Podcasts about megs

“You said you couldn't believe in someone who didn't believe in you.” Join Ian, Liam & Megs for our 319th episode as we dive headfirst into lace gloves, record store shifts, and 1980s romantic angst with John Hughes' Pretty in Pink (1986). It's class divides, prom politics, and the eternal question of who really deserves Andie Walsh. This week we discuss: Molly Ringwald as Andie — resilience, insecurity, and whether she's a fully realised protagonist or a Hughes archetype dressed in vintage. Blane's behaviour — romantic lead or emotional liability? Does the film let him off too easily? Duckie's devotion — lovable underdog, manipulative “nice guy,” or something more complicated? The class tension at the heart of the story — is the film actually saying something about wealth and identity, or just dressing teen drama up as social commentary? Megs unpacks the fashion — iconic, chaotic, deeply 80s. Does the final dress deserve its reputation? Ian explores the alternate ending — what changed, why test audiences intervened, and whether the original choice would have made for a stronger film. Liam questions the soundtrack supremacy — is this peak 80s needle-drop culture, or nostalgia doing heavy lifting? The father-daughter dynamic — quiet emotional centre or underdeveloped subplot?  Are certain viewers predispositioned to be on board with this - or not? The prom climax — catharsis, compromise, or cultural time capsule? We debate whether the film romanticises inequality — and whether Andie's final choice feels empowering or regressive. And finally, whether Pretty in Pink is the Best Film Ever — or simply one of the most enduring teen romances of the 1980s. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

In this solo episode, Megs dives into a philosophy that separates skilled artists from inexperienced ones: Less is more.In an industry that often celebrates dramatic transformations, it can feel like bigger change equals better results. But the truth? Subtle, intentional shaping is often what creates the most powerful impact.This episode is your reminder that true artistry isn't about doing the most — it's about knowing when to stop. ✂️✨ Why “less is more” isn't lazy — it's skill✨ How over-shaping damages trust (and long-term growth)✨ Training your eye to see what actually needs to be done✨ Why zooming out improves symmetry and balance✨ How to communicate your shaping plan to build client trust✨ When subtle tweaks + add-ons (tint, lamination) create better results than more removal✨ The power of restraint in creating long-term loyaltyClean, intentional shaping will always win over aggressive removal with no plan.

“We're all in this together.” Join Ian, Megs & Kev for our 318th episode as we lace up the Wildcats, grab the basketball (and the sheet music), and head back to East High for Disney Channel's cultural phenomenon High School Musical (2006). It's jazz hands, jump shots, and mid-2000s sincerity this week — and yes, we're absolutely committing to the choreography. This week we discuss: The lightning-in-a-bottle appeal — how a made-for-TV movie became a generational event - especially for one member of the panel. Zac Efron and Vanessa Hudgens — chemistry, charisma, and the myth-making of teen stardom.  Does Hudgens get enough credit for the success of the franchise? Ashley Tisdale's Sharpay Evans — villain, icon, or misunderstood theatre kid with ambition? Is she too good to dislike? Megs breaks down the musical structure — why the songs are catchier than they have any right to be, and which ones still slap. The team talks about the difficulty about the audition process - on both sides of the equation  We talk about the differences in social cliques in the North American school system versus the British school system Ian talks about how the whole plot is a conceit that he can't fully buy into - but why? Thematically — identity, peer pressure, and the fear of stepping outside the box. Why this simple message resonated so hard. The “show, don't tell” debate — does the film trust visual storytelling, or does it lean on dialogue and lyrics to do the heavy lifting? The Disney machine — how the film's success reshaped the network's future output. The ending performance — triumphant, predictable, or perfectly engineered for maximum serotonin? And finally, whether High School Musical is the Best Film Ever — or simply the most aggressively rewatchable Disney Channel Original Movie ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Grab your coffee and join Megs & Jess for another episode where we discuss Jessica's crochet endeavors on her recent cruise!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JESS' YOUTUBE CHANNEL!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BERG BOX QUARTERLY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE CROCHET BAES FACEBOOK GROUP!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CROCHET BAES MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SHUT UP & TAKE MY MONEY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW OUR TIKTOK ACCOUNT!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Got a question or comment? Send The Crochet Baes an email: thecrochetbaes@gmail.comFind Jessica & Berg's Nest Crochet online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-Email: bergsnestcrochet@gmail.comFind Megs & Megs Makes Crochet Online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chan's Designs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for creating The Crochet Baes beautiful logo!

“Has anything you've done made your life better?” Join Ian, Liam, Megs & Kev for our 317th episode as we confront anger, ideology, consequence, and redemption in Tony Kaye's incendiary and unforgettable American History X (1998). This week, we're also joined by BFF of the BFE: Hermes Auslander, and — in a huge moment for the podcast — we sit down for a special interview with director Tony Kaye himself. This one is heavy. Necessary. Complicated. This week we discuss: Edward Norton's blistering performance — charismatic, terrifying, magnetic. Is this one of the great transformations of the 1990s? The black-and-white vs colour structure — memory, myth, and moral framing. How does the visual language shape our understanding of Derek's journey? The film's central question — can hate be unlearned, and if so, what does it cost? Hermes joins us to unpack the film's cultural and political legacy — why it still resonates, and why it remains controversial. The prison sequence — brutal, pivotal, and narratively dangerous. Does the film handle trauma responsibly? We examine the fine line between depiction and endorsement — does the film risk glamorising the ideology it condemns? The ending — inevitable, devastating, and still capable of knocking the wind out of an audience. What does it ultimately say about cycles of violence? Our special interview with Tony Kaye — reflections on authorship, conflict over the final cut, working with Edward Norton, and how he views the film now, decades later. The legacy question — has the film aged well? Has it been misunderstood? Has it been weaponised? And finally, whether American History X is the Best Film Ever — or one of the most important and confronting films we've ever covered. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Youth Hosteling with Chris Eubank Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

In this episode, Megs sits down with Carol Jaame of @lashchanceartistry for an honest, full-circle conversation about burnout, pivots, ego, gratitude, and finding your way back to the work that truly fulfills you.Carol shares her journey from building a fully booked lash business, transitioning into online education, stepping away entirely, and ultimately returning behind the chair—with clearer boundaries, deeper perspective, and renewed passion.This episode is a must-listen for beauty professionals navigating growth, overwhelm, pivots, or questioning “what's next.”

