Podcasts about end title

Min 4 NUEVE PERFECTOS DESCONOCIDOS 2 (PRIME VIDEO) Nueve Perfectos Desconocidos (Nine Perfect Strangers) regresa a Prime Video trasladando su enigmático retiro de bienestar a los Alpes austriacos. Nicole Kidman retoma su papel como Masha Dmitrichenko, la carismática y controvertida gurú que ahora lidera un nuevo grupo de nueve participantes en busca de sanación emocional a través de métodos poco convencionales, incluyendo terapias psicodélicas y tecnología experimental. El elenco renovado incluye a figuras destacadas como Christine Baranski, Annie Murphy, Henry Golding, Murray Bartlett y Dolly de Leon, quienes interpretan a personajes con traumas y relaciones complejas. La dinámica entre estos nuevos "desconocidos" se centra en conflictos familiares, secretos del pasado y la búsqueda de redención, todo bajo la atenta y a veces cuestionable supervisión de Masha. NOTA EDC: 2,5 estrellas Min 15: SIRENAS (NETFLIX) Comedia negra de cinco episodios que combina sátira social, drama psicológico y un toque de intriga. Creada por Molly Smith Metzler, conocida por La asistenta, y dirigida por Nicole Kassell, la serie adapta la obra teatral Elemeno Pea para explorar las complejas dinámicas entre mujeres, el poder y la clase social. La trama se centra en Devon DeWitt (Meghann Fahy), una mujer que, preocupada por la relación entre su hermana Simone (Milly Alcock) y su nueva jefa, la enigmática socialité Michaela Kell (Julianne Moore), decide visitar la lujosa finca isleña donde ambas residen. Lo que comienza como una intervención familiar se transforma en un fin de semana cargado de tensiones, secretos y revelaciones que desafían las percepciones de poder y lealtad. NOTA EDC: 3 estrellas Min 24: MACHOS DE VERDAD (Netflix) La serie italiana Machos de verdad (Maschi veri) es una adaptación de la exitosa comedia española Machos alfa. Ambientada en la Roma contemporánea, la serie sigue a cuatro amigos de toda la vida —Mattia, Massimo, Riccardo y Luigi— que enfrentan los desafíos de redefinir su identidad masculina en una sociedad que cuestiona los roles tradicionales de género. NOTA EDC: 3 estrellas Min 31. THE LAST OF US 2X06: EL PRECIO (MAX) Dirigido por Neil Druckmann, cocreador del videojuego original, este episodio se centra en la evolución de la relación entre Joel y Ellie durante su estancia en Jackson. A través de escenas que incluyen celebraciones de cumpleaños, como la visita al Museo de Ciencia e Historia de Wyoming, y momentos de tensión, se revela la profundidad de su vínculo y las heridas no sanadas. El episodio culmina con una confrontación en la que Joel admite haber mentido sobre los eventos en Salt Lake City, reconociendo que impidió la creación de una cura para salvar a Ellie. Ellie, aunque dolida, expresa su deseo de intentar perdonarlo, dejando la puerta abierta a una posible reconciliación. NOTA EDC: 4 estrellas Min 40: ANDOR: REMONTADA Y GRAN COLOFÓN Pese al inicio tibio y disperso de su segunda temporada, Andor 2 remonta con un enfoque maduro y realista, alejándose de los elementos más fantásticos de la franquicia para ofrecer un thriller político que explora las complejidades de la rebelión. La serie ha sido elogiada por su profundidad temática, abordando cuestiones como la manipulación mediática, la moralidad en tiempos de guerra y el sacrificio personal por una causa mayor . Además aplaudimos su capacidad para conectar con eventos posteriores en la cronología de Star Wars, como la construcción de la Estrella de la Muerte y los acontecimientos de Rogue One. Esta conexión se logra sin sacrificar la integridad de la narrativa propia de Andor, lo que demuestra una planificación meticulosa y una ejecución brillante. NOTA FINAL EDC: 4 estrellas Min 50: DESPEDIDA HOMENAJE DE ANDOR A JOHN WILLIAMS: THRONE ROOM En el episodio final de la segunda temporada de Andor, el compositor Brandon Roberts rinde un emotivo homenaje al legado musical de Star Wars al incorporar el icónico tema "The Throne Room and End Title" de John Williams, originalmente presentado en Una nueva esperanza (1977). Esta inclusión se produce durante los créditos finales, estableciendo un puente sonoro entre la narrativa de Andor y los eventos clásicos de la saga.

Send us a textLions! Tigers! Filmshake! Oh my! We're in town with a few days to kill, and we're talking 1990's Predator 2. Does it even deserve to be mentioned in the same breath as Predator 1? Should we even live in a world where we have to say Predator 1? Speaking of out of this world, the villain in our punishment film, 1990s I Come In Peace (Dark Angel), repeats the title throughout the movie, a movie we talk about for so long in the intro to this episode, it made the marquee. Congratulations, Dolph!Music Heard the Episode:                                                                                            "Main Title" -- Alan Silvestri"Dem Bones" -- Alan Silvestri"End Title" -- Alan SilvestriIntro music - "If" by Broke For FreeConnect with us!PatreonTwitterFacebookEmailLinktr.eeLetterboxd - Nic & JordanThe Nicsperiment

C'est la rentrée et on revient avec un épisode sur une perso un peu obscure, un peu niche : Irena Dubrovna de La Féline ! On explore les questions de monstruosité et d'altérité au temps du code Hays, les stéréotypes et liens entre femmes et chats, et les différentes interprétations de l'histoire d'Irena et de sa "non-conformité". Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur tous les réseaux : @codexespod et nous laisser une note et un commentaire sympa si tu veux. Force et amour. Ressources : - « The monstruous-feminine : film, feminism, psychoanalysis » de Barbara Creed. 1993 - « The Cat and the Human Imagination » de Katharine M. Rogers. 2001 - The Cat People de Roy Webb par le Slovak Radio Symphony Orchestra, morceau de la BO de La Féline joué pendant l'épisode. - Irena de Roy Webb par le Slovak Radio Symphony Orchestra, morceau de la BO de La Féline joué pendant l'épisode. - End Title de Roy Webb par le Slovak Radio Symphony Orchestra, morceau de la BO de La Féline joué à la fin de l'épisode.

微信公众号：「365读书」（dus365)，有不定期赠书福利；微博：365读书v。主播：潮羽&云公子，365天每天更新一期。 文字版已在微信公众号【365读书】发布 。QQ：647519872 背景音乐：1.全秀妍 - 너도 하늘말라리아；2.増田俊郎 - 約束；3.伊賀拓郎 - 気づき；4.吉俣良 - End Title。

Lee is back to cover musical selections from the films in the later half of Roger Corman's directing career, between the years 1963 to 1990. --End Title from "The Raven" (1963) --Les Baxter --Main Theme from "The Haunted Palace" (1963) --Ronald Stein --Main Title Theme from "The Terror" (1963) --Ronald Stein --Prince Prospero & Prospero's Court from "The Masque of the Red Death" (1964) --David Lee --Main Title & End Title from "The Tomb of Ligeia" (1964) --Kenneth Jones --End Credits from "The Man with the X-Ray Eyes" (1963) --Les Baxter --Theme from The Wild Angels from "The Wild Angels" (1966) --The Visitors --Blue's Theme; Bongo Party; & The Wild Angels Ballad (Dirge) from "The Wild Angels" (1966) --Davie Allen and The Arrows --Midnight Rider from "The Wild Angels" (1966) --The Hands of Time --A Little Head; Flash, Bam, Pow; & Gettin' Hard from "The Trip" (1967) --The Electric Flag --Main Title from "The St. Valentines Day Massacre" (1967) --Fred Steiner --Dance Party & Wild Racers Theme from "The Wild Racers" (1968) --The Sidewalk Sounds --Opening Titles from "Target Harry" (1969) --Les Baxter --Bloody Mama from "Bloody Mama" (1970) --Big Foot --Bubble Gum Girl from "Gas-s-s-s" (1970) --Johnny & The Tornados --This is the Beginning from "Gas-s-s-s" (1970) --Robert Corff --Deathsport from "Deathsport" (1978) --Andy Stein --Main Titles from "Frankenstein Unbound" (1990) --Carl Davis Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Several FEEL-GOOD, RETRO-Style POP SONGS with Male or Female vocals are needed by a Film/TV Music Publisher for an (up to) $30,000 placement in an upcoming movie to be released on a Major Streaming Platform! This Publisher is looking for some feel-good Songs In the general stylistic wheelhouse of the following references they sent us: "Mr. Blue Sky" by Electric Light Orchestra Quoting the Publisher: "I need a couple of retro feel-good Pop songs. Songs need to be emotionally upbeat, nothing dark or sad will work. Submissions must have a retro sound (whether it was produced in the 70s or today). The budget quoted is for a single use, however, this song may be used more than once, including as an End Title so there could be additional sync income." Please submit well-crafted Pop songs with a retro sound (think '70s, give or take) ! The estimated license fee for this placement is up to $30,000, depending on the ultimate use. This Publisher offers a NON-EXCLUSIVE, 50/50 deal. You'll split any applicable sync fees 50/50. You'll keep 100% of the Master rights and the Writer's share, and the Publisher will get 100% of the Publisher's Share for any placements they generate.  All submissions will be screened and critiqued by a TAXI screener that was handpicked by the Music Publisher. Submissions must be received no later than 11:59 PM (PDT) on Sunday, July 7th, 2024. TAXI # S240707FG Click here for info

In this episode Lee pays tribute to the late Roger Corman by covering the soundtracks and scores of several of his directorial credits. In this first of a planed two-part series, the years 1957 to 1962 are looked at. --Main Title from "Attack of the Crab Monsters" (1957) --Ronald Stein --Main Title from "Not of this Earth" (1957) --Ronald Stein --The Creep from "Carnival Rock" (1957) --The Shadows --Rock All Night & Rock 'n' Roll Guitar from "Rock All Night" (1957) --The Blockbusters --Main Titles from "Teenage Doll" (1957) --Walter Greene --Main Title from "Sorority Girl" (1957) --Ronald Stein --Hurry from "War of the Satellites" (1958) --Walter Greene --Suite from "Viking Women and the Sea Serpent" (1958) --Albert Glasser --Main Title & End Title from "Machine Gun Kelly" (1958) --Gerald Fried --Folk Song from "I, Mobster" (1959) --Gerald Fried --Suite from "A Bucket of Blood" (1959) --Fred Katz --Main Title from "The Wasp Woman" (1959) --Fred Katz --Main Title from "The Little Shop of Horrors" (1960) --Fred Katz --Completely Insane & Madeline's Brother from "House of Usher" (1960) --Les Baxter --Creature from the Haunted Sea from "Creature from the Haunted Sea" (1961) --Fred Katz & Betsy Jones-Moreland --Main Title from "The Pit and the Pendulum" (1961) --Les Baxter --End Title from "Tales of Terror" (1962) --Les Baxter --Suite from "The Premature Burial" (1962) --Ronald Stein --Main Title from "The Intruder" (1962) --Herman Stein Opening and closing music: Main Title from "Battle Beyond the Stars" by James Horner, and Main Theme from "The Final Terror" by Susan Justin.

