Podcast appearances and mentions of marty scorsese

Calling all Cage aficionados and connoisseurs of cinematic chaos! Face/Off with us one last time this season as we put a bow on Nicolas Cage with our end of season wrap show. Lend us your ears for a run-down of the eight movies covered this season which were: Vampire's Kiss The Rock Face/Off Snake Eyes The Wicker Man Bad Lieutenant: Port of Call New Orleans Mandy Pig We discuss our favourites and least favourites and have unfiltered opinions on the good, the bad and the Nicolas Cage. Dan voices which movies almost made the cut (including a certain Marty Scorsese film). Sarah has a quiz to test Dan on his choice of theme this season and finally we chat about what we have in store for season 10 which begins March 24th.  Would you like to see the full lineup for season 10? The only place you can see it is on Patreon but you don't need to be a paying member. Sign up for a free membership and get access to the lineup when it drops on March 10th. This episode as a preview of our season 9 wrap show which is available in full, over on our £3 a month Patreon tier. If you sign up for that you'll get access to all of our end of season wrap shows for seasons 1-9 and a minimum of 2 reviews of brand new movies each month.   Enjoy the show but can't support us financially? We get it. You could submit a review on the podcast player you're reading this on right now. Or if you listen on Spotify and you haven't given us a five-star rating yet, what are ye waiting for? It's easy. If you've done some or all of that and still want to do more, we would love it if you tell a friend about the show.   Or come find us on social media: Instagram | TikTok | Threads | YouTube

Angel Heart - "I Don't Like Messy Accounts" For the end of the year we are tying up our loose ends with De Niro, Rourke & Bonet in ANGEL HEART (1987). A Faustian tale that goes all the way to hell and back. A film that was extremely controversial when it came out - Bonet had to exit the "wholesome" sitcom she had starred on prior.Beautiful cinematography, stunning locales and De Niro doing his best impression of Marty Scorsese - what more could you want to ring in the New Year!?Wishing you and yours a Happy 2025!Support the show

Send us a textTwelve terrorists. One Butcher. The odds are against Marty Scorsese.. That's just the way he likes it. Returning for a second year in a row, its the BanterFlix King of Castle Street Christmas special. Its Christmas Eve, everyone's favourite butcher from Castle Street is heading to the Europa to reconnect with his wife only to discover terrorists have taken over the hotel and only Marty can stop them...Thank you to all the players in our short drama, written by Adam Neeson, featuring Jim McClean, Joe McElroy, Adam Neeson, Yasmin Zemmoura, Jane Veitch and Cushlá Rice.Happy Christmas from all of us here at the BanterFlix team. Support the showAs always each recording is filled with spoilers, silliness and bad-language along with tangents a-aplenty.If you enjoyed this episode, be sure to leave us a reviewCheck out our socials on Facebook, Twitter, Instagram and YouTube.Don't forget to subscribe to make sure you never miss a single episode and find our complete back catalogue on our website.

Mita picks a deep cut from Marty Scorsese's filmography when she has to pick a movie that starts with "A". She chooses the 1985 black comedy, "After Hours" for the next movie review. Nadeem has opinions about Marvel. 

Movies from the 80's in New York, there's a lot of them, but we're going to talk about two of them.  After Hours is a Marty Scorsese joint that we'd never seen.  Branded as a comedy and I definitely didn't get little comedy vibes.  Speaking of little, Yur Height Only featuring legendary cocksmith, Weng Weng.  Absolute gold in a tiny package.  So grab your eggshell blazer, and pluck that uni-brow, it's time for another all nighter' episode of It's Just 2 Movies! For more, subscribe to our Patreon! It's Just 2 Movies is brought to you by 3AM Sweets!  Check out their packaged snackage for your next movie binge at 3amsweets.com!  Promo Code: cumjoke for one time 25% off your total order.Contact the show via email at:   itsjust2movies@gmail.comFacebook, TikTok, Twitter, Instagram, Letterboxd and the like  @itsjust2moviesDon't forget to subscribe on YouTube!Need  to buy some stuff on Amazon?  Visit our Amazon affiliate link to do  your shopping and it helps the show financially!  Wow!  Amazing! *As Amazon associates we earn from qualifying purchases*  Tropic Thunder, for instance! Want to support the show more directly and chuck in a buck?  Buy Me a Coffee Don't use Spotify, Apple Podcasts, or any of those other platforms?  The show is always free on our website.   :) ***SPECIAL THANKS TO THESE FOLKS WHO CONTRIBUTE TO THIS DUMB SHOW***Russ Tafari.  @russ_tafari  and check out Russ Tafari Music Lamplighter Productions for our artwork.     @lamplighter_productions_il Brad Sexton for our tunes.  Check out SUNDS Mad thanks to Dave, @wheep3d our video editor.  Check out our YouTube!Support the Show.

