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10 episodes with piano jazz
8 episodes with piano jazz
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3 episodes with piano jazz
2 episodes with piano jazz
3 episodes with piano jazz
3 episodes with piano jazz
2 episodes with piano jazz
2 episodes with piano jazz
In the 50th episode of the ECM podcast we're joined by Vijay Iyer and Wadada Leo Smith to speak about their second offering as a duo "Defiant Life", which follows their almost a decade old collaboration for ECM, 2016's "A Cosmic Rhythm With Each Stroke". Vijay and Wadada talk about the album's main themes: resistance, defiance, the art of the present and much more.
In the 48th episode of the ECM podcast we're joined by the German-American pianist Benjamin Lackner, to discuss his new record "Spindrift", recorded with Mathias Eick, Mark Turner, Linda May Han Oh and Matthieu Chazarenc - produced by Manfred Eicher. Benjamin talks about dynamics in the band, creative process and routine, the healing properties of music and more.
durée : 00:30:18 - Jazz Collection - par : Alex Dutilh - Le saxophone ou la trompette illustrent souvent l'imaginaire du jazz. Et si le véritable instrument roi en était le piano, à la fois par la stature de ses improvisateurs et par le fait qu'il s'agit souvent de ses compositeurs les plus prolifique ? - réalisé par : Pierre Willer
durée : 00:30:21 - Jazz Collection - par : Alex Dutilh - Les récentes décennies du piano jazz sont celles de l'ouverture à tous les possibles. Le tour du monde en 88 touches. - réalisé par : Pierre Willer
durée : 00:30:09 - Jazz Collection - par : Alex Dutilh - Les années 60 seront celles de la modernité. Du bout des doigts ou à pleines mains. - réalisé par : Pierre Willer
durée : 00:30:07 - Jazz Collection - par : Alex Dutilh - Les années 40 et 50 voient une véritable arche de Noé se bousculer sur le tabouret. - réalisé par : Pierre Willer
durée : 00:00:39 - Promo Jazz Collection Piano jazz - Comment le piano évolue-t-il au cours du temps ? En 4 épisodes, Alex Dutilh nous fait découvrir les pianistes qui l'éblouissent...
Today, the Spotlight shines On award-winning jazz critic and author Paul de Barros.Throughout his storied career, Paul was editor and critic at the Seattle Times and has written for Downbeat and Earshot Jazz, amongst other outlets. He is also the author of Jackson Street After Dark: The Roots of Jazz in Seattle but today, he joins us to talk about the updated edition of his book Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland, which contains a new preface detailing the challenges of writing a biography about an often headstrong, living subject. The preface alone is worth the price of admission.From 1978 to 2011 (33 years for those counting at home), Marian McPartland hosted the weekly national radio program Piano Jazz, wherein she helped popularize jazz and jazz musicians through interviews and in-studio performances. Pick a name, almost any name—they were on Piano Jazz.Marian passed away in 2013 at the age of 95. She lived a fascinating life as a complex, able woman in the difficult world of professional music.Paul's book is a special document of a special person and her unique times.–Dig DeeperPurchase Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland from USC Press, Bookshop, Powell's, Barnes & Noble, or AmazonMarian McPartland's Piano JazzClint Eastwood On Piano JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
Today, the Spotlight shines On award-winning jazz critic and author Paul de Barros.Throughout his storied career, Paul was editor and critic at the Seattle Times and has written for Downbeat and Earshot Jazz, amongst other outlets. He is also the author of Jackson Street After Dark: The Roots of Jazz in Seattle but today, he joins us to talk about the updated edition of his book Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland, which contains a new preface detailing the challenges of writing a biography about an often headstrong, living subject. The preface alone is worth the price of admission.From 1978 to 2011 (33 years for those counting at home), Marian McPartland hosted the weekly national radio program Piano Jazz, wherein she helped popularize jazz and jazz musicians through interviews and in-studio performances. Pick a name, almost any name—they were on Piano Jazz.Marian passed away in 2013 at the age of 95. She lived a fascinating life as a complex, able woman in the difficult world of professional music.Paul's book is a special document of a special person and her unique times.–Dig DeeperPurchase Shall We Play That One Together? The Life and Art of Jazz Piano Legend Marian McPartland from USC Press, Bookshop, Powell's, Barnes & Noble, or AmazonMarian McPartland's Piano JazzClint Eastwood On Piano JazzDig into this episode's complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts.• Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Bluesky, Facebook, and Mastodon.• Be sure to bookmark our new online magazine, The Tonearm! → thetonearm.com Hosted on Acast. See acast.com/privacy for more information.
In the 45th episode of the ECM podcast we're joined by the Swiss pianist Colin Vallon, who talks about his new trio record "Samares", on which he is joined by his longstanding trio with Patrice Moret on bass and Julian Satorius on drums. Colin talks about his family tree, botanical inspirations, how he collects objects on travels which he uses to make music, and much more.
In the 33rd episode of the ECM podcast we're joined by Arve Henriksen and Harmen Fraanje, whose duo debut "Touch of Time" presents the musicians in both freely improvised forms and carefully wrought themes, picking up and finishing each other's phrases. They talk about their approach to improvising, how "Touch of Time" presents exactly where they meet in music and about how various literature informed the titles on this album.
Simon and Nick talk about the long running radio show hosted by Marion McPartland.episodes are still available to stream from NPR like this one with Gene HarrisThis is our website This is our InstagramThis is our Facebook group
Bienvenidos amantes de la música, Mientras la joven Lizz Wright estaba en en el instituto y formaba parte de varios coros, cantaba en dúos y cuartetos vocales. Ganaba varias medallas regionales y estatales. Durante este período también descubrió el Jazz a través del programa de Marian McPartland, "Piano Jazz" de la National Public Radio (NPR). A la edad de 22 años, tomó por asalto el mundo de la música en 2003. Wright se hizo un nombre como vocalista con un concierto itinerante en homenaje a Billie Holiday que recorrió desde Chicago hasta Los Ángeles. A los 23 años, firmó con Verve Records para el lanzamiento de su álbum debut, Salt, que encabezó las listas de jazz contemporáneo de Billboard. Considerada “una joven cantante y compositora de asombrosa madurez y equilibrio" en las críticas de su disco. Ya han 20 años desde ese debut, y la encuentran hoy siendo invitada habitual de festivales de Jazz y giras a nivel mundial. Con una carrera consolidada y siendo apreciada por la madurez que se encuentra en su registro vocal contralto y la conmovedora interpretación que posee, formada y entrenada en su Georgia natal en el Gospel y el Blues. Wright lanzó su propia compañía discográfica independiente, Blues & Greens Records en 2022 con “Holding Space”, un brillante álbum en vivo (Berlín, Alemania en 2018). En 2024, Wright lanzará su álbum debut en estudio, para su sello, del que les traemos un adelanto en este episodio. Que lo disfruten. Los temas son: 1. Smile 2. Throw It Away 3. Afro Blue 4. Sweet Feeling (Adelanto de su próximo disco en 2024) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.
Hello everyone, Billy Amendola here on Drum Channel with my guest, Donald Barrett. Donald recently wrapped up a Las Vegas residency with superstar artist Lady GaGa on her “Piano & Jazz” show. Over the years, Donald has toured and or performed with Toni Braxton, Seal, Tony Bennett, Sade, Pussycat Dolls, Dolly Parton, and Josh Kelly. From 2006 to 2009, Donald was the house band drummer for TV's “Last Call With Carson Daly.” DC chats with Donald about his Vegas Jazz gig with GaGa featuring a thirty-piece-orchestra, learning brushes from Ed Thigpen, playing in church, playing cruise ships, moving to California, being a music director for Colbie Caillat, and more. Let's welcome Donald to the Drum Channel Podcast. Enjoy!
In this Episode, we take a look at jazz pianists that could be considered very tasteful Cocktail Piano Jazz artists / groups. The term gets a bad rep, but this episode proves why this music should not be in the background!
