Podcast appearances and mentions of Karen Finley

De la poésie incendiaire et volcanique comme le thème de ce Printemps des Poètes 2025 !Les éditions du Seuil et Chloé Delaume (qui signe la préface) propose de découvrir les écrits de jeunesse (1985-1994) de cette poétesse et artiste américaine, Karen Finley, traduits en français pour la première fois. C'est punk, parfois trash, avec une touche d'humour caustique. C'est un cri de rage et une dose de puissance à chaque page. Et ça touche juste.Quelque soit la forme choisie (poème en prose, retranscription d'une performance...) Karen Finley fait entendre la voix des personnes silencées : celles emportées par l'épidémie du sida comme celles victimes de violences sexistes et sexuelles. Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

"Je n'étais pas censée être talentueuse" de Karen Finley Lecture par Léonie Dahan-Lamort, Chloé Delaume & Lilith Grasmug Karen Finley est une artiste, performeuse et poétesse féministe de New-York. Son travail, protéiforme et cathartique, est une violente et lucide charge antipatriarcale, irradiée par une énergie punk et un humour acide. Florilège de ses écrits de jeunesse, ce recueil révèle l'ADN de son œuvre, qui dès ses débuts a fait entendre la voix des personnes ensilencées : celles emportées par l'épidémie du sida comme celles victimes de violences sexistes et sexuelles. Pionnière sur les questions de culture du viol, de trauma et de santé mentale, Karen Finley, pour la première fois traduite en France, frappe par sa langue incendiaire et son regard d'une redoutable acuité. À lire – Karen Finley, Je n'étais pas censée être talentueuse – Ecrits 1985-1994, traduit de l'anglais (États-Unis) par Malik Boutebal, Seuil, coll. « Fiction & Cie », 2025.

Queen Bee Honey Company in Alpine, Oregon built up from a Datsun pickup truck to a commercial beekeeping business. In this episode we hear about how Karen Finley built her business and the increasing problem of lack of summer forage for honey bees in Oregon's Willamette Valley.      

ContemporaryPerformance.com and the Sarah Lawrence College MFA Theatre Program produce the SLC Performance Lab. During the year, visiting artists to the MFA Theatre Program's Performance Lab are interviewed after leading a workshop with the students. Performance Lab is one of the program's core components, where graduate students work with guest artists and develop performance experiments. Sacha Yanow is interviewed by Julia Cowitt (SLC'24) and produced by Julia Duffy (SLC'25) Sacha Yanow is an NYC/Lenapehoking–based actor, performance artist and organizer. Yanow's performance practice draws on theater, dance, queer performance, and Jewish cultural traditions to reckon with ancestral trauma, gender and sexuality, antizionism and assimilation. Since 2015, Yanow has created a trio of solo performances based on familial archetypes— Dad Band (2015), Cherie Dre (2018) and Uncle! (2024) — these embodied portraits act as an entry point to discuss broader social issues, as well as connect to estranged personal and cultural histories. Sacha's work has been presented by venues including The Kitchen, MoMA PS1, Danspace Project, Joe's Pub, and the New Museum in NYC; PICA's TBA Festival/Cooley Gallery at Reed College in Portland, OR; and Festival Theaterformen in Hanover, Germany. They have received residency support from Baryshnikov Arts Center, Denniston Hill, LIFT Festival UK, Lower Manhattan Cultural Council, Mass MoCA, SOMA Mexico City, and Yaddo. Sacha has performed in theater, film and dance works by artists including Karen Finley, Sarah Michelson, Laura Parnes, Katy Pyle, Elisabeth Subrin, and Julie Tolentino. And they were a member of the Dyke Division of Theatre of a Two-Headed Calf, creators of Room for Cream, the live lesbian soap opera. Sacha is also working on two ongoing collaborative projects: a short film Grey Matter with organizer Bilal Ansari, disrupting settler colonial mythologies of their hometown of Williamstown, MA (Mohican Land); And an embodied dialogue Thank You for the Fire Between Us with Johannesburg-based performing artist Tshego Khutsoane involving divination practices. Sacha currently works as creative consultant for fellow artists and organizations. They served as Director of Art Matters Foundation for 12 years, and previously worked at The Kitchen as Director of Operations. They received a BA from Sarah Lawrence College and are a graduate of the William Esper Studio Actor Training Program. Sacha is a member of the NY chapter of Jewish Voice for Peace. Photo by Allison Michael Orenstein