Welcome to another episode of the Humane Marketing podcast. In this episode, we delve into the realm of humane video with Lou Bortone, exploring how video content can be a powerful tool for authentic connection and trust-building in today's business world.  Join us as we uncover the core principles of creating videos that resonate on a deeply human level, discover the importance of authenticity in fostering a loyal audience, explore cutting-edge AI tools for video creation, and gain valuable insights into future trends and actionable tips tailored specifically for solopreneurs.  Get ready to be inspired and equipped to use video as a means to stand out authentically and thrive in your business endeavors. In this conversation with Lou, we addressed the following talking points: How Lou got started with video and has seen it evolve into a tool for humane and authentic connection The core principles of creating video content that resonates on a human level How authenticity builds trust and a loyal audience Tools for video creation, including AI Future trends and actionable tips for solopreneurs and much more... --- Transcript 186 Sarah: [00:00:00] Hello, Humane Marketers. Welcome back to the Humane Marketing Podcast, the place to be for the generation of marketers that cares. This is a show where we talk about running your business in a way that feels good to you, is aligned with your values, and also resonates with today's conscious customers because it's humane, ethical, and non pushy. I'm Sarah Zanacroce, your hippie turned business coach for quietly rebellious entrepreneurs and marketing impact pioneers. Mama bear of the humane marketing circle and renegade author of marketing like we're human and selling like we're human. If after listening to the show for a while, you're ready to move on to the next level and start implementing and would welcome a community of like minded, quietly rebellious entrepreneurs who discuss with transparency what we're doing. Works and what doesn't work in business, then we'd love to welcome you in our humane marketing circle. If you're picturing your [00:01:00] typical Facebook group, let me paint a new picture for you. This is a closed community of like minded entrepreneurs from all over the world who come together once per month in a zoom circle workshop to hold each other accountable and build their business in a sustainable way. We share with transparency and vulnerability, what works for us and what doesn't work. So that you can figure out what works for you instead of keep throwing spaghetti on the wall and seeing what sticks. Find out more at humane. marketing forward slash circle. And if you prefer one on one support from me, my humane business coaching could be just what you need, whether it's for your marketing, sales, general business building, or help with your big idea, like writing a book. I'd love to share my brain and my heart with you together with my almost 15 years. business experience and help you grow a sustainable business that is joyful and sustainable. If you love this [00:02:00] podcast, wait until I show you my mama bear qualities as my one on one client. You can find out more at humane. marketing forward slash coaching. And finally, if you are a marketing impact pioneer and would like to bring humane marketing to your organization, Have a look at my offers and workshops on my website at humane. marketing. Hello friends, welcome back to another episode at the Humane Marketing Podcast. Today's conversation fits under the P of promotion of the Humane Marketing Mandala. And I'm talking to a long time online friend, Lou Bortone. If you're a regular here, you already know that I'm organizing the conversations around the seven P's of the Humane Marketing Mandala. And if you're new here and don't know what I'm talking about, you can download your one page marketing plan with the Humane Marketing version [00:03:00] of the seven P's of marketing at humane. marketing. com. One page, the number one and the word page. And also just a reminder for my non native English speakers, humane is with an E at the end. So it's not human, it's humane. So humane with an E dot marketing forward slash one page, the number one and the word page, and this comes with seven email prompts to really help you reflect on these different P's for your business. All right, let me tell you a little bit about Lou and from his bio, you will kind of immediately kind of grasp his sense of humor. If Don Vito Corleone, Marty Scorsese and Jerry Seinfeld got together to make an AI baby, you might end up with Lou Bortone. Lu is known as the Video Godfather and is conciliare to some of the brightest names in digital marketing. [00:04:00] He's a video marketing expert, an author, speaker, and host of the Godfather podcast. Prior to becoming a video printer, Lu spent more than 20 years in the television business before being run out of. Hollywood. Lou is also a father to twins, a rescuer of pugs, and an expert at Italian curses. I'll always remember meeting Lou in real life back in, I think it was 2017, when he picked me up in a Red Beetle or something. Like that at this tiny train station in Camucho Cortona and, and that's in Tuscany and then drove us up the hill. And I could tell he had no experience with stick driving to our retreat house for the week. And these in person meetings are really just so special in this online world, aren't they? So that's why I went back to Lou for this episode [00:05:00] around video. So in this conversation with Lou, we addressed the following talking points, how Lou got started with video and has seen it evolve into a tool for humane and authentic connection, the core principles of creating video content that resonates on a human level, how authenticity builds trust. And a loyal audience, tools for video creation, including AI tools, future trends and actionable tips for solopreneurs to get started or to get better with video and so much more. So let's dive into this conversation with Lou Bortone. Hey Lou, so glad to see you again and get a chance to talk shop with you about video. And of course, in the off recording, we talked about Sicily because we have a common love for everything Italy, right? Lou Bortone: Exactly. Yeah. And you're one of the [00:06:00] online folks that I've actually met in real life. So that's right. Sarah: Yeah. Which is always, you know, it's such an exception. And so it's yeah. Something special. I, I was part of your, what do you call it? Mastermind Lou Bortone: or Tuscany and yeah, and we had the few years of the little interruption of the pandemic and all that, but hopefully that's all behind us. Yeah. Sarah: Yeah. That was amazing. Loved it. Cool. So I have you today to talk about video and we were just, Discussing, well, maybe we're going to call it video like we're human or YouTube, like we're human or something like that. And then you share it that you just kind of focus a lot on the trust and authenticity. And so we'll definitely get into that. So really looking forward to it. Why don't you start by sharing how you got. Into video how you you know, you're calling yourself the godfather of video, tell Lou Bortone: us Yeah. [00:07:00] The long and circuitous route too. And you know, it's funny 'cause I think people call me that because they know of my love of Italy and Sicily and the Godfather, but all really, because I've been doing it for a really long time. So I was in the television business for many years in Los Angeles and I think it was probably around. 2000 on 1998 that I really got online and started to do things online. And when our twins were born, we decided, well, let's leave, you know, Hollywood and La La Land and go some, go back to family and in Boston. And that's kind of when I started doing the online video stuff which was fun because the way I discovered YouTube is that I was helping some people. Do a sketch comedy show for like a local cable access. And we started to put the videos on YouTube and really get a lot of attention there. We realized, Oh, this, you know, we were kind of onto something. So I was on from a very early, you know, back in 2005 when YouTube started and I've been doing online video ever since. And I love it because [00:08:00] I'm an introvert and I don't have to be in person necessarily with people. And even though I don't love being on camera for me, it's a lot easier than in person networking. And I just love the fact that we can do this and sort of have our own TV station, our own podcast. I mean, 10, 20 years ago, this would have been impossible. So Sarah: yeah, that's how I got here. That's insane. It's like mind blowing that, you know, 2005, that it really seems like ages and ages, but that's Lou Bortone: when it came out. So I guess that's what, 18 years. Oh my gosh. I feel so old. Sarah: It really is a long time ago and of course, you know, it went through phases of ups and downs and, and it seems like right now it really is kind of like coming back and, and I want to know from you, why do you think that it has this comeback now? What, Lou Bortone: what, what? It's interesting. And it's the same with, you know, remember podcasting sort of cooled off [00:09:00] for a while and now it's harder than ever. I think part of it is that You know, when, when I was growing up, when we were growing up, you know, there were just a few TV stations and a few options. And now with YouTube and podcasts and streaming, you know, we've got access to, to the, to basically a worldwide audience every time we turn on our computer or our PC. Put our phone on. So I think that's part of it. It's just the accessibility and also the fact that folks who maybe are a little younger than us grew up with. They never didn't. You know, they always had Internet. They always had you do. They always had streaming and all this kind of stuff. So for them. A screen is a screen is a screen, they don't care if it's TV, they don't care if it's you know, cable, they don't care if it's YouTube, you know, whatever they're watching, they can watch anything, anytime, and that's why, you know, another crazy statistic is that YouTube has more viewers than all the U. S. TV networks, all the cable networks, all the streaming services, so when you think of TV, you don't usually think of YouTube, but [00:10:00] YouTube is TV, and TV is YouTube. Sarah: I mean, if we think of our kids, right, that's, that's all they're watching. They're not watching TV. It's Lou Bortone: definitely the YouTube. Multi screens. You know, they're, they're watching YouTube on a, on a traditional television screen, but they're on Twitter or X at the same time with their friends. And I don't know how they do it. I can barely manage one screen. Yeah. Sarah: Yeah. I also feel that. You know, we were also kind of part of the blogging era. And, and so I feel like, you know, Google has changed their algorithm again. And people are like, well, people don't really read blogs anymore. And we can't get any traction with SEO. Now that the market is getting flooded with all the AI content. So maybe it's also, do you think it's also because of that? People are like, well, at least that. That's what it was for me. I'm like, I got to pay attention to Lou Bortone: YouTube. Absolutely. And then the other thing with business owners, I mean, you know, we always read video is the way to [00:11:00] get the most amount of information in the shortest amount of time. So if we're all multitasking, we're all really over scheduled, we're all really busy. Oftentimes it's like, I can't sit down and read a newspaper. But what's that? You know, it's, I have to, you know, go to YouTube and find this quick answer. I have to go to see this thing on Tik TOK or, you know, so it's really just a great way to get access to any information anywhere in the world. Sarah: Yeah. Yeah, exactly. It's, it's, it's, I love it, especially when it's timestamped. So it's like, Oh, I don't even have to watch the whole thing. It's just like, yeah, exactly. So, so yeah. Lou Bortone: So I think now the thing is that. The, the consumer, the viewer, it has more control than ever. Cause like I said, when we were at least in the U S when we were growing up, it's like you had three TV networks and, and they controlled everything. They controlled what you saw, what you heard. And now it's kind of like, well, the consumer can go anywhere they want and see anything they want. So they're completely in control now. Sarah: So that kind [00:12:00] of probably if someone has never done any video kind of sounds also intimidating because it's like, wow, like there's this giant audience out there. Okay. You already mentioned as an introvert, sometimes YouTube is actually probably easier than the networking thing, but maybe it also feels like, well. What am I going to share that hasn't already been said out there? Yeah. So what would you say to that Lou Bortone: question? I think, you know, everybody has their unique spin and everybody has their own, you know Perspective. So it's like you have something to offer. A lot of times if I'm working with my clients or students, they feel like, well, you know, like you said, well, you know, what can I say that hasn't already been said? And I tell them, look, you know, you have a message. You have a unique message. You have a unique way of doing things and your Passion to get that message out to the world has to be stronger than your fear of being on camera. Because again, you know, the other thing too is now that we're all able to be on camera, we're not walking the red carpet at the Oscars. We're just putting on a podcast or a YouTube channel [00:13:00] and showing up and trying to be authentic. Sarah: Right. Yeah. So let's talk a little bit about this trust building and authenticity, like what are some key points here that maybe a story I can tell is like, I remember when I put up my first video and I just seen them all because I cleaned up my YouTube channel and I'm like, Oh my God, this is terrible. But I remember like really sweating it like, Oh my God, I have to prepare everything. Yeah. So. Like, do we really need to have this perfect video or how much of it can we just wing and really be just human and Lou Bortone: authentic? I think you can wing 80 percent of it, probably. I mean, I often make the distinction between quick videos and keeper videos. It's like, okay, a keeper video, your homepage video on your website, you know, you want to, you don't want to be in your pajamas, probably. If it's an important video that's going to have shelf life, like your homepage [00:14:00] video, or if you're selling, you know, a thousand dollar coaching program, you don't, you know, you want to look professional. So those keeper videos, you probably want to spend more time and effort on, but if it's, you know, quick tips, I mean, oftentimes I just think of something and then just go to YouTube and share it. So quick tips or Facebook lives or any kind of live video, it's really more about, you know, just showing up. And sharing your message and being authentic. And a lot of times people think video is about the technology. And what I try to sort of, you know, reshape that or respin it as, no, it's really about connection and relationships and engagement. It doesn't matter what technology we're using. It just matters that we're connecting and being authentic and sharing ourselves. Hmm. Sarah: I remember we, we did the workshop together or something about video for introverts back in the days. And, and I remember we did kind of have one module on, on on technology. And I'm thinking maybe that actually lost [00:15:00] a bit of importance now that. You know, we're so used to these shorts on YouTube and even famous people just kind of like filming themselves. You think it has changed maybe also over time? Yeah. And Lou Bortone: I think that the pandemics accelerated it really quickly because, you know, and basically in, you know, a day we all had to move to zoom and we had to move our events to zoom and we had to move everything online. So I think that just accelerated it. And, you know, it was almost like. You know, well, I don't have a choice. I have to be on camera because that's the only way I can connect with my audience right now, right? Yeah. And I think the other thing was now people realize, Oh, this is, you know, this isn't that scary. And this isn't that difficult technically. And we always hear about no like and trust. And I think people finally realized like, wow, this is a great way to build no like and trust. Sarah: Yeah, it's so true. I'm always surprised that people are watching whole episodes, you know, that I put [00:16:00] on the podcast as well, but no, people actually watched the YouTube version of it as well. And probably it's because that know, like, and trust, right? Lou Bortone: Yeah, definitely. The connection, the ability to watch it on the go, cause people are watching on their phones. And I did, you know, I've, I've done podcasting. Off and on, but the reason that I finally committed to doing a podcast was I saw a statistic that YouTube was now the number one source for podcasts, more than Apple, more than Google, more than Amazon people are going to YouTube for podcasts and whether that's just. Kind of listening to it when, you know, with a slide on the screen or having an actual interview or seeing the person on screen, either way there, it's become, you know, kind of the go to place to see and hear podcasts. Sarah: Yeah, that's interesting. I did see a difference between just having that slide and the moving, you know, lines which I did before. So I didn't have the video portion of [00:17:00] it. And now with, with the actual faces, like there is more engagement or there is more views because yeah, obviously it's more interesting to, to see two people talking than just a line. Yeah. Lou Bortone: Yeah. And that's the other thing that's been interesting too is now with all the AI stuff. It's like, I think there's going to be not really a backlash with AI, but more of a need for like, okay, I don't want to see a robotic, you know, synthesized video. I mean, yeah, I can create an AI version of myself. It's like, hi, I'm Lou, you know, and recreate my voice, but it's still not you, you know, it's still not the real person. Sarah: Yeah. And, and I really feel like that's why I like the really human and authentic videos the best, where you see some people, you know, they have like this fancy background and their logo is up there and their book is up there. I'm like, I get that from a marketing perspective, but. [00:18:00] It doesn't feel real. It feels like if I would see you on the street, I probably wouldn't recognize you because you're wearing so much makeup and I don't, yeah, I don't really recognize you. So for me, it's really that real humanness that comes across. Yeah, Lou Bortone: and that's why I like, you know, I don't do as much live video as I should, but I kind of call it like, oh, a live video is to come as you are party, you know, just show up and, and, you know, be yourself and don't worry that the dogs are barking in the background because that's the way it works, you know, like it's, there's going to be distractions, there's going to be craziness going on in the background, but that just makes it more real. Sarah: Talking about that. I just watched, remember that BBC interview where the walks in and then the baby rolls in and I just watched that Lou Bortone: again. Sometimes those are viral moments. Like, you know, the wife's son doing, trying to do a professional interview and the guy walks by. [00:19:00] You know, husband walks behind her in his boxer shorts, you know, it's like, we're trying to do video here, people. Sarah: And what, what I didn't remember is that that was in 2017. So way pre COVID. So that's why it was like super shocking. You know, back then we were all still like, Ooh, you know, has to be super professional. So I feel like a lot has changed since the pandemic. Yeah. And again, Lou Bortone: You have to find that balance because like I kid like you don't want to look like a hostage video. I mean, you don't want to have really terrible lighting and yeah, that it may be authentic, but it's still not easy to watch like if the lighting is really bad or if the audio is bad. So you have to find that balance between like, look, I have to, you know, look relatively professional, but I don't have to be so polished that I'm on doing an interview on CNN or something. Sarah: Exactly. Yeah, it's, it's true. It's that balance that you're still human and creating trust. But without looking [00:20:00] like, yeah, you're just going on CNN. So we talked a little bit about AI what I just recently started using is this Tool called Clip, Opus Clip or something. Oh yeah. Yes. Opus Clip. And it lets you create these little shorts from longer videos. Right. And, and I love that because it's repurposing existing content. And so, yeah, do you know any other great AI tools Lou Bortone: that people are using? I did a series on some AI tools and Opus Clip was one of them, which is great because if you're going to create content. You might as well get as much mileage out of it as possible. So if you're doing a podcast and you wanted to do clips from the podcast, or you want to do 60 second segments, Opus clip is great for that. Pictory. ai is really good because you can, you know, make your videos more professional and edit them and add, you know, B roll and background footage. And the one that I use probably every single day is descript. com. And the reason [00:21:00] I like that is because for people who are not You know, video editors, you can edit the text and all those changes are made, you know, you're basically editing a Word document and then the changes transfer the video. So I've been using that for pod, you know, to produce podcasts and really every kind of video because it's, it's really faster and you can look more professional and more quickly. Yeah, Sarah: and I love the fact that you just highlight all the ums and take them Lou Bortone: all out. Yeah, I had no idea how many times I used the words and until I found a descriptor like, oh, I can take out all the filler words with one click. And suddenly I sound smarter than I am. And I don't think that damages any of the authenticity or makes it any less real. It's just that like, oh, this is, it's going to be a little bit easier to look more professional without having to go through all kinds of crazy editing and stuff. Yeah. Yeah. Sarah: Yeah, that's true. It doesn't feel like all of a sudden you sound like a robot. You just. I feel like, yeah, you sound [00:22:00] smarter because you're not constantly looking for words or, or, yeah, saying Lou Bortone: them that. And some of it's getting like, it's a little bit weird because there's a feature in Descript where if I'm looking at the screen, it will put your eyes back up to where the camera is. Oh, I haven't Sarah: seen that. Lou Bortone: Ooh, that's kind of, you know, it's kind of interesting. It's a little creepy, but it works pretty well. But again, it's about striking that balance. Like I could do videos where I say, you know, you sort of insert the name, like you do one video, hello. So, you know, it's like, well, obviously that's, you know automated. So you don't want to do so much automation that it's not, you know real anymore. Sarah: Right. Yeah. I guess that's a question that you get often is like, well, where should your eyes be when you're doing either self recorded videos or chats like this one? For example, me right now, I'm looking at the camera. I'm not looking at you, which I always feel like, oh, what a Lou Bortone: shame. You got [00:23:00] to sort of train your eyes. I'm like, Oh, you know, my mom said you have to look people in the eye. Exactly. Great, but the camera, the camera's eye is up here, so I cheat because I have like a little extra monitor up where the camera is, but if I was looking at the screen, it would be, it would feel like I wasn't connecting with you and I wasn't being as authentic because I'm not, you want to try to, the camera is the the other person's eyes. So that's the tricky part. Sarah: Yeah, yeah. What I do is this, because I'm recording on zoom, so I just make the screen of zoom very small and just shove it right under the camera. Lou Bortone: I know. So those kind of tricks of just, you know, try to look at the camera try to have, you know, adequate lighting But again, it's, you know, it doesn't take much. I, I, I like to have a setup where I can just say, okay, my camera is set up, my background's okay, my lights work, and I want to just be able to go. I don't want to have to spend 20 minutes setting up a video every time I do a video. Sarah: Yeah, exactly. It becomes kind of like a nuisance if you're, it feels like, Oh, [00:24:00] I have to do all this setting up. What about what about in terms of the, the body placement? Because one thing I noticed is when I put the things on Tik TOK compared to everybody else, my face was like, Oh God, this is like, this is no Lou Bortone: good. Consider where the person's watching from, and a lot of people are watching on their phone, especially if it's a vertical video. So oftentimes if I'm doing a webinar and I'm sharing slides that are landscape, I realized, well, I can't put this on TikTok or Instagram Reels because it's going to squish it. But like, again, using software like Descript, we can take a video like this and put, you know, the people, Vertically so that it still works. So what I do see a lot, and it's funny cause I did another video about this, is it just, people don't have a very good sense of the spatial awareness. Like there'll be way down here, like, hello. And the trick that I, I heard that works is that, you know, think in terms of like, you don't want any more headroom than you [00:25:00] could fit a golf ball on the top of your head. So. You know, you don't want to be too close. You don't want to be too, too far away. Sarah: So what about here? Like Lou Bortone: it's kind of like, I think, you know, we were used to seeing that from news anchors and TV. It's usually like, you know, the, the typical shot is head and shoulders kind of shot, but again you know, if there are people doing videos who are yoga instructors or something like that, they got to go way back and be No, I think it's really just a matter of being aware of where you are in the camera. Oftentimes we'll see on zoom maybe somebody's on a laptop and they're looking up and you're looking up their nose. It's like, that's no fun. You know, just try to. Have a straight on you know, and use the photography rule of thirds where your eyes should be on the top third of the line. And if you've got graphics, those should be on the lower third, which is why they call lower thirds. So it's just having a sort of a spatial awareness of where you are, what's going on on screen. Sarah: Right. Yeah. [00:26:00] Yeah. I think a lot of it also comes back to confidence and just doing it a few times and not caring if it doesn't look good and just keep doing Lou Bortone: it, right? Yeah. So it's funny when we do, like we did the video for introverts thing a few years ago, but when we do when I do these challenges, I say, you know I do my first video in the car after I just came from the gym. So it's like, okay, this is the worst I'm going to look. Okay. I'm going to, I'm going to set the bar really low so it can only get better. And you know, I'm in the car, the lighting's bad, I'm sweaty, but okay, I'm going to start there and then work my way towards better videos as I go. Sarah: Right. Yeah, that's a, that's a good way of putting it. And I remember those videos after kickboxing, right? Yeah, exactly. Yeah, exactly. Yeah. I don't know if I would bear that, but yeah. . Lou Bortone: Well, and I think, you know women have a harder time because of the expectations. Like, oh, you know, my hair has to look good and I have to be wearing. Right, whatever. But I think people are less concerned [00:27:00] about that now than they used to be. Sarah: I think so too. And it's so refreshing. Lou Bortone: Yeah. Cause we just show up on zoom and it's like, look, you know I just came back from the gym or I'm, you know, I've been doing this, that so it's really more about, you really have to. Focus on the message and not so much the quality is important, but it's, it's less important than, than your message and you, and what you're Sarah: delivering. You know what that makes me think of is it's funny that we haven't kind of changed our headshots yet to being more human because sometimes you go on somebody's website and it's this beautiful girl. Like. Once in a lifetime that they look like that. And then you see their YouTube videos and you're like, Oh, they're actually human, Lou Bortone: right? And I, I did have photos when we were in Italy. I'm like, Oh, I want to have my pictures with really old buildings in the background and things like that. And then when people show up, they're like, Oh, you don't look like you look on, on [00:28:00] screen. So I used to do a really silly trick. Okay. Back in the Photoshop days is I would make my image actually a little wider so that I'd look heavier. And then when I showed up in person, people would say, Oh, you have you lost weight? So I was doing that reverse Photoshop, like, well, I want to look better in person. So I'm going to, but again, it's, it's, it is all about that authenticity and connection. And I talk about building loyalty through video, because again, it's really more about A relationship than about what camera you're using. Sarah: Yeah, it really feels like it's. I explained it in levels of intimacy, right? And so people sign up to your newsletter that they get your emails. That's the kind of the low level or before that it's even social media. Right. And then there's a higher level is newsletter and even higher letter that level Dell will be YouTube or, you know, any kind of video. And then probably [00:29:00] zoom calls where it's like in person zoom calls and then the actual in person meeting. But yeah. I do feel already, you know, we're seeing each other's facial expressions and that, yeah, that creates trust and loyalty. I Lou Bortone: totally agree. Yeah. And again, you know, even though, thank goodness we're past the pandemic and live events are coming back and conferences are back, there's still going to be that hybrid events, people working from home much more than they used to. I mean, my kids who are 25 they have never worked in an office. Everything they've done is, is on screen, on zoom, on Google meet, whatever it is. That's just the way they work now. Yeah, Sarah: yeah, yeah. No, it's crazy. Yeah, it really is. So let us talk a little bit to wrap up around the future. So we mentioned AI, we mentioned that, you know, Google is not really easy anymore to have your [00:30:00] blog posts featured. So what is, what do you see the future of video? How do you see it? Lou Bortone: I think it's, you know, obviously there's going to be a lot more volume because people are going to continue to flock to YouTube and watch YouTube shorts. I think we're going to see, you know, shorter bursts of videos, like. TikTok and Instagram reels are going to continue and it's a little harder to make the connection there because you're on for a shorter amount of time. But I think we're going to see the shorter videos, promoting podcasts and longer content where you really can connect because again, you're obviously going to make a better connection with somebody if you're seeing or hearing them for, you know, 15, 20 minutes, rather than. Forty five seconds and i think the other thing is that there may be a little bit of a not really a backlash but sort of an anti AI thing like okay i've seen the robotic you know synthetic version of blue but where's the real you know i'm gonna show up on facebook live and not be perfect but be real so i think you'll start [00:31:00] to see a little bit more of you know as much as we're going to be using AI that's still not going to you know literally replace the person and their message. Sarah: Yeah, I hope so. I mean, I'm, I'm all for AI, but exactly. It's still, in a way it makes the videos that we're doing even more special and more human. So, so maybe that's also a good. Lou Bortone: Yeah. So, yeah, because that's the, you know, it's almost like if you send out an email blast, it's not very personal. If you send out an, an AI video, it's great, but it's not. You know, it's personal or familiar or engaging. And even now that chat GPT is, is starting to put in I think it's called Sora where you can put in a prompt and chat GPT will create a video from nothing, which is great, but it's still not. You, I don't think so. What Sarah: does it do? It creates an avatar of you or just, Lou Bortone: you know, if you say create a video about a trip [00:32:00] to, to Boston mass, it's going to pull in footage from Boston and scenes and sites. And I think, you know, eventually if you record yourself, it'll be able to do sort of a facsimile of you, but it's still not going to be the real you. So, yeah, Sarah: some interesting, interesting things coming our way. That's for sure. Lou Bortone: Yeah, it's crazy. So I think there's still gonna be a place, a really important place for those videos. If I do a lot of video email, I just sort of, you know, rather than sending email, I do a video on loom and, and share something. And I think again, that's more personal. Yeah, it takes a little bit more time, but I think it also has a lot more impact because you feel like, oh, wow, this person's actually talking to me. It's not going to 1000 people. Yeah, I love Sarah: that. Yeah. I love those videos. I remember them from, from the, the trip in Tuscany. One thing we didn't talk about so much, and maybe it's something that we don't need to worry about is the whole algorithm thing, because obviously we're replacing the [00:33:00] Google algorithm by a YouTube algorithm. So how much are you paying attention and telling your clients to pay attention to the algorithm and making sure it gets, you know, right? Yeah, Lou Bortone: I mean, as long as I've, I've been on YouTube since the very beginning, and it's constantly changing and it's hard to keep up with. And I actually work with a YouTube coach just to try to stay on top of it. Can, and he keeps telling me the same thing and I've heard it over and over. And I think it's the best idea is make videos for humans, not algorithm. Don't try to game the system. Don't do keyword stuffing. I mean, I, I was talking to him about keywords and tags and he's like, just don't worry about it. It doesn't even matter anymore. Just make, you know, know who your audience is and, and try to connect with them and give them what they expect from you, what they want from you. And don't say, oh, you know, I'm going to make a knitting video because knitting is really hot. This is like, well, that's not what I do. So, so don't try to gain the system because you're not going to figure it [00:34:00] out and just make videos for an audience and for a person rather than for an algorithm. Man, Sarah: that's really refreshing because it feels like we're trying to figure out the algorithm and by the time you figured it out, it changed again, Lou Bortone: right? I know it's like I used to have coaches are like, okay, your title has to be 69 characters and your description has to be this and you know, it's still important to optimize your video the best you can, but at the end of the day, you know, spend more time making the video than trying to, you know, figure out just the exact keyword to include. Yeah. Sarah: Wow, I'm glad I asked you that early Lou Bortone: relief. It's like save, save you a lot of trouble in, in SEO research. And it's not completely, you know, it's not that important anymore. It's still counts for something, but like my YouTube coach is like, don't worry about the keywords for the tags and keywords, just put in different spellings of your name. So if somebody spells your name wrong, they'll still find you like, okay. [00:35:00] So so it's, you know, and, and the other thing is that with YouTube. It's shifted so much. I mean, maybe keywords were 80 percent of the people finding your video and now it's like 10%. So, and I even look at my analytics and I say, Oh, you know, only a few of these viewers came from search. The vast majority of them came from suggested videos of people finding the video because they, you know, they're seeking you out and they know, Oh yeah, I need video advice or I need to know how to do such and such. Okay. Sarah: Interesting. Yeah. So it just keeps, keeps on changing. So as long as you put your videos out there, you're, Lou Bortone: you're doing something right. Consistency is really, really important. I mean, YouTube likes consistency and YouTube likes watch time. So people always say, well, should I be doing video shorts or longer videos? And really a combination is best because you're sort of getting the best of both worlds. But YouTube, you know, the algorithm still does reward watch time. So if people start a video with you and then stick with it, [00:36:00] YouTube loves that because you're on the channel longer. So that's why I think podcasts are doing so well on YouTube because tend to stick with the, you know, the whole podcast rather than just watch two minutes of it. Yeah. Yeah. Sarah: That's good to know. Well Last question. What would you say people who are just starting out and they're kind of, and maybe they're introverts, what's the first video that they should do? Lou Bortone: I think that the lowest hanging fruit is live video, Facebook Live, YouTube Live. I mean, you can go on and do a video. Maybe you just do it into a Facebook group. But I think live videos have a little bit less of an expectation of perfection. So you can show up, you can make a few mistakes. You can. Do your ums and ahs, whatever, and people are not going to be that concerned about it. So I think practicing with live video is a really good way to get your feet wet and sort of get, you know, ease your way into videos. And then after you've done a bunch of those and you realize like, Oh my God, I didn't die on [00:37:00] video. Then you can say, now I'm going to go record a video for my homepage and maybe I'll make that more professional. Sarah: That's, that's cool. And so in live video, does that mean that people can actually come on live? Right? Lou Bortone: Yeah. And you know, with like Facebook live, again, you can, you can say, I'm only going to go live to my private group. So maybe you feel a little bit safer starting there because you know, the folks in your group. Right. Oftentimes I'll do a video and then on the Facebook setting, I'll do only me. So like, okay, it's, it's live, but it's not, nobody's seeing it. And then maybe later on, I'll say, okay, that, that wasn't so bad. I'm going to change that view to public. So even though you recorded it ahead of time, you didn't make it live until afterwards. Yeah. Sarah: Love that. Very good. Well, thanks so much for sharing all your godfatherly knowledge. Thank you. It's been great. Tell people please where they can find you and, and I know you have a, a free tool for us as well. Lou Bortone: Everything's at [00:38:00] loubortone. com. And I also like people sometimes have trouble planning their video, what they're going to say. So I have a free video planner at loubortone. com forward slash. And that'll just help you sort of map out your video and, and know what you're going to say. And you don't have to script it. You don't have to have it all, you know, word for word. Sometimes it just helps to know, okay, I'm going to do my intro and I'm going to do these three points. And then I have a call to action. Sarah: Yeah. Yeah. I think that's what I do. I think it's really helpful because. By the time you're two thirds in, you don't remember how you wanted to end it. And so it's kind of good. Lou Bortone: Yeah. A few bullet points. And then there's always, you know, editing. You can always go into Descript and use the AI to take out all your filler words and, and sound smarter. Sarah: That's great. I always ask one last question to all my guests and that is, what are you grateful for today or this week? Lou Bortone: Wow. At my age, just waking up, but, but yeah, I mean, it's [00:39:00] here in the U. S. in February in New England, it's, it's chilly out, but you know, the sun's out and everybody's healthy and, you know, it's all good. Nice. Sarah: Wonderful. Well, let's hope it stays like that. It's really good to reconnect with you. Thanks so much for being on the show. Lou Bortone: Thank you. Appreciate it. Sarah: And that's a wrap for today. I hope you got some great value from listening to this episode. You can find out more about Lou and his work at loubortone. com. Lou also has a free video planner for us that helps us plan the content of our video before we hit that recording button. So you'll find this at loubartone. com forward slash planner. And if you're looking for others who think like you, then why not join us in the Humane Marketing Circle? You can find out more about our community at [00:40:00] humane. marketing forward slash circle. And you'll find the show notes of this episode at humane. marketing forward slash H M 1 8 6. And on this beautiful page, you'll also find a series of free offers such as the humane business manifesto, as well as my two books, marketing like we're human and selling like we're human. Thanks so much for listening and being part of a generation of marketers who cares for yourself, your clients and the planet. We are changemakers before we are marketers. So go be the change you want to see in the world. Speak [00:41:00] soon.

