Podcasts about john coltrane quartet

Pianist/composer McCoy Tyner (born December 11, 1938) was the youngest member of the earth-shattering John Coltrane Quartet and went on to be a major innovator on his instrument, influencing a whole generation of pianists with his rhythmic and harmonically dense approach to the instrument. He has been recognized with an NEA jazz master award and five Grammy awards. His music is as important in many ways as Coltrane's, and his musical vocabulary has touched virtually every musician that's come after him. Enjoying the show? Help keep it going by donating here.

Welcome to today's Guided Listening Session with Jeff Antoniuk. This podcast was originally released on February 25th, 2022, on the Jeff Antoniuk - Educator YouTube channel. Please subscribe to the YouTube channel and feel free to enjoy the video version as well.FOR ALL INSTRUMENTS!Today, in Episode #2, we have a classic John Coltrane Quartet recording, "Bessie's Blues." We also have a pdf transcription of Trane's solo for you. Just write DiggingDeeperJazz@gmail.com and we'll get it off to you! Mentioned in this podcast:• www.JazzWire.net - Since we announced JazzWire back in 2017, it has become an incredible Community of hundreds of adult musicians from over 25 different countries around the world. If you are looking for a plan for your practice, regular insights and wisdom on playing jazz, and a huge COMMUNITY of jazz players from around the world, this is the place for you! • JazzWire Free Trial - All of the new Guided Listening videos are accompanied with 3 week long lessons on JazzWire. Please write us, JandJonJazz@gmail.com if you're interested in checking out JazzWire behind the paywall! Amazing practice ideas, every week, for free. What's not to love!?

In Breaking Walls episode 145 it's the fall of 1963 and network radio drama is dead while American life is changing. If you're listening to this in real time, this month marks the sixtieth anniversary of John F. Kennedy's assassination. To go beyond its public horror and understand American society three generations ago, we'll focus on Jean Shepherd. —————————— Highlights: • I, Libertine • Jean Shepherd Gets His Familiar WOR Time Slot • November 1963 Begins • Veteran's Day, Malcolm X, and Lenny Bruce • President Kennedy's Last Trip to Florida • Shep's Show During JFK Last Week • John F. Kennedy's Last Day • An Unfortunate Arthur Godfrey Episode • Live News Coverage As The Unthinkable Happens To President Kennedy In Dallas • John Kennedy Has Passed, Lee Harvey Oswald Is Arrested • A Weekend of Mourning With the Boston Symphony Orchestra • President Kennedy's Funeral Coverage • Jean Shepherd Eulogizes John F Kennedy • A Subdued Christmas Eve With Shep • Looking Ahead to Rod Serling and The Zero Hour —————————— The WallBreakers: http://thewallbreakers.com Subscribe to Breaking Walls everywhere you get your podcasts. To support the show: http://patreon.com/TheWallBreakers —————————— The reading material for today's episode was: • Excelsior You Fathead! The Art and Enigma of Jean Shepherd — By Eugene Bergmann • Boom!: Talking About the Sixties — By Tom Brokaw • Four Days In November: The Assassination of President John F. Kennedy — By Vincent Bugliosi • On The Air — By John Dunning • Oswald's Tale: An American Mystery — By Norman Mailer As well as articles from: • The Bridgeport Post • The Chicago Tribune • The Cincinnati Enquirer • The Hammond Times • The Kansas City Times • The Library of Congress • The Los Angeles Times • The Miami News • The New York Daily News • The New York Times • The Orlando Sentinel And the Assassination Report of the Warren Commission —————————— On the interview front: • Andy Rooney spoke with CBS for their 50th anniversary in 1977 —————————— Selected music featured in today's episode was: • The John Coltrane Quartet in concert — November 19th, 1962 • Pachelbel's Canon In D — By Michael Silverman • All I've Got To Do — By The Beatles • The Boston Symphony in concert — November 23rd, 1963 • Some Children See Him — By George Winston —————————— A special thank you to Ted Davenport, Jerry Haendiges, and Gordon Skene. For Ted go to RadioMemories.com, for Jerry, visit OTRSite.com, and for Gordon, please go to PastDaily.com. —————————— Thank you to: Tony Adams Steven Allmon Orson Orsen Chandler Phil Erickson Jessica Hanna Perri Harper Thomas M. Joyce Ryan Kramer Earl Millard Gary Mollica Barry Nadler Christian Neuhaus Ray Shaw Filipe A Silva John Williams Jim W. —————————— WallBreakers Links: Patreon - patreon.com/thewallbreakers Social Media - @TheWallBreakers

Well, that brings our look at November 1963 through the eyes of Jean Shepherd and President Kennedy to a close. Frankly, I wasn't completely sure what this episode would become until I finished producing it. Speaking of anniversaries, we have one in December that's a bit more recent and much happier if you like radio drama. Next time on Breaking Walls, in honor of the fiftieth anniversary of The Zero Hour's debut on the Mutual Broadcasting System, we spotlight the rebirth of radio drama in 1973. It's the first of a two-part mini series on radio drama in the 1970s. The reading material used in today's episode was: • Excelsior You Fathead! The Art and Enigma of Jean Shepherd — By Eugene Bergmann • Boom!: Talking About the Sixties — By Tom Brokaw • Four Days In November: The Assassination of President John F. Kennedy — By Vincent Bugliosi • On The Air — By John Dunning • Oswald's Tale: An American Mystery — By Norman Mailer As well as articles from: • The Bridgeport Post • The Chicago Tribune • The Cincinnati Enquirer • The Hammond Times • The Kansas City Times • The Library of Congress • The Los Angeles Times • The Miami News • The New York Daily News • The New York Times • The Orlando Sentinel And the Assassination Report of the Warren Commission On the interview front: • Andy Rooney spoke with CBS for their 50th anniversary in 1977 Selected music featured in today's episode was: • The John Coltrane Quartet in concert — November 19th, 1962 • Pachelbel's Canon In D — By Michael Silverman • All I've Got To Do — By The Beatles • The Boston Symphony in concert — November 23rd, 1963 • Some Children See Him — By George Winston Breaking Walls Episode 146 will spotlight Rod Serling and The Zero Hour in honor of the 50th anniversary of its debut on Mutual Broadcasting. This episode will be available beginning December 1st, 2023 everywhere you get your podcasts, and at TheWallBreakers.com. In the meantime, give Breaking Walls a quick rating on whatever platform you listen, especially itunes. You can also join The Breaking Walls Facebook group at Facebook.com/Groups/TheWallBreakers. And support this show for as little as a buck a month at Patreon.com/TheWallBreakers. So until December 1st, my name is James Scully, this has been Breaking Walls Episode 145, and I'll catch you on the flip side. Thank you very much.