This week's Worldy sees Matt & Dom stroll through the Garden In The City as we say goodbye to Melanie - one of only three female solo artists to perform at the original Woodstock. She has very distracting covers of The Rolling Stones so we play artists who take the bravado and strut of the Stones and turn the songs inward with womb-like introspective- turning the songs into all their own folk classics. Also Belgium-themed tunes, Japanese mutant pop from the 80's, Dutch New Wave. Featuring Dan Lacksman, Karen Finley, Gloria Loring, Cat Power, Marianne Faithful, Akatere, Claudine Longet, Death & Vanilla and loads more! Tune into new broadcasts of Worldy with Matt and Dom, LIVE, Monday from 10 AM - 12 Noon EST / 3- 5 PM GMT.For more info visit: https://thefaceradio.com/worldy///Dig this show? Please consider supporting The Face Radio: http://support.thefaceradio.com Support The Face Radio with PatreonSupport this show http://supporter.acast.com/thefaceradio. Join the family at https://plus.acast.com/s/thefaceradio. Hosted on Acast. See acast.com/privacy for more information.

Stephen Yogi Rueff grew up in Minneapolis collecting comic books in the 1960s and loves his role as co-founder of SuperMonster市City!, where he is a curator and managing director.SuperMonster市City! places American monsters, superheroes, and villains as represented in toys, games, posters, and more, into social and political contexts. Through informative texts, artist profiles, and commentary, these fun and engaging exhibitions feature America's iconic mythical figures from America's Golden Age of toys.SuperMonster市City! was co-founded by master collector David Barnhill and curator Rueff. The traveling exhibits are derived from Barnhill's collection of 200,000 toys, posters, games, and films. Rueff, as Managing Director and Curator, places the objects in social and political contexts through reflective and informative texts, artist profiles, and commentary. Barnhill and Rueff enjoy sharing America's iconic mythical figures from America's Golden Age of toys.Rueff has worked in the arts as a performer, designer, manager, and producer, touring around the globe with performing artists such as MacArthur Genius Award Recipients Meredith Monk and Bill T. Jones, as well as Blue Man Group, Karen Finley, and many, many other artists and creatives. As an Account Manager and Executive Producer for global corporate communications companies Jack Morton Worldwide and BI Worldwide, he produced events throughout the United States, France, Germany, Belgium, Spain, Austria, Czech Republic, and Bahrain.Rueff now enjoys coaching business start-ups and is Chair of the Arts Entrepreneurship department at the Minneapolis College of Art and Design. His academic research explores American culture and the role of fear in play, and through toys, monsters, superheroes, and villains.Rueff earned his MBA with an emphasis in Leadership and Sustainable Business from Presidio Graduate School. Rueff's BA from Empire State University, the same college attended by Peter Parker, aka Spider-Man! ‘Nuff said.

Meg discovers Crazy Eddie wasn't quite what he seemed. Jessica discovers Karen Finley's yam situation was exactly what it seemed.

Originally from Austin Texas, Los Angeles-based interdisciplinary artist Kym Priess is a pure pioneerwoman, fierce frontwoman, adventurous musician, writer and actor.  As of late, she has specialized in creating conceptual whimsical performance art mixed with immersive, interactive rock n' roll experiences under the name STUNTDRIVER.  The debut concept album “Saga” was released last September on Rock Hand Records and has been described as “Very Peaches / Karen O feel to the vocals, edgy and full of fire,” by blog Analogue Trash.  This project initially debuted as a full immersive production in LA to a sold-out pair of wild, multi-media shows.  Spectacle concerts have started up again as a full band whose members include Kym, John Avila (Oingo Boingo), Anton Söder and Sean Burgess (Boneacre, Nightjacket.) In fact, Kym just returned from a solo tour to Seattle and back and audiences are loving the interactive elements (like crawling through a human tunnel) especially after lacking live entertainment for so long.  Kym's work pushes boundaries, forms and comfort levels yet maintains a fun-loving, absurd and curious tone and has been seen in music venues, galleries, theaters, non-traditional locations and federal prisons in New York, LA, Amsterdam, San Francisco, Honolulu and Austin since the 1990s. Kym's hybrid creations are highly influenced by the Wizard of Oz, the art of drag and disguise, clown, Cindy Sherman, Grace Jones, Karen Finley, David Bowie, alter-egos, elaborate costuming and makeup, 80s/90s music videos, fairy tales, old superhero stories, and human interaction.  Recipient of multiple artist residencies including Laura Escude's Transmute Retreat and The Field, this discipline bender's career took root in the NYC/NYU experimental theater world prompting many theatrical, comedic and musical works including her first rock opera that was awarded “Best of the Fringe” (SF Fringe Festival 2005).  Kym has fronted and formed multiple bands, written 300 songs (many of which can be heard on Bravo's Vanderpump Rules), shared stages with Exene Cervenka and Fishbone and her voice can be heard on William Shatner's Spirit in the Sky. In addition to playing live shows again, Kym recently shot a comedy for Amazon, and is returning to the pen writing new songs and a darkly comedic pilot along with creating a multi-sensory side project named after her late great bronco-riding father, Ryland. Kym loves tubing down a river more than anything else. https://www.stuntdrivermusic.com/stuntdrivermusic Bonus link: BLAZAR opened up for Stuntdriver in Eugene, OR recently - here is a link to the face-melting sound https://www.youtube.com/watch?v=XHaJ8lluw5s