Rejtélyes óriás csontvázát találták meg egy viking-kori tömegsírban Nem találod ki, milyen élőlényből csináltak drónt az oroszok Védi a kávé az agyat? – Mennyi az „ideális" adag? Telefon és kamera nélkül is megfigyelhetik Bejelentés az első Space Summit konferencián: űrkutatási programot indít a HUN-REN Felforgató újítások a Google Mapsben: érkezik a "Kérdezd a Térképet" funkció Töltöttél le mostanában 7-Zip tömörítőt? Van egy nagyon rossz hírünk neked Hun van Attila? – így kell kiállítást rendezni egy történelmi alakról, akiről szinte semmi nem maradt fenn Azonnal frissítse iPhoneját, sok hibát javítottak 1500 év után a kutatók megfejtették egy római kori társasjáték szabályait „Végünk van” – A Deadpool & Rozsomák írója reagált egy MI-videóra, amiben Brad Pitt és Tom Cruise laposra verik egymást A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Rejtélyes óriás csontvázát találták meg egy viking-kori tömegsírban Nem találod ki, milyen élőlényből csináltak drónt az oroszok Védi a kávé az agyat? – Mennyi az „ideális" adag? Telefon és kamera nélkül is megfigyelhetik Bejelentés az első Space Summit konferencián: űrkutatási programot indít a HUN-REN Felforgató újítások a Google Mapsben: érkezik a "Kérdezd a Térképet" funkció Töltöttél le mostanában 7-Zip tömörítőt? Van egy nagyon rossz hírünk neked Hun van Attila? – így kell kiállítást rendezni egy történelmi alakról, akiről szinte semmi nem maradt fenn Azonnal frissítse iPhoneját, sok hibát javítottak 1500 év után a kutatók megfejtették egy római kori társasjáték szabályait „Végünk van” – A Deadpool & Rozsomák írója reagált egy MI-videóra, amiben Brad Pitt és Tom Cruise laposra verik egymást A további adásainkat keresd a podcast.hirstart.hu oldalunkon. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode, Megs sits down with Alex, founder of @browtab, to talk about what it really looks like to step away from the treatment room and build a sustainable online business—without burning everything down or chasing trends.Alex shares her journey from microblading artist to beauty business educator, what led her to retire from in-person services, and the realities behind online education, digital products, and building income streams that actually support your life.This conversation is especially valuable for beauty professionals who are feeling burnt out, curious about education, or looking for more flexibility in their work.

Grab your coffee and join Megs & Jess for another episode where we discuss Jessica's crochet endeavors on her recent cruise!⁠⁠⁠⁠⁠⁠⁠⁠⁠JESS' YOUTUBE CHANNEL!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BERG BOX QUARTERLY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE CROCHET BAES FACEBOOK GROUP!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CROCHET BAES MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SHUT UP & TAKE MY MONEY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW OUR TIKTOK ACCOUNT!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Got a question or comment? Send The Crochet Baes an email: thecrochetbaes@gmail.comFind Jessica & Berg's Nest Crochet online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-Email: bergsnestcrochet@gmail.comFind Megs & Megs Makes Crochet Online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chan's Designs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for creating The Crochet Baes beautiful logo!

Blake, Luke and Tyler talk impressions, Luke and Megs engagement party, the Grammy's and the Royal Rumble!Send us your voice memo questions, thoughts or advice requests at the BLT Hotline: loveyouboys@bltpod.comB.L.T features Blake Pavey, Luke Kidgell & Tyler Cahill. New Episode Every Wednesday.Blake Pavey's Tour:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://blakepavey.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Luke Kidgells Tour:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://www.lukekidgell.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Tyler Cahill's music:⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ https://linktr.ee/BlankFaceMelb⁠⁠⁠⁠⁠⁠⁠⁠⁠

“You think this is just a story?” Join Ian, Liam, Megs & Kev for our 316th episode as we descend into the basement, start pressing buttons we absolutely shouldn't, and dismantle the horror genre piece by piece with Drew Goddard and Joss Whedon's The Cabin in the Woods (2011). This week is less about jump scares and more about systems, sacrifice, and whether sometimes… you really should just play the hits. This week we discuss: The central divide — why some viewers desperately wish this film had played it straight, and whether subversion automatically improves a genre story. The two-year delay — why The Cabin in the Woods sat finished but unreleased, and how that limbo shaped its eventual reception. Ian's major life milestone this week — and why it weirdly mirrors one of the film's themes about control and agency. Who really enjoys the metaphor — and whether reading the film as an allegory enhances the experience or drains the fun out of it entirely. Liam's unstoppable TV digression — the show he simply will not stop referencing, regardless of relevance. We spend some well-earned time talking about Catherine O'Hara — authority, timing, and why she elevates everything she touches. The mechanics of the horror machine — archetypes, rituals, and the illusion of choice. Megs breaks down the film's gender politics — subversion, exploitation, and how knowingly the film handles both. Kev weighs in on the concept of gatekeeping and who gets to make all these rules anyway? The elevator scene — catharsis, overload, or glorious anarchy? The ending — nihilistic, freeing, or just pulling the plug on the whole genre. And finally, whether The Cabin in the Woods is the Best Film Ever — or simply the most elaborate middle finger horror ever aimed at its own audience. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Paul Komoroski Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Puzsér Róbert

In this solo episode of Browducation, Megs continues the Work-Life Balance series with a powerful reframe on hiring help — why it's not about losing control, and how delegation can actually help you grow a healthier, more sustainable business.If you've ever thought “I'll just do it myself” or “I can't afford help yet,” this conversation is for you.Why doing everything yourself eventually leads to burnoutThe hidden cost of not hiring helpHow outsourcing even one task can change your energy and focusWays to get support without hiring a full-time employeeThe real ROI of delegation and buying back your time

“We're doing our part” Join Ian, Liam, Megs & Kev for our 315th episode as we suit up, grab the propaganda reel, and drop feet-first into Paul Verhoeven's gloriously misunderstood sci-fi satire Starship Troopers (1997). It's bugs, blood, and bare-faced ideology this week as we try to work out whether this film knew exactly what it was doing all along. Do you want to know more? This week we discuss: The tone problem (or lack thereof) — is Starship Troopers a dumb action movie, a razor-sharp satire, or both at the same time? Paul Verhoeven's intent — does the film critique fascism so hard that some audiences miss the joke entirely? The performances — intentionally wooden propaganda archetypes, or just bad acting elevated by context? The aesthetics of fascism — uniforms, slogans, and spectacle. Why does the film make authoritarianism look so seductive? Ian breaks down the film's satirical mechanics — how exaggeration, repetition, and irony do the heavy lifting. Liam explores audience reception — why the film was misunderstood on release and reclaimed years later. Megs looks at gender and violence — equal-opportunity brutality, shower scenes, and the illusion of empowerment. Kev weighs in on the action — but don't get him started on the never-ending rounds of bullets The enemy — are the Arachnids monsters, victims, or an invented threat to justify endless war? The propaganda interstitials — world-building masterstrokes or narrative interruptions? Synthia joins us for The Endgame — helping us unpack the film's legacy, its political bite, and why it feels even more relevant now than it did in 1997. The ending — triumphant, horrifying, or both? What are we actually meant to cheer for? And finally, whether Starship Troopers is the Best Film Ever — or one of the smartest films ever disguised as a stupid one. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

