Podcasts about berggasse

Mon, 21 Apr 2025 18:31:00 +0000 https://jungeanleger.podigee.io/2191-alsercast-13-christoph-weissenback-vs-fabian-franz-zum-ausgang-bezirksvertretungswahl-1090-am-27-4-bitte-weniger-schulden 7cd9eb69ff8caaffd861f3676052f571 Der Alsercast April 2025 mit Christoph Weißenbäck und Christian Drastil (ich): Die Folge 13 steht zu mehr als der Hälfte im Fokus der Bezirksvertretungswahl am 27. April. Christoph prognostiziert das Ergebnis und ist dabei durchaus anderer Meinung als BZ-Experte Fabian Franz. Ich selbst wünsche mir nur, dass künftig viel weniger Schulden gemacht werden. Weiters: Ein Erratum zu Christian Sapetschnig, die Vorstellung des 90-Sekünders, das Zurückdrängen der Fussgänger, kostenpflichtige Anfragen, das versteckte Ballhaus in der Berggasse, Gratis-Würstel, Gratis-Pizza, die Parkpickerl-Probleamtik und ein Input von Stefan Ebenberger. Podcast mit dem Alsergrunder Bezirksrat Stefan Ebenberger: https://audio-cd.at/page/podcast/6900 - Playlist: http://www.audio-cd.at/alsercast1090 Fotos zum Alsercast: https://photaq.com/page/index/4137 Initiative Lebenswerter Alsergrund: https://www.facebook.com/groups/167595683857161 Alsergrund, die Gruppe für (fast) jeden…: https://www.facebook.com/groups/633186561975947 Partnergrätzel in Wien 22: http://www.treffpunktessling.at About: Der Alsercast ist eine Facette im audio-cd.at-Podcast von Christian Drastil. Der Jingle wurde mit der Opernsängerin Ruzanna Ananyan aufgenommen. Bewertungen bei Apple (oder auch Spotify) machen mir Freude: http://www.audio-cd.at/apple bzw. http://www.audio-cd.at/spotify . 2191 full no Christian Drastil Comm.

Das französische Flair dieses Grätzels ist besonders charmant, das gleichnamige Kloster hat die Reformen im 18. Jahrhundert überlebt. Und hier wurde nicht nur die Psychoanalyse entwickelt, sondern auch der erste Hybridmotor.

No episódio de hoje conversamos sobre a riqueza da literatura para nosso trabalho clínico, encontrando semelhanças e diferenças entre os dois universos.   Quem topou conversar com a gente foi a Ana Cláudia Gonçalves Ribeiro, que é Psicóloga pela Faculdade de Filosofia, Ciências e Letras de Ribeirão Preto-USP, com Aprimoramento em psicologia clínica de orientação dinâmica pelo Hospital das Clínicas da Faculdade de Medicina de Ribeirão Preto – USP, Especialista em psicologia clínica pelo CRP - Conselho Regional de Psicologia, Psicanalista, membro efetivo da SBPRP- Sociedade Brasileira de Psicanálise de Ribeirão Preto associada a IPA, Professora junto ao Instituto de Formação da SBPRP, Editora Coordenadora da Revista de Psicanálise Berggasse 19  desde 2020 até o momento, Ganhadora do Prêmio Cyro Martins concedido pela Federação Brasileira de Psicanálise durante o 28o Congresso Brasileiro de Psicanálise em 2022.   Apoie o Desculpa o Áudio Longo: www.catarse.me/desculpaoaudiolongo Siga a gente no instagram: www.instagram.com/desculpaoaudiolongo Siga a gente no TikTok: www.tiktok.com/@desculpaoaudiolongo?_t=8kpvjOYxCWD&_r=1 Assista a gente pelo youtube: https://youtube.com/@desculpaoaudiolongo-podcas9836

Mon, 20 May 2024 03:45:00 +0000 https://jungeanleger.podigee.io/1498-borsepeople-im-podcast-s12-21-lara-hartmann 32b97e0253f98ed9f409cc7232c0890d Lara Hartmann ist Investor Relations Managerin im Capital Markets Team des Flughafen Wien und Studentin Digital Business Communications an der FH St. Pölten. Wir sprechen über die WU Wien, die FH St. Pölten, Jobs im Marketing, die neue Aufgabe beim Flughafen, ESG, die Berggasse, den Augarten und ein gemeinsames Panel beim Zertifikate Kongress 2024, bei dem es darum geht, mehr Menschen für den Kapitalmarkt zu begeistern. Wie das in Laras Freundeskreis aussieht, gibt Anlass zur Hoffnung. https://www.viennaairport.com/investor_relations Bernd Maurer Börsepeople: https://audio-cd.at/page/playlist/4290 Monika Kovarova-Simecek Börsepeople: https://audio-cd.at/page/playlist/4219 About: Die Serie Börsepeople findet im Rahmen von http://www.audio-cd.at und dem Podcast "Audio-CD.at Indie Podcasts" statt. Es handelt sich dabei um typische Personality- und Werdegang-Gespräche. Die Season 12 umfasst unter dem Motto „24 Börsepeople“ 24 Talks. Presenter der Season 12 ist Re:Guest, https://www.reguest.io/de/buchungssoftware-hotel/1-0.html .Welcher der meistgehörte Börsepeople Podcast ist, sieht man unter http://www.audio-cd.at/people. Der Zwischenstand des laufenden Rankings ist tagesaktuell um 12 Uhr aktualisiert. Bewertungen bei Apple (oder auch Spotify) machen mir Freude: https://podcasts.apple.com/at/podcast/audio-cd-at-indie-podcasts-wiener-boerse-sport-musik-und-mehr/id1484919130 . 1498 full no Christian Drastil Comm.