“Je me sentais comme un gros poisson dans un aquarium trop petit”. En 1956, Toshiko Akiyoshi s'installe aux Etats-Unis où elle va devenir une pianiste et surtout une chef-d'orchestre réputée. Avec son big-band, elle va tisser des liens entre son héritage japonais et sa culture du jazz. Une trajectoire passionnante !
Nous sommes au Storyville de Boston en 1956. Assise aux côtés de Miles Davis, une japonaise de vingt-sept ans nommée Toshiko Akiyoshi. Mais qui est vraiment cette pianiste qui a commencé sa carrière dix ans plus tôt au Japon, cite Teddy Wilson et Bud Powell parmi ses idoles et swingue comme n'importe quel américain ?
This dedication mix is long overdue. In 1996, my friend Dave played me Journey to Satchidanada and I was blown away. A year or two later, I recovered a weathered copy of the record from a book and record store on East 7th Street in Manhattan while digging around with the same friend and it became a prized possession. Over the coming years I educated myself on more of her music, digging up copies here and there, and feel a bit lucky to have grabbed most of her records before the "craze" hit sometime in the late 2000s. It's truly unique and beautiful music - I admit that I can't totally stomach some of the more free-leaning cuts she recorded, in the same way I can't get into the late work of her also-legendary husband, but when I put these albums on the turntable it truly is a bit of an "inter-dimensional" experience, like the cover art of her World Galaxy album. Belated happy birthday to Alice Coltrane! Besides the first track, which is a clip from a seminal session she did with Marian McPartland for NPR's "Piano Jazz" series, these are all from my personal copies of her albums.
durée : 00:03:10 - Le petit journal de la culture - Hier le festival du Gers accueillait deux monstres sacrés, Kenny Barron (80 ans) et Abdullah Ibrahim (88 ans) pour un moment crépusculaire, émouvant et magistral.
Chilla and relax 4K Cozy Coffee Shop With Smooth Piano Jazz Music For Relaxing, Studying And Working
Michèle Rusconi erzählt im Interview mit Hörspielredakteurin Susanne Janson über ihre Expedition nach Südafrika, warum in ihrem Hörstück über den Quastenflosser auch der Bodensee und Christoph Marthaler mitspielen und wie das musikalische Archiv zum erträglichen Steinbruch wird. Ausstrahlung des Hörstücks "Gombessa tabou" am Samstag, 10. Juni 2023, 20 Uhr, Radio SRF 2 Kultur. Dies ist ein Klangstück über den Coelacanth, den Quastenflosser, über Latimeria Chalumnae, den Urfisch, der 1938 zum globalen Megahit wurde, zum Symbol von Ausdauer und Widerstand, und dessen unerwartetes Auftauchen in einem Fischnetz an der Südküste Afrikas man erst für einen Witz hielt, nur um es dann als grösste wissenschaftliche Entdeckung des angehenden zwanzigsten Jahrhunderts zu feiern. Ein Hörstück an der Schnittstelle zeitgenössischer Musik und Wissenschaft mit einem lyrischen Essay und Narrativ, eine aufregende Geschichte über ein lebendes Relikt, Gedanken über das Anthropozän und die Widerstandsfähigkeit eines Fisches in einer sich verändernden Welt. „Und während ich im indischen Ozean an der Südküste Afrikas schwimme, denke ich an die Geschichte und Poesie dieses erstaunlich alten, widerstandsfähigen und ruhigen Fisches, und ich stelle mir vor, wie Hunderte Meter unter mir, unbeirrt und beharrlich, mein entfernter Verwandter und indirekter Vorfahre im Kreuzschritt über den Boden gleitet. Michèle Rusconi Die Schweizer Komponistin Michèle Rusconi hat sich mit unterschiedlichster Musik auseinandergesetzt und in mehreren Ländern und Kontinenten gelebt. 1979 war sie Mitglied des Basler Gamelan Orchesters. Sie reiste für mehrere Monate nach Bali und lernte dort Grantang und Joged Bumbung (Bambusinstrumente). Es folgte ein Studium am Berklee College of Music in Boston, (Piano Jazz), ein Bachelor of Performing Arts an der City University in New York, und eine dreizehn jährige Tätigkeit als Jazzpianistin. Im Jahr 2000 kehrte Michèle Rusconi zurück in die Schweiz und studierte Komposition bei Mathias Spahlinger an der Musikhochschule in Freiburg im Breisgau. Seit ihrem Master in Komposition in 2003 ist sie freischaffend, und ihre Musik wird von verschiedenen Ensembles in Europa und Amerika gespielt (Ensemble Phoenix Basel, Ensemble Meitar, Ensemble Aventure, Pellegrini Quartett, Amar Quartett, Ensemble Antipoden, New Juilliard Ensemble, Bugallo/Williams Duo und viele andere. In den letzten Jahren holte sich Michèle Rusconi vermehrt Inspiration für ihre Werke aus der Literatur wie aus wissenschaftlichen und nicht fiktionalen Texten. Dies führte zu ihrer ersten Taschenoper nach einem Theaterstück von Hanoch Levin für Sopran, Schauspieler und Ensemble, welche 2019 in Tel Aviv mit dem Meitar Ensemble uraufgeführt wurde. Es folgte eine zweite Taschenoper über Charles Darwin und dessen Reise auf der Beagle, angelehnt an Kurt Vonneguts Roman Galapagos und Jack Londons Before Adam. Italo Calvinos Cosmicomics, Kurzgeschichten über den Kosmos, dienten als Vorlage zu einem multimedialen Projekt für Schauspieler (Graham Valentine), Anna Clementi (Gesang), Projektionen und Trio qfwfq. Eine Zusammenarbeit mit Abril Padilla, wurde KOSMISONICS im Februar 2022 im Naturhistorischen Museum Basel uraufgeführt. Das Jahr 2022 stand ganz im Zeichen des Quastenflossers. Ein neues Hörstück, «from nutmeg to dodo», ein erneut von Pro Helvetia unterstütztes work in progress, befasst sich mit dem Aussterben des Dodo als direkte Konsequenz des holländischen Kolonialismus. Ein Stück über den Duft einer Nuss und eines flugunfähigen Vogel, über Macht und Gier, über die Zerstörung von Fauna und Flora und über ein verlorenes Paradies. Michèle Rusconi lebt in Basel und Berlin und reist wann immer irgendwie möglich. Die Produktion wurde unterstützt von srks/fsrc , Stiftung für Radio und Kultur Schweiz, Swissperform und Pro Helvetia. Die Route der Quastenflosser-Expedition Pretoria: Abfahrtsort und Ausgangsort – Clarence: Erste Station auf indirekten Weg in den Süden an die Küste – Ein verregnetes Golden Gate in benebelten Bergen – Bloemfontain: Hauptstadt der Provinz Free State. Besuch des Anglo-Boer Kriegsmuseums – Grahamstown/Makhanda: Besuch des JLB Smith Instituts oder SAIAB (South African Institute of Biodevrsity. Erste Besichtigung des zweiten, auf den Komoren gefundenen Quastenflossers – East London: Besuch des Museums mit Quastenflosser von 1938. Tour mit Kurator Kevin Cole – Kleine Munde und entlang der Wild Coast, wo Quastenflosser gesichtet wurden – Nach Port St Johns und Port Edward zu einem Treffen mit Rina Vato, Sangoma, spiritual leader – Durban: zum grössten Hafen Afrikas und Besuch des Aquariums – Sodwana Bay: der Ort, wo aktuelle Quastenflosser-Forschung stattfindet. Für «Gombessa tabou» wurden interviewt: - Mike Bruton, Ichthyologe, Wissenschaftler und Autor. - Kerry Sink, die treibende Kraft, Ichthyologin, Wissenschaftlerin und verantwortlich für die jetzige Expeditionen in der Region Sodwana Bay, an der Südküste Afrikas sowie Mitglieder ihrer Crew - Kevin Cole, Kurator des Museums in East London, wo der erst gefundene Quastenflosser ausgestellt ist - Mitarbeiter von SAIAB: South African Institute for Aquatic Biodiversity, JLB Smith Institute in Grahamstown, wo der komorische Quastenflosser liegt - Rina Vato, «Sangoma», eine spirituelle Figur - Gaël Clément, Leiter der Paläontologe in Paris im Jardin des Plantes Weiterführende Literatur zum Quastenflosser Mike Bruton: «When I was a Fish: Tales of an Ichthyologist»; Jacana Media, Illustrated Edition, 2016 Hans Fricke: «Der Fisch, der aus der Urzeit kam: Die Jagd nach dem Quastenflosser»; dtv, 2007 Keith Stewart Thomson: «Living Fossil: The Story of the Coelacanth»; W. W. Norton & Company, 1991 J.L.B. Smith: «Old Fourlegs»; Longmans Green & Co, 1956
On this episode of YHI we throwback to 2002 when Peter got interviewed by Marian McPartland for the acclaimed Piano Jazz segment on NPR. Have a question for us? Leave us a SpeakPipe Checkout courses from Adam, Peter and more at Open Studio Let us know what you think by leaving a ⭐⭐⭐⭐⭐⭐⭐ review, or head over to our YouTube channel.Follow us on Instagram
Elle pouvait dialoguer avec Bill Evans au micro comme au piano : Marian McPartland, une femme à l'allure d'aristocrate anglaise, qui fut peut-être la seule à voir le jazz des deux côtés du mirroir. D'abord pianiste au jeu raffiné, Marian Mc Partland devint intervieweuse. Son émission Piano Jazz connut l'une des plus grandes longévités de la radio publique américaine.