This week on BROWDUCATION, Megs is joined by corrective skincare specialist Molly Markland of Skin by Molly M. for a thoughtful conversation around skin barrier health, hydration, and why long-term results should always come before instant gratification.Together, they unpack how aggressive treatments impact the skin, what professionals should watch for before performing services, and why staying within your scope of practice leads to better outcomes for clients.

“Everybody be cool.” Join Ian & Liam for our 314th episode as we cross the border, miss the last turn-off to sanity, and crash headlong into Robert Rodriguez and Quentin Tarantino's genre-shredding cult classic From Dusk Till Dawn (1996). Megs isn't with us this week — she took a job managing the Titty Twister and immediately exercised her right to not be around for what happened next. Kev? Last seen arguing with a biker about tequila and quietly backing away when things started growing fangs. This week we discuss: The hard genre pivot — crime thriller to vampire splatterfest. Is this one of cinema's boldest structural swings or an act of deliberate sabotage? The first half vs. the second half — which film do we actually prefer, and should they ever have been stitched together in the first place? George Clooney's breakout performance — cool, controlled, and shockingly confident. Did this film secretly create a movie star? Quentin Tarantino the actor — indulgent, uncomfortable, and deeply divisive. Does his presence add anything, or actively derail the film? Ian questions the film's tonal discipline — is chaos the point, or does excess eventually become exhaustion? Liam explores the film's grindhouse DNA — exploitation homage, midnight-movie energy, and why this works better at 11:30pm than 2:00pm. Salma Hayek's iconic sequence — empowerment, objectification, or pure genre spectacle? We unpack why this moment still sparks debate. The violence escalation — gleeful, grotesque, and increasingly cartoonish. Where does fun end and numbness begin? The rules of the vampires and the timing of when characters turn  — clear, flexible, or completely improvised depending on the scene? You won't believe the piece of literature that Ian wants to compare this to The ending — aftermath, absurdity, and the sudden return to moral quiet after absolute carnage. And finally, whether From Dusk Till Dawn is the Best Film Ever — or simply the wildest left turn ever taken by a mainstream '90s movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Grab your coffee and join Megs & Jess for another episode where we catch up after a long holiday break with a yarn & yap!⁠⁠⁠⁠⁠⁠⁠⁠JESS' YOUTUBE CHANNEL!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BERG BOX QUARTERLY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE CROCHET BAES FACEBOOK GROUP!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CROCHET BAES MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SHUT UP & TAKE MY MONEY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW OUR TIKTOK ACCOUNT!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Got a question or comment? Send The Crochet Baes an email: thecrochetbaes@gmail.comFind Jessica & Berg's Nest Crochet online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-Email: bergsnestcrochet@gmail.comFind Megs & Megs Makes Crochet Online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chan's Designs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for creating The Crochet Baes beautiful logo!

Welcome to Secretly Timid circa 2026. On this podcast, Megs and Jon say goodbye to a friend, discuss the phenomenal new show Heated Rivalry, and, of course, touch a little bit on the current political state of affairs. Under his … Continue reading →

Season 6 is here. New year, new me, new pod. Let me be clear. Nothing changed. Same chaos. Same button. Same “what are we doing?” energy. Appreciate the 2,249-ish of you who keep showing up. If you haven't yet, hit subscribe, hit like, and ring the bell so you get the quack ding whenever I drop an episode, clip, short, or whatever we're calling content in 2026.We kick off Episode 219 with the New Year's trip recap. Megs and I dipped out to Myrtle Beach for the reset. Quick flight. Good food. All you can eat crab legs. Then I get into my favorite Myrtle Beach activity, Dirty Don's oyster shooter flights. Old Bay rim, oyster in hand, vodka in the glass, chew three times, no more, then send it. If you're ever down there, go do it. Tell them Levi sent you. Let Dirty Don know Daddy brought you.Then we talk about Elon Musk's Grok and the internet doing what the internet does. People are using Grok like a public “edit button” on other people's photos. “Uncrop this.” “Remove this.” “Put her in this.” You get the idea. I tested it privately with Megs and with myself, for research, and the results were way too realistic. Which leads to the real conversation. AI has legit business value, I use it daily, but the moment it turns into public, weaponized creep behavior, the arguments against it start sounding strong.After that, we hit the student loan mess. Wage garnishment is back on the table, and millions of people are in default. I break down what this looks like in real life. People choose rent, groceries, and basic survival over sending hundreds of dollars a month to a loan from when their frontal lobe was still loading. I go on a full spiral about how the system pushes people into “pay it off if you're the 1%” or “join the military” as the only way out, and how insane it is to treat lifelong debt like a normal rite of passage.Then we get into the Venezuela situation and the “we're running your country now” energy. I talk through the oil angle, the absurd press conference quotes, the action movie vibes, and the fact that we're living in a timeline where the mission gets described like a film trailer. I also connect it to the Fire Fest universe, because of course I do. If you thought we were done weaponizing bad ideas, welcome to 2026.I pivot into something practical for local business owners. Going live is the cheat code. I talk about real examples like Amici's Pizza and Connor's hot dog cart pulling insane local traction by streaming consistently. If you run a storefront business and you need people to walk in and hand you money, stop treating your phone like the enemy. Put it on a tripod, throw on a mic, go live during your hours, talk to the chat between customers, and build local momentum. Then I give my favorite pro tip. Block people you know. Your audience isn't your high school class.We wrap with two more heavy hitters. Trisha Paytas saying she wants to run for Congress, and me realizing that if that's the bar, I might have a shot too. Then we close on the Pennsylvania grave robbery story that had everyone texting me. A guy allegedly stole over 100 sets of human remains and had them in his basement and storage unit. Skulls, bones, torsos, the whole nightmare. I break down the details, the local connections, the alleged selling angle, and how posting evidence on social media is the dumbest crime strategy imaginable.Season 6 is underway. It's already unhinged. More episodes, more podcasts, more studio builds, more chaos.Watch the episode. Then go to wawdpod.com to catch the latest uploads and the newest Season 6 drops.

