Podcast appearances and mentions of jack fisk

RMR 0311: Special Guest, Jarrell, from the Puppet Perspectives Podcast, joins your hosts, Dustin Melbardis and Russell Guests for the Retro Movie Roundtable as they revisit Eraserhead (1977) [R] Genre: Horror, Fantasy, Body Horror   Starring: Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates, Judith Roberts, Laurel Near, V. Phipps-Wilson, Jack Fisk, Jean Lange, Thomas Coulson, John Monez, Darwin Joston, T. Max Graham, Hal Landon Jr., Jennifer Lynch, Brad Keeler   Directed by: David Lynch Recorded on 2025-03-12

Somehow, David Lynch's film career arrived fully formed with the surreal black comedy, "Eraserhead." This episode kicks off our "Films of David Lynch" season. First, we discuss the man himself, and why we are so excited for this season, and then we get in deep with "Eraserhead." We discuss the history of the film, its long production, and its uphill battle to be finished. We then dive into the film giving our interpretations as well as cautioning over-explaining Lynch. We hop you enjoy this as much as we did making it.Thank you so much for listening!Created by Spike Alkire & Jake KelleyTheme Song by Breck McGoughFollow us on Instagram: @DoubleBillChillLetterboxd: FartsDomino44

David Lynch would call Derick a hero for persevering through his single season sitcom, On The Air. On The Air on Internet Archive (maybe) Schuyler Fisk on Yo! That's My Jawn Vinnie Gets Sued  

Welcome back to purgatory!!!   This month we have decided to discuss and celebrate the works and life of the wonderful Mr. David Lynch, an incredible soul and a unique and valuable voice and eye of cinema. We hope you enjoy going down this road with us as we revisit and experience some of his films for the first time. We start off the month with Eraserhead from 1977 written and directed by Dvid Lynch. The film stars Jack Nance, Charlotte Stewart, Allen Joseph, Jeanne Bates, Judith Roberts, Laurel Near, Jack Fisk, Hal Landon Jr. Darwin Joston, T. Max Graham, Thomas Coulson and Jennifer Lynch. We hope everyone can go out and experience some of Mr. Lynch's incredible work. Thanks for checkin us out and if you want to find our back catalog go to Podbean.com and you can find us where all other podcasts are found. Intro "David Lynch Theme" by Jeremy Mcfarlane Outro "In Heaven (Lady in the radiator song) cover by The Pixies https://youtu.be/HOltKqJIIdM?si=maIYK51SsBd17uTX    

Hoy desvelaremos los pasajes más ocultos de la vida de David Keith Lynch, mundialmente conocido como “el de Twin Peaks”. El pequeño Daví nació el 20 de enero de 1946 en Montana, pero podría haber nacido en Castrourdiales porque los padres se movían más que la mesa coja de un velador. Su madre se llamaba Edwina, que es el Elpidia de ellos y su padre Donald, que se vé que es el Manué de allí. Donald era científico y trabajaba para el Seprona por eso el matrimonio iba teniendo los hijos cerca de las reservas forestales que al padre le tocaba investigá porque que a los americanos le pasan muchas cosas malas en los bosques, en los lagos, en los parques nacionales y en las puertas de urgencias de los hospitales. David fue educado como presbiteriano que en vez de ostias consagradas en la comunión les dan galletas de arroz sin gluten. Y luego querrán que las criaturas no vayan dando tiros. También fue Boy Scout consiguiendo el más alto rango, el de Eagle Scout, porque el niño se conocía mejor la Serranía de Ronda que “El Tragabuches”. Gracias a esto, en 1961, David participó como acomodador en la toma de posesión del presidente Kennedy el día que cumplía 15 años, porque las investiduras de los presidentes en los EEUU siempre son los 20 de enero, que coja a la gente sin dinero pa comprá balas. En 1964 se matriculó en la escuela de Bellas Artes de Boston y le tocó de compañero de cuarto Peter Wolf. Tú te matriculas en la de Cádiz y te toca un compañero de Barbate, que a lo mejor famoso no se hará pero no veas el material que se trae del pueblo. David no duró mucho porque esa escuela no le inspiraba y se fue con su colega Jack Fisk a Europa para intentar estudiar en la escuela de Oskar Kokoschka que pa ser pintor dibujaba los tigres como mi niño que puede ser un tigre, un oso o un bocadillo de lomo con queso. Cuando llegaron, Kokoschka les dijo que no era posible pq la última plaza la había cogido uno de Barbate, así que se volvieron y David se matriculó en la escuela de Pensilvania donde conoció a Peggy Reavey, con la que se casó en 1967 y tuvo a su 1º hija. Luego ya iría teniendo otras parejas y niños como la renovación del certificado digital, cada 4 años Buscador incansable de imágenes bizarras, tocó tó los palos: arte, pintura, comics, cine, fotografía, imagen y sonido, electrónica y grandes electrodomésticos. Ya en esta época llevaba el tupé como Sergio Ramos y tenía el pellejito de los párpados así caío y arrugaito, como los güebetes de los masai. Su debut como director fue en 1967 con Alphabet, pero el reconocimiento le llegaría con películas como Terciopelo Azul, El Hombre Elefante o Corazón Salvaje. Eso sí, el dinero se lo dio Twin Peaks, serie de TV estrenada en 1990 y en la que 35 años después todavía no se sabe quién mató a Laura Palmer. Desgraciadamente, el 16 de enero de este 2025, a los 78 años, David se llevó el final de Twin Peaks, aunque ustedes siempre podrán recordarlo cuando se renueven el certificado digital o les toque un compañero de Barbate.

