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3 episodes with while lee
2 episodes with while lee
2 episodes with while lee
2 episodes with while lee
2 episodes with while lee
2 episodes with while lee
Today on the Knit Picks Podcast we're talking all about our knitting pasts and futures. From learning to knit to taking that knowledge and teaching someone to knit, the Knit Picks Podcast team offers up their experience. First up Lee and Stacey invite friends, co-workers and fellow crafters, Heather and Kate to come on the podcast for a discussion of their knitting and crochet origins. Each starts their craft somewhere but what everyone has in common is that someone else helped them get started. Next Lee and Stacey share tips and tricks for people who want to teach knitting to their friends and family. While Lee has experience teaching knitting classes, Stacey has experience helping people in one-on-one learning sessions. Stacey also shares the old knitting rhyme: “In through the window, run around back, out through the window, off jumps Jack!” Mentioned in This Episode: WeCrochet Podcast Episode 40 – Crochet Jobs Part 3 – Teaching Crochet To Make Money And Get Confident With Arica Presinal & Pia Thadani Aloft Learn to Knit Kits New Learn to Knit Kits - Learn to Cable Coho Cowl Learn to Cable Bowline Hat Knit Picks Learning Center Straight Needles Brava Wool of the Andes Swish Craftster Preciosa Wonderfluff Needle 101 Yarn 101 Stitch N Bitch The Knitters Handbook by Debbie Stoller Stitch N Bitch Nation Dishie Knitting Rules The Yarn Harlot Unravels the Mysteries of Swatcing Stashing Ribbing & Rolling to Free Your Inner Knitter by Stephanie Pearl-McPhee Knitting Needles Timestamps:0:03 Welcome to the Knit Picks Podcast 0:44 Stacey's yarn crafting origin story 2:12 Lee's yarn crafting origin story 3:58 Heather's yarn crafting origin story 7:04 Kate's yarn crafting origin story 14:25 New Knit Picks Learn to Knit Kits! 15:34 Teaching someone to knit tips and tricks 40:33 The Credits
While Lee takes some much needed post-war R & R, Chris is joined by his loving wife Claire as they examine the marriage of an upper-class man who will do what ever it will take to make his life leave him… even with deadly consequences. Featuring Guest Host Claire Swan. Support us on Patreon where you'll find bonus episodes, monthly commentary tracks and all sorts of fun stuff: patreon.com/TheCriterionQuestLee's running a kick-ass Instagram for the show at instagram.com/thecriterionquest/And Chris is on Twitter @CriteronQuest
Mathew Borges was a teenager entirely different from Lee Manuel Viloria-Paulino. While Lee was happy, positive, and able to impart encouraging wisdom to his friends on life and meaning, Mathew was a darker soul. CW: Detailed Descriptions of Extreme Violence Writer: Fiona Guy Learn more about your ad choices. Visit megaphone.fm/adchoices
Our special guest this episode is Lee Kemp, a three time World Champion in Wrestling (1978, 1979 and 1982 all in the 74 kg weight class) and held the record for being the youngest World Champion. In addition to being a champion wrestler, Lee is a father, a wrestling coach, a public speaker, and an author. He learned many of the skill sets needed to navigate his life on the mat. A child of the 60’s, he was adopted at the age of 5, before adoption learned how to find his own contentment in the situation he was in. From a young age Lee learned how to focus on what’s important and tackle whatever he needed to get done. Lee’s childhood with his adoptive family involved a lot of hard work. His family moved from the city to a rural neighborhood and he worked on a farm. There was a certain strictness his father held, if farm work needed to get done it had to get done. Over the summers of Lee’s youth, he learned about finding contentment in hard work and became comfortable being uncomfortable. Lee started wrestling in high school in the 9th grade and made the varsity team in the 10th grade, his first season in varsity he won as many matches as he lost. The summer between the 10th and the 11th grade year was the turning point for young Lee. He attended a Wrestling Camp that the wrestler Dan Gable was at right before the Olympic games of 1972, what he learned from Dan Gable at that camp became the catalyst for Lee becoming a different wrestler and different person. Lee gained a new mindset from that wrestling camp with Dan Gable. Coach Lee went on to win the state championship as a junior in high school, defeating the defending state champion. As the episode progresses, Ron and Chris ask Lee about his philosophies on consistency. Lee describes that at each point in his journey to be a champion wrestler he took every opportunity to learn more about his game and his opponents. While Lee was in wrestling camp with Dan Gable, he was the only willing volunteer that would allow Dan to try out wrestling moves on him. Lee knew that if he could understand how one of the greatest wrestlers performed offensively and defensively he could at a minimum learn something new and potentially incorporate it into his style. Lee’s determination has always been contagious and a positive influence to his community. An example that Lee shares is the story of his wrestling teammate Pat Christenson. Before defeating Dan Gable, Wisconsin had a drought of national champions in wrestling. Pat Christenson shared with Lee after defeating Gable he realized he could aspire to become a world champion also. Impactful Moments During The Episode 01:30 - Welcome back to the Hacker Valley Studio. 01:56 - Introducing the three time world champion Lee Kemp. 03:04 - A child of the sixties and learning how to give back. 04:18 - Understanding where you come from and learning to be content. 07:01 - Characteristics of grit. 08:43 - Overcoming the biggest roadblock to success. 11:08 - Finding a worthwhile goal as a high school wrestler and learning from the best. 12:26 - The inflection point towards success for wrestler Lee Kemp 14:24 - The fateful wrestling camp experience of 1972. 16:25 - Watching your camp coach from the summer with Olympic Gold. 17:28 - Lee Kemp finds the opportunity to wrestle against his former wrestling camp Coach, the gold medal winner Dan Gable. 19:05 - How Lee stayed focused on wrestling Gable despite detractors and distractions. 21:20 - Finding a different mindset, finding a different Lee Kemp. 22:51 - Taking little steps of confidence towards goals. 24:11 - Lee Kemp being in the moment wrestling in the last 30 seconds against Gable. 25:53 - From being in the moment to being part of the moment. 27:30 - The reaction to breaking expectations 29:00 - A rivalry that couldn’t be played out in competition, an unofficial match between Kemp and Gable 31:00 - Moving mountains 32:57 - Inspiring future wrestling champions at University of Wisconsin 34:30 - Having a mindset and attitude for making things possible 36:30 - Thank you for listening to Part 1 of Lee Kemp on Hacker Valley. Links: Learn more about Lee Kemp and pick up his book Wrestled Away. Learn more about Hacker Valley Studio. Support Hacker Valley Studio on Patreon. Follow Hacker Valley Studio on Twitter. Follow hosts Ron Eddings and Chris Cochran on Twitter. Learn more about our sponsor ByteChek.
The proposal would get California school kids back in classrooms by mid-April. But Governor Newsom said it doesn't go far enough or fast enough. Reporter: Vanessa Rancano, KQED The biography of the Marvel Comics icon sheds light not only on Stan Lee's immense success, but also his failures. While Lee had a lasting impact on the world of comics, his influence also extends to the global entertainment industry. Guest: Abraham Reisman, Author of "True Believer: The Rise and Fall of Stan Lee"
Funkmaster B is making a mess in the Haunted Barn. While Lee cleans up Dan throws it back to Beyond Terrestrial's first vampire show. Who is the best movie Dracula? What makes vampires sexy? And how do we unknowingly let energy vampires drain our precious life force? All that and more in our vampire throwback!https://alasdairf.medium.com/psychic-self-defense-defending-against-psychic-attack-and-psi-vampires-c420b76c62ed See acast.com/privacy for privacy and opt-out information.
While Lee was running a bunch of games for GenCon 2020, Dan got to sit down and talk with Tomas Härenstam of Free League Publishing. Free League Publishing just won an award from the 2020 Ennies for the Fan Award for Best Publisher, the game Mork Borg won Silver for Best Game, and their Alien The Roleplaying Game won Gold for Best game. Thomas discusses the beginning of Free League Publishing, why they created their own game mechanics, Aliens RPG, and their next game Twilight 2000.
Mathew Borges was a teenager entirely different from Lee Manuel Viloria-Paulino. While Lee was happy, positive, and able to impart encouraging wisdom to his friends on life and meaning, Mathew was a darker soul. CW: Detailed Descriptions of Extreme Violence Writer: Fiona Guy Learn more about your ad choices. Visit megaphone.fm/adchoices
Ever wonder about the history of the PMP exam? Have you heard of the upcoming changes to the PMP in 2021? Why was there a change to the REP program and how PMP training is being conducted. In this episode we have a fun and informative discussion with Sierra Hampton-Simmons and Lee Lambert talking all things PMP.Lee Lambert is a PMI Fellow and one of the founders of the PMP exam. He shared with us the history of the PMP. When it started, how it started, why it is called the PMP and more. Back in the early days, Lee was the one reviewing every application for the exam. A little trivia for you...How many people took the original exam? Tune in to hear Lee share his story. Sierra Hampton-Simmons is the Director of Certification Products with PMI and is responsible for the PMP and all the certifications PMI offers. While Lee gave us the PMP history, Sierra shared where we are heading with the exam in the years to come. She discussed the changes coming in 2021 and how to best prepare. Sierra also shared info on the PMI program to assist Veterans with Project Management and the PMP. Listen to hear Sierra's story and learn why she isn't PMP certified.Thanks to our sponsor THE PMO SQUAD. Visit www.thepmosquad.com to learn to Empower People to Deliver Results and assist your PMO as you evolve in the new post-COVID business world.Check out all prior episodes and upcoming guests by visiting www.projectmanagementofficehours.com.
