever. But then the story ends, does he really change? Like, do they just go on and have the same marriage after that point? We don't know. I mean, Joyce avoids that question by having the story end. But, so you might say, you know, novelists like epiphanies and they're good at writing epiphanies and producing epiphanies and imagining that their readers will have epiphanies. And then there's a question, okay, how valuable is the epiphany? And I think, not nothing. I wouldn't put it at zero, but you might say, okay, but let's compare the epiphany and the argument, right? So, what philosophers and the social scientists have, what we have is arguments. And who's ever been changed by an argument? And I think I would say all of human history has been changed by arguments and it's pretty much the only thing that's ever done anything to stably change us is arguments. If you think about, like, what are the things we've moved on? What are the things we've come around on? You know, human rights, there's a big one. That's not a thing in antiquity. And it's a thing now. And I think it's a thing because of arguments. Some of those arguments, you know, are starting to come in their own in religious authors, but then really come in, the flourishing is really the enlightenment. And so you might think, well, maybe an argument is not the kind of thing that can change very easily an adult who was already pretty set in their ways and who is not going to devote much of their time to philosophizing. It isn't going to give them the kind of passionate feeling of your life has suddenly been turned around by an epiphany, but it might well be that if we keep arguing with each other, that is how humanity changes.Henry: I think a lot of the arguments were put into story form. So like the thing that changed things the most before the enlightenment maybe was the gospels. Which is just lots of stories. I know there are arguments in there, but basically everything is done through stories. Or metaphor, there's a lot of metaphor. I also think philosophers are curiously good at telling stories. So like some of the best, you know, there's this thing of micro fiction, which is like very, very short story. I think some of the best micro fiction is short stories. Is a thought experiment, sorry. Yeah. So people like Judith Jarvis Thompson, or well, his name has escaped my head, Reasons and Persons, you know who I mean? Derek Parfit, right. They write great short stories. Like you can sit around and argue about long-termism with just propositions, and people are going to be either like, this makes total sense or this is weird. And you see this when you try and do this with people. If you tell them Parfit's thought experiment that you drop a piece of glass in the woods, and a hundred years later, a little girl comes in and she cuts up. Okay, everyone's a long-termist in some way now. To some extent, everyone is just like, of course. Okay, fine. The story is good. The famous thought experiment about the child drowning in the pond. And then, okay, the pond is like 3000. Again, everyone's like, okay, I get it. I'm with you. Philosophers constantly resort to stories because they know that the argument is, you have to have to agree with you. You've got to have the argument. The argument's the fundamental thing. But when you put it in a story, it will actually, somehow it will then do its work.Agnes: I think it's really interesting to ask, and I never asked myself this question, like what is the relationship between a thought experiment and a story? And I think that, I'm fine with a thought experiment with saying it's a kind of story, but I think that, so one feature of a thought experiment is that the person who is listening to it is given often a kind of agency. Like, which way do you push the trolley? Or do you care that you left this piece of glass there? Or are you, suppose that the pond was so many miles away but there was a very long hand that reached from here and you put a coin in the machine and at the other end, the hand will pull the child out of the water. Do you put the coin in, right? So like you're given these choices. It's like a choose your own adventure story, right? And that's really not what Tolstoy wrote. He really did not write choose your own adventure stories. There's a, I think he is-Henry: But the philosopher always comes in at the end and says, by the way, this is the correct answer. I'm giving you this experiment so that you can see that, like, I'm proving my point. Peter Singer is not like, it's okay if you don't want to jump into the pond. This is your story, you can pick. He's like, no, you have to jump in. This is why I'm telling you the story.Agnes: That's right, but I can't tell it to you without, in effect, your participation in the story, without you seeing yourself as part of the story and as having like agency in the story. It's by way of your agency that I'm making your point. Part of why this is important is that otherwise philosophers become preachers, which is what Tolstoy is when he's kind of at his worst. That is, you know, the philosopher doesn't just want to like tell you what to think. The philosopher wants to show you that you're already committed to certain conclusions and he's just showing you the way between the premises you already accept and the conclusion that follows from your premises. And that's quite-Henry: No, philosophers want to tell you the particular, most philosophers create a thought experiment to be like, you should be a virtue ethicist or you should give money away. Like they're preaching.Agnes: I don't think that is preaching. So I think that, and like, I think that this is why so many philosophical thought experiments are sort of meant to rely on what people call intuitions. Like, oh, but don't you have the intuition that? What is the intuition? The intuition is supposed to be somehow the kind of visceral and inchoate grasp that you already have of the thing I am trying to teach you. You already think the thing I'm telling you. I'm just making it clear to you what you think. And, you know, like there's like, I want to go back to the gospels. Like, I think it's a real question I have. I'm going to get in trouble for saying this, but I feel like something I sometimes think about Jesus and I say this as a non-Christian, is that Jesus was clearly a really exceptional, really extraordinary human being. And maybe he just never met his Plato. You know, he got these guys who are like telling stories about him. But like, I feel like he had some really interesting thoughts that we haven't accessed. Imagine, imagine if Socrates only ever had Xenophon. You know, if Socrates had never met Plato. We might just have this story about Socrates. Oh, he's kind of like a hero. He was very self-sacrificing. He asked everyone to care about everybody else. And he might like actually look quite a bit like Jesus on a sort of like, let's say simplistic picture of him. And it's like, maybe it's a real shame that Jesus didn't have a philosopher as one of the people who would tell a story about him. And that if we had that, there would be some amazing arguments that we've missed out on.Henry: Is Paul not the closest thing to that?Agnes: What does he give us?Henry: What are the arguments? Well, all the, you know, Paulian theology is huge. I mean, all the epistles, they're full of, maybe, I don't know if they're arguments more than declarations, but he's a great expounder of this is what Jesus meant, you should do this, right? And it's not quite what you're saying.Agnes: It's conclusions, right?Henry: Yes, yes.Agnes: So I think it's like, you could sort of imagine if we only had the end of the Gorgias, where Socrates lists some of his sayings, right? Yes, exactly, yes. You know, it's better to have injustice done to you than to do injustice. It's better to be just than to appear just. Oratories should, you should never flatter anyone under any circumstances. Like, you know, there's others in other dialogues. Everyone desires the good. There's no such thing as weakness of will, et cetera. There are these sort of sayings, right? And you could sort of imagine a version of someone who's telling the story of Socrates who gives you those sayings. And yeah, I just think, well, we'd be missing a lot if we didn't hear the arguments for the sayings.Henry: Yeah, I feel stumped. So the next thing you say about novelists, novelists give us a view onto the promised land, but not more. And this relates to what you're saying, everything you've just been saying. I want to bring in a George Eliot argument where she says, she kind of says, that's the point. She says, I'm not a teacher, I'm a companion in the struggle of thought. So I think a lot of the time, some of the differences we're discussing here are to do with the readers more than the authors. So Tolstoy and George Eliot, Jane Austen, novelists of their type and their caliber. It's like, if you're coming to think, if you're involved in the struggle of thought, I'm putting these ideas in and I'm going to really shake you up with what's happening to these people and you're going to go away and think about it and Pierre's going to stay with you and it's really going to open things up. If you're just going to read the story, sure, yeah, sure. And at the end, we'll have the big revelation and that's whoopee. And that's the same as just having the sayings from Socrates and whatever. But if you really read Middlemarch, one piece, whatever, Adam Bede is always the one that stays with me. Like you will have to think about it. Like if you've read Adam Bede and you know what happens to Hetty at the end, this has the, oh, well, I'm not going to spoil it because you have to read it because it's insane. It's really an exceptional book, but it has some of those qualities of the thought experiment. She really does put you, George Eliot's very good at this. She does put you in the position of saying like, what actually went right and wrong here? Like she's really going to confront you with the situation but with the difficulty of just saying, oh, you know, that's easy. This is what happened. This is the bad thing. Well, there were several different things and she's really putting it up close to you and saying, well, this is how life is. You need to think about that.Agnes: So that last bit, I mean, I think that this is how life is part. Yeah. Really do think that that's something you get out of novels. It's not, so here's how you should live it or so here's why it makes sense, or here are the answers. It's none of the answers, I think. It's just that there's a kind of, it's like, you might've thought that given that we all live lives, we live in a constant contact with reality but I think we don't. We live in a bubble of what it's, the information that's useful to me to take in at any given moment and what do I need in order to make it to the next step? And there's a way in which the novel like confronts you with like the whole of life as like a spectacle or something like that, as something to be examined and understood. But typically I think without much guidance as to how you should examine or understand it, at least that's my own experience of it is that often it's like posing a problem to me and not really telling me how to solve it. But the problem is one that I often, under other circumstances, I'm inclined to look away from and the novelist sort of forces me to look at it.Henry: Does that mean philosophers should be assigning more fiction?Agnes: I, you know, I am in general pretty wary of judgments of that kind just because I find it hard to know what anyone should do. I mean, even myself, let alone all other philosophers.Henry: But you're the philosopher. You should be telling us.Agnes: No, I actually just don't think that is what philosophers do. So like, it was like a clear disagreement about, you know, is the, like George Eliot's like, I'm not a teacher, but the philosopher also says I'm not a teacher. I mean, Tolstoy was like, I am a teacher.Henry: Yeah, I'm a teacher.Agnes: I'm ready to guide you all.Henry: You should take notes.Agnes: But I think it's right that, yeah. So I think it's like, you know, maybe they have some other way of forcing that confrontation with reality. But I, my own feeling is that philosophers, when they use examples, including some of the thought experiments, it's sort of the opposite of what you said. It's kind of like they're writing very bad fiction. And so they'll come up with these, like I am philosophy. We have to, we're forced to sort of come up with examples. And, you know, I discuss one in my aspiration book of, oh, once upon a time, there was a guy. And when he was young, he wanted to be a clown, but his family convinced him that he should be an investment banker and make money. And so he did that. But then when he was older, he finally recovered this long lost desire. And then he became a clown and then he was happy. It's a story in an article by a philosopher I respect. Okay, I like her very much. And I haven't read it in a long time. So I'm hoping I'm summarizing it correctly. But my point is like, and this is supposed to be a story about how sort of self-creation and self-realization and how you can discover your authentic self by contrast with like the social forces that are trying to make you into a certain kind of person. But it's also, it's just a very bad piece of fiction. And I'm like, well, you know, if I'm say teaching a class on self-creation as I do sometimes, I'm like, well, we can read some novelists who write about this process and they write about it in a way that really shows it to us, that really forces us to confront the reality of it. And that story was not the reality. So if you have some other way to do that as a philosopher, then great. I'm very instrumental about my use of fiction, but I haven't found another way.Henry: Which other fiction do you use in the self-creation class?Agnes: So in that class, we read Portrait of the Artist as a Young Man and Elena Ferrante's My Brilliant Friend. And we also read some Fernando Pessoa.Henry: Pessoa, what do your students think of Pessoa?Agnes: They love it. So when I first assigned it, I'm like, I don't know what you guys are going to make of this. It's kind of weird. We're reading like just, you know, 20 pages of excerpts I like from the Book of Disquiet. I mean, it's like my own text I'm creating, basically. I figure with that text, you can do a choose your own adventure. And they like it a lot. And I think that it really, that, you know, the thing that really resonates with them is this stuff where he talks. So there are two passages in particular. So one of them is, one where he talks about how he's like, yeah, he meets his friend. And he can't really listen to what his friend is saying, but he can remember with photographic precision the lines on the face when he's smiling, or like, it's like what he's saying is, I'm paying attention to the wrong thing. Like I'm paying attention to the facial expressions and not to the content. And that I'm somebody who's in a world where my organization of my own experience is not following the rules that are sort of being dictated to me about how my experience is supposed to be organized. And that's sort of his predicament. So that's a thing that they like. And then there's a wonderful passage about how I keep trying to free myself from the social forces oppressing me. And I take away this noose that's around my neck. And as I'm doing it, I realize my hand is attached to a noose and it's pulling me. Like I'm the one who's doing, I'm the one who's suffocating myself all along when I'm trying to free myself from social forces, it's me who's doing the oppressing. Anyway, so those are some passages that we talk about that they like. They like it a lot. They have a lot less trouble making something of it than I had expected that they would.Henry: Is this because he, is he well-suited to the age of social media and phones and fragmented personalities and you're always 16 different people? Is it that kind of thing?Agnes: Partly it's the short texts. I mean, as I said, meeting a problem, right? And so, yeah. So like they like Nietzsche too, probably for the same reason, right? I mean, anything where the-Henry: The aphorism.Agnes: Yeah, exactly. Like no joke. You know, it's not the era for War and Peace. It's the era for the Nietzschean aphorism.Henry: This is so depressing. I thought this wasn't true.Agnes: Yeah, I think it's true. I like, I had a conversation with a student in my office yesterday about this and about how like just his own struggles with reading and how all his friends have the same problem. And, you know, I have made some suggestions and I think maybe I need to push them harder in terms of, you know, just university creating device-free spaces and then people having like, I think we have to view it the way we view exercise. Like none of us would exercise if we didn't force ourselves to exercise. And we use strategies to do it. Like, you know, you have a friend and you're going to go together or, you know, you make a habit of it or whatever. I mean, like, I think we just have to approach reading the same way. Just let's accept that we're in an environment that's hostile to reading and make it a priority and organize things to make it possible rather than just like pretending that there isn't a problem. But yeah, there is. And it's hard for us to see. So you're not as old as me, but I'm old enough that all of my reading habits were formed in a world without all of this, right? So of course it's way easier for me. Even I get distracted, but, you know, for me spending a couple of hours in the evening reading, that's like a thing I can do. But like a lot of people, okay, I was at a like tech, in a little tech world conference in California. And it was early in the morning and my husband wasn't awake yet. So I was just, and it was one of these conferences where there's like a little group room and then you have your own, like we had like a hotel room type room, but like then I would had to be in the room with my husband who was sleeping. I couldn't turn the light on. So it was early. I woke up at four. So I went to the group room just to read. And I'm sitting there reading and someone came up to me and they were like, I can't believe you're just sitting there like reading. I don't think I've seen someone read a book in, you know, he's like ever or something, maybe. I mean, he's a half my age. Like he's like, that's just not a thing that people do. And it was like, he's like, it's so on brand that you're reading, you know? But it's like, it's, I think it's just, it's much harder for people who have grown up with all of this stuff that is in some way hostile to the world of reading. Yeah, it's much harder for them than for us. And we should be reorganizing things to make it easier.Henry: Yeah, I get that. I'm just, I'm alarmed that they can't read, like the depth of Ivan Ilyich. It's like, I don't know, it's like 50 pages or.Agnes: Yeah, for one class, no.Henry: It's very short. It's very short.Agnes: That's not short. 