Podcast appearances and mentions of lady chatterley

May's Book: Lady Chatterley's Lover by D.H. Lawrence Kathryn's Edamame Salad Other books: The Mystery Guest by Grégoire BouillierThe English Understand Wool by Helen DeWitt A Little History of Philosophy by Nigel Warburton Endure by Alex HutchinsonReal Americans by Rachel KhongOur Instagram: somethingwereadpodOur email: somethingweread@gmail.comJune's Book The Death of the Heart by Elizabeth Bowen Closing poem: “Praising Spring” by Linda Gregg Hosted on Acast. See acast.com/privacy for more information.

BEAUTIFUL LOVE STORY!! Black Mirror Season 7 Full Reaction Watch Along: https://www.patreon.com/thereelrejects Black Mirror Season 7 Episode 3 Reaction, Recap, Commentary, Analysis, Spoiler Review, & Ending Explained!! Visit https://www.liquidiv.com & use Promo Code: REJECTS to get 20% off your first order. Hotel Reverie, takes us deep into the haunting implications of AI-driven filmmaking, consciousness uploading, and emotional memory. Greg Alba & team react to this nostalgic and heartbreaking story starring Issa Rae (Insecure, Barbie) as actress Brandy Friday, who enters a simulated film world to act alongside a digital recreation of 1940s star Dorothy Chambers, portrayed by Emma Corrin (Deadpol & Wolverine, The Crown, Lady Chatterley's Lover). As the simulated Clara begins to gain self-awareness, Brandy's experience turns from glamorous role to emotional prison. The episode pays homage to classic cinema aesthetics while exploring modern ethical questions—reminiscent of San Junipero but with a uniquely bittersweet tone. From identity, AI ethics, and digital immortality, Hotel Reverie hits hard. At the end of the episode, Brandy is freed—but not without emotional cost. We break down the ending, its symbolism, and what it means for the future of storytelling Follow Roxy Striar YouTube:https://www.youtube.com/@TheWhirlGirls Instagram: https://www.instagram.com/roxystriar/?hl=en Twitter:  https://twitter.com/roxystriar Intense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Las recomendaciones de Fuensanta Marín de hoy pasan por 'La biografía de James Joyce' de Edna O'brien, 'El amante de Lady Chatterley' del escritor británico David Herbert Lawrence y 'la máscara de Dimitrios", una novela de espionaje escrita por Eric Ambler publicada en 1939. En la sección de cuentos ilustrados para niños de 3 a 6 años, Fuensanta Marín nos recomienda 'Quitapenas', 'Desde arriba o desde abajo' y 'Renato Nicanor'. Hoy conocemos el proyecto de Irene Serrano quien asegura que los niños y jóvenes están volviendo a mostrar interés por la lectura. "La novela gráfica está haciendo que los niños de entre 10 y 12 años se enganchen a otras lecturas". Serrano que coordina la biblioteca del CEIS Saavedra Fajardo involucró a los jóvenes en este proyecto a través de un mercadillo solidario y con lo recaudado compraron las primeras colecciones de libros. Colecciones como 'Jardín Secreto', 'Animalotes' 'Los Fubolísimos" o el 'Diario de greg', que enganchan a los jóvenes y les atraen a otras colecciones de aventuras cuando van cumpliendo más años.

Cáel' as the new Amazon Teen IdolBy FinalStand. Listen to the Podcast at Explicit Novels."I've missed you too," Aya bumped foreheads with me. I was 'a Son of the White Stallion' who 'ran with the herds of Epona'. I was so proud of her. She had woven together a Magyar myth with an Amazon naming convention. Epona, the Celtic Horse Goddess and Aya's matron divinity, was worshiped with the sacrifice of foals, Amazons offered up fillies (female baby horsies) whose spirits ran with the Goddess in the Spirit World.When the pre-Christian Magyars went to war, they sacrificed a white stallion to entreat their deities to grant them victory. No one was about to slit my throat, or cut my heart out. I was made sacred, a spirit stud in Epona's vast herd of mares. How freakishly accurate."I love you for your brains, you know that, don't you?" I whispered to Aya."Yes. You are saving up your other love for Mommy," she kinda/sorta teased me. Out of the semi-circle of children, three stood out. More accurately, they were dwarfed by their companions. I took the group's indecision as an offer to advance."Hi," I addressed the smallest three members of the audience. "Are you the Fatal Squirts?""They are not allowed that name," Sophia interceded. "No Amazon child deserves an acknowledgement before their trial." I half-turned and nodded her way."(Cough, cough). "Excuse me, please." If she spoke Phoenician, I was boned for being obviously disrespectful of her authority and would have to take whatever punishment Sophia felt I deserved.Otherwise, I was getting away with binding 'leads to death' to 'blood-death wound' in that ancient and highly extinct tongue: 'fatal, squirts' indeed. Her hand fell on my shoulder."I have heard you laugh at death," Sophia remarked. If I was on Zoosk, all you would have to do was type in 'Preference: Amazon Male Who Dares Talk Back', and there was my smiling mug, all alone, staring back at you."Before I confess to anything, do you consider that an asset, or liability," I grinned."I withhold judgment," was her reply."I don't mean to 'laugh at death'. It is because all the other choices suck and, perhaps I've been called stubborn, bull-headed and 'not having even a passing acquaintance with common sense' a time, or two," I shrugged with my lovely burden curled around my left arm."No names, our tradition and my command," Sophia laid down the law. Sigh. I put Aya down. She didn't cause me a hint of trouble because she knew my heart. I unbuckled and handed her my two guns (my Glock-22, and 38). I motioned one of the mini-Amazons forward. She shuffled up to Aya's side and received my two tomahawks.Not only was no one leaving, the rest of the camp started coming down to see what was about to transpire. In my short stint at Havenstone, I had developed a reputation as an exciting fun-guy/irrepressible troublemaker."I feel your decision is founded on misinformation, or your rendering to be unjust," I told Sophia."Explain," Sophia requested.I hadn't disarmed for my sake, or hers. I gave up my weapons to affirm my desire to talk. I placed myself at my sister's mercy, thus expressing my trust in her. Amazons are not savages, just violently inclined.Later, Pamela would remind me that my behavior was precisely what Isharans were supposed to do, seek peace."Aya has taken a position as intern with Executive Services at Havenstone," I explained. "She held my position and served effectively for four days with good work reviews from the head of the department herself," I added."She has served in a caste, been assigned duties by members of that caste, performed errands and accomplished all that was asked of her. Doesn't that create an allowance for Aya, as she has been considered for a caste?" I was fishing for an excuse based on my instincts for these people."She has never been selected, chosen and been anointed to a caste, so her preliminary experience does not qualify," Sophia said after a few seconds of introspection. "Next?""She has charged forth into battle on my behest." The archery range."You were not an acknowledged member of the Host when that happened. Next?""She's tried to kill me," I tossed out there."What?" many exclaimed."No!" Aya gasped."When did this occur?" Sophia's eyes twinkled."At the archery range. She shot at me twice," I responded."She was practicing," was the counter. "Next?""Not next," I smiled. "I didn't have permission from anyone to step beyond the shooting line.In doing so, I accepted all calls to combat. Both Leona and Aya shot at me. Aya shot twice and came close once. Leona only hit me after I gave myself up to protect three Amazon children."Pause."Okay. Aya has served in combat, no matter how one-sided, " Sophia began."I was armed for part of the fight," I interrupted hurriedly. Aya's first arrow."Accepted. You were a viable combatant before that as witnessed by other Amazons in earlier encounters. She and another Amazon shot at you without any other claiming traditional ownership of you," Sophia nodded. The Leader had given me a 'bye' on my intern status."Aya may bear an honorific," Sophia loudly proclaimed her change in course. To Amazons, screwing up was a distant third to not owning up to what you did and not learning from your mistakes. Besides, I could tell Sophia was warming up to me, as a male and an Amazon."My war band?" Aya chirped."You do not have a war band, Aya Epona, but whatever name you use among yourselves is not a matter I will concern myself with," Sophia stated firmly. "Fifty days, Cáel." That was the end of it. Sophia turned and began walking uphill, conflict successfully resolved.The Fatal Squirts had emerged with a semi-official status, I had emerged without a new series of wounds and I had wrangled forth a small down payment for all the love and loyalty Aya had showered on me."Best Daddy in the World!" Aya shouted. "Mamitu! Mamitu!" Destiny.Amazons weren't huge believers in luck. They put their faith in training, planning, experience and diligence. For them, victory was a matter of destiny. Let the sloppy, treacherous Greeks invoke 'Nike', Victory, or 'Tyche', Luck for tossing them a positive outcome in battle. My side weren't thankful for the win they deserved.They acknowledged Mamitu had, through foresight, prepared the Host for what had to be done. For Aya, it was destiny that had put me in her path; she and her sisters trained for the hostage scenario multiple times, so she was a logical choice for my training. She had been training with the bow when I was giving her the inner strength and confidence to hit the target.Training, not mutual good fortune, put her at the range to make that shot. Whatever part luck played, that bolt that had saved my life and paved the way for Aya's rise to leadership had been a part of her training as well. Amazons didn't deny luck, nor did the put any trust in it."Hi, so who are the rest of you?" I addressed the Fatal Squirts while rearming."I am Mosa Oya," the tomahawk holder identified herself."I am, " the third member got out before we were propelled back into that 'never too distant' No-Man's Land. A girl, a stranger in her early teens, came up and shoved Aya hard."You are nothing special," the older girl growled at my buddy. My 'daughter' barely avoided sprawling in the dust.The intensity was palatable. Aya had no chance of beating this girl. Not only did her opponent have every physical advantage, she had three buddies as well, correction: two buddies and a twin sister. Amazons built lifetime bonds around these foursomes. Aya and company backed down, despite her obvious shame. She had just won an honorific as a child, unheard of before this. It was Amazon tactical thinking, not fear, that ruled Aya's mind. I was so proud of her."What's your name?" I inquired congenially of the newcomer. She flashed me a look of anger laced with teenage hormones, then turned and stormed away, actually, she only started to storm away. Her behavior had played right into my hands. I was an adult. She wasn't a full-fledged member of the Host, nor was she a child anymore. I had asked her a question and she had been disrespectful to me. Her bad. Still, I doubted anyone expected my leg sweep.The bully hit the ground hard, no rolling with the blow for her. My foot smashing down on her diaphragm drove the fight right out of her. I wasn't done. The twin rushed in, my thunderbolt left sent her flying back from whence she came. Amazons despise child abuse as cruel and socially cancerous, yet no one else was rushing in to stop me.Even her other two friends were obeying both basic Amazon battle philosophy and conduct. Two young teens versus me was stupid, and I wasn't alone. I had four Squirts plus two other women close by who saw nothing wrong with a cooperative pummeling. I lifted my foot a centimeter from the girl's chest."Let's try this again," I spoke softly. "I am Cáel Ishara. You have disparaged my house by putting your back to me after I, an adult, politely addressed you. In fifteen seconds your sin will pass beyond your ability to address and your actions will be viewed as your family's unwarranted insult. My sisters will seek vengeance against your sisters with the added advantage that your sisters won't know what's going on. Now, what's your name?"See, I could have gone straight to Step Two, the House on House vengeance. Me kicking her ass was merciful because after five, or six members of her house were jumped, one at a time by three, or four, of mine, those ladies were going to be truly curious why their youngster had been so fucking rude in front of so many fucking Amazons to the HEAD of a fucking First House.'Honorific' Aya still had no status except that of a child. Dumb Bunny was passed her 12th year test, so she was of her House, thus the insult. Despite my 'fantasy' assumption of the role of grunt, everyone knew that Cáel Cabbage-head was Cáel Ishara, Head of House Ishara. I was the only accepted male Amazon in existence, the only possessor of a 'five o'clock shadow' in camp, I was armed and I was so armed while walking among their children.She could not have possibly mistaken me for another. Her eyes showed that truism too. Her wrathful 'how dare that male!' morphed into 'oh fuck, my older sisters are going to be tossed down stairwells, jacked up in parking garages and they were going to be caught totally flat-footed when it happens, and it is all my (the girl's) fault'.In theory, Saint Marie could deny my feud (we were at war), or warn the girl's house of my request, but why would she? The crime couldn't have been more obvious and the Amazons were way past making harmful shit up about me."Zarana, Zarana of House Inara," she gasped.I switched foot placement, pivoted, reached down to arm-clasp my left with her left and ended with me pulling her effortlessly to a standing position."A pleasure to meet you Zarana Inara. I am Cáel Ishara, but you may call me Cáel if you wish," I gave her my award winning smile. "No one will ever doubt your courage in my presence," I added.'Lead with the left jab, then catch them with the right hook'. As true in interpersonal relationships as in boxing. I had beaten her handily seconds ago and now I was applauding her bravery. Again, I wasn't a Head of House calling attention to her virtue, but I was."Your sister shares your warrior's heart.""I, I, I don't know what came over me, " she started to give me a respectful head-nod. I hooked a finger under her chin to stop her."Are you going to reconsider your approach for dealing with a male Amazon, Zarana of Inara?" I bridged the awkward moment. Bing! I had turned a humiliation into a learning moment."Yes," she smiled at me. "Yes Cáel Ish, Cáel.""I swear by the All-Mighty, if I find this one crawling into your sleeping bag, I'm going to be very disappointed in you," Delilah ambushed me. Wa-ha?"Oh, come on!" I protested. "She's thirteen.""Fourteen," the other twin, bleeding lip and all, puffed herself up."Not helping, " I looked at the twin."Vaski," she supplied. What?"Vaski? Really? That was Grandmother's name, it is Magyar-Finnish," I wondered."We are almost related," she conjured the improbable out of the impossible."No you are not, young lady," Delilah serpentined her way to the front of the crowd. "You are not family now and you can't attempt to be for four more years.""Who would you be?" Zarana challenged Delilah. Man, those two kids were spunky."An honored guest," Priya provided. "I hope another lesson in manners will not be necessary.""I'll do my best," I volunteered. Priya had been addressing the twins; not me. Taking the hit was a bit of comedy to diffuse the moment."Some of you need to eat," a camp counselor stated. Another crisis down and the sky wasn't even dark yet."Cáel!" and here we went again. Thank you, Ishara, it was Europa, the strange one, meaning the one I understood the most.(Night and Day)This place kept getting more and more wonderful. There was one safe road that rolled out of the camp's front gate (there was no wall, the gate was ceremonial) and disappeared off toward the closest state road. Scheduled trips were made to the closest blip on the census data where they bought stuff (irrelevant) and were 'seen' by the locals (the important thing).If anyone investigated, there was a legitimate summer camp 'out there'. The counselors weren't friendly, but they worked with 'troubled' kids, so keeping the small talk to a minimum was excusable. Sure, they only saw women, usually the same ones each trip during a given summer. The camp held nearly a thousand people, so the all-female thing was dismissed as a quirk.That was the second layer of deception. We had already learned that the first layer was the idea of a camp for girls in the foster care system. The third layer was all the visible 'props'. This went beyond the typical craft centers, juvenile obstacle courses, and a dozen other distractions. (The only 'real' one was the stables. Amazons loved riding horses and being assigned to tend to their care was a high honor.)Thirty meters inside the gate was a bridged gulch. After dark, the bridge supports were removed turning a clear shot into the center of camp into a waiting death trap. If there was any doubt, the gulch, so comforting and protective, was a blast zone as well, designation: The Barbecue Pit. I couldn't find it, but I was sure there was an altar somewhere to the matron goddess for this summer camp, the Goddess Paranoia.The sleeping quarters for everyone? More props. Campers would go in, mill around for ten minutes, then curl up on their bed, the ones that warmed up to 98 degrees in the shape of human bodies. Then the campers went down the shafts beneath their bunks and dutifully shuffled along the one meter high underground tunnels to their mesa-based domiciles. Again, once in the cliff-side barracks, they had two chimneys, a tunnel back to the dorm building and a cleverly designed, nearly invisible front exit to choose from.Pamela took it in stride, Delilah was a bit peeved by the 'excessive' security. Virginia, we'd already dragged her through her dorm tunnel to her cave to sleep it off. For me, the tunnel's dimensions made it a tight fit. Amazons can be pretty strong, but they don't have shoulders as wide as mine, nor are they normally over a meter/eight (six feet for us Yankees).I would have complained, except I had a sneaking suspicion that Pamela had a trowel to give me so I could 'widen up' a twenty to forty meter stretch of tunnel the moment I opened my mouth. As the last portion of the instructional tour, we were directed to get our grub before it was gone because the sadistic chefs loved to watch the eight year old workhouse orphans fight over who got to lick the pot instead of starving.Not really. The victuals were actually very good. I had hopes of more bonding time with my Epona ladies, yet no sooner had I cleaned my tin plate and dinnerware, I found someone else who craved my attention, Sophia. She was hot for my touch and by that I meant she wanted to punch and kick me around for a bit, all in the name of fun."Since you are my guest, I will let you choose our weapons," Sophia decided."I choose hyperbole," I gracefully flowed from sitting with one leg down and the other bent to standing."Specify.""Caber tossing with real Sequoia. I'll wait for the ladies of Girl Scout Troop 666 to go get some, they have to be authentic; no substitutes accepted," I explained."That's not hyperbole," Sophia snorted. "Hyperbole would be, 'I want to use the biggest spears ever used by Amazons, or Goddesses'.""My hyperbole wasn't the caber tossing, it was us 'waiting' for a set of circumstances we both knew wouldn't happen," I countered. Sophia nodded.