This week on Browducation, Megs sits down with Savannah Estelle Johnson of @thebrowstar or an honest conversation about branding, specialization, and building a sustainable beauty business.Savannah shares her journey from beauty school during COVID to becoming a brow-focused artist and educator — including why narrowing her services changed everything, how branding helped her stand out in a saturated industry, and why clear client communication is just as important as technical skill.They also unpack realistic expectations around brow services, including tinting, lamination, and permanent makeup, and discuss why honesty, focus, and alignment lead to stronger client relationships and long-term growth.In this episode, we talk about:✨ Why niching down can accelerate growth

Grab your coffee and join Megs & Jess for another episode where we catch up after a long holiday break with a yarn & yap!⁠⁠⁠⁠⁠⁠⁠JESS' YOUTUBE CHANNEL!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BERG BOX QUARTERLY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE CROCHET BAES FACEBOOK GROUP!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CROCHET BAES MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SHUT UP & TAKE MY MONEY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW OUR TIKTOK ACCOUNT!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Got a question or comment? Send The Crochet Baes an email: thecrochetbaes@gmail.comFind Jessica & Berg's Nest Crochet online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-Email: bergsnestcrochet@gmail.comFind Megs & Megs Makes Crochet Online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chan's Designs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for creating The Crochet Baes beautiful logo!

Welcome back to this weeks episode where we are taking a deep dive into Stranger Things season 5. Listen in as we discuss the process of filming, fun facts and our own personal opinions on this show, whether that is good or bad. As always we are not doing it alone, we brought on good friends Sean, Brock and Megs.Always remember if you disagree with our takes, leave us a comment, let us know what you disagree with or what you did agree with. We always love to hear your opinion.If you would like more from your hosts and the guests that we bring on, go check out our social media to hear even moreStone Social MediaTikTok: Stone | Medical Movie ManInstagram : medicalmoviemanConor Social MediaTikTok: MovieSharkInstagram: MovieShark18YouTube: movieshark18Dan Social MediaTikTok: Reel TakesInstagram: reeltakesreviewsGood Will PodcastingTikTok: goodwillpodcastingInstagram: goodwillpodcastingYouTube: Good Will Podcasting

It's another edition of See It or Skip It, and this time Ian is joined by Kev and Megs as they click their heels, defy gravity (again), and head back to Oz for Wicked: For Good — the second chapter of the long-awaited big-screen adaptation of the Broadway phenomenon. But does Wicked: For Good stick the landing, or does splitting the story in two finally come back to haunt it? Ian, Kev, and Megs unpack whether this concluding chapter delivers the emotional payoff fans have been promised — or whether it buckles under the weight of expectation, spectacle, and inevitability. Is the heart still there? Do Elphaba and Glinda's journeys feel earned, devastating, and cathartic — or overly polished and pre-packaged? The trio dig into performances, musical moments, and whether the film earns its big themes about power, friendship, compromise, and legacy. Can a story everyone knows still surprise you? Does For Good justify its existence as a standalone film, or does it feel like the second act stretched to breaking point? All this and more in this week's See It or Skip It review of Wicked: For Good — and of course, Ian, Kev, and Megs will let you know if you should SEE IT or SKIP IT.

We relive the entire journey of Fifi, Fev & Nick finding Megs a date using her Tinder profile.Subscribe on LiSTNR: https://play.listnr.com/podcast/fifi-fev-and-nickSee omnystudio.com/listener for privacy information.

In this solo episode w/ Megs, she discusses how client care isn't just about warm towels or spa music — it's about clear communication, strong boundaries, and trust.Megs breaks down how client care and communication directly impact retention, rebooking, and long-term success in the beauty industry. Drawing from over a decade behind the chair, she shares the exact mindset shifts and systems that help keep books full — even when things don't go perfectly.If you're tired of constantly chasing new clients and want to build a sustainable, booked-out business, this episode is for you.She talks about:✨ Why being clear works better than being clever or kitschy✨ How client education before, during, and after appointments builds loyalty✨ Why boundaries are a form of care — not punishment✨ How transparency turns service hiccups into long-term trust✨ The difference between a great first impression and true retention✨ Why professionalism actually makes clients feel more supported✨ How consistent communication keeps your books full over timeIf you're a brow artist, lash artist, or beauty professional looking to build a sustainable, booked-out business rooted in trust, this episode will help you rethink client care from the inside out.

Episode 218 finds me recording the podcast home alone the day after Christmas because Megs is stuck on Long Island thanks to an ice storm, which leaves me, my dog, four vodka shots, and a microphone to unpack everything wrong with adulthood, holidays, politics, the internet, and money. I talk about why I am officially done opening gifts forever, why grown adults do not need Funko Pops or graphic tees, and why the only acceptable Christmas loopholes involve cash or household gifts Megs opens for both of us. I explain how family gatherings improve dramatically when you time edibles correctly, how the stress drops, the noise fades, and life feels manageable again. From there I break down Nicki Minaj taking a massive paycheck to headline Turning Point USA, flipping on years of public positions, praising politicians her audience opposes, ignoring the fact she cannot vote, and why the entire event felt calculated, uncomfortable, and hollow. I react to Joe Budden's response, the internet fallout, and why this move damaged trust across culture and fandom. I then roast the AI Christmas photo trend, the sparkly romper epidemic, bad prompts, lazy re-renders, and why most people do not resemble their AI alter ego despite pretending otherwise. I shut down the viral environmental panic posts about AI destroying the planet, explain why the water usage claims are misleading, and point out industries quietly doing far more damage while everyone yells at computers. I close by breaking down Logan Paul's Liquid Marketplace mess, the fractional ownership of the PSA 10 Pikachu Illustrator card, how money flowed in, payouts never landed, accountability disappeared, and why this situation looks like CryptoZoo with better branding and the same outcome. This episode is a full post-Christmas spiral covering family, money, internet delusion, celebrity hypocrisy, and why none of this should surprise anyone anymore.**********Disclaimer: We at the What are We Doing podcast want to make it clear that the views and opinions expressed in this video belong solely to the speakers or authors and do not represent the views and opinions held by YouTube, its partners, or its owners.We must also emphasize that the information contained in this video has been produced with no warranty, expressed or implied, regarding the validity, accuracy, reliability, completeness, legality, or usefulness of what is said or expressed. Therefore, we strongly advise that no one viewing or listening to this video should rely on the information presented herein.We want to make it clear that the speakers or authors in this video express their views in an "artistic" manner as defined within the YouTube guidelines and that this video is purely for entertainment purposes only.