Another mind bending podcast. The day David Lynch passed, I felt like I heard him say "So why didn't you interview me?"  I kind of chuckled to myself - thinking, "Of people I know, who knew David that well?"  I haven't seen all his films - just a few, so I missed the many Harry Dean Stanton appearances. As fans of the podcast know, I knew Harry Dean, played guitar with him, he was close friends with Luana Anders (who passed in 1996) and when Harry Dean passed, we interviewed him.  He has shown up a number of times, also with Billy Paxton, whom I started me career with, and with whom Billy and Harry worked on "Big Love" together. So "any friend of Harry's is a friend of mine" - in terms of how we are able to communicate with people offstage.  In this instance, I started to ask Jennifer if David had been the person I heard saying "Why didn't you interview me?" and before I could ask it - she said "He is." It's on camera. I thought it, started to speak; she answered it. That's how this works. Jennifer and I have been doing this together for ten years - every week, if one can imagine. And this time, all this past week I've been hearing "messages" from Mr. Lynch. Some examples; my son suggested we go and see "Inland Empire" at the Egyptian.  Two people in the audience told me afterwards that they saw him "sitting off to the side" - exactly where he says he was, in the last ten minutes of the film. It's when Laura Dern's character merges with her "old self" in the film.  A bright light appears as they embrace.  That's when these two said they saw him in the theater. It's not my opinion they saw him - it's not my belief they saw him - I asked, and he said that "indeed, he was there at the theater, and that he was surprised more people didn't realize it." David was an early proponent of Transcendental Meditation - something he learned from Maharishis Mahesh Yogi - the same fellow from Rishikesh that the Beatles went to visit. In one of his interviews (that I watched this week after hearing from him) he said that he had met MMY and learned TM from him. And since then he would meditate twice a day. As he said in an interview, "once in the morning" and once during the lunch hour. Also, I learned that he went to Bob's Big Boy in Burbank (a fan favorite for my family) and every day at 2:30 would have a "malted and a cup of coffee."  Sometimes he'd add fries. So we went to Bob's and saw the huge display of memorabilia people have deposited in his honor - as well as saw there was an hour wait to sit at the counter. So we moseyed on down to Paty's - where we were able to sit at the counter and get our milkshakes, coffee and fries. We sat next to two David devotees - people who had met at Disneyland and become pals over David, and were doing the same thing we were doing. And we talked about David and we talked about this podcast... that I had yet to do. I told them to "tune in this week and we'll see if we can get him to come by."  So a shout out to Derek and Sharon who are fans of Mr. Lynch. It's an unusual event to be sure - people are spontaneously honoring him, not for any other reason than they were moved by him, or learned something from him. Also, Jennifer did not know David's work - as she notes in the podcast. So she didn't know - couldn't know - that David's nickname for Laura Dern was "tidbit" - his nickname for Naomi Watts was "buttercup" - nickname for Patricia Arquette was "Solid Gold" - his old pal Jack Fisk is married to Sissy Spacek, Isabella was the Oscar nominee - Ms. Rossellini - and his nickname for Kyle MacLachlan was "Kale" (because producer Dino de Laurentiis couldn't pronounce Kyle on "Dune") -I forgot to ask him if he'd seen Dino yet, but as he said "I've seen them all." He had a message for "Doug and Steve Martin" who directed his short promo for "Eraserhead"  and the Woody Woodpecker dolls... He mentioned talking to Dennis Hopper (Luana's pal) Dean Stockwell (whom I directed in the film LIMIT UP) and Bill Paxton (who I met while he was doing Aliens and we wrote a script together.) He had messages for Steven Spielberg and Mel Brooks - all pals of his, and for his family "I had the ride of my life and I can't wait to do it again!" - For those coming to this podcast for the first time, I recommend looking over the past three years of online podcasts, looking at the transcripts of the 7 years prior to that in the books TUNING INTO THE AFTERLIFE and BACKSTAGE PASS TO THE FLIPSIDE 1, 2 and 3.   Jennifer and I have been doing this weekly for ten years.  If one wants to book a session with Jennifer, find her at JenniferShaffer.com - and if one wants to book a meditation (visit to their council) with me, go to RichardMartini.com and follow the links.   But as David said; all you need is a shake, some fries and a coffee to talk to him.  Enjoy. He said something fun and 

This interview with Jack Fisk was recorded as part of my research for the book The Magic Hours: The Films and Hidden Life of Terrence Malick. As such it was never meant for broadcast but with Jack's permission I'm presenting this edited version. Jack picks up from part one to talk about his later collaborations with Malick on The Thin Red Line and The New World, as well as his work on the Weightless Trilogy. My book is now available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack Fisk was Terrence Malick's production designer for almost his entire career. The two first met on Badlands and here Jack talks with me about his first two films with Malick. The second part of the interview will be released soon. The interview has been edited and condensed. My biography of Terrence Malick The Magic Hours: The Films and Hidden Life of Terrence Malick is available from all good book shops and online sources, including here. Camille Saint-Saëns: Le Carnaval des Animaux Performers Pianos: Neil and Nancy O'Doan Orchestra: Seattle Youth Symphony, conducted by Vilem Sokol. Composed 1886; recorded c. 1980. Source The Al Goldstein collection in the Pandora Music repository at ibiblio.org. Used under the license. Get NordVPN 2Y plan + 4 months extra here ➼ https://nordvpn.com/fspn It's risk-free with Nord's 30-day money-back guarantee! - Learn more about your ad choices. Visit megaphone.fm/adchoices

