Podcast appearances and mentions of benjamin bunny

In tonight's bedtime story for kids, selected from Abbe's bookshelf, we'll be reading Beatrix Potter's Peter Rabbit & Friends! We'll follow Peter Rabbit, Benjamin Bunny and Tom Kitten on their cheeky adventures around Mr McGregor's fields. Relax, get sleepy, and let's begin!  Upgrade to Koko Club Today!

 Today, I get to have a conversation with Sharon Burnett.  Sharon is a publisher and co-founder of two early childhood companies, most currently – CELEBRATE Successful Early Learning. The company creates supplemental big books, little books, music, and digital e-Stories based on a foundation of FUN and SUCCESS for our youngest learners. You might recognize the “Sing and Read” books like “Apple Annie”, “Benjamin Bunny” from years past! Sharon works with educators in the areas of Infant, Toddler, Threes, Pre-K, and Kindergarten within school districts, Head Start agencies, and Child Care organizations both nationally and internationally. Her knowledge and expertise in early childhood provide a cornerstone in the foundational years to enhance best practices for our youngest children. In this podcast episode, Sharon Burnett discusses the current state of early learning classrooms, highlighting the stress, anxiety, and extreme behaviors that both children and adults are experiencing. She attributes these issues to the changing world and society, including the impact of the COVID-19 pandemic. Burnett emphasizes the importance of reconnecting, communicating, and creating enjoyable learning environments. She also discusses the significance of music in early learning, citing research that shows its positive effects on reducing anxiety, increasing vocabulary, and promoting fluency and language development. She goes on to encourage educators to incorporate more music into their classrooms and to recognize the value of fun and joy in early childhood education.  Where are you using music to make your day more FUN? I really hope it's not just relegated to your music class, but that you are using fun songs – either recorded or just made up on your own to bring joy, laughter, and connection to your classroom. SO much research tells us that music is good for the brain and for the soul. If you read our newsletter or follow us on social media, you'll often here me saying that it's time to add in another “dance party” to your day!  Truly, music, movement and laughter change the atmosphere of every environment. Don't skimp on it!  See you next time!    You can find Sharon's website HERE and follow Celebrate Successful Early Learning on social media HERE  As always, we would love to connect with you on Instagram HERE and on Facebook HERE.  

Welcome back to Your StoryCorner and our new podcast episode. In this episode let's explore some little known amazing facts about the author herself of the Tale of Peter Rabbit - Beatrix Potter. Before I read you your bedtime story of two tales including the sequel The Tale of Benjamin Bunny. So settle down and relax and enjoy your bedtime story.  Yourstorycorner YourStorycorner

Brown bear, brown bear, what do you see? I see a new Dork Matters ep with Ben and Lexi. We're dorking out about the best, most amazing, legendary children's book illustrator-authors! With a bit of conspiracy theorizing about the Sankebetsu brown bear incident. Grab a blanky, get comfy, and let us tell you a story.FURTHER DORKSCUSSION:Sankebetsu brown bear incidentLegendary illustratorsMaurice Sendak - Where the Wild Things Are, Chicken Soup with RiceDr Seuss (Theodore Geisel), The Grinch, Green Eggs & HamEric Carle - Brown Bear, The Very Hungry CaterpillarRichard Scarry - Best Ever/BusytownBeatrix potter - Peter Rabbit, Benjamin Bunny, Jeremy FisherClement Hurd - Goodnight Moon, The Runaway BunnyEH Shepard - The Wind in the Willows, Winni-the-PoohUl de Rico - THE RAINBOW GOBLINS!Ezra Jack Keats - The Snowy Day, Peter's ChairBONUS CONTENT:Ul de Rico concept art for The Neverending Story (1984)Sendak's In the Night Kitchen: Unusual History of Censorship by Laura CattrysseBeatrix Potter - The Dead AuthorsProdorkcer Jess Schmidt's picks:say what you will about Roald Dahl, but Quentin Blake is an iconic illustrator in my mindLudwig Bemelmans of the Madeline books was another fave of my childhoodShel Silverstein was my first introduction to poetry and again just iconicThe Velveteen Rabbit was a book that I asked for all the time, illustrated by William Nicholson"I remember that as a child, when I felt overwhelmed, my mother would reassure me by saying, ‘One piece at a time.' That's good advice for many things in life." -Eric Carle SOCIALS:Here's where you can find us!Lexi' Hunt's website and twitter and instagramBen Rankel's website and instagram and where to buy his book: Amazon.ca / Comixology / Ind!go / Renegade ArtsJess Schmidt's website, twitter and instagramDork Matter's website(WIP) and twitter and instagram and redditThis podcast is created on the traditional territories of the Blackfoot Nations, which includes the Siksika, the Piikani, and the Kainai. We also acknowledge the Stoney Nakota Nation, Tsuut'ina, and Metis Nation Region 3.Help your dorky pals spread the word: share us on social media or give Dork Matters a rating and review on Apple Podcasts, or wherever you get your pods! Thank you for helping us to share our love of all things Dork!

Reading a collection of stories by Beatrix Potter as an audiobook with soothing rain sounds in the background to help you sleep. 100 Episodes of the podcast here on the free episodes! That's over 200 readings on Patreon. If you enjoy this podcast please leave a positive review! Join me on Patreon to hear complete audiobooks, vote on the next book and hear 2 new readings every week Patreon: https://www.Patreon.com/DownToSleep BUY THIS BOOK on Amazon to read along with me Make a donation - Tip the creator here Down To Sleep is a weekly podcast of book readings and bedtime stories. A mixture of classic adult and children's story books read softly as audiobooks to help you relax, and sleep. Support the podcast on Patreon get access to all episodes and complete audiobooks, including versions with relaxing rain sounds. Website: https://www.DownToSleepPodcast.com Down To Sleep is a sleep podcast of bedtime stories designed to help you fall asleep. Turn on & drift off. If you need help sleeping or just want to relax listening to classic tales as bedtime stories with a side of unintentional softly spoken ASMR. Come gently nod off to sleep with me, a new episode every Monday. You can listen on Spotify, Google, Apple, and most podcast apps. The Tale of Peter Rabbit, Mr Jeremy Fisher, Johnny Town Nouse, Jemima Puddle-Duck, The Puddle Ducks, Benjamin Bunny, Tom Kitten, Mrs Tiggly Winkle

Tonight, Elizabeth reads "The Tale of Benjamin Bunny," "The Tale of Two Bad Mice," and "The Tale of Mrs. Tiggy-Winkle" from "The Great Big Treasury of Beatrix Potter," a collection of Potter's stories and short books from the early 1900s. Listen to the music from The Sleepy Bookshelf in a relaxing soundscape on Deep Sleep Sounds: https://www.youtube.com/watch?v=zxRt2AI7f80 Try The Sleepy Bookshelf Premium free for 7 days: https://sleepybookshelf.supercast.com/. Are you loving The Sleepy Bookshelf? Show your support by giving us a review on Apple Podcasts. Follow the show on Apple Podcasts and Spotify. Vote on upcoming books via the Survey on our website: https://sleepybookshelf.com. Connect: Twitter - Instagram - Facebook Thank you so much for joining us here at The Sleepy Bookshelf. Now, let's open our book for this evening. Sweet dreams

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The children's stories The Tale of the Flopsy Bunnies is written by Beatrix Potter. Benjamin Bunny and his little rabbit children go to the rubbish heap of Mr. McGregor to eat. But they all fall asleep and Mr. McGregor finds the little rabbits. He decided to put them in a sack and take them home. But luckily Benjamin Bunny wakes up and saves his children. This story is suitable for all ages. Read, listen and print this story on our website: The Tale of The Flopsy Bunnies

TRANSCRIPTION: Mr. McGregor tried to put his foot upon Peter, who jumped out of a window, upsetting three plants. The window was too small for Mr. McGregor, and he was tired of running after Peter. He went back to his work. PETER sat down to rest; he was out of breath and trembling with fright, and he had not the least idea which way to go. Also he was very damp with sitting in that can. After a time he began to wander about, going lippity— lippity—not very fast, and looking all around. HE found a door in a wall; but it was locked, and there was no room for a fat little rabbit to squeeze underneath. An old mouse was running in and out over the stone doorstep, carrying peas and beans to her family in the wood. Peter asked her the way to the gate, but she had such a large pea in her mouth that she could not answer. She only shook her head at him. Peter began to cry. THEN he tried to find his way straight across the garden, but he became more and more puzzled. Presently, he came to a pond where Mr. McGregor filled his water-cans. A white cat was staring at some gold-fish; she sat very, very still, but now and then the tip of her tail twitched as if it were alive. Peter thought it best to go away without speaking to her; he had heard about cats from his cousin, little Benjamin Bunny. HE went back towards the tool-shed, but suddenly, quite close to him, he heard the noise of a hoe—scr-r-ritch, scratch, scratch, scritch. Peter scuttered underneath the bushes. But presently, as nothing happened, he came out, and climbed upon a wheelbarrow, and peeped over. The first thing he saw was Mr. McGregor hoeing onions. His back was turned towards Peter, and beyond him was the gate! PETER got down very quietly off the wheelbarrow, and started running as fast as he could go, along a straight walk behind some black-currant bushes. Mr. McGregor caught sight of him at the corner, but Peter did not care. He slipped underneath the gate, and was safe at last in the wood outside the garden. MR. McGREGOR hung up the little jacket and the shoes for a scare-crow to frighten the blackbirds. PETER never stopped running or looked behind him till he got home to the big fir-tree. He was so tired that he flopped down upon the nice soft sand on the floor of the rabbit-hole, and shut his eyes. His mother was busy cooking; she wondered what he had done with his clothes. It was the second little jacket and pair of shoes that Peter had lost in a fortnight! I AM sorry to say that Peter was not very well during the evening. His mother put him to bed, and made some camomile tea; and she gave a dose of it to Peter! "One table-spoonful to be taken at bed-time." BUT Flopsy, Mopsy, and Cotton-tail had bread and milk and blackberries, for supper.

The children's story, The Story of Benjamin Bunny, is written by Beatrix Potter. Little Benjamin, Peter's cousin, sees Mr. McGregor leaving his house and decides to go on an adventure in his garden. Together with Peter they get into mischief and Little Benjamin's father, Benjamin Bunny ends up saving the two little rabbits.

Reading a collection of stories by Beatrix Potter as an audiobook, softly spoken to help you sleep. If you enjoy this podcast please leave a positive review! Join me on Patreon to hear complete audiobooks, vote on the next book and hear 2 new readings every week Patreon: https://www.Patreon.com/DownToSleep Down To Sleep is a weekly podcast of book readings and bedtime stories. A mixture of classic adult and children's story books read softly as audiobooks to help you relax, and sleep. Support the podcast on Patreon get access to all episodes and complete audiobooks, including versions with relaxing rain sounds. Website: https://www.DownToSleepPodcast.com Down To Sleep is a sleep podcast of bedtime stories designed to help you fall asleep. Turn on & drift off. If you need help sleeping or just want to relax listening to classic tales as bedtime stories with a side of unintentional softly spoken ASMR. Come gently nod off to sleep with me, a new episode every Monday. You can listen on Spotify, Google, Apple, and most podcast apps. The Tale of Peter Rabbit, Mr Jeremy Fisher, Johnny Town Nouse, Jemima Puddle-Duck, The Puddle Ducks, Benjamin Bunny, Tom Kitten, Mrs Tiggly Winkle

It's rainy, there's a white cat, a handkerchief full of onions, and a rescue mission involving Old Mr. Bunny. But it all works out in the end for Peter Rabbit's spunky cousin.Support the show

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Listen to the classic adventures of Benjamin Bunny, Peter Rabbit and a cat by listening to The Library Fairy tell this entertaining story written by Beatrix Potter with narration, song, sound effects and memorable characters. Please visit The Library Fairy at Patreon to support the show, and keep it free and accessible. Support the show

A sequel to The Tale of Peter Rabbit. This time we learn how Benjamin Bunny helped his cousin get his clothes back. This episode is brought to life by Desiree Lai and produced by Tim Oh, both of whom are DJs of SPH Radio.See omnystudio.com/listener for privacy information.

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

View our full collection of podcasts at our website: https://www.solgood.org/ or YouTube channel: www.solgood.org/subscribe

In this classic Beatrix Potter tale, little Benjamin Bunny is on a mission to help his cousin Peter get his clothes back. But it won't be as easy as Benjamin thinks. Listen as Luke O'Connell gives life to this classic story.

“The Tale of Benjamin Bunny” is a children's book written and illustrated by Beatrix Potter, and first published by Frederick Warne & Co. in September 1904. The book is a sequel to The Tale of Peter Rabbit (1902), and tells of Peter's return to Mr. McGregor's garden with his cousin Benjamin to retrieve the clothes he lost there during his previous adventure. In Benjamin Bunny, Potter deepened the rabbit universe she created in Peter Rabbit, and, in doing so, suggested the rabbit world was parallel to the human world but complete and sufficient unto itself. In 1903, Potter and her publisher decided her next book should be less complicated than her previous productions, and in Benjamin Bunny she created a simple, didactic tale for young children. The book's masterful illustrations were based upon the several gardens at the Lake District estate of Fawe Park, where Potter spent the summer of 1903. Benjamin Bunny was an instant commercial and popular success, and thousands of copies were in print by the end of 1904. The Times Literary Supplement thought Potter's illustrations "pencil perfect",but suggested that she engage a literary assistant for future productions. Potter created a nursery wallpaper tapping Benjamin's image, and Benjamin returned as an adult rabbit in the Flopsy Bunnies and Mr. Tod. In 1992, Benjamin Bunny was adapted as an episode of the BBC animated television series, The World of Peter Rabbit and Friends.

Please visit us at http://www.patreon.com/TheCharacterNetwork (www.Patreon.com/TheCharacterNetwork) to help support TCN and help us keep providing these unique and extremely effective research based Bully and Violence Prevention and Character Education Programs to schools around the world, and help more kids who desperately need special intervention. Go to http://www.thecharacternetwork.org/ (www.TheCharacterNetwork.org) to learn more and get involved. Thank you! Public use in schools requires a site license, please visit The Character Network to find out how your school can get these life changing program as a part of the TCN METHOD for school violence and bully prevention. Go HERE for a Free Copy of Jim Lord's Life Changing Breakthrough Novel, Mr. Delaney's Mirror, A Reflection of Your Futurehttps://characternetwork.krtra.com/t/E6KcJXqk8olF (https://bit.ly/GetDelaneysMirrorHere)************** A HERO is someone who does something special to HELP OTHERS. Every hero STARTS as a CHILD, and every Child can CHOOSE to become a Hero... Just like THIS one!Beatrix was a lonely little girl born in London, England in 1866. Her parents were very busy and hardly had time for a baby, so she was mostly cared for by her nanny, Miss McKenzie whom she loved dearly. As a very young girl, Beatrix began to draw wonderful pictures of small animals and flowers from the countryside. By the time Beatrix was eight, her parents began to realize that she had an unusual ability for art and began to hire different instructors for her. Some of her drawings are from when she was only nine-years-old. They have been saved through all of these years because Beatrix, whose full name was Beatrix Potter, became the very famous author of books you know such as The Tale of Peter Rabbit. She also created Benjamin Bunny, Jeremy Frog, and Miss Jemima Puddleduck, along with so many others loved by children all over the world. Actually, when Miss Potter first wrote her stories with their wonderful drawings, they were in the form of letters to a boy who had been sick. When his family read her letters and enjoyed them so much, she decided to turn the story of Peter Rabbit into a book. Eight thousand copies of the book were sold before it was even printed. Yes, with the work she started even as a child, Beatrix Potter has brought great joy to millions of people throughout several generations. And for that, she became a HERO. That's what I know about the beginning of This Hero, and I know that YOU Can Be a Hero TOO! Dear Parents, After years of development, trial, and revision, we are so excited to now share with you the most effective version yet of our Proactive Bully Prevention Program that has proven to "change the culture" at hundreds of campuses across America in profound ways. Research has shown the TCN Method™ to be the single most effective school based Violence and Bully Prevention Intervention of its entire genre. We have hundreds of testimonials from educators describing the results they have gotten, and you can view many of these at http://www.thecharacternetwork.org/Testimonials (www.TheCharacterNetwork.org/Testimonials) This program, The Beginning of a Famous Hero™ is used in conjunction with a companion program called Bully Alert!™ in schools played over the intercom during morning announcements twice or more each school week, and backed up by a common culture which reinforces the principles taught, at every turn, and incorporates the phrases of the academic language during any teachable moment. These two sets of stories work together to convey a common academic language which says, “A bully is a person who hurts others on purpose (even if it's just hurting their feelings) but a HERO is a person who HELPS others. So CHOOSE to be a HERO by HELPING instead of a bully by hurting.” They also promote the concept of POSITIVE PERSONAL VISION, helping each student to realistically visualize his or her own "Future Self," and in doing so help... Support this podcast

Two wonderful stories from Beatrix Potter.

Peter Rabbit finds himself in Mr McGregor's garden again, but this time Benjamin has come along for the adventure. This episode is adapted from a story by Beatrix Potter, which is now in the Public Domain. We now have merch!  T-shirst, bags, socks, mugs and the list goes on and on.  Visit www.funfablespodcast.com Created and produced by: Josh Newth Published by Kinderling See omnystudio.com/listener for privacy information.

One day Benjamin Bunny heads to his aunt's house. On the way he sees Mr and Mrs McGregor setting out for the day in their gig. Arriving at his aunt's house, Benjamin meets his cousin Peter. Benjamin convinces Peter to go with him to Mr McGregor's garden to try and retrieve the clothes that Peter lost there previously. They find Peter's blue jacket and brown shoes on a scarecrow. Peter is scared to stay too long after his unpleasant experience the last time he was in the garden. Benjamin, on the other hand, stops to gather onions for his aunt. The pair see a cat and scramble to hide under a basket. Unfortunately the cat then sits on top, trapping the bunnies for five hours. They are eventually rescued by Benjamin's father, Old Benjamin Bunny, who then proceeds to punish them for coming in to Mr Mc Gregor's garden. The two bunnies return home to Peter's house. His mother is glad to see that he has found his clothes. Mr McGregor returns to his garden and is puzzled by all of the small footprints, the scarecrow's missing clothes and the cat locked in the greenhouse. The Tale of Benjamin Button read-aloud fairy tale was brought to you by

"The Tale of the Flopsy Bunnies", is a the third tale in the series about rabbits. Benjamin Bunny lives with his wife Flopsy and they have six children. Listen in to know who catches and who saves these rabbits. "The Tale of the Flopsy Bunnies" was written and illustrated by by Beatrix Potter and it was published in 1909 www.chimesradio.com http://onelink.to/8uzr4g https://www.facebook.com/chimesradio/ https://www.instagram.com/vrchimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

In episode 10, Emily and Eric drink Long Day Lager from Red Hare Brewing in Marietta, GA. They discuss parody and some satire, a lot of Robin Hood, and then read Emily's poem, Benjamin Bunny. 

Today's Episode includes the wonderful tale of Benjamin Bunny by Beatrix Potter. Enjoy!

