Podcasts about Matis

durée : 00:40:44 - Le debrief de l'Aviron Bayonnais, du Biarritz Olympique et toute l'actualité du TOP 14 et de la Pro D2 - Le mugertar Matis Perchaud revient sur sa première saison à l'UBB, marquée par une blessure à l'épaule et une place retrouvée pour les matchs couperets. Il évoque aussi la double ambition du club avec la phase finale de Top 14 et la finale de la Champions Cup contre Northampton.

Monde à Mario : Le boss trouve qu'on est trop éparpillés Julibou : Les meilleurs « Thug Life » sur le web au Québec Coup de 16h20 : Benjamin et Matis en font encore trop et détruisent la voiture du piégé Révélations : Il laisse ses poils de barbe dans le lavabo et une belle récompense à la clé pour faire attention

Le sujet :Investir dans l'art contemporain lorsqu'on ne fait pas partie du top 1 % des plus riches de la planète : est-ce vraiment possible ? Si oui, comment sélectionner les meilleures œuvres ?L'invité du jour :Arnaud Dubois est le cofondateur de Matis, un club deals d'art contemporain. Au micro de Matthieu Stefani, il nous dévoile les coulisses du marché de l'art :Où se situe le marché de l'art contemporain aujourd'hui ?Comment investir dans un Picasso sans être millionnaire ?Pourquoi le marché de l'art n'est-il pas spéculatif ?Quels sont les artistes à suivre de près ?Quel est le problème avec les NFT d'art ?Ainsi que d'anciens épisodes de La Martingale :#25 - Comment investir dans l'art ? - Arnaud Dubois#52 – Investir dans l'art sans se tromper – Paul Nyzam#100 - Tout comprendre des NFTs d'art#147 – Investir dans la photographie d'art – Samantha McCoy#227 - Investir dans l'art moderne et contemporain en 2024Merci à notre partenaire Louve Invest : Louve Invest vous propose jusqu'à 3,5 % de cashback sur les frais de souscription sur les SCPI éligibles (jusqu'à 350 € pour 10 000 € investis !)Cliquez sur ce lien pour bénéficier des offres avec cashback boosté :)Retrouvez leur dernière étude sur le classement 2025 des SCPI: la synthèse ou l'étude complète.On vous souhaite une très bonne écoute ! C'est par ici si vous préférez Apple Podcasts, ou ici si vous préférez Spotify.Et pour recevoir toutes les actus et des recommandations exclusives, abonnez-vous à la newsletter, c'est par ici.La Martingale est un podcast du label Orso Media.

Dans ce cent deuxième épisode, je reçois Philémon Nicolas-Matis Édouard (Catherine Brunet). C'est un jeune réalisateur très prometteur qui vient fait la promotion de son premier projet d'envergure: Un triptyque de courts métrages de 42 minutes. Il a un style unique et des opinions très tranchées sur le cinéma. Si vous êtes comme moi, ce podcast piquera votre curiosité. Cet épisode est définitivement pour les amateurs de cinéma! Bonne écoute.Cet épisode est commandité par Éros et compagnie. Obtenez 15% de rabais sur vos achats avec le code promo Jay15. Site web: https://www.erosetcompagnie.com/?code=jay15Cet épisode est commandité par les jus DOSE! Obtenez 20% de rabais sur votre première commande au go.dosejuice.com/personnages avec le code promo personnages20.--------------------------------------------------Pour suivre Catherine Brunet:Site web: https://www.agencegoodwin.com/artistes/catherine-brunetWikipédia: https://fr.wikipedia.org/wiki/Catherine_BrunetInstagram: https://www.instagram.com/cathbrunet/IMDB: https://www.imdb.com/fr-ca/name/nm0116167/Facebook: https://www.facebook.com/p/Catherine-Brunet-100044465378155/Pour suivre Jay Laliberté:Site web: jaylali.comYoutube: https://www.youtube.com/@jaylaliberteInstagram: https://instagram.com/jaylaliTiktok: https://tiktok.com/@jaylaliiFacebook: https://www.facebook.com/jaylalib Hosted on Acast. See acast.com/privacy for more information.

Heute im Life After SAE Podcast: Jann-Matis Armbröster, VFX Artist und Absolvent der SAE Köln. Matis arbeitet seit 2023 bei RISE Visual Effects Studios in München und ist an beeindruckenden Projekten wie "Megalopolis", "The Crow" und "Gen V" beteiligt. Wie schafft man den Sprung in die Welt der großen Filmproduktionen? Matis erzählt uns von seinem Karriereweg, seiner Motivation und seinem Fleiß. Außerdem sprechen wir über die Herausforderungen und dem manchmal auch schmerzhaften Prozess, wenn die eigene Arbeit es nicht in den Final Cut schafft. Hört rein! LinkedIn: https://www.linkedin.com/in/jann-matis-armbr%C3%B6ster-18aba81b8/imdb: imdb.com/name/nm15695512/Life After SAE auf Instagram: https://www.instagram.com/lifeaftersae/Mehr zu Kurt gibt's hier:https://www.instagram.com/kurt_jonathan_engert/Mehr zu Glen gibt's hier:https://glenschaele.com/linktree

Très longtemps, il a été impossible d'imaginer Béatrice Matis, petite bonne femme approchant la soixantaine, en train de déplacer et traîner un corps ensanglanté de 84 kilos. Impensable également de la voir comme une tueuse acharnée, ivre de colère, distribuant 58 coups de couteau à une femme qui aurait pu être sa rivale mais qui ne l'était pas. Malgré les apparences, la justice va finir par douter et Béatrice Matis va se retrouver dans le rôle de cette tragédie survenue à l'hiver 2003 dans une commune proche de Calais. Avant cela, l'enquête aura connu un cheminement des plus chaotiques. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 25 juillet 2024.