50 pages is not short.Henry: It's an hour or two hours of reading.Agnes: It's like, yeah, between two and three. They also read slower because they don't read as much.Henry: Okay, but you know what I'm like…Agnes: Yeah, right, three hours of reading is a lot to assign for a class. Especially if, in my case, I always also assign philosophy. So it's not the only thing I'm assigning.Henry: Sure, sure, but they read the philosophy.Agnes: Same problem. I mean, it's not like some different problem, right? Same problem, and in fact, they are a little bit more inclined to read the fiction than the philosophy, but the point is the total number of pages is kind of what matters. And from that point of view, philosophy is at an advantage because we compress a lot into very few pages. So, but you know, and again, it's like, it's a matter of like, it's probably not of the level. So I can, you know, I can be more sure that in an upper level class, students will do the reading, but I'm also a little bit more inclined to assign literature in the lower level classes because I'm warming people up to philosophy. So, yeah, I mean, but I think it is alarming, like it should be alarming.Henry: Now, one of the exciting things about Open Socrates, which most people listening to this would have read my review, so you know that I strongly recommend that you all read it now, but it is all about dialogue, like real dialogue. And can we find some, you know, I don't want to say like, oh, can we find some optimism? But like, people are just going to be reading less, more phones, all this talk about we're going back to an oral culture. I don't think that's the right way to phrase it or frame it or whatever, but there's much more opportunity for dialogue these days like this than there used to be. How can Open Socrates, how can people use that book as a way of saying, I want more, you know, intellectual life, but I don't want to read long books? I don't want to turn this into like, give us your five bullet points, self-help Socrates summary, but what can we, this is a very timely book in that sense.Agnes: Yeah, I kind of had thought about it that way, but yeah, I mean, it's a book that says, intellectual life in its sort of most foundational and fundamental form is social, it's a social life, because the kinds of intellectual inquiries that are the most important to us are ones that we can't really conduct on our own. I do think that, I think that some, there is some way in which, like as you're saying, novels can help us a little bit sort of simulate that kind of interaction, at least some of the time, or at least put a question on the table. I sort of agree that that's possible. I think that in terms of social encounters doing it, there are also other difficulties though. Like, so it's, we're not that close to a Socratic world, just giving up on reading doesn't immediately put us into a Socratic world, let's put it that way. And for one thing, I think that there really is a difference between face-to-face interaction, on the one hand, where let's even include Zoom, okay, or phone as face-to-face in an extended sense, and then texting, on the other hand, where text interaction, where like texting back and forth would be, fall under texting, so would social media, Twitter, et cetera, that's sort of- Email. Email, exactly. And I'm becoming more, when I first started working on this book, I thought, well, look, the thing that Socrates cares about is like, when he says that philosophy is like, you know, when he rejects written texts, and he's like, no, what I want to talk back, I'm like, well, the crucial thing is that they can respond, whether they respond by writing you something down or whether they respond by making a sound doesn't matter. And I agree that it doesn't matter whether they make a sound, like for instance, if they respond in sign language, that would be fine. But I think it matters that there is very little lag time between the responses, and you never get really short lag time in anything but what I'm calling face-to-face interaction.Henry: Right, there's always the possibility of what to forestall on text. Yeah. Whereas I can only sit here for like 10 seconds before I just have to like speak.Agnes: Exactly, and I mean, 10 seconds, that's a wild exaggeration. So do you know what the actual number is? No. On average. Okay, the average amount of time that you're allowed to wait before responding to something I say is two tenths of a second, which, it's crazy, isn't it? Which, that amount of time is not enough time for, that is a one second pause is an awkward pause, okay? So two tenths of a second is not long enough time for the signal that comes at the end of my talking, so the last sound I make, let's say, to reach your ears and then get into your brain and be processed, and then you figure out what you want to say. It's not enough time, which means you're making a prediction. That's what you're doing when I'm talking. You're making a prediction about when I'm going to stop talking, and you're so good at it that you're on almost every time. You're a little worse over Zoom. Zoom screws us up a little bit, right? But this is like what our brains are built to do. This is what we're super good at, is kind of like interacting, and I think it's really important that it be a genuine interaction. That's what I'm coming to see, is that we learn best from each other when we can interact, and it's not obvious that there are those same interaction possibilities by way of text at the moment, right? I'm not saying there couldn't be, but at the moment, we rely on the fact that we have all these channels open to us. Interestingly, it's the lag time on the phone, like if we were talking just by phone, is about the same. So we're so good at this, we don't need the visual information. That's why I said phone is also face-to-face. I think phone's okay, even though a lot of our informational stream is being cut. We're on target in terms of the quick responses, and there's some way in which what happens in that circumstance is we become a unit. We become a unit of thinking together, and if we're texting each other and each of us gets to ponder our response and all that, it becomes dissociated.Henry: So this, I do have a really, I'm really interested in this point. Your book doesn't contain scientific information, sociological studies. It's good old-fashioned philosophy, which I loved, but if you had turned it into more of a, this is the things you're telling me now, right? Oh, scientists have said this, and sociologists have said that. It could have been a different sort of book and maybe been, in some shallow way, more persuasive to more people, right? So you clearly made a choice about what you wanted to do. Talk me through why.Agnes: I think that it's maybe the answer here is less deep than you would want. I think that my book was based on the reading I was doing in order to write it, and I wasn't, at the time, asking myself the kinds of questions that scientists could answer. Coming off of the writing of it, I started to ask myself this question. So for instance, that's why I did all this reading in sociology, psychology, that's what I'm doing now is trying to learn. Why is it that we're not having philosophical conversations all the time? It's a real question for me. Why are we not having the conversations that I want us to be having? That's an empirical question, at least in part, because it's like, well, what kinds of conversations are we having? And then I have to sort of read up on that and learn about how conversation works. And it's surprising to me, like the amount of stuff we know, and that it's not what I thought. And so I'm not, maybe I'm a little bit less hostile than most philosophers, just as I'm less hostile to fiction, but I'm also less hostile to sort of empirical work. I mean, there's plenty of philosophers who are very open to the very specific kind of empirical work that is the overlap with their specialization. But for me, it's more like, well, depending on what question I ask, there's just like, who is ready with answers to the question? And I will like, you know, kind of like a mercenary, I will go to those people. And I mean, one thing I was surprised to learn, I'm very interested in conversation and in how it works and in what are the goals of conversation. And of course I started with philosophical stuff on it, you know, Grice and Searle, speech act theory, et cetera. And what I found is that that literature does not even realize that it's not about conversation. I mean, Grice, like the theory of conversational implicature and you know, Grice's logic on conversation, it's like if you thought that making a public service announcement was a kind of conversation, then it would be a theory of conversation. But the way that philosophers fundamentally understand speech is that like, you know, speakers issue utterances and then somebody has to interpret that utterance. The fact that that second person gets to talk too is not like part of the picture. It's not essential to the picture. But if you ask a sociologist, what is the smallest unit of conversation? They are not going to say an assertion. They're going to say something like greeting, greeting or question answer or command obeying or, right? Conversation is like, there's two people who get to talk, not just one person. That seems like the most obvious thing, but it's not really represented in the philosophical literature. So I'm like, okay, I guess I got to say goodbye philosophers. Let me go to the people who are actually talking about conversation. You know, I of course then read, my immediate thought was to read in psychology, which I did. Psychology is a bit shallow. They just don't get to theorize. It's very accessible. It's got lots of data, but it's kind of shallow. And then I'm like, okay, the people who really are grappling with the kind of deep structure of conversation are sociologists. And so that's what I've been reading a lot of in the past, like whatever, two months or so. But I just wasn't asking myself these questions when I wrote the book. And I think the kinds of questions that I was asking were in fact, the kinds of questions that get answered or at least get addressed in philosophical texts. And so those were the texts that I refer to.Henry: So all the sociology you've read, is it, how is it changing what you think about this? Is it giving you some kind of answer?Agnes: It's not changing any, my view, but any of the claims in the book, that is the exact reason that you brought out. But it is making me, it's making me realize how little I understand in a sort of concrete way, what like our modern predicament is. That is, where are we right now? Like what's happening right now? Is the question I ask myself. And I get a lot of, especially in interviews about this book, I get a lot of like, well, given where things are right now, is Socrates very timely? Or how can Socrates help or whatever? And I'm like, I don't think we know where things are right now. That is that given that, where is it? Where is it that we are? And so part of what this kind of sociology stuff is making me realize is like, that's a much harder question than it appears. And even where do we draw the lines? Like, when did now start happening? Like my instinct is like, one answer is like around 1900 is when now started happening. And, and so like, so I guess I'm interested both at the very micro level, how does the conversational interaction work? What are the ways in which I am deciding in this very conversation, I'm deciding what's allowed to be in and what's not allowed to be in the conversation, right? By the moves I'm making, and you're doing the same. How are we doing that? How are we orchestrating, manipulating this conversation so as to dictate what's in it and what's out of it in ways that are like below the surface that we're not noticing, that we either that we are doing it or that we're doing it ourselves. Neither of us is noticing, but we're doing that. So that's at the micro level. And then at the macro level is the question about when did now start happening? And what are the big shifts in like the human experience? And, are we at a point somehow in human history where culture like as a mechanism of coordination is a little bit falling apart and then what's going to come next? That's like a kind of question that I have to put in that kind of vague way. So maybe the right thing to say is that reading all these sociology texts has like, has given me a sets of questions to ask. And maybe what I'm trying to do is, it's like, what my book does is it describes a kind of ideal. And it describes that ideal, you know, using the power of reason to see what would it take to sort of set us straight? What is the straightened version of the crooked thing that we're already doing? And I think that that's right, but that's not at all the same thing as asking the question like, what's our next step? How do we get there from here? That's the question I'm asking now. But part of trying to answer the question, how do we get there from here is like, where are we now? And where are we both very, very locally in an interaction, what are we doing? And then in a big picture way, where are we? What is the big, what is like, you know, in the Taylor Swift sense, what era are we in? And, you know, I guess I still feel like we are, we are living in the world of Fernando Pessoa, Robert Musso, Virginia Woolf, James Joyce, Hermann Bruch, Franz Kafka, like that set of writers, like around 1900-ish set of writers who didn't all know each other or anything, didn't coordinate, but they all, there was this like primal scream moment where they were like, what the hell is going on? What has happened to humanity? Where are the rules? Like, who are we supposed to be? I mean, of all of those, I would pull out Musso as like the paradigm example. So this is me, I guess, taking inspiration from literature again, where I feel like, okay, there's something there about we're lost. There's an expression of, there's a thought we're lost. And I'm trying to understand, okay, how did we get lost? And are we still in that state of being lost? I think yes. And let's get a clear, once we get very clear on how lost we are, we'll already start to be found. Cause that's sort of what it is to, you know, once you understand why you're lost, like that's situating yourself.Henry: Those writers are a long time ago.Agnes: Yeah, I said around 1900.Henry: Yeah, but you don't, you don't, but there's nothing more recent that like expresses, like that's a very long now.Agnes: Yeah. Well, yes, I agree. So I say, when did now start happening? I think it started happening around 1900. So I think-Henry: So are we stuck?Agnes: Yeah, kind of. I think, so here's like a very, he's like a very simple part of history that must be too simple because history is not, is like, it's very mildly not my strong suit. I can't really understand history. But it's like, there is this set of writers and they don't really tell stories. It's not their thing, right? They're not into plot, but they are issuing this warning or proclamation or crisis, like flashing thing. And then what happens? What happens after that? Well, World War I happens, right? And then, you know, not very long after that, we got World War II and especially World War II, the result of that is kind of, oh no, actually we know what good and bad are. It's like fighting Nazis, that's bad. And, you know, so we got it all settled. And, but it's like, it's like we push something under the rug, I guess. And I think we haven't dealt with it. We haven't dealt with this crisis moment. And so, you know, I think I could say something very similar about Knausgaard or something that is, I think he's kind of saying the same thing and his novel has a novel, whatever you want to call it, the, you know, I'm talking about the later one. That's the kind of weird sort of horror quadrilogy or something. It has this feeling of like trying to express a sense of being lost. So there's more recent stuff that, a lot of it's autofiction, the genre of autofiction has that same character. So yeah, like maybe there is some big progress that's been made since then, but if there is, then it has passed me by.Henry: Agnes: Callard, thank you very much. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit www.commonreader.co.uk/subscribe