Intro song: "Superman Theme" by John Williams (from Superman)5. "The Raiders March" by John Williams (from Raiders of the Lost Ark)4. "The Imperial March (Darth Vader's Theme)" by John Williams (from The Empire Strikes Back)3. "Theme" by John Williams (from Jurassic Park)2. "Theme" by John Williams (from Schindler's List)1. "Main Title / Rebel Blockade Runner" by John Williams (from Star Wars)Countdown Wrap-Up:Composer UpdateMovie Genre UpdateDecade CountOutro song: "The Throne Room and End Title" by John Williams (from Star Wars)Vote for your favorite theme/score from today's episodeAnd if you haven't yet:Vote on Episode 1Vote on Episode 2Vote on Episode 3Vote on Episode 4

Welcome to part one of another edition o fTHE ARCHIVE on the CINEMATIC SOUND RADIO PODCAST. On the program today, Jason Drury will feature music from archival releases of film music which appeared just before and after Christmas 2022. The show begins with music from David Arnold's first James Bond score, TOMORROW NEVER DIES, which has received an expanded edition by La La Land Records. Afterwards, you'll hear selections from the first release of the original complete score of CONAN THE DESTROYER (Intrada Records) by Basil Poledouris. Then comes music from the complete score release of Nino Rota's music from the classic gangster thriller THE GODFATHER (La La Land Records) and selections from GUNS OF THE MAGNIFICENT SEVEN by Elmer Bernstein, part of the superb MAGNIFICENT SEVEN COLLECTION boxset from Quartet Records. Jason then finishes part one with the achingly beautiful "End Title" from the 30th-anniversary release of CHAPLIN (La La Land) by John Barry incorporating "Smile" by Charlie Chaplin. Part two will be with you soon. Enjoy! —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Alex Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Clint Morgan, Rudy Amaya, Eric Marvin, Stacy Livitsanis, Rick Laird, Carl Wonders, Michael Poteet, Nathan Blumenfeld, Daniel Herrin —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

咱们书接上回，浪谈继续。既然说到福本伸行老师，咱就不得不说他的“开司三部曲”。虽然咱福本老师画的是赌博漫画，但却操着反赌的心。开司虽然胆识过人，但是只要你沾染上赌博，就不可能有什么好下场。主角又怎样，只要你还在赌桌上，迎接你的永远只有无穷无尽的地狱。除了“开司三部曲”，最后杨凯老师也浅聊了一部令人匪夷所思的超自然博弈漫画，咱只能说不懂，但大为震惊！更多精彩内容，欢迎收听本期节目。主播 / 相征嘉宾 / 大猛、杨凯音频后期 / BBBBUDDHA音频上传 / Observer#加入我们#深夜谈谈播客网络正在招聘，本轮招聘开放以下岗位：「上海」项目执行 / AE（全职/实习）、创意策划经理（全职）「上海/北京」音频节目制作人（全职/兼职/实习）「北京」音频后期（全职/兼职/实习）、视频拍摄剪辑（全职/实习）查看详细信息，请在微信公众号「大内密谈」里，搜索：招聘。简历接收邮箱：jobs@midnightalks.comPlaylist：01:35:32 菅野祐悟 - END TITLE 2 ～絶対に諦めるな!～Timeline: 00:09:02 福本伸行“开司三部曲”00:11:42 《赌博默示录》博一博单车变摩托00:21:36 开司与利根川的对决00:25:49 《赌博破戒录》出场即欠债00:29:47 地下赚钱地下花，一分别想带回家00:32:50 让人疯狂的柏青哥00:35:39 开司挑战“沼泽”00:48:27 在主角和反派之间反复横跳00:51:31 《赌博破戒录》的结局00:58:00 《赌博堕天录》三万块引发的祸端01:09:07 不要成为伊藤开司01:11:33 潜聊超自然博弈漫画《渣和无用改革》大内密谈的各种帐号都是“大内密谈”欢迎加入 欢迎互动：）

Mastering engineer and film music restoration expert Chris Malone joins Xanthe for the season finale to talk about all things Empire Strikes Back soundtrack. We cover a ton of ground, from analog recording technology and methodology to the unique issues affecting The Empire Strikes Back releases. This episode contains many visuals, including spectogram displays that allow us to see tangible differences between various mixes. This episode is also on YouTube: https://youtu.be/DVwqsZ9Wv60  Timestamps: 0:00 - Hello there! 5:08 - Do you have one of these Empire Strikes Back soundtrack albums? 12:25 - Film music is recorded to part of the film. There wasn't always an expectation to produce a separate soundtrack album. 18:04 - When, where, and how the Star Wars and Empire Strikes Back scores were recorded. Terminology: 35mm magnetic film, magnetic tape, sprockets, tape machine, magnetic oxide particles, 50Hz tone, reproducer. 24:09 - Using magnetic film for synchronization. Limitations of the tape technology. 33:51 - John Williams editing together multiple takes with Ken Wannberg. 46:05 - What is a 24-track tape? Why does the width of tape matter? 49:58 - What is a live mix, and why is it an important reference for the ESB soundtrack albums? 1:02:53 - Listening to minutes 126-128 (end of the End Title music) while looking at the spectral frequency display. 1:10:27 - Diagonal splices. 1:23:07 - Different version of the Imperial March in the End Credits. 1:37:39 - Differences between the original ESB soundtrack and the Special Edition release. 1:57:37 - Comparison example: "Hyperspace" track on the 4CD and Special Edition releases. Listening for the violin presence and spatial movement of the horns and trombones. 2:09:17 - More spectogram comparisons: "City in the Clouds" and last note of the "Main Title." 2:21:21 - Applying the Hippocratic Oath to score restoration. 2:30:00 - If something was recorded in mono, should it stay mono? 2:40:31 - When it comes to restoring a film score, which sorts of recording artifacts is the engineer trying to correct? 2:42:21 - Example of "wow." 2:48:02 - Flutter. 2:53:13 - Why Chris champions the CD as an audio format. 3:01:21 - What type of gear does Chris use when listening to/analyzing music? (Question from Alex Cunningham) 3:12:06 - Was the ARP 2600 synthesizer overdubbed or recorded with the orchestra for the Empire Strikes Back soundtrack? (Question from Ender Smith) 3:13:58 - What has the transition to digital production done for Star Wars? (Question from Fr. David Mowry) 3:18:14 - Differences between the original 1954 20th Century Fox Fanfare and the one John Williams re-recorded for ESB. 3:20:28 - Eric Tomlinson's technique for recording punchy-sounding brass. 3:25:02 - The original trilogy scores (especially The Empire Strikes Back) could sound 1000x better than they sound on any of the current releases. What might prevent it from happening? 3:28:49 - The 2018 Disney releases of the Original Trilogy (the albums that are on Spotify). 3:39:03 - SWMM Questionnaire Things to Check Out: Cinematic Sound Radio's 2-part interview with Chris Malone: http://www.cinematicsound.net/interview-with-chris-malone/ The Goldsmith Odyssey's interview with Chris Malone: https://goldsmithodyssey.buzzsprout.com/159614/4802774-odyssey-interviews-chris-malone Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: 12M3 "Finale" Musical Themes: Imperial March (Theme) Imperial March (Vamp) Han & Leia (A) Han & Leia (B) - Theme Form 1 (1980) Where are we in the soundtrack?: "The Rebel Fleet/End Title" --------------- Star Wars Music Minute Questionnaire: 1. In exactly 3 words, what does Star Wars sound like? Simply the best. Thematic orchestral richness. Well of richness. 2. What's something related to Star Wars music or sound that you want to learn more about? Everything there is to learn about the first three scores (1977, 1980, 1983). How did they get to where they got? What were the spotting sessions like? What were the internal memos like? 3. What's a score or soundtrack you're fond of besides anything Star Wars? Goldfinger (John Barry). The Lion in Winter (John Barry). Out of Africa (John Barry). Early James Bond scores by John Barry. Raiders of the Lost Ark by John Williams. ---------------------- Chris Malone: Website: https://malonedigital.com Articles, Analyses, Commentary: https://malonedigital.com/articles.html Project List: https://malonedigital.com/projectlist.html Twitter: https://twitter.com/Malone_Digital ------------------ Join the Discord server by becoming a patron at any level! (This is the best way to support the show): https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://open.spotify.com/show/652WVfMTLwJpVZ82i8uhFA Apple Podcasts: https://podcasts.apple.com/us/podcast/star-wars-music-minute/id1552988763 YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Tom Canton is joined by Kaya Kaynak for the latest edition of View From The Clock End. In this episode, they discuss: + More away day misery for Arsenal at West Ham + What it means for the title race + Man City title showdown awaits

Tom Canton is joined by Kaya Kaynak for the latest edition of View From The Clock End. In this episode, they discuss: + More away day misery for Arsenal at West Ham + What it means for the title race + Man City title showdown awaits Learn more about your ad choices. Visit megaphone.fm/adchoices

Tom Canton is joined by Kaya Kaynak for the latest edition of View From The Clock End. In this episode, they discuss: + Arsenal's 4-0 win against Everton + What it means going 5 points clear of Man City + Bukayo Saka set to sign new contract + Declan Rice favouring a move to the Emirates

Tom Canton is joined by Kaya Kaynak for the latest edition of View From The Clock End. In this episode, they discuss: + Arsenal's 4-0 win against Everton + What it means going 5 points clear of Man City + Bukayo Saka set to sign new contract + Declan Rice favouring a move to the Emirates Learn more about your ad choices. Visit megaphone.fm/adchoices

01 - Jacinta Jazz - Dança dos Mancos   2 40 02 - Fond - Night Train To Lisbon Love Feelings     4 35 03 - Chanson - Night Train To Lisbon End Credits    4 04 04 - Fond - Night Train To Lisbon Sonata N12 F1     7 24 05 - Chanson - Nunca é Tarde [Trio Fado Song Mix]    2 13 06 - Fond - Night Train To Lisbon Travel to Lisbon     5 28 07 - Chanson - Night Train To Lisbon Raimund    2 24 08 - Fond - Night Train To Lisbon A Present     6 57 09 - Chanson - Night Train To Lisbon New Cothes     0 52 10 - Fond - Night Train To Lisbon Sonata N12 F2     5 29 11 - Chanson Pelle Erobreren - Pelle Erobreren   2 36 12 - Fond - Night Train To Lisbon Mendez     8 36 13 - Chanson - Pelle Erobreren - Det Nye Land    3 08 14 - Fond - Night Train To Lisbon Sonata N12 F3     5 30 15 - Chanson - Night Train To Lisbon Mourning    1 18 16 - Fond - Night Train To Lisbon Opener  5 44 17 - Chanson - Night Train To Lisbon Alone     0 56 18 - Fond - Night Train To Lisbon Terrible Memoires    6 34 19 - Chanson - Night Train To Lisbon Reflection     2 18 20 - Fond - Night Train To Lisbon Estefanias Memories     6 18 21 - Chanson - Misérables End Title      2 04

01 - Jacinta Jazz - Dança dos Mancos   2 40 02 - Fond - Night Train To Lisbon Love Feelings     4 35 03 - Chanson - Night Train To Lisbon End Credits    4 04 04 - Fond - Night Train To Lisbon Sonata N12 F1     7 24 05 - Chanson - Nunca é Tarde [Trio Fado Song Mix]    2 13 06 - Fond - Night Train To Lisbon Travel to Lisbon     5 28 07 - Chanson - Night Train To Lisbon Raimund    2 24 08 - Fond - Night Train To Lisbon A Present     6 57 09 - Chanson - Night Train To Lisbon New Cothes     0 52 10 - Fond - Night Train To Lisbon Sonata N12 F2     5 29 11 - Chanson Pelle Erobreren - Pelle Erobreren   2 36 12 - Fond - Night Train To Lisbon Mendez     8 36 13 - Chanson - Pelle Erobreren - Det Nye Land    3 08 14 - Fond - Night Train To Lisbon Sonata N12 F3     5 30 15 - Chanson - Night Train To Lisbon Mourning    1 18 16 - Fond - Night Train To Lisbon Opener  5 44 17 - Chanson - Night Train To Lisbon Alone     0 56 18 - Fond - Night Train To Lisbon Terrible Memoires    6 34 19 - Chanson - Night Train To Lisbon Reflection     2 18 20 - Fond - Night Train To Lisbon Estefanias Memories     6 18 21 - Chanson - Misérables End Title      2 04

Today on The Richard Syrett Show: Brian Lilley, columnist for Post Media reacts to the horrific mass shooting in Vaughan. Linda Slobodian, columnist for the Western Standard explains how a delayed evil is still evil. Then lawyer & senior fellow at the Macdonald-Laurier institute, Kaveh Shahrooz talks about Iran turning to public executions in an attempt to crush anti-government protests. Columnist & political analyst, Drew Allen brings up how border towns are bracing for invasion of illegals as Joe Biden prepares to end Title 42. David Freiheit, creator of popular YouTube channel “VivaFrei” on Twitter users voting for Elon Musk to resign as CEO. Franco Terrazzano, federal director at the Canadian Taxpayers Federations discusses the five federal tax hikes in 2023. Then caWsbar's representative on women's sports, Linda Blade shares her thoughts on Skate Canada changing ice dance and pairs rules to allow any 2 skaters to compete together in domestic events.