Die Musik des Komponisten und Pianisten steckt voller verrückter Ideen. Sein architektonischer Sinn lässt raffiniert konstruierte Ton-Gebilde entstehen. Einst als Wunderkind des britischen Jazz gefeiert, gilt Django Bates für nicht wenige als - Genie. Von Karsten Mützelfeldt.
Flowing piano Jazz music is an excellent way to unwind while also increasing productivity. Jazz piano's soothing melodies and gentle rhythms create a relaxing and peaceful atmosphere that helps to reduce stress and improve focus. Jazz piano music is an excellent choice for anyone who is working, studying, or simply looking for a way to unwind after a long day. It's ideal for working or studying as background music, contributing to a calm and productive environment. Jazz piano music, with its smooth, mellow sound and improvisational style, is an excellent way to unwind and de-stress while keeping your mind sharp and focused. Its adaptability makes it ideal for any situation, whether you're working, studying, reading, or simply want to listen to beautiful music. Smooth piano jazz music is ideal for increasing productivity, reducing stress, and relaxing. See omnystudio.com/listener for privacy information.
Hamish Menzies - Sänger, Pianist, Komponist und Berufs-Schotte! Zudem ein Mann, zwischen dessen beiden LPs vierundzwanzig Jahre lagen. Götz Alsmann stellt sein zweites Album aus dem Jahre 1980 vor, eine der seltensten Platten in der Geschichte des Piano-Jazz. Von Götz Alsmann.
Bienvenidos amantes de la música, McCoy Tyner fue miembro quizá del cuarteto más célebre del Jazz. The John Coltrane Quartet. Cuando uno piensa en "My Favourite Things " o "A Love Supreme", recuerda el sonido de McCoy Tyner tanto como el saxofón de Coltrane. Pero fue mucho más que eso, incluso antes de la muerte de Coltrane ya había editado sus primeros discos solistas. Su madre le dió sus primeras lecciones de piano, y definitivamente Bud Powell, su vecino en Filadelfia, fue una de sus grandes influencias. Su debut discográfico fue en el álbum "Meet the Jazztet" en 1960 junto al saxofonista tenor Benny Golson y el trompetista Art Farmer. “Lo que no tocas a veces es tan importante como lo que tocas” dijo en una entrevista con Marian McPartland's Piano Jazz de NPR. Junto con Bill Evans , Herbie Hancock o Chick Corea, Tyner fue uno de los principales referentes del piano de jazz moderno. El disco que revisamos hoy es su 3er álbum, "Nights of Ballads & Blues" (1963) Les invitamos a disfrutar de su música. 1. We'll Be Together Again 2. Satin Doll 3. Blue Monk 4. Days Of Wine And Roses *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.
Bienvenidos amantes de la música, hablar de Margaret Marian Turner (su verdadero nombre) es la antítesis del músico de jazz trágico. Tuvo una larga vida hasta los 95 años. Llena de logros músicales también como educadora y finalmente como la conductora de un programa en NPR (National Public Radio). El famoso "Marian McPartland's Piano Jazz" por donde pasaron infinitos músicos que además de una amena charla terminaban acompañados al piano por su anfitriona. Nació en Londres, recorrió Europa con una orquesta de Vaudeville, donde conoció a Jimmy McPartland, su pareja musical primero y sentimental después, se trasladarían a vivir a Manhattan después de la guerra. Ya en New York hizo una carrera musical muy completa, moviéndose hábilmente en diferentes estilos, desde el Swing al Bebop. Se transformó en la pianista estable de un club frecuentado por músicos como Duke Ellington, Oscar Peterson o Mary Lou Williams, con quien tuvieran una gran amistad en un mundo musical mayormente de hombres. Les invitamos a escuchar una selección de esta longeva y gran pianista. Los temas son 1. Piano Cocktail (tema de inicio) 2. Piano in Partyland 3. Passing Glance 4. Satin Blues 5. Blue Sophisticate 6. In My Life. *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.
In the 87th Hot Box we scratched the surface of the hot topic of females in jazz, and now we to try to go a little deeper, so the 88th picks out some more women whose contribution to jazz has been stellar. And then we take a listen to an extract from the famous Piano Jazz series presented by Marian McPartland, in the studio with her friend, the legendary Mary Lou Williams. We're still only scratching the surface, or as one of our chosen songs says, Scratchin' in the Gravel!
4K Cozy Coffee Shop With Smooth Piano Jazz Music For Relaxing, Studying And Working
Müsste man den französischen Piano-Jazz auf einen Namen reduzieren - es wäre derjenig von Martial Solal. Rund 70 Jahre lang hat er mit seiner Musik den Witz, die Virtuosität und die europäische Färbung an den 88 Tasten verkörpert. Von Solo-Piano bis Big Band hat Martial Solal eine nationale und gleichzeitig unverkennbar eigene Handschrift entwickelt. Warum seine Film-Musik für «A bout de souffle» ein Lotto-Gewinn war, mit welchen Werkzeugen er immer und immer wieder dieselben Stücke spielt, ohne dass es je langweilig wird und warum er sich trotz allem ein Leben lang nicht ernst genommen fühlte von der klassischen Musik-Szene - das alles diskutiert der Pianist Florian Favre, der als junger Pianist Solal kennengelernt hat in einem Workshop, in der Jazz Collection mit Jodok Hess.
Thomas Waller war ein Bindeglied zwischen dem frühen Jazz der 20er Jahre und dem Swing, ein exzellenter Pianist, der erste Organist des Jazz und Komponist einiger Evergreens. Vor allem aber war "Fats" beliebt als humorvoller Sänger und Entertainer. Von Karsten Mützelfeldt.