Das Queer Museum Vienna - Podcast 'Mein schwules Buch' von Veit und Tobias - Queer Ball 2023 im Schloss Neugebäude und Queer Dance im Gemeindebau in Wien-Simmering

Die Berliner Autorin Nadine Lange liest bei uns in der Berggasse 8 auf ihrem Zwischenstopp Richtung Belgrad zur Europride 2022 aus ihrem Debütroman »Eis mit Jo«, ein Roman über eine Urlaubsbekanntschaft, einen Flirt, eine aufregende Geschichte über zwei Frauen und darüber, ob sie sich kriegen oder nicht.

Oft stehen wir in Personenmuseen - also in Museen am Geburts- oder Schaffensort prominenter Persönlichkeiten - in Rekonstruktionen des ursprünglichen Ortes. Im Sigmund Freud Museum, in der Berggasse 19, ist das nicht der Fall. Warum das so ist und was es stattdessen zu sehen gibt, erzählt uns Daniela Finzi, die Wissenschaftliche Leiterin des Museums in dieser Episode. Website Sigmund Freud Museum: https://www.freud-museum.at/de/ Instagram Im Museum Podcast: https://www.instagram.com/immuseum.podcast/ Website und Newsletter: Newsletter: www.immuseum.at

Viedenská séria tentoraz pokračuje na vychytenej adrese Berggasse 19, kde 47 rokov žil slávny otec psychoanalýzy, až kým nemusel v roku 1938 utiecť pred nacistami do Londýna. Navštívili sme tam jeho obľúbený byt, kde nedávno otvorili vynovené Múzeum Sigmunda Freuda.   

Als Begründer der Psychoanalyse ist Dr. Sigmund Freud eine Persönlichkeit mit vielen Facetten. Sein Wohnhaus in der Berggasse 19 im 9. Bezirk in Wien wurde ganzheitlich umgestaltet und 2020 neu eröffnet. Die Direktorin Monika Pessler gibt uns in dieser Podcastfolge Einblicke in das Leben von Freud, die Entwicklung der Psychoanalyse, und auch seine Flucht 1938 nach dem "Anschluss".Webseite Sigmund Freud MuseumNo Kangaroos auf InstagramUnterstütze den Podcast mit einer kleinen monatlichen Spende auf Patreon

Ein Besuch in der berühmten Berggasse 19, wo Sigmund Freud bis zu seiner Flucht aus Österreich 1938 lebte und arbeitete. Https://www.freud-museum.at --- Send in a voice message: https://anchor.fm/claudia-rendla/message

Bereits zum zweiten Mal treffen einander Veit Georg Schmidt (Wien) und Tobis Skuban (München) zum Gespräch in "Berggasse 8", um dem Phänomen "Die Mutter in der schwulen Literatur" nachzugehen. Diesmal lautet die Überschrift "Wenn die Mutter wüsste ...".

"One of Freud’s letters to Ferenczi is a letter dated October 1918, just before the truce that ended World War I. And in this letter, Freud was responding to Ferenczi’s lament over the demise and disintegration of the monarchy, and his advice to Ferenczi went like this: “Withdraw your libido from your fatherland in a timely fashion and shelter it in psychoanalysis or else you will have to feel uncomfortable."   Description: Dr. Steven Rolfe welcomes Dr. Eran Rolnik to today’s podcast. Dr. Rolnik is a training and supervising analyst at the Israel Psychoanalytic Society. A psychiatrist and historian, Dr. Rolnik is on the faculty at Tel-Aviv University, faculty of Humanities and Tel-Aviv University School of Post-graduate Training in Psychotherapy at the Faculty of Medicine. He is on the faculty of the Max Eitingon Institute for Psychoanalysis. He has authored, edited, coedited, and translated more than twenty books and has over seventy peer-review journal papers. He recently edited and translated from German a volume of Freud’s letters; a non-fiction best seller in Israel.   In this episode, Dr. Rolnik shares how Freud’s theory achieved its greatest development during times of crisis and suggests how Freud’s teachings and letters can help us analyze our current reality during a pandemic.   Key takeaways: [4:43] Dr. Eran Rolnik talks about the current situation in Israel. [9:55] Dr. Rolnik shares his recent publication of Freud’s letters. [12:20] Psychoanalysis was viewed as an antidote to the discontent with modern political life. [15:18] We often fail to take notice of the impact of identification regarding our personal analytic thinking and the functioning of our institutions. [18:45] Dr. Rolnik shares how patients are currently adapting to treatment in Israel. [20:56] Dr. Rolnik shares an example of the underlying meaning of the pandemic to a patient [28:20] Does reality ever determine it is time to stop seeing patients? [32:25] Psychoanalysis is not just a profession, it is a confession. [34:07] In our currently reality it is tempting to focus on the real and neglect the symbolic. [35:01] How did Freud handle times of extreme anxiety and fear and how has this affected theory? [39:48] Freud was concerned with the survival of psychoanalysis rather than with his personal survival.   Mentioned in this episode: IPA Off the Couch www.ipaoffthecouch.org   Recommended Readings: Rolnik, Eran J. 2020. Epistolary Epiphanies: Freud as a Letter Writer In: Freud, Berggasse 19 The Origin of Psychoanalysis. Pessler, M.& Finzi D. Eds. pp. 242-249 (Hatje Cantz, Berlin)   Rolnik, Eran J. (2019) Sigmund Freud's Letters (Heb.) Modan Publishers.   Rolnik, E.J. (2015). Before Babel: Reflections on Reading and Translating Freud. Psychoanal Q., 84(2):307-330.   Rolnik, Eran, J. (2012). Freud in Zion: Psychoanalysis and the Making of Modern Jewish Identity (Karnac London).   Rolnik, E.J. (2008). “Why is it that I See Everything Differently?” Reading a 1933 Letter from Paula Heimann to Theodor Reik. J. Amer. Psychoanal. Assn., 56(2):409-430.   Rolnik, E.J. (2001). Between Memory and Desire: From History to Psychoanalysis and Back. Psychoanal. Hist., 3(2):129-151

