Podcasts about eictv

Watch the video version of this podcast on YouTube here: https://www.youtube.com/watch?v=x0QB4w4z7F4 BUY THE BOOK - REWRITE 2nd Edition: A Step-by-Step Guide to Strengthen Structure, Characters, and Drama in your Screenplay - https://amzn.to/4d4FuYZ BUY THE BOOK - 39 STEPS TO BETTER SCREENWRITING: A Practical Guide to Improving Your Screenplay - https://amzn.to/3xNvoLH BUY THE BOOK - LIES, ALL LIES - https://amzn.to/3QfQs40 Paul Chitlik has written for all the major networks and studios in English and in Spanish. He was story editor for MGM/UA'S "The New Twilight Zone," and staff writer for Showtime's sitcom "Brothers." He has written features for Rysher Entertainment, NuImage, Promark, Mainline Releasing, and others. He has directed episodes and been coordinating producer for “Real Stories of the Highway Patrol” and “U.S. Customs Classified.” He wrote and produced “Alien Abduction,” the first network movie shot on digital video for UPN. He wrote, produced, and directed “Ringling Brothers Revealed” a special for The Travel Channel. (He had been a roustabout for Circus Vargas years earlier.) Most recently he wrote, produced and directed “The Wedding Dress,” for Amazon Prime. He received a Writers Guild of America award nomination for his work on "The Twilight Zone" and a GLAAD Media Award nomination for "Los Beltrán,” a Telemundo show. He won a Genesis Award for a Showtime Family movie. He has taught in the MFA programs of UCLA, the University of Barcelona's film school ESCAC, Cuba's film school EICTV, Chile's film school UNIACC, The University of Zulia in Venezuela, The Panamerican University in Mexico City, The Story Academy of Sweden and as a clinical associate professor at Loyola Marymount University. Now writing full time again and living near his grandson in Chapel Hill, NC, with wife, Beth McCauley. MORE VIDEOS WITH PAUL CHITLIK https://tinyurl.com/38sh736t CONNECT WITH PAUL CHITLIK https://rewritementor.com https://www.imdb.com/name/nm0158328 CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SPONSOR AN UPCOMING FILM COURAGE VIDEO https://ko-fi.com/filmcourage SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage (Affiliates) ►BOOKS WE RECOMMEND: THE NUTSHELL TECHNIQUE: Crack the Secret of Successful Screenwriting https://amzn.to/2X3Vx5F THE STORY SOLUTION: 23 Actions All Great Heroes Must Take http://amzn.to/2gYsuMf SAVE THE CAT! The Last Book on Screenwriting You'll Ever Need https://amzn.to/3dNg2HQ THE ANATOMY OF STORY: 22 Steps To Becoming A Master Storyteller http://amzn.to/2h6W3va THE ART OF DRAMATIC WRITING - Lajos Egri https://amzn.to/3jh3b5f ON WRITING: A Memoir of the Craft https://amzn.to/3XgPtCN THE WAR OF ART: Break Through the Blocks and Win Your Inner Creative Battles http://amzn.to/1KeW9ob ►Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

            This is Paul Chitlik's second appearance on StoryBeat. Paul has written for all the major networks and studios in both English and Spanish.  He was story editor for The New Twilight Zone, and staff writer for the Showtime sitcom, Brothers.  He's directed episodes and been coordinating producer for “Real Stories of the Highway Patrol” and “U.S. Customs Classified.”  He wrote and produced “Alien Abduction,” the first network movie shot on digital video for UPN.  He wrote, produced, and directed “Ringling Brothers Revealed” a special for The Travel Channel, which was right up his alley because years earlier he'd been a roustabout for Circus Vargas.  Paul has written features for Rysher Entertainment, NuImage, Promark, Mainline Releasing, and others.  Most recently he wrote, produced and directed “The Wedding Dress,” for Amazon Prime.  Paul was nominated for a Writers Guild of America award for his work on "The Twilight Zone" and a GLAAD Media Award nomination for Telemundo's "Los Beltrán.” He also won a Genesis Award for a Showtime Family movie. Paul has taught in the MFA programs at UCLA, the University of Barcelona's film school ESCAC, Cuba's film school EICTV, Chile's film school UNIACC, The University of Zulia in Venezuela, The Panamerican University in Mexico City, The Story Academy of Sweden and as a clinical associate professor at Loyola Marymount University. Paul's latest novel is Lies, All Lies. I've read Lies, All Lie, and found it to be one of the most entertaining works of fiction about behind-the-scenes Hollywood I've had the pleasure to peruse.He's also the author of one of the most indispensable, must-read books for anyone interested in writing screenplays, teleplays, plays, and even novels, called Rewrite.For the record, I was one of Paul's students during my days in graduate school at UCLA. Without question, Paul's teachings have remained exceptionally influential on me for both my own writing and in my subsequent years as a college professor of screenwriting.

Cinefotógrafo y su investigación doctoral sobre el Cine, la imagen y la cultura. Entrevista con el cinefotógrafo Omar García: conoce su carrera y su impacto en el mundo del cine. Egresado de la 11a generación de la EICTV con especialidad en fotografía y con una maestría en arte cinematográfico, Omar es un profesional en el campo de videoclips, series de televisión como Drenaje Profundo y de largometrajes como Personal Belongings, Todos Hemos Pecado y Oklahoma Mon Amour. Actualmente, está investigando su doctorado sobre cine, la imagen, la sociedad y la cultura. ¡No te pierdas esta oportunidad de conocer más sobre su trayectoria y proyectos futuros en esta entrevista.

