Podcasts about carlebach

The Alter Rebbe's unique script for safrus has a rich and winding history. It has been inked, shelved, revived, and debated—and everyone seems to have an opinion. So, what is the story behind this ksav? What sets it apart? Why do some embrace it wholeheartedly while others remain unsure? This class explores its historical trajectory, some of its writing nuances, and the ongoing conversation around its adoption.Links to images:Megilah of Rebbe Maharash in Aguch library:https://hebrewstam.blogspot.com/2013/03/blog-post_120.htmlMegilah attributed to Rebbe Maharash, Carlebach family:https://yeshivasstam.com/maharashTefillin of the Frierdiker Rebbe:https://hebrewstam.blogspot.com/2012/11/blog-post_19.html#comment-formTefillin attributed to Reb Reuven Sofer, Gurary family:https://hebrewstam.blogspot.com/2016/01/blog-post_21.htmlThe Story of the Alter Rebbe's Script

1st Yarzheit Of Eli Chaim CarlebachAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

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Growing up in the Orthodox movement, Neshama Carlebach would hear it a lot: "It's a shame your father never had sons." The father in question, the acclaimed Rabbi Shlomo Carlebach, instead had two daughters—and the implication was that his legacy as a prolific songwriter, whose repertoire includes the popular 1965 folk anthem "Am Yisrael Chai", would die with him. Neshama didn't let those comments stop her—in fact, the opposite became true. After growing up in Toronto, Neshama ended up following in her father's footsteps, first becoming an acclaimed singer, teacher and songwriter, and now embarking on a years-long journey to becoming a rabbi. Her theological studies changed tone after Oct. 7, sparking a new desire in her to be "a rabbi who fights" for her community. But what's remained consistent has been her stubborn defiance of societal expectations. Neshama joins Ralph Benmergui on Not That Kind of Rabbi to discuss her life and music, and explain what it's like raising two sons to carry on the Carlebach legacy in an increasingly antisemitic world. Credits Host: Ralph Benmergui Producer: Michael Fraiman Music: Yevhen Onoychenko Support The CJN Subscribe to The CJN newsletter Donate to The CJN (+ get a charitable tax receipt) Subscribe to Not That Kind of Rabbi (Not sure how? Click here)

Growing up as a rabbi's kid often means living in a world where faith and community are intimately intertwined with daily life. From an early age, you might find yourself at the heart of synagogue events, holiday celebrations, and communal gatherings, with your family's role deeply influencing your own experiences and expectations. On the one hand, it can be a unique privilege, offering a profound sense of belonging and a front-row seat to the spiritual and social fabric of your community. On the other hand, it can also come with its own set of challenges, from navigating high expectations to balancing personal identity with public perception. Join three rabbi's kids: Neshama Carlebach, Shira Dicker and Avrum Rosensweig as they explore the complexities, joys, and lessons of growing up in the shadow of the pulpit.

Rabbi Menachem Creditor is a visionary leader, known for his unwavering commitment to combating gun violence in America, and his deep passion for the Jewish people and Israel. As a prominent voice within the Jewish community, Rabbi Creditor tirelessly advocates for sensible gun control measures, drawing upon both his religious convictions and his profound sense of social justice. His advocacy extends beyond the pulpit, as he actively engages in grassroots organizing, educational initiatives, and interfaith collaborations to address the pressing issue of gun violence in society. Alongside his dedication to social justice causes, Rabbi Creditor's love for the Jewish people and Israel shines through in his teachings, writings and music, where he emphasizes the importance of community, empathy, and a shared commitment to building a better world for all. Through his leadership and activism, Rabbi Menachem Creditor embodies the timeless values of compassion, justice, and solidarity within both the Jewish tradition and the broader human family. And Menachem is married to Neshama Carlebach.

Rabbi Menachem Creditor is a visionary leader, known for his unwavering commitment to combating gun violence in America, and his deep passion for the Jewish people and Israel. As a prominent voice within the Jewish community, Rabbi Creditor tirelessly advocates for sensible gun control measures, drawing upon both his religious convictions and his profound sense of social justice. His advocacy extends beyond the pulpit, as he actively engages in grassroots organizing, educational initiatives, and interfaith collaborations to address the pressing issue of gun violence in society. Alongside his dedication to social justice causes, Rabbi Creditor's love for the Jewish people and Israel shines through in his teachings, writings and music, where he emphasizes the importance of community, empathy, and a shared commitment to building a better world for all. Through his leadership and activism, Rabbi Menachem Creditor embodies the timeless values of compassion, justice, and solidarity within both the Jewish tradition and the broader human family. And Menachem is married to Neshama Carlebach.

In a captivating interview, Neshama Carlebach opened her heart to share her profound love of the Jewish people, Israel and humankind. With sincerity in her voice, she illuminated how her music serves as a vessel for expressing these deep-rooted emotions. Carlebach's melodies resonate not only with the notes of her heritage but also with the universal language of empathy and compassion. Through her songs, she weaves a tapestry of unity, bridging divides and fostering understanding. Her unwavering belief in the power of music to heal and uplift shines through as she articulates her dedication to spreading love and joy through every chord and lyric. This conversation with Neshama Carlebach is not just about music; it's a testament to the transformative power of love and the enduring spirit of the human soul.

In a captivating interview, Neshama Carlebach opened her heart to share her profound love of the Jewish people, Israel and humankind. With sincerity in her voice, she illuminated how her music serves as a vessel for expressing these deep-rooted emotions. Carlebach's melodies resonate not only with the notes of her heritage but also with the universal language of empathy and compassion. Through her songs, she weaves a tapestry of unity, bridging divides and fostering understanding. Her unwavering belief in the power of music to heal and uplift shines through as she articulates her dedication to spreading love and joy through every chord and lyric. This conversation with Neshama Carlebach is not just about music; it's a testament to the transformative power of love and the enduring spirit of the human soul.

