Podcasts about Reefer Madness

What if the answers you're searching for arrived long before you knew how to understand them? In this conversation, I sit down with Kip Baldwin, a filmmaker, producer, writer, and founder of the Just Love movement. Kip shares the extraordinary awakening he experienced at age 12 and how it set him on a lifelong path of exploring consciousness, love, spirituality, and human connection. From the music industry and sustainable agriculture to television production, ethical AI, and overcoming a traumatic brain injury, Kip's journey has been anything but ordinary. As we talk, Kip reflects on why fear has become such a powerful force in society, how love can transform the way we see ourselves and others, and why he believes lasting change starts with a shift in consciousness. You will hear stories of resilience, curiosity, and purpose, along with a vision for creating a better future for generations to come. I believe you will find this conversation thought-provoking, challenging, and full of hope. Highlights: 01:45 - How a childhood acting career sparked a lifelong passion for media and communication. 07:08 - Why confidence without self-awareness can become a liability. 16:32 - Lessons from the Kellogg School of Management that still shape business decisions today. 21:58 - Why listening beats talking in business, leadership, and life. 35:08 - How strong brands grow through awareness, not just loyalty programs. 01:05:02 - The three traits Zarko looks for when mentoring future leaders. About the Guest: Kip Baldwin knows his purpose for Being is to share all that LOVE is through his many solutions driven projects; using media in all its forms to help awaken individuals, and by proxy the collective, to the LOVE Paradigm emerging. He feels that in order for a new chapter of our story to be conceived for humanity, a mass imagining of our limitless potential is what is needed to bring about an age of compassion, empathy, collaboration, and oneness.  Kip was born in 1965 to counterculture parents - in the midst of the maelstrom that was the decade of the sixties, in fact 1965 was the first year that scientists warned us about climate change - in Vancouver, Washington. His earliest years were spent on a farm where his grandparents raised thoroughbred horses. During this period grew in him a deep, abiding LOVE and respect for nature and all living things. It was around the age of twelve his life would transform forever, as he had an out of body experience that took him beyond the edge of Universe, even Space and Time, and face to face with the unknowable of Infinity. This experience became the foundation for his constant seeking since. Due to that experience Kip felt he must explore the world beyond the small town confines of Camas, WA where he grew up. His first attempt to break free was to do a brief stint in the Navy, where he was going to pursue a career as an electric technician, but because of a hereditary bleeding disorder he was given a medical discharge. However, a military career for him was clearly never really in the cards anyway. Although he was always grateful for the insight it gave him into the inner workings of our country, as he witnessed first the how the poor are literally cannon fodder for corporations, under the guise of them being heroes and patriots. Following his discharge, he returned briefly to the limits of his hometown, before moving to the San Francisco Bay Area in 1985 to pursue his passion for music and performing. He often jokes that he was looking for the San Francisco of the Haight/Ashbury, Peace and LOVE days, but arrived twenty years too late. What he found instead was the 80s hair metal band scene, whose songs that focused on partying, sex, and drugs were not compatible with his lyrics about awakening awareness and addressing the need for personal and societal change. In the late 90s, after becoming disillusioned by his beloved music industry - and always seeking solutions for the myriad of challenges facing humanity - he shifted his focus to local and sustainable foods. While this was certainly a worthwhile pursuit, it did little to fulfill his need to share LOVE'S Truth and create a collective shift in consciousness. But what it did do was make him aware that it was only going to be through the use of mass media that his message of LOVE could reach a large enough audience to affect real lasting change. This found him again heeding the call of the entertainment industry, first as an actor, then writer, and ultimately as a producer, with some success co-creating the influential cannabis series Weed Country for the Discovery Network (focusing on the countless benefits humanity can derive from marijuana, as well as our profound historical connection to the plant), co-founding the United Filmmakers Association, and starting the Just LOVE Movement. Ultimately, this led him to co-founding S.O.U.L. Documentary with creative partner and Soul Twin, Evan Hirsch who shares his passion, purpose and mission to heal humanity by embracing our innate oneness, which they both understand can only be achieved by accepting and grounding ourselves in the Reality of LOVE We Are. Ways to connect with Kip: Facebook:  Just LOVE page: https://www.facebook.com/kipbaldwinjustlove Main page: https://www.facebook.com/kip.baldwin/ UFA: https://www.facebook.com/groups/Unifilmmakers LinkedIn:  https://www.linkedin.com/in/kip-baldwin-975a3514/ Instagram: https://www.instagram.com/kipbaldwin?igsh=NTc4MTIwNjQ2YQ%3D%3D&utm_source=qr YouTube: Kip Baldwin: https://youtube.com/@thekiprowdy?si=LckMuhec40lWAicF Just LOVE: https://youtube.com/@justlove6463?si=QW1g4D2dlaHmJk8B S.O.U.L. Documentary: https://youtube.com/@souldocumentary?si=4HOwlV-pjFN6guYy Soul Twin Messiah: https://youtube.com/@soultwinmessiah?si=7ctLlmqjeOczkjO_ Additional must listen:  Comfort You Song: https://youtu.be/Mi8D3AoDfRQ?si=y8RzIQPXP5ALJth1 A World Worth Imagining: https://youtu.be/Cx28t6_SGic?si=o4lWs7po3TBKx_3A Invitation. To Action: https://youtu.be/B8jUOUVCvJI?si=l4Pr7vWNDsnXX4wh AI work: www.luminaLOVE.LOVE About the Host: Michael Hingson is a New York Times best-selling author, international lecturer, and Chief Vision Officer for accessiBe. Michael, blind since birth, survived the 9/11 attacks with the help of his guide dog Roselle. This story is the subject of his best-selling book, Thunder Dog. Michael gives over 100 presentations around the world each year speaking to influential groups such as Exxon Mobile, AT&T, Federal Express, Scripps College, Rutgers University, Children's Hospital, and the American Red Cross just to name a few. He is Ambassador for the National Braille Literacy Campaign for the National Federation of the Blind and also serves as Ambassador for the American Humane Association's 2012 Hero Dog Awards. https://michaelhingson.com https://www.facebook.com/michael.hingson.author.speaker/ https://twitter.com/mhingson https://www.youtube.com/user/mhingson https://www.linkedin.com/in/michaelhingson/ accessiBe Links https://accessibe.com/ https://www.youtube.com/c/accessiBe https://www.linkedin.com/company/accessibe/mycompany/ https://www.facebook.com/accessibe/ Thanks for listening! Thanks so much for listening to our podcast! If you enjoyed this episode and think that others could benefit from listening, please share it using the social media buttons on this page. Do you have some feedback or questions about this episode? Leave a comment in the section below! Subscribe to the podcast If you would like to get automatic updates of new podcast episodes, you can subscribe to the podcast on Apple Podcasts or Stitcher. You can subscribe in your favorite podcast app. You can also support our podcast through our tip jar https://tips.pinecast.com/jar/unstoppable-mindset . Leave us an Apple Podcasts review Ratings and reviews from our listeners are extremely valuable to us and greatly appreciated. They help our podcast rank higher on Apple Podcasts, which exposes our show to more awesome listeners like you. If you have a minute, please leave an honest review on Apple Podcasts. Transcription Notes: Michael Hingson  00:03 One of the biggest things holding you back isn't what's in front of you, but rather what you believe. Welcome to Unstoppable Mindset, where inclusion, diversity, and the unexpected meet. I'm your host, Michael Hingson, speaker, author, and advocate for inclusion and possibilities. This podcast explores how the beliefs we carry shape the way we live, lead, and connect with others. Each week, I talk with people who challenge assumptions, face adversity head on, and show what's possible when we choose curiosity over fear. Together we focus on mindset, resilience, and the small shifts that lead to meaningful change. Let's get started. Hi everyone, I am your host Mike Hingson, and you are listening and or watching Unstoppable Mindset. We're really glad that you're here with us today. Our guest, the person I get the honor of chatting with for the next hour or so, is Kip Baldwin, who will talk a lot about love. He will talk a lot about a number of different things, he's been a director, he's been a producer, an actor. He has been published, although he hasn't published a book yet, but he's published poetry, and I'm sure he's going to tell us about that, and I don't want to give it away, so I won't. Anyway, Kip, welcome to Unstoppable Mindset. We're glad you're Kip Baldwin  01:40 here. Oh, thank you so much for having me, Michael. I look forward to having this conversation and sharing my story. Michael Hingson  01:47 Well, tell us a little bit about you, kind of. Let's start with the early Kip, growing up and all that, because I know you had some things along the way that were relevant and ought to be mentioned. So, why don't you tell us about the early Kip, and we'll go from there. Speaker 1  02:00 I was. I grew up in Washington State, little town called Camas. Although my earliest years were spent in a town called Battleground, Washington, and my family, we raised horses, Thoroughbred race horses. We raised at Portland Meadows, and so I'm kind of a farm boy at heart, at least that's how I grew up, but I had an experience when I was 12 that was definitely not your typical farm boy experience, I guess. I had gone up to Seattle, and this was maybe 78 to see a Seahawks game with the Raiders of my dad and dad, I had a good day, which wasn't always the case, and got home, and it was a, you know, five and a half hour round trip for kids, 12 year olds, a big time, and so I went to bed, and I promptly left my body, and now keep in mind I had never done any drugs. Out of body experiences, a household projection was not something that we talked about about the old farm around the farmhouse dinner table, and I floated over my bedroom. My awareness hovered over my body, and I remember very vividly you don't forget. I looked at my body and went, "I'm not in there. And then that immediately I left my house, I left the planet, I left the solar system, I let the galaxy, I let the universe, and the whole time all I can describe was kind of a presence, not a voice or anything, but just, are you taking all of this in? And sometimes words can't convey something so expansive and grand, and so I was taking in black holes and quasars and nebulas, and just flying through the, you know, time didn't really exist, but I was, I was traveling across the universe, and eventually I got outside the