Podcasts about The Fugs

Regresamos a las valijas de francés New Rose Records, la escudería independiente más importante de la Europa continental en los años 80. El sello francés dio cobijo a fantásticos seres procedentes del underground o las escenas alternativas. Artistas de incuestionable talento, pero incomprendidos o demasiado provocadores para el público generalista. Sumergirse en su catálogo es como abrir el cofre del tesoro.Playlist;(sintonía) CUB KODA “Let’s get funky”THE FUGS “Nova slum goddes”THE LEROY BROTHERS “Why should I be surprised”THE CRAMPS “Can your pussy do the dog”THE ORSON FAMILY “The river of desire”TAV FALCO PANTHER’S BURN “Tina the Go Go Queen”ALEX CHILTON “No sex”DINO LEE “Beer party”NERVOUS EATERS “Shit for brains”DRAMARAMA “Anything anything”FORTUNE TELLERS “Lively up!”ROKY ERICKSON “You don’t love me yet”MIKE WIHELM “Me and my uncle”GIANT SAND “Valley of rain”Escuchar audio

Prisiminsime reikšmingą roko muzikai leidybinės kompanijos „Warner Bros.“ sumanymą – pažintinę plokštelių seriją Loss Leaders, leistą 1969–1980 m. Šie įvairių atlikėjų dainų rinkiniai, žaismingai pavadinti „nuostolinga investicija“, buvo pardavinėjami labai pigiai ir finansiškai nuostolingi pačiai firmai. Vis dėlto jie pasirodė esą itin veiksmingi – paskatino klausytojus susidomėti pristatomų atlikėjų kūryba ir įsigyti jų autorinius albumus. Šioje laidoje išgirsime kai kuriuos iš jų: Van Dyke Parks, Arlo Guthrie, Eric Andersen, Lindą Lewis, Bonnie Raitt, The Fugs, Malo ir kitus.Ved. Lukas Devita

Interview with Steve Traina about his new book La Cave.  Steve took time off from childhood activities just long enough to start and run a small business, help raise six kids, and perform various other adult activities. It was just a phase. In his spare time he also managed craft a 30-plus year career as a minor league and college D1 umpire, and fit in an ongoing 22 years as the on-air host of the music history show Steve's Folk Radio Show on WRUW-FM 91.1 in Cleveland. Now that he can form a baseball team with his nine grandchildren, he realized the foolishness of it all and, between grandfatherly duties, reverted to his childhood dream of sitting around reading and writing. In these pursuits he is guided by his ever-vigilant editor Ethel the Very Large Cat.   About the La Cave Book : In a dingy basement music club in inner-city Cleveland, something incredible happened, and kept happening throughout the ‘60s. Except it didn't just “happen.” It was created by a slightly-built visionary named Stanley Kain, and he named this happening “La Cave.” Stan's vision was the future and its language was written in musical notation, fueled by post-adolescent angst amidst a backdrop of the military draft, war, race riots, and social upheaval in general. For a buck, maybe two, suburban kids, college students and other young adults could absorb the wisdom of their elders – future musical Hall of Famers, still unknown, perched behind guitars, mere feet away on a tiny stage, dispensing that wisdom with a 4/4 beat. Performers like The Velvet Underground, Neil Young, Gordon Lightfoot, Moby Grape, The Fugs and countless others were the professors of this new ideology. Mix in political drama, street theater, psychedelic drugs and cheap beer, and you have a microcosm of 1960s America. You have La Cave. History was made nightly, and was it ever fun!   https://www.lacavebook.com/   Steve's info steve-traina 

Before the Velvet Underground, before Zappa, The Fugs were the first underground band, sort of, or a series of bands, but it was really a subversive art project, obnoxiously irreverent, a direct challenge to the establishment, investigated by the FBI. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Out demons out!" On October 21, 1967, poet, activist, singer and DIY publisher Ed Sanders led an exorcism of the Pentagon in USA's capital city to protest the disaster in Vietnam. Coincidentally on the same day 57 years later, Ed Sanders talks to Marc Eliot Stein from his home in Woodstock about nuclear madness, the deep state, the disasters in Ukraine and Gaza, the absurdities of USA's looming Harris vs. Trump election, and the antiwar inspiration of Allen Ginsberg, Dorothy Day, Phil Ochs, Abbie Hoffman, Lawrence Ferlinghetti and Gregory Corso. Music: "Dover Beach" by the Fugs.

What an episode this is. Today we welcome Jeffrey Lewis onto the show to discuss his music and of course the 1987 all time great horror movie, Evil Dead 2. Jeffrey goes deep as all hell into this so it gets discussed in detail, so on the off chance that you have not seen it. WARNING SPOILERS AHEAD. I hope you enjoy it s much as I did putting it together.Jeffrey Lewis Website Bandcamp Spotify

Subscriber-only episodeTim and Rob field Patron questions about CAS and about themselves! We talk favourite stories, Smith's saucy verse, vocabulary, inspirations and The Fugs.Download MP3Key of Dreams   Isle of the Torturer        The Fugs     Jeff VandermeerContact us at innsmouthbookclub@outlook.comInnsmouth Literary FestivalNight Shade Books Facebook Youtube PatreonDragon's Teeth Gaming ChannelTim Mendees Innsmouth Gold Graveheart Designs

Teddy finds a new friend/toy/critter to "play with." TT's buzz is a call to action for folks who support legal recreational cannabis! You won't want to miss Queenie's new game…Nugs and Fugs!! Can you determine what's true???Our Closet Disco Queen Pot-Cast deals with legal adult cannabis use and is intended for entertainment purposes only for those 21 and older Visit our Closet Disco Queen Pot-Cast merch store!Find us on Facebook and Green Coast RadioSound from Zapsplat.com, https://quicksounds.com, 101soundboards.com #ToneTransfer

Mark Kramer is a musician, composer, and record producer whose creative ideas can be found all over the American cultural landscape. He is known as the founder of the record label Shimmy-Disc. He was a member of  New York Gong, Shockabilly, Bongwater, and Dogbowl & Kramer, and has toured with Butthole Surfers, B.A.L.L., Ween, Half Japanese, and The Fugs. As a producer, Mark's notable work includes collaborations with Galaxie 500, White Zombie, GWAR, Daniel Johnston, and Urge Overkill.

Bayside High School in Queens, New York began an early celebration of its 80th anniversary, making it one of the oldest public schools in the five boroughs.At a ceremony Saturday, U.S. Rep. Grace Meng (D-Flushing), state Assemblyman Ed Braunstein (D-Bayside) and state Sen. Tony Avella (D-Bayside) gathered with students, staff and alumni of the storied school to mark the occasion. The lawmakers presented proclamations declaring the importance of the school and the significance of the anniversary.Opened in 1936, and built during the Great Depression, Bayside High School was the first in the city to be constructed with federal funds from the New Deal-era Public Works Administration. The school cost $2.5 million.Gregg Sullivan, chairman of the Friends of Bayside High School, ran through many of the great historical events the school had borne witness to.“This school takes us through a number of great human events,” he said. “The Great Depression, World War II, the Korean and Vietnam wars and the J.F.K. assassination.The school was also home to the very first Folk and Rock Concert to benefit education in Native American schools in the United States as produced by student Rich Buckland.The historical significance of the school, and its 80 years as a single entity, were themes each speaker touched on.“You have to love what Bayside has been and is for the community,” Avella said. “It is a historic school.”Principal Michael Athy, speaking about his vision of the school—past, present and future—said the success of Bayside is due to its legacy as one of the most rigorous and community-oriented schools in the city.

Brooklyn Folk Festival kicks off at St Ann's Church on Friday, November 10, through Sunday. The concerts will feature veterans and newer names in folk, from Ramblin' Jack Elliot and The Fugs to Jake Blount and Nora Brown. Lynette Wiley, festival executive producer and head of the presenting organization, Jalopy Theatre & School of Music, joins us to preview the performances along with local fiddle player Stephanie Coleman.

Toronto-London based experimental group, The  Flowers of Hell, founded by Greg Jarvis release their latest album called "Keshakhtaran" via Space Age Recordings. "The Flowers of Hell" is rooted in an old blues idea about how music transforms the misery and toil of musicians into the joy of listeners, as well as Baudelaire's poetry book called, "Les Fleurs Du Mal." "Keshakhtaran," meaning "seeking nirvana through meditation to sound, especially when you're stoned," is suitably named. The album presents a 42-minute instrumental psilocybin meditation piece in two parts, rooted in sax, flugel horn, chimes, harp,sitar and opera soprano vocals, augmented with tremolos, flutters, horns, woodwinds, strings and percussion. The album was mastered by Grammy recipient Peter J. Moore (Bob Dylan, Joni Mitchell, Neil Young, Joe Strummer). For the past 18 years, The Flowers Of Hell have traversed the experimental edges of indie, classical and jazz, with music often rooted in the audio-visual synesthesia of Jarvis. Despite relative obscurity, they have been championed by music legends such as Lou Reed, Sonic Boom, Kevin Shields and members of The Legendary Pink Dots, Death In Vegas, The Wedding Present, The Fugs and The Plastic People Of The Universe, not to mention support from NASA's Mission Control team and the Tate Gallery. THE FLOWERS OF HELL also released their deluxe first vinyl pressing of Lou Reed-endorsed "Odes" album for Record Store Day UK. "Odes," pays tribute to The Joy Division, Bob Dylan, Fleetwood Mac, Stereolab, Laurie Anderson, The Velvet Underground, Siouxsie & the Banshees and Neutral Milk Hotel, among others. http://www.flowersofhell.comhttps://flowersofhell.bandcamp.comPlaylist and podcast: https://djnocturna.com YouTube:  https://www.youtube.com/c/DJNocturnaListen : http://modsnapradio.comQUEEN OF WANDS with DJ Nocturna Every Saturday on ModSnap RadioKMOD: San Antonio2pm (HST), 5pm (PST), 6pm (MST), 7pm (CST), 8pm (EST)

