Podcast appearances and mentions of keith jarret

    I've fallen behind a bit on creating and uploading mixes. But have no fear, it's Daniel Hawkins to the rescue! He's come up with a guest mix at just the right time. You'll remember Daniel form his previous mix, "Metallic Memories" - https://www.mixcloud.com/lowlight/metallic-memories/  For this set he takes us into the modern classical realm. Here's what Daniel has to say about this new mix: "I was thinking about some of the nice Neo-classical/crossover stuff I like and then got to thinking about the way having a label for a style of music can actually be a limiting factor.  The best creative work in any field so often transcends genres and labels and breaks new ground - Issak Dinsen said “A work of art is a thing of infinite loneliness and the least to be understood through criticism.”  I remember back in the 1970's playing Keith Jarret's solo piano albums and my friends asking what kind of music it was.  What do you say?  Back then they stocked it in the jazz section of the record store with the other ECM releases, but I have never thought of that body of work as jazz.  Music continues to evolve - Ambient?  Chillout?  Drone?  Electronic?  Tribal?  Names and more names.  So what do you call this collection of cello music?  Is it classical because it features an instrument that is typically found in an orchestral setting?  Personally I don't think we need a label.  I know good music when I hear it.  The mix leans to the somber side - something strings do so well - deep and evocative.  Explorations of the dark night of the soul." Thanks, Daniel, for another excellent mix! Cheers! T R A C K L I S T : 00:00   Snorri Hallgrímsson - I Am Weary, Don't Let Me Rest (I Am Weary, Don't Let Me Rest 2023) 06:04   Peter Gregson - Softly Falling (Softly Falling - Single 2024) 08:08   Hildur Guðnadóttir - Ascent (Without Sinking 2009) 12:42   Bob Holroyd - Enough (The Cage 2018) 18:01   David Darling - Dawn (Darkwood IV) (Dark Wood 1993) 23:00   Ketil Bjørnstad, Svante Henryson - Visitor (Night Song 2011) 27:55   Ólafur Arnalds - Partisans (The Invisible EP 2021) 31:03   Henrik Meierkord - Kval (Kval 2021) 35:50   Willebrant - Undercurrent (Undercurrent - Single 2023) 38:05   Slow Meadow - Palemote (Palemote - Single 2016) 43:30   Peter Gregson - Ritual (Peter Gregson 2025) 46:57   Gabriel Ólafs - Whale Overture (Polar 2025) 51:33   Snorri Hallgrímsson - Three Week Cloud (Longer shadows, softer stones - EP 2024)

C'est une semaine spéciale festival printaniers qui s'ouvre sur Tsugi Radio puisque demain on évoquera, Panoramas, le festival de Morlaix, mercredi, Biches Festival… mais aujourd'hui, après vous avoir parlé depuis plusieurs mois des Inouïs, il est grand temps qu'on vous parle du Printemps de Bourges Crédit Mutuel, car comme chaque année nous avons rendez-vous au bord de l'Auron du 15 au 19 avril. Barbara Pravi, Clara Luciani, Lucky Love, Miki, Piche, Yoa, Fatboy Slim, Malik Djoudi, Sophye Soliveau, Last Train, Jeanne Cherhal… Le Printemps creuse comme chaque année sa singularité en étant à l'affût de toutes celles et ceux qui font vibrer la musique en France. Depuis plusieurs années, Bourges met l'accent sur les créations, des spectacles uniques qui mettent un lumière un répertoire, un ou une artiste, une scène. Entre Vers les lueurs, les concerts acoustiques du Palais Jacques Cœur avec Yaël Naïm, Rover ou Emily Loizeau, l'hommage au cultissime Köln Concert de Keith Jarret par Édouard Ferlet, ou Toute première fois, une création qui vient célébrer les 40 ans des Inouïs orchestrée par Terrenoire… Mais la création qui va nous intéresser aujourd'hui c'est l'hommage à l'Astre d'Orient, la diva égyptienne, Oum Kalthoum disparue en 1975. Difficile de se représenter l'aura de cette grande chanteuse née au tournant du 20ème siècle. Pour vous donner une idée, ils étaient plusieurs millions, entre 3 et 5 selon les sources, à suivre son cortège pour des obsèques forcément nationales, immortalisées par le grand cinéaste, Youssef Chahine. Tous les premiers jeudi du mois, ses nouveaux morceaux étaient jouées à la radio nationale, et la vie s'arrêtait en Égypte, car tout le monde était collé à son transistor. L'histoire d'Oum Kalthoum, c'est celle de la fille d'un imam modeste d'une petite ville du Delta du Nil qui est devenue aussi puissante qu'un chef d'état, dans une époque où l'Égypte était le phare culturel du Moyen-Orient. Les anecdotes qui viennent émailler la vie de cette star pas comme les autres sont toutes plus stupéfiantes les unes que les autres, nous allons tenter d'en raconter quelques-unes… Dans Place des Fêtes aujourd'hui, nous avons aussi rendez-vous dans l'espace littéraire avec notre libraire Nicolas Jalageas, mais d'abord, avec le musicien libanais Zeid Hamdan et la chanteuse, Natacha Atlas, on parle de La Voix des Femmes, la création hommage à Oum Kalthoum qui aura lieu le jeudi 17 avril à la maison de la culture de Bourges.

250314PC: The Köln ConcertMensch Mahler am 14.03.2025Es ist eines der großartigsten Werke der Musikgeschichte und steht seit 1975 in meinem Plattenschrank. „The Köln Konzert“ des großartigen Pianisten Keith Jarrett. Jetzt ist die Geschichte dieses Konzerts unter dem Namen „Köln 75“ verfilmt worden. Und diese Geschichte ist atemberaubend. Vera Brandes, 1956 in Köln geboren, fängt schon als Schülerin an, Konzerte und Tourneen zu organisieren. Am 24. Januar 1975 veranstaltet sie Keith Jarretts Konzert in der Kölner Oper. Keith Jarrett wurde bekannt als Keyboarder von Miles Davis. Seit 1970 spielt er vor allem improvisierte Solokonzerte. Das berühmteste und erfolgreichste ist „The Köln Konzert“. Das Album ist mit mehr als 4 Millionen das meistverkaufte Klavier-Solokonzert der Welt. Die Geschichte geht so: Vera Brandes beschließt in einem Anflug von Größenwahn den Berühmten Pianisten Keith Jarrett nach Köln zu holen. Nach einem Auftritt in der Schweiz verbringt Jarrett die ganze Nacht eingezwängt neben seinem Produzenten Manfred Eicher in einem klapprig-engen Renault 4. Mit starken Rückenschmerzen, übermüdet und schlecht gelaunt kommt Jarrett in Köln an. Als auch noch der Flügel, der für ihn in der Kölner Oper bereitstehen sollte, verschwunden ist, weigert er sich aufzutreten. Schließlich überredet Vera Brandes Jarrett, auf einem ramponierten Bösendorfer Halbkonzertflügel zu spielen.Keith Jarret spielt – und wie. 66 Minuten improvisiert er, spielt sich in einen Rausch. Das Konzert wird aufgezeichnet – den Rest kennen sie. Seit gestern im Kino: Köln 75. Nicht nur wegen der Musik, auch wegen der verwegenen Vera Bandes, gespielt von Mala Emde ein einzigartiges Abenteuer. Wagemut wird belohnt. Hosted on Acast. See acast.com/privacy for more information.