Dennis connects via Zoom with actor-writer-performance artist John Fleck whose musical satire It's Alive, It's ALIVE! is showing at the Odyssey Theatre in Los Angeles through March 20. John talks about the show's central idea; that COVID is here to save us, not hurt us, where the original idea came from and where he got the inflatable COVID headress he wears through much of the show. He also recalls his experience, along with Tim Miller, Karen Finley, Tim Miller and Holly Hughes, as one of the NEA Four, the four artists who had received grants from the National Endowment of the Arts and whose grants were challenged by conservatives like Jesse Helms and others and whose case went all the way to Supreme Court. He talks about how the notoriety led to his first TV job, as a gay secretary in Steven Bochco's Murder One and how he regrets not being present at the Supreme Court hearing because he was working on TV show. John also recalls his early days in Los Angeles in the 1970's, the "radical change" he made that brought him here and opening for Edith Massey, John Waters' Egg Lady, at the One Way punk bar in Silverlake in 1983. Other topics include: embracing imperfection, how having his own shows makes the Hollywood acting hustle less soul-crushing, being an "age pioneer" at 71, the torture and glory of doing alien makeup for multiple Star Trek series and most recently Orville, appearing on projects like Tales of the City, Weeds, Seinfeld, Waterworld and the upcoming Tina Town, vamping in the dark when the power went out during a performance, and the late, great screenwriter who always came to his shows. 

Karen Finley reflects on her legendary performance pieces, censorship and decades of groundbreaking work—and the sheer joy in creating art.

In this episode, Miguel interviews three of the original NEA 4: Holly Hughes, John Fleck and Karen Finley. Miguel also speaks with John Frohnmayer, who was the Chairman of the NEA at the time of the infamous attack on un-censored art.

"I love to hear humans just gathering and talking and being and making lots of noise. I like to do that too...just being, and making yourself known and present." Author and performing artist Karen Finley spoke with Helga Davis about the evolution of her early work and what she wants to give her audience now.  Karen Finley is an artist, performer, and author. She is an interdisciplinary artist working in performance, text, sound, music, poetics, film and video, installation, public and social practice art. Born in Chicago she received her MFA from the San Francisco Art Institute. Her raw and transgressive performances have brought debate, censorship and controversy. Finley was the named plaintiff for the Supreme Court case Finley v. NEA that challenged the decency provision in government grants to artists through the National Endowment for the Arts. Her performances and visual art have been presented internationally such as the Barbican in London, Lincoln Center, New York City, MOMA, the Bobino in Paris, amongst others. Finley is interested in freedom of expression concerns, social justice, gender and sexuality, visual culture, art education, metaphysics and lectures, and gives workshops widely. She is the author of nine books, including her latest, Grabbing Pussy ( OR Books 2018) and the 25th anniversary edition of Shock Treatment by City Lights. Reality Shows Feminist Press 2010) A recipient of many awards and grants, including a Guggenheim Fellowship, she is an arts professor in Art and Public Policy at New York University. Follow her on Instagram @the_yam_mam Karen Finley is a commissioned artist featured in the Armory's 100 Years |100 Women Project.