“I just want to be loved… preferably by Christmas.” Join Ian, Liam (always listed second), Megs & Kev for our 310th episode as we swap mirror-lined jealousies and boxing-laden family dramas for frosted cottages, floppy fringes, and Nancy Meyers' warm, impractical kitchens with The Holiday (2006). Crack open the mulled wine, argue about accents, and prepare to answer the most important seasonal question of all: is this even a Christmas film… or is it secretly a New Year's movie pretending to care about tinsel? This week we discuss: Whether The Holiday qualifies as a Christmas film at all — or if it's really a New Year's movie wearing a festive jumper, pressed into service only because our Patreon members voted it in as the Christmas review. How Ian possibly survives reviewing a film starring Cameron Diaz — given his long, storied, and deeply felt loathing toward her screen presence. How Megs approaches a film built around Jack Black — an actor she famously does not enjoy - despite her choices of undergarments - especially when he's positioned as a romantic lead. Nancy Meyers' world-building — does the film ever show us emotion, or does it rely entirely on characters telling us exactly how they feel at all times? Cameron Diaz's Amanda — chaotic, guarded, and allergic to crying. Is this performance misunderstood… or exactly why Ian struggles? Kate Winslet's Iris — earnest, wounded, endlessly self-sacrificing. Is she the emotional heart of the film or a fantasy of suffering femininity? Jude Law's Graham — peak Meyers male fantasy, or walking red flag wrapped in knitwear? Jack Black's Miles — pretentious douchebag, charming underdog, or the film's secret emotional MVP? The dual-location structure — England vs. LA, coziness vs. confidence. Does the contrast deepen the story or just sell vibes? The film's relationship with grief, loneliness, and romantic recovery — is it sincere, or comfort-food cinema avoiding real mess? Kev weighs in on the soundtrack and score cues — emotional shorthand or effective storytelling tool? Can we get over the plotholes? Who goes to LA to visit a house sight unseen and who leaves their dog behind for someone else to look after? The ending(s) — festive payoff, narrative convenience, or emotional earnedness? Haven't they just chosen a false ending once you really look at it? And finally, whether The Holiday is the Best Film Ever — or simply the most aggressively rewatchable seasonal comfort movie ever made. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

This week on Browducation, Megs sits down with Jenna Carroll @jennacarrollcoaching — a lash + brow business coach and former salon owner — for a real conversation about what “leveling up” actually looks like in the beauty industry. Jenna shares her journey from solo lash artist to educator, salon owner, and full-time coach, plus the mindset and business shifts that helped her choose a career path aligned with her lifestyle.They unpack the realities behind salon ownership, the pressure to chase a “dream” version of success, and why building a sustainable business means getting clear on your goals, your numbers, and who you're truly speaking to online.In this episode, they talk about:✨ The truth about salon ownership (and why it can feel like a “beast”)

“I'm not a stepping stone.” Join Ian, Liam & Megs for our 309th episode as we step into the sweat-soaked gyms, fractured families, and hard-won resilience of David O. Russell's The Fighter (2010). Lace up the gloves, tape the wrists, and prepare for a story about loyalty, damage, and the cost of fighting your way out of the place you came from.  We're bragging about knocking down Sugar Ray Leonard this week as we discuss: Christian Bale's extraordinary, Oscar-winning transformation — volatile, compulsive, heartbreaking. Is this one of the great supporting performances of modern cinema? Mark Wahlberg as Micky Ward — or is he just playing Mark Wahlberg with less swearing? Amy Adams' breakout performance — sharp, grounded, and unflinching. Did the camera take advantage of her though? The family dynamic — love, obligation, manipulation, and control. When does support turn into sabotage? Megs breaks down the portrayal of working-class women — authenticity, resilience, and why the female characters feel unusually real for a boxing movie. Ian explores how The Fighter subverts the sports-film formula — less about glory, more about survival and self-definition.  Is it even a boxing film? The documentary-style camerawork — raw, intimate, and invasive. How does the film blur the line between sports drama and social realism? The ethics of redemption — does Dicky earn his comeback, or does the film soften the damage he's done?  Which member of the cast just couldn't forgive him The boxing itself — brutal, unromantic, and exhausting. Does stripping away spectacle make the fights hit harder? The ending — triumphant, restrained, emotionally complicated or underwhelming? We unpack what “winning” actually means here. And finally, whether The Fighter is the Best Film Ever — or simply one of the most honest American sports dramas of the 21st century. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

This week, Megs sits down with Deanna of @browartistry.lv — to talk about building a brow business rooted in passion, consistency, personal growth, and a true dedication to client experience. Deanna shares her journey from esthetician to corporate manager to brow studio owner, and how leaving corporate America led her to rediscover her creative drive. She opens up about learning brows through obsession, trusting her instincts, the role of therapy in becoming a stronger entrepreneur, and why showing up imperfectly still moves your business forward.They talk about:✨ Moving from corporate burnout into beauty entrepreneurship✨ Learning brows through self-study, screen-recording, and free education✨ Why consistency matters more than being “the best”✨ Building a business through passion, obsession, and curiosity✨ Social media inspiration vs. creative noise✨ The problem with overpriced online education & integrity as an educator✨ Raising client experience through consultation, communication & personalization✨ Personal growth, boundaries, and becoming the version of yourself needed to run a businessWhether you're a brow artist, new entrepreneur, or beauty pro navigating the transition from passion to profession, this episode is filled with honesty, mindset shifts, and the grounded wisdom that comes from building a business from scratch — and growing alongside it.Connect with Deanna:IG → @browartistry.lv

“I just want to be perfect.” Join Ian & Megs for our 308th episode as we step into the mirror-lined, razor-edged, emotionally fraught world of Darren Aronofsky's Black Swan (2010). Lace up your shoes, crack your knuckles, and prepare to descend into obsession, duality, and tutu-level trauma. This week we discuss: Natalie Portman's extraordinary, Oscar-winning transformation — fragile ingénue, ruthless perfectionist, and fractured psyche in one. Mila Kunis as the effortless chaos to Nina's claustrophobic control — real threat or manifested paranoia? Aronofsky's visual language: reflections, doubles, textures, and body horror. How does he trap the audience inside Nina's deteriorating mind? The film's depiction of artistic pressure and perfectionism — when does ambition turn pathological? What other film could we not stop referencing whilst watching this film Megs questions the ballet accuracy (and the wildly inaccurate bits) — including the culture, the training, and the psychological toll Ian asks if the film does a good enough job educating the audience about ballet to make the film accessible We talk about how Black Swan functions as a companion piece to The Wrestler — obsession as both craft and self-destruction. The boundaries between reality and hallucination — when does the film stop being literal? Or was it metaphor all along? We examine the film's treatment of sexuality, identity, and agency through the lens of duality: White Swan vs. Black Swan, innocence vs. corruption, submission vs. liberation. The final performance — triumphant, tragic, transcendent? We unpack the film's unforgettable ending. And finally, whether Black Swan is the Best Film Ever — or simply one of the most hypnotic psychological thrillers of the 21st century. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

