Podcasts about bombay talkies

durée : 00:18:58 - C'est bon ça, c'est fait en Isère ? - À Grenoble, Benjamin Bath fait vibrer la cuisine indienne au Bombay Talkies. Plats maison, végétariens, épicés mais pas piquants, et même une salade César version Chennai : tout est bon pour voyager sans quitter l'Isère.

Bombay Talkies - A Musical (Sep 2023)written and directed by Sujit SarafMusic from Bollywood (1935 to 1975)Music direction :  Nachiketa YakkundiVocalists:    Nachiketa Yakkundi,  Amit Shenoy, Ritesh Nayak   Anitha Dixit, Poulomi Sarkar, Manisha Ram   Shreya Dixit, Surya Saraf, Rohit UpamakaHarmonium:  Surya SarafFlute: Arjun BharadwajGuitar: Ritesh NayakTabla: Ajay Sundar RajPercussion (Dholak, Djimbe, Bongos):  Kunal MamidpalliwarTambourine, Cabasa:  Poulomi Sarkar    Support the show

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/german-studies

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

Debashree Mukherjee talks about the pioneering film studio founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Its cast and crew of diverse global origins and training, offer new ways of writing the history of labor in Indian Cinema. In the accompanying B-Side episode, she focuses on her new book Bombay Talkies: An Unseen History of Indian Cinema, which features rare behind-the-scenes photographs from the personal archive of cinematographer Josef Wirsching. Wirsching brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

In this episode of High Theory, we continue our conversation with Debashree Mukherjee about the pioneering film studio Bombay Talkies, founded in 1934 in the city of Bombay (now Mumbai) by Himansu Rai and Devika Rani. Here, she focuses on cinematographer Josef Wirsching, whose rare behind-the-scenes photographs of life and work at the studio appear in her new book Bombay Talkies: An Unseen History of Indian Cinema. Wirsching fled fascism in Europe, and brought the influence of German Expressionism to Indian cinema, and was responsible for the cinematic stylings of groundbreaking films like Achhyut Kanya (1936), Mahal (1949), and Pakeezah (1972). His experiences teach us about the stifling effects of fascism on art and the peculiarity of national cinema as an analytic category. The diverse global origins and training of the cast and crew his photographs document offer new ways of writing the history of labor in Indian Cinema. If you want to learn more about Debashree's research, and her new book, listen back to our earlier episode called “Bombay Talkies.” Debashree Mukherjee is Associate Professor of film and media in the Department of Middle Eastern, South Asian, and African Studies (MESAAS) at Columbia University. Her first book, Bombay Hustle: Making Movies in a Colonial City (2020), approaches film history as an ecology of material practices and practitioners. Her second book project, Camera Obscura: Media at the Dawn of Planetary Extraction, develops a media history of oceanic migrations and plantation capitalism. Debashree edits the peer-reviewed journal BioScope: South Asian Screen Studies and in a previous life she worked in Mumbai's film and TV industries as an assistant director, writer, and cameraperson. Image: Sourced from Bombay Talkies: An Unseen History of Indian Cinema with permission. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/south-asian-studies

Vor circa 15 Jahren erschien OM SHANTI OM in Deutschland, nachdem er im Rahmen der Berlinale gezeigt wurde und Farah Khans humorvolle Hommage an das indische Kino mit Shah Rukh Khan und Deepika Padukone hat in all den Jahren nichts an Charme und Kultigkeit verloren. Grund genug, sich den noch recht jungen Klassiker noch einmal für ein Blind Date vorzuknöpfen, bei dem wir ihn einem Zuschauer vorsetzen, der noch nicht so viele indische Filme gesehen hat und nicht weiß, was ihn erwartet. Gerade, wenn man solche Filme sieht, ist es überraschend, dass erst jetzt eine indische Produktion einen Oscar für den besten Song erhielt. Auch darüber sprechen wir mit YouTuber Dennis Kowall, der schon viele indische Filme besprochen hat und wie wir alle nun auf eine Renaissance des Hindi-Films in Deutschland hofft. „Bombay Talkies“ ist kostenfrei auf der ISHQ Homepage zu hören oder runterzuladen. Abonniert uns doch einfach auf Spotify oder Apple Podcasts, um auch nichts mehr zu verpassen! Weiterführende Links: Shah Rukh Khan auf der Berlinale (Tagesspiegel) Farah Khan über die berühmten Dialoge (Englisch) Warum man den Film gesehen haben muss? (Englisch) OMSHANTI OM Review von Dennis Kowall Song mit Schwarz-Weiß-Set aus OM SHANTI OM: „Dhoom Taana“ 2 Oscars für indische Produktionen Bombay Talkies mit RRR Sonu Nigam in Berlin Filme und Serien, auf die wir Bezug nehmen: Trailer von OM SHANTI OM (OmeU) Jubilee (Prime Video) Once Upon A Time In Hollywood Trailer Madhumati (1958) Karz – Om Shanti Om Musik: „Masakali“ – A. R. Rahman | GEMA „Awaken“ – Anno Domini Beats Ausschnitte 0:12 ISHQ Interview mit Sonu Nigam in der ISHQ 183.2 1:52 Ausschnitt aus der Oscar-Verleihung: RRR holt den Preis für den besten Song nach Indien 9:38 Ausschnitt aus dem Song „Dastaan-E-Om Shanti Om“ Bild: Om Shanti Om (Copyright: Red Chillies Entertainment)