In episode 57 of The Great Women Artists Podcast, Katy Hessel interviews the esteemed curator of the Woodman Foundation, Katarina Jerinic on the GROUNDBREAKING photographer, Francesca Woodman!!! [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] And WOW is this an incredible insight to the American photographer, who in her short career produced an extraordinary body of work (over 800 photographs) acclaimed for its unique style and range of innovative techniques. Born in Colorado in 1958, at the age of thirteen Francesca Woodman took her first self-portrait. From then, up until her untimely death in 1981, aged just 22, she produced incredibly visceral, expressive, dreamlike and gothic-like photographs. From the beginning: she was both the subject and object in her work.  Fragmenting her body hiding behind furniture, using reflective surfaces such as mirrors to conceal herself, or simply cropping the image, Woodman uses photography to emphasise the isolated body parts of the human figure. Slightly surrealist, her hauntingly narrative, small-scale photographs are almost akin to plays. They are at once theatrical, Baroque and operatic, as well as still and silent. In this incredibly in-depth insight into her career as told by Jerinic, who was close to Francesca's artist parents, Betty and George Woodman, we are given a full appreciation for Woodman's life and work. From growing up in Italy, attending RISD, and her final years in New York.  Since 1986, Woodman's work has been exhibited widely and has been the subject of extensive critical study in the United States and Europe. Woodman is often situated alongside her contemporaries of the late 1970s such as Ana Mendieta and Hannah Wilke, yet her work also foreshadows artists such as Cindy Sherman, Sarah Lucas, Nan Goldin and Karen Finley in their subsequent dialogues with the self and reinterpretations of the female body. ENJOY!! Further links: https://www.woodmanfoundation.org/ WORKS DISCUSSED: Self Portrait, Aged 13, 1972 https://www.woodmanfoundation.org/artworks/self-portrait-at-13 https://www.victoria-miro.com/artists/7-francesca-woodman/ Space 2 Series (Nature Lab), 1975–76 https://www.theguardian.com/artanddesign/2014/aug/31/searching-for-the-real-francesca-woodman#img-2 Space2 Series, 1976 https://www.woodmanfoundation.org/artworks/untitled-13 Polka Dots Series, 1976 https://www.woodmanfoundation.org/artworks/from-polka-dots Angel Series, Rome, Italy, 1977 https://www.woodmanfoundation.org/artworks/from-angel-series Untitled, 1977–78 https://www.woodmanfoundation.org/artworks/untitled-4 Eel Series, Venice, 1978 https://www.woodmanfoundation.org/artworks/from-eel-series Blueprint for a Temple, 1980 https://www.woodmanfoundation.org/artworks/blueprint-for-a-temple Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Laura Hendry  Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

Eric Marciano is a New York based filmmaker, media designer and storyteller. He attended the School of Visual Arts in New York, where he earned a BFA in filmmaking in 1984. SVA emphasized experimentation, and it was there that Eric learned to love the creativity of editing. In 1984 he formed American Montage to engage in editing, motion picture production and storytelling to its fullest. For 30 years his production company, American Montage, has successfully completed projects for such media outlets as HBO, Discovery, ESPN, A&E, TLC, PBS, the New York Times and numerous Internet destinations. He frequently works with musicians, visual artists, performers and theater companies such as Galt MacDermot, James Moody, LeRoy Neiman, Fanny Sanin, Gilles Peress, Eugene Richards, Karen Finley, The Blind Boys of Alabama, LaMaMa ETC, New York Theater Workshop, Noche Flamenca and Mabou Mines/Lee Breuer to create films and media related to their work and lives. His body of work includes documentaries, multi-media works, corporate events, narrative films, web sites, commercials, music videos, video walls, theatre video design, documentation, video essays, museum installations and public relations media. More info about Eric https://tinyurl.com/z9v2w7ff SHOW CREDITS Host: Keko - http://twitter.com/therealkeko Guest: Eric Marciano Producer: Mac Redd Music Guest: Jojo The Gamegod Ft. Mouth Piece - Up The River Background: Bvtman Donation: https://cash.app/$folksalert Phone: 646-54-FOLKS Email: info@folksalert.com Web site: http://folksalert.com IG: http://instagram.com/onlyfolks Twitter: http://twitter.com/folksalert Twitch: http://twitch.tv/onlyfolks Onlyfans: http://onlyfans.com/folksalert

That's right, fans! November 12 is Aaron's birthday and on that night, we sat down and spent some time doing a deep dive on all things Goldschmidt. Hear! Birthday tunes that have not been licensed! See! The inner workings of what makes Aaron the man we know and love, including discussions of his bar mitzvah, his move to San Francisco, and his psychic portrait by the incomparable Karen Finley. Smell! The sweat that made him who he is today, both at the gym and in the workplace! Taste! The rainbow of gay flavors! Touch! The heart of the man that you love to listen to! Put your birthday suit on, pour yourself a Confetti-Tini and settle into the birthday celebrations. --- Send in a voice message: https://anchor.fm/qotrt/message