THIS WEEK's BIRDS: Clifford Jordan; Diego "el Cigala" in Mexico; Orlando Contreras; cumbia from Pedro Laza y Sus Pelayeros,  Lisandro Meza, and others; cumbia from Charles Mingus; new Henry Threadgill; Bruce Ditmas, David Eyges & Paul Bley Trio; Paul Dunmall & Chris Corsano; Bobby Few with Noah Howard & Zusaan Kali Fasteau; Ahiyad Ait Mimoun; Moroccan song from Mahmoiud al Idrissi; taarab from Zuhura Swaleh & Party; rai from Cheba Zohra; Idris Ackamoor & The Collective; classic John Coltrane Quartet; Archie Shepp reprises Coltrane; Tchangodei w. Shepp  and Mal Waldron;  much, much more ...! LISTEN LIVE: Friday nights, 9:00pm-MIDNIGHT (EST), in Central New York on WRFI: 88.1FM Ithaca, 89.7FM Odessa, 91.9FM WINO Watkins Glen. and WORLDWIDE online at WRFI.ORG.  via PODBEAN: https://conferenceofthebirds.podbean.com/ via iTUNES: https://podcasts.apple.com/us/podcast/conference-of-the-birds-podcast/id478688580 Also available at podomatic, Internet Archive, podtail, iheart Radio, and elsewhere. Always FREE of charge to listen to the radio program and free also to stream, download, and subscribe to the podcast online: PLAYLIST at SPINITRON: https://spinitron.com/WRFI/pl/17508055/Conference-of-the-Birds and via the Conference of the Birds page at WRFI.ORG https://www.wrfi.org/wrfiprograms/conferenceofthebirds/  Join us on Facebook: https://www.facebook.com/groups/conferenceofthebirds/?ref=bookmarks FIND WRFI on Radio Garden: http://radio.garden/visit/ithaca-ny/aqh8OGBR Contact: confbirds@gmail.com

Featuring a brand new joint from galactic harpist Brandee Younger with Pete Rock; an unreleased cut from the John Coltrane Quartet feat. Eric Dolphy live in 1961; the brilliant reinterpretation of “Harry's House” from Harrington, Gustin, and Zahn + an ambient solo release from Spencer Zahn on the keys; Freddie Bryant's tribute to the spirit and soul of Manhattan's Upper West Side; Todd Clouser and his recent release The Mexico City Experiment; a tribute to Ryuichi Sakamoto curated by Innaritu; and finally, The Beat live at the WOMAD fest in 1982.

Whether you're making love in the grass or marvelling at the birth of Jesus Christ, this episode of Cover Me is the perfect companion for you! We talk all about the tradition English folk ballad turned Christmas classic, "Greensleeves"! Covers by: The Luton Girls Choir with the Melachrino Orchestra, John Coltrane Quartet, Pete Seeger, Russ Conway, Olivia Newton-John, The Trashmen, Jethro Tull, Sarah McLachlan, Andrew Bird Spotify playlist here 

Bienvenidos amantes de la música, McCoy Tyner fue miembro quizá del cuarteto más célebre del Jazz. The John Coltrane Quartet. Cuando uno piensa en "My Favourite Things " o "A Love Supreme", recuerda el sonido de McCoy Tyner tanto como el saxofón de Coltrane. Pero fue mucho más que eso, incluso antes de la muerte de Coltrane ya había editado sus primeros discos solistas. Su madre le dió sus primeras lecciones de piano, y definitivamente Bud Powell, su vecino en Filadelfia, fue una de sus grandes influencias. Su debut discográfico fue en el álbum "Meet the Jazztet" en 1960 junto al saxofonista tenor Benny Golson y el trompetista Art Farmer. “Lo que no tocas a veces es tan importante como lo que tocas” dijo en una entrevista con Marian McPartland's Piano Jazz de NPR. Junto con Bill Evans , Herbie Hancock o Chick Corea, Tyner fue uno de los principales referentes del piano de jazz moderno. El disco que revisamos hoy es su 3er álbum, "Nights of Ballads & Blues" (1963) Les invitamos a disfrutar de su música. 1. We'll Be Together Again 2. Satin Doll 3. Blue Monk 4. Days Of Wine And Roses *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Selections from 1937 to 1973 tonight. We'll hear Artie Shaw, Coleman Hawkins Orchestra, Benny Goodman & His Orchestra, Django Reinhardt, Billie Holiday & Lester Young, Charles Mingus, Miles Davis Sextet, Modern Jazz Quartet, John Coltrane Quartet, Charlie Byrd & Stan Getz, and James Moody.

We have selections from 1937 to 1973 tonight. We'll hear Artie Shaw, Coleman Hawkins Orchestra, Benny Goodman & His Orchestra, Django Reinhardt, Billie Holiday & Lester Young, Charles Mingus, Miles Davis Sextet, Modern Jazz Quartet, John Coltrane Quartet, Charlie Byrd & Stan Getz, and James Moody.

Tift Merritt "Broken"Drive-By Truckers "Guns Of Umpqua"Paul Weller "You Do Something to Me"John Coltrane Quartet "Lonnie's Lament"R.E.M. "Driver 8"Centro-Matic "Twenty-Four"William Bell "Share What You Got (But Keep What You Need)"Tom Petty And The Heartbreakers "Southern Accents"Anaïs Mitchell "Young Man in America"Bob Dylan "Lonesome Day Blues"Bruce Springsteen "Lonesome Day"Miles Davis Quintet "In Your Own Sweet Way"Grateful Dead "Althea (Live at Nassau Coliseum, Uniondale, NY 5/16/80) [2017 Remaster]"James McMurtry "If It Don't Bleed"Whiskeytown "Drank Like A River"Aretha Franklin "Going Down Slow (2018 Mono Remaster)"Counting Crows "Mr. Jones"Tom Waits "Blue Valentines"Wilco "Box Full of Letters"Son Volt "Loose String (2015 Remaster)"Greg Graffin "Lincoln's Funeral Train"Billy Bragg "Days Like These"Red Garland "St. James Infirmary"Otis Redding "Ole Man Trouble"Ryan Adams "The Rescue Blues"Midnight Oil "Home (Album Version)"Emmylou Harris "Where Will I Be"Willie Nelson "Energy Follows Thought"The Gaslight Anthem "The '59 Sound"Tom Petty & The Heartbreakers "Straight Into Darkness (Live)"Nina Simone "O-o-h Child (Remastered)"Bruce Springsteen "Ghosts"

¡Bienvenidos una vez más a Sonidos Sin Fronteras! Hoy te tenemos el disco titulado A Love Supreme del gran Jazzista John Coltrane ¡No se lo pierdan!