Laura conversa con Natalia Cabral y Oriol Estrada, dos directores y compañeros de vida con una interesante historia que combina amor y oficio. Se conocieron en Cuba, mientras estudiaban en la escuela de cine EICTV, un lugar que en ocasiones sintieron como un claustro, y donde ambos pudieron ver explícitamente el “lado oscuro” del cine. Después, al salir al “mundo real” como le llamaban al mundo fuera de la escuela, pudieron ver con claridad la realidad de la industria, la cual, no es fácil de navegar en una carrera artística. Natalia y Oriol han creado y dirigido filmes como “Una película sobre parejas”, “Miriam miente”, “El sitio de los sitios” y “Tú y yo”. En sus películas han explorado temas como el ego y la dinámica de su propio matrimonio, así como diferencias de clases y racismo desde el contexto de la República Dominicana, tratando de balancear el discurso entre la emocionalidad y la racionalidad. ¡Sin duda, la filmografía de estos de dos directores es brillante y merece ser vista! ¡Continuemos la conversación en Instagram! Síguenos en @mslauragomez y @barajaesopodcast. Si te gustó el episodio, déjame un rating ★★★★★ y un comentario. --- Send in a voice message: https://anchor.fm/baraja-eso-podcast/message

En este episodio @MaleMalaver entrevista a  MARIA ELENA MORAN @maria.elena.moran Escritora y guionista nacida en Maracaibo, Venezuela, en 1985. Es graduada en Comunicación Social en la Universidad del Zulia (2007), Venezuela, y en el curso regular de la EICTV, Cuba, donde estudió Guion cinematográfico (2012). Magister y doctora en Escritura Creativa por la Pontifícia Universidad de Católica do Rio Grande do Sul, Brasil (2022), actualmente está radicada en São Paulo, Brasil. Gente y Ciudad la felicita como Ganadora del Premio de Novela Café Gijón 2022 y la invita a que nos cuente lo mejor de sus éxitos Los invitamos a escucharnos en vivo de lunes a viernes de 11am a 12pm través de Unión Radio 93.7 FM en Puerto La Cruz o por la web de Mundo UR https://mundour.com/index.php/anzoategui/ o por http://player.lorini.net/unionradio/puertolacruz/.

Armando Fonseca é diretor e roteirista, pós-graduado em cinema, com formação em Nova Iorque na New York Film Academy e na EICTV em Cuba. Vencedor no Ventana Sur com o projeto "Desalmados", apresentou o filme no Fantastic Fest (EUA). Recebeu mais de 20 prêmios por seus filmes ao longo dos 15 anos em que trabalha na área. Lançou a história em quadrinhos prólogo ao filme "A Última Cova". Fonte: armandofonseca.com.br Kapel Furman é cineasta, animador, coordenador de efeitos especiais e character designer. Começando sua carreira profissional em 1997 como animador com as animações premiadas “Bambolê” e “A Vida de um quadrado”, trabalhando também sob a tutoria de Flavio Del Carlo. Especializado no gênero fantástico e efeitos especiais, com créditos e prêmios diversos em 72 longas. Foi indicado ao prêmio de Melhores Efeitos Especiais da Academia Brasileira de Cinema pelos filmes O Cheiro do Ralo; Encarnação do Demônio e Broder. É ganhador do prêmio Guarani de melhores efeitos especiais por “Encarnação do Demônio”. Em 2015, desenvolveu o projeto de artes visuais “A percepção do Medo”, apoiado pela Funarte, exibido em sessão no Santander Cultural, em Porto Alegre. Em 2016 o projeto foi transformado no longa metragem. Fonte: spcultura.prefeitura.sp.gov.br Armando e Kapel também são roteiristas e apresentadores da série Cinelab, com 7 temporadas e exibida em mais de 10 países. Ambos roteirizaram e dirigiram dois longa-metragens: “Percepção do Medo” (2016), ganhador do prêmio Iberoamericano Fenix e listado dentre os 25 filmes de terror mais esperados de 2016 pelo site “The people's movies”. O filme foi adquirido pela Turner. “Skull: A Máscara de Anhangá” (2020), elogiado pela crítica e público internacional, concorrente ao prêmio Iberoamericano Fénix.