Your award-winning Lickin' duo is back in action with another bonus episode filled to the brim with sonic recommendations from their personal collections. They also meet up for a pleasant Sunday afternoon conversation with super-special-secret friend Bryan Konieczka at Electric Kitsch to rap about what's been on his turntable as of late. Gold stars all around. Sonic contributors to the fifteenth bonus episode of Lightnin' Licks Radio include:  random KPM archived K-Mart sounding shit, Brothers Johnson, Dave Matthews Band, Jurassic Five, DJ Nu-Mark, Zach Braff & Natalie Portman, I Alive, Come, The Posies, The Fugs, The Mugwomps, Iggy & The Stooges, Hank Williams, The Remains, Black Flag, The Undertones, Chris Keys, Billy Woods, Kenny Segal, Open Mike Eagle, Small Faces, Rod Stewart, 7apes, Peace Attack, Arc of All, Liz Phair, The Emotions, Living Colour, Guns-N-Roses, Herbie Hancock's Head Hunters, John Kricfalusi, Chris Reccardi, Jim Smith, Scott Humi, Public Enemy, Andrew Lloyd Webber, Tim Rice, Murray Head, Don Cabore, Sammy Turner, J.D. Bryant, Jaye Kennedy, De La Soul, Height Keech…a lot of Height's shit is in the weeds actually…Business Midgets, Abraham Jefferson, M.M. Knapps, Moe Beaver, Bell Biv Devoe, Joe Ely, Black Milk, Simon & Garfunkel, Gary Farmer, David Murray, Ray Angry, ?uestlove, WYNC's Radiolab archive, Charles Bukowski, Johnny Depp, and friend of the pod and enemy of Joe Rogan, Spotify, and hippie-hatin' neocons unnumbered…Neil Young. Jay – Urge Overkill (for Blackie), Earth Girls, Faces, Sam Taylor, Jr. Deon – The Godz, Quelle Chris, Bloodstone, Another Nashville Coma Bryan – Generationals, Bully, Sebadoh, Michael Penn Bonus #15 mixtape: [SIDE A] (1) Filled With Confidence (2) Bully - Day Moves Slow (3) Faces - That's All You Need (4) Quelle Chris - Alive Ain't Always Living (5) Michael Penn - Brave New World (6) Bloodstone - Natural High (7) Urge Overkill - What's This Generation Coming To? (8) It Works! [SIDE B] (1) Sweet Delight (2) Earth Girls - Wrong Side of History (3) The Godz - May You Never Be Alone (4) Generationals - Dirt Diamond (5) Soul of Jesus Christ Superstar / Sam Taylor, Jr. - Heaven On Their Minds (6) Sebadoh - Flame (remix) (7) Another Nashville Coma - Cold. Cold. Cold. (8) Endless Night [end] --- Send in a voice message: https://podcasters.spotify.com/pod/show/llradio/message

Ett avsnitt i snuskets, incestens och Finlands tecken. Lyssna gärna på det på syra eller i det sagolika tillståndet mellan sömn och vakenhet. Det blir Todd Rundgren, Reijo Taipale, Saimaa, finska Fugs-, Lou Reed- och Bowie-covers, Beach Boys, Tim Holland, Bert Jansch, Roy Harper och Ramases & Selkets strukturerade flum. Vi får ett svenskt och ett pakistanskt exempel på den förnämliga kombon dragspel + synt. Love presenterar piloter för tre potentiella fasta inslag. Robert utforskar Tom Zacharias mycket unika språkkänsla. Men har Love gjort en låt? Såklart han har! Gör oss sällskap på Discord: https://discord.gg/Cywtq7vaqZ Gilla, kommentera och recensera på The Facebook: https://facebook.com/musikensmaktpodcast/ Bidra till Loves fysiska överlevnad och få lite bonusmaterial: https://www.patreon.com/musikensmakt

Ett avsnitt i snuskets, incestens och Finlands tecken. Lyssna gärna på det på syra eller i det sagolika tillståndet mellan sömn och vakenhet. Det blir Todd Rundgren, Reijo Taipale, Saimaa, finska Fugs-, Lou Reed- och Bowie-covers, Beach Boys, Tim Holland, Bert Jansch, Roy Harper och Ramases & Selkets strukturerade flum. Vi får ett svenskt och ett pakistanskt exempel på den förnämliga kombon dragspel + synt. Love presenterar piloter för tre potentiella fasta inslag. Robert utforskar Tom Zacharias mycket unika språkkänsla. Men har Love gjort en låt? Såklart han har!

Toronto-London based experimental group The Flowers Of Hell have announced that they will release their new album 'Keshakhtaran' via UK cult label Space Age Recordings (home to Spacemen 3, as well as Spectrum, Chapterhouse, Acid Mothers Temple and The Telescopes). Ahead of this, they present ‘Foray Through Keshakhtaran', the first taste of the trans-Atlantic group's first studio album in six years. A tripped out instrumental journey in two 20-minute parts, this record involves 20 artists, including special guests Rishi Dhir (Elephant Stone, Brian Jonestown Massacre, The Black Angels, Beck) on sitar, Montreal harpist Sarah Pagé, and avant-accordion legend Angel Corpus Christi (Suicide, Spiritualized, Dean Wareham). Produced by the band's leader and composer Greg Jarvis, this album was mastered by Grammy recipient Peter J. Moore (Bob Dylan, Joni Mitchell, Neil Young, Joe Strummer). For the past 18 years, The Flowers Of Hell have traversed the experimental edges of indie, Classical and jazz, with music often rooted in the audio-visual synesthesia of the group's mastermind, Greg Jarvis. Despite relative obscurity, they have been championed by music legends such as Lou Reed, Sonic Boom, Kevin Shields and members of The Legendary Pink Dots, Death In Vegas, The Wedding Present, The Fugs and The Plastic People Of The Universe, not to mention support from NASA's mission control team and the Tate Gallery with an album installation and concert just a fortnight before London locked down. #NewMusic #Legends #Interview

"That's the problem with a lot of things these days," wrote Bob Dylan in 2022, "Everything is too full now; we are spoon-fed everything. All songs are about one thing and one thing specifically, there is no shading, no nuance, no mystery. Perhaps this is why music is not a place where people put their dreams at the moment; dreams suffocate in these airless environs." This mournful attitude — for a lost age of artfulness, mystery, and hope — pervades Dylan's 2022 book, Philosophy of Modern Song. In this sense, it's a quintessentially conservative book. But decline and nostalgia are not its only themes.  In short bursts of prose reflecting on sixty-six totemic songs (from Webb Pierce's 1953 hit "There Stands the Glass;" to The Fugs' 1967 proto-punk romp "CIA Man;" to Nina Simone's unimpeachable "Don't Let Me Be Misunderstood"), Dylan conjures a country — and canon — defined most of all by mutability, motion, and menace.  Dylan's America never stops moving, reinventing itself, or rebelling against its own strictures. Things get better; things get worse; what they don't do is stay the same. To help us make sense of Bob Dylan's idiosyncratic vision of America and American song, we're joined by Know Your Enemy musician-in-residence (and Bob super-fan) Will Epstein. Besides providing the music for our show, Will is a song-writer, composer, and improvisor; his latest album, WENDY, is out from Fat Possum records. (Download it or buy the vinyl here.) Music may not be the place where most people put their dreams these days, but it's still where we put ours. And there is no better way to understand America's dreams than by listening — closely — to its music.  Sources:Bob Dylan, The Philosophy of Modern Song (2022)Bob Dylan, Chronicles: Volume One (2005)Sean Wilentz, Bob Dylan in America (2010)Clinton Heylin, Bob Dylan: Behind the Shades Revisited (2003)Martin Chilton, "Bob Dylan and the Great American Songbook," May 24, 2022Raymond Foye, "Bob Dylan's The Philosophy of Modern Song," The Brooklyn Rail, Nov. 2022.Hua Hsu, "How Nam June Paik's Past Shaped His Visions of the Future," The New Yorker, Mar 29, 2023.John Szwed, Cosmic Scholar: The Life and Times of Harry Smith, coming Aug 2023....and don't forget to subscribe to Know Your Enemy on Patreon for access to all of our bonus episodes!

THE FUGS

Bracken Design Assets - https://www.bracken.design/ Discount code: WAFFLE20 Instagram: https://bit.ly/35Yfone Shop: https://www.redbubble.com/people/Creative-Waffle/shop Fugs' Instagram: https://www.instagram.com/fugstrator/

Sicko truth, big open gouges and deformed genitalia + this day in history w/The Chronic and our song of the day by The Fugs on your #MorningMonarchy for December 15, 2022.

Despite all the trouble that dogged the label, there's a reason ESP-Disk' recordings still hold listeners spellbound 50 years later. It's as simple as the motto that was on the back of every album: “the artists alone decide.” While that may seem to be a recipe for chaos, it often worked with Stollman's shoestring operation, usually with just the one studio engineer, Richard Alderson, who got off one of the book's better lines: “Sun Ra is Duke Ellington on acid”.

ESP-Disk', a record label started in New York in 1963 by Bernard Stollman, unleashed a sonic blast of free-form rock ‘n' roll, free jazz, ur-freak-folk, poetry, and experimental music until the end of the decade, a blast that would leave a mark on the next two generations. ESP introduced the world to, among others, The Fugs, Pearls Before Swine, the Velvet Underground, and the Holy Modal Rounders, and widened the audience for Albert Ayler, Sun Ra and Pharaoh Sanders. In 2012, Jason Weiss published Always In Trouble, an oral history of the label, which has been resurrected and is again releasing its back catalog and exciting new music. 

Former music exec and lifer Howie Klein shares stories from his enchanted life! Sandy Pearlman, Richard Meltzer, doing time with the Fugs, partying with Hendrix, pissing off Tom Verlaine, and more.