Ya estamos en esta segunda mitad del episodio dedicado al titulo A Love Supreme, el cuarteto de John Coltrane ¡Esperamos que lo disfrutes, vamos directo a la música!

Good News: The global shipping industry took several important and potentially game-changing steps last year to reduce and eliminate their emissions, Link HERE. The Good Word: One last, fantastic quote from the brilliant Archbishop Desmond Tutu. Good To Know: A fascinating collection of facts about kiwi birds! Good News; A whole species of honeybees, believed […]

Featuring a fresh new world-groove cut from NYC drummer/composer extraordinaire Daniel Freedman; the brand new single from an epic jazz diva, Sasha Dobson (with a little help from Norah Jones); a dip into the Impulse Records vault uncovers the John Coltrane Quartet live in Seattle 1965; keyboard-crusher Rachel Eckroth's new jam; France/NYC/NOLA chanteuse Cyrille Aimee; ambient exploration from synth wizard Lisa Bella Donna; the tasty Parisian concoction that is Three of a Kind; Colorado meets Swiss Germany aka Hawkfather & Kwest; and finally, the psychedelic SoCal spaceship also known as Eulipion Corps

CLÁSICO DE LA SEMANA. John Coltrane Quartet. Live at the Half Note: One Down, One Up, 1965. Dominik Wania. Lonely Shadows, 2020. JAZZ EN ESPAÑOL. Jeff Jerolamon Jazz Experience. Somebody's Gotta Do It, 2021. Jon Batiste. WE ARE, 2021. Dan Weiss Starebaby. Natural Selection, 2020.

CLÁSICO DE LA SEMANA. John Coltrane Quartet. Live at the Half Note: One Down, One Up, 1965. Dominik Wania. Lonely Shadows, 2020. JAZZ EN ESPAÑOL. Jeff Jerolamon Jazz Experience. Somebody's Gotta Do It, 2021. Jon Batiste. WE ARE, 2021. Dan Weiss Starebaby. Natural Selection, 2020.

B.B. King/Tracey Chapman "The Thrill Is Gone"The Black Keys "Crawling Kingsnake"Amanda Shires "Bees In the Shed"Old 97's "St. Ignatius"Son Volt "Diamonds and Cigarettes"Cat Clyde, Jeremie Albino "What Am I Living For"Billy Joe Shaver/Willie Nelson "Hard to Be an Outlaw"Blondie "In The Flesh"The Hold Steady "We Can Get Together"Tom Petty & The Heartbreakers "Walls (Circus)"Precious Bryant "Don't Mess Up a Good Thing"Curtis Harding "Keep On Shining"Lizzo "Jerome"Digable Planets "Pacifics (Sdtrk "N.Y. Is Red Hot")"Charles Mingus "Goodbye Pork Pie Hat"The Meters "Out In the Country"Prince & The Revolution "Let's Go Crazy"A Tribe Called Quest "Excursions"Big Momma Thornton "Hound Dog"Cedric Burnside "Pretty Flowers"Eddie Floyd "Knock on Wood"Taj Mahal "Sweet Home Chicago"Raphael Saadiq "Heart Attack"Big Maybelle "How It Lies"Mississippi John Hurt "Louis Collins"Durand Jones & The Indications "Now I'm Gone"John Coltrane Quartet "All or Nothing At All"R.E.M. "Find The River"James Booker "One for the Highway"Bobby Bare Jr. "Your Adorable Beast"Waxahatchee "Lilacs"Krista Shows "Ain't Your Fault"Charlie Parr "Everyday Opus"Valerie June "Call Me A Fool"Big Mama Thornton "Early One Morning Blues"James Luther Dickinson "White Silver Sands"Otis Redding "Try a Little Tenderness"The Marvelettes "Too Many Fish In The Sea"R.L. Burnside "Miss Maybelle"Lucero "Coffin Nails"Dolly Parton "Don't Let It Trouble Your Mind"John Moreland "High on Tulsa Heat"Connie Smith "I Don't Want to Be with Me"Norma Jean "Po Folks"

8e émission de la 48e session... Cette semaine, post-bop, jazz modal et free! En musique: Doxas Brothers sur l'album The Circle  (Justin Time, 2020); Tyrone Washington sur l'album Natural Essence  (Blue Note, 1967); John Coltrane Quartet ‎sur l'album My Favorite Things: Graz 1962  (ezz-thetics, 2020); Luke Stewart sur l'album Exposure Quintet  (Astral Spirits, 2020); Matthew Evan Taylor sur l'album Say Their Name  (Indépendant, 2020); Cecil Taylor and Tony Oxley ‎sur l'album Birdland, Neuburg 2011  (Fundacja Słuchaj!, 2020)...

8e émission de la 48e session... Cette semaine, post-bop, jazz modal et free! En musique: Doxas Brothers sur l'album The Circle  (Justin Time, 2020); Tyrone Washington sur l'album Natural Essence  (Blue Note, 1967); John Coltrane Quartet ‎sur l'album My Favorite Things: Graz 1962  (ezz-thetics, 2020); Luke Stewart sur l'album Exposure Quintet  (Astral Spirits, 2020); Matthew Evan Taylor sur l'album Say Their Name  (Indépendant, 2020); Cecil Taylor and Tony Oxley ‎sur l'album Birdland, Neuburg 2011  (Fundacja Słuchaj!, 2020)...

