Podcasts about sils maria

Per Luis Coray è tut art. La vita, performances, pictura e musica – tut va in en l'auter, tut viva el cun ardur ed energia. «Envidar la chandaila endadens» saja impurtant, di el en il film dal cineast Casper Nicca. E quella energia, quel gust da far art è lura er il fil cotschen dal film. Il film accumpogna l'artist grischun a sias ragischs artisticas en la Toscana. Là visita el ils lieus, nua ch'el ha entschavì seriusamain cun la pictura. Ma en il film visita Luis Coray era lieus en il Grischun ch'èn impurtants per el: Laax, nua ch'el è creschì si, Cuira, nua ch'el ha ses atelier ubain Segl-Maria, nua ch'el dat curs da malegiar per uffants. Ed adina vai per «percepziun», per il sguard spezial, cun il qual l'artist multifar vesa ed interpretescha il mund. -------------------------------------------------------------------------------------------- Für Luis Coray ist alles Kunst. Das Leben, Performances, Malerei und Musik – alles fliesst ineinander, alles lebt er mit voller Energie. «Die innere Kerze anzünden» sei wichtig, sagt er im Film des Filmemachers Casper Nicca. Und diese Energie, diese Lust, Kunst zu machen, zieht sich wie ein roter Faden durch den Film. Der Film begleitet den Bündner Künstler zu seinen künstlerischen Wurzeln in der Toskana, wo er Orte besucht, an denen er ernsthaft mit der Malerei begonnen hat. Im Film besucht Luis Coray aber auch Orte in Graubünden, die ihm wichtig sind: Laax, wo er aufgewachsen ist, Chur, wo er sein Atelier hat oder Sils-Maria, wo er Malkurse für Kinder gibt. Und immer geht es dabei um «Wahrnehmung», um den besonderen Blick, mit dem der vielseitige Künstler die Welt sieht und interpretiert.

When we watch a film for the first time, we get an impression of it burned into our minds that we refuse to let go. Watch it a second, a third, and things begin to meld together, creating a new interpretation or appreciation for dialogue or characters, but most importantly, a character's point of view. The human psyche can present itself strange, unique and interchangeable. And like the clouds in Sils Maria, the Maloja Snake, a spectacular phenomenon of a cloud bank that winds its way through the Alpine pass like a snake, we too can change at a moment's notice.

When we watch a film for the first time, we get an impression of it burned into our minds that we refuse to let go. Watch it a second, a third, and things begin to meld together, creating a new interpretation or appreciation for dialogue or characters, but most importantly, a character's point of view. The human psyche can present itself strange, unique and interchangeable. And like the clouds in Sils Maria, the Maloja Snake, a spectacular phenomenon of a cloud bank that winds its way through the Alpine pass like a snake, we too can change at a moment's notice. One moment, a sunny beautiful day, the next, the inevitable change of the seasons, the mist, the cloud, that can smother what was underneath it. And like the wind that blows up doing the night, and down the valley during the day, we too can contradict the typical direction of the winds, and ultimately ourselves. Copyright to Two Takes

In the mountains on a hike in Sils Maria, the philosopher Fredrick Nietzsche refined his concept of 'eternal recurrence' in a thought experiment. The question on whether we would accept to live out our lives over and over again with everything the same for all eternity, or gasp in horror of this repetition and wish for something different. A litmus test for individuals showing their capacity to confirm life by living it over and over again that would be a crucial measure of one's ability to become who you truly are It's the concept of becoming willing and able to become well-adjusted to life and to oneself. To accept the way things are done, what compromises, what thoughts and meanings are presented to us and to relive it understanding that that is the path chosen.

Chad goes full dad in this mini-episode on Richard Linklater's 2014 coming-of-age epic Boyhood. Specifically, the plural meanings of Patricia Arquette's anguished move-out speech, and why raising children to lead their own lives is a bittersweet success. The Bright Wall/Dark Room Podcast is co-hosted by Veronica Fitzpatrick and Chad Perman and produced and edited by Eli Sands. Our theme music is composed by Chad. --- This episode is sponsored by Galerie, where you can join Veronica & Chad for a watch party this Sunday, August 18 at 3pm ET/12pm PT. We'll be hosting a viewing of Olivier Assayas' ⁠Clouds of Sils Maria⁠, with live commentary and conversation, and would love to have you stop by and say hello! (BW/DR listeners can currently sign up for three months of free access to Galerie ⁠here⁠.)

Sils-Maria - von Friedrich Nietzsche

Nous sommes à la fin du mois d'août, début septembre, 1988, à Sils-Maria, village des Alpes, au Sud-Est de la Suisse, dans le canton des Grisons. Frédéric Nietzsche y a déjà passé de nombreux séjours. En peu de temps, le philosophe allemand y rédige, avant le 3 septembre, le manuscrit de ce qui deviendra le « Crépuscule des idoles ou Comment on philosophe avec un marteau ». Il y écrit : « Rien n'est beau, il n'y a que l'homme qui soit beau : sur cette naïveté repose toute esthétique, c'est sa première vérité. Ajoutons-y dès l'abord la deuxième : rien n'est laid si ce n'est l'homme qui dégénère, — avec cela l'empire des jugements esthétiques est circonscrit. — Au point de vue physiologique, tout ce qui est laid affaiblit et attriste l'homme. Cela le fait songer à la décomposition, au danger, à l'impuissance. Il y perd décidément de la force. On peut mesurer au dynamomètre l'effet de la laideur. En général, lorsque l'homme éprouve un état d'affaissement, il flaire l'approche de quelque chose de « laid ». Son sentiment de puissance, sa volonté de puissance, son courage, sa fierté — tout ceci s'abaisse avec le laid et monte avec le beau… » Trois siècles auparavant, Blaise Pascal, mathématicien et philosophe, avait écrit dans ses « Pensées » : « Si le nez de Cléopâtre eût été plus court, toute la face du monde aurait changé. » « Ce je ne sais quoi, ajouta-t-il, si peu de choses qu'on ne peut le reconnaître, remue toute la terre, les princes, les armées, le monde entier ». Quel rôle la disgrâce physique a-t-elle joué dans l'histoire ? Qui sont les femmes et les hommes qui sont parvenu à la transcender, ne se sont pas laissé enfermer, engloutir par la moquerie, la méchanceté, la pitié ? Partons à la rencontre de ces individus qui ont forcé l'admiration de leurs contemporains en faisant de leur infortune un moteur et même, parfois, un atout… Invité : Pierre-Louis Lensel, rédacteur en chef adjoint de la revue « Historia ». « Eloges des moches » aux éditions Perrin. Sujets traités : Frédéric Nietzsche, laideur, moche, Cléopâtre, Blaise Pascal, moquerie, méchanceté, pitié Merci pour votre écoute Un Jour dans l'Histoire, c'est également en direct tous les jours de la semaine de 13h15 à 14h30 sur www.rtbf.be/lapremiere Retrouvez tous les épisodes d'Un Jour dans l'Histoire sur notre plateforme Auvio.be : https://auvio.rtbf.be/emission/5936 Et si vous avez apprécié ce podcast, n'hésitez pas à nous donner des étoiles ou des commentaires, cela nous aide à le faire connaître plus largement.

