Podcast appearances and mentions of Pino Donaggio

Hickory dickory, Doc, Cain has picked his lock! NostalgiaCast goes a little mad with a De Mented, De Ranged, and De Lightful look back at Brian De Palma's RAISING CAIN, starring John Lithgow, Lolita Davidovich, and Steven Bauer. Horror Movie Maven and friend of the 'Cast Lindsay Washburn joins Jonny and Darin to discuss the movie's breathtaking tracking shots, tour de force performance from Lithgow, and oversized decorative sundials. Also discussed: the director's cut of the film that came from the unlikeliest of places.

“EL FANTASMA DEL PARAISO” es una película de los inicios de Brian De Palma. Estamos ante una película difícil de encuadrar en un género, ya que algunos la consideran un musical, otros una película de suspense, de terror o incluso una comedia. Todo un batiburrillo de géneros, pero que con el tiempo se convirtió en un film de culto. Para hablar de “El fantasma del Paraíso” nos juntamos Javier Jiménez de Sevilla y Paco Dolz de Valencia, con Sergio Arán de Canarias, que ya ha participado con nosotros en otros programas y con Ricardo Pablo López, colaborador de Destino Arrakis, podcast de referencia sobre cine en España, que comparte con nosotros su amor por el cine. Hablamos de las constantes del cine del director como narrador cinematográfico, con sus largos planos secuencia, tomas imposibles, pantallas divididas, etc También repasaremos su cuidado exquisito en la elección de los compositores que buscó para sus películas, entre los que Pino Donaggio y Ennio Morricone fueron los que colaboraron con el en más ocasiones. Advertimos que además de este película, en FILMIN, hay disponible gran cantidad de la filmografía de este director.

Scored to Death Radio is back with another brand-new episode celebrating the music of werewolves and werewolf movies! Host J. Blake Fichera guides listeners through a curated playlist highlighting scores from 1941-2025 and featuring music from composers Hans Salter, Danny Elfman, Benjamin Wallfisch, Jay Chattaway, Pino Donaggio, Ennio Morricone, Elmer Bernstein, and much more. —— Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Joe Wiles, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Jim Wilson, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar, Brent Osterberg, Jérôme Flick, Sarah Brouns, Aaron Collins, Randall Derchan, Angela Rabatin, Michael Poteet, Larry Reese, Thomas Tinneny, William Burke, Rudy Amaya, Stacy Livitsanis, Rick Laird, Carl Wonders, Nathan Blumenfeld, Lee Wileman, Daniel Herrin, Scott Bordelon, James Alexander, Brett French, Ian Clark, Ron, Andy Gray, Joel Nichols, Steve Daniel, Corey O'Brien —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

After being exposed to the so-called bad boys of bodybuilding with Double Trouble last year, Dave decided to pick the breakthrough movie for Peter and David Paul. The Canon Films sword-and-sorcery adventure, The Barbarians. The Barbarians (1987) was a quintessential example of 1980s sword-and-sorcery filmmaking, helmed by cult director Ruggero Deodato, best known for his controversial work on Cannibal Holocaust. Shot on location in Italy and Yugoslavia, the film embraced the rugged landscapes and ancient ruins of Eastern Europe to create its gritty, fantastical world. The producers, including the legendary Cannon Group, aimed to capitalize on the success of films like Conan the Barbarian, infusing the project with a mix of campy action and over-the-top theatrics. Real-life bodybuilder twin brothers Peter and David Paul, dubbed "The Barbarian Brothers," were cast as the lead warriors, their muscular physiques and comedic chemistry serving as the film's primary draw. The production leaned heavily into the aesthetics of the genre, with elaborate costumes, oversized weapons, and practical effects dominating the visual style. Special care was given to creating the film's larger-than-life set pieces, which often featured a mix of brutal combat and exaggerated physical comedy. The soundtrack, composed by Pino Donaggio, added an epic, adventurous tone to the film. While The Barbarians was far from a critical success, it gained a cult following for its unabashed embrace of cheesy spectacle and campy performances. Deodato's direction ensured that the film maintained a self-aware sense of humor, making it a memorable, if not particularly polished, entry into the sword-and-sorcery genre. If you enjoy the show we have a Patreon, so become a supporter. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.patreon.com/thevhsstrikesback⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Plot Summary Twin brothers Kutchek and Gore are raised as slaves after their peaceful tribe is attacked by the tyrannical warlord Kadar. They grow into mighty warriors determined to reclaim their freedom. Separated as children and forced into gladiatorial combat, the brothers reunite and embark on a quest to rescue their people and recover a magical ruby that holds the key to their tribe's survival. Along the way, they face off against Kadar's forces, monstrous creatures, and treacherous obstacles, relying on their strength, courage, and occasionally bumbling teamwork. ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠thevhsstrikesback@gmail.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://linktr.ee/vhsstrikesback⁠

Conspiración y paranoia en un thriller de culto de Brian De Palma. Impactante como el sonido del motor de un coche que se aproxima, el reventón de un neumático, y salvarle la vida a una chica con aire ingenuo de la que te vas a enamorar, si rizamos el rizo, el piloto cadáver resulta ser un candidato a la presidencia del país. Y la ciudad de Filadelfia, emblema de la independencia y la campana de la libertad. Los personajes de este film no son libres en absoluto. Con el reciente escándalo de Chappaquiddick de fondo, suceso en que murió la acompañante del senador Ted Kennedy, o la propia grabación de la muerte real de su hermano, JFK. Jack y Sally viven una relación condenada al fracaso. Un técnico de sonido y una maquilladora que hace trabajitos extras de dama de compañía. Las notas de piano de Pino Donaggio acentúan el sabor amargo de los besos de Jack y Sally, la atracción y la tragedia. La psicosis de John Lithgow, asesino del acervo de De Palma, los clásicos de Hitchcock siempre ahí, la escena en la ducha del slasher, o algunos planos cenitales y de ventanas indiscretas. De Palma es un voyeur, igual que nosotros, el Vértigo del maestro también planea sobre la obsesión de Jack, el técnico de sonido antes trabajó para la policía, igual que James Stewart, y salva a su amada de perecer ahogada, La labor del operador Vilmos Zigmond incrementa el pesimismo y la oscuridad reinantes, travelling desesperados, la lente bifocal, los giros excesivos de 360 grados, en una ocasión llega a marear al espectador con Travolta saliendo y entrando en el plano varias veces, la pantalla partida, un absoluto ejercicio de estilo y puesta en escena. De Palma hace un homenaje al cine con el ingeniero de sonido rehaciendo toma a toma lo que vio aquella noche, sincronizando el sonido, desvelando lo imperceptible. Esta noche escuchamos el grito de terror más real… Chari Medina, Salvador Limón, Juana Ruiz, Zacarías Cotán y Raúl Gallego

Tabitha! We're taking Carrie White to the prom with a look at Stephen King's first feature film adaptation: Brian De Palma's 1976 classic, Carrie. Up for discussion: debate over Carrie as Monster, a satire of religion, our love of Miss Collins, Pino Donaggio's score, and why Trace implores everyone to watch Chris' death scene in the 2013 remake. References: > Brant Lewis. “They're All Going to Laugh at You – Exploring the Queer and Trans Lens of Carrie.” Slay Away > Brandon Trush. “The Power of Identity and Queer Liberation in Carrie” Bloody Disgusting Questions? Comments? Snark? Connect with the boys on Instagram, BlueSky, Youtube, Letterboxd, Facebook, or join the Facebook Group to get in touch with other listeners > Trace: @tracedthurman > Joe: @bstolemyremote  Be sure to support the boys on Patreon!   Theme Music: Alexander Nakarada   Learn more about your ad choices. Visit megaphone.fm/adchoices

16è programa de la 16a temporada, amb la música de Pino Donaggio per la pel·lícula 'Vestida para matar' ('Dressed to kill',1980); la participació, via telefònica, de n'Anna Cornudella, directora de 'Human hibernation' (2024); el control tècnic i la continuïtat d'en Luis Vela; més la coordinació d'en Rossend Torrents, qui fa una crònica completa de les estrenes de divendres 17. podcast recorded with enacast.com

"'Cause the free wind is blowin' through your hairAnd the days surround your daylight thereSeasons crying no despairAlligator lizards in the air, in the air"Well, there'll be no Alligator Lizards but lots of great tunes on this week's Super Sounds Of The 70's. Joining us are Patti Smith, David Bowie, Roxy Music, Jeff Beck, The Alan Parsons Project, Bob Dylan, Batdorf and Rodney, Leon Russell, Jonii Mitchell, Queen, Rockpile, Lou Reed, Stevie Wonder, Kenny Rankin, Talking Heads, Earth, Wind & Fire, Ian Hunter, The Kinks, Steely Dan, David Essex, Pino Donaggio, Doobie Brothers, Van Morrison and America.

We're taking a look at horror in the 1970s with Nicolas Roeg's 1973 classic Don't Look Now! Join in as we discuss the movie's handling of grief, its (in)famous sex scene, Pino Donaggio's score, and Donald Sutherland's near-death experience onset. Plus: How did they make Venice look so unappealing? Why does Donald Sutherland's hair look like that? How did the movie avoid further censorship? And, most importantly, did they ever catch the killer? Make sure to rate, review, and subscribe! Next week: The Ring (2002)

Eric & Serling grapple with the burning question of "Just how much subtlety can a kid take these days?".  Join us in the shadows and complexities of 1942's "The Cat People".Send us a text

Bright Light Bright Light, aka Rod Thomas, is an entirely independent pop superstar based in New York City.Hailing from Wales, Rod has rewritten the rulebook for being a singer songwriter without major label backing, mostly through tremendously hard work, and an ever-growing back catalogue of bangers. He's been backed, endorsed, and collaborated with legends like Sir Elton John, Erasure, Scissor Sisters and Ultra Naté over the years, but the latest Bright Light Bright Light album, Enjoy Youth, is Rod's most critically and commercially successful yet.We discuss music by Björk, Pino Donaggio, and Grace Jones.Further reading:Follow Bright Light Bright Light on InstagramPurchase Enjoy Youth hereCheck out Rod's Grace Jones playlist hereThe other bits:Tracks of Our Queers is recorded and edited between Gadigal and Ngarigo land by me, Andy GottListen to all of the music discussed in the pod with the Selections from Tracks of Our Queers playlistYou can email me with your own queer tracks or guest recommendations at tracksofourqueers@gmail.comOur beautiful artwork is illustrated by Luke TribeSend us a textSupport the showHelp keep Tracks of Our Queers ad-free by shouting me a coffee right here. Thank you for your support.

Join Eric & Serling in the Scare Closet for a record-setting episode of DDSH.  We talk "Carrie" in all her gory glory.Send us a text

Hubo un tiempo en el que Hispania fue una provincia más del Imperio Romano. Durante siete siglos estuvimos bajo dominio romano, en contacto o bajo la influencia directa de su cultura.Tanto roce tuvo sus consecuencias. Asimilamos sus leyes, su forma de gobierno, sus costumbres y su cultura. Nuestra lengua común y el actual italiano comparten la raíz latina. Por ello, no nos resulta demasiado difícil entendernos con los descendientes de Julio César. En este capítulo de Los Intocables celebramos esa historia común disfrutando con las canciones que nos han dejado algunos de los italianos más populares de las últimas décadas en España. Suenan:1.-L'italiano. Toto Cotugno.2.-Será porque te amo- Ricchi e Poveri.3.-Tu vuo' fal' l'americano. Renato Carosone.4.-Estrella del Rock. Mina.5.-Linda. Pooh.6.-Come Sinfonía. Pino Donaggio.7.-En el amor todo es empezar. Raffaella Carrá.8.-Mr Mandarino. Matia Bazar.9.-Poco a poco me enamoré de ti. Collage.10.-Margarita. Riccardo Cocciante.11.-Una lacrima sul viso. Bobby Solo.12.-Il mio mondo. Umberto Bindi.13.-No pensare a te. Iva Zanicchi.14.-Non succederà più. Claudia Mori & Adriano Celentano.

