Podcasts about buoninsegna

Read OnlineJesus said to his disciples: “Do not let your hearts be troubled. You have faith in God; have faith also in me.” John 14:1In John's Gospel, Chapters 14–17 present us with what is referred to as Jesus' “Last Supper Discourses,” or His “Final Discourses.” These are a series of sermons given by our Lord to the disciples the night He was arrested. These discourses are deep and filled with symbolic imagery. He speaks of the Holy Spirit, the Advocate, the vine and the branches, the world's hatred, and these discourses conclude with Jesus' High Priestly Prayer. These discourses begin with today's Gospel in which Jesus addresses the coming fear, or troubled hearts, that He knows His disciples will experience.Let's begin by considering this first line spoken by Jesus above: “Do not let your hearts be troubled.” This is a command. It's a gentle command but a command nonetheless. Jesus knew that His disciples would soon see Him arrested, falsely accused, mocked, beaten and killed. He knew they would be overwhelmed by what they would soon experience, so He took this opportunity to gently and lovingly rebuke the fear that they would soon face.Fear can come from many different sources. Some fear is helpful to us, such as the fear present in a dangerous situation. In this case, that fear can heighten our awareness of the danger so that we proceed with caution. But the fear that Jesus was speaking of here was of a different kind. It was a fear that could lead to irrational decisions, confusion, and even despair. This was the kind of fear that our Lord wanted to gently rebuke.What is it that causes you to fear at times? Many people struggle with anxiety, worry, and fear for many different reasons. If this is something you struggle with, it's important to allow Jesus' words to resonate within your mind and heart. The best way to overcome fear is to rebuke it at its source. Hear Jesus say to you, “Do not let your heart be troubled.” Then listen to His second command: “You have faith in God; have faith also in me.” Faith in God is the cure for fear. When we have faith, we are under the control of the voice of God. It is God's truth that directs us rather than the difficulty we are facing. Fear can lead to irrational thinking, and irrational thinking can lead us deeper and deeper into confusion. Faith pierces through the irrationality we are tempted with, and the truths that faith presents to us bring clarity and strength.Reflect, today, upon whatever it is that causes you the most anxiety, worry and fear in your life. Allow Jesus to speak to you, to call you to faith and to rebuke those troubles gently but firmly. When you have faith in God, you can endure all things. Jesus endured the Cross. The disciples eventually endured their crosses. God wants to strengthen you, too. Let Him speak to you so that you will overcome whatever is most troublesome to your heart.My loving Shepherd, You know all things. You know my heart and the difficulties I face in life. Give me the courage I need, dear Lord, to face every temptation to fear with confidence and trust in You. Bring clarity to my mind and peace to my troubled heart. Jesus, I trust in You.Image: Duccio di Buoninsegna, Public domain, via Wikimedia CommonsSource of content: catholic-daily-reflections.comCopyright © 2025 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.

When Jesus appears to the disciples on the evening of his resurrection they are shocked and surprised, but Jesus quickly brings them peace and calling. However, Thomas was not there and he refuses to believe until he can see and touch Jesus himself. These events are shocking to us when we consider the unexpectedness of Jesus' resurrection, but they teach us a great deal about where we can now meet Jesus.Image: Duccio di Buoninsegna, Public domain, via Wikimedia Commons

Sumérgete en el mundo espiritual y estético de Duccio di Buoninsegna, el maestro gótico que transformó la pintura italiana en los albores del Renacimiento. Desde los talleres de Siena hasta la majestuosa Maestà, este podcast explora la vida, el contexto y el legado de un artista que, con pinceladas doradas y rostros cargados de emoción, abrió el camino hacia una nueva sensibilidad visual. Descubre cómo Duccio unió lo divino con lo humano, lo bizantino con lo innovador, en una época marcada por la fe, la política y el despertar artístico de Europa.

God's Enduring Love: A Lesson from the Prophet Hosea During This Lenten Season The Book of Hosea, one of the Minor Prophets, . . . . . . delivers a profound message about the relationship between God and Israel, depicted as a husband and wife. Though Israel turned away from God to worship idols, God remained faithful and sought reconciliation. This message is relevant to all believers, especially during Lent, prompting self-reflection on modern-day “idols” such as wealth, status, and personal image. Jesus affirms that God alone should be worshipped, and once He is placed at the center of life, everything else—including relationships—falls into place. True love for God leads to genuine love for others, making faith the foundation of strong relationships and spiritual fulfillment. Listen more to this Meditation Media. Listen to: God's Enduring Love: A Lesson from the Prophet Hosea During This Lenten Season -------------------------------------------- Image: The Prophet Hosea: Italian Painter: Duccio di Buoninsegna: 1309–1311 -------------------------------------------- Gospel Reading Mark 12: 28-34 First Reading Hosea 14: 2-10

Let’s continue examining the proto-renaissance altarpiece painting “The Maesta” by the Italian master, Duccio di Buoninsegna (1255-1318). THE MAESTA PANELS by Mark Vinet is available at https://amzn.to/3S8C4KD I feature Christianity’s most beautiful artworks on my social media accounts. Images for this episode are conveniently compiled for FREE at www.patreon.com/markvinet ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

Let’s examine the proto-renaissance altarpiece painting “The Maesta” by the Italian master Duccio di Buoninsegna (1255-1318). THE MAESTA PANELS by Mark Vinet is available at https://amzn.to/3S8C4KD I feature Christianity’s most beautiful artworks on my social media accounts. Images for this episode are conveniently compiled for FREE at www.patreon.com/markvinet ENJOY Ad-Free content, Bonus episodes, and Extra materials when joining our growing community on https://patreon.com/markvinet SUPPORT this channel by purchasing any product on Amazon using this FREE entry LINK https://amzn.to/3POlrUD (Amazon gives us credit at NO extra charge to you). Mark Vinet's HISTORY OF NORTH AMERICA podcast: www.parthenonpodcast.com/history-of-north-america Mark's video channel: https://youtube.com/c/TIMELINE_MarkVinet Website: https://markvinet.com/podcast Facebook: https://www.facebook.com/mark.vinet.9 Twitter: https://twitter.com/HistoricalJesu Instagram: https://www.instagram.com/denarynovels Mark's Books: https://amzn.to/3k8qrGM See omnystudio.com/listener for privacy information.