“The Jewish people don't really give up. They're fighters. … a vision of peace, and a vision of hope, and of empathy. I really, truly believe that that is at the core of who we are. And that is what we are actually fighting for.” Matisyahu's recent show in Chicago was canceled due to the threat of anti-Israel protests. The Jewish American singer's music has evolved alongside his Jewish identity. But one thing has always been clear: He believes in Israel's right to exist. Because of that, he has faced protests at almost every show on his current national tour, and some have even been canceled. Hear from Matisyahu on his musical and religious journey, especially since October 7, and what makes him Jewish and proud. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode Lineup:  (0:40) Matisyahu Show Notes: Song Credits, all by Matisyahu: One Day  Jerusalem Fireproof Listen – People of the Pod on the Israel-Hamas War: Unheard, Until Now: How Israeli Women Are Powering Israel's Resilience 152 Days Later: What the Mother of Hostage Edan Alexander Wants the World to Know What It's Like to Be Jewish at Harvard Among Antisemites and Hamas Supporters When Antisemites Target Local Businesses: How Communities Are Uniting in Response Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts. Transcript of Interview with Matisyahu: Manya Brachear Pashman:   Matisyahu is a Jewish American reggae singer, rapper and beatboxer, whose musical style and genre have evolved alongside how he practices and expresses his Jewish identity. But one thing has always been clear. He believes in Israel's right to exist, and he has expressed that repeatedly since the October 7 Hamas terror attack on Israel.  Since then, he has performed in Jerusalem and Tel Aviv. He has performed for the families of hostages and for students at Columbia University as a show of solidarity for those who have faced a torrent of antisemitism there. But there are places where he has not performed, including Santa Fe, New Mexico, Tucson, Arizona and Chicago, but not for lack of trying.  Those shows were canceled by the venue's because of the threat of protests. Matisyahu is with us now to discuss these cancellations and what's behind them. Matis, welcome to People of the Pod. Matisyahu:   Hello, People of the Pod. Manya Brachear Pashman:   So first of all, I want to introduce you to those in our audience who might not be familiar with your music. And we'll start with the anthem that I associate most with you. And that is One Day. Can you tell us a little bit about how that song came about–when and why? Matisyahu:   Well, that song was written in around 2010, I want to say or nine, maybe 2008 or nine. And I was working on my second studio album. It's called Light. And we had turned in the album and the new record executives didn't feel like we had any hits on the album. The album had been based on this story of Reb Nachman of Breslov called The Seven Beggars. And it was a bit of a concept album.  So I went to LA and I worked with a couple of writers and tried to write a hit song. And that's what we came up with was One Day, and that song got used in the Olympics in 2010, Winter Olympics on the NBC commercials. So that's kind of what propelled that song into popularity. Manya Brachear Pashman:   Popular, yes. But what does One Day mean to you? Matisyahu:   A lot of my music is very positive and very much connected to this vision of a Messianic future of peace. You know, at the time, I was very religious. And in my particular group, Chabad Hasidism, the idea of a Messiah was very prevalent in the philosophy.  I was living in a space of a vision of a future where the wolf lies down with the lamb and people turn their weapons into plowshares. And that was the thing that I was praying for and trying to envision daily. And so that was the main message of that song at the time.  Manya Brachear Pashman:   It is certainly something we've always needed, especially now.  You grew up in White Plains, NY, in the Reconstructionist tradition, I believe. You found your way to Chabad. Can you talk a little bit about where you are in your spiritual journey now, these days. Matisyahu:   I went through a very, very intense relationship with Orthodox Judaism, Chassidus. I started from a home, from a Reconstructionist background, so not Chassidus, for anyone who doesn't know these terms. More of a reform kind of background. And I went to Israel when I was 16, on a Conservative trip where I spent three months there, which had a profound effect on me.  And then when I was in college, about 21, 20 years old or so, is when I started really exploring the more Orthodox side of Judaism, and started out with the Carlebach shul, on the Upper West Side, and his music and reading books about Shlomo Carlebach, and the type of person he was and what type of work he was doing. And then from there, I pretty much jumped into Chabad, and moved to Crown Heights and lived in the yeshiva there on Eastern Parkway for a couple of years. And all of that, sort of prior to Matisyahu the singer coming out.  And then I spent many years, within 10 years or so, sort of exploring Chabad and then Breslov and different types of Hasidism. Different types of Chassidus within that realm.  And I guess at some point, it started to feel a little bit, not constructive for me to be there and felt more claustrophobic. And I felt that I was not really connecting so much anymore with a lot of the ideas and a lot of the rules. And so I started to just kind of live more of like a normal life, I guess, or a non-religious life.  And I'm still doing my music and making my music and writing from a place of deep Jewish yearning, empathy, and hope, you know, and using lots of the canon of the Old Testament still, to use as metaphors in my lyric, writing, and stuff like that.  But more focused on more of a humanistic kind of approach to the world, less concerned with my religion, or God, or being Jewish and more concerned with, you know, writing about being a father or a husband, or dealing with addiction, or dealing with loneliness, or dealing with different ups and downs of life. So that for me was a process going through that over the last maybe 15 years or so.  And then after October 7, you know, I mean, I've had some issues before, in 2015, with the BDS. I was thrown off of a festival. And so there again, I felt a very strong sense of Jewish pride when that happened. And especially like, when I went to Israel, after that had happened, I felt this sort of new connection with Israelis in the sense that a lot of them, writers, singers, actors, whoever, get shut down when they go overseas to try to perform. And so I felt like I had a strong connection with them and understanding of what some of them go through. And I guess that only reinforced my connection with Israel.  Then after October 7 happened, it's been this very, very strong pull back towards feeling very Jewish and feeling like that is the center and the core of who I am, and especially right now, that's what feels the most powerful and authentic to me. Manya Brachear Pashman:   So you have been to Israel since October 7, performing for soldiers on bases, hospitals, visiting some of the kibbutzim targeted by Hamas, the Nova festival site. Did it scare you to walk those sites? Can you share how you felt or what you took away from that experience? Matisyahu:   I don't know that I was scared when I was there. I was obviously touched profoundly by the stories that I heard and what I saw firsthand, so it was more of a feeling of just destruction. And then just seeing these incredible human beings that had just survived and are just the most amazing people.  And then there was this feeling of hope and this feeling of wow, look how these people come together and how I'm a part of that, and that became a really strong place for me in terms of finding hope for my tour and going out into America. And dealing with cancellations and protesters and stuff like that.  So I really wanted to try to grab that feeling that I had when I was in Israel and sort of bottle it up and take it with me and sort of get drunk on it at my shows with everybody and make everyone feel like there's a place where they can feel comfortable to be Jewish, and they can feel okay with being a supporter of Israel. Manya Brachear Pashman:   Do you feel that your colleagues in the music industry understand that and understand where you're coming from?  Matisyahu:   Well, some people seem to silently understand it, and I'll get some texts and stuff from some people here and there. But no, I don't think people do. I think there's really for the most part, as you see, the mainstream art world and music world either doesn't know where they sit, or they're not supporters of Israel. Manya Brachear Pashman:   Do you think if they went to Israel, they would have a different perspective on that, that it would shift that mindset? Matisyahu:   Absolutely. I mean, any person like, in my band, who's ever come to Israel, been with me, who's not Jewish, or is Jewish, but has had no connection, like didn't have parents or grandparents that taught them about Israel. Or didn't have that experience of going to Israel, like I did when I was 16. I think anyone who goes to Israel feels a connection to this, and especially, especially now, you know, there's no way to deny it. I don't think. Manya Brachear Pashman:   So, is it important for Jewish celebrities in particular, or influencers, to speak out about the violence on October 7? Matisyahu:   See, I think it's important, because it's important to me, you know. But what I've learned is, there's no point in getting angry at people thinking that it should be important to them, if it's not important to them. And if they're not speaking out, and it's because of fear, then the fear is larger than how important it is to them.  