In this week's episode, we welcome special guest James Fox, author of 1982's bestselling White Mischief and the man who, ten years ago, made Keith Richards' Life one of rock's outstanding autobiographies. James talks us through his long and distinguished career as a journalist in Africa, and as a features writer during the golden era of The Sunday Times Magazine. He describes how his friendship with "Keef" was cemented by the pieces he wrote for that publication about the Rolling Stones in 1973 and 1976, answering his hosts' questions about the great man's rhythm guitar playing.The fantastic Mr. Fox also offers his perspective on Little Richard, whose death last week prompts discussion of the gay black southerner's explosive role in the birth of rock & roll. We hear a clip of the sometime Mr. Penniman speaking in 1985 – as well as one of the late Betty ('Clean Up Woman') Wright owning up to being a shameless show-off in 1978. Handily, James is on hand, too, to reminisce about the importance of Moe Asch's legendary Folkways label – as revisited in the week's new audio interview, a conversation with folk elder Pete Seeger conducted by Tony Scherman in 1987. Clips follow of Seeger talking about Asch and recalling Folkways legends Lead Belly and Woody Guthrie. As ever, Mark guides us through his personal library highlights, including pieces about John Coltrane (1965), Deep Purple (1970), Ashford & Simpson (1982) and Billy Idol (1990). Jasper concludes matters with quotes from pieces about Joanna Newsom (2015), JPEGMAFIA (2017) and, erm, James Blunt (2020).Many thanks to special guest James Fox—visit his website at jamesfox.co.uk.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: Keith Richards' guitar playing, Rolling Stones, Papa Wemba, Little Richard, Little Richarder, Little Richardest, Betty Wright, Betty Wrighter, Pete Seeger, John Coltrane Quartet, Velvet Underground and Nico, Kate and Anna McGarrigle, Ashford & Simpson, Billy Idol, Ice-T, Acid House, Joanna Newsom, JPEGMAFIA and James Blunt.

In this week's episode, we welcome special guest James Fox, author of 1982's bestselling White Mischief and the man who, ten years ago, made Keith Richards' Life one of rock's outstanding autobiographies. James talks us through his long and distinguished career as a journalist in Africa, and as a features writer during the golden era of The Sunday Times Magazine. He describes how his friendship with "Keef" was cemented by the pieces he wrote for that publication about the Rolling Stones in 1973 and 1976, answering his hosts' questions about the great man's rhythm guitar playing. The fantastic Mr. Fox also offers his perspective on Little Richard, whose death last week prompts discussion of the gay black southerner's explosive role in the birth of rock & roll. We hear a clip of the sometime Mr. Penniman speaking in 1985 – as well as one of the late Betty ('Clean Up Woman') Wright owning up to being a shameless show-off in 1978. Handily, James is on hand, too, to reminisce about the importance of Moe Asch's legendary Folkways label – as revisited in the week's new audio interview, a conversation with folk elder Pete Seeger conducted by Tony Scherman in 1987. Clips follow of Seeger talking about Asch and recalling Folkways legends Lead Belly and Woody Guthrie.  As ever, Mark guides us through his personal library highlights, including pieces about John Coltrane (1965), Deep Purple (1970), Ashford & Simpson (1982) and Billy Idol (1990). Jasper concludes matters with quotes from pieces about Joanna Newsom (2015), JPEGMAFIA (2017) and, erm, James Blunt (2020). Many thanks to special guest James Fox—visit his website at jamesfox.co.uk. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: Keith Richards' guitar playing, Rolling Stones, Papa Wemba, Little Richard, Little Richarder, Little Richardest, Betty Wright, Betty Wrighter, Pete Seeger, John Coltrane Quartet, Velvet Underground and Nico, Kate and Anna McGarrigle, Ashford & Simpson, Billy Idol, Ice-T, Acid House, Joanna Newsom, JPEGMAFIA and James Blunt.

In this week's episode, we welcome special guest James Fox, author of 1982's bestselling White Mischief and the man who, ten years ago, made Keith Richards' Life one of rock's outstanding autobiographies. James talks us through his long and distinguished career as a journalist in Africa, and as a features writer during the golden era of The Sunday Times Magazine. He describes how his friendship with "Keef" was cemented by the pieces he wrote for that publication about the Rolling Stones in 1973 and 1976, answering his hosts' questions about the great man's rhythm guitar playing.The fantastic Mr. Fox also offers his perspective on Little Richard, whose death last week prompts discussion of the gay black southerner's explosive role in the birth of rock & roll. We hear a clip of the sometime Mr. Penniman speaking in 1985 – as well as one of the late Betty ('Clean Up Woman') Wright owning up to being a shameless show-off in 1978. Handily, James is on hand, too, to reminisce about the importance of Moe Asch's legendary Folkways label – as revisited in the week's new audio interview, a conversation with folk elder Pete Seeger conducted by Tony Scherman in 1987. Clips follow of Seeger talking about Asch and recalling Folkways legends Lead Belly and Woody Guthrie. As ever, Mark guides us through his personal library highlights, including pieces about John Coltrane (1965), Deep Purple (1970), Ashford & Simpson (1982) and Billy Idol (1990). Jasper concludes matters with quotes from pieces about Joanna Newsom (2015), JPEGMAFIA (2017) and, erm, James Blunt (2020).Many thanks to special guest James Fox—visit his website at jamesfox.co.uk.The Rock's Backpages podcast is proud to be part of the Pantheon podcast network.Pieces discussed: Keith Richards' guitar playing, Rolling Stones, Papa Wemba, Little Richard, Little Richarder, Little Richardest, Betty Wright, Betty Wrighter, Pete Seeger, John Coltrane Quartet, Velvet Underground and Nico, Kate and Anna McGarrigle, Ashford & Simpson, Billy Idol, Ice-T, Acid House, Joanna Newsom, JPEGMAFIA and James Blunt.