This month, I was pleased to welcome back Dan Mecca & Conor O'Donnell, two friends & the hosts of The Film Stage's excellent podcast The B-Side, which covers movie stars in a fascinating way, by focusing not on the films that made or kept them famous but on the ones that actors made in between. Equally skilled at coming up with highly original show themes for their guest appearances here, Dan & Conor joined me in Season 4 to discuss the role of work in the films of director Ron Howard & in 2022, we focused on the transition that gifted crew members such as Jack Fisk & Douglas Trumbull made to the position of director. This season, they're back to celebrate the '90s to early aught renaissance of old-fashioned Errol Flynn-style swashbuckler pictures. Charting the resurgence in genre popularity after the surprise success of ROBIN HOOD: PRINCE OF THIEVES (& the Bryan Adams theme song), Dan & Conor walk listeners through the changes '90s filmmakers made from not only the '20s & '30s but also the sword spectaculars of their more fantastical '80s counterparts. Focusing primarily on the films FIRST KNIGHT, THE MASK OF ZORRO, THE COUNT OF MONTE CRISTO, & PIRATES OF THE CARIBBEAN: THE CURSE OF THE BLACK PEARL, we dissect the style, actors, productions, & filmmakers of these films & others in this same genre or old-fashioned adventure epic mold from A KNIGHT'S TALE to THE MUMMY to CROUCHING TIGER, HIDDEN DRAGON & beyond. Along the way, we coin a new catchphrase in "buckle some swash," I tell a story about a dude I went out with once who didn't realize that Keith Richards & Mick Jagger were two different people, & we go on several memorable tangents. It's a delightfully spirited feature-length chat that's fun for all... who are all for fun. Dan & Conor's Bio: A producer & filmmaker living in Pittsburgh, Dan Mecca started The Film Stage with Jordan Raup in college at Buffalo & Conor O'Donnell is a post-production supervisor based in New York City & also serves as a critic for The Film Stage. Originally Posted on Patreon (9/18/24) here: https://www.patreon.com/posts/112258625Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveShop Watch With Jen logo Merchandise in Logo Designer Kate Gabrielle's Threadless Shop Donate to the Pod via Ko-fi

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 60 of the Director Watch Podcast, the boys are joined by AwardsWatch Associate Editor Sophia Ciminello to discuss the next film in their Terrence Malick series, Days of Heaven (1978). Five years after delivering one of the best debut films of all time, Terrence Malick returned with an essential piece of art within his filmography, and one of the best films of the 1970s, Days of Heaven. Shot mostly in Alberta, Canada, Malick's epic follows lovers who travel to the Texas Panhandle for work harvesting crops for a wealthy grain farmer, only for the three of them to turn into a love triangle of biblical, spiritual proportions. While the shoot and edit of the film ran so long that additional editors and crew members had to be added to the film in order to get the film to the finish line, Malick was able to deliver a mesmerizing, lyrical cautionary tale about love, lust, greed, anger, desire, and finding your sense of freedom in a new world forming around. In other words, a masterpiece. Ryan, Jay, and Sophia breakdown their relationship with the film, the beautiful house built by Jack Fisk, the logistics of the locus scene, the film's incredible performances led by Richard Gere, Sam Shepard, and Brooke Adams, the troubled production of the film, the director's relationship with water, the insightful narration, if Malick's career relates to any other modern director, and how the film's ending full encapsulates all the themes suggested or mentioned throughout the film. You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h16m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, The Thin Red Line. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Welcome to Director Watch! On this AwardsWatch podcast, co-hosts Ryan McQuade and Jay Ledbetter attempt to breakdown, analyze, and ultimately, get inside the mind of some of cinema's greatest auteurs. In doing so, they will look at their filmographies, explore what drives them artistically and what makes their decision making process so fascinating. Add in a few silly tangents and a fun game at the end of the episode and you've got yourself a podcast we truly hope you love. On episode 59 of the Director Watch Podcast, the boys are joined by AwardsWatch contributor Dan Bayer to discuss the first film in their Terrence Malick series, Badlands (1973). With the summer of Tony Scott in the rearview mirror, the newest Director Watch takes a look at one of the most celebrated, unique, creative, innovative, and important American directors of all time, Terrence Malick. Within Malick's filmography lies questions about nature, spirituality, creativity, violence, conflicting internal and external human emotion, and the longing for purpose in life. He is not only the perfect director to explore for a series, but he also happens to be Jay Ledbetter's favorite director, setting the expectations for this director deep dive at higher levels than usual. With Malick's first film, Badlands, the director took his first crack at tapping into the soul of the American culture he grew up in with a tale about a two young lovers who go on a killing spree in the summer of 1959. While it may seem as the most straight forward of Malick's narrative feature film, Badlands is an engrossing examination of the past that reflects the unstable, violent world we create amongst the love and beauty that surrounds us. Ryan, Jay, and Dan discuss their thoughts on the film, what they think of Malick overall, Sheen and Spacek's incredible performances, the exquisite, detailed work of production designer Jack Fisk, the narration sprinkled throughout the film, the loss of innocence between each of the main character and how that effects their overall love for one another, and the final fifteen minutes of the movie, which features one hell of a car chase sequence. A good start to a promising new series that is lengthy, but filled with tons of insightful detail (mostly to make sure the guys attempt to sound like they are smart when talking about the thematically heavy films of Terrence Malick). You can listen to the Director Watch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h25m. The guys will be back next week to continue their series on the films of Terrence Malick with a review of his next film, Days of Heaven. You can rent it via iTunes and Amazon Prime rental in preparation for the next episode of Director Watch. Till then, let's get into it. Music: MUSICALIFE, from Pond5 (intro) and “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).