And everyone has to deal with their own stuff, you know, but to me, it seems that the fact that there's such a lack of people speaking out is a symptom of a sickness that the Jewish people may have been carrying, that just seemed dormant for some time, which is that somehow that it wasn't important to to a lot of American Jews. So for me, it was just like, tapping into what is the feeling after October 7, and it was immediate, and it was in my bones and in the depth of the core of my being. And I feel very blessed that, on my journey in life, I was able to connect that deeply, to being Jewish, and to Israel, and realizing how those things are connected. And I went on a journey, like I didn't come necessarily from a place where that was instilled into me, you know, to some extent, it was, you know, but I went on my own journey, and I spent a lot of time you know, sifting through all of that and figuring those things out for myself. And so I feel blessed to be in the position that I'm in where I know kind of who I am and what I believe, and people can take strength from that. Manya Brachear Pashman:   So I lived in Chicago for 15 years so I'm very familiar with the House of Blues as a venue. I loved going to see shows there and was heartbroken to hear that The House of Blues canceled your recently scheduled show. I understand that they paid the contractual penalty, you're going to donate that to an organization that advocates for the return of Israeli hostages held by Hamas. But can you tell us a little bit about the conversations you had with them, or with Chicago police or anyone else prior to the cancellation, and what explanations were given? Matisyahu:   Well, I'll go into it a little bit. I mean, there's still some confusion as to exactly what happened. But I essentially got a call from someone high up at Live Nation saying that the show needed to be canceled because of a lack of police force. And then with a friend of mine, David Draiman, who's the lead singer for a band Disturb also from Chicago with a lot of his close friends, we were able to explore that. And it seemed as though the police department was aware there was going to be a protest, but that they were not concerned.  So then it became a mystery as to where's the concern coming from really, which then led us to this whole Alderman thing, and then we thought it might have been this one. But now then, you know, turns out maybe it was other Alderman that were putting pressure on the police force or on Live Nation. And so there's, there's some mystery and honestly, as much as it is important to find out where this is coming from. And so how we can try to stop it. It has not been my main focus in this past week. This past week, I was out on tour, I played four shows, there were protesters at all of them, except one, Salisbury, Massachusetts. And all four shows went on, and they all sold out. And they were all really powerful. So what happened in Chicago was pretty devastating for us. Because, you know, it's scary to think that people are making choices and being able to shut down huge organizations, and creative expression and artistic freedom. So it was devastating. But, you know, we bounced right back and jumped right back into tour. I got another big week of shows this week.  So that's basically all I know, to tell you the truth. And while I would love to point the finger and say it was this person or that person, what I'm learning is, as things start getting uncovered, you know, it's hard to know, I'm not an investigative reporter, but I'm sure that like, it's tricky finding out what the real story is a full time job probably. Manya Brachear Pashman:   Were there similarly mysterious circumstances surrounding Tucson and Santa Fe?  Matisyahu:   No, that was less mysterious. And in those cases, it was a little more clear as to what was going on. In Santa Fe, it was literally staff members that didn't want to come to the show. And for whatever reason, let the venue know at the last minute. There may have been someone at the venue behind that, we don't really know. And then in Arizona, it was, seemed like it was more from the promoter, or the buyer of the show where people were putting pressure on her to cancel the show.  Manya Brachear Pashman:   I asked you a bit ago, if it was important for Jewish celebrities or influencers to speak out about October 7 violence? I'll ask you instead, is it important for them to speak out about this kind of cancellation or censorship or limitation on creative expression?  Matisyahu:   I think so. You know, because it's like that old story, they came for, they came from me and these people, and I didn't say anything, they came for these people. And then they came from me. I mean, that's what we see out here. You know, that's what that's what artistic expression, creativity is about, it's about being able to express your views and your ideas through music. It's peaceful, you know. So, it's unfortunate. It's what we have to deal with.  There are people that realize how important it is. And those people like David are really  trying to help and trying to be outspoken and there are a lot of Jews out there that understand how important this is. I'm feeling support from most people, but not enough. For sure. Manya Brachear Pashman:   Speaking of creative expression, I am curious whether October 7 has influenced any of your musical creation, songwriting, how has that influenced the creative process for you?  Matisyahu:   One way, I have a song that's coming out it's called Ascent, and I wrote it before October 7, but after the Kanye antisemitic lash out and it's about antisemitism. So while I was in Israel, we shot the video at the site of the Nova festival and in some of the kibbutzim and with some of the survivors, so that is like one very obvious way in which I was influenced. And that video kind of takes footage from the Holocaust and World War Two and intermixes it with October 7 footage as well.  And then in terms of my own music, last year, I recorded about 40 songs, and started releasing them with this EP. But I kind of like right when all this began, right as I was starting touring, so it's sort of, for me a different creative hat, like a bit of a different place than writing. So I'm not writing new material, but I'm performing the new songs along with old songs.  And what I'm finding creatively is that a lot of the lyrics and a lot of the themes, even though over the years, some of them have been personal, they all kind of connect and tie into the greater story of the Jewish people, and the obstacles that we face. And our survival.  Manya Brachear Pashman:   That's one of the reasons why I brought up One Day, is I loved the song back when it came out. But it does take on a whole new meaning when you listen to it today. It's very powerful.  This is not the first time that your shows had been canceled due to anti Israel sentiments, I believe it was in 2015, there was a music festival in Spain that canceled your appearance, when you wouldn't promise to bring up Israeli politics on stage. Instead, you toured a dozen American college campuses that year. And I'm curious what you learned from that experience that you're applying to now? And also what you've learned on some of these college tours? Matisyahu:   Well, that's a great question. Because for a lot of people all this is like the first time they're experiencing it. And I feel like part of the blessing of my journey that I've had is that I have gone through this to a lesser version. Like you said in 2015. What they wanted me to do was to sign some kind of document saying that I was against the atrocities of Israel. So I wouldn't sign that and that was the same thing. It was like, No, I'm not going to do that. Like, that doesn't that doesn't line up with who I am. I mean, I don't care honestly, what this statement is, I'm not going to sign something, I'm not going to be singled out as the only artist out of hundreds. That's being forced to sign something, because I'm Jewish, or because of my belief system. So I just kind of played it cool. You know, I was just like, No, I won't do it, and they threw me off the festival. It was like this story of Purim, like, they were trying to hang Mordechai. But Haman got hung really. They were patting themselves on the back, like, we threw this guy off the festival. And then there was an uproar about it. There were backers that were pulling out of the festival.  And so they ended up having to apologize. And asked me to come back and still play the festival, all this happened within three or four days. And so I did go back, and I did play the festival. And, and then I went to Israel, you know, and then I went on this college tour, with Palestinian artists. And we went and performed together because we felt that was an important thing to do.  So I think from what I learned from that was sort of like this idea of sort of, like trying to just be like water. If I just sort of do what feels what the right thing is what I feel is the right thing, and just don't kind of lose my cool. And I'm able to just sort of move within it, then basically, it's going to come out in a way that hopefully, will be victorious. And that's been my strategy so far with this tour as well.  Manya Brachear Pashman:   So my last, my last question to you is, we talked about your journey, your faith journey and your musical journey. What makes you Jewish and proud today? Matisyahu:   You know, you see, the Jewish people don't really give up. They're fighters. And there's always, in my mind, I believe, a vision of peace, and a vision of hope, and of empathy. I really, truly believe that that is at the core of who we are. And that is what we are actually fighting for.  Even when the rest of the world is trying to say that we're the monsters, we won't let that stop us. Nothing will stop us. It's just who we are.  Manya Brachear Pashman:   Beautiful, thank you so much, Matis, for joining us.  Manya Brachear Pashman:   If you missed last week's episode, be sure to tune in for my conversation with Israeli filmmaker Shifra Soloveichik about her digital initiative Women of Valor: Women of War, portraits of individual Israeli women during this challenging moment in modern Jewish history.  

