Podcast appearances and mentions of Emil Gilels

Jed discusses recordings of Brahms' Ballades Op. 10. Consider making a donation to The Piano Maven podcast by subscribing to our Substack page (https://jeddistlermusic.substack.com/about), which you also can access by clicking on the "Donate" button here: https://rss.com/podcasts/pianomavenLink to 1973 Lugano performance with Arturo Benedetti Michelangeli - https://www.youtube.com/watch?v=z7S19Ew-fv8Link to live performance with Emil Gilels - https://www.youtube.com/watch?v=VJwLU4EmZjELink to Ballade No. 4 with Arthur Rubinstein - https://www.youtube.com/watch?v=ky6HBfnrXS4Link to Jonathan Plowright's recording - https://www.prestomusic.com/classical/products/8261243--brahms-works-for-solo-piano-volume-4Link to Glenn Gould's complete recording sessions for the Ballades Op. 10 and Rhapsodies Op. 79 - https://www.youtube.com/watch?v=NOTsc-Z2BIE

durée : 00:22:51 - Disques de légende du mercredi 10 avril 2024 - Emil Gilels « Le petit géant » surnommé ainsi par le critique américain Harold C.Schonberg

Berühmt geworden ist der russisch-deutsche Pianist Heinrich Neuhaus hauptsächlich als Lehrer. Zu seinen Schülern zählten unter anderem Svjatoslav Richter, Emil Gilels, Radu Lupu oder Victor Krainew. Doch alle seine Verdienste konnten ihn während des zweiten Weltkriegs nicht vor Stalins Repressalien schützen. Seine deutsche Herkunft wurde ihm zum Verhängnis.

Grigory Sokolov ist ein Phänomen, der rechtmäßige Erbe der russischen Klaviergötter Swjatoslaw Richter und Emil Gilels. Ein Mann mit Leuchtstoff in den Fingern. Bei den Salzburger Festspielen zeigt er, was er kann: Mehr Mozart geht nicht!

durée : 01:58:28 - Musiciens d'Ukraine (1) - par : Philippe Cassard - Nathan Milstein (violon), Emil Gilels (piano), Gregor Piatigorsky (violoncelle), Shura Cherkassky (piano), Samouïl Feinberg (piano) - réalisé par : Davy Travailleur

Ook muzikaal zet de oorlog in Oekraïne de zaken op scherp. De gevierde Russische dirigent Valeri Gergjev wordt opeens als Poetinpaladijn verguisd. De Oekraïense componist Valentyn Sylvestrov moest uit Kyiv worden ontzet. In Nederland bundelen Oekraïense en Russische musici de krachten voor benefietconcerten. Maar wat weten we eigenlijk van de muziek uit het Grensland? Guido en Joris kleuren het immense land in van grijs naar blauwgeel. Met coryfeeën op de piano, ene Prokofjev uit de Donbas en niet te vergeten de aartsvader Mykola Lysenko… Uh, wie? Muziekfragmenten: - Mykola Lysenko, La Tristesse. Uit: Album van de zomer van 1901. Natalya Pasychnik (piano) en Jacob Koranyi (cello), BIS Records. - Sergej Prokofjev, Mars. Uit: De liefde voor drie sinaasappelen. Emil Gilels (piano), Fondamenta. - Bohdan Senin, Fantasia Galiciana voor zeven accordeons en symfonieorkest. Bundes Jugendorchester, Jeugdorkest Oekraïne, Landesjugendakkordeonorchester NRW o.l.v. Oksana Lyniv, Deutsche Welle. - Valentyn Sylvestrov, Eerste strijkkwartet. Matangi Kwartet, eigen beheer. - Sergej Rachmaninov, Tweede pianoconcert, Moderato. Anna Fedorova (piano), Nordwestdeutsche Philharmonie o.l.v. Laércio Diniz, Piano Classics. - Mykola Lysenko, Gebed voor Oekraïne, Hoosli Ukranian Male Chorus.