Capítulo que se publica hoy 15 de febrero de 2025 solo para mecenas que apoyan el proyecto, y el día 20 de febrero se libera. ¡Gracias a todos por vuestro apoyo! Sinfonautas 84 – Jadis, Nubya García, Marianas Trench, Keith Jarret, Carlos Álvarez, Escena Californiana 1, Depressive Age, Malabriega y entrevista Javier Miranda ARM Records y TSOM Sinopsis: eMisión en la que se mezclan estilos musicales de lo más ecléctico, incluye la presentación en la “Sala Magma” de la serie “La Escena Californiana” donde el Almirante Mora volverá a dar un máster dividido en varios capítulos para los alumnos de la Sinfoprise. Tenemos además las presentaciones de los discos de Carlos Álvarez y Malabriega. Javier Miranda (TSOM) (ARM Records) nos cuenta sus aventuras incluyendo cómo conoció a Malabriega y pinchamos un tema del disco recién editado. Busca tu programa y/o reproductor preferido en https://linktr.ee/sinfonautas Podéis mandar un mensaje de voz al WhatsApp : +34 611 60 59 73. Se reproducirá el mensaje en un programa posterior. Etiquetas: #Sinfonautas84 #Jadis #CarlosDuro #NubyaGarcia #PatriciaGarcia #MarianasTrench #PedroEnriqueEsteban #KeithJarret #AngelGLajarin #CarlosAlvarez #BigBang #EscenaCaliforniana1 #JoseManuelMora #DepressiveAge #ManuelLosada #FreakStation #Malabriega #JavierMiranda #ARM #ARMrecords #TSOM #Sinfonautas #Sinfonautaspodcasteclectico #Sinfonautaspodcast #progcircle #thecircleproject #bestiarioII #Bestiario2 #axiom9

Zangeressen (Silje Nergaard, Madeleine Peyroux, Emilie-Claire Barlow), een drummer (Steve Gadd) en pianisten (Dave Brubeck, Joe Zawinul, Addy Scheele) in de aanloop naar één van de beroemdste/beruchtste opnames in de jazzgeschiedenis: Het Köln-Concert van Keith Jarret. Deze week precies vijftig jaar geleden opgenomen....

En septiembre de 1992, el pianista Keith Jarret se presentó con el contrabajista Gary Peacock y el baterista Paul Motian en el Dear Head Inn un club de jazz del estado de Pensilvania. Una parte de aquel concierto se editó en 1994 en el disco 'At the Deer Head Inn' y, ahora, treinta años después, salen los temas que faltaban en un disco titulado 'The old country': 'Everything I love', 'I fall in love too easily', 'Straight no chaser', 'All of you', 'Someday my prince will come', 'Golden earrings' y 'The old country'.Escuchar audio

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Einen der ganz Großen des Jazz will die Schülerin Vera Brandes für ein Konzert gewinnen. Einen Veranstaltungsort hat sie, über tausend Eintrittskarten sind schnell verkauft. Doch dann passt dem Star, Keith Jarrett, das alte Klavier dort nicht. Er sagt in letzter Minute ab - fast

En tur rundt om jorden med blandt andre Driss El Maloumi, Arianna Savall, Keith Jarret, Caroline Shaw, José Gonzales, Sjostakovitj, Mahsa Vadat og Schumann. Svævende og frit. Vært: Minna Grooss. (Sendt første gang 21. april).

Søvning som en flue og lettere mellemfornøjet. Hvem kæmper ikke med november? Natsværmeren holder mørket med selskab sammen med Paco De Lucia, Rebecca Clarke, Den Sorte Skole & Karsten Fundal, Keith Jarret, Anne Lovett, Kievs kammerkor og andre af mørkets venner. Vært: Minna Grooss.

Bienvenidos amantes de la música. Jack DeJohnette, no es un baterista típico. Comenzó su formación musical como pianista durante 10 años. Durante la secundaria comenzó a tocar batería y en sus primeros años en la escena de Chicago recibía contratos a veces para tocar de pianista y otras de baterista. El reconocimiento internacional llegó cuando se sumó al Cuarteto de Charles Lloyd junto a uno de sus compañeros de viaje, el pianista Keith Jarret. El saxofonista Eddie Harris fue el responsable de convencer a DeJohnette que se dedicara completamente a la Batería porque vió su talento natural. Miles Davis lo reclutó para grabar en Bitches Brew y dijo que le encantaba el groove tan profundo que lograba poner como base para el exigente trompetista. Una de sus influencias en el instrumento fue Roy Haynes, con quien grabó su primer disco como líder. Hasta ahora tiene una marca en el sello ECM, Ha aparecido en más álbumes del sello que cualquier otro músico. Desde hace 30 años que califica su trabajo como Música Multidireccional. "Cuando era niño escuché todo tipo de música y nunca las puse en categorías" declaró. Les invitamos a escuchar una pequeña selección de su amplio catálogo. Los temas son: 1. Epilog 2. How's Never 3. Third World Anthem *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos)patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

En 1975, à Cologne en Allemagne, le concert de jazz ne va se passer comme prévu. Pourtant, le jeune musicien américain est prometteur, mais ce soir là... il refuse de jouer ! Finalement, il s'installe devant le clavier d'un mauvais piano, pose ses doigts sur les touches et...  Et ce soir là, un ingénieur du son a l'idée d'enregistrer ce qui devient l'un des plus beaux concerts de jazz de la fin des années 1980 : le Koln Concert par Keith Jarret.  Pour cet épisode hors série (alors qu'on est même pas en été), Valérie-Anne vous livre quelques secrets sur ce concert So 80's, l'un des albums préférés d'un auditeur fidèle de ce podcast à qui cet épisode est spécialement dédié.  Pour écouter le Köln Concert c'est par ici https://youtu.be/bZhTwoO0Fd8?si=VPC4xINSBPfH__PJ Plus d'infos sur notre label Podcut: podcut.studio, merci pour  votre participation au patreon. Musique du podcast: David Nilsson.

It's Velvet Underground week in Disgraceland, and Jake is wondering if they are the most influential rock band? Plus voicemails, texts, Keith Jarret, FIDLAR, and the question: what are your favorite end-of-the-workday songs? Let Jake know at 617-906-6638, disgracelandpod@gmail.com, or on socials @disgracelandpod, and come join the After Party. Learn more about your ad choices. Visit megaphone.fm/adchoices

Everything from Keith Jarret's piano improvisations to the queer subculture of voguing provide inspiration for dancer and choreographer, Trajal Harrell.

Featuring the haunting sounds of Sandrayati Fay; NYC legend Joan As Police Woman; new directions in classical music from master Sufjan Stevens; California-born NYC transplant Sasha Dobson and her stunning musical skills; Irish legend Louis Stevens from his 1978 solo guitar recording; Brit art-rock modernism from Freddie and the Scenarios; Keith Jarret from his improvisational clavichord solo record The Book of Ways; and finally, the best French export since Tony Parker, the magical soundscapes of Air.