The Classic Tales of Peter Rabbit, Benjamin Bunny and Tom Kitten read in a bedtime story style. Get cozy and sleep with these sleepy stories. This episode with be available ad-free and on my Patreon here - https://www.patreon.com/SleepCove Search for Sleep Sounds by Sleep Cove in your favourite podcast app of choice or click the link: https://anchor.fm/sleepsoundssc Do you like Sleep Music or Ambient Sounds like Rain & Ocean waves? Checkout our Sleep Meditation Music Podcast: https://anchor.fm/sleepsoundssc Become a Patreon supporter for ad-free episodes and bonus content: https://www.patreon.com/SleepCove Get ad-free episodes: https://www.sleepcove.com/support Get a Bonus Sleep Meditation Video by joining the Newsletter here: https://www.sleepcove.com/bonus Subscribe on YouTube here: https://rb.gy/t7wyjk Facebook Group here: https://rb.gy/azpdrd Instagram here: https://www.instagram.com/sleep_cove/ Best listened to in bed using comfortable Sleep Headphones: https://geni.us/UmbVb Premium Sleep Phones: https://bit.ly/2wWiMmd - use code "sleepcove" for 10% off Please use in a place where you can safely fall asleep. All Content by Sleep Cove does not provide or replace professional medical advice diagnosis or treatment. Always seek the advice of your medical professional before making any changes to your treatment and if in any doubt contact your doctor. Please listen in a place where you can safely go to sleep. If in any doubt contact your doctor. Sleep Cove is not responsible or liable for any loss, damage or injury arising from the use of this content. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app · Music + Talk: Got an idea for a Music + Talk show? Get started by downloading the free Anchor app or going to anchor.fm/musicplustalk anchor.fm/musicplustalk Support this podcast: https://anchor.fm/sleepcove/support

Welcome to the Instant Trivia podcast episode 120, where we ask the best trivia on the Internet. Round 1. Category: Beauty Queens 1: The Miss America Pageant stopped giving this award for friendliness in 1974. Miss Congeniality Award. 2: Ex-Miss New Orleans who went down the "Road" with Bing and Bob. Dorothy Lamourr. 3: She was 1st runner-up in the 1940 Miss Venice Beach Contest -- she didn't look like Lily Munster yet. Yvonne De Carlo. 4: She won Miss World-USA in '73 --but the headband, bracelets and red, white and blue costume came later. Lynda Carter. 5: This Miss Sweden of 1951 was Fellini's femme fatale in 1959's "La dolce vita". Anita Ekberg. Round 2. Category: Driving Don'ts 1: "Piggish" term for an aggressive driver who invades the lanes of other drivers. "Road Hog". 2: This phrase describes an accident in which the driver flees the scene. Hit-and-run. 3: Don't gun the engine and pop this pedal. Clutch. 4: To make your tires squeak and leave blackmarks is called "burning" this. Rubber. 5: It's the term for what you're doing if you can read an "If you can read this you're too close" bumper sticker. Tailgating. Round 3. Category: British Authors 1: Princess Di's step-grandmother, this "Queen of Romance" passed away in 2000 at the age of 98. Barbara Cartland. 2: Peter Rabbit and Benjamin Bunny are just a few of this British author's hare-brained protagonists. Beatrix Potter. 3: His professor, Dr. Joseph Bell, a master of diagnostic deduction, was his model for Sherlock Holmes. Conan Doyle. 4: In a Robert Browning title, "The Book" is paired with this object -- but not the one Robert gave Elizabeth. Ring (but not the ring he gave her). 5: From the early 1900s, his "The First Men in the Moon" and "The War in the Air" proved eerily prophetic. H.G. Wells. Round 4. Category: The Category Of Daniel 1: In 1775 this pioneering American blazed the Wilderness Road. Daniel Boone. 2: One of his literary works gave us the term "Man Friday". Daniel Defoe. 3: On the big screen he's been Gerry Conlon, Hawkeye and Christy Brown. Daniel Day-Lewis. 4: One of his best-known orations is the Bunker Hill speech of 1825. Daniel Webster. 5: The Pentagon Papers he gave to the N.Y. Times in 1971 revealed deceptions about Vietnam dating back to the 1940s. Daniel Ellsberg. Round 5. Category: "C"Omedians 1: He teamed with Cheech on numerous comedy albums. Tommy Chong. 2: Some of his "Seven Words You Can't Say on TV" are now said on TV, especially cable. George Carlin. 3: "The Best Second Banana in the Business", he gained undying fame as sewer worker Ed Norton. Art Carney. 4: She was the first original member of "Saturday Night Live" to score a success with a second TV series. Jane Curtin. 5: This understated comedian played Mr. Peepers and was the voice of Underdog. Wally Cox. Thanks for listening! Come back tomorrow for more exciting trivia!

Drift off to sleep tonight with The Tale of Peter Rabbit, The Tale of Benjamin Bunny, The Tale of the Flopsy Bunnies and, The Tale of the Two Bad Mice, all from the Great Big Treasury of Beatrix Potter.If you like this episode, please leave a review or rating on your favourite podcast app or, simply, follow the podcast. Goodnight and Sweet Dreams.... We are also now on Twitter: https://twitter.com/JustSleepPod  and Instagram: https://www.instagram.com/justsleeppod/

Authored by Beatrix Potter. Originally published in September 1904. Read by Cherie LeDoux in 2021.

The Tale of Peter Rabbit, The Tale of Benjamin Bunny, and The Tale of the Flopsy Bunnies!

A sequel of "The tale of Peter Rabbit" the book we have in this episode is "The tale of Benjamin Bunny". Story begins where it left in the prequel, Peter and Benjamin come face to face with a ferocious cat, listen in to know who saves them both. "The tale of Benjamin Bunny" was written and illustrated by Beatrix Potter and was published in 1903 www.chimesradio.com http://onelink.to/8uzr4g https://www.facebook.com/chimesradio/ https://www.instagram.com/vrchimesradio/ Support the show: https://www.patreon.com/chimesradioSee omnystudio.com/listener for privacy information.

This is a story by Beatrix Potter about two bunnies who enter Mr. McGregor's garden to retrieve Peter Rabbit's clothes. The Tale The Tale of Benjamin Bunny is just one of many wonderful stories written by Author Beatrix Potter. Beatrix Potter spent a lot of time alone as a child way out in the countryside on holidays and vacations. She loved observing animals and sketching images of them. She later wrote stories about the images that she had drawn. In 1902, Beatrix Potter published her Tale of Peter Rabbit. That was the begining of her career as the author of children's stories. She wrote more than 20 books for children including the precious story. She was born on July 28th, 1866 in London England. & You can find out more about TeaFairy StoryTime by following me on Facebook and YouTube and the Multiple locations for this Podcast: YOUTUBE www.youtube.com/user/TofArcata FACEBOOK PAGE www.facebook.com/TeaFairyAndFriendsStorytimeAndAdventures FACEBOOK GROUP www.facebook.com/groups/286299862950026/?ref=share&exp=e8c2 PODCASTS Spotify.com Google.com/podcasts Breaker.audio Pocketcast RadioPublic Anchor.fm And more --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/teafairystorytime/message Support this podcast: https://anchor.fm/teafairystorytime/support

Beatrix Potter's classic tale with a tail. Peter Rabbit's cousin comes to town and mischief follows.Support the show (https://www.patreon.com/NannyBea)

It's Xander's turn again! This time he's reading one of his favorites from The Original Peter Rabbit Books. Hope you enjoy!

Tale of Benjamin Bunny, Witch Doctor, Over The Rainbow and more

probably my favorite book by Beatrix Potter book. check out the website here: https://sites.google.com/view/henandpentelltales/home?authuser=0 --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/henandpentelltales/message

The Tale of Benjamin Bunny is a children's book written by Beatrix Potter. This story is told here by Sidwell Friends School 4th Grade student George D, This podcast is presented by the 4th Grade students of the Sidwell Friends School. If you like the podcast and would like to donate, please go to https://tarun.me/donate.html

Beatrix loves the countryside, but lives in a big, lonely house in London – if only she had a friend. Then she meets Benjamin Bunny and everything changes! They spend every day together playing chase and follow my leader. But when Benjamin dies, Beatrix is heartbroken. She decides to write about Benjamin’s adventures and about her new bunny, Peter, who plays the tambourine and jumps through hoops. If she can publish her stories, she knows children will fall in love with Benjamin and Peter, and her bunnies will live forever. Find out more about Stories Aloud: https://nosycrow.com/stories-aloud/

Tonight's stories:The Tale Of Two Bad Mice, by Beatrix PotterThe Tale of Benjamin Bunny, by Beatrix PotterThe Tale of Mrs. Tiggy-Winkle, by Beatrix PotterYou can send me short stories to read. Email bigvoicejay@gmail.com.Remember to like and subscribe!Support the show (https://www.buymeacoffee.com/bvjpod)

A little bunny and his cousin get into mischief. --- This episode is sponsored by · Music + Talk: Got an idea for a Music + Talk show? Get started by downloading the free Anchor app or going to anchor.fm/musicplustalk anchor.fm/musicplustalk

Benjamin Bunny convinces his cousin, Peter Rabbit, to sneak back into Mr. McGregor’s garden. Unfortunately, trouble comes in spades in this whimsical adventure.

A reading of both the Tale of Peter Rabbit, and the Tale of Benjamin Bunny, from the original Beatrix Potter book published in 1910. Check out our website to listen to all the episodes, find out how you can support the show and join our mailing-list: www.talesbythrefireside.com See acast.com/privacy for privacy and opt-out information.

He went back towards the tool-shed, but suddenly, quite close to him, he heard the noise of a hoe— scratch, scratch, scratch, Peter scattered underneath the bushes. But presently, as nothing happened, he came out, and climbed upon a wheelbarrow, and peeped over. The first thing he saw was Mr. McGregor hoeing onions. His back was turned towards Peter, and beyond him was the gate! Peter sat down to rest; he was out of breath and trembling with fright, and he had not the least idea which way to go. Also he was very damp with sitting in that can. After a time, he began to wander about, going lippity— lippity—not very fast, and looking all around. He found a door in a wall; but it was locked, and there was no room for a fat little rabbit to squeeze underneath. An old mouse was running in and out over the stone doorstep, carrying peas and beans to her family in the wood. Peter asked her the way to the gate, but she had such a large pea in her mouth that she could not answer. She only shook her head at him. Peter began to cry. Then he tried to find his way straight across the garden, but he became more and more puzzled. Presently, he came to a pond where Mr. McGregor filled his water-cans. A white cat was staring at some goldfish; she sat very, very still, but now and then the tip of her tail twitched as if it were alive. Peter thought it best to go away without speaking to her; he had heard about cats from his cousin, little Benjamin Bunny. He went back towards the tool-shed, but suddenly, quite close to him, he heard the noise of a hoe— scratch, scratch, scratch, Peter scattered underneath the bushes. But presently, as nothing happened, he came out, and climbed upon a wheelbarrow, and peeped over. The first thing he saw was Mr. McGregor hoeing onions. His back was turned towards Peter, and beyond him was the gate! Peter got down very quietly off the wheelbarrow, and started running as fast as he could go, along a straight walk behind some black-currant bushes. Mr. McGregor caught sight of him at the corner, but Peter did not care. He slipped underneath the gate and was safe at last in the wood outside the garden. Mr. McGregor hung up the little jacket and the shoes for a scarecrow to frighten the blackbirds. Peter never stopped running or looked behind him till he got home to the big fir-tree. He was so tired that he flopped down upon the nice soft sand on the floor of the rabbit-hole and shut his eyes. His mother was busy cooking; she wondered what he had done with his clothes. It was the second little jacket and pair of shoes that Peter had lost in a fortnight! I am sorry to say that Peter was not very well during the evening. His mother put him to bed and made some chamomile tea; and she gave a dose of it to Peter! "One table-spoonful to be taken at bed-time." BUT Flopsy, Mopsy, and Cotton-tail had bread and milk and blackberries, for supper. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/uirapuru/message

By Beatrix Potter

Benjamin Bunny joins his cousin Peter Rabbit in this tale of mischief and escape! Listen to hear about what these two silly bunnies have been up to and how they get out of Mr. McGregor's garden again. --- Send in a voice message: https://podcasters.spotify.com/pod/show/twinkletwinklelittlepod/message

Grandma Susan reads The Tale of Peter Rabbit, The Tale of Benjamin Bunny, The Tale of Squirrel Nutkin, Sophie's Squash, Wemberly Worried, and Chrysanthemum

More great books at LoyalBooks.com

Beatrix Potter wrote many children's stories about animals and her most famous is "THE TALE OF PETER RABBIT." But did you know that THIS is the "sequel." Listen and find out what else happened to Peter. --- Support this podcast: https://anchor.fm/noel-macneal/support

The Tale of Benjamin Bunny - For The Children of Sawrey From Old Mr. Bunny Support this podcast

Story Time Presents, The Tale of Benjamin Bunny read by Louis Kerman and Amy Kerman. Read along here. This podcast has been brought to you by MIWarren. To hear more podcasts like this, visit MIWarren.org.

Story Time Presents, The Tale of Benjamin Bunny read by Louis Kerman. Read along with Louis here. This podcast has been brought to you by MIWarren. To hear more podcasts like this, visit MIWarren.org.

A classic Beatrix Potter tale about a furry family of rabbits.

Join us (along with Peter Rabbit, Benjamin Bunny, and Jemima Puddle-Duck) to discuss the empowering, whimsical life of Beatrix Potter - illustrator, author, mycologist, sheep breeder, environmentalist, and scientist! We hope to put a smile on your face with this one - stay healthy and hopeful!

From the author that brought you “The Tale of Peter Rabbit”, comes the continuation of the series – picking up right where we left our friend Peter. This time, it’s cousin Benjamin’s turn to lead the adventure back to Mr. McGregor’s garden… --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Cammy and James are back to look at the arsehole that is Peter Rabbit. Why is Mr Todd so unequipped for life in the country? Why aren't Peter Rabbit and Benjamin Bunny beaten like in the books? When, within the Beatrix Potter cannon is this set? We also look ahead to plans for a Christmas special episode, possibly looking a the strange lives of Ross and Norris McWhirter.CAUTION: NOT SUITABLE FOR KIDS. NOT AFFILIATED WITH CBEEBIES, THE BBC, OR PROGRAMME MAKERS See acast.com/privacy for privacy and opt-out information.

This week we got back to the wonderful works of Beatrix Potter for her story about Benjamin Bunny. Tune in to listen to more adventures with Benjamin, Peter Rabbit and farmer McGregor!Thank you to everyone who tuned in to check out last week's, The Lazy Man and The Squirrel - we truly hope you enjoyed another TM Ganim original! And thank you again to all of you for your kind words and endless support! We truly could not do this without you:)If you enjoy the Planet Storytime Podcast and would like to support the show, please click the ‘subscribe' button on your podcast player and tell your friends about us! You can also support us with contributions on our Patreon webpage. Simply go to Patreon.com, and search for Planet Storytime Podcast.You can also reach out to us with suggestions, requests and questions by email at planet.storytime@gmail.com, and keep using your imagination to unlock the full power of your brain!Support the show (https://www.patreon.com/planet_storytime_podcast)

Naughty Benjamin Bunny talks his cousin Peter Rabbit into stealing back his clothes from Mr McGregor's garden!This is a classic illustrated book by Beatrix Potter. You can read this story for free online at Storyberries.com. It's read by Jade Maitre.

In this tale we hear all about his and peters adventures in Mr. McGregor’s vegetable garden. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sleepyhead/message Support this podcast: https://anchor.fm/sleepyhead/support