“Dave, my mind is going. I can feel it. I can feel it.” 1 MILLION MONTH continues with 2001: A SPACE ODYSSEY. We discussed the upcoming Apple Vision Pro, slim guesting on AUSTIN DANGER POD, THE CURSE, THE LAST JEDI, and slim maybe meeting Leonardo DiCaprio and Marty Scorsese. The uncut episode just for Patrons includes an extra 30 minutes of Danny art choices, our upcoming lakehouse trip, merch and fashion talk, including ideas on what to add to our store. Fanny and sling packs were mentioned A LOT. Chapters Introductions (00:00:00) What we watched (00:03:46) 2001: A Space Odyssey (00:16:56) Your lovely feedback (01:11:40) Next week's pick (01:20:04) Support the 70mm Patreon to join our VHS Village Discord and access exclusive episodes in the 70mm Vault like the 1990s Batman movies, Harry Potter, The Matrix, SHIN Godzilla, West Side Story, Twilight, Moana, and more. Signing up for the Patreon also get your own membership card, member-only discounts on merch, and the ability to vote on future episodes! Don't forget you can visit our website to shop our storefront to buy prints and merch, follow us on Letterboxd, email the show, and much more. 70mm is a TAPEDECK podcast, along with our friends at BAT & SPIDER,  The Letterboxd Show, Escape Hatch, Will Run For..., Lost Light, and Twin Vipers. (Gone but not forgotten; Cinenauts + FILM HAGS.)