We travel across the Atlantic to America in the 1960s and 1970s for the latest show.Cromagnon who only released one album, but a great album, and more famous bands such as 13th Floor Elevators, The Fugs and The Velvet Undergound.Further watching:The Velvet Undergound: A Todd Haynes DocumentaryYou're Gonna Miss Me by Keven McAlesterTracks played:Cromagnon- Caledonia and Organic Sundown13th Floor Elevators- Reverberation and Slip Inside This HouseThe Fugs- Turn On/Tune In/ Drop Out and Dust DevilThe Velvet Underground- The Gift and Here She Comes Now

Freak Out is the story of how we as a nation were dragged into global culture by the unstoppable momentum of rock and pop music. The music of the sixties spoke to young people, encouraging them to engage with the world in a new way and to embrace the changes all around them.The sixties witnessed an explosion of musical styles that crossed musical borders and changed minds. From The Beatles to Bob Dylan, from the Fugs to King Crimson, Tony Wellington explores the extraordinary chain of events that brought new meaning and exerted enormous influence on the way we lived and viewed the world.In this episode Gregory Dobbs chats to Tony Wellington about why the sixties continues to be a musical and social reference point, how bands like The Beatles and individuals like Bob Dylan bands drove musical and social change, and how Australia came of age in a defining period of music history.

Freak Out is the story of how we as a nation were dragged into global culture by the unstoppable momentum of rock and pop music. The music of the sixties spoke to young people, encouraging them to engage with the world in a new way and to embrace the changes all around them. The sixties witnessed an explosion of musical styles that crossed musical borders and changed minds. From The Beatles to Bob Dylan, from the Fugs to King Crimson, Tony Wellington explores the extraordinary chain of events that brought new meaning and exerted enormous influence on the way we lived and viewed the world. In this episode Gregory Dobbs chats to Tony Wellington about why the sixties continues to be a musical and social reference point, how bands like The Beatles and individuals like Bob Dylan bands drove musical and social change, and how Australia came of age in a defining period of music history.

David Robert Jones (8 January 1947 – 10 January 2016), known professionally as David Bowie, was an English singer-songwriter and actor. A leading figure in the music industry, Bowie is regarded as one of the most influential musicians of the 20th century. He was acclaimed by critics and musicians, particularly for his innovative work during the 1970s. His career was marked by reinvention and visual presentation, and his music and stagecraft had a significant impact on popular music. In this episode we selected two tracks from each of the 25 records Bowie revealed were his favorite to Vanity Fair, for their November 2003 issue. Lineup: The Last Poets, Robert Wyatt, Little Richard, Steve Reich, The Velvet Underground, Nico, John Lee Hooker, Ray Koerner & Glover, James Brown, Linton Kwesi Johnson, The Red Flower Of Tachai Blossoms Everywhere, Daevid Allen, Scott Walker, Tom Dissevelt, Kid Baltan, The Incredible String Band, Tucker Zimmerman, Richard Strauss, Gundula Janowitz, Berliner Philharmoniker, Herbert von Karajan, Glenn Branca, Syd Barrett, George Crumb, Kronos Quartet, Toots & The Maytals, Harry Partch, John Stannard, Victoria Bond, Paul Bergen, Ensemble of Unique Instruments, Danlee Mitchell, Charles Mingus, Igor Stravinsky, Columbia Symphony Orchestra, The Fugs, Anatoly Lyadov, Florence Foster Jenkins, Cosme McMoon

An in depth and irreverent look at 90's TV classic Dawson's Creek hosted by Kathryn and Katie. This week, we're fairly confused about a lot of things that happen. We don't understand PSAT's, why someone would keep a stolen test to themselves when they could share or American football. Kathryn also gets a bit triggered around a particular scene about ‘quitting'… We're totally done with Eve appearing in a cloud of slutty smoke, feeling how hot Jack is and enjoying Pacey and Dawson's big fall out. So, let's gather round a stolen test, cal each other 'son of a bitch' and have a wholly pointless and moot argument that lasts the best part of an episode! If you're enjoying this podcast, please like, subscribe, follow, rate, review or whatever other variety of verbs your podcast platform might use.Email dawsonsweaklypod@gmail.com Instagram @dawsonsweaklypodTwitter @dawsonsweaklyFacebook @dawsonsweakly 

Thurston Joseph Moore (born July 25, 1958) is an American musician best known as a member of Sonic Youth. He has also participated in many solo and group collaborations outside Sonic Youth, as well as running the Ecstatic Peace! record label. Thurston Moore's work with Sonic Youth rearranged the parameters of indie rock to an almost incalculable degree, merging experimental art rock tendencies with unconventional guitar tunings for a sound that would influence generations to come. Moore's abstract poetic lyrics and perpetually mysterious aura were core ingredients of Sonic Youth's 30-plus-year run, but also bled into countless side projects and less-frequent solo albums like 1994's sprawling and loose Psychic Hearts. After the group's breakup in 2011, Moore continued with his ambitions, ranging from projects like his band Chelsea Light Moving to noisy collaborations with Merzbow and John Zorn to solo albums like 2020's By the Fire that continued exploring the kind of moody, twisting art rock he'd become an icon of with Sonic Youth. Moore was ranked 34th in Rolling Stone's 2004 edition of the '100 Greatest Guitarists of All Time.' In May 2012, Spin published a staff-selected list of the top 100 rock guitarists, and ranked Moore and his Sonic Youth bandmate Lee Ranaldo together at number 1. Lineup: Tapper Zukie, Patti Smith, Teenage Jesus & The Jerks, MARS, Public Image Ltd., The Slits, The Raincoats, Captain Beefheart & His Magic Band, Alice Cooper, T. Rex, Archie Shepp, Billie Holiday, Teddy Wilson, Nirvana, Mudhoney, Dinosaur Jr., Jackson C. Frank, Bush Tetras, Germs, Boredoms, Lou Reed, The Beach Boys, David Bowie, Sparks, Siouxsie and the Banshees, The Damned, The Mentally Ill, Minor Threat, Black Flag, The Untouchables, Iron Cross, The Faith, Void, Negative Approach, Youth Brigade, S.O.A., Anne Briggs, The Fugs, Jimi Hendrix

*Opening Salvo - the Usual Suspects- Glenn Reeves - Tarzan [Decca 1958] 45 rpm* Bed: Dave & the Orbits - Cheeta's UncleSet 1       Blue, White, Green & White- Howlin' Wolf - Bluebird [Charley] LP - The Legendary Sun Performers* Soundbite - 32 teeth buster.....- Standells - Sometimes good guys don't wear white [Tower 1966] 45 rpm* DRR Show ID- Fleetwood Mac - The Green Manalishi [with the 2 pronged crown] [Reprise 1970] 45 rpm- Jack White - I'm shakin' [Third Man ] 45 rpm* Bed: See aboveSet 2       Blues & Reds- Cpt. Beefheart - Her eyes are a blue million miles [Reprise 1972] LP - Clear Spot* Soundbite - Redd Foxx- Sonny Burgess - Red headed woman [Sun 1956] 45 rpm- Ken Nordine - Blue [Philips 1966] LP - Colors: A Sensuous Listening Experience- Chris Powell & 5 Blue Flames - I come from Jamaica [Grande 1956] 78 rpm* Bed: Rolling Stones - 2120 S. Michigan AveSet 3       Mornings & Afternoons- The Fugs - Morning morning [ESP-Disc 1966] Fugs 2nd LP- The Doughboys - Tuesday Afternoon [RAM 2009] CD - Act Your Age* IDs- Fraternity of Man - In the morning [ABC Paramount 1968] LP - S/T- The Free Spirits - Early morning fear [ABC 1967]* Bed: Stones [see above]Set 4       Walking With Django [the dog]- Creedence CR - I put a spell on you [Fantasy / Craft 1989] Live @ Woodstock- Lou Donaldson - Musty Rusty [Argo 1965] LP - Musty Rusty- The Onion Radio News - Water balloon attacks- NRBQ - Ida [Columbia 1969] LP - S/T- Jethro Tull - Inside [Reprise 1970] LP - jBenefit* Bed -  StonesOver & Out- The Swingin' Neckbreakers - No costume, no candy ......

This episode presents a remarkable — freewheeling, energetic, yet comprehensive — discussion of a remarkable artist, Tuli Kupferberg. We considered two works by Tuli: “Morning, Morning,” among the most famous songs performed by The Fugs; and one of Tuli's spoken-word pieces or “pop poems,” titled “No Deposit, No Return.”

Katlynn Keys checks in and tells us all about her recent porn shoots. The brand new MILF performer shares BTS stories and Sally warns us about some recent nutrition scams plus turns us onto a 60's band called The Fugs. If you already know The Fugs, let's party.