Two reasons this podcast exist: Film Junk and Patrick Ripoll. So I'm always grateful when Patrick returns since he's the OG co-host of this show. He's always doing killer work with Reg on 96 Greers that I highly recommend. But I vividly recall two moments of the past decade: his love of Clouds of Sils Maria and my love for Personal Shopper.  Made a mental note to put French filmmaker Olivier Assayas on the list of potential directors and the time has come to cover him. He will have a movie out later this year but there are plenty of past titles and new discoveries for both of us to discuss even if ultimately, he didn't become an all-time favorite for either of us. We cover the majority of his filmography and have plenty of laughs along the way! Thank you to Patrick for being a consistently smart, insightful guest with plenty to say. No new episode in April but you'll get two special ones in May featuring Bill Ackerman early in the month and then Mitchell Beaupre later in the month! Footnote: The opening comes courtesy of Assayas' Cold Water and a time when Patrick broke some glass recording the podcast. 00:00 - 07:36 - Introduction 07:37 - 27:57 - His early work  27:58 - 01:14:20 - Cold Water, Irma Vep 01:14:21 - 01:43:20 - Demonlover, Boarding Gate, Summer Hours 01:43:21 - 02:20:06 - Carlos, Something In The Air, Clouds of Sils Maria 02:20:07 - 02:43:50 - Personal Shopper, Non-Fiction 02:43:51 - 02:50:52 - Top 3 Assayas / Outro 96 Greers! https://ninetysixgreers.podbean.com/  

At the heart of the three-day exhibition Manchestermodern: past present future, curated by Factory International and CHAOS SixtyNine with the support of CHANEL, a special edition of the Rendez-vous littéraires rue Cambon [Literary Rendezvous at Rue Cambon] was held at the Victoria Baths in Manchester.In conversation with writer and critic Erica Wagner, author Jeanette Winterson, CHANEL ambassador and spokesperson Charlotte Casiraghi along with actress and CHANEL ambassador Kristen Stewart reveal what constitutes, according to them, the powers of literature. Together, they also talk about the books that are dear to them and the female literary figures who inspire them.© 2023 by Cities of Literature. All rights reserved.© 2023 Manchester Literature Festival. All rights reserved.© Jeanette Winterson. All rights reserved.Jeanette Winterson, Oranges Are Not the Only Fruit, © Grove Press, 1997.Jeanette Winterson, Oranges Are Not the Only Fruit, Vintage, 1997.Jeanette Winterson, The Passion, © Grove Press, 1997. Jeanette Winterson, The Passion, Vintage, 1997.Jeanette Winterson, Frankissstein: A Love Story, © Grove Press, 2019. Jeanette Winterson, Frankissstein: A Love Story, Vintage, 2019.Jeanette Winterson, 12 Bytes, © Grove Press, 2021. Jeanette Winterson, 12 Bytes, Vintage, 2021.Jeanette Winterson, Night Side of the River: Ghost Stories, © Grove Press, 2023.Jeanette Winterson, Night Side of the River: Ghost Stories, Vintage, 2023.© UK Honours System.© University of Oxford. All rights reserved.© The University of Manchester.© Toronto International Film Festival. All rights reserved.Into the Wild, © Paramount, 2007. Courtesy of River Road Entertainment, LLC.PANIC ROOM © 2002 Columbia Pictures Industries, Inc. All Rights Reserved. Courtesy of Columbia PicturesCatherine Hardwicke, Bill Condon, Chris Weitz, David Slade, Twilight, © Summit Entertainment, 2008-2012. All rights reserved.Pablo Larrain, Spencer, © Shoebox Films, 2021. A Fabula, Komplizen, Shoebox Films Production, 2021.© Academy of Motion Picture Arts and Sciences. All rights reserved.© Académie des Césars. All rights reserved.Olivier Assayas, Clouds of Sils Maria, © CG Cinéma, 2014.Kristen Stewart, The Chronology of Water, © Scott Free Productions. All rights reserved. Jeanette Winterson, Why Be Happy When You Could Be Normal?, Vintage, 2012.Jeanette Winterson, Why Be Happy When You Could Be Normal?, © Grove Press, 2012. Kate Zambreno, Heroines, © Semiotext(e), 2012.© Theatre Royal Stratford East.© ITN / Getty images.Shelagh Delaney, A Taste of Honey, © Grove Press, 1994. Virginia Woolf, A Room of One's Own, 1929.Virginia Woolf, Orlando, 1928.

Laura and Charles sit down with new friend, writer, and illustrator, Indigo Bailey (recently published in Kill Your Darlings, Island Magazine, and editor of Voiceworks) for the latest instalment of our long tradition of Diva Double Features. This time we take aim at one-miss Juliette Binoche. The latest, but not last, of this fabulous cohort of VP-adored women, is gently and thoroughly celebrated in this new edition. Laura gushes about the deeply evocative and kinda lesbian Clouds of Sils Maria (2014) while also wrestling with the high vs. low-brow casting of Chloë Grace Moretz. We rewind time to Binoche's early career, revisiting the deeply whimsical and still potent Mauvais Sang (1986), where in Paris, the new sexually transmitted virus STBO is ravaging the young and loveless sex-havers. Vanity Project says: this is a crisis! Vanity Project is moving to fortnightly paywalled content. Pledge allegiance to the struggle: ⁠https://www.patreon.com/vanity_project