Coming Up this week: Courtney Pine's personal jazz & beyond picks from Jonathan Barber & Vision Ahead, SLY5THAVE & Roberto Verastegui, and Josean Jacobo.Welcome to the latest Courtney Pine Global Podcast Bitesize Edition! A coffee break's worth of cool jazzy vibes to wet your appetite for the full show. Commercial free, and hand-picked by Courtney for a vibrant, and soulful listen! This week a feast of global delights! Jonathan Barber's smooth grooves move down to the electric energy of a sensational Mexico City collaboration before Josean Jacobo evokes the spirits of Dominica to meet him in some beautiful latin piano jazz.It's ALL new and it's ALL for you Folks – dive in today! Jonathan Barber & Vision Ahead – Denim (Self-Release) SLY5THAVE & Roberto Verastegui – Ensencialmente (Tru-Thoughts) Josean Jacobo – Herencia Criolla (Self-Release)
Welcome to the latest Courtney Pine Global Podcast Bitesize Edition! A coffee break's worth of cool jazzy vibes to wet your appetite for the full show. Commercial free, and hand-picked by Courtney for a vibrant, and soulful listen! This week whadda journey! You'll begin in the beauty & jazz of Armenia: an epic sonic feast from Joel A Martin; then you'll immerse in Grammy-nominated Theo Croker's simmering live version of Mos Def's ‘Umi Says'. Finally it's groove time! 70's jazz-funk courtesy of Chance Hayden!C'mon everybody listen again & again to this superb 3-track Bitesize Edition from the one and only Courtney Pine – it's all for YOU! Joel A Martin - Dance of Echmiadzin Self release Theo Croker - Umi Says Sony Masterworks Chance Hayden - One Plus One Ropeadope
Smooth Piano Jazz In Cozy Bedroom 4K - Instrumental Music To Relax, Study, Work
In this episode we are looking at how Science is slowly changing.We'll be talking with Cybernetics Expert and Philosopher Ian Glendinning about science, emergence, Robert Pirsig's "Zen and the Art of Motorcycle Maintenance", combining arts & sciences, the nature of the brain hemispheres, and Iain McGilchrist's "The Matter with Things".One of the main threads will be the balance between science and what lies beyond, and how this might be reflected in deep ontology and the architecture of our brains.Ian Glendinning's blog/website is here: psybertron.orgIntro-music is "Piano Jazz" by bensound.comAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
In this episode we are looking at how Science is slowly changing.We'll be talking with Cybernetics Expert and Philosopher Ian Glendinning about science, emergence, Robert Pirsig's "Zen and the Art of Motorcycle Maintenance", combining arts & sciences, the nature of the brain hemispheres, and Iain McGilchrist's "The Matter with Things".One of the main threads will be the balance between science and what lies beyond, and how this might be reflected in deep ontology and the architecture of our brains.Ian Glendinning's blog/website is here: psybertron.orgMusic Credit: "Piano Jazz" from Bensound.com.
Our guest today is Adam Bishop, who recently started his Linguistics Studies at the Truman State University in Missouri, and who is the host of the podcast "Unlimited Opinions" with his dad, Mark Bishop.We'll talk about mythology, philosophy, life at the University, the nature of languages, J.R.R. Tolkien's creation story in the Silmarillion, and how the Ancient World is present and relevant today.Adam's Podcast is here: https://www.buzzsprout.com/1505731Music Credit: "Piano Jazz" from Bensound.com.
A wide-ranging conversation about how technology entered the National Health Service in Britain in the 1980s, and how this reflected a deeper trend in modern societies - with the perils of technology, an unbalanced society, but also the enormous potential if we can manage to rebalance the culture once again.We'll also talk about how several aspects of James' book "The Paradox of Progress" from 1995 have been confirmed by recent brain research and brain science in Iain McGilchrist's "The Matter with Things".James Willis' book is available here: https://payhip.com/JamesARWMusic Credit: "Piano Jazz" from Bensound.com.
Ce samedi 27 novembre à partir de 20h à l'AMR, un double concert avec LEONI LEONI et MICHEL WINTSCH SOLO. Nous sommes allés rencontrer Michel Wintsch, pianiste et compositeur, il nous présente son parcours et sa proposition musicale basée sur l'écoute et la sensibilité à notre environnement sonore.
Le 5 novembre prochain, l'AMR reçoit le pianiste Thomas Florin. Son projet piano solo est un terrain de jeu ouvert, dans lequel Thomas cherche à se détacher de toute contrainte pour laisser place à une spontanéité maximale. Nourri d'un amour pour la tradition Jazz et ses récentes recherches autour de la musique minimaliste et librement improvisée, Thomas propose un voyage improvisé multi-facettes entre textures sonores massives, silences habités, grooves entêtants, swing et même quelques chansons. Nous sommes allés le rencontrer à l'AMR pour qu'il nous présente son travail et ce concert
We are starting a dedicated podcast today at the Tale Teller Club and here is a sample for improvisers with Juicy Chords with Sarnia Bbmaj7+5 B flat Major 7th Augmented 5th Composer Piano Jazz Grooves.tagschords,juicy-chords,music, ABRSM, musicians,suzuki,sarnia-de-la-mare,tools,teaching,suzuki,cello,piano, music,composer,wellbeing,artspodcasting,free-lessons,learn-onlinepiano-chat,sarnia-club,tale-teller-club,jazz,theory-of-music,blues, classical,suzuki,ABRSM-exam,free-music-lessons,classical-music,instrumentalist,free-education,100%-free-school,backing-tracks,jazz-baby,free-music,jazz-lessons,jazz-club,sarnia-de-la-maré-FRSA,private-jazz-club,jazz-podcastsuzuki,suzuki-school,cello,suzuki-cello-school,free-suzuki-lessons,sarni-de-la-maré-frsa,how-to-play-cello,free-celloschool,cello-techniques,classical, jazz,practice-buddy,play-play-along,listen-and-learn,ear-training,how-to-play-an-instrument,keyboard-skills,piano-school,learn-piano,how-to-play-piano,private-lessons,sarnia-de-la-mare,graded-exams,grade-two-piano,ABRSM,free-lessons,online,music,school,
In this episode, we discuss recordings of “Brandenburg Project: Twelve Concertos” by the Swedish Chamber Orchestra / Thomas Dausgaard, “Mozart, Hosokawa” by Momo Kodama, Seiji Ozawa & Mito Chamber Orchestra, “Johannes Brahms: Clarinet Sonatas & Ernste Gesänge” by Julian Bliss & James Baillieu, “Open Sky” by Art Hirahara, “Staying in Touch” by Sinne Eeg & Thomas Fonnesbaek, and the self-titled debut by Samara Joy. The Adult Music Podcast is featured in: Feedspot's Top 25 Jazz Podcasts Episode 23 Deezer Playlist “Brandenburg Project: Twelve Concertos” (BIS) Swedish Chamber Orchestra, Thomas Dausgaard https://open.spotify.com/album/1Qx8aCFUf8I9YSrD89266A https://music.apple.com/us/album/the-brandenburg-project/1558212898 “Mozart, Hosokawa” (ECM) Momo Kodama, Seiji Ozawa & Mito Chamber Orchestra https://www.https://open.spotify.com/album/3FwpLLokjRSRtC48su2uyL https://music.apple.com/us/album/hosokawa-mozart-live/1551975156 “Johannes Brahms: Clarinet Sonatas & Ernste Gesänge” (Signum) Julian Bliss (clarinet), James Baillieu (piano) https://open.spotify.com/album/3gf1J9kb8eJkhhJCTeX9ZE https://music.apple.com/us/album/brahms-sonatas/1557483007 “Open Sky” (Posi-Tone Records) Art Hirahara https://open.spotify.com/album/5k5BNDv4gQxmO7zZMqdj1y https://music.apple.com/us/album/open-sky/1569463520 “Staying in Touch” (Stunt Records) Sinne Eeg, Thomas Fonnesbaek https://open.spotify.com/album/4Gl8Sg5Ik5MoNbaUo24fbL https://music.apple.com/us/album/staying-in-touch/1571131277 “Samara Joy” (Whirlwind Records) Samara Joy https://open.spotify.com/album/7odhq8nBHDrTgYXIuV6g23 https://music.apple.com/us/album/samara-joy/1564788476
