POPULARITY
2 episodes with laurentiis
4 episodes with laurentiis
2 episodes with laurentiis
2 episodes with laurentiis
2 episodes with laurentiis
2 episodes with laurentiis
4 episodes with laurentiis
2 episodes with laurentiis
2 episodes with laurentiis
After E.T., Drew Barrymore could have done anything. Turns out that producer Dino de Laurentiis was about to scoop her up to be in two adaptations of author Stephen King's work. The second, Cat's Eye, is one we already covered way back at the beginning of Night Shift. But the first was Firestarter, King's borderline science fiction novel about a girl who sets fires with her mind. Join the Three Men and a Retrospective Podcast as they review Commando director Mark L Lester's 1984 adaptation of King's 1980 novel. Unsurprisingly, it's Adam's first viewing of the film. Will he be genuinely surprised? And come back next week as the boys review not the syfy adaptation as outlined here, but the 2022 Zac Effron starring film of the same name.
Tras el éxito de Conan el Bárbaro, el productor Dino de Laurentiis pensó que podían hacer todavía más dinero explotando al personaje para un público más familiar, enfatizando en el tono aventurero y el humor. El resultado, una secuela que decepcionó a muchos fans, pero seguro, a muchos de vosotros en la infancia y adolescencia, os hizo pasar buenos ratos. Presentan Carlos Cubo e Ismael Rubio. Edición Carlos Cubo. Síguenos, Comparte, Comenta y dale al LIKE, ¡¡Gracias!! ➡️ Únete gratis a nuestro grupo de Telegram https://t.me/tiemposdevideoclub ➡️ Camisetas, Tazas y Merchandising https://latostadora.com/shop/TDV ➡️ Invitándonos a un café en https://ko-fi.com/tiemposdevideoclub ➡️ Visita nuestras RRSS https://allmylinks.com/tdvideoclub ➡️ Contáctanos en tiemposdevideoclub@hotmail.com ¡¡Visita y comparte nuestro nuevo Videoclub de Pinterest, con todos nuestros programas a la carta!! https://es.pinterest.com/tiemposdevideoclub/videoclub/ ¿Quieres apoyar este podcast? Tiempos de Videoclub te regala 30 días de: Premium Anual: https://www.ivoox.vip/premium?affiliate-code=ce709ccf404c356f964c2b560f176ecb Premium Mensual: https://www.ivoox.vip/premium?affiliate-code=a6053166b900875cde71f936a6e5f3aa iVoox Plus Mensual: https://www.ivoox.vip/plus?affiliate-code=57fa125d272ab4d38c9574e1079bc6fc
Another mind bending podcast. The day David Lynch passed, I felt like I heard him say "So why didn't you interview me?" I kind of chuckled to myself - thinking, "Of people I know, who knew David that well?" I haven't seen all his films - just a few, so I missed the many Harry Dean Stanton appearances. As fans of the podcast know, I knew Harry Dean, played guitar with him, he was close friends with Luana Anders (who passed in 1996) and when Harry Dean passed, we interviewed him. He has shown up a number of times, also with Billy Paxton, whom I started me career with, and with whom Billy and Harry worked on "Big Love" together. So "any friend of Harry's is a friend of mine" - in terms of how we are able to communicate with people offstage. In this instance, I started to ask Jennifer if David had been the person I heard saying "Why didn't you interview me?" and before I could ask it - she said "He is." It's on camera. I thought it, started to speak; she answered it. That's how this works. Jennifer and I have been doing this together for ten years - every week, if one can imagine. And this time, all this past week I've been hearing "messages" from Mr. Lynch. Some examples; my son suggested we go and see "Inland Empire" at the Egyptian. Two people in the audience told me afterwards that they saw him "sitting off to the side" - exactly where he says he was, in the last ten minutes of the film. It's when Laura Dern's character merges with her "old self" in the film. A bright light appears as they embrace. That's when these two said they saw him in the theater. It's not my opinion they saw him - it's not my belief they saw him - I asked, and he said that "indeed, he was there at the theater, and that he was surprised more people didn't realize it." David was an early proponent of Transcendental Meditation - something he learned from Maharishis Mahesh Yogi - the same fellow from Rishikesh that the Beatles went to visit. In one of his interviews (that I watched this week after hearing from him) he said that he had met MMY and learned TM from him. And since then he would meditate twice a day. As he said in an interview, "once in the morning" and once during the lunch hour. Also, I learned that he went to Bob's Big Boy in Burbank (a fan favorite for my family) and every day at 2:30 would have a "malted and a cup of coffee." Sometimes he'd add fries. So we went to Bob's and saw the huge display of memorabilia people have deposited in his honor - as well as saw there was an hour wait to sit at the counter. So we moseyed on down to Paty's - where we were able to sit at the counter and get our milkshakes, coffee and fries. We sat next to two David devotees - people who had met at Disneyland and become pals over David, and were doing the same thing we were doing. And we talked about David and we talked about this podcast... that I had yet to do. I told them to "tune in this week and we'll see if we can get him to come by." So a shout out to Derek and Sharon who are fans of Mr. Lynch. It's an unusual event to be sure - people are spontaneously honoring him, not for any other reason than they were moved by him, or learned something from him. Also, Jennifer did not know David's work - as she notes in the podcast. So she didn't know - couldn't know - that David's nickname for Laura Dern was "tidbit" - his nickname for Naomi Watts was "buttercup" - nickname for Patricia Arquette was "Solid Gold" - his old pal Jack Fisk is married to Sissy Spacek, Isabella was the Oscar nominee - Ms. Rossellini - and his nickname for Kyle MacLachlan was "Kale" (because producer Dino de Laurentiis couldn't pronounce Kyle on "Dune") -I forgot to ask him if he'd seen Dino yet, but as he said "I've seen them all." He had a message for "Doug and Steve Martin" who directed his short promo for "Eraserhead" and the Woody Woodpecker dolls... He mentioned talking to Dennis Hopper (Luana's pal) Dean Stockwell (whom I directed in the film LIMIT UP) and Bill Paxton (who I met while he was doing Aliens and we wrote a script together.) He had messages for Steven Spielberg and Mel Brooks - all pals of his, and for his family "I had the ride of my life and I can't wait to do it again!" - For those coming to this podcast for the first time, I recommend looking over the past three years of online podcasts, looking at the transcripts of the 7 years prior to that in the books TUNING INTO THE AFTERLIFE and BACKSTAGE PASS TO THE FLIPSIDE 1, 2 and 3. Jennifer and I have been doing this weekly for ten years. If one wants to book a session with Jennifer, find her at JenniferShaffer.com - and if one wants to book a meditation (visit to their council) with me, go to RichardMartini.com and follow the links. But as David said; all you need is a shake, some fries and a coffee to talk to him. Enjoy. He said something fun and
Today's poem is Trans Loneliness by Rickey Laurentiis. The Slowdown is your daily poetry ritual. In this episode, Major writes… “Society's debates around gender identity boils down to this simple fact: people want others to see them as they see themselves. This is a pure, human need for affirmation from friends, parents, and peers. It builds self-esteem and mental stability.” Celebrate the power of poems with a gift to The Slowdown today. Every donation makes a difference: https://tinyurl.com/rjm4synp
Hay películas que por ser mediocres pasan desapercibidas. Flash Gordon dirigida por Mike Hodges, usando una estética steampunk. Producida por Dino de Laurentiis, contó con música del grupo Queen y un reparto internacional encabezado por Sam J. Jones, Chaim Topol, Timothy Dalton, Max von Sydow y Ornella Muti; es una de esas películas con bastante presupuesto que acabó siendo la típica película de Serie B que se convierte en un film de culto, y a uno se le queda en la memoria como el recuerdo de un viejo amigo. Puedes leer más y comentar en mi web, en el enlace directo: https://luisbermejo.com/el-gran-reemplazo-zz-podcast-06x06/ Puedes encontrarme y comentar o enviar tu mensaje o preguntar en: WhatsApp: +34 613031122 Paypal: https://paypal.me/Bermejo Bizum: +34613031122 Web: https://luisbermejo.com Facebook: https://www.facebook.com/ZZPodcast/ X: https://x.com/LuisBermejo y https://x.com/zz_podcast Instagram: https://www.instagram.com/luisbermejo/ y https://www.instagram.com/zz_podcast/ Canal Telegram: https://t.me/ZZ_Podcast Canal WhatsApp: https://whatsapp.com/channel/0029Va89ttE6buMPHIIure1H Grupo Signal: https://signal.group/#CjQKIHTVyCK430A0dRu_O55cdjRQzmE1qIk36tCdsHHXgYveEhCuPeJhP3PoAqEpKurq_mAc Grupo Whatsapp: https://chat.whatsapp.com/FQadHkgRn00BzSbZzhNviThttps://chat.whatsapp.com/BNHYlv0p0XX7K4YOrOLei0
The Fly was released in 1986 and quickly became director David Cronenberg's most successful film, lending itself to a far more mainstream narrative in spite of some serious body horror elements, especially along the back half of the film. Jeff Goldblum was still on the rise and was by no means a bankable leading man, so it was something of a risk when producer Stuart Cornfeld hired him to carry the film. To boot, David Cronenberg had been tapped to direct Total Recall for Dino de Laurentiis and was unable to take The Fly when producer Mel Brook called (yes, that Mel Brooks), and it was only through a series of both interesting and unfortunate circumstances that the stars aligned and Cronenberg was later brought on to direct. Geena Davis plays the lead supporting role, and was, in fact, Jeff Goldblum's real-life girlfriend at the time, which helps to explain the immediate and intense chemistry the two share throughout the movie. While heavy on the gore in the second half of the film, The Fly is still a superbly-rich narrative filled with empathy for the main character's unfortunate degradation. The tone is simultaneously somber and thrilling, and Jeff Goldblum's intensely physical performance is one for the ages. Quite simply, The Fly is David Cronenberg's masterpiece. Find out why in this episode of Esoterica Cinema with Jason Peters and Ryan Seybold.
Dans cette nouvelle saison de La Traque, revivez l'extravagante histoire de Christophe Rocancourt. Autrement appelé "l'escroc des stars", il est l'un des plus grands arnaqueurs de l'histoire. Avec son beau parler et son allure assurée, il a réussi à monter plusieurs escroqueries, extorquant des millions de dollars à de nombreuses personnalités d'Hollywood. Recherché par Interpol et par de nombreux services de police à travers le monde, revivez son incroyable traque. Un fugitif à New York À L.A., Christophe Rocancourt prétendait être le fils du producteur Dino de Laurentiis ou le neveu du styliste de mode Oscar de la Renta. Dans le quartier branché de Tribeca à New York où il a élu domicile, il devient un héritier de la dynastie Rockefeller. Plus c'est gros, mieux ça passe. Pendant quelque temps, les affaires marchent bien pour Rocancourt. New York est le poumon économique et boursier du pays. S'il vise des arnaques à sept chiffres, Rocancourt ne néglige pas les escroqueries de petites envergures. Ainsi, il pique quelques milliers de dollars à une masseuse d'une salle de sport qu'il fréquente. Et c'est pour quelques milliers de dollars qu'il va se faire repérer dans la station balnéaire la plus chic des Etats-Unis… Pour découvrir une autre traque, cliquez ci-dessous : Klaus Barbie, l'une des plus grandes traques de l'histoire : le “boucher de Lyon” (1/4) Klaus Barbie, l'une des plus grandes traques de l'histoire : un monstre au service des Américains (2/4) Klaus Barbie, l'une des plus grandes traques de l'histoire : l'homme de main des dictateurs (3/4) Klaus Barbie, l'une des plus grandes traques de l'histoire : un procès pour l'histoire (4/4) Crédits : Production : Bababam Textes : Pierre Serisier Voix : Anne Cosmao, Aurélien Gouas Montage : Joey Daou En partenariat avec Upday Learn more about your ad choices. Visit megaphone.fm/adchoices
Dans cette nouvelle saison de La Traque, revivez l'extravagante histoire de Christophe Rocancourt. Autrement appelé "l'escroc des stars", il est l'un des plus grands arnaqueurs de l'histoire. Avec son beau parler et son allure assurée, il a réussi à monter plusieurs escroqueries, extorquant des millions de dollars à de nombreuses personnalités d'Hollywood. Recherché par Interpol et par de nombreux services de police à travers le monde, revivez son incroyable traque. Un fugitif à New York À L.A., Christophe Rocancourt prétendait être le fils du producteur Dino de Laurentiis ou le neveu du styliste de mode Oscar de la Renta. Dans le quartier branché de Tribeca à New York où il a élu domicile, il devient un héritier de la dynastie Rockefeller. Plus c'est gros, mieux ça passe. Pendant quelque temps, les affaires marchent bien pour Rocancourt. New York est le poumon économique et boursier du pays. S'il vise des arnaques à sept chiffres, Rocancourt ne néglige pas les escroqueries de petites envergures. Ainsi, il pique quelques milliers de dollars à une masseuse d'une salle de sport qu'il fréquente. Et c'est pour quelques milliers de dollars qu'il va se faire repérer dans la station balnéaire la plus chic des Etats-Unis… Pour découvrir une autre traque, cliquez ci-dessous : Klaus Barbie, l'une des plus grandes traques de l'histoire : le “boucher de Lyon” (1/4) Klaus Barbie, l'une des plus grandes traques de l'histoire : un monstre au service des Américains (2/4) Klaus Barbie, l'une des plus grandes traques de l'histoire : l'homme de main des dictateurs (3/4) Klaus Barbie, l'une des plus grandes traques de l'histoire : un procès pour l'histoire (4/4) Crédits : Production : Bababam Textes : Pierre Serisier Voix : Anne Cosmao, Aurélien Gouas Montage : Joey Daou En partenariat avec Upday Learn more about your ad choices. Visit megaphone.fm/adchoices
This is Early Kick Off from the Men in Blazers Media Network, all your global football stories straight from the back pages of Europe's newspapers in around 10 minutes.On today's episode: we look back at all the action as Arsenal and Barcelona reach the quarter finals of the Champions League in dramatic fashion, FC Saarbrucken make it a hat-trick of cup scalps as the third-tier team knock out a THIRD Bundesliga opponent in a row, Ralf Rangnick leaves out three players from the Austria squad because of homophobic chanting, Liverpool legend Rafa Benitez is sacked by Celta Vigo, Al-Hilal set a new world record for wins in a row as they reach the Asian Champions League semi-finals, a preview of the Champions League action tonight and a big game in the Premier League, and Napoli owner Aurelio de Laurentiis has a wild night in Barcelona - fighting cameramen and dropping €10m bets. Football don't sleep, and neither do we.This episode was made in the UK for Men In Blazers by…Host: George CooperProducer: Alex EwingResearcher: Jack CollinsSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Recorded by Rickey Laurentiis for Poem-a-Day, a series produced by the Academy of American Poets. Published on January 15, 2024. www.poets.org
"What's that screaming? A good many dramatic situations begin with screaming..."With The Marvels heading into theaters this weekend, we're taking the time to discuss the first movie ever about a space-faring heroine adapted from a comic book! Join us as we talk about topics as broad and varied as the eternal beauty of Jane Fonda, the storied career of producer Dino de Laurentiis, Alan Moore's League of Extraordinary Gentlemen comics, and what the proposed sequel might have looked like!You don't need a dollar to follow us on the following platforms: @Disenfranchpod on Bluesky, Facebook, Instagram, Letterboxd, and YouTube Email us your thoughts or requests to disenfranchpod@gmail.com Rate and review us on Apple Podcasts and Spotify! Find Stephen at @ChewyWalrus on Bluesky, Instagram, and Letterboxd Find Brett at @sus_warlock on Instagram and Letterboxd or @suswarlock on Bluesky Find Tucker at @icenine09 on YouTube and Instagram and @tuck_mugs on Instagram Join our Patreon for exclusive bonus content, including our weekly What Are We Watching? show: https://patreon.com/Disenfranchpod Watch our big screen cinematic debut in Circle City Supernatural from our buddy J.P. Leck! You can either buy it on BluRay through Joseph's website or buy or rent it digitally on Amazon Prime!