On this week's Talkhouse Podcast we have the pleasure of reuniting two intensely creative individuals who first worked together decades ago: Emily Haines and Olivier Assayas. Haines is, of course, the singer and primary songwriter for the band Metric, which she's been fronting for the past 20-plus years, and which sprang from the same fertile Canadian scene that gave the world Broken Social Scene and Stars, among many others—in fact, it's Haines' voice that you hear on Broken Social Scene's biggest (and I would argue best) song, “Anthems for a Seventeen-Year-Old Girl.” But her primary focus over the years has of course been Metric, which just released their ninth album of thought-provoking indie-rock anthems, Formentera II. It's a sequel to the excellent album they released exactly a year prior, and another collection of danceable, fantastic songs. Check out “Just the Once,” from Formentera II, which Haines describes as “regret disco.” So what does a catchy Canadian indie band have to do with a fearless French filmmaker like Olivier Assayas? A lot, as it turns out. Back when Assayas was prepping his 2004 film Clean, he needed a band to perform in a scene, and when he saw Metric, everything clicked: You can see the band perform their early hit “Dead Disco” in the movie, and Haines and Assayas hit it off after working together. Like Metric, Assayas has created an incredible body of work over the years, and done it—again like Metric—by following his own muse. His best-known films include Irma Vep, Clouds of Sils Maria, and 2016's Personal Shopper, for which he was proclaimed Best Director at the Cannes Film Festival. In a strange twist, he was asked to re-created Irma Vep as a TV series for HBO, which he did under the condition that he have total artistic freedom. That came out last year, and it's definitely worth checking out. These two get right into a great discussion about how they approach creating their art: Both rely on instinct rather than any desire for commercial success. They talk about the real Formentera—it's an island in Spain—versus the one Haines created for these albums. They touch on Haines' father, a well-known poet, and how that might have figured into her creative growth. Also, you'll learn from this chat that every piano has one great song in it. Enjoy. Thanks for listening to the Talkhouse Podcast, and thanks to Emily Haines and Olivier Assayas for chatting. If you liked what you heard, please follow Talkhouse on your favorite podcasting platform, and check out all the great stuff at Talkhouse.com. This episode was produced by Myron Kaplan, and the Talkhouse theme is composed and performed by the Range. See you next time!

➜ La Newsletter de TheBoldWay : https://www.theboldway.fr/newsletter Plongez dans l'univers passionnant de Charles Gillibert, un producteur de films au parcours audacieux, à travers ce nouvel épisode inédit. De la création de sa propre société de production à 17 ans à sa collaboration avec le prestigieux MK2, Charles partage sa vision unique du cinéma et dévoile les secrets de la production cinématographique. En 2013, il marque un tournant en fondant la société de production CG Cinéma, qui a été derrière la production de nombreux films français à succès. Il a produit des films prestigieux tels que "Mustang" de Deniz Gamze Ergüven, qui a été nommé pour l'Oscar du meilleur film en langue étrangère, ou encore “Annette”, de Leos Carax qui a ouvert le Festival de Cannes en 2021 et a remporté de nombreux prix. En dévoilant comment il a joué un rôle clé dans le lancement de films acclamés et comment il a navigué dans le paysage cinématographique en constante évolution, Charles Gillibert offre un aperçu précieux de son métier de producteur. Que vous aspiriez à entrer dans le monde du cinéma ou que vous soyez simplement curieux des coulisses de la création cinématographique, cet épisode est fait pour vous. ➜ Retrouvez toutes les références et les photos prises lors de l'enregistrement sur www.theboldway.fr Ce que vous allez apprendre dans cet épisode : Le parcours professionnel de Charles Les origines et motivations de son parcours Ses débuts chez MK2 et ses apprentissages avec MK2 Productions La genèse de CG Cinéma Les difficultés rencontrées Comment produire un film et orchestrer le lancement L'histoire du lancement de "Mustang" et d”Annette” L'acquisition de Losange Productions L'histoire derrière "L'Entrepôt" Son rapport au succès Sa gestion de son temps et son rapport à la confiance en soi Ses conseils pour produire son premier film Qui il souhaiterait entendre dans ce podcast Références : Personnalités : Nathanaël Karmitz : Fils du fondateur du Mk2 et associé de Charles Fabrice Gobert : Réalisateur de Revenants qui a participé au Prix Kieslowski Jeff Mills : Pionnier de la musique techno qui a composé pour de nombreux films Nathalie Vallois : Galeriste à la Galerie Georges-Philippe & Nathalie Vallois, rue de Seine Olivier Assayas : Réalisateur de Sils Maria produit par CG Cinéma et L'heure d'été produit par MK2 Productions Leos Carax : Réalisateur français Xavier Dolan : Réalisateur québécois Elsa Keslassy : Rédactrice en chef de Variety Jean Eustache : Réalisateur français de la Nouvelle Vague Alexis Dantec : Producteur de films et directeur de Les Films du Losange avec Charles Gillibert Barbet Schroeder, Éric Rohmer : Fondateurs de Losange Production Stéphane Magnan : Associé de Charles pour l'Entrepôt Leïla Slimani : Journaliste et écrivaine qu'il souhaiterait entendre dans ce podcast Sociétés de production : Nada : Société de production fondée par Charles Gillibert et Nathanaël Karmitz CG Cinéma : Société de production fondée par Charles Gillibert MK2 : Société de production, de distribution et ventes internationales de films, et d'exploitation de salles de cinémas, fondée en 1974 par Marin Karmitz Les Films du Losange : Société de production française, créée par Barbet Schroeder, Éric Rohmer et Pierre Cottrell en 1962, puis rachetée par Alexis Dantec et Charles Gillibert Films : Mustang : Film de Deniz Gamze Ergüven produit par GC Cinéma Annette : Film de Leos Carax produit par GC Cinéma La maman et la putain : Film de Jean Eustache produit par Les Films du Losange L'heure d'été : Film de Olivier Assayas produit par MK2 Productions On the road : Film de Walter Salles produit par MK2 Productions Sils Maria : Film de Olivier Assayas produit par GC Cinéma Festivals et prix : Prix Kieslowski : Concour fondé par Charles Gillibert et Nathanaël Karmitz Festival de Cannes : Festival de cinéma international Les Césars : Récompenses cinématographiques françaises Festival international du film de Toronto : Festival de cinéma annuel non-compétitif qui se tient en septembre à Toronto Autre : Troublemakers : groupe de musique électronique français Entrepôt : Complexe de salles de cinéma français, abritant un restaurant, une salle de concert et une galerie d'exposition, situé à Paris 14e. Maison Chanel : Habilleur officiel des actrices du film Mustang au Festival de Cannes CNC : Centre national du cinéma et de l'image animée TheBoldWay ou The Bold Way, anciennement connu sous le nom de Entreprendre dans la mode ou EDLM, est un podcast produit et réalisé par Adrien Garcia.