Aux origines intimes de la psychanalyse, un entretien de Marika Mathieu avec David Teboul, auteur et réalisateur du documentaire « Sigmund Freud, un monde sans Dieu » en replay sur Arte jusqu’au 4 juin. À propos du documentaire : « Sigmund Freud, un monde sans Dieu » Une coproduction : ARTE France, Les Films d’Ici, WILDart FILM (2019, 1h37mn) Résumé (Arte.tv) Au travers d’images d’archives hypnotiques et en s’appuyant sur sa correspondance, David Teboul raconte un Sigmund Freud intime. Un portrait touchant du père de la psychanalyse et un grand roman familial. Avec les voix de Mathieu Amalric, Isabelle Huppert, Catherine Deneuve et Jeanne Balibar. Plus de quatre-vingts ans après sa disparition le 23 septembre 1939 à Londres, Sigmund Freud hante encore le siècle nouveau, figure iconique et demi-dieu sans dieu. Pour évoquer l’homme, plus méconnu qu’il n’y paraît derrière la barbe taillée et le regard pénétrant du médecin viennois du 19 Berggasse, David Teboul a simplement choisi de faire entendre sa voix – et celle de ses proches –, au travers de sa correspondance, à laquelle ce grand épistolier consacrait quelque trois heures chaque jour. Dans ses lettres, cet enfant de la Mitteleuropa, né en 1856 à Freiberg en Moravie, se raconte avec une sensible élégance et délivre sa pensée, fluide et lumineuse, composant le portrait d’un homme et d’un penseur indissociablement liés. Lequel se donnera tout entier à l’œuvre d’une vie : la psychanalyse et l’essor de son mouvement, depuis le texte fondateur « L’interprétation des rêves ». Au fil de son récit, Sigmund Freud dévoile la construction de sa psyché, le rapport complexe au père, l’amour de la mère, l’éblouissement de l’enfant aussi, qui découvre, dans la Bible de Philippson, la saga égyptienne de Moïse, et la complicité sans faille avec sa fille Anna. Réminiscences oniriques En immersion dans son époque, le film invite au cœur de l’intimité de Freud, entre enthousiasmes et abattements, succès et échecs, amitiés intenses – de Wilhelm Fliess à Carl Gustav Jung et de Lou Andreas-Salomé à Marie Bonaparte – et déceptions. Il révèle aussi un père de famille aimant, que les femmes de sa vie, l’épouse Martha, mais surtout Anna, née avec la psychanalyse, cherchent à protéger. Déroulant un flux hypnotique d’archives – dont les rares et touchantes images de lui –, David Teboul (« Bardot, la méprise ») s’inspire du processus de libre association pour suggérer les événements qui ont jalonné son épopée intellectuelle. Fragments d’histoire et scènes quotidiennes infusent le film, réminiscences oniriques qui rendent Freud étrangement proche et attachant, puissant et vulnérable. Mathieu Amalric porte sa voix, Isabelle Huppert, celle d’Anna, alors que Marie Bonaparte est incarnée par Catherine Deneuve et Lou Andreas-Salomé, par Jeanne Balibar. Un beau roman familial. Sigmund Freud, un juif sans Dieu Un documentaire de David Teboul Une coproduction : ARTE France, Les Films d’Ici, WILDart FILM (2019, 1h37mn) Avec les voix de : Isabelle Huppert, Mathieu Amalric, Denis Podalydès, Jeanne Balibar, Catherine Deneuve, Sandrine Kiberlain et Micha Lescot

Gavin Turk in conversation with Joseph Kosuth, moderated by James Putnam ‘We are asleep. Our life is like a dream. But in our better hours we wake up just enough to realise that we are dreaming.' - Ludwig Wittgenstein Gavin Turk's installation and intervention in Freud's former residence, Wittgenstein's Dream, investigates the intriguing conceptual dialogue between two enlightened Viennese thinkers of the 20th century, Sigmund Freud (1856-1939) and Ludwig Wittgenstein (1889-1951). Gavin Turk was born 1967 in Guildford, from 1989-91 he attended the Royal College of Art. For his MA exhibition show Cave, Turk notoriously presented a whitewashed studio space containing only a blue heritage plaque commemorating his presence. Though refused a degree, his subsequent infamy attracted the attention of Charles Saatchi and Turk became part of a loosely associated group known as the ‘Young British Artists' (YBAs). He has continued to show worldwide and has work in many national museum collections (including Tate and MOMA). His work often deals with concerns of authority and identity and has taken up many forms including the painted bronze, the waxwork, the recycled art-historical icon and the use of litter. Joseph Kosuth is one of the pioneers of Conceptual art and installation art, initiating language-based works and appropriation strategies in the 1960s. His work has consistently explored the production and role of language and meaning within art. The philosophy of Ludwig Wittgenstein, among others, influenced the development of his work. Kosuth's installation Zero & Not was exhibited at Berggasse 19 - The Sigmund Freud Museum in Vienna, marking the centennial of Sigmund Freud's birth. In its artistic and curatorial approach the installation drew on his seminal exhibition projects Wittgenstein – Das Spiel des Unsagbaren at the Vienna Secession (1989) in Austria and the Palais des Beaux-Arts, Brussels. Wittgenstein's Dream is the latest in the critically acclaimed ongoing series of Freud Museum London exhibitions curated by James Putnam that have included projects by Sophie Calle, Sarah Lucas, Ellen Gallagher, Tim Noble & Sue Webster, Mat Collishaw and Miroslaw Balka. Wittgenstein's Dream is on display at The Freud Museum London 26 November 2015 – 7 February 2016  In association with Ben Brown Fine Arts.