Reciban un cordial saludo. Desde Cali (Colombia), les habla Sergio Luis López, compartiéndoles un nuevo episodio de "Así la escuché yo..." En 1971 se publicó el álbum "Nicola Di Bari en Viña" en el cual este artista italiano presentó una de sus canciones emblemáticas titulada "El último romántico". Así la escuché yo... Este éxito de Nicola Di Bari es en realidad una versión al castellano de la canción grabada por el cantautor italiano Pino Donaggio, quien la coescribió con su compatriota Vito Pallavicini, la cual viene incluida en el álbum "L'ultimo romantico (Concerto per Venezia e ultre canzoni)" publicada en 1971, originalmente en italiano bajo el título "L'ultimo romantico". ¿Y tú, conocías la canción original en italiano de Pino Donaggio? Autores: Pino Donaggio & Vito Pallavicini (italianos) El último romántico - Nicola Di Bari (1971) "Nicola Di Bari en Viña" álbum (1971) Nicola Di Bari (nombre real Michele Scommegna, italiano) L'ultimo romantico - Pino Donaggio (1971) "L'ultimo romantico (Concerto per Venezia e ultre canzoni)" álbum (1971) Pino Donaggio (nombre real Giuseppe Donaggio, italiano) ___________________ “Así la escuché yo…” Temporada: 8 Episodio: 38 Sergio Productions Cali – Colombia Sergio Luis López Mora

Welcome back to purgatory!!! Sorry for the delay but Jo, Byce & Jeremy just moved into a house. This week Jo, Mike and Jeremy talk about some of their favorite 70's tracks, either Soul, R&B or Rock N Roll we talk about it all!!! Thanks for checking us out and if you'd like to find out back catalog go to Podbean.com Outro Track "Coed Frenzy Disco" by Pino Donaggio from the Blow Out soundtrack https://youtu.be/OewRitqeMjY?si=_4Smw3RCZkaxcIPO  

Luis Ponce vuelve a Maula para proseguir junto a Villalobos su laborioso y detallado paso por la filmografía escogida de Brian de Palma. Ahora le toca a Carrie, un filme seminal del que hablan no sólo desde el ángulo de la película misma, sino también comparándola con los filmes que siguieron (o trataron de seguir) sus pasos. 

Caros ouvintes, vocês deve estar se perguntando porquê eu os reuni aqui hoje: pois bem, vamos desvendar as melhores trilhas de cinema feitas para obras de Agatha Christie. Dentre os suspeitos, temos Nino Rota, Bernard Herrmann, Richard Rodney Bennett, Pino Donaggio, Patrick Doyle e Hildur Gudnadottir. Investigue, junte as peças e veja se adivinha nossas músicas preferidas do whodunit.

Con The Bobbettes, The Harptones, Dion Dimucci, Frankie Valli and the Four Seasons, Art Garfunkel, Wayne Chance, Andrew Strong, T Bone Burnett, Pino Donaggio, The Ray Charles Singers, Josephine Baker, Los Mustang, Extremoduro, Junco, Carlangas y los Cubatas, Templeton, Wild Honey y Family.

Was your high school prom an absolute nightmare? Carrie White can relate and then some! For the third week in our horror series, we dive into the film adaptation of Stephen King's spectacularly tragic tale, Carrie - which not only was King's first published novel, but also his first book to be adapted into a film! In this episode, Georgia and John discuss how Brian De Palma and George Lucas shared casting calls for Carrie and Star Wars, the split screen editing and cinematography choices, Pino Donaggio's haunting score, the richly deserved (and unheard of for a horror film) Oscar nominations for Sissy Spacek and Piper Laurie, the impressive car stunt by Dick Ziker, the interesting differences between the book and Lawrence D. Cohen's screenplay, Hitchcock comparisons, and the genesis of the jump scare. Stop on by and geek out with us, because if you miss this episode, they're all gonna laugh at you!

El gran Luis Ponce vuelve a Maula para hablar de una joya del cine de los 80: la película donde Brian de Palma dio rienda suelta a su obsesión con la edición del sonido y la diferencia entre lo que se percibe y lo que se recuerda. Mucha trivia del director, muchas referencias a otras películas suyas y un desvío donde Luis habla de otra de sus obsesiones, la conexión del cine de la paranoia setentera con Charles Manson y el MK Ultra. 

Auweia! Während CHUCKYS BABY (Seed of Chucky, 2004) zumindest noch sporadische Freuden bietet, sind wir von CURSE OF CHUCKY (2013) doch sehr enttäuscht. Dabei würde es schon helfen, wenn in der ersten Stunde des sechsten Teils der CHILD's PLAY-Reihe mehr passieren würde als, nun ja, fast gar nichts. Aber immerhin: John Waters und ein toller Score von Pino Donaggio. Ach nein, das war ja der fünfte Teil. Wir sind verwirrt…?!

Núm.233 Josep Maria Andreu i els cantautors italians en català: Jimmy Fontana, Pino Donaggio, Rita Pavone i Tony DallaraNúm.233 Dimarts 9 de maig de 2023 a les 9 del vespre el programa presentat per Laia De Luca i Rafel Hidalgo. En Josep Tero ha preparat aquest homenatge a Josep Maria Andreu. Aquest segon bloc reuneix quatre cantants italians amb vuit cançons: “Neix una vida” (Jimmy Fontana); “Jo que no puc viure sense tu” i “Motiu d'amor” (Pino Donaggio); “Només tu”, “Plip”, “Supercalifralisticexpialidosos” i “Aquest vespre” (Rita Pavone); i “El seu nom és Maria” (Tony Dallara).N.233 Martedì 09/05/2023 ore 21 il programma presentato da Laia De Luca e Rafel Hidalgo. La seconda parte del nostro omaggio ai cantautori italiani solidali con la lingua catalana vede quattro voci e otto canzoni: Jimmy Fontana, Pino Donaggio, Rita Pavone e Tony Dallara.

Diane and Sean discuss the Brian De Palma film of Stephen King's novel, Carrie. Episode music is, "Sue's Dream" by Pino Donaggio from the OST.-  Our theme song is by Brushy One String-  Artwork by Marlaine LePage-  Why Do We Own This DVD?  Merch available at Teepublic-  Follow the show on social media:-  IG: @whydoweownthisdvd-  Twitter: @whydoweownthis1-  Follow Sean's Plants on IG: @lookitmahplantsSupport the show

Núm.223 En català: Mina, Rita Pavone, Jimmy Fontana, Gianni Morandi, Luigi Tenco, Pino Donaggio, Tony Dallara, Donatella Moretti, Giorgio Conte.Núm.223 Dimarts 10 de gener de 2023 a les 9 del vespre el programa presentat per Laia De Luca i Rafel Hidalgo. Josep Tero presenta Mina (Se'n va anar), Rita Pavone (Ell), Jimmy Fontana (El món), Gianni Morandi (Si no et tingues ja mai mes), Luigi Tenco (Ciao amore), Pino Donaggio (El seu nom és Maria), Tony Dallara (Norma), Donatella Moretti (He vist com sorties), Giorgio Conte (La cançó del lladre); tots ells cantant en català; Raimon i Salomé (Se'n va anar). N.223 Martedì 10/01/2023 ore 21 il programma presentato da Laia De Luca e Rafel Hidalgo. Il cantautore mediterraneo Josep Tero presenta degli interpreti italiani con canzoni in catalano: Mina (Se'n va anar), Rita Pavone (Lui), Jimmy Fontana (Il mondo), Gianni Morandi (Se non avessi più te), Luigi Tenco (Ciao amore), Pino Donaggio (Il suo nome è Maria), Tony Dallara (Norma), Donatella Moretti (Ti vedo uscire), Giorgio Conte (La canzone del ladro); cantano tutti in catalano come pure Raimon e Salomé (Se'n va anar).

Une fois n'est pas coutume pour Halloween on affronte nos peurs, et cette année on fait face au pire du pire de l'horreur : les poupées. Heureusement on est accompagnées de la poupée ultime, le plus blonde de toutes les blondes, et la plus serial killeuse de tous les serial killer : Tiffany Valentine de Chucky ! A la fois protagoniste et antagoniste, naïvement amoureuse et meurtrière, avec Tiffany on est pas sur le même registre que Barbie. Mais de la même manière qu'une héroïne toute gentille nous intéresse, une mauvaise personne complexe et modelée par une vision du monde misogyne nous intéresse aussi. Ah et elle est aussi construite par Hollywood et le vaudou... Pourquoi les poupées ça fait si peur ? Est-ce que la Fiancée de Chucky n'est QUE la fiancée de Chucky ? Pourquoi Tiffany et la franchise Chucky c'est méga queer ? Tiffany réussira-t-elle à se libérer d'un tueur manipulateur horrible ? Le fera-t-elle en devenant pire que lui et encore plus instable ? Tout ça et plus encore pour cet Halloween où, spoiler alert, on rit plus qu'on a peur. P.S. Oui Jade dit « jour du mot » au lieu de « mot du jour » trois fois d'affilée sans qu'aucune de nous deux ne s'en rende compte... Continuons cette tendance en faisons tous.tes comme si on n'avait rien entendu et ne foutons pas la honte à Jade merci bisous. Merci à Jayhan (@JayhanOfficial) pour les super intro et outro ! Tu peux nous suivre sur Twitter et Instagram : @codexespod et aussi nous laisser une note et un commentaire sympa si tu veux. Force et amour. Et joyeux Halloween ! Ressources : - « The true story of the doll that inspired Chucky », article (en anglais) sur Robert The Doll, Annabelle et d'autres trucs hantés, de Benito Cereno. 2021 https://www.grunge.com/156439/the-true-story-of-the-doll-that-inspired-chucky/ - « There's a Psychological Reason Dolls Are So Spooky » article (en anglais) de Shayla Love pour Vice. 2018 https://www.vice.com/amp/en/article/wj4ngb/this-is-why-we-think-dolls-are-creepyutm_sourcetonicfbus - « Your Friend 'Til the End: An Oral History of Child's Play », interview (en anglais) des créateurs de Chucky par Jake Rossen pour Mental Floss. 2016 – article mis à jour en 2019 https://www.mentalfloss.com/article/88064/your-friend-til-end-oral-history-childs-play - Podcast (en anglais) « Chucky Talks with Jennifer Tilly Part 1 & 2 » d'Alex Vincent et Christine Elise. 2022 https://www.youtube.com/watch?v=jPuOmcT4UWQ&ab_channel=ChuckyTalks - Podcast (en anglais) « Horror Queers: A Chucky Extravaganza! feat. Don Mancini ». 2022 https://podcasts.apple.com/us/podcast/a-chucky-extravaganza-feat-don-mancini/id1449041559?i=1000580883971 - « How “Child's Play” Became The Funniest, Most Reliably Surprising, And Queerest Slasher Series » article (en anglais) de Louis Peitzman pour Buzzfeed News. 2017 https://www.buzzfeednews.com/article/louispeitzman/how-childs-play-became-the-funniest-most-reliably - « Chucky's Gay Creator Don Mancini on His Queerest Project Yet » article (en anglais) de Rachel Shatto pour The Advocate. 2021 https://news.yahoo.com/chucky-gay-creator-don-mancini-153643117.html - Pour le plaisir : vidéo «Tiffany Being a Legend for 10 Minutes » de la chaîne officielle Chucky. https://www.youtube.com/watch?v=oaFs3g4HPC0&list=PL9TlZrOUzUbSCx-ZuTx-i7Wz-3HbTVUBj&index=33&ab_channel=CHUCKYOfficial - Ce que Chucky pense de la future nouvelle poupée de l'horreur M3GAN https://twitter.com/ChuckyIsReal/status/1580243519418966016 - Call Me de Blondie, morceau de la BO de Bride of Chucky joué pendant l'épisode. - I Heard It Through The Grapevine de The Slits, morceau de la BO de la série Chucky joué pendant l'épisode. - Paparazzo's Delight / Jennifer's Windows / Designs by Tiffany de Pino Donaggio, morceau de la BO de Seed of Chucky joué à la fin de l'épisode. - Cover de Living Dead Girl par Despite Loyalty, morceau de la BO de Bride of Chucky joué à la fin de l'épisode.