Welcome to Episode 42 of Fully Automated. This is a repost of Episode 11 of Class Unity Transmissions (posted on Dec 17, 2023). In this episode, we are joined by Efraim Carlebach to discuss the 10-year anniversary of the publication of Mark Fisher's seminal essay, Exiting the Vampire Castle.  Published on November 24, 2013, Fisher's essay is remembered today as a powerful shot across the bows of what was known at the time as the “call out” left. In particular, the essay was a response to a recent controversy stemming from the appearance of “working class” comedian Russell Brand on the BBC's Newsnight program. Feminists expressed outraged at the BBC's choice to interview Brand at all, noting the sexually insensitive nature of his content. Fisher repudiated these critics as “PoshLeft moralizers” and witch-hunting scolds, leveraging Brand's apparent deafness to the linguistic norms of the middle-class gender lexicon in exchange for online clout. In their insistence that Brand's white male privilege made him one of the oppressors, they had blinded themselves to the foundational role of working-class culture in revolutionary politics.  Fisher's defense of the working-class culture notwithstanding, his position on the priority of working-class politics was more ambiguous. In this discussion, we start by trying to situate Fisher as a left anti-capitalist. After his suicide in 2017, Fisher's work on “capitalist realism” became something of a totem for the millennial left. However, as Carlebach argues, Fisher was never fully clear on what he meant by the term. On the one hand, he often referred to the idea — frequently attributed to Fredric Jameson — that we are so profoundly mentally stuck in within capitalist ideology that “it's easier to imagine the end of the world than the end of capitalism.” On the other, he would sometimes make the interesting move of saying that capitalist realism was specifically “a pathology of the left.”  Ultimately, the ambiguity was short-lived. Where Fisher has once posted approvingly of Adam Curtis's documentary HyperNormalization, a pointed criticism of the counter-cultural left, the defeat of Jermey's Corbyn's leadership of the British Labour Party would see this theme would soon drop out of his work. The culturalist nature of Fisher's defense of the working class folded easily enough into Fisher's late-life return to the New Left, the politics of “consciousness raising,” and the idea of what he called “acid communism.” If you enjoyed this show, please leave a kind review on your podcast app. You call follow the show on Twitter/X: @occupyirtheory