Read OnlineJesus said to his disciples: “Gird your loins and light your lamps and be like servants who await their master's return from a wedding, ready to open immediately when he comes and knocks.”  Luke 12:35–36What does it mean to “Gird your loins?” This phrase, which is not commonly used today, literally means “tighten your belt.” It traditionally refers to one who is wearing a long robe that makes it difficult to move quickly and easily. Thus, to gird your loins means that you tuck in the long robe and tighten your belt so that you are prepared for some physical activity. It was also commonly used to exhort those preparing for battle to get ready. Symbolically, then, this phrase simply means to be ready for something difficult or challenging. It means to be vigilant and prepared. Spiritually speaking, Jesus is telling His disciples to be ready for the spiritual battle that awaits them.Jesus then tells His disciples to light their lamps. That phrase could have a variety of meanings, such as “Do not remain in the darkness of sin or ignorance” or “Let the light of charity shine forth as you navigate through life” or “Allow the light of truth to shine within your mind.” Hence, by the light of faith, they are to be prepared and vigilant, ready to do all that the Lord sends them to do.Today's Gospel ends by Jesus saying that the disciples will be truly blessed if they remain vigilant even until the second or third watch of the night. Some Church Fathers see this as a reference to three periods in one's life: childhood being the first watch, middle age being the second, and old age being the third watch.With these meanings understood, one message we can take from this Gospel is that Jesus is calling us to be vigilant in our faith at every moment of our lives. For those who have lived many years, it may be useful to look back at how faithful you have been throughout every period of your life. God wants to use you in many ways during childhood, through your middle age, and even in old age. The journey of faith must never end. Instead, it must continually deepen as you age. But this will only be possible if you “gird your loins” and “light your lamps.” You must continually be vigilant, continually attentive to the light of faith, and continually be ready to act every time God inspires you to act.Reflect, today, upon the lifelong journey of faith and service of God to which you are called. Being a Christian is not simply something you are born into. If you were born into the faith, then ponder especially what you have done throughout your life to daily deepen and strengthen that faith. Ponder whether or not you have diligently responded to the countless inspirations of the Holy Spirit to spread the light of faith to others. If you have been truly faithful throughout your life, then give thanks to God and recommit yourself to this fidelity for the rest of your life. If you have lacked faith and vigilant attentiveness to the will of God, then place that in the hands of God's mercy and resolve from this day forward to do all you can to respond to the will of God the moment God calls. My most merciful Lord, I thank You for the countless ways throughout my life that You have spoken to me, calling me to fulfill my mission of faith and love in this world. I commit to You, this day, to always remain vigilant and attentive to You every time You call. Use me, dear Lord, so that I may bring the light of Your saving Gospel to a world in need. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Appearance on the Mountain in Galilee by Duccio di Buoninsegna, via Wikimedia Commons

Read OnlineWhen Jesus left, the scribes and Pharisees began to act with hostility toward him and to interrogate him about many things, for they were plotting to catch him at something he might say. Luke 11:53–54 Over the past few days, we have been reading Saint Luke's version of Jesus' “Woe to you” rebukes of the scribes, Pharisees and the scholars of the law. Today's Gospel concludes these rebukes of love by pointing out that these religious leaders did not convert. Instead, they began plotting against Jesus so as to “catch him at something he might say.” This is what happens when people use God's holy law as a weapon to attack.Normally, we take inspiration from the Holy Scriptures in a positive way, meaning, by reflecting upon Jesus' words and actions and applying them to our lives. However, we can also learn from the evil others commit and allow their actions to inspire us to avoid their sin. In today's Gospel, we are invited to ponder the obsessive plotting of these religious leaders so as to consider whether we also are guilty of their sin.First, note that at the conclusion of Jesus' rebukes, these religious leaders “began to act with hostility” toward Jesus. Normally, when we act with hostility toward another, it is done with the mindframe that we are right and they have done something wrong. We justify our hostility by pointing to their perceived sin. However, it must be understood that every act of hostility on our part is a clear indication that we have started down the road of sin and are not justified in our obsession.Notice also that these religious leaders exercised their hostility toward Jesus by interrogating Him. In other words, in their anger, they kept asking Him questions so as to find some fault with Him. They tried to trick Him and trap Him with their speech using God's very Law handed down through Moses and the prophets. But they manipulated that Law so as to justify their hostility and, out of pride, to falsely accuse Jesus.Think about any times in your life in which you found yourself somewhat obsessed with what you judged to be the sin of another. Hostility in this case can even be passive, meaning you may present a kind disposition on the surface, but interiorly you are obsessively thinking about how you can condemn the person. Often when this happens, we can feel justified in that we convince ourselves that justice must be done and that we are the dispensers of that justice. But if God is in control of our lives, He will not call us to obsessive plotting in regard to another. Instead, when we are following the will of God, we will sense Him inspiring us to act with immediacy, calm, joy, kindness, honesty, and freedom from all anger and obsession. Reflect, today, upon any way that you have seen this misguided tendency within your own life. If you can identify a time when you struggled with hostility toward another, look at the fruit it bore. Was God glorified through your actions? Did this leave you at peace or agitated? Were you fully objective in your thinking? Be honest with these questions and you will begin to discover the road to freedom from such obsessive thinking. God wants you to be at peace. If there is injustice, trust that our Lord will sort it out. You, for your part, must continually work to forgive, act with charity, and direct your attention to the will of God as it is gently presented to you.My patient and kind Lord, You were falsely accused and condemned by many of the religious leaders of Your time because You spoke the pure truth with love, clarity and boldness. When I act with hostility and anger toward another, help me to turn from these sins so that I will never condemn, never judge and never manipulate Your divine Law for my own purposes. Fill me with Your peace and charity alone, dear Lord. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Christ Accused by the Pharisees by Duccio di Buoninsegna, via Wikimedia Commons

A meditation preached by Fr. Eric Nicolai on October 15th at Lyncroft Centre in Toronto. Lk 1, 11 Then an angel of the Lord appeared to him, standing at the right side of the altar of incense. 12 When Zechariah saw him, he was startled and was gripped with fear. 13 But the angel said to him: “Do not be afraid, Zechariah; your prayer has been heard.  Since Zacharia doubted, unsure perhaps of his authenticity, needed more proof, as though seeing an angel were not enough, Gabriel had the power to silence him. To give him time to reflect. In quiet. Saint Josemaria invoqued Saint Gabriel as the patron with the work with Supernumeraries, married people in general. Music: Michael Lee, from Toronto Thumbnail: Duccio di Buoninsegna (1255–1319), Annonciation, circa 1307.