I really enjoyed the new period drama Jubilee, set in the 40s and 50s, and centered on the aspiration and ambition of a group of people from the world of Hindi cinema. I got a chance to pick the brains of writer Atul Sabharwal (Powder, Aurangzeb, Class of 83) and director/showrunner Vikramaditya Motwane (Udaan, Lootera, Trapped) on the scripting and the making of the show. We talked about everything from the research, casting and lighting of the show to the music and the exquisite closing seven minutes of the final episode. All things Jubilee, join us!If you like the podcast, do consider supporting the show: https://www.buzzsprout.com/257788/supportFeedback/comments/questions: loveofcinemasf@gmail.comCredits:Produced and hosted by: Himanshu Joglekar (@loveofcinemasf8)Editor: Devika JoglekarMusic: Nakul AbhyankarCopyrights © Love of Cinema 2023If you liked the episode and found value, please considering supporting the show. Your support will help me continue making good content for fans of Indian cinema everywhere across the world: https://www.buzzsprout.com/257788/support

In this episode, host Amit Kumar will share the reason Comedy Sundar had a police complaint. He will also narrate the incident when Kishore Da come out with a towel tied for the premiere of the film. Why did Dada Muni throw Kishore Da out of the Bombay Talkies? Tune in now to know more!

In der ersten Folge 2023 sprechen wir mit einem echten Star aus Mumbai! Elnaaz Norouzi erzählt uns, wie es wirklich ist, in der Filmindustrie zu arbeiten. Früher hatte sie Poster von Shah Rukh Khan in ihrem Zimmer in Hannover und heute trifft sie ihn auf Partys. Aber für eine Außenseiterin wie sie gibt es auch […]

Delightful and very smart filmmaker, writer, and journalist Nihit Bhave (Sacred Games, Choked, Dobaaraa, Phir Kabhi) joins us to talk about Hindi films with LGBTQIA+ stories and characters. The new Madhuri Dixie film Maja Ma is the major topic of conversation, and we also cover about Badhaai Do (YAY!), Kapoor and Sons (yay?), Shubh Mangal Zyada Saavdhan (...not yay), and Karan Johar (NOT YAY except for his short in Bombay Talkies). Follow Nihit on Twitter at @misterbistar. #madhuridixit #anandtiwari #MajaMa #BadhaaiDo #shubhmangalzyadasaavdhan Subscribe to Filmi Ladies on Spotify https://open.spotify.com/show/7Ib9C1X5ObvN18u9WR0TK9 or Apple Podcasts https://podcastsconnect.apple.com/my-podcasts/show/filmi-ladies/aacadcfe-4195-40a4-ba16-e528118ec892 @filmiladies on Instagram and Twitter Pitu is @pitusultan on Instagram Beth is @bethlovesbolly on Twitter Email us at filmiladies at gmail Our logo was designed by London-based artist Paula Ganoo @velcrothoughts on Instagram https://www.art2arts.co.uk/paula-vaughan

Wir sind endlich zurück mit einer neuen Folge! Und um nach einer längeren Pause wieder warm zu werden sprechen wir zunächst über einige Themen, die uns als Fans des indischen Kinos beschäftigen. Manche hoffen noch immer auf eine Rückkehr des Bollywood-Senders Zee.One und andere fragen jetzt schon, ob die drei Shah-Rukh-Khan-Filme im nächsten Jahr synchronisiert […]

Auf der Berlinale feierte der Bollywood-Blockbuster MY NAME IS KHAN vor 12 Jahren Premiere, während in Indien gegen den Kinostart protestiert wurde. Was war damals los und warum handelt es sich noch immer um ein globales Thema? Es geht um einen muslimischen Mann, der am Asperger-Syndrom leidet und durch die USA reist, um allen zu […]