Satin Angora - Town of Fools - Labor - Facial Paralysis   Now in this episode we are specifically looking at the Satin Angora, but as the expression goes, I fell down a rabbit hole on the Angora's in general, so there is more info then just the Satin specifically. There are several other Angora breeds that I would like to do individual episodes about as well. The Angora rabbit (Turkish: Ankara tavşanı), which is one of the oldest types of domestic rabbit, is bred for the long fibers of its coat, known as Angora wool, that are gathered by shearing, combing, or plucking. Because rabbits do not possess the same allergy-causing qualities as many other animals, their wool is an important alternative. There are at least 11 distinct breeds of Angora rabbit, four of which are currently recognized by the American Rabbit Breeders Association (ARBA). They are gentle in nature, but they are not recommended for those who do not groom their animals. Their wool is very dense and needs to be groomed twice a week. I will be mentioning the other Angora breeds, but again I would like to cover them individually. History Angora rabbits, were developed during Roman times. The gene for long hair exists in many animals, and as it it recessive (in other words hidden in animals who are carriers) it can crop up unexpectedly in places. Heavily-furred (or wooled) rabbits existed during the reign of King Henry VIII (1509-1547). The Angora is said to have originated in Ankara (historically known as Angora), in present-day Turkey, and is known to have been brought to France in 1723. There is much controversy regarding the origin of the Angora rabbit. The story, according to generally accepted theory, goes back to the early 18th century, about 1723 when some sightseeing sailors put into a Turkish port then called Angora. The sailors found the shawls worn by the native women to be remarkable for their beauty, fineness and silkiness. So before the sailors left Angora they secured some of the Angora rabbits to take back to France. The French claim the Angora rabbits were first recorded in France in the Encyclopedia of 1765. In any event, credit must be given to France for seeing the commercial possibilities of Angora wool and for being the first to manufacture this type of wool into yarn. While there are two distinct histories, others believe that the thought that most wooly rabbits were in England, as there was a decree stating that ‘English Silky Hares’ should not be allowed to leave the country, or until smuggled out more likely. Whatever the case is, there seems to be no doubt Angoras ended up in France in the 1700s. The French quickly started breeding them for their wool and the modern day Angora rabbit was on it’s way. The Angora rabbit became a popular pet of the French royalty in the mid-18th century, and Angoras spread to other parts of Europe by the end of that century. They first appeared in the United States in the early 20th century. A noted historian of rabbit breeds, Bob D. Whitman, mentions a purported origin of the Angora breed dating to ten centuries earlier: "It has been written that the indigenous Trelicians, which were small and frail people, first bred the Angora rabbit in the southern Carpathian mountains around the 6th century." This information has not been substantiated and Whitman acknowledges "we will never know for sure". Angoras first came to the United states around 1920, over the years, the American Rabbit Breeder Associated recognized, French Angoras (known for their commercial body type, and low matting coat), English Angoras (a much softer wool with beautiful ear and face furnishings), Giant Angoras (Developed by crossing Angoras with French Lops and Flemish giants). In addition, German Angoras, a non molting (shedding) bunny was popular in hand-spinning and fiber farms, for their tremendous yield. Prior to 1939, there was one breed of "Angora Wooler". In 1939 ARBA reclassified "Angora Wooler" into "English Type" and "French Type". In 1944 ARBA officially separated Angora rabbits into two breeds: English Angora and French Angora. Satin Angora The Satin Angora rabbit can trace it’s linage to famous breeder John C. Fehr, who first created the satinized Angora back in 1930, but gave up on the project because he thought their fur was weak. Whereas the English, French and German angora breeds have their origin in a common European angora rabbit, the satin angora is a young breed created by a Dutch woman living in Ontario, Canada named Mrs. Leopoldina Meyer. Leopoldina Meyer was shown a copper satin doe that had a long, woolly coat. The wool was shiny and satinized, and Mrs. Meyer immediately fell in love with the little doe. She parted with $10 to obtain it. Enchanted with its fur, she paired it with a French Angora and the result was a kindling of Satin Angoras. The Satin Angora was developed in the late 1970s by Mrs. Meyer of Holland Landing Ontario, Canada, who crossed French Angoras with rabbits of the Satin breed. In a litter of short-haired satin rabbits she found a longish haired bunny, which she later bred to a French angora. That is how she was able to bring the wonderful sheen into the angora breed. In 1987, the satin angoras were recognized as a new angora breed by the ARBA. Although the yield of wool may be improved, the breed is truly the royalty of the angoras. In addition to the sheen (for which the Satin is known), true red and copper pigments emerged in the new rabbits. In all "satinized" coats, the hair shaft has a semi-transparent outer shell that reflects light, resulting in deep color, high luster, and an extremely soft and silky texture to the hairs. The Satin Angora (like the French Angora) has no furnishings on the face, ears, or feet. The Satin does not produce as much wool as other Angora breeds, but this trait is being improved upon through selective breeding. While more difficult to keep groomed than the French Angora, the Satin is less difficult than the English or Giant Angoras. Because of the soft texture of the wool and the lower guard-hair count in the coat, matting occurs more readily. Daily combing is therefore recommended. Satin Angora wool is said to be stronger for spinning than other Angora varieties, but because of its slipperiness, it can be more difficult to spin. Other Angora rabbit breeds include: Chinese Angora, Finnish Angora, Japanese Angora, Korean Angora, Russian Angora, St. Lucian Angora, Swiss Angora, English Angora- ARBA, French Angora - ARBA, Giant Angora - ARBA, The Satin Angora - ARBA (which we are covering on this episode), and finally the German Angora - IAGARB accepted. In the 1944-1947 Standard of Perfection, the official names were listed as English Angoras and French Angoras. Prior to this the Standard was listed as ‘Angora Woolers’ without specifying a breed. The Satin Angora was accepted in 1987 and the Giant Angora was accepted in 1988. Thus the 1991-1995 Standard of Perfection brought four breeds of angoras for representation. Satin Angora description The French Angora is very similar to the Satin. Both breeds are on the large side of four-class rabbits and have commercial body type. Both breeds usually have “clean” heads and ears, meaning that the head and ears are covered with normal fur instead of wool. In fact, they both disqualify rabbits that have heavy furnishings on the ears, or wool below the ankle or hock. Telling the difference between a French and Satin Angora is a tricky problem for youth breed ID contestants, but here are a few things they remember: The Satin is slightly smaller, having a maximum weight of 9 ½ pounds compared to the 10 ½ pound limit on French. Also the French breed recognizes the broken color pattern, but the Satin does not. Obviously, Satins have sheen, but this is often hard to see in the wool. The best place to look for a Satin sheen, as well as the best place to look to identify the rabbit’s color, is the head and ears. Here the wool is dense and short. The same amount of pigment is packed into each hair on the head as is spread out over each of the 2-5 inch long wool fibers, so it can be seen much better on the head and ear. The wool is softer than that of the French, so it requires more careful grooming. The Satin Angora is to have a medium length body with good width and depth. The sides should have a slight taper from the hindquarters to the shoulders. The head is to be oval with a broad forehead and somewhat narrow at the muzzle. The head should balance with the rest of the body. The ears are to be plain or slightly tufted, however tufting is restricted to the tips of the ears. Satin Angora rabbits have a commercial body type, with their sides having a slight taper from the hindquarters to the shoulders. They have relatively plain ears that can sometimes be slightly tufted and their oval head has a broad forehead and a slightly narrower muzzle. The wool of the Satin Angora is finer than the wool of the other Angora breeds. The wool is to be fine, soft and silky. There is to be a good crimp to the underwool. The Satin Angora wool appears to be ‘shiny’, which is known as sheen. The smaller diameter and clarity of the hair shaft provides a reflection of light that gives the hair a shining richness of color. The sheen is to be evident over the entire body from nose to tail. The junior buck and junior doe are not to weigh over 6 ½ pounds and have a minimum weight of 3 ¾ pounds. The senior buck and senior doe may weigh from 6 ½ to 9 ½ pounds with 8 pounds being the ideal weight. The Satin Angora carries the most points of all angora breeds on the wool, which includes density, texture, sheen, and length. The points for ‘General Type’ include the body type, head, ears, eyes, feet, legs and tail. Weight: 3.0–4.5 kg (6.6–9.9 lb). ARBA-recognized varieties: [Includes eight color groups. The color of a Satin Angora is determined by the uniform pigment on its head, feet, and tail. The Satin Angora rabbit is often used as a fiber animal, which means they are bred to shave their coat – a process that doesn’t cause any discomfort. In order to take their coat, breeders brush the rabbit often or clip its thick coat using a pair of sharp scissors, which does not cause it any pain – like human hair, it always grows back. Although they are mostly used for this purpose, it is certainly not uncommon to have an Angora rabbit as a house pet, as they are very sociable, affectionate rabbits who love to cuddle with people and play with their own toys. Health Because of the length and abundance of their hair, Angora rabbits are particularly susceptible to wool block, a potentially-lethal blockage of the digestive tract. All rabbits ingest some of their wool when they groom themselves, but their digestive system is not able to pass that foreign matter. The length of Angora hairs compounds the risk of impaction, which can lead to death. Clipping their wool every 90 days is considered a must to prevent wool block in Angora breeds. Wool mites Cheyletiella parasitovorax is a skin parasite commonly found in Angora rabbits. Signs of infestation are flaky skin patches and fur loss. Wool mites reduce fiber yields and the resulting skin flakes are detrimental to the fiber quality. Wool mites may be treated with ivermectin or with carbaryl powder. Due to their thick, dense fur, Angoras generally do well even in cold temperatures. Should you keep an outdoor enclosure, be sure to install plastic or wooden walls on three sides of the enclosure to keep the draft out. Don’t keep your Angora out when the temperature is too hot if your enclosure does not a way to keep them ventilated. A large wire cage that keeps them off their soiled bedding should be sufficient to keep your bunny happy. Their diets should consist of 4-8 ounces of daily pellets, depending on their weight and age, as well as a handful of hay for their daily intake of fiber. To help digestion, feel free to add a tablespoon of sunflowers seeds to their pellets and always make sure your rabbit has fresh water at all times. Your Satin Angora rabbit would benefit from daily outdoor activity time to soak up some much-needed sun…and to stretch out their muscles, of course! Always remember to always watch your rabbit whenever young children are involved. Temperament/Behavior Angoras, whether they are Giant, English, French or Satin, are docile creatures that have no problem being handled. Satin Angoras in particular have been bred as fiber animals, and so they are tolerant of stroking and grooming. All Angoras tend to be people rabbits who are clowns, and sweet. After all, unlike many bunnies bred strictly for meat purposes, Angoras have been bred to live a long productive life making wool. They must be easy to handle. Satin Angoras are inquisitive, active, and like all Angoras a bit clownish. It’s wonderful having bunnies who come up for petting and greet you at the cage door every morning. Especially when petting them is like petting silk. The Satin Angora rabbit does well with other rabbits and also enjoy human attention. Should you have an indoor Angora, their temperament is comparable to a well-mannered cat – they will nap in any little corner of your home and will greet you at their cage door to be petted. They are also known to be little clowns and enjoy the occasional toy such as ball, piece of soft wood or even a pine cone. Angoras are generally happy bunnies that are incredibly friendly with everyone they meet, even strangers! They love to go outside to run and hop around, so having a backyard where they can get some sunshine is definitely a requirement. When they’re indoors, they’ll be the quiet, cuddly companion you’ve always wanted. Angora rabbit wool "[S]he earned her living by knitting rabbit-wool mittens and muffatees". Original text with this illustration from The Tale of Benjamin Bunny by Beatrix Potter (1904). Satin Angora rabbits can have white, grey, brown or tan fur, or a combination of these colors. A Satin Angora’s fur is their pride and joy (the very reason why they are called “Satin” Angoras, after all) . Their wool is finer, softer and silkier than other Angora rabbits. The reason their fur looks like satin is due to a recessive gene that causes the casing around the pigment in each hair to be translucent rather than opaque, like most fur. This gives their coat a distinctive sheen or luster. This gene also causes the diameter of each strand of hair to be smaller than normal wool. This means that this rabbit also produces some of the finest wool of any rabbit breed. The incredible softness and the sheen make this fiber a very special thing. Satin-Angora fiber is a luxury fiber and not easy to find. The satin factor is based on a simple mutation and is passed on recessively. It changes the structure of the hair: the hair shaft is thinner and translucent, the color pigments are in the inside of the hair. The shaft reflects the light, the wool becomes shimmering and shiny. It looks like spun glass! The diameter of the hair is even smaller than normal angora wool and it looks and feels like silk. It is a little bit more slippery than normal angora fibers and is preferably spun with some extra twist. A great deal of natural colors is a temptation for hand-spinners. Angoras are bred mainly for their wool, which is silky and soft. At only 11 microns in diameter, it is finer and softer than cashmere. A healthy adult Angora's wool will grow approximately 3 centimeters (1.2 in) per month. Regular grooming is necessary to prevent the fiber from matting and felting on the rabbit, which causes discomfort that can lead to pain and even infection. Angora wool is harvested (plucked or shorn) every three to four months throughout the year. The coat needs to be monitored after 6 months of re-growth, as it may tend to "die" and easily mat. Angora wool may be gathered periodically by hand-plucking the hairs within the coat that are being naturally shed. A full harvesting is done by shearing the coat with clippers, often while the rabbit sits atop a groomer's turntable. With each clipping, 12 ounces (340 g)—and up to 18 ounces (510 g)—of wool may be harvested from a Giant Angora. The wool accepts dye readily, and is 8 times warmer than sheep's wool, soft, and lofty. No bunnies have to be harmed to produce the fiber, instead they are groomed and their coats are either sheared or plucked (where the currently shedding fiber is removed by hand), approximately 4 times a year. From the experience of Satin Angora breeders today, the satinized wool is not weak; it is perhaps stronger than normal angora fibers. While the satin hair shaft is narrow and translucent, the collagen cells are more densely constructed, lending more strength despite the more fragile appearance. Judges award up to 60 points on wool alone: 20 for density, 15 for texture, 10 for length, and 15 for the distinctive sheen of the satinized wool. TIPS FOR GROOMING ANGORAS by Pat Glenn from the National Angora Rabbit Breeders Club, Inc website which has some great information on Angora's, and I encourage you to visit the site. A link to it will be in the show notes. Many times Pat has had people tell me how much they love to look at Angora Rabbits and how soft they feel, but they wouldn't want to go to all the trouble of grooming one. Pat thinks they're missing out on a beautiful, personable bunny and grooming can be as much trouble as you make it. As far as tools, a soft slicker brush such as Evergentle or ones used for cats, a metal comb and, in case of tough mats or for shearing, a pair of sharp short blade scissors. Also, strange as this may sound, a hair blow dryer with a high cool air setting, or a Shop-Vac on exhaust can really cut grooming time. From Pat Glenn's experience, the French Angoras are possibly easiest to groom, because they don't have the facial wool nor do they have the woolly feet. Their senior wool has more guard hairs and helps them be less matting. The English Angora has softer wool and that adorable fluffy face and those woolly feet. The muffs (side face wool) and bangs and tassels (long hair on the ears) probably will need gentle grooming with your slicker and comb two or more times week depending on how heavily furnished your bunny is. It's easier to keep the pesky mats out than get them out once they start. The Satin Angora, in Pat's brief experience with them, can be tricky to groom. They have beautiful intense color, but the hair is fine and seems to attract mats, especially in the young coat. Several long-time Satin breeders have told Pat that they clip the coats of the young when they are 6-8 weeks old to help encourage a more groom-able growth. Because of the fine hair shaft, the Stains don't look as "fluffy" or appear to have as much density. Pat has had several Satins, that when you are done grooming them, they start licking themselves all over. This pretty much undoes a lot of your grooming. Pat has not had a great deal of experience with Giant, but their massive coats can be gorgeous. In ease of grooming they would probably be between the French and the English. The following suggestions will work for all four breeds and you can make adjustments according to your bunny and what works best for you. Make sure you have a bag, paper sack or some kind of container to put the wool you clean from your grooming brush. If you spin, this gives you more wool, if not, it helps keep the place clean. Start with the underside of the rabbit. If you're a one person groomer, this can be accomplished easily with the help of a chair for you to sit on. Remember gentleness and firmness works best on all critters. Take the rabbit's ears with your hand and take hold of the back of the neck area, then gently turn the rabbit over supporting its back with hour other hand. Sit down and place the upside down rabbit's head between your knees with the feet facing you. Do take care because those feet can pack a punch if they kick out. Place the head far enough between your knees that you can comfortably hold him snugly. Practice make this easier for you and the rabbit, and usually when they feel secure they are not upset and jumpy. Now you can groom the tummy, the feet and legs. Now on to the top half. It helps to have some kind of small table near, waist-high so it saves your back. If you have too large a space, the bunny may want to hop away and explore, making it take longer to groom, and more frustrating. This is where the blow dryer or Shop-Vac comes in. There are also pet blowers like are used in dog grooming shops. These are smaller than a Shop-Vac, making them easier to transport, and maybe a little quieter. The can be ordered from pet or rabbit supply catalogs and usually start at $90. Angoras are wool bearing animals and you want to keep that wool on the rabbit and as unbroken and mat free as possible. By "blowing" the rabbit with the previous mentioned items, it helps to get rid of any dust or dander and help blow out the shedding hair before it can bet caught in start making mats. This is also healthy for the bunny's scalp; it lets air get down in, particularly if the rabbit has a very dense coat. Pat thinks blowing is gentler on the rabbit and cuts down on grooming time. Pat does use the slicker to help lift the wool as they blow; this also helps "capture" the shedding hairs. Make sure when blowing that you give the bunny a good going over, especially in problem areas behind the front legs and around the rump. If you notice mats developing, you can work on those specific spots with brush or comb. The rabbits don't mind the blowing and it has helped keep those nice show coats longer. Of course, don't forget the faces on those English and Giants. Don't use the blower here much; it irritates the eyes, and avoid blowing it into the ears. Get in the good grooming habit and you'll enjoy your lovable, exotic Angora, and may all your bunnies be mat free. National Angora Rabbit Breeders Club, Inc. The National Angora Rabbit Breeders Club, Inc (NARBC, Inc) was first organized as a specialty club for Angora breeders in 1932 with the AR&CBA (now the ARBA). The NARBC, Inc still remains a chartered National Specialty Club with the ARBA. Who ever has seen a satin angora rabbit in its full fleece or has spun its silky shining wool is fascinated by the magic of this wonderful breed! Since Satin Angoras are a new breed, there is a lot of room for improvement, and nothing is more challenging than something that can be considered a work in progress toward perfection. http://nationalangorarabbitbreeders.com/new/ http://www.nationalangorarabbitbreeders.com/Satin-Angora.pdf http://www.nationalangorarabbitbreeders.com/tipsforgrooming.pdf https://en.wikipedia.org/wiki/Angora_rabbit http://www.glauserweb.ch/satinange.htm https://www.petguide.com/breeds/rabbit/satin-angora-rabbit/ http://rabbitbreeders.us/satin-angora-rabbits https://www.oceansideangoras.com/satin-angora-information-and-history.html https://www.raising-rabbits.com/satin-angora-rabbits.html Word of the week: Labor The Fools of Spring (An English Folktale) by Amy Friedman and Meredith Johnson According to a great many people, the men of Gotham were wildly ridiculous fools. Perhaps that is so. But it is possible they were actually wise and just pretended to be foolish. I say this because once upon a time, King John announced that he wished to have a castle built in Gotham. He wished the men of Gotham to build it for him. Naturally, the men of Gotham worried about the cost of such an extravagance, and so they talked among themselves about what to do. The king's royal messengers arrived one day to scout out the village. It was spring when they came -- a beautiful, sunny day, and they walked everywhere, admiring the look of Gotham. They seemed to think this would be a fine place for a castle, until they came upon a circle of men standing around a great white hare. They were talking to the creature, so the messengers stopped to ask what they were doing. "Ah, we have a message to send to a friend in York," one of the men explained. "And no one wishes to travel all the way there," said another. The messengers did not understand. "What does that have to do with this hare?" they asked. The men of Gotham laughed. "I caught this hare today," said one, "and as you know, hares are swift, so we thought we'd let him carry our message." "This hare?" the messengers asked. "He's to carry your message to York?" "That's right," they said, and the man who caught the hare tied a sealed letter to the hare's neck, leaned in close and whispered, "First you go to Nottingham, and then you take the main road to York. My friend lives near York Cathedral. When you get there, you'll see three houses. My friend's house is the middle one, white with ivy growing on the walls. Give him this letter," he finished, and he set the hare free. The others stood and watched the hare run across the field, and some of the men cried, "Stop! Stop! You must go to Nottingham first!" The man who had caught the hare laughed. "It seems he knows a shortcut," he said. "Hares are clever that way. He's likely avoiding the highway for fear of dogs." "Of course!" the other men of Gotham agreed. But the messengers shook their heads, and one of them whispered to the other, "These men are fools." "You mustn't judge everyone on just a few," said the second messenger. "Let's go meet others." So they walked on, and before long they came to another cluster of men who were building a fence. "Good day," said the messengers. "What are you doing?" "We're building a fence for a cuckoo," said one of the men of Gotham. Another man quickly explained, "Cuckoos are the finest singers, but they come to us only in spring. After summer, they fly away." The men of Gotham explained to the messengers that they had decided to take matters into their own hands. They caught one of the birds, and now they were building it a squared-off fence near the middle of the village. "Here, we'll keep the cuckoo, so we'll be able to listen to his singing every day, all day," one of the men said. "Everyone will enjoy his song all year long!" The messengers thought the men were joking. They shrugged and walked away. An hour later, after they had toured the rest of the village, they returned to where the men had been building the fence. It was 6 feet tall, and every crack and crevice and corner was stuffed with brush and branches and twigs. "No bird can get through this fence!" the men of Gotham announced proudly. The messengers stared as the men of Gotham carried their cuckoo to the enclosure and put it inside the fence. "Now you'll stay and sing all year for us!" they said to the cuckoo. "If you refuse, we'll give you no food or drink." Naturally, the moment the men let go of the cuckoo, it flew away, up and over the fence and off into the wild blue yonder. The men of Gotham shouted, "Come back!" But it was too late. They looked at each other and agreed: "Next time, we'll have to build a higher fence." "We will!" they all agreed. When the messengers heard this, they hurried back to see their king. "Your majesty," the first messenger said, "the villagers of Gotham are fools. You want nothing to do with them, sire." "They're idiots!" said the other messenger. "The greatest fools I've ever seen," agreed the first. They told the king the tale of the cuckoo fence and of the runaway hare, and the king listened closely. Still, he thought the village could be the perfect place for a nice, big castle, so he sent more messengers. Each one returned with a tale to tell of the fools of Gotham. "You've never met such fools!" all the messengers said. "They drowned their church bell to hide it from their enemies." "They tossed all their salt fish into their pond, thinking it would spawn more fish." "They crushed a watch because they heard it ticking and feared it was evil." With each day, there came another story of the madness of the men of Gotham, and so the king gave up his plans, and from then on, no one bothered the village. People steered clear, and everyone spoke of the men of Gotham as the greatest fools in the world. But I still say it may be that the men of Gotham were not fools at all. After all, they didn't have to pay for the king's castle. They didn't have to suffer other fools. What do you think? Were the men of Gotham the wisest men in the world, or were they fools? https://www.uexpress.com/tell-me-a-story/2014/4/6/the-fools-of-spring-an-english   Weakness/Paralysis of the Facial Muscles Due to Nerve Damage in Rabbits Facial Nerve Paresis/Paralysis in Rabbits Facial nerve paresis and paralysis is a disorder of the facial cranial nerve — a nerve that originates in the brain (as opposed to the spine). Malfunction of this nerve can result in paralysis or weakness of the muscles of the ears, eyelids, lips, and nostrils. Moroever, an inability to move the eyes and facial muscles may result in a decreased secretion of tears, leading to additional pathology of the eyes. In rabbits, facial nerve paralysis sometimes occurs after a dental or ear infection. Dwarf breeds and lop ear breeds tend to be at increased risk of developing facial nerve paresis and paralysis. Symptoms and Types Findings associated with ear disease Head tilting Ear and lip drooping Pain (especially when opening the mouth) White, dull, opaque, and bulging tissue within ear History of ear infections, especially vestibular (or inner ear) infections Other symptoms Excessive drooling Food falling from the side of mouth Facial asymmetry (i.e., face appears lopsided or uneven) Rubbing of the eyes Cloudy cornea, eye discharge and redness Inability to close the eyelids symmetrically Collapse of nostril, nasal discharge Trouble walking or keeping balance (if nervous system is affected) Causes Inflammatory — middle or outer ear infection, tooth abscesses, inflammation of the nerve directly due to bacterial infection Injury — fracture of the surrounding bones, or direct injury to the facial nerve Tumor — brain tumor Toxicity — botulism poisoning Unilateral or bilateral ear disease Diagnosis You will need to give your veterinarian a thorough history of your rabbit's health and onset of symptoms. There are several possible causes for this condition, so your veterinarian will most likely use differential diagnosis, a process that is guided by deeper inspection of the apparent outward symptoms, ruling out each of the more common causes until the correct disorder is settled upon and can be treated appropriately. Your doctor will begin by differentiating between one-sided and symmetrical disease, facial nerve paralysis from pure ear infection, and will also look for other neurological weaknesses. X-rays of the ear and skull bones will be taken to look for masses or obvious swellings, while computed tomography (CT) can be used to allow for better visualization of the internal structure of the ears and skull. These visual diagnostic tools will identify the presence of a tumor. Standard laboratory tests include a complete blood profile, chemical blood profile, a complete blood count, and a urinalysis. Your veterinarian will be looking to identify the presence of an infection, and the type of infection, which may show up in the course of the blood and urine test analysis. More often, the blood and urine analyses are usually normal If the symptoms appear to be neurological in origin, a sample of cerebrospinal fluid (CSF) can be taken for analysis, and can be helpful in detecting brainstem disease Treatment Rabbits are usually seen on an outpatient basis, but inpatient hospitalization may be required for the initial diagnoses and evaluations, or if your rabbit is severely ill. Depending on your doctor's findings, surgery may be required. But treatment generally consists of flushing and cleansing the ear, or ears, with cleaning solution, swabbing with cotton swab, and vacuum suctioning any debris from the ear. Artificial tears may also be used to prevent the eyes from drying. Living and Management It is important that your rabbit continue to eat during and following treatment. Encourage oral fluid intake by offering fresh water, wetting leafy vegetables, or flavoring water with vegetable juice, and offer a large selection of fresh, moistened greens such as cilantro, romaine lettuce, parsley, carrot tops, dandelion greens, spinach, collard greens, and good-quality grass hay. Also, offer your rabbit its usual pelleted diet, as the initial goal is to get the rabbit to eat and to maintain its weight and nutritional status. If your rabbit refuses these foods, you will need to syringe feed a gruel mixture until it can eat again on its own. And unless your veterinarian has specifically advised it, do not feed your rabbit high-carbohydrate, high-fat nutritional supplements. Discuss eye care with your veterinarian, since the eye on the affected side may need lubrication due to loss of tear production. Also, keep in mind that the other side can become affected as well. Monitor your rabbit, and report any changes to your veterinarian if they should occur. If your rabbit is exhibiting severe head tilt, you will need to support its head in a suitable position to prevent choking. Muscle paralysis is usually permanent, but as muscle healing and thickening develops, a natural "tuck up" may occur that reduces the facial asymmetry (lopsidedness). Other than the change in outward appearance that this paralysis can cause, most rabbits are able to tolerate this nerve deficit and will adjust with little difficulty https://www.petmd.com/rabbit/conditions/neurological/c_rb_facial_nerve_paresis_paralysis     © Copyrighted