Freud: Nein Nein Nein! Holmes: No, no! You got to believe me Doc! It’s all true. Tomathy wanted me to see you. He’s gone off the charts with the monkey balls in him, and I’ve been trying to cover his rampant sickness and all that time, that little voice in my head pushing, “Tick tock Tarquin!, Tick Tock Tarquin! Ah! Ah!!!” Again now! It’s wild with the anger!!! Help me!! I’m Madden the Head, must make it orderly! Must make it orderly, that’s what I do! Ah! Freud:  What? Oi! (Slaps Holmes’s face) Awww jaaa, I see what you mean. Holmes: Please tell me, am I going insane? Freud: Well- Holmes: Tomathy wants nothing more to do with me! Freud:  Shut up! Please. I believe in the truth, knowing oneself and that the truth will set you free. Holmes: But how Doctor Freud? Help me! Must make it orderly!! Tomathy, he needs me! I have to see him! He’s gone to see that Murphyarty, he loves him now! (HOFBURG PALACE - 3) Murphyarty: Oh good! I am so glad you are happy you see it my way! So you will be delighted to learn that Seamus, our Catholic socialist friend, will step in and make a call to Herr Freud’s house? Seamus? Seamus: Yes sir. Tomathy: Oh no, not at all, I’m sure you would find it valuable to sit in on the session Seamus. It would help you with your seminarian studies. How the mind works and all that… I trust you. Seamus: (STERN) I will go then. Murphyarty: Same can’t be said for poor Mr Holmes. He can’t even trust himself, as I control him! Hahahaha. Constructed him and controlled him. All this time. Amazing isn’t it? Just a simple trick of suggestive recall, repeated daily in my cell as he, the head orderly, cleaned and took the brain of my first experimental assassin ‘Wendle Brindle’ away! Tomathy: Assassin? Brindle? Did you say Wendle Brindle? In a cell? Murphyarty: Yes! In the City Mental Reservation when I was imprisoned there. Your Holmes, or ‘Tarquin Madden the Head Orderly’, programmed him to break me out, and used a lead-lined wooden lunchbox to continue the suggestive recall of my instructions in his mind! To kill Michael Collins! Isn’t it magnificient! And it worked! Hahaha… More tea? Tomathy: Oh- Murphyarty: As you said, it’s not schizophrenia! Just good old physiological brain disturbance, caused by Tarquin Madden’s mother! Tomathy: Oh my- Murphyarty: She gave him the ‘bad brains’. His mind was porous from a dominant parent. I simply replaced her- Tomathy: I feel very sick- Murphyarty: And he set us free, with Tarquin hypnotised into believing himself an inmate on the run. Tomathy: I need to close my eyes… (BERGGASSE 19 - 4) (Slap) Holmes: Aaagh! Freud:  Wake up! (WHACK) Wake! Up! Holmes: Ungh!!! (COLLAPSE) Freud:  It is an illusion based on the infantile emotional need for a powerful supernatural father figure, Holmes: Unggfff... Madden the Head... Orderly... Make... Freud:  Nein! (WHACK) Holmes: Urugh! Madden, orderly... Head orderly... Freud:  Nein, nein, nein, ja! Unt enter the world of the mind unt the world of the imagination (WHACK) Holmes: Aaagh! Freud:  Wake up! (HOFBURG PALACE - 4) Murphyarty: Tomathy, you look like you have seen genius at work! Mm, and you have! Wendle Brindle went on a killing spree caused by ‘Aubrey’ / ‘Tarquin’ himself, which you, an amateur sleuth fascinated, by this scruffy oik, who stole his suit, could work with, to satisfy his detecting curiosity as the growing stature and respect of the idiot savant Aubrey, with his wooden lunchbox; ME, became apparent!  Tomathy: Please stop- Murphyarty: He did my bidding! All is well Tomathy! You are with me now! Oh, and, wait, there’s more, you went to Germany! An amazing confluence! My time with Aubrey was gone but there he was. I had been subsequently caught on the run in the Irish Free State and transferred to Landsberg prison where; you all were for some reason? Tomathy: We were in Munich to go for relaxation, Murphyarty: Fantastic! It really is. Tomathy: To Spa treatment, we had an interpreter, we went to a beerhall, Murphyarty: Inside, I read a lot on this Herr Doctor Sigmund Freud. His id, ego and super-ego are functions of the mind rather than parts of the brain and they do not correspond one-to-one with actual somatic structures. Tomathy: We got arrested… Murphyarty: Perfect for more programming of poor old Aubrey’s porous mind! Tomathy: Oh no- S-Seam- why are going to Freud’s apartment, Seamus? Seamus: I, eh, well it’s like this Mr Wilson- Murphyarty: He does more than serve coffee and cake. He must kill your Mr. Holmes of course. I am done with him. Tomathy: What? Murpharty: As you said you are. Tomathy: You can’t! You- evil… Black Velvet Man! Oh my, why, Holmes just was right! Murphyarty: From the mouths of morons comes light! (Opera flares up) Tomathy: …about everything. You evil bastard. You live inside his mind, inside that box, directing him, a master, a master- Murphyarty: THE master! Twisting your mind and smashing your dreams hahaha, ehh… Tomathy: A master of puppets! Murphyarty: Try the pancakes! Tomathy: Holmes! No! Seamus! Come back! I have to stop this. It’s my fault! Murphyarty: (SLAMS TABLE) Is this not what you want? Tomathy: HOLMES! (RUNS OUT) OOOH! Murphyarty: Fly, fly my pretty, Seamus: Sorry Tomathy, it’s my job. Murphyarty: (SHOUTS) Seamus?! Seamus: Yes Mr Murphyarty? Murphyarty: Kill Them both. Seamus: Sir… (MUSIC CRESCENDOS) Murphyarty: Ahh, a rousing composition. (Applause) Dignitary: Excuse me, Herr Murphyarty? Murphyarty: Mmm? What do you need? Dignitary: The Society has asked if you were able to invite Chancellor Seipel along with you to your lecture this evening at the new Festsaal Grand room? Murphyarty: I’m sure I can construct that for you when I see him, but- Dignitary: Oh he’ll be back here by three. He is visiting the great Sigmund Freud at 2pm. Murphyarty: Hahahahaha! He will have a story to tell me when he comes back! Hmm, a cup of tea please and a digestive... Tick-tock, tiiiick-toooock! (BERGGASSE 19 - 5) Holmes: Ufff... Tick tock Tarquin! ... Madden... Head Orderly... City Mental Reservation... Madden the Head! Freud:  JAAA! That’s good! (WHACK) Holmes: Aaagh! I’m, I’m, Tarquin Madden, Head Orderly at the City Mental Reservation, working in the criminally insane wing! And then there was him! HIM! Freud:  Ja. Who? Who?. (WHACK). Holmes: Ahh! He was incarcerated as a threat to the ‘fledgling state’! He spoke to me from his cell. In the cell on the left of him was young Wendle Brindle and then O’Toole on the right. I drove Wendle Brindle mad with tales of my mammy as I cleaned up, she used to leather me with a slipper every night for the bad brains in me! Pegged me tongue to the washing line! Wendle was too sensitive... And the man in the middle, he knew it, and he was angry! Wendle was his. And I took him away from him! Freud:  JAAA! Who? Unt Why? (WHACK) Holmes: Uhhghh, Wendle was under his control... control… total control… Das Über ich! The Total Controller! And I took him away. He befriended me... he was nice to me and he... oh no! NO! NO!! Freud:  Aww Ja,a and that he may have been a pervert or a seducer (WHACK) Holmes: Arrhgh! He was! He made me believe! NO!! He used me! I, I, got my keys and I, Tarquin Madden, Head Orderly of the City Mental Reservation, I set them free.. All three! Wendle! ... O’Toole! And, and- Freud: Ja- What’s his name, hmmm... Holmes: Oh god help me no! It’s- (GULPS) Freud:  Ja, that’s it, ah, such evil. Holmes: It’s.. ah! - RICHARD MURPHYARTY! RICHARD MURPHYARTY! Gerbil: Hello Tarquin!!! Time to die!!! Goodbye! (DISAPPEARS) Freud: Ja. Holmes: Ah Murphyarty, he programmed me!! From inside this box! Freud: Ja. Holmes: AH! And he has Tomathy! He’ll kill him! Freud: Why? Holmes: NO! (LIECHTENSTEINSTRAßE - RUNNING) Tomathy: No! No! No! Come on Tomathy! Use your monkey powers! Seamus: HEY! You can’t outrun your destiny. Tomathy: Please, please Aubrey, there’s nothing in that box! Nothing! Only the projections of another’s controlling ways. Holmes! Seamus: Tomathy Wilson! Tomathy: Berggasse street! (Coughs) Seamus: Sorry Mr Wilson, sorry it had to be this way. (CLICK OF TRIGGER) Tomathy: Oh my! Seamus: It’s ok. It won’t hurt. Well, it might hurt, a little bit. I wouldn’t like to see you suffer. (BERGGASSE 19 - 6) Holmes: (slapped) Aaah! Freud:  Wake up! (Slap) Wake… Up! (Slap) Holmes: Argh! Stop hittin’ me ya bollocks, I know who I am! Oh sweet lord, I am alive! Murphyarty! He’s behind it all. He had me believing I was on the run, he implanted me with his sick evil seed to do his bidding! To kill. And now the deep dark devil, the ‘Black Velvet Man’, has Tomathy! (GUNSHOT) Holmes: Guns! What’s goin’ on? Aw, please no! Freud:  Oij! (Window open) Holmes: It’s Tomathy! He’s ok! Tomathy! I know the truth! I know who I am! I’m coming! Tomathy: Holmes! It doesn’t matter! It means nothing! You were right all along! Holmes: YESSS! Thanks Doctor Freud, you ARE a fuckin’ genius! You bate the truth out of me! (RUNS OUT DOOR) Freud:  Danke. Holmes: (RUNS IN) Ahhh, forgot me box! Gerbil:             PUT ME DOWN! (BERGGASSE 19 - OUTSIDE) Holmes: Tomathy! Tomathy! I know who I am! I am ‘Tarquin Madden’! Head Orderly! Akskskssksksh! Gerbil: GAAAAH! Put meeee down! Tomathy: I’m sorry Holmes! Holmes: HAH? I can’t hear ya! I’m so happy! Aksksshshsh! Tomathy: I don’t care about the truth! Holmes: What’s this? Why are you bleeding? S-S-SEAMUS?! Seamus: Sorry lads, but youse both have to die. The, the feeling is gone- Tomathy: You and I, it means nothing to me! Seamus: (TO HIMSELF IN TEARS)… this means nothing to me. (CLICK OF GUN) Mental Holmes III - Oh Vienna! Is an Amplevoicepod HQ audio adventure podcast. The newly reinvigorated Tomathy Wilson has taken Aubrey Holmes to Vienna to seek out famed psychoanalyst Sigmund Freud. But not before they run into old friend Seamus Byrnie working at cáfe Diglas on Strobelgasse. Therein a chance meeting with the mysterious Professor Murphyarty leads them to visit the Wiener Konzerthaus at his behest. In the lobby they meet Austrian Chancellor Ignaz Seipel and all hell breaks loose once seats are taken. Culminating in the worst possible of situations and the fracturing of a friendship. Only Sigmund Freud has the answers. Das Es, Das Ich, Das Uber Ich! An id-laden 72 minute adventure to find out who exactly is 'mad in the head'? Another foley-filled, action-packed, highly-aural adventure from Amplevoicepod.