Au sommaire de cette spéciale années 80 : Évocation de La Nuit de la comète de Thom Eberhardt (Rimini éditions), Retour sur quelques sorties Elephant Films, à savoir, Where The Buffalo Roam d'Art Linson, L'Homme dans l'ombre de Jack Fisk, Ghoulies de Luca Bercovici, BMX Bandits de Brian Trenchard-Smith et Ça chauffe au lycée Ridgemont d'Amy Heckerling . Bonne écoute à toutes et tous !

Costume Designer Jaqueline West Nominated for her work in Killers of The Flower Moon returns to Designing Hollywood Show with your host Phillip Boutté Jr! Jacqueline West is one of Hollywood's most respected costume designers with four Oscar nominations for Philip Kaufmann's Quills, David Fincher's The Curious Case Of Benjamin Button, Alejandro G. Iñárritu's The Revenant and Denis Villeneuve's Dune. She is also Terrence Malick's go-to costume designer, after a recommendation from his long-time production designer Jack Fisk, working with him on The New World, The Tree of Life, To the Wonder and Knight of Cups, while other credits include Stephen Norrington's The League of Extraordinary Gentlemen, Ben Affleck's Argo and Martin Scorsese's upcoming Killers Of The Flower Moon. Thank you to our sponsor Costume Rental Corporation

100 episodes of Bloodhaus! Can you believe? Drusilla and Josh can't. They forgot. Today the movie of the week is David Lynch's seminal arthouse favorite, Eraserhead (1977). From wiki: “Eraserhead is a 1977 American surrealist body horror film[3] written, directed, produced, and edited by David Lynch. Lynch also created its score and sound design, which included pieces by a variety of other musicians. Shot in black and white, it was Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man (Nance) who is left to care for his grossly deformed child in a desolate industrial landscape.Nut first! Estate sales! Showtimes' The Curse, the Safdie brothers, Claudine (1974), Frownland, Party Girl, The Dark Crystal, Parker Posey, The House of Yes, Dazed and Confused, Beau is Afraid fan edit, Josh's bad takes, surrealism, Valley Girl, sexual anxiety, No Hard Feelings, Loretta Lynn, Joy Division, and more! Next week: The Honeymoon KillersWebsite: http://www.bloodhauspod.comTwitter: https://twitter.com/BloodhausPodInstagram: https://www.instagram.com/bloodhauspod/Email: bloodhauspod@gmail.comDrusilla's art: https://www.sisterhydedesign.com/Drusilla's Instagram: https://www.instagram.com/hydesister/Drusilla's Letterboxd: https://letterboxd.com/drew_phillips/Joshua's website: https://www.joshuaconkel.com/Joshua's Bluesky: https://bsky.app/profile/joshuaconkel.bsky.socialInstagram: https://www.instagram.com/joshua_conkel/Joshua's Letterboxd: https://letterboxd.com/joshuaconkel  

Velkommen til Filmfeber - podcasten som dekker alt av ulike sjangere og epoker i filmhistorien. Levende legende Martin Scorsese har endelig lansert sin nye film 'Killers of the Flower Moon' på norske kinoer, og vi måtte se denne så fort som mulig og dele våre inntrykk. I panelet er Pål Gundersen, Tommy Larsson og Hedvig Rokseth Holmsen. Vil du sende inn spørsmål kan du enten gjøre det på instagram: Filmfeber eller mail: filmfeberpod@gmail.com. God lytting!