Hängige Rechtsfälle der Credit Suisse, Schwanden am Tag nach dem Erdrutsch, wie das Ausland auf die Schweiz blickt, Serie «Denkorte der Schweiz» – Teil 5 Sils Maria

Set-Jetter wählen ihre Reiseziele nach den Drehorten von Filmen aus. Audiotraveller Henry Barchet hat Tipps für Filmtouristen und war an Movie Locations in Sevilla, auf den Inseln Teneriffa und Rhodos, im Engadin in der Schweiz und North Carolina. In der Episode hören sie unter anderem, wo Szenen von „Star Wars“ , „Die Tribute von Panem“, „Die Kanonen von Navarrone“ und „Rambo: Last Blood“ gedreht wurden.

For our twenty-third episode, we're breaking tradition. June 1st saw the grand re-opening of So-Cal institution Vidiots video store and now movie theater in Eagle Rock, CA. As a bit of celebration, your wonky yet affable host invited the founders of Vidiots Foundation, Patty Polinger and Cathy Tauber, for a virtual discussion of physical media culture from the late-‘80s through the present day.Ryan's Recommendations: “Irma Vep” (1996), “Carlos” (2010), “Clouds of Sils Maria” (2014), and “Personal Shopper” (2016)For exclusive bonus content and early releases of every episode, join our Patreon and become an Official Minder: http://www.patreon.com/onetrackmindpodcastTheme Music by: Bildschirm (bildschirm.bandcamp.com). Artwork by: Lacie Barker. Support the show

Cade and Diane are joined by filmmaker and actor Luca Silver to discuss two Olivier Assayas-directed films starring Kristen Stewart: Personal Shopper (2016) and Clouds of Sils Maria (2014). Watch the video version at: YouTube.com/@CadeThomas/streams Check out Luca's YouTube channel here: YouTube.com/@lucasilver2240 Donate to Hidden Flora's Indiegogo here: indiegogo.com/projects/hidden-flora-queer-romantic-dramedy-feature-film# Double Feature Movie Club is a weekly movie review show with a retro vibe. Two movies. Three people. One rambling conversation. Each film is our first time watching them. We often go off-topic. Personal Shopper is a 2016 supernatural psychological thriller film written and directed by Olivier Assayas. The film stars Kristen Stewart as a young American woman in Paris who works as a personal shopper for a celebrity and tries to communicate with her deceased twin brother. Clouds of Sils Maria is a 2014 psychological drama film written and directed by Olivier Assayas, and starring Juliette Binoche, Kristen Stewart, and Chloë Grace Moretz. The film follows an established middle-aged actress (Binoche) who is cast as the older lover in a romantic lesbian drama opposite an upstart young starlet (Moretz). She is overcome with personal insecurities and professional jealousies—all while sexual tension simmers between her and her personal assistant (Stewart). The screenplay was written with Binoche in mind and incorporates elements from her life into the plot.

Pack up your bags, everyone. We are going to France! In this week's episode, Wickham and Colleen are discussing "To Catch a Thief" (1955, dir. Alfred Hitchcock), and "Clouds of Sils Maria" (2014, dir. Olivier Assayas).

It's the Vancouver International Film Fest special episode. We have esteemed guest, Natalee Sinclair in the studio. We grill her about her 13 VIFF screenings, we'll talk VIFF experience, tell VIFF stories and chat about the festival as a whole. Historical VIFF Gems: Killing of a Sacred Deer, Parasite, Force Majeure, Clouds of Sils Maria. 2022 Film Highlights: Decision to Leave, The Whale, Until Branches Bend, Riceboy Sleeps, The Grizzlie Truth, Holy Spider. Theme Music: Adam Hesh

The Toronto International Film Festival is in full swing and for this Patreon special episode, we're focusing on “festival darlings”. The belles of the ball, if you will. We discuss Kristen Stewart as a meta ex-pat in The Clouds of Sils Maria, Xavier Dolan being sexy and sad in Tom at the Farm and Isabelle Huppert getting her groove back in L'Avenir. Head on over to patreon.com/talkmovietome to become a monthly member and hear the episode in its entirety!

In „Die Wolken von Sils Maria“ übernimmt eine Schauspielerin eine neue Rolle, die überraschende Parallelen mit ihrem wirklichen Leben hat. Die „Helden der Wahrscheinlichkeit“ untersuchen ein nicht ganz zufälliges Zugunglück und Tom Schilling wird in „Werk ohne Autor“ zu einem Künstler mit traumatischer Vergangenheit. >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-die-wolken-von-sils-maria-helden-der-wahrscheinlichkeit-werk-ohne-autor

In „Die Wolken von Sils Maria“ übernimmt eine Schauspielerin eine neue Rolle, die überraschende Parallelen mit ihrem wirklichen Leben hat. Die „Helden der Wahrscheinlichkeit“ untersuchen ein nicht ganz zufälliges Zugunglück und Tom Schilling wird in „Werk ohne Autor“ zu einem Künstler mit traumatischer Vergangenheit. >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-die-wolken-von-sils-maria-helden-der-wahrscheinlichkeit-werk-ohne-autor

In „Die Wolken von Sils Maria“ übernimmt eine Schauspielerin eine neue Rolle, die überraschende Parallelen mit ihrem wirklichen Leben hat. Die „Helden der Wahrscheinlichkeit“ untersuchen ein nicht ganz zufälliges Zugunglück und Tom Schilling wird in „Werk ohne Autor“ zu einem Künstler mit traumatischer Vergangenheit. >> Artikel zum Nachlesen: https://detektor.fm/kultur/was-laeuft-heute-die-wolken-von-sils-maria-helden-der-wahrscheinlichkeit-werk-ohne-autor

