Podcasts about john tenniel

Merriam-Webster's Word of the Day for November 1, 2024 is: hatching • HATCH-ing • noun Hatching refers to the drawing or engraving of lines close together as a method of shading, or to a pattern so created. // The artist uses hatching to breathe life into her comics. // The hatching adds depth to the illustration. See the entry > Examples: "During the second half of the 19th century, drawing achieved a higher status. No longer merely a preparatory tool, nor merely just a method for training of the eye, it gained a new autonomy.... Pastel became popular at this time partly because it was easily portable and versatile, capable of supporting lively hatching as well as silky smoothness." — Frances Spalding, Apollo, 12 Feb. 2024 Did you know? Hatching refers to the drawing or engraving of lines close together as a method of shading. The closer the lines, the darker the impression that is created. When the lines are drawn at an angle so as to intersect one another, that is called cross-hatching. One notable artist who drew on this technique is John Tenniel, the illustrator of Lewis Carroll's 1865 novel Alice's Adventures in Wonderland. Another is Albrecht Dürer, whose sketches have been celebrated for their adept use of cross-hatching to indicate foreshortening (an appearance of something, such as a subject's nose, as shortened due to its being pointed toward the viewer). The word hatching is a gerund of the verb hatch, which in turn comes from the Middle French hacher, meaning "to chop, slice up, or incise with fine lines." If hatching isn't your preferred style of shading, you might also consider stippling or blending.

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You're nothing but a pack of cards!'WithFranziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik Professor of Children's Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children's Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

Melvyn Bragg and guests discuss Lewis Carroll's book which first appeared in print in 1865 with illustrations by John Tenniel. It has since become one of the best known works in English, captivating readers who follow young Alice as she chases a white rabbit, pink eyed, in a waistcoat with pocket watch, down a rabbit hole that becomes a well and into wonderland. There she meets the Cheshire Cat, the Hatter, the March Hare, the Mock Turtle and more, all the while growing smaller and larger, finally outgrowing everyone at the trial of Who Stole the Tarts from the Queen of Hearts and exclaiming 'Who cares for you? You're nothing but a pack of cards!'WithFranziska Kohlt Leverhulme Research Fellow in the History of Science at the University of Leeds and the Inaugural Carrollian Fellow of the University of Southern CaliforniaKiera Vaclavik Professor of Children's Literature and Childhood Culture at Queen Mary, University of LondonAndRobert Douglas-Fairhurst Professor of English Literature at Magdalen College, University of OxfordProducer: Simon TillotsonReading list:Kate Bailey and Simon Sladen (eds), Alice: Curiouser and Curiouser (V&A Publishing, 2021)Gillian Beer, Alice in Space: The Sideways Victorian World of Lewis Carroll (University of Chicago Press, 2016)Will Brooker, Alice's Adventures: Lewis Carroll and Alice in Popular Culture (Continuum, 2004)Humphrey Carpenter, Secret Gardens: A Study of the Golden Age of Children's Literature (first published 1985; Faber and Faber, 2009)Lewis Carroll (introduced by Martin Gardner), The Annotated Alice: The Definitive Edition, (W. W. Norton & Company, 2000)Gavin Delahunty and Christoph Benjamin Schulz (eds), Alice in Wonderland Through the Visual Arts (Tate Publishing, 2011)Robert Douglas-Fairhurst, The Story of Alice: Lewis Carroll and the Secret History of Wonderland (Harvill Secker, 2015)Colleen Hill, Fairy Tale Fashion (Yale University Press, 2016)Franziska Kohlt, Alice through the Wonderglass: The Surprising Histories of a Children's Classic (Reaktion, forthcoming 2025) Franziska Kohlt and Justine Houyaux (eds.), Alice: Through the Looking-Glass: A Companion (Peter Lang, forthcoming 2024)Charlie Lovett, Lewis Carroll: Formed by Faith (University of Virginia Press, 2022)Elizabeth Sewell, The Field of Nonsense (first published 1952; Dalkey Archive Press, 2016)Kiera Vaclavik, 'Listening to the Alice books' (Journal of Victorian Culture, Volume 26, Issue 1, January 2021)Diane Waggoner, Lewis Carroll's Photography and Modern Childhood (Princeton University Press 2020)Edward Wakeling, The Man and his Circle (IB Tauris, 2014)Edward Wakeling, The Photographs of Lewis Carroll: A Catalogue Raisonné (University of Texas Press, 2015)

Let's celebrate the contribution to fantasy by our favourite illustrators! Today we start by taking a look at the grandfather of Oxford Fantasy Illustration: Sir John Tenniel, the illustrator behind the iconic Alice in Wonderland images. Listen in to find out about the unfortunate accident in his youth that he hid from his father, his extraordinary memory, and his artistic influences. Guess who was at his retirement dinner- it was quite the fantasy dinner party moment!

In what may be the most quintessentially "New York" picture book we've done to date (with hints of Where the Wild Things Are in the margins) we confront a 1979 Caldecott Award winner and tackle Betsy's childhood memories of it along the way. Today we discuss a variation on the previously reported upon picture book It Could Always Be Worse, but with an addition of tropical birds, floating islands, and John Tenniel references. Show Notes: For the full Show Notes please visit - https://afuse8production.slj.com/2023/04/10/fuse-8-n-kate-by-arthur-yorinks-ill-richard-egielski/

Alice's Adventures Underground by Lewis Carroll audiobook. This is the handwritten book that Carroll wrote for private use before being urged to develop it later into Alice in Wonderland. It was generously illustrated by Carrol and meant to entertain his family and friends. When a sick child in a hospital enjoyed it so much, the mother wrote him saying it had distracted her for a bit from her pain and led eventually to Carroll expanding the story. The Reverend Charles Lutwidge Dodgson and the Reverend Robinson Duckworth rowed in a boat, on 4 July 1862, up the Isis with the three young daughters of Henry Liddell, (the Vice-Chancellor of Oxford University and Dean of Christ Church) : Lorina Charlotte Liddell (aged 13, born 1849); Alice Pleasance Liddell (aged 10, born 1852); Edith Mary Liddell (aged 8, born 1853). The journey began at Folly Bridge near Oxford and ended five miles away in the village of Godstow. During the trip the Reverend Dodgson told the girls a story that featured a bored little girl named Alice who goes looking for an adventure. The girls loved it, and Alice Liddell asked Dodgson to write it down for her. He began writing the manuscript of the story the next day, although that earliest version no longer exists. The girls and Dodgson took another boat trip a month later when he elaborated the plot to the story of Alice, and in November he began working on the manuscript in earnest. To add the finishing touches he researched natural history for the animals presented in the book, and then had the book examined by other children—particularly the MacDonald children. He added his own illustrations but approached John Tenniel to illustrate the book for publication, telling him that the story had been well liked by children. On 26 November 1864 he gave Alice the handwritten manuscript of Alice's Adventures Under Ground, with illustrations by Dodgson himself, dedicating it as "A Christmas Gift to a Dear Child in Memory of a Summer's Day". Some, including Martin Gardner, speculate there was an earlier version that was destroyed later by Dodgson when he printed a more elaborate copy by hand.