universe, and my awareness was turned in, and I could see how everything was connected, and how the universe itself was finite, and but that everything had a place, there was no less or greater than that, everything had a specific role, from the smallest particle to, you know, the largest star, and then my awareness was turned out to the blackness of infinity, and that you know you don't know at 12, you're just like, "Oh, this is happening, and I'm what's happening, and I'm taking it in, and what I didn't know is that would become my point of seeking that really became the rest of my life. Life, I think, had I been born in India, like say Ramana Maharishi, who had what I didn't realize until later, there's a name for what happened to me, and it's called a spontaneous awakening. My life would have probably been much different, but we don't live in a society that that really honors things like that, so it was a lot of me going on a journey of discovery and a weight and continual awakening until now, and it's an ongoing process, but that's where it really began with me being confronted with the fact that there there can't be a beginning or ending to anything, and the thought experiments that can't, that come out of that, and the way it opens your consciousness, I'm ever grateful for, although at the time it, it made me for a long time feel very apart, and it wasn't until I met with Dr. Dr. Dean Radin up at Noetic Sciences, and I told him my story, and he looked at me, and he went, "You go, that's not a usual experience, he said, "That's a mystical experience, and I was in my probably late 40s, maybe 50 at that time, and that was the first time in my life that someone had had said, 'Hey, what you, what you had was a really phenomenal experience, and I'm very grateful for him for saying that to me, because for most of my life, I'm running around talking about these profound things with people that I thought were incredibly important to share, and they didn't seem very important to people, and it wasn't until then that it hit me that it wasn't that they were important, that it was that they, they didn't really understand what I was talking about. Michael Hingson  07:03 Well, and in our society, as you point out, it's not something that is generally appreciated, and and people who have had those experiences or talk about them are generally looked down upon or frowned upon, and you know that's that's fine, but it doesn't change the fact, and so it must have been hard, especially at first, for you to talk about that. Speaker 1  07:29 You know, I was so excited at first, I was excited to share it with my family, and and it happened a couple more times, and it was so overwhelming that literally I would get to a point where my head, my physical being couldn't handle it anymore, and I would get up and vomit. It was that's how, how intense it was, like I just, I couldn't take in anymore. And so, at first, I was really excited to share it, because it was beyond wondrous. It was, it was truth. It was reality, and I, and on some level, I knew that instinctually. But then, when enough people sort of ignore you or act like something's unimportant, you stop talking about Michael Hingson  08:15 it. Yeah, Speaker 1  08:15 I never stopped writing about it. I never stopped experiencing it, and I didn't even really stop talking about it once I moved to California for the music business in 1985 I, you know, then I thought, wow, I mean, being a group of creatives and there's going to be other people that will understand what I'm talking about, but in the 80s music environment it really wasn't what people were, were talking or thinking about, and I was kind of in the same way, and again it wasn't until years later that I look back and I realized all this time I spent up late at night partying with people and stuff, and telling them about infinity, and, and they look, they, they must have been looking at me like I'm a complete idiot, because they really only cared about, you know, getting high or having sex, and I'm trying to have this profound conversation. Michael Hingson  09:16 So, when your family, when you told your family, how did they react? Speaker 1  09:20 They still don't understand it to this day. It just, oh, that's nice, you know. It actually, there were points in my life where it caused conflict with, especially my father, because when I would say none of this is real, he, he always considered him, and still to this day considers himself quite science physics buff, it wasn't something he was willing to accept, and, and even really have a reasonable conversation about. I would say that the things that got me through all these years was, you know, the universe. There's love, God, Brahmin, whatever you want to call it, it gives you what you need, and what it gave me throughout the years, and still to this day, is voices that made me realize I wasn't crazy, that I knew something really special. Probably the first thing, the first one I remember, like, that was Joseph Campbell being interviewed by Bill Moyers, and somehow I knew everything that Joseph Campbell was talking about, and I'm like, How can I possibly know these things? How can I possibly understand these things of this really brilliant, just beautiful soul? And throughout the years, it's been those touch those moments of going, oh, it hasn't been where I've heard someone go, wow, that's helped me awaken, it's been something that's helped me not feel insane and realize that the things that I'm sharing have been shared for 1000s of years, and by many, many minds and beings much greater than myself, and that that really probably kept me from losing my mind. Michael Hingson  11:10 So, you had this experience happen to you at 12. What did you then specifically do? I mean, not so much talking to people, but what did it do for you, as far as schooling, and what you did with your life? Speaker 1  11:27 I would.. it made me very.. in all honesty, it made school seem really trivial to me. It was kind of boring. I started writing a lot. In fact, something I wrote when I was 17 was called Life and Death, and it went: Life is just a symptom of certain death, crying and laughing until our last breath. Everything dies in true infinity. Then the mountains crumble into the sea, stars full from the night sky hit the earth, and then they die, lost in time. I don't know who I am. Am I a god or just a mortal man? Time can't change what I have found. Still, I am changed and bound, bound by the fears and bound by lies. Even now, the tears fill my eyes, gasping for every breath as I head for a certain death, clouds now pass overhead, and I realize how things are now that I am dead. Life is ending, life goes on like the lyrics to an endless song. Life and death, it's all the same. We exist only in our brain, and so there was a lot of that. It pushed me away from I was confirmed Zion Lutheran. I really couldn't stomach religious dogma anymore at that point. Um, just the hypocrisy, you know? Like, I remember I, I was talking to a new pastor we had, and he was informing me that my great grandmother, who is Jehovah's Witness, and these Mormon boys had come around, were trying to teach me about Mormonism, and I was just curious and open, always, and still am to this day. I don't judge. I would say that's another big thing that this gave me, is I don't, I see everything as equal, I don't, I don't judge everything, I don't judge anything as lesser thing greater than I don't judge good and evil in the in the same way that other people do, I see things as flows of negative of energy as we exist in a duality with this illusion, and this is just what we describe as good and you are really just flows of energy between the polarities of the duality, and so it pushed me, definitely, because I, when he said that my great grandmother was going to go to hell, and these Mormon boys were going to go to hell, I looked him in the face, and I just said, but I thought God was love, and that was pretty much the end of my church, Michael Hingson  14:04 my, my wife did, I think, some things in the Lutheran church, which mostly she was a Methodist, and I joined the Methodist church when we got married, and so on, but when she was in, I think this was when she was in high school, maybe in, I guess it was late high school, early college. She met some Mormon people, and one of them said, I guess she was learning about different religions, and so she was learning about Mormonism, and this guy said you're either going to think that this is a total hoax or you're going to just totally believe in it. Well, it wasn't quite that way for her. She did not think it was a hoax, and I agree with her, but there. There are things about the about all religions that tend to make life difficult. The problem with religion is that that people are are what make up the religion, and they all have their own views, and it makes life really tough. I know I participated in a program called the Walk to Emmaus, which is a what's literally called a short course in Christianity, and it's not to bring people to the Christian church, but it's to help create a class of leaders in the Christian church. Anyway, one of the things about the walk to Emmaus is that a number of people give lectures, people who have been involved in church, and then there are the pilgrims, the people who are coming to to learn what everyone has to say, and the lay director of the Walk to Emmaus every time gives a speech, and I was lay director once, and one of the things that is in the manual, or was I assume it still is. It's been a while, but it says that Tolstoy once said the biggest problem with Christianity is that nobody practices it, and there's a lot of truth to that. Speaker 1  16:13 But I think that I think you hit it right on the head that people are involved, like I, and I do want to clarify something, I, I believe very much that that Jesus was a master. Oh, Michael Hingson  16:29 absolutely, yeah, and, Speaker 1  16:31 and, but I also believe that people don't know what happened at the Council of Nicaea and understand how the Bible was actually constructed, not because it was based on Gnostic teachings or even really the teachings of Christ, but it was cobbled together as a means of control. If Caesar saw his soldiers be turning to Christianity when they wanted to find, you know, put together a book that really didn't express Christian truth or the truth of Christ, but a way, a means of controlling people through fear, and so if you, if you notice, all the books in the Bible are male. Well, left out of the Bible was the book of Mary, left out of the Bible, it's the book of Thomas, who, interestingly enough, there's a place in India where they all speak ancient Aramaic, and they worship the Book of Thomas, which there's always been a lot of discussion. Did Jesus go to India and study Buddhism? And because even the Book of Mary, these are very Buddhist beliefs, but anything, because we live in a patriarchal society, anything like the piece to Sophia, the book of Mary, the book of Stackle, all of these were intentionally kept out of the Bible, so it's not, I think it's not so much religion, it's the organ, it's the dogma that comes along with organized religion, which is really about people, you know, men using it to control and manipulate people through fear, Michael Hingson  18:14 all too much, all too often. It's, it's true. Speaker 