THE HOTTEST UP & COMING COMIC IN LOS ANGELES TODAYIS A 71 YEAR OLD JEWISH MAN!eL YID, NEW CHARACTER CREATED AND PERFORMED BY NOTEDTV WRITER/PRODUCER AND ACTOR MARC SHEFFLER,IS POISED TO TAKE THE LA COMEDY SCENE BY STORMBelieve it or not, the hottest and fastest rising new comic on the LA ComedyScene today is “el Yid,” a 69 year old Jewish man whose long white beard and blackand white garb would immediately lead anyone to assume that he was a Chasidic Rabbifrom Brooklyn. In actuality, el Yid is a new comedic character conceived and performedby noted TV writer/producer and actor Marc Sheffler.A former comedian and member of the Comedy Store's legendary “Class of1977,” Marc has also been involved with countless television series and specials duringthe course of his long entertainment industry career, including "Sister, Sister," "Harryand the Hendersons," "Who's the Boss," “Sanford & Son,” "Charles in Charge,” “TheHappy Days Reunion Show," "The Best of the Hollywood Palace" and the Warner Bros.cartoon “How Bugs Bunny Won The West,” among many others.The character of el Yid was born in late 2015, after a horrific automobile accidentalmost cost Marc his life. After having been hit by a car while walking down the streetnear his home by an 85-year old man texting on his phone while driving, Marc spentmany months recovering from his broken limbs and shattered spirit. Once finally healed,however, Marc looked in the mirror and realized that not only had he been transformedinto an entirely new person, but he had a brainstorm! He'd also just given birth to anentirely new character. The experience re-ignited his passion to once again performstand-up comedy live, after a 35 year absence from the stage.el Yid has been making LA audiences howl with laughter ever since. He appearsregularly at Robin Hood Pub on Burbank & Woodman in Sherman Oaks on Wed-nesdays, and at Upstairs @ Palermo on Vermont by Franklin on Thursdays. Check out:https://www.facebook.com/elyidthecomedian/About Marc Sheffler:A native of Pittsburgh, PA, Marc Sheffler was given a truly unique gift by hisfather for his 8th birthday: The Three Stooges! The famous slapstick trio performed athis birthday party during a local appearance there in 1957. The Stooges brought Marcon stage with a “Nyuck, Nyuck, Nyuck,” and the infamous phrase “I oughtta moider ya.”Moe Howard dubbed little Marc “The Fourth Stooge.” “It was on that stage, at the age of8, when I first realized it was my destiny to become a comedian,” Marc says today.In 1969, Marc dropped out of college to head off to New York State's CatskillMountains, the center of the stand-up comedy universe at the time. There, he began hisprofessional career, with his first job as the Stage Manager of the 1500-seat nightclub atthe Raleigh Hotel. During his fourteen months there, Marc watched every comedian onthat circuit – one of whom was London Lee, the scion of a wealthy Long Island family.Marc worked for Lee for about a year and a half, at first running errands for him, andeventually writing some of his jokes. Marc even became an onstage part of his actduring more than 200 club dates. One lucky night, Lee told his audience that Marc wasan aspiring stand-up comedian, and without any advance notice, thrust him into thespotlight. Marc performed ten minutes, managing to generate enough laughs to earnhimself a spot onstage with Lee for an upcoming, two week engagement at thelegendary Copacabana nightclub in Manhattan.After striking out on his own in late 1971, Marc walked into his manager's office in NewYork City (Lloyd Greenfield Management, whose clients at the time also includedEngelbert Humperdinck), where he was told a movie audition awaited him. As a result ofthat audition, Sean Cunningham and Wes Craven cast Marc as one of their film's fourleads, “a teenage heroin junkie named Junior Stillo” in the movie “The Last House onthe Left” (1972). The film became Wes Craven's first, and is considered today to be thegranddaddy of the modern day slasher/crime genre. In early1972, Marc's life and careerchanged forever when Roger Ebert published a 4 1⁄2 star review of the film with this leadsentence: "'Last House on the Left' is a tough, bitter little sleeper of a movie that's aboutfour times as good as you'd expect.” Marc made dozens of personal appearancesacross the country to help promote the film, meeting thousands of fans, and basking inthe newfound glow of his first taste of fame.After his initial blast of exposure with “Last House,” Marc shifted gears back to hisoriginal passion: a career in stand-up comedy. He also began to pursue writing andproducing projects for television. In late 1975, he developed a movie-of-the-week ideaalong with award winning commercial director N. Lee Lacy (the man who'd directed theinfamous “Mean Joe Green/Coke” commercial.) In early 1976, Lacy's agents at WilliamMorris sold the pitch to NBC – as a result, Marc moved to LA, arriving in town with awriting credit and William Morris as his talent agency.During his earliest days in LA, Marc spent countless nights at the legendary ComedyStore, watching such legends as Richard Pryor, Paul Mooney, Jimmy Walker, GeorgeMiller, Tim Thomerson, and Steve Bluestein. The William Morris Agency had set him upwith his first Monday night gig at the club just a few weeks after he'd relocated to la-la-land. After his fourth Monday night, he walked up to legendary founder Mitzi Shore'stable, and asked her if he had what it took. She looked up and said, “Okay Marc, call infor spots.” Marc quickly thanked her and got out of her sight, before she had time toconclude she'd just made a huge mistake. Over the course of the next several Mondaynights, Marc honed his material, quickly perfecting his set, generating big laughs, andquickly made a place for himself as an Original Comedy Store Regular. Based on hissuccess, Marc became a lifetime member of the Comedy Store's infamous “Class of'77.” He even got his name inscribed on the Comedy Store's exterior “Wall of Fame,”alongside his peers at the time - Jay Leno, Robin Williams, David Letterman, MarcSummers, and other now well-recognized performers.Segueing into writing and producing for television, Marc's career path next ledhim to participate on such hit TV series as "Sister, Sister," "Harry and the Hendersons,""Who's the Boss," “Sanford and Son,” and "Charles in Charge." He also becameinvolved with numerous TV pilots, made for TV movies, and television specials,including "The Little Shop of Horrors" pilot, "The Happy Days Reunion Show" and "TheBest of the Hollywood Palace" specials. His first real studio gig was at Warner Bros.with Mel Blanc, the voice of the classic Warner Bros. cartoons, as the writer of the TVshort “How Bugs Bunny Won The West” in 1978. During this era, Marc worked closelywith a number of notable Executive Producers, including Norman Lear, (“Sanford andSon,”) George Schlatter (“If She Dies, She Dies,”) Don Mischer (“The People's ChoiceAwards,”) Steven Spielberg (“Harry And The Hendersons,) and Garry Marshall (“TheHappy Days Reunion Special”), among them.In 2002, Marc returned to the horror film genre, and produced David DeFalco'scontroversial movie “Chaos.” In 2006, he co-wrote and produced another horror film,“Girls Gone Dead.” And in 2010, Marc supervised the writing of the first two episodes ofa new TV series called “Oh Telon” - a half-hour situation comedy - at EICTV, in SanAntonio de los Baños, Cuba. The show was greenlit for production, and in fall of thatyear, Marc made television history by becoming the first person ever to ExecutiveProduce a sitcom in Cuba!The Birth of el Yid:From 2011 to 2015, Marc was on the faculty of Loyola Marymount University'sSchool of Film and Television, where he taught classes in Situation Comedy,Screenwriting, and Re-Writing. During his time there, he noticed an interestinginteraction between himself and his students (18 to mid-20's). Realizing he could makehis students laugh at will, he went back to the Comedy Store (after a nearly four decadehiatus) to watch the latest comedians, and to listen to the audiences so he could learnwhat they thought was funny. He'd begun to plot a course back to the stand-up comedystage.After a long Thanksgiving (2015) holiday trip to New York and Boston, Marc and his wife(a social worker), returned to LA exhausted and jet-lagged from the trip. A few morningslater, Marc's wife headed out the door to work. Prior to her leaving, Marc told her hewas going to walk up to Trader Joe's, to pick up a few things. A little after 1:00 PM, ashe started the stroll back home carrying his Trader Joe's grocery bag, Marc was struckfrom behind by a Porsche doing about 40 mph, driven by an 85 year old man who wastalking on a handheld cell phone. The driver, who'd gotten distracted by that call, driftedinto the parking/walking lane, forcefully hitting Marc and hurling him through the air.Marc's injuries were extensive: fractured cervical spine bones, fractured ribs, afractured wrist, a shredded meniscus in his knee, multiple scalp lacerations, headtrauma, a concussion, multiple contusions and abrasions, and oral trauma among them.His doctors told him he was quite lucky to be alive, and had escaped life as a paraplegicby just a few millimeters. Describing his pain as “literally indescribable,” Marc's onlyrelief wasn't from the drugs administered, but from where their effects sent him – hementally “time-tripped” back to 1977, to the Comedy Store, and to his beloved stand-upcomedy days. What replaced his full body agony was the full body pleasure he got from“reliving” those moments when he was on stage at the legendary nightclub, getting biglaughs, all those years ago.Marc spent the next three months in bed, nearly immobile – he didn't drive againfor six months. During his recovery, he received a call from a friend about appearing ona radio talk show dedicated to comedy and comedians, along with two other guests –comic Johnny Beehner, and Budd Friedman's former partner at the Improv, MarkLonow. The show went well. One of its hosts asked Marc if he was thinking aboutmaking a return to the stand-up comedy stage. And on air, Marc said yes.One afternoon shortly thereafter, Marc got out of the shower, and took a longlook in the mirror at his body, hair, and long white beard, all dripping wet. He looked athimself, pointed a finger, and ordered himself “not to go away.” Dashing into hisbedroom, Marc put on a white, buttoned-down dress shirt, a black tie, and a black suit,then placed a wide-brimmed, black Fedora on his head. After brushing out his beardand putting on some wire rimmed glasses, Marc then saw in the mirror an amalgam ofhis maternal grandfather, and the Orthodox Rabbi of his Temple's congregation.What is the name of this new character?” he asked himself. This isn't MarcSheffler. Who is this guy? He shall be el Yid, The Jew!Since then, el Yid has been performing before a wide spectrum of LA audiences,generating big laughs wherever he goes. Two, post-performance experiences – onewith an admitted anti-Semite, and another with an attractive single woman - have beenparticularly encouraging. As Marc explains, “By my metrics, if el Yid can get a lifelonganti-Semite to approach him and say he was going to reevaluate his prejudice, and acute, single woman to admit she felt regret because el Yid was married, clearly this newcharacter seems to be resonating with his audiences! Total strangers are starting tobelieve that el Yid is a real person. Now that I've given birth to this comedic new voice,it's time for el Yid to start making a really big noise!”# # #Media Contact:Dan HararyThe Asbury PR Agency310/859-1831dan@asburypr.com