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Michelle Matis is vice president of finance and CFO at Lake-Sumter State College in Leesburg, Florida. In this episode, Matis joins our host Donna Schiele to talk about her career path in higher education finance, managing financial health during challenging times, and the importance of collaboration and transparency.   "I always try to instill that with my team first, that we're going to be transparent. It's helpful if when we're talking to people, we're giving the same message so that there's clarity and consistency," Matis says. She emphasizes the importance of clear communication and using consistent terminology when discussing financial matters. "Making sure we're using the same language is important. Then just communicating often and regularly." Matis goes on to talk about educating staff on the college's finances, funding sources, and budget allocation to foster a shared understanding.   Join us for a conversation with Matis as she talks about balancing long-term investments with short-term needs, the evolving role of institutional advancement, and her advice for aspiring financial leaders in higher education.   Links Check out NACUBO's other podcasts! Career Conversations (brand new!) NACUBO in Brief

Ce jeudi 5 décembre, Lorraine Goumot a reçu Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Franklin Pichard, directeur de la recherche chez Kiplink Finance, Marie Coeurderoy, journaliste BFM Business, John Baltay, directeur marketing de GSE, et Arnaud Dubois, cofondateur de Matis, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce jeudi 5 décembre, Lorraine Goumot a reçu Étienne Bracq, journaliste BFM Business, Andréa Tueni, sales trader chez Saxo Banque, Jean-Louis Cussac, trader pour compte propre chez Perceval Finance Conseil, Charlotte Thameur, directrice du développement offre BtoB chez Shares.io, Marc Tempelman, cofondateur de Cashbee, Nicolas Doze, éditorialiste BFM Business, Ronan Blanc, gérant analyste chez La Financière Arbevel, Benjamin Wattinne, cofondateur de Sowefund, Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Franklin Pichard, directeur de la recherche chez Kiplink Finance, Marie Coeurderoy, journaliste BFM Business, John Baltay, directeur marketing de GSE, et Arnaud Dubois, cofondateur de Matis, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Si on en veut plus c'est qu'on n'arrive PAS à en avoir plus. Alors pour qu'est-ce qui nous freine? Qu'est-ce qui nous empêche d'aller chercher l'étape d'après? Qu'est-ce qu'il faudrait changer pour avoir de la croissance?C'est ce que je vous propose de décortiquer dans l'épisode d'aujourd'hui avec mon invité Matis Cauver.>> Téléchargez le

Aujourd'hui à l'émission, Raymond 57 ans vient nous parler de ses idées de décorations pour l'Halloween, Benjamin et Matis font suer une victime dans le coup de 16h20 en se faisant passer pour des exterminateurs de rats, et on essaye un nouveau jeu dans lequel on part des rumeurs loufoques sur pleins de gens!

Luxe, impact, matières premières, environnement, crypto ... Chaque jour, une nouvelle thématique d'investissement ! Avec : Arnaud Dubois, cofondateur de Matis.

Ce mardi 15 octobre, Lorraine Goumot a reçu Etienne Bracq, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Sid Bachir, analyste financier chez Euroland Corporate, Marie Coeurderoy, journaliste BFM Business, Hassad Mouheb, président de Fed Experts, Félix Baron, fondateur du "Club des Investisseurs Indépendants", et Arnaud Dubois, cofondateur de Matis, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

Ce mardi 15 octobre, Lorraine Goumot a reçu Gilles Santacreu, trader algorithmique et administrateur du site Boursikoter.com, Alexandre Baradez, chef Analyste chez IG, Olivier Lechevalier, co-fondateur de Defthedge, Nicolas Doze, éditorialiste BFM Business, Éric Lewin, président d'EL Finance, Jean-Marc Daniel, éditorialiste BFM Business, Etienne Bracq, journaliste BFM Business, Matthieu Ceronne, trader et fondateur de Galileo Trading, Sid Bachir, analyste financier chez Euroland Corporate, Marie Coeurderoy, journaliste BFM Business, Hassad Mouheb, président de Fed Experts, Félix Baron, fondateur du "Club des Investisseurs Indépendants", et Arnaud Dubois, cofondateur de Matis, dans l'émission Tout pour investir sur BFM Business. Retrouvez l'émission du lundi au vendredi et réécoutez la en podcast.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

REDIFF - Très longtemps, il a été impossible d'imaginer Béatrice Matis, petite bonne femme approchant la soixantaine, en train de déplacer et traîner un corps ensanglanté de 84 kilos. Impensable également de la voir comme une tueuse acharnée, ivre de colère, distribuant 58 coups de couteau à une femme qui aurait pu être sa rivale mais qui ne l'était pas. Malgré les apparences, la justice va finir par douter et Béatrice Matis va se retrouver dans le rôle de cette tragédie survenue à l'hiver 2003 dans une commune proche de Calais. Avant cela, l'enquête aura connu un cheminement des plus chaotiques. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 25 juillet 2024.

REDIFF - Très longtemps, il a été impossible d'imaginer Béatrice Matis, petite bonne femme approchant la soixantaine, en train de déplacer et traîner un corps ensanglanté de 84 kilos. Impensable également de la voir comme une tueuse acharnée, ivre de colère, distribuant 58 coups de couteau à une femme qui aurait pu être sa rivale mais qui ne l'était pas. Malgré les apparences, la justice va finir par douter et Béatrice Matis va se retrouver dans le rôle de cette tragédie survenue à l'hiver 2003 dans une commune proche de Calais. Avant cela, l'enquête aura connu un cheminement des plus chaotiques. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 25 juillet 2024.

Voici une compilation des meilleures pratiques ménagériales basées sur 200 témoignages inspirants ! Pour vous remercier de votre fidélité j'ai préparé un book thématique du podcast. Ce que vous allez découvrir dans ce guide : 1. Leadership & Management Apprenez à révéler votre leadership et celui de vos managers. 2. Nouvelles Technologies L'impact de l'intelligence artificielle sur le management de demain. 3. Authenticité et Altérité Valorisez les différences pour un environnement de travail inclusif. 4. Innovation Managériale et Organisationnelle Explorez de nouvelles approches pour mobiliser vos équipes. 5. Bien-être et Qualité de Vie au Travail Adoptez des stratégies pour améliorer la santé mentale et l'engagement. 6. Développement des Compétences et Formation Accédez à des insights sur le développement des compétences. Pour accéder à ce book thématique, rendez-vous ici : https://lentreprisededemain.fr/le-meilleur-du-podcast-lentreprise-de-demain/ Passez un bel été, riche en apprentissages et en inspirations. Rendez-vous à la rentrée avec une nouvelle saison pleine de surprises et de contenus inspirants. Merci pour votre fidélité !

REDIFF - Très longtemps, il a été impossible d'imaginer Béatrice Matis, petite bonne femme approchant la soixantaine, en train de déplacer et traîner un corps ensanglanté de 84 kilos. Impensable également de la voir comme une tueuse acharnée, ivre de colère, distribuant 58 coups de couteau à une femme qui aurait pu être sa rivale mais qui ne l'était pas. Malgré les apparences, la justice va finir par douter et Béatrice Matis va se retrouver dans le rôle de cette tragédie survenue à l'hiver 2003 dans une commune proche de Calais. Avant cela, l'enquête aura connu un cheminement des plus chaotiques. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime avec Jean-Alphonse Richard du 25 juillet 2024.