This week, the panel begins by reviewing Killers of the Flower Moon, Martin Scorsese's film based on David Grann's 2017 non-fiction book about the plot of white Americans to steal the Osage Nation's headrights in the 1920s, starring Leonardo DiCaprio and Lily Gladstone. Then, the three are joined by Dan Kois, writer and editor at Slate and author of Vintage Contemporaries, to puzzle over Slayers: A Buffyverse Story, a scripted audio series based on Buffy: The Vampire Slayer that's written and performed by many of the original cast, with one glaring omission: creator and showrunner Joss Whedon. Finally, the trio asks: Why is the internet no longer fun? The once utopian dream of democracy has turned into a hellscape, according to Kyle Chayka's essay in The New Yorker, “Why the Internet Isn't Fun Anymore.”  In the exclusive Slate Plus segment, the panel shares their relationships (or lack thereof) with audiobooks, inspired by Paul Grimstad's essay “Confessions of an Audiobook Addict for The New Yorker.”  Email us at culturefest@slate.com.  Endorsements: Dana: The Genius Behind Hollywood's Most Indelible Sets, a profile of Jack Fisk, the master production designer behind Killers of the Flower Moon and many other films.  Julia: While watching Sleepless in Seattle with her husband, Julia discovered her new favorite sound clip: When Meg Ryan dishes with Rosie O'Donnell about her budding romance with Tom Hanks, O'Donnell responds comically while chomping a bite of egg salad into her mouth, in a way that deserves to become a meme. Stephen: The little-known, up-and-coming writer Shakespeare (according to Stephen, he's “very good” if not “a little antique-y”), specifically in the context of Killers of the Flower Moon. The film's final scenes recall The Tempest in many ways.  Outro music: “Back to Silence” by OTE. Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, the panel begins by reviewing Killers of the Flower Moon, Martin Scorsese's film based on David Grann's 2017 non-fiction book about the plot of white Americans to steal the Osage Nation's headrights in the 1920s, starring Leonardo DiCaprio and Lily Gladstone. Then, the three are joined by Dan Kois, writer and editor at Slate and author of Vintage Contemporaries, to puzzle over Slayers: A Buffyverse Story, a scripted audio series based on Buffy: The Vampire Slayer that's written and performed by many of the original cast, with one glaring omission: creator and showrunner Joss Whedon. Finally, the trio asks: Why is the internet no longer fun? The once utopian dream of democracy has turned into a hellscape, according to Kyle Chayka's essay in The New Yorker, “Why the Internet Isn't Fun Anymore.”  In the exclusive Slate Plus segment, the panel shares their relationships (or lack thereof) with audiobooks, inspired by Paul Grimstad's essay “Confessions of an Audiobook Addict for The New Yorker.”  Email us at culturefest@slate.com.  Endorsements: Dana: The Genius Behind Hollywood's Most Indelible Sets, a profile of Jack Fisk, the master production designer behind Killers of the Flower Moon and many other films.  Julia: While watching Sleepless in Seattle with her husband, Julia discovered her new favorite sound clip: When Meg Ryan dishes with Rosie O'Donnell about her budding romance with Tom Hanks, O'Donnell responds comically while chomping a bite of egg salad into her mouth, in a way that deserves to become a meme. Stephen: The little-known, up-and-coming writer Shakespeare (according to Stephen, he's “very good” if not “a little antique-y”), specifically in the context of Killers of the Flower Moon. The film's final scenes recall The Tempest in many ways.  Outro music: “Back to Silence” by OTE. Podcast production by Cameron Drews. Production assistance by Kat Hong.  If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows. You'll also be supporting the work we do here on the Culture Gabfest. Sign up now at Slate.com/cultureplus to help support our work. Learn more about your ad choices. Visit megaphone.fm/adchoices

"Killers Of The Flower Moon" had its highly anticipated world premiere at the Cannes Film Festival, where it received universal acclaim for its story, performances, and technical craftsmanship, all under the direction of legendary filmmaker Martin Scorsese. Two of his collaborators on the film were kind enough to spend some time talking with us about their exemplary work, Academy Award-nominated cinematographer Rodrigo Prieto and Academy Award-nominated production designer Jack Fisk. Please be sure to check out the film, which is now playing in theaters nationwide from Paramount Pictures and Apple. Thank you, and enjoy! Check out more on NextBestPicture.com For more about Regal Unlimited and the Slasher Sale - https://regmovies.onelink.me/4207629222/bjs99t0x New subscribers can use code REGALNBP23 for 10% off of Regal Unlimited for the first 3 months Please subscribe on... SoundCloud - https://soundcloud.com/nextbestpicturepodcast Apple Podcasts - https://itunes.apple.com/us/podcast/negs-best-film-podcast/id1087678387?mt=2 Spotify - https://open.spotify.com/show/7IMIzpYehTqeUa1d9EC4jT YouTube - https://www.youtube.com/channel/UCWA7KiotcWmHiYYy6wJqwOw And be sure to help support us on Patreon for as little as $1 a month at https://www.patreon.com/NextBestPicture

Kihekah Avenue cuts through the town of Pawhuska, Okla., roughly north to south, forming the only corridor you might call a “business district” in the town of 2,900. Standing in the middle is a small TV-and-appliance store called Hometown, which occupies a two-story brick building and hasn't changed much in decades. Boards cover its second-story windows, and part of the sign above its awning is broken, leaving half the lettering intact, spelling “Home.”One winter day in February 2021, Jack Fisk stood before Hometown with Martin Scorsese, explaining how beautiful it could be. For much of the last week, he and Scorsese had been walking around Pawhuska, scouting set locations for the director's 28th feature film, “Killers of the Flower Moon.” The film, which is based on David Grann's best-selling book, chronicles the so-called 1920s Reign of Terror, when the Osage Nation's discovery of oil made them some of the richest people in the world but also the target of a conspiracy among white people seeking to kill them for their shares of the mineral rights.To render the events as accurately as possible, Scorsese had decided to film the movie in Osage County. It would be a sprawling, technically complicated shoot, with much of the undertaking falling to Fisk. Unlike production designers who use soundstages or computer-generated imagery, he prefers to build from scratch or to remodel period buildings, and even more than most of his peers, he aspires to exacting historical detail. His task would be to create a full-scale replica of a 1920s boom town atop what remains of 2020s Pawhuska.This story was recorded by Audm. To hear more audio stories from publications like The New York Times, download Audm for iPhone or Android.