前两周的一个微博事件不得不说让我们三位主播都有些诧异：我们都是通过二手途径了解到了这次“高铁卫生巾”的问题，所以也不约而同地以为这是有关免费提供卫生用品的争论。但万万没想到，连高铁上售卖卫生巾都能招来一批反对者，整个热搜下的舆论战可谓荒谬。于是，我们也借助这个档口聊了聊我们所经历的、所了解的关于月经的各种误解、附会和争端，谈一谈我们对公共服务的思考。主持人：姚天宜常驻嘉宾：竹溪、鬼王橙参考作品：《月经不平等》，作者：艾莉丝·迪艾波《月事革命》，导演：瑞卡·泽哈布奇结尾音乐：“Theme from Carrie”，音乐人：Pino Donaggio若对我们的节目感兴趣，可以在“巴别塔词典编辑部”微信群（添加微信号playtimeguy）、即刻“巴别塔词典播客组”以及新浪微博“@巴别塔词典”联系我们！

"You Don't Have to Say You Love Me" (originally a 1965 Italian song, '"Io che non vivo (senza te)", by Pino Donaggio and Vito Pallavicini) is a 1966 hit recorded by English singer Dusty Springfield.Cover by Franco Cianflone at GS studios Hosted on Acast. See acast.com/privacy for more information.

No Varacast #87 vamos falar sobre filmes abraçados pelos gays, mas que não são necessariamente obras voltadas para esse público. Usando um termo pejorativo, seria algo tipo “filme viado”. O nosso porcolunista Ramon Prates convida Gustavo Camargo, do podcast Papo de Trilha, para comentar sobre alguns desses filmes e analisa quais os motivos que levaram eles a serem classificados como “filmes viados”. Neste Episódio: Gustavo Camargo estreia no Varacast para falar filmes abraçados pelos gays, enquanto Ramon Prates conduz a conversa e aprende bastante com Gustavo sobre a classificação "filmes viados". Sente-se, ponha seu fone de ouvido e se divirta conosco nessa lama. Comentados nos programa: Top Gun: Maverick Papo de Trilha - Ep 76: Pino Donaggio & Brian De Palma Blu-ray + DVD - Scream, Queen! A Hora do Meu Pesadelo - GIFTSET na FAMDVD --- Send in a voice message: https://anchor.fm/varacast/message

De Palma! Donaggio! Demúsica! É tudo o que você precisa saber sobre este episódio da série Os Bons Companheiros. Obs.: Ninguém foi assassinado durante este podcast.

Media Monarchy plays Pino Donaggio, Thee Sacred Souls, The Sha La Das and more on #PumpUpThaVolume for February 10, 2022. ♬

Los Terrícolas de Venezuela lanzaron en 1974 la canción “La verdad es que me gustas” en la voz de su cantante Néstor Daniel Hoyer. Así la escuché yo… “La verdad es que me gustas” de Los Terrícolas es en realidad una versión al español de la canción que tres años antes, en 1971, grabara el artista Pino Donaggio, originalmente en italiano bajo el título “La verità è che mi manchi”. El propio Pino Donaggio también grabó su versión al español en 1972 titulada “Y la verdad es que me faltas”. ¿Y tú, conocías la versión original? Autor: Pino Donaggio (italiano) - Versión al español Antonio Guijarro (para Pino Donaggio) - Versión al español Johnny Hoyer (para Los Terrícolas) La verdad es que me gustas - Los Terrícolas (1974) “Te amaré” álbum (1974) Canta: Néstor Daniel Hoyer (venezolano) Y la verdad es que me faltas - Pino Donaggio (1972) “Imágenes de amor - Pino Donaggio en español” álbum (1972) La verità è che mi manchi - Pino Donaggio (1971) “Immagini d'amore” álbum (1971) Pino Donaggio (nombre real Giuseppe Donaggio, italiano) ___________________ “Así la escuché yo…” Temporada: 4 Episodio: 56 Sergio Productions Cali – Colombia

Host J. Blake Fichera kicks off the New Year with a deep dive into the musical world of Italian horror and thriller cinema—featuring works by Ennio Morricone, Pino Donaggio, Riz Ortolani, Stelvio Cipriani, and more from such films as THIEVES AFTER DARK, FOUR FLIES ON GREY VELVET, CANNIBAL HOLOCAUST, DEVIL'S NIGHTMARE, SHOCK, ZOMBIE 4: AFTER DEATH, TRAMA, and more. Purchase both SCORED TO DEATH books by going to scoredtodeath.com Special thanks to our Patreon supporters: Matt DeWater, David Ballantyne, Mindtrickzz, Joe Wiles, Rich Alves, Maxime, William Welch, Tim Burden, Alan Rogers, Dave Williams, Max Hamulyák, Jeffrey Graebner, Douglas Lacey, Don Mase, Victor Field, Jochen Stolz, Emily Mason, Eric Skroch, Alexander Schiebel, Alphonse Brown, John Link, Andreas Wennmyr, Matt Berretta, Eldaly Morningstar, Elizabeth, Glenn McDorman, Chris Malone, Steve Karpicz, Deniz Çağlar & Brent Osterberg. —— Cinematic Sound Radio is fully licensed to play music by SOCAN. Support us on Patreon https://www.patreon.com/cinematicsoundradio Check out our NEW Cinematic Sound Radio TeePublic Store! https://www.teepublic.com/stores/cinematic-sound-radio Cinematic Sound Radio Web: http://www.cinematicsound.net Twitter: http://www.twitter.com/cinsoundradio Facebook: http://www.facebook.com/cinematicsound Cinematic Sound Radio Fanfare and Theme by David Coscina https://soundcloud.com/user-970634922 Bumper voice artist: Tim Burden http://www.timburden.com

Bradford and Eric feel the stink of the filthy roadhouse whiskey in Brian De Palma's Hitchcockian Stephen King adaptation Carrie, featuring Sissy Spacek and Piper Laurie in Oscar-nominated performances. And while they may not see eye to eye on the film, the last half hour provides a master class in suspense, and even Eric has to admit he's impressed. Background (spoiler-free) 0:00-14:19 Discussion (spoiler-heavy) 14:20-43:00 Awards (spoilers for days) 43:01 Hear Bradford's impression of Piper Laurie doing Margaret White's "filthy roadhouse whiskey" monologue at 5:38. Our theme music is by Sir Cubworth, with selections from the "Carrie" soundtrack by Pino Donaggio. For more information on this film, essays from your hosts, and other assorted bric-a-brac, visit our website, 21jumpscare.com. Please subscribe to this podcast in Apple or Google Podcasts, Stitcher, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a rating! Follow us on Facebook. Follow us on Instagram. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Carrie: Secuelas: “The Rage”, “Carrie 2” y dos remakes (2002 para TV y 2013). Presupuesto: 1.8 millones de USD. Recaudación: 33.8 millones de USD. Año: 1976. Director: Brian De Palma. Actores: Sissy Spacek (Carrie White), Piper Laurie (Margaret White), Amy Irving (Sue Snell), John Travolta (Billy), William Katt (Tommy), Nancy Allen (Chris), P. J. Soles (Norma) y Betty Buckley (Miss Collins). ¿De qué trata la película?Carrie es una chica tímida de dieciséis años, nada popular, que sufre acoso y burlas por parte de los estudiantes de su escuela y vecinos. Vive con su madre, una mujer fanática religiosa y, debido a su estricta educación, no tiene amigos y se le dificulta tenerlos. Descubrirá que tiene poderes telequinéticos cuando entra en estado de histeria, con los cuales obtendrá su dulce venganza.Sobre la novela:La novela “Carrie” fue la primera publicación de King y la que lo hizo famoso. La razón por la que decidió crearla fue porque le dijeron que no podía escribir desde la perspectiva de una mujer. Todos los autores tienen sus retos y él decidió sobrepasarlo. Tan pronto terminó el primer borrador, se decepcionó y lo tiró a la basura. Su esposa Tabitha lo vio, lo sacó y lo leyó. Le gustó tanto la premisa que le dijo que le ayudaría con anotaciones y esto fue un acierto: A nivel personal, King logró sobreponerse a sus miedos. Algo que todos debemos hacer, no dejarnos vencer antes de la pelea. La envió a muchas editoriales, pero no fue aceptada inmediatamente. Después de varios intentos, un día le llamó su esposa al trabajo y le dijo que lo había conseguido. Le enviaron su primer cheque y con esto pudo dedicarse a su sueño: escribir. Renunció a ser profesor de literatura y lo demás es historia. El personaje principal, Carrie, se convirtió en una leyenda. King, por lo general, construye personajes con base en experiencias de la vida real. ¿Cómo creó a la protagonista?Es una mezcla de dos mujeres que conoció en la escuela, las define como “las mujeres que inspiraron la personalidad de Carrie White, la historia de venganza y la concepción de mujeres empoderadas que toman rienda de su vida”.“Carrie”, dentro del género, toca temas que por mucho tiempo han sido considerados vergonzosos o indecentes. Por ejemplo, aborda a detalle la menstruación, la sexualidad, los cambios que se sufren en la pubertad, los efectos del bullying severo, el abuso de los padres y las prácticas religiosas extremistas.¿Cómo llegó a la premisa de la película? Una adolescente que, al despertar en su madurez sexual, descubre que posee poderes de telequinesia. En las noticias vio historias de poltergeist: esto es “un fantasma o un ser sobrenatural responsable de disturbios físicos como ruidos o movimientos de objetos”. Un caso acusaba a una chica de mover ciertos objetos en su casa. Las mujeres con pseudónimos Tina y Sandra: Tina fue a la primaria con King, era muy callada, se sentaba siempre atrás y era bulleada porque cada día llevaba la misma ropa. Incluso cuando compró ropa nueva, el bullying continuó. Por otro lado, Sandra vivió cerca de la casa de King y fue criada por una madre soltera. Un día, él ayudó a la madre a mover ciertos muebles y, al entrar a la casa, se sorprendió al ver un enorme Jesucristo en la pared detrás del sofá. Llegó a pensar que, si se caía, podría matar a los que estuviesen ahí sentados. Sandra vivía aislada porque sus compañeros no la trataban debido a las convulsiones que sufría y a su extraña forma de vestirse. Ambas murieron antes de los treinta años. Tina se suicidó y Sandra murió de una embolia, sola, en su apartamento. Diferencias entre libro y película:La adaptación es muy buena, muchas escenas ocurren casi igual que en el libro. La cinta del 76 tuvo que cortar muchos aspectos importantes en torno al clímax, pero el director De Palma hace un excelente trabajo contando su historia y demostrando que es posible ser eficiente y conservar el mismo mensaje. El libro tiene combinaciones narrativas. Por un lado, tenemos la cronología de los hechos que desenlazaron en la destrucción de todo el pueblo. Una investigadora acude a los testigos sobrevivientes para indagar sobre las motivaciones detrás de acciones trascendentales. También se presentan extractos de libros y/o publicaciones académicas referentes al descubrimiento de los poderes telequinéticos de Carrie, dando un soporte científico con bandos a favor y en contra. Esto agrega una capa de realidad, de que el hecho pasó y cuáles fueron las consecuencias del mismo.Producción: Es la primera adaptación para el cine de una novela del escritor Stephen King. Recibió un pago de $2,500 dólares por los derechos. King menciona que en aquellos años era joven y no le importó que la cantidad fuera poca, ya que era su primera obra. Brian De Palma la leyó y le pareció muy terrorífica, por lo cual se apresuró a contactar a su agente para realizar la adaptación y le sorprendió que nadie hubiera comprado los derechos aún. Es considerada una de las películas más terroríficas de la historia por las actuaciones de Sissy Spacek y Piper Laurie. Dichas actrices fueron nominadas a los premios Oscar de 1977 en las categorías de mejor actriz y mejor actriz de reparto. La mayoría de los actores después se volverían muy reconocidos, el caso más notorio es el de John Travolta, pero también están las actrices Nancy Allen (Saga “Robocop”) y P. J. Soles (“Halloween”). Curiosidades: Existe el rumor de que la actriz Carrie Fisher iba a interpretar a Carrie White y Sissy Spacek a la Princesa Leia, esto fue desmentido por la misma Carrie Fisher, pero hay otros actores y actrices que aseguran que audicionaron para ambas películas. Tal es el caso del actor William Katt, quien si audicionó para el papel de Luke Skywalker y la actriz Amy Irving para el papel de la Princesa Leia. Otro dato es la influencia de Alfred Hitchcock en el director Brian De Palma: el nombre de la escuela es “Bates Highschool”, una referencia al personaje de Norma Bates; Pino Donaggio compuso la música y utilizó las mismas cuatro notas de violín que usó el compositor Bernard Herrmann en “Psycho”, para el efecto de los poderes de Carrie. ¿Qué te gustó de la película? Me agrada mucho ver historias de los años 70 y más cuando hay un baile de graduación en alguna escena, este evento es muy importante en la juventud, no sé si hoy tenga la misma importancia. El tema del bullying y cómo las personas hacen cosas muy crueles para burlarse y hacer sentir mal al débil. La primera escena me sorprende mucho, ya que es algo natural en la mujer (menstruación), pero las otras chicas en lugar de sentir empatía o apoyarla, se burlan. La pérdida de la humanidad de Carrie al consumirse por la ira, venganza. La actuación de Sissy Spacek y Piper Laurie, sobre todo esta última. El personaje fanático religioso llega a ser odioso, pero es parte de la interpretación de Piper, de hecho, hay un personaje similar en un relato de Stephen King, “La niebla”, y tiene el mismo efecto. Tanto la novela como la película tienen un giro significativo en cuanto a la presencia de las mujeres. Se enfoca en lo que viven, incluso se le etiqueta como una película feminista. La mayoría de los personajes son mujeres, la relevancia de los personajes masculinos queda al margen. Esta situación típicamente se ve al revés durante su época. Tenemos un personaje muy bien construido y, además, no viene un “hombre al rescate”. Carrie toma justicia por sus propias manos. De hecho, tanto Tommy, como Billy, están siguiendo las órdenes de sus parejas. Tommy invita a Carrie al baile y Billy mata a los puercos para hacer la broma con la cubeta, ambos debido a indicaciones de sus novias. En el libro también aparece Henry, otro que iba con ellos, a quien describen como enamorado (friendzoneado) por Chris, él haría todo por ella si se lo pidiera. Nos cuenta una historia con la que todos podemos ser empáticos, y ciertamente, la película gustó a toda la audiencia debido a los temas transgresivos para la época y que en muchos lugares siguen siendo censurados por la vergüenza:  1) Hay muchas escuelas o familias donde no se tocan los temas de reproducción o menstruación, viven en la ignorancia y luego esto representa problemas más graves. 2) Hoy en día, el típico título “snowflake” respaldado por “a mí me bullearon y estoy bien”. Carrie es un buen ejemplo de los límites. 3) El abuso de los padres a nivel físico y mental es otra cosa con la que se puede tener empatía. ¿Qué pasaría si los hijos tuvieran la capacidad de responder? 4) La religión practicada en el extremo y la interpretación de los pasajes. La madre de Carrie estaba convencida de que la menstruación era el castigo divino por tener deseos carnales y/o ejecutarlos. 5) Abandono de los padres, el papá de Carrie los dejó por otra mujer. Incluso se menciona que tiene una media hermana, material que utilizan para realizar “Carrie 2”. 6) La práctica de la sexualidad como mujer: la mamá de Carrie culpaba al alcohol de haber tenido sexo con su esposo previo al matrimonio. Se sugiere en la novela que tuvo que practicarse un aborto, por lo cual todavía vivía con más pena. Como castigo dijo que no tendría más sexo con el esposo al casarse. Pero un día, el señor la sedujo y ahí concibió a Carrie. Cosa que, como la madre creyó haber pecado, al momento de nacer contempló matarla, aunque no tuvo la voluntad. Esta parte de la novela se refleja en la película de Chloe Grace Moretz del 2013. ¿Qué no te gustó de la película?La película se me hace muy buena y creo que es una excelente adaptación del libro, sin embargo, no lo he leído, supongo que también hay cosas que se omiten para hacerla más digerible y cumplir con el tiempo del largometraje.Algunos ejemplos: Hay más información sobre los poderes de Carrie, como los que se vieron cuando tenía tan solo tres años, donde provocó una lluvia de piedras. Básicamente cayeron como meteoritos en un momento de alto estrés para ella, debido a una discusión con sus vecinos. Hubo otra pelea y un mueble pesado se movió, un testigo lo vio y dijo que no era posible. Carrie tarda algunos días en controlar su poder. El baile es solo el principio del fin, ya que Carrie, al salir, empieza a destruir el pueblo. Let it burn! En la película todo termina cuando llega a su casa y mata a su madre. La nueva adaptación con Chloe Grace Moretz es más fiel a la novela en ese sentido. Pero la ejecución fue muy simplona. Tuvieron que modernizarla y quisieron acaparar mucho, pero dejaron cosas incompletas. Además, Chloe dista mucho de la imagen que teníamos de Carrie, no tenía el estereotipo de belleza actual. Escenas imposibles de filmar por el presupuesto y la tecnología con que se contaba en aquel entonces para los efectos especiales. Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música:Closing Theme Hounds of Love por Dan Luscombe (Intro), Insiders por Joe Crotty (Intro), Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers) y Nightlong por FSM Team (Outro).★ Support this podcast on Patreon ★