Marty Scorsese' Hugo, Leonardo DiCaprio, and the year 1998 when Titanic won best picture mesh together quite nicely.

For our thirty-seventh episode, we're joined by friend of the show Ryan Verrill (Disc-Connected) for a discussion of the Criterion commentary for Marty Scorsese's 1985 one-crazy-nightmare cult classic “After Hours”! That's two Ryans for the price of none (because you're not paying for this).Ryan's Recommendations: “Images” (1972), “Nashville” (1975), “3 Women” (1977), and “Popeye” (1980)For exclusive bonus content and early releases of every episode, join our Patreon and become an Official Minder: http://www.patreon.com/onetrackmindpodcastTheme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker. Support the show

Marty Scorsese is feeling  blue because of the MCU at Christmas.He's lost his festive spirit and passion for filmmaking, but tonight something magical is afoot - Marty will be visited by three ghosts (kinda) as they attempt to rekindle his passion for cinema.Thank you to all our players in this short radio drama written by Adam Neeson and featuring the vocal talents of Jim MccClean, Joe McElroy, Adam Neeson, Robert J E Simpson, Rachel Murray and Maria McQuillan. Happy Christmas from all of us here at the BanterFlix team. As always be warned this recording is filled with spoilers and tangents a-aplenty.If you enjoyed it, be sure to leave us a review wherever you get your podcasting fix.Check out our socials on Facebook, Twitter , Instagram and YouTube.Don't forget to subscribe to make sure you never miss a single episode and find our complete back catalogue on the BanterFlix website.

The Holdovers. Is Paul Giamatti a movie star? No Hard Feelings. Director Thom Zimny joins Adnan to discuss his new Netflix documentary Sly. Five Nights at Freddy's. Chris recaps his Germany trip and makes fun of the meals provided on international flights. The Burial. Adnan mentions Killers of the Flower Moon for the 10th straight episode. Marty Scorsese doesn't enjoy making movies? Blood on the Moon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Holdovers. Is Paul Giamatti a movie star? No Hard Feelings. Director Thom Zimny joins Adnan to discuss his new Netflix documentary Sly. Five Nights at Freddy's. Chris recaps his Germany trip and makes fun of the meals provided on international flights. The Burial. Adnan mentions Killers of the Flower Moon for the 10th straight episode. Marty Scorsese doesn't enjoy making movies? Blood on the Moon. Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're discussing good ol' Marty Scorsese with his biggest fan, Pablo! You can find more of our podcast as well as the rest of our content on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠GalaxyOfFilm.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ You can follow us on Instagram, Twitter, and TikTok @GalaxyOfFilm and subscribe to our YouTube channel, ⁠⁠⁠⁠⁠⁠Galaxy Of Film Productions⁠⁠⁠⁠⁠⁠! The show reel for "The Autograph King" - ⁠⁠⁠https://www.youtube.com/watch?v=HOaAZvZp9b0 ⁠⁠⁠ You can watch our newest short film, Distinguished ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠right here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! - ⁠⁠⁠https://www.youtube.com/watch?v=DHSWFCWXTe8&t=14s⁠⁠⁠ Follow our guest star! Sarandis Vasilios - @Sarandissotir on Instagram and ⁠Komical⁠ on YouTube No Vex releases November 6th! Music made by Dakari Holder & Tyler Jansen Graphic design by MC Media --- Support this podcast: https://podcasters.spotify.com/pod/show/galaxyoffilm/support

Remember to Rate (5 Stars), Review (Great show, blah, blah, blah) and Follow us on Apple Podcasts: https://podcasts.apple.com/us/podcast/b-o-boys-movie-box-office/id1489892648   Our AWESOME artwork was provided by the talented Ellie Skrzat. Check out her work at https://ellieskrzat.com/   Thanks to WannaBO Senior Intern Christopher for running our social media and WannaBO Intern Jack for the numbers.   E-mail us: theboboyspodcast@gmail.com   Subscribe on Youtube:   https://www.youtube.com/@theboboyspodcast   Follow us on Twitter: @TheBOBoysPod   Follow us on TikTok: @TheBOBoysPod   Subscribe to us on Substack and read our new articles: https://substack.com/@theboboys   -----