Bienvenidos amantes de la música, hoy nos convoca un pianista de sonido muy elegante y a la vez un compositor radical y creativo, Ahmad Jamal. Fallecido hace unos días a los 92 años ha tenido una carrera muy exitosa y productiva con más de 60 discos a su haber. Ya desde pequeño llamó la atención de Art Tatum quien destacó su "gran futuro" en el instrumento. Seguidor de la estructura de trío de Nat King Cole, potenció el formato haciendo dialogar a la sección rítmica con el pianista y no simplemente acompañando. Ese punto fue una gran inspiración para una generación de pianistas, como Bill Evans, Paul Bley o Keith Jarret quienes explotaron eso en sus tríos. Fue del gusto de Miles Davis al punto que este le pedía a su pianista Red Garland, que hiciera acordes como Jamal. "Si estás buscando arte placentero y a la vez un estatus radical, Ahmad Jamal es la persona". Eso dijo un crítico del New York Times acerca de él. John Hammond el productor de Benny Goodman lo reclutó para el sello Okeh y Epic, de donde escucharemos un selección de grabaciones de sus primeros tríos. Que lo disfruten! Los temas son: 1. Ahmad's Blues 2. Love for Sale 3. Autumm Leaves 4. Poinciana *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios anticipados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Veckans andakter tar avstamp i de fem världsreligionerna och har vardag som tema. I dag med Nike Snijders från Lund som utgår från sin judiska tro. - Det finns en poesi i vardagen. Jag får mitt morgonkaffe i bageriet, och vi småpratar en stund. Min buss tar mig nästan ända fram till gatan där jag jobbar.Ur dagens andaktTexterPredikaren 1Psaltaren 15 och 11MusikKöln Concert Part II av Keith Jarret med Jakub KosciuszkoProducent Agneta Nordin, Lokatt Medialiv@sverigesradio.seFör Sveriges Radio Malmö

Banyó Bálint 2007-ben kezdte klasszikus zenei tanulmányait a Józsefvárosi Zeneiskolában. 2015-2018 között az Etűd Konzervatóriumban tanult jazz-zongorát, Nagy János növendékeként. Az AMZAM zeneiskolában tanul Nagy János és Mózes Tamara zongoraművészektől. Tött formációban játszik és vannak saját szerzeményi is. Jelenleg a bécsi Music and Arts University jazz-zongora szakára jár. Négyessy Barnabás Quartet: Négyessy Barnabás, Banyó Bálint és Fábry Adonisz. Barna és Bálint jelenleg a szomszédos Ausztriában folytatják jazz-tanulmányaikat, "Gitáron és dobon is játszom, de a zongora áll hozzá a legközelebb, azon belül is a jazz, jazz-zongorára járok, Nagy Jánosnál, egy neves jazz-zongoristánál tanulok. Ami a leginkább elindított ezen az úton, az az általános iskolai matektanárom volt, akinek volt egy kis band-je, és csatlakoztam hozzájuk, velük is játszhattam. Ő tanácsolta, hogy menjek tanárhoz, és hogy a klasszikus zongora mellett a jazz-zel is foglalkozzak. Nagyon közel áll hozzám az improvizáció, és hogy az előadáson túl a saját kreativitásomra, fantáziámra és tudásomra vagyok utalva. Velejéig ismerni kell azt, amit játszol, le kell hatolni a darab mélyére, az utolsó hangig érteni kell, hogy mi miért van, hogyan is épül fel az egész, de persze legtöbbször sztenderdekre építkezünk." Példaképei: "Bill Evans és Keith Jarret. Ők vannak rám a legnagyobb hatással. A céljaim közé tartozik, hogy mondjuk a jazz-tanszakra járhassak a Zeneakadémián, hogy közelebb kerülhessen hozzám a zeneszerzés, mert azzal szívesen foglalkoznék. Például színházi előadásokhoz írni zenét, ötvözni a művészeti ágakat vagy akár filmekhez. De érdekel maga a zeneoktatás is, mert szerintem új dolgokat is meg lehetne itthon honosítani, hogy a fiatalok tudatos zenehallgatóvá váljanak, és szerves része legyen az életüknek a zene." Banyó Bálint: montázs video https://youtu.be/6M51_LlzBKE https://www.youtube.com/watch?v=rqSSWMZLqAM https://www.facebook.com/orlandoxdombeats https://www.instagram.com/banyobalint/ https://soundcloud.com/b-lint-bany Eingang Quintet https://www.youtube.com/@julianeingang2653 Négyessy Barnabás Quartet: Négyessy Barnabás- gitár Bányó Bálint- zongora Barakonyi Brúnó- bőgő Fábry Adonisz- dob https://www.facebook.com/events/rustic-jazz-bar/bany%C3%B3-b%C3%A1lint-zongora/298523827450058/?paipv=0&eav=AfYRPbwpe7H0Y9cBNrTcFIZvgW6m6NAeOWHALvtOMQIrmeGv5ZUS0-vIT9af4Et9RLM&_rdr #zenész #Bécs #ausztria #podcast ----------------------------

Veckans andakter tar avstamp i de fem världsreligionerna och har "barmhärtighet" som tema. Idag hör du Nike Snijders som utgår ifrån sin judiska tro. – Barmhärtighet är liv, och liv är barmhärtighet.Ur dagens andaktTexterGenesis 1Psaltaren 89-90MusikKöln Concert Part II av Keith Jarret med Jakub KosciuszkoProducent Agneta Nordin, Lokatt Medialiv@sverigesradio.seFör Sveriges Radio Malmö