Benjamin Bunny takes his children, the mischievous Flopsy Bunnies, to eat lettuces from Mr. McGregor's trash heap. After gorging themselves, the silly bunnies fall asleep, coming very close to becoming Mr.McGregor's rabbit pie! WANT TO GET INVOLVED? Support us at www.patreon.com/bykidsforkids. We have many wonderful benefits, like creating your own BKFK Story that we will perform!

Rabbits and Hares in Art Hello Listener! Thank you for listening.  If you would like to support the podcast, and keep the lights on, you can support us whenever you use Amazon through the link below: It will not cost you anything extra, and I can not see who purchased what. Or you can become a Fluffle Supporter by donating through Patreon.com at the link below: Patreon/Hare of the Rabbit What's this Patreon? Patreon is an established online platform that allows fans to provide regular financial support to creators. Patreon was created by a musician who needed a easy way for fans to support his band. What do you need? Please support Hare of the Rabbit Podcast financially by becoming a Patron. Patrons agree to a regular contribution, starting at $1 per episode. Patreon.com takes a token amount as a small processing fee, but most of your money will go directly towards supporting the Hare of the Rabbit Podcast. You can change or stop your payments at any time. You can also support by donating through PayPal.com at the link below: Hare of the Rabbit PayPal Thank you for your support, Jeff Hittinger. Rabbits and hares are common motifs in the visual arts, with variable mythological and artistic meanings in different cultures. The rabbit as well as the hare have been associated with moon deities and may signify rebirth or resurrection. They may also be symbols of fertility or sensuality, and they appear in depictions of hunting and spring scenes in the Labours of the Months. Humans have depicted rabbits and hares for thousands of years. Rabbit-like creatures feature in 7,500-year-old rock paintings found in Baja California; they are also prevalent in ancient Egyptian paintings and are often found on Grecian urns. Many Prints, Drawings and Painting Collections contains an array of images of rabbits and hares covering many of these creatures’ natural personality traits and representing much of the symbolism that these traits have inspired throughout the history of art. Rabbits have paradoxically been used as both symbols of sexuality and virginal purity. They have been a sex symbol since antiquity. In ancient Rome rabbits were frequently depicted as the animal of Venus. Conversely the rabbit was used by artists of the Middle Ages and Renaissance as a symbol of sexual purity and was often depicted alongside the Madonna and Child. Antiquity In antiquity, the hare, because it was prized as a hunting quarry, was seen as the epitome of the hunted creature that could survive only by prolific breeding. Herodotus, Aristotle, Pliny and Claudius Aelianus all described the rabbit as one of the most fertile of animals. It thus became a symbol of vitality, sexual desire and fertility. The hare served as an attribute of Aphrodite and as a gift between lovers. In late antiquity it was used as a symbol of good luck and in connection with ancient burial traditions. Judaism In Judaism, the rabbit is considered an unclean animal, because "though it chews the cud, does not have a divided hoof." This led to derogatory statements in the Christian art of the Middle Ages, and to an ambiguous interpretation of the rabbit's symbolism. The "shafan" in Hebrew has symbolic meaning. Although rabbits were a non-kosher animal in the Bible, positive symbolic connotations were sometimes noted, as for lions and eagles. 16th century German scholar Rabbi Yosef Hayim Yerushalmi, saw the rabbits as a symbol of the Diaspora. In any case, a three hares motif was a prominent part of many Synagogues. Christian art In Early Christian art, hares appeared on reliefs, epitaphs, icons and oil lamps although their significance is not always clear. The Physiologus, an inexhaustible resource for medieval artists, states that when in danger the rabbit seeks safety by climbing high up rocky cliffs, but when running back down, because of its short front legs, it is quickly caught by its predators. Likewise, according to the teaching of St. Basil, men should seek his salvation in the rock of Christ, rather than descending to seek worldly things and falling into the hands of the devil. The negative view of the rabbit as an unclean animal, which derived from the Old Testament, always remained present for medieval artists and their patrons. Thus the rabbit can have a negative connotation of unbridled sexuality and lust or a positive meaning as a symbol of the steep path to salvation. Whether a representation of a hare in Medieval art represents man falling to his doom or striving for his eternal salvation is therefore open to interpretation, depending on context. The three hares at Paderborn Cathedral The Hasenfenster (hare windows) in Paderborn Cathedral and in the Muotathal Monastery in Switzerland, in which three hares are depicted with only three ears between them, forming a triangle, can be seen as a symbol of the Trinity, and probably go back to an old symbol for the passage of time. The three hares shown in Albrecht Dürer's woodcut, The Holy Family with the Three Hares (1497), can also be seen as a symbol of the Trinity. The idea of rabbits as a symbol of vitality, rebirth and resurrection derives from antiquity. This explains their role in connection with Easter, the resurrection of Christ. The unusual presentation in Christian iconography of a Madonna with the Infant Jesus playing with a white rabbit in Titian's Parisian painting, can thus be interpreted christologically. Together with the basket of bread and wine, a symbol of the sacrificial death of Christ, the picture may be interpreted as the resurrection of Christ after death. The phenomenon of superfetation, where embryos from different menstrual cycles are present in the uterus, results in hares and rabbits being able to give birth seemingly without having been impregnated, which caused them to be seen as symbols of virginity. Rabbits also live underground, an echo of the tomb of Christ. As a symbol of fertility, white rabbits appear on a wing of the high altar in Freiburg Minster. They are playing at the feet of two pregnant women, Mary and Elizabeth. Martin Schongauer's engraving Jesus after the Temptation (1470) shows nine (three times three) rabbits at the feet of Jesus Christ, which can be seen as a sign of extreme vitality. In contrast, the tiny squashed rabbits at the base of the columns in Jan van Eyck's Rolin Madonna symbolize "Lust", as part of a set of references in the painting to all the Seven Deadly Sins. Hunting scenes in the sacred context can be understood as the pursuit of good through evil. In the Romanesque sculpture (c. 1135) in the Königslutter imperial Cathedral, a hare pursued by a hunter symbolises the human soul seeking to escape persecution by the devil. Another painting, Hares Catch the Hunters, shows the triumph of good over evil. Alternatively, when an eagle pursues the hare, the eagle can be seen as symbolizing Christ and the hare, uncleanliness and the evil's terror in the face of the light. In Christian iconography, the hare is an attribute of Saint Martin of Tours and Saint Alberto di Siena, because legend has it that both protected hares from persecution by dogs and hunters. They are also an attribute of the patron saint of Spanish hunters, Olegarius of Barcelona. White hares and rabbits were sometimes the symbols of chastity and purity. In secular art In non-religious art of the modern era, the rabbit appears in the same context as in antiquity: as prey for the hunter, or representing spring or autumn, as well as an attribute of Venus and a symbol of physical love. In cycles of the Labours of the Months, rabbits frequently appear in the spring months. In Francesco del Cossa's painting of April in the Palazzo Schifanoia in Ferrara, Italy, Venus' children, surrounded by a flock of white rabbits, symbolize love and fertility. In Italian Renaissance and Baroque art, rabbits are depicted more often than hares. In an allegory on lust by Pisanello, a naked woman lies on a couch with a rabbit at her feet. Pinturicchio's scene of Susanna in the Bath is displayed in the Vatican's Borgia Apartment. Here, each of the two old men are accompanied by a pair of hares or rabbits, clearly indicating wanton lust. In Piero di Cosimo's painting of Venus and Mars, a cupid resting on Venus clings to a white rabbit for similar reasons. Still lifes in Dutch Golden Age painting and their Flemish equivalents often included a moralizing element which was understood by their original viewers without assistance: fish and meat can allude to religious dietary precepts, fish indicating fasting while great piles of meat indicate voluptas carnis (lusts of the flesh), especially if lovers are also depicted. Rabbits and birds, perhaps in the company of carrots and other phallic symbols, were easily understood by contemporary viewers in the same sense. As small animals with fur, hares and rabbits allowed the artist to showcase his ability in painting this difficult material. Dead hares appear in the works of the earliest painter of still life collections of foodstuffs in a kitchen setting, Frans Snyders, and remain a common feature, very often sprawling hung up by a rear leg, in the works of Jan Fyt, Adriaen van Utrecht and many other specialists in the genre. By the end of the 17th century, the grander subgenre of the hunting trophy still life appeared, now set outdoors, as though at the back door of a palace or hunting lodge. Hares (but rarely rabbits) continued to feature in the works of the Dutch and Flemish originators of the genre, and later French painters like Jean-Baptiste Oudry. From the Middle Ages until modern times, the right to hunt was a vigorously defended privilege of the ruling classes. Hunting Still lifes, often in combination with hunting equipment, adorn the rooms of baroque palaces, indicating the rank and prestige of their owners. Jan Weenix' painting shows a still life reminiscent of a trophy case with birds and small game, fine fruits, a pet dog and a pet monkey, arranged in front of a classicising garden sculpture with the figure of Hercules and an opulent palace in the background. The wealth and luxurious lifestyle of the patron or owner is clearly shown. The children's tales of the English author Beatrix Potter, illustrated by herself, include several titles featuring the badly behaved Peter Rabbit and other rabbit characters, including her first and most successful book The Tale of Peter Rabbit (1902), followed by The Tale of Benjamin Bunny (1904), and The Tale of The Flopsy Bunnies (1909). Potter's anthropomorphic clothed rabbits are probably the most familiar artistic rabbits in the English-speaking world, no doubt influenced by illustrations by John Tenniel of the White Rabbit in Lewis Carroll's book Alice's Adventures in Wonderland. Joseph Beuys, who always finds a place for a rabbit in his works, sees it as symbolizing resurrection. In the context of his action "How to Explain Pictures to a Dead Hare", he stated that the rabbit "...has a direct relationship to birth... For me, the rabbit is the symbol of incarnation. Because the rabbit shows in reality what man can only show in his thoughts. He buries himself, he buries himself in a depression. He incarnates himself in the earth, and that alone is important." Masquerade (book) (1979), written and illustrated by the artist Kit Williams, is ostensibly a children’s book, but contains elaborate clues to the location of a jewelled golden hare, also made by Williams, which he had buried at the location in England to which the clues in the book led. The hare was not found until 1982, in what later emerged as dubious circumstances. The Welsh sculptor Barry Flanagan (1944-2009) was best known for his energetic bronzes of hares, which he produced throughout his career. Many have a comic element, and the length and thinness of the hare's body is often exaggerated. Dürer's Young Hare Young Hare by Albrecht Dürer (1502) Probably one of the most famous depictions of an animal in the history of European art is the painting Young Hare by Albrecht Dürer, completed in 1502 and now preserved in the Albertina in Vienna. Dürer's watercolor is seen in the context of his other nature studies, such as his almost equally famous Meadow or his Bird Wings. He chose to paint these in watercolor or gouache, striving for the highest possible precision and "realistic" representation. The hare pictured by Dürer probably does not have a symbolic meaning, but it does have an exceptional reception history. Reproductions of Dürer's Hare have often been a permanent component of bourgeois living rooms in Germany. The image has been printed in textbooks; published in countless reproductions; embossed in copper, wood or stone; represented three-dimensionally in plastic or plaster; encased in plexiglas; painted on ostrich eggs; printed on plastic bags; surreally distorted in Hasengiraffe ("Haregiraffe") by Martin Missfeldt; reproduced as a joke by Fluxus artists; and cast in gold; or sold cheaply in galleries and at art fairs. Young Hare by Albrecht Dürer Completed in 1502, Young Hare was painted in water colour and gouache by German artist Albrecht Dürer who was not only a painter, but also an engraver, print-maker, a theorist and a mathematician. It has been suggested that the accuracy was the result of either the artist keeping a wild hare in his workshop or he initially sketched wild hares and used a dead specimen to add the details of the fur which points in many directions. http://totallyhistory.com/young-hare/ Since early 2000, Ottmar Hörl has created several works based on Dürer's Hare, including a giant pink version. Sigmar Polke has also engaged with the hare on paper or textiles, or as part of his installations, and even in rubber band form. Dieter Roth's Köttelkarnikel ("Turd Bunny") is a copy of Dürer's Hare made from rabbit droppings, and Klaus Staeck enclosed one in a little wooden box, with a cutout hole, so that it could look out and breathe. Dürer's Hare has even inspired a depiction of the mythological Wolpertinger. Millais’ watercolour was commissioned for an illustrated edition of Poets of the Nineteenth Century to illustrate the poem ‘Love’ by Samuel Taylor Coleridge. The poem tells of a moonlit meeting between two lovers. To a contemporary reader the poem’s content would have seemed quite risqué due to a woman meeting a man so late at night flirting with him and embracing him. Despite this deliberate attempt to titillate his audience, Coleridge repeatedly emphasises the heroine Genevieve’s modesty and virginity. This cannot be easily conveyed through one pictorial scene so it is possible that Millais added the rabbit to serve at once as a reminder of Genevieve’s virginal purity whilst alluding to the more intimate, and controversial, connection between the lovers. Hares Roasting a Hunter, Virgil Solis, ca. 1530-1562. Museum no. E.878-1927. © Victoria and Albert Museum, London. This rather gruesome, darkly humorous and absurd representation of hares roasting a hunter was inspired by the popular trope of ‘the world turned upside down’, with its use of ridiculous role reversal imagery. Again this image is illustrative of the paradoxical nature of the symbolism of rabbits and hares by simultaneously alluding to the cowardice of the animal whilst also revealing the fear rabbits instilled in some cultures. Because of the hares association with cowardice, connected to the animal’s natural tendency to be fearful of predators, the imagery of the hares roasting the hunter was perhaps the most absurd the artist could think of, particularly as one would normally think of rabbits as the hunted, rather than the hunter! In addition, in Christianity, rabbits were often thought to be witches’ familiars, making people fear them. Therefore, perhaps the hares in this image could be burning the men who persecuted them. Hare in Transit, Bruce Gernand, 2004. Museum no. © Victoria and Albert Museum, London/Bruce Gernand. Rabbits and hares still feature in contemporary art practices including computer art. Based on Aesop’s Fable ‘The Tortoise and the Hare’, this work by Bruce Gernand uses the hare as a vehicle to represent the relation between the virtual and material. The hare in this case is representative of the speed of computers and computer processes. The Nine of Hares, Master P W of Cologne. Museum no.E.14-1923. © Victoria and Albert Museum, London. This round playing card adorned with hares is part of a set from around 1500. Although rabbits and hares have long been a favorite subject in studies of nature card engravers usually depicted animals and plants from model books. However, in this case, the hares have been drawn from nature. This may be why these hares are so lifelike in terms of their poses with distinct personalities and characteristics –although some are a little menacing looking – sniffing the ground, standing to attention and looking around with curiosity. One thing that has become clear to me through my investigation into the symbolism of rabbits is its complexity which is fraught with paradoxes. https://en.wikipedia.org/wiki/Rabbits_and_hares_in_art https://commons.wikimedia.org/wiki/File:Brooklyn_Museum_-_Rabbit_Beneath_New_Year's_Pine.jpg http://www.vam.ac.uk/blog/factory-presents/merry-march-hares-and-rabbits http://www.vam.ac.uk/blog/factory-presents/merry-march-hares-and-rabbits http://www.metmuseum.org/toah/works-of-art/1978.412.118 http://www.jean-stote-fine-art.co.uk/ http://www.nolonstacey.com/limited-edition-prints/wide-eyed-hare https://www.pinterest.com/pin/51580358205744671/ http://caroleeclark.wordpress.com/2012/12/01/tilly-expressionistic-painting-of-a-belgain-hare/ http://fineartamerica.com/featured/moonlite-and-hare-amanda-clark.html http://www.think-differently-about-sheep.com/rabbits_and_hares_in_art.htm Elephant and Hare [Maasai] http://www.johntyman.com/africa/folk/ There was once a herd of elephants who went to gather honey to take to their in-laws. As they were walking along, they came upon Hare who was just about to cross the river. She said to one of them: "Father, please help me get across the river." The elephant agreed to this request and said to Hare: "You may jump on to my back." As Hare sat on the elephant's back, she was quick to notice the two bags full of honey that the elephant was carrying. She started eating honey from one of the bags, and when she had eaten it all, she called out to Elephant saying: "Father, please hand me a stone to play with." When she was given the stone, she put it in the now empty bag of honey, and started eating the honey from the second bag. When she had eaten it all, she again requested another stone saying: "Father, please hand me another stone for the one you gave me has dropped, and I want to throw it at the birds." Elephant handed her another stone, and then another, as she kept asking for stones on the pretext that she was throwing them at the birds, until she had filled both bags with stones. When Hare realized that the elephants were about to arrive at their destination, she said to the elephant which was carrying her: "Father, I have now arrived, please let me down." So Hare went on her way. Soon afterwards, the elephant looked at his bags, only to realize that they were full of stones! He exclaimed to the others: "Oh my goodness! The hare has finished all my honey!" They lifted up their eyes and saw Hare leaping away at a distance; they set off after her. They caught up with Hare within no time, but as the elephants were about to grab her, she disappeared into a hole. But the elephant managed to catch hold of her tail, at which time the skin from the tail got peeled off. Elephant next grabbed her by the leg. Hare laughed at this loudly, saying: "Oh! You have held a root mistaking it for me!" Thereupon Elephant let go of Hare's leg and instead got hold of a root. Hare shrieked from within and said: "Oh father, you have broken my leg!" As Elephant was struggling with the root, Hare maneuvered her way out and ran as fast as her legs could carry her. Elephant had by this time managed to pull out the root only to realize that it was not Hare's leg. Once more he lifted up his eyes and saw Hare leaping and jumping over bushes in a bid to escape. Elephant ran in pursuit of her once more. As Hare continued running, she came across some herdsmen and said to them: "Hey you, herdsmen, do you see that elephant from yonder, you had better run away, for he is coming after you." The herdsmen scampered and went their separate ways. When Elephant saw the herdsmen running, he thought they were running after Hare; so he too ran after them. When he caught up with them, he said: "Hey you, herdsmen, have you seen a hare with a skinned tail passing along here?" The herdsmen answered: "You have passed her along the way as she was going in the opposite direction." While Elephant had been chasing the herdsmen, Hare had gained some time to run in the opposite direction. Next, Hare came upon some women who were sewing outside the homestead and said to them: "Hey you, mothers who are sewing, do you see that elephant from yonder, you had better run away for he is coming after you." On hearing this, the women scampered for the safety of their houses immediately. But soon the elephant caught up with them and asked: "Hey you, honorable ladies, might you have seen a hare with a skinned tail going toward this direction?" The women answered: "There she goes over there." Hare kept running and this time she came upon antelopes grazing and she said to them: "Hey you, antelopes, you had better run away for that elephant is coming after you." The antelopes were startled and they ran away as fast as their legs could carry them. But soon the elephant was upon them, and he asked them: "Hey you, antelopes, have you seen a hare with a skinned tail going in this direction?" They pointed out to him the direction that Hare had followed. Still on the run, Hare next came upon a group of other hares, to whom she said: "Hey you, hares, do you see that elephant coming from yonder? You should all skin your tails for he is after those hares with unskinned tails." Thereupon all the hares quickly skinned their tails. At the same moment the elephant arrived and asked them: "Hey you, hares, have you seen a hare with a skinned tail going towards this direction?" The hares replied: "Don't you see that all our tails are skinned?" As the hares said this, they were displaying their tails confident it would please Elephant. On noticing that all the hares' tails were skinned, Elephant realised that Hare had played a trick on him. Elephant could not find the culprit, for all the hares were alike. And there ends the story. Word of the week:  Sacrifice © Copyrighted