Joe Flowers is a knife designer for Condor and Tops knives. He also runs jungle expeditions through his business Bushcraft Global. He has spent years visiting and learning from indigenous tribes in the Amazon. We talk about dangerous snakes and insects in the jungle, survival tactics, and gear required to survive in the rainforest. Joe describes indigenous plant medicines used by the Matis and the rituals.  https://bushcraftglobal.comhttps://bushsurvivaltraining.com/https://www.learnhuntharvest.com/

In this episode, we listen to four distinguished experts discussing concrete examples of actions within the Blue Economy, both in the private and public sector and how the Blue Economy affects the Arctic Region. Our panelists include:Bryndís Björnsdóttir, Head of Industry Solutions at Matis, IcelandLeslie Canavera, CEO of PolArctic, USAPatrick Arnold, Co-Founder & CEO of the New England Ocean Cluster, USAThe discussion and following Q&A with the audience are moderated by Mads Qvist Frederiksen, Executive Director of the Arctic Economic Council.This event originally took place at the 2021 Arctic Circle Assembly.Arctic Circle is the largest network of international dialogue and cooperation on the future of the Arctic. It is an open democratic platform with participation from governments, organizations, corporations, universities, think tanks, environmental associations, Indigenous communities, concerned citizens, and others interested in the development of the Arctic and its consequences for the future of the globe. It is a nonprofit and nonpartisan organization. Learn more about Arctic Circle at www.ArcticCircle.org or contact us at secretariat@arcticcircle.orgTWITTER:@_Arctic_CircleFACEBOOK:The Arctic CircleINSTAGRAM:arctic_circle_org

Mélanie Chappuis nous présente Mathis Meli. À 16 ans, il est livreur de médicaments pour une pharmacie à Genève. Un job qu'il fait en parallèle à ses études depuis six mois, qui lui permet de tisser des liens avec des personnes souvent malades et isolées. Un sujet du 13 janvier 2024 en nouvelle diffusion

Mickey pulls back the curtain and tells us some stories from his impressive career at Ford including his time at SVO, SVT, & Ford Performance.