Adnan recaps his private screening of Killers of the Flower Moon and gives his review. We're talking to production designer Jack Fisk and casting Director Ellen Lewis and hear from the legend himself, Marty Scorsese talking about the film. Also, Adnan swears he has never called in sick… in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan recaps his private screening of Killers of the Flower Moon and gives his professional review. We're talking to production designer Jack Fisk and casting director Ellen Lewis, and we hear from the legend himself Marty Scorsese talking about the film. Also, Adnan says he's never called in sick… in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan recaps his private screening of Killers of the Flower Moon and gives his professional review. We're talking to production designer Jack Fisk and casting director Ellen Lewis, and we hear from the legend himself Marty Scorsese talking about the film. Also, Adnan says he's never called in sick… in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Team Deakins is joined by talented production designer Ruth De Jong (OPPENHEIMER, NOPE, MANCHESTER BY THE SEA). A creative scion of the accomplished production designer Jack Fisk, Ruth explains how Jack recruited her to assist him on THERE WILL BE BLOOD and the subsequent ten year partnership in which he was her mentor. She later reflects on how she's grown after each project as well as how to stay malleable after the train that is production leaves the station. Ruth also describes the invigorating responsibility she felt to deliver on OPPENHEIMER after Christopher Nolan cut days from the schedule to balance the film's budget and the timely encouragement he gave her deep in production. She also shares her experiences working on TWIN PEAKS: THE RETURN and how she worked off illustrations and paintings created by David Lynch to build and design the series' many scenes. - This episode is sponsored by TrueCut Motion & Dallas Film Commission & Falca Instagram: @truecutmotion & @dallasfilmcommission & @falcagram - Recommended Viewing: OPPENHEIMER

Brian De Palma's 1974 Faustian rock opera satire, PHANTOM OF THE PARADISE, is our feature presentation this week. We talk the breakneck style and pace of the film, De Palma's trademark style, Gerrit Graham's performance as "BEEF", the music of Paul Williams, production designer Jack Fisk, the makeup design controversy, and much much more. We also pick our TOP 7 FILM FROM 1974 in this week's SILVER SCREEN 7. Check out the fifth film in our BIG WEIRD SUMMER series. Subscribe, become a regular, and tell your friends about us!

This week, I was so pleased to welcome two friends and the hosts of The Film Stage's excellent podcast The B-Side, which covers movie stars in a fascinating way by focusing not on the films that made or kept them famous but the ones that actors made in between. The delightful show just celebrated its four-year anniversary and I had such a fun time joining hosts Dan Mecca and Conor O'Donnell to discuss a handful of films starring Marisa Tomei last year.A producer and filmmaker living in Pittsburgh, Dan Mecca started The Film Stage with Jordan Raup in college at Buffalo and Conor O'Donnell is a post-production supervisor based in New York City and also serves as a critic for The Film Stage.Joining me to celebrate four former crew members turned directors and the diverse films that resulted from their work, in this episode, we tackle Douglas Trumbull's Silent Running, Jack Fisk's Violets are Blue, Ava DuVernay's Selma, and Jesse V. Johnson's Avengement.Originally Posted on Patreon (8/26/22) here: https://www.patreon.com/posts/71068857Theme Music: Solo Acoustic Guitar by Jason Shaw, Free Music ArchiveLogo: Kate Gabrielle (KateGabrielle.com)

WoHo's!SUMMARYWhat do you call this genre of horror? Supernatural teens? Puberty pandemonium?  Menarche Mayhem (at least in one case)? Parent's (REALLY) Just Don't Understand?We learn this week that (A) you sure 'nuff can't keep 'em down on the farm and (B) when that "old time" religion is cast aside in favor of the oldest of religions, things get a little crazy in the best possible way!We discuss THELMA from Norway and CARRIE (1976) from the US.ANNOUNCEMENTSMom's shout outs this week: Nada Que Ver, Los Criticos y el Sillon Perdido & Brain Ladle Trivia podcastsMac's shout out: Nier: Nearautomata, Ari Aster's shorts on ShudderSPECIAL ANNOUNCEMENTSIf you would like to participate in a podcast ad swap, please get in touch! We promote your podcast and you promote World of Horror on yours!Some very exciting guests are coming up. Stay tuned! Would YOU like to guest with us? Please get in touch. We can talk your favorite (or favorite three) horror movies, foundational international horror movies, the history of horror, the philosophy of horror or what have you. I think I want a dog trainer when we do werewolf films (not kidding) and we're always up for talking to filmmakers, horror story writers, other podcasters, academic types, horror fans and our WoHos!!Once Mom is finished with Spring semester at the end of this month, some minis will be populating your feed--15-40 minute bonus eps on International Horror Films. Got a favorite? Get in touch.CONTACT worldofhorror96@gmail.cominstagram.com/worldofhorrorpodcastFollow us. Mr. Joachim Trier is!COMING SOONLater this month, we are going to host Martin Harries and Boaz Dicks from Film vs Film Podcast to talk about THE THING. Not international, you say? Well, they are English, so it's international to THEM. Don't like that explanation? How about this one: It's okay to break the rules, especially if you make them! After that, Mac's choice is Animal Attack Films and we will be reunited with our true love (?) John Jarratt when we review BOAR from Australia and TREMORS from the US.Mom's next genre pick after THAT is Creepy Kids! We will be looking at ORPHAN from the US and GOODNIGHT MOMMY from Germany.Remember: We love you, WoHos! DON'T go into the basement!!CORRECTIONS/NOTESBelieve it or Not (World's Greatest Hero Theme--Joey Scarbury) if you want to do yourself a favor and you want to get Mom's stupid William Katt joke.Stellan Skarsgard actually said, "There is no overacting, only untrue acting".Jack Fisk was the art director on CARRIE. He has been married to Sissy Spacek since 1974.WHAT ELSE, WHAT ELSE?Mac's LetterboxdWorld of Horror LetterboxdMac's TwitchMom's Other Instagram (Mosaics)