https://notesonfilm1.com/2021/09/27/the-youssef-chahine-podcast-no-40-lets-talk-marianne-khoury-2019/ Let's talk about 'Let's Talk', Marianne Khoury's exploration of mother/daughter relationships across generations. The film is of interest to us because we wondered if it would enhance our understanding of Chahine's cinema; and it does! Marianne's mother was Chahine's sister, and her story was dramatised by Chahine in Dawn of a New Day (1964). Khoury also demonstrates how part of the family's narrative is the origin and source of strands of Alexandria .... Why (1979) and An Egyptian Story (1982), so the accounts on this film give us an interesting spin on how Chahine treats the same material. We discuss the relationship between Iris and Marianne and Marianne and her own daughter Sara: is it self-reflexive enough? Is the film aware of the historical context in which those lives were lived and various decisions were made? We discuss cosmopolitism and language (a gift/ a burden?); the pleasure of the old photographs and how they evoke whole ways of life; we rant about BFI Player; José purrs when he sees footage of the EICTV film school in Cuba and at the footage in Havana. We recommend as a film that enhances our understanding of Chahine's work and also a film that is a very personal reflection of mother/daughter relationships.

A public health scientist by training, Dr. Jennifer Galvin left a fast-track academic career path to pursue filmmaking. She had a knack for finding narrative in the numbers and wanted to use her research and storytelling abilities to put a face on societal problems and solutions. She was selected to the American Film Institute's 2004 Catalyst Workshop for science storytelling and screenwriting, and to the 2006 Pan Caribbean Project for Documentaries Residency at EICTV, Cuba. In 2006 she founded reelblue, an independent film production and media company based in New York. Her feature film directorial debut was the prized documentary Free Swim (2009), which continues to travel the globe to reduce youth drowning, promote diversity in ocean-related sports, and ignite community coastal conservation. While she most loves having the camera in her hands, Galvin's ability to direct, produce, write, and shoot led her to being compared to a Swiss Army knife when named to the 2014 GOOD 100, representing the vanguard of artists, activists, entrepreneurs, and innovators from over 35 countries making creative impact. Her feature documentary The Memory of Fish (2016) was one of three Wildscreen Panda Award Best Script nominees—the highest accolade in the wildlife film and TV industry, dubbed the ‘Green Oscars'; it was also named to “The Definitive List of River Movies” by American Rivers. More recently she directed/produced the award-winning music video On My Mind (2020), starring Storyboard P and vanguard musicians Marcus Strickland, Pharoahe Monch, and Bilal, that debuted on AFROPUNK, and she produced The Antidote (2020), a feature film exploring kindness in America that qualified for an Oscar for Best Documentary. This summer Galvin produced Tuskegee Legacy Stories (2021), a 5-part public health campaign for Ad Council featuring descendants of the USPHS Syphilis Study at Tuskegee to build back trust in medicine. She is currently developing projects spanning fiction and nonfiction. Commercial to indie, documentary to fiction, moving image to print—her motivations remain fueled by the maxim “protect the vulnerable.” 