Greetings BookshelversWe are coming to you a few days late this week as the team is currently knee dee in Crufts shenanigans. If anyone of you are visiting Crufts this year do pop by and see us at Hall 3 stand 117 as we'd love to meet some podcast listeners!Todays offering has been a long time coming. As many of know PACT are a member organisation of the Animal Behaviour and Training Council (ABTC). We set up a special podcast to speak to Hanne Grice and Jane Williams so they could tell you folks all about the ABTC. We took a whole bunch of Bookshelver questions and amalgamated them to ask Hanne and Jane. We had a blast exploring its structure, purpose, and the importance of being a registered practitioner. We talk about the rigorous assessment processes, the need for regulation in the industry, and our (and others) community's role in supporting that mission. Hanne and Jane also talk about the importance of ethical training and the ongoing efforts to improve standards within the animal behaviour and training sector. We tried our best to get all questions answered but we did have time constraints that meant we couldn't get to them all. We'll just have to invite them back :) You'll get the idea of just how passionate we all are about the importance of open communication and ethical considerations in our industry.Link to find out more about the ABTC:  https://abtc.org.uk/Link to get a DOGX ticket at a discounted rate until 10th march 2025: https://www.pact-dogs.com/dogx2025Link to interesting paper all about regulation: https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1011&context=paij  Link to interesting paper all about regulation: https://docs.lib.purdue.edu/cgi/viewcontent.cgi?article=1011&context=paij