APEX Express is a weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Intimate Sounds of the Four Continents Episode #2  Intimate Sounds of the Four Continents combines Lisa Lowe's theories and music from around the world to create intellectually stimulating sonic experience. DJ Miu created this radio show with a mission to spread the message: “Freedom is Yet to Come.” I encourage listeners to take the time to read, write, and resist. We require inoculations that repel the seductions of corporate servitude. Cauleen Smith told us. Starting with reading Lisa Lowe's writing. Reading is Fundamental.  Episode #2 This month's episode features Thao and The Get Down, Stay Down, Star Feminine Band, Taj Majal, and Tohur Aizawa Quartet. Sounds from Cambodia, Benin, Americas, and so much more. With winter coming in the northern hemisphere, I was inspired by music that ponders, wanders, and lingers. A time of reflection of the change from mercury retrograde and the stillness in this Scorpio season and recent Scorpio eclipse and the current mars in retrograde in Gemini. All that to say, reflect on your desires, needs, and goals. Be honest, truly honest about where you are and where you want to be. Send compassion to yourself and those around you. Listen to this set and allow yourself to transmute these energies by meditation and sonic medicine. Star Feminine Band A group of 7 girls, aged between 10 and 17 years old, from Natitingou, a remote town in the north of Benin. I absolutely fell in love with the energy of their music, light and playful and deeply talented. I found their record digging in Pasadena, CA over the summer of 2022. Thao and The Get Down, Stay Down I first heard her and her band in Los Angeles for my auntie's birthday. It was a free concert and that's how my aunt convinced our whole family to go. I was 14 at the time and I didn't really connect to her music at first, my auntie did get an autograph and it was the happiest I've ever seen her.  But then when the pandemic came around, I listened to Thao's tiny desk and it ignited a love for her and her music. I had spent more time learning about folk, rock music so I was able to appreciate it more and understand the depths of her music, especially during March of 2020.   Geraldo Pino  So I found this next track off the Nigeria Soul Power 70 Compilation album. It's got some serious gems on it and this is no exception.  Pino is a Sierra Leonean Nigerian musician. He was one of the early pioneers of modern African pop music. The Charles LLoyd Quartet  This was one of the “First psychedelic jazz bands” and the group was all about “Communication is the prime concern” The quartet is made up of Keith Jarret, Ron McClure, Charles Lloyd, Jack DeJohnnette.  Taj Mahal  Taj Mahal is a Blues musician but fuses Caribbean, Africa, India, Hawaii, and the South Pacific so naturally I had to share some of his music. I found his music crate digging as well as all good music is found by word of mouth or found hidden in a crate.  Henry chose his stage name, Taj Mahal, from dreams he had about Mahatma Gandhi, India, and social tolerance. He started using the stage name in 1959 or 1961—around the same time he began attending the University of Massachusetts. He formed one of the first interracial bands back in 1964 when he moved out to Santa Monica and they released one album together before creative differences. At that time he also worked with Buddy Lee and Muddy Waters. Later in his career, he formed Hula Blues Band in Hawaii.  He will be performing in Oakland if you want to check him out on December 2 and 3 at the fox theater and in Los Angeles on December 4. Tupac Tupac is famously known for his rap music and repping Los Angeles, California. Though he was born in Oakland, CA and wrote an amazing book collection of poetry called “The Rose That Grew From Concrete” that features the very first track “Wake Me When I'm Free” as well as other tales of growing up in the ghetto and his life stories. The rose is a symbol of beauty and love showing resilience in its ability to grow in the face of insurmountable odds, the concrete. Lisa Lowe's Book:  In this uniquely interdisciplinary work, Lisa Lowe examines the relationships between Europe, Africa, Asia, and the Americas in the late eighteenth- and early nineteenth- centuries, exploring the links between colonialism, slavery, imperial trades and Western liberalism. Cop it over at Duke University Press About the DJ My name is Paige Chung. I am a writer, skater, poet, and turntablist-in-training. My last project Nail Trap is juicier than your neighborhood gossip and my current project is hotter than your cousin's mixtape. Based in LA, but I roll everywhere and go by DJ Miu. I am currently enrolled at the Beat Junkies Institute of Sound.  Lastly, special shoutout to my DJ crew 730 Faders. Catch us throwing the next best party in LA and coming near you. And my deep study crew Quinnette, Zahara, Discott and the Soul in the Horn family.  Find me anywhere and everywhere @paigechung @DJxMIU Website Instagram Twitch Mixcloud SoundCloud Intimate Sounds of the Four Continents' Episode #2 Set List:  apex express intro music “Wake Me When I'm Free” by sang by Babatunde Olatunji, Sikiru Adepoju written by Tupac “Teacup's Jazzy Blues Tune” by Taj Mahal “Holy Roller” by Thao and The Get Down Stay Down “Samba De Orfeu” by Tohru Aizawa Quartet “PEBA” by Star Feminine Band “Love In (live)” by The Charles Llyod Quartet “Man of Constant Sorrow by Pan Ron “A Who Se Me Dun (Blind Alley Mix)” by Cutty Ranks (DJ Babu famously routined this beat)  “Ain't Nothing Wrong” by KC and The Sunshine Band “Wan Maha Sanook” by Plearn Promdan “Bacao Suave” by Bacao Rhythm and Steel Band “Sob A Luz Do Sol” by A Bossa Electrica “Soul Lam Plearn” by The Petch Phin Thong Band “Words of Wisdom” by Tupac Shakur “Femme Africaine” by Star Feminine Band “Suối Mơ” by Khánh Hà “Love Till The End of Time” by Paulinho da Costa “Higher” by DJ BABU “Tribal Dance” by The Charles Lloyd Quartet “La Musique” by Star Feminine Band “Ngày Vui Bên Nhau” by Khánh Hà “Saturday Love (Mirror Pop Remix)” by Cherelle ft. Alexander O' Neal “Africans Must Unite” by Geraldo Pino and The Heartbeats “Merengue” by Boliver “Loan mắt nhung” by Elvis Phương APEX Express Outro The post APEX Express -11.10.2022 Intimate Sounds of the Four Continents #2 by DJ Miu appeared first on KPFA.

Un programa de música para gente que le gusta la música. Ep.20: Un abismo. Bill Frisell, liniker, Escalandrum, Quizás un punto, Idris Muhammad, Pequeña Orquesta, Ana Prada, Keith Jarret, y más, más y más!! Conduce Cintia Rodil. Musicalizan Cintia y Agustín Dellagiovanna. Edita Diego Carrera.

Synopsis An unusual Piano Concerto by the American composer Lou Harrison had its premiere performance in New York on this day in 1985. The famous jazz pianist Keith Jarrett, for whom it was written, was the soloist. Now, Lou Harrison's music was often marked by its eclectic blending of East and West, and on occasion, Harrison employed non-Western or unusual instruments in his scores, including his own home-made Javanese-style gamelan constructed from old brake drums and clay flowerpots. But that wasn't what made his Piano Concerto so singular. “I've always wanted to write a piano concerto which utilizes two or three pianos on stage, each tuned differently,” said Harrison. “And Keith was willing to try that. But in the end, I decided to use one piano in a tuning I really enjoy.” In Harrison's concerto, the piano is not tuned to the “equal temperament” system in use in Western music since Bach's day. The black keys are tuned to the medieval system of mathematically exact intervals of 4ths and 5ths, while the white keys reproduce the “just intonation” system common in the Renaissance and Baroque. And so the familiar instrument has an unfamiliar ring, but one that Keith Jarret loved: “At times in the piece,” he said, “whole chords sound like bells.” Music Played in Today's Program Lou Harrison (1917-2003) Piano Concerto Keith Jarrett, piano; New Japan Philharmonic; Naoto Otomo, cond. New World 366

Bienvenidos amantes de la música, el Flautista y Saxofonista Charles Lloyd de 84 años, es un artista que sigue escribiendo su prolífica carrera. Con 9 años comenzó a tocar el saxo y se nutrió de Charlie Parker, Coleman Hawkins, Lester Young y Howlin' Wolf en su natal Memphis. Hizo una licenciatura en música en la Universidad del Sur de California con un profesor especialista en Bela Bartók. Todo ese bagaje y su talento le permitió con 22 años ser el arreglista y compositor de 2 álbumes de Chico Hamilton. "Passin' Thru" y Man from Two Worlds" En 1964 se unió por 2 años al sexteto de Cannonball Adderley, mismo año que firmó con el sello CBS Records y que la revista Downbeat le destacó como "New Star". Al año siguiente forma su célebre cuarteto con Keith Jarret en piano, Jack DeJonette en batería y Cecil McBee en contrabajo. De ese período es la selección para este episodio de los álbumes "Dream Weaver" y "Discovery". Un capítulo aparte es su gran pausa durante los 70s y 80s, solo interrumpida para apoyar la carrera de Michel Petrucciani. Hasta que en 1989 comienza una prolífica relación con el sello ECM, donde ha publicado 16 álbumes. En fin Charles Lloyd sigue siendo una hoja abierta en la historia del Jazz. Sin duda vale la pena conocerlo. Que lo disfruten! Los temas son: 1. Sombrero Sam (tema de inicio) 2. Love Ship 3. Forest Flower Recomendamos: "Canción para la indecisión" Bobo Stenson en episodio: 1er aniversario VMJ, "Con la ayuda de nuestros amigos" https://spoti.fi/3flU9FI *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos en Patreon como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios adelantados y exclusivos) patreon.com/ViajeJazz?fan_landing=true *Ayúdanos con un Me gusta, Comparte y Comenta. * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico.