The 1960's was a creative time and artists were encouraged to expand their art beyond the dictate of a two minute song and get into more expansive instrumentation and thoughtful lyrics. Many took up the challenge and came up with great results. Some, however, were under more pressure to come up with new music that was supposed to be artistic and also commercial. The pressure became too much for some and hard drugs started to enter their lives and altered their music as well as their personalities and lives. Some artists weren't able to cope with the stress of their profession along with the emotional vulnerability that undermined their talent, and they simply broke.  Some thrived at being "Out There" musically like Frank Zappa, while others displayed their vulnerabilities in their music like Syd Barrett. These are Rock's true Eccentrics, both musically and in some cases, emotionally. These are samples of these misunderstood "Geniuses" with a brief synopsis on each one. Also:Listen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053View and purchase wonderful art by Patricia Rodriguez at:patriciarodriguez (tigerbeearts.com)View the most amazing paintings by Marijke Koger-Dunham (Formally of the 1960's artists collective, "The Fool").Psychedelic, Visionary and Fantasy Art by Marijke Koger (marijkekogerart.com)Tarot card readings by Kalinda available atThe Mythical Muse | FacebookFor your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

Musician and writer Michael Simmons has written dozens of Dylan cover pieces for MOJO magazine, as well as incisive liner notes for Another Self Portrait and Bob Dylan 1970. “I remember where I was when Kennedy was assassinated and I remember the exact moment I heard Like A Rolling Stone. It sounded like freedom.” He praises Bob as both “a revolutionary” and “an evolutionary” artist and reminds us that “the difference between a great talent and a hack is the willingness to fall on their face in the pursuit of something new.”From Michael's LA home he recounts his time playing guitar, singing backup and doing improvised comedy with the outrageous country jokesters Kinky Friedman and the Texas Jewboys (despite being born in New York City). Mr Simmons contains other multitudes: T-Bone Burnett, Greil Marcus, George Hamilton IV, Gordon Lightfoot, Jerry Garcia and Neil Young all receive considered mentions. He brings it all back home by confirming that “at all times, somebody, somewhere in the world, is talking about Bob Dylan”. Join our conversation with this most savvy of Dylan scribes.Michael Simmons is a musician, journalist, filmmaker and activist. He was dubbed "The Father Of Country Punk" by Creem magazine in the 1970s, edited the National Lampoon in the '80s, and won the LA Press Club Award in the '90s. He's written for the LA Weekly, LA Times, Rolling Stone, Penthouse and High Times. He is MOJO magazine's premiere writer on all things Dylan as well as profiling George Harrison, Leon Russell, Lowell George and The Fugs. He has written liner notes for albums by Dylan, Michael Bloomfield, Phil Ochs, Kris Kristofferson, Arthur Lee & Love and many others.TrailerSpotify playlistListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 11th December 2020This show is part of Pantheon Podcasts

Musician and writer Michael Simmons has written dozens of Dylan cover pieces for MOJO magazine, as well as incisive liner notes for Another Self Portrait and Bob Dylan 1970. “I remember where I was when Kennedy was assassinated and I remember the exact moment I heard Like A Rolling Stone. It sounded like freedom.” He praises Bob as both “a revolutionary” and “an evolutionary” artist and reminds us that “the difference between a great talent and a hack is the willingness to fall on their face in the pursuit of something new.” From Michael’s LA home he recounts his time playing guitar, singing backup and doing improvised comedy with the outrageous country jokesters Kinky Friedman and the Texas Jewboys (despite being born in New York City). Mr Simmons contains other multitudes: T-Bone Burnett, Greil Marcus, George Hamilton IV, Gordon Lightfoot, Jerry Garcia and Neil Young all receive considered mentions. He brings it all back home by confirming that “at all times, somebody, somewhere in the world, is talking about Bob Dylan”. Join our conversation with this most savvy of Dylan scribes. Michael Simmons is a musician, journalist, filmmaker and activist. He was dubbed "The Father Of Country Punk" by Creem magazine in the 1970s, edited the National Lampoon in the '80s, and won the LA Press Club Award in the '90s. He's written for the LA Weekly, LA Times, Rolling Stone, Penthouse and High Times. He is MOJO magazine’s premiere writer on all things Dylan as well as profiling George Harrison, Leon Russell, Lowell George and The Fugs. He has written liner notes for albums by Dylan, Michael Bloomfield, Phil Ochs, Kris Kristofferson, Arthur Lee & Love and many others. Trailer Spotify playlist Listeners: please subscribe and/or leave a review and a rating. Twitter @isitrollingpod Recorded 11th December 2020 This show is part of Pantheon Podcasts

Musician and writer Michael Simmons has written dozens of Dylan cover pieces for MOJO magazine, as well as incisive liner notes for Another Self Portrait and Bob Dylan 1970. “I remember where I was when Kennedy was assassinated and I remember the exact moment I heard Like A Rolling Stone. It sounded like freedom.” He praises Bob as both “a revolutionary” and “an evolutionary” artist and reminds us that “the difference between a great talent and a hack is the willingness to fall on their face in the pursuit of something new.”From Michael's LA home he recounts his time playing guitar, singing backup and doing improvised comedy with the outrageous country jokesters Kinky Friedman and the Texas Jewboys (despite being born in New York City). Mr Simmons contains other multitudes: T-Bone Burnett, Greil Marcus, George Hamilton IV, Gordon Lightfoot, Jerry Garcia and Neil Young all receive considered mentions. He brings it all back home by confirming that “at all times, somebody, somewhere in the world, is talking about Bob Dylan”. Join our conversation with this most savvy of Dylan scribes.Michael Simmons is a musician, journalist, filmmaker and activist. He was dubbed "The Father Of Country Punk" by Creem magazine in the 1970s, edited the National Lampoon in the '80s, and won the LA Press Club Award in the '90s. He's written for the LA Weekly, LA Times, Rolling Stone, Penthouse and High Times. He is MOJO magazine's premiere writer on all things Dylan as well as profiling George Harrison, Leon Russell, Lowell George and The Fugs. He has written liner notes for albums by Dylan, Michael Bloomfield, Phil Ochs, Kris Kristofferson, Arthur Lee & Love and many others.TrailerEpisode playlist on AppleEpisode playlist on SpotifyListeners: please subscribe and/or leave a review and a rating.Twitter @isitrollingpodRecorded 11th December 2020This show is part of Pantheon Podcasts

 “Something I realized after we spoke that I curiously never had noticed before,” Peter Stampfel wrote in an email shortly after our interview, “big similarity that hallucinogens and the Smith Anthology both had on me: I saw that the world was much more strange and much more vast than I had previously thought.” The musician’s own long, strange career has almost certainly had its own profound effect on generations of music, from being a driving force in The Holy Modal Rounders and, briefly, a member of The Fugs, to his more recent collaborations with anti-folk artist, Jeffrey Lewis. This year finds Stampfel releasing his most ambitious work to date. Stampfel's 20th Century In 100 Songs is a project roughly two decades in the making. The work finds the idiosyncratic singer tracing the history of popular music through a wide gamut of hand-picked songs. Now struggling with dysphonia, which has left his voice weakened and strained, the musician continues to write and play, looking to continuing expanding his already-broad musical scope. 

The Fugs

The Fugs

Roger McGuinn was a folk artist and he wanted to try an unusual combination of styles into his act. He wanted to combine the current phenomena from England, the "Mersey Sound" instigated by The Beatles and other British Invasion bands and place it in the context of Folk music. He formed The Byrds and set about with this new style and took a Bob Dylan acoustic Folk song and electrified it and had an international hit with his band. Other bands jumped on his band wagon and a new sensation was created, Folk Rock. This episode focuses on some of the bands from this era. You're  financial contributions are welcomed in helping to keep the production going.Paypal account: sonictyme@yahoo.comAlso:Listen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053View and purchase wonderful art by Patricia Rodriguez at:patriciarodriguez (tigerbeearts.com)Tarot card readings by Kalinda available atThe Mythical Muse | FacebookEmma Bonner-Morgan Facebook music pageThe Music Of Emma Bonner-Morgan | FacebookFor your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/You may also enjoy Becky Ebenkamp's "Bubblegum & Other Delights" show. Join the fun at her WFMU New York page link and access the media player at:https://www.wfmu.org/playlists/OD?fbclid=IwAR0Efrmj-ts-uSiGq5qK7EETHFTXdtsiaXTYq-ng-7QDUkJxC-X0QfHB-EII'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

Bob and Mike feature the work of Chris Rowley, playing songs from both Huggy Bear and his new band Adulkt Life, as well as a couple from punk legends The Adverts, and tracks from The Fugs, Daniel Romano Outfit, Katy J Pearson, and disco pioneer Bohannon. Discussions include the politics of scenes and the time Bob was tour manager for The Frumpies and Huggy Bear.

Welcome to Episode 31, “The Oracle of the East Village,” featuring filmmaker, painter, musical ethnographer, and occult magician, Harry Smith (1923-1991). Smith is best known for his influential 6-LP Anthology of American Folk Music, as well as his experimental films and paintings, all of which he designed according to esoteric correspondence systems. Smith also helped document the musical rites of the indigenous Lummi and Kiowa communities, and the religious chants of New York Rabbi Naftali Zvi Margolies Abulafia, as well as the music of The Fugs and Allen Ginsberg. And connecting these luminous branches was a magically rooted trunk, as Smith was a lifelong practitioner of ceremonial magic. Welcome to the unknown body of Americana…

This episode contains songs expressing stances against war and human rights abuse while expounding on the virtues of freedom of expression without suppression. These are songs of freedom for all citizens of the World. Share this episode to those whom want change.Also:Listen to previous shows at the main webpage at:https://www.buzzsprout.com/1329053Contact Kalinda Gray for professional voiceover work at:https://www.kalindagray.com/For booking Children's parties and character parties in the Los Angeles area contact Kalinda Gray at:https://www.facebook.com/wishingwellparties/You may also enjoy Becky Ebenkamp's "Bubblegum & Other Delights" show. Join the fun at her WFMU New York page link and access the media player at:https://www.wfmu.org/playlists/OD?fbclid=IwAR0Efrmj-ts-uSiGq5qK7EETHFTXdtsiaXTYq-ng-7QDUkJxC-X0QfHB-EIFor your astrological chart reading, contact Astrologer Tisch Aitken at:https://www.facebook.com/AstrologerTisch/I'm listed in Feedspot's "Top 10 Psychedelic Podcasts You Must Follow". https://blog.feedspot.com/psychedelic_podcasts/

Dooner's World Episode 23 Leo BonannoThis show is dedicated to Liz and Carol McGeeLeo and Mike talk about Nirvana, NWA, Hip-Hop, Frank Zappa, Rush, the Fugs, Louis Armstrong, Jelly Roll Morton, George Duke, PhishSupport the show (https://www.patreon.com/user?u=39941006&fan_landing=true)

It's a psychedelic mix of great tracks tonight on Punks in Parkas! Hear tracks from the likes of Autosalvage, The Yardbirds, The Fugs and more!