For those who couldn't get enough of Halloween 2021, series host Shawn Roney of the Richmond News shares some of the results of the Richmond News' Halloween-related poll questions that were posted in October on its official Facebook page. He also discusses his top 10 favorite horror/thriller films. Notes:Follow the Richmond News on Facebook for more Halloween-related poll results and other enriching content at  https://www.facebook.com/TheRichmondMODailyNews. Music: "Main Theme From 'The Nun Disappears,' an Imaginary Film by Alfred J. Herrmann" (Extended Version B); "Vamp for a Prankster Priest"; "Haunted Graveyard Theme From 'The Nun Disappears,' an Imaginary Film by Alfred J. Herrmann"; "Last Rites for Emily D.'s Brain" (Extended Vamping Version); "Main Theme From 'The Nun Disappears,' an Imaginary Film by Alfred J. Herrmann" (Extended Version A), composed by Shawn Roney, performed by a solo incarnation of the musical collective Sacred  & Secular.To be a sponsoring business or a supporting patron of this podcast series, contact Sharon Donat, media specialist with the Richmond News and Town & Country Leader, by email at  sharon@leaderpress.com or by calling the Richmond News at (816) 776-5454.

What if forty years ago, a brilliant filmmaker (Brian DePalma) directed one of America's biggest stars (John Travolta) in a very timely, well-crafted thriller involving surveillance….and nobody came??  That's the story of this film which has gratefully garnered a cult following and a reappraisal from many film-lovers and critics since then.  The actual story is of a sound effects man, played by Travolta, who was in the wrong place at the wrong time to witness a tragic accident….or was it?  He saves one woman's life (Nancy Allen) but as they team up to find out what actually happened, both of their lives become endangered.  John Lithgow plays a homicidal killer on their trail…Host: Geoff Gershon   Producer: Marlene Gershon   https://livingforthecinema.com/

È il momento di “Nota sulle note” terza puntata del programma musicale settimanale di Radio Nostra, nel quale annoto per voi piccoli appunti prima di lasciarvi ai brani scelti, che di puntata in puntata andiamo a conoscere. Come non omaggiare seppur brevemente un nostro conterraneo, che ha dato lustro a Venezia in tutto il mondo. Sto parlando del maestro Giuseppe “Pino” Donaggio, nato a Burano nel 1941. Violinista, pianista, eclettico musicista. Giovanissimo, collabora con Claudio Abbado e I Solisti Veneti diretti da Claudio Scimone, fino a debuttare nel 1961 sul palcoscenico di San Remo. La sua carriera decolla fino a portarlo sulle vette della musica internazionale. Decine e decine sono le sue colonne sonore per film di successo, musiche per serie televisive e fiction. Forse non tutti sanno che Pino Donaggio è stato l'autore delle musiche del film “Non ci resta che piangere”, con Roberto Benigni e Massimo Troisi. Una carriera infinita e chissà quanta musica ancora il maestro ci regalerà, fedele al suo concetto che “La cosa fantastica è che con 7 note si riesce a fare tutto”, come disse in una sua intervista. Come non essere d'accordo con Lei, Maestro. Ascoltiamo brani tratti dai film “Carrie”, “Blow out”, “Sotto il vestito niente”, “Nero veneziano”, “Via degli specchi”, “La Sorgente dell'Amore”, “Don't look now”. “Lo zio d'America”, “Don Camillo – Verso Pomponesco”, “Sissi”, Ruby Rain”, “L'uomo che cavalcava nel buio” e per finire un brano tratto dalla serie “Don Matteo”. Buon ascolto da Lorella Turchetto Michieli. --- Support this podcast: https://anchor.fm/radio-nostra/support

Good morning, Epic Film Fans, and welcome to a slightly delayed episode in our ongoing series celebrating the career of one of our greatest living filmmakers, Brian De Palma! In this installment of De Palmcast, Justin and LoySauce take a look at one of his best, the pulse-pounding 1981 thriller BLOW OUT, as they discuss its many inspirations both cinematic and real-life; the central performances by John Travolta and Nancy Allen; and where it fits in De Palma's oeuvre. Thank you so much for listening, and we'll see you at the movies!   The 5th Annual Livestream for the Cure takes place May 19th - 23rd, 2021... mark your calendars! Every year, indie podcasters from around the world join us live for a podcast-a-thon to raise money for the Cancer Research Institute. We fight for a future #Immune2Cancer! Donate early: https://fundraise.cancerresearch.org/fundraiser/3094239   Where to Find Us Apple Podcasts: https://itunes.apple.com/us/podcast/epic-film-guys-podcast/id1027239734 Spotify: https://open.spotify.com/show/7HLugZWXbUgT6DlkuVz93R Google Podcasts: https://www.google.com/podcasts?feed=aHR0cDovL2VwaWNmaWxtZ3V5cy5wb2RiZWFuLmNvbS9mZWVkLw Podchaser: https://www.podchaser.com/podcasts/epic-film-guys-podcast-1724 The Hobster's Dumpster: https://www.facebook.com/groups/epicfilmguys Feed URL: https://epicfilmguys.podbean.com/feed/ Wordpress: http://epicfilmguys.wordpress.com YouTube: https://www.youtube.com/user/epicfilmguysny/live You can also catch us on most every podcatcher under the sun! Search for us on BluBrry, Stitcher, Spreaker, Google Podcasts, Overcast, and many others. Search and you will find us!   There has never been a better time to join up with the elites at https://www.patreon.com/epicfilmguys! You can get access to pre-roll and outtakes from the show, exclusive episodes, free swag, and so much more. Tiers start as low as $1/month! Please consider supporting the show, and thank you for being one of the EFG faithful! Executive Producers: Jarrod Taylor, Johnny Nigh Producers: Alan Gallauresi, Andrew Folloder, Brandon Frederick, Chris Yeany, Christopher J. Maltezos, The Countdown, The Interrupted Tales Podcast, Julio Olivera Mendoza, Justin Winters, Kate Maxwell, Matt Bartman, The Movie Journey, Nerdrovert, Patrick Sherwood, Reel Feels Podcast, Scott LaVare, Tony Dobish, TwistedPhilly, Two Peas on a Podcast, Tyler Dane Sutton   Meet the Epic Film Guys Epic Film Guy Justin lives in a suburb of Washington D.C. after moving from the Binghamton, NY area with his wife and daughter. He is our resident "encyclopedia of film" and chances are, if you've heard some film news, Justin already heard it before you. A massive fan of the '80s and horror flicks of all shapes and sizes! Catch him on Facebook or our Instagram account @EpicFilmGuys. Epic Film Guy Bryan/LoySauce/LoySocks/LoinSauce, AKA the God of Podcasting, lives in Virginia and is a creative director at the Alamo Drafthouse. He and Justin also host numerous screenings and the two share an avid love of horror. Find out what he's up to by following him on Twitter and Instagram @GoLoySauceGo! Learn the full history of the Epic Film Guys by visiting http://epicfilmguys.wordpress.com/about-us/.   Credits "Theme from Blow Out" composed by Pino Donaggio. Evil Tea Company promo features "The Joker's Commercial" from Batman, composed by Danny Elfman.