Mejor que el silencio este Músicas Posibles con Colin Vallon, Patrice Morety Julian Sartorius; Keith Jarret; Roedelius y Tim Story; Pascal Schumacher; Manu Delago; Bugge Wesseltoft; Tim Hecker; Erik Truffaz y Ayo. Escuchar audio

Un programa de música para gente que le gusta la música. Ep.8: Damas negras Melanie Charles, Ego Ella May, Jorge Navarro, Nina S, Keith Jarret, Jill Scott, Patricia Barber, Beatles, Koop, CP, Olu Dara, y más, más y más! Conduce Cintia Rodil. Musicalizan Cintia y Agustín Dellagiovanna. Edita Diego Carrera.

Una de clásicos del jazz. Erroll Garner, Benny Goodman, Duke Ellington, George y Ira Gershwin, Artie Shaw, Zutty Singleton y Fats Waller, Louis Armstrong y Duke Ellington, dos de Frank Sinatra y Count Basie. Ella Fitzgerald, Nancy Wilson, Keith Jarret, Nat King Cole o Chet Baker también estarán. Escuchar audio

Toen Suzanne Corbeek in de eerste coronalockdown thuis kwam te zitten, en geen idee had wanneer ze haar werk weer kon oppakken, besloot ze desembrood te gaan bakken. En wat begon als een hobby groeide langzaam uit tot een professie. Haar eigen keuken werd te klein en ze kreeg behoefte aan meer en betere apparatuur. Zomer 2022 opent ze een eigen ruimte aan de Newtonstraat 101. Hoe voelt dat om van je hobby je werk te maken? Over dit proces vertelt Suzanne in deze zesde podcast van Marit van der Meer met Hobby's in Oost.Muziek:My favorite things – John Coltrane, Days of experience – Roberto CacciapagliaAn ending, a beginning – Dustin O'Halloran‘Long as you know you're living yours – Keith Jarret, Jan Garbarek, Palle Danielsson, Jon ChristensenFotografie: Amie Galbraith

Bienvenidos amantes de la música, A los 14 años, Jan Garbarek escuchó por primera vez a John Coltrane en la radio, lo que lo inspiró a aprender a tocar el saxofón. Dexter Gordon, entonces un visitante frecuente de Noruega, también causó una profunda impresión en él. En 1962, Garbarek ganó un concurso para jazzistas aficionados y durante el resto de la década trabajó regularmente en Noruega, generalmente como líder. En 1969 firma con el nuevo sello discográfico ECM. Saltó a la fama internacional a mediados de la década de 1970 tocando con el "Cuarteto Europeo" de Keith Jarrett, que lanzó los álbumes "Belonging" y "My Song". El periódico "The Guardian" escribió sobre él : “El contraste entre un sonido intenso y la sencillez de las canciones es siempre la mezcla mágica de Garbarek ” De su viaje musical Garbarek dice: “Realmente nunca se detiene. En ningún momento puedes decir: 'Ahora llegué a algo'". Les invitamos a escuchar una selección de sus inicios junto a Keith Jarret. Los temas son: 1. Country 2. My Song 3. Questar 4. Long as you know, you're living yours (En NRK TV-studio, Oslo Noruega) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a episodios exclusivos) * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico *Me gusta, Comparte y Comenta.

Buscamos la calma en la tormenta con músicas de Bugge Wesseltoft, Søren Bebe, Peter Erskine con Palle Danielsson y John Taylor, Poo Kikuchi, Espen Berg Trío con Mathias Eick, Liro Rantala, Kit Downes, también en trío, y Keith Jarret con Charlie Haden. Escuchar audio

This episode is devoted to exploring how self-imposed limitations can hold us back from performing at our very best. The science is clear on the impact that a negative mindset, fear, doubt and uncertainty can have on human potential. The story of the broken piano is a beautiful metaphor for breaking through self-imposed limitations in order to achieve great things in life. We'll unpack the broken piano story in hopes of challenging each listener to think more deeply about their own life and the self-imposed limitations that they oftentimes place on themselves. We'll look at how we can break through those limitations in order to live a more fulfilled and purposeful life and do our best work possible. Thanks for listening and for sharing with anyone who you feel will benefit from listening. Credits: Full credit to following Keith Jarret performing Bach pieceKeith Jarret and Miles Davis performanceThe out of tune piano pieceKeith Jarret's opening wordsKeith' Cologne concert pieceJanine Shepherd speechJanine Shepherd website

Bienvenidos amigos, En este episodio revisitamos una charla que hicimos en homenaje a Charlie Haden, uno de los contrabajistas más influyentes de su generación, quién falleció en Julio de 2014. Afamado intérprete, respetado compositor y gran compañero de viaje de Ornette Coleman, Keith Jarret y Pat Metheny entre otros. Y en lo humano, un ejemplo de superación frente a las adversidades de la vida. Temas : 1. Waltz for Ruth (con Pat Metheny) 2. Spiritual (con Pat Metheny) 3. Travels (con Michael Brecker) *Suscríbete a nuestro canal. Si ya lo has hecho, considera apoyarnos como mecenas para hacer sustentable nuestro programa y mantener nuestro viaje en vuelo. (Podrás acceder a material exclusivo y primicias que publicaremos regularmente) * En viajealmundodeljazz.com encuentra un reproductor de Jazz Moderno y Jazz Clásico * Me gusta, Comparte y Comenta.

"Moment's Notice" es un "clásico" standard de jazz moderno compuesto por John Coltrane. Apareció en el famoso disco de Coltrane de 1958, Blue Train. Coltrane nunca grabó "Moment's Notice" después de la versión de Blue Train. Pero otros solistas lo han tratado como un standard, particularmente desde la década de 1970. Escuchemos al autor, Dexter Gordon, Hubert Laws, Slide Hampton, Keith Jarret, Arturo Sandoval, Joey Alexander y Michael Brecker entre otros.

Salty Dog's STAND Podcast, October 2021 Visit: www.salty.com.au STAND up for all the great blues and roots music coming your way. Fabulous cuts from Sonny Green, Josh Cheyenne, Charlie Parr, Raphael Wressning and Igor Prado, Beck Warren, Chris Whitely, Drive By Truckers, Christine Ingam, Joe Bonamassa, Los Lobos, John Hiatt, Kieran Kane and Rayne Gellert, Keith Jarret, Marian McPartland and Steely Dan, The Black Sorrows, Jeff Land and Friends, Walter Daniels and Guadalupa Plata, Teddy Morgan, Andrea Marr, Duke Robillard, Taj Mahal, AJ Fullerton, Jackson Browne. ----------- ARTIST / TRACK / ALBUM ** Australia 1. Sonny Green / Trouble / Found! One Soul Singer 2. ** Josh Cheyenne / Sugar Coated Love / Natural Blues 3. Charlie Parr / On Fading Away / Last Of The Better Days Ahead 4. Raphael Wressnig N Igor Prado / Turnip Greens / The Soul Connection 5. Becky Warren / Dabbs Avenue / Undesirable 6. Chris Whitley / Breaking Your Fall / Hotel Vast Horizon 7. Drive By Truckers / Easy On Yourself / Live at Plan 9 July 13, 2006 8. Christone Kingfish Ingram / Something In The Dirt / 662 9. Joe Bonamassa / Long Distance Blues / Blues Deluxe 10. Los Lobos / Farmer John / Native Sons 11. John Hiatt / Dust Down A Country Road / Walk On 12. Kieran Kane N Rayne Gellert / Who Knows / When The Sun Goes Down 13. Keith Jarret, Jan Garbarek, Palle Danielsson / Long As You Know You're Living / Belonging 14. Marian McPartland, Steely Dan / Chain Lightning / Marian McPartland's Jazz Piano Radio 15. ** The Black Sorrows / Only Got Yourself To Blame / Saint Georges Road 16. ** Jeff Lang and Friends / Un-Natural Act / Live at FRL 2006 17. Walter Daniels N Guadalupe Plata / Married Woman / Satan 18. Teddy Morgan / Dear Ted Letter / Ridin In Style 19. ** Andrea Marr / Force of Nature / Natural 20. Duke Robillard / No Time / Blues Bash 21. Taj Mahal / Stagger Lee / Labor of Love 22. AJ Fullerton / Remind Me Who I Am Again / The Forgiver and the Runaway 23. Jackson Browne / Sergio Leone / The Naked Ride Home