Keith and Mike dive headfirst into a variety of candid discussions about sex, relationships, and the complexities of intimacy. Kicking off with New Year reflections and lighthearted anecdotes about international travel and passport quirks, the conversation quickly transitions into a bold exploration of modern and historical sexual dynamics. The hosts examine societal expectations of sexual performance, with an in-depth look at a passage from D.H. Lawrence's Lady Chatterley's Lover. This sparks a thoughtful debate on male fantasies, clitoral stimulation, and the evolving understanding of female anatomy over the years. They analyze how outdated ideals still influence contemporary relationships. Listeners are also treated to anecdotes about personal experiences, ranging from mishaps in college dorm rooms to the nuances of trying new things in the bedroom. Keith and Mike tackle stories on cockwarming, deep-throating challenges, and the curious role of additional participants during intimate encounters, offering their unfiltered perspectives along the way. Twitter: @ymmvpod Facebook: ymmvpod Email: ymmvpod@gmail.com

durée : 00:25:00 - Le Feuilleton - Comment terminer ce feuilleton dédié à Goliarda Sapienza sans revenir sur l'œuvre : L'Art de la joie et en particulier au personnage de Carmine, véritable "amant de Lady Chatterley" sicilien. Plaisir de la chair et désir de liberté.

durée : 00:25:00 - Le Feuilleton - Comment terminer ce feuilleton dédié à Goliarda Sapienza sans revenir sur l'œuvre : L'Art de la joie et en particulier au personnage de Carmine, véritable "amant de Lady Chatterley" sicilien. Plaisir de la chair et désir de liberté.

Annemieke Bosman in gesprek met theatermaker Florian Myjer.  Zijn uit 2023 daterende voorstelling Brideshead Revisited toert momenteel door het land. Brideshead Revisited van theatergroep De Warme Winkel ging in juni 2023 in première op het Holland Festival en stond een maand lang stijf uitverkocht in de grote zaal van theaterbroedplaats De Sloot. De voorstelling werd geselecteerd door het Nederlands Theaterfestival als één van de meest indrukwekkende producties van het seizoen.  Na het succesvolle Lady Chatterley's Lover brengt De Warme Winkel en Myjer opnieuw een Engelse literatuurklassieker naar het theater. Florian Myjer katapulteert samen met Abke Haring Brideshead Revisited de 21e-eeuw in.

La publicación en Reino Unido de la novela de D. H. Lawrence, “El amante de Lady Chatterley”, generó controversia en 1960 y abrió las puertas a un proceso donde la libertad de expresión y creación fueron sometidas a juicio.

Exciting news: it's time for the next instalment of Gyles's schoolboy diaries. In this episode, the young GB goes on his holidays, to Germany and then, unaccompanied, to Paris. We also hear about his attempts to smuggle a copy of Lady Chatterley's Lover into his boarding school. P.S Harriet got a bit of ahead of herself and released this on a Monday instead of a Tuesday by mistake! Enjoy it a day early, your special Rosebud bonus. Learn more about your ad choices. Visit podcastchoices.com/adchoices

Exciting news: it's time for the next instalment of Gyles's schoolboy diaries. In this episode, the young GB goes on his holidays, to Germany and then, unaccompanied, to Paris. We also hear about his attempts to smuggle a copy of Lady Chatterley's Lover into his boarding school. P.S Harriet got a bit of ahead of herself and released this on a Monday instead of a Tuesday by mistake! Enjoy it a day early, your special Rosebud bonus. Learn more about your ad choices. Visit podcastchoices.com/adchoices Hosted on Acast. See acast.com/privacy for more information.