本集兩人合體，閒聊最近的趣事、心得，以及為什麼踏上音樂這條不歸路，如果你（或你的小孩）剛好正學音樂學到厭世，趕快來聽這集節目重拾對音樂的熱情。 背景音樂 Beethoven: Piano Sonata No. 21 in C Major, Op. 53 "Waldstein" - III. Rondo (Allegretto moderato) · Emil Gilels ℗ 1972 Deutsche Grammophon GmbH, Berlin Haydn: Piano Sonata No. 62 in E-Flat Major, Hob. XVI: 52: III. Finale. Presto · Vladimir Horowitz ℗ 1956 Sony Music Entertainment

durée : 00:58:39 - Une heure, un compositeur : Ludwig van Beethoven - par : Aurélie Moreau - Parmi les grands interprètes du maître de Bonn, écoutons chanter Leonie Rysanek et Ernst Haefliger, Christian Gerhaher; Dinorah Varsi et Emil Gilels au piano, le trio Barenboim - Zukerman - Du Pré, le Quatuor Belcea, et André Cluytens à la baguette.

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

Moura: Her Autobiography tells the story of the English concert pianist, Moura Lympany (1916-2005). Written in partnership with her cousin, Margot Strickland, the book covers the career of a stylish and resilient artist who endured many personal hardships. Born Mary Johnstone, Moura Lympany changed her name at the suggestion of the conductor, Basil Cameron, with whom she made her debut at Harrogate in a performance of the Mendelssohn G-minor Piano Concerto in 1929. Cameron had thought that “Moura” (the Russian version of “Mary”) might lend itself well to a concert career, particularly when combined with an old spelling of her mother's maiden name, “Limpenny.” A brief synopsis of Lympany's life begins with her early piano studies given by her mother. Her father had served in the First World War. Having been sent to a convent school in Belgium, Lympany later went on to study with Paul Weingarten, Mathilde Verne (a pupil of Clara Schumann) and Tobias Matthay, whose spirit and teaching legacy live on in the book as witnessed by numerous stories and anecdotes. Having made her London debut at Wigmore Hall in 1935, Lympany placed second to Emil Gilels in the Ysaÿe Piano Competition of 1938. Married in 1944 to Colin Defries, a man thirty-two years older than Lympany, the two divorced in 1950, the marriage not having been without complications. A second marriage occurred in 1951 to the American television executive, Bennet Korn. The two divorced in 1961. Lympany had longed for children and speaks about this in her book. Unfortunately, she suffered two miscarriages, as well as a son who died shortly after birth. Having performed around the world, Lympany's career picked up considerable momentum after the Second World War. Of notable interest is the Steinway Centenary Concert that Lympany performed at, along with a host of other great pianists, including my piano teacher, Constance Keene. This concert took place in October of 1953 and was apparently broadcast on the television show, Toast of the Town. Diagnosed with breast cancer in 1969, Lympany had a mastectomy, followed later by a second one. In 1979, she was appointed a Commander of the Order of the British Empire (CBE). Two years later, Lympany established the Rasiguères Festival of Music and Wine in France. From the mid-1980s and on, she was based in Monaco, having helped Prince Louis de Polignac to establish the Festival des Sept Chapelles in Brittany. Lympany was made a Dame Commander of the Order of the British Empire (DBE) in 1992 and served as a juror for the Ninth Van Cliburn International Piano Competition in 1993. Throughout her autobiography, one gets a sense of the degree to which Lympany loved living the good life, both in terms of her flair for fine fashion, food, wine, as well as travel, parties and society. Her contacts included many notable individuals, including figures of royalty. The archive of Lympany's musical career is located at the International Piano Archive at the University of Maryland (IPAM).

durée : 00:29:03 - La famille Kogan - Le violoniste Leonid Kogan, à la virtuosité exceptionnelle, à la sonorité chaleureuse, a beaucoup joué avec sa femme, Elizaveta Gilels et leur fils, Pavel, violonistes renommés en URSS, et avec sa fille au piano, Nina. Ses partenaires sont aussi Emil Gilels, Rudolf Barchaï et Mstislav Rostropovitch.