Diane and Sean discuss the second installment of The Godfather saga. Episode music is, "End Title" by Nino Rota, from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

Pop quiz, hotshot. There's a podcast on a bus. Once the bus goes 50 miles an hour, the podcast is armed. If it drops below 50, the podcast blows up. What do you do? WHAT DO YOU DO?!You listen to Filmshake, the 90's Movies Podcast, and their new episode on 1994's Speed, one of the greatest action movies of all time. We've got special guest, Jackson Boren, as our hostage, but instead of shooting him, we just talk about how awesome Speed is and how not awesome Speed 2: Cruise Control is for longer than it takes to drive the 105 in rush hour...which I guess would just be an hour? We're Filmshake, not Mathshake.Find Jackson at: https://twitter.com/JacksonBorenMusic Heard this Episode:"Main Title" -- Mark Mancina"The Rescue" -- Mark Mancina"The Gap" -- Mark Mancina"Twentieth Century Fox Fanfare / Motorcycle Chase" -- Mark Mancina"End Title" -- Mark MancinaSupport the show

SHOW NOTESThis is an interview with Rev. Craig B. Mousin, an Adjunct Faculty member of the DePaul University's College of Law, Refugee and Forced Migrations Studies Program and the Grace School of Applied Diplomacy. The podcast examines new attempts to codify the harmful effects of Title 42 through amending the Fiscal Year 2023 spending bills currently before Congress. Please email or call your elected representative and oppose all of these amendments. ACTION STEP1.       Email your Senators and Representative to oppose these amendments.  The National Immigrant Justice Center provides information and a simple link to register your voice:  https://immigrantjustice.org/staff/blog/5-facts-about-title-42-why-congress-should-not-codify-trump-era-expulsion-policy2.       You can call your elected representatives with this helpful script and background information provided by the Center for Gender and Refugee Studies:  https://cgrs.uchastings.edu/our-work/action-center-tell-congress-reject-anti-asylum-amendmentsResources: Our previous podcast on Title 42's bad science and bad law, Episode 25 “Stop the Pretense That It Is Just About Public Health,” can be found at:  https://lawfulassembly.buzzsprout.com/1744949/10595081-episode-25-stop-the-pretense-that-it-is-just-about-public-healthThe source of Yogi Berra's “It's déjà vu all over again” can be found at:  https://yogiberramuseum.org/about-yogi/yogisms/The National Immigrant Justice Center webpage includes additional background information and resources at:  www.immigrantjustice.orgWe welcome your inquiries or suggestions for future podcasts.  If you would like to ask more questions about our podcasts or comment, email us at: mission.depaul@gmail.com   

 SHOW NOTESThis is an interview with Rev. Craig B. Mousin, an Adjunct Faculty member of the DePaul University's College of Law, Refugee and Forced Migrations Studies Program and the Grace School of Applied Diplomacy. The podcast examines the “Public Health and Border Security Act of 2022” and critiques the intent of the proposal.  It argues that the implementation of Title 42 procedures in denying asylum seekers entrance to the United States masquerades as public health and violates domestic law.ACTION STEP1.    Church World Service:  This link provides a sample communication with your elected Senators and Representative to “Urge Congress to Reject Anti-Asylum Policies and Invest in Humane Welcome”:https://cwsglobal.org/action-alerts/urgent-action-urge-congress-to-reject-anti-asylum-policies-and-invest-in-humane-welcome/The Welcome With Dignity Coalition offers you this sample script to call your elected representatives today: https://docs.google.com/document/d/1_pv0jLpHxLp2EF6bGOITzXKDCjhYdJmIjGuR_g1OClc/editResources:The quote from Monette Zard can be found in “Epidemiologists and Public Health Experts Implore Biden Administration to End Title 42 and Restart Asylum” at: https://www.publichealth.columbia.edu/research/program-forced-migration-and-health/press-release-epidemiologists-and-public-health-experts-implore-biden-administration-end-title-42The National Immigrant Justice Center offers an explanation of why Title 42 must be eliminated and offers several action steps: “Exploiting the Pandemic To Expel Asylum Seekers: An FAQ On Why Title 42 Expulsions Must End at: https://immigrantjustice.org/staff/blog/exploiting-pandemic-expel-asylum-seekers-faq-why-title-42-expulsions-must-endThe Interfaith Immigration Coalition provides you with a toolkit to take action at: https://docs.google.com/document/d/1_pv0jLpHxLp2EF6bGOITzXKDCjhYdJmIjGuR_g1OClc/editThe Welcome With Dignity offers a: “Title 42 Must Go Social Media Toolkit” at:  https://docs.google.com/document/d/1BNntgTQd427bBHM9SjDVs9UKNYWgfyUk-4uctCmnEBA/editThe budget amounts comparing enforcement expenditures to resettlement efforts came from:  Todd Miller, “More Than a Wall: Corporate Profiteering and the Militarization of U.S. Borders,” Transnational Institute (TNI), September 16, 2019 at https://www.tni.org/files/publication-downloads/more_than_a_wall_-_executive_summary.pdfWe welcome your inquiries or suggestions for future podcasts.  If you would like to ask more questions about our podcasts or comment, email us at: mission.depaul@gmail.com 

Protests are growing nationally after a draft opinion was leaked from the U.S. Supreme Court that could lead to the end of Roe v. Wade. What will that mean here in Florida? The U.S. government is trying to wind down a controversial immigration policy. Plus, bitcoin boosters see Latin America as a "cryptopia." But is it more hype than hope?

The battle over whether to end Title 42 within our immigration system has heated up over the last few weeks. We examine it and ask if it should be ended or not and we also give you more proof that God isn't the center of American life at all any more. Become a Critical Thinker! https://criticalthinking.locals.com/subscribe --- Send in a voice message: https://anchor.fm/criticalthinkingshow/message

President Biden is facing pressure from Republicans and Democrats over his repeal of a Trump-era immigration restriction known as Title 42. The policy has forced migrants seeking asylum to remain in Mexico because of health concerns during the pandemic. Now, the Department of Homeland Security is focusing on how to handle a likely influx of migrants if Title 42 is lifted.

Listen to the April 27th, 2022 daily headline round-up and find all the top news that you need to know.

President Biden wants to end Title 42 but now there is a temporary restraining order to stop those actions.

Immigration & DHS Reporter for the Wall Street Journal Michelle Hackman checks in to explain the concern over the CDC's decision to end the Title 42 border policy put into place at the start of the pandemic.

The Biden administration is preparing to allow a controversial border policy, enacted by the Trump administration, to end. The Centers for Disease Control and Prevention instituted Title 42 in March of 2020, essentially sending asylum seekers back to their home countries rather than allowing them to stay in the US, in an effort to combat the spread of COVID-19. Now, however, the CDC appears ready to end that policy. Republicans in Congress warn ending Title 42 will lead to an avalanche of asylum seekers along our southern border, with no plan in place to process or house them; Democrats say it's time to stop forcing those who are fleeing from violence to return to their native countries. Joining The Rundown to talk about this story, as well as a good news story taking place in the state of Ohio, is CBN News Senior National Affairs Correspondent Heather Sells.

Write a great book and you're a genius. Turn a book into a great film and you're a visionary. Turn a great film into a book...that's another story. Novelizations of films are regular best-sellers with cult followings -- some are even more beloved than the films that spawned them -- but respected they are not. Instead, they're assumed to be the literary equivalent of merchandise: a way for the movie studios to make a few extra bucks, and a job for writers who aren't good enough to do anything else. But the people who write them beg to differ. Back in 2016, former OTM producer Jesse Brenneman went inside the world of novelizations; featuring authors Max Allan Collins, Alan Dean Foster, Elizabeth Hand, and Lee Goldberg. Songs: "The Blue Danube Waltz" by Johann Strauss "The Throne Room and End Title" by John Williams (from the film "Star Wars")   *Correction: In the piece it is stated that the Star Wars novelization begins, "Another time, another galaxy." In fact it begins, "Another galaxy, another time."  On the Media is supported by listeners like you. Support OTM by donating today (https://pledge.wnyc.org/support/otm). Follow our show on Instagram, Twitter and Facebook @onthemedia, and share your thoughts with us by emailing onthemedia@wnyc.org.

Write a great book and you're a genius. Turn a book into a great film and you're a visionary. Turn a great film into a book...that's another story. Novelizations of films are regular best-sellers with cult followings -- some are even more beloved than the films that spawned them -- but respected they are not. Instead, they're assumed to be the literary equivalent of merchandise: a way for the movie studios to make a few extra bucks, and a job for writers who aren't good enough to do anything else. But the people who write them beg to differ. Back in 2016, former OTM producer Jesse Brenneman went inside the world of novelizations; featuring authors Max Allan Collins, Alan Dean Foster, Elizabeth Hand, and Lee Goldberg. Songs: "The Blue Danube Waltz" by Johann Strauss "The Throne Room and End Title" by John Williams (from the film "Star Wars")   *Correction: In the piece it is stated that the Star Wars novelization begins, "Another time, another galaxy." In fact it begins, "Another galaxy, another time." 

I just saw John Williams live for the first time! Here are some of the highlights, footage excerpts, and my analysis. Concert Details: John Williams: Maestro of the Movies Saturday, September 4, 2021 at the Hollywood Bowl (Los Angeles, CA) David Newman and John Williams conducting the Los Angeles Philharmonic in a performance of film music selections Event link: https://www.hollywoodbowl.com/events/performances/1276/2021-09-05/john-williams-maestro-of-the-movies References: "Scherzo for Motorcycle and Orchestra" from Indiana Jones and the Last Crusade (John Williams) - https://youtu.be/1IFmRniWa0U "Scherzo for X-Wings" from Star Wars Episode VII: The Force Awakens (John Williams) - https://youtu.be/xJzuanMUuS4 "Throne Room and End Title" from Star Wars Suite for Orchestra (John Williams) - https://youtu.be/_3AiYIxBwD0 (from Silfimur's channel) An even more dramatic tempo comparison: "Williams: The Throne Room - End Credits" - https://youtu.be/LH57BIdwMLg (from LA Phil's channel) "The Throne Room/End Title" from Star Wars Episode IV: A New Hope (John Williams) - https://youtu.be/m1dXRe0Z1hw Frank Lehman's Complete Catalogue of the Musical Themes of Star Wars - https://franklehman.com/starwars Star Wars Music Minute: YouTube: /starwarsmusicminute Twitter: @StarWarsMusMin Instagram: @starwarsmusicminute TikTok: @StarWarsMusicMinute Email: podcast@starwarsmusicminute.com Want to submit an anonymous question or comment? Here's a quick form Merch: coming soon Xanthe: Twitter: @chrysanthetan Instagram: @chrysanthetan Spotify Artist Page: Chrysanthe Tan Website: chrysanthetan.com Patreon: patreon.com/chrysanthetan

Synopsis On today's date in 1942, the RKO studio released a film titled “The Magnificent Ambersons,” based on Booth Tarkington's Pulitzer Prize-winning novel chronicling the declining fortunes of a wealthy Midwestern family and the massive social changes in American life caused by the arrival of the automobile. The film was written, produced, directed, and narrated by Orson Welles, who hired the great film composer Bernard Herrmann to provide the film's score. The film was nominated for four Academy Awards, including Best Picture. You would think Welles and Hermann would be pleased – but quite the opposite was the case.  As conceived by Welles, the film ran 131 minutes, but after unfavorable reactions by a preview audience, RKO took control of the film, cut 50 minutes, and rewrote and reshot a more upbeat ending. Half of Herrmann's score was also cut, and another composer brought in for the new scenes.  In disgust, Hermann asked that his name be removed from the film's credits. Despite RKO's alteration of its creators' vision, many still regard “The Magnificent Ambersons,” as one of the greatest films ever made, thanks to what remained of the original conception by Orson Welles and Bernard Herrmann. Music Played in Today's Program Bernard Hermann (1911-1975): “Pleasure Trip” & “End Title,” from “The Magnificent Ambersons” original film score (Australian Phil; Tony Bremer, cond.) Preamble CD 1783

Synopsis On today's date in 1942, the RKO studio released a film titled “The Magnificent Ambersons,” based on Booth Tarkington's Pulitzer Prize-winning novel chronicling the declining fortunes of a wealthy Midwestern family and the massive social changes in American life caused by the arrival of the automobile. The film was written, produced, directed, and narrated by Orson Welles, who hired the great film composer Bernard Herrmann to provide the film's score. The film was nominated for four Academy Awards, including Best Picture. You would think Welles and Hermann would be pleased – but quite the opposite was the case.  As conceived by Welles, the film ran 131 minutes, but after unfavorable reactions by a preview audience, RKO took control of the film, cut 50 minutes, and rewrote and reshot a more upbeat ending. Half of Herrmann's score was also cut, and another composer brought in for the new scenes.  In disgust, Hermann asked that his name be removed from the film's credits. Despite RKO's alteration of its creators' vision, many still regard “The Magnificent Ambersons,” as one of the greatest films ever made, thanks to what remained of the original conception by Orson Welles and Bernard Herrmann. Music Played in Today's Program Bernard Hermann (1911-1975): “Pleasure Trip” & “End Title,” from “The Magnificent Ambersons” original film score (Australian Phil; Tony Bremer, cond.) Preamble CD 1783