Even if someone has never watched an Italian Western, there's at least a good chance they've heard the soundtrack or score from one. While Lee has featured some tracks from Italian Westerns before on the show, he's never done a dedicated look at the genre. This will be part one of three shows attempting to cover the scope of music that came from the Italian Westerns. Episode one is focused on selections that have vocalists on the tracks singing a song of some sort (note: the typical chorus of unintelligible chanting found on many Italian Western scores does not count in this case). As mentioned before, in some cases, you'll encounter a track that has been featured on a previous episode, but the majority of these shows will be featuring new material. Also, although he states on the episode that he was trying to keep this episode within the usual confines of an hour runtime, he quickly discovered the folly of that, as there is too much great music to play. Expect all of the episodes in this series to be as long as they have to be. --A Gringo Like Me from "Gunfight at Red Sands" (1963) --Ennio Morricone w/Peter Tevis --The Return of Ringo from "The Return of Ringo" (1965) --Ennio Morricone w/Maurizio Graf --A Lone and Angry Man from "A Coffin for the Sheriff" (1965) --Francesco De Masi w/Peter Tevis --Ya Me Voy from "A Bullet for the General" (1966) --Luis Bacalov w/Ramon Mereles --Texas, Adios from "Texas, Adios" (1966) --Anton Garcia Abril w/Don Powell --Django from "Django" (1966) --Luis Bacalov w/Rocky Roberts --For a Gunshot from "Little Rita of the West" (1967) --Roberto Gigli w/Rita Pavone--Who Is The Man? from "A Taste of Death" (1968) --Francesco De Masi; Alessandro Alessandroni & Giulia De Mutiis w/Raoul Lovecchio --Just A Coward from "And Now... Make Your Peace with God" (1968) --Franco Bixio w/Mary Usuah --A Man Alone from "Time and Place for Killing" (1968) --Francesco De Masi w/Raoul Lovecchio --Rocks, Blood And Sand from "And God Said to Cain" (1969) --Carlo Savina w/Don Powell --Maya from "No Room to Die" (1969) --Vasco & Mancuso w/Franco Morselli --Vamos A Matar Compañeros (#4) from "Companeros" (1970) --Ennio Morricone --A King For A Day from "Sartana in the Valley of Death" (1970) --Augusto Martelli --Trinity: Titles from "They Call Me Trinity" (1970) --Franco Micalizzi & Harold Stott w/Annibale Giannarelli --They Called Him King from "His Name was King" (1971) --Luis Bacalov w/Ann Collin & Edda Dell’Orso --I'm Not Your Pony from "Shoot the Living and Pray for the Dead" (1971) --Mario Migliardi w/Ann Collin --Can Be Done from "It Can Be Done Amigo" (1972) --Luis Bacalov w/Rocky Roberts --Let it Rain, Let it Pour from "Ben and Charlie" (1972) --Gianni Ferrio w/Stefan Grossmann --Blue Eggs and Ham from "Halleluja to Vera Cruz" (1973) --Luis Bacalov --Keoma from "Keoma" (1976) --Guido & Maurizio De Angelis w/Sybil & Guy Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.
Episode seventy-nine of A History of Rock Music in Five Hundred Songs looks at “Sweet Nothin’s” by Brenda Lee, and at the career of a performer who started in the 1940s and who was most recently in the top ten only four months ago. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “16 Candles” by the Crests. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Errata: I say that the A-Team played on “every” rock and roll or country record out of Nashville. This is obviously an exaggeration. It was just an awful lot of the most successful ones. It has also been pointed out to me that the version of “Dynamite” I use in the podcast is actually a later remake by Lee. This is one of the perennial problems with material from this period — artists would often remake their hits, sticking as closely as possible to the original, and these remakes often get mislabelled on compilation CDs. My apologies. Resources As always, I’ve put together a Mixcloud playlist of all the songs excerpted in the episode. Most of the information in here comes from Brenda Lee’s autobiography, Little Miss Dynamite, though as with every time I rely on an autobiography I’ve had to check the facts in dozens of other places. And there are many decent, cheap, compilations of Lee’s music. This one is as good as any. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A couple of months ago, we looked in some detail at the career of Wanda Jackson, and in the second of those episodes we talked about how her career paralleled that of Brenda Lee, but didn’t go into much detail about why Lee was important. But Brenda Lee was the biggest solo female star of the sixties, even though her music has largely been ignored by later generations. According to Joel Whitburn, she was the fourth most successful artist in terms of the American singles charts in that whole decade — just behind the Beatles, Elvis Presley, and Ray Charles, and just ahead of the Supremes and the Beach Boys, in that order. Despite the fact that she’s almost completely overlooked now, she was a massively important performer — while membership of the “hall of fame” doesn’t mean much in itself, it does say something that so far she is the *only* solo female performer to make both the rock and roll and country music halls of fame. And she’s the only performer we’ve dealt with so far to have a US top ten hit in the last year. So today we’re going to have a look at the career of the girl who was known as “Little Miss Dynamite”: [Excerpt: Brenda Lee, “Sweet Nothin’s”] Lee’s music career started before she was even in school. She started performing when she was five, and by the time she was six she was a professional performer. So by the time she first came to a wider audience, aged ten, she was already a seasoned professional. Her father died when she was very young, and she very quickly became the sole breadwinner of the household. She changed her name from Brenda Tarpley to the catchier Brenda Lee, she started performing on the Peach Blossom Special, a local sub-Opry country radio show, and she got her own radio show. Not only that, her stepfather opened the Brenda Lee Record Shop, where she would broadcast her show every Saturday — a lot of DJs and musicians performed their shows in record shop windows at that time, as a way of drawing crowds into the shops. All of this was before she turned eleven. One small piece of that radio show still exists on tape — some interaction between her and her co-host Peanut Faircloth, who was the MC and guitar player for the show — and who fit well with Brenda, as he was four foot eight, and Brenda never grew any taller than four foot nine. You can hear that when she was talking with Faircloth, she was as incoherent as any child would be: [Excerpt: Brenda Lee and Peanut Faircloth dialogue] But when she sang on the show, she sounded a lot more professional than almost any child vocalist you’ll ever hear: [Excerpt: Brenda Lee and Peanut Faircloth, “Jambalaya”] Her big break actually came from *not* doing a show. She was meant to be playing the Peach Blossom Special one night, but she decided that rather than make the thirty dollars she would make from that show, she would go along to see Red Foley perform. Foley was one of the many country music stars who I came very close to including in the first year of this podcast. He was one of the principal architects of the hillbilly boogie style that led to the development of rockabilly, and he was a particular favourite of both Elvis Presley and Jerry Lee Lewis — Elvis’ first ever public performance was him singing one of Foley’s songs, the ballad “Old Shep”. But more typical of Foley’s style was his big hit “Sugarfoot Rag”: [Excerpt: Red Foley, “Sugarfoot Rag”] Foley had spent a few years in semi-retirement — his wife had died by suicide a few years earlier, and he had reassessed his priorities a little as a result. But he had recently been tempted back out onto the road as a result of his being offered a chance to host his own TV show, the Ozark Jubilee, which was one of the very first country music shows on television. And the Ozark Jubilee put on tours, and one was coming to Georgia. Peanut Faircloth, who worked with Brenda on her radio show, was the MC for that Ozark Jubilee show, and Brenda’s parents persuaded Faircloth to let Brenda meet Foley, in the hopes that meeting him would give Brenda’s career a boost. She not only got to meet Foley, but Faircloth managed to get her a spot on the show, singing “Jambalaya”. Red Foley said of that performance many years later: “I still get cold chills thinking about the first time I heard that voice. One foot started patting rhythm as though she was stomping out a prairie fire but not another muscle in that little body even as much as twitched. And when she did that trick of breaking her voice, it jarred me out of my trance enough to realize I’d forgotten to get off the stage. There I stood, after 26 years of supposedly learning how to conduct myself in front of an audience, with my mouth open two miles wide and a glassy stare in my eyes.” Foley got Brenda to send a demo tape to the producers of the Ozark Jubilee — that’s the tape we heard earlier, of her radio show, which was saved in the Ozark Jubilee’s archives, and Brenda immediately became a regular on the show. Foley also got her signed to Decca, the same label he was on, and she went into the studio in Nashville with Owen Bradley, who we’ve seen before producing Buddy Holly, Gene Vincent, Johnny Burnette, and Wanda Jackson, though at this point Bradley was only the engineer and pianist on her sessions — Paul Cohen was the producer. Her first single was released in September 1956, under the name “Little Brenda Lee (9 Years Old)”, though in fact she was almost twelve when it came out. It was a version of “Jambalaya”, which was always her big showstopper on stage: [Excerpt: Little Brenda Lee (9 Years Old), “Jambalaya”] Neither that nor her follow-up, a novelty Christmas record, were particularly successful, but they were promoted well enough to get her further national TV exposure. It also got her a new manager, though in a way she’d never hoped for or wanted. Her then manager, Lou Black, got her a spot performing at the national country DJs convention in Nashville, where she sang “Jambalaya” backed by Bob Wills and the Texas Playboys. She went down a storm, but the next night Black died suddenly, of a heart attack. Dub Albritten, Red Foley’s manager, was at the convention, and took the opportunity to sign Brenda up immediately. Albritten got her a lot of prestigious bookings — for example, she became the youngest person ever to headline in Las Vegas, on a bill that also included a version of the Ink Spots — and she spent the next couple of years touring and making TV appearances. As well as her regular performances on the Ozark Jubilee she was also a frequent guest on the Steve Allen show and an occasional one on Perry Como’s. She was put on country package tours with George Jones and Patsy Cline, and on rock and roll tours with Danny & the Juniors, the Chantels, and Mickey & Sylvia. This was the start of a split in the way she was promoted that would last for many more years. Albritten was friends with Colonel Tom Parker, and had a similar carny background — right down to having, like Parker, run a scam where he put a live bird on a hot plate to make it look like it was dancing, though in his case he’d done it with a duck rather than a chicken. Albritten had managed all sorts of acts — his first attempt at breaking the music business was when in 1937 he’d helped promote Jesse Owens during Owens’ brief attempt to become a jazz vocalist, but he’d later worked with Hank Williams, Hank Snow, and Ernest Tubb before managing Foley. Brenda rapidly became a big star, but one thing she couldn’t do was get a hit record. The song “Dynamite” gave her the nickname she’d be known by for the rest of her life, “Little Miss Dynamite”, but it wasn’t a hit: [Excerpt: Little Brenda Lee, “Dynamite”] And while her second attempt at a Christmas single, “Rockin’ Around the Christmas Tree”, didn’t chart at all at the time, it’s been a perennial hit over the decades since — in fact its highest position on the charts came in December 2019, sixty-one years after it was released, when it finally reached number two on the charts: [Excerpt: Little Brenda Lee, “Rockin’ Around the Christmas Tree”] Part of the problem at the beginning had been that she had clashed with Paul Cohen — they often disagreed about what songs she should perform. But Cohen eventually left her in the charge of Owen Bradley, who would give her advice about material, but let her choose it herself. While her records weren’t having much success in the US, it was a different story in other countries. Albritten tried — and largely succeeded — to make her a breakout star in countries other than the US, where