Welcome back to the Technecast! Our theme for this month is ‘Affect', thinking about feelings, forces, and in-between states. Since the affective turn in the early 1990s, the humanities and social sciences have witnessed a profound and renewed interest in how feelings function, how they move, stick to, and shape bodies (both human and non-human) and worlds. We are delighted to welcome Mary Dawson to the Technecast for our first episode on affect. This episode explores the idea of aging as a form of affective potential through a reading of Barbara Pym's ‘Quartet in Autumn' (1977). In contemporary society getting old is seen as a problem and aged bodies are often unsettling reminders of a future understood in terms of loss and decline. In contrast, thinking about ageing through Pym's ‘Quartet' and Gilles Deleuze's work on affect and sense suggests an alternative perspective on growing older. Pym's novel is about four colleagues approaching retirement. Through a close analysis of the text, this essay shows how nonsense in ‘Quartet' goes beyond deconstructing social conceptions of ageing to re-think what it means to grow old. Deleuze suggests that if common sense keeps bodies in check, then non-sense is a way of orienting bodies towards affect and unleashing unrealised potential. Instead of thinking of age as a problem, ‘Quartet' re-imagines ageing as a becoming, a never complete but always open movement towards. In other words, ‘Quartet' is a novel which thinks differently about being human by thinking differently about what it means to get older. Mary Dawson is a PhD candidate in the English department at the University of Leeds. Mary holds a BA in English Language and Literature from the University of Liverpool, an MSc in International Development from London, South Bank University and an MA in English Literature from the University of Leeds. Mary's PhD research focuses on mid-century British fiction, critical posthumanism, disability studies and affect theory. Mary's PhD is fully funded by the AHRC White Rose consortium, and her paper for this symposium is titled ‘Affect and Ageing in Pym's ‘Quartet'. Following the Affective Turn: https://followingaffect.wixsite.com/research Presented by Polly Hember. The Technecast is funded by the Techne AHRC-DTP, and edited by Polly Hember, Julien Clin & Felix Clutson. Contact: technecaster@gmail.com / @technecast * Image: Alice and the Dodo illustrated by John Tenniel in Lewis Carroll's 'Alice's Adventures in Wonderland' first published edition, 1866, p. 35. Royalty free music generously shared by Steve Oxen. FesliyanStudios.com

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/art

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/communications

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/popular-culture

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/british-studies

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/history

Rebirth of the English Comic Strip: A Kaleidoscope, 1847-1870 (UP of Mississippi, 2021) enters deep into an era of comic history that has been entirely neglected. This buried cache of mid-Victorian graphic humor is marvelously rich in pictorial narratives of all kinds. Author David Kunzle calls this period a "rebirth" because of the preceding long hiatus in use of the new genre, since the Great Age of Caricature (c.1780-c.1820) when the comic strip was practiced as a sideline. Suddenly in 1847, a new, post-Töpffer comic strip sparks to life in Britain, mostly in periodicals, and especially in Punch, where all the best artists of the period participated, if only sporadically: Richard Doyle, John Tenniel, John Leech, Charles Keene, and George Du Maurier. Until now, this aspect of the extensive oeuvre of the well-known masters of the new journal cartoon in Punch has been almost completely ignored. Exceptionally, George Cruikshank revived just once in The Bottle, independently, the whole serious, contrasting Hogarthian picture story. Numerous comic strips and picture stories appeared in periodicals other than Punch by artists who were likewise largely ignored. Like the Punch luminaries, they adopt in semirealistic style sociopolitical subject matter easily accessible to their (lower-)middle-class readership. The topics covered in and out of Punch by these strips and graphic novels range from French enemies King Louis-Philippe and Emperor Napoleon III to farcical treatment of major historical events: the Bayeux tapestry (1848), the Great Exhibition of 1851, and the Franco-Prussian War in 1870. Artists explore a great variety of social types, occupations, and situations such as the emigrant, the tourist, fox hunting and Indian big game hunting, dueling, the forlorn lover, the student, the artist, the toothache, the burglar, the paramilitary volunteer, Darwinian animal metamorphoses, and even nightmares. In Rebirth of the English Comic Strip, Kunzle analyzes these much-neglected works down to the precocious modernist and absurdist scribbles of Marie Duval, Europe's first female professional cartoonist. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

Classics You Slept Through: Episode 72 - Through the Looking Glass (Chapters 6 - 12) Mere's been feeling a bit under the weather this week, so you'll have to bear with me as I take on reading duties solo. Fair warning, I also attempt to sing in this episode. I am not a singer. Join us Tuesday as we discuss the second half of Through the Looking Glass. This episode's cover image is by original Alice illustrator John Tenniel. YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

Classics You Slept Through: Episode 71 - Through the Looking Glass Discussion 1 (Chap. 1 - 5) We're back discussing Through the Looking Glass this week, and debuting a new feature! If you haven't checked out our video discussions on YouTube, you may want to this week, as we go through some of the beautiful original illustrations by John Tenniel.  Also, a minor correction: I referred to the 1985 Alice In Wonderland game as being from Broderbund, when it was published by Windham Classics. If you enjoy the show, please leave us a rating and review on Apple Podcasts, as well as following us on our various socials below: YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

Classics You Slept Through: Episode 70 - Through the Looking Glass (Chapters 1 - 5) Now that Alice has returned from Wonderland, we're going to tackle the sequel (of sorts), Through the Looking Glass. Arrange your chess pieces, and prepare to travel across the board as Alice attempts to reach the eighth square and promotion to Queen! This episode's cover image is by original Alice illustrator John Tenniel. Programming note: this will be our only episode this week. Our discussion of this section will be in your podcast feeds Tuesday, June 15th. YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

Classics You Slept Through: Episode 68 - Alice's Adventures in Wonderland (Chapters 7 - 12) WE ARE BACK!! Our long collective nightmare is finally over. Classics You Slept Through is back in your podcast feed! Kyle's fought through some audio technical difficulties, as well as an increased work schedule, and we finally have the pod back on track. Today we're finishing Alice's Adventures in Wonderland, by Lewis Carroll. As you'd expect, it's full of iconic scenes such as the Mad Hatter's tea party and playing croquet with the Queen of Hearts, but we'll also meet the Gryphon and the Mock Turtle, sadly left out of the Disney version - though they were designed and appeared in a commercial for Jell-O. This episode's cover image is by original Alice illustrator John Tenniel. YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

Classics You Slept Through: Episode 66 - Alice's Adventures in Wonderland (Chapters 1 - 6) Come down the rabbit hole with us as we begin Lewis Carroll's iconic classic, Alice's Adventures in Wonderland! If you only know the story through Disney's classic animated movie, come enjoy the witty wordplay and newly created portmanteaus (itself a portmanteau!) created by Carroll as he takes us into Wonderland! This episode's cover image is by original Alice illustrator John Tenniel. YouTube Twitter Facebook Instagram Twitch Email: CYSTPod@gmail.com