Welcome to Episode 11 of Class Unity Transmissions! In this episode, we are joined by Efraim Carlebach to discuss the 10-year anniversary of the publication of Mark Fisher's seminal essay, Exiting the Vampire Castle.  Published on November 24, 2013, Fisher's essay is remembered today as a powerful shot across the bows of what was known […]

Season 5 Episode 28: In this episode, host Pete Codella, managing director of business services at the Governor's Office of Economic Opportunity, talks with guests Ryan Starks, executive director of the Governor's Office of Economic Opportunity, David Carlebach, managing director of international programs at World Trade Center Utah (WTCU), and Ike Ikeme, vice president of investments and strategic partnerships at RevRoad about the state's recent trade mission to the UK and France. They discuss Utah's economic development, international investment, and the significance of trade missions. Starks emphasizes Utah's unique position as a state with strong infrastructure and cooperative collaboration. Carlebach highlights WTCU's role in connecting Utah companies globally and enhancing trade opportunities. Ikeme highlights the vibrant Utah ecosystem for startups and the impact of trade missions in fostering international relationships and investments. 

Questions in this episode: Why get married and have kids? (01:08) What should a teen do with sexual energy? (23:20) Submit your anonymous question or sponsor an episode at www.jewishteentalk.com!

Hollywood has taken the empowerment stage for love, relationships, dating and intimacy, letting their fans in on their paparazzi life, to let us know, essentially, how it's done. What they show is a lot of blurry lines of love being short lived, relationships starting and ending pretty quickly and intimacy taking place with anyone and anywhere. Where are the guidelines? How do we make sense out of it? Chana Carlebach, founder of BMC in Montreal (www.centerbmc.com) gives us a fresh perspective of the beauty of intimacy and love, as it stands in the context of the marriage edifice. She describes how Judaism teaches us to embrace the beauty of the physical & intimate connection, being one in mind & body, and communication of the couple around their intimate life. Follow Chana on Instagram @chanacarlebach, and check out her website www.centerbmc.com for her list of lectures, programs and courses. Enjoyed this (Empower Series) interview? Drop 5 stars and tell me why! I'll catch you in next week's episode! --- Send in a voice message: https://podcasters.spotify.com/pod/show/devora-goldberg/message

Abie Rotenberg is a prolific Orthodox Jewish musician, composer and entertainer from Toronto, Ontario, Canada. He has been producing music since the mid-1970s with a style which has been described as "soft and sweet" with a strong folk influence. Rotenberg has cited the musicians Rabbi Ben Zion Shenker and Rabbi Shlomo Carlebach as strong influences. While his folk-inspired sound and inspirational lyrics are strongly reminiscent of Carlebach, Rotenberg's soft and sometimes melancholic voice, however, contrasts with Carlebach's ecstatic style. Rotenberg has collaborated with other Jewish musicians including Mordechai ben David, Avraham Fried, Yehuda Schechter, Yaakov Shwekey, Baruch Levine, Moshe Yess and Shlomo Simcha with whom he co-starred in Israel National Radio's Miracles 18 concert. In September 2015, Rotenberg published his first novel, The Season of Pepsi Meyers, a book about an 18-year old Jewish boy playing for the New York Yankees, set in the future (Feldheim Publishers). In November 2016, Rotenberg released Eliyahu Hanavi, under his full name Avraham Yom Tov Rotenberg, an in-depth analysis of the life of Elijah the Prophet (Mesorah Publishers). Notes:

In today's episode we will examine the origins of the concept of family trees and speak with the award-winning singer, songwriter and educator, Neshama Carlebach, about her artistry, inspirations, and the journey of understanding that she has taken as a direct result of her own family tree as the daughter of the renowned and musical Rabbi Shlomo Carlebach. Neshama Carlebach is an award-winning singer, songwriter and educator who has performed and taught in cities around the world. She is a winner and four-time nominee in the Independent Music Awards for her most current release, Believe, and winner of the Global Music Awards Silver Award for Outstanding Performance by a female vocalist for the album. Neshama began performing from a young age, having come from a musical Jewish orthodox family. She shifted from performing her father's music to writing her own, and now has her own presence in the Jewish and musical world, having sold over one million records, making her one of today's best-selling Jewish artists in the world. For more information: https://neshamacarlebach.com/ To learn more about Tree Speech, please visit treespeechpodcast.com. We're thrilled to be able to offer interviews, creative insights, and stories about the natural world we live in, and the trees who guide our way. Please consider supporting us through our Patreon - every contribution supports our production, and we'll be giving gifts of gratitude including an invitation to Tree House, our new virtual community for patrons of all levels. Please also consider passing the word to tree loving folks, and rate and review us on Apple podcasts. Every kind word helps. Visit us also on instagram @ treespeechpodcast. This week's episode was written and recorded in Massachusetts on the native lands of the Wabanaki Confederacy, Pennacook, Massa-adchu-es-et, and Pawtucket people, in New York on the land of the Lenapee tribes. Tree Speech's host, Dori Robinson, is a director, playwright, dramaturg, and educator who seeks and develops projects exploring social consciousness, personal heritage, and the impact one individual can have on their own community. More information at https://www.dorirobinson.com Logo design by Mill Riot. Special thanks to the Western Avenue Lofts and Studios for all their support. Tree Speech is produced and co-written by Jonathan Zautner, a NYC-based artist who believes in the power of story-telling and community to change lives. As a founder of Alight Theater Guild, he is committed to nurturing authentic and creative voices in order to utilize art to promote wellness, joy, and care for our earth and one another. More information at https://jonathanzautner.com/ --- Send in a voice message: https://anchor.fm/treespeech/message

This episode features a conversation with two representatives of World Trade Center Utah: David Carlebach, the chief operating officer and managing director of international programs, and Jim Porter, director of service operations and client strategy, and podcast host Pete Codella, Go Utah's communications director. WTC Utah provides companies with opportunities for establishing global connections and partners with Go Utah on international trade missions that help companies make valuable international connections. Carlebach and Porter discuss international investments companies make in Utah and their impacts on the state's economy, innovation in the state, and working with small and mid-size companies to prepare them for international growth. Codella asks Porter about the organization's expanded vision and what the term 'Crossroads of the World' means as it elevates Utah companies on the world stage. The duo also gives listeners advice on how to get involved with the organization, the economic benefits and opportunities Utanns realize from an organization like WTC Utah, and more. For more information about World Trade Center Utah, visit World Trade Center Utah or contact David Carlebach at dcarlebach@wtcutah.com or Jim Porter at jporter@wtcutah.com.

"Nichmat Kol 'Haï (version carlebach)", un chant interprété par Its’hak Méir.

"Lékha Dodi (version carlebach)", un chant de Rabbi Chlomo ELKABETS, interprété par Its’hak Méir.