"Gli americani amano tutto dell'Italia, a cominciare dal cibo". Lo dice Giada de Laurentiis, chef e conduttrice tv naturalizzata statunitense, al Summer Fancy Food Show 2023 a New York.sat/gtr
"Gli americani amano tutto dell'Italia, a cominciare dal cibo". Lo dice Giada de Laurentiis, chef e conduttrice tv naturalizzata statunitense, al Summer Fancy Food Show 2023 a New York.sat/gtr
Entrevista com o Chef Adriano de Laurentiis, sócio proprietário do Restaurante Cais, especializado em Peixes e Frutos do Mar na Brasa. Natural de Ribeirão Preto, no interior de São Paulo, formado em publicidade na ESPM, onde sua primeira opção de carreira foi a publicidade e mesmo diante de grandes agências de propaganda e posteriormente em produtora de audiovisual, esse segmento de atuação não era a sua paixão. No entanto, o que preenchia seu tempo naquela época era cozinhar para os amigos e pesquisar receitas. Resumidamente, foi dessa forma despretensiosa que ele descobriu sua vocação para a culinária. E com 24 anos, Adriano mudou totalmente de área, mergulhando no universo dos restaurantes. Iniciou seu trabalho em diversas casas paulistas e partiu para terras internacionais. Em Oslo, na Noruega, fez estágio no Maaemo, o primeiro restaurante da Escandinávia que recebeu três estrelas Michelin. No seu retorno ao Brasil, teve passagem por outros restaurantes, até planejar a abertura do Restaurante Cais, uma casa simpática na região da Vila Madalena que possui um cardápio especializado em Peixes e Frutos do Mar na Brasa. A casa também apresenta uma proposta a charcutaria do mar e uso de aparas de peixes como nadadeira e costeleta. O Chef também participou do incrível seriado Iron Chef, da Netflix. @restaurantecais @adrianodelaurentiis Fique por dentro das novidades, siga nosso Instagram: @paladar.distinto
Next Level Soul with Alex Ferrari: A Spirituality & Personal Growth Podcast
In 1980, Stephen Simon produced the film Somewhere in Time with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced What Dreams May Come with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr. On January 3, 2018, my wife and forever love Lauren suddenly passed away in her sleep. She was only 54. Six weeks later, Lauren began to communicate with Stephen…and in October 2018, they started writing the book "What Dreams Have Come: Loving Through The Veil". Wives, husbands, mothers, fathers, sons, daughters, grandparents, and many others have experienced communication with loved ones who preceded them beyond the veil that separates life and what comes after life.Stephen Simon graduated from UCLA and Loyola Law School, entered the movie business in 1976, ran the film companies of legendary producers Ray Stark and Dino de Laurentiis, produced such films as Somewhere in Time and What Dreams May Come, co-founded The Spiritual Cinema Circle in 2004, and wrote the books The Force is With You and Bringing Back the Old Hollywood.Please enjoy my conversation with Stephen Simon.
In 1980, Stephen Simon produced the film Somewhere in Time with Christopher Reeve, Jane Seymour, and Christopher Plummer. In 1998, he produced What Dreams May Come with Robin Williams, Annabella Sciorra, and Cuba Gooding, Jr.Stephen Simon graduated from UCLA and Loyola Law School, entered the movie business in 1976, ran the film companies of legendary producers Ray Stark and Dino de Laurentiis, produced such films as Somewhere in Time and What Dreams May Come, co-founded The Spiritual Cinema Circle in 2004, and wrote the books The Force is With You and Bringing Back the Old Hollywood.Please enjoy my conversation with Stephen Simon.
Dinner on the Table is a monthly series dedicated to dinner ideas. In September I'm talking shrimp with three effortless menus you can easily pull from your back pocket at a moments notice. Shrimp cooks quickly and doesn't need to marinate - finish it with a squeeze of lemon and dinner is served. Virtual Cooking Classes: October 19th "Cozy Italian Dinner" Cooking Class: https://www.foodiewithalife.com/shop/p/cozy-dinner-virtual-cooking-class November 15th "Holiday Sides to Healthy Lunch" Cooking Class: https://www.foodiewithalife.com/shop/p/holiday-sides-to-healthy-lunch Recipe and link resources: 11 Olives: Traditional Barrel Aged Balsamic Vinegar https://store.11olives.com/ProductDetails.asp?ProductCode=18%2Dyr%2DBalsamic%2D12%2E5oz Grilled Shrimp & Asparagus With Pesto: https://www.foodiewithalife.com/recipes/asparagus-with-pesto-and-grilled-shrimp?rq=shrimp Giada de Laurentiis' Classic Pesto: https://giadzy.com/blogs/recipes/giadas-classic-pesto-alla-genovese Seasonal Recipe Bundle: bit.ly/3BHktkvSRB Healthy, feel-good recipes are a click a way. Subscribe to my Seasonal Recipe Bundle (SRB) and you'll receive seasonal recipe packs each quarter to keep you inspired, and your family excited for dinner. Subscribe to the annual membership for only $45 and add 24 delicious recipes delivered to your inbox this year. Save 10% with code: 10-THE-POD-SENT-ME Subscribe --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/christina-conrad/message Support this podcast: https://anchor.fm/christina-conrad/support
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His string of hit movies is the stuff of legends, and he kickstarted the careers of many a genre favorite director and actor. But who was Dino di Laurentiis? Sci-Fi 5 looks back at his formidable filmmaking legacy and his unique style. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by David Sohl Hosted by Ryan Myers Music by Devin Curry
His string of hit movies is the stuff of legends, and he kickstarted the careers of many a genre favorite director and actor. But who was Dino di Laurentiis? Sci-Fi 5 looks back at his formidable filmmaking legacy and his unique style. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by David Sohl Hosted by Ryan Myers Music by Devin Curry
His string of hit movies is the stuff of legends, and he kickstarted the careers of many a genre favorite director and actor. But who was Dino di Laurentiis? Sci-Fi 5 looks back at his formidable filmmaking legacy and his unique style. Follow Sci-Fi 5 for your daily dose of science-fiction history. Written by David Sohl Hosted by Ryan Myers Music by Devin Curry
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Estrenamos sección, "cine de verano" en la que vemos, comentando, películas que se ajustan a la charleta, desenfado y demás jolgorios generalizados. Empezamos con la icónica Flash Gordon (aahhaah), dirigida por Mike Hodges, producida por Dino de Laurentiis y con tutiplén de derivadas, desde su felliniana (sí) relación con Star Wars, el ser el paraíso del fetichista, la música de Queen, los partidos de fútbol americano en Mongo, las escenas turbias... ¡y mucho más! Gordon lives! ¿lo comprobáis con nosotros? Como siempre, esperamos que os guste :-) La música presente en el programa tiene licencia Creative Commons ("Into the Storm" por Brandon Lew) o está cedida (cierre por el gran Almirante Stargazer, director del fantabuloso podcast "Torpedo Rojo"). Imagen con licencia Creative Commons en debaser.it Puedes seguir nuestras andanzas y participar en nuestra web, el portal cultural podcaliptus.com ; en nuestro canal de YouTube "Podcaliptus Bonbon", en nuestro muro de Facebook y en Twitter donde estamos como @podcaliptus. También en Instagram ¡Os esperamos! :-)
For today's movie review:Megaproducer Dino de Laurentiis brings his vision of Alex Raymond's beloved scifi character to the silver screen, in Flash Gordon! Sam Jones stars as the titular Flash along with Max von Sydow and Timothy Dalton, so blast off with Adam and Andy as they review this 1980 scifi flick!Check out Flash Gordon (1980)Show Notes:What We've Been Watching:Adam: Life After Flash, Castle Rock (S2), Needful Things, Christine, The Adam ProjectAndy: Life After Flash, Ted, Ted 2Chapters:(~0:00:00) Introduction(~0:00:38) Featured Review(~0:25:12) What We've Been Watching(~0:43:27) Up Next(~0:44:10) ClosingLike, comment, or subscribe if you'd want to see more episodes.Feel free to send us a question we can answer on the air to ReelShame@gmail.com or follow us on Instagram @ReelShame.
We've reached the conclusion of our breakdown of RED SONJA, but there's still plenty to discuss! Listen as John and Kevin talk Risky Business slides, Ikol's booty, feats of strength, the hotness of evil chicks, Schwarzenegger's falling out with Dino de Laurentiis, and the surreal life of Brigitte Nielsen. This episode covers 1:10:13 1:26:00; Prince Tarn faces Ikol, a gruesome ending for Ikol, Tarn falls into a trap, Red Sonja comes face to face with Queen Gedren, the sorcerer meets his doom, Sonja and Gedren battle for the talisman, our heroes make a narrow escape, and Sonja accepts Kalidor's challenge.
We've reached the conclusion of our breakdown of RED SONJA, but there's still plenty to discuss! Listen as John and Kevin talk Risky Business slides, Ikol's booty, feats of strength, the hotness of evil chicks, Schwarzenegger's falling out with Dino de Laurentiis, and the surreal life of Brigitte Nielsen. This episode covers 1:10:13 - 1:26:00; Prince Tarn faces Ikol, a gruesome ending for Ikol, Tarn falls into a trap, Red Sonja comes face to face with Queen Gedren, the sorcerer meets his doom, Sonja and Gedren battle for the talisman, our heroes make a narrow escape, and Sonja accepts Kalidor's challenge.