Natalia Weiss ist Künstlerin, genauer: Zeichnerin, Druckgrafikerin und Kuratorin. Diplom für Graphik an der Wiener Kunst Schule. Ihre künstlerische Praxis: Radierung, Linolschnitt , Tusche und Künstlerbücher.Das Atelier von Natalia Weiss findet ihr in der Neustiftgasse 114 in 1070 Wien. Im Web findet ihr sie unter https://www.natalia-weiss.atWer sich für Künstlerbücher interessiert: Die von Natalia erwähnte Galerie „DRUCK & BUCH“ findet ihr in der Berggasse 21/2 in 1090 Wien bzw. im Supernetz unter http://www.druckundbuch.de/index.htmlAllen, die gerne schenken, sei Natalias Edition „Die Katze in der Mappe an“ ans Herz gelegt: Ihr bestellt und bezahlt die Edition (aktuell € 200,-) und Natalia beginnt zu arbeiten. Alle 3 Monate bekommt ihr ein Foto der entstandenen Radierung, am Ende des Jahres schickt sie euch die komplette Mappe mit vier Radierungen. Infos dazu findet ihr unter: https://www.natalia-weiss.at/edition-die-katze-in-der-mappe/Wenn ihr Natalia Weiss persönlich kennen lernen und von ihr lernen möchtet:Für Kinder zum Beispiel hier: https://www.zeichenfabrik.at/kurse/druckwerkstatt-fuer-kinderUnd für Erwachsene hier: https://www.zeichenfabrik.at/kurse/print-itProduktion © 2019 Zeichenfabrik GmbH. Das Interview führte Anne Suttner. Die Illustration des Coverbildes ist von Miriam T. Trilety. Musik von https://filmmusic.io "Whiskey on the Mississippi" by Kevin MacLeod (https://incompetech.com), License: CC BY (https://creativecommons.org/licenses/by/4.0/deed.de)Post scriptum: bitte entschuldigt den Ton. Wir arbeiten daran…