Rabbi Bashevkin explains why stories of tzaddikim are inspiring and beneficial, especially for children. But is this ideal considering that the Torah seems to not hide or sugarcoat the mistakes of our ancestors, while actually making their failures integral to their narratives. If the Torah did not find it beneficial to gloss over the mistakes or flaws of our greatest heroes, why should we employ such thinking today? His answer may surprise you. He also discusses the controversial beliefs of Ishbitz Hassidut. Antinomianism is a very dangerous and paradoxical doctrine which seems to go against the most intuitive notions of free will and personal responsibility. Why didn't this fact negatively affect the Ishbitz community in terms of their approach to Judaism, as some might have expected it to, such as with the Sabbateans? We also talked about a polarizing idea among Orthodox Jews: Zionism. The approach that many Haredim have taken is to reject it as heresy, citing the Aggadah of "The 3 Oaths" as support for their argument. To counter that, religious zionists easily see the modern state of Israel as a clear fulfillment of biblical prophecy. Putting politics aside and just strictly focusing on the miraculous existence of Israel, is either side missing the point and can this divide ever be resolved? Lastly, being that the Rabbi wrote a book on sin, we asked him to give us his take on "separating the art from the artist", a recent example being the Chaim Walder case. We've noticed that some people were torn about what to do with his popular children's books after all the allegations of sexual abuse came to light. Our opinion is to dispose of these books, but we want to know where the line is. For example, one might make the case against singing Carlebach niggunim because his alleged inappropriate behavior, etc. Some might say "why not watch The Cosby Show for its lessons since the rest of the cast didn't deserve to be cancelled", or that Michael Jackson's or R.Kelly's music can still be enjoyed since the studio is a separate domain from domestic life. We asked what he thinks is the proper approach to this issue in general. 

The Posen Library of Jewish Culture and Civilization, Volume 6: Confronting Modernity, 1750–1880 (Yale University Press, 2019), covers a period in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity. Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. Interviewees: Elisheva Carlebach is the editor of The Posen Library of Jewish Culture and Civilization, Volume 6, and the Salo Wittmayer Baron Professor of Jewish History, Culture, and Society and director of the Institute for Israel and Jewish Studies at Columbia University. Francesca Bregoli was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is Associate Professor at Queens College and is currently serving as director of the Center for Jewish Studies at The Graduate Center of the City University of New York. Mayer Juni was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is a Postdoctoral Associate at Cornell University in the Department of History, where he is also the incoming Slovin Assistant Professor of History and American Jewish Studies. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

The Posen Library of Jewish Culture and Civilization, Volume 6: Confronting Modernity, 1750–1880 (Yale University Press, 2019), covers a period in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity. Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. Interviewees: Elisheva Carlebach is the editor of The Posen Library of Jewish Culture and Civilization, Volume 6, and the Salo Wittmayer Baron Professor of Jewish History, Culture, and Society and director of the Institute for Israel and Jewish Studies at Columbia University. Francesca Bregoli was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is Associate Professor at Queens College and is currently serving as director of the Center for Jewish Studies at The Graduate Center of the City University of New York. Mayer Juni was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is a Postdoctoral Associate at Cornell University in the Department of History, where he is also the incoming Slovin Assistant Professor of History and American Jewish Studies. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

The Posen Library of Jewish Culture and Civilization, Volume 6: Confronting Modernity, 1750–1880 (Yale University Press, 2019), covers a period in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity. Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. Interviewees: Elisheva Carlebach is the editor of The Posen Library of Jewish Culture and Civilization, Volume 6, and the Salo Wittmayer Baron Professor of Jewish History, Culture, and Society and director of the Institute for Israel and Jewish Studies at Columbia University. Francesca Bregoli was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is Associate Professor at Queens College and is currently serving as director of the Center for Jewish Studies at The Graduate Center of the City University of New York. Mayer Juni was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is a Postdoctoral Associate at Cornell University in the Department of History, where he is also the incoming Slovin Assistant Professor of History and American Jewish Studies. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/jewish-studies

The Posen Library of Jewish Culture and Civilization, Volume 6: Confronting Modernity, 1750–1880 (Yale University Press, 2019), covers a period in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity. Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. Interviewees: Elisheva Carlebach is the editor of The Posen Library of Jewish Culture and Civilization, Volume 6, and the Salo Wittmayer Baron Professor of Jewish History, Culture, and Society and director of the Institute for Israel and Jewish Studies at Columbia University. Francesca Bregoli was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is Associate Professor at Queens College and is currently serving as director of the Center for Jewish Studies at The Graduate Center of the City University of New York. Mayer Juni was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is a Postdoctoral Associate at Cornell University in the Department of History, where he is also the incoming Slovin Assistant Professor of History and American Jewish Studies. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

The Posen Library of Jewish Culture and Civilization, Volume 6: Confronting Modernity, 1750–1880 (Yale University Press, 2019), covers a period in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity. Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. Interviewees: Elisheva Carlebach is the editor of The Posen Library of Jewish Culture and Civilization, Volume 6, and the Salo Wittmayer Baron Professor of Jewish History, Culture, and Society and director of the Institute for Israel and Jewish Studies at Columbia University. Francesca Bregoli was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is Associate Professor at Queens College and is currently serving as director of the Center for Jewish Studies at The Graduate Center of the City University of New York. Mayer Juni was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is a Postdoctoral Associate at Cornell University in the Department of History, where he is also the incoming Slovin Assistant Professor of History and American Jewish Studies. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Posen Library of Jewish Culture and Civilization, Volume 6: Confronting Modernity, 1750–1880 (Yale University Press, 2019), covers a period in which every aspect of Jewish life underwent the most profound changes to have occurred since antiquity. Organized by genre, this extensive yet accessible volume surveys Jewish cultural production and intellectual innovation during these dramatic years, particularly in literature, the visual and performing arts, and intellectual culture. Interviewees: Elisheva Carlebach is the editor of The Posen Library of Jewish Culture and Civilization, Volume 6, and the Salo Wittmayer Baron Professor of Jewish History, Culture, and Society and director of the Institute for Israel and Jewish Studies at Columbia University. Francesca Bregoli was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is Associate Professor at Queens College and is currently serving as director of the Center for Jewish Studies at The Graduate Center of the City University of New York. Mayer Juni was a consultant for The Posen Library of Jewish Culture and Civilization, Volume 6, and is a Postdoctoral Associate at Cornell University in the Department of History, where he is also the incoming Slovin Assistant Professor of History and American Jewish Studies. Schneur Zalman Newfield is an Assistant Professor of Sociology at Borough of Manhattan Community College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press, 2020). Visit him online at ZalmanNewfield.com. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/religion