欢迎订阅微信公众号“老虎小助手”，进入右下角菜单“会员中心”，收听本专辑完整音频，以及超过一万个中英文有声学习资源哟！《彼兔》的创作来历即最早的故事原形，是来自于1893年，波特小姐写给她家庭教师的五岁儿子的信件。这位家庭老师的儿子长期卧病在床，波特小姐不知道这封信该说些什么，就讲个故事作为这位小男孩的娱乐，并且在故事当中鼓励​

欢迎订阅微信公众号“老虎小助手”，进入右下角菜单“会员中心”，收听本专辑完整音频，以及超过一万个中英文有声学习资源哟！《彼兔》的创作来历即最早的故事原形，是来自于1893年，波特小姐写给她家庭教师的五岁儿子的信件。这位家庭老师的儿子长期卧病在床，波特小姐不知道这封信该说些什么，就讲个故事作为这位小男孩的娱乐，并且在故事当中鼓励​

Peter Rabbit Welcome to 2018! This is the start of the second year for the podcast! As a recap from last year we put out 44 episodes. Almost an episode a week. We had two interviews. One with a Japanese exchange student (Yudai Tanabe), and one with Susie at Laughing Orange Studios. We covered about 23 different rabbit breeds, and three hares, so it looks like every other episode is about a breed. My favorite three episodes from last year were the Space rabbit episode, the Jack-a-lope, and Halloween Rabbits. What was your favorite episode? Post in the comments for the show! I would like to thank those that purchased through Amazon to support the show. It looks like Amazon is not seeing enough activity, and is threatening to shut down the account.  "We are reaching out to you because we have not seen qualified sales activity on your account." Remember it does not cost anything extra to use the link on the hareoftherabbit.com website.  I appreciate the support! Today we are going to check out Peter Rabbit! Peter Rabbit is a fictional animal character in various children's stories by Beatrix Potter. He first appeared in The Tale of Peter Rabbit in 1902 and subsequently in five more books between 1904 and 1912. Spinoff merchandise includes dishes, wallpaper, and dolls. He appears as a character in a number of adaptations. This weeks item is A Peter Rabbit Book! The rabbits in Potter's stories are anthropomorphic and wear human clothes: Peter wears a jacket and shoes. Peter, his widowed mother, Mrs. Josephine Rabbit, as well as his sisters, Flopsy, Mopsy, and Cotton-tail live in a rabbit hole that has a human kitchen, human furniture, as well as a shop where Josephine sells various items. Peter's relatives are Cousin Benjamin Bunny and Benjamin's father Mr. Bouncer Bunny. Helen Beatrix Potter, known as Beatrix, was born on 28 July 1866 to Rupert and Helen Potter in Kensington, London, and she is one of the most beloved children's authors of all time. She was the daughter of Rupert and Helen Potter, both of whom had artistic interests. Her father trained as a lawyer, but he never actually practiced. Instead he devoted himself to photography and art. Her mother Helen was skilled at embroidery and watercolors. Beatrix got to know several influential artists and writers through her parents, including painter John Everett Millais. Her younger brother Walter Bertram was born six years after her birth. Both Beatrix and Bertram loved to draw and paint, and often made sketches of their many pets, including rabbits, mice, frogs, lizards, snakes and a bat. Beatrix was always encouraged to draw, and she spent many hours making intricate sketches of animals and plants, revealing an early fascination for the natural world that would continue throughout her life. Although she never went to school, Beatrix was an intelligent and industrious student, and her parents employed an art teacher, Miss Cameron, and a number of governesses, including Annie Moore, to whom she remained close throughout her life. Two of Beatrix’s earliest artist models were her pet rabbits. Her first rabbit was Benjamin Bouncer, who enjoyed buttered toast and joined the Potter family on holiday in Scotland where he went for walks on a lead. Benjamin was followed by Peter Piper, who had a talent for performing tricks, and he accompanied Beatrix everywhere. The most exciting time of the year for Beatrix was the summer, when the family traveled north to spend three months in Scotland. The children had the freedom to explore the countryside, and Beatrix learned to observe plants and insects with an artist’s eye for detail. When Beatrix was sixteen, the family stayed instead at Wray Castle, overlooking Lake Windermere, where Beatrix began a lifelong love of the countryside and of the Lake District. Botanist, Artist and Storyteller Beatrix was invited to study fungi at the Royal Botanical Gardens in Kew, and she produced hundreds of detailed botanical drawings and investigated their cultivation and growth. Encouraged by Charles McIntosh, a revered Scottish naturalist, to make her fungi drawings more technically accurate, Beatrix not only produced beautiful watercolors but also became an adept scientific illustrator. By 1896, she had developed her own theory of how fungi spores reproduced and wrote a paper, ‘On the Germination of the Spores of Agaricineae’, which was initially rejected by William Thiselton-Dyer, director of the Royal Botanical Gardens. Undeterred, Beatrix continued her research, and after a year George Massee, a fungi expert who worked at the Kew gardens, agreed to present her paper to the Linnean Society of London, as women at that time were not permitted to do so. Although the paper was never published, scientists still recognize her contribution to mycological research today. Long before she was a published author, Beatrix Potter drew illustrations for some of her favorite stories, including Alice’s Adventures in Wonderland and Cinderella, as well as her sketches from nature. Her imaginative art led to the publication of her earliest works – greeting-card designs and illustrations for the publisher Hildesheimer & Faulkner. There followed more publications, including a series of frog illustrations and verses for Changing Pictures, a popular annual offered by the art publisher Ernest Nister, which cemented Beatrix’s desire to publish her own illustrated stories. Potter first tasted success as an illustrator, selling some of her work to be used for greeting cards. The story was inspired by a pet rabbit Potter had as a child, which she named Peter Piper. Yes, there was a real Peter Rabbit. He was a Belgian buck rabbit named Peter Piper. He was actually the second rabbit that Potter kept as a pet—the first was Benjamin Bouncer, who was the inspiration for Benjamin Bunny. They were part of a menagerie of animals that Potter and her brother adopted as children, which also included birds, lizards, mice, snakes, snails, guinea pigs, bats, dogs, cats, and even hedgehogs. Potter was especially fond of Peter Piper, and would take him on walks on a leash. She later described in a letter how he liked to lie in front of the fire “like a cat. He was clever at learning tricks, he used to jump through a hoop, and ring a bell, and play the tambourine.” In one of her personal editions of Peter Rabbit, Potter wrote an inscription dedicated to “poor old Peter Rabbit, who died on the 26th of January 1901. … An affectionate companion and a quiet friend.” Through the 1890s, Potter sent illustrated story letters to the children of her former governess, Annie Moore. The first Peter Rabbit story, The Tale of Peter Rabbit, was originally created in 1893, when Potter was 26 years of age, sent a letter to Noel Moore, the five-year-old son of Potter's former governess, Annie Moore. The boy was ill and Potter wrote him a picture and story letter to help him pass the time and to cheer him up. The letter included sketches illustrating the narrative. Transcript Eastwood Dunkeld Sep 4th 93 My dear Noel, I don't know what to write to you, so I shall tell you a story about four little rabbits whose names were – Flopsy, Mopsy, Cottontail and Peter. They lived with their mother in a sand bank under the root of a big fir tree. "Now my dears," said old Mrs Bunny "you may go into the field or down the lane, but don't go into Mr McGregor's garden." Flopsy, Mopsy & Cottontail, who were good little rabbits went down the lane to gather blackberries, but Peter, who was very naughty ran straight away to Mr McGregor's garden and squeezed underneath the gate. First he ate some lettuce, and some broad beans, then some radishes, and then, feeling rather sick, he went to look for some parsley; but round the end of a cucumber frame whom should he meet but Mr McGregor! Mr McGregor was planting out young cabbages but he jumped up & ran after Peter waving a rake & calling out "Stop thief"! Peter was most dreadfully frightened & rushed all over the garden, for he had forgotten the way back to the gate. He lost one of his shoes among the cabbages and the other shoe amongst the potatoes. After losing them he ran on four legs & went faster, so that I think he would have got away altogether, if he had not unfortunately run into a gooseberry net and got caught fast by the large buttons on his jacket. It was a blue jacket with brass buttons, quite new. Mr McGregor came up with a basket which he intended to pop on the top of Peter, but Peter wriggled out just in time, leaving his jacket behind, and this time he found the gate, slipped underneath and ran home safely. Mr McGregor hung up the little jacket & shoes for a scarecrow, to frighten the blackbirds. Peter was ill during the evening, in consequence of overeating himself. His mother put him to bed and gave him a dose of camomile tea, but Flopsy, Mopsy, and Cottontail had bread and milk and blackberries for supper. I am coming back to London next Thursday, so I hope I shall see you soon, and the new baby. I remain, dear Noel, yours affectionately Beatrix Potter After Potter sent the Moore children (including Noel's siblings Norah and Eric) two more illustrated letters, one about a squirrel named Nutkin and another about a frog named Jeremy Fisher, the children's mother, Annie, suggested she turn them into children’s books. In 1900, Moore, realizing the commercial potential of Potter's stories, suggested they be made into books. Potter embraced the suggestion, and, borrowing her complete correspondence (which had been carefully preserved by the Moore children), selected a letter written on 4 September 1893 to five-year-old Noel that featured a tale about a rabbit named Peter. Potter biographer Linda Lear explains: "The original letter was too short to make a proper book so [Potter] added some text and made new black-and-white illustrations...and made it more suspenseful. These changes slowed the narrative down, added intrigue, and gave a greater sense of the passage of time. Then she copied it out into a stiff-covered exercise book, and painted a colored frontispiece showing Mrs Rabbit dosing Peter with camomile tea". Potter’s beautiful illustrations came from her interest in the natural world. As a child, she would draw and sketch animals around her with a sharp, observing eye. She could be quite ruthless about it, in fact. When a pet died, she would skin and boil its body so she could use the skeleton for anatomical sketches. She studied the plant world as well, producing over 300 paintings of mushrooms by 1901. (Her study of mushrooms led Potter to submit a paper on spore reproduction to the Linnean Society of London. But it had to be read by botanist George Massee because women weren't allowed at the meetings.) All this practice and close observation led to her elegant style, where animals look real even though they’re wearing top hats and petticoats. As Lear explains, Potter titled The Tale of Peter Rabbit and Mr. McGregor's Garden and sent it to publishers, but "her manuscript was returned ... including Frederick Warne & Co. ... who nearly a decade earlier had shown some interest in her artwork. Some publishers wanted a shorter book, others a longer one. But most wanted colored illustrations which by 1900 were both popular and affordable". The several rejections were frustrating to Potter, who knew exactly how her book should look (she had adopted the format and style of Helen Bannerman's Little Black Sambo) "and how much it should cost". She decided to publish the book herself, and on 16 December 1901 the first 250 copies of her privately printed The Tale of Peter Rabbit were "ready for distribution to family and friends". So Potter reworked Peter Rabbit, doubling its length and adding 25 new illustrations. Six publishers rejected the story, in part because they didn’t agree with Potter’s vision for the work. She wanted the book to be small for children’s hands, and the publishers wanted it to be bigger, and therefore more expensive. Potter refused, explaining that she would rather make two or three books costing 1 shilling each than one big book because “little rabbits cannot afford to spend 6 shillings on one book, and would never buy it.” In December 1901, she self-published Peter Rabbit. The 200 copies sold out in a few months and she ordered a reprint. Meanwhile, Potter continued to distribute her privately printed edition to family and friends, with the celebrated creator of Sherlock Holmes, Arthur Conan Doyle, acquiring a copy for his children. When the first private printing of 250 copies was sold out, another 200 were prepared. She noted in an inscription in one copy that her beloved pet rabbit Peter had died. To help Peter Rabbit get published, a friend rewrote it as a poem. While Potter was self-publishing, Canon Rawnsley, a family friend, rewrote the story in rhyming couplets in an attempt to get publishers interested again. His version began: “There were four little bunnies/ no bunnies were sweeter/ Mopsy and Cotton-tail,/ Flopsy and Peter.'' Rawnsley submitted his text with Potter’s illustrations to the publishers Frederick Warne & Co. They agreed to publish the book, but with one stipulation—they wanted to use Potter’s simpler language. In 1901, as Lear explains, a Potter family friend and sometime poet, Canon Hardwicke Rawnsley, set Potter's tale into "rather dreadful didactic verse and submitted it, along with Potter's illustrations and half her revised manuscript, to Frederick Warne & Co.," who had been among the original rejecters. Warne editors declined Rawnsley's version "but asked to see the complete Potter manuscript" – Warne wanted color illustrations throughout the "bunny book" (as the firm referred to the tale) and suggested cutting the illustrations "from forty-two to thirty-two ... and marked which ones might best be eliminated". Potter initially resisted the idea of color illustrations, but then realized her stubborn stance was a mistake. She sent Warne "several color illustrations, along with a copy of her privately printed edition" which Warne then handed to their eminent children's book illustrator L. Leslie Brooke for his professional opinion. Brooke was impressed with Potter's work. Fortuitously, his recommendation coincided with a sudden surge in the small picture-book market. Their interest stimulated by the opportunity The Tale of Peter Rabbit offered the publisher to compete with the success of Helen Bannerman's wildly popular Little Black Sambo and other small-format children's books then on the market. When Warne inquired about the lack of colour illustrations in the book, Potter replied that rabbit-brown and green were not good subjects for coloration. Potter arrived at an agreement with Warne for an initial commercial publication of 5,000 copies. Negotiations dragged on into the following year, but a contract was finally signed in June 1902. Potter was closely involved in the publication of the commercial edition – redrawing where necessary, making minor adjustments to the prose and correcting punctuation. The blocks for the illustrations and text were sent to printer Edmund Evans for engraving, and she made adjustments to the proofs when she received them. Lear writes that "Even before the publication of the tale in early October 1902, the first 8,000 copies were sold out. By the year's end there were 28,000 copies of The Tale of Peter Rabbit in print. By the middle of 1903 there was a fifth edition sporting colored end-papers ... a sixth printing was produced within the month"; and a year after the first commercial publication there were 56,470 copies in print. Over the years, The Tale of Peter Rabbit has sold more than 40 million copies worldwide and as of 2008, the Peter Rabbit series has sold more than 151 million copies in 35 languages. Peter Rabbit made his first appearance in 1902 in The Tale of Peter Rabbit. The story focuses on a family of anthropomorphic rabbits. The widowed mother rabbit cautions her young against entering the vegetable garden of a man named Mr. McGregor, telling them: "your Father had an accident there; he was put in a pie by Mrs. McGregor". Her three daughters obediently refrain from entering the garden, going down the lane to pick blackberries, but her rebellious son Peter enters the garden to snack on some vegetables. Peter ends up eating more than is good for him and goes looking for parsley to cure his stomach ache. Peter is spotted by Mr. McGregor and loses his jacket and shoes while trying to escape. He hides in a watering can in a shed, but then has to run away again when Mr. McGregor finds him, and ends up completely lost. After sneaking past a cat, Peter sees the gate where he entered the garden from a distance and heads for it, despite being spotted and chased by Mr. McGregor again. With difficulty he wriggles under the gate, and escapes from the garden, but he spots his abandoned clothing being used to dress Mr. McGregor's scarecrow. After returning home, a sick Peter is sent to bed by his mother, while his well-behaved sisters receive a sumptuous dinner of milk and berries as opposed to Peter's supper of chamomile tea. In The Tale of Benjamin Bunny, first published in 1904, Peter's cousin Benjamin Bunny brings him back to Mr. McGregor's garden and they retrieve the clothes Peter lost in The Tale of Peter Rabbit. But after they gather onions to give to Josephine, they are captured by Mr. McGregor's cat. Bouncer arrives and rescues them, but also reprimands Peter and Benjamin for going into the garden by whipping them with a switch. In this tale, Peter displays some trepidation about returning to the garden. In The Tale of The Flopsy Bunnies, first published in 1909, Peter has a small role and appears only briefly. He is grown up and his sister Flopsy is now married to their cousin Benjamin. The two are the parents of six little Flopsy Bunnies. Peter and Josephine keep a nursery garden[a] and the bunnies come by asking him for spare cabbage. In The Tale of Mr. Tod, first published in 1912, Benjamin and Flopsy's children are kidnapped by notorious badger Tommy Brock. Peter helps Benjamin chase after Brock, who hides out in the house of the fox, Mr. Tod. Mr. Tod finds Brock sleeping in his bed and as the two get into a scuffle, Peter and Benjamin rescue the children. Peter makes cameo appearances in two other tales. In The Tale of Mrs. Tiggy-Winkle, first published in 1905, Peter and Benjamin are customers of Mrs. Tiggy-Winkle, a hedgehog washerwoman. The two rabbits are depicted in one illustration peeping from the forest foliage. In The Tale of Ginger and Pickles, first published in 1909, Peter and other characters from Potter's previous stories make cameo appearances in the artwork, patronising the shop of Ginger and Pickles. To mark the 110th anniversary of the publication of The Tale of Peter Rabbit, Frederick Warne & Co. commissioned British actress Emma Thompson to write The Further Tale of Peter Rabbit, in which Peter ends up in Scotland after accidentally hitching a ride on Mr. and Mrs. McGregor's wagon. The book was released on 18 September 2012. In autumn 2012, it was reported that Thompson would write more Peter Rabbit books. Her next tale, The Christmas Tale Of Peter Rabbit, was released in 2013, followed by The Spectacular Tale Of Peter Rabbit in 2014. “Once upon a time there was a serious, well-behaved young black cat, it belonged to a kind old lady who assured me that no other cat could compare with Kitty.” Thus begins the newly discovered children’s story by renowned British author Beatrix Potter. In 2016, Beatrix Potter fans received welcome news. A previously unpublished story, The Tale of Kitty-in-Boots, would be making its way to bookstore shelves that fall. An unedited manuscript for the work had been discovered by children's book editor Jo Hanks. Potter had only done one illustration for the book so Quentin Blake created the images to accompany this tale. Peter is said to be in the newly rediscovered book, The Tale of Kitty-in-Boots. According to the publisher, Peter is now older, “full-of-himself” and has “transformed into a rather portly buck rabbit." Now, Penguin Random House has announced the story, which was written over a century ago, will be published in September, 2016, in conjunction with celebrations being planned to celebrate the 150-year anniversary of Potter’s birth. ‘The Tale of Kitty-In-Boots’ tells the story of a cat who’s leading a double life. Jo Hanks, a publisher with Penguin Random House, discovered the 1914 manuscript two years ago after he came across a mention of it in an obscure literary history of Potter which sent him to London’s Victoria and Albert Museum and knee-deep into the Potter archives. It appears the author was intending to publish the story; she had written and revised it twice, and after rewriting it for a third time she had it typeset. The author had even begun the process of laying out a proof dummy. The only thing left were the illustrations. Then life interrupted her; World War I started, a new marriage and a new farming business among her distractions. Whatever the reason, she never completed the manuscript, which has been described as possibly her best work – filled with humor, rebellious characters and even a couple of intriguing villains. Some old favorites also make an appearance; Peter Rabbit of course, although older, and everyone’s favorite hedgehog: Mrs Tiggywinkle. The author had completed just one drawing to accompany the story, so Quentin Blake, who provided the illustrations for Roald Dahl’s books, has been selected to complete the illustrations for The Tale of Kitty-In-Boots. Merchandising Peter Rabbit was the first character to be fully merchandised, and it was Beatrix Potter’s idea. In 1903, seeing the popularity of Peter Rabbit, she began to sew a doll version for Warne’s niece, writing, “'I am cutting out calico patterns of Peter, I have not got it right yet, but the expression is going to be lovely; especially the whiskers—(pulled out of a brush!)” She patented the doll, making Peter Rabbit the oldest licensed character. Potter was one of the first to be responsible for such merchandise when she patented a Peter Rabbit doll in 1903 and followed it almost immediately with a Peter Rabbit board game. She also invented a Peter Rabbit board game for two players in 1904, a complex version of which was redesigned by Mary Warne and came to market thirteen years later. In addition to toys and games, Beatrix published books, including Peter Rabbit’s Almanac and painting books for Peter Rabbit and Jemima Puddle-duck. She felt passionately that all merchandise should remain faithful to her original book illustrations and be of the highest quality. The merchandising helped make Peter Rabbit into a popular icon and turned The World of Beatrix Potter into one of the biggest literature-based licensing organizations of its day. The character has been depicted in a multitude of spinoff merchandise such as porcelain figurines and dishes. Peter Rabbit had also appeared on the packaging of the infant formula Enfamil. Frederick Warne & Co owns the trademark rights of the Beatrix Potter characters. However, most of the stories are in the US public domain, as they were published before 1923. American copyright Warne's New York office "failed to register the copyright for The Tale of Peter Rabbit in the United States", and unlicensed copies of the book "(from which Potter would receive no royalties) began to appear in the spring of 1903. There was nothing anyone could do to stop them". To her dismay, the firm failed to register copyright in the United States, leading to piracies and loss of revenue. Although she helped save the company in 1917, after embezzlement by another Warne brother nearly bankrupted it, she scolded them on quality, condemning a copy of Peter Rabbit’s Almanac for 1929 as “wretched.” She wrote sharply, “It is impossible to explain balance & style to people, if they don’t see it themselves.” While she enthusiastically crafted her own unique merchandise prototypes — including an extraordinarily soulful Peter Rabbit doll — she could have had no idea of the extent of commodification to come. The enormous financial loss ... [to Potter] only became evident over time", but the necessity of protecting her intellectual property hit home after the successful 1903 publication of The Tale of Squirrel Nutkin when her father returned from Burlington Arcade in Mayfair at Christmas 1903 with a toy squirrel labelled "Nutkin". Potter asserted that her tales would one day be nursery classics, and part of the "longevity of her books comes from strategy", writes Potter biographer Ruth MacDonald. She was the first to exploit the commercial possibilities of her characters and tales; between 1903 and 1905 these included a Peter Rabbit stuffed toy, an unpublished board game, and nursery wallpaper. Considerable variations to the original format and version of The Tale of Peter Rabbit, as well as spin-off merchandise, have been made available over the decades. Variant versions include "pop-ups, toy theaters, and lift-the-flap books". By 1998, modern technology had made available "videos, audio cassette, a CD-ROMs, a computer program, and Internet sites", as described by Margaret Mackey writing in The case of Peter Rabbit: changing conditions of literature for children. She continues: "Warne and their collaborators and competitors have produced a large collection of activity books and a monthly educational magazine". A plethora of other Peter Rabbit related merchandise exists, and "toy shops in the United States and Britain have whole sections of [the] store specially signposted and earmarked exclusively for Potter-related toys and merchandise". Unauthorized copying of The Tale of Peter Rabbit has flourished over the decades, including products only loosely associated with the original. In 1916, American Louise A. Field cashed in on the popularity by writing books such as Peter Rabbit Goes to School and Peter Rabbit and His Ma, the illustrations of which showed him in his distinctive blue jacket. In an animated movie by Golden Films, The New Adventures of Peter Rabbit, "Peter is given buck teeth, an American accent and a fourth sister Hopsy." Another video "retelling of the tale casts Peter as a Christian preacher singing songs about God and Jesus." The Peter Rabbit (rather than other Beatrix Potter characters) stories and merchandise are very popular in Japan: many Japanese visit the Lake District after becoming familiar with Potter's work at an early age at school. There is an accurate replica of Potter's house and a theme park in Japan, and a series of Mr McGregor's gardens in one of the largest banks. Merchandisers in Japan estimate that 80% of the population have heard of Peter Rabbit. In 2016, Peter Rabbit and other Potter characters appeared on a small number of collectors' 50p UK coins. Movie Adaptations In 1938, shortly after the success of Snow White and the Seven Dwarfs, Walt Disney became interested in making an animated film based on The Tale of Peter Rabbit. Potter refused. Some accounts say this was because she wanted to remain in control of the rights to her work. Others suggest that she didn’t think her drawings were good enough for large-scale animation, which she thought would reveal all their imperfections. However, most likely Beatrix Potter refused to give the rights to Disney because of marketing issues. In 1935, the story was loosely adapted in the Merrie Melodies short film, Country Boy. It shows some modifications in relation to Beatrix Potter's original story, most notably the Rabbit family surname is changed to "Cottontail" and Peter having two brothers and a sister rather than 3 sisters. In 1971, Peter Rabbit appeared as a character in the ballet film The Tales of Beatrix Potter. In late 1991, HBO aired an animated musical adaptation of The Tale of Peter Rabbit, narrated by Carol Burnett, as part of the network's Storybook Musicals series, which was later released to VHS by Family Home Entertainment under HBO license. Several of the stories featuring Peter Rabbit were also animated for the 1992 BBC anthology series, The World of Peter Rabbit and Friends and two edutainment titles published by Mindscape The Adventures of Peter Rabbit & Benjamin Bunny in 1995 and Beatrix Potter: Peter Rabbit's Math Garden in 1996. Both of which have since been released on VHS and DVD. In 2006, Peter Rabbit was heavily referenced in a biopic about Beatrix Potter entitled Miss Potter. In December 2012, a new CGI-animated children's TV series titled Peter Rabbit premiered on Nickelodeon, with a full series run beginning in February 2013. Peter was voiced by Colin DePaula throughout Season 1 and recanted by L. Parker Lucas for Season 2 in the US version. In the U.K. version he is voiced by Connor Fitzgerald. Also in 2012, Quantum Theater produced a new stage adaptation of the tales of Peter Rabbit and Benjamin Bunny. Written by Michael Whitmore the play toured the UK until 2015. More recently, John Patrick is adapting a number of Beatrix Potter's tales into an upcoming live-action/animated musical feature film for his brand-new film studio, called Storybook Studio. The film will be titled Beatrix Potter's The Tales of Peter Rabbit and Friends. One of the stories adapted for the film is The Tale of Peter Rabbit. Peter will be voiced by child actress Sienna Adams. John Patrick has released a preview clip of the film to YouTube. An animated/live-action adaptation, Peter Rabbit, produced by Sony Pictures Animation, is scheduled to be released on 9 February 2018. James Corden will voice Peter Rabbit and Rose Byrne will star in the live-action role of the lead female named Bea. Other cast members include Margot Robbie, Daisy Ridley and Elizabeth Debicki. Will Gluck is directing and producing the film and Zareh Nalbandian is also producing, while Lauren Abrahams is overseeing the project for Sony Pictures Animation. Peter Rabbit's feud with Mr. McGregor reaches new heights as both compete for the affections of a kind animal lover who lives next door. Cast Domhnall Gleeson as Mr. Thomas McGregor, a farmer and exterminator who seeks to be rid of Peter Rabbit and his mischievous acts. Rose Byrne as Bea, a kind animal lover who Thomas meets next door. Sam Neill as Old Farmer McGregor. The film is scheduled to be released on February 9, 2018. The Lake District When Peter Rabbit came out, Potter was 36 years old. She worked closely with her editor, Norman Warne, on it and several other books. The two became very close and in July 1905, Warne proposed marriage, even though Potter’s parents objected to his social position. They didn’t want their upper-class daughter to marry a man who worked in a “trade.” Still, Potter accepted his proposal. One month later, Warne fell sick and died of a blood disorder that was probably un-diagnosed leukemia. She bought Hill Top Farm in the Lake District that same year and there she wrote such books as The Tale of Tom Kitten (1907) and The Tale of Samuel Whiskers (1908). Beatrix loved the Lake District, and it became her solace after the death of her beloved Norman. Afterward, Potter remained unmarried for many years. Finally, in 1913, she married William Heelis, a lawyer. Her family objected to him, too. Income from her books enabled her to invest in farmland, including Hill Top Farm, which would become a feature in many of her tales. As she invested in the Lake District, she developed a relationship with William Heelis, a local solicitor who assisted her property dealings. William proposed to Beatrix in 1912, and they were married in London the following year. In 1913, Potter married local lawyer William Heelis. She only produced a few more books after tying the knot. Potter published The Fairy Caravan in 1926, but only in the United States. She thought the book was too autobiographical to be released in England. The Tale of Little Pig Robinson (1930) proved to be her final children's book. They lived together at Castle Cottage in their beloved Lake District until her death in 1943. Beatrix was a staunch supporter of the National Trust, having been impressed on meeting its founder Hardwicke Rawnsley from her first visit to the Lake District at sixteen. She followed its principles in preserving her buildings and farms in keeping with the rural culture of the area, and she saved many farms from developers. Instead of writing, Potter focused much of her attention on her farms and land preservation in the Lake District. She was a successful breeder of sheep and well regarded for her work to protect the beautiful countryside she adored. During her lifetime, Beatrix bought fifteen farms and took a very active part in caring for them. Dressed in clogs, shawl and an old tweed skirt, she helped with the hay-making, waded through mud to unblock drains, and searched the fells for lost sheep. Beatrix bred Herdwick sheep on her farms in the Lake District, and said she was at her happiest when she was with her farm animals. She won a number of prizes for her sheep at local shows, and became the first elected female President of the Herdwick Sheep Breeders’ Association in 1943. Legacy Beatrix died in 1943 Potter died on December 22, 1943, in Sawrey, England. In her will, she left much of her land holdings to the National Trust to protect it from development and to preserve it for future generations. leaving fifteen farms and over four thousand acres of land to the National Trust. In accordance with her wishes, Hill Top Farm was kept exactly as it had been when she lived in it, and receives thousands of visitors every year. Potter also left behind a mystery—she had written a journal in code. The code was finally cracked and the work published in 1966 as The Journal of Beatrix Potter. To this day, generation after generation are won over by her charming tales and illustrations. After Potter died in 1943 at the age of seventy-seven, Warne cast itself as the guardian of her legacy. But eventually the guardian began behaving badly, seeking to wring profits from its most famous long-eared property. In 1983, Warne was acquired by Penguin, itself owned by the international conglomerate Pearson, the largest book publisher in the world. Then, as scholar Margaret Mackey chronicles in The Case of Peter Rabbit: Changing Conditions of Literature for Children, Warne embarked on the expensive process of remaking printing plates for Potter’s books. While the new reproductions were a welcome improvement, Warne festooned them with what Mackey terms “aggressive” assertions of copyright, although Peter was already in the public domain. (In the UK, copyright protection lapsed but was then extended until 2013 when the European Union “harmonized” copyright law.) Warne seized on its “re-originated” illustrations to declare itself “owner of all rights, copyrights and trademarks in the Beatrix Potter character names and illustrations,” going so far as to attach a “tm” to the scampering Peter on the cover. Back in 1979, the publisher had sued a competitor, claiming trademark rights to eight images from Potter’s books that, it argued, were identified in the public mind with Warne alone. The case was settled out of court, but Viva R. Moffat, a legal scholar who teaches at the University of Denver, has called Warne’s claims (in a paper on “Mutant Copyrights”) a “stretch.” Warne has applied for trademarks in the US, and in the EU for every imaginable Peter Rabbit–related item that might feasibly be sold, from “books and texts in all media” to “toilet seat covers” and “meat extracts.” Moffat assails the practice of forcing trademarks to pinch-hit for lapsed copyright, while another legal expert, Jason Mazzone (who teaches intellectual property law at Brooklyn Law School), defines the placement of misleading warnings on public domain works as “copyfraud” in his book by the same name. Warne’s zealous pursuit of its rights has not deterred it from crass acts of its own. In 1987, the same year it published its painstakingly remade edition, the firm allowed Ladybird Books, a purveyor of cheap paperbacks owned by the parent company, Pearson, to market The Tale of Peter Rabbit with bowdlerized text, eliminating Potter’s dry wit, dispensing with the pie made of Peter’s father (Mrs. Rabbit instead explains that Mr. McGregor just “doesn’t like rabbits”), and replacing Potter’s illustrations with photos of stuffed animals. Warne was excoriated in The Times of London, which condemned the new edition as “Hamlet without the ghost, Othello without the handkerchief.” Undaunted, a few years later Warne took out an advertisement in The Bookseller — “Peter Rabbit Packs a Powerful Punch” — threatening those who wandered into its garden with “expensive legal action” One last question: why do so many Japanese tourists visit Potter's Lakeland cottage? According to the man from the Cumbrian tourist board interviewed on Radio 5 earlier this week, it is because Japanese children use her books to learn English. I love the idea of a nation mislearning another through such a distorting lens. To the people of Japan, I say this: your delightfully outré Edwardian syntax will do you no good in modern Britain, nor will your bizarre Potterian ideas about our dress codes and ethical views http://mentalfloss.com/article/75173/9-facts-about-peter-rabbit https://www.peterrabbit.com/about-beatrix-potter/ http://www.hbook.com/2013/05/choosing-books/horn-book-magazine/peter-rabbit-and-the-tale-of-a-fierce-bad-publisher/ http://www.lettersofnote.com/2012/04/tale-of-peter-rabbit.html https://www.biography.com/people/beatrix-potter-9445208 https://www.theguardian.com/books/2006/dec/07/booksforchildrenandteenagers http://www.newhistorian.com/peter-rabbit-returns-for-potters-150th-birthday/5869/ https://en.wikipedia.org/wiki/Peter_Rabbit_(film)   © Copyrighted

The story in this episode is “The Tale of Benjamin Bunny” by Beatrix Potter. It is a sequel to The Tale of Peter Rabbit, and tells of Peter’s return to Mr. McGregor’s garden with his cousin Benjamin to retrieve the clothes he lost there during his previous adventure. The song in this episode is “Slow […]