The Killer. We're talking to author Nat Segaloff about his new book “Say Hello to My Little Friend: A Century of Scarface”. Chris reviews Killers of the Flower Moon. Adnan's World Series travels. Do you order differently at a restaurant if someone else is buying? Why is it so hard to transfer someone a ticket? The George W. Bush first pitch sequel. Adnan pulls off a double bill at two different movie theaters. We have more sound of Marty Scorsese talking about Killers of the Flower Moon. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Killer. We're talking to author Nat Segaloff about his new book “Say Hello to My Little Friend: A Century of Scarface”. Chris reviews Killers of the Flower Moon. Adnan's World Series travels. Do you order differently at a restaurant if someone else is buying? Why is it so hard to transfer someone a ticket? The George W. Bush first pitch sequel. Adnan pulls off a double bill at two different movie theaters. We have more sound of Marty Scorsese talking about Killers of the Flower Moon. Learn more about your ad choices. Visit megaphone.fm/adchoices

Uhh ohh, the girlies are gushing again!! We're back for a very special SPOILER episode to discuss one of the patron saints of this podcast, Marty Scorsese! His newest film, Killers of the Flower Moon, is here and it's spectacular! We're diving into our thoughts on all aspects of the film, trying to predict its chances at the Oscars, and we also do a semi-impromptu ranking of our top 5 Scorsese films! Will this film make either of our lists? Listen to find out!! Again - this episode contains spoilers! Episode Notes: 2:00 General thoughts on Killers of the Flower Moon (2023) 7:06 SPOILER discussion 45:37 Ranking our top 5 Scorsese films

Adnan can't stop talking about Killers of the Flower Moon. Is there a single Marty Scorsese interview that Adnan hasn't heard? The Dan Le Batard Show Movie Knowledge Power Rankings. Adnan is traveling to the World Series. What exactly is “content”? It's never too early for an Oscars preview! Can Barbie get nominated for Best Picture? WIll Bradley Cooper join Cinephile? We talk to author Matt Singer about his new book “Opposable Thumbs: How Siskel & Ebert Changed Movies Forever”. Chris reviews Taylor Swift: The Eras Tour movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan can't stop talking about Killers of the Flower Moon. Is there a single Marty Scorsese interview that Adnan hasn't heard? The Dan Le Batard Show Movie Knowledge Power Rankings. Adnan is traveling to the World Series. What exactly is “content”? It's never too early for an Oscars preview! Can Barbie get nominated for Best Picture? WIll Bradley Cooper join Cinephile? We talk to author Matt Singer about his new book “Opposable Thumbs: How Siskel & Ebert Changed Movies Forever”. Chris reviews Taylor Swift: The Eras Tour movie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan recaps his private screening of Killers of the Flower Moon and gives his review. We're talking to production designer Jack Fisk and casting Director Ellen Lewis and hear from the legend himself, Marty Scorsese talking about the film. Also, Adnan swears he has never called in sick… in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Η κινηματογραφική φθινοπωρινή σεζόν μπαίνει πολύ γερά με δύο από τις καλύτερες ταινίες της χρονιάς να παίζονται στα σινεμά την ίδια στιγμή. Ταινίες που συζητιούνται, που αρέσουν, που ξεχώρισαν σε μεγάλα φεστιβάλ και που αναμένεται να φτάσουν και μέχρι τα Όσκαρ. Αλλά τι έχουμε εμείς να πούμε για αυτές; Μετά τις προβολές τους στις φετινές Νύχτες Πρεμιέρας, το Past Lives (Περασμένες Ζωές) της πρωτάρας στο σινεμά Celine Song και το Killers of the Flower Moon (Δολοφόνοι του Ανθισμένου Φεγγαριού) του Martin Scorsese έρχονται από διαφορετικά άκρα του κινηματογραφικού σύμπαντους, από δύο τελείως διαφορετικούς δημιουργούς, και στοχεύοντας στην αφύπνιση του κοινού με έναν εντελώς διαφορετικό τρόπο – όμως και τα δύο έχουν πολλά να δείξουν, κι έχουν πολλά να αφήσουν στον θεατή καθώς φεύγει από την αίθουσα. Το POP για τις Δύσκολες Ώρες βλέπει και σχολιάζει τα δύο φιλμ, τους λόγους που καθορίζουν την φετινή χρονιά, όλα τα πράγματα που κάνουν καλά, κι όσα ενδεχομένως δεν θα μπορούσαν (ή δεν ήθελαν) να κάνουν διαφορετικά. Ποια είναι η περίεργη διαδρομή του Killers of the Flower Moon στην οθόνη και πώς άλλαξε η ταινία από αυτό που αρχικά θα ήταν; Γιατί το Past Lives μας κάνει να κλαίμε πιο πολύ όταν το ξαναβλέπουμε; Γιατί είναι, τελικά, Α' Γυναικείος Ρόλος η Lily Gladstone του Killers; Και γιατί ευχόμαστε να μπορούσε να προταθεί για Όσκαρ ο John Magaro του Past Lives; Μπορεί ποτέ ο Scorsese να διηγηθεί όσο βαθιά θα ήθελε μια ιστορία σαν αυτή – κι αν ναι, από ποια πλευρά (θα) το κάνει; Ποια άλλα ρομαντικά φιλμ θυμίζει το Past Lives αλλά γιατί τελικά δεν είναι σαν κανένα από αυτά; Τι έχουμε να πούμε για όλο αυτό το πρόσφατο σερί ταινιών του Marty Scorsese; Και, κυρίως, γιατί δεν τον λένε απλά Σχορτσέζε; Αυτά και πολλά ακόμη στο POP για τις Δύσκολες Ώρες της εβδομάδας!

Adnan recaps his private screening of Killers of the Flower Moon and gives his professional review. We're talking to production designer Jack Fisk and casting director Ellen Lewis, and we hear from the legend himself Marty Scorsese talking about the film. Also, Adnan says he's never called in sick… in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan recaps his private screening of Killers of the Flower Moon and gives his professional review. We're talking to production designer Jack Fisk and casting director Ellen Lewis, and we hear from the legend himself Marty Scorsese talking about the film. Also, Adnan says he's never called in sick… in America. Learn more about your ad choices. Visit megaphone.fm/adchoices

Fast, Cheap & Out of Control. Author of the Flowers of the Killer Moon, David Grann joins Adnan. Chris Cote is back! Marty Scorsese's daughter talks to her father about slang. Adnan hasn't had his car for 50 days. When's the last time you bought a magazine? Breakfast and a movie > Dinner and a movie? What if Adnan hates Killers of the Flower Moon? Learn more about your ad choices. Visit megaphone.fm/adchoices

Fast, Cheap & Out of Control. Author of the Flowers of the Killer Moon, David Grann joins Adnan. Chris Cote is back! Marty Scorsese's daughter talks to her father about slang. Adnan hasn't had his car for 50 days. When's the last time you bought a magazine? Breakfast and a movie > Dinner and a movie? What if Adnan hates Killers of the Flower Moon? Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan talks to writer/director Brian Helgeland about his new film Finestkind. What's it like working with Tommy Lee Jones? JFK. What's Kevin Costner's worst performance? Adnan's Marty Scorsese update. Naked Lunch. Welcome to Tangier? Learn more about your ad choices. Visit megaphone.fm/adchoices

Adnan talks to writer/director Brian Helgeland about his new film Finestkind. What's it like working with Tommy Lee Jones? JFK. What's Kevin Costner's worst performance? Adnan's Marty Scorsese update. Naked Lunch. Welcome to Tangier? Learn more about your ad choices. Visit megaphone.fm/adchoices

Liar Liar. Will Jim Carrey ever make a comeback? Does Marty Scorsese know Adnan exists? Chris' terrible Seth Rogen impression. "Winning Time" basketball producer Idan Ravin joins Adnan. Happy birthday Robert De Niro. Adnan gets a call from Bob Costas. RIP William Friedkin and Paul Reubens. Learn more about your ad choices. Visit megaphone.fm/adchoices

Liar Liar. Will Jim Carrey ever make a comeback? Does Marty Scorsese know Adnan exists? Chris' terrible Seth Rogen impression. "Winning Time" basketball producer Idan Ravin joins Adnan. Happy birthday Robert De Niro. Adnan gets a call from Bob Costas. RIP William Friedkin and Paul Reubens. Learn more about your ad choices. Visit megaphone.fm/adchoices

Editor - Jennifer Lame ACE, Additional Editor - Mike Fay, 1st Assistant Editor - Nick Ellsberg and 1st Assistant Film Editor - Tom Foligno The OPPENHEIMER editing team of Jennifer Lame ACE, Mike Fay, Nick Ellsberg and Tom Foligno applied their collective storytelling talents to film technology both old and new.  While Jennifer and Mike worked to shape and refine Christopher Nolan's story into an instant classic, Nick and Tom were tasked with mastering a hybrid film and digital workflow to make the most of Nolan's brilliant 70MM IMAX footage. Based on the 2005 biography American Prometheus by Kai Bird and Martin J. Sherwin, the film chronicles the life of American theoretical physicist and polymath J. Robert Oppenheimer. The story predominantly focuses on Oppenheimer's early studies, his direction of the Manhattan Project during World War II, and his eventual fall from grace due to his 1954 security hearing; juxtaposed with this are events surrounding Oppenheimer's relationship with Lewis Strauss, a senior member of the United States Atomic Energy Commission who sees Oppenheimer as a rival. It stars Cillian Murphy as Oppenheimer and Robert Downey Jr. as Strauss, with the remaining ensemble supporting cast including Emily Blunt, Matt Damon, Florence Pugh, Josh Hartnett, Casey Affleck, Rami Malek and Kenneth Branagh. JENNIFER LAME, ACE While Jen claims that her "wheelhouse" in editorial is films that feature people talking in rooms, as her work on MANCHESTER BY THE SEA (2016) and MARRIAGE STORY (2019) both prove, you wouldn't know it by her standout work in bigger features like Christopher Nolan's TENET (2020) and BLACK PANTHER: WAKANDA FOREVER (2022). MIKE FAY As Jen Lame was wrapping up things on WAKANDA FOREVER, she entrusted the early assembly duties on OPPENHEIMER to Mike Fay.  Prior to OPPENHEIMER, Mike had been sharpening his skills as an assistant editor on LIFE OF PI (2012) and GHOSTBUSTERS: AFTERLIFE (2021) and as a VFX Editor on JOHN WICK: CHAPTER 3 - PARABELLUM (2019) and BULLET TRAIN (2022). NICK ELLSBERG Nick and Mike Fay had more than a passing familiarity prior to OPPENHEIMER.  Like Mike, Nick worked on BULLET TRAIN (2022), GHOSTBUSTERS: AFTERLIFE (2021), and JOHN WICK: CHAPTER 3 - PARABELLUM as an assistant editor. TOM FOLIGNO A veteran of the Marty Scorsese film school, having worked as an assistant on CASINO (1995), BRINGING OUT THE DEAD (1999), GANGS OF NEW YORK (2002) and THE AVIATOR (2004), Tom was able to return to his film editing roots and dust off his splicer for his role in the film cutting room on OPPENHEIMER. Editing OPPENHEIMER In our talk with the OPPENHEIMER editing team, we discuss... The beauty of awkward people talking in rooms Keeping up the pace on a three-hour biopic Whistling past the biggest scene in the movie because you already know it will be great Bringing film workflows back to life, bigger than ever Loving Chris Nolan's "all business' approach in the cutting room The Credits Visit Extreme Music for all your production audio needs Check out the latest with Avid Media Composer Subscribe to The Rough Cut podcast and never miss an episode Visit The Rough Cut on YouTube

It's August. It's hot. And we're celebrating Emily's birthday with two of her favorites films featuring (unhinged) men behaving badly: No Country for Old Men (2007) and Taxi Driver (1976)! This episode finds Emily loving some capable men, Emory speculating about the impacts of Marty Scorsese's cocaine addiction, Kelsea researching brain chemistry and sugar, and Meredith problematizing genius killers. Don't forget to follow and rate the podcast and check out Emory's blog for movie screening updates, more reviews, and sign up for personalized recommendations by joining the AV Club! Find and follow your Helen Hall Library on all the things!