Auch heutzutage noch entscheiden sich viele Inder*innen für eine arrangierte Ehe. Warum ist das so? Weshalb werden diese Ehen so selten geschieden? Wie kann die junge Generation gleichzeitig auch Tinder nutzen? Und wie läuft das überhaupt ab, wenn man über die Familie den zukünftigen Ehemann oder die Ehefrau kennenlernt? Garima ist zurück im Podcast und […]

"Talents, abilities, virtues, and efficiency are all decimated by nepotism. Nepotism harms overall credibility and causes the public to grow cynical." Well, this is what we have been taught and known till now. Charan Nowpada is a 19-year-old attempting to carve his own career as a filmmaker while evading nepotism. He is an author of two un-put-down-able books - The Commercial Cinema and yet to be out Bombay Talkies. Because we share a passion for appreciating Puri Jagan and RGV's journey to becoming the individuals we are today, the amount of love and zeal we had while recording this episode was incredible. His most recent work, Bombay Talkies, is centere in the underworld genre and includes Dawood Ibrahim's escapades and based on an interesting plot point which is since there is no Dawood anymore in today's times if anyone wants to aim to become one it can be made possible according to the protagonist in his book. From writing a book and trying to hustle his way through life, here is Charan talking to me about his way of life, his passion, and much more. Listen to us having a fun conversation about: Introduction How Charan had the zeal to write two books in completely different genres. What made him inclined to choose filmmaking. What did he learn and aims to become along his journey? Our madness on RGV, crime and underworld. Conclusion Hope you guys will have a blast hearing this Episode as much as we had while doing it !! :D :D Please follow and tag us @wandercastmedia in your Instagram Stories and let us know your feedbacks on this episode. My Titbits: CINEMAWAALA short film | Directed by Charan Nowpada https://www.youtube.com/watch?v=nqw0m2td6ZM&ab_channel=CappuccinoCinemas The Commercial Cinema – Order Charan's First book using the link below https://www.amazon.com/gp/product/B08CHMMYDV/ref=dbs_a_def_rwt_hsch_vapi_tkin_p1_i0 Bombay Talkies – Order Charan's Second book using the link below https://bluerosepublishers.com/product/bombay-talkies/ RGV talking about D – Company https://www.youtube.com/watch?v=zfBam3P6VBA&ab_channel=iDreamTeluguMovies Turning Point Series – Netflix https://www.netflix.com/au/title/81315804 Mind Hunter Series – Netflix https://www.netflix.com/au/title/80114855 J D Chakravarthy Series https://www.youtube.com/watch?v=HoVTppgJrbY&ab_channel=JDChakravarthy D Company movie https://www.sparkott.com/movies/d-company Charan Nowpada @ Instagram ---- https://www.instagram.com/_charann_/ Wander Cast Media @ YouTube -- https://www.youtube.com/channel/UCa7_uBp5hh4IUpuHE-D9-kg Vamsi Krishna Surya @Instagram ------- https://www.instagram.com/vamsikrishnasurya/ Wander Cast Media @Instagram ------- https://www.instagram.com/wandercastmedia/ Streaming now on www.p2podcasts.com --- Send in a voice message: https://anchor.fm/vamsi-krishna-surya/message

Jan kriegt seinen dritten Film in dieser Reihe vorgesetzt, ausgesucht von Julia und Vera. Dieses Mal konnte er sich auch ein Genre wünschen und er hat sich für einen Historienfilm entschieden. Ob er das bereut? Jedenfalls war das eine gute Gelegenheit, um ihm einen der wichtigsten Regisseur*innen vorzustellen, nämlich Sanjay Leela Bhansali, und einige der […]

Das Indische Filmfestival Stuttgart ist eines der Größten in Europa. Jedes Jahr im Juli zieht es zahlreiche Fans und Filmschaffende der Filmindustrie dorthin. Elisa Kromeier ist Programmdirektorin beim Filmbüro Baden-Württemberg. Uns stand sie Rede und Antwort und gab uns einen Einblick hinter die Kulissen: Welche Auswirkungen hat die Corona-Pandemie auf das Festival-Geschehen, was sind Highlights […]

Ein richtiges Blind Date ist es nun nicht mehr ganz. Denn, Vera und Caro haben ein bekanntest Gesicht – oder eher gesagt, eine bekannte Stimme – eingeladen. Zusammen mit Jan besprechen wir in der aktuellen Ausgabe den Thriller „Raman Raghav 2.0“ oder wie er auch auf Deutsch bekannt ist – „Psycho Raman“. Seid gespannt auf […]