Musique Mécanique par le Théâtre Électrique ::"Tron :: End Title" by Daft Punk

On the May 4, 2021 episode of /Film Daily, /Film senior writer Ben Pearson is joined by managing editor Jacob Hall, weekend editor Brad Oman, and writers Hoai-Tran Bui and Chris Evangelista to answer some listener questions from the mailbag.   In The Mailbag:   Hi gang, Hakim from Los Angeles writing in. I’m curious: what current/historical event or subculture would you all want to be explored in a film that hasn't been (doc or narrative)? Love the show. Keep up the awesome work! All the best, Hakim   Hey guys, love the show and appreciate the work that you do as well as the different perspectives everybody brings. My question is this: what is a movie that you feel you could do a one person reenactment of? Mine would be School of Rock. While it is not necessarily my favorite movie, I pretty much know it by heart and I feel that I could perform most of the movie by myself if I had to. Anyway keep up the great work! – Matt, New Jersey P.S. Today’s podcast discussed the best opening credits sequences and I just wanted to add Men in Black as an opening that deserves some love.   Hi Peter and /Film crew, I listen to your podcast while making dinner. I really loved the segment at the end of /Film Daily Ep. 875 where Ben, HT, and Chris discussed their favorite opening credit sequences. Film titles have shifted through the years from being Main Titles, which take place at the beginning of the film or tv show, to Main On End Titles, which take place at the end of the film or tv show. Marvel has taken advantage of this Main On End Title format for most of their films and tv shows. One Main on End Title that springs to mind is from Black Panther. https://www.youtube.com/watch?v=9YGTeFM00iU They have Vibranium Sand which pulses to the beat of the soundtrack and forms characters and landscapes from the film. Main Titles seem to be more prevalent in Television shows in recent years. Some great examples of this are Westworld and Game of Thrones...chef's kiss!! If you are interested in learning more about Main Titles, please check out Art of the Title. https://www.artofthetitle.com/  I LOVE this site and it's a great historical resource! Maybe the crew can talk about their favorite Main On End Titles from films or TV shows or their favorite Main Titles from television shows. Keep up the great work and can't wait to hear your next podcast. – Vince from New Jersey   First of all, love the show. I play a little drinking game where I take a sip whenever Peter says,"I don't know.” I've been hammered for years now (just kidding). I was wondering, what do you guys think are some great movies that fall apart in the third act? Examples for me are Signs and From Dusk Till Dawn. Secondly, the opposite: movies that you considered turning off but then the third act saved it? Examples for me are Hardcore Henry and The Prestige. – Donnie from Florida   Hello /Film team, as a self-proclaimed film buff, I'm a firm believer that movies are capable of shaping one's life. With that, I'd like to know what are some "life changing" films which you guys can recommend? By "life changing" films, I'm pertaining to films that you guys have personally resonated to, so much so that it changed the way you perceive life or how you treat other people. I'd love to have an insight as to what films shaped the life of my favourite movie critics. Love the podcast, love your works, and thank you! – James from Manila, Philippines   All the other stuff you need to know: You can find more about all the stories we mentioned on today’s show at slashfilm.com, and linked inside the show notes. /Film Daily is published every weekday, bringing you the most exciting news from the world of movies and television as well as deeper dives into the great features from slashfilm.com.  You can subscribe to /Film Daily on Apple Podcasts, Google Podcasts, Overcast, Spotify and all the popular podcast apps (RSS).  Send your feedback, questions, comments and concerns to us at peter@slashfilm.com. Please leave your name and general geographic location in case we mention the e-mail on the air. Please rate and review the podcast on Apple Podcasts, tell your friends and spread the word!  Thanks to Sam Hume for our logo.

For this special episode, I'm gonna make you an offer you can't refuse. I'm gonna break down and analyze one of the final conversations between Michael and Fredo in The Godfather Part II. So if you want respect, pull an uncomfortably weird chair, and check it out!All movie clips (c) Paramount PicturesOpening song "The Godfather Waltz" (c) Nino RotaClosing song "End Title" (c) Nino Rota

...who killed the world?...Musique Mécanique par le Théâtre Électrique ::Theme by Vangelis

BDR's Ryan Dengel and Jack Wright sit down with Bears Beat Reporting Legend JJ Stankevitz to talk about the Bears QB situation and the harsh realities of the sports media industry. For more in depth analysis, visit BearDownReport.com. Bear Down!

Musique Mécanique par le Théâtre Électrique ::"Tron :: End Title" by Daft Punk

This month Lee is back with the second half of his look at the scores and soundtracks of the AIP Beach Party films, this time covering the spin-offs and unofficial sequels in the series. Selections from Les Baxter's Score for "Beach Blanket Bingo" (1965): --Bonehead's New Love--Fly Boy--Beach Blanket Bingo "Ski Party" (1965): --The Gasser & Ski Party --The Hondells--We'll Never Change Them --Deborah Walley--Paintin' the Town --Frankie Avalon and Deborah Walley--I Feel Good --James Brown and The Famous Flames "Sergeant Deadhead" (1965): --How Can You Tell --Deborah Walley--Two-Timing Angel --Donna Loren--You Should've Seen the One That Got Away --Eve Arden "Dr. Goldfoot and the Bikini Machine" (1965): --Dr. Goldfoot And The Bikini Machine --The Supremes "Fireball 500" (1966): --My Way That Gets Me My Way --Frankie Avalon--Step Right Up --Annette Funicello "Thunder Alley" (1967): --Theme from Thunder Alley --Band Without A Name --Riot in Thunder Alley --Eddie Beram--What's a Girl to Do --Annette Funicello--Calahan's Theme --Loraine Singers--Theme from Thunder Alley (Instrumental) --The Sidewalk Sounds Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

In part one of a two-part series, Lee is going to surf through the music of the AIP Beach Party films. In this installment he's picking the soundtrack stuff he liked the most from the seven "official" films that make up the series. In part two he'll cover the spin-off films and some of the Les Baxter score work. "Beach Party" (1963): --Beach Party & Don't Stop Now --Frankie Avalon--Swingin' and a-Surfin' & Secret Surfin' Spot --Dick Dale & the Del-Tones--Promise Me Anything (Give Me Love) & Treat Him Nicely --Annette Funicello "Muscle Beach Party" (1964): --Running Wild --Frankie Avalon--Muscle Bustle --Donna Loren--Surfer's Holiday --Frankie Avalon, Annette Funicello & Dick Dale--Happy Street --Stevie Wonder "Bikini Beach" (1964): --Record Run & Bikini Drag --The Pyramids--Love's a Secret Weapon --Donna Loren--Gotcha Where I Wantcha --The Exciters --This Time It's Love & Bikini Beach --Annette Funicello--Because You're You --Annette Funicello & Frankie Avalon--Dance and Shout --Stevie Wonder "Pajama Party" (1964): --Pajama Party & Stuffed Animal --Annette Funicello--Among the Young --Donna Loren--Where Did I Go Wrong --Dorothy Lamour--There Has to Be a Reason --Annette Funicello and Tommy Kirk "Beach Blanket Bingo" (1965): --Beach Blanket Bingo --Annette Funicello & Frankie Avalon--It Only Hurts When I Cry (Beach Blanket Bingo Version); It Only Hurts When I Cry (Studio Version) & New Love --Donna Loren-- Follow Your Leader --Harvey Lembeck-- Cycle Set --Dona Loren & The Hondells "How to Stuff A Wild Bikini" (1965): --How to Stuff a Wild Bikini --The Wild Bikini Chorus--Give Her Lovin' --The Kingsmen--Better Be Ready --Annette Funicello--The Boy Dext Door --Harvey Lembeck "The Ghost in the Invisible Bikini" (1966): --Geronimo --Nancy Sinatra and The Bobby Fuller Four--Stand Up and Fight --Piccola Pupa--Don't Try to Fight It Baby --Quinn O'Hara Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Introduction! Thanks for the warm and overwhelming support on the return! Chapter 007 Recap Parzival has an epiphany that his home school planet of Ludus is actually the resting place of the Tomb of Horrors. After exploiting away to travel there without zero credits, he manages to find the entrance and makes his way in, ready for the perils that lie ahead. Chapter 0008 Summary With the help of a map from the Tomb of Horrors module, Parzival makes his way through the treacherous tomb avoiding traps and monsters and collecting a heavy amount of gold pieces along the way. He's eventually confronted by Acererak who challenges him to a best 2 out of 3 game of Joust, the classic arcade game. Parzival bests Acererak winning the copper key along with a clue to the first gate but before he's able to leave the Tomb of Horrors, he's stopped short of the entrance by a mysterious figure who making their way inside as well… Chapter 0008 Narrative  Parzival uses his map to navigate through the ToH and avoid most of the traps and monsters Levels up like a few types of classes; monster xp vs GP xp; gp xp converts to OASIS credits He eventually makes his way to the Pillared Throne Room where he sees a throne and Acereak sitting there which is a break from the D&D module The voices inside our heads here - what did you hear when you read the booK? "Not horses," he replied, stepping away from his throne. "Birds." The rules to win a copper key, best two out of three. Of course, Parzival had honed his skills over time and credits Aech as it was his favorite (and former) game used to settle asinine pop culture disputes, but did you ever take issue with just how good Wade/Parzival was at everything? I've seen some of the negative criticism from people who didn't paritcularly like the novel and it's a go-to for a lot of those people. Parzival gets his arse handed to him in match #1; but then asks to play on the other side in order to win games 2 and 3 After the second win, Acererak pounds on the side of the cabinet smashing into pixles and graciously congratulates Parzival before taking the form of Anorak. Anaorak hands him the copper key, and Parzival notice two lines of text etched into the key reading, “What you seek lies hidden in the trash on the deepest level of Daggorath.” He immediately knows exactly what this hints refers to and has a hunch that he needs to travel to Middletown, a re-creation of Halliday's hometown as a boy. There, in Halliday's old home, he would find a "Dungeons of Daggorath" game and somehow that would lead him to the first gate to use the copper key on. All he needed to do now was get out of the Tomb of Horrors and make his way immediately there, but just as he was leaving the tomb, he is confronted by the silhouette of another avatar… The Pop!  Reference: “My flashlight reached into the darkness ahead, flickering off the damp stone walls. My surroundings made me feel like I was in a low-budget sword-and-sorcery flick, like Hawk the Slayer or The Beastmaster.” Hawk the Slayer (1980) Directed by Terry Marcel Starring Jack Palance, John Terry, Bernard Bresslaw Movie Synopsis Trivia The Beastmaster (1982) Directed by Don Coscarelli Starring Marc Singer, Tanya Roberts, Rip Torn, and John Amos Movie Synopsis Trivia Excalibur (1981) Reference: “When I put on the suit of magical armor, it shrank to fit my avatar perfectly. Its gleaming chrome appearance reminded me of the bad-ass armor worn by the knights in Excalibur.” Directed by John Boorman Starring Nigel Terry, Helen Mirren, Nicholas Clay, Cherie Lunghi, a bunch of other guys, but more importantly Liam Neeson and Patrick Stewart!   Movie Synopsis Trivia Joust (1982) Reference: “He waved a skeletal hand at his throne. There was a brief flash of light, accompanied by a transformation sound effect (which I was pretty sure had been lifted from the old Super Friends cartoon). ” Developed by Williams Electronics Designed by John Newcomer Game premise. Released on nearly every game system, ever. World record holder and meeting John Newcomer in 2018. The All New Super Friends Hour (1977 - 1978) Reference: “He waved a skeletal hand at his throne. There was a brief flash of light, accompanied by a transformation sound effect (which I was pretty sure had been lifted from the old Super Friends cartoon). ” Produced by Hanna-Barbera and aired on ABC Based on DC Characters Premise of the show and characters Street Fighter 2 (1991) Reference: “The last time we'd played (Joust), I'd rubbed his nose in defeat so mercilessly that he'd flipped out and vowed never to play me again. Since then, we'd used Street Fighter II to settle our disputes.” Developed by Capcom Produced by Yoshiki Okamoto Trivia Reference: “It suddenly occurred to me just how absurd this scene was: a guy wearing a suit of armor, standing next to an undead king, both hunched over the controls of a classic arcade game. It was the sort of surreal image you'd expect to see on the cover of an old issue of Heavy Metal or Dragon magazine.” Heavy Metal (1977 - 1992) (1992 - 2014) (2014 - Present) Founder: Leonard Mogel Premise Trivia Dragon Magazine (1976 - 2007) Created by TSR Premise Trivia Star Wars: “The Throne Room and End Title” (1977) Reference: “I recognized the music. It was the last track from John Williams's original Star Wars score, used in the scene where Princess Leia gives Luke and Han their medals (and Chewbacca, as you may recall, gets the shaft).” Directed by George Lucas Stars Mark Hammill, Harrison Ford, Carrie Fisher, Alec Guiness, Peter Cushing, Anthony Daniels, Peter Mayhew, Kenny Baker, James Earl Jones, Trivia Dungeon and Dragons Cartoon (1982 - 1985) Reference: “And before I could ask what I was supposed to do next, or where I could find the first gate, his avatar vanished in a flash of light, accompanied by a teleportation sound effect I knew was lifted from the old '80s Dungeons & Dragons cartoon.” Co-produced by Marvel Productions and TSR Voices of Willie Aames, Don Most, Katie Leigh, Adam Rich, Peter Cullen (Optimus Prime), Frank Welker (Megatron), and a number of others Premise Trivia Lord of the Rings (elvish language - Quenya) Reference: “Dagorath was a word in Sindarin, the Elvish language J. R. R. Tolkien had created for The Lord of the Rings. The word dagorath meant “battle,” but Tolkien had spelled the word with just one “g,” not two." Started in 1910 Primarily made up of Finnish, but has some Latin, Greek, Welsh, and older Germanic languages as well. Quenya, Sindarin, and the origins Trivia "May It Be" - Enya, 2002 The Tomb of Horrors (1978) Written by Gary Gygax For characters level 10-14 Premise The Traps The Sphere of Annihilation  Magic Items +1 Flaming sword A gem of seeing +1 Ring of Protection +3 Full Plate mail armor Bag of Holding Areas of Interest Chapel of Evil  Pillared Throne Room  The Scoreboard iTunes Review: 5 stars! "Keep it coming. RP2 is on the way!" - JDR2000 Patreon: Danny P - Crystal Key Holder 3-2-1 Contact! Instagram, Twitter, YouTube, and Twitch: @TheBasementRPO Facebook: /TheBasementRPO Patreon: www.patreon.com/TheBasementRPO TeePublic: http://tee.pub/lic/mjtTM-nrguo