Gabriella é roteirista de TV e cinema com trabalhos no currículo como “Giga blaster”, “Vai que Cola”, “Amor Veríssimo” e muito mais. Ela coordenou a área de projetos infantis na Conspiração, se formou na EICTV em Cuba, trabalhou com canais como Futura, GNT, Multishow, TV Cultura, Nickelodeon, TV Brasil, Gloob, Nat Geo Kids e no … Continue lendo "Primeiro Tratamento – Gabriella Mancini – # 172"

Daniel Kalil ( @pirafilmes ) é um roteirista, produtor e diretor da região Centro Oeste, quIvo Costa - Horror mineiroe passou pela EICTV em Cuba e na Academia Internacional de Cinema em São Paulo, e tem uma produção ativa hoje, com curtas e longas circulando em festivais como a Mostra Tiradentes e exibidos em canais como Canal Brasil e Telecineplay. Conversamos sobre os processos de criação de roteiro para curta e longa, os aspectos de trabalhar como produtor e também de fazer a Produção Executiva de filmes, chegando a conseguir que sejam distribuídos em streaming e canais fechados. A live acontece no instagram do @321.podcast . O 321 é um projeto de lives e podcast, realizado por @otaviorangelm e está nos principais agregadores de podcast! #cinemabrasileiro #cinemaindependente #cinemanacional #cinemanacional

Além de professora da Escuela de Cine y Tv de Sant Antonio de Loos Baños em Cuba, Iana é roteirista, e fez o recente @tresveroes da Sandra Kogut. Nesse papo falamos muito de ROTEIRO, ou Guión, falamos da Escuela, sua história e seus métodos e claro, de filmes e conselhos para cineastas iniciantes. Esse episódio foi uma verdadeira aula. Ouça tomando nota, que você não vai se arrepender.

Hola que tal, muy buenas noches y bienvenidos a este capítulo de Orbitando, un podcast de La Juntamenta donde como siempre estaremos hablando acerca del acontecer cultural y social cubano, desde el desenfado y la honestidad. Hoy es Domingo 18 de octubre y en estas dos semanas han sucedido muchísimas cosas que pronto les estaremos contando, por ejemplo:Se inaugura la exposición virtual Shifting Streams, twelve artists by the hudson river de la mano de la curadora cubana Meyken BarretoLa Oficina Leo Brouwer convoca para sus becas 2020-2021Fallece la joven cineasta Diana Montero, documentalista de la mujer rural cubanaAlexis Valdez anuncia una canción con un pilar de la música cubana, enseguida te contamos de qué se trata...Si bien siempre los invito a que se queden un ratito por aquí con nosotros para pasarla bien, esta noche les pido de favor que escuchen a nuestra invitada la joven cubana estudiante de doctorado en la Universidad de Massachusetts Amherst, Anamary Maqueira Linares. Sobre qué vamos a hablar? Pues sobre qué cosa es el trabajo no remunerado y sobre la diferencia de géneros que existe en ese campo. ¿Cree usted que ser ama de casa debería considerarse un trabajo? Y que tal de aquellas personas que se ven obligados a cuidar de sus enfermos? Se ha preguntado usted por qué normalmente esa persona es mujer? Si tiene causa un poquito de curiosidad este tema, si conoce a alguien que pueda interesarle, pues siéntelo a su lado y escuchenos, recuerde que esto es como la casa de Neraida, aquí cabe todo el mundo, subeme la musiquita esa que Orbitando empieza ya.Es un placer tremendo tenerlos hoy con nosotros, comienza un capítulo más, quince días después aquí estamos y esta noche será un programa especial. Especial porque tiene una importancia tremenda conversar sobre lo que estaremos hablando esta noche. Les pido que separen un tiempito de su día y escuchen a nuestra invitada. Estos son días complicados, donde parece que el mundo se acaba cada noche, donde la idea de creer que hacemos lo correcto nos está llevando a cargar en contra de quien piensa distinto. No olvidemos que en nuestras diferencias radica la magia del equilibrio, no obviemos que nuestra experiencia en la vida no tiene porque coincidir con la ajena. Si usted piensa de una manera determinada, goce del placer que da la libertad de exponer su pensar, pero de ser posible, hágalo sin ofender a quien difiere, si sus ideas tienen fundamento, la ofensa nunca va a ser necesaria. Vamos a aprender un poco con Verborrea por la Libre. VerborreaLucharPepillarteSe inaugura la exposición virtual Shifting Dreams de la mano de la curadora cubana Meyken Barreto quien nos ha hecho llegar su mensaje.La institución que dirige el reconocido artista otorga a Leo Brouwer becas en diferentes especialidades para residentes cubanos. jóvenes cubanos menores de 35 años, que opten por estudios de postgrados, másteres o doctorados en España. Entre las especialidades por las cuales se pueden aplicar se encuentran Diseño y Comunicación Visual, Community Manager y Propiedad Intelectual. Las becas presentan ayudas para la movilidad internacional y apoyo a la manutención, entre otras facilidades según precisa el comunicado de la institución, el cual especifica que quienes deseen aplicar, pueden enviar su currículum o solicitar más información al correo brouwer39@gmail.com hasta el 20 de noviembre, cuando cierra el plazo de solicitud, cuyos resultados se conocerán el 1ro de diciembre.El pasado 14 de octubre se estremecía la comunidad cubana con la triste noticia del fallecimiento de la joven cineasta cubana Diana Montero. Diana Montero (La Habana, 1986) se graduó de Historia del Arte en La Universidad de La Habana y posteriormente de la Escuela Internacional de Cine y Televisión de San Antonio de los Baños ( EICTV), Entre sus obras destaca Abecé (2014), un corto documen

Trajetórias que servem de inspiração. Conversas repletas de ideias. . Ale Tosi (@tosiale) é formada em cinema e filosofia, fez pós-graduação em roteiro audiovisual e estética da arte, tendo frequentado importantes universidades do país como a USP, a FAAP e a PUC-SP. Em Cuba, realizou especialização em cursos de roteiro pela EICTV. Iniciou seus estudos nos meios cinematográficos quando adolescente, e ao ingressar na faculdade de cinema iniciou a sua carreira profissional. Participou de uma série de projetos importantes da cinematografia nacional em diversas áreas de atuação, trabalhando como assistente de produção, assistente de produção executiva, diretora de produção, assistente de direção e diretora de elenco. . QUERO JOBS. Episódios inéditos toda 2ª feira às 12:30h @ YouTube e Podcasts --- Send in a voice message: https://anchor.fm/quero-jobs/message