Russell & Robert meet legendary American performance artist and musician Kembra Pfahler. We discuss growing up in California, her early performance art installations in 1980s Lower East Side (including sleeping in a storefront window for The Extremist Show at ABC No Rio), the impact of the AIDS crisis and how forming her band The Voluptuous Horror of Karen Black helped transform her life. We chat about Availabism (a term coined by Kembra - making the best of what's available), Future Feminism, drawing, body paint, Punk rock, her respect for artists Karen Finley, David Wojnarowicz and experimental filmmaker Kenneth Anger, the poetry of Rainer Maria Rilke, collaborating with Lou Reed & Laurie Anderson, being taught by Mary Heilmann and Lorraine O'Grady, and the influence of her later relationship with art dealer Colin De Land. We hear about her recent teaching role at Columbia University, championing interdisciplinary art, her friendship with musician/artist Christeene, collaborating with Rick Owens for a show later this year at Centre Pompidou and working on a solo booth with Emalin gallery at Frieze London 2019. We love Kembra so much!!! Follow Kembra at Instagram @KembraPfahler_ and check out @TalkArt for images of artworks discussed in this episode. See acast.com/privacy for privacy and opt-out information.

Episode 53: The Human Didgeridoo A diverse set of topics in episode 53, including, but not limited to Salvador Dali, Gummo Marx, Chupacabra, Karen Finley, an attempt to get married at the Church of Elvis, Dorrie's new art and the human didgeridoo of Albany, Oregon.  

A diverse set of topics in episode 53, including, but not limited to Salvador Dali, Gummo Marx, Chupacabra, Karen Finley, an attempt to get married at the Church of Elvis, Dorrie's new art and the human didgeridoo of Albany, Oregon.

Karen Finley started out performing feminist monologues full of vitriol and fury in the punk clubs of the Bay Area in the late 70s. By the 80s, she’d moved to New York where she was a regular at legendary performance venues like Danceteria. And then in 1990, she became a household name as part of the NEA FOUR—a group of four performance artists whose National Endowment for the Arts funding was revoked because conservative Senator Jesse Helms had a hissy fit about decency. The case went all the way to the Supreme Court in 1998 in National Endowment for the Arts v. Finley and Karen Finley became an icon of the struggle for free speech. She’s a professor of Art and Public Policy at New York University and in this episode of BUST’s Poptarts podcast she unleashes on the current administrations and provides creative guidance for feminists trying to keep our heads up in the time of Trump.

On this week’s 51%, we have a look at music and the arts – first with musician Ani DiFranco. Then we hear about an exhibit on performance art and meet art and music therapists who are helping veterans. Feminist Ani DiFranco is a musician and an activist, known for her female empowerment themes. She is on her […]

In an early version of the Yay, I talk with Craig Dickerson, veteran actor and former member of Eastenders. Craig and I talk about the state of theater and how he came into theater. We also talk about the fine line between exploitation and bold choices by directors and how actors need to protect themselves - in the 56:04 mark, Craig talks about a play where he played a character who is raped - and how uncomfortable he felt as an actor. We also talk about the late Sam Sheppard, Slim Pickens (and how some limitations of actors can actually elevate the play), and performance artist Karen Finley.

The Bio of Brian Routh from SoundCloud:I have been a performance artist since 1971 performing as one of the Kipper Kids until 2003.I have also worked as a solo performance artist collaborating and appearing with Karen Finley, Henry Rollins, Public Image, Genesis P. Orridge, Sex Pistols, Joanna Went, Eric Bogosian, Anne Bean, Bow Gamelan, Lol Coxhill, Paul Burwell, Evan Parker, Derek Bailey and Ian Hinchcliffe among others. I currently live in Leicester in the UK and make soundworks and movies.My digital movies have been presented at the Royal Academy in London-vimeo.com/brianrouth and my sound works on BBC radio and at the Museum of Contemporary Art in Los Angeles.The Kipper Kids have been involved in writing and starring in three projects for HBO and Cinemax and appeared in a number of movies.Recently I have collaborated with digital artist Patricia Routh on soundtracks for Patricia's animations and video works-vimeo.com/channels/wellsI am also working on my soundscapes for my poetry and songs plus instrumental music and sound-works that incorporate vocal soundbites of world leaders, politicians, madmen, poets, rebels, murderers and others. As well as soundtracks for my own low budget movies and musical video poems.