Rest in peace, Mr. Morricone. Check out Duncan McLeish's tribute to Morricone here.  --Titles from "A Fistful of Dollars" (1964)--Watch Chimes from "For a Few Dollars More" (1965)--The Good, the Bad and the Ugly from "The Good, the Bad and the Ugly" (1966)--Farewell To Cheyenne from "Once Upon a Time in the West" (1968)--A Fistful of Dynamite from "A Fistful of Dynamite" (1971)--The Cruel from "The Hellbenders" (1967)--An Indian Story (Healing The Wound) from "Navajo Joe" (1966)--Guitar Nocturne from "Death Rides a Horse" (1967)--The Penguin from "Companeros" (1970)--Main Title from "Two Mules for Sister Sara" (1970)--The Chase from "A Fistful of Dollars" (1964)--Jokes on the Side from "A Fistful of Dynamite" (1971)--Main Title from "My Name is Nobody" (1973)--Vivacious Bamba (Titles) from "The Mercenary" (1968)--A Sky Full of Stars for a Roof (Titles) from "A Sky Full of Stars for a Roof" (1968)--Main Titles (The Hunt) from "The Big Gundown" (1966)--A Silhouette of Doom from "Navajo Joe" (1966)--Face to Face (Titles) from "Face to Face" (1967)--The Bullfight from "The Big Gundown" (1966)--Counter-Revolution from "A Fistful of Dynamite" (1971)--Final Duel from "Once Upon a Time in the West" (1968)--The Arena from "The Mercenary" (1968)--Mystic and Severe from "Death Rides a Horse" (1967)--Chased! from "A Sky Full of Stars for a Roof" (1968)--The Ecstacy of Gold from "The Good, the Bad and the Ugly" (1966)--Passages in Time from "The Great Silence" (1968)--Before the Assault from "The Hellbenders" (1967)--The Last Trupet from "Buddy Goes West" (1981)--Death Rides a Horse from "Death Rides a Horse" (1967)--Navajo Joe (Main Title) from "Navajo Joe" (1966)--Let's Go and Kill, Companions (Titles) from "Companeros" (1970)--The Great Silence (Restless) from "The Great Silence" (1968)--The Trio from "The Good, the Bad and the Ugly" (1966)--Finale from "Once Upon a Time in the West" (1968) Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Lee is back with some lesser known misfits, outright strangers - and, of course, a few well-known - selections from Cowboy Pasta scores that are not from Ennio Morricone. Lee also reads some comments from someone whose work has been featured on a past episode of BotT! There's probably too much talking on this one. Sorry about that. --Djurado Seq. 9 from "Djurado" (1966) --Gianni Ferrio --Seq. 2 from "Colt in the Hand of the Devil" (1967) --Gian Piero Reverberi --Sandstorm from "Requiem for a Gringo" (1968) --Angelo Francesco Lavagnino --Crying from "A Hole In The Forehead" (1968) --Roberto Pregadio & Walter Rizzati --Seven Men from "Seven Winchesters for a Massacre" (1967) --Francesco de Masi --Main Titles from "A Stranger in Paso Bravo" (1968) --Angelo Francesco Lavagnino --Titles (Alternate Version) from "If You Meet Sartana Pray For Your Death" (1968) --Piero Piccioni --Travel from "A Train for Durango" (1968) --Carlo Rustichelli --Main Titles from "The Night of the Serpent" (1969) --Riz Ortolani --Heads or Tails from "Heads or Tails" (1969) --Carlo Savina --Main Titles from "Sabata" (1969) --Marcello Giombini --Seq. 7 from "Have a Good Funeral, My Friend ... Sartana Will Pay" (1970) --Bruno Nicolai --Blindman's Arrival from "Blindman" (1971) --Stelvio Cipriani --Main Titles from "Bullet for a Stranger" (1971) --Bruno Nicolai --Main Titles from "Black Killer" (1971) --Daniele Patucchi --My Name & The Departure from "Shanghai Joe" (1973) --Bruno Nicolai Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Musique Mécanique par le Théâtre Électrique ::"Tron :: End Title" by Daft Punk

Even if someone has never watched an Italian Western, there's at least a good chance they've heard the soundtrack or score from one. While Lee has featured some tracks from Italian Westerns before on the show, he's never done a dedicated look at the genre. This will be part one of three shows attempting to cover the scope of music that came from the Italian Westerns. Episode one is focused on selections that have vocalists on the tracks singing a song of some sort (note: the typical chorus of unintelligible chanting found on many Italian Western scores does not count in this case). As mentioned before, in some cases, you'll encounter a track that has been featured on a previous episode, but the majority of these shows will be featuring new material. Also, although he states on the episode that he was trying to keep this episode within the usual confines of an hour runtime, he quickly discovered the folly of that, as there is too much great music to play. Expect all of the episodes in this series to be as long as they have to be. --A Gringo Like Me from "Gunfight at Red Sands" (1963) --Ennio Morricone w/Peter Tevis --The Return of Ringo from "The Return of Ringo" (1965) --Ennio Morricone w/Maurizio Graf --A Lone and Angry Man from "A Coffin for the Sheriff" (1965) --Francesco De Masi w/Peter Tevis --Ya Me Voy from "A Bullet for the General" (1966) --Luis Bacalov w/Ramon Mereles --Texas, Adios from "Texas, Adios" (1966) --Anton Garcia Abril w/Don Powell --Django from "Django" (1966) --Luis Bacalov w/Rocky Roberts --For a Gunshot from "Little Rita of the West" (1967) --Roberto Gigli w/Rita Pavone--Who Is The Man? from "A Taste of Death" (1968) --Francesco De Masi; Alessandro Alessandroni & Giulia De Mutiis w/Raoul Lovecchio --Just A Coward from "And Now... Make Your Peace with God" (1968) --Franco Bixio w/Mary Usuah --A Man Alone from "Time and Place for Killing" (1968) --Francesco De Masi w/Raoul Lovecchio --Rocks, Blood And Sand from "And God Said to Cain" (1969) --Carlo Savina w/Don Powell --Maya from "No Room to Die" (1969) --Vasco & Mancuso w/Franco Morselli --Vamos A Matar Compañeros (#4) from "Companeros" (1970) --Ennio Morricone --A King For A Day from "Sartana in the Valley of Death" (1970) --Augusto Martelli --Trinity: Titles from "They Call Me Trinity" (1970) --Franco Micalizzi & Harold Stott w/Annibale Giannarelli --They Called Him King from "His Name was King" (1971) --Luis Bacalov w/Ann Collin & Edda Dell’Orso --I'm Not Your Pony from "Shoot the Living and Pray for the Dead" (1971) --Mario Migliardi w/Ann Collin --Can Be Done from "It Can Be Done Amigo" (1972) --Luis Bacalov w/Rocky Roberts --Let it Rain, Let it Pour from "Ben and Charlie" (1972) --Gianni Ferrio w/Stefan Grossmann --Blue Eggs and Ham from "Halleluja to Vera Cruz" (1973) --Luis Bacalov --Keoma from "Keoma" (1976) --Guido & Maurizio De Angelis w/Sybil & Guy Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Lee's been busy, so here's another grab bag of soundtrack and score selections featured on episodes of the They Must Be Destroyed On Sight! podcast. Big playlist, little talking = more value for the dollars you don't actually even pay for this hour of musical bliss. Enjoy! --All American Hero from "Flesh Gordon Meets the Cosmic Cheerleaders" (1990) --Terrea Smith (Episode 123) --Venus in Furs from "Venus in Furs" (1969) --Manfred Mann w/vocals by Barbara McNair (Episode 125) --Processo from "Count Dracula" (1970) --Bruno Nicolai (Episode 126) --Bar Confrontation & Captain Kronos Theme from "Captain Kronos - Vampire Hunter" (1974) --Laurie Johnson (episode 128) --Drowned Guthrie from "Let Sleeping Corpses Lie" (1974) --Giuliano Sorgini (Episode 134) --Main Title from "The Funhouse" (1981) --John Beal (Episode 135) --The Descent from "The Last Wave" (1977) --Charles Wain (Episode 141) --Orson's Theme from "F for Fake" (1974) --Michel Legrand Orchestra (Episode 143) --Theme of Ali from "The Battle of Algiers" (1966) --Ennio Morricone & Gillo Pontecorvo (Episode 151) --End of Sugarman & Exotic Dance from "Coffy" (1973) --Roy Ayers (Episode 152) --The Black Klansman from "The Black Klansman" (1966) --Tony Harris (Episode 154) --Bamba Vivace (Titoli di Testa) from "The Mercenary" (1968) --Ennio Morricone (episode 162) --When a Cowboy Trades His Spurs for Wings from "The Ballad Of Buster Scruggs" (2018) --David Rawlings and Gillian Welch - performed by Tim Blake Nelson and Willie Watson (Episode 166) --Open Space from "Baba Yaga" (1973) --Piero Umiliani (Episode 168) --Romanian Wind from "Sherlock Holmes: A Game of Shadows" (2011) --Hans Zimmer (Episode 182) --Jennie's Song from "The Bermuda Depths" (1978) --Maury Laws, Jules Bass, and sung by Claude Carmichael (Episode 186) --Ready for Action from "Once Upon a Time... in Hollywood" (2019) --Syd Dale (Episode 189) Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Lee is hunkered-down in his secret bunker this month (actually, it's every month), doing his best to avoid the Coronavirus. As serious as this situation is turning out to be, it doesn't mean we can't use it as inspiration for a playlist of film music, does it? Of course not! Wash your hands, cough into the crook of your arm, and eat up an hour of your social distancing with Lee. --Soundtrack Suite from "The Last Man on Earth" (1964) --Paul Sawtell & Bert Shefter --Jumped by the Family from "The Omega Man" (1971) --Ron Grainer --Wildfire from "The Andromeda Strain" (1971) --Gil Melle --Heaven Help Us from "The Crazies" (1973) --Beverly Bremers --Benihana from "Rabid" (1977) --Marilyn Chambers --Vulcain from "Rabid" (1977) --Claude Vasori --Hideout from "Rabid" (1977) --Brian Bennett --Introduccion from "12 Monkeys" (1995) --Astor Piazzolla --Dreams Awake from "12 Monkeys" (1995) --Paul Buckmaster --In the House, in a Heartbeat from "28 Days Later" (2002) --John Murphy --Karen Falls Apart from "Cabin Fever" (2002) --Nathan Barr & Angelo Baldalamenti --Prologue & Main Titles from "Resident Evil" (2002) --Marco Beltrami --Down With the Sickness from "Dawn of the Dead" (2004) --Richard Cheese Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Cinematic adaptations of H. P. Lovecraft's work have been pretty hit-or-miss over the years, but even a lot of bad adaptations have had some fine music attached to them. This month Lee digs through about 40 years of the notable examples. Get your ear buds in, your elder signs ready, and don't bloody well read from the Necronomicon, if you know what's good for you. --Opening Titles & Main Theme from "The Haunted Palace" (1963) --Ronald Stein --Main Title from "Die, Monster, Die!" (1965) --Don Banks --Dunwich; Cult Party; & Strange Sleep from "The Dunwich Horror" (1970) --Les Baxter --Re-Animator Theme from "Re-Animator" (1985) --Richard Band --They All See from "From Beyond" (1986) --Richard Band --Main Title from "The Curse" (1987) --Franco Micalizzi --Main Title & Abomination from "The Resurrected" (1991) --Richad Band --Main Theme from "The Lurking Fear" (1994) --Jim Manzie --Ezequiel's Story from "Dagon" (2001) --Carles Cases --Starry, Starry Night from "The Call of Cthulhu" (2005) --Troy Sterling Nies --Main Title from "Dreams in the Witch-House" (2005) --Richard Band Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Après un petit écart de 2 semaines où il est parti à la découverte d'un jeune talent prometteur, le trio Gravlax – Papa(Gubi)da – Casa est revenu à un épisode plus classique qui complète celui sur les coups de coeur sur les acteurs. À savoir, un opus conscaré au coup de coeur sur les réalisateurs. Chaque membre du trio a choisi un réalisateur qu'il a décidé de présenter autour de 5 films de celui-ci. Cet épisode est l'avant-dernier de la saison 1 du podcast. Elle sera clôturée avec un coup de coeur Actrices, histoire de partir en beauté. Bonne écoute !Les films évoqués par Gubi :http://www.allocine.fr/film/fichefilm_gen_cfilm=484.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=28247.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=8966.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=126884.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=12994.htmlLes métrages traités par Casa :http://www.allocine.fr/film/fichefilm_gen_cfilm=21632.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=25744.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=51013.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=115362.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=132874.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=114782.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=143692.htmlLes pellicules explorées par Gravlax :http://www.allocine.fr/film/fichefilm_gen_cfilm=39141.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=34531.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=13015.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=29275.htmlhttp://www.allocine.fr/film/fichefilm_gen_cfilm=38708.htmlRecommandations :– Gubi : "La Mule" de Clint Eastwood ( 2019 )http://www.allocine.fr/film/fichefilm_gen_cfilm=262272.html– Casa : Jonathan Nolan avec la série "Westworld"http://www.allocine.fr/series/ficheserie_gen_cserie=16930.htmlEt la série "The Peripheral"http://www.allocine.fr/series/ficheserie_gen_cserie=23551.html– Gravlax : allusion rapidement à "Domino" de Tony Scott ( 2005 ) sans le conseillerforcément : http://www.allocine.fr/film/fichefilm_gen_cfilm=48636.htmlAllusion à "Man on Fire" de Tony Scott ( 2004 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=47141.htmlmais recommande surtout la version "Man on Fire" d'Élie Chouraqui ( 1987 ) avec Scott Glenn :http://www.allocine.fr/film/fichefilm_gen_cfilm=29576.htmlMorceaux diffusés durant l'épisode :– Générique "Loud Pop" ( Gravlax )– Djimbilth Edjouma "Run This Town"– Lennie Niehaus "Pale Rider Theme"– David Julyan : musique de Following– Harold Faltermeyer : "Bogomil Oil" / "Jeffrey Call" / "Sneak To Shooting Club"– Michel Legrand : musique de Breezy– David Julyan "Memento Main Theme"– Michael Kamen : "The Night Club" / "Street Ambush" / "Jig Time" /" Meet Joe The Dick"– Lennie Niehaus "Theme Big Fran's Baby"– Hans Zimmer "Batman Begins Ending Theme"– Hans Zimmer "USS Alabama Roll Tide"– Clint Eastwood "End Title of Changeling"– Hans Zimmer "Interstellar Main Theme Extra Extended"– Harry Gregson-Williams "All Hell Breaks Loose"– Johnny Hartman "For All We Know"– Hans Zimmer : "Time" / "Radical Notion"– Hans Zimmer : musique de Jours de Tonnerre– Toby Keith "Don't Let The Old Man In"– Ramin Djawadi "Westworld Main Theme"– Harry Gregson-Williams & Junkie XL "Domino Main Title"– Harry Gregson-Williams "Man On Fire Main Title"– John Scott "Man On Fire" Bonus : Casa a parlé d'un des premiers courts métrages de Christopher Nolan disponible sur YouTube, "Doddlebug". En voici le lien : https://www.youtube.com/watch?v=DQaNqcKY1Sc.Lien Twitter du podcast : https://twitter.com/TLVPodcastPage Facebook du podcast : https://www.facebook.com/M.Gravlax/Page du podcast : https://podcast.ausha.co/tu-l-as-vu