Through the Looking-Glass - Lewis Carroll - Book 2 Title: Through the Looking-Glass Overview: Through the Looking-Glass, and What Alice Found There (also known as Alice Through the Looking-Glass or simply Through the Looking-Glass) is a novel published on 27 December 1871 (though indicated as 1872) by Lewis Carroll and the sequel to Alice's Adventures in Wonderland (1865). Alice again enters a fantastical world, this time by climbing through a mirror into the world that she can see beyond it. There she finds that, just like a reflection, everything is reversed, including logic (for example, running helps one remain stationary, walking away from something brings one towards it, chessmen are alive, nursery rhyme characters exist, and so on). Through the Looking-Glass includes such verses as "Jabberwocky" and "The Walrus and the Carpenter", and the episode involving Tweedledum and Tweedledee. The mirror above the fireplace that is displayed at Hetton Lawn in Charlton Kings, Gloucestershire (a house that was owned by Alice Liddell's grandparents, and was regularly visited by Alice and Lewis Carroll) resembles the one drawn by John Tenniel and is cited as a possible inspiration for Carroll. It was the first of the "Alice" stories to gain widespread popularity and prompted a newfound appreciation for its predecessor when it was published. Published: 1871 List: 100 Classic Book Collection Author: Lewis Carroll Genre: Children's Fiction Episode: Through the Looking-Glass - Lewis Carroll - Book 2 Part: 1 of 1 Length Part: 3:07:20 Book: 1 Length Book: 3:07:20 Episodes: 1 - 10 of 10 Narrator: Kara Shallenberg Language: English Edition: Unabridged Audiobook Keywords: fate, rules, chess game, childhood, womanhood, goals, preordained, free will Credits: All LibriVox Recordings are in the Public Domain. Wikipedia (c) Attribution-ShareAlike 3.0 Unported License. WOMBO Dream. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/free-audiobooks/message Support this podcast: https://anchor.fm/free-audiobooks/support

Sir John Tenniel, artist extraordinaire!Dramatic Reading: The Rabbit Sends In A Little BillArt: Brooke of Celestial Faun TattooMusic: Picture Book by HeadlundYoutube: Sir John TennielSources: Alice-In-Wonderland.Net