Marvellous Mita and amazing Nadeem sat down to watch the appropriately titled, "Ordinary People", the Best Picture winner from 1980 from their next movie review. Also in conversation, Tina Turner, Cannes and Marty Scorsese.

Artoun and Christina are keeping one eye shut as they descend into the madness of 8MM [RATED R]. They brave the entirety of this film that sent Artoun's brother into a diatribe, try and figure out whether a film about disturbing material can be good, and how Nicolas Cage has grown into a new role. Join us next week as Cage teams up with the one and only Marty Scorsese with Bringing out the Dead [RATED R]. Don't forget to rate & review the pod, subscribe on your favorite platform, and follow us on Twitter & Instagram @cageoldquestion. You can always email us any thoughts or questions at cageoldquestionpod@gmail.com --- Support this podcast: https://anchor.fm/artoun-nazareth/support

Meg spreads juicy gossip about Griffin Dunne's summer with Ric Ocasek. Jessica tunes in for the perfect evening: Love Boat, Fantasy Island, and Saturday Night Live.

In an odd turn of events; Rachel and Alex don't discuss politics in this episode. SHOCKING WE KNOW. To be fair; we chat nuclear war for all of 5 seconds. This married duo chat modern comedy and what it looks like to create a large following. Why the old way of doing things can no longer survive in the attention economy. Rachel shares (too much) about her new favorite movie The Outfit and why Marty Scorsese is (slightly) overrated. Alex shares why AI is truly terrifying and we share why luxury travel is addicting. This is an easy listen. Well, besides that we attempt to end like 4 times, but ya know - when you're in the flow,  you're in the flow baybeeee! Enjoy! 

In an odd turn of events; Rachel and Alex don't discuss politics in this episode. SHOCKING WE KNOW. To be fair; we chat nuclear war for all of 5 seconds. This married duo chat modern comedy and what it looks like to create a large following. Why the old way of doing things can no longer survive in the attention economy. Rachel shares (too much) about her new favorite movie The Outfit and why Marty Scorsese is (slightly) overrated. Alex shares why AI is truly terrifying and we share why luxury travel is addicting. This is an easy listen. Well, besides that we attempt to end like 4 times, but ya know - when you're in the flow,  you're in the flow baybeeee! Enjoy! 

A24's newest horror flick 'PEARL' is now out and we have THOUGHTS! Jade Rafallo joins the pod as Ben's favorite co-host to talk with Ethan about if Pearl is better than X, the state of horror movies in 2022, the best moments in the movie, the downright worst movie moms, and what our boy Marty Scorsese said about Pearl! What do you think of Pearl? Is it better than X? Let us know on Instagram or Twitter @24minutesofA24! Twitter - https://twitter.com/24minutesofA24 Instagram - https://www.instagram.com/24minutesofa24

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/korean-studies

Kyung Hyun Kim talks about the Netflix series Squid Game, its economic and political contexts, and its cultural potential. He also talks about his new book, Hegemonic Mimicry, out from Duke University Press. Prof. Kyung Hyun Kim is a creative writer, a scholar, and a film producer, who is currently a professor in the Department of East Asian Studies, UC Irvine. He has worked with internationally renowned directors such as Hong Sang-soo, Lee Chang-dong and Marty Scorsese, and also with American film producers Jason Blum and Steven Schneider. Prof. Kim is author of Virtual Hallyu: Korean Cinema of the Global Era, The Remasculinization of Korean Cinema, Hegemonic Mimicry: Korean Popular Culture of 21st Century, all of them published by Duke University Press, and a Korean-language novel entitled In Search of Lost G (Ireo beorin G-reul chajaso, 2014) about a Korean mother combing through the US in search of her missing son during his junior year in a Massachusetts prep school. He has coproduced and co-scripted two award-winning feature films Never Forever (2007, Sundance Film Festival's U.S. Main Competition) and The Housemaid (2010, Cannes Film Festival Main Competition). He has recently written The Mask Debate, his first theatre screenplay, which premiered in February 2021 through UCI's Illuminations: Chancellor's Initiative in Arts and Drama YouTube channel. Image: © 2021 Saronik Bosu Music used in promotional material: ‘Horizon Mine' by krackatoa Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Comedian Jim Norton was in studio with Chaz and AJ this morning. After a little clarification from Vinnie Brand about who will open and host his shows at the Stress Factory, Jim talked about getting a part in "The Irishman" after a meeting with Marty Scorsese, his time with Opie & Anthony, Tough Crowd with Colin Quinn, and his characters Chip Chipperson and Doug Bell. 

Countdown #358   This week, top-level Patron Extraordinaire, Nicole Pressley, directed the guys to count down the very best Films Based on a True Story.   The last time Wayne and Paul ventured into such territory was with Episode 26, some 6 years and change ago, so you can bet their choices have changed, some 300 (for Wayne) and 1500 films later (in Paul's case).   Who thinks a comedy starring Ed Helms should make this list? Who has three Academy Award winning films on theirs (and does that really amount to sixth-eighth of anything worthwhile on a show like this)? And who gets offended at the other's omission of one Marty Scorsese film when that person had two other films from the master director on his list?   Learn the answers to all these questions - and more! - as The Countdown continues ... True story!   Check out the show's first draft of a website for your one-stop shop for all things related to The Countdown.   But if you want more specific directions, find so many more Countdowns - all the way back to Episode 40! - on our Podbean site.   Join The Countdown Podcast Listener Community on Facebook so you can interact more directly with Paul and Wayne and vote in the weekly poll for who has the best list!   Want to hear a whole bunch of additional content? Head on over to Patreon to fond out how and see what you're missing.   And finally, how about some Countdown merch? Grab a new range of products right here!

If you were wondering what a Scorsese alt rock music video from the late 90s looked like only it lasted 2 hours, well 1999's Bringing Out the Dead is the movie for you my friends. This is Chapter 12 in my Nicolas Cage filmography series. Also starring Patricia Arquette, John Goodman, Ving Rhames, Tom Sizemore, and J-Lo's ex Marc Anthony in dreadlocks. It's Marty Scorsese's Bringing Out the Dead written by Paul Schrader! Read my full review

Ryan and Jason talk Bond v. the Fast and Furious franchises, how well they age over time, the dichotomy of James Bond and Dom Toretto as lead protagonists for each franchise, the Fast pivot from racing to heist movies, the spiritual meaning of Han's wisdom and Tokyo Drift to Jason, and Ryan's love of Sonny Chiba.

None other than Marty Scorsese (you may know him as Martin) returns to the show, as we analyse his 2002 crime epic Gangs Of New York. Back when the world was black and white in 1840 something, Daniel Day-Lewis' Bill The Butcher killed Liam Neeson and defeated his Irish gang in the street. But Neeson's fake son Leonardo DiCaprio survived and is all grown up now, creating a pretty standard revenge tale. We certainly had some passionate feelings towards this one. But there's no doubt our main take away from viewing the film was a simple question for Mr. Scorsese - what's up with all of the slow-motion?

It's time for a brand new season here at Cinema Recall and one that I hope will stick around for a long long time. On each episode I, The Vern will bring on a guest to talk about a movie and a moment from that feature that really stands out or is just something they really love. After the break, we will perform a scene from that film complete with sound effects and possible music. On our 1st episode, Josh G from Your Next Favorite Movie Pod joins to talk about The Wolf of Wall Street starring Leo DiCaprio, Margot Robbie, Jonah Hill and more. Directed by Marty Scorsese. Afterwards we perform the infamous Quaalude scene for you amusement Ads by Time to Rewind 1st Time Watchers Join The Let's Chat Club End Song Loosing it by Scale of None (with Vern on Ze Drums) --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/cinemarecall/support

Eyes S1E15 (13 Jul 94) vs. Profit & Loss S2E18 (20 Mar 94)-Bob misspoke & references the great Hong Kong film trilogy Infernal Affairs (2002-3) remade into Marty Scorsese's The Departed (2006)-There have been 236 Friends episodes (1994-2004) & 154 It's always Sunny in Philadelphia (2005-) episodes so far. Bob stupidly misremembers Always Sunny episode title formats-Matt dubs Jeffrey Combs the Stan Lee of tv sf-Matt & Bob long for a rematch between The Rock & 7 of 9 in Picard S2-Bob hates on Star Trek & Babylon 5 prequel novels, Matt hates on Arthurian parallels-Pavlovian conditioning is not to be mistaken with Pavel Chekov-Bob's favorite book on climate change is Christian Parenti Tropic of Chaos: Climate Change & the New Geography of Violence (2011)-The Time for My Stories (2021) podcast did an interesting episode on Dallas (1978-91)-Ivanova has a dream with a Twin Peaks vibe

Five whole years before Burt Reynolds and Dom Delouise put illegal cross country racing on the map with The Cannonball Run, Paul Bartel was trying to recapture Death Race 2000 magic and Raul Julia was an Italian sex maniac burning rubber on the open road. This week Doubled Feature takes a hard hitting look at 1976s Cannonball and The Gumball Rally. Which film has the more dated and offensive jokes? Which film has the higher body count? Which film has one line guest roles from Sylvester Stallone and Marty Scorsese. Cannonball!(1976) Directed by Paul Bartel. Starring David Carradine, Bill McKinney, Veronica Hamel, and Robert Carradine. Trailer: https://www.youtube.com/watch?v=-dJ3cBcIcGc&ab_channel=NjutafilmsStudioS The Gumball Rally(1976) Directed by Charles Bail. Starring Michael Sarrazin, Raul Julia, Gary Busey, and Norman Burton. Trailer: https://www.youtube.com/watch?v=tKF390MNM7k&ab_channel=WarnerBros. Twitter: @DoubledFeature Instagram: DoubledFeature Email: DoubledFeaturePodcast@Gmail.com Dan's Twitter: @DannyJenkem Dan's Letterboxd: @DannyJenkem Max's Twitter: @Mac_Dead Max's Letterboxd: @Mac_Dead Executive Producer: Koolaid --- Send in a voice message: https://anchor.fm/doubledfeature/message

Dan, Dave and Mark are doing their job and hopping back in to be your Screw Guides with Mick'n'Dick and finding out what's in the box (SPOILER: it's a Power Driver). The boys take their best run at keeping up with the Mick's pace on this star-studded episode that includes visits from Jon Gruden, Outkast, Ron Popeil, Rush, Marty Scorsese and more! As a special bonus, make sure you listen all the way to the end to hear Dave's big joke! Full Infomercial: Power Driver Check us out at callnowpodcast.com and follow @CallNowPodcast on Twitter and Instagram! Thanks for listening and don't forget to Call Now!