Lee returns for a second look at music from films inspired by "Alien" and "Aliens". While there are a billion of these rip-off films, Lee quickly discovered when attempting to source the music, most of these films just don't have available soundtracks/scores, and even the ones that do usually only come from sources of dubious quality. That equals a bit less music than usual, and more talking from Lee. We know you're thrilled! --Suite from "The Killings at Outpost Zeta" (1980) --Robert Emenegger --Afternoon of a Spawn & The Spawn Who Came in from the Cold from "The Deadly Spawn" (1983) --Michael Perilstein --After Autopsy & Hypnosis from "Lifeforce" (1985) --Michael Kamen --Introduction & Cruel System from "Lily C.A.T." (1987) --Akira Inoue --Baby, You've Changed from "Metamorphosis: The Alien Factor" (1990) --John Gray & Peter M. Stoller --End Theme from "Critters 4" (1992) --Peter Manning Robinson --Underwater Grave/The Saipan from "Deep Rising" (1998) --Jerry Goldsmith --The Gauntlet from "Pitch Black" (2000) --Graeme Revell --Doom from "Doom" (2005) --Clint Mansell Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

"Alien" (1979) and its sequel "Aliens" (1986) have influenced countless films in their wake. They both have possibly created, and definitely have made previously existing tropes popular, cementing them into pop culture to the extent that one can easily recognise an "'Alien' formula" in many different films, regardless of setting. In this episode Lee explores the soundtracks and scores of films that clearly display this formula. Considering the vast amount of films out there to choose from, there will at least be a part 2. --Main Title from "It! The Terror from Beyond Space" (1958) --Paul Sawtell & Bert Shefter --Main Title from "Planet of the Vampires" (1965) --Gino Marinuzzi Jr. --Communication #1D35E1 from "Dark Star" (1974) --John Carpenter --Connexion & Fright from "Contamination" (1980) --Goblin --Main Title from "Alien 2: On Earth" (1980) --Guido & Maurizio De Angelis --Sandy Kills from "Inseminoid" (1981) --John Scott --Theme from "Forbidden World" (1982) --Susan Justin --End Credits from "Star Crystal" (1986) --Stefanianna Christopherson --Main Theme from "Creepozoids" (1987) --Guy Moon --Theme from "Deep Space" (1988) --Alan Oldfield & Robert O. Ragland --Discovery from "Leviathan" (1989) --Jerry Goldsmith --Suite from "Harbinger Down" (2015) --Christopher Drake --The Long Way Back from "Life" (2017) --Jon Ekstrand Opening and closing music: End Title from "Horror Express" by John Cacavas & In Un Altro Bar from "Revolver" by Ennio Morricone.

Join host Aeric Azana and returning guest Jesse Pickering as they rant, rave, and review the final installment of the Skywalker Saga! WARNING: SPOILERS!!! Connect with us! IG & Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Main Theme" by John Williams "End Title" by John Williams

Star Trek: The Motion Picture's 40th Anniversary.    After its cancellation in 1969, Star Trek fans didn't have many options for new adventures of Captain Kirk and the Enterprise aside from a few comics and novels, and a short lived Saturday morning animated series. Even with very limited new material, television reruns fanned the flames of fandom. Star Trek conventions began to pop up, and one burning question that every fan asked was whether or not their show would return to television. Attributed by many to the success of Star Wars, Paramount shelved the plans of a new series in favor of a big screen voyage. Over the years, the first movie of the franchise has been very divisive among fans. While there are many people who pan the film, there are just as many loyal lovers who continue to champion the originality of the movie. Now, with the 40th anniversary upon us, Star Trek: The Motion Picture is having a renaissance with many people giving it a new look with a fresh perspective. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by Neil Shurley to discuss the score to the first Star Trek film. In addition to the main bookend hosts, we have 14 additional guests comment on the music and the film itself. We discuss our impressions on the film and how our opinions have changed, our thoughts on Goldsmith, and the place of The Motion Picture in the current Star Trek landscape. Chapters Intro (00:00:00)  "Overture (Long Version)" (00:00:02)  Welcome to Melodic Treks (00:02:46)  "Leaving Drydock" (00:07:44)  "Total Logic" (00:11:11)  Fandom (00:14:50)  "Malfunction" (00:18:47)  The Cult of Jerry (00:20:02)  "The Enterprise" (00:31:29)  Re-Appreciation (00:37:18)  "A Good Start" (00:39:47)  Its Own (00:42:12)  "TV Theme/Warp Point Nine" (00:44:50)  The Klingon Theme (00:46:29)  "Klingon Battle" (00:50:11)  The Blaster Beam (00:55:32)  "The Meld" (00:59:21)  Composer Michael Stearns on the Blaster Beam (01:02:22)  "The Force Field" (01:07:01)  "Ilia's Theme" (01:12:00)  Revisiting (01:14:57)  "The Cloud" (01:17:45)  "Games" (01:22:26)  "End Title" (01:26:14)   Host Brandon-Shea Mutala   Guest Neil Shurley Featuring Mike Schindler, Laurie Ulster, Tristan Ridell, Chrissie De Cleck-Szilagyi, John Mills, Clara Cook, Tony Robinson, Charles-Henri Avelange, Neil Bulk, Rosie Varela, Justin Oser, Colin Higgins, Kevin Dilmore, and Amy Nelson.   Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Ken Tripp (Executive Producer) Norman C. Lao (Associate Producer) Tony Robinson (Associate Producer) Stephen Boyd (Associate Producer) Bobby Tucker (Associate Producer) Chris Tribuzio (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)

It is our immense pleasure to share our conversation with Audio Engineer/Composer Alan Snelling. [Excerpts of this interview were included in our arc of episodes devoted to the score to STAR WARS - we are delighted to be sharing the full extent of our conversation with you on today’s podcast].Alan began his career in the late seventies as the assistant to audio engineer Eric Tomlinson at Anvil Studios in Denham, England, where he shortly became involved in such landmark projects as Star Wars, Alien, and Superman (to name but a few). In our delightful and long-ranging chat, Snelling recounts unforgettable stories from the recording sessions of these treasured films. Along the way, we'll encounter the likes of George Lucas, Steven Spielberg, Richard Donner, Jerry Goldsmith, Hans Zimmer, and the composer who left perhaps the greatest impact on Snelling and Tomlinson - John Williams. Alan is an incredible craftsman, phenomenal storyteller, and an incredibly generous human being; experiencing his wisdom is a true privilege. Enjoy! Listen to Interview: Alan Snelling Return of the Jedi (1983) - John Williams - 20th Century Fox (Richard Marquand, dir.)  -The Return of the JediThe Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)  -Lando's PalaceThe Great Train Robbery (1978) - Jerry Goldsmith - United Artists (Michael Crichton, dir.)  -No Respectable GentlemanStar Wars (1977) - John Williams - 20th Century Fox (George Lucas, dir.)  -The Land of the Sandpeople  -Inner City  -Main Title  -Rescue of the Princess  -Cantina Band  -The Desert and the Robot Auction  -The Princess AppearsDracula (1979) - John Williams - The Mirisch Corporation (John Badham, dir.)  -To ScarboroughThe Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)  -The Training of a Jedi KnightRaiders of the Lost Ark (1981) - John Williams - Paramount Pictures (Steven Spielberg, dir.)  -A Thought for Marion / To NepalBrideshead Revisited (1981) - Geoffrey Burgon - Granada Television (Charles Sturridge, Michael Lindsay-Hogg, dir.)  -Julia's ThemeLadyhawke (1985) - Andrew Powell - Warner Bros./20th Century Fox (Richard Donner, dir.)  -Phillipe Describes Isabeau Star Wars (1977) - John Williams - 20th Century Fox (George Lucas, dir.)  -The Throne Room and End TitleThe Empire Strikes Back (1980) - John Williams - 20th Century Fox (Irvin Kershner, dir.)  -The Wampa's Lair / Vision of Obi-Wan/Snowspeeders Take Flight  -Jedi Master Revealed / Mynock Cave  -The Imperial MarchE.T. the Extra-Terrestrial (1984) - John Williams - Warner Bros (Richard Donner, dir.)  -The DepartureSuperman (1978) - John Williams - Warner Bros (Richard Donner, dir.)  -Leaving Home [5M3]  -Prelude / Main Title March  -Can You Read My Mind (Alternate Instrumental)  -The Flying SequenceA Pinprick of Light (2018) - Alan Snelling - Stranger Than Paradise Prod. (Kasra Karimi, dir.)  -Manfred's Room Alan Snellinghttp://www.up4loud.com/https://www.imdb.com/name/nm0811074■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast 

Episode 41 of the Filmotomy Podcast lands on the opening day of the Femme Filmmakers Festival 2018. Ten days of over fifty films showcasing is upon us. Our hostess Bianca is reunited with Robin, and the special guest this week is Barbara Ann O'Leary, the founder of Directed by Women initiative. The trio find time in their busy schedules to discuss female filmmakers, as well as looking ahead to the films and talent that dominate this year's online festival. Have a listen, and make sure you bookmark your favorites. Subscribe on SoundCloud and iTunes if you have not already. Sources - - - Music from: "Raise Your Words" by Mychael Danna, Jeff Danna (The Breadwinner); "Nisi dominus, RV 608: Cum Dederit Dilectis Suis" by La Tempesta (Divines); "End Title" by Randy Newman (Awakenings); "Dedicated to the One I Love" by The Mamas and the Papas (Morvern Callar); "Aj Mera Jee Kardaa" by Sukhwinder Singh (Monsoon Wedding); "Oreru" by Tonolec (Land Without Evil) - - - Non-film excerpts: Sarah Polley discussing Stories We Tell; Gal Gadot on Wonder Woman; Mustang winning Original Screenplay at the Cesar Awards - - - Film excerpts: Lost in Translation; Lady Bird; Raw; Suffragette.