My guest for Episode 12 is trumpet player and long-time advocate for women in jazz, Ellen Seeling. A Milwaukee native, Ellen was the first woman to earn a degree in Jazz Studies from Indiana University. In 1975 she moved to New York City, where she worked with the likes of The Thad Jones-Mel Lewis Orchestra, Machito, the Slide Hampton Big Band, Luther Vandross, Laura Nyro, The Temptations, Isis and Martha Reeves, among countless others. In 1980, Ellen and her now-wife, saxophonist and composer Jean Fineberg, formed the jazz fusion band DEUCE, recording two albums, and touring all over the United States. In 1989 the two relocated to the San Francisco Bay Area where they continued to play with DEUCE and several other ensembles, and in 1998 Ellen founded the Montclair Women’s Big Band, in an effort to provide greater visibility for the Bay Area community of women jazz artists. Ellen also spent many years teaching at the University of California, Berkeley, and the Jazzschool in Berkeley, California, and has held teaching positions at a number of other universities and events including Indiana University, Pennsylvania State University and the Kansas City Women’s Jazz Festival. In 2009 Ellen founded and co-directed the United States’ first summer jazz camp for girls, the Girls’ Jazz & Blues Camp, featuring a women’s faculty from the Montclair Women’s Big Band. Then, in 2015, Ellen co-founded Jazzwomen and Girls Advocates, in an effort to address the systemic and historic gender discrimination in jazz. Thus far, the organisation has consulted with the Jazz at Lincoln Center Orchestra, playing a role in their adoption of new hiring processes, and also helped to encourage the Monterey Jazz Festival’s 500% increase in women instrumentalists programmed for its 2018 edition.Ellen and I caught up via Zoom in early April to discuss her experience coming up as a young female trumpet player in the late 1960s and early ‘70s; being invited to play professionally with the all-women jazz-rock band Isis and the legendary Laura Nyro while she was still in college; her experience living and working in New York for almost 15 years, often playing with otherwise all-male bands and orchestras; her work with Jazzwomen and Girls Advocates, in particular their lobbying of Jazz at Lincoln Center and Monterey Jazz Festival; and some of the music that has inspired her over her career.https://www.montclairwomensbigband.com/ (Ellen’s profile: https://www.montclairwomensbigband.com/about-us/ellen-seeling-bio)https://jazzwomenadvocates.org/Ellen on Marian McPartland’s ‘Piano Jazz’: https://www.npr.org/2013/12/06/249318939/ellen-seeling-on-piano-jazz Jean’s website, which features work by both Ellen and Jean: https://deuceband.com/https://soundcloud.com/montclairwomensbigband And my Q&A with Melbourne International Jazz Festival: https://www.melbournejazz.com/news/womeninjazzpodcast-qna/ Support the show (https://www.patreon.com/womeninjazz)
En el episodio de esta semana entrevistamos al compositor, pianista, director y arreglista, Raymond Torres-Santos sobre: "Satellites, Drones and Planes", su más reciente producción musical. Además conversamos sobre su formación, trayectoria y próximos proyectos (http://www.rtsmusic.com/). El álbum de "Satellites, Drones and Planes" ya se encuentra disponible en todas las principales plataformas de música (Spotify, Apple Music), y en YouTube. Spotify: https://open.spotify.com/album/03KKAO3AD4OQvB86158tVS?si=_kmd3b6wSoWC8EbiUzz62w YouTube: https://www.youtube.com/watch?v=x8TqchxswcE&list=OLAK5uy_mQMNr__PiffjTy71ys7qDDa2EGYiThbXM Preguntas a nuestros anfitriones y temas sugeridos pueden ser dirigidas a nuestro email: conversacionesimbioticas@gmail.com A Pedro Emanuel Franco Fraticelli lo pueden buscar en Facebook y SoundCloud bajo su nombre, y en Instagram: @peterfranks7; a Christian García lo pueden buscar en Instagram a través de: @tenorboricua; a Alexandra S. Fraguada la pueden buscar en Facebook bajo su nombre, y su Instagram: @asfraguada; a Juan Luis O'Halloran lo encuentran bajo su nombre en Facebook, y @vampiro_boricua en Instagram. ¡Hasta la próxima! Música por Raymond Torres-Santos y Víctor Ten Days. Conversaciones Simbióticas fue creado por Pedro Emanuel Franco Fraticelli y Julio E. Quiñones Santiago. Anfitriones: Pedro Emanuel Franco Fraticelli, Christian García Roque, Alexandra S. Fraguada y Juan Luis O'Halloran. Producción: Pedro Emanuel Franco Fraticelli y Juan Luis O’Halloran y Raquel Melisa Cordero Castro. Artes por María Victoria Art. Colectivo Simbiosis Productions.
Marian McPartland hosted National Public Radio’s Piano Jazz for over 30 years. Throughout her lifetime, she was known for her support of jazz education and other female jazz musicians.
Marian McPartland has given listeners a treasure trove of jazz history through her more than 700 interviews on National Public Radio’s Piano Jazz.
durée : 00:58:40 - Hommage à Chick Corea - par : Laurent Valero - "Chick Corea, un pianiste à la très grande technique, une personnalité marquante du jazz de ces 50 dernières années, ayant embrassé quasiment toutes les esthétiques de cette musique, depuis le Bop jusqu’au Jazz-Rock et la fusion dont il fut un des héros au milieu des années 70." Laurent Valero - réalisé par : Antoine Courtin
durée : 00:58:40 - Hommage à Chick Corea - par : Laurent Valero - "Chick Corea, un pianiste à la très grande technique, une personnalité marquante du jazz de ces 50 dernières années, ayant embrassé quasiment toutes les esthétiques de cette musique, depuis le Bop jusqu’au Jazz-Rock et la fusion dont il fut un des héros au milieu des années 70." Laurent Valero - réalisé par : Antoine Courtin
“The Lady Plays,” is Robin's tribute to the Piano Queen, Marian McPartland. Robin taped a one-hour segment on Marian's program, NPR's Piano Jazz, twelve years ago, when her first book, Piano Girl, was published. “Marian's joy rubs off on me. Look at her go—here's a ninety-year-old woman playing piano the way she wants to. She has grown into her music and stayed young because of it. She listens, she responds, she encourages the rest of us to keep going. Marian doesn't need magic, luck, or soothing words to keep her plane in the sky, because she's the pilot. If there's a better role model for a musician, I don't know who it is." Sometimes poignant and often hilarious, Robin Meloy Goldsby, host of The Piano Girl Podcast ,reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review
Tous les samedis matins, en direct sur Tsugi Radio la playlist Jazz d'un·e invité·e. Pendant une petite heure, au calme. Cette semaine c'est sophie, La Chica, qui nous réserve 1h de jazz piano envoutant
Episode 13 bersama Sahruni Hasna Ramadhan I EDISI KHUSUS SAPARDI DJOKO DAMONO dipersembahkan untuk mengenang berpulangnya Sang Sastrawan Besar pada 19 Juli 2020 yang lalu. 30 Episode "Puisi dan Cerita Sapardi Djoko Damono" selama 30 hari berturut-turut. Tayang setiap hari pukul 20.00 WIB. SAHRUNI HASNA RAMADHAN kini bekerja di Komisi Pemilihan Umum Indonesia. Pada saat mahasiswa, ia adalah pegiat teater dan penyair. Karyanya masuk dalam antologi puisi bersama "Pesan Ombak Padjajaran." Music Credit : Sweet Dream dalam Piano Jazz & Jazz Piano https://www.youtube.com/watch?v=t-TSXC2ut9o Arrival of The Birds & Transformation https://www.youtube.com/watch?v=n88MReEC27k
“Music has never been essential for keeping people alive, but it has always been essential for helping us feel alive. Live music connects us in an impeccably human way.” Robin's tribute to freelance musicians, doing their best during challenging times to feed their families, stay on track, and keep the music playing. Featuring "Blackbird" from Goldsby's Magnolia album. Sometimes poignant and often hilarious, Robin Meloy Goldsby, host of The Piano Girl Podcast ,reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review
Welcome to The Hot Box #058 in which we delve further into the alphabetical piano files with Part 2 of the File for W. There are some amazing artists in the episode. Be sure to listen out for an interview where Marian McPartland hosts the great Mary Lou Williams on her long running radio show “Piano Jazz” on NPR in October of 1978. It is quite wonderful to hear Mary Lou Williams chat about music and list of all the names of bands and musicians she has worked with when she started out as a teenager right the way through to the modern era.