Read Online“Pay attention to what I am telling you. The Son of Man is to be handed over to men.” But they did not understand this saying; its meaning was hidden from them so that they should not understand it, and they were afraid to ask him about this saying.  Luke 9:44–45This is the second time that Jesus predicts His coming passion to His Apostles. After telling them that He will be handed over, the Gospel relates that “they did not understand this saying.” It also states that “they were afraid to ask him about this saying.” Why did they not understand, and why were they afraid to ask Jesus about His coming passion?The Apostles were deeply attached to our Lord, both on a spiritual level and also through their affections. And this is good. But sometimes our affections can cloud our thinking and make it difficult to understand the deeper spiritual realities in life. Though our affections are natural, they must always be directed by the will of God. For example, if we were to try to understand Jesus' affections, we'd have to conclude that He both spiritually and affectionately desired to lay down His life for the salvation of souls in accord with the will of the Father. He not only chose this with His will, but He also desired it in His affections, because His affections were perfectly ordered.The Apostles, however, were unable to understand that Jesus had to lay down His life, be rejected, suffer and die, in part because they were very attached to Jesus in an emotional and affectionate way. So in this instance, their human love and attachment to Jesus hindered their ability to understand the greater spiritual good of Jesus laying down His life.Consider, also, our Blessed Mother. How would she have reacted to Jesus saying that He had to be handed over, be rejected, suffer and die? Though this would have grieved her with a holy sorrow, the perfection of her human nature would have led her to not only understand and accept this deep spiritual truth, but she would have also desired this to happen within her affections because she perfectly desired the fulfillment of the will of the Father. There would have been no conflict within her between the will of the Father and what she desired.In our own lives, we will often tend to struggle in the same way that the Apostles struggled. When faced with some challenging cross in life, a cross that the Father calls us to embrace freely, we will often find that our affections resist. When this happens, we become confused and even fearful of the future. Thus, the only way to conquer fear is to work to surrender every emotion, every affection and every human attachment over to the will of the Father so that His will is all we desire with every power of our soul. Reflect, today, upon the interior struggle of these Apostles as they came face-to-face with this the second time Jesus began to prepare them to accept, understand, choose and desire His passion. Consider the interior struggle they went through at that time and even as they saw this unfold. Eventually they understood. Eventually all fear vanished. And eventually they affectionately rejoiced in Jesus' sacrifice. But it took much time and much surrender.Reflect upon those ways our Lord is inviting you to choose His Cross in your life. Where you see your affections resisting, try to surrender, pray for understanding and seek the courage you need to desire His Cross with all your soul.My revealing Lord, You opened Your divine heart to Your Apostles and invited them to understand and choose Your suffering and death. And though they hesitated and struggled, You continued to invite them to embrace the Father's will. Give me the grace I need, dear Lord, to embrace every spiritual truth first and foremost and to allow that Truth to free me from fear and fill me with the gift of understanding. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Christ Taking Leave of the Apostles By Duccio di Buoninsegna, via Web Gallery of Art

Read OnlineThen Peter said to Jesus in reply, “Rabbi, it is good that we are here! Let us make three tents: one for you, one for Moses, and one for Elijah.” He hardly knew what to say, they were so terrified. Then a cloud came, casting a shadow over them; from the cloud came a voice, “This is my beloved Son. Listen to him.” Mark 9:5–7Just prior to the Transfiguration, Jesus began to reveal to His disciples that He would suffer greatly, be rejected by the elders, be killed and then rise on the third day. This caused much fear for the disciples as they grappled with this unsettling revelation from our Lord. And even though Jesus remained firm with them and even rebuked Peter for his fear, Jesus also gave three of His disciples a very precious gift.After much traveling, preaching, miracle working and private conversations about His passion with the Twelve, Jesus invited Peter, James and John to go with Him up a high mountain to pray. These disciples most likely had no idea what they would soon encounter.As they made the difficult and arduous journey, their minds must have been pondering not only the mighty deeds done by Jesus in the previous months but also His words about the suffering to come. As they struggled with this, much to their amazement, Jesus “was transfigured before them, and his clothes became dazzling white.” Suddenly Moses and Elijah appeared before them, representing the Law and the prophets. These two Old Testament figures appeared as a way of saying to these disciples that everything that Jesus was telling them was to take place to fulfill all that had been foretold about Him from of old. Perhaps Jesus thought that if His disciples would not fully listen to Him, then seeing Moses and Elijah would help. But Jesus went even further. The Voice of the Father Himself thundered and said, “This is my beloved Son. Listen to him.” Thus, if these disciples would not ultimately listen to Jesus alone, or if even Moses and Elijah failed to convince them, then the last hope was the Father Himself. And Jesus delivered such a grace.The Transfiguration was a true mercy. These disciples had never seen anything like it before. But it was most likely this act of mercy that ultimately helped them to accept the hard truth that Jesus was trying to teach them about His coming suffering and death. If the Father in Heaven Personally gave witness to Jesus, then everything that Jesus had said was trustworthy.As we read through the Gospels and the many teachings God has given us through the Church, think about whether there are some teachings with which you struggle? Or in your own life, on a personal level, are there some things you know God wants of you but you find it difficult to accept? When confusion sets in, that means we are not listening, are not fully hearing what God is saying to us or are not understanding. And though we will not see the Transfigured Lord with our eyes and hear the Voice of the Father with our ears as these three disciples did, we must choose to believe all that God has said as if it were the Transfigured Lord, with Moses and Elijah, and the Father Himself speaking clearly and directly to us. “This is my beloved Son. Listen to him.” Those words were not only spoken for the good of the disciples, they are also spoken to us.Reflect, today, upon this powerful experience given to these disciples by our Lord. Try to place yourself in the scene so as to witness Jesus transfigured in the most glorious way, with Moses and Elijah and with the thundering Voice of the Father. Allow the Father to speak also to you, telling you that all He has spoken through the Scriptures, the Church and within your own conscience is true. Allow this revelation to convince you on the deepest level to acknowledge not only the divinity of Jesus but also to “Listen to Him” in every way. My transfigured Lord, You are glorious beyond imagination, and You revealed a small glimpse of this glory to Your disciples to help them trust You more fully. May I also trust in You more completely, knowing that all You have spoken to me is true. Please remove any doubt and fear in my life so that nothing keeps me from embracing Your holy will. Jesus, I trust in You.  Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Transfiguration By Duccio di Buoninsegna, via Wikimedia Commons