there was less competition. She headlined the Paris Olympia, appeared on Oh Boy! in the UK, and inspired the kind of riots in Brazil that normally didn’t start to hit until Beatlemania some years later — and to this day she still has a very substantial Latin American fanbase as a result of Albritten’s efforts. But in the US, her rockabilly records were unsuccessful, even as she was a massively popular performer live and on TV. So Bradley decided to take a different tack. While she would continue making rock and roll singles, she was going to do an album of old standards from the 1920s, to be titled “Grandma, What Great Songs You Sang!” But that was no more successful, and it would be from the rockabilly world that Brenda’s first big hit would come. Brenda Lee and Red Foley weren’t the only acts that Dub Albritten managed. In particular, he managed a rockabilly act named Ronnie Self. Self recorded several rockabilly classics, like “Ain’t I’m A Dog”: [Excerpt: Ronnie Self, “Ain’t I’m A Dog”] Self’s biggest success as a performer came with “Bop-A-Lena”, a song clearly intended to cash in on “Be-Bop-A-Lula”, but ending up sounding more like Don and Dewey — astonishingly, this record, which some have called “the first punk record” was written by Webb Pierce and Mel Tillis, two of the most establishment country artists around: [Excerpt: Ronnie Self, “Bop-A-Lena”] That made the lower reaches of the Hot One Hundred, but was Self’s only hit as a performer. While Self was talented, he was also unstable — as a child he had once cut down a tree to block the road so the school bus couldn’t get to his house, and on another occasion he had attacked one of his teachers with a baseball bat. And that was before he started the boozing and the amphetamines. In later years he did things like blast away an entire shelf of his demos with a shotgun, get into his car and chase people, trying to knock them down, and set fire to all his gold records outside his publisher’s office after he tried to play one of them on his record player and discovered it wouldn’t play. Nobody was very surprised when he died in 1981, aged only forty-three. But while Self was unsuccessful and unstable, Albritten saw something in him, and kept trying to find ways to build his career up, and after Self’s performing career seemed to go absolutely nowhere, he started pushing Self as a songwriter, and Self came up with the song that would change Brenda Lee’s career – “Sweet Nothin’s”: [Excerpt: Brenda Lee, “Sweet Nothin’s”] “Sweet Nothin’s” became a massive hit, reaching number four on the charts both in the UK and the US in early 1960. After a decade of paying her dues, Brenda Lee was a massive rock and roll star at the ripe old age of fifteen. But she was still living in a trailer park. Because she was a minor, her money was held in trust to stop her being exploited — but rather too much was being kept back. The court had only allowed her to receive seventy-five dollars a week, which she was supporting her whole family on. That was actually almost dead on the average wage for the time, but it was low enough that apparently there was a period of several weeks where her family were only eating potatoes. Eventually they petitioned the court to allow some of the money to be released — enough for her to buy a house for her family. Meanwhile, as she was now a hitmaker, she was starting to headline her own tours — “all-star revues”. But there were fewer stars on them than the audience thought. The Hollywood Argyles and Johnny Preston were both genuine stars, but some of the other acts were slightly more dubious. She’d recently got her own backing band, the Casuals, who have often been called Nashville’s first rock and roll band. They’d had a few minor local hits that hadn’t had much national success, like “My Love Song For You”: [Excerpt: The Casuals, “My Love Song For You”] They were led by Buzz Cason, who would go on to a very long career in the music business, doing everything from singing on some Alvin and the Chipmunks records to being a member of Ronnie and the Daytonas to writing the massive hit “Everlasting Love”. The British singer Garry Mills had released a song called “Look For A Star” that was starting to get some US airplay: [Excerpt: Garry Mills, “Look For A Star”] Cason had gone into the studio and recorded a soundalike version, under the name Garry Miles, chosen to be as similar to the original as possible. His version made the top twenty and charted higher than the original: [Excerpt: Garry Miles, “Look For A Star”] So on the tours, Garry Miles was a featured act too. Cason would come out in a gold lame jacket with his hair slicked back, and perform as Garry Miles. Then he’d go offstage, brush his hair forward, take off the jacket, put on his glasses, and be one of the Casuals. And then the Casuals would back Brenda Lee after their own set. As far as anyone knew, nobody in the audience seemed to realise that Garry Miles and Buzz Cason were the same person. And at one point, two of the Casuals — Cason and Richard Williams — had a minor hit with Hugh Jarrett of the Jordanaires as The Statues, with their version of “Blue Velvet”: [Excerpt: The Statues, “Blue Velvet”] And so sometimes The Statues would be on the bill too… But it wasn’t the Casuals who Brenda was using in the studio. Instead it was the group of musicians who became known as the core of the Nashville A-Team — Bob Moore, Buddy Harmon, Ray Edenton, Hank Garland, Grady Martin, Floyd Cramer, and Boots Randolph. Those session players played on every rock and roll or country record to come out of Nashville in the late fifties and early sixties, including most of Elvis’ early sixties records, and country hits by Patsy Cline, Jim Reeves, George Jones and others. And so it was unsurprising that Brenda’s biggest success came, not with rock and roll music, but with the style of country known as the Nashville Sound. The Nashville Sound is a particular style of country music that was popular in the late fifties and early sixties, and Owen Bradley was one of the two producers who created it (Chet Atkins was the other one), and almost all of the records with that sound were played on by the A-Team. It was one of the many attempts over the years to merge country music with current pop music to try to make it more successful. In this case, they got rid of the steel guitars, fiddles, and honky-tonk piano, and added in orchestral strings and vocal choruses. The result was massively popular — Chet Atkins was once asked what the Nashville Sound was, and he put his hand in his pocket and jingled his change — but not generally loved by country music purists. Brenda Lee’s first number one hit was a classic example of the Nashville Sound — though it wasn’t originally intended that that would be the hit. To follow up “Sweet Nothin’s”, they released another uptempo song, this time written by Jerry Reed, who would go on to write “Guitar Man” for Elvis, among others: [Excerpt: Brenda Lee, “That’s All You Gotta Do”] That went to number six in the charts — a perfectly successful follow-up to a number four hit record. But as it turned out, the B-side did even better. The B-side was another song written by Ronnie Self — a short song called “I’m Sorry”, which Owen Bradley thought little of. He later said “I thought it kind of monotonous. It was just ‘I’m sorry, I’m sorry, I’m sorry’ over and over”. But Brenda liked it, and it was only going to be a B-side. The song was far too short, so in the studio they decided to have her recite the lyrics in the middle of the song, the way the Ink Spots did: [Excerpt: Brenda Lee, “I’m Sorry”] Everyone concerned was astonished when that record overtook its A-side on the charts, and went all the way to number one, even while “That’s All You Gotta Do” was also in the top ten. This established a formula for her records for the next few years — one side would be a rock and roll song, while the other would be a ballad. Both sides would chart — and in the US, usually the ballads would chart higher, while in other countries, it would tend to be the more uptempo recordings that did better, which led to her getting a very different image in the US, where she quickly became primarily known as an easy listening pop singer and had a Vegas show choreographed and directed by Judy Garland’s choreographer, and in Europe, where for example she toured in 1962 on the same bill as Gene Vincent, billed as “the King and Queen of Rock and Roll”, performing largely rockabilly music. Those European tours also led to the story which gets repeated most about Brenda Lee, and which she repeats herself at every opportunity, but which seems as far as I can tell to be completely untrue. She regularly claims that after her UK tour with Vincent in 1962, they both went over to tour military bases in Germany, where they met up with Little Richard, and the three of them all went off to play the Star Club in Hamburg together, where the support act was a young band called the Beatles, still with their drummer Pete Best. She says she tried to get her record label interested in them, but they wouldn’t listen, and they regretted it a couple of years later. Now, Brenda Lee *did* play the Star Club at some point in 1962, and I haven’t been able to find the dates she played it. But the story as she tells it is full of holes. The tour she did with Gene Vincent ended in mid-April, around the same time that the Beatles started playing the Star Club. So far so good. But then Vincent did another UK tour, and didn’t head to Germany until the end of May — he performed on the same bill as the Beatles on their last three nights there. By that time, Lee was back in the USA — she recorded her hit “It Started All Over Again” in Nashville on May the 18th: [Excerpt: Brenda Lee, “It Started All Over Again”] Little Richard, meanwhile, did play the Star Club with the Beatles, but not until November, and he didn’t even start performing rock and roll again until October. Brenda Lee is not mentioned in Mark Lewisohn’s utterly exhaustive books on the Beatles except in passing — Paul McCartney would sometimes sing her hit “Fool #1” on stage with the Beatles, and he went to see her on the Gene Vincent show when they played Birkenhead, because he was a fan of hers — and if Lewisohn doesn’t mention something in his books, it didn’t happen. (I’ve tweeted at Lewisohn to see if he can confirm that she definitely didn’t play on the same bill as them, but not had a response before recording this). So Brenda Lee’s most often-told story, sadly, seems to be false. The Beatles don’t seem to have supported her at the Star Club. Over the next few years, she continued to rack up hits both at home and abroad, but in the latter half of the sixties the hits started to dry up — her last top twenty pop hit in the US, other than seasonal reissues of “Rockin’ Around the Christmas Tree”, was in 1966. But in the seventies, she reinvented herself, without changing her style much, by marketing to the country market, and between 1973 and 1980 she had nine country top ten hits, plus many more in the country top forty. She was helped in this when her old schoolfriend Rita Coolidge married Kris Kristofferson, who wrote her a comeback hit, “Nobody Wins”: [Excerpt: Brenda Lee, “Nobody Wins”] Her career went through another downturn in the eighties as fashions changed in country music like they had in pop and rock, but she reinvented herself again, as a country elder stateswoman, guesting with her old friends Kitty Wells and Loretta Lynn on the closing track on k.d. lang’s first solo album Shadowland: [Excerpt: k.d. lang, Kitty Wells, Loretta Lynn, and Brenda Lee, “Honky Tonk Angels Medley”] While Lee has had the financial and personal ups and downs of everyone in the music business, she seems to be one of the few child stars who came through the experience happily. She married the first person she ever dated, shortly after her eighteenth birthday, and they remain together to this day — they celebrate their fifty-seventh anniversary this week. She continues to perform occasionally, though not as often as she used to, and she’s not gone through any of the dramas with drink and drugs that killed so many of her contemporaries. She seems, from what I can tell, to be genuinely content. Her music continues to turn up in all sorts of odd ways — Kanye West sampled “Sweet Nothin’s” in 2013, on his hit single “Bound 2” – which I’m afraid I can’t excerpt here, as the lyrics would jeopardise my iTunes clean rating. And as I mentioned at the start, she had “Rockin’ Around the Christmas Tree” go to number two on the US charts just last December. And at seventy-five years old, there’s a good chance she has many more active years left in her. I wish I could end all my episodes anything like as happily.