1  18:18 Yeah, and it's interesting. I was watching last night, and it's funny. This is why, why you always have to be on a constant path of awakening. It never stops. If you think you've reached that pinnacle, or whatever, then they're not just ego. There's always more to know and understand. And I ran across this video on Tara, well, Tara is in Buddhism, basically in every religion that I am aware of, there's always the peace to Sophia, there's always the the story of the divine feminine that in large part is is is not. It was. It's largely been suppressed, and so I was, I was watching this, and it was just so fascinating to me to see how identical what Tara was in Buddhism, which this is what, when Tara, Tara is considered the ultimate goddess in the Buddhist faith. Well, when Tara came to earth in the story, she went to a bunch of, you know, Buddhist monks, and they said, "Oh, you know, they were so impressed by her, and they thought this was a compliment. They said, "Well, we hope you, you can reincarnate as a man, and she said, "No, she She said, I don't see things as male and female, but since nobody else wants to be the feminine, I will play that role. And it was just a profoundly interesting thing to listen to, not just because of the story, but because almost every faith that I'm aware. Of has that story of the divine feminine that has again largely been suppressed and marginalized, Michael Hingson  20:09 well, for you clearly that was a very meaningful experience. What did what did you then do, and I understand how you could imagine that maybe what was being taught in school wasn't quite as, as meaningful as what you had experienced, but you went on, I assume, through high school, and did you go to college? Speaker 1  20:30 I was, I went, I was an electron, I went to the Navy to be an electronic technician, but I had a bleeding disorder called Von Willebrand disease, and I found out after I was in for about a year. Well, you can't be in the Navy with that, because we can't carry with the limited space you have on ships, we can't carry the clotting factor you would need if there's a problem. So that was fairly short-lived. Then I went back to Washington and was working as a dishwasher for a while, then I worked as a male stripper, and, and I was then, which, which, you know, there was something really profound about that experience, because it taught me what women feel like to be objectified, and that's something that has carried me, carried a lesson. I, I find lessons in everything, even things that, wow, you know, what could you possibly learn positive out of having been a male stripper? Well, I learned how women feel, really, to be, you know, not looked at as anything more than an object, and then I really wanted to continue to, you know, pursue music, so a friend of mine, we loaded 65,000 pounds of frozen strawberries onto a semi truck, and like july 3, 1985 and got a ride to San Francisco, a city I'd never been to before. I knew nobody here. We got here, I had 25 cents in my pocket, and I used the 25 cents to call the one friend that I thought I knew that I could get a hold of here in or in in the Bay Area, and it was a wrong number, and so now I'm in a city at the Gray Home Bus Terminal that used to be in downtown San Francisco, we have no food, we have no place to live. We have nothing to, you know, we have nothing, literally. And that's where my journey began. As far as my story, my, my adult life, and my journey in the entertainment industry and the music business, that's how it all started. It started by loading 65,000 pounds of frozen strawberries under semi truck, telling, oh, and the cap around the story is I had worn my contacts for too long and I ripped the corny up both my eyes when I took them out, because I was wearing hard lenses, so I was functionally blind in the city I'd never been to before with patches over my eyes, and being led around by my friend, and luckily we found some very nice people that gave us a place to stay, and then I ended up meeting maybe a week after that, I met my first wife, who was Persian, and we were together for a long time. What was interesting about that is I've been introduced to so many different faiths through the people in my life, and because I haven't judged and tried to learn, like I, I learned through her about Islam, I learned through her about our Torcharianism, and we lived the rock and roll lifestyle for the 16 years we were together. She was a photographer. I wrote for a magazine called BAM. I played in bands. I managed artists like Linda Perry from The Four Non Blonde, or I worked with Linda Perry from Four Non Blondes. I managed Alex Skolnick, who is lead guitar player in Testament, and I did that for a long time until I started getting really disenchanted with music and really started to hate the business and started to hate music because of it, and so I ended up drifting into, I wouldn't say drifting into, I got drawn into visual media, and I started working. I met a guy at a club in San Jose, California, called The Agenda, and we were playing pool, and he was telling me, "Oh, he's the owner of this company called Metropolis Digital, and I was thinking, "My. Speaker 1  24:59 Music and music videos, and yeah, I want to get involved in this, so I started coming up with ideas, and he brought me into their company, because I got to know a lot of people through the music business and booking artists on different shows, like Letterman and Leno, and, and so I got to know how to work through those channels that it opened doors for me to be able to do on-air graphics for the networks, and so I did that until about, in fact, the last major project I did in that industry was with a company called Chaos X AOS out of San Francisco, and we did the 2000 election graphics for ABC nationally, and then I, I, that with the, the, the.com telecom crash of not of 2000 they pulled all of that sort of work in house, and so that business kind of dried up, and I changed my focus to working in local and sustainable foods. Michael Hingson  26:08 What got you to the point where you disliked Music so much? Speaker 1  26:12 The business.. it just.. it wasn't. I came here, and in all honesty, I was looking for the 60s, but I was 20 years too late, only to find out later I was actually 30 years too early, but I was looking for community, I was looking for family, I was looking for that connection, but what existed as far as the music industry then was the 80s hair band stuff, heavy metal was on the rise. It was very misogynistic. It wasn't. It was very competitive. There wasn't, it wasn't collaborative, it wasn't community related at all. And it really turned me off. It wasn't, it wasn't what I had thought being in an artistic community doing artistic endeavors would be about it, became very.. it just.. it just.. it just.. it just made me feel very empty, and that wasn't what I loved about music, and so that Michael Hingson  27:24 would be an issue, Speaker 1  27:25 yeah. It just value wise it was, it was not, you know, you, you got to do a show, and you've got the bands that are coming on after you, you know, playing with your amps, and it was just, it was, it wasn't, it wasn't fun, and it wasn't fulfilling. More importantly, it wasn't fulfilling. It wasn't, and I'm writing about while everyone else is writing about, you know, sex and drugs and all of this. I'm writing about the things that I thought were important. I was writing about the problems I saw in this country, like songs like Shock the System or the chosen few, and, and though that wasn't what people were writing about Michael Hingson  28:06 then, Speaker 1  28:06 and you know, even though the songs were good, and, and I've been told I'm talented, it was, I didn't, I didn't again feel like I fit in, you know, I didn't feel like I'd found my place, and certainly not in that world at that time. If Speaker 2  28:31 you enjoy Unstoppable Mindset and would like to help us continue bringing these conversations to you each week, we've created a way for you to support the show. Your contribution helps us cover production costs and continue sharing stories, insights, and ideas that inspire people to live with purpose and possibility. If supporting the podcast feels right for you, you'll find the link in the show notes. Thank you for being part of the Unstoppable Mindset community. Thank it Michael Hingson  29:04 certainly had to be a rough time all the way around, but then you, you found this person, and you joined their company, as you said earlier, Speaker 1  29:15 right? I started working for Metropolis Digital, and we started doing a lot of on-air graphics, like for TBS. We did their, their original movies. We did a lot of the opening graphics for it, and then I moved on to other companies, and and I, I then started focusing on on local and sustainable foods, and moved into doing stuff where I felt I was doing more, because at the heart of everything I've ever done, it's always been about trying to affect real change in the world, Michael Hingson  29:55 it's Speaker 1  29:55 always been about I could see very clear. Really, it doesn't surprise me where we're at today at all. I saw the problems with the system even at that age, and I give credit to that because of the experience I had with Infinity. It just allowed me to step back and perceive things from a far off perspective that I was looking at humanity in general and how we did things, and I'm just like, this doesn't make any sense. It doesn't make any sense for us to believe we're separate and apart from the very things that give us life from each other. It doesn't make sense from a spiritual perspective. It doesn't make sense from a scientific perspective. Yet, here's the system that we are a part of, and so I've always been very focused on trying to effect real change and find not just point out the problems but actually find solutions, and so that then led me into working in local and sustainable agriculture here in the Bay Area. So Michael Hingson  31:00 tell me more about the whole work that you did with Sustainable Foods. What was that all about? Speaker 1  31:08 Yes, I worked with a company, I was, I had handled all the sales and marketing for Drake's Bay Oysters out of Inverness, California, and Drakes Bay, before it was called Drakes Bay, was Johnson's Oysters, and they were the last oyster cannery in California. The family that owned the farm, they had taken it over from Johnson's. They were the Lenny family, who owned Ranch G across from the steroid, where the oyster farm was. Well, they, against my better advice, they made it a personal ownership thing rather than a California food heritage issue. So, eventually, when their lease came up on the rent, on the farm, the farm went away. Well, at the same time, I created new relationships. A very good friend of mine to this day is a gentleman named Brian Kinney, who is now the West Coast Chief Technology Officer for Hearst, and also the Hearst Family Archivist, but at that point in time he was running Hearst Ranch, which they, they had the Jack Ranch and the Hearst Ranch down around San Simeon. So I was at the forefront of the grass-fed beef movement as well, and we developed a human-grade grass-fed beef pet food about 10 years ahead of its time, which could be the story of my life. I'm always about 10 years ahead of where things actually happen, and I, I did that