Mash up episode from the Gross Bodily Podcast dealing with 60’s Vulgar art and your favorite jokes..... enjoy --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Join your host, Frozen Lazuras, as we dig into deep cuts by Edith Frost, Gentle Hen, R.D. Burhman, The Fugs, Silver Apples, and whole bunch of other good stuff. Come fall in love with new music.

Episode 109:  American Timelines 1968, Part 2:  Gaffney Strangler & A Bar Fire    South Carolina has multiple murder issues in 1968.  Plus:  LBJ gets stuck in an elevator, Jethro Tull is formed, and Alan Ginsburg and The Fugs perform a homophobia exorcism.  Season 4, Episode 48, of American Timelines! Part of the Queen City Podcast Network: www.queencitypodcastnetwork.com. Credits Include  ID Channel, A Crime To Remember, Popculture.us, Wikipedia, TVtango, IMDB & Youtube.  Information may not be accurate, as it is produced by jerks. Music by MATT TRUMAN EGO TRIP, the greatest American Band. Click Here to buy their albums!  

Le Collimateur se penche cette semaine vers une activité par nature discrète et qui pourtant concentre de nombreux fantasmes : l’action clandestine. C’est donc Damien Van Puyvelde, spécialiste du renseignement, maître de conférences à l’Université de Glasgow et chercheur associé à l’IRSEM, auteur d’une note de recherche IRSEM sur les assassinats ciblés à paraître bientôt avec Yvan Lledo-Ferrer, qui est l’invité du podcast cette semaine. Avec Alexandre Jubelin, il détaille d’abord les définitions possibles de l’action clandestine et les différences culturelles dans l’approche de la question (2:00), puis analysent la place des responsables politiques par rapport à ce type d’actions (8:00) et le rôle du secret dans la mise en place de ces actions (14:00). Ils examinent ensuite les liens entre renseignement et action clandestine (27:00) et établissent une typologie des différentes formes d’action clandestine (32:30). Enfin, ils discutent de la note de recherche IRSEM à paraître sur les assassinats ciblés, notamment du corpus de choix retenus (44:00) et des tendances que l’on peut anticiper sur la multiplication de ce genre d’actions (1:02:00). Extraits audio : - Johnny Rivers, « Secret Agent Man » (1966) - The Fugs, « CIA Man » (1967) - Edwin Starr, « Agent Double-O Soul » (1968) Bibliographie indicative : Jean-Pierre Bat, La fabrique des barbouzes. Histoire des réseaux Foccart en Afrique (Paris: Nouveau Monde, 2015).   Rory Cormac, Disrupt and Deny: Spies, Special Forces, and the Secret Pursuit of British Foreign Policy (Oxford: Oxford University Press 2018)   Rory Cormac et Richard Aldrich, ‘Grey is the new black: covert action and implausible deniability’, International Affairs 94/3 (2018), 477-494.   Alain de Marolles, ‘La Tradition Française de l’Action Invisible’, in Pierre Lacoste (ed.), Le Renseignement à la française (Paris: Economica, 1999)   Thomas Rid, Active Measures. The Secret History of Disinformation and Political Warfare (New York: Farrar, Straus & Giroux, 2020)   Gregory F. Treverton, Covert Action. The Limits of Intervention in the Postwar World (New York: Basic Books, 1987)   Mathilde von Bulow, ‘Myth or reality? The Red Hand and French covert action in Federal Germany during the Algerian war, 1956-1961’, Intelligence and National Security, 22 (2007), 787–820.

Vi betar av Kate Bush, Yoko Onos live-katarsis, dagishumor och skräck med Scott Walker, Yanne Sundin, Arthurarna Lee OCH Brown, Ween, Dead Kennedys samt lite extra RÅ girl group-musik. Love påbörjar en Robyn Hitchcock-följetong, trä blir till en flöjt om det blir älskat, ett slag kan vara en kyss och Robert återupprättar Spike Jones heder. Plus en dödsruna över Matthew Seligman, Soft Boys-basist och coronaoffer. RÄTTELSER: Vasas flora och faunas nya album heter "Möte med skogsgardisterna" och inget annat. Blur bildades först 1988 och den förste att använda termen "punk rock" var tydligen den käre Ed Sanders från The Fugs.

Vi betar av Kate Bush, Yoko Onos live-katarsis, dagishumor och skräck med Scott Walker, Yanne Sundin, Arthurarna Lee OCH Brown, Ween, Dead Kennedys samt lite extra RÅ girl group-musik. Love påbörjar en Robyn Hitchcock-följetong, trä blir till en flöjt om det blir älskat, ett slag kan vara en kyss och Robert återupprättar Spike Jones heder. Plus en dödsruna över Matthew Seligman, Soft Boys-basist och coronaoffer. RÄTTELSER: Vasas flora och faunas nya album heter "Möte med skogsgardisterna" och inget annat. Blur bildades först 1988 och den förste att använda termen "punk rock" var tydligen den käre Ed Sanders från The Fugs.

Ever since the shockingly gruesome Tate-LaBianca murders of August 1969, The Manson Family have cast a long shadow over not only the 60s counterculture and its images of free loving, acid-dropping, Establishment challenging, hippie flower children but also American culture as a whole. Rather than ushering in the fabled Age of Aquarius where peace and love would reign supreme, it appeared that the promise of "The Psychedelic Sixties" had ended with an unimaginably wanton act of violence and bloodshed. The clarion call of Dr. Timothy Leary and the Woodstock Generation to "Turn On, Tune In, and Drop Out" seemed to take on a much more sinister meaning as Charles Manson and those who lived by his side in the desert mountains of California became popular culture's de facto avatar for evil in the latter 20th century. Coupled with the January election of President Richard Nixon, who successfully campaigned under on "Law and Order" platform that promised reaffirm the Establishment status quo, the saga of the Manson Family spelled the grim end of an era and its dashed hopes for the so-called Age of Aquarius. Perhaps that is why, a half century later, the faint echoes of the Manson Family and the Tate-LaBianca murders reverberate within popular culture. Through the decades there's been endless documentaries, movies, TV shows, books, and more either inspired by, based on, or seeking to make sense of it all. There's even been alternative theories proposed to challenge prosecutor's Vincent Bugliosi's Helter Skelter telling of the whole twisted affair. Some, such as the controversial Nikolas Schreck, have argued that the Tate-LaBianca murders were a drug burn gone awry. Others, most notably the late conspiracy-minded radio host Mae Brussell, have speculated that the murders were a plot to crush the counterculture and that the Manson Family were products of the CIA's Cold War-era mind control experiments with the now infamous MK ULTRA project. Ed Sanders, the poet and counterculture icon of the seminal hippie folk-rock band The Fugs, attempted to draw a connection between Manson and a little-know cult with the ominous name The Process Church of the Final Judgment in his 1971 chronicle of the case THE FAMILY. And, of course, there are those who believe that Bugliosi's account of the events, as detailed in his 1974 best-seller HELTER SKELTER, remains the definitive final word on the whole matter. After all these years one could be forgiven for thinking that Charles Manson's death on November 19, 2017 from a cardiac arrest would be the nail in the coffin for his and The Manson Family's hold on the popular imagination. And yet multiple major motion pictures since have been based on, inspired/influenced by, or involved the Manson saga including the Hillary Duff-starring THE HAUNTING OF SHARON TATE, heavy-metal-rocker-turned-horror-filmmaker Rob Zombie's gory 3 FROM HELL, American Psycho director Mary Harron's CHARLIE SAYS, and, of course, Quentin Tarantino's ONCE UPON A TIME IN HOLLYWOOD. Additionally, new books continued to be published on the subject including CREEPY CRAWL: CHARLES MANSON AND THE MANY LIVES OF AMERICA'S MOST INFAMOUS FAMILY by Jeffrey Melnick, which offered a cultural study of the Manson Family and its influence on the American psyche to this very day, and CHAOS: CHARLES MANSON, THE CIA, AND THE SECRET HISTORY OF THE SIXTIES by journalist Tom O'Neill. The latter book challenged Vincent Bugliosi's generally accepted HELTER SKELTER by delving into alternative theories related to the Family as well as the murders and became something of a sleeper hit covered by outlets such as The New York Times, The Washington Post, and The Guardian upon its publication in the summer of 2019. What is it the continues to fascinate so many about The Manson Family? Why the continued popularity of alternative theories to explain the murders? What, if anything, does the Family and the Tate-LaBianca murders mean in the context of the peace and love counterculture of the 1960s? Filmmaker Lonnie Martin attempts to address these questions without finding the elusive answers in his fascinating and engrossing new movie THE LAST OF THE MANSON GIRLS. Based on the essay "My Acid Trip with Squeaky Fromme" by late counterculture legend and self-described "investigative satirist" Paul Krassner, THE LAST OF THE MANSON GIRLS follows Krassner's (played here by Elliot Kashner) attempt to investigate and unravel The Manson Family saga after being spurred on by the conspiracy-minded California radio fixture Mae Brussell (Robin Reck). Despite his admitted skepticism toward Brussell's theories, Krassner find himself drawn into chasing the phantoms of the Manson story and, in an effort to find them, decides to spend an acid-tripping day with the three remaining members of Charlie's Family that aren't confined to a cold cell: Lynette "Squeaky" Fromme (Jen Bevan), Sandra Good (Cindy Marie Martin), and Brenda McCann (Sarah Taurchini). Alternately scared and attracted to the trio, Krassner ends up not only chasing phantoms but also getting to know THE LAST OF THE MANSON GIRLS and confronting his own demons in the acid-drenched process. Elliot Kashner as Paul Krassner hanging out with THE LAST OF THE MANSON GIRLS (Cindy Marie Martin, Jen Bevan, and Sarah Taurchini) Cindy Marie Martin as Sandra Good in THE LAST OF THE MANSON GIRLS Jen Bevan as Lynette "Squeaky" Fromme in THE LAST OF THE MANSON GIRLS The director of THE LAST OF THE MANSON GIRLS, filmmaker Lonnie Martin, joins us to discuss the movie, its character-driven nature, the role of gender in the movie, how the male gaze plays into the story, how it started out as a Master's thesis, his correspondence with Paul Krassner, what interested him about "Squeaky" Fromme as a primary subjective for a narrative film, working with the actors and actresses on who starred in it, the film's major themes, the Sixties counterculture, and much, much more. THE LAST OF THE MANSON GIRLS,NOW AVAILABLE FOR STREAMINGON AMAZON PRIME SUPPORT PARALLAX VIEWSON PATREON! FORBONUS CONTENTANDARCHIVED EPISODES!