Wow, do we have a movie for you this week! The Barbarian Brothers in The Barbarians, released March in 1987, is a sword and sorcery movie that just might have the most plot holes out of every film we've covered on this show. It's wild. We have a lot of fun in this episode tearing it apart. Join the Dead Dad Club on Patreon for TWO bonus episodes each month! https://www.patreon.com/oldiebutagoodiepod Follow the show! Instagram: https://www.instagram.com/oldiebutagoodiepod/  Facebook: https://fb.me/oldiebutagoodiepod Youtube: https://www.youtube.com/channel/UCjfdXHxK_rIUsOEoFSx-hGA  Podcast Platforms: https://linktr.ee/oldiebutagoodiepod  Got feedback? Send us an email at oldiebutagoodiepod@gmail.com Follow the hosts! Sandro Falce - Instagram: https://www.instagram.com/sandrofalce/ - Twitter: https://twitter.com/sandrofalce - Letterboxd: https://letterboxd.com/SandroFalce/ - Nerd-Out Podcast: https://anchor.fm/nerd-out-podcast  Zach Adams - Instagram: https://www.instagram.com/zach4dams/ Donations: https://paypal.me/oldiebutagoodiepod Please do not feel like you have to contribute anything but any donations are greatly appreciated! See omnystudio.com/listener for privacy information.

En El Guateque de Onda Regional de Murcia (orm.es; domingos, 22,05h) . 'Tapestry', de Carole King, cumple 50 años. No ha existido un canto a la amistad más conmovedor y profundo que el que se esconde en ‘You've got a friend'. un tema maravilloso, pleno de belleza y sensibilidad desde los primeros acordes de piano. The Seekers son un grupo australiano con influencia del pop y folk. Se formaron en Melbourne, Victoria, Australia, en 1962. Ellos fueron el primer grupo australiano en lograr importantes ventas y un gran éxito en el Reino Unido y los Estados Unidos. La canción " Georgy girl " era del grupo The Seekers y pertenecia a la película " Georgy Girl " . Jaime Morey hizo una loable versión de este tema. Un poco de beat italiano de mediados de los 60 con Pino Donaggio. La mayoría de las canciones de Los Bravos hablan sobre la juventud, la rebeldía propia de esa edad y ese amor juvenil que parece que todo lo puede y que nunca parece que va a acabar, temas que les harían triunfar. Más allá del nulo eco que su disco produjo en la escena ye-yé, ni siquiera en su Valencia natal, la cara B de la historia viene definida en forma de guinda por las peripecias del grupo en manos del pequeño sello madrileño HIT. Redescubrimos a Los Pepes, y abrimos una ventana a célebres caras B : Santabárbara. "Ayer y Hoy" era la cara B (¡Y menuda cara B!) de un single que fue n1, "Tengo tu amor" de Fórmula V. Los Brincos son a la música moderna hispana lo que los Beatles, los Rolling Stones, los Kinks o los Who a la anglosajona. ¿Es compatible la música de Juan & Junior con la de Los Brincos? ¿Qué aportaron?. "Buscaré otro mundo lejos del sol en las estrellas", cantaban Los Pekenikes en este single , Cerca de las estrellas, donde recuperaban la voz en la persona del batería, Félix Arribas. Comenzaron llamándose Los Diablillos del Rock, pero al poco tiempo y para la posteridad serían conocidos como Los Diablos. A finales de 1968 las desavenencias entre los distintos miembros de Los Stop parten el grupo. Por un lado, continúa un conjunto con ese mismo nombre y con una nueva vocalista y algún cambio más en la formación. Por otra parte, Mari Carmen Arévalo, verdadero nombre de la cantante Cristina, y el batería de Los Stop, Andrés Gallego, arman el grupo Cristina y Los Tops. El cantante de folk Fred Neil escribió' ' Everybody talkin' y la lanzó en su álbum homónimo de 1967, Neil fue un cantante muy influyente que se hizo famoso tocando en clubes de Greenwich Village con gente como John Sebastian, David Crosby y Stephen Stills.Nilsson originalmente publicó esta canción como single en 1968, pero fue retirada y lanzada un año después cuando salió la película. Cat Stevens grabó 'Father & song?' para el álbum “Tea For Tillerman” -el mejor de su carrera- en 1970. El tema estaba previsto para una hipotética opera rock que nunca se terminó

Muziek van de Italiaanse componist Pino Donaggio bij de film Il grande passo, of, in het Engels: The Big Step. Met als bonus: filmjournalist Noa Johannes over de debuutfilm van componist Donaggio, Don't Look Now! Il Grande Passo, film van regisseur Antonio Padovan, is een film over twee broers, die wel sprekend op elkaar lijken maar qua karakter bepaald elkaars tegenpolen zijn. Dario Cavalieri droomt al zijn hele leven van een carri`ere als astronaut. Zijn broer Mario Cavalieri heeft een kleine ijzerwinkel in Rome. De twee hebben elkaar sinds ze als babies uit elkaar zijn gehaald nooit meer gezien. Dan wordt Mario gebeld: zijn broer Dario zit in de gevangenis… en hij is de enige die voor hem kan zorgen. Don't Look Now is een thriller uit 1973 van Nicolas Roeg. Met o.a. Donald Sutherland en Julie Christie. Uiterst griezelige, trage maar bloedstollende film, naar een kort verhaal van Daphne Du Maurier. Het dochtertje van John en Laura verdrinkt, en in Venetië, waar ze naar toe gaan in verband met Johns werk - hij restaureert oude kerken - komt Laura in aanraking met twee zusters. Eén van hen is blind en beweert helderziend te zijn, en bovendien in contact te staan met hun overleden dochtertje. Dat kan allemaal niet anders dan verkeerd aflopen... Ook de muziek bij Don't Look Now werd dus geschreven door componist Giuseppe "Pino" Donaggio, die - om in de sfeer te blijven - in Venetië geboren is (in 1941). Hij schreef muziek voor films van onder meer Brian De Palma, Roberto Benigni, Don Mancini, Terence Hill, en tal van anderen. En dus ook voor de film Don't Look Now, het debuut als filmcomponist voor Donaggio. Uit Il grande passo: - La Luna 4'08” - L'incontro dei fratelli 1'35” - Il grande passo (tema di Dario) 2'23” Uit Don't Look Now (fragmenten): - I Colori Di Dicembre (Laura's Theme I) - Searching for Laura pt I - John's Theme - Through the streets of Venice - Laura Comes Back

Welcome, Epic Film Fans, to the first episode of 2021, and we're starting the year with a bang: It's the inaugural installment of our new monthly series, De Palmcast! This year, we'll be celebrating the life and career of a true Master of Suspense, Brian De Palma... and what better way to start out than with his 1976 masterpiece, Carrie! In this blood-soaked 45th anniversary retrospective, Justin and LoySauce discuss Carrie's origins as a bestselling novel by Stephen King; the phenomenal cast lead by Sissy Spacek and Piper Laurie; and the film's many technical achievements. Thanks as always for listening, and we'll see you at the movies!   Where to Find Us There has never been a better time to join up with the elites at https://www.patreon.com/epicfilmguys! You can get access to pre-roll and extended cuts of the show, exclusive episodes, free swag, custom swag, and so much more. Each month we give 10% of our Patreon money to charity and the rest ALWAYS goes back into the show! Tiers start as low as $1/month! Please consider supporting the show, and thank you for being one of the EFG faithful! Apple Podcasts: https://itunes.apple.com/us/podcast/epic-film-guys-podcast/id1027239734Spotify: https://open.spotify.com/show/7HLugZWXbUgT6DlkuVz93RGoogle Podcasts: https://www.google.com/podcasts?feed=aHR0cDovL2VwaWNmaWxtZ3V5cy5wb2RiZWFuLmNvbS9mZWVkLwPodchaser: https://www.podchaser.com/podcasts/epic-film-guys-podcast-1724The Hobster's Dumpster: https://www.facebook.com/groups/epicfilmguysFeed URL: http://epicfilmguys.podbean.com/feed/Wordpress: http://epicfilmguys.wordpress.comYouTube: https://www.youtube.com/user/epicfilmguysny/liveTwitch: http://www.twitch.tv/epicfilmguysDiscord: https://discord.gg/wMUjrtX  You can also catch us on most every podcatcher under the sun! Search for us on BluBrry, Stitcher, Spreaker, Google Podcasts, Overcast, and many others. Search and you will find us! Meet the Epic Film Guys Epic Film Guy Justin lives in a suburb of Washington D.C. after moving from the Binghamton, NY area with his wife and daughter. He is our resident "encyclopedia of film" and chances are, if you've heard some film news, Justin already heard it before you. A massive fan of the '80s and horror flicks of all shapes and sizes! Catch him on Facebook or our Instagram account @EpicFilmGuys. Epic Film Guy Bryan/LoySauce/LoySocks/LoinSauce, AKA the God of Podcasting, lives in Virginia and is a creative director at the Alamo Drafthouse. He and Justin also host numerous screenings and the two share an avid love of horror. Find out what he's up to by following him on Twitter and Instagram @GoLoySauceGo! Learn the full history of the Epic Film Guys by visiting http://epicfilmguys.wordpress.com/about-us/.   Credits "The Tuxedo Shop" composed by Pino Donaggio from Carrie (An Original MGM Motion Picture Soundtrack).

La fantascienza è il neorealismo del futuro. Scrivevano così, sessant'anni fa, alcuni critici dei «Cahiers du cinéma», in piena era atomica e agli esordi dell'avventura umana nello spazio. Affermazione che oggi, agli inizi del Terzo millennio, sembra più vera che mai, perché nella fantascienza ci viviamo dentro. Perché tra algoritmi razzisti, epidemie, crisi climatica e altre catastrofi la realtà rispecchia gli scenari più dispotici della fiction. Un corto circuito che il Trieste Science+Fiction Festival continua a indagare, dentro e fuori lo schermo, esplorando nuove frontiere, immaginando nuovi mondi, viaggiando nel tempo e nello spazio, con M O N D O F U T U R O: il ciclo di incontri di (fanta)scienza nato sui canali web del Festival durante il lockdown. Sabato 31 ottobre e domenica 1 novembre alle 10.30 MondoFuturo ritorna così con due maratone di incontri. La mattina di sabato 31 ottobre è dedicata al mondo della scienza con l'astronauta ESA Luca Parmitano, la climatologa Serena Giacomin, il celebre fumettista creatore di Rat-Man Leo Ortolani, la giornalista scientifica Roberta Villa e Barbara Mazzolai direttrice del Centro di Micro-Biorobotica dell'Istituto Italiano di Tecnologia di Pontedera. Una mattinata spaziale, ma non solo. Con l'astronauta italiano dell'Agenzia Spaziale Europea, che ha trascorso 366 giorni nello spazio nel corso di due missioni a bordo della Stazione Spaziale Internazionale, il Festival della Fantascienza di Trieste vi porta verso la Luna e oltre. Vi fa fare invece un viaggio indietro nel tempo con Leo Ortolani e il suo “Dinosauri che ce l'hanno fatta” (Laterza) e vi porta a caccia di bufale climatiche con Serena Giacomin che presenta il libro “Pinguini all'equatore” (De Agostini). E poi, spazio alla pandemia e all'infodemia con Roberta Villa, e al futuro della robotica con Barbara Mazzolai e i suoi progetti di robot che imitano le piante. Interviste disponibili sul canale YouTube del festival: www.youtube.com La mattina di domenica 1 novembre è dedicata alla fantascienza con l'astronauta e astrofisico Umberto Guidoni, lo scrittore americano Daniel Kraus, co-autore de “I morti viventi” (La Nave di Teseo), romanzo postumo di George A. Romero, i Van Orton, autori dell'immagine ufficiale del Trieste Science+Fiction Festival 2020, il cantautore Pino Donaggio, autore delle colonne sonore dei film di Brian De Palma, e Alfredo Castelli, l'ideatore di Martin Mystère, il detective dell'impossibile. Il Trieste Science+Fiction Festival vi invita a salire a bordo: destinazione M O N D O F U T U R O. Se la fiction è una fuga dalla realtà, ma anche un modo per comprendere il mondo là fuori, la scienza è la chiave per trovare soluzioni. E allora ancora una volta, tra doc & talk, il Trieste Science+Fiction Festival approda nei laboratori di ricerca e nelle pagine di libri e fumetti per interrogarsi sul nostro futuro e su quello del pianeta. Per maggiori informazioni www.sciencefictionfestival.org A raccontarci di più su questi due incontri ai nostri microfoni il direttore del Trieste Science+Fiction Festival Daniele Terzoli:

Roger Corman's always made profitable films, and sometimes that meant stealing some ideas from current releases to capitalize on the similarities. That's certainly the case with the film he produced that ripped off Steven Spielberg's Jaws: Joe Dante's Piranha. Often, these films fell into legal issues, but with this film, Spielberg himself gave it his blessing and Universal stopped its injunctions. With that, we're able to enjoy and talk about one of Dante's early films. Join us – Pete Wright and Andy Nelson – as we continue our Aquatic Killers series with Dante's 1978 film Piranha. We talk about the nature of rip-offs and how this one feels like it's a bit more than just a rip-off. We chat about the nature of Dante's comedy and horror, particularly how it pairs with the script by none other than John Sayles. We look at the story and chat about the tropes it contains but also how much fun it is. We touch on some of the actors and why they work well in this film. We laugh at a story Andy shares about watching it with his 10-year-old son. And we revel in the greatness that is Pino Donaggio's score. It's not a great film but it's a ton of fun. We have a great time chatting about it, so check it out then tune in! The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel's Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM. Watch this film: iTunes • Amazon • Hulu Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

Roger Corman’s always made profitable films, and sometimes that meant stealing some ideas from current releases to capitalize on the similarities. That’s certainly the case with the film he produced that ripped off Steven Spielberg’s Jaws: Joe Dante’s Piranha. Often, these films fell into legal issues, but with this film, Spielberg himself gave it his blessing and Universal stopped its injunctions. With that, we’re able to enjoy and talk about one of Dante’s early films. Join us – Pete Wright and Andy Nelson – as we continue our Aquatic Killers series with Dante’s 1978 film Piranha. We talk about the nature of rip-offs and how this one feels like it’s a bit more than just a rip-off. We chat about the nature of Dante’s comedy and horror, particularly how it pairs with the script by none other than John Sayles. We look at the story and chat about the tropes it contains but also how much fun it is. We touch on some of the actors and why they work well in this film. We laugh at a story Andy shares about watching it with his 10-year-old son. And we revel in the greatness that is Pino Donaggio’s score. It’s not a great film but it’s a ton of fun. We have a great time chatting about it, so check it out then tune in! The Next Reel – when the movie ends, our conversation begins! Join the conversation with movie lovers from around the world on The Next Reel’s Discord channel! Film Sundries Learn more about supporting The Next Reel Film Podcast through your own membership — visit TruStory FM. Watch this film: iTunes • Amazon • Hulu Script Transcript Original theatrical trailer Original poster artwork Flickchart Letterboxd

Capítulo 272 - CON AURICULARES: Soundtracks para el misterio Conducción: Diego Cirulo Quinta entrega CON AURICULARES en BSO. ¿Nunca participaste de una situación misteriosa? ¿No le hubieras puesto música para acompañar el momento? ¿Qué tal si lo hacemos nosotros por vos esta vez? Te entregamos en esta oportunidad material de Rachel Portman, Pino Donaggio, Nathan Johnson, Bruno Coulais y y otros tantos más para que pruebes. Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música: Bahía Blanca Webmaster: Andrés Cirulo

Capítulo 272 - CON AURICULARES: Soundtracks para el misterio Conducción: Diego Cirulo Quinta entrega CON AURICULARES en BSO. ¿Nunca participaste de una situación misteriosa? ¿No le hubieras puesto música para acompañar el momento? ¿Qué tal si lo hacemos nosotros por vos esta vez? Te entregamos en esta oportunidad material de Rachel Portman, Pino Donaggio, Nathan Johnson, Bruno Coulais y y otros tantos más para que pruebes. Producción general: Diego Cirulo, Fabio Villalba. Locución: Daniela Jorquera Música: Bahía Blanca Webmaster: Andrés Cirulo

Vi gör under rådande omständigheter vårt bästa för att upprätthålla försommartraditionen att ta ut varsin 50-lapp från Vargtimmen-kontot och fynda loss på loppis. Tomas får på grund av samhällssituationen dispens att fuska, medan Lars vällustigt tipsar om de bästa second hand-butikerna i Kungsbacka kommun utifrån aktuella och eventuellt dödsföraktande fältstudier. Vi finner oss också beröra: det alldeles strålande prog-pop-bandet Asia, The Burning, Stephen King, On Writing: A Memoir of the Craft, Danse Macabre, 1408, Edgar Allan Poe, Piranha, Hajen, Roger Corman, Joe Dante, Gremlins, Steven Spielberg, The Passion of the Christ, Mel Gibson, Jesus, Dante, John Milton, Jordens läskigaste väsen, Jens Hansegård, Anders Nyberg, Clive Barker, Hellraiser, John Fowles, The Magus, The Collector, The Howling, En amerikansk varulv i London, John Landis, Pino Donaggio, Rob Bottin, Dee Wallace, Scream, Evil Dead, Sam Raimi, Black Spell, fanzinet The Endtimes, Evil Under the Moon, Henrik Palm, Rambo III, Byzantium, Moira Buffini, Neil Jordan, En vampyrs bekännelse, Låt den rätte komma in, Bret Easton Ellis, American Psycho och true crime-dokumentären Överklassmördaren. Patreon-lyssnare kan glädja sig åt inslaget där Tomas bedömer sommarlovslasherkänslan i några mödosamt framvaskade guldkorn till låtar från tiokronorsbackar landet runt.

Schickt uns eure Top 10 von 2020! An marco@mercicherie.at - aber Achtung: You cannot vote for your own country! Jede Menge Ersatz-ESCs: Die EBU veranstaltet am 16. Mai die offizielle Ersatz-Show "Europe Shine A Light". Stefan Raab wiederum plant einen "Free European Song Contest" auf ProSieben. ORF und SVT planen eigene virtuelle ESCs 2020. Der Sender RTV San Marino möchte wiederum mit RAI Italia angeblich eine eigene Show aufziehen, wie Fernsehdirektor Carlo Romeo in einem Interview sagt. Neue Rubrik: "If I Were Sorry - Das Merci, Chérie Erratum: Alf Poier nahm natürlich 2003 beim ESC teil. Brotherhood Of Man Wir trafen in München Nicky Stevens, Martin Lee und Lee Sheridan von Brotherhood of Man, die immer noch in Originalbesetzung auftreten. Sandra Stevens war zwar auch in München, hatte aber einen Jetlag und war deshalb während der Interviewzeit bereits auf ihrem Zimmer. 1976 gewannen sie in Den Haag mit "Save Your Kisses For Me" Weitere Hits: Kiss Me, Kiss Your Baby Oh Boy Angelo Figaro Und was sind die Lieblingssongs vom Eurovision Song Contest? Martin liebt "Fairytale" von Alexander Rybak aus dem Jahr 2009. Nicky findet sowohl die Gewinnerin aus Wien, Sandy Shaw's "Puppet on a String" großartig, als auch jene Königin, die 2014 den Gewinn nach Wien holte: Conchita Wurst mit "Rise Like A Phoenix". Wer am Ende des Videos genau hinschaut, sieht Podcaster. Lee ist noch immer ein großer Fan von Gali Atari & Milk & Honey, die mit "Hallelujah" 1979 den Eurovision Song Contest gewonnen haben. Song Contest Geschichte am Schluss: Sanremo 1965 gewann Bobby Solo mit "Se piangi, se ridi!" und wurde beim Heim-ESC 1965 in Neapel Fünfter. Pino Donaggio gewann zwar nicht Sanremo 1965, sein Song "Io che non vivo (senza te)" sollte aber der größte kommerzielle Erfolg werden. Donaggio komponierte den Song,Vito Pallavicini schrieb den Text. Eine weitere Version wurde bei Sanremo 1965 von Jody Miller gesungen. In der Version von Dusty Springfield und als "You Don't Have to Say You Love Me" wurde der Song dann ein Welthit, und unzählige Male gecovert, unter anderem auch von Elvis Presley. Hier eine Liste mit ganz vielen Coverversionen, unterem Dami Im, Corry Brokken und viele viele mehr.

Today's program features tuneage from (not in order of appearance) Frank Sinatra, Emitt Rhodes, Earth Wind & Fire, Santana, Supertramp, Alan Parsons, Tangerine Dream, Renaissance, Fleetwood Mac, Beach Boys, Wings, Graham Nash, Stevie Ray Vaughn, Roy Buchanan, Buddy Holly, Badfinger, Steely Dan, Cheap Trick, Full Moon, Pino Donaggio, Yes, Los Lonely Boys, Nilsson, Jimi Hendrix Experience, Everly Brothers, Christopher Cross and Stealers Wheel...

Director Brian De Palma makes his big Pro/Con debut with "Domino" (2019). Lewis and Nick express their enthusiasm for the work of the notorious BDP in between their plot breakdown of this Eurotrash banger. A haunting soundtrack, a searing performance from Eriq Ebouaney, and a handful of memorable action set pieces give this lazy Sunday afternoon flick some staying power. Our Patreon: www.patreon.com/pro_con Music- "when the struggle itself becomes identified with a series of defeats" by 红山郡 (hongshanjun.bandcamp.com/album/-) "Carnage Festival" by Pino Donaggio

Technically, this episode should be full of spoilers, but they're mostly for movies you'll likely never see anyway. This week, I'm diving into some of my favorite horror movie endings--but not for their cinematic brilliance. There is something wackadoo about these endings--they're over the top, chaotic, full of screaming and sweeping Pino Donaggio melodies, and they leave things on an unpredictable note that is both unresolved and completely satisfying. To see them for yourself, check out the links below! Eaten Alive: https://bit.ly/39QPxQD Tenebrae: https://bit.ly/2NaptX3 Tourist Trap: https://bit.ly/2QXlMF3 Carrie: https://bit.ly/2QBckIz Horror House on Highway Five: https://bit.ly/300R9mr Get in touch with me! Email: inthedetailspod@gmail.com Twitter: @colindrucker Instagram: @colindrucker_

Movie Meltdown - Episode 492 This week we sit down for an epic discussion with Sam Irvin. Sam is a director, producer, screenwriter - amongst many other jobs in the industry. Including being a published author as well as a two-time Rondo Award winner, for articles in both Scream magazine as well as Little Shoppe of Horrors magazine. He’s worked with everyone from Brian De Palma to Cassandra Peterson and has had run-ins with amazing movie stars going all the way back to his childhood. So settle in and listen to the phenomenal tales of his journey to Hollywood and all the terrific projects he’s put together.   And while we load up on lots of ketchup and plastic fangs, we also mention… programming kiddie matinees, Christopher Lee, Oblivion, William Conrad, a horror film fanzine, Hervé Villechaize, a VIP tour at Warner Brothers Studios, a big chain of movie theaters, Countess Dracula, Roger Moore, House on Haunted Hill, the creature starts to deteriorate, Famous Monsters of Filmland, Carrie, The Pit and the Pendulum, George Takei, Dracula with a beach towel for a cape, at Pinewood Studios, Kay Thompson, Peter Cushing, Cinefantastique, Dressed to Kill, Richard Chamberlain, I’m either killing people or giving them Christmas presents, Shelia E, I literally finished my last exam didn't even go to my graduation ceremony… went direct to the airport and got on a plane, the most famous casting session in the history of cinema, Isaac Hayes, Richard Lester, I’m watching this very strange duo, Diana Rigg, Phantom of the Paradise, Carel Struycken, Stephen Amell, you get invited to do the most bizarre things in this industry, Ingrid Pitt, Maud Adams, and they took me backstage afterwards and we all had champagne, Julie Newmar, Hieronymus Bosch murals on the walls, Pino Donaggio, Blake Edwards’ The Great Race, Taste the Blood of Dracula, Sisters, dropping her in a different genre, The Three and Four Musketeers, the World Series and the Super Bowl, a cross between Dark Shadows and Buffy the Vampire Slayer, Kirk Douglas come over here I want to tell you a story about this kid, I was naive enough to think... oh I guess this happens to all fans, Blow Out, Lifetime thrillers and Hallmark Christmas movies, ten seconds of Will Smith, the double bill of Plague of the Zombies and Dracula Prince of Darkness, Terry Sweeney, last gasp of stop motion animation, Jimmy Fallon and Drew Barrymore, Christopher Lee invited me to lunch with him at Pinewood Studios, Two on a Guillotine, George Lucas, great old-time matte painters, Paul Bartel & Mary Woronov, Dante's Cove, they were all horror movies, Britt Ekland, it was the most embarrassing moment of my life, The Man with the Golden Gun and Richard O'Brien.  “There was a seminal moment in my childhood that determined that I wanted to be a movie director…” And for more on WonderFest, go to: https://wonderfest.com/