This month's Piano Girl Podcast, “Waltz of the Asparagus People,” takes you on a romp from a fancy New York City hotel lobby to a swanky German castle, accompanied by piano music and vegetables in costumes. It's a bizarre story, but 100% true. You can't make this stuff up. Featuring the track "Waltz of the Asparagus People," a tune inspired by Goldsby's encounters with her favorite stalky vegetable. Sometimes poignant and often hilarious, Robin Meloy Goldsby, host of The Piano Girl Podcast ,reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review
Best classical study music, focus, thinking, meditation, relaxing music
-----------------------------------------------------------Hey. I have a podcast about IT. If you are interested, I would like to see you there.Apple PodcastsSpotifyGoogle PodcastsCastbox
Hal-hal apa saja yang harus diperhatikan jika ingin menekuni piano jazz? Julian Marantika membagikannya untuk rasabunyi.
Itamar Erez plays guitar and piano. His new album Mi Alegria is a sweet homage to life, to family, and to the amazingness of music. Embracing rhythms from various forms of Jazz, the songs are moving and exciting. Itamar and … More ... The post Itamar Erez – New Record “Mi Alegria” Guitar and Piano Jazz appeared first on Paradigms Podcast.
Man (and music) versus nature. A bass player and a pianist take on a German weasel. Robin Meloy Goldsby, host of The Piano Girl Podcast,reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Considered and NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review "Imagine Carrie from Sex and the Cityplaying the Marriott." Daryl Sherman, cabaret and jazz artist “Goldsby's tales are often laugh-out-loud funny, sometimes poignant, and always abundantly human.” Kathy Parsons, Mainly Piano “Robin Meloy Goldsby is a great storyteller. You'll feel as if you're sitting beside her on the piano bench, observing all the people she recalls with such intimacy and personal warmth.” Barbara Cloud, Pittsburgh Post Gazette “Be it a ballad or an up tune, this plucky lucky pianist arranges her memoir medley for us and plays it in the key of life.” Cheryl Hardwick, Saturday Night Live musical director, 1987-2000 “Goldsby's wide-ranging stories possess a low-key, party-girl sense of humor. Exuberant, keen, and at times very funny.” Adam Bregman, Seattle Weekly www.goldsby.de
Piano Girl Robin Meloy Goldsby's definition of an Accidental Insult: a comment that causes the recipient to say thank you and cringe at the same time. Most of the musicians she knows have developed thick skins underneath their little black dresses and tuxedos. Like it's not hard enough to smile and remember 3,000 tunes while playing for a chiropractor convention—they must also suffer the slings and arrows, the digs and dings, of well-meaning, slightly-idiotic customers. In Part Two of "The Accidental Insult," Goldsby describes an indirect meeting with Madonna and how the two of them have more in common than one might expect. Blond ambition, indeed. Robin Meloy Goldsby, host of The Piano Girl Podcast,reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review "Imagine Carrie from Sex and the Cityplaying the Marriott." Daryl Sherman, cabaret and jazz artist “Goldsby's tales are often laugh-out-loud funny, sometimes poignant, and always abundantly human.” Kathy Parsons, Mainly Piano “Robin Meloy Goldsby is a great storyteller. You'll feel as if you're sitting beside her on the piano bench, observing all the people she recalls with such intimacy and personal warmth.” Barbara Cloud, Pittsburgh Post Gazette “Be it a ballad or an up tune, this plucky lucky pianist arranges her memoir medley for us and plays it in the key of life.” Cheryl Hardwick, Saturday Night Live musical director, 1987-2000 “Goldsby's wide-ranging stories possess a low-key, party-girl sense of humor. Exuberant, keen, and at times very funny.” Adam Bregman, Seattle Weekly www.goldsby.de
Piano Girl Robin Meloy Goldsby and her partner Joe get an exciting songwriting commission. The subject? World peace and brotherhood. It takes five songwriting sessions, a plate of cold gnocchi, three slices of stale pizza, a few bottles of wine and half a chicken, but eventually they come up with a suitable composition. They show up at a synagogue in Princeton, New Jersey, to present the song to the congregation at a special ceremony. And that's where things take a left turn. Goldsby, host of The Piano Girl Podcast, reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review "Imagine Carrie from Sex and the Cityplaying the Marriott." Daryl Sherman, cabaret and jazz artist “Goldsby's tales are often laugh-out-loud funny, sometimes poignant, and always abundantly human.” Kathy Parsons, Mainly Piano “Robin Meloy Goldsby is a great storyteller. You'll feel as if you're sitting beside her on the piano bench, observing all the people she recalls with such intimacy and personal warmth.” Barbara Cloud, Pittsburgh Post Gazette “Be it a ballad or an up tune, this plucky lucky pianist arranges her memoir medley for us and plays it in the key of life.” Cheryl Hardwick, Saturday Night Live musical director, 1987-2000 “Goldsby's wide-ranging stories possess a low-key, party-girl sense of humor. Exuberant, keen, and at times very funny.” Adam Bregman, Seattle Weekly www.goldsby.de
A great dancefloor Gospel track from Alan Dixon. Broken Beat from WheelUp. Hip Hop from Masta Ace (dubplate style). Some tunes influenced by the recent Glastonbury festival from Stormzy, Dave and AJ Tracey and The Cure. A track from the latest Quantic album. A big Piano Jazz club banger from Daphni. Street Soul from new Tru Thoughts signings Gawd Status. Plus plenty more musical treats.
Piano Girl Robin Meloy Goldsby gets naked in the German sauna. Moving to a foreign country is tricky enough, but taking your clothes off in front of a bunch of strangers? Goldsby has a front row seat at the Penis Parade and it's a spectacle she's never seen before. Robin Meloy Goldsby, host of The Piano Girl Podcast, travels the world and reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review "Imagine Carrie from Sex and the Cityplaying the Marriott." Daryl Sherman, cabaret and jazz artist “Goldsby's tales are often laugh-out-loud funny, sometimes poignant, and always abundantly human.” Kathy Parsons, Mainly Piano “Robin Meloy Goldsby is a great storyteller. You'll feel as if you're sitting beside her on the piano bench, observing all the people she recalls with such intimacy and personal warmth.” Barbara Cloud, Pittsburgh Post Gazette “Be it a ballad or an up tune, this plucky lucky pianist arranges her memoir medley for us and plays it in the key of life.” Cheryl Hardwick, Saturday Night Live musical director, 1987-2000 “Goldsby's wide-ranging stories possess a low-key, party-girl sense of humor. Exuberant, keen, and at times very funny.” Adam Bregman, Seattle Weekly www.goldsby.de
April 2, 2019 In "The Girl Who Curtsied Twice" Piano Girl Robin Goldsby plays a gig at Buckingham Palace for Prince Charles and 250 of his friends. Goldsby reveals the comedies, tragedies, and mundane miracles witnessed from the business side of the Steinway. A pianist in lounges and lobbies around the world, Goldsby tells her stories by connecting people she has met with places she has played. Along the way she discovers the human side, for better or worse, of her audiences—mobsters and moguls, the down-and-out and downright scary, and ordinary people dealing with life in extraordinary ways. Her stories deliver insights into the art and craft of piano playing—and inspiring lessons in life—as she pursues her dreams on her own terms. Robin Meloy Goldsby is the author of Piano Girl; Waltz of the Asparagus People; Rhythm; and Manhattan Road Trip. She has appeared on National Public Radio's All Things Consideredand NPR's Piano Jazz with Marian McPartland. Robin is a Grammy-nominated lyricist. She is a Steinway Artist and cultural ambassador with artistic ties to both Europe and the USA; her newest solo piano album, Home and Away, launched at Buckingham Palace in November, 2017, at a gala hosted by HRH, the Prince of Wales, in honor of In Kind Direct, an organization that encourages corporate giving for social good. Robin currently performs plays about 150 live piano gigs a year at Excelsior Hotel Ernst in Cologne, Germany, and tours internationally with her popular concert/reading program. "Goldsby has a wicked sense of humor and a keen eye for the absurd. Bighearted, funny, truly eye-opening memoir." Publishers Weekly Starred Review "Imagine Carrie from Sex and the Cityplaying the Marriott." Daryl Sherman, cabaret and jazz artist “Goldsby's tales are often laugh-out-loud funny, sometimes poignant, and always abundantly human.” Kathy Parsons, Mainly Piano “Robin Meloy Goldsby is a great storyteller. You'll feel as if you're sitting beside her on the piano bench, observing all the people she recalls with such intimacy and personal warmth.” Barbara Cloud, Pittsburgh Post Gazette “Be it a ballad or an up tune, this plucky lucky pianist arranges her memoir medley for us and plays it in the key of life.” Cheryl Hardwick, Saturday Night Live musical director, 1987-2000 “Goldsby's wide-ranging stories possess a low-key, party-girl sense of humor. Exuberant, keen, and at times very funny.” Adam Bregman, Seattle Weekly www.goldsby.de
Guitarist Pat Metheny is one of the brightest stars in the jazz firmament. The only person to win a Grammy in ten different categories, the ever-evolving artist is constantly experimenting with new technology and honing his improvisational skills and unique style. On this 2006 Piano Jazz, The Pat Metheny Trio, which includes bassist Christian McBride and drummer Antonio Sanchez, performs an exclusive version of "Go Get It" and "Bright Size Life.