Die Lage ist ernst: Indien ist momentan wieder in einer großen Corona-Welle. Dieses Mal sprechen Vera und Caro über die Situation vor Ort, die indische Variante B.1.167 und ihre Auswirkungen. An dieser Stelle möchten wir nochmal deutlich machen, dass wir beide keine Expert*innen sind und wir unsere Quellen hier in den Shownotes verlinken. „Bombay Talkies“ […]

Man liebt und verflucht sie gleichzeitig – Medien. Vera und Caro sprechen dieses Mal darüber, wie wichtig es ist genau so kritisch mit Medien umzugehen wie mit der Wirtschaft oder der Politik. Außerdem gibt es einige Ausschnitte aus Gesprächen mit der Journalistin Mehru Jaffer und dem Journalisten Mandeep Punia, die über die aktuelle Situation der […]

What’s the power of a question? Why choose college over course? What we need to know about criticism? Why media can’t be taught but can be learnt? Journalism, College Politics, Bias, Perspective, Culture, Criticism, peppered with films on this Media Minds Special Episode. Our guest Mayank Shekhar is an Indian film critic, journalist and author of three books- Bombay Talkies, Cinema Ka Safar and Name Place Animal thing. Currently, Entertainment Head at Mid Day, he’s been a journalist with Hindustan Times and Mumbai Mirror in the past. With 20 years of experience, he’s the first film critic to have won the Ramnath Goenka Journalism Award.   Find your favourite part using the timestamps below- 4.50- Arriving at career decisions by elimination & discovery, and why it’s ok to have no plans 9.00- Why college over course? Doing nothing yet not being the loser 12.30- School politics and life lessons 15.00- The power of quizzing, debating and finding YOUniqueness 17.30- Journalism, being the outsider and learning on the job 20.00- Internships, Chilling, Finding Perspectives, College Rules and the Power of Taking Initiative 24.00- Luck, Effort and Success (Luck matters but sticking around matters too) 25.30- The Power of a question, Culture, Art, Technology and Films 27.30- Media can’t be taught but can be learnt 29.00- Introvert vs Extroverts in the media business 31.00- Deadlines, Unpredictability of Journalism and no luxury of time 34.00- Procrastinating is alright 36.00- Film Criticism, Experience & Perspective 38.00- The role of a film critic when everyone has an opinion 40.00- Prejudices and Biases in writing 42.00- Don’t monetize influence + Bressant, Truffaut, Satyajit Ray & Guru Dutt 45.00- A critic’s take on criticism 46.00- 20’s the golden time & why films are about personal experiences Original Music by Joseph Mc Dade Drop us a note on Instagram, Facebook, LinkedIn or Twitter @voice_of_achievers Or write in directly to editor@voiceofachievers.com We’re listening to you. Don’t forget to follow us on Spotify, Sticher, Apple, Google, JioSaavn, Gaana or wherever you’re listening to us! You can follow us and leave us feedback on Facebook, Instagram, and Twitter @eplogmedia, For partnerships/queries send you can send us an email at bonjour@eplog.media. DISCLAIMER: The views expressed on all the shows produced and distributed by Ep.Log Media are personal to the host and the guest of the shows respectively and with no intention to harm the sentiments of any individual/organization.   See omnystudio.com/listener for privacy information.

Jede*r erinnert sich doch noch an den ersten indischen Film, den man gesehen hat und die Assoziationen, die man damals mit indischem Kino hatte. Vera und Caro haben sich für diese Folge überlegt, dass sie ein kleines Experiment mit einem Freund von Vera starten. Jan liebt Filme und Serien, allerdings ist er – wie viele […]

Let´s talk about politics! Das haben wir uns in dieser Folge von „Bombay Talkies“ gedacht und uns Unterstützung rangezogen. Wir sprechen diesmal mit Garima – Sie hat indische Migrationsvorgeschichte und lebt in der Schweiz. Dort studiert sie Politikwissenschaften und ist auch Redakteurin der ISHQ. Wir reden über das ereignisreiche Jahr 2020: die anhaltenden Bauer*innenproteste, die […]

+++ TRIGGERWARNUNG +++Die folgende Podcast-Episode behandelt Themen wie psychische Erkrankungen und Suizid. Für Betroffene kann dies retraumatisierend wirken. In der zweiten Folge von “Bombay Talkies” sprechen Vera und Caro mit Annika Strauss.  Annika ist Medizin-Ethnologin mit Schwerpunkt in der transkulturellen Psychiatrie. In ihrer Vergangenheit hat sie dazu in Indien geforscht. Der Suizid des Schauspielers Sushant […]