SZ Episode 13.** Corporate sponsor of the series Gluck Plumbing: For all your service needs big or small in NJ with a full service division, from boiler change outs, main sewer line snake outs, camera-ing main lines, to a simple faucet leak, Gluck Plumbing Service Division has you covered. Give them a call -   732-523-1836 x 1. **SZ Series Episode 13: With Prof. Elisheva Carlebach discussing Rav Moshe Chagiz (1671 - 1751)We discussed Rav Moshe Chagiz's life, his relatiosnhip woth Sabbateanism, his role in the Chayon controversy, other Sabbatian controversies, the Ramchal controversy, and more To purchase, "The Pursuit of Heresy": https://www.amazon.com/Pursuit-Heresy-Elisheva-Carlebach/dp/0231071914To read Chayon's work: https://hebrewbooks.org/24947

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¿Un retiro espiritual con Carlebach? ¿Tener de maestro al Rab Zalman Shechter-Shalomi? El Rabino Marcelo Bronstein tuvo la posibilidad de vivenciar ambas experiencia y nos lo cuenta en un maravilloso episodio de Pi Elef donde ahondaremos en el “Mindfulness Judío”. Nos preguntaremos que es el Mindfulness y también por supuesto que tiene el judaísmo para aportar al respecto. Un episodio para meditar (!) en él.

It's hard to describe Seth Glass and do him justice. He's a musician who's lyrics are incredible poetry. He's a spiritual man and a Jewish philosopher of sorts. He talks about his career as a musician playing Jewish themed music, he talks about his struggles with substance abuse, about touring with Reb Shlomo Carlebach and about getting older. He plays some songs shares some cool ideas and so much more! Enjoy.  

Neshama is an award-winning singer, songwriter, and educator.  She has released 10 albums and sold over one million records. She was one of the creators of the Broadway musical Soul Doctor and was inducted into the Brooklyn Hall of Fame in 2016, receiving a Certificate of Congressional Recognition for her work. In addition, Neshama has sparked public conversation about the place of women in Judaism, and the importance of religious pluralism as she collaborates with musicians of different faiths. Neshama is also the daughter of Shlomo Carlebach, a man both widely celebrated and shunned in the Jewish world. Reb Shlomo, as he was called by his followers, is considered by many to be the foremost Jewish religious songwriter of the 20th century. Through his charismatic storytelling, unconventional spiritual approach, and lively songs, he inspired thousands of Jews to desire to live a spiritual and Jewish life. But Shlomo was also accused by many people of sexual abuse, accusations that were heard and addressed mostly after his death in 1994, and many Jewish communities particularly after the #metoo movement, wrestle over whether to use the music he created at all. Neshama untangles herself from the complicated life and legacy of her father. She sits rooted in her deep values, purpose and voice, looking out with piercing honesty at the hypocrisy that surrounds her. She shares insights into a world that, in the pursuit to idolize her father, pushed her aside. She shares about both the greatness and the brokenness of Shlomo, and about the way she is using her life to love with boundaries and attention in a way he never could. And she blows me away with her daily routine, as a way to make herself and her children her top priority. Most exciting of all, Neshama shares her latest project which is to be sure to illuminate our eyes and to change countless people's lives. Neshama, thank you for being here. we are so in need of your life and spirit in this world.

TRIBUTO: HISTORIAS QUE CONSTRUYEN MEMORIA DE LA SHOÁ, CON CECILIA LEVIT – Joseph Hirsch (Zwi) Carlebach nació el 30 de enero de 1883 en Lübeck, Alemania. Fue el último rabino principal de Hamburgo antes de la destrucción catastrófica de la comunidad. Fue un destacado líder espiritual, orador, escritor y educador, rabino principal primero de Altona y más tarde de Hamburgo, que se negó a abandonar su comunidad en su momento de necesidad. Fue deportado al campo de concentración Jungfernhof donde fue asesinado el 26 de marzo de 1942.

On Reb Shlomo's Yahrzeit, my brothers R' Daniel and R' Mendy Shlomo return to the Ba'al Tefilah Workshop to join me in discussing (1) the legacy and impact of Reb Shlomo Carlebach on our family the Tefilos of Klal Yisrael, and (2) several tune choices and tips for Reb Shlomo's Yahrzeit Shabbos. Part 2 begins at 18:00.

  How is digital technology impacting the way people work, learn and think – and what upcoming technology trends should we look out for? In this episode, John talks to Ezri Carlebach, writer, lecturer, communications expert and imagineer, who has worked extensively in educational and workplace learning contexts. Why is imagination so important to learning – and in what ways has the pandemic changed the way we relate to technology?   2:31 - What is 'imagineering'? 5:54 - Ezri's career journey 13:22 - Digital anthropology 20:40 - Are we worrying about the right things? 25:12 - Imagination as a focus 42:35 - How covid has affected human/machine interaction 46:35 - Views on 'Hybrid Working'   The Royal Anthropological Institute: https://www.therai.org.uk/ Centre for Study of Humans and Machines at the Max Planck Institute in Berlin: https://www.mpib-berlin.mpg.de/chm The Happy Writing Book, by Elise Valmorbida https://www.goodreads.com/book/show/57356168-the-happy-writing-book Contact Ezri Twitter: @ezriel LinkedIn: https://www.linkedin.com/in/ezrie/detail/contact-info/#:~:text=linkedin.com/in/ezrie   Contact John Helmer Twitter: @johnhelmer LinkedIn: https://www.linkedin.com/in/johnhelmer/ Website: http://johnhelmerconsulting.com/ Download the new white paper from Learning Pool written by John Helmer & Ben Betts – Suite Dreams: The Past, Present and Future of Learning Systems https://learningpool.com/suite-dreams/   Don't miss Cornerstone Convergence on November 16 and 17. With an incredible lineup of speakers focused on helping talent and learning leaders like you gain the tools to create a better experience for your people, you won't want to miss this all-virtual, all-free event. Register today at https://www.cornerstoneconvergence.com/?utm_campaign=EMEA_UK_PROS_2021_Q4_10_EN_Convergence-2021&utm_medium=paid-social&utm_source=the-learning-hack&utm_content=registration.