Tom and Jenny talk about a 1977 Jaws cash-in produced by Dino de Laurentiis, in which a salty sea captain played by Richard Harris becomes the target of a campaign of vengeance perpetrated by an angry killer whale. SHAMU, NOOOOOO!!! Find this movie and more at the 13 O’Clock Amazon Storefront! Audio version: Video version: … Continue reading Matinee LIVE: Orca, The Killer Whale! (1977)
En septembre est sortie sur nos écrans une nouvelle adaptation de Dune par Denis Villeneuve. Nous avons profiter de cette occasion pour revenir sur les différentes adaptations de l'oeuvre de Franck Herbert. Pour cette première partie nous recevons avec plaisir Christophe. Si vous voulez découvrir l'auteur, son univers ainsi que l'adaptation de Dune en série tv, nous vous conseillons d'écouter en premier l'épisode de Geek en série consacré à la mini série de Syfy Dune Par Jodorowsky Dans les années 70, Alejandro Jodorowsky le réalisateur de El topo se lance dans l'adaptation de Dune. Sa vision totalement folle réuni des artistes comme Moebius, Chris Foss, Giger, Salvator Dali ou bien encore Orson Welles. Son projet donna lieu à un énorme storyboard qui circula de studio en studio et bien que le projet ne dépassa pas le stade du papier, la vision de Jodorowsky laissa sa marque dans le cinéma ainsi que dans la pop culture. Dune par David Lynch En 84 Ce fut la vision de David Lynch qui arriva sur le grand écran. Mais peut on dire que ce Dune est vraiment sa vision? Arrivé sur le projet à cause du titre, David découvrit l'univers de Franck Herbert et proposa un scénario promettant 3h de film. Si cette adaptation sur papier séduit le créateur d'Arakis, le producteur Dino de Laurentiis n'était pas du même avis réclamant des réécritures et coupure même pendant le tournage. Au final ce Dune fut une mauvaise expérience pour David Lynch mais aussi une grande leçon. Un film malade: Après avoir replanté le contexte il est temps pour l'équipe de parler du film. Souvent considéré comme un film malade, nous essayerons de voir si cet adaptation par David Lynch est tout d'abord un bon film mais également si c'est une bonne adaptation du roman. Une discussion riche en points de vue. On se retrouve bientôt pour la partie 2 consacrée à l'adaptation de Denis Villeneuve. Un grand merci Rémi pour son montage, vous pouvez retrouver ses émissions ici : https://galaxiepop.fr/ Source: David Lynch par Michel Chion pour les cahiers du cinéma Le documentaire Jodorowsky's Dune Ciné Skope: Dune échec mérité ou classique incompris? David Lynch : Dune interview Pour nous suivre: Retrouver Sophie et Charlotte :Les pieds dans la gueule le site : https://lpdlg.wordpress.com/Twitter: https://twitter.com/pieds_gFacebook : https://www.facebook.com/Les-Pieds-dans-la-Gueule-732024857147220 Motif Cinéma: Le site: https://anchor.fm/fitomamenicTwitter: https://twitter.com/CinemaMotif?s=09Sueurs froides: https://www.sueursfroides.fr/ Retrouvez James & Faye :Facebook: https://www.facebook.com/JamesetFaye/Twitter : https://twitter.com/jamesetfayeDiscord : https://bit.ly/2Y6pgI7 Vous pouvez écouter l'émission sur :Youtube : https://www.youtube.com/channel/UCIf5yeS3ZSCeLYiXuss6BSwAusha : https://podcast.ausha.co/cineblabla-2Spotify : https://spoti.fi/2SoiuKlItunes : https://apple.co/2Oheyu4 Nous soutenir grâce à : Tipeee: https://fr.tipeee.com/james-et-faye Et retrouver toute notre actu sur : Le site internet: http://jamesetfaye.fr/
In questa seconda parte dell'intervista (in versione ridotta – tra gli episodi del podcast è presente la versione integrale per maggiori approfondimenti) a Luigi De Laurentiis, ci addentreremo nel secondo, affascinante e avvincente aspetto della sua attività: il calcio.Il patron del Bari ci racconterà come ha avuto principio la sua avventura all'interno della carriera calcistica, rendendoci partecipi di tutti gli avvenimenti, ostacoli, sorprese e sfide appassionanti che l'hanno caratterizzata.Scopriremo quali sono i procedimenti secondo i quali si scelgono i giocatori, e tramite cui questi ultimi si inseriscono nelle squadre o si congedano dalle stesse.Avremo modo di comprendere i percorsi del Bari e del Napoli e quali decisioni hanno condotto queste squadre alla loro attuale posizione di rilievo.Apprenderemo le strategie di mercato messe in atto per gli Store Brand e merchandising e faremo interessanti parallelismi con l'aspetto cinematografico della sua carriera, analizzando le caratteristiche che sono richieste agli attori del panorama calcistico italiano.In conclusione, De Laurentiis darà preziosi consigli a tutti i giovani che desiderano intraprendere questo percorso, sollecitandoli soprattutto a studiare l'ambiente che li circonda a 360 gradi e ad esperire il lavoro sempre intensamente ed in prima persona, in modo da non tralasciare niente che sia utile all'incipit di una possibile carriera di successo.Un'intervista da non perdere all'interno della serie del podcast Inside Finance dedicata allo Sport Business.
In questa seconda parte dell'intervista (in versione integrale – tra gli episodi del podcast è presente la versione ridotta con i tratti salienti) a Luigi De Laurentiis, ci addentreremo nel secondo, affascinante e avvincente aspetto della sua attività: il calcio.Il patron del Bari ci racconterà come ha avuto principio la sua avventura all'interno della carriera calcistica, rendendoci partecipi di tutti gli avvenimenti, ostacoli, sorprese e sfide appassionanti che l'hanno caratterizzata.Scopriremo quali sono i procedimenti secondo i quali si scelgono i giocatori, e tramite cui questi ultimi si inseriscono nelle squadre o si congedano dalle stesse.Avremo modo di comprendere i percorsi del Bari e del Napoli e quali decisioni hanno condotto queste squadre alla loro attuale posizione di rilievo.Apprenderemo le strategie di mercato messe in atto per gli Store Brand e merchandising e faremo interessanti parallelismi con l'aspetto cinematografico della sua carriera, analizzando le caratteristiche che sono richieste agli attori del panorama calcistico italiano.In conclusione, De Laurentiis darà preziosi consigli a tutti i giovani che desiderano intraprendere questo percorso, sollecitandoli soprattutto a studiare l'ambiente che li circonda a 360 gradi e ad esperire il lavoro sempre intensamente ed in prima persona, in modo da non tralasciare niente che sia utile all'incipit di una possibile carriera di successo.Un'intervista da non perdere all'interno della serie del podcast Inside Finance dedicata allo Sport Business.
Nell'intervista di oggi (in versione ridotta - tra gli episodi del podcast è presente la versione integrale per maggiori approfondimenti) avremo il piacere di ascoltare una delle voci più note del panorama cinematografico, imprenditoriale e sportivo italiano: Luigi De Laurentiis.Presidente del Bari, produttore cinematografico e dirigente sportivo, Luigi ci accompagnerà e addentrerà in una delle più affascinanti storie appartenenti a questo Podcast, raccontandoci, in questo episodio dedicato al business del cinema, la sua storia relativa alla produzione e creazione dei classici cinematografici italiani.Scopriremo le differenze tra il nostro cinema e quello americano, apprenderemo quanto e come si siano modificate la storia, la direzione e la forma dello scenario del cinema italiano nel corso degli anni.Luigi ci racconterà le contaminazioni cinematografiche che abbiamo espatriato verso il cinema estero e ci insegnerà il più affascinante dei processi: il percorso che parte da un'idea iniziale e giunge al traguardo di un film sul grande schermo.Inoltre, grazie alla splendida storia di Luigi, verremo a conoscenza di ciò che si cela dietro le più importanti professioni che fanno parte di questa gigantesca e sorprendete avventura che è il cinema italiano.Saremo colpiti da ciò che può nascondersi dietro una apparentemente semplice commedia, e impareremo anche le difficoltà e le emozioni intense e meravigliose che può comportare questo mestiere unico e incomparabile.Una ricca conversazione davvero ineguagliabile.
Nell'intervista di oggi (in versione integrale - tra gli episodi del podcast è presente la versione ridotta con i tratti salienti) avremo il piacere di ascoltare una delle voci più note del panorama cinematografico, imprenditoriale e sportivo italiano: Luigi De Laurentiis.Presidente del Bari, produttore cinematografico e dirigente sportivo, Luigi ci accompagnerà e addentrerà in una delle più affascinanti storie appartenenti a questo Podcast, raccontandoci, in questo episodio dedicato al business del cinema, la sua storia relativa alla produzione e creazione dei classici cinematografici italiani.Scopriremo le differenze tra il nostro cinema e quello americano, apprenderemo quanto e come si siano modificate la storia, la direzione e la forma dello scenario del cinema italiano nel corso degli anni.Luigi ci racconterà le contaminazioni cinematografiche che abbiamo espatriato verso il cinema estero e ci insegnerà il più affascinante dei processi: il percorso che parte da un'idea iniziale e giunge al traguardo di un film sul grande schermo.Inoltre, grazie alla splendida storia di Luigi, verremo a conoscenza di ciò che si cela dietro le più importanti professioni che fanno parte di questa gigantesca e sorprendete avventura che è il cinema italiano.Saremo colpiti da ciò che può nascondersi dietro una apparentemente semplice commedia, e impareremo anche le difficoltà e le emozioni intense e meravigliose che può comportare questo mestiere unico e incomparabile.Una ricca conversazione davvero ineguagliabile.
El inquieto e inquietante David Lynch aporta con Terciopelo azul una de sus películas más emblemáticas y recordadas. Producida por Dino de Laurentiis, se trata de una película de bajo presupuesto que combina el cine juvenil con el noir y la más pura vanguardia. David G. Panadero conduce esta Sesión Prótesis acompañado por Antonio López. **selección musical de Manuel Bava
Once a reviled commercial disaster, today David Lynch's Dune is... a tolerated commercial disaster? It has its fans, it has its naysayers, so before Denis Villeneuve launches his much-anticipated adaptation of (the first half of) Frank Herbert's novel Graham and Archaeon are convening to deliver the final verdict on a film Lynch hated so much he asked for the extended cut to be credited to "Judas Booth". Topics include Dino de Laurentiis's surprisingly decent history shepherding art-house directors into big-budget genre pieces, the film's curious position in Lynch's directorial canon, the peculiar preponderance of pug dogs, casting comparisons between Lynch and Villeneuve's Dune, and Alejandro Jodorowsky's infamous 1970s attempt to get a movie version of Herbert's novel off the ground. And, because this is Pop Screen, we also talk Sting. The podcast empires are now divided between rival royal dynasties, so if you want to help plucky young Fremen like us make a go of it you can donate to our Patreon, where you can find bonus Pop Screen episodes, our other movie podcast Directors' Lottery, Graham's Doctor Who reviews and more. Don't forget to follow us on Instagram, Twitter and Facebook for the latest news, too. #popscreen #moviereviews #davidlynch #dune #frankherbert #denisvilleneuve #sting #kylemachlaclan #sciencefiction #dinodelaurentiis #virginiamadsen #patrickstewart #alejandrojodorowsky
Andrew Zimmern is an Emmy-winning and four-time James Beard Award-winning TV personality, chef, writer and teacher, Andrew Zimmern is regarded as one of the most knowledgeable personalities in the food world. As the creator, executive producer and host of Travel Channel's Bizarre Foods franchise, Andrew Zimmern's Driven by Food and Emmy-winning The Zimmern List, he has devoted his life to exploring and promoting cultural acceptance, tolerance and understanding through food. In 2020, Andrew returned to television with the MSNBC series What's Eating America. His latest series, Family Dinner, is currently streaming on Discovery+ and will air on Chip & Joanna Gaines' forthcoming Magnolia Network in 2022Also:David Rose is a Food Network/TV personality and author of the soon to be released cookbook “EGGin': David Rose Cooks on the Big Green Egg.” Recently, he was named as Executive Chef for Omaha Steaks, the 100+ year old, family-run company which first pioneered delivery of great steaks to people's homes in the 1950s, and has since expanded to a wide array of food and wine favorites for millions of fans. Rose appeared as a finalist on Food Network Star (Season 13), cooking head to head with Bobby Flay and fielding praise from Giada de Laurentiis. Chef David Rose regularly appears on Food Network, as well as guest on shows such as ABC's Good Morning America, NBC's Today Show, Steve Harvey Show, Hallmark Home & Family, Pickler & Ben, HLN, Tamron Hall Show, EXTRA TV, Fox & Friends, and has been a guest on various local morning shows nationwide.