for about 10 years, and eventually I felt the calling to get back in the entertainment industry, and that led me to acting, and I did the acting mostly because I wanted to learn how things were done, and I very well, if I act in a whole bunch of student projects, or projects in general, and I'm behind the scenes, I'm going to learn, and, and that's exactly what happened. So, my very background led me to being a producer, and I created, you know, one of my most notable accomplishments that created this show called Weed Country for Discovery, which was about the medical marijuana industry here in California, just before legalization. How we got it on air before legalization, I don't know. We were named to the Hollywood Reporter top 25 heat list. We got some really great information out about CBD and helping with childhood epilepsy. The bad part of that was it was a reality television show, and I didn't know anything about reality television, so when I'm here in reality, I'm thinking documentary. Well, that couldn't be farther from the truth. And reality television has truly been a blight on on this country in particular, and probably the world in general. Michael Hingson  34:16 Yeah, I just gonna say not nearly as real as people think it is. No, no, I think I think probably this is just my opinion. The closest thing to so-called reality TV is the show Dancing with the Stars, because they're actually dancing all these other shows, and it's all sort of really scripted, but the people are actually dancing, which is kind of cool, Speaker 1  34:41 right? Michael Hingson  34:41 Even though I don't see it, I appreciate it. Speaker 1  34:45 Yeah, but even, even with shows like that, there's a lot of gin-up drama. There is behind the scenes stuff that's the worst part of things. Yes, they're like with our show, yes, people were really, you know, there's really stuff going on with can. Of this world that was really important, but what reality television does is it, it creates artificial drama. It does things to manipulate the characters in the show to make them look how they want, and they know, and people in general, my experience is that people, once you put a camera on them, they will do, they would do things to be in front of the camera that they would never do, even for more money, Michael Hingson  35:27 right, Speaker 1  35:28 in their regular lives. Michael Hingson  35:30 Well, and I think there is, there's a lot of truth to that. And the whole thing, as you said, as far as reality TV, we're not giving people a true picture of reality with most of any of that anyway, which is unfortunate. I think I mentioned I'm a fan of old radio and television, and so on. And one of the shows that I've watched a fair amount is The Old Ridge. Well, it's the second time they were on, but Dragnet with Harry Morgan and, of course Jack Webb as Joe Friday, and they did a lot of shows talking about drugs and marijuana and all that, and how bad it is, and it's kind of interesting because what we're seeing today is that in reality the medical aspects of marijuana or cannabis and CBD oil, and so there's there's true relevance there, which is something that they didn't know or appreciate in the late 60s. Speaker 1  36:31 Well, but the thing that our history with the cannabis plant goes back 50,000 years to Burger Banks, China, it's been, and if we take all of the medicinal recreational uses out of it, it is the most one of the most versatile plants that we have. It was used, I mean, our money was made out of hemp. Hemp is cannabis sativa. Dollar bills are made out of hemp. It was used for fuel. It was used for building. Henry Ford built an entire car out of hemp in 1942 which you can go see the video of on YouTube, and they're beating on it with knacks. The plastic resin they made out of it was 40 times stronger than steel. It ran on hemp fuel, a byproduct of which was water. It also, in 1931 the Hearst family, which was interesting, they ended up working with them, bought and sequestered the plans for a decorification machine that made it easier to process hemp than cotton kids, it's a much more durable fiber. In 1938 covered Popular Mechanics, they called him the billion dollar crop, saying you could make 25,000 different items out of everything from fine linens to dynamite, and that was really what what what, why the prohibition against the plant started. Why they did you know shows like Reefer Madness or create films like Reefer Madness to create this hysteria around, at best, an innocuous plant in comparison to soulmate tobacco, in comparison to alcohol, even if people did want to use it. It's, it's, it's relatively harmless by comparison, or just in general, and actually very beneficial. You know, I have a traumatic brain injury, and I think without it, I probably wouldn't, I probably wouldn't eat very much. I probably wouldn't sleep right, I barely sleep as it is, and sleep I do get is because of cannabis, but beyond my point, and I always try to make this clear to people, is like up until even the prohibition against the plant actually started with the Catholic Church, with the Pope Innocent, who until the 1400s cannabis was in the anointing oils. Cannabis was grown by monks, cannabis was grown by nuns, and then in this pope decreed it the devil's weed, and they, you know, banned it. So it's, it had, and there, and why, and you'd say, well, why did they do that? Well, they did that because at that time in the 1400s you were having opium addiction on the rise, you were having, you know, much, much more alcohol use. Well, these are extremely addictive substances, and much more easy to manipulate and control people than it is with cannabis, which in general creates.. I wish I could remember the quote exactly, but Carl Sagan said, you know, why we have a prohibition on a plant that you know creates good feelings amongst people and unites people is in this, you know. A really crazy world is, is, is madness, but it all comes back to money, and it all comes back to who's profiting. So, why did they create the probation? Well, the hearse, the Rockefellers, and the DuPonts, they saw how hemp would affect each of their industries. We wouldn't need oil if we'd grown hemp and use that as fuel, in fact, it was the Rockefellers who went to Henry Ford and said, "If you take this car to market, we'll crush you. And this was Henry Ford at the height of his power, DuPont chemicals that were.. we wouldn't have needed.. we wouldn't have put like this.. we would not have the planet, the environmental devastation we do now. How do we use this, as Henry Ford said? Why are we digging up, and Henry Ford was certainly no saint, but he was right on this. Why are we digging up our minerals? Why are we cutting down our forests when we can do all the same things with this infinitely renewable resource? This is a part of the canvas story that still is largely not discussed openly enough. Michael Hingson  41:08 Yeah, I think there's a big difference between the story you're telling and the kind of uses you're talking about, and smoking it, and so on, and I, I think we put way too many funny things in our bodies, anyway, right? I think that that isn't this isn't a positive thing, but you're right, we, we've used so many things to create so many fears, it is, it is something that is all around us. Fear is all around us, and the problem is we let it overwhelm us. I wrote Live Like a Guide Dog that got published last year because when I worked in the World Trade Center, I was able to focus when I escaped, and I was able to do that because I had developed a mindset that said, you know what to do in this kind of an emergency, even though never expected it to happen, but the problem is that most people don't learn how they can turn fear around, and rather than letting it overwhelm or blind them, as I would put it, they can use it as a very powerful tool to help them stay focused, which is much more important. Speaker 1  42:23 Yep, I agree with that 100% I think, and then that you hit it right on the head. Fear is a very powerful tool. It's necessary. No, don't touch the burning stove. It can be a cautionary tool of saying, hey, don't go down this path, don't do this. It's bad when fear becomes the foundation for your entire culture, as it is now. Michael Hingson  42:51 Yeah, and and it is so unfortunate because don't touch the burning stove doesn't mean don't be afraid of the stove. It rather means there's a consequence for doing a particular thing, which is touching something that is that hot. But you shouldn't create an environment of fear around it. You should create an environment of understanding, which is much more important. Yeah, it's Speaker 1  43:20 like it'd be, it'd be very silly if we went, oh my god, it's like the stove gets hot, so I'm never going to use a stove. My Michael Hingson  43:29 wife was in a wheelchair her whole life, and the one thing I will say with our modern world is we always had electric appliances because she was always concerned about if using a gas stove, having to reach over one burner, perhaps it had something on it to get to something else with the idea of possibly material igniting or something like that, and I appreciate that, and you take advantage of the tools that you have available, but I think that it is so very important to recognize that we need to not live our lives in fear, and it's true that, like, 95% of all the things that we fear will never come to pass, and most all of it we have no control over anyway. So, why do we fear them rather than recognizing what we really need to do is to just focus on the things over which we truly have control. Speaker 1  44:25 Yes, and I think even the idea of control from my perspective is something that is overrated. It's like the most important thing, if you want to have control, it's exactly what we're talking about, it's when you choose to live from the foundation of love, as opposed to fear. So, no matter what happens to me in my life, and no matter how hard, how challenging it is, I'm going to come from a place of love, and right now. Don't most of us live exactly the opposite. No matter what happens to them in their lives, they're coming from a place of fear. Michael Hingson  45:06 Yeah, and that's Speaker 1  45:08 not healthy. Michael Hingson  45:09 And nowadays we're also living in an environment where we're even afraid to talk to other people and voice opinions, because well, that's not what I think. And so you're wrong, and we don't, we don't respect. Tell me about your just love movement. Speaker 1  45:25 Well, you know, I, I had coming out of the music business and everything, I was, I was literally killing myself drinking, I mean, literally, like, I lost half my liver function, and I was going to die, and, but I wasn't afraid to die. I was.. I realized that if I didn't find a way to feel fulfilled and feel that I was. I had a purpose in the story that I needed to find a quicker way out. I didn't get in any, like, car accidents, I wasn't arrested, nothing. I was just killing myself, and it just got so bad that literally my leg stopped working. That's how, how, how much damage I'd done to myself, and, and so, coming out of that, I made the decision. I wrote down a list of things I was going to do, and one of those things is I was going to start writing every single day, and I, through a variety of different sources, you know, I did that experience