Embarque em nossa viagem pelos galhos da yggdrasil à um mundo nórdico de deuses, gigantes e anões boca-suja, enquanto discutimos tudo que tange o conceito, desenvolvimento, história, mecânicas e toda sorte de teorias mirabolantes sobre God of War.E o que você tem a dizer?Deixe seu feedback acessando o post deste podcast, ou mande um e-mail para contato@jogabilida.deLinks Comentados: PodPesquisa 2018 God of War Sempre foi Profundo Texto sobre o Machado Leviathan Matéria da Gamespot sobre o Charlie Protótipo de 2015 Blocos do Podcast: 00:03:10: Avisos 00:06:53: O Passado de God of War 00:20:50: Conceitos e Mitologia Nórdica 00:35:53: O Novo (velho) Kratos & Atreus 00:50:32: O Estranho 00:57:00: Jogabilidade & Plano Sequência 01:14:46: Mundo Aberto 01:28:23: Anões e Pato Donald 01:55:12: Mimir & Valquírias 02:12:07: Cinzel & Retorno ao Lar 02:29:38: Helheim & Tyr 02:42:41: Adolescência 02:49:03: Batalha Final 03:14:24: Jotunheim 03:26:05: Revelações e Considerações Trilha do Podcast: "Helix Nebula" de Anamanaguchi "Saizen no Itte" de Hikaru no Go "Overture" de God of War 3 "Glory of Sparta" de God of War 2 "End Title" de God of War Trilha de God of War 2018 "A Father's Arms" de Miracle of Sound

1. Cyndi Lauper - All Through the Night @00:00 2. The Art of Noise - Paranoimia @04:18 3. Marrs - Pump Up the Volume @07:37 4. Don Henley - She's on the Zoom @12:20 5. AC/DC - Hells Bells @15:26 6. The Kinks - Moving Pictures @20:18 7. Salt & Peppa - Push it (Remix) @23:39 8. The Soul Dads - You're Fat @28:00 9. The King Khan & BBQ Show - Kiss My Sister's Fist @33:42 10. M.O.T.O. - I'm Why God Made Rock & Roll @36:23 11. Magpie - Sacco's Letter @38:24 12. The Bee Gee's - Massachusetts @42:22 13. The Business - Coventry @44:41 14. Culture Abuse - Jealous @47:55 15. The Monsieurs - Headbanger @50:54 16. The Last Resort - We Rule OK @53:28 17. Sham 69 - Sunday Morning Nightmare @55:37 18. U.X. Vileheads - Kill For Peace @58:29 19. Bad Dress Sense - Never Mine @01:01:00 20. Heart - Kick it Out @01:03:16 21. Talking Heads - Don't Worry About the Government @01:05:50 22. Mecco - Throne Room & End Title @01:08:43 23. Billy Bragg - Loves Town Revisited @01:11:11 24. Dirtbombs - Burnt to Cinders @01:12:25 25. Punk - San Diego @01:13:59

Give Me Those Star Wars returns for a different sort of episode. First, Ryan Daly reflects on how his fandom has changed since becoming a vader himself. He also discusses some of the new merchandise that came out on this year's Force Friday. Then, a reading of the children's book ABC-3PO with a special mystery guest! All that plus listener feedback from last episode's coverage of Star Wars Celebration. Check it out! Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ridley Scott veut donner un second souffle à la saga Alien ! Est-ce une bonne nouvelle ? Pas sûr... Mais au moins ça permet à 24FPS, le podcast ciné avec ou sans spoiler, de revenir sur cette saga culte du cinéma de science-fiction et d'horreur !Dans la première partie (sans spoiler) de l'émission, Jérôme et Julien reviennent longuement sur l'histoire de la saga Alien via de nombreuses anecdotes sur tous les films sortis depuis 1979, puis ils livrent leur avis sur les derniers épisodes réalisés par Ridley Scott. Après le signal sonore qui retentit au bout de 2h48m05, ils évoquent quelques passages du film Alien Covenant sans toutefois s'attarder sur toutes les scènes du film.Bonne écoute, et n'hésitez pas à partager votre avis sur l'obsession de Ridley Scott !Crédits musicaux : Main Title et End Title de Jerry Goldsmith, issus de l'album Alien - Original Motion Picture Score (1979)

Ryan Daly welcomes video game writer Drew Holmes to discuss the highlights of 2017's STAR WARS CELEBRATION ORLANDO convention. Topics include the 40th Anniversary panel, the upcoming Star Wars Battlefront II video game, new animation projects, and The Last Jedi panel. Plus, listener feedback from recent episodes. Introduction begins at 0:00:41 Star Wars Celebration 40th Anniversary Panel talk begins at 0:06:23 Star Wars Battlefront II talk begins at 0:22:37 New animation projects talk begin at 0:28:11 Star Wars: The Last Jedi Panel talk begins at 0:37:06 Galactic Questionnaire with Drew begins at 0:56:43 Listener Feedback begins at 1:01:03 Star Wars Celebration Orlando 2017 videos: 40th Anniversary panel: https://www.youtube.com/watch?v=YI5QodTtlME&t=5738s Carrie Fisher tribute: https://www.youtube.com/watch?v=sE99le5FBrY Battlefront 2 trailer: https://www.youtube.com/watch?v=Kae-JjbLsgA Forces of Destiny first look: https://www.youtube.com/watch?v=3MF2VFgCUSk Star Wars Rebels season 4: https://www.youtube.com/watch?v=-b7GAhnVwhA The Last Jedi panel: https://www.youtube.com/watch?v=Mh4X4N-8fEM&t=123s Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

SPECIAL REACTION EPISODE! Ryan Daly welcomes a special guest Neil Daly, the one who helped Ryan take his first steps into the larger universe many years ago, to discuss the brand new teaser trailer to STAR WARS: THE LAST JEDI. Warning: plenty of spoilers abound in their conversation. If you haven't seen the teaser yet, watch it right here: https://www.youtube.com/watch?v=zB4I68XVPzQ&t=3s  Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ryan Daly welcomes law stylist Omar to discuss where Lucasfilm and the Star Wars franchise stands commercially, critically, and creatively as of January 2017. Also covered: the title of Star Wars Episode VIII and the question of what to do with General Leia in the wake of Carrie Fisher’s untimely death. Introduction begins at 0:00:41 Star Wars Current Events (potential spoilers) begins at: 0:04:10 State of the Star Wars Union discussion begins at: 0:26:14 Galactic Questionnaire with Omar begins at 1:17:16 Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

The Mephisto Waltz with John Takis. *I would like to apologize as there are some audio issues in this episode. Released in 1971, The Mephisto Waltz was almost a response to the cult hit Rosemary's Baby. In this film,  Alan Alda plays a music journalist named Myles Clarkson, whose career as a piano player came to an end when his debut concert received terrible reviews. Then, Clarkson and his wife find themselves on the path of the Macabre when an aging pianist wants to trade souls with Myles so that he can become immortal. In this episode of Melodic Treks, host Brandon-Shea Mutala is joined by film score journalist Jon Takis to take a deep dive into Jerry Goldsmith's score to the film The Mephisto Waltz. We compare it to two of his other scores, Planet of the Apes and "The Invaders," an episode of The Twilight Zone. We talk about his techniques used for this score, including over dubbing, playing cues backwards, and the unique sound known as "The Lion's Roar," and determine that this is a strong contender for Goldsmith's creepiest score. Chapters In Memorial (00:00:00)  "Princess Leia's Theme" (from Star Wars composed by J. Williams) (00:00:39)  Melodic Treks Intro (00:03:04)  Contest and Happy New Year! (00:04:02)  "Part of the Bargain" (from The Mephisto Waltz composed by J. Goldsmith) (00:06:23)  Welcome, John! (00:08:04)  Let's Jump In (00:19:04)  The Mephisto Waltz Trailer (00:24:16)  "Main Title" (from The Mephisto Waltz composed by J. Goldsmith)  (00:27:52)  "The Mephisto Waltz" (F. Liszt) (00:31:09)  "Main Title" (from Planet of the Apes composed by J. Goldsmith) (00:36:25)  "The Invaders" (from The Twilight Zone composed by J. Goldsmith) (00:40:00) "End Title" (from The Mephisto Waltz composed by J. Goldsmith)  (00:45:09) "Dogfight" (from The Mephisto Waltz composed by J. Goldsmith)  (00:50:34)  "A New Miles" (from The Mephisto Waltz composed by J. Goldsmith)  (00:53:20)  "The Search Continues" (from Planet of the Apes, composed by J. Goldsmith) (00:55:58)  "The Hospital" (from The Mephisto Waltz composed by J. Goldsmith)  (00:59:58)  Spoilers! (01:02:53)  "One Night in Mexico" (from The Mephisto Waltz composed by J. Goldsmith)  (01:05:11)  Clip from "The Last Day of Scoring The Mephisto Waltz" (01:09:21)  Host Brandon-Shea Mutala Guest John Takis Production Brandon-Shea Mutala (Editor and Producer) C Bryan Jones (Executive Producer) Matthew Rushing (Executive Producer) Bobby Tucker (Associate Producer) Ken Tripp (Associate Producer) Norman C. Lao (Associate Producer) Richard Marquez (Production Manager) Tony Robinson (Show Art)

Rogue One: A Star Wars Story is here! Ryan Daly welcomes Nathaniel Wayne, Elliot Stafford, and Angela Drew to discuss the latest installment in the Star Wars franchise that just came out a couple hours ago and share their impressions of the story, style, and characters of the film. WARNING: HERE THERE BE SPOILERS! Council of Geeks Youtube page: https://www.youtube.com/channel/UCHWINIVcwZFdVXe3U-vSCcA Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

With only two weeks until the release of Rogue One: A Star Wars Story, Ryan Daly and guest Pat Sampson discuss the film's signature icon: the dreaded Death Star! Also, your listener feedback from episodes 13 and 14. Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at: 0:05:07 Death Star discussion begins at: 0:10:30 Galactic Questionnaire with Pat Sampson begins at 0:30:18 Listener Feedback begins at 0:34:18 Check out Pat's podcast The Longbox Crusade at: http://www.longboxcrusade.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ryan Daly welcomes returning guest Andy Kapellusch to chat about the Power of the Force II wave of Star Wars action figures released between 1995 and 2000. Also, expectations for Rogue One and the casting of Donald Glover as Lando Calrissian in the Han Solo anthology film. Introduction begins at 0:00:41 Star Wars Current Events (potential spoilers) begins at: 0:04:48 Power of the Force II Toys discussion begins at: 0:14:57 Galactic Questionnaire with Andy Kapellusch begins at 0:54:40 Star Wars Collectors Archive: http://theswca.com Rebel Scum: http://www.rebelscum.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Honoring the 38th anniversary of the Star Wars Holiday Special, Ryan Daly and Aaron Bias review the highs and lows (mostly lows) and utter weirdness of this notorious TV special. Introduction begins at 0:00:41 Star Wars Holiday Special talk begins at 00:01:19 Galactic Questionnaire with Aaron Bias begins at 1:14:33 Watch the complete Holiday Special on YouTube at: https://www.youtube.com/watch?v=S3a5j8PgQxg Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

The official Star Wars show of the Fire and Water Podcast Network returns! Ryan Daly welcomes Nathaniel Wayne to analyze the new, final trailer for Rogue One: A Star Wars Story. Introduction begins at 0:00:40 Rogue One expectations chat begins at: 0:04:05 Rogue One Trailer #2 breakdown begins at: 0:11:17 Galactic Questionnaire with Nathaniel Wayne begins at 0:29:17 Check out Council of Geeks at: https://www.youtube.com/user/councilofgeeks 90s Comics Retrial at: https://90scomicsretrial.wordpress.com Punch Like a Girl at: https://punchlikeagirlpod.wordpress.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

The official STAR WARS show of the Fire and Water Podcast Network! Ryan Daly welcomes Paul Hix to share their Star Wars fan regrets, those moments of fandom that broke our hearts. They also share their thoughts and feelings on the passing of R2-D2 actor Kenny Baker. Introduction begins at 0:00:40 Kenny Baker Memorial begins at 0:03:10 Fan Regrets begins at 0:14:48 Galactic Questionnaire with Paul Hix begins at 0:38:45 Check out Paul’s Doom Patrol podcast Waiting for Doom at: http://waitingfordoom.podbean.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Special Episode! Ryan Daly and guest Aaron Bias share first impressions of the first official trailer for Rogue One: A Star Wars Story. SPOILER WARNING for the trailer and film. Watch the trailer for Rogue One on Youtube at: https://www.youtube.com/watch?v=frdj1zb9sMY Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ryan Daly welcomes returning guest Rob Kelly to talk about Marvel's Star Wars Treasury Comics. Also, some new spoiler-y details about Rogue One and Star Wars Rebels season 3 that came out of Star Wars Celebration Europe 2016. Plus, a special guest joins Ryan on the listener feedback section! Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:02:25 Treasury Comics Talk begins at 0:11:00 Galactic Questionnaire with Rob Kelly begins at 0:38:42 Check out Rob Kelly on the Film and Water Podcast, Fire and Water Podcast, Pod Dylan, and Power Records, all here on the Fire and Water Network: http://fireandwaterpodcast.com/shows/ Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ryan Daly welcomes Angela Drew to debate whether advancing the Star Wars saga 30 years for THE FORCE AWAKENS was the right call, or if Lucasfilm should have kept the focus on young Luke, Leia, and Han. Also, do reports of significant reshoots spell doom for ROGUE ONE? Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:03:50 The Force Awakens vs. the Expanded Universe begins at 0:10:34 Galactic Questionnaire with Angela Drew begins at 0:41:39 Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Celebrate Star Wars Day with this special episode! Ryan Daly invites his best friends (i.e. people with five minutes to spare) to share what they’re most looking forward to from the future of the Star Wars Universe. Rob Kelly at the Fire and Water Podcast Network: http://fireandwaterpodcast.com Mike Gillis at Radio vs. The Martians: http://radiovsthemartians.com Paul Hix at Waiting for Doom: http://waitingfordoom.podbean.com Chris Franklin at the Fire and Water Podcast Network: http://fireandwaterpodcast.com Kyle Benning at King-Size Comics, Giant-Size Fun: http://kingsizecomicsgiantsizefun.blogspot.com Siskoid at the Fire and Water Podcast Network: http://fireandwaterpodcast.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