“The Jewish people don't really give up. They're fighters. … a vision of peace, and a vision of hope, and of empathy. I really, truly believe that that is at the core of who we are. And that is what we are actually fighting for.” Matisyahu's recent show in Chicago was canceled due to the threat of anti-Israel protests. The Jewish American singer's music has evolved alongside his Jewish identity. But one thing has always been clear: He believes in Israel's right to exist. Because of that, he has faced protests at almost every show on his current national tour, and some have even been canceled. Hear from Matisyahu on his musical and religious journey, especially since October 7, and what makes him Jewish and proud. *The views and opinions expressed by guests do not necessarily reflect the views or position of AJC.  Episode Lineup:  (0:40) Matisyahu Show Notes: Song Credits, all by Matisyahu: One Day  Jerusalem Fireproof Listen – People of the Pod on the Israel-Hamas War: Unheard, Until Now: How Israeli Women Are Powering Israel's Resilience 152 Days Later: What the Mother of Hostage Edan Alexander Wants the World to Know What It's Like to Be Jewish at Harvard Among Antisemites and Hamas Supporters When Antisemites Target Local Businesses: How Communities Are Uniting in Response Follow People of the Pod on your favorite podcast app, and learn more at AJC.org/PeopleofthePod You can reach us at: peopleofthepod@ajc.org If you've appreciated this episode, please be sure to tell your friends, and rate and review us on Apple Podcasts. Transcript of Interview with Matisyahu: Manya Brachear Pashman:   Matisyahu is a Jewish American reggae singer, rapper and beatboxer, whose musical style and genre have evolved alongside how he practices and expresses his Jewish identity. But one thing has always been clear. He believes in Israel's right to exist, and he has expressed that repeatedly since the October 7 Hamas terror attack on Israel.  Since then, he has performed in Jerusalem and Tel Aviv. He has performed for the families of hostages and for students at Columbia University as a show of solidarity for those who have faced a torrent of antisemitism there. But there are places where he has not performed, including Santa Fe, New Mexico, Tucson, Arizona and Chicago, but not for lack of trying.  Those shows were canceled by the venue's because of the threat of protests. Matisyahu is with us now to discuss these cancellations and what's behind them. Matis, welcome to People of the Pod. Matisyahu:   Hello, People of the Pod. Manya Brachear Pashman:   So first of all, I want to introduce you to those in our audience who might not be familiar with your music. And we'll start with the anthem that I associate most with you. And that is One Day. Can you tell us a little bit about how that song came about–when and why? Matisyahu:   Well, that song was written in around 2010, I want to say or nine, maybe 2008 or nine. And I was working on my second studio album. It's called Light. And we had turned in the album and the new record executives didn't feel like we had any hits on the album. The album had been based on this story of Reb Nachman of Breslov called The Seven Beggars. And it was a bit of a concept album.  So I went to LA and I worked with a couple of writers and tried to write a hit song. And that's what we came up with was One Day, and that song got used in the Olympics in 2010, Winter Olympics on the NBC commercials. So that's kind of what propelled that song into popularity. Manya Brachear Pashman:   Popular, yes. But what does One Day mean to you? Matisyahu:   A lot of my music is very positive and very much connected to this vision of a Messianic future of peace. You know, at the time, I was very religious. And in my particular group, Chabad Hasidism, the idea of a Messiah was very prevalent in the philosophy.  I was living in a space of a vision of a future where the wolf lies down with the lamb and people turn their weapons into plowshares. And that was the thing that I was praying for and trying to envision daily. And so that was the main message of that song at the time.  Manya Brachear Pashman:   It is certainly something we've always needed, especially now.  You grew up in White Plains, NY, in the Reconstructionist tradition, I believe. You found your way to Chabad. Can you talk a little bit about where you are in your spiritual journey now, these days. Matisyahu:   I went through a very, very intense relationship with Orthodox Judaism, Chassidus. I started from a home, from a Reconstructionist background, so not Chassidus, for anyone who doesn't know these terms. More of a reform kind of background. And I went to Israel when I was 16, on a Conservative trip where I spent three months there, which had a profound effect on me.  And then when I was in college, about 21, 20 years old or so, is when I started really exploring the more Orthodox side of Judaism, and started out with the Carlebach shul, on the Upper West Side, and his music and reading books about Shlomo Carlebach, and the type of person he was and what type of work he was doing. And then from there, I pretty much jumped into Chabad, and moved to Crown Heights and lived in the yeshiva there on Eastern Parkway for a couple of years. And all of that, sort of prior to Matisyahu the singer coming out.  And then I spent many years, within 10 years or so, sort of exploring Chabad and then Breslov and different types of Hasidism. Different types of Chassidus within that realm.  And I guess at some point, it started to feel a little bit, not constructive for me to be there and felt more claustrophobic. And I felt that I was not really connecting so much anymore with a lot of the ideas and a lot of the rules. And so I started to just kind of live more of like a normal life, I guess, or a non-religious life.  And I'm still doing my music and making my music and writing from a place of deep Jewish yearning, empathy, and hope, you know, and using lots of the canon of the Old Testament still, to use as metaphors in my lyric, writing, and stuff like that.  But more focused on more of a humanistic kind of approach to the world, less concerned with my religion, or God, or being Jewish and more concerned with, you know, writing about being a father or a husband, or dealing with addiction, or dealing with loneliness, or dealing with different ups and downs of life. So that for me was a process going through that over the last maybe 15 years or so.  And then after October 7, you know, I mean, I've had some issues before, in 2015, with the BDS. I was thrown off of a festival. And so there again, I felt a very strong sense of Jewish pride when that happened. And especially like, when I went to Israel, after that had happened, I felt this sort of new connection with Israelis in the sense that a lot of them, writers, singers, actors, whoever, get shut down when they go overseas to try to perform. And so I felt like I had a strong connection with them and understanding of what some of them go through. And I guess that only reinforced my connection with Israel.  Then after October 7 happened, it's been this very, very strong pull back towards feeling very Jewish and feeling like that is the center and the core of who I am, and especially right now, that's what feels the most powerful and authentic to me. Manya Brachear Pashman:   So you have been to Israel since October 7, performing for soldiers on bases, hospitals, visiting some of the kibbutzim targeted by Hamas, the Nova festival site. Did it scare you to walk those sites? Can you share how you felt or what you took away from that experience? Matisyahu:   I don't know that I was scared when I was there. I was obviously touched profoundly by the stories that I heard and what I saw firsthand, so it was more of a feeling of just destruction. And then just seeing these incredible human beings that had just survived and are just the most amazing people.  And then there was this feeling of hope and this feeling of wow, look how these people come together and how I'm a part of that, and that became a really strong place for me in terms of finding hope for my tour and going out into America. And dealing with cancellations and protesters and stuff like that.  So I really wanted to try to grab that feeling that I had when I was in Israel and sort of bottle it up and take it with me and sort of get drunk on it at my shows with everybody and make everyone feel like there's a place where they can feel comfortable to be Jewish, and they can feel okay with being a supporter of Israel. Manya Brachear Pashman:   Do you feel that your colleagues in the music industry understand that and understand where you're coming from?  Matisyahu:   Well, some people seem to silently understand it, and I'll get some texts and stuff from some people here and there. But no, I don't think people do. I think there's really for the most part, as you see, the mainstream art world and music world either doesn't know where they sit, or they're not supporters of Israel. Manya Brachear Pashman:   Do you think if they went to Israel, they would have a different perspective on that, that it would shift that mindset? Matisyahu:   Absolutely. I mean, any person like, in my band, who's ever come to Israel, been with me, who's not Jewish, or is Jewish, but has had no connection, like didn't have parents or grandparents that taught them about Israel. Or didn't have that experience of going to Israel, like I did when I was 16. I think anyone who goes to Israel feels a connection to this, and especially, especially now, you know, there's no way to deny it. I don't think. Manya Brachear Pashman:   So, is it important for Jewish celebrities in particular, or influencers, to speak out about the violence on October 7? Matisyahu:   See, I think it's important, because it's important to me, you know. But what I've learned is, there's no point in getting angry at people thinking that it should be important to them, if it's not important to them. And if they're not speaking out, and it's because of fear, then the fear is larger than how important it is to them.  