Now with Memorial Day in the United States coming up, I wanted to have an episode on rabbit memorials from personal memorials to public memorials and statues. We will also cover Brer Rabbit Fools Sis Cow, A Georgia Folktale.  The Plant of the Week:  Shepard's Purse.  The Word of the Week: Ancestry.  And conclude with the News. We will start with ideas on how to Memorializing a rabbit.  There was a great article by Moira Anderson Allen, M.Ed. http://www.pet-loss.net/memorial.shtml I need to emphasize the importance of focusing on positive memories of your rabbit. Remembering the good times that you shared with your rabbit can help counteract the guilt and grief that come with its loss. One way to help yourself focus on those positive memories is to develop a memorial to your pet -- a tribute or reminder that will actively help you access and concentrate on those recollections. Creating such a tribute can be an effective tool to help you cope with grief (though it may certainly produce a few tears in the process!), and it will also provide you with a loving reminder of your rabbit in the years to come. There are many ways to memorialize a rabbit, and we are now going to cover a few of the most popular: 1) Develop a photo tribute. One way to do this is to choose an especially good photo of your rabbit and have it beautifully framed, and place it where it will bring you the most comfort. Another is to gather a collection of representative photos, such as photos of your rabbit engaged in different activities, and at different ages, and turn them into a collection or collage. You can purchase mats with cutouts for as many as 20 photos (perhaps even more), and this provides a lovely way to display a collection. You can then put the matted collection in a nice frame, which will help preserve it. 2) Have a portrait painted. Many pet portrait artists list their services in pet magazines; you may also find one in your local yellow pages. (You can also find such services online by searching under "pet portraits."). These artists generally work from photos (it being a bit difficult to persuade a pet to "sit" for a portrait). All you need to do, therefore, is to find a good quality photo of your rabbit (preferably one that gives a good view of its face) and send or bring it to the artist. Many people consider a portrait that is an original work of art to be a great tribute to a pet. 3) Create a craft tribute. If you enjoy a particular type of art or craft, consider using that to memorialize your rabbit. For example, my neighbor used a needlepoint kit that resembled her Rottweiler to create tribute. You can also find services that will transfer your rabbits photo onto a needlepoint canvas, or create a canvas from a photo. If you have a knack for painting ceramics or plaster, consider painting a statue that resembles your rabbit. 4) Create a written tribute. A written tribute can take just about any form: A poem to or about your rabbit, a letter to your rabbit (or even "from" your rabbit to you), an account of your rabbit's life, or anything else that seems an effective way of expressing your feelings and memories. This could also be done as a family project, with each member contributing their own materials, which can then be assembled in a single volume that can be shared by all. With today's printing technologies, you can even extend this option by having an actual bound book printed that includes both written tributes and photos. The easiest way to do this is to prepare the written tributes on a computer and print them off in the desired format, with your choice of fonts, formats, and colors. Have your favorite photos scanned (or scan them yourself if you have a scanner). You can then create a simple layout of text and artwork using a basic word-processing program, or print out the photos and text and assemble them by hand. Your book can then be reproduced and "bound" at your local print or copy shop. This will cost a few dollars, but is a nice way to make copies for family members. 5) Post a tribute online. A number of sites offer this as a free service; you'll find some of those listings in our links section. Because so many sites do offer this service at no cost, I do not recommend paying for this service -- unless you feel that the site is sponsored by a worthy organization and your fee will directly contribute to that organization. Many sites also let you post a picture of your pet. Memorial Pages at House Rabbits. These pages have been built in loving memory of some very special house rabbits who have passed away. They also have a pet loss FAQ that you might find useful. If your house rabbit has a memorial page and you'd like it added to our list of links, send them an email. http://www.rabbit.org/links/sections/memorial.html 6) Plant a tree. A company called Treegivers offers to plant a tree in your rabbit's name, in the state of your choice. Or, plant a tree or special plant in your own garden for "remembrance." Your city parks department might also allow you to plant a tree in a city park in memory of your rabbit. 7) Obtain a special urn for your rabbit's ashes. If you have chosen cremation for your rabbit, you may wish to keep its ashes in a decorate urn. Today, you can find a marvelous array of urns on the market. They come in fine woods, stained glass, gleaming metal, or even as carvings of specific breeds. To find lists of urn manufacturers, check the classifieds and back-page ads of major pet magazines, or check on-line. 8) Contribute to an animal welfare organization. Often, animal shelters will provide a plaque or paving stone with your rabbit's name on it for a minimum donation. For example, when the humane society in Olympia, Washington, relocated, it offered brass plaques that were used to line the walls in the main lobby; for a donation, one could have one's pet's name and a message etched on the plaque. Nor are you limited to pet organizations; when our local library, opened its new facility, it offered paving stones that could be etched with a message, and many tributes to beloved pets became a permanent part of the facility. 9) Contribute to the cure. If your rabbit died of a particular disease, there may be a research organization that is seeking a cure. A contribution to that organization may help other pets (and pet owners) in the future. 10) Shop for a memorial item. Believe it or not, shopping can be immensely therapeutic. We still have a beautiful bronze key hanger that is shaped like a cat that my wife purchased when a beloved cat died nearly 15 years ago. 11) Put your rabbit's picture in a photo-display box (one that has a place in the top for a photo). Put some of the rabbit's treasures inside the box, such as a collar or a lock of hair. 12) Place a memorial stone or marker in your garden, even if you have not buried your rabbit at home, or place a special statue (not necessarily a funeral marker) in a garden spot that your rabbit loved, such as a statue of a rabbit, or of an angel, or St. Francis. We have a link to some memorial stones at the hareoftherabbit.com on the featured items page. This weeks item is a memorial stone: This weeks item is a bit more solemn. This is a memorial stone to commemorate your rabbit. On a personal note from the manufacture: They are pet owners as well, and they are proudly owned by them. Never ever a harder day than the moment they moved on – And they DO UNDERSTAND. You will need to use the contact seller's email to send the info you would like. This 12" x 6" x 3/8" piece of Granite is engraved with the image of a rabbit as shown. The personalized text (you can have whatever you like), as a default, they have: Name of your pet, date of birth and passing, and "Thank you for being the best bunny and the most wonderful companion. There will never be another one like you. Rest easy my girl, until we meet again. You will be deeply missed." Thank you very much for your purchase and allowing us to help. This Frosted Engraved Black Granite Personalized Rabbit Pet Memorial Stone is natural stone that is polished with a smooth surface and a high sheen. Being a natural product, which means there can be variations in color and pattern, and sometimes what you get delivered may be touch different than what you see in the display but as in nature all is most acceptable. The memorials are designed and made exclusively in the Lazzari Collections ™ Studio. 13) Keep a journal to help you through the grieving process. Record your pet's life story in that journal. 14) Build your own website in tribute to your rabbit. 15) You could also memorialize your Rabbit with a decal for your car, or with modern 3d printing you could have a 3d figure printed of your rabbit. 16) Get a tattoo! What I don't recommend is turning a memorial into a "shrine". I realize that some people really like shrines, but in my view, this tends to keep one's mind and heart focused on "death and loss" and not on living, loving, and remembering. Your rabbit was a part of your life, and its tribute should also be a part of your life, and not a perpetual reminder of its death. Rainbow Bridge – When House Rabbits Pass Away By Bunny Approved April 14, 2014 http://bunnyapproved.com/rainbow-bridge-when-house-rabbits-pass-away/ To everyone who has lost a dear, sweet bun in the past, our sincere condolences. Losing a loved one is one of the most difficult events in our lives, no matter if the deceased is of the human or furry variety. Even though this is a topic no one really likes to think about, we thought we’d take this opportunity to talk about death. Specifically, what happens with our rabbits when they pass away. We humans are advised to have a will in preparation for any sudden fatal accidents or illnesses. We think that it is equally important to prepare for a house rabbit’s death. After all, making a good decision will be much harder when we are overcome with grief. So here are some of the options we have when our bunnies pass away. We decided to present all the ones we found relevant, without judgment. Backyard Burial If you have a bit of land and don’t expect to move in the near future, you might want to bury your pet in your backyard. It’s a good idea to call your local authorities and ask if the burial of a pet is allowed and if there are any restrictions, as this can vary between areas. At the very least you want to call your local utility providers before you dig anywhere. They will send someone over to your property within 2 business days and mark underground lines for free, no questions asked. The grave itself should be as deep as possible to avoid interference from wild animals. Your state, county, or town might even have regulations around that, but 3-4 feet is a good minimum. Some people like the idea of wrapping the body in plastic and placing it in a casket for further protection, others prefer to keep all materials bio-degradable. Caskets can be made out of crates, baskets, wood, or cardboard or you can purchase one from places like etsy or an online/local pet burial service. Even headstones, mausoleums, and urns are available. The great thing about a grave on your own property is that you can decorate it as you wish and visit it as often as you like. If you would like to have your rabbit buried in your backyard, you can also contact the local pet cemetery and request a home-burial. That way you get the professional service, but your pet stays with you near your home. Cemetery Burial A quick google search made it pretty clear – there are many pet cemeteries all over the United States. Many of these places offer full burial or cremation services for pets. One pet cemetery local to us even writes: “We encourage pre-planning, as it is easier to make selections prior to the loss of your pet. At this time you can choose casket and plot, and setup a payment plan according to your budget.” Costs for such a burial vary based on where you are located and what kind of casket you choose, but after calling several different cemeteries it should be around $350 for a pet rabbit, including the plot of land, a simple casket, and a private service. Cremation The process of cremation includes high-temperature burning of bodies with ashes as the final result. Your vet will know a trustworthy service in your area or you can find one yourself. Either way, there are two kinds of cremation services available. You can choose a communal one where several animals are cremated at once. This is the less expensive option, but you cannot get your pet’s remains returned to you, as they are mixed with those of other pets. An individual or private cremation is more expensive, but you can opt to keep the remains. If you do that, you will receive the ashes in a sealed bag inside a sturdy box or another specialized container. Some places allow you to be present while the cremation is going on and they generally offer personalized urns, headstones, or lockets/pendants. You can also purchase those on etsy or other websites. Prices depend on the services you ask for, but should range anywhere from $30-$400. Once your rabbit is cremated, there are several things you can do with the remains. You could bury them in your backyard or a pet cemetery and place a grave marker on top. Planting a tree or a small flower garden right above the grave would also be a great memorial. Some people like to keep the remains in an urn and have it on display over the fireplace or in another area of the home. Spreading the ashes in a park or your rabbit’s favorite spot in the backyard is also an option. If you want to keep your rabbit’s remains with you at all times, you can purchase a memorial locket that could hold the ashes and a picture or poem. Life Gem also offers diamond rings made from the cremated remains of pets and other loved ones. Pet Preservation There are several businesses out there that can preserve a deceased pet rabbit and create a lasting memorial for the bereaved. Taxidermy involves preparing and stuffing the skin of the animal, but there is also a special freeze dry technology that leaves the pet intact. The costs for such services range from $150-800 for a pet rabbit (prices are based on weight). Trash Disposal Most animals smaller than a cat can be disposed of with the regular trash. All you need to do is place the animal in a sealed plastic bag with a a visible note attached that confirms what’s inside. Please check with your local authorities to confirm (you might have to schedule a special pick-up). Hopping mad: South African ministers furious to discover sculptors who created Nelson Mandela memorial included a RABBIT inside his ear Read more: http://www.dailymail.co.uk/news/article-2544048/Hopping-mad-South-African-ministers-furious-discover-sculptors-created-Nelson-Mandela-memorial-included-RABBIT-inside-ear.html#ixzz4gLvv7inB A 30ft sculpture of Nelson Mandela has angered South African officials as the sculptors left a ‘signature’ on the artwork – a sculpted rabbit tucked inside one of the bronze ears. The bronze memorial, which was unveiled outside the government complex in Pretoria, after Mandela’s funeral on December 16, is billed as the largest statue of the South African leader in the world. Officials demand that the miniature rabbit is to be removed from the statue, claiming it mocks Mandela and his life’s work. The department of arts and culture said it didn't know the two sculptors, Andre Prinsloo and Ruhan Janse van Vuuren, had added a rabbit, said to be a discreet signature on their work. The bronze rabbit, sitting on its haunches with one floppy ear, is about half the height of the ear canal. ‘It doesn't belong there,’ said Mogomotsi Mogodiri, a department spokesman. ‘The statue represents what everyone in South Africa is proud of.’ His department said in a statement that there are discussions on ‘how best to retain the integrity of the sculpture without causing any damage or disfigurement.’ The giant work stands with arms outstretched, symbolizing Mandela's devotion to inclusiveness, outside the Union Buildings, where the his body rests. Earlier this week, South Africa's Beeld newspaper quoted the artists as saying they added the rabbit as a ‘trademark’ after officials would not allow them to engrave their signatures on the statue's trousers. They also said the rabbit represented the pressure of finishing the sculpture on time because ‘haas’ - the word for rabbit in the Dutch-based Afrikaans language - also means ‘haste.’ The 30ft bronze statue was unveiled day after Mandela's funeral. Paul Mashatile, arts and culture minister, said the sculptors have apologized for any offense to those who felt the rabbit was disrespectful toward the legacy of Mandela. The government had appointed Koketso Growth, a heritage development company, to manage the statue project. CEO Dali Tambo, son of anti-apartheid figure Oliver Tambo, said he was furious when he heard about the rabbit, and said it must go. ‘That statue isn't just a statue of a man, it's the statue of a struggle, and one of the most noble in human history,’ Tambo said. ‘So it's belittling, in my opinion, if you then take it in a jocular way and start adding rabbits in the ear.’ It would be, he said, like depicting U.S. President Barack Obama with a mouse in his nose. The bronze memorial, which was unveiled outside the government complex in Pretoria, after Mandela's funeral on December 16, is billed as the largest statue of the South African leader in the world. Tambo said the artists, who belong to South Africa's white Afrikaner minority, were selected for their talent but also in part because the project was a multi-racial effort in keeping with Mandela's principle of reconciliation. He said their signatures could be added on the statue in a discreet place, perhaps on Mandela's heel. Veterans' fury over giant statue of RABBIT erected next to town's war memorial Read more: http://www.dailymail.co.uk/news/article-2160066/Veterans-fury-giant-statue-RABBIT-erected-towns-war-memorial.html#ixzz4gLyqgewR A Massachusetts town is facing a major backlash from local veterans after installing a statue of a giant rabbit in the same park as a war memorial. The controversial bunny has inspired a protest from furious war heroes, who refused to stage their usual Flag Day parade in a nearby square. And while the huge rabbit has been renamed 'Peace' in an effort to inspire a more conciliatory spirit, the conflict is pitting neighbors against each other and threatens to tear the town of Dedham apart. The fiberglass bunny, originally dubbed Leroy, first went on display on Sunday - and it was made by one local veteran in honor of another, according to WHDH. The sculpture is made from Dedham pottery, commemorating the ceramic industry which put the town on the map in the early 20th century. But it is the location of the artwork that has caused a stir, as it is standing just yards away from a memorial to the town's veterans. Frank Currin, a Vietnam vet, told WHDH that he thought the placement was completely inappropriate, asking: 'Why isn't it down where the playgrounds are? They have it sitting right next to the monument.' He and his fellow veterans did not participate in Thursday's Flag Day celebrations owing to their anger over the sculpture. Solemn: But some say the memorial's message is undermined by its new neighbor. Complaint: Veteran Frank Currin has spoken of his outrage over the sculpture. Jennifer Barsamian, founder of the group behind the public artworks scheme, described the row as 'discouraging'. She added: 'The committee that put together this monument approved the placement of this rabbit, so we were completely surprised and caught off guard when this happened.' But some Dedham residents have come to Leroy/Peace's defense, arguing that the rabbit is not offensive. Navy veteran Paul Grimes said: 'Why can't the town of Dedham put the bunnies that show the spirit of Dedham where they want to go?'. The sculpture, one of 15 rabbits due to be erected throughout the town, is set to be on display for six months before being sold off to benefit other public art projects. A public meeting will take place on Monday to determine its future. https://books.google.com/books?id=jHeIAwAAQBAJ&pg=PT35&lpg=PT35&dq=rabbit+memorial+statue&source=bl&ots=6QSw7nwszr&sig=-JT78jAZK6MiMRUuFcqPrQvU_HU&hl=en&sa=X&ved=0ahUKEwjx6-vS1tzTAhWi6YMKHSPCDn84ChDoAQi_ATAH#v=onepage&q=rabbit%20memorial%20statue&f=false 20-Foot-Tall Rabbit - See more at: http://www.roadsideamerica.com/story/24868#sthash.Cm3oNe78.dpuf Gainesville, Georgia The northeastern corner of Gainesville, Georgia used to be a hamlet named Rabbittown. It got the name because its farms raised the rabbits that the people in Gainesville ate for dinner. When Gainesville eventually absorbed it, Rabbittown gradually disappeared from Georgia's maps and became a dim memory. Then Gainesville began promoting itself as "Poultry Capital of the World," and even erected a big pillar with a life-size chicken on top. It made sense for Gainesville; poultry is a Meat World winner. There are no Rabbit McNuggets, and you don't order a "Bucket of rabbit to go!" for a family feast. But the elevation of the chicken rubbed some folks in the former Rabbittown the wrong way, and in 1993 they erected their own big pillar, topped with a much-larger-than-life-size rabbit. "Rabbittown, GA," reads a plaque on its base, from a hamlet that was no longer hiding its past. The rabbit has the soft lines and awkward alert pose of a chocolate Easter bunny, and makes a far more satisfying monument than the Gainesville chicken. 