Gerbil: I am Gerbil. My master is Murphyarty. I was born 1922, in Cork Mental Reservation and planted into head orderly Tarquin Madden’s mind. I helped guide my master’s escape. Tarquin, believing also to be an escaped patient, carries me inside his lead-lined wooden lunchbox. I steer Tarquin; via befriending Tomathy Wilson, a lawyer cum amateur detective, to do my master’s bidding. From assassination to implantation, Wilson knows Tarquin only as ‘Aubrey Holmes’; the name on a business card in Wilson’s waistcoat that a then-naked Tarquin stole from the washing line. In our two adventures so far we have met Jim-the-Slipper and Doctor Voronoff, taking us from atop Beal Na Blath in Cork, to Landsberg Prison near Munich. Now… it is June 1924. Tomathy Wilson, invigorated with monkey-testicle implants from Munich, takes ‘Aubrey Holmes’ to Vienna. To do one thing; find Sigmund Freud to discover who ‘Aubrey Holmes’ really is. He really must be stopped. SCENE 1 (STEPHANPLATZ, VIENNA) Tomathy: Oh! Oh! Oooh! Look! Can’t you see? Holmes: Ah, this means nothing to me… Tomathy: Oh Vienna! I am home! Oh, oh, oh the elegance! Holmes: Stop all the jumpery, you’re like a giant flea bag.  Tomathy: Oh my! (STARTS RUNNING) Holmes: ‘Ere! Come back ya wild man! Look at the gurns of him!(TO HIMSELF) – I’m not sure Dr Voronoff’s monkey testicles were a good idea… But at least the poor fucker doesn’t know what happened to him.Come back! (AFFECTS TOMATHY VOICE) – “I might need you at any moment!” Akskskshsshhh… Tomathy: Shape up Holmes! No time to shilly shally! As I said on the train, if I can’t find out who you are, I know a man who can! Sigmund Freud! Holmes: (RUNNING) Mad for the controls again! Twisting knobs, pushing butto-HEY! What are you doing now? Don’t piss on the flower beds! Tomathy: Ahhhh! (ZIP), ooh, I love these new zipper trousers! (ZIP, ZIP, ZIP) Holmes: He’ll make a holy show of us all… Tomathy: AH! A coffee-house! Cafehaus! Gerbil: Das Es, Das Ich, Das Uber Ich! Holmes: Fuck off you! Tomathy: Café Diglas… a gathering, of intellectuals and thinkers, of writers and poets filled with connoisseurs who expect things just so. Holmes: Not for you then and would you put your mickey back in your trousers! Tomathy: Ohh! Oh yes! HAHAHA! Ahem. Let’s go in! (FOOTSTEPS INSIDE) Tomathy: Sit here, sit here! Ooh! Urgmm… Holmes: Very posh hah? Tomathy: Ahhh, you can buy Apfelstrudel, Linzer Torte and Punschkrapfen a- Holmes: Excuse me? Tomathy: Oooooh! I would, I would! Oooh! Holmes: Hah? Tomathy: Would you?? The waitress… Holmes: Her? What would you do? Tomathy: Hello darling! Sit on my face and I’ll guess your weight! HAHAHA-ooh.. Holmes: Ah, young lady, sorry, my friend’s a bit sick. I told him to say- Waitress: Shit! (SLAPS HOLMES) Tomathy: Oh! Waitress: Arsehole. Holmes: Don’t mention it… Waitress: Shit… Tomathy: Oh! HAHAAHAHAH! She slapped you Holmes! Dirty bitch! Holmes: Ah, now she’s sending over the brand new heavy… Seamus: Sorry gentlemen but I’m going to have to ask yis to… Jaysuz! Tomathy: It isn’t! Seamus: Praise the lord! Holmes: It had to be you hadn’t it? Tomathy: Seamus!! Seamus: I can’t believe it. Mr. Tomathy Wilson, it’s good to see you are looking so well! Holmes: That lad’s never well. Do youse do pancakes? Seamus: Cork, then Munich, now Vienna. Are you alright? After your operation and all? Tomathy: What are you blatheri-OH! You mean my spa treatment with Dr Voronoff in Munich? Woke up invigorated with Voronoff nowhere to be seen! Holmes: You know nothing. Tomathy: Wonderful, I tell you. Holmes: So, you finished with the revolution then Seamus? Seamus: Yeah. Tomathy: Marvellous! Now be a good boy Seamus and send the waitress with the big breasts back over. Oh I am so rude! Haha! Seamus: Once the crackdown in Munich started, I was smuggled in a crate over here. Signed up for Seminarian College, to better meself… This is just to pay for me lodgin’s like. Tomathy: I say, I feel lrather heavy in the gentleman’s area. (LARGE BELCH) Seamus: Was that you? Holmes: No, that was me… Tomathy: I say, I do believe I- Holmes: I said, that was me, I’m the ignorant fool here remember? Tomathy: Why are you kicking me Holmes? Seamus: I’m a ‘Zugeraster’ here. An ‘outsider’… They don’t like me much in the college. Strange, us all being Catholic and everything… Must be the Irish guilt being that much more inbred. Tomathy: Poppycocks and baldyrashers! Holmes: (TO SEAMUS) Get it out, get it all out- (TO TOMATHY) NOT YOU! Tomathy: Why are you looking at me? Gerbil: Fools! Hahahha! Holmes: Not you either! Seamus: Well, I suppose it was on account of Daddy’s leather belt. I’m studying now that guilt is an important factor in perpetuating obsessive–compulsive disorder symptoms- Holmes: No, you’ve just some issues with your daddy. Tomathy: Oh, did he fuck you? AH! The Arbeiter Zeitung! Ahhhh, (BLOWS NOSE IN PAPER, CASUALLY TAKES OUT PENIS). Seamus: Mr Wilson, is that your penis? Waitress: Shit! Holmes: He’s just casually pulling at it, as if he’s at the Doctor’s. Ah you’re an awful savage now aren’t you? Tomathy: What was that? I’m reading the paper, there’s an article about- Seamus: Sorry lads, youse’ll have to leave. Praise the lord… But you’re an abomination. Sorry, see yis… Tomathy: Are you taking my bloody order, or just cracking on about- Seamus: And if yis don’t mind me saying, think about getting some psychoanalysis done for your condition. Tomathy: And there we were. Holmes with his wooden lunchbox, me tucking my little gentleman back in. Both of us ejected from the café by our old friend Seamus. I was full of beans, with Holmes taking the blame for all my gay enthusiasm. Outside again on Stephanplatz, Holmes looked at me, he had a plan to bring me salvation. But I had other ideas. Tomathy: (FINGERS SNAP) Why, that just might be it Holmes! I mean of course it is, that’s why we are here! To find you help! Holmes: I think he meant you in fairness. Tomathy: Hahahaha! Of course not! Now, we need to find the great Herr Freud. Like you, he’s a genius! Holmes: Well said, ya silky fucker. Tomathy: But he’s cancelled his lecture at the Vienna Ambulatory on account of his cancer of the jaw. I fear it might be a race against time old boy, to get you seen to! To get to the bottom of your story! Ay Holmes? Holmes: ‘Ere, Flasher, do I have to put it back in for you or can you manage it yourself? Gerbil: You are wasting your time!!! Tick tock! Tomathy: Oh, ooh, but his address, I have it here, from the paper, AHAHA! The hunt for Freud! Oooh, he lives at Berggasse 19... Where’s that? Oh look! A boat! Let’s take the boat down there! Holmes: No, no no! No boats! Like Seamus, you need to praise the Lord to save your soul! To the church with your wicked ways!  Tomathy: Oh gosh, (ZIP) Have I sinned? And it’s only 10 o’clock in the morning. (ST STEPHEN’S CATHEDRAL) Tomathy: Holmes dragged me to the cathedral, and there before our very eyes was Chancellor Siepel of Austria! At the altar! Giving a sermon! (DOORS OPENING) Holmes: Sit at the back… at the back! Excuse me, sorry, we’re tourists, sorry… Tomathy: (SHOUTS) Sorry Holmes! Holmes: Shut the fuck up! Tomathy: But I- I know who that man is… Holmes: Get in your box! Tomathy: No. He’s the Chancellor of all of Austria! Holmes: Stop it! Tomathy: Ignaz Seipel… Holmes: You’re vibratin’ the pews! Tomathy: He’s anti-everything, Marxists, Jews, Deviants, and Coloureds! Holmes: (LOOKS AROUND) Sorry! Excuse me, he’s a foreign lad… knows natin’. Ab-nor-mal… Tomathy: (SHOUTS) I say old chap, Mr, eh, Chancellor, Seipel! I can’t, eh- Holmes: Oh curse a jayzus in His house an’ all… Tomathy: -understand a bloody word you are saying! Do you speak any normal?! Seipel: Blah Blah blah! Tomathy: Um, no, nothing I’m afraid… (TO HOLMES) where’s Stefan when you need him? Could we not pay him to come from Munich to interpret in Vienna?  Gerbil: Stefan’s Dead, Stefan’s dead! And this one’s saying you are all going to die! AHAAHAHA! Holmes: NO MORE FROM YOU! He’s the one that looks like he’s got death’s cold fingers round his neck. Look at the state of his purple dress! Tomathy: This is no use… Can’t have a proper conversation with a man who-(LOUD FLATULENCE). Ahhhh…. Ooooh- Holmes: Aw, suck back up the bad eggs would ya. Tomathy: I’m going up there to have a word with Chancellor Seipel. Holmes: NO! Fuckit! Fuckit! Oooh fuckit! Bad brains! Bad brains! Tomathy: Get off me Holmes! Stop molesting me! Holmes: Akskskskh! The strength of five men in him! Tomathy: No! No! Stop-(MORE WIND) Holmes: I’m being chemicalised! I can’t breathe! Mental Holmes III - Oh Vienna! Is an Amplevoicepod HQ audio adventure podcast. The newly reinvigorated Tomathy Wilson has taken Aubrey Holmes to Vienna to seek out famed psychoanalyst Sigmund Freud. But not before they run into old friend Seamus Byrnie working at cáfe Diglas on Strobelgasse. Therein a chance meeting with the mysterious Professor Murphyarty leads them to visit the Wiener Konzerthaus at his behest. In the lobby they meet Austrian Chancellor Ignaz Seipel and all hell breaks loose once seats are taken. Culminating in the worst possible of situations and the fracturing of a friendship. Only Sigmund Freud has the answers. Das Es, Das Ich, Das Uber Ich! Another foley-filled, action-packed, highly-aural adventure from Amplevoicepod. Shut your eyes and immerse yourself in this insane trip to Vienna in 1924.