And everyone has to deal with their own stuff, you know, but to me, it seems that the fact that there's such a lack of people speaking out is a symptom of a sickness that the Jewish people may have been carrying, that just seemed dormant for some time, which is that somehow that it wasn't important to to a lot of American Jews. So for me, it was just like, tapping into what is the feeling after October 7, and it was immediate, and it was in my bones and in the depth of the core of my being. And I feel very blessed that, on my journey in life, I was able to connect that deeply, to being Jewish, and to Israel, and realizing how those things are connected. And I went on a journey, like I didn't come necessarily from a place where that was instilled into me, you know, to some extent, it was, you know, but I went on my own journey, and I spent a lot of time you know, sifting through all of that and figuring those things out for myself. And so I feel blessed to be in the position that I'm in where I know kind of who I am and what I believe, and people can take strength from that. Manya Brachear Pashman:   So I lived in Chicago for 15 years so I'm very familiar with the House of Blues as a venue. I loved going to see shows there and was heartbroken to hear that The House of Blues canceled your recently scheduled show. I understand that they paid the contractual penalty, you're going to donate that to an organization that advocates for the return of Israeli hostages held by Hamas. But can you tell us a little bit about the conversations you had with them, or with Chicago police or anyone else prior to the cancellation, and what explanations were given? Matisyahu:   Well, I'll go into it a little bit. I mean, there's still some confusion as to exactly what happened. But I essentially got a call from someone high up at Live Nation saying that the show needed to be canceled because of a lack of police force. And then with a friend of mine, David Draiman, who's the lead singer for a band Disturb also from Chicago with a lot of his close friends, we were able to explore that. And it seemed as though the police department was aware there was going to be a protest, but that they were not concerned.  So then it became a mystery as to where's the concern coming from really, which then led us to this whole Alderman thing, and then we thought it might have been this one. But now then, you know, turns out maybe it was other Alderman that were putting pressure on the police force or on Live Nation. And so there's, there's some mystery and honestly, as much as it is important to find out where this is coming from. And so how we can try to stop it. It has not been my main focus in this past week. This past week, I was out on tour, I played four shows, there were protesters at all of them, except one, Salisbury, Massachusetts. And all four shows went on, and they all sold out. And they were all really powerful. So what happened in Chicago was pretty devastating for us. Because, you know, it's scary to think that people are making choices and being able to shut down huge organizations, and creative expression and artistic freedom. So it was devastating. But, you know, we bounced right back and jumped right back into tour. I got another big week of shows this week.  So that's basically all I know, to tell you the truth. And while I would love to point the finger and say it was this person or that person, what I'm learning is, as things start getting uncovered, you know, it's hard to know, I'm not an investigative reporter, but I'm sure that like, it's tricky finding out what the real story is a full time job probably. Manya Brachear Pashman:   Were there similarly mysterious circumstances surrounding Tucson and Santa Fe?  Matisyahu:   No, that was less mysterious. And in those cases, it was a little more clear as to what was going on. In Santa Fe, it was literally staff members that didn't want to come to the show. And for whatever reason, let the venue know at the last minute. There may have been someone at the venue behind that, we don't really know. And then in Arizona, it was, seemed like it was more from the promoter, or the buyer of the show where people were putting pressure on her to cancel the show.  Manya Brachear Pashman:   I asked you a bit ago, if it was important for Jewish celebrities or influencers to speak out about October 7 violence? I'll ask you instead, is it important for them to speak out about this kind of cancellation or censorship or limitation on creative expression?  Matisyahu:   I think so. You know, because it's like that old story, they came for, they came from me and these people, and I didn't say anything, they came for these people. And then they came from me. I mean, that's what we see out here. You know, that's what that's what artistic expression, creativity is about, it's about being able to express your views and your ideas through music. It's peaceful, you know. So, it's unfortunate. It's what we have to deal with.  There are people that realize how important it is. And those people like David are really  trying to help and trying to be outspoken and there are a lot of Jews out there that understand how important this is. I'm feeling support from most people, but not enough. For sure. Manya Brachear Pashman:   Speaking of creative expression, I am curious whether October 7 has influenced any of your musical creation, songwriting, how has that influenced the creative process for you?  Matisyahu:   One way, I have a song that's coming out it's called Ascent, and I wrote it before October 7, but after the Kanye antisemitic lash out and it's about antisemitism. So while I was in Israel, we shot the video at the site of the Nova festival and in some of the kibbutzim and with some of the survivors, so that is like one very obvious way in which I was influenced. And that video kind of takes footage from the Holocaust and World War Two and intermixes it with October 7 footage as well.  And then in terms of my own music, last year, I recorded about 40 songs, and started releasing them with this EP. But I kind of like right when all this began, right as I was starting touring, so it's sort of, for me a different creative hat, like a bit of a different place than writing. So I'm not writing new material, but I'm performing the new songs along with old songs.  And what I'm finding creatively is that a lot of the lyrics and a lot of the themes, even though over the years, some of them have been personal, they all kind of connect and tie into the greater story of the Jewish people, and the obstacles that we face. And our survival.  Manya Brachear Pashman:   That's one of the reasons why I brought up One Day, is I loved the song back when it came out. But it does take on a whole new meaning when you listen to it today. It's very powerful.  This is not the first time that your shows had been canceled due to anti Israel sentiments, I believe it was in 2015, there was a music festival in Spain that canceled your appearance, when you wouldn't promise to bring up Israeli politics on stage. Instead, you toured a dozen American college campuses that year. And I'm curious what you learned from that experience that you're applying to now? And also what you've learned on some of these college tours? Matisyahu:   Well, that's a great question. Because for a lot of people all this is like the first time they're experiencing it. And I feel like part of the blessing of my journey that I've had is that I have gone through this to a lesser version. Like you said in 2015. What they wanted me to do was to sign some kind of document saying that I was against the atrocities of Israel. So I wouldn't sign that and that was the same thing. It was like, No, I'm not going to do that. Like, that doesn't that doesn't line up with who I am. I mean, I don't care honestly, what this statement is, I'm not going to sign something, I'm not going to be singled out as the only artist out of hundreds. That's being forced to sign something, because I'm Jewish, or because of my belief system. So I just kind of played it cool. You know, I was just like, No, I won't do it, and they threw me off the festival. It was like this story of Purim, like, they were trying to hang Mordechai. But Haman got hung really. They were patting themselves on the back, like, we threw this guy off the festival. And then there was an uproar about it. There were backers that were pulling out of the festival.  And so they ended up having to apologize. And asked me to come back and still play the festival, all this happened within three or four days. And so I did go back, and I did play the festival. And, and then I went to Israel, you know, and then I went on this college tour, with Palestinian artists. And we went and performed together because we felt that was an important thing to do.  So I think from what I learned from that was sort of like this idea of sort of, like trying to just be like water. If I just sort of do what feels what the right thing is what I feel is the right thing, and just don't kind of lose my cool. And I'm able to just sort of move within it, then basically, it's going to come out in a way that hopefully, will be victorious. And that's been my strategy so far with this tour as well.  Manya Brachear Pashman:   So my last, my last question to you is, we talked about your journey, your faith journey and your musical journey. What makes you Jewish and proud today? Matisyahu:   You know, you see, the Jewish people don't really give up. They're fighters. And there's always, in my mind, I believe, a vision of peace, and a vision of hope, and of empathy. I really, truly believe that that is at the core of who we are. And that is what we are actually fighting for.  Even when the rest of the world is trying to say that we're the monsters, we won't let that stop us. Nothing will stop us. It's just who we are.  Manya Brachear Pashman:   Beautiful, thank you so much, Matis, for joining us.  Manya Brachear Pashman:   If you missed last week's episode, be sure to tune in for my conversation with Israeli filmmaker Shifra Soloveichik about her digital initiative Women of Valor: Women of War, portraits of individual Israeli women during this challenging moment in modern Jewish history.  