Read just a sample of Juliette Binoche's credits—“Mauvais Sang,” “Three Colors: Blue,” “Damage,” “The English Patient,” “Chocolat,” “Certified Copy,” “Clouds of Sils Maria,” “Let The Sunshine In”—and one thing becomes clear: few actors have been as internationally respected for such a sustained period of time. In this episode, she speaks about the importance of acting from the body, and learning to use “sensation” as a starting point. She tells a story about feeling lost on the set of John Boorman's "In My Country," and what set her free should be a lesson to all directors. She talks about how the difficult circumstances surrounding the production of her two newest films, “Both Sides of the Blade” and “Between Two Worlds,” actually served her process. Plus much more!  Follow Back To One on Instagram

Dans ce nouvel épisode de Quoi de Meuf, on vous parle d'Irma Vep, la dernière série d'Olivier Assayas pour HBO et A24, disponible sur OCS. Les spectateurices suivent ici Mira (jouée par Alicia Vikander) qui arrive en France pour interpréter Irma Vep dans “Les Vampires”, un remake de ce classique du film muet français. Nos journalistes retracent ici pour vous l'histoire d'Irma Vep et de la célèbre actrice Musidora et des différentes adaptations qu'a connues le film. Qu'en ont-elles pensé ? Olivier Assayas a-t-il réussi à dépoussiérer ce classique du cinéma français ? Clémentine Gallot et Pauline Verduzier décortiquent ces points et vous en parlent dans ce nouvel épisode de Quoi de Meuf.Références entendues dans l'épisode : Irma Vep d'Olivier Assayas. (2022)Les Vampires de Louis Feuillade. (1915)Sol y sombra de Musidora, Jacques Lasseyne et Jaime De Lausen. (1922)Qui est Musidora, la toute première vamp du cinéma ? par Pierre Groppo pour Vanity Fair. (2022)Irma Vep d'Olivier Assayas. (1996)Fin août, début septembre d'Olivier Assayas. (1999)Les destinées sentimentales d'Olivier Assayas. (2000)Carlos d'Olivier Assayas. (2010)Sils Maria d'Olivier Assayas. (2014)Quoi de Meuf est une émission de Nouvelles Écoutes. Rédaction en chef : Clémentine Gallot. Journaliste chroniqueuse : Pauline Verduzier. Mixage et montage : Laurie Galligani. Prise de son Adrien Beccaria à l'Arrière boutique. Générique réalisé par Aurore Mahieu. Réalisation et coordination : Cassandra de Carvalho et Mathilde Jonin. Vous pouvez consulter notre politique de confidentialité sur https://art19.com/privacy ainsi que la notice de confidentialité de la Californie sur https://art19.com/privacy#do-not-sell-my-info.

Im Sommer und Winter 1936 macht Anne Frank in der Schweiz bei Verwandten Sommer- und Winterurlaub: in Adelboden und in Sils Maria im Engadin. Eine Fotografie zeigt das Mädchen selig auf einer Alpenwiese sitzen, die Sonne im Gesicht. Das Leben der jüdischen Familie aber ist schon damals überschattet gewesen. In der Ausstellung «Anne Frank und die Schweiz» im Landesmuseum Zürich wird die Frage nach dem Mass der Mitschuld der Schweiz am Tod tausender jüdischer Menschen gestellt.

Jason's been fascinated by the new HBO series Irma Vep, So Keith proposed to Jason they watch several other great Olivier Assayas films, including Personal Shopper, Summer Hours and Clouds of Sils Maria, each a more stunning work of comic art than the one that came before it. Give a listen to the guys rhapodize about some of the finest films of the millennium. --- Send in a voice message: https://anchor.fm/jason-sacks/message

YALL...we're back in the month of March 2022 with a brand-new theme! This month we're reviewing musicals and we start the month off with a fucking BANG! Kicking it off with the 2017 hit The Greatest Showman starring Hugh Jackman, Zac Efron, Zendaya, Michelle Williams, Rebecca Ferguson, and Keala Settle. Join us as we absolutely gush over this one. We pile on The Clouds of Sils Maria and thank Jesus we made it Hugh Jackman's greatest performance. Make sure you give the video below a watch; you won't be disappointed. Are those goosebumps? Yep! The Greatest Showman | "From Now On" with Hugh Jackman | 20th Century FOX - YouTube Make sure you listen to the entire episode... Music this month is brought to you by the funk duo The Floozies from Lawrence, Kansas with the song "Find This Love"...make sure you're getting their music wherever you get yours! Web Spotify Instagram Twitter Make sure you're following the pod on Twitter! @moviedrafthouse Mark - @iheardyouliked Jeff - @PodcastsbyJeff

We're running lines with Cullen Atchley and Jesse Catherine Webber (Cannes I Kick It podcast) as we look back on Clouds of Sils Maria! With discussions including Juliette Binoche, Cannes 2013, and comedic actors working with European auteurs --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/exitingthroughthe2010s/message Support this podcast: https://anchor.fm/exitingthroughthe2010s/support

CW: Suicide, sexual assault, age gap relationships, and fear of aging/death. Clouds of Sils Maria (2014) is a beautiful movie by Olivier Assayas about inevitabilities of aging and the difficulty actors face when drawing the line between fiction and reality - if you haven't seen it, you might be interested to watch it before listening to this episode! We attempt to give our interpretation of the film, while also talking about a lot about its inspiration from The Bitter Tears of Petra von Kant and a little about Assayas' other works and controversies.

Nicole and Karen rejoin the race as it resumes in St. Gallen Switzerland after a 19 month suspension. The contestants confront dizzying Alpine heights, some fast-moving clouds that Sils Maria would be proud of, and a leather challenge that our hosts feel confident they could master. PLUS: Starting this week, Nicole and Karen will be welcoming TAR 33's eliminated teams for a special exit segment! Tune in as we chat w/ Michael and Moe about karaoke, the race's Covid protocols, and their experiences at “elimination station.” 

Un filósoso incomprendido que desafortunadamente fue usado como símbolo Nazi. Constante crítico del cristianismo y de la religión. Un gran pensador que mediante su obra y su concepto del superhombre nos invitó superarnos como seres humanos, a pensar por nosotros mismos y a cuestionarnos todo. Él es Friedrich Nietzsche, el ermitaño de Sils-Maria.