Episode seventy-nine of A History of Rock Music in Five Hundred Songs looks at “Sweet Nothin’s” by Brenda Lee, and at the career of a performer who started in the 1940s and who was most recently in the top ten only four months ago. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a ten-minute bonus episode available, on “16 Candles” by the Crests. Tilt Araiza has assisted invaluably by doing a first-pass edit, and will hopefully be doing so from now on. Check out Tilt’s irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ —-more—- Errata: I say that the A-Team played on “every” rock and roll or country record out of Nashville. This is obviously an exaggeration. It was just an awful lot of the most successful ones. It has also been pointed out to me that the version of “Dynamite” I use in the podcast is actually a later remake by Lee. This is one of the perennial problems with material from this period — artists would often remake their hits, sticking as closely as possible to the original, and these remakes often get mislabelled on compilation CDs. My apologies. Resources As always, I’ve put together a Mixcloud playlist of all the songs excerpted in the episode. Most of the information in here comes from Brenda Lee’s autobiography, Little Miss Dynamite, though as with every time I rely on an autobiography I’ve had to check the facts in dozens of other places. And there are many decent, cheap, compilations of Lee’s music. This one is as good as any. Patreon This podcast is brought to you by the generosity of my backers on Patreon. Why not join them? Transcript A couple of months ago, we looked in some detail at the career of Wanda Jackson, and in the second of those episodes we talked about how her career paralleled that of Brenda Lee, but didn’t go into much detail about why Lee was important. But Brenda Lee was the biggest solo female star of the sixties, even though her music has largely been ignored by later generations. According to Joel Whitburn, she was the fourth most successful artist in terms of the American singles charts in that whole decade — just behind the Beatles, Elvis Presley, and Ray Charles, and just ahead of the Supremes and the Beach Boys, in that order. Despite the fact that she’s almost completely overlooked now, she was a massively important performer — while membership of the “hall of fame” doesn’t mean much in itself, it does say something that so far she is the *only* solo female performer to make both the rock and roll and country music halls of fame. And she’s the only performer we’ve dealt with so far to have a US top ten hit in the last year. So today we’re going to have a look at the career of the girl who was known as “Little Miss Dynamite”: [Excerpt: Brenda Lee, “Sweet Nothin’s”] Lee’s music career started before she was even in school. She started performing when she was five, and by the time she was six she was a professional performer. So by the time she first came to a wider audience, aged ten, she was already a seasoned professional. Her father died when she was very young, and she very quickly became the sole breadwinner of the household. She changed her name from Brenda Tarpley to the catchier Brenda Lee, she started performing on the Peach Blossom Special, a local sub-Opry country radio show, and she got her own radio show. Not only that, her stepfather opened the Brenda Lee Record Shop, where she would broadcast her show every Saturday — a lot of DJs and musicians performed their shows in record shop windows at that time, as a way of drawing crowds into the shops. All of this was before she turned eleven. One small piece of that radio show still exists on tape — some interaction between her and her co-host Peanut Faircloth, who was the MC and guitar player for the show — and who fit well with Brenda, as he was four foot eight, and Brenda never grew any taller than four foot nine. You can hear that when she was talking with Faircloth, she was as incoherent as any child would be: [Excerpt: Brenda Lee and Peanut Faircloth dialogue] But when she sang on the show, she sounded a lot more professional than almost any child vocalist you’ll ever hear: [Excerpt: Brenda Lee and Peanut Faircloth, “Jambalaya”] Her big break actually came from *not* doing a show. She was meant to be playing the Peach Blossom Special one night, but she decided that rather than make the thirty dollars she would make from that show, she would go along to see Red Foley perform. Foley was one of the many country music stars who I came very close to including in the first year of this podcast. He was one of the principal architects of the hillbilly boogie style that led to the development of rockabilly, and he was a particular favourite of both Elvis Presley and Jerry Lee Lewis — Elvis’ first ever public performance was him singing one of Foley’s songs, the ballad “Old Shep”. But more typical of Foley’s style was his big hit “Sugarfoot Rag”: [Excerpt: Red Foley, “Sugarfoot Rag”] Foley had spent a few years in semi-retirement — his wife had died by suicide a few years earlier, and he had reassessed his priorities a little as a result. But he had recently been tempted back out onto the road as a result of his being offered a chance to host his own TV show, the Ozark Jubilee, which was one of the very first country music shows on television. And the Ozark Jubilee put on tours, and one was coming to Georgia. Peanut Faircloth, who worked with Brenda on her radio show, was the MC for that Ozark Jubilee show, and Brenda’s parents persuaded Faircloth to let Brenda meet Foley, in the hopes that meeting him would give Brenda’s career a boost. She not only got to meet Foley, but Faircloth managed to get her a spot on the show, singing “Jambalaya”. Red Foley said of that performance many years later: “I still get cold chills thinking about the first time I heard that voice. One foot started patting rhythm as though she was stomping out a prairie fire but not another muscle in that little body even as much as twitched. And when she did that trick of breaking her voice, it jarred me out of my trance enough to realize I’d forgotten to get off the stage. There I stood, after 26 years of supposedly learning how to conduct myself in front of an audience, with my mouth open two miles wide and a glassy stare in my eyes.” Foley got Brenda to send a demo tape to the producers of the Ozark Jubilee — that’s the tape we heard earlier, of her radio show, which was saved in the Ozark Jubilee’s archives, and Brenda immediately became a regular on the show. Foley also got her signed to Decca, the same label he was on, and she went into the studio in Nashville with Owen Bradley, who we’ve seen before producing Buddy Holly, Gene Vincent, Johnny Burnette, and Wanda Jackson, though at this point Bradley was only the engineer and pianist on her sessions — Paul Cohen was the producer. Her first single was released in September 1956, under the name “Little Brenda Lee (9 Years Old)”, though in fact she was almost twelve when it came out. It was a version of “Jambalaya”, which was always her big showstopper on stage: [Excerpt: Little Brenda Lee (9 Years Old), “Jambalaya”] Neither that nor her follow-up, a novelty Christmas record, were particularly successful, but they were promoted well enough to get her further national TV exposure. It also got her a new manager, though in a way she’d never hoped for or wanted. Her then manager, Lou Black, got her a spot performing at the national country DJs convention in Nashville, where she sang “Jambalaya” backed by Bob Wills and the Texas Playboys. She went down a storm, but the next night Black died suddenly, of a heart attack. Dub Albritten, Red Foley’s manager, was at the convention, and took the opportunity to sign Brenda up immediately. Albritten got her a lot of prestigious bookings — for example, she became the youngest person ever to headline in Las Vegas, on a bill that also included a version of the Ink Spots — and she spent the next couple of years touring and making TV appearances. As well as her regular performances on the Ozark Jubilee she was also a frequent guest on the Steve Allen show and an occasional one on Perry Como’s. She was put on country package tours with George Jones and Patsy Cline, and on rock and roll tours with Danny & the Juniors, the Chantels, and Mickey & Sylvia. This was the start of a split in the way she was promoted that would last for many more years. Albritten was friends with Colonel Tom Parker, and had a similar carny background — right down to having, like Parker, run a scam where he put a live bird on a hot plate to make it look like it was dancing, though in his case he’d done it with a duck rather than a chicken. Albritten had managed all sorts of acts — his first attempt at breaking the music business was when in 1937 he’d helped promote Jesse Owens during Owens’ brief attempt to become a jazz vocalist, but he’d later worked with Hank Williams, Hank Snow, and Ernest Tubb before managing Foley. Brenda rapidly became a big star, but one thing she couldn’t do was get a hit record. The song “Dynamite” gave her the nickname she’d be known by for the rest of her life, “Little Miss Dynamite”, but it wasn’t a hit: [Excerpt: Little Brenda Lee, “Dynamite”] And while her second attempt at a Christmas single, “Rockin’ Around the Christmas Tree”, didn’t chart at all at the time, it’s been a perennial hit over the decades since — in fact its highest position on the charts came in December 2019, sixty-one years after it was released, when it finally reached number two on the charts: [Excerpt: Little Brenda Lee, “Rockin’ Around the Christmas Tree”] Part of the problem at the beginning had been that she had clashed with Paul Cohen — they often disagreed about what songs she should perform. But Cohen eventually left her in the charge of Owen Bradley, who would give her advice about material, but let her choose it herself. While her records weren’t having much success in the US, it was a different story in other countries. Albritten tried — and largely succeeded — to make her a breakout star in countries other than the US, where there was less competition. She headlined the Paris Olympia, appeared on Oh Boy! in the UK, and inspired the kind of riots in Brazil that normally didn’t start to hit until Beatlemania some years later — and to this day she still has a very substantial Latin American fanbase as a result of Albritten’s efforts. But in the US, her rockabilly records were unsuccessful, even as she was a massively popular performer live and on TV. So Bradley decided to take a different tack. While she would continue making rock and roll singles, she was going to do an album of old standards from the 1920s, to be titled “Grandma, What Great Songs You Sang!” But that was no more successful, and it would be from the rockabilly world that Brenda’s first big hit would come. Brenda Lee and Red Foley weren’t the only acts that Dub Albritten managed. In particular, he managed a rockabilly act named Ronnie Self. Self recorded several rockabilly classics, like “Ain’t I’m A Dog”: [Excerpt: Ronnie Self, “Ain’t I’m A Dog”] Self’s biggest success as a performer came with “Bop-A-Lena”, a song clearly intended to cash in on “Be-Bop-A-Lula”, but ending up sounding more like Don and Dewey — astonishingly, this record, which some have called “the first punk record” was written by Webb Pierce and Mel Tillis, two of the most establishment country artists around: [Excerpt: Ronnie Self, “Bop-A-Lena”] That made the lower reaches of the Hot One Hundred, but was Self’s only hit as a performer. While Self was talented, he was also unstable — as a child he had once cut down a tree to block the road so the school bus couldn’t get to his house, and on another occasion he had attacked one of his teachers with a baseball bat. And that was before he started the boozing and the amphetamines. In later years he did things like blast away an entire shelf of his demos with a shotgun, get into his car and chase people, trying to knock them down, and set fire to all his gold records outside his publisher’s office after he tried to play one of them on his record player and discovered it wouldn’t play. Nobody was very surprised when he died in 1981, aged only forty-three. But while Self was unsuccessful and unstable, Albritten saw something in him, and kept trying to find ways to build his career up, and after Self’s performing career seemed to go absolutely nowhere, he started pushing Self as a songwriter, and Self came up with the song that would change Brenda Lee’s career – “Sweet Nothin’s”: [Excerpt: Brenda Lee, “Sweet Nothin’s”] “Sweet Nothin’s” became a massive hit, reaching number four on the charts both in the UK and the US in early 1960. After a decade of paying her dues, Brenda Lee was a massive rock and roll star at the ripe old age of fifteen. But she was still living in a trailer park. Because she was a minor, her money was held in trust to stop her being exploited — but rather too much was being kept back. The court had only allowed her to receive seventy-five dollars a week, which she was supporting her whole family on. That was actually almost dead on the average wage for the time, but it was low enough that apparently there was a period of several weeks where her family were only eating potatoes. Eventually they petitioned the court to allow some of the money to be released — enough for her to buy a house for her family. Meanwhile, as she was now a hitmaker, she was starting to headline her own tours — “all-star revues”. But there were fewer stars on them than the audience thought. The Hollywood Argyles and Johnny Preston were both genuine stars, but some of the other acts were slightly more dubious. She’d recently got her own backing band, the Casuals, who have often been called Nashville’s first rock and roll band. They’d had a few minor local hits that hadn’t had much national success, like “My Love Song For You”: [Excerpt: The Casuals, “My Love Song For You”] They were led by Buzz Cason, who would go on to a very long career in the music business, doing everything from singing on some Alvin and the Chipmunks records to being a member of Ronnie and the Daytonas to writing the massive hit “Everlasting Love”. The British singer Garry Mills had released a song called “Look For A Star” that was starting to get some US airplay: [Excerpt: Garry Mills, “Look For A Star”] Cason had gone into the studio and recorded a soundalike version, under the name Garry Miles, chosen to be as similar to the original as possible. His version made the top twenty and charted higher than the original: [Excerpt: Garry Miles, “Look For A Star”] So on the tours, Garry Miles was a featured act too. Cason would come out in a gold lame jacket with his hair slicked back, and perform as Garry Miles. Then he’d go offstage, brush his hair forward, take off the jacket, put on his glasses, and be one of the Casuals. And then the Casuals would back Brenda Lee after their own set. As far as anyone knew, nobody in the audience seemed to realise that Garry Miles and Buzz Cason were the same person. And at one point, two of the Casuals — Cason and Richard Williams — had a minor hit with Hugh Jarrett of the Jordanaires as The Statues, with their version of “Blue Velvet”: [Excerpt: The Statues, “Blue Velvet”] And so sometimes The Statues would be on the bill too… But it wasn’t the Casuals who Brenda was using in the studio. Instead it was the group of musicians who became known as the core of the Nashville A-Team — Bob Moore, Buddy Harmon, Ray Edenton, Hank Garland, Grady Martin, Floyd Cramer, and Boots Randolph. Those session players played on every rock and roll or country record to come out of Nashville in the late fifties and early sixties, including most of Elvis’ early sixties records, and country hits by Patsy Cline, Jim Reeves, George Jones and others. And so it was unsurprising that Brenda’s biggest success came, not with rock and roll music, but with the style of country known as the Nashville Sound. The Nashville Sound is a particular style of country music that was popular in the late fifties and early sixties, and Owen Bradley was one of the two producers who created it (Chet Atkins was the other one), and almost all of the records with that sound were played on by the A-Team. It was one of the many attempts over the years to merge country music with current pop music to try to make it more successful. In this case, they got rid of the steel guitars, fiddles, and honky-tonk piano, and added in orchestral strings and vocal choruses. The result was massively popular — Chet Atkins was once asked what the Nashville Sound was, and he put his hand in his pocket and jingled his change — but not generally loved by country music purists. Brenda Lee’s first number one hit was a classic example of the Nashville Sound — though it wasn’t originally intended that that would be the hit. To follow up “Sweet Nothin’s”, they released another uptempo song, this time written by Jerry Reed, who would go on to write “Guitar Man” for Elvis, among others: [Excerpt: Brenda Lee, “That’s All You Gotta Do”] That went to number six in the charts — a perfectly successful follow-up to a number four hit record. But as it turned out, the B-side did even better. The B-side was another song written by Ronnie Self — a short song called “I’m Sorry”, which Owen Bradley thought little of. He later said “I thought it kind of monotonous. It was just ‘I’m sorry, I’m sorry, I’m sorry’ over and over”. But Brenda liked it, and it was only going to be a B-side. The song was far too short, so in the studio they decided to have her recite the lyrics in the middle of the song, the way the Ink Spots did: [Excerpt: Brenda Lee, “I’m Sorry”] Everyone concerned was astonished when that record overtook its A-side on the charts, and went all the way to number one, even while “That’s All You Gotta Do” was also in the top ten. This established a formula for her records for the next few years — one side would be a rock and roll song, while the other would be a ballad. Both sides would chart — and in the US, usually the ballads would chart higher, while in other countries, it would tend to be the more uptempo recordings that did better, which led to her getting a very different image in the US, where she quickly became primarily known as an easy listening pop singer and had a Vegas show choreographed and directed by Judy Garland’s choreographer, and in Europe, where for example she toured in 1962 on the same bill as Gene Vincent, billed as “the King and Queen of Rock and Roll”, performing largely rockabilly music. Those European tours also led to the story which gets repeated most about Brenda Lee, and which she repeats herself at every opportunity, but which seems as far as I can tell to be completely untrue. She regularly claims that after her UK tour with Vincent in 1962, they both went over to tour military bases in Germany, where they met up with Little Richard, and the three of them all went off to play the Star Club in Hamburg together, where the support act was a young band called the Beatles, still with their drummer Pete Best. She says she tried to get her record label interested in them, but they wouldn’t listen, and they regretted it a couple of years later. Now, Brenda Lee *did* play the Star Club at some point in 1962, and I haven’t been able to find the dates she played it. But the story as she tells it is full of holes. The tour she did with Gene Vincent ended in mid-April, around the same time that the Beatles started playing the Star Club. So far so good. But then Vincent did another UK tour, and didn’t head to Germany until the end of May — he performed on the same bill as the Beatles on their last three nights there. By that time, Lee was back in the USA — she recorded her hit “It Started All Over Again” in Nashville on May the 18th: [Excerpt: Brenda Lee, “It Started All Over Again”] Little Richard, meanwhile, did play the Star Club with the Beatles, but not until November, and he didn’t even start performing rock and roll again until October. Brenda Lee is not mentioned in Mark Lewisohn’s utterly exhaustive books on the Beatles except in passing — Paul McCartney would sometimes sing her hit “Fool #1” on stage with the Beatles, and he went to see her on the Gene Vincent show when they played Birkenhead, because he was a fan of hers — and if Lewisohn doesn’t mention something in his books, it didn’t happen. (I’ve tweeted at Lewisohn to see if he can confirm that she definitely didn’t play on the same bill as them, but not had a response before recording this). So Brenda Lee’s most often-told story, sadly, seems to be false. The Beatles don’t seem to have supported her at the Star Club. Over the next few years, she continued to rack up hits both at home and abroad, but in the latter half of the sixties the hits started to dry up — her last top twenty pop hit in the US, other than seasonal reissues of “Rockin’ Around the Christmas Tree”, was in 1966. But in the seventies, she reinvented herself, without changing her style much, by marketing to the country market, and between 1973 and 1980 she had nine country top ten hits, plus many more in the country top forty. She was helped in this when her old schoolfriend Rita Coolidge married Kris Kristofferson, who wrote her a comeback hit, “Nobody Wins”: [Excerpt: Brenda Lee, “Nobody Wins”] Her career went through another downturn in the eighties as fashions changed in country music like they had in pop and rock, but she reinvented herself again, as a country elder stateswoman, guesting with her old friends Kitty Wells and Loretta Lynn on the closing track on k.d. lang’s first solo album Shadowland: [Excerpt: k.d. lang, Kitty Wells, Loretta Lynn, and Brenda Lee, “Honky Tonk Angels Medley”] While Lee has had the financial and personal ups and downs of everyone in the music business, she seems to be one of the few child stars who came through the experience happily. She married the first person she ever dated, shortly after her eighteenth birthday, and they remain together to this day — they celebrate their fifty-seventh anniversary this week. She continues to perform occasionally, though not as often as she used to, and she’s not gone through any of the dramas with drink and drugs that killed so many of her contemporaries. She seems, from what I can tell, to be genuinely content. Her music continues to turn up in all sorts of odd ways — Kanye West sampled “Sweet Nothin’s” in 2013, on his hit single “Bound 2” – which I’m afraid I can’t excerpt here, as the lyrics would jeopardise my iTunes clean rating. And as I mentioned at the start, she had “Rockin’ Around the Christmas Tree” go to number two on the US charts just last December. And at seventy-five years old, there’s a good chance she has many more active years left in her. I wish I could end all my episodes anything like as happily.