Estudante maranhense faz vaquinha para estudar na Escola Internacional de Cinema e Televisão. A entrevista desta sexta-feira (07/08), no Radiojornal Tambor, que será transmitido via Facebook (AgenciaTambor), às 11h, será com Taissa Raquel. Ela é técnica em cinema , estudante de economia pela universidade federal do Maranhão e graduanda do curso de publicidade e propaganda pelo IMEC. Ė residente em São José de Ribamar. Nessa entrevista ela falará sobre a seleção que foi aprovada para estudar cinema na Escola Internacional de Cinema e Televisão (EICTV). Confira o Jornal Tambor às 11h no Facebook : https://www.facebook.com/agenciatamborradioweb/ Ouça também o TamborCast: agora você pode ouvir as entrevistas pelo: https://open.spotify.com/show/1HtbNu0vfMd8mFrQ4qRoYb #AgenciaTambor #JornalTambor #UseMascaras #CompartilheInformação #CompartilheSaúde

Recém-aprovado em uma das mais prestigiadas escolas de cinema do mundo (EICTV), Samuel Chuengue é o mais novo correspondente do Sala de Edição em Havana. E vocês, ouvintes, terão a oportunidade de fazer parte desta jornada!Apresentador:Rafa Costa: instagram.com/rafacostaeditorMarcelo Ferraz: instagram.com/marcelofrodo Convidados:Samuel Chuengue: instagram.com/samuelchuengueLeopoldo Nakata: instagram.com/nakatajoeJoão Gabriel Riveres: instagram.com/semrumo.art.brArte da Capa:Daniel Brito: instagram.com/dbritoCampanha "Vai pra Cuba, Samuca!":https://benfeitoria.com/VaiPraCubaSamucaCanal do Telegram:https://t.me/saladeedicaoSiga o canal do Sala de Edição e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.Promoções:AvMakers:https://www.avmakers.com.br/salaAcesse a página de benefícios exclusivos para os ouvintes e apoiadores do podcast.LenoFX:https://lenofx.com15% de desconto em todo site (exceto produtos que já estejam em promoção) para todos os ouvintes do Sala de Edição. Apoiadores do Sala VIP ganham 25% nas mesmas condições.Tanto ouvintes quanto apoiadores ganham a facilidade de efetuar o pagamento em Real e sem IOF. Envie um email para support@lenofx.com e peça o seu desconto nos plugins desejados.MovLocadora:https://movlocadora.com.brUse o cupom SALA10 e ganhe o desconto exclusivo de 10% de desconto para todos os ouvintes em qualquer locação de equipamento com entrega para todo o Brasil.Loja do Filmmaker:https://www.lojadofilmmaker.com.brLoja especializada em equipamentos de produção audiovisual com pronta entrega para todo o Brasil.Sala VIP:https://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP e ganhe benefícios exclusivos.Este podcast é um oferecimento de:Sem Rumo - Projetos Audiovisuais, Brito e Escotilha Filmes.Agradecemos os nossos apoiadores:Cesar Munoz, Isaac Orcino, Wagner Pimentel, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Otto Blodorn, Leopoldo Nakata, Mari Porlan, Andre Albuquerque, Eduardo Arake, Luquinhaz, João Alexandre Scartezini, Demetrios Cardozo Burnato, Thiago Emérito, Celso Peixoto, Germano Strazzi, Gil Gonçalves e Daniel Couto.Contato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

Recém-aprovado em uma das mais prestigiadas escolas de cinema do mundo (EICTV), Samuel Chuengue é o mais novo correspondente do Sala de Edição em Havana. E vocês, ouvintes, terão a oportunidade de fazer parte desta jornada!Apresentador:Rafa Costa: instagram.com/rafacosta83Marcelo Ferraz: instagram.com/marcelofrodo Convidados:Samuel Chuengue: instagram.com/samuelchuengueLeopoldo Nakata: instagram.com/nakatajoeJoão Gabriel Riveres: instagram.com/semrumo.art.brArte da Capa:Daniel Brito: instagram.com/dbritoCampanha "Vai pra Cuba, Samuca!":https://benfeitoria.com/VaiPraCubaSamucaCanal do Telegram:https://t.me/saladeedicaoSiga o canal do Sala de Edição e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.Promoções:AvMakers:https://www.avmakers.com.br/salaAcesse a página de benefícios exclusivos para os ouvintes e apoiadores do podcast.LenoFX:https://lenofx.com15% de desconto em todo site (exceto produtos que já estejam em promoção) para todos os ouvintes do Sala de Edição. Apoiadores do Sala VIP ganham 25% nas mesmas condições.Tanto ouvintes quanto apoiadores ganham a facilidade de efetuar o pagamento em Real e sem IOF. Envie um email para support@lenofx.com e peça o seu desconto nos plugins desejados.MovLocadora:https://movlocadora.com.brUse o cupom SALA10 e ganhe o desconto exclusivo de 10% de desconto para todos os ouvintes em qualquer locação de equipamento com entrega para todo o Brasil.Loja do Filmmaker:https://www.lojadofilmmaker.com.brLoja especializada em equipamentos de produção audiovisual com pronta entrega para todo o Brasil.Sala VIP:https://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP e ganhe benefícios exclusivos.Este podcast é um oferecimento de:Sem Rumo - Projetos Audiovisuais, Brito e Escotilha Filmes.Agradecemos os nossos apoiadores:Cesar Munoz, Isaac Orcino, Wagner Pimentel, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Otto Blodorn, Leopoldo Nakata, Mari Porlan, Andre Albuquerque, Eduardo Arake, Luquinhaz, João Alexandre Scartezini, Demetrios Cardozo Burnato, Thiago Emérito, Celso Peixoto, Germano Strazzi, Gil Gonçalves e Daniel Couto.Contato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