Welcome everyone to another episode of Nerds Amalgamated, we would like to take a moment and congratulate all those who are graduating university, school, or just having an excellent week. “The pursuit of knowledge is never ending. The day you stop seeking knowledge is the day you stop growing. Brandon Travis Ciaccio.” So, no we have set a serious mood let’s look at the first topic, which is that video games are an excellent way to combat loneliness. Also, that video games are helpful for men to combat issues such as social isolation and stress for men in today’s society. That’s right, read that correctly, video games are beneficial to men’s health and should be encouraged. What to know more to help develop those arguments for the girlfriend or boss, listen in and find out what we are talking about.Next up Buck has decided to bring us a mystery to try and solve. Now who doesn’t love a good puzzle? If like Buck you love sitting down with a crossword, a Sudoku or reading a good detective novel then you will love this. We have a mystery that is 500 hundred years old, has some of the most baffling elements and to top it off has stumped many professional investigators over the years. We are talking about a mass murder that struck fear in the hearts of the population of England. This is a mystery that is guaranteed to get you remembered in history if you solve it. Want to know what Buck has unveiled for us to ponder, listen in and find out.Now Ben Affleck is not someone who we get excited about, in fact he makes Buck yawn at the mere mention of his name. In fact I just yawned at the thought, crikey why are we talking about him? Well, it appears that he has a movie in the works that is looking kind of good, it is a topic that we hope he does justice to. Now we know that Hollywood has failed to deliver anything great for some time now, but this story has potential. We aren’t going to hold our breathe, and not just because of Benny boy of the sleep inducing performance. The reality is that the story is one that needs to be told with a sensitivity and care that is hard to deliver. This is something the likes of Spielberg should be directing. Want to know what it is we are talking about? You know what to do.As usual we have the regular shout outs, birthdays, remembrances, and special events. We hope you enjoy this episode and if you want to give us feedback we are always happy to hear from you. Take care of yourselves, look out for each other and stay hydrated.Video Games cure Loneliness - https://www.menshealth.com/sex-women/a29578572/men-friendships-video-games-loneliness/?fbclid=IwAR1AI07WCrmV-A7MVbqBGI5-H26VfKTj2k6fS6o3EZM6JkC0Rk_dJX9ye0ISweating disease origins - https://www.insidescience.org/news/medical-historians-still-struggle-identify-origin-disease-swept-across-england-500-years-agoBen Affleck’s new project - https://deadline.com/2019/11/ben-affleck-direct-congo-plunder-tale-king-leopolds-ghost-belgian-king-leopold-ii-1202791265/Games currently playingBuck– Spyro - https://store.steampowered.com/app/996580/Spyro_Reignited_Trilogy/Rating – 4.5/5Professor- Underrails - https://www.underrail.com/Rating – 5/5DJ – Age Of Empires Bundle - https://store.steampowered.com/bundle/11831/Age_of_Empires_Definitive_Edition_Bundle/Rating – 4/5Other topics discussedThe Elder Scrolls V: Skyrim- https://en.wikipedia.org/wiki/The_Elder_Scrolls_V:_SkyrimLAN Party (a gathering of people with computers or compatible game consoles, where a local area network (LAN) connection is established between the devices using a router or switch, primarily for the purpose of playing multiplayer video games together.)- https://en.wikipedia.org/wiki/LAN_partyLAN party go to gamesProfessorWarcraft III: Reign of Chaos - https://en.wikipedia.org/wiki/Warcraft_III:_Reign_of_ChaosHalo: Combat Evolved - https://en.wikipedia.org/wiki/Halo:_Combat_EvolvedBuckUnreal Tournament - https://en.wikipedia.org/wiki/Unreal_TournamentCall of Duty - https://en.wikipedia.org/wiki/Call_of_Duty_(video_game)DJStarcraft: Brood War - https://en.wikipedia.org/wiki/StarCraft:_Brood_WarDunbar’s Number (a suggested cognitive limit to the number of people with whom one can maintain stable social relationships—relationships in which an individual knows who each person is and how each person relates to every other person.)- https://en.wikipedia.org/wiki/Dunbar%27s_numberMacho Man Randy Savage as a Skyrim dragon- https://www.pcgamer.com/au/the-life-and-times-of-skyrims-best-dragon-macho-man-randy-savage/Tommy Wiseau Horse in Skyrim- https://bigmemes.funnyjunk.com/comments/Quotoh+hi+markquot+_78273e9f011bfc08a3d9222b3b39e3a5.jpgArthur, Prince of Wales (Prince of Wales, Earl of Chester and Duke of Cornwall.)- https://en.wikipedia.org/wiki/Arthur,_Prince_of_Wales28 Days Later (2002 British post-apocalyptic horror film directed by Danny Boyle.)- https://en.wikipedia.org/wiki/28_Days_Later28 Weeks Later (2007 horror film directed by Juan Carlos Fresnadillo. A sequel to the 2002 film 28 Days Later.)- https://en.wikipedia.org/wiki/28_Weeks_LaterIgnaz Semmelweis (Hungarian physician and scientist, now known as an early pioneer of antiseptic procedures.)- https://en.wikipedia.org/wiki/Ignaz_SemmelweisReligious restrictions on the consumption of pork- https://en.wikipedia.org/wiki/Religious_restrictions_on_the_consumption_of_porkElvis Lives (TNC Podcast)- https://thatsnotcanon.com/elvislivesShaun of the Dead (2004 horror comedy film directed by Edgar Wright, who co-wrote it with Simon Pegg.)- https://en.wikipedia.org/wiki/Shaun_of_the_DeadWarm Bodies (2013 American paranormal romantic zombie comedy film written and directed by Jonathan Levine and based on Isaac Marion's novel of the same name.)- https://en.wikipedia.org/wiki/Warm_Bodies_(film)Disease Burden (impact of a health problem as measured by financial cost, mortality, morbidity, or other indicators.)- https://en.wikipedia.org/wiki/Disease_burdenAnthrax Outbreaks (2016 Anthrax outbreak in Serbia)- https://en.wikipedia.org/wiki/List_of_anthrax_outbreaksArgo (2012 American historical drama film directed by Ben Affleck.)- https://en.wikipedia.org/wiki/Argo_(2012_film)Blood Diamond (2006 political war thriller film co-produced and directed by Edward Zwick, starring Leonardo DiCaprio, Jennifer Connelly, and Djimon Hounsou.)- https://en.wikipedia.org/wiki/Blood_DiamondLions For Lambs (2007 American war drama film directed by Robert Redford about the connection between a platoon of United States soldiers in Afghanistan, a U.S. senator, a reporter, and a California college professor.)- https://en.wikipedia.org/wiki/Lions_for_LambsThe Gunman (2015 action thriller film directed by Pierre Morel and written by Don Macpherson, Pete Travis and Sean Penn, based on the novel The Prone Gunman (French title: La position du tireur couché) by Jean-Patrick Manchette.)- https://en.wikipedia.org/wiki/The_Gunman_(2015_film)Musicals Taught Me Everything I Know (TNC Podcast)- https://thatsnotcanon.com/mtmeikDiablo (action role-playing hack and slash video game developed by Blizzard North and released by Blizzard Entertainment.)- https://en.wikipedia.org/wiki/Diablo_(video_game)Cobra Car (formerly known as Shelby Cobra, simply titled COBRA in the original game) is a cheat unit in Age of Empires II.)- https://ageofempires.fandom.com/wiki/Cobra_CarAge of Empires 1 Intro Cinematic- https://www.youtube.com/watch?v=V7LZLx_5pu0Connor McGregor vs Hafþór Júlíus Björnsson- https://www.youtube.com/watch?v=Aaehn1aY8IgJohn Titor (name used on several bulletin boards during 2000 and 2001 by a poster claiming to be an American military time traveler from 2036.)- https://en.wikipedia.org/wiki/John_TitorMax Headroom (a fictional artificial intelligence (AI) character, known for his wit and stuttering, distorted, electronically sampled voice.)- https://en.wikipedia.org/wiki/Max_Headroom_(character)Star Trek IV: The Voyage Home (1986 American science fiction film directed by Leonard Nimoy and based on the television series Star Trek.)- https://en.wikipedia.org/wiki/Star_Trek_IV:_The_Voyage_HomeStar Wars (retroactively titled Star Wars: Episode IV – A New Hope is a 1977 American epic space-opera film written and directed by George Lucas.)