Jesus said to his disciples: “Do not let your hearts be troubled. You have faith in God; have faith also in me.” John 14:1In John's Gospel, Chapters 14–17 present us with what is referred to as Jesus' “Last Supper Discourses,” or His “Final Discourses.” These are a series of sermons given by our Lord to the disciples the night He was arrested. These discourses are deep and filled with symbolic imagery. He speaks of the Holy Spirit, the Advocate, the vine and the branches, the world's hatred, and these discourses conclude with Jesus' High Priestly Prayer. These discourses begin with today's Gospel in which Jesus addresses the coming fear, or troubled hearts, that He knows His disciples will experience.Let's begin by considering this first line spoken by Jesus above: “Do not let your hearts be troubled.” This is a command. It's a gentle command but a command nonetheless. Jesus knew that His disciples would soon see Him arrested, falsely accused, mocked, beaten and killed. He knew they would be overwhelmed by what they would soon experience, so He took this opportunity to gently and lovingly rebuke the fear that they would soon face.Fear can come from many different sources. Some fear is helpful to us, such as the fear present in a dangerous situation. In this case, that fear can heighten our awareness of the danger so that we proceed with caution. But the fear that Jesus was speaking of here was of a different kind. It was a fear that could lead to irrational decisions, confusion, and even despair. This was the kind of fear that our Lord wanted to gently rebuke.What is it that causes you to fear at times? Many people struggle with anxiety, worry, and fear for many different reasons. If this is something you struggle with, it's important to allow Jesus' words to resonate within your mind and heart. The best way to overcome fear is to rebuke it at its source. Hear Jesus say to you, “Do not let your heart be troubled.” Then listen to His second command: “You have faith in God; have faith also in me.” Faith in God is the cure for fear. When we have faith, we are under the control of the voice of God. It is God's truth that directs us rather than the difficulty we are facing. Fear can lead to irrational thinking, and irrational thinking can lead us deeper and deeper into confusion. Faith pierces through the irrationality we are tempted with, and the truths that faith presents to us bring clarity and strength.Reflect, today, upon whatever it is that causes you the most anxiety, worry and fear in your life. Allow Jesus to speak to you, to call you to faith and to rebuke those troubles gently but firmly. When you have faith in God, you can endure all things. Jesus endured the Cross. The disciples eventually endured their crosses. God wants to strengthen you, too. Let Him speak to you so that you will overcome whatever is most troublesome to your heart.My loving Shepherd, You know all things. You know my heart and the difficulties I face in life. Give me the courage I need, dear Lord, to face every temptation to fear with confidence and trust in You. Bring clarity to my mind and peace to my troubled heart. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured images above: Christ Taking Leave of the Apostles By Duccio di Buoninsegna, via Wikimedia Commons

Temos uma boa notícia: o Podcast Narrativa integra agora a rede de podcasts do jornal Público. Neste novo episódio ouves Inês Ventura, Mário Cruz e Rodrigo Vargas sobre Omnis, o primeiro projecto colectivo da Narrativa, que documenta a Jornada Mundial da Juventude, e cuja exposição pode ser visitada até 16 de Dezembro. Falamos sobre como este projecto foi pensado e construído segundo a visão dos autores e como a religião influi na vida de todos nós. Neste episódio mencionamos: - O trabalho Last Resort, do fotógrafo britânico Martin Parr. - A obra Maestá, de Duccio di Buoninsegna. -O livro American Prospects, de Joel Sternfeld, reeditado pela Steidl. -O livro The Killing Sink, de Matt Dune, editado pela Void. -O livro Lágrimas de Crocodilo – Fotografia e Crítica em Portugal 1980-2000, de vários autores, editado pela Pierrot Le Fou. Guião e moderação de Sebastião Almeida Edição de som de André Dias Nobre Jingle de António Quintino

Antonia Gaeta, nascida em Lanciano, Itália, é Licenciada em Conservação dos Bens Culturais pela Universidade de Bolonha, veio para Portugal em 2003 onde completou o Mestrado em Estudos Curatoriais na Universidade de Belas-Artes de Lisboa, mais tarde doutorou-se em Arte Contemporânea no Colégio das Artes da Universidade de Coimbra. Desde 2005, trabalha como curadora independente, sendo que do seu percurso mais recente se destacam as seguintes exposições: Cangiante com obras da Colecção Caixa Geral de Depósitos, Andrómeda de Luciana Fina, Sereno Variável da Colecção Treger Saint Silvestre, no Centro de Arte Oliva, Hot Stuff com trabalhos de Adelhyd van Bender na Galeria Delmes & Zander e, ainda, Ex-Votos para o Século XXI de Miguel Carneiro no VERÃO, espaço cuja programação é da sua responsabilidade e que data de Outubro 2019 até ao presente. “Dizem que os italianos estão imunes à síndrome de Stendhal porque acostumados desde tenra idade a estar rodeados pela beleza. Quando era “minúscula”, o meu sonho era trabalhar numa bomba de gasolina. Aos 4 anos queria ter uma loja de ferragens. Aos 5, num périplo com os meus pais e irmãos pela Umbria e Toscana, estava aberta para novas aventuras. Em Orvieto, visitamos o Pozzo di San Patrizio. Tirei uma fotografia do lugar, com uma maquina Agfamatic 2008 pocket que a minha mãe me tinha dado de presente nos meus anos. Esta foto esteve no meu quarto, em cima da secretária, durante a escola primária, o ciclo e o liceu. Logo a seguir passamos por Siena onde vi pela primeira vez a Maestá (Madonna in Trono) de Duccio di Buoninsegna. Comecei a chorar sem aparente explicação. Um ou dois anos mais tarde, numa viagem com a escola em Roma, visitei o Ara Pacis. Tive que me encostar na velha estrutura de alumínio dourado que protegia o monumento para não cair ao chão. Em 1989, a minha mãe nos levou a conhecer Paris. Eu sonhava com ver a Mona Lisa, a Gioconda, mas lembro muito bem de ter ficado decepcionada com a escala, pois imaginava algo majestosamente grande e imponente. No final da tarde deste mesmo dia, fomos arrastados para o Pompidou. A exposição apresentada no museu era Les Magiciens de la Terre. Não fazia a mais mínima ideia do que estava a ver mas alguma coisa tinha mudado. No avião comuniquei à minha mãe que não iria ser artista mas que, ainda não sabendo bem como, iria trabalhar com arte. O meu avô entretanto tinha perdido a vista e decidido que, entre todos os netos, eu seria a indicada para ser os olhos dele. Para o ajudar com as palavras cruzadas, para ler os livros quando não os conseguia encontrar em áudio cassete, para descrever as obras dos museus, partes de filmes, mas sobretudo para ir à rua e relatar os ambientes, eu passei a ser os olhos dele. Esta prática desenvolvida em tão tenra idade criou um habito que ainda hoje mantenho: olhar para depois narrar, ouvir para poder reproduzir, absorver para conseguir reformular. Após ter terminado a Licenciatura em Conservazione dei Beni Culturali na Universidade de Bologna, em 2003 mudei-me para Lisboa e desde 2005 desenvolvo projectos de investigação, edição e curadoria com instituições artísticas em Portugal e no estrangeiro e tenho textos publicados em catálogos e revistas especializadas. Com o Mestrado em Curadoria terminado (FBAUL), em 2008 comecei a trabalhar pela Direcção Geral das Artes/MC enquanto coordenadora executiva das Bienais de Arte de Veneza e São Paulo. Em 2011 inscrevi-me no Doutoramento em Arte Contemporânea (UC) que entretanto concluí e em 2015 iniciei uma colaboração regular com a Colecção Treger Saint Silvestre. Em 2019 abri em Lisboa o VERÃO, um espaço de experimentação no âmbito das artes visuais e aproveitei o desacelerar causado pela pandemia para realizar o curso profissional de Marceneira-Embutidora/Entalhadora (FRESS) para começar também a pensar com as mãos.”Links: https://contemporanea.pt/edicoes/07-08-09-2021/entrevista-antonia-gaeta https://www.facebook.com/people/VER%C3%83O/100071194254555/ https://centrodearteoliva.pt/exposicao/ninguem-so-eu/ https://www.youtube.com/watch?v=YXzWuoBZLUY Episódio gravado a 07.06.2023 http://www.appleton.pt Mecenas Appleton:HCI / Colecção Maria e Armando Cabral / A2P / MyStory Hotels Apoio:Câmara Municipal de Lisboa