In this week's episode, we welcome special guest James Fox, author of 1982's bestselling White Mischief and the man who, ten years ago, made Keith Richards' Life one of rock's outstanding autobiographies. James talks us through his long and distinguished career as a journalist in Africa, and as a features writer during the golden era of The Sunday Times Magazine. He describes how his friendship with "Keef" was cemented by the pieces he wrote for that publication about the Rolling Stones in 1973 and 1976, answering his hosts' questions about the great man's rhythm guitar playing. The fantastic Mr. Fox also offers his perspective on Little Richard, whose death last week prompts discussion of the gay black southerner's explosive role in the birth of rock & roll. We hear a clip of the sometime Mr. Penniman speaking in 1985 – as well as one of the late Betty ('Clean Up Woman') Wright owning up to being a shameless show-off in 1978. Handily, James is on hand, too, to reminisce about the importance of Moe Asch's legendary Folkways label – as revisited in the week's new audio interview, a conversation with folk elder Pete Seeger conducted by Tony Scherman in 1987. Clips follow of Seeger talking about Asch and recalling Folkways legends Lead Belly and Woody Guthrie.  As ever, Mark guides us through his personal library highlights, including pieces about John Coltrane (1965), Deep Purple (1970), Ashford & Simpson (1982) and Billy Idol (1990). Jasper concludes matters with quotes from pieces about Joanna Newsom (2015), JPEGMAFIA (2017) and, erm, James Blunt (2020). Many thanks to special guest James Fox—visit his website at jamesfox.co.uk. The Rock's Backpages podcast is proud to be part of the Pantheon podcast network. Pieces discussed: Keith Richards' guitar playing, Rolling Stones, Papa Wemba, Little Richard, Little Richarder, Little Richardest, Betty Wright, Betty Wrighter, Pete Seeger, John Coltrane Quartet, Velvet Underground and Nico, Kate and Anna McGarrigle, Ashford & Simpson, Billy Idol, Ice-T, Acid House, Joanna Newsom, JPEGMAFIA and James Blunt.

Albums and All That, Starting with the letter A as in Alpha, and some that begin with the letter B as in Bravo From At Home with Their Hits (The Partridge Family) to Barry Lyndon (Music from the soundtrack to) The Partridge Family [01:12] "I Think I Love You" At Home with Their Greatest Hits Bell 1107 1972 Whoops. Don't know how this one slipped through the cracks, but I'm glad I caught it. Be-Bop Deluxe [04:05] "Adventures in a Yorkshire Landscape" Axe Victim Harvest 11689 1974 From the debut Be-Bop Deluxe. Very Bowie derived, but cool things throughout. The B-52's [07:40] "Downtown" The B-52's Warner Bros. BSK 3355 1979 Reached number 59 on the Top 200. Wonderful pop junk, to borrow a phrase from Robert Christgau, here with the band borrowing from Petula Clark. Lunachicks [10:35] "Cookie Core" Babysitters on Acid Blast First BFFP 52 1990 I mean really, who doesn't love cookies? I always loved seeing them live (https://youtu.be/20G3XW03ofY) back in my NYC days. One of the best was when they played with L7 at CBGBs shortly after my 22nd birthday. Camarata conducting the Kingsway Symphony Orchestra and Chorus [13:56] "Toccata and Fugue in D Minor" Bach Spectacular London Records SPC 21078 1972 In Phase 4 Stereo! Quadrophonic, you ask? Nope... just using 10 channels, and eventually 20 channels, with "extreme" stereo mixing. Saar Chamber Orchestra [23:22] "Contrapunctus 14 - Harpsichord" Bach: Art of the Fugue Musical Heritage Society MHS 657/658 Budget Bach from the Musical Heritage Society. Arthur Loesser [26:55] "No. 1: Prelude and Fugue in C Major, BWV 846" Well-Tempered Clavier, Books I & II The Cleveland Institute of Music CRC 2001 Turns out Cleveland does more than rock. AC/DC [31:09] "Shoot to Thrill" Back in Black Atlantic SD 16018 1980 Got this album for my 12th birthday. I was told many times by my mother to turn it down. Mission accomplished. Presumably a 25x Platinum album. Shift those units! The O'Jays [36:28] "Love Train" Back Stabbers Philadelphia International Records KZ 31712 Gotta go with this hit in these times. Gong Kebyar, Sebatu [39:32] "Gilak" Bali: Gamelan Music from Sebatu Archiv Produktion 2533 130 1972 According to the liner notes, this is an ancient ritual temple dance performed by warriors before a fight. John Coltrane Quartet [47:05] "You Don't Know What Love Is" Ballads Impulse! A-32 1963 (1974 reissue) A classic from the American songbook, written for an Abbott and Costello flick "Keep Em Flying" from 1941. Of course, it took Miles Davis to make it a jazz standard, and Coltrane and co to take it to the next level. The Three O'Clock [52:19] "Sorry" Baroque Hoedown Frontier FLP 1010 1982 From the frontlines of the Paisley Underground, we'll go with The Three O'Clock's cover of The Easy Beats "Sorry", because of course Angus and Malcolm Young's older brother George co-wrote "Sorry" (https://youtu.be/1o4k9nC3CL0). How's that for a callback. The Munich Bach-Orchestra [54:41] "Concerto for Two Harpsichords and Orchestra in C-Minor" Music from the soundtrack of Barry Lyndon Warner Bros. K56189 1975 One of the finest films to be shot by candlelight. And hey, another call back: Bach + Harpsichord. We're killing it! Music behind the DJ: "Inspector Clouseau's Theme" by Henry Mancini

En este episodio le rendimos homenaje al pianista fallecido en Nueva Jersey a los 81 años el 6 de marzo de 2020. Conocido especialmente por sus trabajos con el John Coltrane Quartet, a lo largo de su carrera se aproximó a una amplia variedad de estilos, aunque siempre dentro de la vanguardia jazzística: jazz progresivo, jazz modal, hard bop, etc.; también dedicó algunos discos a la música afrocubana. Más información: www.radioborder.com.ar

En este episodio le rendimos homenaje al pianista fallecido en Nueva Jersey a los 81 años el 6 de marzo de 2020. Conocido especialmente por sus trabajos con el John Coltrane Quartet, a lo largo de su carrera se aproximó a una amplia variedad de estilos, aunque siempre dentro de la vanguardia jazzística: jazz progresivo, jazz modal, hard bop, etc.; también dedicó algunos discos a la música afrocubana. Más información: www.radioborder.com.ar

Bassist and 2020 NEA Jazz Master Reggie Workman is aptly named. The man might not have played with everyone in jazz, but he has come close. I don't want this to turn into a list of Workman's gigs, so I'll just touch on some of the major ones: He was a member of both the John Coltrane Quartet playing in such legendary recordings as Live at the Village Vanguard, and Art Blakey's Jazz Messengers during one of the band's great line-ups. According to Reggie, Coltrane and Blakey were very different leaders: Coltrane gave his band a lot of freedom while Blakey knew exactly what he wanted. Because he could play any style of jazz from the American songbook to avant-garde, he became the go-to bassist for Blue Note Records backing folks from Abbey Lincoln to David Murray. He's also led his own groups like the Reggie Workman Ensemble and performed in collaborative trios. In this wide-ranging conversation, Workman talks about what makes a good supporting artist and what he was looking for when he began his group. As professor at the New School for more than 30 years, Workman also talked about teaching and helping young musicians to understand “there are mistakes (in jazz),…but you have to be able to justify each note.” This music-filled podcast is a look at a fascinating artist.