.The history changing legal case to publish to uncensored D.H. Lawrence classic

durée : 00:47:00 - Les Nuits de France Culture - par : Mathilde Wagman - En 2006, la réalisatrice Pascale Ferran donnait un entretien à Michel Ciment dans "Projection privée" à propos de son dernier film "Lady Chatterley". - réalisation : Virginie Mourthé - invités : Pascale Ferran Cinéaste, membre fondatrice de la Cinetek

durée : 00:54:03 - Affaires sensibles - par : Fabrice Drouelle - Dans "Affaires Sensibles", voici le procès d'un livre écrit en 1928 par l'écrivain britannique, D. H. Lawrence, et attaqué des décennies plus tard pour publication obscène. Notre invitée Mathilde Damoisel, réalisatrice du documentaire "Le Procès de Lady Chatterley, orgasme et lutte des classes dans un jardin anglais". - invités : Mathilde Damoisel - Mathilde Damoisel : Réalisatrice de documentaire

Actor Rupert Hill was a very high functioning and pleasant drinker who could hide his alcoholism behind a successful career as an actor and publican which also helped fuel the denial. Over decades, Rupert's drinking became more and more unstainable - he found himself wanting a drink before going on stage and even in the middle of the night. Rupert decided to announce that he was sober on social media and has had the word "FREE" tatooed on the wrist of his drinking hand as a reminder to never go back. Rupert explains his slow decline into alcoholism and how and why he got sober - finding solace outside 12 step fellowship, self-help & gaining knowledge. Huge thanks Rupert for being so candid to help others! More on Rupert - Studied drama and theatre at Middlesex. Acting credits include TV shows like Holby City, Casualty and Coronation Street (Jamie Baldwin). Recent work includes Hollyoaks, Four Lives and Whitstable Pearl. He appeared in over 15 stage productions including Lady Chatterley's Lover and Wuthering Heights & directed the national tour of The Full Monty. Film credits include Awaiting and Entity &  features in 25+ radio plays. Rupert writes & directs his own films including; Molehills, Roll With The Punches and The Lookalike & recently wrote, co-directed, and starred in Operation Magpie, winning 'Best Actor' at Manchester Lift Off Festival. Debut play HUSK will stage at Hope Mill Theatre, Manchester, in September, focusing on alcohol addiction and he directs The Arden Drama School showreels and showcase. Rupert co-owns The Castle Hotel and Gullivers pubs in Manchester's Northern Quarter & recently took over The Lloyds in Chorlton. 0:00 Intro 3:15 Rupert's rock bottom 5:15 The beginning of Rupert's acting career 10:15 'Hair of the dog' turns to addiction 18:10 Drinking in the middle of the night & hiding it 21:55 Alcohol causing mental health problems? 25:40 The power of 'being present' 29:15 Sobriety & close relationships 33:15 Drinking turns unstainable & recovery 39:05 Being a sober publican! 42:35 Rupert's new play HUSK 46:15 How Rupert maintains his recovery For anyone struggling with these topics Rupert suggests reading Alcohol Explained by William Porter. This Podcast is not for profit but my goal is to break even. To help me make more please donate here. Thank you! https://bit.ly/3kSucAs Follow Rupert Instagram - https://www.instagram.com/rupertsinclairhill Twitter/X - https://x.com/RupertHill Go see his new play! https://hopemilltheatre.co.uk/event/husk Follow Oliver Instagram - https://bit.ly/3IemHLY Facebook - http://bit.ly/3w8S1Gx TikTok - https://bit.ly/3YGLsYm LinkedIn - http://bit.ly/3kp4ymC Threads - https://bit.ly/3svw7yL X - http://bit.ly/3GQYj2l Listen or watch on: (please subscribe/follow & rate/review) Spotify - https://bit.ly/3zqqR2J YouTube - https://bit.ly/45UHYWv Apple - https://apple.co/3PajZvQ #functioningalcoholic #recovery

"It is most damnable! It is written by a man with a diseased mind and a soul so black that he would obscure even the darkness of hell!"When British author D.H. Lawrence first published one of his last novels, Lady Chatterley's Lover, in 1928, he knew it was going to stir up controversy. Some might even say he wrote it that way on purpose, a result of career-long persecution and harassment from the British government for not adhering to their standards of living. In 1960, thirty years after the author died, Penguin Books was about to publish an unabridged version of Lady Chatterley in the form of an affordable paperback. The government was not having it, which led to one of the best known literary obscenity trials of the 20th century.Theme music is credited to Wendy Marcini, Elvin Vanguard, and Jules Gaia.Instagram: @literaryscandalsSelected bibliography:• The book that changed Britain: Why the Lady Chatterley's Lover trial still matters 60 years later, Penguin Books• Inside the Game-Changing Trial of Lady Chatterley's Lover, Esquire

Episodio 1292Hoy hablamos con 4 grandes de la literatura infantil y juvenil que han unido fuerzas y letras para una obra coral, Amor & Hate que nos lleva al Benidorm Fest acompañando a sus protagonistas en una aventura frenética y muy musical.Más información sobre este lanzamiento de SM: https://es.literaturasm.com/libro/amor-hate#grefSeguro que los conoces bien pero ellos son:Roberto Santiago:Roberto Santiago nació en Madrid en 1968. Estudió Imagen y Sonido en la Facultad de Ciencias de la Comunicación de la Universidad Complutense de Madrid y Creación Literaria en la Escuela de Letras de Madrid.Ha sido guionista de televisión, redactor para agencias publicitarias de Madrid, realizador de vídeo clips y ha publicado varias novelas. Entre otras, la colección Los Futbolísimos, un fenómeno editorial que se ha convertido en una de las colecciones de literatura infantil más vendidas en nuestro país en los últimos años, y que ha sido traducida a varios idiomas.Su primera novela, El ladrón de mentiras, fue finalista del Premio El Barco de Vapor. Y ganó el Premio Edebè de Literatura Infantil con Jon y la máquina del miedo. Recientemente ha comenzado la saga Los forasteros del tiempo.Ha escrito y dirigido, entre otras, las películas El penalti más largo del mundo (nominado al Goya al Mejor Guión), El club de los suicidas (basada en la novela de Robert Louis Stevenson), Al final del camino (rodada íntegramente en el camino de Santiago), la coproducción internacional El sueño de Iván (patrocinada por Unicef por su valores para la infancia), o la comedia de terror independiente La Cosecha (premio al mejor film en el Festival de Terror de Oregón). Su cortometraje Ruleta participó en la Sección Oficial del Festival de Cannes. Además, ha colaborado como director y guionista en varias series de televisión.En teatro ha escrito las adaptaciones de Ocho apellidos vascos y El otro lado de la cama (premio Telón al Autor Revelación). Así como los textos originales Share 38 (premio Enrique Llovet), Desnudas (accésit Premio Sgae), La felicidad de las mujeres, Topos, El lunar de Lady Chatterley o Adolescer 2055.Begoña OroBegoña Oro nació en Zaragoza.Cientos de miles de niños, incluido su hijo, han comenzado a leer con libros de su autoría como Lecturas para dormir a un rey, Ensalada de letras, 12 colores o La pandilla de la ardilla y han querido seguir leyendo con su colección de misterio y humor Misterios a domicilio. Especialmente conocido es su personaje de la ardilla Rasi.En 2018 ganó el premio Artes y Letras de Literatura Infantil, el premio Lazarillo de álbum ilustrado junto a Paloma Corral y el premio Jaén junto al científico Alberto J. Schuhmacher por su novela Tú tan cáncer y yo tan virgo.Su novela juvenil Pomelo y limón obtuvo el premio Gran Angular 2011, concedido por la editorial SM, y el premio Hache 2012, concedido por más de mil jóvenes. Su novela Croquetas y wasaps fue incluida en la lista de los diez mejores libros juveniles (2013) de El País. Con la novela infantil El niño del carrito (2015) quedó finalista del premio El Barco de Vapor. Su intensa actividad de fomento de la lectura le lleva a viajar por toda España para tener encuentros con lectores. Fruto de un viaje profesional a Miami, escribió el libro ¡Buenas noches, Miami!, que fue galardonado con el Premio Eurostars Narrativa de Viajes en 2014.Además es autora de numerosos libros para prelectores, como Cuentos bonitos para quedarse fritos, Día a día, letra a letra, de la A a la Z o la colección El conejo Nico.Algunas de sus obras se han traducido al alemán, catalán, coreano, euskera, lituano, portugués y próximamente turco y persa.Nando López Nando López (Barcelona, 1977) es doctor cum laude en Filología Hispánica, novelista y dramaturgo y ha sido durante años profesor de Lengua y Literatura de Secundaria y Bachillerato. Desde joven se sintió atraído por el teatro, y en sus años universitarios participó en montajes como autor y como director, llegando a crear su propia compañía teatral con la que estrenó sus primeros textos. Con el tiempo, ha sabido conjugar su pasión por la literatura, el teatro y la enseñanza. Autor de relatos y de varias novelas, le llegó el éxito con La edad de la ira, finalista del Premio Nadal 2010, texto que adaptó más tarde a lenguaje teatral y que recorrió los escenarios españoles. Como autor de literatura infantil, ha sabido acercar el teatro a los más pequeños con títulos como La foto de los 10000 me gusta en la colección El Barco de Vapor. En los textos de sus novelas juveniles le gusta tratar temas como la inclusión, la homosexualidad, el acoso escolar y el impacto de las nuevas tecnologías, como muestra En las redes del miedo.Como autor para adultos ha publicado, entre otros títulos, Hasta nunca, Peter Pan o El sonido de los cuerpos. Una faceta que combina con el teatro y la no ficción con libros humorísticos sobre la realidad educativa muy populares entre la comunidad docente, como En casa me lo sabía o Dilo en voz alta y nos reímos todos. En la actualidad, combina la creación literaria con numerosos encuentros con lectores en colegios e institutos de toda España.Belén GopeguiBelén Gopegui nació en Madrid, en octubre de 1963. En 1992 publicó la novela Laescala de los mapas, que tuvo una extraordinaria acogida: «Fuer­­za arrebatadora... Lo asombroso de esta novela es la originalidad de sus estrategias narrativas, en consonancia con el ritmo de su prosa» (Carmen Martín Gaite). Después de su interesante segunda novela, Tocarnos la cara (1995), con la tercera, La conquista del aire (1998), dio un definitivo paso adelante: «Perfectísima novela» (Francisco Umbral). En 2001 escribió su cuarta novela, Lo real: «Belén Gopegui es quien hace un empleo más afortunado y cabal de la novela como instrumento de indagación, reflexión e interpelación políticas, entendido este término en su más amplio sentido: el relativo a las cuestiones de la polis» (Ignacio Echevarría, El País). Su quinta novela fue El lado frío de la almohada: «La única sorpresa que nos puede deparar cada nuevo libro de Belén Gopegui no es la de su calidad –siempre indiscutible– sino conocer su verdadero acierto» (Rafael Conte, El País). Y en 2007 escribió la sexta novela, El padre de Blancanieves: «Una obra seria e importante que debe leerse, porque, además de resultar amena por el interés de la trama que la alimenta, urge a reflexionar sobre la realidad» (Santos Sanz Villanueva, El Cultural); «El lector será seducido por una prosa que busca mostrar la realidad como en determinadas obras de Godard o del cine de Kluge, Fassbinder, etc.» (Joaquín Arnáiz, La Razón); «Con esta novela alcanza su cota más ambiciosa» (Rafael Conte, El País). Sus novelas han sido traducidas al chino, al francés, al italiano, al turco, al alemán, al portugués, al polaco, al finlandés, al serbio y al neerlandés.Web: https://madresfera.com/Newsletter mensual: https://www.madresfera.com/newsletter/ Conviértete en un seguidor de este podcast: https://www.spreaker.com/podcast/buenos-dias-madresfera--2023835/support.