Imaginemos el paisaje nevado de Skjolden, Noruega, a principios de diciembre. Ahora imaginemos a un ermitaño recibiendo en su cabaña a un viajero cansado y hambriento, que ha logrado abrirse camino entre la nieve, el hielo y los troncos derribados por el vendaval. Después de ofrecerle pan y vino, el primero comienza a platicar con el segundo, quien confiesa venir de Sils Maria. La conversación dura toda la noche y gira en torno a una sola pregunta: ¿Qué es la verdad? El viajero inicia: “Una hueste en movimiento de metáforas, metonimias, antropomorfismos, en resumidas cuentas, una suma de relaciones humanas que han sido realzadas, extrapoladas y adornadas poética y retóricamente y que, después de un prolongado uso, un pueblo considera firmes, canónicas y vinculantes; las verdades son ilusiones de las que se han olvidado que lo son; metáforas que se han vuelto gastadas y sin fuerza sensible, monedas que han perdido su troquelado y no son ahora ya consideradas como monedas, sino como metal”. El ermitaño responde: “No tengo mi imagen de mundo (Weltbild) porque me haya convencido a mí mismo de que sea la correcta; ni tampoco porque esté convencido de su corrección. Por el contrario, se trata del trasfondo que me viene dado y sobre el que distingo entre lo verdadero y lo falso”. Mínimo Necesario te invita a conversar. Entrevistador: José Terán, creador de Cultura Mínima, lector y escritor de tiempo completo, licenciado en Ciencia Política por el ITAM y estudiante temporal de Lengua y Literatura Alemanas en la UNAM. Invitado especial: Arturo Vázquez, ingeniero industrial y filósofo con maestría por la Universidad de Bergen. Síguenos en redes y visita nuestra página: http://minimonecesario.mx #Nietzsche #Wittgenstein #Verdad #SobreLaCerteza #ConversacionesNecesarias #MínimoNecesario --- Support this podcast: https://anchor.fm/minimonecesario/support

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Hiking with Nietzsche is a tale of two philosophical journeys in the Swiss Alps: one made by John Kaag as an introspective teenager, the other seventeen years later in radically different circumstances - as a husband and father with his wife and small child in tow.  Kaag travels to the peaks above Sils Maria where Nietzsche routinely summered, and where he wrote his mysterious landmark work, Thus Spoke Zarathustra. Both trips are made in search of the wisdom at the core of Nietzsche's philosophy, yet they bring Kaag to radically different revelations about the human condition. Entertaining, intimate and thought-provoking, Hiking with Nietzsche explores not only Nietzsche's ideals but how his philosophy relates to us in the 21st century. (From the back of the book) I was often asked 'Where to start reading Nietzsche?'. It is a hard question to answer, because each person has "their own" Nietzsche. Professor Kaag spent decades of his life studying and teaching philosophy of the famous philosopher. I believe his book is a perfect introduction to Nietzsche, because it combines three key elements: first of all it tells about N's key ideas; secondly it tells about the philosopher's hard life; and then it applies N's ideas to our own time, making it more tangible and applicable to us.

1700 Meter über dem Meeresspiegel. Rechts und links umgeben einen weniger Menschen als in normalsterblicher Tiefe. 700 Einwohner treffen auf (ca.) 700 Nietzsche-Enthusiasten, Nietzsche-Epigonen, Nietzsche-Apologeten, Nietzsche-Fetischisten? Wir plaudern über Nietzsches Leben und Werk, über den Tagungslifestyle, über dünne Luft, frische Luft in Sils Maria. Am Ende steht fest: Berge sind höher als Menschen. Wie immer vielen Dank an @leon.scheich für unser Logo!

Wir sind im Kosmos, doch wo stehen wir? Und wie zu uns selbst? Und wie mit- und gegeneinander? Vielleicht stehen wir am Rande, am Abrand? Bruno und Jakob wollen zu Rande kommen und sprechen über Einsamkeit. Wir sind alle religiöse Kleingärtner (geworden). Ein Obdach müssen wir uns heute vielleicht selbst bauen. Georg Simmel erklärt die Entfremdung voneinander in den Großstädten. Gehört Einsamkeit dazu, oder lässt sie sich heilen? Beides - wahrscheinlich. Obwohl die Stoiker wie immer ihr Diktum zum besten geben: Stellt euch doch nicht so an. Und mal wieder: Freiheit ist ein zweischneidiges Ideal, vor allem aber: Ein Ideal! Wir sollten ihm nicht unsere Gesundheit opfern. Selbiges gilt für die Gesellschaft: Je besser sie "funktioniert", desto kränker werden die Menschen, die dieses Funktionieren garantieren. Also: Ganz einsam sind wir hoffentlich erst im Tod. Einst waren echte Beziehungen eine Notwendigkeit. Heute meinen wir uns dieser Notwendigkeit entledigt zu haben, und inszenieren Beziehungen in einer fragwürdigen Realität. Und schließlich landen wir bei einer großen Scham. Doch dazu ein andermal! _____________ Inhalt: 00:00:00 Nietzsche in Sils-Maria 00:02:20 Einleitendes zur Einsamkeit 00:12:30 Einsamkeit und Moderne - Simmel u.a. - Spaßgesellschaft, Partygesellschaft 00:30:40 Allgemeines und Singuläres - Simmel und Reckwitz 00:37:22 Rolle von Staat und Gesellschaft - Diana Kinnert 00:46:10 Kommunkation, Medien - McLuhan, Plessner 01:05:55 DIE POPMUSIKANALYSE mit Maxim Klusch - "I" vermisst "You" 01:10:33 Selbstverleugnung als moderne Subjektivität - Adorno/Horkheimer 01:17:42 Betrübtheit? - Bitte keine Ethik des Ertragens! 01:30:36 Abschied - Der Einsamste ______________ Wir empfehlen: The Great Gatsby (F. Scott Fitzgerald, 1925) The Crowd - "Ein Mensch der Masse" (King Vidor, 1928) Lost in Translation (Sophia Coppola, 2003) Family Romance, LLC (Werner Herzog, 2019) Die Großstädte und das Geistesleben (Georg Simmel, 1903) Zur Frage menschlicher Beziehungen in der modernen Kultur (Helmuth Plessner, 1959) Die neue Einsamkeit. Und wie wir sie als Gesellschaft überwinden können (Diana Kinnert, 2021) _______________ Wir danken dem Nietzsche-Haus in Sils Maria im Engadin für die Gastfreundschaft! Wie immer auch danke an @leon.scheich für unsere Logos!