Libri:..Tahar Ben Jelloun, Dolore e luce del mondo (trad. C. Caliò, Nave di Teseo)..Sam Shepard, Attraverso il paradiso (trad. A. Buzzi, Il Saggiatore)..Mary Ruefle, La mia proprietà privata (trad. G. Guerzoni, NN Editore)..Musica:..Bigazzi, Falagiani, L'arrivo, Il tempo passa, Stelle sull'Egeo, Tema di Vassilissa (Mediterraneo, colonna sonora)..Tinariwen, Nànnuflày (Elwan)..Calexico, Gypsy's Curse, Fake Fur, The Black Light, Missing (The Black Light)..Grant Lee Buffalo, Honey Don't Think (Mighty Joe Moon)..Keith Jarret, I Loves You Porgy, I Got it Bad and that Ain't Good, Don't Ever Leave Me, Someone to Watch Over Me, My Wild Irish Rose (The Melody at Night with You)..REM, E-bow, the Letter (New Adventures in hi-fi)..Puccini, Un bel dì vedremo (Madama Butterfly, atto II)..Canali, Lezioni di poesia (Nostra signora della dinamite)

¡Buen día Amigos! Bienvenidos a un nuevo episodio de "Viaje al mundo del Jazz". En este programa escucharemos al gran pianista Keith Jarrett y su memorable concierto del 24 de enero del año 1975 en Colonia, Alemania. La gran particularidad de este LP es que fue improvisado en el mismo momento en que fue ejecutado, lo que constituye una muestra de genialidad sin precedentes. Temas : 1. Parte 1 2. Parte 2A 3. Parte 2B 4. Parte 2C visita nuestra página viajealmundodeljazz.com escribenos al correo viajealmundodeljazz@gmail.com

Tommy Flanagan & Hank Jones. Our Delights, 1978. Luzius Schuler. Moon is the Oldest TV, 2020. Nik Bärtsch. Entendre, 2021. Espen Eriksen Trio. End of Summer, 2020. Keith Jarret. Budapest Concert, 2020.

Tommy Flanagan & Hank Jones. Our Delights, 1978. Luzius Schuler. Moon is the Oldest TV, 2020. Nik Bärtsch. Entendre, 2021. Espen Eriksen Trio. End of Summer, 2020. Keith Jarret. Budapest Concert, 2020.

Título caprichoso de Charlie Parker (el scrapple es una suerte de pastel de cerdo del Sur de USA) para una melodía compuesta sobre el clásico de Fats Waller Honeysuckle Rose (y I got rhythm de Gershwin en la segunda parte). Deleitémonos con el autor, el original de Fats, los saxofonistas Sonny Stitt, Dexter Gordon, Stan Getz y Lee Konitz, la trompeta de Blue Mitchell, Jim Hall en guitarra y Keith Jarret en piano.

Connecting the joy of improvisation amidst chaos to the creative world with nods to Keith Jarret and The Beatles. This episode is completely improvised in words and music. Original Guitar Score by Sean Gaillard.

Edouard Ferlet, Paolo Paliaga al frente de Alborán, Signum Saxophone Quartet, Jean Louis Matinier y Kevin Sedikki, Anja Lechner y el François Couturier, Keith Jarret, Toumani Diabate y la London Symphony Orchestra, la filarmónica de Berlín bajo la batuta de Lorin Maazel y Fernec Snetberger. Es escucharles una vez y no poder vivir más sin ellos. Escuchar audio

“The Comfort Of Discomfort” You’re about to learn a great deal about Chad Lawson in our conversation, so before we begin, I’ll give you a few essentials. The classically trained pianist first had the inclination he wanted to be behind the keys after watching Sha Na Na on TV when he was 5. Lawson went to Berklee College of Music where he declared himself a jazz performance major, but while there he became an in-demand studio musician so he dropped out, not seeing much point in staying in school. He later formed the Chad Lawson trio, toured as part of Julio Iglesias' band, hit number one on the Billboard Classical albums chart, composed for the podcasts Lore, Unobscured and Cabinet of Curiosities, signed a deal with Decca Records, and launched his own podcast called Calm It Down. Inspired by everyone from Keith Jarret to Tom Petty and the Heartbreakers' Benmont Tench, Lawson plays with fluidity, finesse and grace. He’s a dextrous and thoughtful player who’s innovative, creative and intuitive. And he never does the same thing twice. You probably think that’s the kind of thing a podcast host says, but it’s not. I mean it is, but it’s not in this case. Consider this: Lawson put out a jazz reinterpretation of the Wizard of Oz, released an album of covers including tracks by Soundgarden and the Police, reinterpreted Chopin with a violinist and a cellist and his newest track is a take on a number by Billie Eilish. You can’t pin this guy down.And given his marital arts background, I’m guessing you REALLY can’t pin him down. This is a revealing chat and one I think you’re going to find has some pretty amazing life lessons. Yeah, I know—another podcast host thing to say but trust me: it’s true.

No quinto episódio de abertamente recebemos Raúl Da Costa - pianista e director artístico do Festival Internacional de Música da Póvoa de Varzim - para uma conversa sobre os desafios de uma carreira enquanto solista e director de um festival de música clássica.Neste episódio escutamos música de Bach, Blumenfeld, Victorino D'Almeida  e Keith Jarret.

All the things you are, Todas las cosas que eres es un maravilloso tema de Jerome Kern con letra de Oscar Hammerstein, compuesto para una comedia musical, Too warm for May en 1939. A pesar de que a Kern no le gustaba que se tomaran "libertades con sus obras", se transformó en uno de esos standards indispensables del jazz en todos los períodos. Disfrutemos algunos ejemplos.   * el pianista en el ejemplo final es Keith Jarret

Sorin Zlat este un muzician like no others. La vârsta de 13 ani câștiga Olimpiada Națională de Muzică și la 15 ani apare ca solist al Orchestrei Filarmonice Mihail Jora. Deși instrumentul său de bază a fost clarinetul, pe care îl studiază și la Facultate, și-a găsit drumul învățând să cânte jazz la pian. Îi spun urmașul nu numai pentru că este continuatorul tradiției familiale ci și pentru că îl simt ca pe un urmaș al numelor mari din jazz-Miles Davis, Thelonius Monk, Keith Jarret și alții. Ascultați în acest episod detalii despre viața sa profesională, sursele de inspirație , aparițiile peste ocean și creația sa. Link-uri pentru viitorii fani: site-ul sorinzlat.com și profilul de spotify . Sharing is caring, so, m-aș bucura dacă vă faceți timp să dați un rating (pozitiv sper :) ) și un share acestui episod. Dacă știți pe cineva care merită să fie auzit aici, let me know: bogdan@bogdanrosca.ro --- Send in a voice message: https://anchor.fm/bogdan-roscaz/message

Avui, amb el músic i compositor Miquel Àngel Marín, hem obert i compartit una nova llauna de Conserves musicals que contenia el tema "School", de Supertramp, "My song", de Keith Jarret i Jan Garbarek i "Hola", de Carles Santos, que va servir per inaugurar els jocs olímpics de Barcelona 92.