This week, Megs sits down with Samantha Camastro of @loulabeautyny — to talk about building a thriving brow + lash business through kindness, client care, smart boundaries, and a true luxury experience.Samantha shares her journey from BOCES cosmetology student to multi-service artist, educator with @elleebana, and owner of a beautiful four-room studio in Armonk, NY. She opens up about balancing services with teaching, why policies should never feel like punishment, and how personal connection is the real secret to long-term success in the beauty industry.

“We're as real as a f**king donut!” Join Ian, Liam & Beadle Steve for our 307th episode as we cruise down Sunset Boulevard, slip into our moccasins, and take a long, nostalgic look at Quentin Tarantino's sun-drenched fairytale Once Upon a Time in Hollywood (2019). Megs and Kev? They're not with us this week — Megs got invited to a last-minute audition on a Spaghetti Western set outside Rome, and Kev got lost trying to hitchhike to the Playboy Mansion. We wish them both luck. We're also waxing poetic about Jay Glennie's excellent history of the film with "The Making of Quentin Tarantino's Once Upon a Time In Hollywood" available everywhere now. This week we discuss: How Tarantino utilises revisionist history and a clear late sixties aesthetic into his most affectionate, laid-back film yet. Leonardo DiCaprio's turn as Rick Dalton — insecure, electric, and oddly sympathetic. Brad Pitt's Cliff Booth — stuntman, handyman, maybe-murderer, absolute legend. Beadle Steve weighs in on the film's leaving of breadcrumbs and its toasty payoff How the film handles Sharon Tate with grace, warmth, and unexpected emotional weight much to Liam's appreciation The Manson Family sequences — slow-burning dread done right but where is Charlie and why does Ian argue it's the right call for the film? Ian breaks down Tarantino's structural choices: meandering brilliance or indulgent reimagining? The film's controversial ending — catharsis, fantasy, or simply Tarantino being Tarantino?  Does it help if you know the real life history? Someone argues it doesn't matter and the film still works. Nostalgia vs. narrative: does the film rely too heavily on vibes, or is that the point? We question whether OUATIH is a buddy film, a fairy tale, a love letter, or all of the above. The “Rick Dalton meltdown” scene — one of the great comedic acting moments of the decade? Which parts got combined and then split again on account of scheduling conflicts Who was supposed to be in the film if not for tragedy occurring? And finally, whether Once Upon a Time in Hollywood is the Best Film Ever — or just Tarantino's most beautifully crafted hangout movie. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Buy Jay Glennie's book at https://amzn.eu/d/fTGfDBu We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“Which would be worse… to live as a monster, or to die as a good man?” Join Ian, Liam & Kev for our 306th episode as we board the ferry to Ashecliffe and plunge headfirst into the mist, trauma, and unreliable memories of Martin Scorsese's Shutter Island (2010). Megs? She's not with us this week — she insisted on exploring Ward C “just for a quick look” and the gates slammed shut behind her. We're hoping she'll be released pending evaluation. This week we discuss: How Scorsese blends noir, horror, and psychological drama into one of the most atmospheric films of the 2010s. Leonardo DiCaprio's performance — genius unraveling, or a masterclass in controlled chaos? Mark Ruffalo's deceptively calm presence — partner, puppet, or something much more unsettling? Are we naturally prejudiced to think Ben Kingsley is the villain because he's British? How does Scorsese take a psychological thriller and masquerade it within both a whodunnit and a conspiracy film Which special effects had us marveling at their ingenuity and which ones had us reaching for our Resties ballots? How could the narrative alignment choices made by Scorsese have gone terribly wrong Ian breaks down the film's narrative structure — why repeated viewings make the film richer, not clearer. Liam asks whether the film asks too much from the viewer  How trauma, denial, and memory shape the film's psychological core — and why the story hits different every rewatch. B-Tech Kev picks up on some subtleties and asks if we saw what he saw whilst Ian talks about how the ability to pause and rewind has changed cinema Genre blending: is Shutter Island a detective mystery, a horror film, or a psychological portrait of grief? The lighthouse reveal — one of Scorsese's most tension-filled sequences. We debate the meaning of the ending, Teddy's awareness, and that final chilling line. And finally, whether Shutter Island is the Best Film Ever — or simply the most beautifully disorienting mind maze Scorsese ever built. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Find out more about Juleen's nephew, Castor, and how you can help at https://gofund.me/73a67a9d6 We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Grab your coffee and join Megs & Jess for another episode where we discuss a list of cute, quick, and trendy holiday makes!Links to all patterns referenced:1. House Advent Calendar2. Scalloped Wreath3. Gingerbread House4. Holiday Granny Square Vest5. Christmas Dishcloth Set6. Granny Square Fingerless Mitts7. Christmas Tree Basket8. Crochet Bow Garland9. 3 in 1 Christmas Penguins & Rudolph10. No-Sew Baby Rudolph11. Christmas Tree Plush(Meg's gnome pattern is sadly unavailable; it didn't end up working out!)⁠⁠⁠⁠⁠⁠JESS' NEW YOUTUBE CHANNEL!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠BERG BOX QUARTERLY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠JOIN THE CROCHET BAES FACEBOOK GROUP!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠CROCHET BAES MERCH!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠SHUT UP & TAKE MY MONEY!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠FOLLOW OUR TIKTOK ACCOUNT!⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Got a question or comment? Send The Crochet Baes an email: thecrochetbaes@gmail.comFind Jessica & Berg's Nest Crochet online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-Email: bergsnestcrochet@gmail.comFind Megs & Megs Makes Crochet Online:-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Etsy⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠TikTok⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠-⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Link Tree⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Thank you to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Chan's Designs⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ for creating The Crochet Baes beautiful logo!