Wes is back baby. We have fun with the weekly roundup talking about snow in Texas, Ontario reopening, and Marty Scorsese going sicko mode on Marvel nerds once again. That last one really gets Evan going so we chat about that for a bit. Then we round out with a little discussion about the divide between Gen Z and Millennials which we weren't really aware of until Evan got roasted by his cousins. Also we're like right on the line between the generations so it feels like we might just be Switzerland in this debate but apparently we're old men now so who knows.

Our Film to Remember is THE DEPAHTED, Marty Scorsese's Oscar-winning crime classic. Then, we discuss Mark Wahlberg. Is he bad, actually? Is he good, actually? Next week: ANOTHER ROUND

If we can only perceive the world through our own individual senses, who is to say what is real and what is a mere delusion? Well, if there are waggly-headed sex demons running around, there's a good chance you're in a Jacob's Ladder-type situation and you should get that looked at. JACOB'S LADDER (1990, Adrian Lyne) 14:00 IDENTITY (2003, James Mangold) SHUTTER ISLAND (2010, Marty Scorsese)

JT and Carson talk about the one and only Marty Scorsese in celebration of the man's 78th birthday. Carson says that Gangs of New York is his favorite film by Scorsese and JT disagrees.... Enjoy the boys as they spend a morning getting stoned, drinking coffee, and talking about their very favorite thing; movies. --- Send in a voice message: https://anchor.fm/carson-higgins2/message

The group emerges from Halloween with their continuing exploration of just what the hell was going on with the 70s. The grossest decade some might say . . .although those people may not have sat through Jimmy Fallon in a feature role. We had some zoom issues which shortened things a bit this week, but if you stay any longer in Marty Scorsese's world you're liable to catch something. #releasethenofalloncut

Shelly Palmer, described as an American television composer and personality, a "top voice" in technology, and a self proclaimed member of the "lucky DNA Club" was born to musicians and expected to take over his father's music store. His biggest #HoShiMo forever shifted his trajectory. Listen in to hear why he chose NOT to join Marty Scorsese on the west coast and how he has built his tech consulting empire. #csuitenetwork #csuiteradio Learn more about your ad choices. Visit megaphone.fm/adchoices

Don't worry podcast listeners, we're back this week with a new series and a new episode! Today we start our Capitalist Society block and break down The Wolf of Wall Street (2013), directed by none other than Marty Scorsese and staring the twinkle of all our eyes, Leonardo DiCaprio. We talk all things Wall Street, excess, and money. Don't forget to follow us on Twitter: @thewonderfulpod, @saraabumeri, @jabumeri. Music by @allaboutreem.

Whoopsie Daisy! Scott and Kevin are back with yet another Marty Scorsese classic! Few natural disasters can compete with the volcanic alacrity that is Daniel Day Lewis playing Bill "The Butcher" Cutting in this tale of New York City street gangs fighting for survival and cultural dominance at the height of the Civil War. It takes a lot of sand to record a podcast about this film, but...that's how you stand up against the rising of the tide.

Tenemos muchas noticias. Hablamos de más noticias del Ortoverso con el regreso de Henry Cavill y Ben Affleck, de Jim Henson Studios y de Marty Scorsese. En series tenemos los primeros episodios de Stargirl y la serie habitual en la que cubrimos los años de Chris Claremont en X-Men, y llegamos hasta Mutant Massacre. Disfruten […] The post Crónicas del Multiverso #375 – Foil-Embossed Glow-in-the-Dark Anniversary Hologram Limited Edition appeared first on Crónicas del Multiverso.

Eric was missing in the recent episode "Waitin' For Gadot", so he explains why he couldn't be bothered to join the Boyz. It's Marty Scorsese, vaccinations, and a Bon Appétit breakfast on this bonus episode of Whatchu Wanna Know.

On this episode we are joined by film critic Justine Smith to discuss Marty Scorsese’s bibleman epic The Last Temptation of Christ. Follow on Insta @cableboyspod and email us at cableboyspod@gmail.com

Subscribe to patreon.com/reelpolitik and listen to the full episode at: https://www.patreon.com/posts/33185613 We talked about Jack's other favourite film of 2019, Blinded By The Light, last episode. Now, he and Yair spend the best part of an hour digging into Marty Scorsese's weary epic on the intersection of crime & time, The Irishman. Marty's back, and this time he's brought all the boys! Did we rate his latest 3.5 hour opus? Oh yes. Beyond our wildest dreams. They don't make 'em like this anymore, kids!

4DX, baby!

The boys are back in the rhythm and come back with 2 new movies to talk about. First, they give put on their cardigans, take off their shoes and give the lowdown on A Beautiful Day in the Neighborhood. Then, after a bit of news, we discover if The Irishman is good enough to make Neil lift his grudge against ol' Marty Scorsese. Good 'un.

Cody & special guest Ant DeStefano of The Rant Podcast discuss the new Marty Scorsese film The Irishman! --- Send in a voice message: https://anchor.fm/rrfilmpod/message Support this podcast: https://anchor.fm/rrfilmpod/support

Happy Turkey Day, Lodgers! Marty Scorsese, Bobby De Niro, and Joey Pesci have joined forces one last time to bring you one last gangster film. Al Pacino joins them as Jimmy Hoffa and their de-aged faces exchange mafioso dialogue for 3 hours and 30 minutes! After you've filled up on turkey and stuffing, gather around the Netflix fire this Thanksgiving and unbuckle your belts for an epic crime film! Six Lodgecast Boyz attended this very limited theatrical release at Grauman's Egyptian Theatre in Hollywood. And we definitely had some words for this movie. We're gonna lose our podcasting license for this one!

In this 183rd episode of “Elton Jim” Turano’s “CAPTAIN POD-TASTIC,” Jim Turano reviews the new, epic mob film, “The Irishman,” which debuts this week on Netflix and is sure to be a major Academy Award contender.  Director Martin Scorsese tells this compelling story with an all-star, Oscar cast that includes Robert DeNiro, Al Pacino, Joe […]

Nearly two weeks ahead of its upcoming release on Netflix, the gang reconvenes to discuss the latest film from the man, the myth, the legend. We’re talkin’ Marty Scorsese and “The Irishman”. We also have reviews of the new films from Korean master Bong Joon Ho and New Zealand funnyman Taika Waititi, “Parasite” and “Jojo Rabbit”, respectively. It’s a loaded episode. Enjoy. 0:00 – Introductions 15:25 – “The Irishman” Spoiler-Free Review 37:30 – “Parasite” Spoiler-Free Review 51:39 – “Parasite” Review Continued 1:03:40 – “Jojo Rabbit” Spoiler-Free Review 1:18:55 – What We’ve Been Watching Music Intro: I Want to Hold Your Hand – The Beatles Outro: Buffalo Buffalo – Spanish Love Songs

The ever-busy Ilan Sheady (Uncle Frank Productions) and Mariam Draeger (Headcinema Productions)call in this week to talk about all the projects that they are working on, including the nearly monthly events with the rest of the Liverpool Horror Club and just wrapping up The Dead of Night Festival. They also talk about collaborating with Erik Kristopher Myers and team on the book based on the Blink Man from “Butterfly Kisses”. In the intro, Clark talks about his night with Marty Scorsese (and Randy). Russ handles all the recording duties in lieu of Randy’s absence and tells us about “Dead Don’t Die in Dallas” and his very lukewarm on the new Terminator. Follow Mariam on Instagram at https://www.instagram.com/lady_mariam_michael/ Follow Ilan on Instagram at https://www.instagram.com/unclefrankproductions/ Submissions for UFF 3 are open at https://filmfreeway.com/UnnamedFootageFestival Theme song by Darryl Blood - darrylblood.bandcamp.com/ If you'd like to get in contact with us, you can reach us at Podcast@TheOverlookTheatre.com, on Instagram (@theoverlooktheatre), Facebook (theoverlookhour/theoverlooktheatre), or Twitter (@OverlookHour/@OverlookTheatre).

Des is away so ur FavMinorities r out to play. #ProfessorHorror returns, this time on the Main show to kick it with us. Talk the BoxOffice and give us his hot takes for a slobber knocker Marty Scorsese showdown. Kolby& Shama vs Raul& Ryan- who wins? U decide!!!

On this week's episode, Eric discusses his trip to Los Angeles to attend the premiere of The Irishman where he hung out with Marty Scorsese, Robert DeNiro, Joe Pesci, Al Pacino and Joseph Mazzello! Matt & Eric also discuss David Benioff & D.B. Weiss’ departure from their planned Star Wars trilogy as well as the newest trailer to The Mandalorian.There’s also some more trailers and news, but come on… Eric hung out with Tim from Jurassic Park.

David Francisco returns to discuss the latest news with Disney Chief Bob Iger hitting back at Marty Scorsese's Marvel comments, featuring a 25-minute rant by Alexis Soto, a trailer review of "Star Wars: The Rise of Skywalker." Also a new movie review of "Maleficent: Mistress of Evil."0:00 - 3:33/ Introduction and News Rundown3:34 - 38:46/ "Maleficent: Mistress of Evil" Movie Review38:47 - 55:41/ "Joker" crosses past 750-Million-Dollars Worldwide55:45 - 1:31:10/ "Star Wars: The Rise Of Skywalker" Trailer Review1:31:15 - 1:40:13/ Jeph Loeb Out at Marvel Television1:40:15 - 2:29:01/ Bob Iger Doesn't Give a Shit about Cinema Rant2:29:08 - 2:30:45/ ClosingShows drop every Sunday anywhere you listen to podcasts (Spotify, Apple, Google, etc.)Coming Soon: a Halloween special episode discussing Stanley Kubrick's "The Shining," and a special series of shows looking back at the filmography of Martin Scorsese.