In this episode of Commish Talks Josh sits down with Bill Lee, the long time Commissioner of the Frontier League, and they share stories from life as Commissioners. Bill Lee has been the Commissioner of the Frontier League since 1994, the League’s second year of operation. After graduating from Southern Illinois University Edwardsville with a degree in Mass Communications, Lee played in the Atlanta Braves organization and the independent Lone Star League. He then worked for the Birmingham Barons as their Assistant General Manager and Public Relations Director before moving on to become the General Manager of the Chattanooga Lookouts. While with the Lookouts, Lee was the Southern League’s Executive of the Year in 1989. Just before joining the Frontier League, he was the Vice-President of Sales and Marketing for the Seattle Thunderbirds Hockey Club in the Western Hockey League. Lee was chosen as Marketing Executive of the Year of that League in 1991. While Lee has been the Frontier League Commissioner, the League has enjoyed great success, expanding into a 14-team circuit with clubs in seven states throughout the Midwest.
Is Expectations Your Friend? On Mighty Men Series With Co-Host Lee Watson & Gaia Morrissette. While Lee and Gaia started to develop their new guided online course - xe2x80x9c Dawn Of A New Man-Mastery Of Your Lifexe2x80x9d Let got into some very juicy conversation as these thought provoking questions formed that they wanted to share with you. On today show the question they are exploring is :Does it seem like your living to meet someone else's expectations of you? Both Lee and Gaia share some insights and personal truths. It is worth the listen!To find out more about xe2x80x9c Dawn Of A New Man- Mastery Of Your Lifexe2x80x9d guided online course visit ====>https://succulent-living.teachable.com/p/dawn-of-a-new-man-mastery-of-your-life-online-programJoin xe2x80x9cMy Orgasmic Lifexe2x80x9c Podcast on Spreaker or Spotify or Apple podcast or Google Podcast or iHeartRadio or on your favourite podcast platform. You can also listen on my website https://www.succulentliving.com/blog/categories/my-orgasmic-life-podcast There is a whole world of playful, educational, healing and safe experiences to be discovered at www.succulentliving.com and come frolic with Gaia on Social Media under Gaia Morrissette #expectations, #education, #gaiamorrissette, #leewatson, #dawnofanewman, #mensexuality, #masculinity #menshealth,#maleempowerment, #maleeducation, #maleselfimprovement, #holisticsexualwellness, #myorgasmiclife, #orgasmicliving, #sex, #sexcoach, #sexshame, #sexual, #sexualwellness, #sexualwellnesscoach, #sexualwellnessspecialist, #shame, #succulentliving, #myorgasmiclifepodcast
Is Expectations Your Friend? On Mighty Men Series With Co-Host Lee Watson & Gaia Morrissette. While Lee and Gaia started to develop their new guided online course - “ Dawn Of A New Man-Mastery Of Your Life” Let got into some very juicy conversation as these thought provoking questions formed that they wanted to share with you. On today show the question they are exploring is :Does it seem like your living to meet someone else's expectations of you? Both Lee and Gaia share some insights and personal truths. It is worth the listen!To find out more about “ Dawn Of A New Man- Mastery Of Your Life” guided online course visit ====>https://succulent-living.teachable.com/p/dawn-of-a-new-man-mastery-of-your-life-online-programJoin “My Orgasmic Life“ Podcast on Spreaker or Spotify or Apple podcast or Google Podcast or iHeartRadio or on your favourite podcast platform. You can also listen on my website https://www.succulentliving.com/blog/categories/my-orgasmic-life-podcast There is a whole world of playful, educational, healing and safe experiences to be discovered at www.succulentliving.com and come frolic with Gaia on Social Media under Gaia Morrissette #expectations, #education, #gaiamorrissette, #leewatson, #dawnofanewman, #mensexuality, #masculinity #menshealth,#maleempowerment, #maleeducation, #maleselfimprovement, #holisticsexualwellness, #myorgasmiclife, #orgasmicliving, #sex, #sexcoach, #sexshame, #sexual, #sexualwellness, #sexualwellnesscoach, #sexualwellnessspecialist, #shame, #succulentliving, #myorgasmiclifepodcast
If you are a Detroit Red Wings fan, then this edition of the We Live Hockey Podcast is a must listen. Heck, I'm not even a Red Wings fan and I enjoyed the heck out of this particular podcast. In this very special and unique podcast, Lee and Travis interview Joshua Riehl and Jenny Feterovich, the producers of The Russian Five. Wings' fans, you know who these guys are as they all made a significant impact to your team. For those that may be too young to remember who these guys were, they were Vladimir Konstantinov, Sergei Fedorov, Slava Fetisov, Igor Larionov, and Slava Kozlov. If you ask me, these five ov's were dominant for the Wings for several seasons. In listening to the podcast, you will learn the following just like I did: - Both Lee and Travis are Flyer fans. Unfortunately for them, the Russian Five and the rest of their Wings' teammates swept their club in the 1997 Cup Final in route to their first Cup in 42 years. Sorry guys! - While Lee is a Flyer fan, he does tell us how he came to appreciate the Russian Five. Lee mentions that they did a lot for the game, especially in terms of how they showed the rest of the league that players from other countries could work together with the rest of their teammates to accomplish the ultimate goal. For me at least, this is a very interesting point because it really set the tone for clubs bringing in more Russians and other Europeans to their respective hockey clubs and helping to make the sport more inclusive. - As the podcast began, we learned that Jenny came from the Soviet Union and like the Russian Five, ended up coming over to North America for a better life. - Speaking of having a better life, Jenny and Joshua spoke about how rigid the Russian Five's lives were over in Russia. Could you imagine life being so bad in your country that you feel the need to get out and do so under the radar? I can't! - Joshua told us how his love for the Red Wings and the way their Russians played drew him to the game and make him turn away from baseball. You made the right choice, Joshua. Thank you, Russians! - If you're a Wings' fan or even a die hard hockey fan, than you probably remember the horrific limo accident that Konstantinov, team masseur Sergei Mnatsakanov, and driver Richard Gnida got into just a few nights after the team won the Cup. It made Joshua realize just how fragile life was and that despite everything that happened on that awful night, these guys persevered in the biggest way. - As someone who is not a Red Wings fan, I did not know how much Wings' fans loved Konstantiov. Joshua mentioned that while fans loved their captain in Stevie Yzerman as well as the "perfect person" Nicklas Lidstrom, they really, really loved what Konstantinov brought to the table every night. - It was interesting to hear how much Joshua and Jenny risked to do this. It cost a lot of money to make, it was hard to conduct the interviews because of heavy government interference in Moscow, but you'll have to listen to hear more about this (Hint: 23:43 into the podcast) - In listening to this podcast, I really appreciated just how much effort and passion Joshua and Jennifer put in to get this documentary done. These two believed in the story and wanted to convey to everyone, not just hockey fans, how important the Russian Five were to both the hockey world and sports world in general.