"Visitamos" a Escuela Internacional de Cine y Televisión (EICTV) na companhia de dois editores ex-alunos desta instituição que reúne estudantes do mundo inteiro na cidade de San Antonio de Los Baños, em Cuba.Apresentadores:Rafa Costa: instagram.com/rafacostaeditorMarcelo Ferraz: instagram.com/marcelofrodoEntrevistados: Leopoldo Nakata: instagram.com/nakatajoe/João Gabriel Riveres: instagram.com/semrumo.art.br/Siga o Sala de Edição no Telegram e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.https://t.me/saladeedicaoAjude na "vaquinha" online de suporte ao Fabiano Caza e a sua esposa Dione.tiny.cc/9vuhnzPromoções:AvMakershttps://www.avmakers.com.br/salaAcesse a página de benefícios exclusivos para os ouvintes e apoiadores do podcast.Inscrições para o workshop gratuito de direção de fotografia:https://lp.avmakers.com.br/workshopSala VIPhttps://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP e ganhe benefícios exclusivos.Agradecemos os nossos apoiadores:Otto Blodorn, Cesar Munoz, Isaac Orcino, Germano Strazzi, Wagner Pimentel, Gustavo Reinecken, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Leopoldo Nakata, Mari Porlan, Andre Albuquerque, Eduardo Arake, Luquinhaz, João Alexandre Scartezini, João Gabriel Riveres e Demetrios Cardozo Burnato.Links do Episódio: El año del cerdo (2007), argumento e roteiro de Leopoldo Nakata: https://vimeo.com/7963547Página oficial da ICTV: 
http://www.eictv.orgEICTV no Youtube
: https://www.youtube.com/channel/UCfuc0FMNcoiY3pHvibTHlkwContato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

"Visitamos" a Escuela Internacional de Cine y Televisión (EICTV) na companhia de dois editores ex-alunos desta instituição que reúne estudantes do mundo inteiro na cidade de San Antonio de Los Baños, em Cuba.Apresentadores:Rafa Costa: instagram.com/rafacosta83Marcelo Ferraz: instagram.com/marcelofrodoEntrevistados: Leopoldo Nakata: instagram.com/nakatajoe/João Gabriel Riveres: instagram.com/semrumo.art.br/Siga o Sala de Edição no Telegram e fique por dentro das promoções, descontos dos patrocinadores, pesquisas e novidades sobre o podcast.https://t.me/saladeedicaoAjude na "vaquinha" online de suporte ao Fabiano Caza e a sua esposa Dione.tiny.cc/9vuhnzPromoções:AvMakershttps://www.avmakers.com.br/salaAcesse a página de benefícios exclusivos para os ouvintes e apoiadores do podcast.Inscrições para o workshop gratuito de direção de fotografia:https://lp.avmakers.com.br/workshopSala VIPhttps://bit.ly/2YtvIskSeja você também um apoiador do Sala VIP e ganhe benefícios exclusivos.Agradecemos os nossos apoiadores:Otto Blodorn, Cesar Munoz, Isaac Orcino, Germano Strazzi, Wagner Pimentel, Gustavo Reinecken, Cristiano Videira, Ricardo Tavares, Brener Oliveira, Anderson Massambani, Leopoldo Nakata, Mari Porlan, Andre Albuquerque, Eduardo Arake, Luquinhaz, João Alexandre Scartezini, João Gabriel Riveres e Demetrios Cardozo Burnato.Links do Episódio: El año del cerdo (2007), argumento e roteiro de Leopoldo Nakata: https://vimeo.com/7963547Página oficial da ICTV: 
http://www.eictv.orgEICTV no Youtube
: https://www.youtube.com/channel/UCfuc0FMNcoiY3pHvibTHlkwContato:Site: saladeedicao.com.brEmail: contato@saladeedicao.com.brFacebook: facebook.com/saladeedicaoInstagram: instagram.com/saladeedicaoTwitter: twitter.com/saladeedicaoLinkedin: linkedin.com/company/saladeedicao/Youtube: https://bit.ly/2Eqjp8aTelegram: t.me/saladeedicao

From Marc's Bio:When Marc Sheffler was approaching his eighth birthday, his father asked him what he wanted. Without hesitation, Marc asked his dad for The Three Stooges -- and his dad got them, hiring the famous slapstick threesome to perform at his party in front of him and his very lucky guests. That afternoon The Stooges brought Marc on stage with them as part of their act and made him the “Fourth Stooge.” That’s the where, when and how Marc Sheffler got bitten by the bug.About 10 years later, Marc began his professional career as a stage actor in Off-Broadway theater. His best-known film role is that of the teenage “Junior Stillo” in Wes Craven’s first film, Last House on the Left (1972). After Last House, Marc decided to pursue a career in stand-up comedy, writing and producing. He has appeared at the Improv, the Comedy Store on Sunset, and his name is inscribed on the Comedy Store Wall of Fame along with contemporaries Jay Leno, Robin Williams, David Letterman and Billy Crystal.His writing and producing credits include Sister, Sister, Harry and The Hendersons, Who's the Boss, and Charles in Charge to name but a few. He's also been involved with many pilots, made for TV movies, and television specials. He also worked with Mel Blanc, the voice of Warner Bros. cartoons, as the writer of How Bugs Bunny Won The West (1978).In 2002, Marc turned his attention to feature films and with Marlon Parry, produced David DeFalco’s controversial Chaos and in 2006, he co-wrote and produced another horror film, Girls Gone Dead. After over 30 years of writing and producing, he is now directing.In 2010, Marc supervised the writing of the pilot and second episode for Oh Telon, a half hour sitcom at EICTV, and became the first person ever to executive produce a sitcom in Cuba.Marc now teaches writing comedy for the screen and TV at Loyola Marymount.Check out Marc's new character: El Yid on Argus Hamilton's Comedy Store Tonight:El Yid  Marc was a fantastic guest. Lots of good advice and some great stories in this episode. If you like the show, you can follow us on social media! Isn't that great!FacebookTwitterInstagram