durée : 01:58:28 - Relax ! du lundi 15 février 2021 - par : Lionel Esparza - On brosse le portrait du pianiste et pédagogue Heinrich Neuhaus. Grand maître de l'école russe de piano, il a été le professeur de Sviatoslav Richter, Emil Gilels ou encore Radu Lupu. Et à 16h, notre disque de légende est l'album "La Folia" enregistré par Jordi Savall en 1998. - réalisé par : Antoine Courtin

Harriet Smith returns to the show to discuss some of her favourite pianists, drawing upon 85 years of piano recordings from the earliest recorded ivory tinklers to the most recent trailblazers. Harriet is well know to readers of Gramophone Magazine and BBC Radio 3's Record Review, and her deep knowledge and passion for piano music brings insights into the world of piano playing and pianists themselves to this weeks show.

Die Goldenen Jahre der Klassik-Schallplatte und Klassik-CD: Günther Breest hat sie in maßgeblicher Position mitgestaltet, zunächst als Produktionschef der "Deutschen Grammophon", später als Präsident von "Sony Classical". Ein Label, das er gegründet und weltumspannend aufgebaut hat. In diesen Jahren hat er die Musiker-Llegenden persönlich kennengelernt und zum Teil mit ihnen Freundschaft gepflegt: mit Martha Argerich, Herbert von Karajan, Emil Gilels. Autor: Ulrich Kahmann

3ª parte da entrevista do pianista Arthur Moreira Lima a Alexandre Dias, em que ele falou sobre sua ida em 1963 para a cidade de Moscou, e como foi sua experiência na União Soviética em plena guerra fria, tanto suas vantagens como desvantagens. Comentou sobre as matérias que cursou no Conservatório Tchaikovsky, e suas aulas de piano com o professor Rudolf Kehrer. Falou sobre a necessidade de um pianista ter uma formação humanista, interessando-se por várias áreas do conhecimento -  neste contexto, falou sobre como os russos valorizam muito a cultura. Relembrou nomes de gigantes do piano russo, como Heinrich Neuhaus, Emil Gilels e Sviatoslav Richter, alguns dos quais ele chegou a assistir em concertos.Depois, falou sobre sua preparação para participar do Concurso Chopin de 1965, no qual viria a ficar em 2º lugar, tornando-se favorito do público e obtendo fama mundial, e detalhou o repertório que estudou, e a rotina intensa de estudos a que se submeteu, com grande antecedência. Também relembrou como foi a experiência no concurso em si, em que conheceu Martha Argerich, e onde também encontrou Magda Tagliaferro, como membro do júri. Por fim, mencionou vários países em que realizou gravações nesta época, e que ainda não foram encontradas. Trilha sonora: Polonaises de Chopin, por Arthur Moreira Lima.Apoie o IPB: https://www.catarse.me/InstitutoPianoBrasileiro

Vandaag de tweede uitzending over de Pianoconcerten van Beethoven. Rahul Gandolahage spreekt er over met Eminence grise Jan Wijn.   1. deel I uit het 4e pianoconcert in G op. 58 (gedeelte) Emil Gilels-piano; Philharmonia Orchestra olv. Leopold Ludwig 2. deel II uit (zie boven) 3. deel III uit (zie boven) (gedeelte) 4. deel I […]

durée : 00:59:00 - L'intégrale inachevée d'Emil Gilels - par : Aurélie Moreau - Emil Gilels a enregistré cinq fois l'intégrale des concertos pour piano de Beethoven, et la presque totalité de ses sonates pour piano. - réalisé par : Sophie Pichon

durée : 00:58:53 - Secrets de fabrication : les 32 Variations sur un thème original - par : Aurélie Moreau - Un programme entièrement consacré à Beethoven, autour des 15 variations et fugue sur un thème original en mi bémol Majeur, les "Variations Eroica" dont nous écoutons un large extrait interprété par le pianiste Emil Gilels. - réalisé par : Sophie Pichon

durée : 01:28:57 - Sir John Barbirolli, chef d'orchestre (4/4) - par : François-Xavier Szymczak - Suite et fin de notre série sur John Barbirolli, avec quelques rencontres marquantes : l'Orchestre philharmonique de Berlin, l'Orchestre philharmonique de Vienne, ou encore Janet Baker, Renata Scotto et Emil Gilels. - réalisé par : Céline Parfenoff

durée : 01:28:57 - Sir John Barbirolli, chef d'orchestre (4/4) - par : François-Xavier Szymczak - Suite et fin de notre série sur John Barbirolli, avec quelques rencontres marquantes : l'Orchestre philharmonique de Berlin, l'Orchestre philharmonique de Vienne, ou encore Janet Baker, Renata Scotto et Emil Gilels. - réalisé par : Céline Parfenoff