William R. Griffin - Having started with nothing more than a dream, a goal and a strong desire to succeed, Griffin sells his janitorial books to professional cleaners around the world. How to Start and Operate a Successful Service Business was written to help those who wish to help themselves. This 300-page manual covers supervision and management subjects, as well as taking a look at over 20 different service businesses that you can start with limited capital. http://www.cleaningconsultants.com/Ellen Long Stilwell, RN CHPN - Ellen is a registered nurse certified in hospice and palliative care. While raising her two boys, she volunteered as part of the hospice team with Metropolitan Jewish Health System. She worked several years for Visiting Nurse Service of New York, where she cared for hospice patients and families in their homes. She also worked with Calvary as a Liaison at Weill Cornell, transitioning patients and families from the acute care setting into hospice care. Ellen is working with patients and families at home, the heart of hospice. She is also trained as a death doula by a Buddihist Monk. Ellen is on the faculty at Adelphi University in Garden City, New York, teaching Caring for the Patient Nearing End of Life. https://www.ellenlongstilwell.com/Chef David Rose is a Food Network/TV personality and author of the soon to be released cookbook “EGGin': David Rose Cooks on the Big Green Egg.” Recently, he was named as Executive Chef for Omaha Steaks, the 100+ year old, family-run company which first pioneered delivery of great steaks to people's homes in the 1950s, and has since expanded to a wide array of food and wine favorites for millions of fans. Rose appeared as a finalist on Food Network Star (Season 13), cooking head to head with Bobby Flay and fielding praise from Giada de Laurentiis. Chef David Rose regularly appears on Food Network, as well as guest on shows such as ABC's Good Morning America, NBC's Today Show, Steve Harvey Show, Hallmark Home & Family, Pickler & Ben, HLN, Tamron Hall Show, EXTRA TV, Fox & Friends, and has been a guest on various local morning shows nationwide. http://www.chefdavidrose.com/
TVC 546.2: Ed welcomes Suzanne de Laurentiis, host of Suzanne's Saturday Night Scares, a fun, new homage to drive-in-type horror movies from the early 1970s that you can now enjoy on demand on Apple TV and Amazon Prime. Shot on location in an historic haunted mansion, Suzanne's Saturday Night Scares, in many respects, will remind you of the various late night Creature Features-type shows that we all enjoyed on local television back in the day. The first episode of Suzanne's Saturday Night Scares features Sisters of Death (the 1976 movie starring Claudia Jennings that is considered the blueprint of sorority horror movies), plus an original interview with Morgan Fairchild; the second episode features the 1973 thriller Messiah of Evil, plus a brand new interview with Lara Parker. Want to advertise/sponsor our show? TV Confidential has partnered with AdvertiseCast to handle advertising/sponsorship requests for the podcast edition of our program. They're great to work with and will help you advertise on our show. Please email sales@advertisecast.com or click the link below to get started: https://www.advertisecast.com/TVConfidentialAradiotalkshowabout Learn more about your ad choices. Visit megaphone.fm/adchoices
A primeros de mes, concretamente 4-5-6 de junio de 2021, tuvimos la suerte de representar a nuestro club en el Campeonato Nacional de Powerlifting Raw, celebrado en Málaga, y en el cual pudimos enfrentarnos a los mejores levantadores de fuerza de todo el territorio español. Acompañado de una gran parte de los integrantes del club, Jorge Arroyo (@jorg.prs), Fabio de Laurentiis (@fabsdelaurentiis), Rubén Arredondo (@losdiscosderuben) y Alberto Díaz (@alberlifter), hemos querido compartir con todos vosotros lo que ha supuesto para cada uno de nosotros formar parte de esta experiencia, qué aprendizajes hemos recabado de esta oportunidad, y qué detalles deberíamos tener en cuenta de cara al futuro, para rendir mejor en competición pero sobre todo disfrutar más de cada momento. Entre risas y muchos kilos, en un contexto distendido, os traemos un podcast muy especial, para acompañaros en el camino, y recordaros la importancia de encontrar el significado a todo lo que nos pasa, por un lado para dar las gracias por ello y por otro para aprender y mejorar. Sin más dilación, con nuestro canal de Youtube como testigo del momento: https://www.youtube.com/c/EXITO28MADRID, damos paso al capítulo 28 del Podcast #strongerthanyesterday
In Eat Better, Feel Better: My Recipes for Wellness and Healing, Inside and Out, Emmy award-winning television personality Giada de Laurentiis walks you through how to select food that can actually make you feel better and how to curate a personalized wellness routine to support a healthy mind, body, and spirit. In conversation with Alex Guarnaschelli, the executive chef at Butter in New York City, and a frequent judge on the Food Network’s Chopped. This program was held on March 18, 2021.
Il direttore editoriale de IlBianconero.com Marcello Chirico stigmatizza con decisione la blanda sentenza del Tribunale della Federcalcio nei confronti della Lazio e del presidente Lotito, in merito al "caso tamponi"
De uma palavra-aracna, cheia de pernas longuíssimas que se estendem ao mais fundo de nosso elo com a vida em sua potência oceânica, Louise Michel confunde-se com os corpos que se expõem à sua densidade grave. Diante de nós, o queimar do futuro, respirando o pó dos ossos que seguram a pele fina de quem sobrevive - porém é a memória encarnada de um rapto indomável que nos resgata à luta, nos põe em elo com o movimento da vida, nos arrisca e nos regenera. Lembramos hoje Louise Michel, este oceano furioso, quebrando suas ondas na casca dura, impetuosamente limpando as carcaças, criando caminhos. Gabriela de Laurentiis e Samantha Lodi conversam conosco, neste episódio especial da Rádio Aurora em ocasião de nosso novo lançamento, "Tomada de Posse", em colaboração com @autonomialiteraria, sobre os afetos que ressoam desta mulher-imagem, chapiscada de combate, imensa de potência. Adquira o livro em nossa loja: https://www.sobinfluencia.com/loja A sobinfluencia é uma ferramenta. Use-a: https://www.sobinfluencia.com/
As Chris and Brandon visit their favourite audio recording program's funeral and raid Brandon's, or some facsimile of Brandon's coffin for snacks, the boys decide to talk about six movies in the King Kong franchise. The original, King Kong (1933), the absolutely necessary, not at all rushed and mind-numblingly unnecessary sequel, Son of Kong (1933), the Dino de Laurentiis-produced remake (1976), the self-evidently terrible King Kong Lives (1986), the animated straight-to-DVD musical The Mighty Kong (1998), and Peter Jackson's remake (2005). Strap in and brace yourself: The frequent references to the MONKE meme are coming fast and hard And it's best if we all get used to that now rather than later. *** Below, we've included links to support Mi'kmaq Treaty Rights and Livelihood Fisheries, Black Lives Matter (BLM), and Fightback. Please check them out and support them in any way you possibly can, even if it just means getting the word out. Ways to support Mi'kmaq Treaty Rights and Livelihood Fisheries: https://drive.google.com/file/d/1u_LF_bCFBbSijzqJgHNh4-MfpYz0hfdv/view?fbclid=IwAR3eF_2QQeSyiQM4pzSZUnyUh7HQo1hc9Sh-TRQukhvov5IBz8oK_mGl2VI Ways to Support BLM: Please consider donating to any of these bail funds in this Google Doc if you can: https://docs.google.com/document/u/1/d/1fb2cioBcCO47L_oGPsjdGVWDAc3RTHU2tIpDtekWKs0/mobilebasic#heading=h.1xjoly1h25g3 Check here for more ways to donate, help, and support the cause: https://blacklivesmatters.carrd.co/ Please support BLM in any way you possibly can. Just because it’s not as prevalent in the news cycle doesn’t mean the fight is over. Racism is still a major plague on our world and needs to be combated in any and every way possible. Fightback Subscription Drive: Subscribe to Fightback or La Riposte socialiste here: https://marxist.ca/subscribe-to-fightback Fightback: https://marxist.ca/ International Marxist Tendency: https://www.marxist.com/ *** Music: *** Leave a voice message at: https://anchor.fm/sequel-decay E-mail: sequeldecay@gmail.com Follow Us on Twitter: https://twitter.com/DecaySequel Follow Us on Instagram: https://www.instagram.com/sequeldecay/?hl=af Like Us on Facebook: https://www.facebook.com/SequelDecay/ YouTube: https://www.youtube.com/channel/UCunq81vQqDwoEVcXNPPzv5A Anchor: https://anchor.fm/sequel-decay Stefan’s Twitter: https://twitter.com/DeLongianHorror Stefan's Letterboxd: https://letterboxd.com/humankitten/ Stefan's baseball blog, JAYSLAM: https://jayslam.substack.com/ Brandon’s Twitter: https://twitter.com/BrandonPawlik Brandon's Letterboxd: https://letterboxd.com/seasonedjase/ Chris’ Twitter: https://twitter.com/rantaclaus97 Chris' Letterboxd: https://letterboxd.com/rantac/ Sponsorships: on for this episode --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sequel-decay/message
In this episode, Adam and Budi answer listeners' questions Thanks to Jun Vinh Teo and James Reiser for the questionsMentioned in this episode:Mexican Winter starter packGiada de Laurentiis and Ellen DegeneresSally FieldSteel Magnolia'sDaily Life EverlastingSmell DesignPerfect SenseTo submit a question, please visit http://www.speakpipe.com/theatreofothers for voice recording or submit an email to podcast@theatreofothers.com Messages may be quoted by name unless the writer stipulates otherwiseIf you enjoyed this week´s podcast, we´d love for you to leave a review on Apple Podcasts. It helps with our visibility, and the more people listen to the podcast, the more we can invest in it and make it even betterMusic credit: https://www.purple-planet.comhttp://www.theatreofothers.com
Recorded by Rickey Laurentiis for Poem-a-Day, a series produced by the Academy of American Poets. Published on February 16, 2021. www.poets.org
Il direttore editoriale de IlBianconero.com commenta l'ulteriore "invasione di campo" della Asl numero 1 di Napoli, che ha bloccato 3 giocatori, allenatore e magazziniere dell'Empoli impegnato in Coppa Italia allo stadio Maradona
Giada de Laurentiis is a chef, mother, author, restauranteur, and an Emmy award-winning television personality of many shows on the Food Network. She followed her passion and transformed her family's Italian traditional recipes into a successful culinary empire. Tune in to learn about how she pushed gender stereotypes in the food industry and became an international culinary star.Sign up for the Badass CEO Newsletter for weekly advice and resources on how to get started on a business idea, grow your business, and be the badass entrepreneur of your dreams. To learn more about the Badass CEO Podcast go to: http://www.thebadassceo.com/ To get the Top 10 Tips every entrepreneur should know go to: https://thebadassceo.com/tips-for-every-entrepreneur/Please subscribe above to be notified of our new episodes. I put together a Free Top 10 Checklist for Every Entrepreneur. Click here to get your copy: https://thebadassceo.com/tips-for-every-entrepreneur/ To learn more about our podcast guest, click here:https://thebadassceo.com/culinary-industry/If you enjoy this podcast, please help support the the podcast by using the link to our sponsors and companies I use for my business. I receive a small percentage for each sale. Thank you so much for your support!!http://thebadassceo.com/tools/Follow us on Instagram at:https://www.instagram.com/badass.ceo/
PoetryFoundation.org, & The Creators own their content and music/songs. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app
Da dove partiamo, per costruire una digital reputation coerente ed efficace?L’abbiamo chiesto a Luciana de Laurentiis, esperta di comunicazione e Senior Manager di Fastweb. Luciana ama creare connessioni tra idee, progetti e persone e in questa nuova puntata di ImpactGirl ci guiderà alla scoperta del modo più efficace per comunicare chi siamo e cosa facciamo.
We aren’t sure what we want to talk about. How great of a chef David Rose is or how jacked he is. When it comes to cooking he’s world class. As a Food Network/TV personality he’s appeared as a finalist on Food Network Star (Season 13), cooking head to head with Bobby Flay and fielding praise from Giada de Laurentiis. He also regularly appears on Food Network, Good Morning America, The Today Show, Steve Harvey Show, Hallmark Home & Family, Pickler & Ben, HLN, Sisters Circle Live, Fox & Friends, local morning shows across the country, and as a celebrity chef judge for the CBS Chef's Classic. When it comes to being jacked he’s equally as qualified. The man looks like he hasn’t missed a workout. Ever. He’s on that “every damn day” program. In this episode of the Maximus Podcast we talk with Chef about weights, food, and what makes him tick. You won’t want to miss this episode. You can download the episode on iTunesYou can download it on StitcherYou can download it on SoundcloudIf you love our content Join the Inner Circle at www.themaximuspodcast.comWe’d like to thank our sponsors. Visit www.lalo.com and use the code MAXIMUS20 for 20% off Footwear. Also check out www.tenthousand.cc and use the code MAXIMUS15
Nesse episódio Nathalia Capellini entrevista a artista e historiadora Gabriela de Laurentiis sobre as ligações entre prática artística e pesquisa em história, o feminismo como método de análise e sobre a sua noção de « modos feministas de criar » na arte. Para saber mais sobre a ARBRE, consulte nosso site: http://www.arbre-asso.com
Born on this Day: is a daily podcast hosted by Bil Antoniou, Amanda Barker & Marco Timpano. Celebrating the famous and sometimes infamous born on this day. Check out their other podcasts: Bad Gay Movies, Bitchy Gay Men Eat & Drink Every Place is the Same My Criterions The Insomnia Project Marco's book: 25 Things I Wish I Knew Before I Started My Podcast Celebrating birthday's on this day: Richard Armitage, Kristen Wiig, Colm Feore, Ty Burrell, Rodrigo Santoro, Adewale Akinnuoye-Agbaje, James Corden, Cindy Williams, Andrew Wilson , Honor Blackman, Valerie Harper, Aparna Nancherla, Israel Broussard, Dua Lipa, Kay Cannon, Sylva Koscina, Giada de Laurentiis, Leni Riefenstahl, Laurent Lafitte --- Send in a voice message: https://anchor.fm/born-on-this-day-podcast/message
He had a new name and identity everywhere he went: Christopher Rockefeller in the Hamptons; Christopher de Laurentiis on the West Coast; a prince; a prize fighter; a member of the French nobility… In reality, he was a grifter in the ‘90s whose transformations enabled—and emboldened—his scams.
Numerosos éxitos y fracasos se alternaron en la prolífica carrera como productor de Dino de Laurentiis, el protagonista del programa, junto a compositores como Vangelis, Jerry Goldsmith, Maurice Jarre, Hans Zimmer o Basil Poledouris. Seis décadas de películas que, en no pocos casos, han destacado más por su música que por sus valores artísticos. La selección es la siguiente: La Strada, La Biblia…en su principio, Los tres días del Cóndor, King Kong, El primer gran asalto al tren, Ragtime, Conan el bárbaro, La zona muerta, Motín a bordo, Dune, Tai-Pan, King Kong 2, Hannibal. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.