Cinphomaniac welcomes you to the inaugural episode of Lynchtober!!! To kick things off, Marcus and Dana journey back beyond to David Lynch's feature film debut, 1977's Eraserhead - starring Jack Nance, Charlotte Stewart, Judith Anna Roberts, Laurel Near, Jack Fisk, and Jeanne Bates. We theorize on, interpret upon, and confess awestruck to, the haunting visions, maximalist sound design, high contrast cinematography, and deep psychological pricking of the film, as well its heavy foreshadowing for all things Lynch to come, including the film's full circle second coming by way of 2017's Twin Peaks. We also discuss the history, anthropology, evolutionary biology, and politics of infanticide and postpartum depression, which is at the core of this text.

thisisnotfilmschool@gmail.comLet us know if you hate us! ESPECIALLY let us know if you like us!Musical Recommendation: Caravan Palace. Their new album Chronologic is available now! Thank you to:Ryan Maguire - For the righteous guitar intro. (Music)Sarah Margaret Frye - For the super-cool art! (Art)Joe Moubhij and Andrew Pierce - For helping with web-based confusion (Administrative Advice)And David Lynch - For this weird spectacle you clearly poured your heart and soul into!

Check out these films' posts @ MovieJeff.com here » https://themoviereviewshow.blogspot.com/1977/03/eraserhead.html + https://themoviereviewshow.blogspot.com/2018/06/gotti.html and leave a comment Eraserhead is a 1977 American experimental body horror film written, directed, produced, and edited by David Lynch. The film's score and sound design were also created by Lynch, with pieces by a variety of other musicians also featured. Shot in black and white, Eraserhead is Lynch's first feature-length effort following several short films. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of a man who is left to care for his grossly deformed child in a desolate industrial landscape. Gotti is a 2018 American biographical crime film about New York City mobster John Gotti (played by John Travolta) and directed by E. from Entourage. People are cherishing this as a Good Bad Movie and those people are wrong. Follow the show... @ Twitter https://twitter.com/MOVIEREVIEWSH0W @ YouTube https://www.youtube.com/channel/UCpONT6Yp423GzUrHDDqBL3g @ LetterBoxd https://letterboxd.com/jeffmovie AND, FOR AS LITTLE AS $1/MONTH » https://patreon.com/dad SUPPORT THIS SHOW AND OTHER VENTURES FROM HTTPS://WWW.MYAMERI.CA INDUSTRIES • THANK YOU --- Send in a voice message: https://anchor.fm/the-movie-review-show/message Support this podcast: https://anchor.fm/the-movie-review-show/support

Season 01 Episode 04There Will Be Blood / AttritionRecorded on August 23, 2018Released on September 3, 2018Episode Duration: 01:13:17TAGSWestern, oil, Daniel Day-Lewis, Paul Dano, Paul Thomas Anderson, Paul F. Tompkins, Jack Fisk, AmericaNaomi Beaty can be found on the world wide web at https://writeandco.com/Jesse Koester can be found on Instagram and Twitter @HWFishbowl and on the world wide web at www.hollywoodfishbowl.com