Die indische Film- und Medienlandschaft spielt eine große Rolle im Leben von Vera und Caro: Vera ist Chefredakteurin der indischen Film-Zeitschrift „ISHQ“. Caro lässt sich im Bennohaus in Münster zur Mediengestalterin Bild und Ton ausbilden und ist mit indischem Kino groß geworden. Gemeinsam laden wir ein, über den Tellerrand zu schauen, mitzudiskutieren und Vorurteile abzubauen. […]

Three movies, four directors, twelve stories. We dive into three anthology films that each explore a different theme: cinema, sex, and horror.  Show Notes: Thank you cj12947$$ (https://t.umblr.com/redirect?z=https%3A%2F%2Fchartable.com%2Fpodcasts%2Fbollywood-is-for-lovers%2Freviews%2F9eTb22bM&t=ODk5MzAwMDU4MGI5N2RlMjRiZTU3OGZhNzQ4MjIzZjIzOTkyYmFjMSxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) ! Shorts (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FShort_film&t=NDg3ZDFjZWI4NzgyMDRlYzJkOWMxNTEyYTU4NGZjOGE4Yjg3MzcyZCxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) and anthology films (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FAnthology_film&t=NTRlMTNhOWMzY2NhNmM2YjcyMTk1Yjk0NzhkMmUyYzA2ZjA0N2Y2ZSxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) X: Past Is Present (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FX%3A_Past_Is_Present&t=YWU4Y2Y3NTQzZTBjMDk0MGQ0OWY4MWRmM2JjMWQwNjZiNjk1ZmQyMixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Coen Brothers’ “World Cinema (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FYg2_ZhAMTh0&t=ZjdkNTk2M2FmMjY0N2IwZTQ4NzUwN2E5NmUxN2Y5NzM1MzdhZDI1MCxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) ” from Chacun son cinema (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FTo_Each_His_Own_Cinema&t=MjkxZGU1ZmE3ZTBlYzUxYjliNjdmNmFkNjJmMmQyYTNjODYyMDY4NSxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Trevor Anderson (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.trevorandersonfilms.com%2F&t=MTFjYjFkMTlmNmNjMzExNmU0Yjg0MmEwNTE2YjUxOTViNTkwNThhNyxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) and Matthew Rankin (https://t.umblr.com/redirect?z=https%3A%2F%2Fvimeo.com%2Frankino&t=ZGQzMjA3YTJiZWYzZjQxY2UyZWFiNTA0OThjNTA4MTU0NDRmYTI5YyxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Guy Maddin’s “The Heart Of The World (https://t.umblr.com/redirect?z=https%3A%2F%2Fvimeo.com%2F115997353&t=NDExNzM4ZWM3OWZhNTRiOWRlMWRjMTU3MTY2MzYyMGU0OWUwMTU3YyxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) ” Bombay Talkies (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FBombay_Talkies_%28film%29&t=M2RjNWYwYzFjMjQzZWUyYjc2MGQ2NWQyMjFhYTk3M2I1MDllNDEyNSxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Ekstra (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FEkstra&t=OTBiMDYzOTU1NmM0NDc3ZDhlNDgyYTliNTQzN2RmYjVkOTJkNjUwMixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) “Apna Bombay Talkies (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FVByWs3tTyGk&t=ZmFlNzE1MTgzYzhiZWYyZjQzOGRmNWMwYmJhODM4YzA1ODk0MjZhZixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) ” (INTERVAL (“Bachchan (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2FfGrc-DkHVtE&t=YzA2YmEyM2QyNTM1ZDZlYzdhYjdkYmQxOWZiMmM0MDlhMDBkZGRjYixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) ” from Bombay Talkies) Lust Stories (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FLust_Stories&t=ZDgzNGUzNjllNThiOTg2NGExYTgyZTY5MGFlYzQzYzU0ZTk5ZWZjZCxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) The move to Netflix Sir (https://t.umblr.com/redirect?z=https%3A%2F%2Fvimeo.com%2F321292897&t=MDRkMDYyZDBkZGNmZmIwOWE1N2YwNzNkOWE4ZmQyZTVjMmI2MTcwYSxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Ghost Stories (https://t.umblr.com/redirect?z=https%3A%2F%2Fen.wikipedia.org%2Fwiki%2FGhost_Stories_%282020_film%29&t=ZDMzMWMyMDZmYTM2NGQ1MGYyNGQ4ODJhMWM2MzBhNmI3NjU4YTkyNixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Windigo (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.thecanadianencyclopedia.ca%2Fen%2Farticle%2Fwindigo&t=MWE1MjZmZGYzNDQxMjA4MDhmNzZmNTQ5MTMzZTYxMjBhODE4MTYxYixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) The monster (https://t.umblr.com/redirect?z=https%3A%2F%2Fyoutu.be%2F9ipNDNlv0UU&t=YjYyMGE1MmNjYTljZTczM2ZjNGNmMjFhYzA4YjkxMDNkN2IzYzAxZSxXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) NEXT TIME: Amitabh Bachchan ‘71 & ‘72 Bollywood is For Lovers is a member of the Alberta Podcast Network (http://t.umblr.com/redirect?z=https%3A%2F%2Fwww.albertapodcastnetwork.com%2F&t=NDQyYzdjYjRlOGIyNGQ2ZDQ0ZWEwODhkMDc4YmVkOTkxNWI4MDIzOSxXNjlpbllzdw%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F164148376836%2Fepisode-45-one-man-army-corps-martial-arts&m=1) powered