Die Epoche der Klassik-Schallplatte, die Ära der großen Meister: Günther Breest hat sie maßgeblich mitgestaltet. Zunächst als Toningenieur, sodann in der Chefetage der Deutschen Grammophon und schließlich als Präsident von Sony Classics, auf Du und Du mit den musikalischen Legenden: Placido Domingo, Martha Argerich, Daniel Barenboim, Emil Gilels, Carlo Maria Guilini, Wladimir Horowitz und vor allem Herbert von Karajan.

Feel the moonlight on your skin. A stone in the sky but a star in its own beauty. Its light can fill us with energy when we stop to feel it. Love and light y'all. Playlist: Moondance by Van Morrison A Bo Story: Flamenco Sketches by Miles Davis Written in Lightning by Mutual Benefit Moonlight Serenade by Frank Sinatra [Clip] It's A Wonderful Life (1946) - Lasso the Moon Le Soleil est près de moi by Air Harvest Moon by Neil Young What a Little Moonlight Can Do by Billie Holiday & Teddy Wilson and His Orchestra La Vie En Rose by Melody Gardot Fade Into You by Mazzy Star La Javanaise by Madeleine Peyroux Stay Out of Trouble by Kings of Convenience Walkin’ After Midnight by Patsy Cline Pink Moon by Nick Drake Grieg: Lyric Pieces, Book I, Op. 12: No.1, Arietta by Emil Gilels

I had the pleasure of hanging out this week with licensed therapist, educator, and friend, Rachel Tuchman, to talk about her mission! Just like her Instagram profile says, Rachel is opening minds and smashing stigmas every day and she hopes you hear something today that changes your mindset on mental health and the image you hold of yourself. Fun Fact about Rachel: Her great uncle is the famous Russian pianist, Emil Gilels. He is widely regarded as one of the greatest pianists of all time. Rachel's mom's whole side is made up of famous classical musicians (her cousin leads the Moscow state Symphony Orchestra). Rachel may not have any musical talent BUT she says she inherited her drive and determination from them. Follow Rachel on Instagram for daily insights and motivation: https://www.instagram.com/rachel_tuchman_lmhc/ --- Send in a voice message: https://anchor.fm/melinda-strauss/message

Panelen livas upp av den amerikanska konstmusikens nestor John Adams, och förälskar sig i mezzosopranen Kate Lindseys Kurt Weill-tolkningar. Möt också den finländske tonsättaren Sebastian Fagerlund. Veckans skivor: JOHN ADAMS ABSOLUTE JEST, ETC. Musik för orkester och stråkkvartett Naive and sentimental music och Absolute Jest Doric String Quartet, stråkkvartett Skotska nationalorkestern i Glasgow Peter Oundjian, dirigent Chandos CHSA 5199 Betyg: 4 THOUSANDS OF MILES Musik av Kurt Weill, Alma Mahler, Erich W. Korngold och Alexander von Zemlinsky Kate Lindsey, mezzosopran Baptiste Trotignon, piano Alpha Classics ALPHA 272 Betyg: 5 HAYDN PIANO TRIOS Pianotrior av Joseph Haydn Trio Wanderer Jean-Marc Phillips-Varjabédian, violin Raphaël Pidoux, cello Vincent Coq, piano Harmonia Mundi HMM 902321 Betyg: 3 BRAHMS CONCERTO NO 2 NELSON GOERNER Pianokonsert nr 2 av Johannes Brahms Nelson Goerner, piano NHK Symphony orchestra, Tokyo Tadaki Otaka, dirigent Alpha Classics ALPHA 395 Betyg: 3 Musikrevyn möter: Sebastian Fagerlund Vi träffar den finländske tonsättaren Sebastian Fagerlund, aktuell med den omtalade operan "Höstsonaten" som är baserad på Ingmar Bergmans film. Sebastian Fagerlund är violinist från början och har tidigare skrivit hyllad orkestermusik. För Sofia Nyblom berättar han hur arbetet med operan "Höstsonaten" förändrade hans förhållande till melodier och hur han fann den musikaliska ingången till dramat i huvudpersonernas inre. Referensen: Pianisternas kamp Vi jämför pianisten Nelson Goerners insats i Johannes Brahms andra pianokonsert med Emil Gilels i en klassisk inspelning med Berlinfilharmonikerna från 1972, utgiven av Deutsche Grammophon. Johans bästa: "Ett måste för alla som vill orientera sig inom den samtida operan" Musikrevyns programledare Johan Korssell väljer sina favoriter i den aktuella skivutgivningen. Idag John Adams opera "Dr Atomic" från 2005 - ett dokudrama om atombombens uppfinnare fysikern Robert Oppenheimer, som nu kommer i sin första kompletta cd-utgåva på Nonesuch.      