In this first episode of Barely Human, we investigate two underground bands who managed to attract the eye of Presidents, Prime Ministers, the FBI and MI6. We look at '60s counter-cultural actors The Fugs, who were present at the famed Flower Power protests of 1967 and were described by J. Edgar Hoover as "repulsive to right-thinking people." Then we turn to '80s anarcho-punk agitators Crass, who managed to fool both the CIA and MI6 into believing they were Soviet spies. Barely Human is written and hosted by Max Easton and produced by Jason L'Ecuyer and Output Media. Visit the website for show notes featuring extra discussion, sources, further reading and detailed credits at https://www.barelyhuman.info/2020/01/ep-1-fbi-are-mugs-i-like-fugs-and-crass.html. The accompanying playlist, 'Anarcho Counter Culture' can be found here: https://open.spotify.com/playlist/3SpofGtVR0vSt0mvdvNseN. Facebook, Instagram and Twitter are all @barelyhumanpod.

Une émission PUNK ce soir avec Sham 69, The Ramones, The Saints, GBH, The Damned, Stinky Toys, The Fugs, Starshooter.... Stay Tuned

Would. You. Rather. Is the thing we're doing, right now, for your ears. This time, they're LOG themed. That's right, the pieces of tree that you use to burn and like, keep warm and stuff. Those! Find out what sorts of fungus and bugs David likes (hint: all), learn why Lincoln Logs are really called Lincoln Logs, and maybe learn a cool new way to talk about going to the bathroom! Topics include: Would It Be Cool To People, The Reprise of Poopy Bag, Bungus and Fugs, That Darn Log, and Being Chopped in Half. *** Come chat with other fans in our FACEBOOK GROUP.  iTunes FacebookTwitter InstagramYOUTUBE Or, search for us on SPOTIFY if you'd rather be burned alive.

i più pazzi, scatenati, divertenti, anticonformisti, sempre in lotta: le vicende artistiche e musicali dei Fugs

i più pazzi, scatenati, divertenti, anticonformisti, sempre in lotta: le vicende artistiche e musicali dei Fugs

Mark Kramer in conversation talking about his life in music with David Eastaugh  Mark Kramer  known professionally as Kramer, is a musician, composer, record producer and founder of the New York City record label Shimmy-Disc. He was a full-time member of the bands New York Gong, Shockabilly, Bongwater and Dogbowl & Kramer, has played on tour (usually on bass guitar) with bands such as Butthole Surfers, B.A.L.L., Ween, Half Japanese and The Fugs(1984 reunion tour), and has also performed regularly with John Zorn and other improvising musicians of New York City's so-called "downtown scene" of the 1980s. Kramer's most notable work as a producer has been with bands such as Galaxie 500 (whose entire oeuvre he produced), Low (whom he discovered and produced), Half Japanese, White Zombie, GWAR, King Missile, Danielson Famile, Will Oldham, Daniel Johnston, and Urge Overkill, including their hit cover of "Girl, You'll Be a Woman Soon".

Nick is ranting in the garage on this one! It's hot and moist! Enjoy comicconspodcast@gmail.com Instagram: @comicconspodcast --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

The theme is romance. Crazy Romance. To start it off is Ed Sanders (From the Fugs) doing "The Belle of Avenue A". A story song about a truck driver in the 60's on the Red Ball express heading into the East Village to get some hippie noogie. It satirizes the hippie movement beautifully. Then Les Vegas sings his original song "I'm in Love With A Big Blue Frog". The same one that Peter, Paul and Mary had a hit with.Harry's girlfriend is a broom and he wants Steve to make her talk.And Allan Sherman sings a parody of 5'2 Eyes of Blue only this girl is from outer space.

con Luca Damiani

Proto-Psych pt II with THE FUGS, I CORVI, X-LENTS, YUYA UCHIDA & THE FLOWERS and much more. This episode dedicated to my friend and broadcasting mentor Max Christoffersen, RIP buddy, never forgotten. [supported by NZ on Air]

Vandaag is Peter Sijnke te gast, auteur van het boek Zappa in de serie Rockklassiekers. In deze uitzending muziek die hem muzikaal gevormd heeft van o.a. The Kinks, The Byrds, Jimi Hendrix, Quicksilver Messenger Service, The Fugs en natuurlijk ook Frank Zappa.

Beat Generation icon Allen Ginsberg was the most famous poet in America. But he was also a theorist, a strategist, and the counterculture field marshal who directed the troops of radical cultural change – revered by Tim Leary, Bob Dylan and John Lennon. It's hard to overstate just how strange and marginal the Beats were considered at the time, and how profound and pervasive their impact has been. They planted the seeds for open sexuality, psychedelic consciousness, meditation, yoga, environmentalism, green witchery, and more. You can even trace today's schism between blue and red states to the Beats and the cultural shifts they set in motion. Steven Taylor, Ginsberg's friend and collaborator for 20 years, is deeply knowledgeable about what Ginsberg called Secret History — the true but often hidden stories about the roots of our culture. He's also an accomplished author, poet and musician, and ran the writing program at the Jack Kerouac School of Disembodied Poetics at Naropa University. As a guitarist, he's performed with everyone from Patti Smith to Marianne Faithful to Don Cherry to Philip Glass, and he was a key member of the seminal underground rock band, the Fugs. He is the editor of the newly released, Don't Hide the Madness, William S Burroughs in Conversation with Allen Ginsberg.You can follow Steven Taylor on Instrgram at @mseventy5.Follow us on Instagram @TheEvolverPodcast: https://www.instagram.com/theevolverpodcastThe Evolver is sponsored by The Alchemist's Kitchen, a botanical dispensary dedicated to the power of plants, where you can ask an herbalist to recommend the herbal remedy that's most right for you. Visit https://www.thealchemistskitchen.com. For a 20% discount off any online purchase, use the code: podcast20. Theme music is “Measure by Measure,” courtesy of DJ Spooky, aka Paul D. Miller (@djspooky), from his album The Secret Song, and interstitial music are tracks by The Human Experience: "Sunu" from the album Soul Visions with Rising Appalachia, and Here for a Moment on the album Gone Gone Beyond. Hosted on Acast. See acast.com/privacy for more information.

Today we chop it up with Michael Fugoso aka FUGS aka @Fugstrator on the Grams. This guy has an incredible story of finding his path of art and design later in the game than most. However, once he found that thing that made him feel alive, he went all out and took the illustration world by storm with a unique, skeuomorphic style I can pick out from a sea of noise. In this episode, Fugs and I inject copious amounts of energy into topics such as: Finding your groove and owning your style Sharing the process and building an audience Skipping the shortcuts and mastering the fundamentals Being a student of life and always experimenting Let me know what you think. Take a screenshot of the podcast episode you’re listening to and tag me on Instagram @perspectivepodcast and @prspctv_cllctv or Twitter—and let’s connect. — Shownotes Connect with Michael: Website | Instagram | Dribbble Michael's Design Cuts Texture Discount Dose of Inspiration: @pref_id Podcast Editor: Aine Brennan Shownotes Editor: Paige Garland Podcast music: Blookah — Want to Support the Show? Become a backer on Patreon Leave an Apple Podcast Rating and Review Share the show on social media or follow the Perspective Podcast Instagram Crypto Donation Support Bitcoin: 1j5vE64PWgkJHGnGSrAiJK82bnfn7fBgu Ethereum: 0xFf60588C873E34235dE371450d58129d8d7cAC16 Litecoin: LerTFZfvtW4iH7qJM8vSE9mkdQA24yKmB6 Subscribe via your favorite podcast player: Apple Podcasts Spotify Google Play Music Overcast Stitcher Tune In

Starting off the show with our Opening Salvo and the Rolling Stones- No Expectations in glorious MONO, baby! The Stones are supported by none other than Terry Reid with "Tinker Tailor" off his killer 1st LP BANG BANG, YOU'RE TERRY REID. Tricky Dickie Nixon lets us know that he really wanted to end the War in Vietnam...right...war was way too profitable back then. Reid is supported by a band called Freedom and their very first 45 rpm from 1968 "Glimpse of You" on the Mercury label. Freedom sported 2 ex-Procol Harum alumni: Ray Royer [guitar] and Bobby Harrison [drums]. They both played on A WHITER SHADE OF PALE before jumping ship...hence the band name FREEDOM. The Fugs announce that "The Garden Is Open" for the summer! and Sweden is represented by one of their latest supergroups SOUNDTRACK OF OUR LIFE...or STOOL for the hipcats. Set 2 starts off with one of my newer "discoveries" EYELIDS out of Portland featuring members of THE DECEMBERISTS, THE JICKS, etc. Produced by Peter Buck who knows cool shit when he hears it. JOE STRUMMER & THE MESCALEROS a painfully ignored band fills the #2 slot with "Coma Girl" off STREETCORE [2003] RIP the great Stummer! One of the coolest Jazz / Blues tracks ever follows with PARCHMAN FARM by Mose Allison...nobody's hipper than Mose...and speaking of hip JIM MORRISON & The Doors with "The W.A.S.P. [Texas Radio] from their last offering dated 1971....almost to time to blast out of the studio we clean it all up with "Schmetterling" by BROSSELMACSHINE dateline Germany 1971....