Passion or paycheck, profession or play, beauty or the butt? We tackle the art world’s opposing objectives to redeem or exploit our excrement, the politics of status (and Brad Pitt’s pet rat), the importance of whimsy, and how every poo has a story to tell. Join Shawn Shafner (The Puru) in conversation with Dan Roberts from the National Poo Museum on the Isle of Wight, just south of London. Imagine a room full of polished crystal balls lit beautifully from below, and inside each floats a delicate turd. Created by the Eccleston George art collective, Dan charts the museum’s journey from the Swedish elk pat that started it all, to the BBC reporter who made it legit by harvesting meerkat scat on TV. An odd collection of crystal-balled caca becomes so much more by reminding us that anything--no really, anything--may just be possible after all. Also mentioned in this episode: NYU Tisch, An Inconvenient Poop, Nigel George, Sweden, shameful shitter, chronic constipation, starving artist, cognitive dissonance, taboo, shock, death, mummies, community-based sculpture, tricycle, Portugal, Mary Overlie, Viewpoints, Anne Bogart, original anarchist, doing the unnecessary, impulse, New School, Anthropology, judgment, Flux, tattoos, risk-averse, social contamination, sociology, anthropology, Roland Barthes, William Ian Miller, Anatomy of Disgust, Karen Finley, queen of dung, resin, social release, matter out of place, Victorian era, diapers, incontinence, International Women's Day, international sanitation crisis, menstruation, Delhi, open defecation, zoo, sharing economy, bird pellet, cloaca, uric acid, microbiome, co-evolution, Scientific American, data manipulation, pigeon poo, Nitrates, stoma, stigma, Marcel Duchamp, fountain, Sigmund Freud, Paul Spinrad, Re:Search Guide to Bodily Fluids, nose picking, IBS, Crohn's, fecal transplant, transgender access, library