Tinta y fuego es la nueva novela de Benito Olmo, cultivador del género negro, que ahora trae un thriller que se sumerge en uno de los episodios más desconocidos de la Segunda Guerra Mundial: el robo de libros perpetrado por los nazis.Greta es una reputada buscadora de libros raros y valiosos, aunque ahora no vive sus mejores momentos, debido a la desaparición de una primera edición de Borges. Acepta un encargo insólito: encontrar la biblioteca de la familia Fritz-Briones. La investigación la llevará hasta Berlín, donde alguien está asesinando a bibliófilos, libreros y coleccionistas de todo el mundo para reconstruir la mítica Biblioteca de la Comunidad Judía de Roma, que fue saqueada y escondida por el Tercer Reich.Sexo explícito. Adulterio. El amante de Lady Chatterley es el título de una novela erótica, que fue prohibida, sometida a juicio… y al final, aclamada mundialmente. Contamos cómo esta obra de D. H. Lawrence venció a la censura, después de sentarse en el banquillo.En la sección de Audiolibros, regresamos a El hijo olvidado, un thriller de Mikel Santiago, que nos encantó, y por eso abrimos de nuevo sus páginas.Y en Pequeñas historias de los clásicos, la capacidad de concentración de Charles Dickens.Además, hay novedades más que interesantes, como La campana de cristal, la única novela publicada por Sylvia Plath, o los cuentos escogidos de Alice Munro. Y también recomendamos La ciudad de los vivos, la extraordinaria crónica literaria de un hecho trágico ocurrido en 2016, y diseccionado por Nicola Lagioia.

This week Amanda and Victoria discuss Lady Chatterley's Lover, sex politics, and what DH Lawrence means by a "crisis." --- Support this podcast: https://podcasters.spotify.com/pod/show/unfortunately-required/support

This week, we read Outlander by Diana Gabaldon Ella joins me on this episode to discuss:  Why, as two people people who don't normally read romance, ate this s**t up.  The fact that our girl Diana can sure write a sex scene How all of the elements — romance, historical anecdotes, character development, setting — came together to create a lovely, entertaining story Open your book and press play on a podcast episode that will have you singing a song of a lass that is gone.  Mentioned in the Pairings section of the podcast: DRINK: Rhenish Wine, Whiskey TV SHOW - Reign, Game of Thrones BOOK - Kindred  MOVIE - Brave, Lady Chatterley's Lover   Quick Summary: Scottish Highlands, 1945. Claire Randall, a former British combat nurse, is just back from the war and reunited with her husband on a second honeymoon when she walks through a standing stone in one of the ancient circles that dot the British Isles. Suddenly she is a Sassenach—an “outlander”—in a Scotland torn by war and raiding clans in the year of Our Lord . . . 1743. Claire is catapulted into the intrigues of a world that threatens her life, and may shatter her heart. Marooned amid danger, passion, and violence, Claire learns her only chance of safety lies in Jamie Fraser, a gallant young Scots warrior. What begins in compulsion becomes urgent need, and Claire finds herself torn between two very different men, in two irreconcilable lives. ***  Once you're done listening, hop onto our Instagram and TikTok @rwreadspodcast to give us your thoughts on the discussion and the book. We look forward to hearing from you!    * Disclaimer * At Red Wine Reads, we want to engage in the stories of people from all kinds of backgrounds and experiences. The value of books lies in the power of storytelling and sharing a range of perspectives. We don't want to just read what we know, we want to read stories that open our worldview. And in turn, that means getting into challenging, rewarding conversations. But we are not experts in any field — literature, race relations, politics, etc .— and we know that our reviews of these books come from a place of privilege. We encourage our community of readers to add to these conversations with their own thoughts, critiques, and questions. We want to open up a safe place for people. That being said, we also realize that getting into race, sexuality, gender, and other difficult topics can be triggering. We aim to include content warnings whenever they are applicable but we are not perfect. So as we continue to do our best, know you have the room to tell us when we can do better and even, if you want to, share resources with us. Let's learn, grow, and have fun together. 

A little teaser for what's coming in Abridgd...Too Far! Our first, but surely not our last, Dickens classic! We promise not to bore you and just concentrate on child neglect and corporal punishment with delving into a good healthy dose of English class politics. This trailer will get the juices flowing in expectation. And if you haven't heard our first five episodes - "The Great Gatsby", "Jane Eyre" and "The War of the Worlds", "Frankenstein", "Lady Chatterley's Lover" or "The Scarlet Letter"...then now is your chance to catch up! Learn more about your ad choices. Visit megaphone.fm/adchoices

Quelques Fleurs by Houbigant (1912) + Lady Chatterley's Lover by D.H. Lawrence (1928) + Just Jaekin's Lady Chatterley's Lover (1981) + Ken Russell's Lady Chatterley (1993) with Abbey  1/21/24 S6E10 To hear the complete continuing story of The Perfume Nationalist please subscribe on Patreon. 

Lady Chatterley's Lover by D. H. Lawrence (1928)

Jim talks with Kevin Dickinson about the ideas in his recent essay "A Short History of the F-Word." They discuss the mystery of the F-word's origins, a damn fucking abbot in the sixteenth century, the hierarchy of curse words, religious profanities, the poet William Dunbar's use of "fukkit," the case of Roger Fuckedbythenavele, folk etymologies, false acronyms, movies with the most fucks, fucks per minute vs absolute number of fucks, a high Ngram watermark in 2017, the Lady Chatterley's Lover obscenity trial, senses of fuck, veiling words, John McWhorter's research, the history of fuck in the dictionary, language as fashion, and much more. Episode Transcript Kevin Dickinson at Big Think The Stuff of Thought: Language as a Window Into Human Nature, by Steven Pinker Nine Nasty Words: English in the Gutter — Then, Now, and Forever, by John McWhorter Kevin Dickinson is a staff writer and columnist at Big Think. His writing focuses on the intersection between education, psychology, business, and science. He holds a master's in English and writing, and his articles have appeared in Agenda, RealClearScience, and the Washington Post.

A little teaser for what's coming in Abridgd...Too Far! Next on our list is Nathaniel Hawthorne's obligatory high school read of love, puritanism and slut shaming - The Scarlet Letter. This trailer will get the juices flowing in expectation. And if you haven't heard our first five episodes - "The Great Gatsby", "Jane Eyre" and "The War of the Worlds", "Frankenstein" and "Lady Chatterley's Lover"...then now is your chance to catch up! Learn more about your ad choices. Visit megaphone.fm/adchoices

Banned in many countries until the 1960s, David Herbert Lawrence's 1928 novel is both racier and tamer than you might imagine. What more would you expect from a book that uses both "the love experience" and [BLEEP] to describe, well, adult behavior? Caveat lictor: this episode features discussions of Adult Situations.Our theme music was composed by Nick Lerangis.Advertise on OverdueSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Three news stories summarized & contextualized by analytic journalist Colin Wright.Disney's earliest Mickey and Minnie Mouse enter public domain as US copyright expiresSummary: A short animated film released in 1928 that features non-speaking versions of Mickey and Minnie Mouse has entered the public domain, which means anyone can now use their copyright-less image however they choose, ending a long period in which all variations of these characters were assiduously protected by Disney lawyers.Context: US copyright law gives the creators of characters like Mickey Mouse 95 years of protection before they're no longer exclusive and can be repurposed, remixed, and appropriated by anyone for any use or reason; earlier US copyright law only protected such works for 55 years, but Congress recently upped that by 20 years and then by another 20 years, keeping Mickey Mouse from entering the public domain first in 1984, then in 2004—efforts that were lobbied for by Disney and which have caused the relevant law to be nicknamed “the Mickey Mouse Protection Act” in some corners of the legal profession; a new swathe of works lose their copyright every year, and 2024 also brings Winnie the Pooh's friend Tigger, a silent film called The Circus starring Charlie Chaplin, and DH Lawrence's novel Lady Chatterley's Lover into the public domain.—BBC NewsOne Sentence News is a reader-supported publication. To support my work, consider becoming a free or paid subscriber.Powerful earthquake slams Japan, residents flee some coastal areasSummary: An earthquake with a preliminary magnitude of 7.6 destroyed dozens of buildings and knocked out power to tens of thousands of homes in central Japan; the government issued a major tsunami warning for coastal residents, the first since early 2011, but that warning was later downgraded.Context: Residents in and around afflicted areas have been warned to prepare for more quakes and potential tsunamis, readying themselves for a quick evacuation if necessary, and transportation has been disrupted by the closing of train lines, highways, and at least one airport due to damage or concerns about potential damage to their infrastructure; Russia and North Korea also issued tsunami warnings following the quake, but those warnings have also now been downgraded.—ReutersArgentina formally announces it won't join the BRICS alliance in Milei's latest policy shiftSummary: The Argentine government has formally announced that it won't be joining the BRICS bloc of developing countries, marking a promise kept by recently elected Argentine President Milei.Context: The BRICS bloc—an acronym for Brazil, Russia, India, China, and South Africa—is in the process of opening up to more countries as part of a larger ambition to challenge the geopolitical and economic dominance of the world's currently wealthiest nations, and Argentina was one of the six initial invitees; Argentina is in the midst of a staggering economic crisis, which is part of why Milei, who says he wants to blow the whole thing up and rebuild it from scratch, basically, was elected, but his opposition to joining the group is seemingly more ideological than practical, as he says he wants to align Argentina with countries like the US and Israel, not countries like China.—The Associated PressThe number of unhoused people in the United States has reached a new post-2007 high (which is when the Department of Housing and Urban Development started tracking homelessness in the country); 653,104 Americans were tallied as experiencing homelessness in 2023, which is up by about 12% from 2022—that increase ostensibly the result of a reduction in social safety net programs following the truncation of pandemic-era programs and sharp rent increases.—Chartr>112,000Number of deaths attributed to overdoses of the synthetic opioid fentanyl in the United States in 2023—a new, grim milestone.Many such deaths result from opioid addictions sparked by injuries or the escalatory use of less powerful drugs like heroin, while others are accidentally exposed when it's erroneously sold to them as some other type of black-market drug, like ADHD or depression medication.—NPR NewsTrust Click Get full access to One Sentence News at onesentencenews.substack.com/subscribe