1st of a Work/Life Balance Solo Series/Audio Only. This week, Megs comes to listeners fresh from a camping trip that reset her entire nervous system — and honestly, her whole perspective on work, rest, and what “success” really means. After launching a podcast, building a course, taking on more trainings, and being behind the chair four days a week… she hit that crispy, energetically fried wall many beauty pros avoid admitting they've reached.In this solo episode, she shares the truth behind the booked-and-busy culture in the beauty industry, how burnout quietly crept up on her, and what stepping away (and literally touching grass) revealed about her relationship to rest, creativity, and boundaries.If you've been feeling drained, overwhelmed, or like you're operating on autopilot, this one's for you. You don't need a four-day camping trip — but you do need stillness. Megs breaks down what that can look like.The reality behind “booked & busy” cultureWhy financial security — not overbooking — is the real goalSigns you're running on fumes (even if you're still producing)How burnout sneaks up without you noticingHer experience unplugging completely (no WiFi, no emails, zero notifications)Why nature gave her the clarity she didn't know she neededThe emotional release that came with slowing downLearning to say yes to yourself instead of dropping your own restBoundaries as a non-negotiable part of your business planShifting your week to support restoration, creativity, and longevityA gentle challenge to unplug — even for just one intentional hourBeauty pros, brow artists, creatives, and service providers feeling overstimulated, overwhelmed, or disconnected from the work they used to love. If your nervous system has been waving quiet red flags, this is your permission to pause.Follow the pod and Megs, your host, on socials for updates

“But I tried, didn't I? Goddammit, at least I did that.” Join Ian & Liam for our 305th episode as we get ourselves committed to one of the greatest American films ever made: One Flew Over the Cuckoo's Nest (1975). Kev and Megs? They won't be joining us this week — Megs was last seen challenging Nurse Ratched's medication schedule and Kev tried to lift the hydrotherapy console to escape. Security is “having a chat” with both of them. This week we discuss: How Miloš Forman's direction created a sense of art imitating life. But who was Miss Ratched and who was Mac? Jack Nicholson's legendary performance as R.P. McMurphy — charming, chaotic, and dangerously alive.  But is it just Jack playing Jack? Louise Fletcher's cold, controlled terror as Nurse Ratched — is she evil, institutionalised, or the product of her system? The film's astonishing supporting cast — from Danny DeVito to Brad Dourif — and why the ensemble might be one of the best ever assembled.  Who asked for asshole Doc Brown? The real power struggle at the heart of the film: rebellion vs. routine, individuality vs. institution. Ian breaks down the film's narrative structure and why one sequence isn't necessary Liam reflects on the humour, the heartbreak, and the explosive final act — does any other ending hit quite like this one? Is Mac crazy? How would someone pretending to be crazy present themselves in this environment? We discuss the film's legacy: its Oscars sweep, its influence on pop culture, and its place in the “Great American Films” canon. Is McMurphy a hero, a catalyst, or a cautionary tale? What was Milos Forman trying to say in the film based on his personal lifestory? And finally, whether One Flew Over the Cuckoo's Nest is the Best Film Ever — or simply one of the boldest critiques of power and conformity ever committed to screen. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE. Find out more about Juleen's nephew, Castor, and how you can help at https://gofund.me/73a67a9d6 We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

In this episode Megs sits down with Ashley Collins of @beautymarks_ink—salon owner, threading specialist, and former licensed veterinary technician—to unpack the craft (and business) of brow threading. Ashley shares how she taught herself hand-tied threading when quality education didn't exist, why threading can rival waxing for speed and revenue, and the client-experience details that make people feel genuinely cared for. We also get into navigating licensing in Kentucky, pricing with confidence, being the specialist in a small market, and the resilience it takes to bounce back from industry drama. If you've wondered whether threading is worth learning—or how to make it a core part of your brand—this one's for you.Whether you're an esthetician, educator, or artist carving your own path, Ashley's story is proof that self-taught doesn't mean small—it means unstoppable.

At last… our pod is complete again.” Join Ian, Liam & Megs (she always goes last), along with Friend of the Podcasters: Beadle Steve, for our 304th episode as we sharpen our razors, roll out the pie dough, and dive into the gothic, gory glory of Sweeney Todd: The Demon Barber of Fleet Street (2007). This week, we're not just talking Burton's blood-soaked macabre attempt at a masterpiece — we're also sharing our collective memories from our very own recent production of Sweeney Todd! Expect behind-the-scenes stories, backstage laughs, and maybe a few stories about trap doors and jettisons of blood This week we discuss: How Tim Burton's adaptation balances musical theatre grandeur with cinematic horror — and where it falls short. Johnny Depp's take on the title role: tortured genius or just Burton doing Burton again? Helena Bonham Carter's Mrs. Lovett — delightful, deranged, and determined to make the worst pies in London. How Alan Rickman and Timothy Spall manage to be both repulsive and magnetic - but can they sing?  Who do we think could've done it better? The use of colour, lighting, and sound — and why did the crew need so many garbage bags? How Sweeney Todd manages to turn tragedy into operatic spectacle without losing its emotional sting. We discuss at great length a couple of elements that one of us just couldn't overlook We share our favourite moments (and biggest mishaps) from our own stage production — from what it's like to be reviewed ourselves to unexpected laughter in the wrong places and if you can imagine it - Ian flexing in the spotlight What it's like performing Sondheim's music live — the challenge, the rhythm, and the glorious chaos. Beadle Steve joins us to talk about his experience, his favourite scenes, and whether he's still hearing “Ding Dong!” in his sleep... and what happened to the ensemble anyway? And finally, whether Sweeney Todd: The Demon Barber of Fleet Street is the Best Film Ever — or just the bloodiest musical we've ever loved. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

This week, Megs sits down with Isabel Vitale, founder and creator of SIV Skincare, to explore the living world on your skin — your microbiome.From her unconventional path (communications major → formulating her own skincare line) to developing a product that supports skin resilience from the outside in, Isabel shares how curiosity, intuition, and science collided to create something truly different.We talk about:✨ The difference between “clear” and “healthy” skin