Lee Bellinger is the founder of Independent Living News which has a private subscription and they have products for off the grid living, survival in an emergency, gaining independent income and much more. He is the inventor of the PowerWhisperer Home Power Backup System. Independent Living is noted for its successful predictions and in February 1998, Lee published a front page illustrated prediction story on the destruction of the World Trade Center by terrorists.s Here’s a glimpse of what you’ll learn: [0:37] Jeremy introduces his guest, Lee Bellinger. [1:50] What does Lee’s morning routine look like? [3:30] Lee talks about predicting the World Trade Center attack. [13:00] What was it like living off the grid on a yacht? [15:10] Lee opens up about his childhood. [17:20] Stories from Lee’s yacht. [21:40] How did Lee end up in publishing? [24:45] Early popular articles that Lee published. [27:40] What is Lee’s research process? [29:30] Why Lee is worried about the national power grid. [31:00] Developing a reliable power generator. [37:50] The ultimate guide to self-reliance living. [43:45] Lessons learned from unsuccessful products. [46:10] Teaching others to become self-reliant. [49:20] Adding value to people’s lives. [54:15] Lee explains why silver is such a great resource. [57:20] Why make the shift to Independent Living? [1:01:30] The benefit of joining masterminds and connecting with other leaders. [1:06:50] What is the most controversial article Lee published? [1:09:40] Lee talks about the lowest moment from his journey. [1:14:20] How Lee ended up proposing with a movie advertisement. [1:17:00] Proud moments from the journey. [1:20:45] Closing thoughts and predictions from Lee. In this episode… How would you describe your lifestyle - are you independent, or would you say that you are dependent on others? Let's face it - no one wants to be dependent on help from other people, but is there really a way to live independently in today's interconnected society? On this episode of Inspired Insider, you'll hear from business leader and publisher, Lee Bellinger. In his conversation with Jeremy, Lee opens up about his background, how he got started as a publisher, why he decided to create and market his own product, and much more. You'll want to pay close attention to this fascinating episode featuring Lee's story - don't miss it! Can you imagine what it would be like to become so in sync with the news cycle that you feel like you can begin predicting news events before they happen? Chances are, your answer to that question is, "No." Lee Bellinger accomplished what many believe is impossible - he has become such a student of the news that he can accurately predict major events like the fall of the World Trade Center. Lee has a fascinating take on how he keeps a finger on the pulse of world events, make sure to check out the link to his website located in the resources section at the end of this post! What would you do if you found yourself in the room with key leaders and politicians? Would you try to strike up a conversation, stand away in awe, or would you respond with apathy? Let's face it - politicians aren't the most popular group in our society, but they do hold powerful influence. Lee had the privilege of networking with many politicians when he would give cruises of the Potomac River. While Lee could have exploited his political connections - he chose to take a different route. If given a choice between helping others or accumulating wealth and power - most people would choose wealth and power. Which one would you choose? Working with politicians and focusing solely on the political angle quickly wore thin for Lee, so he decided to change gears. Lee wanted to make a more meaningful impact on his readers by empowering them to take control of their situations and prepare for the future. This direction eventually led Lee to develop and manufacturer his hit product, the PowerWhisperer. You can learn more about Lee's fascinating creation by visiting the link to his website located in the resources section. Too often, business leaders get so caught up in their own goals and efforts that they fail to grow as business leaders. What is your plan to grow and develop as a leader? What role does mentorship play in your plans? Lee was content to keep his business headed in the same direction until he connected with like-minded business leaders. Once he connected with the right leaders - Lee was convinced that masterminds and mentoring relationships were essential for professional growth. What are you waiting for? If you haven't participated in a networking event or reached out to key leaders in your industry for mentorship - now is the time! Resources Mentioned on this episode Independent Living News https://www.youtube.com/watch?v=K34uGjZ7EZk Intro Music by Kidd Russell Sponsor for this episode Rise25’s mission is to connect you with your best referral partners and customers. We do this in 3 ways… Our Done for you Media - We help your company completely run and launch your own podcast. we distribute your show across more than 11 different channels including a dedicated blog post and social media. You simply show up and talk and we do everything else. Our team has been working with podcasters since 2009. I personally credit podcasting as the single best thing I have done for my business and my life. It has allowed me to connect with the founders/ceo’s of P90x, Atari, Einstein Bagels, Mattel, Rx Bars, and many more. Besides making best friends and finding my business partner..podcasting has led to relationships with countless customers and referral partners. Our Done for you Lead Generation- We manually send a consistent flow of customized outreach messages to your ideal clients and referral sources that you want to connect with to generate more business and clients - this is not paid traffic by the way. Our Done for you VIP Events - We do live in-person VIP Days and receptions. These are 100% outsourced VIP days for software companies and conference organizers so we can help you serve your highest level customers. It may or may not involve Elvis costumes - See video Rise25 VIP Days have a proven track record of helping companies to get more referrals, increase retention with their VIP customers, and get more engaged new customers without adding extra work to that company’s plate. Rise25 has hosted VIP events in cities such as Austin, Chicago, Santa Barbara, San Diego, New York, Sonoma, and Las Vegas to name a few. Since these each require a lot of humans to do the work we have limited bandwidth and only want to work with the right company. so if any sound interesting to you go to Rise25.com and contact us or email support (at) rise25.com. If your company wants to attract and connect with your highest level customers and referral partners then you can learn more and contact us to find out if your company qualifies at Rise25.com. Rise25 was cofounded by Dr. Jeremy Weisz and John Corcoran.
My guest today is Lee Turner, a Wisconsin born musician now living in Nashville and owner of 2 Twenty 2 studio, dedicated to helping artists easily navigate the recording process with a focus on bringing pro Nashville players and sound to anyone making a record whether local or over the internet. While Lee can play everything in the studio his primary instrument is the keyboard playing piano, organ, and even accordion. He splits his time between the studio and playing live touring the world with Darius Rucker. He has also had the honor of performing with a long list of top tier artists to include Blake Shelton, Hank Williams Jr., Kenny Rodgers, Big and Rich, Lee Ann Rimes, Trace Adkins, Wynonna, Randy Owen, Cowboy Troy, Bo Bice and many more. He has also performed on Jimmy Kimmel, The Tonight Show, Ellen, The View, The Talk, The Today Show and Good Morning America. And has been a member of the house band for the hit show Nashville Star on both NBC and USA for the past five years. Thanks to our sponsors! OWC - Other World Computing: https://www.OWC.com Boz Digital Labs - https://www.bozdigitallabs.com/ JZ Microphones - https://usashop.jzmic.com/ use coupon: ROCKSTAR at checkout for 50% off JZ BH1S and BH2 Mics RSR Academy: http://RSRockstars.com/Academy Want to learn more about mixing? Get Free mix training with Lij at: http://MixMasterBundle.com Hear more on Youtube If you love the podcast then please Leave a review on iTunes here CLICK HERE FOR SHOW NOTES AT: http://RSRockstars.com/198
Have you ever invested in a course or program with high hopes only to have it fall flat? Maybe it over promised and under delivered. Or you lose interest and put it on the shelf for “someday” (aka never).Now imagine the opposite scenario: you buy a course and generate 28 times the initial investment!Today’s guest, Crickets to Customers student alumni Lee Chaix McDonough, tells us exactly how she did just that.Lee is a coach for spiritual minded business owners, and author of the book ACT On Your Business. After spending 15 years in the fields of social work and public health, Lee pivoted and pursued a coaching career. Lee walks us through her first year of business, and reveals the mistakes she made along the way. She realized her business decisions were rooted in fear - and as a result she had created a corporate looking and sounding business that wasn’t in alignment with the real her or who she was meant to serve.She was looking outside of herself for answers, instead of owning her natural strengths and infusing in her biz. With this in mind, she realigned her coaching practice to serve her ideal clients.While Lee had built a thriving 1:1 coaching business, she saw a need to add another service to her offerings. In August 2018, after being one of my earliest podcast listeners and C&C Community members, she took the plunge and joined C2C.Lee’s results will blow you away! Listen in and hear:What her initial hesitations were to joining Crickets to Customers and why she overcame themHow important her community anchor was to rally her people and grow her audienceThe steps she took to open her first FB group and what’s she’s learned + how it’s grown to 700+ membersWhat took place for her to generate over $17000 in the 7 months since she first joined C2C!
As the Campaigns of 1862 move forward, Lee turns to Jackson more and more for counsel A BETTER PEACE continues its Great Captains series with a look at a leadership team, rather than an individual. In this episode, U.S. Army War College Professor of History Christian Keller argues that the strategic teaming of Generals Robert E. Lee and Thomas "Stonewall" Jackson enabled the success of the Confederate Army in 1862-1863. While Lee was a great strategic thinker at all levels of war, Jackson proved to be an exceptional field commander and strategic advisor to Lee. While each independently earned consideration of the title of Great Captain, their symbiotic relationship proved very powerful. That is, until Jackson was killed--a death that greatly affected both Lee and the Confederacy. U.S. Army War College Professor of Strategy Jacqueline E. Whitt moderates. Christian Keller is Professor of History at the U.S. Army War College. Jacqueline E. Whitt is Professor of Strategy at the U.S. Army War College and the Editor of A BETTER PEACE. The views expressed in this presentation are those of the speakers and do not necessarily reflect those of the U.S. Army War College, U.S. Army, or the Department of Defense. Image: In 1869, Everett B. D. Julio painted this scene of the Civil War generals and their horses. It depicts their meeting on May 1, 1863, just before the tragic death of Jackson. Image courtesy of Wikimedia Commons, public domain.