Jamila Grice v. Independent Bank

Before she became a building broker, Mim went through the home-building process just like any other first-home buyer—excited, a little unsure, and trusting the process. Now, as someone who helps others navigate the building journey every day, she sees things through a completely different lens.In this episode, Mim reflects on her building experience, not because it was bad, but because she now understands what she could have done differently. From the questions she didn't know to ask to the design decisions she didn't realise she had control over, Mim shares how her perspective has changed and what she wants first-home buyers to know before they start. If you're building and want to feel more in control, informed, and confident in your decisions, this episode is packed with real-world insights to help you.➡️ BOOK A DISCOVERY CALL➡️ CONNECT ON INSTA➡️ WEBSITE➡️ TIK TOK➡️ LINKED IN

Sandy Grice Events & Rallys Stories Buy me a Tea

This week on Clown College: The Clowns welcome comedian Pat Grice for an unhinged deep dive into wild movie plots, Lyft bans, and high-stakes dueling.►Watch the full episode on YouTube here: Foot Loose: Into the Spiderverse | #ClownCollegeComedyPodcast | Ep 67 W/ Hope RangelFollow the gang and show!▼Follow Pat Grice▼Facebook | Instagram | TikTok▼Follow Clown College Comedy▼Patreon | YouTube | Discord | Reddit | Facebook | X (Twitter) | Bluesky | Instagram | TikTok | Twitch▼Follow Dom Carr▼Twitter | Instagram▼Follow JJ Payton▼Instagram▼Follow Branden Willis▼YouTube | TikTok | Instagram | Facebook | SnapchatProduced by Jack DouglasTheme music by Charlie SwisherEdited by Alex Zee

In this episode of In Conversation With..., Kimberley Dondo is joined by Sam Grice, Founder & CEO of Octopus Legacy. They discuss the story behind the founding of Octopus Legacy, how personal experiences shaped its vision, and the importance of addressing death and legacy planning for individuals and families. Sam explains the platform's role in supporting the bereavement process, common misconceptions about planning for death, and the concept of "bringing death to life" in financial planning. The conversation also explores practical steps for advisers, how Octopus Legacy differentiates itself in the market, and the role of financial advisers in facilitating legacy discussions. Listen now:  

Send us a textChristie Jennings and Katherine Grice, the dynamic founders of Topbird Coaching, join us for an inspiring conversation filled with insights and laughter. From their serendipitous meeting at the Bristol Old Vic Theatre School to creating a thriving Coaching business, these two powerhouse women share their journey of empowering women in leadership. Discover how their acting backgrounds bring a unique flair to their coaching, focusing on 'The 3 C's' of Clarity, Confidence, and Courage, and how they make personal and professional growth accessible and fun. Listen in for actionable insights and a peek into the lives of women who've turned passion into purpose.We take you on a personal journey to some magical happy places, from the rugged Suffolk coast to the sun-drenched hills of Tuscany, revealing the significance of finding solace and inspiration in these retreats. Reflective and heartfelt, we explore how theatre training has shaped our understanding of communication and behavior, drawing connections to the influential mentors who have guided us along the way. Dive into the bohemian lifestyle of a creative upbringing and the lasting impact of artistic influences like David Bowie and Leonard Bernstein, while celebrating the joys and challenges of blending performance art with professional development.With a promise of exciting ventures ahead, Christie and Katherine share their ambitious plans for Topbird Coaching, including interactive Zoom taster sessions and expansion into international markets. From nurturing future female leaders to introducing innovative programs like the Women at Work toolkit, they offer a vision that is both inspiring and empowering. Whether you're looking for transformative leadership insights, a touch of artistic inspiration, or simply the joy of a great story, this episode is your ticket to a world of creativity and empowerment. Don't miss out on the chance to hear from two remarkable women who are changing the face of Leadership Coaching.Tune in next week for more stories of 'Distinction & Genius' from The Good Listening To Show 'Clearing'. If you would like to be my Guest too then you can find out HOW via the different 'series strands' at 'The Good Listening To Show' website. Show Website: https://www.thegoodlisteningtoshow.com You can email me about the Show: chris@secondcurve.uk Twitter thatchrisgrimes LinkedIn https://www.linkedin.com/in/chris-grimes-actor-broadcaster-facilitator-coach/ FaceBook Group: https://www.facebook.com/groups/842056403204860 Don't forget to SUBSCRIBE & REVIEW wherever you get your Podcasts :) Thanks for listening!

Men are afraid that women will laugh at them. Women are afraid that men will kill them.-Margaret AtwoodShana Grice was a bubbly teenager who worked as an office receptionist in Portslade in the summer of 2015. At the time, she was just 18, bright-eyed and full of promise. She was excited to be able to save money for the wedding she planned with her boyfriend of two years, Ashley.Shana's co-worker Michael Lane, a 26-year-old mechanic was instantly smitten with Shana. Lane was eight years older than Shana, and she was quite flattered by this older guy's attention. So, when Shana's and Ashley's relationship hit a rough patch, and the couple decided to “take a break,”  her relationship with Michael Lane went from flirtatious to something more physical.After a three-month relationship with Michael, Shana decided she wanted to be with her high school sweetheart, Ashley, and broke off the relationship him. Michael, however, couldn't abide by her decision and told a friend, “She'll pay for what she's done.”Michael became obsessed with Shana and began stalking her. Shana was afraid and went to the police for help on five occasions. It seems her complaints fell on deaf ears.Join us as we discuss, "She'll Pay: The Stalking and Murder of Shana Grice."We will be in London at CrimeCon UK! Come see us! You can use our discount code OTCP10 for 10% off the ticket price!Thank you to our team:Written and researched by Lauretta AllenListener Discretion by Edward October from Octoberpod AMExecutive Producer Nico Vetesse of The Inky PawprintProducer Jesse Fyffe-Vetesse of The Inky PawprintSources:https://www.bbc.com/news/uk-england-sussex49297674https://en.wikipedia.org/wiki/Murder_of_Shana_Gricehttps://www.bbc.com/news/uk-england-sussex-39363003https://www.theguardian.com/uk-news/2019/aug/08/police-told-not-to-use-fines-in-stalking-cases-after-shana-gricehttps://tv.apple.com/gb/show/murder-in-slow-motion-the-shana-grice-story/umc.cmc.3omacvuai5ho5g7uzu3lq7ep4https://www.hudgellsolicitors.co.uk/news/civil-liberties/the-murder-of-shana-grice-why-police-attitudes-must-changehttps://en.wikipedia.org/wiki/Murder_of_Sarah_Everardhttps://www.the-independent.com/news/uk/crime/sarah-everard-what-happened-wayne-couzens-report-b2504551.htmlhttps://www.thesun.co.uk/fabulous/7161363/stalker-murder-the-sun-campaign-change-law/https://www.the-independent.com/news/uk/crime/domestic-abuse-police-katrina-ohara-failings-dorset-phone-taken-attacker-stuart-thomas-stalking-harassment-a8148726.htmlhttps://www.bbc.com/news/uk-england-shropshire-64161716 https://youtu.be/bXByyDziY-0?si=irkguwPmHVO6eCfmhttps://www.youtube.com/watch?v=UK8NAyAHOrs&ab_channel=EvilAmongUshttps://www.justice.gov/archive/ovw/docs/bjs-stalking-rpt.pdfhttps://www.theguardian.com/uk-news/2019/jul/30/shana-grice-misconduct-finding-over-harassment-casehttps://www.bbc.com/news/uk-england-norfolk-46071010https://www.judiciary.uk/wp-content/uploads/2017/03/r-v-lane-sentencing-remarks.pdfhttps://www.bbc.com/news/uk-england-sussex-49297674https://sanctuaryforfamilies.org/femicideepidemic/#:~:text=Every%20month%2C%20an%20average%20of,partner%20violence%20is%20uniquely%20American.https://www.unwomen.org/en/news-stories/press-release/2024/11/one-woman-or-girl-is-killed-every-10-minutes-by-their-intimate-partner-or-family-member#:~:text=Globally%2C%2085%2C000%20women%20and%20girls,members%20were%20the%20primary%20perpetrators.https://www.womankind.org.uk/resource/a-femicide-factsheet-global-stats-calls-to-action/