Per la rubrica Perché No, insieme a Giulia Cavaliere parliamo di Pino Donaggio. (seconda parte)

Per la rubrica Perché No, insieme a Giulia Cavaliere parliamo di Pino Donaggio. (seconda parte)

I den första delen av två kastar vi ljus över fenomenet sekter i skräckfiktionen. Tomas berättar om sina personliga erfarenheter av Livets Ord och Jesu Kristi Kyrka Av Sista Dagars Heliga, och Lars förklarar vad Hans Scheike har att göra med filmatiseringen av Inger Edelfeldts roman Den täta elden. Vi pratar också om: Roy Wallis, Scientologerna, Bryan Wilson, Maranatha, Jehovas Vittnen, Plymouthbröderna, Mormonerna, Rosemary’s Baby, Anders Fager, Faust, The Sect, Michel Soavi, Cemetary Man, Dellamorte Dellamore, Dario Argento, Pino Donaggio, Phenomena, The Shining, The Empire Strikes Back, Ian Lemke, Absurd, Anton LaVey, Church of Satan, Taxi, Lotta Bromé, Mänskligt, Dennis Wheatley, The Devil Rides Out, Hammer Films, Terrence Fischer, Richard Matheson, I Am Legend, Golden Dawn, Hellfire Club, Christopher Lee, The Passion of the Christ, Indiana Jones, Bibeln, Christopher Marlowe, Doktor Faustus, Johann Wolfgang von Goethe, House of the Devil, Ti West, The Conjuring, Tom Noonan, Manhunter, Greg Kihn, Rockihnroll, The Howling VI, Hereditary, Jurtjyrkogården, Ulf Ekman, Dean Koontz, Leigh Nichols, Twilight, Sekten, Servants of Twilight, John Ajvide Lindqvist, Jeffrey Obrow, The Dorm that Dripped Blood, Grace Sabrinski, Twin Peaks, Omen, Star Wars, Skate or Die, Carel Stryucken, David Lynch, Twin Peaks, Paul Trembley, The Cabin at the End of the World, Patti Smith, The Killing of a Sacred Deer, A Quiet Place, Keepers, The Sacrament, Eli Roth, Vice Magazine, People’s Temple Agricultural Project, The Jonestown Massacre, Ari Aster, Gene Jones och No Country for Old Men. Och för våra Patrons: Suspiria, Black Swan, Tilda Swinton, Sara Bergmark Elfgren, Mandy, Panos Cosmatos, Nicholas Cage, Beyond the Black Rainbow, Darren Aranovsky, The Fountain, Hugh Jackman, Tova Magnusson Norling, Görel Crona, Jessica Zanden och Daniel Alfredson. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Join your host Duncan Under The Stairs discussing all things Horror on The Podcast Under the Stairs. Welcome to a sub set series on The Podcast Under the Stairs. In Reverence will take a look at the movies that shaped Duncan's love of the genre. Each episode of In Reverence will talk about the movie and delve into what it means to our host and it's effects moving forward.  On episode 13 Duncan talks about his enduring love of Pino Donaggio by highlighting some of the incredible work he has done composing music for some of his all time favourite movies. Intro 0 - 7mins 15secs Interlude Song - Skin and Atmosphere - 36 Crazyfists - 8mins 40secs - 10mins 40secs Pino Donaggio - 10mins 40secs - 49mins 25secs Closing Out the Show - 49mins 25secs - End Closing Song - Score from Tourist Trap BUY OFFICIAL TPUTS MERCH FROM tputscast.bigcartel.com Check out the show on iTunes, TuneIn & on Stitcher Radio. Please leave us feedback on iTunes, podcastunderthestairs@gmail.com and follow us on Facebook & Twitter.

1) Opening Title (The Howling) by Pino Donaggio 2) The Stalkwalk (Blacula) by Gene Page 3) Prelude (Psycho) by Bernard Herrmann 4) Tubular Bells (The Exorcist) by Mike Oldfield 5) Pazuzu (The Exorcist II) by Ennio Morricone 6) Main Title (The Shining) by Wendy Carlos 7) The Maypole (The Wicker Man) by Magnet 8) Main Title (Nightmare on Elm Street) by Charles Bernstein 9) Lullaby (Rosemary's Baby) by Krzysztof Komeda 10) Main Title (Cape Fear) by Bernard Herrmann 11) Main Title (Phantasm) by Fred Myrow 12) Title (It Follows) by Disasterpiece 13) Theme (Halloween) by John Carpenter 14) Main Title (The Texas Chainsaw Massacre) by Tobe Hooper & Wayne Bell

How YOUSE doin’ out there? It’s the Philly episode! We’re talking about movies shot in and around the City of Brotherly Love and Sisterly Affection. Darian and Victor write their own love letters to their new (adopted) hometown, then Victor begins with 1981’s “Blow Out” directed by Brian De Palma. Darian follows with Terry Gilliam’s sci-fi classic, 1995’s “12 Monkeys”. Get your “wooder” ice and a Philly pretzel and join us, won’t youse?   ANNOUNCEMENTS   Follow Us! Find us on Facebook Twitter and Instagram @filmloopshow! We’ve got a lot of great surprises and exclusive special content coming up on our social media feeds you won’t want to miss!   Film Loop: Season 1 Playlist on Spotify   Darian’s Pick “Blueberry Hill” by Fats Domino Victor’s Pick “Sally and Jack” (from “Blow Out”) by Pino Donaggio   REFERENCES AND LINKS   “Blow Out” excerpt - https://www.youtube.com/watch?v=3u5sAz3_AwQ   Trailer for De Palma documentary - https://www.youtube.com/watch?v=9mMi0pyhN5g   Garrett Brown on De Palma’s “Blow Out” - https://www.youtube.com/watch?v=7noCoEDnow0   Three Reasons: Blow Out - The Criterion Collection - https://www.youtube.com/watch?v=egvlvWvpzRE   Film Loop Episode 008 (Brazil) - http://filmloopshow.com/jingle-all-the-way-brazil   “La Jetée” (1962) by Chris Marker - https://www.youtube.com/watch?v=aLfXCkFQtXw   “Get Off the Earth” Puzzle - https://www.moillusions.com/get-off-earth-optical-illusion/     Film Loop is a movie podcast hosted by GenXer, Victor De Anda and Millennial, Darian Davis. Every episode, each host picks one movie from their past to share with the other, and together they debate and ruminate over their favorite moments as the generations collide! To stay in the loop, follow us on Twitter, Facebook, and Instagram at @filmloopshow, show your love by rating and reviewing us on iTunes, and visit us at filmloopshow.com!

Munárriz, Aute, Rosa y Julia León, Teddy Bautista. Donna Hightower, Mina, Miguel Rios, Los Yetis, Pino Donaggio, Alfredo, Juan Ramón, Los Cheyenes, Rafaella Carrá

Carrie White, jeune adolescente de banlieue rejetée par ses camarades de classe, subit un choc traumatique le premier jour de ses règles. Quand ses pouvoirs télékinésiques se révèlent, elle subit les sévices de sa mère religieuse qui voit en elle l’enfant du diable. Premier vrai succès de De Palma, première adaptation très personnelle de Stephen King, “Carrie” ressort en salles, quarante ans après son succès en 1976. Alors pourquoi revoir Carrie en 2017 ? Pour la scène finale d’anthologie et la vengeance de Carrie pendant le bal de promo - modèle de mise en scène -, pour la patte De Palma et ses split-screen et pour l’esprit transgressif d’un passage à l’âge adulte dans une amérique bigote. Podcast animé par Daniel Andreyev avec Stéphane Moïssakis et David HonnoratRÉFÉRENCES CITÉES DANS L’ÉMISSIONCarrie au bal du diable (Brian de Palma, 1976), Carrie (Stephen King, 1974), Carrie la vengeance (Kimberly Peirce, 2013), Soeurs de sang (Brian de Palma, 1973), Obsession (Brian de Palma, 1976), Pino Donaggio, Furie (Brian de Palma, 1978). CRÉDITSEnregistré le 26 octobre 2017 au Bar à Bulles (4bis Cité Véron, Paris 11ème). Production : Binge Audio. Direction de production : Joël Ronez. Chargée de production et d’édition : Camille Regache. Direction générale : Gabrielle Boeri-Charles. Moyens techniques : Binge Audio. Réalisation : Jules Krot. Générique : "Soupir Articulé", Abstrackt Keal Agram (Tanguy Destable et Lionel Pierres). NoCiné est une production du réseau Binge Audio www.binge.audio. See acast.com/privacy for privacy and opt-out information.

Los Mismos, Marisel, Los Ángeles, Luis Aguilé, Massiel, Pino Donaggio, Renato Carosone, Los Salvajes, Marta Baizán, Los Pasos, Los TNT, Georgie Dann, Julio Iglesias

Scream for your life, ya ghouls! This Hallowe'en season's new stack of ectoplasmic wax is loose! Scare away that October chill with these thrilling toons! ☠ “The House By the Cemetery” radio spot ☠ Walter Rizzati, “Quella Villa Accanto Al Cimitero” OST- Walt Monster End ☠ Lorry & The Biters- Frankenstein Stomp ☠ Johnny Eager- The Howl ☠ Glen Gray & The Casa Loma Orchestra- Boogie Woogie Man ☠ Excerpt from “White Zombie” ☠ Screaming Lord Sutch- Murder in the Graveyard ☠ Jonathan With Orchestra- The Mummy ☠ The Mellowmen- Trick or Treat for Halloween (from “Trick or Treat” Disney short) ☠ “The Oblong Box’ radio spot ☠ The Vampires of Dartmoore- Dr. Caligaris Gruselkabinett ☠ Jay Chattaway, “Maniac” OST- Subway Terror ☠ Cecil Campbell & His Tennessee Ramblers- Spooky Boogie ☠ Danny Ware- The Zombie Stomp ☠ Nicole Paquin- Mon Mari, C’est Frankenstein ☠ Count Chocula and Boo Berry commercial ☠ Johnny Thunders- Horror Show ☠ Pino Donaggio, “Carrie” OST- Bucket of Blood ☠ Arthur Collins & Byron G. Harlan- The Ragtime Goblin Man ☠ Tyrone A’Saurus & His Cro-Magnons- The Monster Twist ☠ Ken Kerr & The Idols- Haunted House ☠ The Swingin’ Phillies- Frankenstein’s Party ☠ “The Legend of Hell House” radio spot ☠ John Zacherle- Happy Halloween ☠ James Horner, “Casper” OST- One Last Wish

This special episode is brought to you by www.twoheadeddog.com TG dives into his box of vinyl delights for this special RSD17 'Damn Fine Cuts From The Crypt' podcast, featuring selections from: ONE WAY STATIC, FOUR FILES RECORDS, JERRY GOLDSMITH, PINO DONAGGIO, BERNARD HERMAN, JIM WILLIAMS and a whole lot more! Created by Tony Giles & Scott Johannsson DFN Ident by Repeated Viewing DFC Logo by Dan Cullinan Apr '17