In this week's Special Episode, we're counting down the Best Things We've Seen from Kristen Stewart! From The Flinstones in Viva Rock Vegas to Personal Shopper to Happiest Season, from David Fincher to Jessica Sharzer to Olivier Assayas, Kristen Stewart has established herself as one of the best young actors working today. We hope our lists (which can include movies, shows or even YouTube videos) will give you some interesting and maybe underrated/underseen recommendations to check out - her filmography is certainly worthy of doing that! As always, thanks for tuning in & we hope you enjoy the show! Things discussed in this episode (Spoiler-Free!): Panic Room, Speak, Zathura: A Space Adventure, Into the Wild, Jumper, Twilight, Adventureland, Welcome to the Rileys, Snow White and the Huntsman, Camp X-Ray, Clouds of Sils Maria, Still Alice, American Ultra, Certain Women, Café Society, Personal Shopper, Seberg, Charlie's Angels, Underwater, Happiest Season and more! Apologies for the short (upload-)delay this week. Timecodes: 0:00 - Kristen Stewart Intro 0:55 - Introduction/Banter 8:06 - Flo's Nr. 10 14:12 - Gabe's Nr. 10 17:46 - Flo's Nr. 9 18:01 - Gabe's Nr. 9 18:31 - Flo's Nr. 8 22:40 - Gabe's Nr. 8 & Flo's Nr. 6 27:03 - Flo's Nr. 7 27:16 - Gabe's Nr. 7 27:53 - Gabe's Nr. 6 32:57 - Flo's Nr. 5 37:59 - Gabe's Nr. 5 (Flo's Nr. 9) 44:33 - Flo's Nr. 4 (Gabe's Nr. 9) 51:03 - Gabe's Nr. 4 & Flo's Nr. 3 58:22 - Gabe's Nr. 3 58:59 - Flo's Nr. 2 (Gabe's Nr. 7) 1:04:59 - Gabe's Nr. 2 1:12:57 - The Best Thing Flo has seen from Kristen Stewart (Gabe's Nr. 3) 1:22:05 - The Best Thing Gabe has seen from Kristen Stewart (Flo's Nr. 7) 1:29:02 - Honorable Mentions & Omissions 1:34:50 - After Show Banter _____________________________________________________________________ Apple Podcasts: https://podcasts.apple.com/us/podcast/best-thing-weve-seen/id1500489681?ign-mpt=uo%3D4 Spotify: https://open.spotify.com/show/5jocmR3kfsm1t8kdrE9LuF Google Podcasts: https://podcasts.google.com/feed/aHR0cHM6Ly9hbmNob3IuZm0vcy8xMzc5ODQ5NC9wb2RjYXN0L3Jzcw== This episode on YouTube: https://www.youtube.com/watch?v=FPS-JTZ5dSw --- Send in a voice message: https://anchor.fm/bestthingpodcast/message

2014 wurde Claudio Abbado im Fextal bei Sils Maria bestattet, wo er oft freie Wochen verlebt hatte. Was bleibt von ihm? – außer dem Bild des ursympathischen, Bescheidenheit zum erotischen Credo erhebenden Schöngeistes? Welche Aufnahmen haben Bestand? Welche Ideen leben weiter? Aussichten auf ein glorioses Erbe.

Quelle éthique animale pour le XXIè siècle? c'est la question que nous posons à Patrick Llored. Patrick Llored est professeur de philosophie et chercheur en éthique animale à l'Institut de Recherches Philosophiques (IRPHIL) de l'Université Jean-Moulin Lyon III. Il est l'auteur du premier livre d'introduction à la philosophie animale, Jacques Derrida, Politique et éthique de l'animalité (éditions Sils Maria, 2013) et aussi de nombreux articles de référence sur l'éthique animale. Spécialiste reconnu de l'éthique animale en France, il est le seul à enseigner cette matière à l'université et est sollicité pour donner des conférences dans le monde entier (Bolivie, été 2019). Dans son ouvrage intitulé "Une éthique animale pour le XXIè siècle" publié chez Médiaspaul, Patrick Llored  explique les différentes manières d'aborder ce sujet. L'intérêt pour l'écologie et la préservation du vivant ravive actuellement l'intérêt pour l'éthique animale. Or, la question animale n'est pas une question comme les autres, car elle nous oblige à prendre du recul par rapport à ce qui constitue le propre de l'homme. De plus, c'est l'une des plus anciennes questions qui préoccupe l'humanité en tant qu'elle est très présente dans l'Ancien et le Nouveau Testament à travers tous les récits fondateurs du judaïsme tout comme du christianisme. L'originalité de cet ouvrage est de montrer que tous les questionnements actuels concernant le monde animal sont issus d'une longue tradition de pensée qui remonte au Moyen-Age lorsque certains se mettent à considérer " nos frères les animaux ". Cet ouvrage qui puise à la fois dans l'histoire de la philosophie et dans les débats les plus actuels sur l'éthique animale est une occasion de s'interroger et de cheminer.  

Just in case you need a break from the stresses of coronavirus, here's our 9th bonus show (originally recorded in November 2019) free of charge! We hope everyone out there is staying safe and healthy as possible. And hopefully this extra content will be a nice respite for you from everything going on. This time around we tackle the films of Kristen Stewart. Our discussion includes Twilight, Adventureland, Snow White and the Huntsman, Clouds of Sils Maria, Certain Women, and Personal Shopper. Check out our other bonus shows now @ Thefilmbuds.bandcamp.com! 0:00 - Intro: First Exposures to Kristen Stewart9:45 - Review: Twilight (2008)32:20 - Review: Adventureland (2009)46:09 - Review: Snow White and the Huntsman (2012)53:36 - Review: Clouds of Sils Maria (2014)1:09:00 - Review: Certain Women (2016)1:29:24 - Review: Personal Shopper (2016)1:41:37 - Highs & Lows1:46:14 - Outro: Thefilmbuds.bandcamp.com Website: TheFilmBuds.comBonus Shows: Thefilmbuds.bandcamp.comEmail: Thefilmbudspodcast@gmail.comTwitter: @filmbuds / @ChloBo74275186Letterboxd: @HenryFahertyInstagram: @thefilmbudspodcastThe Music Buds: TheMusicBuds.comYou Don't Need Anyone: YouDontNeedAnyone.com