Episode 370 debuts on April 5, at 8:00 PM Eastern. Rebroadcasts will take place according to the Crusade Channel programming schedule (note: all times listed are Central time). The topic is Dramatis Personae Hebdomodae Sanctae. The Drama of Holy Week — by Brother André Marie, M.I.C.M., at catholicism.org Christ's Theandric Role in our Sanctification — by Brother André Marie, M.I.C.M., at catholicism.org The Seven Words — by Brian Kelly, at catholicism.org How many times did Jesus predict His death? — at gotquestions.org Mater Dolorosa: Meditation on Mary's Com-Passio Beneath the Cross — by Brian Kelly, at catholicism.org For She Hath Loved Much — by Brian Kelly, at catholicism.org St. Mary Magdalene is the Same Mary, the Sister of Lazarus and Martha of Bethany — by Brian Kelly, at catholicism.org Pontius Pilate — at newadvent.org Joseph Caiphas — at newadvent.org Ossuary of the High Priest Caiaphas, 18-36 CE Duccio di Buoninsegna, Christ before Caiphas, public domain via Wikimedia Commons “Reconquest” is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center. Each weekly, one-hour episode of Reconquest will debut RIGHT HERE on Wednesday night at 8:00 PM Eastern (7:00 PM Central). It will then be rebroadcast according to the Crusade Channel programming schedule (note: all times listed are Central time).

Episode 369 debuts on March 29, at 8:00 PM Eastern. Rebroadcasts will take place according to the Crusade Channel programming schedule (note: all times listed are Central time). The topic is Types and Shadows of Our Lord's Resurrection. Saint Martin of Tours (397) here is a list of saints who raised people from the dead — at catholicism.org Saint Beuno (630) — at catholicism.org Saint Maternus (First Century) tradition has it that he is the son of the widow of Naim — at catholicism.org Lazarus, Come Forth! — An Easter Meditation — by Brother André Marie, M.I.C.M., at catholicism.org Gospel According to St Mark, Chapter 5 (which relates the raising of the daughter of Jairus to life) — at drbo.org Propers of the Mass for the Thursday of the Fourth Week of Lent (Epistle and Gospel used in program) — at maternalheart.org Propers of the Mass for the Friday of the Fourth Week of Lent (Epistle and Gospel used in program) — at ususantiquior.wordpress.com The Raising of Lazarus, painting by Duccio di Buoninsegna, public domain via Wikimedia Commons “Reconquest” is a militant, engaging, and informative Catholic radio program featuring interviews with interesting guests as well as commentary by your host. It is a radio-journalistic extension of the Crusade of Saint Benedict Center. Each weekly, one-hour episode of Reconquest will debut RIGHT HERE on Wednesday night at 8:00 PM Eastern (7:00 PM Central). It will then be rebroadcast according to the Crusade Channel programming schedule (note: all times listed are Central time).

Verleiding ligt overal op de loer: van macht tot geld, van aanzien tot seks. Ook Jezus wordt verleid en wel door de duivel in hoogst eigen persoon. Aan welke verleidingen wordt hij blootgesteld? Hij gaat niet op de verleidingen in, maar is dat eigenlijk wel het goede antwoord? En waar liggen voor ons de verleidingen op de loer? Allard Amelink bespreekt het in deze aflevering van Scheppingsdrift met het vaste panel van dit seizoen: Lieke Wijnia, conservator van het Museum Catharijneconvent in Utrecht; Ab Nieuwdorp, presentator van De Klassieken op NPO Radio 4; en theoloog en schrijver Alain Verheij. Overzicht van de besproken kunst: - Christ unser Herr zum Jordan kam van Johann Sebastian Bach - Christ in the Wilderness van Stanley Spencer - De verzoeking op de berg van Duccio di Buoninsegna, - Danse Macabre van Camille Saint Saëns  - Documentaire They sold their souls for rock 'n roll - Podcast Rock my soul van EO en NPO Radio 2 - II. Adagio espressivo uit “Violin Concerto No. 1 in D Major” van Niccòlo Paganini - Ô pure émotion uit “La Damnation de Faust” van Hector Berlioz - Laatste verzoeking van Christus van Nikos Kazantzakis, verfilmd door Martin Scorsese - De Grootinquisiteur van Sevilla uit ‘De Gebroeder Karamazov” van Fyodor Dostojevski - Marina Abramovic, The Artist is Present (2010)

"L Évangile en majesté. Jésus et Marie sous le regard de Duccio", c'est le titre de l'ouvrage de Michel Feuillet publié aux éditions Mame. L'histoire est la suivante: nous sommes à Sienne, le 9 juin 1311. La Maestà, le plus grand retable jamais peint, quitte l'atelier du peintre Duccio di Buoninsegna pour rejoindre la cathédrale. La foule en liesse découvre ce chef-d'œuvre absolu. Avec ferveur, on contemple La Vierge à l'Enfant en Majesté, on suit du regard les nombreuses scènes évangéliques figurant l'enfance, la vie publique, la Passion et la Résurrection du Christ. Après de multiples péripéties, le tableau découpé en pieces détachées est aujourd'hui au Musée de l'œuvre du Dôme à Sienne Ces peintures étonnament modernes par leurs expressions disent tour à tour l'amour, le partage, l'écoute, la haine, la trahison, le pardon... Avec un sens aigu du réel, mais toujours dans le respect du mystère, Duccio fait vivre l'Évangile. Il constitue ainsi, pour les amateurs d'art, une véritable mine d'informations, et pour les croyants une invitation à se mettre dans les pas du Christ.

Versione audio: Simone Martini (1284 ca.-1344) nacque a Siena. Ben poco sappiamo della sua formazione; secondo la tradizione, che gli storici non hanno mai contestato, egli fu allievo di Duccio di Buoninsegna, principale esponente della cosiddetta Scuola senese. Le prime testimonianze di un'attività artistica autonoma di Simone risalgono al 1305-10 circa, quando il giovane pittore […] L'articolo La Maestà di Palazzo Pubblico a Siena di Simone Martini proviene da Arte Svelata.