Vi tittar närmare på hur tvåsamheten skildras i skräckgenren. Tomas pantsätter en del av sitt psyke för att orka med en Lars von Trier-film och Lars misslyckas med att förklara vad som gör bra skräcklitteratur. Vi pratar också om: Universal Pictures, Bride of Frankenstein, Dracula, Mumien, Theofile Gaultier, Den döda älskarinnan, Charles Baudelaire, Hellraiser, Clive Barker, Candyman, John Ajvide Lindqvist, Låt den rätte komma in, Pappersväggar, Gräns, Evig/kärlek, Final Destination, Människohamn, Hanteringen av odöda, Creepypodden, Charlotte Perkins Gilman, The Yellow Wallpaper, Förfärande kvinnor, KG Johansson, Vertigo Förlag, The Babadook, Ira Levin, Rosemary’s Baby, Stephen King, The Shining, Stanley Kubrick, The Amityville Horror, John Everson, Nightwhere, Neil Gaiman, Honeymoon, Signs, Game of Thrones, Raw, Cannibal Apocalypse, Don’t Look Now, Fredagen den trettonde, Donald Sutherland, Julie Christie, Nicholas Rogue, Lucio Fulci, Pino Donaggio, Titta Dom Snackar, Vacancy, Dead Calm, Sam Neil, Nicole Kidman, Possession, Billy Zane, Julia Roberts, Sova med fienden, Nimrod Antal, Metallica, Through the Never, Close-Up Magazine, Antichrist, Charlotte Gainsbourg, Willem Dafoe, Requiem for a Dream, Seven, In the Hills, the Cities, Books of Blood, Ordfront, Eden Lake, The Strangers och True Detective. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Vi ger oss ut i vida världen med kontanter på fickan och solsken i blick. Tomas pekar på det rimliga i att merparten av personerna i avsnittets filmer är idioter och Lars framhåller turism som nyckeln till den mänskliga naturens mörkaste skrymslen. Vi pratar också om: Poenari Castle, Nosferatu, Loch Ness, Judas Priest, Storsjöodjuret, Bokor, Kambodja, Angkor Wat, City of Ghosts, R-Type, Aokigahara Forest, The Forest, Vice, Suicide Forest in Japan, Paris katakomber, Kutna Hora, Jeremy Bates, The Catacombs, As Above so Below, McKamey Manor, Joseph Conrad, Heart of Darkness, Apocalypse Now, The Coral Island, Lord of the Flies, Alex Garland, Beach, Leonardo DiCaprio, Tropical Gothic, Enrique Ajuria Ibarra, Gothic Re-constructions, Tropical Gothic in Literature and Culture: the Americas, Turistas, Scott Smith, The Ruins, Borderland, Los Narco Satanicos, Sean  Astin, Aftershock, Richard Matheson, The Children of Noah, Deliverance, Tourist Trap, Motorsågsmassakern, Charles Band, Dolls, Puppetmaster, Pino Donaggio, Stephen King, Rituals, Wolf Creek, Funny Games, Hatchet, Tony Todd, Kane Hodder, An American Werewolf in London, Hostel, Eli Roth, Quentin Tarantino, The Wickerman, Takashi Miike, Stig Saeterbakken, Genom natten, Vertigo Förlag, Dan Trachtenberg, Black Mirror, Playtest, 10 Cloverfield Lane och Westworld. Nostalgi, löst tyckande och akademisk analys i en salig röra.

Podcast mensuel présenté et programmé par Dick Tomasovic. Durée : 40 minutes.Le grand méchant loup-garou !C'est encore un peu Halloween sur Radio Rectangle puisque Post-synchro vous emmène en 1981, à la découvert des bandes sonores de deux formidables classiques du film de loup-garou, The Howling de Joe Dante et An American Werewolf in London de John Landis.Avec les musiques, entre autres,  de  Pino Donaggio, Elmer Bernstein, Bobby Vinton et The Marcels !Une émission pour hurler de plaisir.

Podcast mensuel présenté et programmé par Dick Tomasovic. Durée : 40 minutes. Le grand méchant loup-garou ! C’est encore un peu Halloween sur Radio Rectangle puisque Post-synchro vous emmène en 1981, à la découvert des bandes sonores de deux formidables classiques du film de loup-garou, The Howling de Joe Dante et An American Werewolf in London de John Landis. Avec les musiques, entre autres,  de  Pino Donaggio, Elmer Bernstein, Bobby Vinton et The Marcels ! Une émission pour hurler de plaisir.

Le radici di Fellini romagnolo nel mondo , Pino Donaggio e Carbonia

Vi kryper upp i soffan med varsitt husdjur. Tomas utforskar nya grenar på familjeträdet Band och Lars hittar vetenskapligt stöd för sin misstänksamhet mot katter. Vi pratar också om: Das Unheimlische, Noel Carroll, John Williams, Butcher's Crossing, Poe, The Black Cat, Lucio Fulci, A Clockwork Orange, Pino Donaggio, Carrie, Don't Look Now, David Warbeck, The Beyond, City of the Living Dead, Dario Argento, George Romero, Two Evil Eyes, Harvey Keitel, Pulp Fiction, Reservoir Dogs, Charles Baudelaire, Bruno K. Öijer, Bela Lugosi, Boris Karloff, Ju-on, Stephen King, Night Shift, Dödsbädden, Cat's Eye, James Wood, Quitters Inc, The Ledge, The General, Firestarter, Drew Barrymore, Lewis Teague, Christine, Jurtjyrkogården, Mary Lambert, Edward Furlong, Terminator 2, Det, Clancy Brown, Starship Troopers, Carnivale, Daniel Garptoft, Bengt af Klintberg, hundturken, Sherlock Holmes, The Hound of Baskervilles, Hammer Films, Sir Arthur Conan Doyle, Peter Cushing, Christopher Lee, The Omen, Bibeln, Zoltan, Hound of Dracula, Dracula's Dog, Richard Band, Charles Band, Albert Band, Stan Winston, José Ferrer, Cujo, Charles Bernstein, Dee Wallace, The Shining, Scream, Stephen King Cast, Stephen King on Writing, Dödsdansen, John Waters, Pink Flamingo och kattforskaren Bo Söderström. Nostalgi, löst tyckande och akademisk analys i en salig röra.

On episode eight of CINEMATIC SOUND RADIO ON WROCK we will be playing music from four brand new scores. You’ll hear selections from John Debney’s new score to Disney’s reimagining of THE JUNGLE BOOK. You’ll also hear selections from A HOLOGRAM FOR THE KING by Tom Tykwer and Johnny Klimek and music from Chad Cannon’s impressive score to the documentary PAPER LANTERNS. And our video game score of the week is Austin Wintory’s brand new score to THE BANNER SAGA 2.Our John Williams album of the week comes from INDIANA JONES AND THE LAST CRUSADE released in 1989. Our Golden Age score of the week is Leigh Harline’s 1954 western score to BROKEN LANCE. Our re-recording of the week is dedicated to the late, great Michael Kamen, whose 68th birthday would have been on April 15th. We’ll be playing selections from his compilation album MICHAEL KAMEN”s OPUS.And we’ll end the program with our end title suite featuring the music from THE HOWLING by Pino Donaggio, TOY SOLDIERS by Robert Folk and EXCALIBUR by Trevor Jones.Cinematic Sound Radiohttp://www.cinematicsound.netCinematic Sound Radio Fanfare and Theme by David Coscinahttps://soundcloud.com/user-970634922Bumper voice artist: Tim Burdenhttp://www.timburden.com

En El Guateque (domingos, 15:05h) ha llegado el invierno: Nada, Los Telstars, Los Yorsy's, Nicola Di Bari, Rocío Dúrcal, Gelu, Angelica Maria, Pablo Beltrán Ruiz y Orquesta, Alicia Granados, King Boys, Pino Donaggio, Los Huracanes, Les Surfs, Los Junior's, Los Pop Tops, Juan Pardo, Camilo Sesto.

What spooky movies should you watch before Halloween? Patrick has a list of 13, and you probably haven't heard of some of them! Also, some various Halloween updates, and Patrick's witch friend, Meth Hazel makes another appearance! Visit BigSeance.com for more. Pssst... Are you looking for the SpeakPipe Link?   In this episode: Intro :00 Another special appearance by Meth Hazel :37 A look back at the last year since the last Halloween episodes 3:27 Did you read the Funeral Home Ghost Story sent in by an anonymous listener? 4:42 A great photo of a Halloween home haunt sent in by Traycee 5:32 All past Halloween content can now be found at one place! Go to BigSeance.com/Halloween! 6:12 A review of Creating Your Vintage Halloween: The Folklore, Traditions, and some Crafty Makes by Marion Paull 7:15 The 13 Spooky Movies that I think should be on every paranerd's watch list for every year right before Halloween (from oldest to newest)! 11:11  The Uninvited (1944) 11:40 The song, Stella by Starlight, from The Uninvited 15:28 Psycho (1960) 17:22 The Innocents (1961) 18:42 The song O Willow Waly from The Innocents 18:42 It's the Great Pumpkin, Charlie Brown (1966) 20:29 Carrie (1976) 21:36 Score from the final scene in Carrie, by Pino Donaggio 22:52 The Changeling (1980) 23:45 The Disney film, Watcher in the Woods (1980) 24:53 Roseanne Season 2 Halloween Episode, "Boo" (1989) 26:34 Hocus Pocus (1993) 27:57 Halloween H20 (1998) 29:13 Mr. Sandman from The Chordettes 30:26 The Blair Witch Project (1999) 30:55 What Lies Beneath (2000) 32:21 The Others (2001) 33:29 What's coming up for next week's Halloween episode? 35:33 Who produced the cool spooky music?? 37:15 Easter Egg/Outtake 40:25   Spooky Music featured on this episode is from Sam Haynes. You can find more about Sam and his music at http://www.hauntmusic.co.uk/. Thanks, Sam!     Record your voice feedback directly from your device on my SpeakPipe page! Call the show at (775) 583-5563 (or 7755-TELL-ME). I would love to include your voice feedback in a future show. Visit BigSéance.com for more information.   Please help The Big Séance Podcast by subscribing, rating, and reviewing the show on iTunes, TuneIn Radio, or Stitcher!   

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Na 18ª entrada da série Grandes Diretores, o Podcast Cinema em Cena revisita a obra de Brian De Palma, cineasta que é tido como gênio por muitos, mas contestado por outros como um "copiador" do estilo dos diretores que ele tem como inspiração, como Alfred Hitchcock, Orwon Welles e Michelangelo Antonioni. O programa abre com um debate sobre essa questão e parte para uma análise dos filmes de De Palma, sua obsessão com o voyeurismo, sua técnica apuradíssima no controle da câmera e sua busca incansável pela revelação das verdades e mentiras que o cinema proporciona ao público. Na trilha sonora, composições de Pino Donaggio, Ennio Morricone, Bernard Herrmann, John Williams, entre outros colaboradores do diretor.  Participam desta edição: Renato Silveira, editor do Cinema em Cena, nossos redatores Antônio Tinôco e Luísa Gomes, a professora Ana Lúcia Andrade, da Escola de Belas Artes da UFMG, e o crítico e professor Renné França, do site Pílula Pop. Envie sua mensagem para o nosso e-mail cinema@cinemaemcena.com.br para participar da discussão no Podcast v.2.0. Série Grandes Diretores: #1 - Steven Spielberg | #2 - Martin Scorsese | #3 - Billy Wilder | #4 - David Cronenberg | #5 - Sergio Leone | #6 - Roman Polanski | #7 - Paul Verhoeven | #8 - Glauber Rocha | #9 - Michelangelo Antonioni | #10 - John Carpenter | #11 - Stanley Kubrick | #12 - Michael Haneke | #13 - Robert Zemeckis | #14 - David Lynch | #15 - Pedro Almodóvar | #16 - Nelson Pereira dos Santos | #17 - Alfred Hitchcock

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Brian De Palma had been making feature films for almost a decade before he made Carrie in 1976, but it was this film that became his first blockbuster and really pushed him to the next level. By making an adaptation of the first book by an up-and-coming writer at the time, Stephen King, and turning it into a very effective and frightening psychological horror film, De Palma created a classic that is nearly as effective (if a bit dated) as it was when first released. Join us -- Pete Wright and Andy Nelson — as we continue our 1976 series with Carrie. We talk about De Palma and his filmmaking style, particularly how he uses the film tools at his disposal to enhance the genre in which he's working as well as to explore the boundaries of what he can with the medium. We chat about the wonderful actors, from Sissy Spacek and Piper Laurie all the way to down to Edie McClurg, and how wonderful they all are, if not quite frightening in how they represent roles in our collective bad high school memories. We discuss the nature of the filmmaking style, balancing the worlds of innocence with that of horror — good versus evil. And we talk about some of De Palma's regular collaborators and what they bring to the table, from composer Pino Donaggio to art director Jack Fisk. It's a great horror film that has stood the test of time and we have a great time chatting about it. Tune in!

Dans cette émission : Les sorties magazines du mois - La carrière du compositeur de musique de film Pino Donaggio.