Numerosos éxitos y fracasos se alternaron en la prolífica carrera como productor de Dino de Laurentiis, el protagonista del programa, junto a compositores como Vangelis, Jerry Goldsmith, Maurice Jarre, Hans Zimmer o Basil Poledouris. Seis décadas de películas que, en no pocos casos, han destacado más por su música que por sus valores artísticos. La selección es la siguiente: La Strada, La Biblia…en su principio, Los tres días del Cóndor, King Kong, El primer gran asalto al tren, Ragtime, Conan el bárbaro, La zona muerta, Motín a bordo, Dune, Tai-Pan, King Kong 2, Hannibal. Sintonía compuesta por Curro Martín. Voz de Pablo Silicato.
Hello, kaiju lovers! Despite a slight delay thanks to MIFV mascots Goji-kun and Bro Kong hiding Nathan's laptop, the unavoidable has happened: King Kong Lives. John LeMay, author of Kong Unmade and other kaiju books, returns to Monster Island to discuss the Godzilla vs. Megalon of the Kong series—and John un-ironically likes it! This ill-fated sequel to Dino de Laurentiis's 1976 remake stars Linda Hamilton, fresh off of her star-making role in The Terminator, as a scientist who resurrects King Kong with an artificial heart…because that cures falling off of a building. Not only that, he “falls in love” with Lady Kong, a female giant gorilla, which leads to most of the Kong film tropes getting turned on their ears. Also, King Kong eats rednecks. Yep. Nathan goes full-tilt MST3K with this movie, but he riffs because he loves. That is, when he isn't mediating a conflict between John and the show's intrepid producer, Jimmy From NASA. The Toku Topic is the convoluted King Kong copyright, which came to a head twice when Universal tried to sue Dino de Laurentiis in the 1970s and Nintendo in the early 1980s. Hear all about it in the newest episode of The Monster Island Film Vault! You can buy the hardcover of John's book Kong Unmade on Amazon. Check out Jimmy's Notes on this episode! Timestamps: Intro: 0:00-3:28 Entertaining Info Dump: 3:28-9:29 Toku Talk: 9:29-1:04:18 Toku Topic: 1:04:18-1:31:04 Outro: 1:31:04-end © 2020 Moonlighting Ninjas Media Bibliography/Further Reading: “Everything You Need to Know About Trademark Law” (Polaris Law Firm) “Historical Hypocrisy: Donkey Kong, King Kong, & The Public Domain” by Timothy Geigner (TechDirt) King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson by Ray Morton “King Kong Lives (1986) Review – Kong-A-Thon Episode 6” (YouTube) Kong Unmade: The Lost Films of Skull Island by John LeMay “Laws that choke creativity | Larry Lessig.” (YouTube, uploaded by TED) Living Dangerously: The Adventures of Merian C. Cooper, Creator of King Kong by Mark Cotta Vaz Remix: Making Art and Commerce Thrive in the Hybrid Economy by Larry Lessig “The true story behind Universal suing Nintendo over King Kong and Donkey Kong” by Luke Owen (Flickering Myth) “Understanding copyright law” by Jennifer Horner (ASHA Wire, The ASHA Leader) “Welcome to the Public Domain” by Rich Stim (Stanford University Libraries) “What is Fair Use?” by Rich Stim (Stanford University Libraries) Wiki Articles for King Kong Lives (1976): –Wikipedia –IMDB –Wikizilla –Gojipedia The post Episode 10: John LeMay vs. ‘King Kong Lives' appeared first on The Monster Island Film Vault.
Hi everyone! Welcome back for another week of reviews here at One Movie Punch! This week, we have a mixture of film reviews for your enjoyment. On Monday, I’ll be reviewing THE RHYTHM SECTION (2020), starring the incredible Blake Lively in a potential franchise launch. On Tuesday, we’ll be picking up the first of two reviews from Jon-David, aka Mafia Hairdresser, who will be joining the podcast as a regular contributor going forward. He’ll be reviewing THE CAVE (2019) this week, an excellent companion piece to last week’s FOR SAMA (Episode #703). On Wednesday, I’ll be reviewing CLOSURE (2018), a daytime comedy noir which will include interview segments from writer/director Alex Goldberg. Thursday will see the return of Christina Eldridge, aka Durara Reviews, who will be tackling perhaps the most unlikely animated film nominee at this year’s Oscars, KLAUS (2019). Andrew returns on Friday with another Fantastic Fest feature, this one heading towards a limited to wide distribution in theaters, entitled THE LODGE (2019). And on Saturday, I’ll finally be reviewing the powerful documentary TRANSFORMER (2017) as part of our Under the Kanopy series. Of course, today we have our first Sponsor Sunday event for the year, with a film chosen by our third sponsor, Matthieu Landour Engel. We had the pleasure of reviewing Matthieu’s short ZERO M2 late last year in Episode #661, along with the full interview in Patreon Episode #P019, still publicly available at patreon.com/onemoviepunch. We were very honored to have him join the growing list of sponsors last year, and that made him eligible for Sponsor Sundays today. Every sponsor at One Movie Punch gets the opportunity to force me to watch and review a film, but I can’t really say watching David Lynch’s DUNE (1984) is something I need to be forced to do. If you want to get in on the action for Sponsor Sunday, head over to patreon.com/onemoviepunch and sign up at any level. A promo will run before the review. Also, because Matthieu is such an awesome person, in lieu of any specific promotion of his projects, he’s asked me to put a plug in for Darcy Prendergast’s recent short film TOMORROW’S ON FIRE, which is currently available on Vimeo. The short film is being used to raise awareness and funds for the recent Australian wildfires. As someone who has had to evacuate twice due to wildfires, I can certainly appreciate this effort. You can find Darcy’s work on Twitter at @d_prendergast, on Facebook @ohyeahwow, and on Instagram @dancy_predatorghast. Check the show notes for a link to the short film, or check social media. Tomorrow’s On Fire by Darcy Prendergast LINK: https://vimeo.com/383034313 Subscribe to stay current with the latest releases. Contribute at Patreon for exclusive content. Connect with us over social media to continue the conversation. Here we go! ///// > ///// JOSEPH: “And now, One Movie Punch presents an interview about the real star of DUNE (1984), the unnamed House Atreides pug, with his only remaining descendent, in a segment we like to call...” JOSEPH: “PUGS! IN! SPACE!” JOSEPH: “Translations will be handled, as always, by One Movie Spouse. So, what is your name?” AMY: “I do not have a name. My father did not have a name. My father before him did not have a name, who played in the film. In fact, I find names to be outdated, human concepts, which David Lynch was trying to move beyond in this questionable adaptation.” JOSEPH: “Wow, that’s a very... uhhh, astute observation.” AMY: “Thank you. You are a lot more polite than your other human counterparts.” JOSEPH: “Right. So, let’s get to the movie. What was it like for him to be the only pug on set?” AMY: “It is my understanding that he faced major discrimination because of his breed. You know, pugs were originally bred as companions for Chinese Emperors, before they became the toast of the town in Europe. But even back then, my ancestor could feel the rising anti-pug discrimination we see in today’s Internet memes and videos.” JOSEPH: “That’s quite insightful. Did everyone treat him as a mere animal, or...?” AMY: “I must say that he had nothing but praise for a then young Patrick Stewart, enjoying most his time filming the battle scene. They often talked about the lack of enthusiasm he had for the part, but my ancestor assured him things would work out. And wouldn’t you know it, three years later Patrick Stewart would become Captain Jean-Luc Picard of the Starship Enterprise.” JOSEPH: “We have to wrap up here. Do you have any thoughts on the upcoming adaptation by Denis Villeneuve?” AMY: “If casting is any indication, then we might be in for a real treat. Of course, with no mention or images of the House Atreides Pug, I’m not sure this new adaptation could ever have the same refined audience.” JOSEPH: “Well, I appreciate you taking the time. I know it must have been... rough to fit us into your schedule.” AMY: “Really? A dog pun?!” JOSEPH: “My bad. On to the review...” ///// Today’s movie is DUNE (1984), the science-fiction epic written and directed by David Lynch, based on the novel written by Frank Herbert. On the desert planet of Arrakis, nicknamed Dune, a precious resource known as the spice is mined, which contains the ability to fold space. As House Atreides assumes command of the planet, young Paul Atreides (Kyle MacLachlan) discovers his destiny, gets glowing blue eyes, rides a giant worm, and, yes, has a pug companion. No spoilers. I have always been a voracious reader. Before we could carry the Internet in our pocket, or stream whatever we wanted, whenever we wanted, I would throw on some instrumental music and read. It began as a steady diet of young adult detective novels, especially Alfred Hitchcock’s “The Three Investigators”. It turned into reading nearly all the available Dungeons & Dragons novels, during the heyday of TSR, Inc., before they were bought out by Wizards on the Coast. And after I made it to college, and the Internet became a thing, an older gentleman I met in a Stephen King newsletter group recommended Frank Herbert’s “Dune”. I had seen the movie, of course, which I thought was so-so. He laughed (or however we did that before text abbreviations over e-mail) and said I owed it to myself to read the first book, or the first three, or all six of them if I felt so inclined. And after a trip to a second-hand bookstore, littered with cheap mass market paperbacks, I picked up the six for a song and placed them on the shelf for break. I was working full-time at the university during the summer, but after work I went home, made dinner, watched a little television, then headed to my room for some music and started reading “Dune”. Three weeks later, I had finished all six of them, reading voraciously on breaks, back at the apartment, even at the bar waiting for friends to show up on the weekend. I absolutely loved the books. Frank Herbert’s “Dune” series is easily one of the best science-fiction series out there. He nails that combination of hard science-fiction, not just with the science itself, but with the social and political structures, all while blending in a clear messianic hero story. Translating that rich, immersive world to the screen has mixed results, a combination of special effects limitations of the time, and the fool’s errand of trying to cram a multi-year political saga into just two hours. Contextually speaking, the practical effects are really good for 1984, a melding of classic Dino de Laurentiis production values (think CONAN THE DESTROYER and a host of lesser-known sword and sorcery films) and some attempts at cutting edge digital effects, including a shielding mechanism and the classic glowing blue Fremen eyes. Die-hard science fiction fans have learned to be forgiving with effects over the years, but not so much the general audience. Many critics, and many audience members, probably couldn’t help but lump DUNE into the other de Laurentiis pictures, much like how science-fiction is often lumped into fantasy and the other so-called pulp fiction. I adore the film score and soundtrack, by Brian Eno and the band TOTO. The sets and costumes are all excellent, and actually do the lion’s share of the world-building. World-building is where DUNE tends to struggle the most, which isn’t just trying to collapse everything into two hours. From the opening monologue, we are assaulted with information, an attempt to collapse the history into something manageable, but also I think to get the petty details out of the way for Lynch to take us on a more surreal journey through this universe, focused more on the emotions and the meaning. DUNE is chock full of Lynch’s emotional storytelling, which runs counter to Herbert’s storytelling style. The clipped dialogue and the internal monologues, all staple Lynch features, felt out of place. And once everything is set up, we go through what could easily be eight hours of content in about ninety minutes, including a two-year resistance movement. Perhaps if Lynch had the space, or the inclination, to develop the world, we could have seen a science-fiction “Twin Peaks”. I thought the film was so-so when I first saw it, and after reading the novels and seeing it again, I think I still only find it so-so. I want to close on some thoughts about the franchise, especially with the upcoming remake by Denis Villeneuve. My desire to read all six novels back in college wasn’t just because they were so great. I was also hoping to finish the novels before taking in the mini-series produced for The Sci-Fi Channel, which I found far superior to today’s film. Better effects, more time to explore, more time to marinate. I was also impressed by their follow-up series, which collapsed the next two novels to close out the initial trilogy. It didn’t do as well as hoped, either critically or with the larger audience, and there was the small franchise reboot that found massive success called, and let me check my notes here, BATTLESTAR GALACTICA. I streamed that in a couple months as well. Twenty years later, we’re getting another attempt at a remake. If anyone can manage this, it’s Villeneuve, as ARRIVAL cements his understanding of hard science-fiction, and BLADE RUNNER 2049 (Episode #332) certainly shows he knows how to take care of a franchise. Can he do what Lynch could not in 1984, with even better special effects, and a side-car television series? We’ll find out in December 2020, or maybe if it’s pushed for reshoots. I would actually want a Game of Thrones style show, starting with the prequel novels based on Frank’s notes to build up the houses, and explore the larger universe. For me, watching 1984’s DUNE is the equivalent of cramming the entire first season of Game of Thrones into a two-hour film. It was hard enough collapsing it into ten episodes, but it was such a masterful translation. “Dune”, as a franchise, would be incredible in a similar vein, especially now that producers know audiences don’t mind humongous casts, intricate plots, political intrigue, immense worlds, and tenuous characters. The series could continue into the core six novels, with the obvious series bail out points being the end of the first novel, the end of the third novel, the end of the fourth novel, and the end of the sixth novel. You could even do a split timeline show, inserting the prequels and a larger, more drawn out story of Paul Atreides on his journey. I know I would. DUNE is Lynch’s so-so attempt to adapt Herbert’s epic science-fiction novel for the big screen, perhaps an irreconcilable difference in storytelling focus. It looks and sounds great for 1984, with many of the correct pieces in place, but ultimately feels too rushed being shoehorned into a feature-length film. Science-fiction fans owe it to themselves to see the film, and I would further recommend the first novel, which fills in so many of the details missing from the film. Everyone else, just know the film also has many, many good parts, even forward-thinking parts, that are definitely worth a single viewing. Rotten Tomatoes: 53% Metacritic: 40 One Movie Punch: 6.5/10 DUNE (1984) is rated PG-13 and is currently playing on VOD.