- https://en.wikipedia.org/wiki/Star_Wars_(film)Shoutouts26 Nov 1970 – In Basse-Terre, Guadeloupe, 1.5 inches (38.1 mm) of rain fall in a minute, the heaviest rainfall ever recorded. - https://en.wikipedia.org/wiki/Basse-Terre26 Nov 1983 - World's greatest robbery; 26 million pounds (sterling) worth of gold bullion, diamonds and cash stolen from Brink's-Mat warehouse at Heathrow Airport, England. The bullion was the property of Johnson Matthey Bankers Ltd, which collapsed the following year after making large loans to frauds and insolvent firms. Two men were convicted, and most of the gold has never been recovered. Insurers Lloyd's of London paid out for the losses. Several deaths have been linked to the case, and there are links to the Hatton Garden safe deposit burglary in April 2015. - https://en.wikipedia.org/wiki/Brink%27s-Mat_robbery26 Nov 2003 – The Concorde makes its final flight, over Bristol, England. Known as G-BOAF (216) or its call sign Concorde Alpha Foxtrot (the name comes from its official UK registration) the Concorde departed from Heathrow at 11:30 GMT, it made a last, brief, supersonic flight, carrying 100 BA staff, over the Bay of Biscay. It then flew a "lap of honour" above Bristol, passing over Portishead, Clevedon,Weston-super-Mare, Bristol Airport and Clifton Suspension Bridge, before landing at Filton, soon after 13:00 GMT. It was met by Prince Andrew, who formally accepted its handover. It had flown a total of 18,257 hours. Until 2010, the aircraft was open for public viewing at the Airbus facility; since 2017 it has been the main exhibit at Filton's Aerospace Bristol museum. - https://en.wikipedia.org/wiki/Concorde_aircraft_histories#British_production_aircraftRemembrances26 Nov 1994 – Nimrod Workman, American singer, coal miner and trade unionist. His musical repertoire included traditional English and Scottish ballads, Appalachian folk songs and original compositions. Workman was a recipient of a 1986 National Heritage Fellowship awarded by the National Endowment for the Arts, which is the United States government's highest honor in the folk and traditional arts. He died at the age of 99 in Knoxville, Tennessee. - https://en.wikipedia.org/wiki/Nimrod_Workman26 Nov 2005 – Stanley Melvin Berenstain, American author and illustrator, co-created the Berenstain Bears. Inspired by their children's enthusiasm for Dr. Seuss books, the Berenstains decided to attempt a series with animal protagonists themselves, settling on bears not because of their surname as was commonly believed, but because they found them easy to draw. They published their first book featuring the Berenstain Bears, The Big Honey Hunt, in 1962. At the time, their inspiration, Theodor Geisel (Dr. Seuss), was working as an editor in the children's division of Random House Publishing and eagerly approved the concept. He edited several books in the Berenstain Bears series and created a lasting franchise including many more books, television series, toys, and stage productions. He died from cancer at the age of 82 in Solebury Township, Pennsylvania. - https://en.wikipedia.org/wiki/Stan_and_Jan_Berenstain26 Nov 2012 – Joseph Edward Murray, American plastic surgeon who performed the first successful human kidney transplant on identical twins Richard and Ronald Herrick on December 23, 1954. Murray shared the Nobel Prize in Physiology or Medicine in 1990 with E. Donnall Thomas for their discoveries concerning "organ and cell transplantation in the treatment of human disease." Murray became an international leader in the study of transplantation biology, the use of immunosuppressive agents, and studies on the mechanisms of rejection. He died from a stroke at the age of 93 in Boston,Massachusetts. - https://en.wikipedia.org/wiki/Joseph_MurrayFamous Birthdays26 Nov 1898 - Karl Waldemar Ziegler, Germanchemist who won the Nobel Prize in Chemistry in 1963, with Giulio Natta, for work on polymers. The Nobel Committee recognized his "excellent work on organometallic compounds [which]...led to new polymerization reactions and ... paved the way for new and highly useful industrial processes". He is also known for his work involving free-radicals, many-membered rings, and organometallic compounds, as well as the development of Ziegler–Natta catalyst. One of many awards Ziegler received was the Werner von Siemens Ring in 1960 jointly with Otto Bayer and Walter Reppe, for expanding the scientific knowledge of and the technical development of new synthetic materials. He was born in Helsa near Kassel,German Empire - https://en.wikipedia.org/wiki/Karl_Ziegler26 Nov 1920 - István Sárközy, Hungarian composer, he was a founder-member of the Association of Hungarian Musicians and in 1954 he was appointed artistic adviser to the National Philharmonic Concert Bureau and the Hungarian Recording Company. In 1957 he was made general editor of Editio Musica and in 1959 he was appointed to teach theory at the Liszt Academy of Music, subsequently teaching composition there. Sárközy’s first work of lasting value was the Concerto grosso of 1943, though during that decade his attention was directed mainly to songs and folksong arrangements. In the early 1950s music for the stage dominated his creative activity, the crowning work of this period was the chamber cantata Júlia énekek (‘Julia Songs’, 1956), after which he composed little, until, in 1963 the Sinfonia concertante for clarinet and strings initiated a succession of major works. In 1975 Sárközy received the title Merited Artist of the Hungarian People’s Republic. After Confessioni (1979) for piano and orchestra he devoted himself exclusively to teaching. He was born in Pesterzsébet - https://www.oxfordmusiconline.com/grovemusic/view/10.1093/gmo/9781561592630.001.0001/omo-9781561592630-e-000002459126 Nov 1922 – Charles Monroe "Sparky" Schulz, American cartoonist and creator of the comic strip Peanuts (which featured the characters Charlie Brown and Snoopy, among others). He is widely regarded as one of the most influential cartoonists of all time, cited by cartoonists including Jim Davis, Bill Watterson, Matt Groening, Dav Pilkey, and Stephan Pastis. At its height, Peanuts was published daily in 2,600 papers in 75 countries, in 21 languages. Over nearly 50 years, Schulz drew 17,897 published Peanuts strips. The strips, plus merchandise and product endorsements, produced revenues of more than $1 billion per year, with Schulz earning an estimated $30 million to $40 million annually. He was born in Minneapolis, Minnesota - https://en.wikipedia.org/wiki/Charles_M._Schulz26 Nov 1988 - Hafþór Júlíus Björnsson, Icelandic professional strongman and actor. He is the first person to have won the Arnold Strongman Classic, Europe's Strongest Man and World's Strongest Man in the same calendar year. He played Gregor "The Mountain" Clegane in the HBO series Game of Thrones for five seasons. He also is a former professional basketball player. Hafþór won the Strongest Man in Iceland event in 2010, and won Iceland's Strongest Man in 2011. He won Europe's Strongest Man in 2014, a feat he repeated in 2015, 2017, 2018, and 2019. He won silver at the 2017 Arnold Strongman Classic, improving to gold in 2018 and 2019. He competed in his first World's Strongest Man in 2011, placing sixth. He won three bronze and three silver medals in his next six attempts before being crowned champion in 2018. He was born in Reykjavík - https://en.wikipedia.org/wiki/Haf%C3%BE%C3%B3r_J%C3%BAl%C3%ADus_Bj%C3%B6rnssonEvents of interest26 Nov 1865 - "Alice in Wonderland" by English author Charles Lutwidge Dodgson under the pseudonym Lewis Carroll was published in America. The was published as Alice's Adventures in Wonderland by "Lewis Carroll" with illustrations by John Tenniel. The first print run of 2,000 was held back because Tenniel objected to the print quality. The entire print run sold out quickly. Alice was a publishing sensation, beloved by children and adults alike. Among its first avid readers were Queen Victoria and the young Oscar Wilde. - https://en.wikipedia.org/wiki/Alice%27s_Adventures_in_Wonderland#Publication_history26 Nov 1977 – An unidentified hijacker named Vrillon, claiming to be the representative of the "Ashtar Galactic Command", takes over Britain's Southern Television for six minutes, starting at 5:12 pm. It was the first major broadcast interruption through the Hannington transmitter of the Independent Broadcasting Authority in the United Kingdom. The mystery has never been solved. - https://en.wikipedia.org/wiki/Southern_Television_broadcast_interruption26 Nov 1986 – Star Trek IV: The Voyage Home premiered. Since Star Trek had traditionally performed poorly internationally, the producers created a special trailer for foreign markets that de-emphasized the Star Trek part of the title, as well as retelling the events of The Wrath of Khan and The Search for Spock. Winter recalled that the marketing did not seem to make a difference. In its first week, The Voyage Home ended Crocodile Dundee's 8-week reign of the American box office. The Star Trek film made $39.6 million in its first five days of release, exceeding The Search for Spock's opening by $14 million. Ultimately, the film grossed a global total of $133,000,000 against its $21 million cost ($1 million under budget). Despite grossing $6,000,000 less than Star Trek: The Motion Picture,The Voyage Home was the most profitable of the series, grossing $133,000,000 against a $21,000,000 budget. - https://en.wikipedia.org/wiki/Star_Trek_IV:_The_Voyage_Home#ReleaseIntroArtist – Goblins from MarsSong Title – Super Mario - Overworld Theme (GFM Trap Remix)Song Link - https://www.youtube.com/watch?v=-GNMe6kF0j0&index=4&list=PLHmTsVREU3Ar1AJWkimkl6Pux3R5PB-QJFollow us onFacebook- Page - https://www.facebook.com/NerdsAmalgamated/- Group - https://www.facebook.com/groups/440485136816406/Twitter - https://twitter.com/NAmalgamatedSpotify - https://open.spotify.com/show/6Nux69rftdBeeEXwD8GXrSiTunes - https://itunes.apple.com/au/podcast/top-shelf-nerds/id1347661094RSS - http://www.thatsnotcanonproductions.com/topshelfnerdspodcast?format=rssInstagram - https://www.instagram.com/nerds_amalgamated/General EnquiriesEmail - Nerds.Amalgamated@gmail.com