My Haunt Life is the best place for long form content that any LA-based scare fiend can find. While their basis is most certainly haunts, Mike and Russell cover everything from haunted houses to immersive theatre. The latter is really where this conversation takes off, and we go pretty deep on certain topics that provide insight and opportunity for creators looking to make a tangible impact on their guests. There is no better source to find out about the most cutting edge stuff in the immersive haunt world, so diving into how Mike and Russell see that world at this moment is a real treat.      0:00- Intro   7:06- Night on Broadway http://nightonbroadway.la   8:43 Introduction Russell and Mike from My Haunt Life http://www.myhauntlife.com/category/blog/   10:55- What is a ARG? An alternate reality game (ARG) is an interactive networked narrative that uses the real world as a platform and uses transmedia storytelling to deliver a story that may be altered by players' ideas or actions.   13:03- http://thetensionexperience.com   13:33- Mike are you really experienced in ARG’s? when was the first one you ran into?   17:03- Tune into episode 11 to hear more about Noah Nelson and the Tension Experience http://thetensionexperience.com   17:43- How did you guys find the Tension Experience?   22:10- Ron English Hulk: https://www.google.com/search?q=ron+english+hulk+baby&espv=2&biw=1087&bih=699&source=lnms&tbm=isch&sa=X&ved=0ahUKEwiE6c3v-o3SAhVnz1QKHdltC1AQ_AUIBigB#tbm=isch&q=ron+english+hulk   24:03- How did they first get out the information for the Tension Experience?   25:33- Thoughts on the Tension experience and how Russell and Mike believe it is the best thing in Los Angeles   28:26- http://speakeasysociety.com   Annie Lesser: instagram.com/gettingtoknowyou   http://www.goldenstatehaunts.org/2017/02/09/go-to-the-wild-with-shine-on-collective/   29:21- Read about the upcoming shows Russell and Mike mention at http://www.myhauntlife.com/los-angeles-haunt-calendar/   29:38- How often do you find the process of people wanting to be apart of it then people falling off? Is there a pattern within the personal line that is crossed with the people who fall off or does it move show to show?   31:43- http://fourlarks.com/production/basicflowers/   32:23- Jacob goes into detail of how Immersive theater is a great way to flip the art world upside down.    33:13- Karen Finley http://karenfinley.com/photos.php https://www.moma.org/artists/38715?locale=en   36:18- How do you think the experience was for the people who only went to the haunt portion of the Tension Experience?   45:09- What do you think would have happen if you changed your character and started reacting in the opposite way?   46:43- If you had to suggest an experience to the audience which one would it be?   Lust Experience: http://thelustexperience.com   48:33- Where would you suggest the audience to start at, to those who have not been exposed to the Immersive theater?  http://thelustexperience.com https://www.facebook.com/thelustexperience/ http://thetensionexperience.com   50:03- Is there a way for the people who weren't involved with the tension experience to get caught up? https://www.periscope.tv/the_tension_exp/1DXGyoYwwjRxM? http://thetensionexperience.com/forums/   52:03- Thoughts on how The Haunt life documented The Tension Experience on their podcast   53:43- Jacob goes into detail about how and why he first got off-put about the Immersive world   http://www.nightgallery.ca   54:33- Megan Reilly: https://medium.com/no-proscenium/looking-for-a-game-with-consequences-81b6ebd53f92#.n9n82754i   54:58- Scott Hove: https://www.instagram.com/scotthove/ http://cakefangs.com https://www.facebook.com/scott.hove https://www.facebook.com/The-Art-of-Scott-Hove-223040721087589/   Breakbread http://www.thinktankgallery.org/breakbread/   55:33- Russell and Mike explain why they do what they do with “My Haunt Life”, and how they wanted to give real genuine reviews for the people.   59:33- Russell and Mike go into detail about the Immersive world and how “there is a difference between creating a show where you want to pull them in and involve them and then you have the other thing where someone in the audience is forced to do something they don't want too.”   59:33- On your guy’s podcast you break down honest reviews on Immersive shows, going into detail about what was good/bad from both of your point of views and you then end it with the show as a whole- has this been a structure since then start, or did it come naturally?   1:02:28- What were you guys doing before, you said it was a craigslist add?   1:04:13- Did you guys meet at Scare LA?   http://scarela.com http://www.theblackoutexperience.com     1:05:03- The story of how Russell and Mike met   1:09:44- Flying Lotus Film http://pitchfork.com/news/71108-flying-lotus-film-kuso-triggers-mass-walkouts-at-sundance/ https://www.vice.com/en_uk/article/we-talk-to-flying-lotus-about-kuso-one-of-the-most-disgusting-movies-ever-made   1:10:44- The Queen Marry http://www.queenmary.com/tours-exhibits/tours-exhibits-attractions/haunted-encounters/     1:11:18- Matt Durado: thedrunkendevil.com   1:12:35- http://www.shineoncollective.com https://www.facebook.com/CreepLosAngeles   1:13:13- The Hollywood Fringe Fest will have an Immersive show category this year learn more details at http://www.hollywoodfringe.org   1:14:43- Teri Hatcher http://www.imdb.com/name/nm0000159/   1:15:43- Russell, did you have a background in theater?   1:20:33- Mike, how did you get into the haunt world?   1:25:14- Speakeasy http://novacancyla.com   1:25:23- Jacob goes into detail about when he went to a Immersive haunted experience alone and how it impacted him   1:29:03-http://www.thealoneexperience.com   1:37:34- The Rope Experience: http://screenshot.productions   1:40:33- Russell talks about weird experiences with fans since he is in the Blackout documentary and how haunts have to sometimes deal with overactive fans http://www.theblackoutexperience.com   1:44:31- http://www.thealoneexperience.com   1:46:35- A lot of people go to Knott's Scary farm or the Queen Marry because this is what they know. Now things are starting to spread with the Immersive world and with all the knew people learning about these Immersive shows, they do not know the rules how do you think producers should handle their new audiences?   1:50:03- Escape rooms and people ripping and or breaking pieces   1:50:45- Its the communities responsibility to approach escape rooms and Immersive theater shows appropriately    1:54:03- http://fourlarks.com/production/basicflowers/   1:55:17- What advice would you give to people who are already making shows or who want to step it up in this world?   1:57:13- “Create, take risks, invite people in to what you create but respect them for taking the risk  to follow you.”   2:00:03- Producers need good customer service   2:03:33- How do you bring customer service during an Immersive experience without breaking character?   2:04:55- What happens to you when its not haunt season? What are you guys up too right now and what are you looking forward too?   2:05:28- If you could suggest a show right now what would it be?   http://speakeasysociety.com https://www.facebook.com/TheSpeakeasySoc/ https://www.youtube.com/watch?v=PPMnOMmncGM http://www.shineoncollective.com/devoted http://www.shineoncollective.com/shows/   2:07:11- What are you guys looking forward to with Scare LA coming up this summer? http://scarela.com http://midsummerscream.org   2:07:56- Find more of Russell and Mike at http://www.myhauntlife.com   Find different events of escape rooms and Immersive shows at http://www.myhauntlife.com/los-angeles-haunt-calendar/   If you are visiting LA and don’t want to do tourist things, check out  http://www.myhauntlife.com/visit-los-angeles/   Call 515-HAUNTLA if you want to leave Mike and Russell creepy messages