“We all float down here.” Join Ian & Kev, along with BFF of the BFE: James DeGuzman, for our 302nd episode as we descend into the sewers of Derry, Maine, and confront childhood trauma, red balloons, and Stephen King nightmare fuel with It: Chapter One (2017). Megs and Liam? They said they weren't afraid of clowns… right up until Pennywise offered them a balloon. We're hoping they resurface soon. This week we discuss: Why It tapped into a new generation's fear of clowns — and whether it's earned or just clever filmmaking. Bill Skarsgård's terrifying turn as Pennywise — physicality, psychology, and drool.  How the film balances coming-of-age warmth with soul-shaking horror — friendship vs. fear. King's original novel vs. the adaptation — what gets streamlined, what gets lost, and what gets under your skin. Does this film prove that horror is strongest when it's tied to universal childhood anxieties? How the film is able to position that early coming-of-age feelings of romance without coming across as creepy The Losers' Club: perfect casting? We break down who stands out and who feels underserved. Why the sewer sequences and the house on Neibolt Street raise the bar for modern horror set pieces. Ian talks about narrative structure and why splitting the story into “kid chapter” and “adult chapter” was the smartest possible move. James brings the expert scare analysis — and takes the BFE to task over their anti-horror bias Does Pennywise's final reveal hold up — or does CGI drain the fear away? And finally, whether It: Chapter One is the Best Film Ever — or just the best nightmare you'll keep watching anyway. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

“They're heeere…” Join Ian & Megs for our 301st episode as we grab the remote, face the static, and step into the spectral suburbia of Poltergeist (1982). Liam and Kev? They're not with us this week — the house they were recording in was built on an ancient podcast burial ground. We haven't heard from them since, but we're getting some weird interference through the TV… This week we discuss: 301 episodes in — how did we make it this far without getting dragged into the light? How Poltergeist terrified an entire generation while redefining the modern haunted house movie. The age-old debate: how much of this film was Tobe Hooper and how much was Steven Spielberg pulling the spectral strings? Why the film's suburban setting hits harder than gothic castles or spooky mansions — horror in the heart of normality. The infamous curse surrounding the film's production — what's real, what's coincidence, and what's just chilling. Is Poltergeist actually a family drama disguised as horror, and why does that emotional core make the scares land harder? Ian breaks down the film's special effects and practical wizardry — how they still hold up decades later. Ian also shares about some childhood traumas regarding losing beloved toys at school while Megs reminds him that's why you don't bring valuable stuff in Why Poltergeist manages to be scary without ever really being gory — and whether that balance is what makes it timeless. Why do they have a magic remote control and was the guy costuming Dana a creep? And finally, whether Poltergeist is the Best Film Ever — or just the reason we still side-eye our static screens. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

Stop 13 (yes, we're swapping stops 12 and 13!) of the Move Her Mind Event Series with ASICS took us all the way to Tokyo! We had the incredible opportunity to sit down with Deena Kastor - legendary marathoner and true ambassador of the sport - to talk about her journey from professional runner to passionate advocate. Deena shares her perspective on the barriers women have faced in running, the biggest shifts she's witnessed over the years, and, of course, her take on the women's marathon world record being broken - nearly twenty years after she set her own.This episode wraps up with something truly special: the next chapter of the Move Her Mind Event Series. We're thrilled to announce a new partnership with ASICS that will allow us to bring 100 women to the LA Marathon! Selected participants will receive personalized nutrition coaching and training plans from The Megs, plus a race bib and a full VIP race-day experience.Want to join us in LA? Apply through THIS LINK —we can't wait to see you there!

“THIS… IS… EPISODE 300!” Join Ian, Liam, Megs & Kev as we hit a huge milestone with our 300th episode by reviewing Zack Snyder's visually explosive, slow-motion-soaked epic 300 (2006). Four hosts, six-packs optional, and absolutely no capes required — though Kev may or may not have shown up in one. This week we discuss: 300 episodes strong — how did we get here, and who yelled the loudest doing it? How 300 redefined the look of early-2000s cinema and became the blueprint for a decade of digital epics. Is 300 the natural endpoint of a cinematic obsession with masculinity that began with Braveheart and Gladiator? Just exactly how much does this movie borrow from these films and which elements does it outright steal How the film balances mythic masculinity with questionable historical accuracy — and does it matter? Megs is here to give us some historically accurate statements on the battle of Thermopylae We've got a classic BFE taste test of a product you won't believe Several people reach out to congratulate us and some familiar voices show up to toast with us  Which one of us would make the best Spartan, and which one would be sent to tell the story? The surprising cultural impact of “This is Sparta!” — and which line from the movie we've all been yelling at each other for days. Ian breaks down the film's visual language and pacing — why Snyder's comic-book literalism both elevates and limits the story. And finally, whether 300 is the Best Film Ever—or just the most gloriously sweaty milestone we could've picked. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/

You're not anyone unless you're on a podcast - It's a full house this week as Ian, Liam, Megs & Kev are all actually in studio together for our 299th episode, sinking our teeth into Gus Van Sant's razor-sharp media satire To Die For (1995). That's right—no Zoom delays; no apologies, best wishes or excuses, just four podcasters, four microphones, and an unhealthy fascination with fame.  We're skating on thin ice in our 299th episode as we discuss: We learn the name under which Joaquin Phoenix's early films were classified—and why it might surprise you. There's a lot of talk about what day of the week the podcast actually comes out on (and whether any of us even know). We all want to enter the alternate casting universe to see who the producers wanted to play Suzanne—and whether that version of the film would've worked at all. Is Suzanne Stone one of Nicole Kidman's greatest performances—or is she just too good at being awful? How the film predicted the age of reality TV and social media fame years before they existed. What's the line between ambition and sociopathy—and where does Suzanne fall on that spectrum? How Van Sant uses tone to walk the line between dark comedy and true crime tragedy. Why To Die For feels both 1990s and frighteningly current in 2025. Which scene left us most uncomfortable—and which line still gets a nervous laugh. And finally, whether To Die For is the Best Film Ever—or just the most chillingly relevant film you've never revisited. Become a Patron of this podcast and support the BFE at https://www.patreon.com/BFE   We are extremely thankful to our following Patrons for their most generous support: Juleen from It Goes Down In The PM Hermes Auslander James DeGuzman Synthia Shai Bergerfroind Ariannah Who Loves BFE The Most Andy Dickson Chris Pedersen Duane Smith (Duane Smith!) Randal Silva Nate The Great Rev Bruce Cheezy (with a fish on a bike) Richard Ryan Kuketz Dirk Diggler Stew from the Stew World Order podcast NorfolkDomus John Humphrey's Right Foot Timmy Tim Tim Aashrey Paul Komoroski Buy some BFE merch at https://my-store-b4e4d4.creator-spring.com/. Massive thanks to Lex Van Den Berghe for the use of Mistake by Luckydog. Catch more from Lex's new band, The Maids of Honor, at https://soundcloud.com/themaidsofhonor. Also, massive thanks to Moonlight Social for our age game theme song. You can catch more from them at https://www.moonlightsocialmusic.com/