"Flash Gordon" es uno de esos proyectos que se va rumiando durante casi una década, que iba a ser una adelantada a su época y que al final, por diversas cuestiones que os cuento en el monográfico, se estrena a destiempo y no goza del éxito esperado sobre todo el que quiso su productor Dino de Laurentiis. Dicho esto, le tengo mucho cariño a esta película cuyo VHS grabado de "la primera cadena" lo veía cada dos por tres. Fue mi primer contacto con Queen, encargados de su música, y ya sólo por eso merece un programa. Además podrás escuchar en la sesión novedades de BSO de las últimas semanas, vuestras peticiones, el retrotráiler y la suite. Muchas gracias por seguir ahí PD: En cuanto pueda os pongo el listado de temas.
Hello, kaiju lovers! We're kicking off 2020 with the Eighth Wonder's return to Hollywood in a film brought about by Italian producer Dino de Laurentiis. Writer/podcaster Ben Avery joins Nathan to discuss the 1976 remake of King Kong starring Jeff Bridges and Jessica Lange, which is firmly entrenched in its time and was touted as “the most exciting original motion picture event of all time.” What's interesting is it straddles the gritty cynicism of early ‘70s films like Dirty Harry and the more hopeful films of the late ‘70s like Star Wars (because no MIFV episode is complete without mentioning that franchise). This was the first time Nathan had seen Kong ‘76 in years, and while he didn't like it as a teen, he softens to it thanks in part to Ben's love of it. Their discussion also touches upon the weird love triangle between Dwan, Jack, and Kong; the great but sometimes wonky special effects; and how modern audiences may feel about the film's climax on the World Trade Center post-9/11. The Toku Topic is the 1973 Energy Crisis since it directly influenced the filmmakers' decision to have the characters' expedition be about finding untapped oil reservoirs. Here's to the big one! Check out all of Ben's podcasts: –Strangers and Aliens –Welcome to Level 7 –The Comic Book Time Machine –Supersonic Pod Comics Timestamps: Intro: 0:00-3:33 Entertaining Info Dump: 3:33-11:10 Toku Talk: 11:10-1:16:53 Toku Topic: 1:16:53-1:47:11 Outro: 1:47:11-end Read Jimmy's Notes on this episode when you finish it. © 2020 Moonlighting Ninjas Media Bibliography/Further Reading: “The 1973 Arab Oil Embargo: The Old Rules No Longer Apply” by Greg Myre (NPR) “1973 Oil Crisis” (Wikipedia) “Background: What caused the 1970s oil price shock?” by Terry Macalister (The Guardian) King Kong: The History of a Movie Icon from Fay Wray to Peter Jackson by Ray Morton “King Kong (1976) Review – Kong-A-Thon Episode 5” (DMan1954) Kong Unmade: The Lost Films of Skull Island by John LeMay “Milestones: 1969-1976 – Oil Embargo, 1973-1975” (Office of the Historian) “Oil Shock of 1973–74” (Federal Reserve History) “OPEC Oil Embargo, Its Causes, and the Effects of the Crisis: The Truth About the 1973 Arab Oil Crisis” by Kimberly Amadeo (The Balance) “Terrorism and Godzilla's Future” by Mike Bogue (G-Fan #53) Wiki Articles for King Kong (1976) –Wikipedia –IMDB –Gojipedia –Wikizilla The post Episode 8: Ben Avery vs. ‘King Kong' (1976) appeared first on The Monster Island Film Vault.
Haunted House, Demon Possession, A Dysfunctional Family, Weird Brother Sister incest, Exorcism, and a creepy burlesque doll that comes out of nowhere. This is what you get when watch the Amityville II: The Possession. Prof. Kash sit down with me again as we discuss the facts and the fiction of this cult classic. Buy it now on Amazon Music materials provided by Music-World Note
Con Cinefilia ninja les queremos proponer un ejercicio: escuchar a dos personas hablando de cine, y tener a mano los links necesarios para seguir investigando si les pica el bichito del interés. El invitado del cuarto episodio es Gabriel Medina y con él hablamos de todo esto: De El corcel negro (http://bit.ly/2EjWRHd), de dibujos animados, de películas en la tele, de Sábados de super acción (http://bit.ly/2QHL8so) y los wésterns que pasaban, de las películas de Bud Spencer (http://bit.ly/2CawJgl) y Terence Hill (http://bit.ly/2QMfOJe), de Encuentros cercanos del tercer tipo (http://bit.ly/2zZ4kZd), de ir a ver cine infantil ruso en el Cosmos (http://bit.ly/2L4gl44), de resignificar la vida real después de salir del cine de ver Superpolicía nuclear (https://imdb.to/2QSbojX), de V invasión extraterrestre (http://bit.ly/2UHR83t), de Tiburón (http://bit.ly/2zYFN6r) en el cine Atalaya, de hacerle ver Tiburón a su hijo, de Los paranoicos (http://bit.ly/2EuzV8P), de descubrir que tal o cual película era de Spielberg (http://bit.ly/2QxRlrR), de Dino de Laurentiis (http://bit.ly/2RZBoqP), de Hitchcock (http://bit.ly/2EvP36f), de ver de niño Los pájaros (http://bit.ly/2BqY9NF) en la tele a escondidas de sus padres, de Megaforce (http://bit.ly/2PyqJBC), de agendar que iban a dar la King Kong (http://bit.ly/2LdLkul) clásica en Función privada (http://bit.ly/2PyaOTX), de ver películas de Carlos Saura (http://bit.ly/2PBGLL4) ahí mismo, de Peppermint Frappé (http://bit.ly/2RWhXzl), de El sacrificio de Tarkovski (http://bit.ly/2QwnVKo), de no aburrirse de niño viendo cualquier película, de rever cine ruso cada diez años, de El imperio del sol (http://bit.ly/2QLEcuz), del cine mudo, de descubrir a Leonardo Favio con Soñar soñar (http://bit.ly/2LdLGkF), de no esforzarse porque te guste tal o cual película, de John Ford (http://bit.ly/2SRaCBl), de como Kusturica (http://bit.ly/2GhcRfP) no sobrevivió al paso del tiempo, de la mejor forma para descubrir películas, de la revista El amante (http://bit.ly/2PouM3j), de Clint Eastwood (http://bit.ly/2PzmtSk), de la enseñanza formal de cine, del cambio del encuadre con el cambio de las costumbres de los espectadores, de ser parte de un arte que por momentos agoniza, de Zama (http://bit.ly/2SO9z55), del cine de Lisandro Alonso (http://bit.ly/2QOAoZy), de la formación formal y la formación laboral, de la docencia cinematográfica, de Breaking Bad (http://bit.ly/2UGOGuo), de verle los hilos a las series, del cine que se ve en los complejos, del cine de entretenimientoantes y ahora, de John Carpenter (http://bit.ly/2Eh18eu), de Sidney Lumet (http://bit.ly/2rAQXKk), de Paul Schrader (http://bit.ly/2CcttRP), de John Frankenheimer (http://bit.ly/2rzhyqP), de John Schlesinger (http://bit.ly/2EuCGqT), de Alan Pakula (http://bit.ly/2Eh1D8m), de William Friedkin (http://bit.ly/2QSn5XV), de Quentin Tarantino (http://bit.ly/2EgSe0x) como el último autor, de los años 94 y 95 como el último gran momento del cine, de cómo podemos salvar al cine argentino y de Un tiro en la noche (http://bit.ly/2PzO9GF). Gabriel Medina es un director, guionista y docente. Trabajó como asistente de dirección en decenas de películas y dirigió los largometrajes Los paranoicos y La araña vampiro. Actualmente se dedica a la docencia al tiempo que prepara su nuevo largometraje Perro monstruo.
"Don't come near, honey. Molten gold wouldn't suit your skin." Creating a movie from a comic book has obviously become a huge way to make money at the box office these days, but back in the late 60s, it seemed a bit riskier. Dino de Laurentiis wanted to make a film out of the incredibly popular Italian comic “Diabolik”, but the first try was bad and not worth finishing. It took a bit for people to really connect with the vision. So he dumped it and started again. Luckily, his second go-around – this time with director Mario Bava – worked. Join us – Pete Wright and Andy Nelson – as we wrap up our series celebrating 50th anniversaries of 1968 crime films with Bava's Danger: Diabolik. We talk about the crazy tone the film gives off and how it feels so much a part of its period while incredibly unique. We look at the over-the-top nature of the performances and how they work in the film, starting with John Phillip Law as the title character. We chat about the phenomenal production design and lively camera work, and how well the film works visually. We debate the quality of Ennio Morricone's music and wonder if we'll ever get the theme song out of our heads. And we wonder what other Bava films we need to see to really feel like we get what he's going for in his body of work. It's a fun film that at least one of us liked, and is a film that feels like it'll be an enjoyable one for repeat viewings. We have a great time chatting about it so check it out then tune in! And join our conversation with movie lovers from around the world on The Next Reel's Discord channel! The Next Reel – when the movie ends, our conversation begins! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: Amazon • YouTube Original theatrical trailer Original poster artwork Diabolik: Volume 1 Flickchart Letterboxd
"Don’t come near, honey. Molten gold wouldn’t suit your skin." Creating a movie from a comic book has obviously become a huge way to make money at the box office these days, but back in the late 60s, it seemed a bit riskier. Dino de Laurentiis wanted to make a film out of the incredibly popular Italian comic “Diabolik”, but the first try was bad and not worth finishing. It took a bit for people to really connect with the vision. So he dumped it and started again. Luckily, his second go-around – this time with director Mario Bava – worked. Join us – Pete Wright and Andy Nelson – as we wrap up our series celebrating 50th anniversaries of 1968 crime films with Bava’s Danger: Diabolik. We talk about the crazy tone the film gives off and how it feels so much a part of its period while incredibly unique. We look at the over-the-top nature of the performances and how they work in the film, starting with John Phillip Law as the title character. We chat about the phenomenal production design and lively camera work, and how well the film works visually. We debate the quality of Ennio Morricone’s music and wonder if we’ll ever get the theme song out of our heads. And we wonder what other Bava films we need to see to really feel like we get what he’s going for in his body of work. It’s a fun film that at least one of us liked, and is a film that feels like it’ll be an enjoyable one for repeat viewings. We have a great time chatting about it so check it out then tune in! And join our conversation with movie lovers from around the world on The Next Reel’s Discord channel! The Next Reel – when the movie ends, our conversation begins! Film Sundries Thank you for supporting The Next Reel Film Podcast on Patreon! Watch this film: Amazon • YouTube Original theatrical trailer Original poster artwork Diabolik: Volume 1 Flickchart Letterboxd
Neste episódio desvendamos dois filmes de gangsters da década de setenta perdidos na sombra de O Padrinho. Uma produção do ambicioso Dino de Laurentiis com Charles Bronson, O Caso Valachi, de 1972, e Al Capone, o filme de exploitation produzido em 1975 por Roger Corman onde Ben Gazzara encarna o infame criminoso Al Capone.
Nunca existen indicios en la vida de lo que nos puede ocurrir en el instante siguiente. Uno confía en que todo irá bien, siguiendo un esquema ordenado de acontecimientos. El sentido común no siempre se impone, el caos acecha en la trastienda. En las tranquilas noches de Lumberton la luz de las farolas cae mortecina sobre el césped húmedo, en las urbanizaciones, los barrios de personas aparentemente normales, que viven sus rutinas sin querer caer en la cuenta de que existe gente como Frank. El terciopelo azul excita al papaíto, el fetichismo de un pervertido que se droga con gas a través de una mascarilla, el terror del otro que llama a la puerta en el silencio de la madrugada. Jeffrey pasa por un momento duro, su padre acaba de sufrir un infarto mientras regaba el jardín, el crío despistado y bonachón tiene que espabilar. Jeffrey se aburre en la ferretería, entre los muros de su habitación de adolescente, hasta que un día cualquiera el hallazgo entre la hierba de una oreja humana le obsesionará hasta límites insospechados. En la planta numero 7 de la calle Linton habita la cantante rota, enigmática, Dorothy enseña su espalda desnuda en el club nocturno mientras canta Blue Velvet, la mujer de la peluca se desnuda ante un voyeur escondido en un armario. La intoxicación del lado oscuro puede sacarte del sopor diario, ahí fuera un tipo maligno aspira gas y abusa de una mujer. No puede dejar de mirar, el chico ha decidido inmiscuirse en el peligro, en el habitáculo de paredes rojas. ¿Por qué existe gente como Frank? La mojigata hija del policía, la chica de rosa se deja llevar por la imprudencia del que juega a ser detective. David Lynch consiguió realizar este film esencial gracias al dinero de Dino de Laurentiis, y eso que el productor había ya perdido un pastizal con su anterior Dune. Rodada en formato panorámico, la retorcida creación del artista de lo raro nos envuelve en un mundo perverso, bajo la hojarasca los insectos pululan sin descanso, en los clubes de alterne las prostitutas ajadas se sientan inmoviles, y el amigo de Frank, un tipo con rasgos de payaso hundido hace un playback perfecto del In Dreams de Roy Orbison. En el cine de Lynch la belleza se funde con lo tenebroso, la rutina con la nostalgia del ayer, lo críptico con la sensualidad de una mujer de labios rojos y bata de terciopelo azul. Raúl Gallego Esta noche fumigamos la torre de Radiopolis en busca del lado oculto.... José Miguel Moreno, Gervi Navío, Raúl Gallego y desde Madrid nuestro crítico César Bardés.