"Lüürilised palad" on olemuselt Griegi muusikaline päevik, mida ta kirjutas läbi elu. Siin on jäädvustatud olustikupildid, muutuvad meeleolud, mõttevälgatused ja läbielamised. On fantaasialende ja lihtrahvalikke viise.

"Lüürilised palad" on olemuselt Griegi muusikaline päevik, mida ta kirjutas läbi elu. Siin on jäädvustatud olustikupildid, muutuvad meeleolud, mõttevälgatused ja läbielamised. On fantaasialende ja lihtrahvalikke viise.

"Lüürilised palad" on olemuselt Griegi muusikaline päevik, mida ta kirjutas läbi elu. Siin on jäädvustatud olustikupildid, muutuvad meeleolud, mõttevälgatused ja läbielamised. On fantaasialende ja lihtrahvalikke viise.

"Lüürilised palad" on olemuselt Griegi muusikaline päevik, mida ta kirjutas läbi elu. Siin on jäädvustatud olustikupildid, muutuvad meeleolud, mõttevälgatused ja läbielamised. On fantaasialende ja lihtrahvalikke viise.

„Naujienų pulse“: choras „Bel Canto“ Lietuvos chorų konkurse užtikrintai apgynė geriausio Lietuvos choro titulą; Niujorko filharmonijos orkestro muzikos direktorius Alanas Gilbertas baigia kadenciją su šiuo orkestru ir dirbs Tokijuje, o nuo 2019- Hamburge; šių metų gegužę mirus Čekijos filharmonijos orkestro vadovui Jiří Bělohlávekui, jau išrinkta pamaina – šį postą užims Semyonas Bychkovas; Hamburgo operos muzikos direktoriumi dar 8-erius metus patvirtintas Kentas Nagano. Su rubrika „Retro“ prisiminsime prieš 101-erius metus gimusį rusų pianistą Emilį Gilelsą, o paskutinis pusvalandis dedikuotas jau mūsų laiko rusų žvaigždei – baritonui Dmitrijui Chvorostovskiui. Šiandien jam sukanka 55-eri, ir jau treti metai, kaip jis kovoja su smegenų vėžiu.

„Naujienų pulse“: choras „Bel Canto“ Lietuvos chorų konkurse užtikrintai apgynė geriausio Lietuvos choro titulą; Niujorko filharmonijos orkestro muzikos direktorius Alanas Gilbertas baigia kadenciją su šiuo orkestru ir dirbs Tokijuje, o nuo 2019- Hamburge; šių metų gegužę mirus Čekijos filharmonijos orkestro vadovui Jiří Bělohlávekui, jau išrinkta pamaina – šį postą užims Semyonas Bychkovas; Hamburgo operos muzikos direktoriumi dar 8-erius metus patvirtintas Kentas Nagano. Su rubrika „Retro“ prisiminsime prieš 101-erius metus gimusį rusų pianistą Emilį Gilelsą, o paskutinis pusvalandis dedikuotas jau mūsų laiko rusų žvaigždei – baritonui Dmitrijui Chvorostovskiui. Šiandien jam sukanka 55-eri, ir jau treti metai, kaip jis kovoja su smegenų vėžiu.