Rabbits and Hares in Art Hello Listener! Thank you for listening.  If you would like to support the podcast, and keep the lights on, you can support us whenever you use Amazon through the link below: It will not cost you anything extra, and I can not see who purchased what. Or you can become a Fluffle Supporter by donating through Patreon.com at the link below: Patreon/Hare of the Rabbit What's this Patreon? Patreon is an established online platform that allows fans to provide regular financial support to creators. Patreon was created by a musician who needed a easy way for fans to support his band. What do you need? Please support Hare of the Rabbit Podcast financially by becoming a Patron. Patrons agree to a regular contribution, starting at $1 per episode. Patreon.com takes a token amount as a small processing fee, but most of your money will go directly towards supporting the Hare of the Rabbit Podcast. You can change or stop your payments at any time. You can also support by donating through PayPal.com at the link below: Hare of the Rabbit PayPal Thank you for your support, Jeff Hittinger. Rabbits and hares are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. They may also be symbols of fertility or sensuality, and they appear in depictions of hunting and spring scenes in the Labours of the Months. Humans have depicted rabbits and hares for thousands of years. Rabbit-like creatures feature in 7,500-year-old rock paintings found in Baja California; they are also prevalent in ancient Egyptian paintings and are often found on Grecian urns. Many Prints, Drawings and Painting Collections contains an array of images of rabbits and hares covering many of these creatures’ natural personality traits and representing much of the symbolism that these traits have inspired throughout the history of art. Rabbits have paradoxically been used as both symbols of sexuality and virginal purity. They have been a sex symbol since antiquity. In ancient Rome rabbits were frequently depicted as the animal of Venus. Conversely the rabbit was used by artists of the Middle Ages and Renaissance as a symbol of sexual purity and was often depicted alongside the Madonna and Child. Antiquity In antiquity, the hare, because it was prized as a hunting quarry, was seen as the epitome of the hunted creature that could survive only by prolific breeding. Herodotus, Aristotle, Pliny and Claudius Aelianus all described the rabbit as one of the most fertile of animals. It thus became a symbol of vitality, sexual desire and fertility. The hare served as an attribute of Aphrodite and as a gift between lovers. In late antiquity it was used as a symbol of good luck and in connection with ancient burial traditions. Judaism In Judaism, the rabbit is considered an unclean animal, because "though it chews the cud, does not have a divided hoof." This led to derogatory statements in the Christian art of the Middle Ages, and to an ambiguous interpretation of the rabbit's symbolism. The "shafan" in Hebrew has symbolic meaning. Although rabbits were a non-kosher animal in the Bible, positive symbolic connotations were sometimes noted, as for lions and eagles. 16th century German scholar Rabbi Yosef Hayim Yerushalmi, saw the rabbits as a symbol of the Diaspora. In any case, a three hares motif was a prominent part of many Synagogues. Christian art In Early Christian art, hares appeared on reliefs, epitaphs, icons and oil lamps although their significance is not always clear. The Physiologus, an inexhaustible resource for medieval artists, states that when in danger the rabbit seeks safety by climbing high up rocky cliffs, but when running back down, because of its short front legs, it is quickly caught by its predators. Likewise, according to the teaching of St. Basil, men should seek his salvation in the rock of Christ, rather than descending to seek worldly things and falling into the hands of the devil. The negative view of the rabbit as an unclean animal, which derived from the Old Testament, always remained present for medieval artists and their patrons. Thus the rabbit can have a negative connotation of unbridled sexuality and lust or a positive meaning as a symbol of the steep path to salvation. Whether a representation of a hare in Medieval art represents man falling to his doom or striving for his eternal salvation is therefore open to interpretation, depending on context. The three hares at Paderborn Cathedral The Hasenfenster (hare windows) in Paderborn Cathedral and in the Muotathal Monastery in Switzerland, in which three hares are depicted with only three ears between them, forming a triangle, can be seen as a symbol of the Trinity, and probably go back to an old symbol for the passage of time. The three hares shown in Albrecht Dürer's woodcut, The Holy Family with the Three Hares (1497), can also be seen as a symbol of the Trinity. The idea of rabbits as a symbol of vitality, rebirth and resurrection derives from antiquity. This explains their role in connection with Easter, the resurrection of Christ. The unusual presentation in Christian iconography of a Madonna with the Infant Jesus playing with a white rabbit in Titian's Parisian painting, can thus be interpreted christologically. Together with the basket of bread and wine, a symbol of the sacrificial death of Christ, the picture may be interpreted as the resurrection of Christ after death. The phenomenon of superfetation, where embryos from different menstrual cycles are present in the uterus, results in hares and rabbits being able to give birth seemingly without having been impregnated, which caused them to be seen as symbols of virginity. Rabbits also live underground, an echo of the tomb of Christ. As a symbol of fertility, white rabbits appear on a wing of the high altar in Freiburg Minster. They are playing at the feet of two pregnant women, Mary and Elizabeth. Martin Schongauer's engraving Jesus after the Temptation (1470) shows nine (three times three) rabbits at the feet of Jesus Christ, which can be seen as a sign of extreme vitality. In contrast, the tiny squashed rabbits at the base of the columns in Jan van Eyck's Rolin Madonna symbolize "Lust", as part of a set of references in the painting to all the Seven Deadly Sins. Hunting scenes in the sacred context can be understood as the pursuit of good through evil. In the Romanesque sculpture (c. 1135) in the Königslutter imperial Cathedral, a hare pursued by a hunter symbolises the human soul seeking to escape persecution by the devil. Another painting, Hares Catch the Hunters, shows the triumph of good over evil. Alternatively, when an eagle pursues the hare, the eagle can be seen as symbolizing Christ and the hare, uncleanliness and the evil's terror in the face of the light. In Christian iconography, the hare is an attribute of Saint Martin of Tours and Saint Alberto di Siena, because legend has it that both protected hares from persecution by dogs and hunters. They are also an attribute of the patron saint of Spanish hunters, Olegarius of Barcelona. White hares and rabbits were sometimes the symbols of chastity and purity. In secular art In non-religious art of the modern era, the rabbit appears in the same context as in antiquity: as prey for the hunter, or representing spring or autumn, as well as an attribute of Venus and a symbol of physical love. In cycles of the Labours of the Months, rabbits frequently appear in the spring months. In Francesco del Cossa's painting of April in the Palazzo Schifanoia in Ferrara, Italy, Venus' children, surrounded by a flock of white rabbits, symbolize love and fertility. In Italian Renaissance and Baroque art, rabbits are depicted more often than hares. In an allegory on lust by Pisanello, a naked woman lies on a couch with a rabbit at her feet. Pinturicchio's scene of Susanna in the Bath is displayed in the Vatican's Borgia Apartment. Here, each of the two old men are accompanied by a pair