We have an ideal existence in Leave No Trace then crawl out of the grave in The Revenant (2015). Later we tackle new trailers for Fantastic Beasts: The Crimes of Grindelwald and M. Night Shyamalan's Glass plus we also talk what movies we would remake, how we describe The Film Buds to friends, Clouds of Sils Maria, Heathers, Eyes Without a Face, The Breakfast Club, Spider-Man: Homecoming, Sharp Objects, and 86ed. 0:00 - Intros: Chloe's Embarrassing Childhood Stories10:55 - Review: Leave No Trace54:10 - Retro Review: The Revenant (2015)1:29:15 - News: Glass and Fantastic Beasts: The Crimes of Grindelwald Trailers1:36:31 - Mail: What Movies We'd Remake and Describing The Film Buds to Friends1:48:34 - Picks of the Week: Clouds of Sils Maria, Heathers, Eyes Without a Face, Spider-Man: Homecoming, The Breakfast Club, Sharp Objects, and 86ed2:02:57 - Outros: No Braden? No Thank You2:04:53 - Chloe's Revenant Parody Movie (Clip) Contact Us!Email: Thefilmbudspodcast@gmail.comTwitter: @filmbudsLetterboxd: @HenryFaherty

Anna Mouglalis spoke with Kristen Stewart, an American actress who conquered the world in a snap. She is well acquainted with the Cannes Film Festival, where she presented Sils Maria in 2014 and Personal Shopper in 2016, both by Olivier Assayas, as well as her first short film as director, Come Swim in 2017. This year, she is a member of the jury of this 71st Cannes film festival.

Anna Mouglalis spoke with Charles Gillibert, French producer accustomed to Cannes since he recently presented the films Sils Maria in 2014 and Personal Shopper in 2016 both by Olivier Assayas, and Mustang directed by Deniz Gamze Ergüven, a film first noticed in 2015 during la quinzaine des réalisateurs. This year, he comes with Yann Gonzalez's film, A knife in the heart, starring Vanessa Paradis, and the Long Day's Journey into Night by Bi Gan, selected for Un Certain Regard.

Anna Mouglalis a échangé avec Charles Gillibert, producteur français habitué de Cannes puisqu'il y a récemment présenté les films Sils Maria en 2014 et Personal Shopper en 2016 réalisés par Olivier Assayas et Mustang de Deniz Gamze Ergüven remarqué lors de la Quinzaine des réalisateurs 2015. Cette année, il accompagne le film de Yann Gonzalez, Un couteau dans le coeur, avec Vanessa Paradis notamment, ainsi que Long Day's Journey into Night du réalisateur Bi Gan, sélectionné pour Un Certain Regard.

Acclaimed director of 'Irma Vep' and 'Clouds of Sils Maria', Olivier Assayas, joins us to talk about his new film 'Personal Shopper'.Kristen Stewart stars as Maureen, a young American living in Paris, working as a shopper for a celebrity. The film follows Maureen through the mundanity of her working life, whilst she moonlights as a medium and tries to communicate with her recently deceased brother in the afterlife. On the podcast this week are Jake Cunningham, Daniella Verektenidi and Harry Chapman.Produced and edited by Jake CunnninghamMusic supplied by incompetech.comStudio services by csrfm.com Hosted on Acast. See acast.com/privacy for more information.

In a wide ranging interview Dario talks to prolific film scholar Murray Pomerance. The discussion touches on everything from Zabriskie Point to The Force Awakes, from The Clouds of Sils Maria to The Bourne Identity, from Marnie to The Dark Knight Professor Pomerance demonstrates an in-depth knowledge, engaging presence and fascinating insights on all things cinema. Murray Pomerance is Professor in the Department of Sociology at Ryerson University, Toronto. His publications include Moment of Action: Riddles of Cinematic Performance (forthcoming), Marnie (BFI, 2014), Alfred Hitchcock's America (Polity, 2013), The Horse Who Drank the Sky: Film Experience Beyond Narrative and Theory (Rutgers 2008), and An Eye for Hitchcock (Rutgers 2004), among others.He has edited or co-edited numerous volumes, including The Last Laugh: Strange Humors of Cinema (Wayne State, 2013), Hollywood's Chosen People: The Jewish Experience in American Cinema (Wayne State, 2012), Shining in Shadows: Movie Stars of the 2000s (Rutgers 2011), and Cinema and Modernity (Rutgers 2006), among others. In August 2009, he appeared on Broadway in conjunction with a performance of The 39 Steps and in August 2013 his visual essay (co-authored with R. Barton Palmer) appeared on the Criterion DVD of John Frankenheimer's Seconds. For further details and publications click here.

Rafer and Kristen wrap up 2015 with their favorite films of the year. Rafer's List Inside Out Clouds of Sils Maria The Revenant Mad Max: Fury Road Amy In the Heart of the Sea The Stanford Prison Experiment Anomalisa When Marnie Was There The Tribe Kristen's List Room Grandma Spy The D.U.F.F. Mad Max: Fury Road Straight Outta Compton The Martian I Am Big Bird: The Carroll Spinney Story Trainwreck Joy Happy New Year and much love to all the Movie Daters out there, from Rafer and Kristen! 

This week Mike and Sean take a look at the latest blockbuster from Olivier Assayas, Clouds of Sils Maria, starring Juliette Binoche and Kristen Stewart. As well they look back at another film about acting, 1991's Centre Stage, directed by Stanley Kwan and starring Maggie Cheung. They'll also talk about the careers of Juliette Binoche and Maggie Cheung in general, the upcoming Seattle International Film Festival and the Rolling Stones.

Kristen Stewart has been a muse to the Beat Generation, a Knight, and a vampire. Now she's an assistant, in Olivier Assayas' new film, Clouds of Sils Maria.

In this week's podcast, Rafer and Kristen look at three movies that explore youth versus age. "The Longest Ride" is the latest adaptation of a Nicholas Sparks novel, focusing on a young couple that learns lessons from an older man. "While We're Young" is Noah Baumbach's newest film, about a couple in their forties that befriends a couple in their twenties. Finally, Kristen Stewart joins Movie Date to discuss her newest film, about an aging actress and her young personal assistant, "The Clouds of Sils Maria."