Cet épisode est d'une efficacité redoutable ! La feuille de route que nous nous étions fixée avec Arnaud et François était ambitieuse. Nous avons couvert tous les sujets envisagés. Donc, en bref, nous parlons de la valorisation des oeuvres, de leur liquidité, des artistes à suivre, de l'accès aux oeuvres, des performances. Vous allez aussi voir ce qui réunit ces deux fondateurs : une expertise pointue dans ces courants artistiques d'un côté et une connaissance approfondie du lancement et la gestion du crowdfunding de l'autre. Le mélange de toute ce savoir a donné naissance à Matis qui permet de démocratiser l'investissement dans l'Art. Warhol à votre portée !

Extrait de l'épisode de Dimanche Cet épisode est d'une efficacité redoutable ! La feuille de route que nous nous étions fixée avec Arnaud et François était ambitieuse. Nous avons couvert tous les sujets envisagés. Donc, en bref, nous parlons de la valorisation des oeuvres, de leur liquidité, des artistes à suivre, de l'accès aux oeuvres, des performances. Vous allez aussi voir ce qui réunit ces deux fondateurs : une expertise pointue dans ces courants artistiques d'un côté et une connaissance approfondie du lancement et la gestion du crowdfunding de l'autre. Le mélange de toute ce savoir a donné naissance à Matis qui permet de démocratiser l'investissement dans l'Art. Warhol à votre portée !

Très longtemps, il a été impossible d'imaginer Béatrice Matis, petite bonne femme approchant la soixantaine, en train de déplacer et traîner un corps ensanglanté de 84 kilos. Impensable également de la voir comme une tueuse acharnée, ivre de colère, distribuant 58 coups de couteau à une femme qui aurait pu être sa rivale mais qui ne l'était pas. Malgré les apparences, la justice va finir par douter et Béatrice Matis va se retrouver dans le rôle de cette tragédie survenue à l'hiver 2003 dans une commune proche de Calais. Avant cela, l'enquête aura connu un cheminement des plus chaotiques. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime du 06 février 2024 avec Jean-Alphonse Richard.

Très longtemps, il a été impossible d'imaginer Béatrice Matis, petite bonne femme approchant la soixantaine, en train de déplacer et traîner un corps ensanglanté de 84 kilos. Impensable également de la voir comme une tueuse acharnée, ivre de colère, distribuant 58 coups de couteau à une femme qui aurait pu être sa rivale mais qui ne l'était pas. Malgré les apparences, la justice va finir par douter et Béatrice Matis va se retrouver dans le rôle de cette tragédie survenue à l'hiver 2003 dans une commune proche de Calais. Avant cela, l'enquête aura connu un cheminement des plus chaotiques. Retrouvez tous les jours en podcast le décryptage d'un faits divers, d'un crime ou d'une énigme judiciaire par Jean-Alphonse Richard, entouré de spécialistes, et de témoins d'affaires criminelles. Ecoutez L'heure du Crime du 06 février 2024 avec Jean-Alphonse Richard.

C'est le mercredi aléatoire du Nova Club - tout peut arriver.TRACKLIST Rakim - Guess Who's Back Bolis Pupul - Completely HalfCrayon, Wayne Snow, FKJ, Darius - U & ILarry June; Cardo - Glasshouse Knockin'Jamiroquai - Space Cowboy (Morales Classic Club Mix)Le disque de 19h22 (envoyez votre proposition, un morceau aux couleurs Nova Club, à @davidblot sur Instagram!) :Invisible - El Anillo Del Capitan BetoLewis Ofman ft. Camille Jansen - Hey LouLou Reed - Dirty Blvd.Canblaster - Final ChaserBaby Pantera, Shynelevell - jetskii music Busta Rhymes ft. Yung Bleu - COULD IT BE YOUJaydee - Plastic DreamsConway the Machine - Fear of God (ft. DeJ Loaf)Fine Young Cannibals - She Drives Me CrazyMadd Spider - Hot Water Beyonce - ***Flawless Johnny Mathis - Something to Sing AboutJohnny Matis & Henri ManciniGuilty Simpson - Look AliveThe Stone Roses - This Is the One Muddy Monk - Tout çaJimmy Whoo & Muddy Monk - To The MoonCaribou - OdessaDaphni - Yes, I KnowDavid Bowie - Waiting For The Man (Live Nassau Coliseum ‘76) Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

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Nav svarīgi, kas tu esi, ko tu dari un kāda ir tava forma, svarīgi ir kustēties, lai paliktu vesels. Kas īsti traucē vingrot, skriet, cilāt svarus un kā pārvarēt dažu labu sabiedrībā iesakņojušos stigmu? Raidījumā Kā labāk dzīvot interesējamies, kā iespējams integrēt fiziskas aktivitātes un veselīgu dzīvesveidu savā ikdienā, ja darba laiks un grafiks nav normēts, ir nestandarta vai diennakts darba laiks. Sarunājas privātais treneris Kārlis Matisāns, pediatre Dana Isārova, Latvijas Veselības un Fitnesa asociācijas (LVFA) valdes priekšēdētājs Gints Kuzņecovs un uztura speciāliste Laila Siliņa. Ir daudz stereotipu cilvēkiem par sporta zāli, par sporta zāles apmeklēšanu. Un tas nav saistīts tikai finanšu jautājumiem. Stigmatizācija ir, bet raidījuma viesi mudina to pārvarēt un pievērsties fiziskām aktivitātēm. Sevi pārvarēt un vispār pievērsties fiziskām aktivitātēm ir grūti, ja tā nav bijusi prioritāte jau no bērnības. Tomēr, kā mudināt cilvēkus vairāk sportot un kustēties? "Es, būdama slinka savā būtībā, man īsti nestrādā variants, ka viena eju uz sporta zāli, man ātri apnika, man bija garlaicīgi, es īsti nezināju, ko tur darīt. Man likās, ka katru dienu aizeju un daru vienu un to pašu. Neredzēju progresu. Es pārtraucu. Arī Covid sākās. Likās forši, paņemšu pauzīti," pieredzē dalās Dana Isarova. "Tad sapratu, ka man ir jāiet atpakaļ uz sporta zāli. Tam bija vairāki iemesli. Bet es zināju, ka man strādās tikai tad, ja man būs ieplānots treniņš, vai nu grupu, vai ar treneri, kur nevarēšu pateikt nē. Ja esam sarunājuši, man būs jāierodas. Tā es sevi vienkārši spiedu iet treniņus rezervēt vismaz tās trīs nedēļas, kas tiek uzskatīts par laiku, lai vismaz izveidotu kaut kādu ieradumu. Tad pēc laika kļūst vieglāk. Man liekas, ka ir svarīgi sākt kopā ar kādu, nevis vienam pašam. Ja tev nav kam atskaitīties, ļoti ātri padodies." "Es arī darīju tā, ka aicināju draudzenes, kad viņas iet uz sporta zāli, atsūtīt man selfiju. Viņām vajadzēja motivāciju, ka viņas kāds uzrauga. Tāpēc man liekas, ka cilvēks iet uz sporta zāli, nofotografējas un liek selfiju Instagramā, ka tā ir forša atskaite pašam sev un arī motivācija citiem aiziet uz sporta zāli. Man liekas, ka jebkas, kas motivē aiziet uz sporta zāli, arī proteīna batoniņš pēc treniņa ir manā skatījumā pietiekami laba motivācija. Ir jāizdomā, kā tu sākumā sevi motivēsi, pēc tam tas kļūst par ieradumu, no kura gūsti milzīgu prieku un gandarījumu," turpina Dana Isarova. Rezultātu neredzēs arī pēc 21 dienas, tāpēc ir vajadzīgs atbalsts. "Vai tas uztura speciālists, pie kura regulāri atnāc, kurš paskatās; vai tas ir treneris, kurš stāv blakus un pašam nav jāskaita atkārtojumi un jādomā līdzi; vai tā ir mājās ģimene vai draugi, kuri tevi atbalsta, nevis fonā ēd saldējumu no rīta līdz vakaram. Videi ir liela nozīme," uzskata Laila Siliņa. Kārlis Matisāns norāda, ka svarīga ir iekšējā motivācija, un nevis, ko es sasniegšu, bet kur negribu būt, ja šo nebūšu izdarījis.