To call Larry “Ratso” Sloman a writer is not at all inaccurate - he is a writer. But he’s so much more. Sloman perfected the art of hanging out and he turned that art into a career. Here he talks about how studying sociology influenced his thinking and gave him a way to be inside the revolution and outside at the same time. Allen Ginsberg, The Fugs, Abbie Hoffman, Al Goldstein (Screw Magazine), Kinky Friedman, Bob Dylan, Joan Baez, John Cale, Rolling Stone Magazine, Howard Stern, Anthony Kiedis, High Times Magazine… they all make prominent appearances in our conversation. On fashion: “Not to boast but I always had a good sense of unique fashion. I mean I was wearing rabbinical coats way before Gaultier was doing them.” On writing: “It’s like building a house. You have to have a great foundation. Have a great beginning and great ending. You can get away with a lot of sh$t in the middle.” On celebrity: “They don’t want someone to put them on a pedestal.” Visit www.third-story.com or go to www.patreon.com/thirdstorypodcast.

The VICE Magazine Podcast is your definitive guide to enlightening information. Our second annual Music Issue, a collaboration with our music site, Noisey, came out earlier this month, so we're highlighting stories from the issue on our podcast. This week, Jason Leopold talks about his latest installment of Classified, a column where he breaks down the files he's received from Freedom of Information Act requests. As this year marks the 50th anniversary of the Doors' self-titled debut album, Jason had hoped to write about the band. He found an FBI labeled “SUBJECT: THE DOORS,” but after opening it, he discovered the file only included letters referencing the politically charged 60s rock group the Fugs. Turns out, in 1969 a concerned citizen offended by the Fugs' music, and drafted a letter to a US senator and the director of the FBI, requesting they ban the band's music. Here's Jason with more. Hosted on Acast. See acast.com/privacy for more information.

Bandana Blues Special Spinner's Funhouse #6 Barry Miles & Silverlight: silver lightning (5:28) (Barry Miles & Silverlight, London, 1974) Frank Zappa: strictly genteel (7:01) (Orchestral Favorites, DiscReet, 1979) Herman Brood: that's the way love is (4:03) (Hooks, CBS, 1989) Ben Sidran: the cuban connection (4:23) (Free In America, Arista, 1976) Creedence Clearwater Revival: rude awakening #2 (6:23) (Pendulum, Liberty, 1970) Eric Burdon & the Animals: poem by the sea - paint it black (8:08) (Winds Of Change, MGM, 1967) Marty Garner: flunky butt (1:30) (Harmonica On The Rural Route, Stoneway, 1977) The Dreggs: rock & roll park (4:32) (Unsung Heroes, Arista, 1981) Rob Hoeke Boogie Woogie Quartet: coyote will (2:50) (Robby's Saloon, Philips, 1968) Joe King Carrasco & the Crowns: federales (2:44) (Puts The King In Rocking, Stiff, 1980) Deodato: september 13 (5:15) (Prelude, CTI, 1972) Alquin: the least you could do is send me some flowers (6:50) (Marks, Polydor, 1972) Captain Beefheart & the Magic Band: this is the day (4:40) (Unconditionally Guaranteed, Virgin, 1974) Larry Coryell: the funky waltz (5:08) (Introducing The Eleventh House, Vanguard, 1974) Michal Urbaniak's Fusion: butterfly (7:01) (Atma, Columbia, 1974) Brian Auger & the Trinity: isola natale (5:23) (Open, Polydor, 1967) Moby Grape: naked if I want to (0:57) (Moby Grape, Columbia, 1967) Kevin Ayers: it begins with a blessing-once I awakenend-and it ends with a curse (8:08) (The Confessions Of Dr. Dream And Other Stories, Island, 1974) Carla Bley: Ida Lupino (7:54) (Dinner Music, Watt, 1977) Kenny Young: solitary sing song (3:18) (Last Stage For Silver World, Warner Bros, 1973) Earl Scruggs Revue: Bleeker Street rag (4:56) (Anniversary Special Vol. 1, Columbia, 1975) Sea Level: just a touch (5:23) (Long Walk On A Short Pier, Capricorn, 1980) Robert Jan Stips: nuts in a shell (3:12) (U.P., CBS, 1981) Yes: perpetual change (8:45) (The Yes Album, Atlantic, 1970) Soft Machine: teeth (9:07) (Fourth, CBS, 1971) Steampacket: back to the chicken shack (3:48) (The Steampacket (Or The First Supergroup), Byg, 1965) Fugs: boobs a lot (2:12) (The Village Fugs Sing Ballads of Contemporary Protest, Point of Views, and General Dissatisfaction, Folkways, 1965) Solution: circus circumstances (7:00) (Solution, Catfish, 1971)

Om 22:00 uur op 40UP Radio weer een nieuwe aflevering van Des Engels met Vincent van Engelen. Vanavond muziek van The Rolling Stones, Easybeats, The Incredible String Band, Bobby Curtola en The Fugs.

Om 22:00 uur op 40UP Radio weer een nieuwe aflevering van Des Engels met Vincent van Engelen. Vanavond muziek van The Rolling Stones, Easybeats, The Incredible String Band, Bobby Curtola en The Fugs.

Fantasies eventually have to turn to sour to reveal the true way forward. Transgression, Adventurism and pushing the boundaries of one's own psychology are a central piece of the hero's journey. So this episode dives deep into the gutter where one becomes unsure if they belong there or will make it back to tell a decent story. In the beginning, we experiment on the way towards knowledge and then the lust for adventure can consume us. The cast is named after the great Fugs song "I Want to Know" and preaches the exploratory gospel of those like Baudelaire, Burroughs and Buddha who wanted to use themselves like a Petri dish to achieve the higher benefits of alchemy.

Welcome to this week's episode of the Old Guy Young Guy Show. On this episode we tackle the Bill Murray or Tom Hanks Debate, chat about the ever stylish FUGS, and of course, there is always the weekly recap of Freaks and Geeks... Plus a ton of other fun things...also HAPPY FRICKEN HALLOWEEN ... Now sit back, relax, and prepare to have fun this halloween with US IN YOUR EARS. IT'S TIME FOR THE OLD GUY YOUNG GUY SHOW!!!

March 2016 Anniversaries: Elvis, The Monks, The Fugs, Love, Jethro Tull, Leonard Cohen, Amon Duul II, Gang of Four

Our music tonight, at the suggestion of our guest, comes from The Fugs, formed in 1963 by the poets Ed Sanders and Tuli Kupferberg and Ken Weaver. And we open with, “Here Comes the Levellers,” which is from the Reagan Era release No More Slavery. Our guest is Paul Buhle, one of the foremost historians …

The sideman, the session guitarist, most people have heard their work but few know who they are. But these session musicians have made an impact on today's music just as much as the artists they have worked for. Two examples of great session/side musicians are Steve Postell and Danny Kortchmar. Steve was a member of the group Pure Prairie League and went on to work on Broadway on such shows as "Evita" and "The Man From La Mancha." He has composed for TV and film, was the music director for Lea Salonga (Miss Saigon, Princes Lea in "Aladdin"), has developed music education apps (On The Path) and fronts the "Night Train Music Club" featuring some of the finest musicians in the country. Danny "Kootch" Kortchmar has toured and recorded with such artists as James Taylor, Linda Ronstadt, Don Henley, and Carole King. He was a member of the Fugs back in the 1960's and is one of LA top session guitarists. We talk to these great musicians about their work, both past and present, and where it has led them and where they think it is going.

The sideman, the session guitarist, most people have heard their work but few know who they are. But these session musicians have made an impact on today's music just as much as the artists they have worked for. Two examples of great session/side musicians are Steve Postell and Danny Kortchmar. Steve was a member of the group Pure Prairie League and went on to work on Broadway on such shows as "Evita" and "The Man From La Mancha." He has composed for TV and film, was the music director for Lea Salonga (Miss Saigon, Princes Lea in "Aladdin"), has developed music education apps (On The Path) and fronts the "Night Train Music Club" featuring some of the finest musicians in the country. Danny "Kootch" Kortchmar has toured and recorded with such artists as James Taylor, Linda Ronstadt, Don Henley, and Carole King. He was a member of the Fugs back in the 1960's and is one of LA top session guitarists. We talk to these great musicians about their work, both past and present, and where it has led them and where they think it is going.

The sideman, the session guitarist, most people have heard their work but few know who they are. But these session musicians have made an impact on today's music just as much as the artists they have worked for. Two examples of great session/side musicians are Steve Postell and Danny Kortchmar. Steve was a member of the group Pure Prairie League and went on to work on Broadway on such shows as "Evita" and "The Man From La Mancha." He has composed for TV and film, was the music director for Lea Salonga (Miss Saigon, Princes Lea in "Aladdin"), has developed music education apps (On The Path) and fronts the "Night Train Music Club" featuring some of the finest musicians in the country. Danny "Kootch" Kortchmar has toured and recorded with such artists as James Taylor, Linda Ronstadt, Don Henley, and Carole King. He was a member of the Fugs back in the 1960's and is one of LA top session guitarists. We talk to these great musicians about their work, both past and present, and where it has led them and where they think it is going.