Avec ce troisième épisode, nous embarquons avec deux prophètes, Jérémie et Ézéchiel, qui vont nous parler, de manière très différente, de pêche et de pêcheurs. Des textes qui vont servir d'appui aux récits du Nouveau Testament.REFERENCES•Episode disponible sur l'application TUMULT : https://tumult-podcast.com/au-large-biblique •«Au Large Biblique » est un podcast conçu et animé par François Bessonnet, enseignant bibliste et prêtre en Vendée. https://www.aularge.eu/blog/le-podcast/ •Image de couverture : Duccio di Buoninsegna, Pêche miraculeuse, 1311- source : wikimedia-commons.•Musique : Erwan Marchand (D.R.)•Épisode enregistré en Vendée (85, France), juillet 2021.•Sous Licence Creative Commons (cc BY-NC-ND 4.0 FR)SOURCES ET RESSOURCES•La pêche des exilés (Jr 16,13-17) : https://www.aelf.org/bible/Jr/16 •L'eau du côté du Temple (Éz 47,8-11) : https://www.aelf.org/bible/Ez/47 •La parabole du filet (Mt 13,47-50) : https://www.aelf.org/bible/Mt/13 SUIVRE AU LARGE BIBLIQUE •Instagram : @aularge.eu https://www.instagram.com/aularge.eu/ •Twitter : @AuLargeBiblique https://twitter.com/AuLargeBiblique •Facebook : @aularge85 https://www.facebook.com/aularge85/ •LinkedIn : https://www.linkedin.com/in/fbessonnet/ •Youtube : https://www.youtube.com/user/aulargefbessonnet •Mail : podcast@aularge.eu •Newsletter : https://www.aularge.eu/blog/abonnement/ •RSS : https://www.spreaker.com/show/3266391/episodes/feed •VOS QUESTIONS sur https://www.aularge.eu/blog/votre-voix-minteresse/ Soutenir le podcast avec Tipeee : https://fr.tipeee.com/au-large-biblique

[Attenzione: in questa versione della puntata, l’intervento di Hisham Matar è tradotto all’italiano da Marina Astrologo. Ma la puntata è disponibile – sulla pagina del podcast – anche con l’intervento in versione originale in inglese senza traduzione.]Nella passata edizione del festival, all’interno della splendida cornice del Chiostro del Museo Diocesano, si sono incontrati - per quanto a distanza - Melania Mazzucco e Hisham Matar, intervistati da Elisabetta Bucciarelli. Il punto focale del discorso è stato il modo in cui entrambi hanno saputo fare dialogare nei loro libri arte e letteratura. Un percorso che, partendo dalla Roma dell’“architettrice” Plautilla Bricci e dalla Siena di Duccio di Buoninsegna e degli altri maestri della scuola senese, ha portato poi i due ospiti a confrontarsi sulle tematiche che li avvicinano: dal rapporto tra padri e figli, al ruolo della donna nella creazione artistica.

[Attenzione: in questa versione della puntata, troverete l’intervento di Hisham Matar in versione originale in inglese senza traduzione. Ma la puntata è disponibile – sulla pagina del podcast – anche nella versione con l’interpretazione in italiano realizzata da Marina Astrologo.]Nella passata edizione del festival, all’interno della splendida cornice del Chiostro del Museo Diocesano, si sono incontrati - per quanto a distanza - Melania Mazzucco e Hisham Matar, intervistati da Elisabetta Bucciarelli. Il punto focale del discorso è stato il modo in cui entrambi hanno saputo fare dialogare nei loro libri arte e letteratura. Un percorso che, partendo dalla Roma dell’“architettrice” Plautilla Bricci e dalla Siena di Duccio di Buoninsegna e degli altri maestri della scuola senese, ha portato poi i due ospiti a confrontarsi sulle tematiche che li avvicinano: dal rapporto tra padri e figli, al ruolo della donna nella creazione artistica.

“The Calling of the Apostles Peter and Andrew”, 1308-1311, Duccio di Buoninsegna, image courtesy of the National Gallery of Art, Washington, DC For the past 6 months, I’ve seen a lot written around a basic question, “What is Church?”When I was growing up, church was a building I went to out of obligation. Strong Roman Catholic roots and post-college Southern Baptist preaching taught me about the sin of neglecting my church attendance. I’d been convinced there was a special place in heaven relegated to non-attenders where we sat in the front pews and listened to bad preaching and off-key music on an endless loop throughout infinity.That concept of ‘church as obligation’ changed when I found my current church in the Episcopal denomination. I attend the same number of Sundays as before, but I have found a community where I feel safe in my vulnerabilities and am encouraged to live into the person that God made in me. I am eager to be with my friends on Sunday and throughout the week in small groups who offer me a respite from the rest of the world and its tendency to judgment and condemnation. Through the preaching and teaching, I am nourished to understand more about Jesus and how He is calling me to lead my life.So, what is ‘church’? If the definition stops there (a place to go where you have friends that nurture and nourish you), then technology can provide an alternative when we can’t be together. A question remains as to whether a community can thrive when we don’t have person-to-person contact. Only time will tell us what role technology will play.But what if ‘church’ were more than just a gathering place to see our friends and learn more about our faith?What if the ‘church building’ is a resting place (location or virtually) where we have Christian friends who support us, but the real ‘church’ is when we are out serving others.In the early church, Jesus didn’t call his followers to come to church on Sundays. He called his followers to serve others with the spiritual gifts they had been given.Serving others doesn’t require a building or a location; it requires a community where we receive support, but also helps to identify ways where we can serve, either two-by-two, or in a larger community. We still need our “support group” to encourage us when we are met with division or derision in the world, or when the secular world challenges our values and beliefs.But ‘church’ is when we are out serving others in Jesus’ name.Blessings, my friend,Agatha

This colorful panel painting depicts an episode early in Jesus's career–the moment he called Peter and his brother Andrew to join his ministry. It was part of an enormous altarpiece for the cathedral of Siena. We'll find out what prompted the cathedral powers to hire Duccio, Siena's top artist and how innovative he was in depicting stories of Mary and Jesus's lives. And we meet a few friendly fish! SHOW NOTES (TRANSCRIPT) “A Long Look” theme is “Ascension” by Ron Gelinas youtu.be/jGEdNSNkZoo Episode theme is “Canzona ‘La Foresta' (For 2 Trumpets and 2 Trombones – Rondeau)” composed by Giovanni Cavaccio. Performed by Michel Rondeau. Courtesy of musopen.org https://musopen.org/music/33104-canzona-la-foresta/ https://musopen.org/music/performer/michel-rondeau/ Artwork information Miklós Boskovits (1935–2011), “Duccio di Buoninsegna/The Calling of the Apostles Peter and Andrew/1308-1311,” Italian Paintings of the Thirteenth and Fourteenth Centuries, NGA Online Editions, https://purl.org/nga/collection/artobject/282 (accessed May 17, 2020). Maestà information https://smarthistory.org/duccio-maesta/ https://operaduomo.siena.it/en/sites/museum/ Duccio information https://www.britannica.com/biography/Duccio Slow Art Day http://www.slowartday.com The post The Calling of the Apostles Peter and Andrew by Duccio di Buoninsegna appeared first on A Long Look.