by ATB (http://t.umblr.com/redirect?z=http%3A%2F%2Fwww.atb.com%2Flisten%2FPages%2Fdefault.aspx&t=MTE4YWZkNWRlOGEzMjkzYThkYjdkMDUzYzlmZDk1MWM2ZTE5OTlhNSxXNjlpbllzdw%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F164148376836%2Fepisode-45-one-man-army-corps-martial-arts&m=1) Check out Norquest College (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.norquest.ca%2Fhome.aspx&t=ODNjODMzMDM4NGNmYjM0YjI0NjI4OTZjNThkM2IyNzM4NzkzY2UwNixXQ2xTWHRLMg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F190673638031%2Fepisode-92-stories-we-tell-bombay-talkies-lust&m=1) Listen to The Well Endowed Podcast (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.thewellendowedpodcast.com%2F&t=Zjk3MmE0ZTUyNzNhOGY1N2IxZDg0ZmY0NjdkNGIzOTcwMzhhMWM5MixEbldTUVpzdw%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F189980642236%2Fepisode-90-dabangg-3-makes-dabangg-2-look-like&m=1) Find us on Apple Podcasts (https://t.umblr.com/redirect?z=https%3A%2F%2Fitunes.apple.com%2Fca%2Fpodcast%2Fbollywood-is-for-lovers%2Fid1036988030%3Fmt%3D2&t=ZjgzNGMxZjg3M2QxMzExOWNjZmEwNDNlYTI5MjQwZTc4ZTQ5YTdlOCxmQndaMG5Bbg%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F171952253521%2Fepisode-59-the-queen-of-hearts-rani-mukerji&m=1) ! and Stitcher (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.stitcher.com%2Fpodcast%2Fmatt-bowes%2Fbollywood-is-for-lovers&t=N2Y5OGM5NjA3NTNjMzIxOGViYmRlYzBiNWU2M2QxYmFiMjVlZWY3ZixKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and audioBoom (https://t.umblr.com/redirect?z=https%3A%2F%2Faudioboom.com%2Fchannel%2Fbollywood-is-for-lovers&t=ZjA1YzM0NDg0NzE2MTU0MWQ2MWRlMjlmNDRmNzhlNWM3OThhNmVjMCxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and iHeartRadio (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.iheart.com%2Fpodcast%2F270-Bollywood-is-For-Lovers-28344928%2F&t=ZjVlNDM2ZGExNTUxZTgyMzNjOTM2NGQ2YTk5NjIyZTI0ZDA3YmE4NSxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and Spotify (https://t.umblr.com/redirect?z=https%3A%2F%2Fopen.spotify.com%2Fshow%2F1m38Hxx8ZFxTJzadsVk5U3&t=NzgwYWU4ODkzMGZiZTA3YTBkMTI0MjFkZDA1OTRkNWRhZjMyMmY1OCxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! and Google Podcasts (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.google.com%2Fpodcasts%3Ffeed%3DaHR0cHM6Ly9hdWRpb2Jvb20uY29tL2NoYW5uZWxzLzQ2OTg2OTAucnNz&t=ZDlmNTdmNTcyMjEwNGU4ZjI2YTk2MWUwMTg1OGVlMTdiOGZkNzVhMSxiYjdUdTJOMQ%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F176471010811%2Fepisode-66-hugs-not-drugs-munna-bhai-mbbs&m=1) ! and Saavn (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.jiosaavn.com%2Fshows%2Fbollywood-is-for-lovers%2F1%2F-zmKZ6RMBPY_&t=ZmNjMGRlNjU5YTIxODkyN2Y4ODg5YTk0NGI4MTRjOGQ1MzY1ZDQxZixta1B5YkxCWQ%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F187319521721%2Fepisode-85-anil-kapoors-80s-mashaal-chameli&m=1) ! and Hubhopper (https://t.umblr.com/redirect?z=https%3A%2F%2Fhubhopper.com%2Fpodcast%2Fbollywood-is-for-lovers%2F8466&t=ZDBmNTEzNDNkNzBiNGFhYzJjOTE1ZmM4ZmUyODRmZWVmY2RkODcwNixta1B5YkxCWQ%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F187319521721%2Fepisode-85-anil-kapoors-80s-mashaal-chameli&m=1) ! Thank you to Becca Dalke (https://t.umblr.com/redirect?z=http%3A%2F%2Fdalkedesigns.ca%2F&t=MTQyYWRlOGM1ZWUxNGEwNjRmOTdmODhmNmYyN2I5NjYzYjQ1ZDFjOCxFYXZHMEEwNQ%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F182930725656%2Fepisode-76-started-from-the-bottom-rockstar&m=1) for the artwork! Follow us on Twitter (https://t.umblr.com/redirect?z=https%3A%2F%2Ftwitter.com%2FBollywoodPod&t=ODUxZTk5ZTBiZjNiZTMwZGI1Y2UyNmMxODcxNTRlMzA1NDMwMWUyMCxSVGR6QjkwSA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F170966552671%2Fepisode-57-we-dont-bite-we-only-love-hum&m=1) ! Like us on Facebook (https://t.umblr.com/redirect?z=https%3A%2F%2Fwww.facebook.com%2FBollywoodIsForLovers&t=ODY1MjBjMmJiODgzZTdjMTcxN2Y3MjVmZjJjYTY0YjI4ZTZlZTkzZCxKY0ptWWNPWA%3D%3D&b=t%3AkP3Y7y6o3K6ErDt0IV7Cnw&p=https%3A%2F%2Fbollywoodisforlovers.tumblr.com%2Fpost%2F175489644186%2Fepisode-65-anushka-sharmas-clean-slate-nh10&m=1) ! #BombayTalkies, #KaranJohar, #ZoyaAkhtar, #DibakarBanerjee, #AnuragKashyap, #RaniMukerji, #RandeepHooda, #SaqibSaleem, #VineetKumarSingh, #NawazuddinSiddiqui, #KatrinaKaif, #AmitabhBachchan, #LustStories, #RadhikaApte, #BhumiPednekar, #KiaraAdvani, #ManishaKoirala, #VickyKaushal, #NeilBhoopalam, #NehaDhupia, #SanjayKapoor, #AkashThosar, #GhostStories, #SobhitaDhulipala, #MrunalThakur, #AvinashTiwary, #JanhviKapoor, #SurekhaSikri, #RaghuvirYadav, #GulshanDevaiah