Bassist and 2020 NEA Jazz Master Reggie Workman is aptly named. The man might not have played with everyone in jazz, but he has come close. I don’t want this to turn into a list of Workman’s gigs, so I’ll just touch on some of the major ones: He was a member of both the John Coltrane Quartet playing in such legendary recordings as Live at the Village Vanguard, and Art Blakey’s Jazz Messengers during one of the band’s great line-ups. According to Reggie, Coltrane and Blakey were very different leaders: Coltrane gave his band a lot of freedom while Blakey knew exactly what he wanted. Because he could play any style of jazz from the American songbook to avant-garde, he became the go-to bassist for Blue Note Records backing folks from Abbey Lincoln to David Murray. He’s also led his own groups like the Reggie Workman Ensemble and performed in collaborative trios. In this wide-ranging conversation, Workman talks about what makes a good supporting artist and what he was looking for when he began his group. As professor at the New School for more than 30 years, Workman also talked about teaching and helping young musicians to understand “there are mistakes (in jazz),…but you have to be able to justify each note.” This music-filled podcast is a look at a fascinating artist.

Bassist and 2020 NEA Jazz Master Reggie Workman is aptly named. The man might not have played with everyone in jazz, but he has come close. I don’t want this to turn into a list of Workman’s gigs, so I’ll just touch on some of the major ones: He was a member of both the John Coltrane Quartet playing in such legendary recordings as Live at the Village Vanguard, and Art Blakey’s Jazz Messengers during one of the band’s great line-ups. According to Reggie, Coltrane and Blakey were very different leaders: Coltrane gave his band a lot of freedom while Blakey knew exactly what he wanted. Because he could play any style of jazz from the American songbook to avant-garde, he became the go-to bassist for Blue Note Records backing folks from Abbey Lincoln to David Murray. He’s also led his own groups like the Reggie Workman Ensemble and performed in collaborative trios. In this wide-ranging conversation, Workman talks about what makes a good supporting artist and what he was looking for when he began his group. As professor at the New School for more than 30 years, Workman also talked about teaching and helping young musicians to understand “there are mistakes (in jazz),…but you have to be able to justify each note.” This music-filled podcast is a look at a fascinating artist.

Bassist and 2020 NEA Jazz Master Reggie Workman is aptly named. The man might not have played with everyone in jazz, but he has come close. I don’t want this to turn into a list of Workman’s gigs, so I’ll just touch on some of the major ones: He was a member of both the John Coltrane Quartet playing in such legendary recordings as Live at the Village Vanguard, and Art Blakey’s Jazz Messengers during one of the band’s great line-ups. According to Reggie, Coltrane and Blakey were very different leaders: Coltrane gave his band a lot of freedom while Blakey knew exactly what he wanted. Because he could play any style of jazz from the American songbook to avant-garde, he became the go-to bassist for Blue Note Records backing folks from Abbey Lincoln to David Murray. He’s also led his own groups like the Reggie Workman Ensemble and performed in collaborative trios. In this wide-ranging conversation, Workman talks about what makes a good supporting artist and what he was looking for when he began his group. As professor at the New School for more than 30 years, Workman also talked about teaching and helping young musicians to understand “there are mistakes (in jazz),…but you have to be able to justify each note.” This music-filled podcast is a look at a fascinating artist.

Featuring extraordinary music from Brooklyn amigos Frank LoCrasto, The Four Bags, and Erin McKeown + a brand new release from the vault of the John Coltrane Quartet, Lovage, Floratone, a deep live-cut from Erik's 2012 Demonio Teclado tour, the amazing Freddie King, the mind-melting Flaming Lips, and two doctors: Hook and John.

Two major reissues and one highly publicized discovery from the 1960s provide the core of this round's podcast, as the boys discuss the latest album from the John Coltrane Quartet (despite the insistence of one internet denizen that "Coltrane's creativity really dropped off in the seventies") and then look at lavishly repacked work from Sonny Clark and Eric Dolphy. Pop matters rounds things out with discussions of the personal politics of listening to Jimi Hendrix, the latest Beatles remixes, and the pros and cons of letting Kate Bush appear on her own albums. John Coltrane – BOTH DIRECTIONS AT ONCE; Eric Dolphy – MUSICAL PROPHET; Sonny Clark – TRIO (on Time).

This was an incredible chance to sit down with a living legend of music: Reggie Workman. In 1961, Workman joined the John Coltrane Quartet, replacing Steve Davis. He was present for the saxophonist's Live at the Village Vanguard sessions, and also recorded with a second bassist (Art Davis) on the 1961 albums, Olé Coltrane and Africa/Brass. Workman recorded frequently through the 1960s and performed with such icons as Art Blakey's Jazz Messengers, Thelonious Monk, Max Roach, Freddie Hubbard, Lee Morgan, Eric Dolphy, Gigi Gryce, Booker Little, Roy Haynes, Wayne Shorter, Red Garland, James Moody, Abbey Lincoln, Alice Coltrane, Booker Ervin, Horace Silver, Benny Golson, Cedar Walton, Elvin Jones, McCoy Tyner, Curtis Fuller, Yusef Lateef, Pharoah Sanders, Herbie Mann, Archie Shepp, Clifford Jordan, Bobby Hutcherson, Sonny Fortune, Billy Harper, and David Murray.   We got this lucky chance to speak with him because the Brooklyn Raga Massive will be performing A Love Supreme with Reggie Workman on June 9th as part of their Wall to Wall: John Coltrane Event.  