Two years ago on this month, we celebrated the release of Solmaz Sharif's award-winning debut poetry collection Look. Her poetry bears witness to, in the words of NPR, “war in the Middle East, the war on terror, the devastation ravaged upon families in the name of freedom.” Featuring poets and artists Mariam Ghani, Cathy Park Hong, Rickey Laurentiis, and Solmaz Sharif herself, they read from their work analyze state sponsored violence through language, form poems from redacted letters to people imprisoned in Guantanamo Bay, and parse what Rickey Laurentiis calls “the fault line from Ferguson to Palestine.” Moderated and introduced by AAWW Editorial Director Jyothi Natarajan.
Dino de Laurentiis tenía los derechos del personaje de cómic Flash Gordon, así que George Lucas tuvo que buscarse otros mundos y otros personajes y creó Star Wars. De paso el italiano encontró un modelo a seguir Siendo una producción británica, FLASH GORDON es italiana a rabiar, Ornella Muti está estupenda, los cielos, los decorados, el vestuario, todo ofende y complace a la vista, y los diálogos de Lorenzo Semple, Jr, redondean el giro a la comedia desmelenada David G. Panadero conduce esta Sesión Prótesis
It's time to make the chimichangas this week, as we're joined by special guest Dan McCoy of The Flop House podcast to talk the many faces of that droll mischief maker Ryan Reynolds! From his latest hit, Deadpool 2, to his cult role as cool-guy-waiter/pederast in Waiting..., our favorite Guy With a Pizza Place just won't stop the yuks! Along the way, we also dig into the glam glee of the Dino de Laurentiis-produced Flash Gordon movie from the 80s, and take that other bold truth-teller Ricky Gervais to task for all those barrier breaking Twitter tantrums. 4:14 - Scalding Hot Takes: Deadpool 2 25:00 - Control Nathan Rabin: Flash Gordon 42:51 - Control Nathan and Clint: Waiting... 1:04:22 - Ricky Gervais, Truth Telling, and Accountability 1:16:32 - Mailbag 1:23:46 - Happy Places Follow us on Twitter (Nathan: @nathanrabin, Clint: @alcohollywood)! Pledge to our Patreon, and subscribe to us on iTunes Ask us questions at asknathanrabinshappycast@gmail.com! Theme Song by Jon Biegen
Remaker ha llegado el momento de que te demos nuestra humilde opinión sobre cuál es el secreto del acero. Conan el Bárbaro es considerada como una de las películas de culto que dio los 80 y el cine de videoclub. No podía faltar en este programa. Desde hace tiempo rondaba la idea de poder dedicarle un monográfico pero de forma especial y diferente. La oportunidad surge cuando conocemos a los amigos de AlmeríaCine, aficionados y divulgadores culturales del cine que se rodó en Almería. Como bien sabéis la mayor parte del rodaje de esta película se realizó por aquellos lares. La ocasión era única y debía ser aprovechada. Unimos sinergias para realizar este magnífico programa de larga duración y mostraros una perspectiva muy diferente de esta película ya que hemos contado en el programa con invitados especiales y testimonios únicos, que pertenecen a la filmación y making of de esta producción de Dino de Laurentiis dirigido por John Milius. El programa se realiza en directo con público el pasado día 07/04/2018 desde el conjunto monumental e histórico de la Alcazaba de Almería, como parte de los actos organizados para la exposición que pude verse en ella, dedicada al cine que se rodó entre sus muros. Su contenido narra la sinopsis, datos técnicos, guión, escenas, música, anécdotas de la película, como es habitual en nuestros formatos, pero también podrás encontrar todo un desarrollo del making of de la misma y de las vivencias de Juan Fernández Fernández, de producciones Fresco Film, quien se inició en el mundo del cine en esta película, y que nos ha contado sus recuerdos y anécdotas de los momentos vividos del rodaje. También hemos contado con entrevista a Rosa Ruíz, hija del fallecido Emilio Ruiz, importante especialista en efectos especiales quien trabajó en Conan, entre otras muchas películas. Hemos podido hablar también, con Julián Mateos, encargado del atrezzo de Conan el Bárbaro en su momento y guardián del material de rodaje de la película. Y como invitada especial contamos en la mesa con la presencia de María Luisa Pino especialista en montaje y efectos visuales, que fue la encargada de montar los rollos y rollos que formaron esta película. En la mesa estuvo compartiendo dirección Juan Gabriel García, con Juan Pablo Videoclubsero y en la organización del acto y evento el equipo de Almería de Cine formado por Juanen Pérez, Oscar Delgado y Víctor Miralles. Desglose de tiempos: - 00:00 a minuto 18:40 Presentación programa y de Juan Fernandez Fernandez (Juanito) - 18:40 a minuto 49:00 presentación invitada Maria Luisa Pino (recorrido y trayectoria profesional) - 00:49:00 a 03:26:00 desarrollo película Conan el Barbaro (en minuto 130 entrevista a Rosa Ruiz y en minuto 162 entrevista a Julian Mateos)
Remaker ha llegado el momento de que te demos nuestra humilde opinión sobre cuál es el secreto del acero. Conan el Bárbaro es considerada como una de las películas de culto que dio los 80 y el cine de videoclub. No podía faltar en este programa. Desde hace tiempo rondaba la idea de poder dedicarle un monográfico pero de forma especial y diferente. La oportunidad surge cuando conocemos a los amigos de AlmeríaCine, aficionados y divulgadores culturales del cine que se rodó en Almería. Como bien sabéis la mayor parte del rodaje de esta película se realizó por aquellos lares. La ocasión era única y debía ser aprovechada. Unimos sinergias para realizar este magnífico programa de larga duración y mostraros una perspectiva muy diferente de esta película ya que hemos contado en el programa con invitados especiales y testimonios únicos, que pertenecen a la filmación y making of de esta producción de Dino de Laurentiis dirigido por John Milius. El programa se realiza en directo con público el pasado día 07/04/2018 desde el conjunto monumental e histórico de la Alcazaba de Almería, como parte de los actos organizados para la exposición que pude verse en ella, dedicada al cine que se rodó entre sus muros. Su contenido narra la sinopsis, datos técnicos, guión, escenas, música, anécdotas de la película, como es habitual en nuestros formatos, pero también podrás encontrar todo un desarrollo del making of de la misma y de las vivencias de Juan Fernández Fernández, de producciones Fresco Film, quien se inició en el mundo del cine en esta película, y que nos ha contado sus recuerdos y anécdotas de los momentos vividos del rodaje. También hemos contado con entrevista a Rosa Ruíz, hija del fallecido Emilio Ruiz, importante especialista en efectos especiales quien trabajó en Conan, entre otras muchas películas. Hemos podido hablar también, con Julián Mateos, encargado del atrezzo de Conan el Bárbaro en su momento y guardián del material de rodaje de la película. Y como invitada especial contamos en la mesa con la presencia de María Luisa Pino especialista en montaje y efectos visuales, que fue la encargada de montar los rollos y rollos que formaron esta película. En la mesa estuvo compartiendo dirección Juan Gabriel García, con Juan Pablo Videoclubsero y en la organización del acto y evento el equipo de Almería de Cine formado por Juanen Pérez, Oscar Delgado y Víctor Miralles. Desglose de tiempos: - 00:00 a minuto 18:40 Presentación programa y de Juan Fernandez Fernandez (Juanito) - 18:40 a minuto 49:00 presentación invitada Maria Luisa Pino (recorrido y trayectoria profesional) - 00:49:00 a 03:26:00 desarrollo película Conan el Barbaro (en minuto 130 entrevista a Rosa Ruiz y en minuto 162 entrevista a Julian Mateos)
Emiliano De Laurantiis, Founder and CEO of Knowledge Avatars joined us in this episode of Popping the Bubbl to share his vision for a new type of learning, one that is personalized to the individual, adaptive, scalable through AI and infinitely more effective because the student becomes an active participant in his or her learning process. #Podcast #BUBBL #AILearning
When Sony executive Bob Oswaks got laid off, his old boss, Norman Lear – yes, that Norman Lear – called him and told him that maybe it was time for a real change. So Bob took his passion for bread to the next level and started a whole new life as a baker. He hit the big-time when Giada de Laurentiis – yes, Food Network Giada – asked him if he could make all the bread for a party for Prince William and his bride, Catherine, Duchess of Cambridge. Sounds like a fairy tale, but Bob’s tale of reinvention is a little more hard-crusted than that. It took hard work, a hard head, and a tender croissant. Meet “Juicy” Bob Oswaks.
Es una historia que va más allá de la clasica película de ciencia ficción: Dunas fue un reto monumental para adaptar un libro denso, complejo y fascinante en una cinta promedio, que atrajera multitudes y vendiera muchos juguetes. Pero la mítica película de 1984 destaca por su productor (Dino de Laurentiis), su director (David Lynch), por haber sido filmada en México ¡y por sus extras!: uno de ellos habla en este podcast de este clásico, de un apasionante serie de TV, de los estrenos de la semana... salvo uno: Justice League. Hablan de Manifesto, Somos Lengua, The Sinner, Dune. Cate Blanchett, Justice League, DC Comics, Gal Gadot, Jessica Biel, Bill Pullman, Alejandro Jodorowski, David Lynch, Frank Herbert, Sting, ciencia ficción, Estudios Churubusco, series de TV, estrenos de cine See acast.com/privacy for privacy and opt-out information.
Swipe Left To Turn Page Hello, and welcome to episode 227 of The Fantasticast. Each week, Steve Lacey and Andy Leyland guide you through every issue, guest-appearance and cameo of The Fantastic Four. Apparently, at the time this comic was released, there was a new King Kong movie about to be released. Now, I'd hate to suggest that such a cinematic event would affect the plotting of this issue... but when there's a giant golden gorilla scaling the Baxter Building with Sue Richards in its hand whilst Ben Grimm cracks numerous Dino de Laurentiis jokes, it's hard not to draw that conclusion. Roy Thomas, George Perez, Joe Sinnott, and Rich Buckler (guest-penciling three pages for no readily-discernible reason) present Fantastic Four #171 - Death Is A Golden Gorilla, introducing Gorr, and featuring another completely non-disastrous date for Johnny Storm and Frankie Raye. All this, plus a seemingly-invisible barcode. Send in your feedback to fantastic4podcast@gmail.com, leave your comments at the libsyn site, or at www.TheFantasticast.com. Follow us on twitter, where we are @fantasticast The Fantasticast is Patreon supported. Visit www.patreon.com/fantasticast to donate and support us. The Fantasticast is part of the Flickering Myth Podcast network. Original artwork by Michael Georgiou. Check out his work at mikedraws.co.uk Episode cover design by Samuel Savage.
Edición nº 127 de La gran Evasión. El fastuoso desfile exalta el patriotismo en la gran Rusia de principios del siglo XIX, la joven Natasha observa las tropas marciales del imperio zarista y no se deja impresionar, ella quisiera ser uno más de esos hombres que pueden tomar decisiones y blandir la espada, o rendirla. El apocado Pedro Bezhukov no se ha alistado para la guerra que Napoleón siembra en Europa, su espíritu noble admira al comienzo al invasor corso y sus aires de ilustración, el terror del combate, la sangría de Borodinó le abrirá los ojos. El Conde Bezhukov se siente cansado de la vida mundana, de los fastos, quiere descubrir el verdadero sentido de la vida y para eso debe conocer el sufrimiento, el calvario. Pedro comparte con Natasha la pureza de espíritu, en esto sobresalen sobre la pléyade de personajes creados por León Tolstoi. King Vidor se aventuró en 1956 con esta obra universal, y contó con varias cartas ganadoras, la gran producción de Dino de Laurentiis y Carlo Ponti, Audrey Hepburn para dar vida a la joven princesa, Henry Fonda en el protagonista masculino, la partitura de Nino Rota, y las pictóricas tomas rodadas por el operador Jack Cardiff, el duelo entre Pierre y Dolokhov, las batallas, el último adiós al padre agonizante...A pesar de tanto baile, combate, y humanismo, no quedó redonda, le falta poso, personajes secundarios como Anatoly Kuraguin (Vittorio Gassman) o el campesino abatido por los franceses (John Mills) quedan algo desdibujados, y parecen pedir más desarrollo a gritos. Por fortuna, quedan para la eternidad Audrey y su vestido amarillo, Audrey bailando un vals ante los ojos de un Andrei Bolkonsky resucitado de amor, y los principios del idealista Conde Bezukhov, de ademán torpe y corazón puro. Raúl Gallego Esta noche defendemos la torre de Radiopolis sin recurrir a la táctica de la tierra quemada... José Miguel Moreno a la dirección, debaten Rodrigo Ruiz de Villegas, Gervi Navío y Raúl Gallego.