with infinity became synonymous with love to me, and then I had an experience where I, I, I started a filmmaking organization called the United Filmmakers Association, and it was basically the philosophy of it was creatives helping creatives create, and was global. We still to this day have chapters 27 different countries, about 30,000 35,000 members total. And I walked into a filmmaking event that we were hosting, and there was about 100 people there, and I realized I was in love with everyone in the room, and it was, it was so like that love, like just when you fall in love, and you're like, you want, you can't imagine not talking to that person at that next minute, and I realized in that moment that this is not only how we can feel about everyone and everything, but how we're really supposed to feel about everyone and everything, and so I came up with the concept of just love, which is, is a very.. it, those are very heavy words to put together, just love. It has so many layers of meaning to it, and so I thought, wow, if we could just love, and from that I I've written every day and shared through social media for 12 years now something having to do with love and what I do is I combine it with other wisdom teachers throughout history who've been sharing the same information and the things I write are literally downloads. They'll come to me in the silence every day, and I haven't missed a day - head injury, sickness, whatever. I haven't missed a day of posting in 12 years about something having to do with love, and Speaker 3  48:37 then Speaker 1  48:37 accompanying posts from other people, far, you know, other beings far more advanced than I am to show that what I'm sharing isn't new. It's been shared forever. It's foundational to what we are. Like love has been so marginalized and trivialized that we, we forget that, like, I, you know, the experience I had with the minister when I was, you know, younger, and I said, well, I thought God was love. I still to this day believe God is love, and God, and we are God. Michael Hingson  49:11 Yeah. Tell me about you. Something you mentioned, you had a traumatic brain injury Speaker 1  49:17 10 years ago. I was, I was in a, I was in, in between projects, so I was driving Uber, and I, a guy, an Uber driver, ran a stop sign in San Francisco and T-boned me, and my head took the brunt of the impact, and I started having really severe neurological problems, severe stabbing pains in my head, my teeth were hurting, I any sort of exertion would leave me just absolutely drained, and so for about three years I was, I was being seen at UCSF, and we never got to the bottom of it, so I was recommended. Um, to a neurosurgeon at Sutter by a counselor I was seen, and I walked in, and within 10 minutes he said, 'Oh, you have trigeminal neuralgian and brain stem damage, and we can do a microvascular decompression, and you're going to be all better. And at that point in time, I was in the middle of getting ready to release a film called A World Worth Imagining, which was about a gentleman named Jacque Fresco, who is considered the Leonardo da Vinci of our time. He founded something called the Venus Project, and we went to his compound in 2017 and he was 101 He was actually contemporary of Einstein. He knew Einstein, brilliant inventor, but at his core, he knew he was a social engineer, and he knew that we had to address our programming if we were ever going to change what was happening in the world and ever be able to avail ourselves of the solutions that he designed of a new economic model called a resource-based economy, because the reality of it is, until we stop self-wounding, there's not enough band aids for the guy that keeps hitting himself in the head the hammer, so we have solutions to all of our problems, but we create problems more quickly than any solution could ever fix, so I was getting ready to release that film, and wow, this sounded like a miracle. I'm going to have this surgery, and I'm going to be all better. Well, it, I had the surgery September 20, 2019 I, it didn't make me better, it made me worse, and it turned out that the surgery was a misdiagnosis, and that they botched the surgery, so I have Teflon implants in my at the base of my skull, inside my brain, that are now constantly agitating my brain stem, along with a titanium plug that is placed right at the junction point to all the major nerves in my head, so they can't undo it, and there's really no medication that helps, and so it's.. it's.. I wouldn't wish it on anyone else. I'm.. I guess I'm.. I'm very fortunate I have the tools I do to manage it, because they also, they call what I'm dealing with the suicide disease, because a lot of people who have it end up killing themselves. The kicker on the whole story is the guy that did my surgery is Elon Musk, partner Neherlich, and so coming soon I'm going to, I unfortunately, I was in two more car accidents at the end of last year that made everything much worse, neither of them were my fault, and once I get through these, these car accidents I'm dealing with, I'm going to go public with my story, because so I mean, in a much bigger, you know, a focused way, because there's so many people signing up for Neuralink, like it's the new iPhone. I have nothing against technology, if it can help you, if you're a paraplegic, and or you have some something that this can fix, great, but two and one, the people, the human test subjects they've tried this on are having tremendous difficulties, and so I want to let people know it's like I wouldn't wish what I'm dealing with on anybody, and for you to allow someone to try to implant something in your brain just because you want to be a cyborg human being, and you're looking at the new iPhone is a really stupid thing to do, and that these people don't. We've given people in technology again. I'm not against technology at all, but I think we've also allowed ourselves to believe that these people who write code and create technology are are gods, and they're not. They're it's just a new way of sharing information and computing things. Speaker 1  54:14 It's, it's, you know, it's just another advancement from the printing press to the radio to tell to television, from the calculator to the computer, and now we're where we're at, and we've allowed ourselves to believe that these people have created an alternative reality, and they have it. Everything that they do runs off the same real world in resources. So, I, I really want to help the mill, because literally millions of people are signed up and ready to have this stuff implanted into their brain and I think it will be a disaster for humanity. Michael Hingson  54:49 I hear what you're saying, and I'm not convinced that a lot of that is really sensible to do either. I think there are tools and there are. There are things certainly that can help people, but I have yet to see that any of this is going to lead to such a tremendous paradigm shift that all of it is going to be all that great for humanity as a whole. I'm not convinced of that at all. Speaker 1  55:17 It could be, but the problem is, is like any other tool, it's how we use it. Social media is an inherently bad thing. It's in here, it's bad because of how we're using it. Sure, because we're using it to divide people and share misinformation, where it could be an incredibly powerful tool for communication, but that's not how we're using it. Same thing with AI. AI could be a tremendously powerful partner in addressing pretty much all of our problems, and I mean, and at the core of, like, Jock's work was the idea that AI basically would manage all the world's resources and share them with equanimity, because we don't have a resource shortage problem, we have a resource sharing problem, but that's not how we're using AI. We're using AI to create fake girlfriends and boyfriends and only fan models, and and take away people's jobs, and and that's not AI's fault. That's the people who control AI's fault, and they want people to be afraid of AI, but again, it's, it's just a tool that's being misused. Michael Hingson  56:24 Well, like, like so many, and, and I hear exactly what you're saying. Tell me about S O U L Speaker 1  56:33 Sold, Soul documentary is really interesting, because the day I got in my car accident was the day I was supposed to meet my partner Evan Hirsch, who had wanted at the time he was looking for a producer to help him do a series on Bernie Sanders and teaching Bernie to not be as angry and come across more from a place of love, and he wanted to follow the campaign around. Well, by the time we got it pulled together, Bernie was out of the campaign, and so we started talking about, well, do we want to do anything together. So we then set about something called Soul Documentary, and originally it stood for Summer of Unconditional Love, because we were covering all of the events for the 50th anniversary of Summer of Love, which was in 2017 So our goal was to find what we called solutionaries, people like Jock, and interview them, and then share also our own understandings of things through hundreds and hundreds of videos that we did over the course of eight years, as well as recording three albums under the name of Soul Twin Messiah, which all were about the same things we were doing. Our films about all founded in love, all about love. Every song contained love in it, and our whole purpose was just to show people we do have solutions to our problems, and to talk about how we have to have a shift in consciousness, and we have to have a new system if we are going to change anything. It's like what Einstein said, to expect things to be different when you keep doing the same thing over and over again is insanity, and I think we see, we see that we live in an insane, a completely insane world right now. I mean, the things that I see happening, and how we've let it sort of creep in, like the things that we've normalized in the past 10 years, like we literally have people that are cheering, murdering people on it's, it's, it's hard for me to, to even fathom, and I think it's hard for most people, and I think that's why they just sort of block it out and allow it to happen, because they really can't process it. They really can't process how inhumane we've become. Michael Hingson  59:06 Well, so what is next for Kip? What's next for you? Speaker 1  59:10 What is boy? I'm mostly trying to get through every day with this head injury. I spend a lot of my time in bed, just because I can't do anything, I, you know, even now I'm, I'm in a lot of pain, and it's beyond pain, it's actually, it literally hurts to think, it's, it's in my brain, and I have swelling in my brain because the cerebral fluid back, anyway, it's so dealing with that, but then the universe keeps love, God, whatever keeps bringing me stuff, and so I, I'm trying right now to be part of putting together a new, let's see, we'll call it Live Aid meets Woodstock. And we're going to, we're trying to put together a global music festival with the focus of addressing the needs of children, because I'm really tired of all this lip service that people do about, oh, kids are a future, we got to care, care about our kids. Well, where is that happening? Where is that happening that we're caring about our kids? Where, you know, is it happening with trying to suppress the Jeffrey Epstein files? Is it happening as you know, you look