..In studio Alex Levine, Stephen Boegehold, Ben Rolston e Stefano Grasso ci parlano della loro residenza artistica presso Mare Culturale Urbano, del loro incontro e della musica che stanno ascoltando e facendo...1. Acquarium, Aaron parks, Little Big, Ropeadope, 2018..2. Still there, Under a foot of Silent Snow, Alex Levine Quartet, The World of Real Things, Polyfold, 2019..3. Travel Garage, Stephen Boegehold, A Telling of Death, autoproduzione, 2017..4. Human Woman, Twin Talk, Weaver, 37d03d, 2019..5. On the Street Where You Live, Bill Frisell/Ron Carter/Paul Motian, Bill Frisell/Ron Carter/Paul Motian, Elektra Nonesuch, 2006..6. Rotation, Keith Jarret, Mysteries, Impulse! Records, 1978

..In studio Alex Levine, Stephen Boegehold, Ben Rolston e Stefano Grasso ci parlano della loro residenza artistica presso Mare Culturale Urbano, del loro incontro e della musica che stanno ascoltando e facendo...1. Acquarium, Aaron parks, Little Big, Ropeadope, 2018..2. Still there, Under a foot of Silent Snow, Alex Levine Quartet, The World of Real Things, Polyfold, 2019..3. Travel Garage, Stephen Boegehold, A Telling of Death, autoproduzione, 2017..4. Human Woman, Twin Talk, Weaver, 37d03d, 2019..5. On the Street Where You Live, Bill Frisell/Ron Carter/Paul Motian, Bill Frisell/Ron Carter/Paul Motian, Elektra Nonesuch, 2006..6. Rotation, Keith Jarret, Mysteries, Impulse! Records, 1978

..In studio Alex Levine, Stephen Boegehold, Ben Rolston e Stefano Grasso ci parlano della loro residenza artistica presso Mare Culturale Urbano, del loro incontro e della musica che stanno ascoltando e facendo...1. Acquarium, Aaron parks, Little Big, Ropeadope, 2018..2. Still there, Under a foot of Silent Snow, Alex Levine Quartet, The World of Real Things, Polyfold, 2019..3. Travel Garage, Stephen Boegehold, A Telling of Death, autoproduzione, 2017..4. Human Woman, Twin Talk, Weaver, 37d03d, 2019..5. On the Street Where You Live, Bill Frisell/Ron Carter/Paul Motian, Bill Frisell/Ron Carter/Paul Motian, Elektra Nonesuch, 2006..6. Rotation, Keith Jarret, Mysteries, Impulse! Records, 1978

How habitual is it for you to take out your cell phone when waiting in lines or when in the company of strangers? How often do you strive to stay present and mindful in difficult situations? Is chaos more easily embraced when we practice mindfulness? How does practicing mindfulness help you to produce the best work possible? How does being present and truly listening help to improve the quality of relationships in your life?  These are some of the questions that we explore in this installment of 4 X Mindfulness. Neila Steele shares a recent difficult situation that she found herself in, but how employing mindfulness allowed her to diffuse the situation and make a genuine connection with a complete stranger. As well, Neila shares a great mindfulness strategy that can easily be applied in very little time in our own life. This strategy helps us to stay present and focused and to better observe our surroundings.  Andy shares a story that he recently learned about the amazing jazz musician Keith Jarret. The story takes place in 1975, but the lessons learned from the story transcend time and place and can easily be applied in the work that we do both personally and professionally. As well, Andy shares how simply rephrasing a common question that we ask can help to spark more meaningful and authentic conversations with other people in our lives.  It you are a listener of the 4 X Mindfulness episodes, let us know your thoughts about what might have resonated with you in this episode and your own experiences applying mindfulness in your personal and professional life. Thanks! Bios Neila Steele and Andy Vasily are international educators who have worked at fully authorized IB schools in 5 different countries over the past 18 years (Japan, Azerbaijan, Cambodia, China and Saudi Arabia). Andy is a pedagogical coordinator, consultant, workshop leader, presenter, and speaker. Neila presents and leads multiple workshops in the area of mindfulness. They have devoted themselves to sharing the powerful effects that mindfulness has on promoting greater mental, social, emotional, and physical well-being. Neila Steele Twitter: @neilasteele Website: www.mindfulandpresent.com Andy Vasily Twitter: @andyvasily Website: www.pyppewithandy.com Themes Discussed: Habits, Connection, Empathy, Embracing Chaos, Observation, The Power of Questions

Simon Milman is a Bassist, Composer, Producer and founder of the Nano Record Label We Large Productions. In this episode he teams up with Andrew Lake to discuss systems of Music, Scientology, Astronomy, Maths and various personality structures such as Jungian archetypes and the Enneagram. How will the universe end… in a crunch, a stretch or a freeze? We also discuss many musicians from the world of jazz including; Chick Corea, Tony Williams, Keith Jarret, Scott Tinker and Marc Hannaford. [Keith Jarret – one ‘T’ not Keith Jarrett] iTunes: https://itunes.apple.com/au/podcast/andrew-lake-podcast/id1439388762?mt=2 Simon Milman on YouTube: https://www.youtube.com/watch?v=3qbfMMS4lhE We Large Productions Bandcamp: https://welargeproductions.bandcamp.com/   Featured Music: Caracas from the Album Reina De La Pileta Band: Wanderlust meets Simon Milman!   Miroslav Bukovsky – Trumpet James Greening – Trombone and Trumpet Jeremy Sawkins – Guitars Alister Spence – Piano Fabian Hevia – Drums and Congas Simon Milman – Bass

Si parla di: Arcadi Volodos, Jeffrey Swann (Luca Chierici) e Keith Jarrett (Michele Coralli), poi ampia pagina su Novecentoitaliano a Radio Popolare con interviste a Bruno Canino, Jacopo Taddei e Alessandro Marangoni per il concerto all'Auditorium Demetrio Stratos.

Si parla di: Arcadi Volodos, Jeffrey Swann (Luca Chierici) e Keith Jarrett (Michele Coralli), poi ampia pagina su Novecentoitaliano a Radio Popolare con interviste a Bruno Canino, Jacopo Taddei e Alessandro Marangoni per il concerto all'Auditorium Demetrio Stratos.

Je hoort muziek van Ernst Jansz, Keith Jarret, Wende, Tom Waits, Melanie De Biasio en Rah Band.

Jarret Prescott talks more about Keith Jarret, and we play music associated with him.....including the last time he played electric piano, before he decided to carry on an anti-electric music crusade. We'll hear him with bassist Charlie Haden.....and you can compare his version of Goodbye with Diana Krall's.... using the same bassist. Ending off with the full Paris Concert 1988, which Jarret describes as Keith's masterpiece--one of the "outer regions of jazz": the "distillation of walking through Paris in 1988, November", "taking things from the composers he knows in the area and makes a sentence out of them".