Wednesday Reading Series Ed Sanders is a poet, historian and composer. Sanders' books include Tales of Beatnik Glory, 1968, a History in Verse; The Poetry and Life of Allen Ginsberg; The Family, a history of the Charles Manson murder group; and Chekhov, a biography in verse. His 1987 collection, Thirsting for Peace in a Raging Century, won an American Book Award. His selected poems, 1986-2008, Let's Not Keep Fighting the Trojan War, was published by Coffee House Press. In 2011, Da Capo Press published his memoir of the 1960s, Fug You. He has received a Guggenheim fellowship in poetry, a National Endowment for the Arts fellowship in verse, an American Book Award for his collected poems, and a 2012 PEN-Oakland Josephine Miles Prize. Sanders was the founder of the satiric folk/rock group, The Fugs. He lives in Woodstock, New York with his wife, the essayist and painter Miriam Sanders, and both are active in environmental and other social issues. Park McArthur is an artist from North Carolina living in New York. Solo shows include Essex Street, New York; Lars Friedrich, Berlin; Yale Union, Portland, OR. Her writing has been included in the International Journal of Feminist Approaches to Bioethics and The Happy Hypocrite. “Other forms of conviviality: the best and least of which is our daily care, the most of which is our collaborative work,” an essay co-written with Constantina Zavitsanos was included in Women & Performance: A journal of feminist theory's special issue We are Born in Flames. She is co-editing the book Beverly Buchanan: 1978-1981 with Jennifer Burris Staton.

A greatest-hits compilation from The Organist's first two years, created for a special holiday broadcast on KCRW, featuring Nick Offerman, David Cross, Sarah Silverman, Jack White, Lena Dunham, Judy Blume, and more!

King Crimson's live 21st Century Schizoid Man begins, and then it's all a guitar freak out, almost all from Eric Clapton in stages from Cream to cheese, and a lot of Dominoes. William F. Buckley takes on the hippies on Firing Line in 1969, with guests Jack Kerouac and Ed Sanders of the Fugs, but it's mostly Mr. Clapton's guitar freak out. 3 Hours. The post Over the Edge – Universe pt 57 What About 60s pt U-2 appeared first on KPFA.

This week we're joined once again by Mark Gimpel and Seth Magalaner for a podcast filled with frivolity and music. Tunes from the Beatles, Nat King Cole, The Magnetic Fields, Toto, Steve Earle, Dean Friedman, Gary Lewis and the Playboys, Henry Mancini, The Fugs, The African Tribal Orchestra, & even a tune penned by DJ Dave himself. iTunes: http://bit.ly/Hg2RdK Facebook: http://on.fb.me/IzhiJV Email us at MusicFirstPodcast@gmail.com

Drummer, writer, singer and LP enthusiast Jamie Cook shows up with the goods. Beach Boys, Fugs, Zappa, and more!

The Fugs, a 1960s garage band, made frequent use of bongos, curse words, and protest poetry. They also used Yiddish songs and other Jewish source material. Music critic Seth Rogovoy, in conversation with Emma Morgenstern, plays clips from The Fugs' first album and ponders what makes their music Jewish. Episode 0027 June 12, 2012 Yiddish Book Center Amherst, Massachusetts

Programme de Martha Rosler pour webSYNradio : Sept heures en compagnie de Abbie Hoffman, Harry Partch, Patsy Cline, Captain Beefheart, The Fugs, Red Krayola, Joan Baez, Hazel Dickens, Florence Reese, Violeta Parra, Janis Joplin, Sarah Vaughan, Eric Dolphy, Tracey Chapman, Nico, Ralph Stanley & The Clinch Mountain Boys, Keith Whitley, Jackson Mac Low and Anne Tardos, Thelonious Monk, J. S.Bach, Bob Marley, Amanda Palmer, Pauline Oliveros, Allen Ginsberg, Otis Redding, Evan Wilson, Sam Cooke, John Cale, Rolf Schulte and Philharmonia Orchestra, Arnold Schönberg, Lord Buckley, Shir hashirim,Ray Charles, Umm Kulthum, Aretha Franklin, Prince, Bill Withers, Bessie Smith, The Penguins, Yaakov Yosef Stark, Pt.Himangshu Biswas, Emil Gilels, W.A. Mozart, Bertolt Brecht, Joan Armatrading, Neko Case, Frankie Lymon & The Teenagers, Cobra Skulls, Hot Edgard Varése, Bukka White, Frank Zappa & the Mothers of Invention, Billy Bragg, Jimi Hendrix …

“Deep into that darkness peering, long I stood there, wondering, fearing, doubting, dreaming dreams no mortal ever dared to dream before.” -- Edgar Allan Poe Nevermore Eleanor: "Invitation" Decomentarium: "Dementia" treeface0905: "Caffeine" Boris Karloff: "Mirror of Death" Navid: "Physical Modelling" Sonic Youth: "Halloween" Mr Shadowchaser: "dunwich mash" Viraeson: "The Birds... Scream the... Birds Scream" The Fugs: "Exorcising The Evil Spirits From The Pentagon" The Secret Music of China: "Ghosts of the Great Wall" Percy Bysshe Shelly vs. Vincent Price: "Ode To The West Wind" Epoxia: "Soberbia Espiritual (Remix)" Glass Prism: "The Raven" James Mason: "The Tell-Tale Heart" DJ Pad: "Magical Nights" Lou Reed: "Edgar Allan Poe" mARKYbOY: "The Killing Mash" Subscribe to YouTube: transpondency Extra videos at transpondency.blip.tv Follow me on Twitter: @transpondency Email: suburban@transpondency.com

My google alerts on "Hungry Blues" sometimes turn up interesting things. Steven Taylor of the Fugs has written a song that is also called Hungry Blues. It's very much in the spirit of the original song that my blog is named after. It's not quite as good, but it's a tall order to be asked […]

Half Japanese, Firecracker (Live at SXSW)Daniel Johnston, Somethings Last A Long TimeBeach House, Somethings Last A Long TimeBuilt To Spill, Somethings Last A Long TimeBeat Happening, I Spy (Live at KAOS, 1988)The Fugs, CIA ManThe Seeds, Pushin' Too HardJason Anderson, The Hopeful and the UnafraidAdam Green, Broadcast BeachHot Panda, Chinatown BusPortishead, Machine GunLCD Soundsystem, Big IdeasNo Kids, Old Iron Gate

Ahhh - September when the air is cool and New York is less violently antithetical to human existence. To ring in the Calculus course and the Brooklyn Book Festival I bring you another mildly amusing number of songs that I heard in recent car commercials and funeral processions. Am I doing any of this right yet? No. I still make to many mistakes.1. The Fugs - Skin Flowers A long and semi-distinguished career has brought the Fugs a small amount of fame. Their Final CD compilation even got voted on highly by Rolling Stone for Greatest Album. The just had a reunion tour this year and are working towards releasing a DVD of it via CdBaby. site | buy 2. Portishead - Stranger (Live) The infamous live a Roseland show I believe. site | buy 3. The Hives - I Hate to Say I Told You So Not to often to I post straight up pop but the energy on this track (a sort of over produced punk) fit my mood too well to let it go. site | buy 4. The Fiery Furnaces - Navy Nurse New album 'Widow City' finds the old gang in bed with delerious amounts of heavy sounds. An altogether larger departure from previous tones than the infamous (and heart warming) signing with Grandma album. Highly recommended for the variety of ways it compels you to invest in a bass amp. site | buy (available October 2007) 5. They Might Be Giants - First Kiss Well the FF track preceding this was just so damn heavy I had to lighten the groove some how so this is the obligatory palate reset track. TMBG also came out with a new album and I've every intent to make a smart purchase of it the moment I get the hookers under my thumb again. site | buy 6. Acid Casuals - Wa Da Da Nothing says a good time for all like a music collective. And these guys are that and a massive clooective it is - and welsh too boot! site | buy 7. Devendra Banhart - Long Haired Child The real stand out track of freak folk on this podcast. I was delighted to hear it the first time I stumbled upon it and was doubly excited to find he's putting out a new album here on the 26th. site | buy 8. Echu Minga - Pueblo Nuevo A sister on nonesuch records alongside superstars Buena Vista Social Club Echu takes a track and reworks it to an understated dj haze. Well I liked it a lot. site | buy 9. The Replacements - I Will Dare The preeminent punk band on a straight forward track here. site | buy 10. Brazilian Girls - All We Have A more mellow offering than what their known for, this track is for the thoughtful moment before we dive into the aural catastroph of the next track. site | buy 11. Polysics - New Wave Jacket Someone brought 'technicolor pogo punk' and it was loud but still good. site | buy 12. TullyCraft - Fall 4 U Not one of my favorite TullyCraft songs (check the grammophone for 'Our Times in Kansas'). But they've got another album coming out in October so I'll show the so-saids the whatfor by then. Be sure to check back in sometime. site | buy 13. Mahala Rai Banda - Romano Dance What a damn miracle find! I do hope that there is some enjoyment in the various headphones when this gets the listen to. Dig the Bucharest Ghetto Gypsies. site | buy 14. Sugababes - Red Dress (Caged Baby Remix) A bit of the electro remix can revitalize even the mainest of pop songs on this it does double the work turning the piece into a solid work dance floor propaganda. site | buy 15. Man Man - Push The Eagles Stomach Man Man here with a second song (I did - if I do recall put the other under the Weird Road Trip - the most despised podcast I have here, tune into it and find out what you're missing). This one; even less intelligble.  site | buy 16. Wolf Parade - You Are a Runner and I Am My Father's Son The British Colombia's indies with a moving tune about the extinction of hedgehogs in the British Isles. site | buy 17. Ok Go - Invincible A stupendous lack of exercise machines! Yet the haircuts are brilliant! site | buy 18. Grassella Oliphant - Ain't that peculiar Fancy and underrated mid '60s jazz funk brimming with the busted stuttering that breakbeats will one day embrace. How is it that this is unknown? site | buy 19. Tipper - California Rolls Tipper is a smart piece of IDM by British Nu Breaker Dave Tipper. Mostly eclectic sometimes elegant - the pop-ish inflections make the access easy and the chill out warmer and more inviting than some other of the similar sort (nothing against you Amon Tobin, but really).  site | buy Backing Tracks:Alexander Robotnick - Dance Boy DanceYoshida Brothers - StormEric Dolphy - Out To LunchErnest Ranglin - UndecidedImage From  CrackSkullBob