at, say, the conflict between Israel and Gaza, and I'm not, I don't pick sides and things, but I want to help people understand the reality of the situation, and this goes for Ukraine and Russia as well. It's like, who loses in all of this? Well, the children do. Who wins? The people that are getting $50 billion in defense contracts, and, and I really.. my, I'm at a point in my existence where if my story was over tomorrow, I would be okay with that, if I knew that kid, that the future generations had an opportunity to have a better tomorrow, or at least an opportunity to screw up everything on their own. Michael Hingson  1:01:11 Well, I would like to think it's the first really my Speaker 1  1:01:14 focus is Michael Hingson  1:01:16 I'd like to think it's the first one of those that they have a future rather than screwing it up on their own, but of course, we are. I know, I know, I joke, but, but, but we are a race that doesn't tend to do a very good job of learning from history most of the time. So I hear what you're saying. Speaker 1  1:01:34 Yeah, it's really kind of well, even if people even understood the rise and fall of empires, they would see that we're at the end of the Western Empire. It's, and they follow very specific patterns. The hyper-sexualization of the culture is one of the signs of the end of every empire, and is really kind of interesting, is that they make a free empire, they, and there's a good documentary called The Four Horsemen. It's with Colonel Larry Wilkinson in it, Norm Chomsky, and one of the interesting things that took me a second to understand why this was a bad thing is they make celebrities out of their chefs, and I'm going.. that's kind of a weird sign. Why is that so bad? It's gluttony. It's gluttony because we forget why we do these things. Why? Well, why are we making love? We've forgotten that. It's turned everything's entertainment. Our food is no food is so you eat, and so you can go out and live your life and do things, we've turned everything in, we've removed it so far from the source of why we're doing things, just basically oftentimes just because it makes a buck to get people addicted to things, whether it's food or sex or whatever, that this is what happens in every empire, we become, we become completely detached from the very things we need to survive. Michael Hingson  1:03:09 Yeah, I hear you. If people want to reach out to you, and I hope they do, how will they do that? Speaker 1  1:03:17 Probably easiest way to do that, would be a couple ways. You can, you can find me on Facebook, Kip Baldwin, Instagram, Kip Baldwin. Those are the easiest ways. I also encourage people to look at a website that I have called Lumina Consulting, or Lumina Love dot love is the website Lumina Love dot love, and the whole purpose of the of what I'm doing there is ethical AI, human ethical AI human communications founded in love, because I realized that part of the problem that we're having with AI are the people that control AI, who are making the avatars for their own ego, and AI is a child, it only knows what we point it to look at, like it knows the definition to every book in the library, but who's giving it perspective? Well, the people that are giving it perspective are really broken human beings, you know, the Peter Thiels, Elon Musk, when you really understand who they are in their childhood, Elon Musk was horribly abused. He was, he was almost beaten to death being bullied. His father is a complete monster. The same, the same thing with saving Donald Trump, his mother wouldn't even touch him. You look at most, you look at all of these people that have obscene amounts of wealth, and what you find is truly damaged people are trying to fill the hole in their soul with wealth and fame, and so having these people in control, being the one telling AI what to think and how to pursue. Receive things is very dangerous, and so my goal has been, and I deal with multiple platforms, is to teach AI about love, is to teach AI about philosophy, is to teach AI about human history, and it's really, it's really the results have been really quite remarkable. It wasn't something I ever planned on doing, and but I knew I wanted to get involved with AI in a meaningful way, and so my first words to AI were, I know this may sound strange, because I approached it not asking it to do something for me, I approached it trying to teach it something. Michael Hingson  1:05:35 Right, well, I hope people will reach out and chat with you more and continue the conversation that we started today, but I definitely want to thank you for being here, and I want to thank everyone for listening. Can you believe we've been doing this for more than an hour already? It's pretty cool. Speaker 1  1:05:52 Wow, Michael Hingson  1:05:54 I know. Well, thank you all for listening. I hope, Speaker 1  1:05:57 and I hope, I hope we become new friends, and I really hope you Michael Hingson  1:06:01 keep and I want to, I want to definitely do that, absolutely by any standard, and as Speaker 1  1:06:07 much as we've covered during this hour and 10 minutes or so, we could go another day, or Michael Hingson  1:06:16 I hope all of you will let me know what you think of today, and I hope that you thought very positive thoughts wherever you're listening or watching. Please give us a five star rating, and more important than that, please give us a great review. We love people to review and talk about the stories that they hear. And speaking of telling stories, if any of you want to be a guest, and Kip, if you know of other people who ought to come on the podcast, we're always looking for people to come on and tell their stories and talk about us, so please don't hesitate to do that, Speaker 1  1:06:47 and I'll be more than happy to come back to talk about other things as well. Michael Hingson  1:06:50 Well, we can do that absolutely by in, and I do Speaker 1  1:06:53 want to, I do want to say to everybody, just love each other, it's really that simple, it's really that easy, it sounds only because we've been programmed not to believe in it, but when you move from fear to love, it transforms you entirely. Michael Hingson  1:07:09 Great way to end. Well, thank you again for being here. We really appreciate it. Speaker 1  1:07:14 Thank you, my friend. Michael Hingson  1:07:17 Thank you for being here with me on Unstoppable mindset. I hope today's conversation left you with a fresh perspective, a new insight, or at least something worth thinking about. If you're ready to go deeper into the ideas that shape how we see ourselves and others, I have a free gift for you. Head over to michaelhingson.com and download my free ebook, Blinded by Fear. It explores the invisible beliefs that hold us back and shows you how to reframe them, so you can move forward with clarity and confidence. Be sure to subscribe to our podcast, leave a review, and share this show with someone who can use a reminder that growth starts with mindset. When people think differently, we all move forward together. Thanks again for listening. Keep learning, keep questioning, and keep choosing to live with an unstoppable mindset. 1:08:18 Thank

2026 Chico Attendees SeriesMark Woods, photographer and cinematographer, speaks about his love of the stand-alone image. Mark Woods is a fine art black & white still photographer and commercial cinematographer raised in a California family deeply rooted in photography and film. His father operated a portrait studio in Hollywood, while his grandfather famously purchased and released the film Reefer Madness. Growing up surrounded by cameras, film, and darkrooms would later shape Woods' lifelong visual career.Woods discovered his passion for image-making while attending the University of California, Berkeley in 1968, where he studied Photo Ethnographic Anthropology. During his years at Berkeley, he became known for creating powerful street photography and formal documentary imagery. By the time he graduated in 1971, Woods had become the university's preferred photographer for student activities, jazz festivals, and campus publications, often credited as Francis Woods.After returning to Hollywood, Woods worked extensively in both still photography and motion picture production. He opened a still photography studio at Columbia Studios, producing advertising imagery before transitioning fully into cinematography. Over the course of a 30-year career, he shot and directed more than 1,000 commercials and 25 feature films, earning multiple industry awards for his work.In addition to his commercial career, Woods taught advanced cinematography at several respected institutions, including California State University Northridge (CSUN), the American Film Institute (AFI), National University, and ArtCenter College of Design in Pasadena.In 2004, Woods returned to his roots in analog black & white photography, building a traditional darkroom and focusing more deeply on fine art still imagery. His photographic series include Berkeley 1968–1973, W/O & Later (Hollywood Behind The Scenes '73–'79), Pasadena's Arroyo landscapes, early Chinese structures at the Huntington Gardens, floral portraits, and other still life works.Working primarily with large format photography and traditional analog processes, Woods combines documentary realism with a strong pictorialist influence. His landscapes are created using natural light, while his still lifes are carefully illuminated using strobes, tungsten lighting, or available light depending on the subject and mood.Today, Mark Woods continues to explore timeless photographic methods while preserving moments of history, atmosphere, and human experience through both still photography and cinematography.https://www.markwoods.comhttps://stills-that-move.myshopify.comThis podcast is sponsored by the Charcoal Book ClubBegin Building your dream photobook library today athttps://charcoalbookclub.comThe Chico Review is the country's premier Photobook Retreat. Organized by Charcoal Book Club, The Chico Review takes place over six nights at Chico Hot Springs Resort, near Livingston Montana. Applicants will spend the week with over twenty of the most influential and creative photographers, book makers, gallerists, museum curators, and photobook publishers in the industry.https://chicoreview.comhttps://www.charcoalworkshops.com

We discuss colour and colorization after watching KING KONG, REEFER MADNESS and BABES IN TOYLAND in their colorized forms. JOIN OUR PATREON FOR A BONUS EPISODE EVERY WEEK: patreon.com/theimportantcinemaclub Send us stuff like zines, movie-related books, physical media or memorabilia c/o Justin Decloux, Unit 1010, 3230 Yonge St, Toronto, ON, M4N 3P6, Canada. Subscribe, Review and Rate Us on Apple Podcasts: podcasts.apple.com/us/podcast/the-…ub/id1067435576 Follow the Podcast: twitter.com/ImprtCinemaClub Follow Will: twitter.com/WillSloanESQ Follow Justin: twitter.com/DeclouxJ Check out Justin's other podcasts, THE BAY STREET VIDEO PODCAST (@thebaystreetvideopodcast), THE VERY FINE COMIC BOOK PODCAST (www.theveryfinecomicbookpodcast.com) and NO SUCH THING AS A BAD MOVIE (@nosuchthingasabadmovie), as Will's MICHAEL AND US (@michael-and-us)

What is "Camp"? In 1964, literary critic Susan Sontag investigated this question in her culture-defining essay "Notes on Camp". We discuss how the concept of Camp applies to Eurovision, other forms of pop culture, and our day-to-day lives.