1926 - Música: Mort Dixon/Letra: Ray Henderson 01. Josephine Baker & Le Jacob's Jazz Band 02. Miles Davis & John Coltrane 03. Peggy Lee 04. Ben Webster & Oscar Peterson 05. Keith Jarret, Gary Peacock & Paul Motian 06. Chet Baker 07. Eddie 'Lockjaw' Davis Quartet 08. Rod Stewart 09. Kenny Garrett & Joe Henderson 10. Tiny Tim & Brave Combo

Work for solo piano by Schubert performed by Charlie Albright, piano.Schubert: Impromptus, D. 935, Op. 142No. 1 in F MinorNo. 2 in A-flat MajorNo. 3 in B-flat MajorNo. 4 in F MinorWith a title like “Impromptus,” one expects this set of four piano pieces by Schubert to be a bit spontaneous. But anyone expecting a Keith Jarret-like improvisation will be surprised to discover how structured and planned these “Impromptus” feel.Indeed, there was some disagreement, after the fact, about the justification for the title “Impromptus.” Robert Schumann – a friend of Schubert’s – apparently maintained that the piece was really a four-movement sonata in disguise, broken up and named by Schubert’s publisher in an effort to encourage more sales.The four Impromptus are varied in character and structure, but each does seem to create a particular mood or emotional landscape, and then explores that landscape, whether through the straightforward theme-and-variations structure of the third impromptu or the more structured, sonata-like form of the first impromptu. And in this way, at least, it’s perhaps not so far off from the idea of improvisation.We’ll hear these works performed by Charlie Albright, a talented young pianist who recently graduated from New England Conservatory and Harvard’s joint degree program and is now earning his Artist Diploma at Juilliard.

ILLUMINATION McCoy Alfred Tyner is best remembered from the John Coltrane Quartet. In the past decades since he has become one of the major pianists and composers, expanding the vocabulary of color and harmony. His lusty piano is richly percussive and hammering, while full of cascading and romantic sounds. His unique and forceful style has inspired and influenced a whole new generation of musicians. Tyner was born in Philadelphia on December 11, 1938, the oldest of three children. He was encouraged to study piano by his mother. He finally began studying the piano at age 13 and within two years, music had become the focal point in his life. In the beginning McCoy practiced on a neighbour's piano. When his family bought one, he began hosting jam sessions. Among his friends and neighbours were a number of young musicians who would go on to make their marks in jazz, such as trumpeter Lee Morgan, saxophonist Archie Shepp, pianist Bobby Timmons, and bassist Regie Workman. "Bud and Richie Powell moved into my neighbourhood. Bud was a major influence on me during my early teens. He was very dynamic." In addition, Thelonious Monk and Art Tatum were young McCoy's major influences. McCoy studied at the West Philadelphia Music School and later at Granoff School of Music. At age 17, while playing at a local club called the Red Rooster, he first met JOHN COLTRANE. Coltrane was in Philadelphia between gigs with Miles Davis. The saxophonist, whose style was still in its formative stages and whose reputation was on the rise, had no working group of his own, but secured a few engagements in and around Philadelphia, with McCoy often in his rhythm section. The rapport between the two was so apparent, that Coltrane made it clear that he hoped to eventually have a regular band with McCoy Tyner in it.His first main exposure came with BENNY GOLSON being the first pianist in Golson's and Art Farmer's legendary Jazztet (1959). By 1960, when John Coltrane finally left Miles Davis to form his own group, McCoy left Art Farmer. Tyner continued with Coltrane through 1965, participating in all the major recording sessions.The pianist participated in numerous historical recording sessions with Coltrane, including for instance Africa Brass, A Love Supreme, and My Favorite Things. While with Coltrane, Tyner also recorded many of his own albums for Impulse!, including such classics as "Inception", "Night of Ballads and Blues", and "Live at Newport", and later for Blue Note, which enabled him to feature his densely rich piano sound to great effect.Upon Leaving Coltrane (1965), there was a lull in Tyner's popularity. The future looked bright and the trio he formed seemed to have a big future. In fact he spent the next five years playing superbly but getting more and more disillusioned due to lack of acceptance. But he rebounded in the 1970's. Due to groups featuring Sonny Fortune and Azar Lawrence and recordings for Milestone like "Sahara", which received two Grammy nominations and was named 'Album of the year' in the Down Beat Critics Poll, Tyner gained recognition. He toured and recorded with SONNY ROLLINS, Ron Carter and Al Foster as the Milestone Jazzstars in 1978, and in the mid-1980s led a quintet that included Gary Bartz and violinist John Blake. Since 1980, he has also arranged his lavishly textured harmonies for a big band that performs and records when possible. In the late 1980s, he mainly focussed on his regular piano trio featuring Avery Sharpe on bass and Aarron Scott on drums. As of today, this trio is still in great demand. He returned to Impulse in 1995, with a superb album featuring MICHAEL BRECKER. In 1996 he recorded a special album with the music of BURT BACHARACH. In 1998 he changed labels again and recorded a interesting latin album and an album featuring STANLEY CLARKE for TelArc. While he avoids modern conventions and the trappings of the moment, Tyner's sound remains contemporary to this day. Tyner's full use of the piano's keyboard, with a striking exploitation of dynamics, sets him aside from more introverted players like Bill Evans and Keith Jarret. Their "musique de chambre" links them more with the European-oriented piano tradition, whereas Tyner follows the track back to the roots of the Afro-American quintessence of jazz music.Tyner's music has been a major influence over the adoption in jazz of quartal and quintal harmonies, modes and pentatonic scales. He achieved a revived appreciation as a major player in the international jazz scene, a status he continues to maintain

Pianoforte ambientness, with Thomas Newman and Keith Jarret... and showcasing the 2010 Royal Albert Hall concert recording of Ludovico Einaudi.

Pianoforte ambientness, with Thomas Newman and Keith Jarret... and showcasing the 2010 Royal Albert Hall concert recording of Ludovico Einaudi.

°°Para descargar este audio, por favor dale click al siguiente enlace DeScArGaR Para la primera edición del año 2011, hemos decidido recordar al maestro Eugenio Toussaint, con algunas de las piezas del exquisito álbum Oinos, “música para beber vino”, producido en el año 2008. Además, nos acompaña otro músico mexicano de enorme trayectoria: Aarón Cruz, quien en esta ocasión toca con Mark Aanderud y Hernán Hetch; también presentamos la más reciente colaboración de dos viejos amigos, Keith Jarret y Charlie Haden, maestros de la balada jazzística. Por último, escucharemos la última producción del genial guitarrista Bill Frisell, todo dentro de este pequeño homenaje a un grande del jazz mundial: Eugenio Toussaint.

Septième émission de la quatorzième session... Cette semaine, solo piano et jazz nouveau ! En musique: On ouvre avec deux pièces funky sur l'album Walking in Space (Polygram, 1969) de Quincy Jones; Ensuite, présentation du pianiste John Hicks avec des pièces de l'album I remember you (Highnote, 2009) Par après, on passe un bon moment avec un concert à Paris de Keith Jarret sur l'album Paris/London -Testament (ECM, 2009);

Septième émission de la quatorzième session... Cette semaine, solo piano et jazz nouveau ! En musique: On ouvre avec deux pièces funky sur l'album Walking in Space (Polygram, 1969) de Quincy Jones; Ensuite, présentation du pianiste John Hicks avec des pièces de l'album I remember you (Highnote, 2009) Par après, on passe un bon moment avec un concert à Paris de Keith Jarret sur l'album Paris/London -Testament (ECM, 2009);