When two disciples are traveling to Emmaus, they never expected the stranger to come and reveal to them the Savior of the World and then for the stranger with them to be revealed as the Savior of the World. How should we respond to such a glorious truth? Image: by Duccio di Buoninsegna, Public Domain. Image location: https://commons.wikimedia.org/wiki/File:Duccio_di_Buoninsegna_Emaus.jpg

Versione audio: Duccio di Buoninsegna (1255 ca.- 1318 ca.) fu non solo l’incontrastato caposcuola della pittura senese del Trecento ma senza dubbio uno dei più raffinati, ammirati e celebrati artisti dell’intera età gotica. Fu proprio grazie a questa conquistata posizione di assoluto predominio culturale e artistico che ricevette, nel 1308, come testimoniano alcuni documenti, la […] L'articolo La Maestà del Duomo di Siena di Duccio proviene da Arte Svelata.

Versione audio: Fra il 1287 e il 1288, Duccio di Buoninsegna (1255 ca.-1318 ca.), maestro indiscusso della Scuola senese e pittore eccelso del Gotico italiano, ricevette l’incarico di realizzare una grande Vetrata destinata a schermare il grande oculo dell’abside del Duomo di Siena. Si tratta della più antica vetrata istoriata di manifattura italiana tra quelle […] L'articolo La Vetrata del Duomo di Siena di Duccio proviene da Arte Svelata.

Matthew 4:12-23 Image: "The Calling of the Apostles Peter and Andrew" (c. 1308) Duccio di Buoninsegna

Alla fine del XII secolo il finale dell'arte gotica stava lasciando la regola bizantina e si spostava verso il naturalismo. Tuttavia c'è chi si interessa a l'eleganza della linea e alla preziosità della pittura. È Duccio di Buoninsegna, il capostipite della scuola senese.Tutte le immagini su https://quellodiarte.com/2019/09/24/leleganza-di-duccio/Vuoi rimanere aggiornato su tutte le novità su Quello di Arte? Iscriviti alla mailing list di Quello di Arte cliccando su questo link https://mailchi.mp/e5da93e9fc36/mailinglistPlaylistMichelangelo Mammoliti, Walkman Main, 2019

Jesus was teaching by the seashore and goes out on a boat in order to better teach the crowds. Afterwards, he asks Peter to go out and cast his nets in the middle of the day. When Peter catches more fish than his nets can handle, he turns to Jesus and confesses his sinfulness. What does Jesus do? What happens here changes the course of Peter’s life and it can change yours too. Listen to find out how Jesus works through our confession and His absolution.Image: Maestà, Altarretabel des Sieneser Doms, Rückseite, Predella mit Szenen zur Versuchung Christi und Wundertaten, Szene: Die Berufung der Apostel Petrus und Andreas, Duccio di Buoninsegna [Public domain] Image Location: https://commons.wikimedia.org/wiki/File:Duccio_di_Buoninsegna_036.jpg

Mark 10:35-45 Image: Cruxifixion (detail) by Duccio di Buoninsegna

00:00 - Introduction 09:46 - Scripture Narrative (Romans 10:13-17) 11:14 - Free-for-All (Best and Worst Ad Campaigns) 24:22 - Main Topic (The Divine Call) On episode FIFTY-SIX of Let the Bird Fly! the guys have a full house, with all four of them present, plus three guests. Fortunately, Wade invented them over to Rev. John Bortulin’s house (one of their guests) to record. Before getting going on this episode, Wade discusses the exciting news that Let the Bird Fly! has joined the 1517 Podcast Network. This has been announced on Facebook previously, but this is the first time on the podcast. If you’re not familiar with 1517., head on over to their website and check them out. And while you’re there, make sure to take a look at the other 7 podcasts in their network; you’re sure to find something you’ll enjoy! A huge thank you to the 1517 Podcast Network for bringing us on-board and for the support they’ve already given us. We’re excited to be able to bring our conversation to an even broader audience. So, after a somewhat protracted introduction, Mike reads a few verses from Romans 10, which serve as a bit of a primer for our Main Topic: The Divine Call. Since we had 5 pastors (and two guys who flunked out of “pastor school”), we thought it would be good to discuss the calling process and how each of these pastors have managed it. We are thankful to Pastor Ben Zak (currently serving at St. John’s Lutheran Church in Milwaukee), Pastor Brian Doebler (currently teaching at Wisconsin Lutheran High School in Milwaukee), and Pastor John Bortulin (current serving  at St. John’s Lutheran Church in Mukwonago, WI) for joining us on this episode. And an extra thanks to Rev. Bortulin for opening his home to us to record, we won't forget it (what time next week, John?). And as always, if you are enjoying the show, please subscribe, rate, and review us on iTunes, Stitcher, Google Play, or TuneIn Radio. You can also like us on Facebook and follow us on Twitter. And, of course, share us with a friend or two! If you’d like to contact us we can be reached at podcast@LetTheBirdFly.com, or visit our website at www.LetTheBirdFly.com. Thanks for listening! Attributions for Music and Image used in this Episode: “The Last One” by Jahzzar is licensed under an Attribution-ShareAlike 3.0 International License. “Horses to Water” by Topher Mohr and Alex Elena “Gib laut” by Dirk Becker is licensed under an Attribution-NonCommercial-NoDerivatives (aka Music Sharing) 3.0 International License. “Whistling Down the Road” by Silent Partner “Not Drunk” by The Joy Drops is licensed under an Attribution 4.0 International License. Image: "Christ Taking Leave of the Apostles" from Maestà by Duccio di Buoninsegna is in the Public Domain.