Lee Haney has had an incredible career of repeat Mr Olympia success along with the greats – Arnold Schwarzenegger, Frank Zane, Dorian Yates – the difference is that he’s won the bodybuilding competition eight times! It’s a record that’s only matched by fellow physical hero, Ronnie Coleman. Today, a mentor, author, motivational speaker and devout Christian, Lee uses his experience and understanding to better the lives of others in every way possible, whether that’s helping people stay fit at any age, keep injury free, or get a foot up in life after an unfortunate start. Lee Haney first entered a bodybuilding competition aged 16 years old – Mr South Carolina. He didn’t know what posing trunks were at the time, so he bought a pair of standard underpants from Kmart. While Lee didn’t win the competition, it was a humble beginning that gave him the bug for competing. Years of inspiration followed, pushed harder by the incredible physiques of muscle icons such as Robbie Robertson, Arnold Schwarzenegger, Frank Zane, Dorian Yates and more. Whether he was appreciating their symmetry, or studying their nutrition, Lee Haney has admired others putting the hard work in both before and after him. It’s not just about the physical for Lee, either, as he references the effect of Muhammad Ali and the power of words, backing up what your dreams are and putting your potential into action. Lee Haney’s bodybuilding dominance in Mr Olympia spanned between 1984 and 1991. Although, his success is not just about bodybuilding… As a boxing trainer, he managed to get Evander Holyfield from cruiserweight to heavyweight through workout and nutrition advice – 192 to 214lbs in five weeks! Since competing, Lee has started International Association of Fitness Science – a certification programme that teaches correct training, how to match workouts to body parts, nutrition and blending it all together. Then there’s Lee’s selflessness that’s spanned his life, helping others to be their best. Haney’s Harvest House started as a retreat centre. It has developed over time and even been forced to move location due to expansion of a nearby airport, but today the charity organization is all about giving vulnerable kids directions and life skills. As well as raising money through the Lee Haney Games event each year, you can also donate at haneyharvesthouse.com For more information visit leehaney.com Episode Highlights - Hear about how one of the greatest bodybuilders in history started out – his inspiration, encouragement, advice and who he looked up to. Realising your aha moment when it hits and you discover that you’ve got something special to offer the world. How to take the people around you to great places by imparting wisdom and sharing your journey or experience with them for mutual benefit. Learn the importance of positivity and how important it is to encourage your children from an early age. How understanding the science of fitness can lead to ways of stimulating muscle growth that doesn’t require lifting heavy and damaging your joints. Why Lee Haney believes negative reps will damage your body, despite the popularity rise of slow movement on the negative. Join Matthew Januszek in conversation with Lee Haney…
Lee Haney has had an incredible career of repeat Mr Olympia success along with the greats – Arnold Schwarzenegger, Frank Zane, Dorian Yates – the difference is that he’s won the bodybuilding competition eight times! It’s a record that’s only matched by fellow physical hero, Ronnie Coleman. Today, a mentor, author, motivational speaker and devout Christian, Lee uses his experience and understanding to better the lives of others in every way possible, whether that’s helping people stay fit at any age, keep injury free, or get a foot up in life after an unfortunate start. Watch the full episode on YouTube – https://youtu.be/p3wPtgxjs7A Lee Haney first entered a bodybuilding competition aged 16 years old – Mr South Carolina. He didn’t know what posing trunks were at the time, so he bought a pair of standard underpants from Kmart. While Lee didn’t win the competition, it was a humble beginning that gave him the bug for competing. Years of inspiration followed, pushed harder by the incredible physiques of muscle icons such as Robbie Robertson, Arnold Schwarzenegger, Frank Zane, Dorian Yates and more. Whether he was appreciating their symmetry, or studying their nutrition, Lee Haney has admired others putting the hard work in both before and after him. It’s not just about the physical for Lee, either, as he references the effect of Muhammad Ali and the power of words, backing up what your dreams are and putting your potential into action. Lee Haney’s bodybuilding dominance in Mr Olympia spanned between 1984 and 1991. Although, his success is not just about bodybuilding… As a boxing trainer, he managed to get Evander Holyfield from cruiserweight to heavyweight through workout and nutrition advice – 192 to 214lbs in five weeks! Since competing, Lee has started International Association of Fitness Science – a certification programme that teaches correct training, how to match workouts to body parts, nutrition and blending it all together. Then there’s Lee’s selflessness that’s spanned his life, helping others to be their best. Haney’s Harvest House started as a retreat centre. It has developed over time and even been forced to move location due to expansion of a nearby airport, but today the charity organization is all about giving vulnerable kids directions and life skills. As well as raising money through the Lee Haney Games event each year, you can also donate at haneyharvesthouse.com For more information visit leehaney.com Episode Highlights - Hear about how one of the greatest bodybuilders in history started out – his inspiration, encouragement, advice and who he looked up to. Realising your aha moment when it hits and you discover that you’ve got something special to offer the world. How to take the people around you to great places by imparting wisdom and sharing your journey or experience with them for mutual benefit. Learn the importance of positivity and how important it is to encourage your children from an early age. How understanding the science of fitness can lead to ways of stimulating muscle growth that doesn’t require lifting heavy and damaging your joints. Why Lee Haney believes negative reps will damage your body, despite the popularity rise of slow movement on the negative. Join Matthew Januszek in conversation with Lee Haney…
Welcome to the eighth special bonus episode of - The Stephen King Podcast - Constant and New Listeners! In this installment, New York Times and USA Today bestselling author, Tosca Lee drops in for a chat. New York Times bestselling author Tosca Lee's second novel in the House of Bathory duology, Firstborn (the highly anticipated sequel to IndieBound bestseller The Progeny), is now available in trade paperback from Howard Books, a division of Simon & Schuster. The Progeny released May 2016 to outstanding reviews calling it “irresistible”(Publishers Weekly), “suspenseful” and “entertaining” (Booklist) with a jaw-dropping ending that had early readers clamoring for the sequel before The Progeny even released. Called “The Queen of psychological twists” by New York Times and USA Today bestselling author Steena Holmes, Lee has previously been best known for her historical novels (including Gold Medallion winner Iscariot) and evocative prose. While Lee's trademark research remains in evidence, the House of Bathory duology, with its high octane pacing, represents a new direction for the author—one enthusiastically embraced by readers and Hollywood, both. The books are in development as a dramatic television series by Radar Pictures and Ed Burns' Marlboro Road Gang, as first reported by Deadline Hollywood: http://bit.ly/2wsinqY. Find out more about Tosca on her website. In this podcast: 1) Intro 2) Interview 3) Outro --------------------------------------------------------------- Intro Music - Don't Fear The Reaper - Blue Oyster Cult Outro Music - Stand by Me by Ben E. King ------------------------------------------------------------------- iTunes - The Stephen King Podcast. ------------------------------------------------------------------- RSS Feed - RSS. ------------------------------------------------------------------- Direct Download Link - The Stephen King Podcast - Bonus Episode 8 (Click to play, right click and Chose 'Save Link As' to save the file) ------------------------------------------------------------------- You can find the podcast on the Internet at the following locations: ------------------------------------------------------------------- ------------------------------------------------------------------- Support The Show - Thank You!
Episode 48 has Clint and Lee discussing what's happening this summer. Lee is heading to New Mexico for the first NOMCON (nomcon.org) and then he will be presenting at the Midlands Summit (www.scmidlandssummit.com). While Lee is a traveling, Clint will be hitting the pool.There is also talk of all the teams Ricky Henderson played for as well as an extensive discussion of how to be a maker! Be sure to follow us on Twitter @clintwinter, @itsleegreen, and @edtechrewind. We'd love to chat!
Episode 48 has Clint and Lee discussing what's happening this summer. Lee is heading to New Mexico for the first NOMCON (nomcon.org) and then he will be presenting at the Midlands Summit (www.scmidlandssummit.com). While Lee is a traveling, Clint will be hitting the pool.There is also talk of all the teams Ricky Henderson played for as well as an extensive discussion of how to be a maker! Be sure to follow us on Twitter @clintwinter, @itsleegreen, and @edtechrewind. We'd love to chat!
Exposure Ninja Digital Marketing Podcast | SEO, eCommerce, Digital PR, PPC, Web design and CRO
“All it takes is faith and trust, but the thing that’s a positive must, is a little bit of (Disney marketing magic) pixie dust!” Boy, are we excited for this week’s instalment of the Exposure Ninja Podcast as we welcome a living legend, Lee Cockerell, the former Executive Vice President of Walt Disney World Operations. In this episode, Lee and Tim discuss the marketing processes that Disney used while Lee was in charge and reveal just how they managed to drive so many people to their resorts, including a look at the inner workings of their TV advertising funnel. But mainly, in a slight change to our usual focus on digital marketing, we talk to Lee about Leadership. While Lee was at Disney, he brought about a whole new world of leadership that propelled Disney World from being good to great (or rather great to greater), when he designed and implemented the Disney Great Leader Strategies to a cast of 40,000 people! So, if you want to build a snowman successful business and take your marketing to infinity and beyond, buckle up and grab a pen because this episode is the go-to guide on how to Disneyfy your marketing plan and implement a leadership strategy amongst your team that is Supercalifragilisticexpialidocious! For show notes and to get a free review of your website and digital marketing, complete with a tailored plan to increase your leads and sales online, head to https://exposureninja.com/episode99
While Lee and Peter continue their preparation for the podcast relaunch, the Story Pirates present two more classic stories from the archive. The first was written by 4th grader Adreanna as a commercial for a made-up product called "Aqua Bus." The second story was written by a 2nd grader named Sam and it's called "My Mom is an Annoying Hockey Coach."
While Lee & Peter prepare for the Story Pirates podcast relaunch this fall, we are releasing old favorites as part of our Summer Grab Bag series. This week's episode features two amazing stories. The first was recorded live at the San Francisco Sketch Fest. It is by a 1st grader named Hannah and it's called "I Love Babies." The second was recorded for our radio show back in 2012. It was written by then-9-year-old named Sienna, and it is called "Trip to Happy Burg."
While Lee and Peter prepare for the big podcast relaunch in the Fall, the Story Pirates present another Summer Grab Bag episode featuring "The Alien" by a first grader Faith and "My Pet Peeve" by Kindergartener William.
After the failure in the end the team decided to regroup and come up with a new plan! Mark decides he will help by finally filming. While Lee and Stuart decided that resource farming is the solution.
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