20-Foot-Tall Rabbit Address: 2415 Old Cornelia Hwy., Gainesville, GA Directions: I-985 exit 24. Drive east on Jesse Jewell Pkwy for less than a mile. The statue will be on the left, just past the gas station, in the parking lot of the shopping center. Popular rabbit statue to stay despite construction, company says http://pamplinmedia.com/bvt/15-news/348709-228150-popular-rabbit-statue-to-stay-despite-construction-company-says "Don't worry," reads the large sign in Harvey's massive hand, "I'm staying." Standing 20-feet-tall — 26 feet if you include the ears — the company's iconic rabbit statue has stood outside Harvey Marine, 21250 S.W. Tualatin Valley Highway, for decades. The eye-catching statue has made Harvey's Marine Aloha's most visible local landmark since the 1970s, but the company is undergoing several changes this month as crews demolish one of its company's buildings and constructs a new drive-through coffee kiosk. But while company officials say they will be taking down some of structures, it's most prominent figure won't be going anywhere Easter Bunny statue devouring a person https://www.reddit.com/r/creepy/comments/5fj3q4/easter_bunny_statue_devouring_a_person/ This is in Pilsen, Czech Republic The creator of this three-tone concrete statue of a rabbit devouring a man is a student of Faculty of Design and Art at The University of West Bohemia, Adam Trbušek. The art, named Panoptikum, is his bachelor work. The statue, which was formed in 10 months, was created for the Office of 1st municipal district. Trbušek explained: "The goal of my work was to create a monument, a memorial of current period. It's showing us the state of our society in a way I'm perceiving it. The satirical work illustrates a man imprisoned by the system's mechanism, totally helpless, ill, and devoted to his desires and whims." The rabbit statue is paraphrasing Goya's painting Saturn Devouring His Son.G oya created the painting in the period of Napoleon seizing Spain. "We can figuratively feel the destroying grip today. However, the person of a dictator has transformed into a societal phenomenon, where you can hardly pinpoint and accuse particular persons. We've all created it, everyone with their part contributes feeding this monstrum and what's worse we are feeding it with nothing more than ourselves. Moreover, we take care of it and don't take notice it's slowly gnawing the flesh of our limbs away," described Trbušek. This is from r/evilbuildings which is part of the staTuesday collection https://www.tripadvisor.com/LocationPhotoDirectLink-g60763-d143372-i156384198-Alice_in_Wonderland_Statue-New_York_City_New_York.html The Alice in Wonderland Statue is a minor family-friendly attraction that is well worth finding in Central Park. Its located just north of the Conservatory Water at the east side of the park around 74th street. Children are allowed to climb and play on the sculpture, which is sort of neat considering the playful subject matter of this 11 foot bronze structure. During warmer months, the sculpture arrangement is nice to see as it is framed with green foliage from surrounding trees. Note that the sculpture seems to have a continuous stream of children pouring onto it during much of the day. As such, it can be tricky trying to take unobstructed pictures. However, if you visit early in the day, you can enjoy Alice and company much to yourself and take some nice pictures. Great spots for pictures of yourself or children can be taken between the large mushroom, which Alice sits upon, and Mad Hatter. Many climb up the mushroom to sit next to Alice for photos as well. This is one of the more memorable attractions at Central Park, something you'll long remember after your visit to NYC, especially if you have children with you. Down the rabbit hole in Llandudno http://www.visitwales.com/explore/north-wales/llandudno-colwyn-bay/a-girl-called-alice Enjoy a wonderful tour of the Victorian seaside town of Llandudno, taking in the sites inspired by the Lewis Carroll classic Alice in Wonderland. Explore the history of the town, find out about Alice Liddell (the real Alice in Wonderland) and enjoy an Alice-themed afternoon tea. There are plenty of opportunities for silly nonsense, some curious sights and some great places to daydream. Alice Liddell, the real Alice in Wonderland View of the promenade on Llandudno's North Shore North shore, Llandudno by Seán Murray Llandudno’s wonderland links stretch back to 1861 when the eight year old Alice Pleasance Liddell (the real Alice in Wonderland) first holidayed in the ‘Queen of the Welsh resorts’, Llandudno. Her holiday home ‘Penmorfa’ was built on Llandudno’s West Shore, where the family holidayed for many years. The Alice trail… White Rabbit sculpture in Llandudno The White Rabbit, Llandudno by peterdouglas1 From the Hearts Quarter of the town, you’ll pass the town hall and enter into Madoc Street. Near here, the famous White rabbit marble commemorative statue was created to commemorate Lewis Carroll’s centenary. Towards the promenade you will pass the magnificent Mostyn Gallery, which is well worth of a visit. Just past the Gallery you’ll encounter a White Rabbit Wooden Sculpture complete with waistcoat and a pocket watch. Remember to bring your bucket and spade to the Spades Quarter adjacent to the wonderful promenade on Llandudno’s North Shore, a beautiful spot with views of the Great Orme. Perfect promenades Alice in Wonderland sculptures in Happy Valley Happy Valley, Llandudno by Darling Starlings Along the trail, you’ll encounter the longest Pier in Wales, where you can admire the majestic line of hotels that have not changed since Victorian times. Look out for the St George’s Hotel. It is thought that Lewis Carroll wrote part of 'Alice in Wonderland' here. You can also see St Tudno Hotel, where Alice first stayed back in 1861. Happy Valley is ideal to stop and daydream. It’s a surreal park with wonderful views and lots of Alice in Wonderland sculptures. You can even play a game of croquet! For a bird’s eye view, take the longest cable car in Britain. It will take you past the Alpine Ski and Toboggan Center before reaching the summit of the Great Orme. Eat Me! Drink Me! Exterior of a Llandudno fish and chip shop Fish and Chip shop, Llandudno by Tony Worrall Foto If you’re peckish the Clubs Quarter of the town, recognized for its many cafes, restaurants and bars, is worth a visit. Since we’re near the sea, you must try the award winning Fish Tram Chips and a local brew. Follow the trail to the wonderful Haulfre Gardens where you will meet the troublesome Tweedles. Pause and listen to the sounds and take in the wonderful smells of these gardens, before heading along the old Custs path, part of the Great Orme Country Park. Grin like a Cheshire cat Tweedle Dum and Tweedle Dee sculptures in Llandudno Alice in Wonderland characters, Llandudno by jazzbeardie At the Diamond Quarter you can enjoy fantastic views of the Snowdonia range of mountains as well as the view Alice would have enjoyed from her bedroom window. You will most certainly have a grin on your face when you meet a larger than life Cheshire Cat sitting outside the Lilly Restaurant. In here, you can enjoy a pint of Mad Hatter's brew. The White Rabbit trail really is worth a stroll and a ponder. It makes you wonder: if Alice hadn’t holidayed in the Queen of Welsh resorts, and if her adventures weren't shared with Lewis Carroll, would the books have been written at all? Curiouser and curiouser! http://georgiainfo.galileo.usg.edu/statues_monuments/ Brer Rabbit Statue on the Putnam County Courthouse Grounds Eatonton, Georgia Br'er Rabbit appeared in numerous "Uncle Remus" stories penned by author Joel Chandler Harris in the 1870s. A folktale is a story originating in popular culture, typically passed on by word of mouth. What is a story without a campfire in the background. In many tales Rabbit is a trickster character in folktales of African, African-American, and Native American Culture. Rabbit is the consummate trickster, who typically matches wits with a character, whom he always bests. http://americanfolklore.net/folklore/2010/07/brer_rabbit_fools_sis_cow.html Brer Rabbit Fools Sis Cow A Georgia Folktale retold by S. E. Schlosser Now Brer Rabbit was skipping down the road one day heading for his home in the briar patch when he spotted Sis Cow grazing in the field. It was a mighty hot day and Brer Rabbit was thirsty. Some milk would be real fine on such a warm afternoon, but Sis Cow always refused to let Brer Rabbit milk her when he asked. So Brer Rabbit thought up a plan. "Howdy Sis Cow," said Brer Rabbit, walking up to her in the field. "Howdy yourself, Brer Rabbit," said Sis Cow. "How are your folks?" "Fair to middling," said Brer Rabbit. "How is Brer Bull?" "So-so," replied Sis Cow. "I'm wondering if you could help me out," Brer Rabbit said to Sis Cow. "I'd like to get some persimmons down out of that tree, but it's too high for me to climb." He pointed over to a nearby persimmon tree. "I ain't no good at climbing myself," said Sis Cow dubiously. "I don't need for you to climb," said Brer Rabbit. "Just butt your head against the tree a few times, and the persimmons will all fall down." Sis Cow considered this a moment, and then she agreed. Sis Cow backed up a bit and ran at the tree with her horns down. BANG! She butted the tree as hard as she could. But the persimmons were still green and none of them fell down. So Sis Cow backed up again and ran at the tree with her horns down. SMACK! She butted the tree as hard as she could. And her large horns got stuck in the tree. She pulled and tugged, but her horns were held fast. "Help me out, Brer Rabbit," Sis Cow pleaded. "I can't climb up that high," said Brer Rabbit. "But I'll run and fetch Brer Bull." So saying, the rascally Brer Rabbit ran home to fetch his Missus and all of the kids. They brought a mighty big pail to the field and they milked the trapped Sis Cow until not a drop of milk was left. Sis Cow was pretty sore at Brer Rabbit. She kept pulling and tugging, but she couldn't get free. "I'll come back tomorrow for more milk," Brer Rabbit said. "Seeing as you're probably stuck 'til daybreak." Brer Rabbit and his family left the field with their big pail of milk, leaving Sis Cow trapped in the tree. Well, Sis Cow, she tugged and tugged, trying to free her horns from the tree. It took her near 'til morning, but finally she broke loose. Once she was free, she had a quick graze of the green grass to calm herself down. As she ate, she made a plan to revenge herself on Brer Rabbit for his nasty trick As soon as it was daybreak, Sis Cow put her head down and stuck her horns back into the holes she had made in the tree, pretending she was still stuck. Now Brer Rabbit had come early to the field and had seen Sis Cow grazing as free as you please, so he knew she was up to something when she put her horns back in the tree. He decided to play along with her game for a while to see what she was up to. Quick as a wink, Brer Rabbit went back down the road and came clippity-lippity, hippity-hoppity down the road, singing as loud as you please. "How are you feeling this morning, Sis Cow?" asked Brer Rabbit when he reached the field. "Poorly, Brer Rabbit," said Sis Cow slyly. "I've been stuck here all night. But if you grab my tail, you can help pull me out." Oh ho, thought Brer Rabbit to himself. She means to trample me. Aloud he said: "I'm a puny ol' man Sis Cow. If I pull your tail, I might get crushed. So this is as close to you as I'm going to get!" Well, Sis Cow was furious that her plan hadn't work. She pulled her horns out of the tree lickety-split and started chasing that rascally Brer Rabbit down the road. Brer Rabbit ran as fast as lightning. He reached the Briar Patch well ahead of Sis Cow and threw himself into the brambles. He watched Sis Cow sail passed his hiding spot. Then she stopped because her quarry had disappeared. She looked around, trying to locate him. Brer Rabbit chuckled to himself. He folded back his long ears, made his eyes extra wide, and then peered out of a shady corner of the Briar Patch, pretending to be Brer Big Eyes. "What are you doing Sis Cow?" he asked in a high-pitched voice quite unlike his own. "I'm looking for Brer Rabbit, Brer Big Eyes," said Sis Cow, who did not recognize the trickster rabbit in the dim light of dawn. "He jest ran passed lickety-split," Brer Rabbit lied. That was all Sis Cow needed to hear. She gave a bellow of rage, lowered her horns, and ran on down the road. Brer Rabbit, he just laughed and laughed, rolling about among the briars. He had fooled Brer Fox and Brer Buzzard in the past, and now he had fooled Sis Cow. He was a real rascal, no mistake! Humming happily to himself, Brer Rabbit went home to have a big drink of milk, courtesy of Sis Cow. Plant of the Week: Shepards Purse Word of the Week: Ancestry Dexter, brother of bunny killed in United Airlines freezer blunder, now tipped to become world’s biggest rabbit https://www.thesun.co.uk/news/3610059/united-airlines-bunny-brother-worlds-biggest/ Hungry rabbit scoffs 2,000 carrots a year and is already 3ft Exclusive By Dean Wilkins 20th May 2017, 10:00 pm Updated: 21st May 2017, 6:05 am GIANT bunny Dexter has high hops of being the world’s biggest after the death of his brother. The youngster is already 3ft and could take the crown from his 4ft 4in father Darius. His brother Simon was tipped for the top until dying in a freezer on a flight to the US. At just ten months old Dexter is already 50 per cent bigger than bunnies his same age and breed. He already weighs around one and a half stone, three times more than an average new born human baby. Dexter will be fully grown in two years. Owner Brad Paynter, 28, of Basildon, Essex, said: “Dexter is a gentle giant – he likes to play with our dogs, he likes to run around with children and go up to people". Lap it up . . . Brad says Dexter ‘was the size of a small puppy’ when they got him. “When we first got Dexter he was nine or ten weeks old and he was the size of a small puppy – a lot smaller than what he is now. “We had a choice of a few rabbits, but Dexter really stood out to us and he’s really shot up in the last few months.” Dexter scoffs 2,000 carrots a year and his owner splashes £100 a month on Dexter’s food alone. Brad said: “The biggest problem with Dexter is that he is quite demanding – he wants fresh food and bedding every day. “He eats five carrots a day, two apples, about half a pack of spring greens, cabbage, celery, cucumber, broccoli and a ton of hay.” Furry friends . . . Dexter enjoys hanging out with owner’s French bulldog. Simon’s breeder, former Playboy model Annette Edwards, 65, received an undisclosed five-figure cash payout from United Airlines over his death. They have since banned big bunnies from flying. Author Bill Day’s New Book “The Little Lost Rabbit” is a Gentle Children’s Story About Six Little Bunnies Who Venture Far Outside Their Home and Get Lost in the Woods http://www.prweb.com/releases/2017/05/prweb14349028.htm Recent release "The Little Lost Rabbit” from Page Publishing author Bill Day is a richly illustrated and simple story about parental love for young children in which six young bunnies leave the safety of their home and take a walk in the woods. After venturing deeper and deeper into the forest and realizing that they are lost, the youngsters enlist the help of a variety of friendly animals until their father arrives to bring them home. Goosebumps 2 title revealed, plus promo art for Jumanji, Grinch, and more Read more at http://www.comingsoon.net/movies/news/849929-goosebumps-2-title-revealed-plus-promo-art-for-jumanji-grinch-and-more#K8wXWrZtZzswmALX.99 Originally created by Beatrix Potter, the upcoming live-action and CG hybrid film adaptation of Peter Rabbit is described as a modern interpretation of the source material, built around the rivalry between the mischievous Peter and Mr. McGregor, The film stars James Corden, Rose Byrne, Daisy Ridley, Elizabeth Debicki, Domhnall Gleeeson, and Margot Robbie. 'There's Self-Doubt, Darkness, But There's Hope': Scottish Band Frightened Rabbit Pens Turbulent Tunes http://www.wbur.org/artery/2017/05/18/scottish-band-frightened-rabbit There's an indie band that sings of dysfunctional relationships and loss — some of the common themes in rock lyrics — and then it ventures into deeper territory: panic attacks and addiction. The subjects the songs deal with hint at the band's name: "Frightened Rabbit." The Scottish group will perform at Boston Calling next weekend, playing songs from its latest album, "Painting of a Panic Attack." WBUR’s Rita Cary spoke with lead singer Scott Hutchison from Glasgow. She describes Hutchison as a "really shy, introspective soul." Hutchison explained that his mom called him a "frightened rabbit" when he was little because she said that was the look he got on his face when she wanted to take him to the park to play with other kids. “I find it kind of amusing that something that I would call the band I had great aspirations for, and I was hoping to play to lots of people, I would call that after essentially my own social disorder," Hutchison said. The singer-songwriter reflected that he's a lot more confident now than when he was a kid, though some of that anxiety and self-doubt still exist and creep into the band's songs. "But I always make sure that there is a light at the end. It's a very Scottish way of looking at things," he said. "It's like everything is ruined, but there's hope." https://youtu.be/HvEEmGgI-04 Royal Mint restocks limited edition Peter Rabbit 50p coins http://www.belfastlive.co.uk/whats-on/shopping/royal-mint-restocks-limited-edition-13038523 It is the first coin from the second Beatrix Potter collection. ByNisha Mal The Royal Mint has restocked its limited edition Peter Rabbit collectible 50p coin. The coin was so popular when it was first released in April, that the website crashed due to popular demand. And according to mirror.co.uk , some shoppers were queuing for up to four hours to get their hands on the coin. If you were one of the unfortunate few, that didn't manage to get one the first time round, then now is your chance. The 50p piece - which costs £10 - has now been restocked on the official Royal Mint website . It comes presented in a fold-out case which includes quotes from Beatrix Potter's original tales. As it is special edition, stock is limited. Back in April 30,000 of the coins were released but they sold out within a day. The first Peter Rabbit collection was released in 2016 to celebrate Beatrix Potter's 150th anniversary. The batch showed illustrations of four characters - Peter Rabbit, Jemima Puddle Duck, Mrs Tiggy-Winkle and Squirrel Nutkin. Characters in the 2017 collection include the new Peter Rabbit coin as well as Jeremy Fisher, Benjamin Bunny and Tom Kitten - however the other three coins are yet to be released. Anne Jessopp, of The Royal Mint, said: “While we always knew that the Beatrix Potter characters would be a huge hit, the enormous popularity of the 2016 set exceeded everyone’s expectations. “The coins sold out almost instantly as people raced to collect a complete set of the four friends. "We’re delighted to be able to present another group of her exquisite characters, giving them a new lease of life on our specially-designed colored commemorative coins.” The Tale Of Peter Rabbit was an instant success after being picked up in 1902 by British children's publisher Frederick Warne & Co. More than 45 million copies of the book have since been sold worldwide. Three dead rabbits discovered at Cessnock greyhound training area http://www.maitlandmercury.com.au/story/4672999/dead-rabbits-discovered-at-cessnock-greyhound-training-area/ Three dead rabbits have been seized as part of an animal welfare raid at a Cessnock greyhound training area. The discovery comes after the live baiting scandal that came to light in 2015. Greyhound Racing NSW officials were conducting a targeted operation at the greyhound training facility on Wednesday when they discovered the dead rabbits near the training area. The RSPCA seized the dead rabbits and took them to an independent veterinary pathologist for postmortem examination. GRNSW and the RSPCA have commenced a joint investigation to determine if any criminal offenses had been committed under the Prevention of Cruelty to Animals Act or any offenses have been committed under the GRNSW Greyhound Racing Rules. RSPCA NSW chief inspector David O’Shannessy said the RSPCA awaits the results of the postmortem investigation and cannot speculate at this stage what action might be taken. If offenses under the Prevention of Cruelty to Animals Act can be established, the maximum penalties are $22,000 fine and up to two years imprisonment for an individual. The property owner has been given an interim suspension on his registration as a greyhound participant. GRNSW General Manager Regulatory Stephen Dodd said the investigation was a result of extensive intelligence work. “GRNSW is determined to rid the sport of rogue elements that refuse to abide by the rules of racing and are unwilling to adopt the highest of animal welfare and integrity standards,” Mr Dodd said. GRNSW encourages anyone to report any allegations of wrongdoing within the NSW greyhound racing industry to the NSW Greyhound Integrity Hotline on 1800 680 174 or submitting it in writing via intelligence@grnsw.com.au. First bunny Marlon Bundo makes first White House appearance https://www.usatoday.com/story/news/politics/onpolitics/2017/05/09/first-bunny-marlon-bundo-makes-first-white-house-appearance/101486672/ A bunny upstaged Vice President Pence Tuesday. Not just any rabbit, though. But BOTUS – Bunny of the United States. That would be Marlon Bundo, the Pence family pet with his own Instagram account who made his first White House appearance at an event honoring members of the military and their families for Military Appreciation Month. “Thanks for coming,” Pence said as he shook hands with a little girl. “Did you see my bunny rabbit yet?” The children, wearing party dresses and bow ties, colored pictures of rabbits and American flags while perched around the long table in the Vice President’s Ceremonial Office until BOTUS came to the lectern held tightly by Karen Pence as she stroked his ears. She told the group that BOTUS is “kind of famous” because he’s the first bunny to ride on Air Force 2. “Oh my God!” exclaimed one of the kids surrounding the Pences. Karen Pence explained that her daughter, Charlotte, got the black-and-white rabbit for a film she made in college. (Marlon Bundo is a play on actor Marlon Brando.) “This notoriety is nothing new for him,” she said. BOTUS is very tame, runs around their house and jumps in his cage when he needs to, she said. “Marlon came today really just to say `hi’ to you and to say thank you to all the children,” Karen Pence said. As the vice president started to applaud, Karen stopped him, motioning that the noise would cause BOTUS to jump out of her arms. “Don’t clap!” she admonished. Once BOTUS departed with the second lady, the kids had less interest in who was speaking. As Pence started his remarks, one young man pounded his fist on the lectern, saying “`Scuze me!” Another tried to rip the vice presidential seal off the lectern. “I love these kids,” Pence said. The vice president continued gamely through his remarks despite a scuffle that broke out between two of the boys at his side. Pence said he wanted to give a rousing round of applause to the military spouses and to “all of these wonderful and,” he paused “energetic children who are with us today.” “I hope you see this crowded room as just one more down payment on the debt of honor and the debt of gratitude that we owe to the families of our armed services,” he said. After ending his remarks, Pence told the crowd “more ice cream is available” before hugging some of the children and posing for photos.