Jazz is socially conscious. Jazz artists are activists of sound. Jazz is a Freedom Dance. Here's the playlist: 1. Louis Armstrong and His Orchestra “Black and Blue” from The Essential Louis Armstrong (1979) 2. Dave Brubeck & Louis Armstrong and His Band “Cultural Exchange” from The Real Ambassadors (1962) 3. Rahsaan Roland Kirk “Watergate Blues” from Watergate Blues 4.Gary Burton & Keith Jarrett “Como en Vietnam (LP Version)” from Throb on Rhino Atlantic (USA) 5. Paul Motian “War Orphans” from Tribute (1975) 6. Max Roach, Abbey Lincoln “Tryptich: Prayer/Protest/Peace” from Tryptich: Prayer/Protest/Peace 7. John Coltrane Quartet “alabama” from Live at Birdland 8. Charles Lloyd “Lift Every Voice and Sing” from Lift Every Voice (2002)

This week's episode of WNPM is about the music of John Coltrane's quartet with McCoy Tyner, Jimmy Garrison, and Elvin Jones, featuring music from their albums A Love Supreme, Crescent, Live at Birdland, and more.  Also, I set up a Wednesday Night Prayer Meeting voicemail box to encourage some audience participation.  Questions? Requests? Comments? Suggestions for future shows? Call (424) 704-1666 and leave a message, or email WNPMPod@gmail.com

Shells, Nervous Operator, Mudd Corp, The Royal Arctic Institute, Anthéne, John Coltrane Quartet, Tiger Village, Housefire, R. Stevie Moore, Brian James Griffith, Zherbin, and Windy Boijen.

Shells, Nervous Operator, Mudd Corp, The Royal Arctic Institute, Anthéne, John Coltrane Quartet, Tiger Village, Housefire, R. Stevie Moore, Brian James Griffith, Zherbin, and Windy Boijen.

PROGRAM NOTES In today's VINYL VIBRATIONS podcast, we explore jazz guitarist and composer Larry Coryell. INTRO TO  "LARRY CORYELL": Larry Coryell was born in 1943 in Galveston. He is an american jazz fusion guitarist. A long background as a musician, he played in local bands in Texas and later in the Seattle area.  He moved to NYC in 1965  - age 22 - and was part of Chico Hamilton's quartet. In the late 1960s he recorded with jazz vibraphonist great, great Gary Burton. He also played in the band Free Spirits.  He formed his own group, The Eleventh House, in 1973. Later in the 1970s  in 1979, Coryell formed "The Guitar Trio" with jazz fusion guitarist John McLaughlin and flamenco guitarist Paco de Lucia. Coryell's music combined influences and styles of rock, jazz and eastern. That eastern influence was not doubt a result of his interest in the spiritual leader Sri Chimnoy. Coryell's discography is impressive.  As leader, there are 36 albums, and as sideman, there are many other albums. This podcast follows Larry Coryell's work from a rich time in his younger years, 1968-1975, or from age 25-32, recording in New York City for Vanguard Apostolic, Mega records  and Arista. In today's podcast we will hear six of Larry Coryell's best !! Starting with… M1 Song Treats Style Album Lady Coryell M2 Song After Later Album Larry Coryell at the Village Gate M3 Song Further Explorations for Albert Stinson Album Fairyland M4 Song Low-Lee-Tah Album Introducing the Eleventh House w Larry Coryell M5 Song Pavane For A Dead Princess Album The Restful Mind M6 Song Level One Album Level One Album Artist Eleventh House featuring Larry Coryell   M1  Song Treats Style Album Lady Coryell. Album Artist Larry Coryell. Composer Jim Garrison   Larry Coryell was just 25 when this album was recorded in 1968. It is his first album as a leader.By now, LC had recorded two albums with vibraphonist Gary Burton, in his group The Free Spirits. Decades of collaboration would follow between LC and jazz-great Burton, king of the four-mallet style, on jazz vibes. And now in 1968, two more jazz masters are with Coryell  - - Jimmy Garrison on bass, and Elvin Jones on drums … guest artists on this album. Bassist and song composer Garrison played as a sideman with the John Coltrane classic quartet -- along with pianist McCoy Tyner and drummer Elvin Jones, from 1962-1967. Jimmy Garrison and Elvin Jones formed the "rhythm section" of the John Coltrane Quartet.  They gave bold physicality to Coltrane, due to the focused intensity of their rhythm section.   You will hear that focused intensity of the rhythm section on this song. This rhythm machine, plus Coryell's licks provide an outstanding TRIO performance. And there is a Milestone Event for Coryell …on this song, "Treats Style", Coryell takes his first guitar solo!! Larry Coryell's blues guitar signature is imitated but never duplicated, such as his solo here in TREATS STYLE.  This is great early LC, in his formative years, in the 1960s,   as jazz guitarist, composer, arranger and co-producer. The album was produced by David Weiss and LC. Treats Style, was composed by the bassist, Jimmy Garrison, who was 35 at the time of this album. By Vanguard Apostolic. Year 1969 Featuring the trio - - - Larry Coryell guitar Jim Garrison Bass Elvin Jones drums M2 Song After Later, Album Larry Coryell at the Village Gate, Album Artist Larry Coryell, Composer Larry Coryell, Year 1971, By Vanguard Recording Society Featuring Larry Coryell guitar Mervin Bronson bass Harry Wilkinson drums Larry Coryell is almost 28 at the time of this show at the Village Gate in NYC. After Later is a jazz-rock guitar instrumental, done, in 10/4 time. On this song we have the driven lead guitar jazz rock style of LC, with distortion and feedback effects. Some of that overdrive is the unique combination of LC's choice of what is typically a jazz guitar,