of hares or rabbits, clearly indicating wanton lust. In Piero di Cosimo's painting of Venus and Mars, a cupid resting on Venus clings to a white rabbit for similar reasons. Still lifes in Dutch Golden Age painting and their Flemish equivalents often included a moralizing element which was understood by their original viewers without assistance: fish and meat can allude to religious dietary precepts, fish indicating fasting while great piles of meat indicate voluptas carnis (lusts of the flesh), especially if lovers are also depicted. Rabbits and birds, perhaps in the company of carrots and other phallic symbols, were easily understood by contemporary viewers in the same sense. As small animals with fur, hares and rabbits allowed the artist to showcase his ability in painting this difficult material. Dead hares appear in the works of the earliest painter of still life collections of foodstuffs in a kitchen setting, Frans Snyders, and remain a common feature, very often sprawling hung up by a rear leg, in the works of Jan Fyt, Adriaen van Utrecht and many other specialists in the genre. By the end of the 17th century, the grander subgenre of the hunting trophy still life appeared, now set outdoors, as though at the back door of a palace or hunting lodge. Hares (but rarely rabbits) continued to feature in the works of the Dutch and Flemish originators of the genre, and later French painters like Jean-Baptiste Oudry. From the Middle Ages until modern times, the right to hunt was a vigorously defended privilege of the ruling classes. Hunting Still lifes, often in combination with hunting equipment, adorn the rooms of baroque palaces, indicating the rank and prestige of their owners. Jan Weenix' painting shows a still life reminiscent of a trophy case with birds and small game, fine fruits, a pet dog and a pet monkey, arranged in front of a classicising garden sculpture with the figure of Hercules and an opulent palace in the background. The wealth and luxurious lifestyle of the patron or owner is clearly shown. The children's tales of the English author Beatrix Potter, illustrated by herself, include several titles featuring the badly behaved Peter Rabbit and other rabbit characters, including her first and most successful book The Tale of Peter Rabbit (1902), followed by The Tale of Benjamin Bunny (1904), and The Tale of The Flopsy Bunnies (1909). Potter's anthropomorphic clothed rabbits are probably the most familiar artistic rabbits in the English-speaking world, no doubt influenced by illustrations by John Tenniel of the White Rabbit in Lewis Carroll's book Alice's Adventures in Wonderland. Joseph Beuys, who always finds a place for a rabbit in his works, sees it as symbolizing resurrection. In the context of his action "How to Explain Pictures to a Dead Hare", he stated that the rabbit "...has a direct relationship to birth... For me, the rabbit is the symbol of incarnation. Because the rabbit shows in reality what man can only show in his thoughts. He buries himself, he buries himself in a depression. He incarnates himself in the earth, and that alone is important." Masquerade (book) (1979), written and illustrated by the artist Kit Williams, is ostensibly a children’s book, but contains elaborate clues to the location of a jewelled golden hare, also made by Williams, which he had buried at the location in England to which the clues in the book led. The hare was not found until 1982, in what later emerged as dubious circumstances. The Welsh sculptor Barry Flanagan (1944-2009) was best known for his energetic bronzes of hares, which he produced throughout his career. Many have a comic element, and the length and thinness of the hare's body is often exaggerated. Dürer's Young Hare Young Hare by Albrecht Dürer (1502) Probably one of the most famous depictions of an animal in the history of European art is the painting Young Hare by Albrecht Dürer, completed in 1502 and now preserved in the Albertina in Vienna. Dürer's watercolor is seen in the context of his other nature studies, such as his almost equally famous Meadow or his Bird Wings. He chose to paint these in watercolor or gouache, striving for the highest possible precision and "realistic" representation. The hare pictured by Dürer probably does not have a symbolic meaning, but it does have an exceptional reception history. Reproductions of Dürer's Hare have often been a permanent component of bourgeois living rooms in Germany. The image has been printed in textbooks; published in countless reproductions; embossed in copper, wood or stone; represented three-dimensionally in plastic or plaster; encased in plexiglas; painted on ostrich eggs; printed on plastic bags; surreally distorted in Hasengiraffe ("Haregiraffe") by Martin Missfeldt; reproduced as a joke by Fluxus artists; and cast in gold; or sold cheaply in galleries and at art fairs. Young Hare by Albrecht Dürer Completed in 1502, Young Hare was painted in water colour and gouache by German artist Albrecht Dürer who was not only a painter, but also an engraver, print-maker, a theorist and a mathematician. It has been suggested that the accuracy was the result of either the artist keeping a wild hare in his workshop or he initially sketched wild hares and used a dead specimen to add the details of the fur which points in many directions. http://totallyhistory.com/young-hare/ Since early 2000, Ottmar Hörl has created several works based on Dürer's Hare, including a giant pink version. Sigmar Polke has also engaged with the hare on paper or textiles, or as part of his installations, and even in rubber band form. Dieter Roth's Köttelkarnikel ("Turd Bunny") is a copy of Dürer's Hare made from rabbit droppings, and Klaus Staeck enclosed one in a little wooden box, with a cutout hole, so that it could look out and breathe. Dürer's Hare has even inspired a depiction of the mythological Wolpertinger. Millais’ watercolour was commissioned for an illustrated edition of Poets of the Nineteenth Century to illustrate the poem ‘Love’ by Samuel Taylor Coleridge. The poem tells of a moonlit meeting between two lovers. To a contemporary reader the poem’s content would have seemed quite risqué due to a woman meeting a man so late at night flirting with him and embracing him. Despite this deliberate attempt to titillate his audience, Coleridge repeatedly emphasises the heroine Genevieve’s modesty and virginity. This cannot be easily conveyed through one pictorial scene so it is possible that Millais added the rabbit to serve at once as a reminder of Genevieve’s virginal purity whilst alluding to the more intimate, and controversial, connection between the lovers. Hares Roasting a Hunter, Virgil Solis, ca. 1530-1562. Museum no. E.878-1927. © Victoria and Albert Museum, London. This rather gruesome, darkly humorous and absurd representation of hares roasting a hunter was inspired by the popular trope of ‘the world turned upside down’, with its use of ridiculous role reversal imagery. Again this image is illustrative of the paradoxical nature of the symbolism of rabbits and hares by simultaneously alluding to the cowardice of the animal whilst also revealing the fear rabbits instilled in some cultures. Because of the hares association with cowardice, connected to the animal’s natural tendency to be fearful of predators, the imagery of the hares roasting the hunter was perhaps the most absurd the artist could think of, particularly as one would normally think of rabbits as the hunted, rather than the hunter! In addition, in Christianity, rabbits were often thought to be witches’ familiars, making people fear them. Therefore, perhaps the hares in this image could be burning the men who persecuted them. Hare in Transit, Bruce Gernand, 2004. Museum no. © Victoria and Albert Museum, London/Bruce Gernand. Rabbits and hares still feature in contemporary art practices including computer art. Based on Aesop’s Fable ‘The Tortoise and the