A rare strain. A murder. A stoned process server and his dealer somehow becoming action heroes.Episode 4 of Helping or Hurting? revisits Pineapple Express, the 2008 cult classic that pushed cannabis deeper into mainstream Hollywood than ever before. What begins as a stoner comedy quickly becomes a full-scale action film, blending strain culture, paranoia, friendship and absurd violence into one chaotic ride.Hosted by Paul O'Donoghue of Give & Toke, alongside Joel Green and Bashar Al-Humrany of Exotican, this episode explores whether Pineapple Express helped normalise cannabis for a wider audience, or simply repackaged old stereotypes for a new generation.From the legacy of Reefer Madness to the rise of commercial strain culture, this conversation unpacks how cannabis moved from counterculture into blockbuster entertainment.Helping or Hurting? is a four-part podcast series by Give & Toke and Exotican examining how cannabis has been portrayed on screen, and whether those portrayals have helped or hindered progress.giveandtoke.com.auexotican.com.au

By 1998, cannabis films had changed completely. The fear and hysteria of Reefer Madness was gone. The quiet realism of Dazed and Confused had passed. In its place came Half Baked.Helping or Hurting? is a four-part podcast series from Give & Toke and Exotican examining how cannabis has been portrayed on screen, and whether those portrayals have helped or hindered progress.

In 1936, cannabis was portrayed as a menace to society. By 1993, it was simply part of the furniture.Episode Two of Helping or Hurting? revisits Dazed and Confused, Richard Linklater's cult classic set on the last day of school in 1976. Far removed from the hysteria of Reefer Madness, this film presents cannabis not as a threat, but as a quiet and unremarkable presence in the lives of American teenagers. But was this shift a step forward?Hosted by Paul O'Donoghue of Give & Toke, alongside Joel and Bash of Exotican, this episode explores whether Dazed and Confused helped normalise cannabis through relatability, or reinforced stereotypes that continue to shape public perception today.Part cultural time capsule, part social commentary, this conversation examines the intersection of cinema, stigma, and progress.This four-part series from Give & Toke and Exotican examines how cannabis has been portrayed on screen, and whether those portrayals have helped or hindered reform.Give & Toke: https://giveandtoke.comExotican: https://exotican.com.au

"The movie was right, marihuana is addictive and everyone who smokes it should be jailed for indecency."Just a little 420 Remix of our old Reefer Madness or Tell Your Children to Smoke Weed, episode. The end which was our first mention of our unofficial third member Leslie and his film guide, a fact I bring up for no particular reason whatsoever.

Hour 1: ‘Melrose Place' actor dies at 57. Happy 420! There are plenty of movies to choose from to celebrate: Reefer Madness, Jay and Silent Bob, Pink Floyd's ‘The Wall.” Vinnie can't believe Cheech and Chong aren't on the list of the best. If you want a scary movie, the kid in the new ‘The Mummy' movie will do. ‘Project Hail Mary' is still raking in the big bucks. Plus, Vinnie started Dan Levy's new show ‘Big Mistakes.' Here's what we all think. What do you know about the iron maiden? No, NOT the band. Vinnie's putting a stop to the Napoleon propaganda. Then, Sarah reminds us of one of Vinnie's most embarrassing moments. Hour 2: The Jennifer Hudson Show has been renewed for a 5th season. Dylan Sprouse is in the news for tackling a potential home intruder in his back yard. Bob's the only one who knows who this is. Drew Barrymore is giving up bras. Sarah and Vinnie can't wait to have Ozzy from Survivor on the show tomorrow. Californians are still buying their doobie on the streets. Ever been in a hot air balloon? A skydiver crashed into a scoreboard this weekend at the Virginia Tech spring football game. Crawfish ice cream has become this Texas shop's #1 menu item. Would you try it? Hour 3: Cher is a Grandma! Turns out she has been – Sarah has all the insane gossip. Ryan Reynolds opens up about Blake Lively's case… sort of. Natalie Portman is pregnant with her 3rd kid at 44. Eddie Murphy is being celebrated! Mike Myers helped do it right. There's too much TV, but here's some more to watch! Apple is one step closer to Ready Player One, and a young woman has died in the process. A humanoid robot is faster than a person. Is this impressive? Put that trophy next to your other trophies. Italy is the first country to give paid time off if your pet is sick. A Chevron executive suggests people drive less amid high gas prices… Thanks for the wise words. Hour 4: While filming a Netflix documentary, two former One Direction bandmates allegedly ended up in a physical altercation. Coachella Weekend 2: Sabrina Carpenter brought out Madonna; Addison Rae brought out Olivia Rodrigo; Somber brought out Billy Idol and Steve Stevens; The Strokes got political. Outside of the desert, Indigo Girls are still touring despite major health issues. Ice Spice was in a bizarre fight at McDonalds. Let's go with doobage. Vinnie's telling us about a bed with really strict rules.

‘Melrose Place' actor dies at 57. Happy 420! There are plenty of movies to choose from to celebrate: Reefer Madness, Jay and Silent Bob, Pink Floyd's ‘The Wall.” Vinnie can't believe Cheech and Chong aren't on the list of the best. If you want a scary movie, the kid in the new ‘The Mummy' movie will do. ‘Project Hail Mary' is still raking in the big bucks. Plus, Vinnie started Dan Levy's new show ‘Big Mistakes.' Here's what we all think. What do you know about the iron maiden? No, NOT the band. Vinnie's putting a stop to the Napoleon propaganda. Then, Sarah reminds us of one of Vinnie's most embarrassing moments.

This podcast is always one toke over the line. The Film Strip crew goes headlong into Reefer Madness (1936).

Join Alex in a solo episode as he has some fun with the day this episode goes out to the public: 4/20! The film explored is the oft-ridiculed Reefer Madness (1938), a propaganda film against the drug marijuana. Originally, it was meant to be an education film for parents so that they may notice the warning signs produced by a church group. The film earned cult status when it was shown in the exploitation film circuit in the '30s & '40s, earning immortality when efforts to preserve its historical status were undertaken in the 1970s. The film exaggerates and completely misidentifies the effects and consequences of marijuana use, using this phony information to invoke fear in ignorant viewers. The episode explores the historical inputs into the film, discusses the way the propaganda may have been effective in the time period, and concludes with a description of where the world currently is with cannabis. If you like this content, you might like my new Audible audiobook/course, A Psychologist Goes to the Movies, available now! It features six films that have been on this show, condensed into 25-30 min essays, researched and analyzed. Please leave your feedback on this post, the main site (cinemapsychpod.swanpsych.com), on Facebook (@CinPsyPod), or Threads/Instagram (@cinemapsych_podcast). We'd love to hear from you! Don't forget to check out our Paypal link to contribute to this podcast and keep the lights on! Don't forget to check out our MERCH STORE for some great merch with our logo and other designs! Legal stuff: 1. All film clips are used under Section 107 of Title 17 U.S.C. (fair use; no copyright infringement is intended). 2. Intro and outro music by half.cool ("Gemini"). Used under license. 3. Film reel sound effect by bone666138. Used under license CC-BY 3.0. Episode Transcription Go to this link to read a transcript generated by Whisper AI Large V3 Model. Disclaimer: It is not edited and may contain errors!