Legendary Drummer, Michael Shrieve spends time with On The Scene SF/O for a 2-Part conversation.   Shrieve is often hailed as one of the highlights for his fiery drum solo during Santana’s “Soul Sacrifice”, as captured in the 1969 Festival’s film, Woodstock. He seeks out interesting people, and artists to embolden his creative output. Considered a music experimentalist, the drummer, percussionist, producer, and composer, has been involved in a wide array of innovative projects since his tenure in Santana, ranging from electronic music, to fusion, jazz, improvised music, and appeared on notable commercial outings, such as the Rolling Stones’ Emotional Rescue (on percussion) in 1980, and later on Mick Jagger’s “She’s the Boss” album. To illustrate the type of forward thinking musicians he associates with, collaborations include Stomu Yamashta, Steve Winwood, Al Di Meola, Klaus Schulze, David Beal, Andy Summers, Steve Roach, David Torn, Jonas Hellborg, Bill Frisell, Mark Isham, Jeff Beal, Wayne Horvitz, Zakir Hussain, Airto, and Jack DeJohnette. We begin by speaking about the new release, Santana IV, featuring the remaining members of the original Woodstock era of the band, with- Guitarist, Carlos Santana, Guitarist, Neal Schon, Vocalist and Keyboardist, Gregg Rolie, Percussionist, Mike Carabello, with newer Santana collaborators, percussionist, Karl Perazzo, Bassist, Benny Rietveld, and guest vocalist, Ronald Isley. With such a storied career, it is inevitable that there is much to mine in these conversations. In Part 1, you will get to hear some of the inside scoop on Santana IV, encounters with Bassist, Jaco Pastorius, while residing in New York, his forthcoming recording with Jack DeJohnette, Zakir Hussain, and others, as well as Shrieve’s experience meeting the classic John Coltrane Quartet, and his longtime friendship with Drummer, Elvin Jones. Tracks Featured throughout Episode #008 Part 1 of 2: Darkside – Michael Shrieve’s Spellbinder Yambu – Santana IV Renewal – Michael Shrieve’s Spellbinder Pop Raladrao – Michael Shrieve’s Spellbinder Fillmore East – Santana IV Crossing The Line – Go (Stomu Yamashta, Steve Winwood, Michael Shrieve) You and Me - Go Too (Stomu Yamashta)  

ILLUMINATION McCoy Alfred Tyner is best remembered from the John Coltrane Quartet. In the past decades since he has become one of the major pianists and composers, expanding the vocabulary of color and harmony. His lusty piano is richly percussive and hammering, while full of cascading and romantic sounds. His unique and forceful style has inspired and influenced a whole new generation of musicians. Tyner was born in Philadelphia on December 11, 1938, the oldest of three children. He was encouraged to study piano by his mother. He finally began studying the piano at age 13 and within two years, music had become the focal point in his life. In the beginning McCoy practiced on a neighbour's piano. When his family bought one, he began hosting jam sessions. Among his friends and neighbours were a number of young musicians who would go on to make their marks in jazz, such as trumpeter Lee Morgan, saxophonist Archie Shepp, pianist Bobby Timmons, and bassist Regie Workman. "Bud and Richie Powell moved into my neighbourhood. Bud was a major influence on me during my early teens. He was very dynamic." In addition, Thelonious Monk and Art Tatum were young McCoy's major influences. McCoy studied at the West Philadelphia Music School and later at Granoff School of Music. At age 17, while playing at a local club called the Red Rooster, he first met JOHN COLTRANE. Coltrane was in Philadelphia between gigs with Miles Davis. The saxophonist, whose style was still in its formative stages and whose reputation was on the rise, had no working group of his own, but secured a few engagements in and around Philadelphia, with McCoy often in his rhythm section. The rapport between the two was so apparent, that Coltrane made it clear that he hoped to eventually have a regular band with McCoy Tyner in it.His first main exposure came with BENNY GOLSON being the first pianist in Golson's and Art Farmer's legendary Jazztet (1959). By 1960, when John Coltrane finally left Miles Davis to form his own group, McCoy left Art Farmer. Tyner continued with Coltrane through 1965, participating in all the major recording sessions.The pianist participated in numerous historical recording sessions with Coltrane, including for instance Africa Brass, A Love Supreme, and My Favorite Things. While with Coltrane, Tyner also recorded many of his own albums for Impulse!, including such classics as "Inception", "Night of Ballads and Blues", and "Live at Newport", and later for Blue Note, which enabled him to feature his densely rich piano sound to great effect.Upon Leaving Coltrane (1965), there was a lull in Tyner's popularity. The future looked bright and the trio he formed seemed to have a big future. In fact he spent the next five years playing superbly but getting more and more disillusioned due to lack of acceptance. But he rebounded in the 1970's. Due to groups featuring Sonny Fortune and Azar Lawrence and recordings for Milestone like "Sahara", which received two Grammy nominations and was named 'Album of the year' in the Down Beat Critics Poll, Tyner gained recognition. He toured and recorded with SONNY ROLLINS, Ron Carter and Al Foster as the Milestone Jazzstars in 1978, and in the mid-1980s led a quintet that included Gary Bartz and violinist John Blake. Since 1980, he has also arranged his lavishly textured harmonies for a big band that performs and records when possible. In the late 1980s, he mainly focussed on his regular piano trio featuring Avery Sharpe on bass and Aarron Scott on drums. As of today, this trio is still in great demand. He returned to Impulse in 1995, with a superb album featuring MICHAEL BRECKER. In 1996 he recorded a special album with the music of BURT BACHARACH. In 1998 he changed labels again and recorded a interesting latin album and an album featuring STANLEY CLARKE for TelArc. While he avoids modern conventions and the trappings of the moment, Tyner's sound remains contemporary to this day. Tyner's full use of the piano's keyboard, with a striking exploitation of dynamics, sets him aside from more introverted players like Bill Evans and Keith Jarret. Their "musique de chambre" links them more with the European-oriented piano tradition, whereas Tyner follows the track back to the roots of the Afro-American quintessence of jazz music.Tyner's music has been a major influence over the adoption in jazz of quartal and quintal harmonies, modes and pentatonic scales. He achieved a revived appreciation as a major player in the international jazz scene, a status he continues to maintain

Artist Album/Date Track Christian Scott Yesterday You Said Tomorrow/2010 K.K.P.D. Mostly Other People Do the Killing This is Our Moosic/2008 Drainlick Chris Lightcaps Bigmouth Deluxe Platform Mickey Finn & Cuong Vu Gagarin! Serpente Rudresh Mahanthappa Dual Identity/2010 Foster Brothers George Russell's Living Time Orchestra Its About Time Its About Time Part 1 John Coltrane Quartet First Meditations (for Quartet)/1965 Joy Mostly Other People Do the Killing This is Our Moosic/2008 East Orwell Christian Scott Yesterday You Said Tomorrow/2010 The Roe Effect Rudresh Mahanthappa Dual Identity/2010 SMS Mickey Finn & Cuong Vu Gagarin! Again Again The Don Pullen Quintet The Sixth Sense/1985 The Sixth Sense Chris Lightcaps Bigmouth Deluxe Two-Face Andrew Hill One for One (Re-Issue)/1965 Euterpe Christian Scott Yesterday You Said Tomorrow Angola, LA & the 13th Amendment