This Shiur was Leiluy Nishmat Zechariah Yosef Yisrael Ben Elisheva זכריה יוסף ישראל בן משה יצחק

This podcast has been graciously sponsored by JewishPodcasts.fm. There is much overhead to maintain this service so please help us continue our goal of helping Jewish lecturers become podcasters and support us with a donation: https://thechesedfund.com/jewishpodcasts/donate

On this episode we sit down and discuss with Rav Matis why so many Young Adults are struggling with focus and learning and why are phones are killing our focus and causing many to be constantly distracted. Rav Matis Azerad contact: Go visit "Torah From Rav Matis" on Spotify and Apple Podcasts for more of his Content... like always for any possible guest suggestions or hate mail contact FrumFWD via email yosef@frumfwd.com

Some of Matis' credits working on larger teams include: Jawbone, American Animals, The Little Drummer Girl, and more recently, on Guillermo del Toro's Cabinet Of Curiosities, and Tar. Matis' projects in a more supervising sound role have included: Truth And Justice, Captain Volkonogov Escaped, Calm With Horses (Shadow Of Violence), and more recently, Last Sentinel, and the Oscar-shortlisted animation, Sierra.

We are so excited to introduce Ellen Matis as this week's guest on “Why I Quit.” Listen to Ellen discuss her story of deciding on New Year's eve that she would quit her full-time job and how she handed in her notice two weeks later. Learn how she started a social media marketing agency called Hello Social Co. Get inspired hearing how she has hired full time employees, implemented a 4 day work week, and scaled the business over the past 5 years.Learn More About Ellen:LinkedIn - https://www.linkedin.com/in/ellenmatis/Website - https://hellosocialco.com/If you enjoyed this episode, please either:Sign-up for the weekly newsletter on SubstackFollow and rate on SpotifySubscribe and review on Apple PodcastsFollow and review on Google PodcastsSubscribe on YoutubeIf you have feedback or a new guest idea, please reach out here!

Thank you all internet retailers and Sweet Expressions for sponsoring this week's podcast! Zoo visit, Shul EV lot, school Hachi, Shiksa confusion, more observations from the the Chosen Comedy Festival, Matis, a pneumonic for Nitel activity, waxing on Shalom Bayis, camera rolls, ying to the yang and ill husbands with a solution.

Comment une femme sans histoires peut-elle se retrouver du jour au lendemain victime d'un crime aussi abominable ? Monique Lejeune, une habitante de 54 ans de Coulogne dans le Nord-Pas-de-Calais, est retrouvée le 8 février 2003 dans le jardin de sa maison, le corps lacéré par pas moins de 58 coups de couteau. Dans cette enquête, les policiers ne disposent que de très peu d'éléments. Très vite, les soupçons s'orientent sur les proches de la victime, et particulièrement sur Béatrice Matis, 54 ans au moment des faits, l'ancienne compagne de Claude Lejeune, le mari de la victime. Les coups de couteau pourraient-ils être la conséquence dramatique d'une rivalité entre les deux femmes ?"Meurtres en France" est un podcast Studio Minuit.Retrouvez nos autres productions :Espions : Histoires vraies Morts Insolites : Histoires vraies Sports InsolitesSherlock Holmes - Les enquêtes1 Mot 1 Jour : Le pouvoir des motsJe comprends R : le dictionnaire du nouveau millénaireArsène Lupin : Gentleman cambrioleurSoutenez ce podcast http://supporter.acast.com/meurtres-en-france-histoires-vraies. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

NOUVEAU - Abonnez-vous à Minuit+ pour profiter de Crimes - Histoires Vraies et de milliers d'histoires vraies sans publicité, d'épisodes en avant-première et en intégralité. Vous aurez accès sans publicité à des dizaines de programmes passionnants comme Espions - Histoires Vraies, Paranormal - Histoires Vraies ou encore Catastrophes - Histoires Vraies.

Comment une femme sans histoires peut-elle se retrouver du jour au lendemain victime d'un crime aussi abominable ? Monique Lejeune, une habitante de 54 ans de Coulogne dans le Nord-Pas-de-Calais, est retrouvée le 8 février 2003 dans le jardin de sa maison, le corps lacéré par pas moins de 58 coups de couteau. Dans cette enquête, les policiers ne disposent que de très peu d'éléments. Très vite, les soupçons s'orientent sur les proches de la victime, et particulièrement sur Béatrice Matis, 54 ans au moment des faits, l'ancienne compagne de Claude Lejeune, le mari de la victime. Les coups de couteau pourraient-ils être la conséquence dramatique d'une rivalité entre les deux femmes ?"Meurtres en France" est un podcast Studio Minuit.Retrouvez nos autres productions :Espions : Histoires vraies Morts Insolites : Histoires vraies Sports InsolitesSherlock Holmes - Les enquêtes1 Mot 1 Jour : Le pouvoir des motsJe comprends R : le dictionnaire du nouveau millénaireArsène Lupin : Gentleman cambrioleurSoutenez ce podcast http://supporter.acast.com/meurtres-en-france-histoires-vraies. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Comment une femme sans histoires peut-elle se retrouver du jour au lendemain victime d'un crime aussi abominable ? Monique Lejeune, une habitante de 54 ans de Coulogne dans le Nord-Pas-de-Calais, est retrouvée le 8 février 2003 dans le jardin de sa maison, le corps lacéré par pas moins de 58 coups de couteau. Dans cette enquête, les policiers ne disposent que de très peu d'éléments. Très vite, les soupçons s'orientent sur les proches de la victime, et particulièrement sur Béatrice Matis, 54 ans au moment des faits, l'ancienne compagne de Claude Lejeune, le mari de la victime. Les coups de couteau pourraient-ils être la conséquence dramatique d'une rivalité entre les deux femmes ?"Crimes : Histoires vraies" est un podcast Studio Minuit.Retrouvez nos autres productions :Espions : Histoires vraies Morts Insolites : Histoires vraies Sports InsolitesSherlock Holmes - Les enquêtes1 Mot 1 Jour : Le pouvoir des motsJe comprends R : le dictionnaire du nouveau millénaireSoutenez ce podcast http://supporter.acast.com/crimes-histoires-vraies. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Become a member at https://plus.acast.com/s/crimes-histoires-vraies.