Kermesse, Jalisse, super Pippo e Oscar de Laurentiis.
Kermesse, Jalisse, super Pippo e Oscar de Laurentiis.
Algunos títulos disponen de una gran complejidad ya sea por su propia naturaleza y las circunstancias que rodean a su creación, como por la dificultad que conlleva una correcta adaptación de la historia que hay inmersa en su guion. Es el caso del titulo que hemos tratado esta tarde en el programa DUNE, una película que se realizó bajo la dirección de David Lynch y la producción de Laurentiis y que no gozó del éxito esperado a pesar de la gran carga filosófica, política y de ciencia ficción con la que la dotó el relato original de Frank Herbert, cualificándola para obteniendo todos los requisitos fundamentales que la hicieran conseguir un gran éxito. Quizás ese fue el problema, su gran ideología a transmitir fue una losa pesada para Lynch y quizás no supo elaborar un resultado final que transmitiera la especia, nunca mejor dicho, de la novela original. Hemos hablado y debatido de todo esto y mucho más, del proyecto original de Jodorowsky y la posible revolución, que hubiera supuesto en el género de ciencia ficción en el caso de que su proyecto original hubiera sido ejecutado. Hemos hablado del mito del mesías escondido entre sus líneas, o el de cualquier otro superhéroe a quien pueda corresponder una historia parecida a esta y que haya sido filmografiado. De esto y muchas cosas más hemos hablado junto a Rafael Teruel, Jesús Megías y Juan Pablo Videoclubsero.
Algunos títulos disponen de una gran complejidad ya sea por su propia naturaleza y las circunstancias que rodean a su creación, como por la dificultad que conlleva una correcta adaptación de la historia que hay inmersa en su guion. Es el caso del titulo que hemos tratado esta tarde en el programa DUNE, una película que se realizó bajo la dirección de David Lynch y la producción de Laurentiis y que no gozó del éxito esperado a pesar de la gran carga filosófica, política y de ciencia ficción con la que la dotó el relato original de Frank Herbert, cualificándola para obteniendo todos los requisitos fundamentales que la hicieran conseguir un gran éxito. Quizás ese fue el problema, su gran ideología a transmitir fue una losa pesada para Lynch y quizás no supo elaborar un resultado final que transmitiera la especia, nunca mejor dicho, de la novela original. Hemos hablado y debatido de todo esto y mucho más, del proyecto original de Jodorowsky y la posible revolución, que hubiera supuesto en el género de ciencia ficción en el caso de que su proyecto original hubiera sido ejecutado. Hemos hablado del mito del mesías escondido entre sus líneas, o el de cualquier otro superhéroe a quien pueda corresponder una historia parecida a esta y que haya sido filmografiado. De esto y muchas cosas más hemos hablado junto a Rafael Teruel, Jesús Megías y Juan Pablo Videoclubsero.
[Pure Premium Pulp Film #1 of 5] At LONG LAST, Deathcakes goes back to the program with a block of '80s and '90s movies, which were adapted from pulp series of the early/mid-1900s! Jay & illy start things off by going back into the Dino de Laurentiis (of Red Sonja "fame") catalog with 1980's "Flash Gordon". Music by DJ Tee -- youtube.com/djteebeats / djtee1.bandcamp.com / Outro: "Terminator X to the Edge of Panic" by Public Enemy
This week on Alcohollywood, we're getting groovy with 1968's Dino de Laurentiis-produced Italian spy-sploitation flick Danger: Diabolik! Adapted from the Italian comic, the film sees Barbarella's John Philip Law as a leather-clad super thief with a hot girlfriend/accomplice, spending the movie stealing more and more elaborate goods while being chased by Italian policeman Jenko and gangster Valmont (played by Thunderball's Largo, Adolfo Celi). The whole thing is delightfully wacky, if a little empty, and Mario Bava's broad, energetic style is quite interesting to behold. Not only that, we get a wonderfully groovy Ennio Morricone score and appropriately lavish production design. This film is the very last one Mystery Science Theater 3000 ever covered, and it's one of the few that is actually not a complete disaster. Check out our thoughts on it, along with our custom cocktail and drinking rules
Movie Meltdown - Episode 186 This episode is not for the weak or faint-hearted (and also probably not a good starter episode). This week we culminate all of the convention and film fest trips of the last two months with one full episode of crazy convention talk. That's right, "live" insanity from the floor of Fright Night/FandomFest. With returning special guest co-hosts Rose Sirna and Scooter Downey. Plus we feature an interview with Kristina Klebe from “Rob Zombie’s Halloween” and director of the short “As Human as Animal". And a surprise “blast from the past appearance” that old-school Movie Meltdown listeners will appreciate. I’ve spent a lot of time at conventions and this was one of the craziest, most entertaining days I’ve ever experienced. Forgive the usual convention noise, and come with us on this weird and erratic ride through a not-so-standard day at a movie geek convention. And while trying to figure out “what happened to your teddy bear??”, we also discuss Vernon Wells, Bowling for Boobies, shaving your head, Noah, Nikki Sixx’s brother, horny deers, Lars von Trier babysitting, I wanna see Angelina, hooking up with animals, Ghostbuster Battle Royale, Rice Krispie Treats and Sid Haig, we’re countercultural within the subculture of the counterculture, waiting for 40 minutes to see someone, idealized bunnies, Michael Haneke, Giada de Laurentiis, Proxy, Kane Hodder, The Little Mermaid, Bill Murray, It, The Skin I Live In, a squirrel on a jet-ski, the couch only takes one person at a time, a chastity belt and a fence around me and flowers... and butterflies, I never watched horror movies, just the people watching ...here, I think you could have at least a 12 hour show, Bella Kiss, elephants... the most deadly animal, having a Napoleon complex, you make me feel like more of an awful person then I already am, Danzig in the dryer, no Walburg as a teacher and no genital mutilation, A Nightmare on Elm Street, watching your friends get slaughtered, Virtuosity, open mouth is dangerous, Rose is... Movie Meltdown’s Disney Princess, who’s John Carpenter?!, having a bathroom guard, one of those girls that’s into horses, a stain on the body cinematic, the corset and mom jeans combo, slutty Chuckie, the couch only takes one person at a time, getting asked for your first autograph, super A.D.D.!, smelling organs, Tomb Raider, afterbirth, being a hand model, for every dollar you get... we shoot an animal, Space Jam, never watched TV, disco witch, and - it’s not crying - it’s juicy!Spoiler Alerts: Extremely random spoilers for “Bambi”, “Stephen King’s It”, “The Godfather” and “It’s in the Blood”. You have been warned. “Having a conversation with you is like playing handball against a wacky, rubbery substance. You have no idea where it’s going to go.” To keep up with actress Kristina Klebe, follow her on Twitter: https://twitter.com/KristinaKlebe For more on Scooter and Rose's movie, go to: http://www.itsinthebloodthemovie.com/
Third public recording of the Bach Collegium Paris on March, 19th 2011 in Les Billettes Church (Paris 4th). Patrizia METZLER, musical director. Manon BAUTIAN, soprano. Alicia SANTOS, soprano. Richard WILBERFORCE, contretenor. Peter de LAURENTIIS, tenor. Beltran IRABURU, baryton. BUXTEHUDE Dietrich (1637-1707) Cantate BuxWV 75 “Membra Jesu nostri patientis sanctissima” IV. Ad latus – 2. “Surge, amica mea” Dietrich Buxtehude lived and worked for almost 40 years in the free imperial city of Lübeck. He was the son of Johannes Buxtehude, himself an organist who had emigrated to Denmark and spent 30 years there as organist of Saint-Olaf’s church. When he replaced Franz Tunder as organist at the Marien Kirche in Lübeck in 1786, Dietrich Buxtehude filled one of the most prestigious church music positions in North Germany. Beyond his organist responsibilities, he also served as Werkmeister (administrator and treasurer of the parish). In his role as the city’s principal musician Buxtehude often provided music for the famous Abendmusiken and other private events. The Abendmusiken, initiated by his predecessor Tunder, were evening concerts organized for the public and supported financially by local businessmen. ... read more about this program on : http://www.bachcollegiumparis.org/repertoire/buxtehude-cantates-membra-jesu-nostri-patientis-sanctissima-buxwv-75 © All right reserved Bach Collegium Paris - Paris, France
Enregistrement public du troisième concert du Bach Collegium Paris le samedi 19 mars 2011 à 20h30 en l'Église des Billettes (Paris 4e). Patrizia METZLER, directeur musical. Manon BAUTIAN, soprano. Alicia SANTOS, soprano. Richard WILBERFORCE, contre-ténor. Peter de LAURENTIIS, ténor. Beltran IRABURU, baryton. BUXTEHUDE Dietrich (1637-1707) Cantate BuxWV 75 “Membra Jesu nostri patientis sanctissima” IV. Ad latus – 2. “Surge, amica mea” Dietrich Buxtehude vécut et travailla pendant près de quarante ans dans la ville libre impériale de Lübeck, dans la Hanse. Son père, Johannes Buxtehude, était organiste et avait émigré au Danemark où il avait tenu pendant trente ans le poste d’organiste de l'église Saint-Olaf d’Elseneur. Dietrich s’engagea dans la même profession et lorsqu’il remplaça Franz Tunder comme organiste à l’église Sainte-Marie de Lübeck en 1786, il se rendit maître de l’un des postes les plus prestigieux d’Allemagne du Nord dans le domaine de la musique religieuse. Non content de pratiquer son art en tant qu’organiste, il y exerçait également les responsabilités de Werkmeister – administrateur et trésorier de la paroisse ; et en tant que premier musicien de la ville, il était également très souvent sollicité pour composer la musique de nombreux événements privés ainsi que des fameux Abendmusiken. ... poursuivez votre lecture en consultant la page complète du programme : http://www.bachcollegiumparis.org/repertoire/buxtehude-cantates-membra-jesu-nostri-patientis-sanctissima-buxwv-75 © Tous droits réservés Bach Collegium Paris - Paris, France
For the next 2 episodes we will pay tribute to the late, great Dino De Laurentiis by tearing into his two KING KONG films. First up, his expensive 1976 sexercised remake of KING KONG starring Jessica Lange, Jeff Bridges and Charles flippin' Grodin! We discuss sex, savagery and the seventies all rolled into one hairy episode! Enjoy and stay tuned next week for KING KONG LIVES! imdb: http://www.imdb.com/title/tt0074751/ purchase on amazon: http://www.amazon.com/King-Kong-VHS-Jeff-Bridges/dp/6300216845
0:00 - 0:33 - Introduction and theme.0:34 - 4:15 - We kill a little time needling Elliott and remembering Dino de Laurentiis.4:16 - 29:36 - Fuckin' movies, how do they work?29:37- 33:16 - Final judgments33:17 - 39:27 - The sad bastards recommend. 39:28 - 47:13 - Instead of cutting our losses, we waste even more time.47:14 - 48:04 - Goodbyes, theme, and outtakes.
Os fãs do personagem Hannibal Lecter, imortalizado na pele de Anthony Hopkins nos filmes O Silêncio dos Incoentes, Hannibal e Dragão Vermelho, conferem a origem do psiquiatra canibal em Hannibal - A Origem do Mal (em que é vivido agora pelo jovem Gaspard Ulliel), que chegou esta sexta-feira aos cinemas. Aproveitando a chegada do filme, nós do Cinema com Rapadura preparamos esse RapaduraCast especial sobre toda a trajetória do personagem crido por Thomas Harris, e levado às telas pelo produtor Dino de Laurentiis. Parte da equipe original do Cast, formada por Jurandir Filho, Raphael Santos e Thiago Sampaio comenta simplesmente tudo sobre os três filmes originais da franquia, e óbvio, o novo filme. Um completíssimo apanhado de informações e curiosidades sobre a filmografia de um dos vilões mais famosos do cinema, comentado com muito humor, como é de costume em nosso podcast. Fiquem ligados, pois é conteúdo que merece ser devorado seja fã, ou leigo.
Os fãs do personagem Hannibal Lecter, imortalizado na pele de Anthony Hopkins nos filmes O Silêncio dos Incoentes, Hannibal e Dragão Vermelho, conferem a origem do psiquiatra canibal em Hannibal - A Origem do Mal (em que é vivido agora pelo jovem Gaspard Ulliel), que chegou esta sexta-feira aos cinemas. Aproveitando a chegada do filme, nós do Cinema com Rapadura preparamos esse RapaduraCast especial sobre toda a trajetória do personagem crido por Thomas Harris, e levado às telas pelo produtor Dino de Laurentiis. Parte da equipe original do Cast, formada por Jurandir Filho, Raphael Santos e Thiago Sampaio comenta simplesmente tudo sobre os três filmes originais da franquia, e óbvio, o novo filme. Um completíssimo apanhado de informações e curiosidades sobre a filmografia de um dos vilões mais famosos do cinema, comentado com muito humor, como é de costume em nosso podcast. Fiquem ligados, pois é conteúdo que merece ser devorado seja fã, ou leigo.
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