Carlebach on Simchas Torah

The long awaited workshop on the Seder Avodah of Yom Kippur Musaf through Eileh Ezkerah to the end. Here, we cover both the complicated Nusach and several powerful tune options all the way through the end of this Davening.

A workshop on the Hineni as well as part 1 of the Chazaras HaShatz for Yom Kippur Musaf which covers several powerful Piyutim including U'Nesaneh Tokef, Kedushah, Aleinu, and Ochilah (and ends right before the Seder HaAvodas Yom HaKippurim which will be covered in Part 2).

A workshop filled with Nusach, song choices, tips and strategies for all the pieces, Tefilos and Selichos exclusive to Kol Nidrei/Yom Kippur night.

Nach langer Sanierung öffnet die Carlebach-Synagoge in Lübeck nun endlich wieder ihre Tore. Sie ist eines der wenigen jüdischen Gotteshäuser, die den NS-Terror weitgehend überstanden haben. Der Weg zur Wiedereröffnung war lang und schwierig. Von Johannes Kulms www.deutschlandfunkkultur.de, Aus der jüdischen Welt Hören bis: 19.01.2038 04:14 Direkter Link zur Audiodatei

The Yomim Nora'im Marathon resumes with Ma'ariv. We'll review the Nusach and Niggunim for both Rosh HaShannah and Yom Kippur (minus the additional Piyutim/Selichos for Yom Kippur; stay tuned for the Kol Nidrei Night Workshop), taking you from the opening Nay-Nays/Borchu through the final Kaddish, including demos of several variations and tune incorporations as well as some tips, strategies, and Kavanah pointers.

Here are at least 6 Heartzig/soulful tune suggestions for Kiddush HaChodesh for Shabbos Mevarchim Menachem Av (with some demos). Plus, we tackle a unique challenge this month: What is the appropriate way and mood for singing Halleil for Chodesh Av? Solutions and song suggestions (with some demos) can be found here.

Where has the time gone?I'm older now! ...and now... and now...Ve'eineinu - Carlebachhttps://youtu.be/tX0D2KvuEUU

A few approaches to the musical Havdalah for your next Shabbaton, special Motza'ei Shabbos program, Kiruv/Chazan gig, etc.

Es war ein perfides Täuschungsmanöver: Um sie in Sicherheit zu wiegen, hatten die Nazis den Gefangenen versprochen, sie in ein besseres Lager zu bringen. Stattdessen wurden sie mit Bussen und Lastkraftwagen in den Hochwald von Bikernieki bei Riga transportiert, wo die Gruben schon ausgehoben waren. Die Todgeweihten wurden hineingetrieben, dann begann das Maschinengewehr zu rattern. Am Abend des 26. März 1942 waren 1800 Menschen tot. Einer von ihnen: Oberrabbiner Joseph Carlebach, eine Seele von Mensch. Es war seine Synagoge, deren Wiederaufbau derzeit diskutiert wird. Der Platz, auf der sie stand, trägt seinen Namen. Ein „großer jüdischer Weiser“ sei er gewesen, sagte einmal Altbürgermeister Henning Voscherau (SPD) über Carlebach. Eine standhafte, vorbildliche Persönlichkeit. „Er war eine Erscheinung: charismatisch, imposant, dominant. Wenn er auf der Kanzel stand und predigte, hörten die Leute gebannt zu.“ So erinnerte sich Miriam Gillis-Carlebach, die inzwischen verstorben ist, an ihren Vater.

A short workshop on some Nusach for Kiddush on Leil Shabbos and the Kiddusha Rabba of Yom Shabbos.

PrayerFull is conceived and produced by Rabba Dina Brawer. This episode features vocals by Rabbanit Leah Sarna, Barchenu Avinu  tune by Carlebach.  Musical accompaniment,  editing & sound engineering by Tucker Donelan, with additional music by Ben Supper.The first segment features a meditation inspired by teachings of Rabbi Yosef  Yitzchak Shneerson.The second,  Barchenu Avinu, from the Sim Shalom passage near conclusion of Amidah prayer.The third, Shema (Deuteronomy  6:4)We invite you to support the creation of further episodes on Patreon 

Neshama Carlebach is an award-winning singer, songwriter, and educator who has performed and taught in cities around the world. A six-time entrant in the Grammy Awards and a winner and four-time nominee in the Independent Music Awards for her most current release, Believe, Neshama has sold over one million records, making her one of today's best-selling Jewish artists in the world. She collaborates with musicians of different faiths, and partners with organizations, synagogues, and churches. Neshama has been a cornerstone of major Jewish music festivals across the U.S. and globally, performing in front of thousands at an interfaith peace summit in Mt. Fuji, Japan, at the gates of Auschwitz on Yom Hashoah (Holocaust Remembrance Day), and at countless concerts and gatherings for audiences of all ages and backgrounds.As the first then-Orthodox woman of her generation to perform for a mixed-gender audience, Neshama is a strong advocate for religious pluralism and human rights. She has sparked public conversations with brave forays into the place of women in Judaism and today's world.Neshama began training as a singer and actress at the age of five. As a teenager, she performed alongside her father, the late Rabbi Shlomo Carlebach. Today she lives in New York with her husband Rabbi Menachem Creditor, and their five children.This episode is a very powerful one! Neshama shares her story and training to become a world-renowned singer, her past, forgiveness, and how one can grow and look past things that are out of their control. This is an episode I truly hope you enjoy!Connect with NeshamaSpotifySayMazelTov is where you can request personalized videos from your favorite Jewish creators and inspiring thought leaders. Our goal is that you have a personalized easy and professional experience all the while supporting a charity.Use promo code meirkay10 for 10% on your order!Don't forget to subscribe to The Great Day PodcastLove The Great Day Podcast? Want to find out how to support the show? Click the link below to join my new Patreon page.Become Patron on My Patreon Page HERE!Did I mention that I am now an author?! Check out my new book "A Kids Book About Optimism"And be sure to follow my Instagram page and Facebook page to stay up to date on everything I'm working on.I'm Meir Kay and Have A Great Day! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Music as a Source of Spiritual Resistance