RD Burman’s advice changed Kishore Da’s Life. Find out what it was!

We welcome Shah Shahid of Blank Page Beatdown (http://www.blankpagebeatdown.com/) and the Split Screen Podcast (https://itunes.apple.com/ca/podcast/split-screen-podcast/id1056295660?mt=2) to discuss one of our favourite underrated stars, Randeep Hooda (https://en.wikipedia.org/wiki/Randeep_Hooda) Show Notes: Thank you filmilibrarian for the review! The influx of Bollywood podcasts The genesis of the Split Screen Podcast Insight into high school Matt and Erin (and Shah and his wife, awww) Media comprehension skills we take for granted Edmonton Bollywood fans ask Cineplex to screen Hindi and Punjabi language films on south side (http://www.edmontonexaminer.com/2016/08/24/edmonton-bollywood-fans-ask-cineplex-to-screen-hindi-and-punjabi-language-films-on-south-side) Cineplex says it won’t play Tamil film Kabali at its theatres due to safety concerns (http://www.citynews.ca/2016/07/14/cineplex-says-it-wont-play-tamil-film-kabali-at-its-theatres-due-to-safety-concerns/) Monsoon Wedding (https://en.wikipedia.org/wiki/Monsoon_Wedding) and D (https://en.wikipedia.org/wiki/D_(film)) Highway (https://en.wikipedia.org/wiki/Highway_(2014_Hindi_film)) (so many feels) The bulge effect INTERVAL (“Jab Chaye Tera Jadoo (https://youtu.be/qLBUiCssD44)” from Main Aur Charles) John Day (https://en.wikipedia.org/wiki/John_Day_(film)) German-Russian actress Elena Kazan (https://en.wikipedia.org/wiki/Elena_Kazan) Too much exposition and not enough cohesion Forced biryani overdose Catholic overtones, maybe from the original Spanish film (http://www.imdb.com/title/tt0325145/) Main Aur Charles (https://en.wikipedia.org/wiki/Main_Aur_Charles) Charles Sobhraj aka The Bikini Killer aka The Serpent (https://en.wikipedia.org/wiki/Charles_Sobhraj) Charisma and pulling off a terrible look (http://static.koimoi.com/wp-content/new-galleries/2015/09/trailer-launch-of-movie-main-aur-charles-7.jpg) Convoluted editing Can Randeep Hooda dance? (https://youtu.be/9WfgCE0Yn7Y) Accents are hard Female objectification and point of view Bombay Talkies (https://en.wikipedia.org/wiki/Bombay_Talkies_(film)) Character actor or art house performer? NEXT TIME: we celebrate Noirvember with two classic Bollywood films noir and Neale Barnholden (https://twitter.com/nealpolitan) Find us on iTunes (https://itunes.apple.com/ca/podcast/bollywood-is-for-lovers/id1036988030?mt=2)! and Stitcher (http://www.stitcher.com/podcast/bollywood-is-for-lovers)! and audioBoom (https://audioboom.com/channel/bollywood-is-for-lovers)! Follow us on Twitter (https://twitter.com/BollywoodPod)! Like us on Facebook (https://www.facebook.com/BollywoodIsForLovers/)! #RandeepHooda #MonsoonWedding #Highway #JohnDay #NaseeruddinShah #ElenaKazan #MainAurCharles #CharlesSobrahj #RichaChadda #BombayTalkies