Let's Talk Gardening 7 December 2024 with Victoria Grice & Vasili Kanidiadis by CurtinFM 100.1 in Perth, Western Australia

Let's talk about will's baby!In this week's episode, I'm talking with Sam Grice, founder of Octopus Legacy. Sam founded Octopus Legacy after his Mum died in a car accident. She died suddenly and didn't have a plan in place. As a lot of us have learnt the hard way, losing someone you love is tough enough, without everything else that comes with it. Sam and his family had to deal with the shock and grief that came with her death, as well as navigating mountains of legal admin and financial paperwork, all when it was needed the least.It was overwhelming, and Sam knew he wasn't alone. So he set up Octopus Legacy, to try and solve the problem for other families like his. Now Octopus Legacy, which is part of the Octopus group, helps people plan for death and find support after loss - to make life that little bit simpler for those of us left behind after someone dies. All with the mission of making life easier for those of us left behind, to free up space so we can focus on what matters.Octopus Legacy is a place to plan for death and find support after a loss. They've partnered with charities across the UK, so that you can update your will for free, until November 6th. You can write your will in whatever way suits you best: online, over the phone or face-to-face. The cost of the will is covered by whichever charity you choose – many choose to leave a gift to charity as a thank you, but it isn't required to claim the offer. No matter what assets you have or your situation, having a will helps to save time, money, and stress for the people you leave behind. Claim your free will at the following link: https://octopuslegacy.com/free-will?utm_channel=partner&utm_source=affiliate&utm_medium=2024autumnolads&utm_campaign=thegriefgang&utm_term=podcast Listening after November 6th? Get 50% off an online will here with an exclusive Grief Gang discount code: https://octopuslegacy.com/online-will?utm_campaign=thegriefgang This offering and ep is not an ad or sponsorship. Just a company I know and love doing good work that I think you should know about!Big love,Amber xConnect with The Grief Gang community:Enquire about Grief Gang 1:1 and group circle mentoring hereBook onto a Grief Gang group circle hereInstagramTwitterFacebookYoutubeTikTokSubstackWebsiteIf this episode resonated with you, please subscribe, rate, and leave a review. Share this episode with someone who might need to hear it today!Support this show http://supporter.acast.com/thegriefgang. Hosted on Acast. See acast.com/privacy for more information.

This week on the podcast: master of darkness himself, Pat Grice joins us to serve us frankly, the hottest takes we've heard in a while. Dom finds himself on the right side of history for once by standing against TI's questionable relationship with his daughter, Branden dresses like Pat until he can't stand the heat any longer, and JJ predicts how many children each Clown will end up with (the results may shock you). Get in on this episode!!!►Watch the full episode on YouTube here: R. Kelly and the Chocolate Factory | #ClownCollegePodcast | Ep 50 W/ Pat Grice►Watch the last episode on YouTube here: Mother's Milk | #ClownCollegeComedyPodcast | Ep 49 W/ Kimberly WilsonFollow the gang and show!▼Follow Pat Grice▼►Facebook►Instagram►TikTok▼Follow Clown College Comedy▼►YouTube►Facebook►Instagram►TikTok▼Follow Dom Carr▼►Twitter►Instagram▼Follow JJ Payton▼►YouTube►Instagram▼Follow Branden Willis▼►YouTube►TikTok►Instagram►Facebook►SnapchatProduced by Jack DouglasTheme music by Charlie SwisherEdited by Alex Zee

Jackie Grice, a Certified Purpose Coach and Business Strategist Founder, is passionate about helping individuals overcome the barriers that impede their business success.In today's climate, hypersensitivity is a growing concern, especially for those striving to build the businesses they've dreamed, hoped, and prayed for. Jackie delves into how this sensitivity can sabotage personal goals and derail God-given potential.In her engaging discussion with Bradley, they explore…The symptoms and signs of hypersensitivity in professional settings.Strategies for overcoming hypersensitivity, including her effective "5-Second Rule" which encourages listeners to pause, reflect, and consider others' perspectives before reacting.Identifying and addressing the emotional snipers that hinder progress and happiness in both business and personal life.Practical steps to stop being overly sensitive and offended, ultimately fostering resilience and clarity.Learn more about Jackie: https://www.launchingdeeper.com/about-jackie Thanks to our sponsors...BlueprintOS equips business owners to design and install an operating system that runs like clockwork. Through BlueprintOS, you will grow and develop your leadership, clarify your culture and business game plan, align your operations with your KPIs, develop a team of A-Players, and execute your playbooks. Download the FREE Rainmaker to Architect Starter Kit at https://start.blueprintos.com! Autopilot Recruiting is a continuous recruiting service where you'll be assigned a recruiter that has been trained to recruit on your behalf every business day. Go to www.autopilotrecruiting.com to get started.Coach P found great success as an insurance agent and agency owner. He leads a large, stable team of professionals who are at the top of their game year after year. Now he shares the systems, processes, delegation, and specialization he developed along the way. Gain access to weekly training calls and mentoring at www.coachpconsulting.com. Be sure to mention the Above The Business Podcast when you get in touch.TodayApp is a corporate approved app that allows you to build custom activities and track all your commissions and bonus structures, and integrates perfectly with your CRM. It can even manage your employees' time, track production, have a leaderboard with metrics, and more. Contact Today App and for a custom demo and let them know you heard about them on The Above The Business Podcast. https://todayapppro.com/Club Capital is the ultimate partner for financial management and marketing services, designed specifically for insurance agencies, fitness franchises, and youth soccer organizations. As the nation's largest accounting and financial advisory firm for insurance agencies, Club Capital proudly serves over 1,000 agency locations across the country—and we're just getting started. With Club Capital, you get more than just services; you get a dedicated account manager backed by a team of specialists committed to your success. From monthly accounting and tax preparation to CFO services and innovative digital marketing, we've got you covered.Ready to experience the transformative power of Club Capital? Schedule your free demo today at club.capital and see the difference firsthand. Don't forget to visit club.capital and mention you heard about us on the Above The Business podcast!

Rio, a dynamic entrepreneur and founder of MarketU and Dune, joins us to discuss the pivotal role of culture and community in building a successful production company. Discover why fostering a strong internal culture, creating exceptional client experiences, and effective communication are essential for scaling your creative business. Rio shares his journey, including the challenges he faced, strategies for improving profit margins, and the importance of treating clients as business partners. Whether you're a filmmaker, videographer, or creative professional, Rio's insights will inspire you to elevate your brand and achieve remarkable growth.

Our Excellence Spotlight series celebrates and showcases the remarkable journeys and achievements of RQM+ employees; the same employees who are committed to technical excellence and make a significant impact on our clients.

Today we're diving into the fascinating world of genomics and personalised nutrition. We're joined by Dr. Stuart J. Grice, a distinguished biologist and former academic at the University of Oxford, whose groundbreaking research has explored the biological mechanisms behind neuromuscular disease, neurodegeneration, and neuropsychiatric disorders. Together, we'll explore the big question: How can understanding your genetics shape your long-term health? We'll discuss the usefulness of genetic testing when it comes to nutrition and health, and how it fits alongside other testing technologies like blood tests, gut microbiome analysis, and continuous glucose monitoring. Dr. Grice will introduce the concept of having a personalised profile that helps predict your future health trajectory based on current data.We discuss the differences between genes that are deterministic, probabilistic and informative and whether we can predict what might happen to us in the future, even if we're healthy now? We'll also cover the importance of balancing different aspects of our biology to live a healthy, fulfilling life.After completing his doctorate at Oxford, Stuart co-founded FitnessGenes where he currently holds the position of Chief Scientific Officer (CSO). The company is 11 years old and has received numerous awards for its innovative work in preventative healthcare. Moreover, FitnessGenes is the first company in the world to secure a patent that identifies how better health predictions can be made by combining genetic and lifestyle data.