Emil Gilels spiller Mozart.Med en stærk indre koncentration og en sublim udtrykskraft var den russiske pianist Emil Gilels (1916-85) både i Sovjet og Vesten en af de mest beundrede pianister i sin generation.Mozart: Klaversonate, B-dur, 6 variationer, 10 variationer, Fantasi, d-mol og Klaversonate, a-mol.(Koncert i Moskva, 5. januar 1970). Vært: Esben Tange. www.dr.dk/p2koncerten (Sendt første gang 4. december 2016).

I programmet diskuteras bl.a. Melnikovs första vol av Prokofjevs pianosonater, countertenoren Iestyn Davies sjunger Bach samt Capucons tolkning av Glass Violinkonsert. Sofia möter Ann Hallenberg. I panelen Edward Klingspor, Johanna Paulsson och Niklas Lindblad som tillsammans med vikarierande programledaren Magnus Lindman betygsätter följande skivor:  JOHANN SEBASTIAN BACH Kantater Iestyn Davies, countertenor Arcangelo-ensemblen Jonathan Cohen, dirigent Hyperion CDA 68111 PHILIP GLASS LEONARD BERNSTEIN Violinkonsert nr 1 Serenade after Platos Symposium Renaud Capucon, violin Bruckner Orchester Linz Dennis Russell Davies, dirigent Orange Mountain Music 0114 SERGEJ PROKOFJEV Pianosonater nr 2, 6 och 8 Alexander Melnikov, piano Harmonia Mundi HMC 902202 FRANZ LISZT En Faust-symfoni Steve Davislim, tenor Chorus Sine Nomine Orchester Wiener Akademie Martin Haselböck, dirigent Alpha Classics ALPHA 475 Referensen Magnus jämför med och refererar till en inspelning av Liszts En Faust-symfoni med tenoren Kenneth Riegel, Tanglewood Festival Chorus och Bostons symfoniorkester allt under ledning av Leonard Bernstein. Inspelad på Deutsche Grammophon.    Sofia möter Ann Hallenberg Sofia Nyblom träffade världsmezzosopranen för ett samtal om bl.a. det stora intresset för barockmusik. Detta i samband med att sångerskan höll romansafton i Grünewaldsalen i Stockholms konserthus i april.  Andra i programmet nämnda eller rekommenderade inspelningar: Bachs kantat nr 82, Ich habe genug med Dietrich Fischer-Dieskau tillsammans med Münchens Bach-orkester ledda av Karl Richter på DG samt med Bach Collegium Stuttgart under Helmuth Rilling på Novalis; Lorraine Hunt Lieberson med Orchestra of Emmanuel Music dirigerade av Craig Smith på Nonesuch samt med alten Nathalie Stutzmann och Hannover Band ledda av Roy Goodman på RCA. Berlioz Symphonie fantastique i jämförelse med Liszts Faust-symfoni. Prokofjevs pianosonater med Emil Gilels inspelad på Chant du Monde samt med Svjatoslav Richter på Praga. Philip Glass Violinkonsert nr 1 med Gidon Kremer och Wiens filharmoniker ledda av Christoph von Dohnanyi på skivmärke DG. Philip Glass Violinkonsert nr 2  Svepet Magnus sveper över och spelar valda delar ur ett album med Philip Glass pianoverk. Pianisten heter Vikingur Olafsson och skivmärket är DG.