In this episode we celebrate Pride by discussing three recent Hindi films featuring LGBTQ characters and issues. Show Notes: It’s Edmonton Pride week (http://www.edmontonpride.ca/) Gay stereotypes and comedic relief Thank you Annarios for your review! Is Erin funny? Deep Mehta’s Fire(https://en.wikipedia.org/wiki/Fire_(1996_film)) and Bombay Talkies (https://en.wikipedia.org/wiki/Bombay_Talkies_(film)) Margarita With A Straw (https://en.wikipedia.org/wiki/Margarita_with_a_Straw) Disliking a film with good intentions Kalki Koechlin’s commitment to her role Gabrielle (https://en.wikipedia.org/wiki/Gabrielle_(2013_film)) “normal” is relative INTERVAL (“Kar Gayi Chuli” (https://youtu.be/-sWXx1mbgtU) from Kapoor & Sons) Kapoor & Sons (Since 1921) (https://en.wikipedia.org/wiki/Kapoor_%26_Sons) Arjun Kapoor (https://en.wikipedia.org/wiki/Arjun_Kapoor) in name only Spoiler alert: Fawad Khan’s character is gay and his family doesn’t know Fawad Khan is really attractive (http://st1.bollywoodlife.com/wp-content/uploads/2015/09/602805.jpg) Not defining a character by their sexuality Dramatizing coming out Aligarh (https://en.wikipedia.org/wiki/Aligarh_(film)) Based on a real event (https://en.wikipedia.org/wiki/Ramchandra_Siras) Section 377 of the Indian Penal Code (https://en.wikipedia.org/wiki/Section_377_of_the_Indian_Penal_Code) Being forced to become an advocate for a cause Freeheld (https://en.wikipedia.org/wiki/Freeheld_(2015_film)) India Film Festival of Alberta (http://indiafilmfestival.ca/films.html) NEXT TIME: a 2016 mid-year round up Find us on iTunes (https://itunes.apple.com/ca/podcast/bollywood-is-for-lovers/id1036988030?mt=2)! and Stitcher (http://www.stitcher.com/podcast/bollywood-is-for-lovers)! and audioBoom! Follow us on Twitter (https://twitter.com/BollywoodPod)! Like us on Facebook (https://www.facebook.com/BollywoodIsForLovers)! #KapoorAndSonsa, #FawadKhan, #ShakunBatra, #Aligarh, #ManojBajpayee, #RajkummarRao, #HansalMehta, #MargaritaWithAStraw, #KalkiKoechlin, #ShonaliBose, #Pride, #LGBTQCinema, #Bollywood #BollywoodIsForLovers, #BiFL

Suzi Mann sits in for the boys and catches up with Sonu Sood and Zoya Akhtar. Salil Acharya reviews Shootout At Wadala and Bombay Talkies and Miss Malini has all the Bollywoog gossip.

Raj and Pablo get some exciting news on Bombay Talkies from Miss Malini. Plus they speak to singer Palak Machhal who is featured on the Aashiqui 2 soundtrack that everybody’s talking about and find out what Salil Acharya thinks of the movie!