Welcome to The Nonlinear Library, where we use Text-to-Speech software to convert the best writing from the Rationalist and EA communities into audio. This is: The most basic rationality techniques are often neglected, published by Vasco Grilo on August 27, 2024 on The Effective Altruism Forum. This is a crosspost for The most basic rationality techniques are often neglected and Rationality and discipline by Stefan Schubert, published on 30 August and 15 September 2021. The most basic rationality techniques are often neglected and Rationality and discipline How much can we "debias" ourselves? What should we do to become more rational? When discussing those issues, people usually focus on sophisticated debiasing techniques ("pre-mortem") and advanced concepts from epistemology and statistics. What's often forgotten is that we already have a bunch of very simple but effective techniques for improving our rationality, such as (cf. Grice's maxims): "Don't believe things for which you lack evidence. And don't say such things in discussions." "Don't make irrelevant personal attacks." "Don't attack straw men." "Define your terms clearly." "Make one point at a time." "Try not to be too emotional when thinking about heated issues." It seems to me that irrationality regarding moral and political issues (arguably the most important form of irrationality) is very often due to failure to apply these very simple techniques. That was certainly my experience when I argument-checked opinion pieces and election debates. Most fallacies I identified were extremely basic and boring (cf. my post Frequent fallacies). Maybe the most common was failure to provide evidence for claims that need evidence. So maybe what we need to do to make people more rational isn't primarily to teach them sophisticated debiasing techniques and advanced concepts. They are costly to learn, and most people have other, more pressing things to attend to. People who suggest new interventions and social reforms often neglect such time and attention costs. One might also suspect that people focus on the more sophisticated rationality techniques partly because they find them more interesting to think about than the basic and boring ones. Instead, maybe we should focus on getting people to apply the most basic techniques consistently. Some of the sophisticated techniques are no doubt useful, but I'm not sure the primary focus should be on them. To make people actually use these basic techniques, what's needed is strong social norms, saying that you shouldn't believe or say things you lack evidence for, that you should define your terms clearly, etc. The strength of such norms have varied a lot over the course of history - and still varies today across different contexts. And my sense is that people's actual rationality by and large reflects the strength of those rationality norms. So these norms can be pushed more or less, and I would guess that they are not yet pushed as much as they realistically could be pushed. Still, it's obviously a difficult task, and I'm unsure about how to best go about it. (This post was first posted on Facebook, 3 February 2020. Slightly revised.) Rationality and discipline Rationality has many aspects. It seems to me that the rationalist community often focuses on the fun bits, such as self-improvement, musings on one's own thought-processes, and speculative theorising (though no doubt there are important exceptions). What then gets a bit lost is that rationality is to a large extent about discipline, restraint, and rigour: things that aren't necessarily fun for most people. This is maybe natural given that the community is at least partly built around an intrinsic interest in rationality - they normally don't provide strong extrinsic incentives (e.g. degrees, money) to students of rationality. Nevertheless, I think a stronger emphasis on these less intrinsically appealing aspects of rationality is important. From Facebook, 16 January 2020. Thanks...

The fat's been trimmed from Antarctica New Zealand's plans for Scott Base The crown entity abandoned its previous large module three-building design after five years of development. An independent review highlighted multiple concerns with the previous proposal - relating to high costs and contracting difficulties. Board Chair Leon Grice told Mike Hosking the new plan will fit within the almost half a billion dollar budget. He says a mixture of building new and refurbishing existing buildings is a cost-effective and low-risk way forward. LISTEN ABOVESee omnystudio.com/listener for privacy information.

Continuing on the 1975 paper, we describe how the various maxims of Grice's conversational "Cooperative Principle" can be violated in systematic ways to produce conversational implicature. We talk in non-literal ways, yet other people still think we're trying to communicate and successfully understand us. Follow along with us in the text. Part Three can only be found at patreon.com/closereadsphilosophy. Learn more about your ad choices. Visit megaphone.fm/adchoices

We read through Paul Grice's 1975 ordinary language philosophy paper. What are the assumptions behind everyday conversation? When someone violates a conversational norm by, e.g., giving too much information or stating something literally untrue, what are the strategies by which we try to make sense of what they're saying as still a sensible contribution to the conversation? Follow along with us in the text. This also serves as part three to The Partially Examined Life's episode #325. However, this should be understandable without listening to any of that. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of the Searching Inward Podcast, Seth Abram speaks with Taylor Grice of Nashville about her experience with Restore Small Groups. Taylor shares what she uncovered about herself as she unpacked her story in the eight-week program. As she started to see pieces of herself in others, she developed special bonds with the peer group, and she describes how the community helped her move forward with some growth in her life.“There is something that happens in a group as you get deeper and deeper, and you're sharing more and more vulnerable things about yourself, where you start to–at least for me–I started to see pieces of my story in others, and it gave me the space to share.” -Taylor [07:02]“When somebody else shares something about themselves, it unlocks something in me that I didn't have access to before until you name that about your story.” -Seth [09:11]TIMESTAMPS[00:05] Intro[01:22] This week's guest, Taylor[03:25] Joining Restore Small Groups[04:59] Walking to the first group with strangers[10:46] What she discovered sharing her story[14:46] A group of strangers become friends[18:16] One of the most formational thing[19:57] Lighting roundFollow and ContactFacebook: Restore Small GroupsInstagram: @restoresmallgroupsYouTube: Searching Inward PodcastWebsite: restoresmallgroups.org

Today, we chatted with Cheryl Grice, the recipient of the Catalyst Cornerstone Award at the Community Foundation Awards. This award recognizes individuals who inspire and drive transformative processes for GMCF's benefit. During our discussion, we explored Cheryl's background, professional life, the pivotal role played by supportive local groups like the Little Apple Pilot Club, the founding of Fairy Godmothers, her passion for service and commitment to community engagement, and her love for photography.Watch Cheryl's interview and other related content on our YouTube Channel. GMCFCFAs

This week's guest turned tragedy into tech innovation with a platform designed to transform the way we all deal with death. Sam Grice, CEO and Founder of Octopus Legacy (formerly Guardian Angel) has created a platform that manages all aspects surrounding death; from will creation to bereavement support. Sam was always destined from entrepreneurial success, as both his parents were keen entrepreneurs, and he put his hereditary expertise to the test with a food and supplement side hustle. However, it wasn't until the tragic loss of his mum, did the full extent of Sam's passion for innovation flourish with the creation of Guardian Angel (now Octopus Legacy). Being a key player in propelling the death-tech industry forward, Sam is a tech leader that is paving the way in an industry that affects each and every one of us. This episode covers an incredibly inspirational entrepreneurial journey and is not to be missed!Time stamps What does good leadership mean to Sam? (02:10) Early exposure to life as an entrepreneur (03:25) Starting out with a side hustle (06:00) The tragedy that shaped Sam's tech career (08:18) Creating Guardian Angel (12:12) Overcoming the obstacles within death-tech (17:04) What is a founder's ‘kryptonite'? (22:00) Acquisition by Octopus Group (29:12) The Future of Octopus Legacy (33:31) How Sam achieves balance (43:10) Advice to young founders (44:43) Book recommendation: Predictably Irrational: The Hidden Forces That Shape Our Decisions, Dr, Dan Ariely - Predictably Irrational: The Hidden Forces That Shape Our Decisions: Amazon.co.uk: Ariely, Dr Dan: 9780061854545: Books

The month of May is dedicated to building awareness of maternal mental health. One in five women will suffer from postpartum anxiety or depression, and this is the number one complication of pregnancy and childbirth. In today's episode, Allison is joined by Dr. Stephanie Grice, a practicing pediatrician and a mom. Dr. Grice details the role a pediatrician can play in supporting moms dealing with postpartum depression or anxiety. She explains how this role has changed over the last decade, and what efforts are being made by pediatric providers to support the mental health of all members of a family. She and Allison discuss the thoughts that might deter a new parent from confiding in their pediatrician, as well as the tools pediatricians can use to determine if a new parent is struggling. Listen in to hear the steps a parent can take if they feel they need assistance, or are having trouble finding someone to help.  Dr. Grice also shares the exciting new initiative they've launched in her practice that puts a whole new spin on caring for the whole family. It's an approach we think will help a lot of families.  Visit postpartum.net for more information and resources about postpartum depression and anxiety. Connect with Dr. Grice on Instagram or her website Click here to watch or listen on YouTube    Want to hear more from Allison? Provide your email address here to receive Allison's weekly email about the podcast and other fun topics.  Enjoying How Long ‘Til Bedtime? Please consider rating and reviewing the show. This helps Allison support more parents. Click here, scroll to the bottom, rate the podcast, and select “Write a Review.” And if you're a Spotify listener, you can now leave reviews on Spotify by clicking here. Also, if you subscribe to the show, you won't miss any episodes!  Connect with Allison: Instagram Facebook Website YouTube  

Often students find that majoring in chemistry limits their ability to have experiences abroad relative to their peers in the humanities and social sciences. Listen and learn about one example of a program designed to give chemistry students both an international and research experience. CUR Representative Dr. Kari Stone (Associate Professor of Chemistry at Lewis University) talks with Dr. Kyle Grice (Associate Professor of Chemistry at DePaul University) about international research experiences for undergraduates. In DePaul University's program, projects are developed by students in concert with chemistry and biology faculty during the semester for academic credit. The capstone experience for these students is to travel to Spain to work on their projects for two and a half weeks. Dr. Grice talks about the scope of student projects and how students are evaluated and assessed at the end of the program. Dr. Grice's website: https://sites.google.com/site/drkyleagrice/

Kansas Moms Murders: Paul Grice's first court appearance --- Support this podcast: https://podcasters.spotify.com/pod/show/otcpod1/support

5th person arrested in connection with deaths of Kansas Moms TEXAS COUNTY, Okla. — A fifth person was charged with multiple felonies in connection to the murder of two Kansas mothers in the Oklahoma Panhandle. Paul Grice was charged with two counts of first-degree murder, two counts of kidnapping and one count of conspiracy to commit murder in the first degree. His charges came after four other people, 43-year-old Tad Cullum, 54-year-old Tifany Adams, 50-year-old Cole Twombly, and 44-year-old Cora Twombly, were charged in the case. According to an affidavit, a relative of the Twomblys told investigators that Grice was part of an anti-government group with a religious affiliation called "God's Misfits" along with the other four suspects. The relative also said they were told that Grice played a role in the deaths of Veronica Butler and Jillian Kelley, two mothers who disappeared from Texas County in late March. --- Support this podcast: https://podcasters.spotify.com/pod/show/otcpod1/support

Four-year-old Jeremy Grice went missing from his home in South Carolina in 1984 and his family believes it was a non-custodial kidnapping. Crystal Faye Todd was murdered in Conway, S.C. in 1991, and when DNA evidence pointed out that her killer was someone she trusted, her community was stunned. Ann Fox Smith was a beloved middle school teacher who was killed in her home in 2008, and her killer remains at large.