Denton Loving is the author of Crimes Against Birds (Main Street Rag) and Tamp (Mercer University Press). He is also the editor of Seeking Its Own Level: an anthology of writings about water (MotesBooks). He holds a Master of Fine Arts in Writing and Literature from Bennington College. His work has appeared in Iron Horse Literary Review, The Kenyon Review, Tupelo Quarterly, Harvard Divinity Bulletin, The Threepenny Review, and Ecotone. He is a co-founder and editor at EastOver Press and its literary journal Cutleaf. D.H. Lawrence was born in 1885 in Eastwood, Nottinghamshire in England, and he died in 1930 at Vence in the south of France. Though Lawrence is best known for his novels—he's the author of Lady Chatterley's Lover and nearly a dozen others—he also published short stories, plays, essays, criticism, and more than a dozen collections of poetry. Links:Read "Copperhead," "Foundation," and "Hurtling"Read "Humming-Bird"Denton LovingDenton Loving's website"Five Poems by Denton Loving" at Salvation South"Three Poems by Denton Loving" at Harvard Divinity Bulletin"Under the Chestnut Tree" at EcotoneVideo: WANA (Writers Association of Northern Appalachia) Live! Reading Series featuring Denton LovingReview of Tamp at Southern Review of BooksD.H. LawrenceBio, Poems, and Prose at The Poetry FoundationBio and Poems at Poetry.orgMentioned in this episode:KnoxCountyLibrary.orgThank you for listening and sharing this podcast. Explore life-changing resources and events, sign up for newsletters, follow us on social media, and more through our website, www.knoxcountylibrary.org.Rate & review on Podchaser

World-renowned and very clever Professor of Short Books, Douglas Ullard...along with his Twenty-Two Minute and Seventeen Second Classic Literature Audio Armchair Theatre Company (or TTMASSCLAATC) brings you D. H. Lawrence's naughty literary "masterpiece" in just...well...twenty-two minutes and seventeen seconds.  So, if you're trying to look smart in front of your friends and family because they think they KNOW the story of The War of the Wolrds... then, don't worry…we've done all the hard work for you. So sit back and listen to the scandal unfold at Wragby, where Lady Constance is searching for more than just a good time! Cast: Julien Bell as Mellors and others Joanna Brookes as Bolton and others David Menkin as Michaelis and others Caroline Rodgers as Lady Chatterley and others Ben Starr as Clifford and others With a special introduction by the Professor himself, Douglas Ullard. Written by David Spicer Directed by John Schwab and David Spicer Audio Production by John Schwab Learn more about your ad choices. Visit megaphone.fm/adchoices

In seinem Roman "Lady Chatterley's Lover" erzählt D.H. Lawrence die Liebesgeschichte einer englischen Lady und eines Mannes aus der Arbeiterklasse. Das Buch sorgt für einen der größten Skandale der Literaturgeschichte. Es ist ein Plädoyer für die freie Entfaltung der Persönlichkeit, die die Sexualität ganz explizit miteinschließt. Autor: Frank Halbach

A little teaser for what's coming in Abridgd...Too Far! Next on our list is D H :Lawrence's lurid tale of sex, life, sex, culture, sex, politics, sex, social justice and SEX: Lady Chatterley's Lover This trailer will get the juices flowing in expectation. And if you haven't heard our first three episodes - "The Great Gatsby", "Jane Eyre" and "The War of the Worlds", then now is your time to catch up! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we read Atonement by Ian McEwan  This 2001 novel follows thirteen-year-old Briony Tallis who witnesses a moment's flirtation between her older sister, Cecilia, and Robbie Turner, the son of a servant and Cecilia's childhood friend. But Briony's incomplete grasp of adult motives—together with her precocious literary gifts—brings about a crime that will change all their lives. Ella joins me on this episode to discuss:  Why we had to reschedule this recording so Jenna could watch the movie  Why the second third of the book lost us Why the bomb scene in Oppenheimer and the sex scene in Atonement hold the same tension.  Open your book and press play on a podcast episode that will have you hearing a typewriter sound everywhere you go.  Mentioned in the Pairings section of the podcast: DRINK: Choc-tail TV SHOW - The Pursuit of Love, Severance  BOOK - The Great Gatsby, The Nightingale  MOVIE -  Lady Chatterley's Lover, 1917 ***  Once you're done listening, hop onto our Instagram and TikTok @rwreadspodcast to give us your thoughts on the discussion and the book. We look forward to hearing from you!    * Disclaimer * At Red Wine Reads, we want to engage in the stories of people from all kinds of backgrounds and experiences. The value of books lies in the power of storytelling and sharing a range of perspectives. We don't want to just read what we know, we want to read stories that open our worldview. And in turn, that means getting into challenging, rewarding conversations. But we are not experts in any field — literature, race relations, politics, etc .— and we know that our reviews of these books come from a place of privilege. We encourage our community of readers to add to these conversations with their own thoughts, critiques, and questions. We want to open up a safe place for people. That being said, we also realize that getting into race, sexuality, gender, and other difficult topics can be triggering. We aim to include content warnings whenever they are applicable but we are not perfect. So as we continue to do our best, know you have the room to tell us when we can do better and even, if you want to, share resources with us. Let's learn, grow, and have fun together.

Read below for all you need to know about Abridgd Too Far! Fast, furious, funny and frequently infuriating to the aficionado, we present the literature's most renowned and best-loved books in just 1,337 seconds. Missing a hell of a lot out, making stark narrative choices, chucking in a fair amount of jokes and using audio to its maximum potential, this is a breakneck comic canter through the classics. The programme is introduced and narrated by Professor Ullard. They claim to be a professor of English Literature who has abridged these timeless works for the edification of a busy world that doesn't have the time to read. However, in reality they are a pompous, philistine fool with a low opinion of dead authors and classic writing, an obsession with inconsequential details like word counts and anagrams and who just wants to get the whole thing over with as swiftly as possible. Ullard's versions of these masterpieces are acted out for us by their Twenty-Two Minute and Seventeen Second Classic Armchair Audio Theatre Company, which consists of a small (and madly versatile) regular cast of 6 actors, who play all the parts without stopping to take a breath. Because, in spite of the inherent comedy of the pace and haste, this absurd abridgement is a (more or less) faithful retelling of the book, in all its madly dramatic glory. ABRIDGED - TOO FAR So...like an Afternoon Play running to catch a train, The Great Gatsby, Great Expectations, Jane Eyre, Lady Chatterley's Lover, The War of the Worlds and The Scarlet Letter will be boiled down, stripped back and sped up for the enjoyment of those listeners who may know the book but will enjoy a speedy re- acquaintance with it – or (far more likely) it will be for those of us who don't know it because we've never had time in our busy lives to sit down and read it but sort of feel we should. David Spicer (Writer / Co-Director) is an award-winning comedy writer whose work for BBC Radio 4 includes the sitcoms Double Income No Kids Yet, Three Off the Tee and Hennikay and the plays Kind Hearts & Coronets (Like Father Like Daughter), Kempton and the Duke and Munchausen. He has written for countless British TV shows and his stage plays have been performed in London and all over the UK. During the pandemic he wrote an acclaimed series of live streamed comedies, performed by socially distanced actors during lockdown John Schwab (Producer / Co-Director) is an award-winning actor, director and producer. He has appeared on over 100 stages across the UK and half a dozen in the West End. He has directed numerous play readings and workshops including David Spicer's West End debut “Stop! - The Play”. John has recently appeared on the small screen in Jack Ryan, The Diplomat, The Queen's Gambit, Das Boot and many more. He's also a successful games voice over artist. You can hear him as Dandelion in The Witcher franchise, Starlord in Lego Marvel and is the voice of Dove Men+ Plant-based Care. His podcast “The Curtain Call Podcast” is a NY Times top theatre podcast on BPN. 

Read below for all you need to know about Abridgd Too Far! Fast, furious, funny and frequently infuriating to the aficionado, we present the literature's most renowned and best-loved books in just 1,337 seconds. Missing a hell of a lot out, making stark narrative choices, chucking in a fair amount of jokes and using audio to its maximum potential, this is a breakneck comic canter through the classics. The programme is introduced and narrated by Professor Ullard. They claim to be a professor of English Literature who has abridged these timeless works for the edification of a busy world that doesn't have the time to read. However, in reality they are a pompous, philistine fool with a low opinion of dead authors and classic writing, an obsession with inconsequential details like word counts and anagrams and who just wants to get the whole thing over with as swiftly as possible. Ullard's versions of these masterpieces are acted out for us by their Twenty-Two Minute and Seventeen Second Classic Armchair Audio Theatre Company, which consists of a small (and madly versatile) regular cast of 6 actors, who play all the parts without stopping to take a breath. Because, in spite of the inherent comedy of the pace and haste, this absurd abridgement is a (more or less) faithful retelling of the book, in all its madly dramatic glory. ABRIDGED - TOO FAR So...like an Afternoon Play running to catch a train, The Great Gatsby, Great Expectations, Jane Eyre, Lady Chatterley's Lover, The War of the Worlds and The Scarlet Letter will be boiled down, stripped back and sped up for the enjoyment of those listeners who may know the book but will enjoy a speedy re- acquaintance with it – or (far more likely) it will be for those of us who don't know it because we've never had time in our busy lives to sit down and read it but sort of feel we should. David Spicer (Writer / Co-Director) is an award-winning comedy writer whose work for BBC Radio 4 includes the sitcoms Double Income No Kids Yet, Three Off the Tee and Hennikay and the plays Kind Hearts & Coronets (Like Father Like Daughter), Kempton and the Duke and Munchausen. He has written for countless British TV shows and his stage plays have been performed in London and all over the UK. During the pandemic he wrote an acclaimed series of live streamed comedies, performed by socially distanced actors during lockdown John Schwab (Producer / Co-Director) is an award-winning actor, director and producer. He has appeared on over 100 stages across the UK and half a dozen in the West End. He has directed numerous play readings and workshops including David Spicer's West End debut “Stop! - The Play”. John has recently appeared on the small screen in Jack Ryan, The Diplomat, The Queen's Gambit, Das Boot and many more. He's also a successful games voice over artist. You can hear him as Dandelion in The Witcher franchise, Starlord in Lego Marvel and is the voice of Dove Men+ Plant-based Care. His podcast “The Curtain Call Podcast” is a NY Times top theatre podcast on BPN. 

durée : 00:55:40 - Certains l'aiment Fip - Le bruit apaisant des averses envahit la pellicule de Chantons sous la pluie, Match Point, Les parapluies de Cherbourg, Blade Runner, Lady Chatterley, Sur la route de Madison, Cape Fear, Le lauréat, In the Mood for Love, 4 mariages et un enterrement...