Daina „Hijo de la luna“ laidos pradžioje skamba neatsitiktinai, šiandien yra šiokia tokia mėnuliška sukaktis – 45 metai nuo penktojo ir priešpaskutiniojo astronautų nusileidimo Mėnulyje – Apollo 16 misijos vykdymo. Tad šia proga laidoje nuskambės ir daugiau mėnuliškų kūrinių. Taip pat pasiklausysime Alessandro Marcello koncerto, iš kurio yra garsusis Agadio, taip dažnai skambantis koncertuose, su rubrika Retro prisiminsime Emilį Gilelsą, o „Naujienų pulsas“ bus turtingas žinių: antradienio vakarą Nyderlanduose sulaikytas vairuotojas, greitkelyje grojęs saksofonu už vairo; Rene Fleming atstovai spaudai praneša, jog primadona planuoja pasirodymą Brodvėjaus scenoje; vienuolikmetis juodaodis berniukas iš Jungtinės karalystės Mathiew Smithas tapo jauniausiu muzikos istorijoje dirigentu; Buffalo filharmonijos orkestro vadovė, dirigentė Joan Faletta koncerto metu padovanojo savo batutą salėje sėdinčiai jaunai klausytojai; rusų smuikininkas Artiomas Kolesovas, nepaisydamas Rusijoje priimto įstatymo dėl homoseksualumo propagandos, prisijungė prie projekto „Vaikai – 404“ ir išplatino savo video prisipažinimą dėl savo tapatybės.

Rob Cowan with music by Beethoven, Arnold, Chopin and Debussy, in classic recordings from artists including Fritz Wunderlich, Emil Gilels, Thomas Beecham and Arturo Benedetti Michelangeli.

Mestermøde mellem østrigske Karl Böhm (1894-1981), der var en af det 20. århundredes fineste Mozart-dirigenter, og russiske Emil Gilels (1916-1985) - en pianist, der på enestående vis forenede energi og indre koncentration. Emil Gilels, klaver. Berliner Filharmonikerne. Dirigent: Karl Böhm. (Koncert ved Salzburg Festspillene, 15. august 1970). Vært: Svend Rastrup Andersen.

I programmet diskuteras bl.a. viola da gamba-sviter av Marais och madrigaler av Monteverdi med Magdalena Kozena. I Johans val presenteras valda delar ur en box med Bartók-inspelningar på Decca. I panelen Bengt Forsberg, Johanna Paulsson och Ditte Hammar som tillsammans med programledaren Johan Korssell betygsätter följande skivor: SOKOLOV Grigory Sokolov spelar pianomusik av Schubert, Beethoven och Rameau DGG 479 5426 BOHUSLAV MARTINU Sviter ur opera-baletten Spalicek samt Rapsodi-konsert Mikhail Zemtsov, viola Estlands nationella symfoniorkester Neeme Järvi, dirigent Chandos CHAN 10885MAGDALENA KOZENÁ Arior och madrigaler av Monteverdi, Uccellini, Merula och Marini Magdalena Kozená, mezzo-sopran, m.fl. La Cetra Barockorkester, Basel Andrea Marcon, dirigent Archiv 479 4595MARIN MARAIS Pièces de viole Cinquième livre Leif Henrikson, viola da gamba, Lars-Erik Larsson, teorb Daphne DAPHNE 1050 Johans val Johan Korssell spelar valda delar ur boxen med 32 CD kallad Bartok Complete Works innehållande all Bartóks musik inspelad på Philips, Decca och DGG. Boxen är utgiven på Decca. Andra i programmet nämnda eller rekommenderade inspelningar: Martinus Spalicek med Brnos filharmoniker ledd av Frantisek Jilek på Panton. Martinus Rapsodi-konsert med Maxim Rysanov och BBCs symfoniorkester under ledning av Jiri Belohlavek på skivmärke Bis. Marais viola da gamba-sviter med Wieland Kuijken på Accent; med Jordi Savall på skivmärket Alia Vox samt skivan Improvisations sur les Suites de Marin Marais med Gerald Stempfel på märke Conditura. Beethovens Hammarklaversonat med Emil Gilels på DG; Svjatoslav Richter på BBC records samt med Glenn Gould på Sony. Monteverdi-madrigaler, Teatro dAmore, med ensemblen LArpeggiata och Christine Pluhar, luta och ledare, inspelad på Virgin.