Draußen, im Schein der Gaslaternen, flanieren die edlen Damen in langen Kleidern und im Arm eines stolzen, hohen Herrn durch die Altstadt. Das geschäftige Treiben des Tages ist verklungen und während die arbeitende Bevölkerung daheim hockt, genießen die wohlhabenden den Weg ins Theater oder die Oper an der angenehmen Luft an diesem lauen Herbstabend des Jahres 1891. Die Hufe der Pferde eines Fiakers schlagen vernehmlich auf das Kopfsteinpflaster Wiens. Drinnen, in der Kutsche, sitzen vier Herren, die an ihren Heimstätten an den verschiedensten Orten der Stadt abgeholt wurden. Sie sind auf dem Weg eine private Einladung wahrzunehmen, die ihnen ein befreundeter Arzt hat zukommen lassen. Dr. Freud, so der Name des renommierten Nerven-Arztes, hat erst vor kurzem seine Praxis in Wien eröffnet. Und bei seinem letzten Besuch im Club, erzählte er von einem ungewöhnlichen Fall, bei dem er gerne die Meinung seiner geschätzten Kollegen und Freunde hören würde. Nun überquert das Gespann den Donaukanal und biegt nach wenigen hundert Metern in die Berggasse ein. Links und rechts ragen fünfstöckige Wohnhäuser empor und vor dem Haus mit der Nummer 19 und dem breiten Erker hält der Fiaker an.

durée : 01:48:58 - Vienne, 19 Berggasse (4/5) - Un documentaire de Christine Lecerf. Vienne au tournant du siècle. Peintres, écrivains, hommes de science et penseurs redessinent une nouvelle image de l'homme. Le père de la psychanalyse se tient à l'écart de cette modernité viennoise à laquelle il va pourtant grandement contribuer. Depuis 1891, Freud a emménagé au 19 de la Berggasse. Chaque mercredi, il réunit chez lui un petit comité d'amis et de collègues pour bâtir ce qui deviendra la psychanalyse. Près de cent-trente patients vont également passer la porte de son cabinet mythique et s'allonger sur le célèbre divan, parmi les livres et les statuettes antiques. Si Freud nourrit des liens tumultueux avec la plupart de ses disciples, que ce soit Adler, Jung, Rank ou Ferenczi, il apprécie hautement les femmes fortes d'esprit comme Sabina Spielrein, Lou Andréas-Salomé. Il les encourage à devenir elles-mêmes analystes et ne recule pas devant une certaine féminisation de sa propre pensée.

Berggasse 8