U decembarskom izdanju Femkanja poslušajte preletanja kroz nekoliko događaja koja su obeležila jesen u Beogradu. 56. Oktobarski salon, prvi put u bijenalnom izdanju zatvorio se 6. novembra, a Vladimir Bjeličić, istoričar umetnosti i kustos, vodio nas je kroz postavku u zgradi bivše Vojne akademije. U nastavku emisije, razgovaramo sa nekoliko umetnika, Štal Stenslijem, Zane Cerpinom i Karen Finli (Stahl Stenslie, Zane Cerpina, Karen Finley), koji su u okviru festivala Ekstravagantna tela: Zločin i kazna, održanog u Domu Omladine 20. i 21. novembra, predstavili svoje radove beogradskoj publici. A na samom kraju, predstavljamo vam mladu japansku umetnicu, Bojaninu novu cimerku, Mariko Hori. Uživajte! www.oktobarskisalon.org http://dematerijalizacijaumetnosti.com/ljubav-ce-nas-rastaviti/https://www.instagram.com/p/BNLEIdThd9I/ http://www.kioskngo.net/projects/ekstravagantna-tela-zlocin-i-kazna/https://www.facebook.com/kontejner.bureau https://artgun.mewww.stenslie.net http://karenfinley.com http://korimariho.flavors.me/http://www.ulus.rs/srpski/izlozbe/medjunarodno-trijenale-prosirenih-medija

Topics: Treefort, LA, Talking Heads, DJ Dodger Stadium, Karen Finley, Pianos, NY, of Montreal, BadBadNotGood, Foxygen, Sweaty, 1982, Neurolux, El Sauz, Cosmos, Michael Allen, Innovative Leisure

42 Minutes 174: De Lux - Voyage - 03.03.15 Today we begin in earnest a month of shows with the artists playing Treefort Music Fest in Boise, ID March 25-29. We kick off the series with Sean & Isaac of De Lux From LA. Topics Include: Treefort, LA, Talking Heads, DJ Dodger Stadium, Karen Finley, Pianos, NY, of Montreal, BadBadNotGood, Foxygen, Sweaty, 1982, Neurolux, 1982, El Sauz, Cosmos, Michael Allen, Innovative Leisure. Intro song: "Moments" by De Lux Outro song: "It All Works All The Time" by De Lux Closing song: "Brighter End Of Dark" by De Lux All songs available at http://de-lux.bandcamp.com Purchase: Treefort Tickets at http://treefortmusicfest.com/tickets http://treefortmusicfest.com/lineup/52

Pink Floyd, Jex Opolis, Nena, Bella Vista, Bon Voyage, MARRS, Billy Ocean, Eva Dahlgren, Sammy Barbot, Kim Wilde, Novamen, Visage, Startled Insects, The Cars, MicroChipLeague, Sugababes, Crystal Grass, Karen Finley, Bob Salton, Paul Young, William Orbit, Tony Esposito, Grace Jones, Stevie Wonder, Frankie Goes to Hollywood and more...

Angelo Badalamenti, Cerrone, Mandré, James Mason, Gilberto Gil, Barclay James Harvest, Lydia Murdock, Quincy Jones, Talking Heads, Sebastien Tellier, Belouis Some, Mockba Music, Massara, Eurofunk, Chemise, La Bionda, Axodry, Spandau Ballet, Nacht und Nebel, Karen Finley, Foolish & Sly, Eberhard Schoener, Gino Soccio, Automat, FGTH, 10 C.C. and more...

Part 4 Experimental Theatre vs. Straight Theatre- (6:08)In this section O'Keefe discusses experimental theatre's takeover and demise. The Kitchen as well as P.S. 122 is mentioned as are performance artists; Steve Reich, Philip Glass, Laurie Anderson, Karen Finley, and others.Part 4 - Very Close to CD-Quality MPEG-4 (Broadband) (8.5M)Part 4 - High Quality MPEG-4 (ISDN) (4.3M)Part 4 - Highest Quality MPEG-4 available for Dial_up (2.2M)