Long acknowledged as one of the world's leading sopranos, Eileen Farrell (1920 – 2002) was comfortable in the spotlight of opera, jazz, and the blues. She began her career as a classical and operatic singer, and in the 1980s began performing pop. Of the change, Farrell said, "In opera there is a certain person you have to be. Doing pop, I can be whoever I want to be."
Grammy Award-winning pianist, composer, and bandleader Michel Camilo is one of the most fascinating jazz artists working today. A prodigy from the Dominican Republic, he began his professional career at sixteen, the youngest member of the National Symphony Orchestra. In his twenties he moved to New York City, where he took the jazz scene by storm with his whirlwind approach to music, technical brilliance, and post-bop Latin rhythms. In this 1989 Piano Jazz session, Camilo plays his own composition "Nostalgia."
Pianist Gene Harris (1933 – 2000) was an integral part of the well-known group The Three Sounds trio, with bassist Andy Simpkins and drummer Bill Dowdy. After a brief hiatus in the 1970s, he teamed up with bassist Ray Brown to form a new group and also made his way as a solo act. An accomplished leader and sideman, Harris played with such greats as Aretha Franklin, Lou Rawls, and B.B. King. On this 1988 Piano Jazz, Harris opens with a slow and easy "Black and Blue," then McPartland joins him on "Bag's Groove."
This week, Piano Jazz remembers Marlene VerPlanck (1933 – January 14, 2018), who died from cancer this year at age 84. One of the finest interpreters of American Popular Song, VerPlanck's artistic sensitivity made her a favorite of songwriters and listeners alike. As a studio singer, she was sought out by everyone from Frank Sinatra to KISS, and she also had a dynamic career as a solo performer. She was McPartland's guest in 1999. In this session, VerPlanck joins McPartland to sing "Skylark" and "Our Love is Here to Stay."
Vibraphonist Stefon Harris is one of the most innovative and impressive artists in jazz, blazing new trails on vibraphone and marimba. While much of his music is on the cutting edge, he has a strong sense of tradition and his technical facility knows no bounds. On this 2002 Piano Jazz, Harris shows off his fresh, clear sound on a number of duets with McPartland, including "Whisper Not," "Blue Monk," and "Bemsha Swing." McPartland solos on her own "Twilight World."
This week's Piano Jazz presents an episode from the early years of the program with guest Jess Stacy (1904 – 1995), who came out of retirement to appear on the show in 1982. One of the leading pianists of the swing era, Stacy was best known for his work with the Benny Goodman Orchestra and had a prolific career before stepping back from the music world in the 1950s. In this classic session from the archives, Stacy needs no introduction as he starts the show with a solo performance of "Dancing Fool." McPartland joins to end the hour with "St. Louis Blues."
Pianist and composer Rachel Z grew up in Manhattan in a musical family. Her mother taught her classical voice and opera from a young age, but she found her own sound in the jazz and rock worlds. On the keys, she is lightning-quick and her percussive yet lyrical approach enhances her technique. In 2010, she formed a group called The Trio of Oz with her husband, Omar Hakim. On this 1999 Piano Jazz, Rachel Z performs her original "Gently Sleeps the Pear Tree." She and McPartland switch gears with "All the Things You Are."
Ever-popular song stylist Tony Bennett was McPartland's guest for the first time in 1990. Bennett vocalizes American popular songs like nobody else can. When he was starting out, a voice teacher, Miriam Spier, famously told him: "Don't imitate singers, imitate musicians." So, Bennett decided to emulate Art Tatum. He also credits his relaxed delivery to the inspiration of Mildred Bailey. On this edition of Piano Jazz, Bennett sings "Stay as Sweet as You Are" and "Imagination." There's no need to guess who's playing the accompaniment.
Upon moving to New York from Vancouver, Canada, pianist and composer Renee Rosnes established a reputation as one of the premier jazz musicians on the scene. Over her 30-year career, Rosnes has collaborated with a diverse range of artists, from established masters such as Jack DeJohnette to younger giants such as Christian McBride and Melissa Aldana. On this 1990 episode of Piano Jazz, she plays Monk's "Four in One" then improvises with McPartland on her own tune "Fleur De Lis."
It's the end of the week. Let's just sit back and listen to some jazz. Remember the Italian saying, "The art of doing nothint". Enjoy
It's the end of the week. Let's just sit back and listen to some jazz. Remember the Italian saying, "The art of doing nothint". Enjoy
A jazz pianist turned folk musician, Sam has spent the last eight years redefining American roots music on the accordion. His original music draws inspiration from sources ranging from Woody Guthrie to George Gershwin to Ennio Morricone. Sam has been featured on Marian McPartland's “Piano Jazz” on NPR, the Wall Street Journal, Huffington Post, San Francisco Chronicle, toured in seven countries overseas, and appears regularly at Jazz at Lincoln Center and major festivals nationwide. "Too Hot to Sleep" was released on February 23, 2018. http://www.samreidermusic.com/ Sam Reider - "Swamp Dog Hobble" Hannah Read - "She Took a Gamble" Phoebe Hunt & The Gatherers - "Just for tonight" Set break — Interview with Sam Reider Broadway Lafayette - "Zydeco Music" Sam Reider - "Skeleton Rag" Set break — Interview with Sam Reider Phoebe Hunt & The Gatherers - "Pink and Blue" Grace McLean & Them Apples - "Ocean-Vapor" Set break — Interview with Sam Reider Sam Reider - "Baku" Cassie and Maggie - "Seileach" The Rodent Hour plays independent rock 'n' roll from Brooklyn & beyond every Monday evening at 8PM (UTC-4), only on Radio Free Brooklyn. http://rfb.nyc/trh
This edition of Narrative features an interview by Christian McBride , host of NPR’s Jazz Night in America . He had a conversation with South Carolina Public Radio’s own Shari Hutchinson , who produced Marian McPartland’s Piano Jazz for more than 25 years. This year, March 20th, would have been McPartland’s 100th birthday. Here, Christian and Shari remember Marian as a musician, mentor, and friend. More of this interview will be broadcast on an upcoming episode of Jazz Night in America . Below is a bonus clip from the conversation, offering a behind-the-scenes story of a Piano Jazz session gone wrong. This weekend, Jazz Night in America will feature selections from Piano Jazz in honor of Marian McPartland’s centennial. You can hear the program on South Carolina Public Radio: March 17 at 9 pm on our New/Talk stations March 18 at 8 pm on our News/Music stations
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It was on this day in 1945 that English pianist Marian Turner became Marian McPartland when she wed American cornetist Jimmy McPartland in Germany. On today's "A Day in the Life," we explore the long and fruitful career of Marian McPartland from her days playing USO shows in World War II, to her long running NPR program, "Piano Jazz".