Hare’, this work by Bruce Gernand uses the hare as a vehicle to represent the relation between the virtual and material. The hare in this case is representative of the speed of computers and computer processes. The Nine of Hares, Master P W of Cologne. Museum no.E.14-1923. © Victoria and Albert Museum, London. This round playing card adorned with hares is part of a set from around 1500. Although rabbits and hares have long been a favorite subject in studies of nature card engravers usually depicted animals and plants from model books. However, in this case, the hares have been drawn from nature. This may be why these hares are so lifelike in terms of their poses with distinct personalities and characteristics –although some are a little menacing looking – sniffing the ground, standing to attention and looking around with curiosity. One thing that has become clear to me through my investigation into the symbolism of rabbits is its complexity which is fraught with paradoxes. https://en.wikipedia.org/wiki/Rabbits_and_hares_in_art https://commons.wikimedia.org/wiki/File:Brooklyn_Museum_-_Rabbit_Beneath_New_Year's_Pine.jpg http://www.vam.ac.uk/blog/factory-presents/merry-march-hares-and-rabbits http://www.vam.ac.uk/blog/factory-presents/merry-march-hares-and-rabbits http://www.metmuseum.org/toah/works-of-art/1978.412.118 http://www.jean-stote-fine-art.co.uk/ http://www.nolonstacey.com/limited-edition-prints/wide-eyed-hare https://www.pinterest.com/pin/51580358205744671/ http://caroleeclark.wordpress.com/2012/12/01/tilly-expressionistic-painting-of-a-belgain-hare/ http://fineartamerica.com/featured/moonlite-and-hare-amanda-clark.html http://www.think-differently-about-sheep.com/rabbits_and_hares_in_art.htm Elephant and Hare [Maasai] http://www.johntyman.com/africa/folk/ There was once a herd of elephants who went to gather honey to take to their in-laws. As they were walking along, they came upon Hare who was just about to cross the river. She said to one of them: "Father, please help me get across the river." The elephant agreed to this request and said to Hare: "You may jump on to my back." As Hare sat on the elephant's back, she was quick to notice the two bags full of honey that the elephant was carrying. She started eating honey from one of the bags, and when she had eaten it all, she called out to Elephant saying: "Father, please hand me a stone to play with." When she was given the stone, she put it in the now empty bag of honey, and started eating the honey from the second bag. When she had eaten it all, she again requested another stone saying: "Father, please hand me another stone for the one you gave me has dropped, and I want to throw it at the birds." Elephant handed her another stone, and then another, as she kept asking for stones on the pretext that she was throwing them at the birds, until she had filled both bags with stones. When Hare realized that the elephants were about to arrive at their destination, she said to the elephant which was carrying her: "Father, I have now arrived, please let me down." So Hare went on her way. Soon afterwards, the elephant looked at his bags, only to realize that they were full of stones! He exclaimed to the others: "Oh my goodness! The hare has finished all my honey!" They lifted up their eyes and saw Hare leaping away at a distance; they set off after her. They caught up with Hare within no time, but as the elephants were about to grab her, she disappeared into a hole. But the elephant managed to catch hold of her tail, at which time the skin from the tail got peeled off. Elephant next grabbed her by the leg. Hare laughed at this loudly, saying: "Oh! You have held a root mistaking it for me!" Thereupon Elephant let go of Hare's leg and instead got hold of a root. Hare shrieked from within and said: "Oh father, you have broken my leg!" As Elephant was struggling with the root, Hare maneuvered her way out and ran as fast as her legs could carry her. Elephant had by this time managed to pull out the root only to realize that it was not Hare's leg. Once more he lifted up his eyes and saw Hare leaping and jumping over bushes in a bid to escape. Elephant ran in pursuit of her once more. As Hare continued running, she came across some herdsmen and said to them: "Hey you, herdsmen, do you see that elephant from yonder, you had better run away, for he is coming after you." The herdsmen scampered and went their separate ways. When Elephant saw the herdsmen running, he thought they were running after Hare; so he too ran after them. When he caught up with them, he said: "Hey you, herdsmen, have you seen a hare with a skinned tail passing along here?" The herdsmen answered: "You have passed her along the way as she was going in the opposite direction." While Elephant had been chasing the herdsmen, Hare had gained some time to run in the opposite direction. Next, Hare came upon some women who were sewing outside the homestead and said to them: "Hey you, mothers who are sewing, do you see that elephant from yonder, you had better run away for he is coming after you." On hearing this, the women scampered for the safety of their houses immediately. But soon the elephant caught up with them and asked: "Hey you, honorable ladies, might you have seen a hare with a skinned tail going toward this direction?" The women answered: "There she goes over there." Hare kept running and this time she came upon antelopes grazing and she said to them: "Hey you, antelopes, you had better run away for that elephant is coming after you." The antelopes were startled and they ran away as fast as their legs could carry them. But soon the elephant was upon them, and he asked them: "Hey you, antelopes, have you seen a hare with a skinned tail going in this direction?" They pointed out to him the direction that Hare had followed. Still on the run, Hare next came upon a group of other hares, to whom she said: "Hey you, hares, do you see that elephant coming from yonder? You should all skin your tails for he is after those hares with unskinned tails." Thereupon all the hares quickly skinned their tails. At the same moment the elephant arrived and asked them: "Hey you, hares, have you seen a hare with a skinned tail going towards this direction?" The hares replied: "Don't you see that all our tails are skinned?" As the hares said this, they were displaying their tails confident it would please Elephant. On noticing that all the hares' tails were skinned, Elephant realised that Hare had played a trick on him. Elephant could not find the culprit, for all the hares were alike. And there ends the story. Word of the week:  Sacrifice © Copyrighted

  Who is Harry Furniss, and what the heck goes on in Sylvie And Bruno? We’ll answer one of those questions, as we highlight the somewhat tumultuous and entirely entertaining relationship between Lewis Carroll and one of his later illustrators. We’ll also touch upon the famous John Tenniel and the lesser known Arthur Burdett Frost, […] The post Lewis Carroll, Typewriters And Illustrators appeared first on Alice Is Everywhere.

This month in 1865 Alice's Adventures in Wonderland, featuring John Tenniel's classic illustrations, was published for the very first time (the edition was quickly withdrawn when Tenniel complained about the printing of his illustrations and an improved edition was published in November). To celebrate, Alex Clark talks with Robert Douglas-Fairhurst about The Story of Alice and with Creative Director Suzanne Dean about design, fashion and the icon that is Alice.Follow us on twitter: twitter.com/vintagebooksSign up to our bookish newsletter to hear all about our new releases, see exclusive extracts and win prizes: po.st/vintagenewsletter See acast.com/privacy for privacy and opt-out information.

Capitulo 11 sobre "Alice Atraves do Espelho" de Lewis Carroll → The post Capítulo 11 – Através do Espelho e o que Alice encontrou lá appeared first on Grifo Nosso.