Comment une femme sans histoires peut-elle se retrouver du jour au lendemain victime d'un crime aussi abominable ? Monique Lejeune, une habitante de 54 ans de Coulogne dans le Nord-Pas-de-Calais, est retrouvée le 8 février 2003 dans le jardin de sa maison, le corps lacéré par pas moins de 58 coups de couteau. Dans cette enquête, les policiers ne disposent que de très peu d'éléments. Très vite, les soupçons s'orientent sur les proches de la victime, et particulièrement sur Béatrice Matis, 54 ans au moment des faits, l'ancienne compagne de Claude Lejeune, le mari de la victime. Les coups de couteau pourraient-ils être la conséquence dramatique d'une rivalité entre les deux femmes ?"Crimes : Histoires vraies" est un podcast Studio Minuit.Retrouvez nos autres productions :Espions : Histoires vraies Morts Insolites : Histoires vraies Sports InsolitesSherlock Holmes - Les enquêtes1 Mot 1 Jour : Le pouvoir des motsJe comprends R : le dictionnaire du nouveau millénaireSoutenez ce podcast http://supporter.acast.com/crimes-histoires-vraies. Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out. Become a member at https://plus.acast.com/s/crimes-histoires-vraies.

Pete and Tup are joined by huge friend of the podcast, Matislitwack Litwack.  Together on the podcast, they discuss a whole bunch of fresh podcast topics, including: romantic relationships with robots, the post office, and I want to say several other really good ones.  Pete and Tup claim credit for all of Matis' current success, and also help him think through his next big move, name wise.

Upcoming Shows Hollywood: https://www.ticketweb.com/event/fred-minnicks-blind-bourbon-live-rainbow-bar-grill-tickets/11913765 Wisconsin: https://www.etix.com/ticket/p/8835521/fred-minnicks-blind-bourbon-date-green-bay-epic-event-center I will never forget my introduction to Matisyahu. The year was 2007, I was soon to be married and I was trying to figure out my life post Iraq. I remember a lot of random things from this year, including this moment. Jimmy Kimmel looked into the camera and said: “Our next guest is the most popular Jewish rapper since MC Hammer…. from Brooklyn, New York. welcome Hasidic hip hop reggae of Matisyahu.” What my ears heard and my eyes saw forever burned a memory into my brain. Matisyahu broke new ground for the genre now known as Jewish hip hop. Today, on the Fred Minnick Show, we celebrate Matisyahu's latest album, named ‘Matisyahu,' which, in my opinion, breaks away from his traditional style. And we don't sip whiskey on this episode. We drink coffee. In fact, you may recall this coffee from a previous episode, I have become such a fan of the Wynn Coffee that I've brought them into the tasting room. If you'd like to join a long with us, you can get a 10% discount on on wynn coffees. Enter FREDMINNICK10 has been set up. Here's a shareable link: https://nguyencoffeesupply.com/discount/FREDMINNICK10 But for the most part, this episode is a back and forth of a couple coffee lovers and learning about a musician who changed the game. Enjoy this week's interview More on Matisyahu Like only the most gifted storytellers, Matisyahu spins the rare kind of stories that simultaneously enlighten and enthrall and expand the audience's sense of possibility. On his eponymous new album, the Grammy Award-nominated singer/songwriter/rapper shares his most autobiographical work to date, merging that personal revelation with a shapeshifting collision of reggae and hip-hop and boldly inventive pop. Produced by Salt Cathedral (a Brooklyn-based duo comprised of Colombian musicians Juliana Ronderos and Nicolas Losada), the result is an undeniably transformative album, one that invites both intense introspection and unbridled celebration. “Throughout my life so much of my music has come from struggling with a sort of existential loneliness, even though a lot of the music is very joyful,” says Matisyahu. “I ended up in a place where I've found the person who's my soulmate and made a beautiful life with her, and that's the place where this record was born.” The seventh studio album from the New York artist, Matisyahu arrives as the latest achievement in an extraordinary career that's included landing a #1 hit on alternative rock radio (with his Billboard Hot 100-charting breakthrough single “King Without a Crown”), collaborating with the likes of reggae legends Sly and Robbie, and amassing a global following largely on the strength of his transcendent live show. In bringing the album to life, Ronderos and Losada joined Matisyahu at his former home on the Hudson River in Nyack, where the three musicians soon immersed themselves in an unfettered and improvisation-fueled creative process. “Working with Juli was the first time I've ever had a female producer, and it influenced the record in an amazing way,” says Matisyahu, who first collaborated with Salt Cathedral on his 2016 EP Release the Bound. “I felt free to bring more sensitivity or sensuality to my vocals, and really explore the subtleties of my voice.” Subscribe to Fred Minnick's Channel: https://www.youtube.com/channel/UCyE_GJtYr3yowks2iv1o4jg?view_as=subscriber Merch, including official The Fred Minnick Show Glencairn: https://shop.podcastone.com/collections/the-fred-minnick-show Become a YouTube Member: https://www.youtube.com/channel/UCyE_GJtYr3yowks2iv1o4jg/join Glencairn provides glassware The Fred Minnick Show: https://www.glencairnwhiskyglass.com/ The American...

Matis Miller, LCSW on Let's Get Real with Coach Menachem, Sunday, March 20, 2022, Episode # 96 Borderline Personality Disorder, Understanding it & Healing Together --- Support this podcast: https://anchor.fm/menachem-bernfeld/support