Martin Scorsese is a grump. He doesn't like Marvel movies. He says they aren't "cinema." He says they aren't even narrative films, and "we shouldn't be invaded by it." The internet, as you can imagine, has takes. And: The Eddie Murphy comeback is on. He appeared on Comedians in Cars Getting Coffee this summer. He's hosting Saturday Night Live in December. He's got multiple standup comedy specials in the works. And right now he's starring in the briefly-in-theaters-but-hitting-Netflix-next-weekend biopic Dolemite Is My Name.Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Its the most highly debated episode of The Good Brothers, as Mike and Alex Mercado literally disagree on almost every single thing on this edition of The Good Brothers. So sit back, relax, and enjoy....... MERCADO vs. MERCADO! TIMESTAMPS:• Box office results, coming out this week 2:07-8:06• El Camino movie review 8:07-30:41• Doolittle trailer drops with RDJ 30:42-33:50• Zoe Kravitz is Selina Kyle/Catwoman 33:51-41:04• Want to talk about uncle Marty (Scorsese) vs Marvel?    41:05-47:39• Thoughts on WWE draft, Wednesday Night Wrestling War week 3    47:40-51:42• House Cleaning Notes 51:53-END Linkshttps://itunes.apple.com/us/podcast/mercado-airwaves/id1197066772?mt=2https://www.patreon.com/MercadoAirwaveshttps://soundcloud.com/user-530853141https://www.youtube.com/user/mikemercado2333https://www.stitcher.com/podcast/mercado-airwaveshttps://mercadoairwaves.podbean.com/

Your favorite Minorities are back in the building, uncensored and ready to go! Kolby’s got beef with Marty Scorsese, Raul gushes over the announced Blindspotting series and Shama gets ready for FilmFest919

Ashton Kutcher fucks, Marty Scorsese thinks he's a big shot, and Bieber tells PETA to suck it! Ch ch check it out!

Josh and Tim examine the forgotten Marty Scorsese gangster film called Kitchen Nightmares Season 1 Episode 1 Peter's Italian.  Watch the episode here: https://www.youtube.com/watch?v=XKrWSnoKO3I&t=290s Rate, review and subscribe  peace xoxox

Vinyl Villain is one of those sample producers thats very rare to find, Lo & The Marty Scorsese of hiphop talked about finding his passion for producing, being a sample based producer, vinyls hunting, working with artists like eto, Sauce Heist, BA Badd, influences, how his single with CRIMEAPPLE came about, also we talked about how his logo came together & much much more!!! Instagram: @kxnglo @therealvinylvillain @fromthedeskoflo @datfeelinpodcast

FEAT. Wes Fang of Zilker Media and the EnTRUEpreneurship Podcast. TV: Grammy's Recap, Leo DiCaprio and Marty Scorsese reunited, ‘Friends' might be leaving Netflix, Summary ‘The Bachelor' Week 6. POP CULTURE: 21 Savage Released, RIP Rocket Racoon, Real (and fake) SXSW Band Names. BOOM. ROASTED: Valentine's Day Edition. MOVIES: Will Smith is feeling blue. Harry Potter could be the next Wolverine. Seth Rogan and The Lonely Island and the Fyre Fest movie. SPORTS: Kyler Murray is going to the NFL. Browns sign Kareem Hunt. AAF. AT THE BUZZER: Cheesy pickup lines for Valentine's Day.4:29 - TV15:54 - 'The Bachelor' Episode Recap20:40 - Pop Culture31:06 - Boom Roasted33:00 - Movies41:36 - Sports55:38 - At The Buzzer --- Send in a voice message: https://anchor.fm/buzzerpodcast/message

Jon and Greg have been bribed to take a dive this week, but they simply refuse! And they are giving it all they got, as they revisit the Marty Scorsese masterpiece, Raging Bull. Listen to audio commentary tracks from the Aspiring Snobs on Soundcloud: https://soundcloud.com/aspiring-snobs Subscribe to Aspiring Snobs on Apple Podcasts: https://podcasts.apple.com/us/podcast/aspiring-snobs/id1160080115 Subscribe to Aspiring Snobs on Spotify: https://open.spotify.com/show/2ovQVUS8LWkOtYweuOoRXR Subscribe to Aspiring Snobs on Stitcher: www.stitcher.com/podcast/aspiring-snobs Follow Aspiring Snobs on Instagram: https://www.instagram.com/aspiringsnobs/ Follow Aspiring Snobs on Twitter: twitter.com/AspiringSnobs Follow Aspiring Snobs on Facebook: www.facebook.com/aspiringsnobs/

On this big-hearted episode of Oeuvre Busters, Liam and George examine John Cassavetes's Minnie and Moskowitz, starring Gena Rowlands and Seymour Cassel. Topics covered in this episode: the manic madness of one Seymour Moskowitz; the nature of loneliness; the true meaning of the term butthurt, or arsehurt if you're English; Marty Scorsese's back massage technique; and why lunch dates go bad. Topics not covered: January 16. I gotta get in shape. Too much sitting has ruined my body. Too much abuse has gone on for too long. From now on there will be 50 push-ups each morning, 50 pull-ups. There will be no more pills, no more bad food, no more destroyers of my body. From now on, it will be total organization. Every muscle must be tight. And so forth!"Robobozo" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 License http://creativecommons.org/licenses/by/3.0/ See acast.com/privacy for privacy and opt-out information.

You may not have heard of Donna Smith — but she’s one of the most important players behind the scenes in Hollywood. Over the course of almost 40 years, she’s been instrumental in the production of 157 movies, including Raging Bull, The Terminator, Back to the Future, Jurassic Park, Schindler’s List and The Matrix. She’s also the first woman to serve as President of Physical Production and Post Production at Universal Pictures. Despite her enviable career and powerful position, Donna is down-to-earth and affable in this podcast. She offers invaluable advice for anyone looking to get ahead in the film industry, including who you should get to know, the importance of the “business” in show business, and getting started in the seven-year process from script to screen. This is a must-listen for movie fans, and Donna’s tales of working with Marty (Scorsese), Bobby (DeNiro) and Sly (Stallone) are every bit as inspirational as the films she’s helped bring to the silver screen.

Welcome to the inaugural episode of Oeuvre Busters! George and Liam talk about what the hell they think they're doing (they have no idea), and discuss John Cassavetes’s first film, Shadows. Listen to George mispronounce the title Goodfellas! Listen to Liam curse the corpse of Rudy Giuliani! Also, why is Marty Scorsese so damn quiet? And the guys are clearly in love with Rupert, and can you blame them? All this and more in what is the first, and most likely the last, episode of this all new podcast! See acast.com/privacy for privacy and opt-out information.

The 5th Scoring At The Movies podcast covers Ryan’s second-favourite “sport”… and that’s watching Tom Cruise be goofy, as we chat about The Color of Money.Okay, the intense superstar playing it silly is fun, but really the love is of pool. This solid sequel to The Hustler has Paul Newman reprising his classic role of Eddie Felson, now a liquor salesman who takes the flaky but wickedly talented Cruise on the road to learn and earn. But what are Eddie’s true motivations for taking Vincent under his wing? Is Eddie doing as well in life as he portrays or is it a sham? And does it even matter which of the two leads is the better pool player?Make your aggressive break on the snap…but then hear what what we have to say about Marty Scorsese’s pool opus.

On this episode of the Beat Club podcast, we chop it up with producer & Stew Alumni, Vinyl Villain! We discuss starting off as a DJ, being the "Marty Scorsese of Hip Hop," the power of collaboration & much more. We also challenge Vinyl Villain to cook up a beat on the spot using a sample we picked out. All this and more, while listening to beats sent in from around the world. Beatclubpodcast.com #WhereProducersAreHeard Producers: 80H3 Musiq @mrdeejayk Gilly C Lay Low LP Steve Chase @looseconnxshun @xbrettegan @crypticone GoldRush The Wreck Center Dr. Parker @steveskyline D'eriq Sanders @keyanobeats iLLa Truth Darnel Joseph @slimjones87 #BOTW

Jim discusses Marty Scorsese’s Kundun for part 2 of the Martin Scorsese religious themed trilogy series. @mangamiplayers --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/NCWJpodcast/support

We are on a Marty Scorsese kick apparently! Today, Ben and Megan review what has been debatably declared an even better gangster movie than The Godfather - Goodfellas. And we have a special guest, who actually got into a fight with Joe Pesci! Get ready for lots of cursing... --- Send in a voice message: https://anchor.fm/soimarriedacinephile/message

Shh! No talking during the service!  What's that?  We're not in church?  Somebody tell Marty Scorsese, because this film is one of the most reverent depiction of piety in all of cinema.  The heroes of this brutal film are the priests, but you needn't be religious to be captivated by their spirit.  Andrew and Phil both liked 'Silence' but Phil lamented that it could have been made with a more appropriate (read: less whitewashed) cast.  At one point, Gael Garcia Bernal was attached for the Andrew Garfield role.  The star of 'Hacksaw Ridge' performs admirably in this difficult role, but his overwhelming whiteness and unconvincing accent prevent a total immersion into the world of the film.  However, the overall impact is strong and results in one of the most memorable movies of the year. You can download the podcast here by right-clicking on the hypertext link and choosing "save as", or you can use the convenient player attached to this post.

Shh! No talking during the service!  What's that?  We're not in church?  Somebody tell Marty Scorsese, because this film is one of the most reverent depiction of piety in all of cinema.  The heroes of this brutal film are the priests, but you needn't be religious to be captivated by their spirit.  Andrew and Phil both liked 'Silence' but Phil lamented that it could have been made with a more appropriate (read: less whitewashed) cast.  At one point, Gael Garcia Bernal was attached for the Andrew Garfield role.  The star of 'Hacksaw Ridge' performs admirably in this difficult role, but his overwhelming whiteness and unconvincing accent prevent a total immersion into the world of the film.  However, the overall impact is strong and results in one of the most memorable movies of the year. You can download the podcast here by right-clicking on the hypertext link and choosing "save as", or you can use the convenient player attached to this post. Check out this episode!

Casey shares her experience with Martin Scorsese!

First, the winner of our “Pick Your Podcast” contest is announced right at the top of the 92nd episode of the T100P! Then we get into our longest discussion yet about Marty Scorsese’s first of many masterpieces. Robert De Niro & the whole cast stink of authenticity, as does 1970s NYC. We tackle mental illness, frustrated sexuality and of course loneliness. To better enjoy all that dark stuff, get yourself an order of Sparkplug Coffee!

No AFI Top 100 films here! This time we peruse and analyse 2 controversial Oscar nominees. The Wolf Of Wall Street, of course, stars Leo DiCaprio and was directed by the living legend Marty Scorsese, while the star-laden American Hustle was helmed by David O. Russell. Bring on the sex, drugs and swearing!