The official STAR WARS show of the Fire and Water Podcast Network! Ryan Daly welcomes Ben Avery to review Star Wars: C-3PO, the one-shot comic from Marvel. Also, listener feedback from the last two episodes. Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:07:27 C-3PO Comic Synopsis and Review begins at 0:10:58 Galactic Questionnaire with Ben Avery begins at 0:37:45 Check out Marvel’s Cosmic Comics at Comic Book Time Machine at: http://comicbooktimemachine.com and Welcome to Level Seven: Marvel’s Agents of S.H.I.E.L.D. Podcast at: http://welcometolevelseven.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Not an April Fools joke! Ryan Daly and guest Kyle Benning actually came up with lists of Five Good Things from the Star Wars Prequel Trilogy (admittedly, there are a ton of caveats with each). Also, some brief thoughts on the bonus features on the Star Wars: The Force Awakens Blu-ray/digital release, some upcoming comic books, and the passing of Admiral Ackbar voice actor, Erik Bauersfeld. Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:05:43 Five Best Parts of the Prequel Trilogy begins at 0:20:42 Galactic Questionnaire with Kyle Benning begins at 0:46:47 Check out "Kylo" Benning on King-Size Comics, Giant-Size Fun at: http://kingsizecomicsgiantsizefun.blogspot.com and the Superman Captain Marvel Power Hour at: http://supermancaptainmarvel.blogspot.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Special Episode! Ryan Daly and guest Andy Kapellusch share their first impressions of the teaser trailer for Rogue One: A Star Wars Story. Potential SPOILERS for the teaser and film. Watch the teaser for Rogue One on Youtube at: https://www.youtube.com/watch?v=Wji-BZ0oCwg Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ryan Daly welcomes Mark Marble to analyze and scrutinize Rey's vision from The Force Awakens. Also, some talk about the upcoming Blu-ray/digital release of the film and the Han Solo miniseries from Marvel. Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:05:10 Rey's Force-Vision talk begins at 0:17:48 Galactic Questionnaire with Mark Marble begins at 0:56:00 Check out Mark Marble on The LanternCast at: http://www.lanterncast.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

Ryan Daly welcomes Aaron Bias to discuss the new heroes and villains introduced in Star Wars: The Force Awakens, and then rank their Top 5. Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:06:34 New Character Talk begins at 0:17:27 Galactic Questionnaire with Aaron Bias begins at 1:07:08 Watch the Hypothetical Star Wars Holiday Special from Funny or Die: https://www.youtube.com/watch?v=sClBNY1EISU Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

The official STAR WARS show of the Fire and Water Podcast Network! Ryan Daly welcomes Mike Gillis to talk about Lando Calrissian's role in The Empire Strikes Back. Also, some brief thoughts on upcoming Star Wars films and comics. Introduction begins at 0:00:40 Star Wars Current Events (potential spoilers) begins at 0:08:55 Lando Talk begins at 0:18:39 Galactic Questionnaire with Mike Gillis begins at 1:04:45 Check out Mike Gillis on Radio vs. The Martians at: http://radiovsthemartians.com and Podcasta la Vista, Baby! at: http://podcastalavistababy.com Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER: https://twitter.com/FWPodcasts Like our FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

The official STAR WARS show of the Fire and Water Podcast Network!  Ryan Daly welcomes Rob Kelly to share some memories of the original Kenner Star Wars toys.  Also, thoughts on the movie Star Wars: The Force Awakens. Introduction begins at 0:00:42 Star Wars memories begin at 0:02:55 The Force Awakens review begins at 0:10:11 Toy Talk begins at 0:33:28 Galactic Questionnaire with Rob Kelly begins at 0:58:25 Visit Rob's Aquaman website: http://www.aquamanshrine.net or follow the Film and Water Podcast on Twitter: https://twitter.com/FilmAndWaterPod. Let us know what you think! Leave a comment or send an email to: RDalyPodcast@gmail.com. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Follow us on TWITTER - https://twitter.com/FWPodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Subscribe via iTunes as part of the FIRE AND WATER PODCAST: http://itunes.apple.com/podcast/the-fire-and-water-podcast/id463855630 Music: "Star Wars Main Theme" and “End Title” by The Evil Genius Orchestra (with Ryan and Shag). Thanks for listening, and May the Force Be With You!

得不到所爱的人固然痛苦，可是失去不爱你的人又有什么可惜。伤心难免，毫不遗憾。可他是她青春里的坐标，他活着，那段岁月里的她，也就活着…… 这里是FM10346，愿这里的故事能温暖你的耳朵，给你一段美梦，晚安，陌生人…… 电台配乐： 第一首：东京爱情故事 - End Title 第二首：林宥嘉 - 浪费 第三首：卫兰 - 情深说话未曾讲 第四首：我的名字叫金三顺主题曲 - 离不开的别离

Contenidos/Resumen: Edición muy especial en la que tenemos como invitado a Don Chris Roberts, el hombre responsable de que nosotros hagamos este podcast y vosotros lo escuchéis por habernos contagiado el virus Star Citizen :) Lamentar que nuestra querida Nushla (se te hechó mucho de menos Nushka) no pudiese participar y agradecer a Sonyk el esfuerzo que ha hecho poniendo voz a Frost a pesar de que veía doble y le costaba horrores leer la transcripción Si me olvido de alguien pido disculpas, y sin más dejo que disfrutéis del podcast y que os resulta tan divertido y agradable como a nosotros nos resultó charlar con Chris Roberts. Créditos musicales: - Vinícius de Moraes y Antonio Carlos Jobim; Garota de Ipanema - James Hannigan, Andrew G. Sega: Freelancer OST (several soundtracks) - Yumiko Kanki, Naoto Ishida; F-Zero Original Soundtrack (Port Town, Silence. Arreglos del álbum F-Zero Jazz, de PeeWee y Michiko Hill) - Alain Silvestri: Romancing the Stone; End Title. - Bear McCreary: Battlestar Galactica Season 2 OST; Reuniting the Fleet. - Alain Silvestri: Back to the Future Main Theme

Sentimentality about Cool Hand Luke, indomitable spirit, the Great Mechanick, living above board and having a laugh and an esteemable regard, or disregard for death as defeat or vice-versa.  The tracks selected, hidden between samples, reflect my living.Lyrics in m4a ID3 tag for lyrics, and tracklist below:1,"Sometimes Nothing Can Be a Real Cool Hand","Cool Hand Luke","Cool Hand Luke"2,"Intro to ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37","Giosue Etranger","ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37"3,"Just Passing Time, Captain","Cool Hand Luke","Cool Hand Luke"4,"Castles Made of Sand","The Jimi Hendrix Experience","Axis: Bold as Love"5,"Plastic Jesus","The Goldcoast Singers","Here They Are! The Goldcoast Singers"6,"Baba O'Riley","The Who","Who's Next"7,"Fish in the Jailhouse","Tom Waits","Orphans: Brawlers"8,"What Good Is It","Screamin' Jay Hawkins","I Put a Spell On You"9,"With Nothing","Cool Hand Luke","Cool Hand Luke"10,"You Can Get It If You Really Want","Jimmy Cliff","The Harder They Come"11,"Eat 50 Eggs","Cool Hand Luke","Cool Hand Luke"12,"Love Me Hate Me Kill Me Anything Just LET ME KNOW IT","Cool Hand Luke","Cool Hand Luke"13,"New York, I Love You but You're Bringing Me Down","LCD Soundsystem","Sound of Silver"14,"Plastic Jesus","Cool Hand Luke","Cool Hand Luke"15,"Just Doing My Job","Cool Hand Luke","Cool Hand Luke"16,"Alec Eiffel","Pixies","Trompe le Monde"17,"Gouge Away","Pixies","Doolittle"18,"How Do You Take Your Pants Off?","Cool Hand Luke","Cool Hand Luke"19,"Inglan Is a Bitch","Linton Kwesi Johnson","Bass Culture"20,"You Gotta Move","The Rolling Stones","Sticky Fingers"21,"Dear Boys Playing It Cool","Cool Hand Luke","Cool Hand Luke"22,"Florida","Modest Mouse","We Were Dead Before the Ship Even Sank"23,"Easy Eats or Dirty Doctor Galapagos","Man Man","Rabbit Habits"24,"Midnight Special","Lead Belly","The Very Best of Leadbelly"25,"Over And Over Again (Lost And Found)","Clap Your Hands Say Yeah","Clap Your Hands Say Yeah"26,"Never Make It (What're You Talking About?)","Cool Hand Luke","Cool Hand Luke"27,"Approximate Sunlight","Bright Eyes","The People's Key"28,"Never Planned Anything in My Life","Cool Hand Luke","Cool Hand Luke"29,"My Back Pages","Bob Dylan","Another Side of Bob Dylan"30,"Plastic Jesus","The Flaming Lips","Transmissions From the Satellite Heart"31,"Conclusion (So Good)","Cool Hand Luke","Cool Hand Luke"32,"End Title","Lalo Schifrin","Cool Hand Luke"33,"Goodbye","Giosue Etranger","ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37"That's It.ᎦᎵᏉᎩ (galiquogi) 7ᏦᎢᏍᎪ ᎦᎵᏉᎩ (tsoisgo galiquogi) 37An Endorsement for Nobyl Skateboards (I'm not an actor):#37: The What For (Buy something from them. Maybe it's a good idea.)

--{ To Hell the Elite the World will Send, Using Money as Means to an End: "Money to THE ELITE is but Means to an End, By Debt, Compound Interest, They Can Send Any Nation to the Bottom or the Top, Foment Revolution, War, or Cause Them to Stop, Long-Term Planning and Total Control, Using Academia and Politicos Selling Their Soul To Be a Few Rungs Up on Old Jacob's Ladder, Away from the Bottom Where it's Getting Sadder, To Own the World is the Elite's Ambition, Exposing Them Now is Called Sedition, Giving Up Free Will Once Termed Derangement, Billions of Addicts Stuck on Entertainment" © Alan Watt }-- Public-Private Feudal System - Bankers' Empire Building, World Standardization - No "Going Back" to a Previous Time - CFR's End-Run Around the Constitution - Public Not Indignant, Too Entertained and Content - Marxist Revolution, Debasement of Society - "Contaminated" Public, will Not Stand Together - Data Overload - Corrupt Governments (Owned by Private Central Banks) - Rug Pulled from Under the Feet of U.S. - Planned Economic Crash and Bretton Woods Part Two - Greece Revolts against Austerity Measures - World of Service to World State, Communitarianism - "Death" Education, Euthanasia Workshops - Society Can be Trained to do Anything. HAARP Technology, Low-Frequency Antenna Arrays - US Internet Sales Tax and ID - Value Added Tax Worldwide - EU Plans to Tax Food - US War Lobby and 700 Billion Dollar Budget - IMF/World Bank - Snooping Apps. on Your Phone - Formulas of Novels and Movies - Farmers in India Bankrupted, Rothschilds Buy up Farms - UN: Food is a Weapon, will be Doled out to Regions. (See http://www.cuttingthroughthematrix.com for article links.) *Title/Poem and Dialogue Copyrighted Alan Watt - April 18, 2011 (Exempting Music, Literary Quotes, and Callers' Comments)

The World Cup is upon us and Disco Stu throws a bit of an international flair into the mix this week with a great track by MC Solaar. The second half of this week's show features a special live performance by some choice turntablists and a disco homage to a sci-fi classic, Star Wars. Are you ready to board the Mothership on this Intergalatic voyage? Tracklisting: The Ventures - Theme From Shaft A Tribe Called Quest - Bonita Applebum X-ecutioners - Musical Intuition MC Solaar - Unknown Trouble Funk - I Like It Parliament - Let's Get It Together P-Funk All Stars - Pumpin' It Up The Isley Brothers - Fight The Power Cut Chemist v. NuMark v. DJ Shadow - The Treacherous Three Meco - Star Wars Title Theme Imperial Attack The Desert and The Robot Auction The Princess Appears The Land Of The Sand People Pricess Leia's Theme Cantina Band The Last Battle The Throne Room and End Title