Todos somos marineros (in English, We’re All Sailors) was partly inspired by a workshop in which a group of students spent eight hours discussing the opening line of The Merchant of Venice, and a news story about three Russian sailors left stranded in a Peruvian port due to the sudden bankruptcy of the company they worked for. Writer-director Miguel Ángel Moulet developed a story about just that predicament, a story in which two of the sailors are brothers attempting to find their place in the world, stranded in the coastal city of Chimbote, able neither to go home nor to establish a stable life in Peru, living in limbo, tentatively making connections with the locals. Moulet is a graduate of EICTV, the Cuban film school, where José visits and spends a few days teaching every year, and this is how we come to bring this podcast to you, José having been screened Moulet's debut feature recently and keen to share it with us. We're far from the first to see it, the film being on the festival circuit and already having picked up a number of nominations and awards, including the prestigious FIPRESCI Prize at the Toulouse Latin America Film Festival. A screener was made available for us to watch, and we're so grateful that it was, as it's a beautiful, sensitive film. That line from The Merchant of Venice reads: "In sooth, I know not why I am so sad", and that simple thought informs the tone and themes of Moulet's entire film. Todos somos marineros is a story about isolation, displacement, loneliness, and a kind of all-encompassing, ethereal sadness. The central four characters pair up throughout the film - the two brothers, Tolya, the elder, who feels a degree of paternal responsibility towards his younger brother Vitya; the cafe owner and her delivery boy, Sonia and Tito, who function as a kind of surrogate mother and son; Tolya and Sonia, who are in a loving relationship, and Vitya and Tito, who grow close and whose relationship leads to the film's climax and quiet cliffhanger ending. These pairings are developed and expressed subtly, intelligently, and with heart. The film makes significant use of long takes, both moving and still, and doesn't exactly discriminate between when they should and shouldn't be used. At their best, these shots allow the performances space to breathe, contribute to a delicate, slow pace, or help to convey a rich sense of the characters' environment; at their worst, they distract from or even obscure what the film is showing us. There's also use of a trope in which the film opens on a flashforward we'll return to later, one that effectively establishes a strong mood and mystery but which Mike argues is not purposefully used, and which detracts from the film's later scenes. (At least, that's his argument for why he didn't grasp what was going on in the film's final third.) On the other hand, there is simply gorgeous cinematography by Camilo Soratti, his camera capturing dense, diffuse natural light infusing the air over Chimbote with extraordinarily beautiful colour and texture. And, overall, Moulet's direction exhibits a strong control of tone, the film surging with the sense of sadness and loneliness so crucial to it. There's more besides all of this to discuss, and we take our time to do so. Todos somos marineros is an imaginative, rich debut feature that is deservedly earning praise and winning prizes. There's no predicting if and when it will come to a cinema near you, but if you do get the opportunity to see it, we urge you to jump at it. José spoke to Miguel Ángel Moulet recently, and their conversation (in Spanish) can be heard here: https://notesonfilm1.com/2019/04/21/in-conversation-with-miguel-angel-moulet/ Recorded on 18th April 2019.

Debatimos sobre los libros de cine y montaje, o no dedicados de lleno a este tema pero que sean recomendados para la lectura del editor, como dramaturgia, psicología, etc. Hablamos sobre libros tanto teóricos como técnicos, clásicos y actuales. También comentamos algunos blogs y canales de youtube cuyo contenido también resulta interesante en la profesión. Presentadores: Dario Caamaño, Martina Seminara Invitados: German Cantore, Alberto Ponce, Guillermo Gatti. Publicaciones citadas en el podcast: Libros Vicente Sanchez Biosca. El montaje cinematográfico: teoría y análisis Vicente Sanchez Biosca. Teoría de montaje cinematográfico Karel Reiz. Técnica de Montaje Cinematografico Sergei M. Eisentein (Se habló en general, no se especificaron libros) Walter Murch. En un parpadeo André Bazin ¿Qué es el cine? Capítulo Montaje Prohibido Albert Jurgenson. La práctica del montaje Ralph Rosenblum. When the Shooting Stops, the Cutting Begins: A Film Editor Story Michael Ondaatje . The Conversations: Walter Murch and the Art of Editing Film Manuel Carlos Fernández. Influencias del montaje Audiovisual en el Lenguaje Audiovisual Joan Marimon Padrosa. El montaje cinematográfico Joan Marimon Padrosa. El lenguaje cinematográfico. Del guión a la pantalla Vincet Amiel . Estética de montaje Montaje &postproducción. Declan Megrath Nelson Rodríguez y Luciano Castillo. El cine es cortar Andrea Chignoli. (Des) montando fábulas. El documental político de Pedro Chaskel Andrea Chignoli Zoom back camera el cine de Alejandro Jodorowsky Alberto Ponce. La película manda Danilo Galasse Montaje con montaje. Eugen Herrigel.  Zen en el arte del tiro con arco Ray Bradbury. Zen en el arte de Escribir Mauricio Kartun. Escritos 1975-2011. Libros del Rojas. Michael Rabiger. Dirección de documentales Publicacción de la EICTV. La edición el arte oculto Memorias del I Encuentro de Editores EICTV 2009 Revistas y publicaciones Revista mensual ACE (American Cinema Editors) Artículos varios de Walter Murch. Canales de vimeo y youtube Every frame is a painting https://www.youtube.com/user/everyframeapainting Kogonada https://vimeo.com/kogonada Channel Criswell: Art manifest https://www.youtube.com/channel/UCL5kBJmBUVFLYBDiSiK1VDw José Luis Diaz https://www.youtube.com/user/jldaudio

Wie lassen sich Filme in Kuba produzieren? Auf der einen Seite gibt es die EICTV als internationale Schule, anderseits werden auch unabhängige Filme produziert. Gibt es Unterschiede von Themen und Vorgehensweisen. Gilt für den Film das gleiche wie für die Kunst? Das Panel ist öffentlich und kostenlos. Mit: Armando Capó Ramos, Humberto Díaz, Jorge Rey. Moderation: Martina Malacrida (Leiterin Open Doors, Festival del film Locarno).

Tribute episode to the International Film and TV School at San Antonio de los Baños -EICTV, from Cuba. We will be presenting three films made by students from the school.