Note: All music heard in this episode is from Noah's album Ripples. At the end of this podcast is the full track (10:21) entitled 'Ripples (for Margie).' Jazz pianist and composer Noah Baerman's tenacity and his cutting edge yet soulful music have made him an inspiring figure to a growing legion of admirers. Ten years after nearly walking away from the piano due to his struggles with Ehlers-Danlos Syndrome (EDS), an incurable connective tissue disorder with which he was born, Noah is playing and composing with more authority than ever. These challenges and his experiences as a foster parent have deepened his already fierce commitment to "message music." Noah earned his B.Mus. and M.M. from Rutgers University in the 1990s under the mentorship of Kenny Barron. Since then he has participated in and composed for numerous recordings, including eight CDs as a bandleader. His 2003 release Patch Kit features jazz legends Ron Carter and Ben Riley and revolves around his struggles with EDS ("Much more than just a commendable exercise in education and humanitarianism, this is a wonderful and inspiring musical journey that's a testament to the power of jazz, humor and positive energy to turn a challenging situation into one of joy and hope." - Joel Roberts, All About Jazz - New York). Patch Kit raised awareness and funds for EDS and led to an invitation from Marian McPartland to be a guest on her long-running NPR program Piano Jazz in 2005. Two compositions premiered on that show then appeared on his album Soul Force, a tribute to the life and message of Rev. Dr. Martin Luther King, Jr. Soul Force featured Noah's writing for large ensemble, here featuring trombonist Robin Eubanks, percussionist Warren Smith and saxophonists Steve Wilson, Jimmy Greene, Wayne Escoffery and Claire Daly. In 2008 he was awarded a "New Works" grant from Chamber Music America/Doris Duke Foundation. The resulting Know Thyself, an emotionally sweeping 65 minute suite for septet, was premiered at Wesleyan University's Center for the Arts and at the Jazz Gallery in New York and recorded for a 2010 release. Baerman lives in Connecticut, and has been gaining a strong reputation as an educator. He teaches at several institutions including Wesleyan University, where he directs the Jazz Ensemble and teaches graduate courses in music. His teaching concepts have been codified through nine well-regarded instructional books published by the Alfred Publishing Company. His blog, NB Pontificates, covers topics ranging from frank discussions of his experiences as a survivor of disability and child sexual abuse to his popular musical Top 10 lists and his own vegetarian recipes. In 2012 he was named Artistic Director of Resonant Motion, Inc., an organization that seeks to explore and deepen connections between music and social causes, as well as forming the Jazz Samaritan Alliance, a collective of accomplished artists working to compose and perform socially conscious music. Other projects in the works include a multi-media collaboration with photographer Carla Ten Eyck depicting survivors of cancer and other life-shaking challenges, a foster care-themed set of compositions titled "There But for the Grace," and a series of largely improvised collaborations with his wife, visual and performance artist Kate Ten Eyck. "It is an amazing gift to have a bright future in spite of adversity. I hope to create things of sufficient beauty that I can give that gift back many times over." - Noah Baerman The music on this podcast is from Noah's latest album "Ripples."
Jazz trumpeter Ellen Seeling talks about her career as a musician, challenges women face in the jazz world, starting a jazz camp for girls, and her crusade to get the Jazz at Lincoln Center Orchestra to change their hiring practices. The Dish: Montclair Women's Big Band new record Recording with Leslie Ann Jones at Skywalker Sound Why aren't there any permanent women members in the Jazz at Lincoln Center Orchestra? The impact of blind auditions in American orchestras Why Ellen founded Jazz Women & Girls Advocates Studying jazz at Indiana University Working with Laura Nyro Challenges women face getting gigs in the jazz world Starting a successful summer jazz camp for girls Appearing on Piano Jazz with Marian McPartland Resources for the history of women in jazz Links & Resources: Here are the links to resources, tools, books, and music discussed on the show. Some of these are affiliate links and will take you straight to Amazon if you want to pick them up for yourself. The Brassy Broadcast Spotify Playlist Swing Shift by Sherri Tucker The Girls in the Band documentary Ellen Seeling on Piano Jazz with Marian McPartland Montclair Women's Big Band website Jazz Women & Girls Advocates website Jazz Women & Girls Advocates on Facebook Montclair Women's Big Band on Facebook Ways to Join the conversation & spread the word: If you found a nugget or two of value, or just enjoyed the conversation, drop by iTunes to leave a rating, review, and subscribe. Connect on twitter The Brassy Broad on Facebook Subscribe to The Brassy Broadcast · Click here to subscribe via iTunes · Click here to subscribe via Stitcher · Click here to subscribe via RSS
Pianist Harold Lopez-Nussa paid his dues studying and performing in Cuba before bursting onto the international jazz scene, winning top honors at the Montreux Jazz Festival. He artfully combines the modern rhythms of Havana with an acute jazz sensibility. JazzCorner.com producer Reese Erlich caught up with Lopez-Nussa at the Montreal Jazz Festival and provides this JazzCorner.com Jazz Perspective.
Pianist Jason Moran electrified the jazz scene as a young man in the late 1990s. He became known as one of the best interpreters of the music of Thelonious Monk. JazzCorner.com producer Reese Erlich spoke with Moran recently at the Montreal Jazz Festival about his new work celebrating the life of Fats Waller.
The British-born pianist Marian McPartland has become an American national treasure, not least through her long-running radio show Piano Jazz. In this edition of Jazz Library she joins Alyn Shipton to celebrate her 92nd birthday next month, and to select the highlights both from her recordings with her own trio, and also from available CDs of her radio series. Producer: Alyn Shipton.
Deanna Witkowski is my guest on this episode of Wild Woman Network: Deanna joins me to talk about creativity, music and inspiration. She is the winner of the 2002 Great American Jazz Piano Competition and a past guest on Marian McPartland’s Piano Jazz, pianist/composer/vocalist Deanna Witkowski has been heralded for her “consistently thrilling” playing and her “boundless imagination” (All Music Guide). Her 2009 release, From This Place, focuses on her sacred jazz material with musicians including Donny McCaslin and John Patitucci. Marrying ancient and modern sacred texts with the richness of jazz, Ms. Witkowski's genre-defying release led to wide-ranging exposure, including a return appearance on National Public Radio's Weekend Edition Sunday and accolades in both reiigion media and mainstream music media. Read More here: http://www.deannawitkowski.com/bio.shtml
Jason Crane interviews pianist Marian McPartland. For 30 years, McPartland has been the host of Piano Jazz, a weekly radio program featuring duets between McPartland and many of the great jazz players of the past several generations. In this interview, McPartland talks about the benefit of an unexpected visit from Bill Evans; why the Hickory House was a good jazz room in spite of itself; and why she chose to compose a piece for one of the most famous environmental activists of the 20th century. Find out more at the Piano Jazz Web site.
jazzcorner.com is very honored and proud to present to you our InnerView with the first lady of jazz , Marian McPartland. Producer Lois Gilbert spoke with Marian at her home in Long Island. 2008 marks Marian's McPartland 90th birthday and her 30th anniversary of hosting "Piano Jazz." Marian will present Piano Jazz live on NPR affiliates on August 30th from the Tanglewood Jazz Festival with specials guests, Nneena Freelon, Mulgrew Miller and Spencer Day. For more information please visit www.tanglewoodjazzfestival.org
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