El fin de semana se recibe con más alegría gracias al humor del Territorio Comanche, con Máximo Pradera, Miqui Otero, Nuria Torreblanca, Santi Segurola, Noelia Adánez y Lorenzo Caprile. Esta semana, nos hablan de la canción inédita de los Beatles recientemente publicada, así como de la gran diva de la ópera Maria Callas y la polémica novela "El amante de Lady Chatterley". 

Ceri interviews quantum artist Libby Heaney, an award-winning British visual artist with a PhD in quantum physics. Libby shares her inspirational journey navigating classism and sexism as a working-class woman in elite academic institutions. She finds solace in art, eventually pursuing it full-time after earning enough money in science. Libby discusses entangling quantum computing with digital art, creating magical, sensual experiences that question reality. A courageous and candid conversation on processing grief after her sister's suicide through vulnerable artworks. Libby reminds us that connection and hope can transcend life's challenges. KEY TAKEAWAYS Libby was bullied and felt like an outsider as a working-class "gobby clever one" in an elite physics program, finding refuge in art studios after a turbulent home life. She persevered in physics to fund her art school dreams but still felt patronised as the only woman in Oxford labs with unprofessional male academics. Libby pioneered art interrogating biases in AI systems, including classism, through projects like Lady Chatterley's Tinderbot. She creates multi-sensory quantum artworks using code she writes to entangle ideas of fluid identity and the magical realities beneath surface perceptions. Processing her grief over her sister's suicide through paintings and VR, Libby vulnerably explores transcendence and hope within devastation. Sharing quantum physics concepts with the public, Libby wants to spread the queer, non-binary nature of the microscopic world. Despite obstacles, Libby encourages persistence in finding your passion and community, taking care of your whole self. BEST MOMENTS  "I'd say, like, keep going, then it will be all right, like, but I think I knew that deep in me as well. I knew what I wanted to do." "I'm really interested in embodiment and affect and sensation. Cause I think the technical details of quantum are quite hard." "If you know what you want to do, just keep going” "I had so many dead ends, which we haven't really spoken about, but that's, to be really clear, I've had so many times things haven't worked out for me, and I've had to go back and try again." PODCAST HOST BIO Meet Ceri Hand, the driving force behind countless creative success stories. A creative coach, entrepreneur, and dynamic speaker, she's committed to empowering creatives to realise their dreams and make a meaningful impact through her creative coaching, mentoring and training company. With three decades in the arts under her belt, Ceri has ridden the highs, the lows, and everything in between. Now, she's here to help you achieve your goals, your way. **** Find out how we can support you to become extraordinary here: https://linktr.ee/cerihandThis show was brought to you by Progressive Media

David Herbert Lawrence (Eastwood, Nottingham, 1885-Vence, Francia, 1930) fue uno de los escritores más controvertidos de la literatura británica del pasado siglo. Sus novelas fueron sistemáticamente prohibidas o censuradas. Es el autor de, entre otras, 'Hijos y amantes', 'Mujeres enamoradas', 'La serpiente emplumada' y de una gran obra poética, obras de teatro, ensayos y relatos como 'La Virgen y el gitano'. 'El amante de Lady Chatterley' se publicó en 1928 y es una novela extraordinariamente realista, lo que la hace perturbadora.

The pill, Profumo, pornography. Love, liberation and libido. Larkin, Lady Chatterley, Lolita,  *No era in recent history has been both more celebrated and more vilified than the 1960s.  *For some it was a time when music, fashion and drugs enabled young people to express their individuality and freedom and their hopes and dreams of a better world.  For others, it marked the advent of the permissive society, the undermining of authority, family values and common decency.  *And at the heart of this continuing controversy was ..sex.  *PETER DOGGET, journalist, cultural critic and writer, whose book 'Growing Up: Sex in the 60s' takes an unflinching look at the dark underbelly of the sexual revolution, came into the Bureau to explain that while the orgiastic hedonism, ever-changing partners and polymorphous perversity of countercultural myth was enjoyed by a tiny minority, the vast majority of the British population could only gawp from the sidelines, still living in a world  with a moral code that stretched back to the Victorian Age.   We talk about the battle between two opposing forces: the urge to free the body from guilt, and the desire to control, cannibalise and exploit that liberation for profit or pleasure - plus VD, groupies, The Beatles miniskirts, Germaine Greer and Jane Birkin (RIP).   *For more on Peter and his work   *Get our Counterculture newsletter   *The Bureau of Lost Culture Home   #sex #counterculture #sexualrevolution #sexualliberation #libido #permissivesociety #thepill #miniskirt #hippie #commune #blowup #janebirkin #sergegainsbourg #nabokov #freelove #sohoradio    

Is a young man's philandering ever really a victimless crime? D.H. Lawrence, today on The Classic Tales Podcast.  Welcome to The Classic Tales Podcast. Thank you for listening.  We are proudly supported by our listeners. We couldn't do this without you. Your monthly donation helps in so many ways, and it also gives you access to more classic titles.  Go to http://classictalesaudiobooks.com and become a financial supporter today. A $5 dollar monthly donation gets you an $8 monthly coupon code for any audiobook order. Thank you so much.  App users can watch a short video of me talking about another thing I love about the classics, if that's your idea of a good time.  If you're in the mood for a good contemporary thriller, check out Immortal Red, by Keith Hummel on Audible. The link is in the show notes. When a biologist discovers a jellyfish that holds the secret to immortality, things start to spin out of control. Tapping into his years of medical experience, Hummel's convincing thriller spans the globe as governments and mercenaries conspire to acquire the real essence of eternal life. I had a great time recording it. That's Immortal Red, by Keith Hummel. Don't miss it!  David Herbert Lawrence was a novelist, poet, short story writer and essayist. His best known novels, including “Sons and Lovers”, “The Rainbow”, and “Lady Chatterley's Lover”, were subjects of censorship trials for their radical use of strong language and sexuality. Lawrence was largely maligned and estranged during his career. However, E.M. Forster in an obituary notice challenged this view, dubbing Lawrence, “the greatest imaginative novelist of our generation”.  Today's story isn't particularly racy at all, please don't worry about that. But it's elegantly written, and very powerful in it's message. It's from a collection of short stories written from 1913 – 1922, and takes place during World War I. Written a hundred years before the “Me Too” movement, this is one of the issues we're still struggling with as a species. See if the punishment fits the crime. Then ask yourself why you came to that conclusion.  And now, Tickets, Please, by D.H. Lawrence.  Follow this link to pick up Immortal Red, by Keith Hummel on Audible.com    Follow this link to become a monthly supporter:    Follow this link to subscribe to the Arsène Lupin Podcast:   Follow this link to subscribe to our YouTube Channel:   Follow this link to follow us on Instagram:   Follow this link to follow us on Facebook:    Follow this link to follow us on TikTok:    

Louise and Virginia do a deep dive into the very contentious topic of Cancel Culture and the trend of cancelling books and authors. They also touch on the subject of banning books (and indeed burning books), which always have the opposite effect of that sought. Virginia and Lou both have very strong opinions on the subject and it's such an interesting conversation. They also discuss a few great non-bookish things they've been diving into of late.BooksThe Boy in the Striped Pyjamas by John Boyne, 2006, DoubledayAll the Bright Places by John Boyne, 2022, DoubledaySlaughterhouse Five by Kurt Vonnegut, 1969Lady Chatterley's Lover by D H Lawrence, 1928.The Trial of Lady Chatterley's Lover, Edited by CH RolpheTV ShowsVardy v Rooney-BingeMurder on the Homefront – NetflixSignificant Others – ABC iViewNolly – FoxtelPodcastThe Banned Books Podcast

Jóhann Jóhannsson was one of contemporary cinema's greatest score composers when he passed away in 2018 at the young age of 48. Last and First Men, his enigmatic directorial debut, was released shortly after in 2020. Based on a novel by the same name by the British science fiction writer Olaf Stapleton, the film offers a sustained meditation on the prospect of extinction, the eventuality of humanity's disappearance from the comos. In this episode, JF and Phil discuss the images and sounds of the film as they flicker and swell against the backdrop of nonbeing that envelops us all. The conversation touches on the idea of beauty, Brutalist architecture, modernism, and futurity. Preorder Pierre-Yves Martel's album Mer bleue (https://pierre-yvesmartel.bandcamp.com/album/mer-bleue). Support us on Patreon (https://www.patreon.com/weirdstudies) and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle. Listen to volume 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and volume 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2) of the Weird Studies soundtrack by Pierre-Yves Martel (https://www.pymartel.com) Find us on Discord (https://discord.com/invite/Jw22CHfGwp) Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)! Get your Weird Studies merchandise (https://www.redbubble.com/people/Weird-Studies/shop?asc=u) (t-shirts, coffee mugs, etc.) Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies) REFERENCES Jóhann Jóhannsson, Last and First Men (https://www.imdb.com/title/tt8015444/) Unfrozen Caveman Lawyer (https://en.wikipedia.org/wiki/Unfrozen_Caveman_Lawyer), SNL character Spomeniks (https://www.spomenikdatabase.org/what-are-spomeniks), Yugoslavian monuments Olaf Stapleton, The Last and First Men (https://bookshop.org/a/18799/9781604443578) Woody Allen, Hannah and Her Sisters (https://www.imdb.com/title/tt0091167/) The Last of Us (https://www.imdb.com/title/tt3581920/), television show Ray Brassier, [Nihil Unbound: Enlightenment and Extinction](https://books.google.com/books/about/NihilUnbound.html?id=zN7WAAAAMAAJ&source=kpbookdescription)_ Weird Studies, Episode 2 on Garmonbozia (https://www.weirdstudies.com/2) Alexander Solzhenitsyn, Nobel Prize Speech (https://www.nobelprize.org/prizes/literature/1970/solzhenitsyn/lecture/) Weird Studies Episode 139 on Art Power (https://www.weirdstudies.com/139) Numenius (https://plato.stanford.edu/entries/numenius/), Platonist philosopher Gilles Deleuze and Félix Guattari, What is Philosophy? (https://bookshop.org/a/18799/9780231079891) Jia Tolentino, “The Overwhelming Emotion of Hearing Toto's “Africa” (https://www.newyorker.com/culture/rabbit-holes/the-overwhelming-emotion-of-hearing-totos-africa-remixed-to-sound-like-its-playing-in-an-empty-mall) Weird Studies, Episode 110 on “The Glass Bead Game” (https://www.weirdstudies.com/110) D. H. Lawrence, Lady Chatterley's Lover (https://bookshop.org/a/18799/9780141192482)

#416 This is the final chapter of a very romantic story.