Co-owner of Foo Asian Street Food and Pinhalla. Joins us to tell his journey through South East Asia and the hospitality business.

In this episode of the EntrePastors podcast Jon and Les talk with guest Robert Grice about his side hustle of counseling that not only compliments his pastoral ministry, but also provides an additional stream of income for his family.  Robert shares how he got into the specific niche of grief counseling and how that has opened doors for ministry beyond his normal work inside the church.Call to Action:Register for our upcoming LIVE event on March 8, 2024. https://www.entrepastors.com/live 

Pam Grice, the founder of Crochetpreneur, shares her journey from being a therapist to building a successful crochet business. She emphasizes the profitability of crochet business and the importance of community support. Pam also discusses the challenges of going viral and the need for proper planning and scalability. She talks about her upcoming event for crochet artists and her vision to inspire and empower them. Pam highlights the significance of work-life balance and her plans for the future, including a membership for crochet business owners. In this conversation, Elizabeth Henson and Pam Grice discuss various aspects of online identity and branding. They share stories about work life balance and self care.  Takeaways Crochet business can be profitable with the right strategies and community support. Going viral can bring challenges, and it is important to be prepared for scalability. Transitioning from a traditional job to full-time entrepreneurship requires careful planning and building multiple revenue streams. Hosting events can be a valuable opportunity to connect with like-minded individuals and provide support and inspiration. Work-life balance is crucial for sustainable success, and it is important to prioritize self-care and personal well-being. Chapters 00:00Introduction and Overview 01:25Profitability in Crochet Business 03:25Transition from Therapy to Crochet Business 06:28Going Viral and Challenges 09:54Transitioning to Full-Time Entrepreneur 11:32Hosting Events and Overcoming Resistance 13:38The Crochetpreneur Event 19:19Supporting Crochet Artists 21:53Vision for the Event 23:44Empowering Crochet Artists 26:05Work-Life Balance and Future Plans 34:46Upcoming Event and Social Media 36:03Catfishing and Mistaken Identity 36:15Trademarking and Acquiring Handles 36:38Closing Remarks

There are what seem to be rudimentary acts in our daily life that we do without a second thought, to the point that we refer to them as "second nature." Whether it's buttoning our shirts, turning a doorknob, or using a fork to eat, these are things that our body has already memorized, like taking a breath. However, what happens when we lose the ability and autonomy to perform the most mundane of skills due to sudden and unforeseen circumstances in life? According to a 2022 study by The Official Journal of the Japanese Association of Rehabilitation Medicine, only 25% of severe stroke survivors recover from hemiplegia, the paralysis of one side of the body. And according to the Mayo Clinic, common incidences such as falls, motor vehicle accidents, and sports can all result in paralysis secondary to spinal cord injuries. The loss of function in performing activities of daily living from these occurrences can result not only in decreased quality of life but also in mortality. The field of Occupational Therapy is a beacon of hope that seeks to help restore this lost independence and ensure a capacity to return to one's normal life.We are joined in this episode by Milwaukee-based certified acute care occupational therapist Emily Longwell-Grice, also known by her renowned blog as That OT PhD Life. She received her first BA in English Language and Literature from the University of Delaware. After working as a newscast producer for a few years, she realized her passion for taking care of others. She returned to school and received her BS and MS in Occupational Therapy from the University of Wisconsin-Milwaukee, where she is also a PhD candidate for OT at the School of Rehabilitation Sciences & Technology. Having been an occupational therapist for a decade, Emily has worked in different clinical settings, including long-term acute care units, intensive care units, and skilled nursing facilities. Outside the clinical and into the classroom, she is a Physical Rehabilitation and Acute Care Lecturer for Master's OT students. She extends her love for expanding research and education within the field of occupational therapy through social media, where she educates the public about fine motor skills, adaptive equipment, home safety, and body mechanics for healthcare workers.Livestream Air Date: April 6, 2023Follow Emily Longwell-Grice, MS, OTR/L: InstagramFollow Friends of Franz Podcast: Website, Instagram, FacebookFollow Christian Franz Bulacan (Host): Instagram, YouTubeThankful to the season's brand partners: Covry, House of M Beauty, Nguyen Coffee Supply, V Coterie, Skin By Anthos, Halmi, By Dr Mom, LOUPN, Baisun Candle Co., RĒJINS, Twrl Milk Tea, 1587 Sneakers

In this episode, the hosts discuss various philosophical razors, which are principles used to evaluate and simplify explanations and claims. They cover razors such as Alder's Razor, Einstein's Razor, Grice's Razor, Hume's Guillotine, Hitchens' Razor, Occam's Razor, Popper's Falsifiability, and Sagan's Standard. Each razor provides a different perspective on how to approach and evaluate ideas and theories. The hosts also share personal anecdotes and examples to illustrate the concepts discussed. This conversation explores the relationship between science and philosophy, highlighting the limitations of scientific knowledge and the importance of philosophical inquiry. The discussion begins with the extraordinary claim of zebras in Prince George's County and the discovery of Homo Naledi in South Africa. It then delves into Newton's Flaming Laser Sword and the criticism of philosophy, emphasizing the need for a broader discussion that includes both science and philosophy. The conversation concludes by examining the danger of scientism and the search for validation in the search for truth. Takeaways: Philosophical razors are principles used to evaluate and simplify explanations and claims. Each razor provides a different perspective on how to approach and evaluate ideas and theories. Some well-known razors include Alder's Razor, Einstein's Razor, Grice's Razor, Hume's Guillotine, Hitchens' Razor, Occam's Razor, Popper's Falsifiability, and Sagan's Standard. These razors can help in critical thinking and decision-making processes. Scientific knowledge has limitations and cannot answer all questions about the world. Philosophical inquiry is essential for exploring topics that science cannot address. The intersection of science and philosophy can lead to a more comprehensive understanding of the world. The search for validation and in-group acceptance often influences people's beliefs and opinions. Chapters 00:00 Introduction and New Year's Resolutions 06:00 Philosophical Razors: Alder's Razor and Einstein's Razor 09:49 Philosophical Razors: Grice's Razor 12:01 Philosophical Razors: Hume's Guillotine 17:27 Philosophical Razors: Hitchens' Razor 21:21 Philosophical Razors: Occam's Razor 27:23 Philosophical Razors: Popper's Falsifiability 29:43 Philosophical Razors: Sagan's Standard 35:13 The Extraordinary Claim of Zebras in Prince George's County 36:32 The Discovery of Homo Naledi in South Africa 42:32 Newton's Flaming Laser Sword and the Criticism of Philosophy 47:46 The Limitations of Science and the Importance of Philosophy 56:53 The Intersection of Science and Philosophy 01:02:07 The Danger of Scientism and the Need for a Broader Discussion 01:09:00 The Search for Validation and the Role of Science and Philosophy --- Send in a voice message: https://podcasters.spotify.com/pod/show/gametheory/message

In this episode of The Business of Practice, we introduce the 2024 podcast host Dr. Amy Grice and review some of the podcast topics for 2023.Business of Practice Podcast Hosts, Guests, and Links Episode 77Hosts: Kimberly S. Brown (Editor) and Carly Sisson (Digital Content Manager) of EquiManagement | Email Carly (kbrown@equinenetwork.com) | Connect with Carly on LinkedInGuest: Dr. Amy GricePodcast Website: The Business of Practice

This was part 2 of our phenomenal night on the mountain, and offered quite a different conversation. We were once again joined by Jake Crawford and Ethan Power, along with drummer TK Wimmer and manager Shaun Greer, plus FloydFest founder Kris Hodges, failed musician Josh Grace, and hype man Ric Reeves. The conversation was one hell of an insight into the music world, behind the scenes, motivations, festivals, and much more. Sit back and enjoy this one with a nice bourbon.https://www.appalachianpodcast.orghttps://www.facebook.com/AppalachianPodcasthttps://twitter.com/GetOnTaphttps://www.facebook.com/harwellgricehttps://www.facebook.com/crawfordandpowerhttps://twitter.com/crawfordnpowerhttps://www.crawfordandpower.comhttps://www.facebook.com/LawsChoicehttps://www.colbyhelms.com/https://www.photographybybethpreston.com/Support the show

This week we are diving into what healing from a holistic approach can look like!   Carla is a friend of mine that has joined us this week, with an intriguing and winding journey in healing her thyroid, gut and immune system. Having been warned that she was on track towards a Lupus diagnosis, Carla started asking questions and followed her intuition towards FINALLY finding the correct diagnosis. She discusses with Katy this week what that healing journey looked like and how she is maintaining health on the other side of it today!   You can find Carla most frequently on IG at @carlap_grice : https://www.instagram.com/carlap_grice/ -------------- Follow along with Katy Spencer, RDN, LDN - a functional and integrative Women's Health dietitian. You can find more from her here: IG: @simplyspencer_ ( https://www.instagram.com/simplyspencer_/ ) Website: https://www.simplyspencer.com/ Email: katy@simplyspencer.com Subscribe to her newsletter:https://simplyspencer.myflodesk.com/breakfast

Continuing on "Meaning" (1957), "Utterer's Meaning and Intentions" (1969), and "Logic and Conversation" (1975) with guest Steve Gimbell. We tie the articles together, talk more about the rules implicit in conversation, and try to relate Grice's project to other parts of philosophy. Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and a supporter-exclusive part three to this discussion.