Gough is the first legally blind person to write, produce, edit, direct, and star in a feature film making this project a world first. Since then Gough has gone on to write, produce and direct many other projects, including a number of films, audio downloads and books. Beernuts Productions has worked with some of Australia's finest actors, artists and production crew, helping make all content on the website world class.Pre Show Notes— Game Over is the TV pilot I shot several years ago about 5 employees working at a video game store struggling to get to the next level in their lives.Tagline: In life there is no reset buttonThe goal is to get a lot of eyeballs on this so if you know anyone that'd be interested please share this with them.— Game Over – Making a TV Pilot – The blog post with all of the behind the scenes details about making, Game Over.— How NOT to make a TV Pilot – My interview with Alex Ferrari at Indie Film Hustle— Backstage –  Use code dbcast at checkout when posting a casting call for a FREE basic listing— Dave Bullis Podcast Filmmakers Group on Facebook – a FREE filmmaking group I made on Facebook.-- Shopping for the holidays on Amazon? Please use my affiliate link (simply click and shop as normal) as it greatly helps out the podcast. Thank you!-- Stand up for NET NeturalityShow Notes-- I Will Not Go Quietly -  This world first feature film takes you through the life of “gough”. Fame, fortune, drugs, alcohol, disability and suicide. This remarkable true story takes you through it all, step by step.Interviews with friends, family and experts in their field, including; mental health experts, comedians, drug and alcohol counsellors, a neurosurgeon, education experts, and a relationship advisor, will keep the audience both informed and gripped on the edge of their seats.This production is the first to be written, produced, edited, directed and starring someone classified as “legally blind” and will display the capabilities of those with a disability, while keeping the audience both entertained and enthralled.Education, employment, discrimination, success and heartbreak this film captures it all. This brutally honest depiction of life as a visually impaired man will inspire, surprise fascinate, and captivate.CLICK THE POSTER BELOW TO WATCH THE FILM FOR FREE FROM GOUGH'S SITE! -- David Lynch -  is an American director, screenwriter, producer, painter, musician, actor, and photographer. He has been described by The Guardian as "the most important director of this era.  Movie called him "the Renaissance man of modern American filmmaking," while the success of his films has led to him being labelled "the first popular Surrealist."-- Eraserhead -  is a 1977 American surrealist body horror film written, produced, and directed by filmmaker David Lynch. Shot in black-and-white, Eraserhead is Lynch's first feature-length film, coming after several short works. Starring Jack Nance, Charlotte Stewart, Jeanne Bates, Judith Anna Roberts, Laurel Near, and Jack Fisk, it tells the story of Henry Spencer (Nance), who is left to care for his grossly deformed child in a desolate industrial landscape. Throughout the film, Spencer experiences dreams or hallucinations, featuring his child and the Lady in the Radiator. What was supposed to be a student film turned into an epic experience, thanks to David Lynch's hyper attention to detail – one shot of Jack Nance entering a room took a full year to complete – and a lack of funding. However, Lynch subsidized much of the project himself by delivering newspapers, and friends like Jack Fisk and Sissy Spacek all donated money to the film. Even Nance's wife, Catherine Coulson, donated her waitressing income in order to keep the film going for years.-- Elliot Grove -  is a Canadian-born film producer who founded both the Raindance Film Festival in 1993 and the British Independent Film Awards in 1998.-- Raindance - Raindance is dedicated to fostering and promoting independent film around the world. Based in the heart of London, Raindance combines Raindance Film Festival, training courses — which are offered throughout the year at our 10 international hubs — and the British Independent Film Awards.  The organisation was founded in 1992 by Elliot Grove as a thought experiment: can you make a film with no money, no training and no experience?-- Christoper Nolan - is an English film director, screenwriter, and producer who holds both British and American citizenship. He is one of the highest-grossing directors in history, and among the most acclaimed filmmakers of the 21st century.-- Following - Before he became a sensation with the twisty revenge story Memento, Christopher Nolan (The Dark Knight) fashioned this low-budget, black-and-white, 16 mm neonoir with comparable precision and cunning. Supplying irrefutable evidence of Nolan's directorial bravura, Following is the fragmented tale of an unemployed young writer who trails strangers through London, hoping that they will provide inspiration for his first novel. He gets more than he bargained for with one of his unwitting subjects, who leads him down a dark, criminal path. With gritty aesthetics and a made-on-the-fly vibe (many shots were simply stolen on the streets, unbeknownst to passersby), Following is a mind-bending psychological journey that shows the remarkable beginnings of one of today's most acclaimed filmmakers.-- Bollywood - formally known as Hindi cinema, is the Indian Hindi language film industry, based in the city of Mumbai (formerly Bombay), Maharashtra, India. Bollywood is part of the larger cinema of India (also known as Indywood), which includes other production centers producing films in other Indian languages. Linguistically, Bollywood films tend to use a colloquial dialect of Hindi-Urdu, or Hindustani, mutually intelligible to both Hindi and Urdu speakers, while modern Bollywood films also increasingly incorporate elements of Hinglish.-- Mick Fanning - nicknamed "White Lightning"  is an Australian professional surfer. Fanning won the 2007, 2009 and 2013 ASP World Tour.-- Shark Attacks Mick Fanning at the J-Bay Open 2015-- Balter Brewing Co -  6 Aussies and a Yank walk into a bar and never come out…BALTER is born.ContactGough-- Official Site -- Facebook -- Instagram -- Twitter -- YoutubeDave Bullis— Official Site— Youtube— Twitter— Instagram— Facebook — Stage 32 — LetterboxdSupport the Podcast1. Sign Up for Dave's email list2. Rate the Podcast on iTunes 3. Shop on Amazon with my linkSubscribe to the Podcast— Podbean — iTunes — Stitcher— Google Play Podcast

The Battlestar Galactica episode ‘Black Market’ (season 2, episode 14) is reviewed by Frak Stars’ hosts Colin, Steve and Drogyn. Pegasus commander Jack Fisk is murdered and it is up to Captain Lee Adama to find out why. His investigation […] The post Frak Stars 29: Black Market appeared first on Holosuite Media.

The Movie Geeks celebrate the 10th anniversary of Terrence Malick's The New World with replays of interviews with production designer Jack Fisk and critic Matt Zoller Seitz.

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Salutations from the other side! Mike and Mondo Justin are joined this week by Ari the Principal Archivist at SwanArchives.org as we dissect Brian De Palma's rock and roll musical Phantom of the Paradise. With Special Guest Jessica Harper.