彼得兔的故事 第4章He found a door in a wall; but it was locked, and there was no room for a fat little rabbit to squeeze underneath. An old mouse was running in and out over the stone doorstep, carrying peas and beans to her family in the wood. Peter asked her the way to the gate, but she had such a large pea in her mouth that she could not answer. She only shook her head at him. Peter began to cry. Then he tried to find his way straight across the garden, but he became more and more puzzled. Presently, he came to a pond where Mr. McGregor filled his water-cans. A white cat was staring at some gold-fish, she /sæt/ very, very still, but now and then the tip of her tail twitched as if it were alive. Peter thought it best to go away without speaking to her; he had heard about cats from his cousin, little Benjamin Bunny. 

彼得兔的故事 第4章He found a door in a wall; but it was locked, and there was no room for a fat little rabbit to squeeze underneath. An old mouse was running in and out over the stone doorstep, carrying peas and beans to her family in the wood. Peter asked her the way to the gate, but she had such a large pea in her mouth that she could not answer. She only shook her head at him. Peter began to cry. Then he tried to find his way straight across the garden, but he became more and more puzzled. Presently, he came to a pond where Mr. McGregor filled his water-cans. A white cat was staring at some gold-fish, she /sæt/ very, very still, but now and then the tip of her tail twitched as if it were alive. Peter thought it best to go away without speaking to her; he had heard about cats from his cousin, little Benjamin Bunny. 

Legs reads a selection of four different stories by Beatrix Potter: Jemima Puddleduck, Peter Rabbit, Benjamin Bunny and Mrs. Tiggywinkle.