On "Meaning" (1957), "Utterer's Meaning and Intentions" (1969), and "Logic and Conversation" (1975), featuring Mark, Seth, Dylan, and guest Steve Gimbell. Grice tries to give a rigorous analysis of what it means for a speaker (as opposed to a sentence) to mean something in particular. Let the increasingly elaborate potential counter-examples commence! Get more at partiallyexaminedlife.com. Visit partiallyexaminedlife.com/support to get ad-free episodes and tons of bonus discussion, including a supporter-exclusive part three to this episode coming out next week. Sponsors: Get a $1/month shopify.com/pel. Check out Drilled, a true-crime podcast about climate change.

Processes and policies in an equine veterinary practice are important for many reasons, said Amy Grice, VMD, MBA. "Processes and policies uphold trust in your organization," noted Grice.In this episode, we discuss multiple scenarios where having processes and policies can help your equine veterinary business."The Business of Practice" podcast is brought to you by CareCredit. Learn more at carecredit.com.

This episode is the third in our three-part Summer Pediatrician Series with Dr. Stephanie Grice. In this episode, Allison and Dr. Grice are discussing how to evaluate when your sick or injured child needs to be seen by a doctor.   Dr. Grice shares what symptoms warrant a visit to the doctor, how to decipher whether your child has a virus, what injuries should be seen by a doctor right away, the role of the triage professional and how to advocate for your child. They also discuss fevers – their role in fighting illness, when to treat with medication at home, and the risk of dehydration from fever. They even touch on the science of febrile seizures and how your family can cope with them. Allison mentioned: Episode 43. Every Breastfeeding & Feeding Journey is Unique with Dr. Stephanie Grice Episode 87. Making The Most of Your Child's Well Visit With Dr. Stephanie Grice - Summer Pediatrician Series #1 Episode 92. Understanding the Growth Chart with Dr. Stephanie Grice - Summer Pediatrician Series #2 Connect with Dr. Grice on Instagram or her website  Want to hear more from Allison? Provide your email address here to receive an email from her each week previewing her new episode.  Enjoying How Long ‘Til Bedtime? Please consider rating and reviewing the show. This helps Allison support more parents. Click here, scroll to the bottom, rate the podcast, and select “Write a Review.” And if you're a Spotify listener, you can now leave reviews on Spotify by clicking here. Also, if you subscribe to the show, you won't miss any episodes!  Connect with Allison: Instagram Facebook Website YouTube

This episode is the second in our three-part Summer Pediatrician Series with Dr. Stephanie Grice. In this episode, Allison and Dr. Grice are discussing the growth charts pediatricians use to track a child's growth.  The way a child “scores” on the growth chart can often cause anxiety for parents. Dr. Grice addresses this concern and explains why your child's placement on the growth chart isn't nearly as important as their overall growth trajectory. She also shares how the chart can help providers assess if a child is maintaining a healthy weight for their height and when it's appropriate to stop night feedings with infants.  Allison mentioned: Episode 43. Every Breastfeeding & Feeding Journey is Unique with Dr. Stephanie Grice Episode 87. Making The Most of Your Child's Well Visit With Dr. Stephanie Grice - Summer Pediatrician Series #1 Connect with Dr. Grice on Instagram or her website  Click here to watch or listen on YouTube  Want to hear more from Allison? Provide your email address here to receive an email from her each week previewing her new episode.  Enjoying How Long ‘Til Bedtime? Please consider rating and reviewing the show. This helps Allison support more parents. Click here, scroll to the bottom, rate the podcast, and select “Write a Review.” And if you're a Spotify listener, you can now leave reviews on Spotify by clicking here. Also, if you subscribe to the show, you won't miss any episodes!  Connect with Allison: Instagram Facebook Website YouTube

Bio:Sertrice Grice, MS, is Co-Owner & Chief Consulting Officer of Mattingly Solutions, a woman-owned diversity, equity, and inclusion (DEI) consulting firm. Co-Author of Inclusalytics, How Diversity, Equity, and Inclusion Leaders Use Data to Drive Their Work, Sertrice is passionate about helping organizations use metrics to create data-driven DEI strategies that drive meaningful change. Sertrice serves clients though DEI executive advising, DEI measurement consulting, and building/delivering inclusive behavioral change solutions. She is also a DEI thought leader and a sought after public speaker. In addition to working with clients, Sertrice makes time to give back to the community. She is the Vice-Chair of the board for Blacks in I/O, on the Board of Directors for Lucy Daniels Center,  Board of Advisors for GoBe Kids, and the Radford University IO program Board of Advisors. She also volunteers for national organizations including the Society for Industrial and Organizational Psychology and Alpha Sigma Alpha Sorority. Sertrice received her B.S. in Psychology from Emporia State University and her M.S. in Industrial Organizational Psychology from Radford University. She is currently located in Raleigh, North Carolina.Contact Sertrice Grice! Website: https://www.mattinglysolutions.com/Email: sertrice@mattinglysolutions.comTwitter: https://twitter.com/MattinglyDEIxFacebook: https://www.facebook.com/mattinglysolutions/Instagram: https://www.instagram.com/sasstrice/LinkedIn: https://www.linkedin.com/in/sertrice/

Ella Holmes White (1856-1942) and Marie Grice Young (1876-1959) survived the sinking of the Titanic. Their commitment to each other was as strong as their commitment to getting their lifeboat to safety. We're celebrating Pride Month with Icons: supreme queens of queer culture. Some are household names... others are a little more behind the scenes. All of them have defied social norms and influenced generations of people to be unapologetically themselves. History classes can get a bad rap, and sometimes for good reason. When we were students, we couldn't help wondering... where were all the ladies at? Why were so many incredible stories missing from the typical curriculum? Enter, Womanica. On this Wonder Media Network podcast we explore the lives of inspiring women in history you may not know about, but definitely should. Every weekday, listeners explore the trials, tragedies, and triumphs of groundbreaking women throughout history who have dramatically shaped the world around us. In each 5 minute episode, we'll dive into the story behind one woman listeners may or may not know–but definitely should. These diverse women from across space and time are grouped into easily accessible and engaging monthly themes like Educators, Villains, Indigenous Storytellers, Activists, and many more.  Womanica is hosted by WMN co-founder and award-winning journalist Jenny Kaplan. The bite-sized episodes pack painstakingly researched content into fun, entertaining, and addictive daily adventures.  Womanica was created by Liz Kaplan and Jenny Kaplan, executive produced by Jenny Kaplan, and produced by Liz Smith, Grace Lynch, Maddy Foley, Brittany Martinez, Edie Allard, Lindsey Kratochwill, Adesuwa Agbonile, Carmen Borca-Carrillo, Taylor Williamson, Ale Tejeda, Sara Schleede, and Abbey Delk. Special thanks to Shira Atkins. Original theme music composed by Miles Moran. Follow Wonder Media Network: Website Instagram Twitter See omnystudio.com/listener for privacy information.

This episode begins our three-part Summer Pediatrician Series with Dr. Stephanie Grice. In this episode, Allison and Dr. Grice are discussing well child visits. They cover how you can prepare for these important visits when your child is an infant or toddler, and then as they grow into a preschooler and an early elementary age child and beyond.  Dr. Grice shares how much time is typically allotted for these visits, and what items are on the provider's checklist to cover in that time.  Allison was able to ask Dr. Grice about many aspects of the well visits: dealing with a child's anxiety or fear of going to the doctor (or receiving shots), what questions are best covered in a well visit and which ones need a separate appointment, how to deal with a sibling that tags along for the appointment, whether it's important to consistently see the same provider, and so much more.  Allison mentioned Episode 43. Every Breastfeeding & Feeding Journey is Unique with Dr. Stephanie Grice Connect with Dr. Grice on Instagram or her website Click here to watch or listen on YouTube  Want to hear more from Allison? Provide your email address here to receive an email from her each week previewing her new episode.  Enjoying How Long ‘Til Bedtime? Please consider rating and reviewing the show. This helps Allison support more parents. Click here, scroll to the bottom, rate the podcast, and select “Write a Review.” And if you're a Spotify listener, you can now leave reviews on Spotify by clicking here. Also, if you subscribe to the show, you won't miss any episodes!  Connect with Allison: Instagram Facebook Website YouTube