Programme de Martha Rosler pour webSYNradio : Sept heures en compagnie de Abbie Hoffman, Harry Partch, Patsy Cline, Captain Beefheart, The Fugs, Red Krayola, Joan Baez, Hazel Dickens, Florence Reese, Violeta Parra, Janis Joplin, Sarah Vaughan, Eric Dolphy, Tracey Chapman, Nico, Ralph Stanley & The Clinch Mountain Boys, Keith Whitley, Jackson Mac Low and Anne Tardos, Thelonious Monk, J. S.Bach, Bob Marley, Amanda Palmer, Pauline Oliveros, Allen Ginsberg, Otis Redding, Evan Wilson, Sam Cooke, John Cale, Rolf Schulte and Philharmonia Orchestra, Arnold Schönberg, Lord Buckley, Shir hashirim,Ray Charles, Umm Kulthum, Aretha Franklin, Prince, Bill Withers, Bessie Smith, The Penguins, Yaakov Yosef Stark, Pt.Himangshu Biswas, Emil Gilels, W.A. Mozart, Bertolt Brecht, Joan Armatrading, Neko Case, Frankie Lymon & The Teenagers, Cobra Skulls, Hot Edgard Varése, Bukka White, Frank Zappa & the Mothers of Invention, Billy Bragg, Jimi Hendrix …

I detta program sätter vi fokus på en av årets tonsättarjubilarer: Robert Schumann (1810 - 1856). Huvudnumret är Robert Schumanns andra symfoni, den i C-dur, som uruppfördes i Leipzig av vännen Felix Mendelssohn den 5 november 1846. Den symfoni som Schumann faktiskt tillägnade Konung Oscar I av Sverige och som resulterade att han blev invald i Kungliga Musikaliska Akademien i Stockholm. Det finns faktiskt en och annan som kallat den här symfonin för Schumanns "svenska symfoni", fast den benämningen har Schumann naturligtvis aldrig själv använt. Läs mer om Schumann skrev sin andra symfoni mellan 1845 och 1846. Den uruppfördes i Leipzig av vännen Felix Mendelssohn den 5 november 1846. Här är det den tyske dirigenten Georg Ludwig Jochum som framför den tillsammans med Radioorkestern i en inspelning från 1958. Georg Ludwig Jochum var en återkommande gäst på orkesterpodiet i Stockholm mellan åren 1956 och 1967. Han gick bort redan 1970, vid 61 års ålder. Georg Ludwigs mer namnkunnige bror Eugen Jochum blev betydligt äldre och namnkunnigare som dirigent. Men Georg Ludwig var inte heller dålig och en mycket bra orkesterfostrare, som förde dåvarande Radioorkestern en bra bit på väg mot att bli dagens Sveriges Radios symfoniorkester. Och här alltså skall han leda radioorkestern i Robert Schumanns andra symfoni i C-dur. Vidare skall den ryske pianisten Emil Gilels framföra ett litet pianostycke av Schumann. Ett av hans Nachtstücke ur samlingen opus 23. Det är en inspelning från Gilels sista Sverigebesök i februari 1983, då han gästade Berwaldhallen. Som extranummer spelade han den gången bl.a. denna lilla pianopärla av Schumann. Emil Gilels (1916 - 1985) var en Rysslands främsta pianister. Han slog igenom i hemlandet 1933 vid en tävling. Fem år senare vann han den internationella Ysaÿetävlingen i Bryssel. Efter kriget kom han så småningom att turnerade en hel del i väst. Ett av de första länder han besökte utanför järnridån var Sverige, där han gjorde sina första grammofoninspelningar utanför Sovjet. Det skedde i Stockholm tillsammans med dirigenten Sixten Ehrling. I Stockholm spelade de bl.a. in Tjajkovskijs första pianokonsert. Gilels tolkningar av Beethoven och Brahms  höll enligt en samstämmig kritikerkår alltid högsta klass. MUSIK: Robert Schumann: Symfoni nr 2 C-dur Radioorkestern – Georg Ludwig Jochum, inspelat 25 januari 1958 Robert Schumann: Nachtstück op 23:4 Emil Gilels, piano Inspelning från konsert i Berwaldhallen 20 februari 1983 Schumannsymfonin finns även tillgänglig som podd efter programmet!