A most golden age murder. Books mentioned in this episode — Lady Chatterley's Lover by DH Lawrence — The Wind in the Willows by Kenneth Grahame — Peril at End House by Agatha Christie — The Crime at Black Dudley by Margery Allingham — There Came Both Mist and Snow by Michael Innes — Sad Cypress by Agatha Christie — Too Soon to Die by Henry Wade — The Stately Home Murder by Catherine Aird — Strange Bedfellows by Andrew Soutar — Brideshead Revisited by Evelyn Waugh — Orlando by Virginia Woolf — Coming Up for Air by George Orwell — Rebecca by Daphne Du Maurier NB: Links to Blackwell's are affiliate links, meaning that the podcast receives a small commission when you purchase a book there (the price remains the same for you). Blackwell's is a UK bookselling chain that ships internationally at no extra charge. This episode is sponsored by BetterHelp. Give online therapy a try at betterhelp.com/shedunnit. To be the first to know about future developments with the podcast, sign up for the newsletter at shedunnitshow.com/newsletter. The podcast is on Twitter, Facebook, and Instagram as @ShedunnitShow, and you can find it in all major podcast apps. Make sure you're subscribed so you don't miss the next episode. Click here to do that now in your app of choice. Find a full transcript of this episode at shedunnitshow.com/thedeathofthecountryhousetranscript Music by Audioblocks and Blue Dot Sessions. See shedunnitshow.com/musiccredits for more details. Learn more about your ad choices. Visit megaphone.fm/adchoices

Poet, novelist, translator, journalist, crime fiction writer, children's book author, teacher, math tutor: now here is a man who contains multitudes. Jerry Pinto joins Amit Varma in episode 314 of The Seen and the Unseen to talk about his life and learnings. (FOR FULL LINKED SHOW NOTES, GO TO SEENUNSEEN.IN.) Also check out: 1. Jerry Pinto on Instagram, Amazon and his own website. 2. Em and the Big Hoom -- Jerry Pinto. 3. The Education of Yuri -- Jerry Pinto. 4. Murder in Mahim -- Jerry Pinto. 5. A Book of Light -- Edited by Jerry Pinto. 6. Baluta -- Daya Pawar (translated by Jerry Pinto). 7. I Have Not Seen Mandu -- Swadesh Deepak (translated by Jerry Pinto). 8. Cobalt Blue -- Sachin Kundalkar (translated by Jerry Pinto). 9. The Life and Times of Shanta Gokhale -- Episode 311 of The Seen and the Unseen. 10. ‘Sometimes I feel I have to be completely invisible as a poet' -- Jerry Pinto's interview of Adil Jussawalla. 11. A Godless Congregation — Amit Varma. 12. The Rooted Cosmopolitanism of Sugata Srinivasaraju — Episode 277 of The Seen and the Unseen. 13. The Big Questions — Steven E Landsburg. 14. Unlikely is Inevitable — Amit Varma. 15. The Law of Truly Large Numbers. 16. The Gentle Wisdom of Pratap Bhanu Mehta — Episode 300 of The Seen and the Unseen. 17. Young India — Episode 83 of The Seen and the Unseen (w Snigdha Poonam). 18. Dreamers — Snigdha Poonam. 19. The Loneliness of the Indian Man — Episode 303 of The Seen and the Unseen (w Nikhil Taneja). 20. The History Boys -- Alan Bennett. 21. The Connell Guide to How to Write Well -- Tim de Lisle. 22. Thinking Better: The Art of the Shortcut -- Marcus Du Sautoy. 23. Dead Poet's Society -- Peter Weir. 24. A Mathematician's Apology -- GH Hardy. 25. The Man Who Knew Infinity -- Robert Kanigel. 26. David Berlinski and Martin Gardner on Amazon, and Mukul Sharma on Wikipedia.. 27. Range Rover -- The archives of Amit Varma's column on poker for The Economic Times. 28. Luck is All Around -- Amit Varma. 29. Stoicism on Wikipedia, Stanford Encyclopedia of Philosophy and Britannica. 30. House of the Dead —  Fyodor Dostoevsky. 31. Black Beauty -- Anna Sewell. 32. Lady Chatterley's Lover -- DH Lawrence. 33. Mr Norris Changes Trains -- Chistopher Isherwood. 34. Sigrid Undset on Amazon and Wikipedia. 35. Some Prefer Nettles -- Junichiro Tanizaki. 36. Things Fall Apart — Chinua Achebe. 37. Jane Austen and Thomas Hardy on Amazon. 38. Orientalism -- Edward Said. 39. Edgar Allan Poe, Nathaniel Hawthorne and Kurt Vonnegut on Amazon. 40. Johnny Got His Gun -- Dalton Trumbo. 41. Selected Poems -- Kamala Das. 42. Collected Poems -- Kamala Das. 43. In Which Annie Gives It Those Ones — Pradip Krishen. 44. Dance Dance For the Halva Waala — Episode 294 of The Seen and the Unseen (w Jai Arjun Singh and Subrat Mohanty). 45. Tosca -- Giacomo Puccini. 46. Civilisation by Kenneth Clark on YouTube and Wikipedia. 47. Archives of The World This Week. 48. Dardi Rab Rab Kardi -- Daler Mehndi. 49. Is Old Music Killing New Music? — Ted Gioia. 50. Mother India (Mehboob Khan) and Mughal-E-Azam (K Asif). 51. A Meditation on Form — Amit Varma. 52. Sara Rai Inhales Literature — Episode 255 of The Seen and the Unseen. 53. Collected Poems — Mark Strand. 54. Forgive Me, Mother -- Eunice de Souza. 55. Porphyria's Lover -- Robert Browning. 56. Island -- Nissim Ezekiel. 57. Paper Menagerie — Ken Liu. 58. Jhumpa Lahiri on Writing, Translation, and Crossing Between Cultures — Episode 17 of Conversations With Tyler. 59. The Notebook Trilogy — Agota Kristof. 60. Amitava Kumar Finds the Breath of Life — Episode 265 of The Seen and the Unseen. 61. The Blue Book: A Writer's Journal — Amitava Kumar. 62. Nissim Ezekiel on Amazon, Wikipedia and All Poetry. 63. Adil Jussawalla on Amazon, Wikipedia and Poetry International. 64. Eunice de Souza on Amazon, Wikipedia and Poetry International. 65. Dom Moraes on Amazon, Wikipedia and Poem Hunter. 66. WH Auden and Stephen Spender on Amazon. 67. Pilloo Pochkhanawala on Wikipedia and JNAF. 68. Arvind Krishna Mehrotra on Amazon, Wikipedia and Poetry Foundation. 69. Amar Akbar Anthony -- Manmohan Desai. 67. Ranjit Hoskote on Amazon, Instagram, Twitter, Wikipedia and Poetry International. 71. Arundhathi Subramaniam on Amazon, Instagram, Wikipedia, Poetry International and her own website. 72. The Red Wheelbarrow -- William Carlos Williams. 73. Mary Oliver's analysis of The Red Wheelbarrow. 74. A Poetry Handbook — Mary Oliver. 75. The War Against Cliche -- Martin Amis. 76. Seamus Heaney on Amazon, Wikipedia and Poetry Foundation. 77. The world behind 'Em and the Big Hoom' -- Jerry Pinto interviewed by Swetha Amit. 78. Jerry Pinto interviewed for the New York Times by Max Bearak. 79. Salman Rushdie, Amitav Ghosh and GV Desani on Amazon. 80. Episodes of The Seen and the Unseen on the creator ecosystem with Roshan Abbas, Varun Duggirala, Neelesh Misra, Snehal Pradhan, Chuck Gopal, Nishant Jain, Deepak Shenoy and Abhijit Bhaduri. 81. Graham Greene, W Somerset Maugham and Aldous Huxley on Amazon. 82. Surviving Men -- Shobhaa De. 83. Surviving Men -- Jerry Pinto. 84. The Essays of GK Chesterton. 85. The Life and Times of Nilanjana Roy — Episode 284 of The Seen and the Unseen. 86. City Improbable: Writings on Delhi -- Edited by Khushwant Singh. 87. Bombay, Meri Jaan -- Edited by Jerry Pinto and Naresh Fernandes. 88. The Life and Times of Urvashi Butalia — Episode 287 of The Seen and the Unseen. 89. Films, Feminism, Paromita — Episode 155 of The Seen and the Unseen (w Paromita Vohra). 90. Wanting -- Luke Burgis. 91. Kalpish Ratna and Sjowall & Wahloo on Amazon. 92. Memories and Things — Episode 195 of The Seen and the Unseen (w Aanchal Malhotra). 93. Ashad ka Ek Din -- Mohan Rakesh. 94. Anna Karenina -- Leo Tolstoy (translated by Constance Garnett). 95. Gordon Lish: ‘Had I not revised Carver, would he be paid the attention given him? Baloney!' -- Christian Lorentzen.. 96. Sooraj Barjatya and Yash Chopra. 97. The Life and Times of Mrinal Pande — Episode 263 of The Seen and the Unseen. 98. Don't think too much of yourself. You're an accident — Amit Varma. 99. Phineas Gage. 100. Georges Simenon on Amazon and Wikipedia.. 101. The Interpreter -- Amit Varma on Michael Gazzaniga's iconic neuroscience experiment. 102. The Life and Times of Abhinandan Sekhri — Episode 254 of The Seen and the Unseen.. 103. Madame Bovary -- Gustave Flaubert. 104. Self-Portrait — AK Ramanujan. 105. Ivan Turgenev, Ryu Murakami and Patricia Highsmith on Amazon. 106. A Clockwork Orange -- Anthony Burgess. 107. On Exactitude in Science — Jorge Luis Borges. 110. Playwright at the Centre: Marathi Drama from 1843 to the Present — Shanta Gokhale. 111. Kubla Khan -- Samuel Taylor Coleridge. 112. Girish Shahane, Naresh Fernandes, Suketu Mehta, David Godwin and Kiran Desai. 113. The Count of Monte Cristo -- Alexandre Dumas. 114. Pedro Almodóvar and Yasujirō Ozu. 115. The Art of Translation — Episode 168 of The Seen and the Unseen (w Arunava Sinha). 116. The Lives of the Poets -- Samuel Johnson. 117. Lives of the Women -- Various authors, edited by Jerry Pinto. 118. Lessons from an Ankhon Dekhi Prime Minister — Amit Varma. 119. On Bullshit — Harry Frankfurt. 120. The Facts Do Not Matter — Amit Varma. 121. Beware of the Useful Idiots — Amit Varma. 122. Modi's Lost Opportunity — Episode 119 of The Seen and the Unseen (w Salman Soz). 123. Kesavananda Bharati v. State of Kerala. 124. The Importance of Data Journalism — Episode 196 of The Seen and the Unseen (w Rukmini S). 125. Rukmini Sees India's Multitudes — Episode 261 of The Seen and the Unseen (w Rukmini S). 126. Pramit Bhattacharya Believes in Just One Ism — Episode 256 of The Seen and the Unseen. 127. Listen, The Internet Has SPACE -- Amit Varma.. 128. Fixing Indian Education — Episode 185 of The Seen and the Unseen (w Karthik Muralidharan). 129. The Reflections of Samarth Bansal — Episode 299 of The Seen and the Unseen. 130. The Saturdays -- Elizabeth Enwright. 131. Summer of My German Soldier -- Bette Greene. 132. I am David -- Anne Holm. 133. Tove Jannson and Beatrix Potter on Amazon. 134. The Hobbit and The Lord of the Rings -- JRR Tolkien. 135. Darkness Visible: A Memoir of Madness -- William Styron. 136. An Unquiet Mind: A Memoir of Moods and Madness -- Kay Redfield Jamison. 137. Searching for Swadesh -- Nirupama Dutt.. 138. Parsai Rachanawali -- Harishankar Parsai. 139. Not Dark Yet (official) (newly released outtake) -- Bob Dylan.. 140. How This Nobel Has Redefined Literature -- Amit Varma on Dylan winning the Nobel Prize.. 141. The New World Upon Us — Amit Varma. 142. PG Wodehouse on Amazon and Wikipedia. 143. I Heard the Owl Call My Name -- Margaret Craven. 144. 84, Charing Cross Road -- Helen Hanff. 145. Great Expectations, Little Dorrit and Bleak House -- Charles Dickens. 146. Middlemarch -- George Eliot. 147. The Pillow Book -- Sei Shonagon. 148. The Diary of Lady Murasaki -- Murasaki Shikibu. 149. My Experiments With Truth -- Mohandas Gandhi. 150. Ariel -- Sylvia Plath. 151. Jejuri -- Arun Kolatkar. 152. Missing Person -- Adil Jussawalla. 153. All About H Hatterr -- GV Desani. 154. The Ground Beneath Her Feet -- Salman Rushdie. 155. A Fine Balance -- Rohinton Mistry. 156. Tales from Firozsha Baag -- Rohinton Mistry. 157. Amores Perros -- Alejandro G Iñárritu. 158. Samira Makhmalbaf on Wikipedia and IMDb. 159. Ingmar Bergman on Wikipedia and IMDb. 160. The Silence, Autumn Sonata and Wild Strawberries - Ingmar Bergman. 161. The Mahabharata. 162. Yuganta — Irawati Karve. 163. Kalyug -- Shyam Benegal. 164. The Hungry Tide -- Amitav Ghosh. 165. On Hinduism and The Hindus -- Wendy Doniger. 166. I, Lalla: The Poems of Lal Dĕd — Lal Dĕd (translated by Ranjit Hoskote). 167. The Essential Kabir -- Arvind Krishna Mehrotra. 168. The Absent Traveller -- Arvind Krishna Mehrotra. 169. These My Words: The Penguin Book of Indian Poetry -- Edited by Eunice de Souza and Melanie Silgardo. This episode is sponsored by CTQ Compounds. Check out The Daily Reader and FutureStack. Use the code UNSEEN for Rs 2500 off. Check out Amit's online course, The Art of Clear Writing. And subscribe to The India Uncut Newsletter. It's free! Episode art: ‘He is Reading' by Simahina.