Today is a mini-podcast about the theological concept of "tongues of fire." We'll look at the image of tongues and how it relates to the pre-Vatican 2 baptismal liturgy and the apocryphal book of 1 Enoch. (http://taylormarshall.com/wp-content/uploads/2015/05/pentecost-tongues-of-fire-Duccio_di_Buoninsegna_018-e1432740121427.jpg) Click to Listen: #074: Tongues of Fire in Acts, 1 Enoch, and Pre-Vatican Liturgy   If the audio player does not show up in your email or browser, please click here to listen (http://media.blubrry.com/taylormarshall/content.blubrry.com/taylormarshall/TMShow_074_Tongues_of_Fire-5_26_15_11_34_AM.mp3).   Are you enjoying this podcast? Please share it on Facebook by clicking here (https://www.facebook.com/sharer/sharer.php?u=http%3A%2F%2Ftaylormarshall.com%2F2015%2F05%2F074-tongues-of-fire-in-acts-1-enoch-and-pre-vatican-liturgy-mini-podcast.html&ret=login). Please Share Your Feedback: POPULARITY: 439,261 downloads on iTunes as of today. SHOUT OUTS: A huge “shout out” to all 337 (!) of you who wrote amazing 5-star reviews at iTunes (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918). Please rate this podcast by clicking here (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918) and then click “View in iTunes.” From there you can leave a review. I appreciate you for this! Thank you! SUBSCRIBE TO MY WEEKLY PODCAST: Apple/Mac Users: Please subscribe via iTunes by clicking here. (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918?mt=2) and then clicking on "View in iTunes." Android Users: For listening to this podcast and others on Android devices (free), we recommend downloading Beyond Pod from the Google Play Store. (https://play.google.com/store/apps/details?id=mobi.beyondpod) SURVEY: Please view our Podcast Listener Poll by clicking here. (https://www.surveymonkey.com/s/8VBSP2W) If you like this podcast, please rate it over at iTunes. (https://itunes.apple.com/us/podcast/the-taylor-marshall-show/id689871918) Podcast Archive # Title Released 073 Advice on Being a Man (http://taylormarshall.com/2015/05/073-advice-on-being-a-man-podcast.html) 05/22/2015 072 What was the Priestly Status of Mary? Was she a Levite? (http://taylormarshall.com/2015/05/what-was-the-priestly-status-of-mary.html) 05/16/2015 071 The Theology of Cooking Food (http://taylormarshall.com/2015/05/071-the-theology-of-cooking-food.html) 05/14/2015 070 3 Steps to Overcoming Anxiety and Stress (http://taylormarshall.com/2015/05/070-3-steps-to-overcoming-anxiety-and-stress.html) 05/06/2015 069 How to Read the Summa in One Year (http://taylormarshall.com/2015/04/069-how-to-read-the-summa-in-one-year.html) 04/22/2015 068 St Paul on Faith and Works Catholic vs Protestant Debate (http://taylormarshall.com/2015/03/068-st-paul-on-faith-and-works-catholic-vs-protestant-debate.html) 03/25/2015 067 How Your Fears Are Hurting You Spiritually? (http://taylormarshall.com/2015/03/067-how-your-fears-are-hurting-you-spiritually.html) 03/18/2015 066 What is 666 and the Mark of the Beast? (http://taylormarshall.com/2015/03/066-what-is-666-and-the-mark-of-the-beast.html) 03/04/2015 065 40 Days of Joy (http://taylormarshall.com/2015/02/065-40-days-of-joy.html) 02/26/2015 064 Why did God make you? Luke 19 Gives the Answer (http://taylormarshall.com/2015/02/064-why-did-god-make-you.html) 02/11/2015 063 Is Being A Christian Hard or Easy? (http://taylormarshall.com/2015/01/063-christian-hard-easy.html) 01/21/2015 062 Catholic View of the End Times and Tribulation (http://taylormarshall.com/2015/01/062-catholic-view-end-times-tribulatoin.html) 01/14/2015 061 When Other People Really Hurt You (http://taylormarshall.com/2015/01/061-people-really-hurt-podcast.html) 01/07/2015 060 Is Saint George Still a Saint?

Duccio di Buoninsegna è uno dei pittori più influenti della storia dell'arte italiana. Non abbiamo molte informazioni sul suo conto, ma ci basta osservare le sue opere d'arte per capire quanto le generazioni successive dipendessero da lui. Duccio si formò sul solco della tradizione senese, che si basava ancora su uno stile bizantineggiante, e la aggiornò sulle conquiste di Cimabue (spesso i due furono talmente vicini, che in passato molte opere di Duccio vennero attribuite a Cimabue) e sulle novità del gotico francese: in particolare, Duccio conferì alla scuola senese quel gusto raffinato ed elegante che, da lui in poi, sarebbe stata una delle caratteristiche peculiari delle opere prodotte a Siena. Non sono molte le opere che ci rimangono di Duccio di Buoninsegna: in questa puntata, il percorso di Ilaria e Federico si concentra su quelle che più hanno inciso e segnato!

Duccio di Buoninsegna è uno dei pittori più influenti della storia dell'arte italiana. Non abbiamo molte informazioni sul suo conto, ma ci basta osservare le sue opere d'arte per capire quanto le generazioni successive dipendessero da lui. Duccio si formò sul solco della tradizione senese, che si basava ancora su uno stile bizantineggiante, e la aggiornò sulle conquiste di Cimabue (spesso i due furono talmente vicini, che in passato molte opere di Duccio vennero attribuite a Cimabue) e sulle novità del gotico francese: in particolare, Duccio conferì alla scuola senese quel gusto raffinato ed elegante che, da lui in poi, sarebbe stata una delle caratteristiche peculiari delle opere prodotte a Siena. Non sono molte le opere che ci rimangono di Duccio di Buoninsegna: in questa puntata, il percorso di Ilaria e Federico si concentra su quelle che più hanno inciso e segnato!

Le tableau de Duccio di Buoninsegna, qui montre Marie Mère de Dieu et l'enfant Jésus, fascine encore de nos jours. Savoir plus sur cette peinture de dévotion richement ornée que le peintre siennois a peint à peu près à la même époque que sa Madone Rucellai. Un podcast de la série sur les oeuvres phares de la collection du Musée des Beaux-Arts de Berne.

Das Bild von Duccio di Buoninsegna, das die Muttergottes Maria und das Jesuskind zeigt, fasziniert auch heute noch. Erfahren Sie mehr über das reichverzierte Andachtsbild, das der Sieneser Maler etwa zur gleichen Zeit wie die berühmte Madonna Rucellai gemalt hat. Aus der Podcast-Serie zu Highlights aus der Sammlung des Kunstmuseums Bern

Duccio di Buoninsegna's painting of the Virgin as the Mother of God with the child Jesus still fascinates us today. Learn more about this richly decorated devotional image that the Sienese painter executed while also working on the famous Madonna Rucellai. From the podcast series on the highlights of the Kunstmuseum Bern Collection.

Il protagonista della quattordicesima puntata del nostro podcast è Simone Martini, uno degli artisti più raffinati che la storia dell'arte abbia mai conosciuto: formatosi sull'esempio di Duccio di Buoninsegna, Simone Martini seppe unire il preziosismo e l'eleganza tipici della scuola senese alle ultime novità introdotte da Giotto, producendo così capolavori di rara bellezza. La sua fama ben prestò superò i confini di Siena e Simone Martini fu attivo in tutta Italia e non solo. Federico e Ilaria ci parleranno della sua vita e dei suoi capolavori e ci introdurranno anche alle problematiche lasciate aperte da alcune sue opere.

Il protagonista della quattordicesima puntata del nostro podcast è Simone Martini, uno degli artisti più raffinati che la storia dell'arte abbia mai conosciuto: formatosi sull'esempio di Duccio di Buoninsegna, Simone Martini seppe unire il preziosismo e l'eleganza tipici della scuola senese alle ultime novità introdotte da Giotto, producendo così capolavori di rara bellezza. La sua fama ben prestò superò i confini di Siena e Simone Martini fu attivo in tutta Italia e non solo. Federico e Ilaria ci parleranno della sua vita e dei suoi capolavori e ci introdurranno anche alle problematiche lasciate aperte da alcune sue opere.