Tracy and Holly talk about Charles Drew's marriage and the impact of the early HIV/AIDS crisis on blood donation. They also discuss all the aspects of the Chatterley story that didn't make it into the episode.See omnystudio.com/listener for privacy information.

Thirty years after D.H. Lawrence died, his book "Lady Chatterley's Lover," which had been banned for decades in many countries, was central to a trial in Great Britain over whether the novel was obscenity or whether it had literary merit. Research: Britannica, The Editors of Encyclopaedia. "Obscene Publications Act". Encyclopedia Britannica, 17 Apr. 2017, https://www.britannica.com/event/Obscene-Publications-Act Delavenay, Emile. “A SHRINE WITHOUT RELICS?” The D.H. Lawrence Review, vol. 16, no. 2, 1983, pp. 111–31. JSTOR, http://www.jstor.org/stable/44233723. Rothman, Lily. “How a Book Reminded the World That Sex Sells.” Time. Nov. 2, 2015. https://time.com/4087851/lady-chatterleys-lover-1960/ Temple, Emily. “Why exactly is this book obscene? (Skip to the Dirty Bits.)” Literary Hub. Nov. 22, 2017. https://lithub.com/why-exactly-is-this-book-obscene-skip-to-the-dirty-bits/ com Editors. “D.H. Lawrence Biography.” https://www.biography.com/writer/dh-lawrence Booth, Howard J. “D. H. Lawrence and Male Homosexual Desire.” The Review of English Studies, vol. 53, no. 209, 2002, pp. 86–107. JSTOR, http://www.jstor.org/stable/3070410 Panter-Downes, Mollie. “The Lady at the Old Bailey.” The New Yorker. Nov. 11, 1960. https://www.newyorker.com/magazine/1960/11/19/the-lady-at-the-old-bailey Black, Michael H.. "D.H. Lawrence". Encyclopedia Britannica, 7 Sep. 2022, https://www.britannica.com/biography/D-H-Lawrence “KINGSLEY PICTURES CORP. v. REGENTS.” United States Supreme Court. June 29, 1959. https://caselaw.findlaw.com/us-supreme-court/360/684.html Bo, Ting. “An Analysis of Lady Chatterley's Lover from the Perspective of Ecofeminism.” Theory and Practice in Language Studies, Vol. 8, No. 10, pp. 1361-1364, October 2018. https://www.academypublication.com/issues2/tpls/vol08/10/15.pdf Wood, Marie. “William Will Be Interested.” Johnson City Press. May 11, 1959. https://www.newspapers.com/image/586923561/?terms=chatterly&match=1 Lahey, Edwin A. “Old Days Recalled by ‘Lady Chatterly.'” The Philadelphia Inquirer. July 2, 1959. https://www.newspapers.com/image/177983457/?terms=lady%20chatterly&match=1 “Controversial Lady Scores KO.” The Journal Times. July 1, 1959. https://www.newspapers.com/image/342268994/?terms=lady%20chatterly&match=1 “Lady Chatterly After 30 Years.” Asheville Citizen-Times. April 30, 1959. https://www.newspapers.com/image/202268589/?terms=lady%20chatterly&match=1 Hoyt, Robert E. “An Amorous Lady Stirred Senate.” The Charlotte Observer. August 10, 1959. https://www.newspapers.com/image/619998471/?terms=reed%20smoot%20chatterly&match=1 Flood, Alison. “Obscenity judge's copy of Lady Chatterley's Lover to stay in UK.” The Guardian. Oct. 1, 2019. https://www.theguardian.com/books/2019/oct/01/obscenity-judge-lady-chatterley-lover-book-stay-in-uk Baksi, Catherine. “Lady Chatterley's legal case: how the book changed the meaning of obscene.” The Guardian. August 1, 2019. https://www.theguardian.com/law/2019/aug/01/lady-chatterleys-legal-case-how-the-book-changed-the-meaning-of-obscene “GROVE PRESS, INC. and Readers' Subscription, Inc., Plaintiffs, v. Robert K. CHRISTENBERRY, individually and as Postmaster of the City of New York, Defendant.” July 21, 1959. https://scholar.google.com/scholar_case?case=15811131582924106766 See omnystudio.com/listener for privacy information.

The question stopped Jacke in his tracks. "Dear Jacke," said the emailer. "What do you want your "last book" to be? This will be the last book you will ever read..." And so, he set about determining what his "last book" should be, with help from dozens of guests (and counting). In this special episode, Jacke talks to super guest Laurie Frankel (Goodbye For Now, One Two Three) about her choice for the "last book" she will ever read. With special cameos from Dinitia Smith, Saikat Majumdar, Isaac Butler, and Anna Beer. Additional listening suggestions: 332 Hamlet (with Laurie Frankel) 360 FMK Shakespeare! (with Laurie Frankel) 414 The Golden Bowl by Henry James (with Dinitia Smith) 447 Lady Chatterley's Lover (with Saikat Majumdar) 449 Method Acting and "Bad Hamlet" (with Isaac Butler) 459 Eve Bites Back! An Alternative History of English Literature (with Anna Beer) Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices

D.H. Lawrence (1885-1930) started a firestorm with his 1928 novel Lady Chatterley's Lover, which was quickly banned around the world. But the novel eventually found its way into print, after winning numerous obscenity trials in the 1950s and 60s, and today it's widely available (if not always widely read). In this episode, Jacke talks to Indian novelist Saikat Majumdar (The Middle Finger, Silverfish) about Saikat's childhood, his journey to becoming a writer, and his admiration for Lawrence's classic novel. Additional listening suggestions: 87 Man in Love: the Passions of D.H. Lawrence 381 C. Subramania Bharati (with Mira T Sundara Rajan) 338 Finding Yourself in Hollywood (with Meg Tilly) Help support the show at patreon.com/literature or historyofliterature.com/shop. The History of Literature Podcast is a member of Lit Hub Radio and the Podglomerate Network. Learn more at www.thepodglomerate.com/historyofliterature. Learn more about your ad choices. Visit megaphone.fm/adchoices