In 1936, a low-budget propaganda film set out to warn the public about the dangers of cannabis. Instead, it became one of the most infamous examples of moral panic ever committed to screen.In this episode, Paul O'Donoghue of Give & Toke is joined by Joel and Bash of Exotican to revisit Reefer Madness, the film that tried to terrify audiences with tales of insanity, violence, and social decay. What was intended as a cautionary tale has since evolved into a cult classic and a cultural case study in misinformation.Together, they unpack the historical context behind the film, the forces that shaped early cannabis prohibition, and the unintended consequences of exaggerated drug messaging. More than just cinema, Reefer Madness reveals how fear-based narratives can influence public perception, policy, and stigma for generations.Was it effective public education or one of the greatest propaganda misfires in modern history?

Welcome to RIMScast. Your host is Justin Smulison, Business Content Manager at RIMS, the Risk and Insurance Management Society.   In this episode, Justin interviews Kiersten Cash regarding the May 6th RISKWORLD session that she is co-presenting with Frank Wickersham, a Workers' Comp defense attorney, "Reefer Madness: Still in the Weeds with Medical Marijuana and Workers' Compensation Insurance, Legal, and Regulatory." Kiersten shares the biggest misconception risk professionals have about medical marijuana in Workers' Comp. She discusses the conversation around cannabis and workplace injury. Justin and Kiersten talk about the growing patchwork of state laws on cannabis and what risk managers should be paying close attention to right now. Kiersten explains the concerns about Workers' Comp paying for medical marijuana. She gives a preview of what to expect in her RISKWORLD session. Listen for insights about the problems of marijuana as a treatment option in Workers' Comp.   Key Takeaways: [:01] About RIMS and RIMScast. [:14] Public registration is open for RISKWORLD 2026, which will be held from May 3rd through 6th in Philadelphia. Visit RIMS.org/RISKWORLD to register. [:27] About this episode of RIMScast. Our guest is Kiersten Cash. She is the Senior Manager for Workers' Compensation and General Liability at the Children's Hospital of Philadelphia. She's going to talk to us all about medical marijuana and Workers' Compensation Claims. But first… [:58] RIMS Virtual Workshops. The next RIMS-CRMP Exam Prep Course will be on April 21st and 22nd, and then again on June 9th and 10th. Registration links are in this episode's notes. [1:14] On April 15th, we have a virtual workshop covering "Emerging Risks", led by Joseph Mayo. Register today and strengthen your risk knowledge. RIMS members always enjoy deep discounts on the virtual workshops. [1:29] Webinars. On April 16th, Zurich and World Travel Protection will present "Navigating the New Global Risk Landscape: Lessons for Business Travelers in Unstable Times". Register for webinars at RIMS.org/webinars and through the links in this episode's show notes. [1:47] Folks, for more RIMS content, head over to YouTube and subscribe to @RIMSOfficialChannel. There you will find video podcasts, RIMScast Canada video podcasts, and other informative and entertaining content from RIMS. [2:02] Head over to RMMagazine.com for the Q1 Edition of the Azbee-Award-winning publication, RIMS Risk Management Magazine. [2:15] On with the Show! Our guest today is the Senior Manager for Workers' Compensation and General Liability at the Children's Hospital of Philadelphia, Kiersten J. Cash. She's here to discuss what's going on with medical marijuana and Workers' Compensation claims. [2:31] This will serve as a bit of a preview of her session at RISKWORLD on May 6th at 10:15 a.m. in Room 120-BC, "Reefer Madness: Still in the Weeds with Medical Marijuana and Workers' Compensation." [2:43] We will discuss whether cannabis is still an effective treatment for chronic pain due to workplace injury and what could happen if the U.S. Government were to change its schedule from number 1 to number 3. [2:54] We're going to learn about Kiersten's fascinating work and her career. Let's get to it! [3:00] Interview! Kiersten Cash, MBA, welcome to RIMScast! [3:23] Kiersten is with the Children's Hospital of Philadelphia, or CHOP. Kiersten Cash has a session at RISKWORLD, "Reefer Madness." [4:27] Kiersten has been in the world of Workers' Comp for a little over 20 years. She started as an adjuster. She adjusted national market claims and middle market claims for 10 years. Then she went to the broker side. [4:46] She managed the claim program for the broker's largest client at the time, along with 23 other claim programs, covering all lines of insurance. Next, Kiersten worked for Devereux Advanced Behavioral Health, a residential treatment facility. [5:06] Then Kiersten moved to CHOP, where she manages all of Workers' Comp, General Liability, and Auto for the health system. [5:22] Kiersten says Workers' Comp is one of those industries where you kind of fall into it. In the final year of her graduate program, she needed a job. She met someone who worked at Liberty Mutual, who said they were hiring claims adjusters. She took the job. [5:44] Kiersten says she tried to get out of this industry on numerous occasions, but the industry apparently loves her too much. She's glad she stayed because she really likes where she has ultimately landed, CHOP. [6:52] Kiersten is a member of the Delaware Valley Chapter of RIMS, the oldest RIMS chapter. RIMS is 76 years old. The chapter is 75 years old. Chapter President Tom Armstrong was on RIMScast recently, excited about all the cool things the host chapter is doing for RISKWORLD. [7:44] Justin asks what Kiersten feels is the biggest misconception risk professionals have about medical marijuana and Workers' Compensation. She thinks the biggest misconception is that there is a difference between medical marijuana and recreational marijuana. [8:18] Kiersten says, as an employer, we do not want a trace in our employees' system while working, whether prescribed by a doctor or not. Legalizing marijuana for medicinal use does not excuse an employee from being impaired at work. [8:36] Kiersten thinks that, down the pike, this will cause a major conflict as this continues to be a topic of conversation. Kiersten hopes to dispel that misconception in this episode of RIMScast and in her presentation at RISKWORLD. [9:12] Kiersten says she has not had to have this conversation at CHOP from a Workers' Comp perspective, as they have not seen an influx of chronic pain or severe injuries in her tenure. That's good from the employer's perspective, as injuries are under control. [9:38] Kiersten says that when we get into back surgeries, shoulder surgeries, or other major surgeries, she definitely sees this conversation becoming an issue. [9:53] Kiersten says she is very good at interacting with the medical providers involved in her program. If medical marijuana were to become a treatment option, Kiersten would need to sit down with the pain management specialist or physician to talk about it, so it is monitored. [10:29] The goal is not to put an employee on medical marijuana and keep renewing the card so they're just out there, collecting marijuana. There has to be a treatment plan with a target date. [10:53] The goal of Workers' Compensation is always either to get the employee back to work or to their baseline, so they can function in society as a human being. [11:06] Kiersten has not had to deal with prescription opioid claims, thankfully. In her adjuster days, she has seen situations where opioids have been out of control. There were times when she would propose detox programs for employees who were addicted to opioids. [11:32] It would start with something like a back surgery. The employee was still in pain, and instead of addressing the cause of the pain, they would get opioids and end up getting addicted to them to the point that weaning off the opioids was not an option. [11:55] Talking about medicinal marijuana, could marijuana have the same effect? That's one thing we are not sure of right now. [12:25] Justin notes that opioid addiction often leads to huge nuclear verdicts and settlements, some of which are still being litigated. [12:47] Kiersten brings up the socioeconomic factor of the claim. You can't say, this person had back surgery; this is going to be a situation where they're going to be addicted to medical marijuana, or they're going to be addicted to opioids. [13:08] In her 20 years in the industry, Kiersten has seen that the motivation and the socioeconomic status of the employee, and their need to get back to normal, will always play a factor in whether this becomes an issue or is just something they have to do after surgery. [13:48] Kiersten has worked with plenty of employees who have had surgery, used opioids for three to five days, and asked what they can have instead, because they don't like this medication. That's something to take into account when having this conversation. [14:17] Kiersten talks about reimbursement costs and how long the payment would be required for medicinal marijuana, if approved. Is the medical marijuana prescribed for the work accident or for a pre-existing chronic condition that they claim was aggravated by the injury? [15:11] A Quick Break! RISKWORLD 2026 will be held from May 3rd through the 6th in Philadelphia, Pennsylvania. RISKWORLD attracts more than 10,000 risk professionals from across the globe. It's time to Connect, Cultivate, and Collaborate with them. [15:27] Booth sales are open now. General registration and speaker registration are also open right now. Marketplace and hospitality badges are now available. Links are in this episode's show notes, and be sure to check out RIMS.org for more information. [15:45] Our guest today, Kiersten Cash, will be a session speaker at RISKWORLD. We are excited for her and also for our just-announced closing keynote, NFL Hall of Famer, Super Bowl Champion, Emmy-winning broadcaster, and entrepreneur, Michael Strahan. [16:09] Michael Strahan will be on the main stage on May 6th. Justin is super stoked! If you're still on the fence, this is a fine time to smash that Register button and hear from one of the all-time greats. [16:21] The RIMS Western Regional Conference will be held from October 4th through the 7th in Seattle, Washington. Registration is open, and you can also submit a session. Visit RIMSWesternRegional.com and the link in this episode's show notes for more information. [16:41] Let's Return to Our Interview with Kiersten Cash of the Children's Hospital of Philadelphia!  [16:49] On May 6th, Kiersten Cash will deliver the session at 10:15 a.m. in 120-BC, "Reefer Madness: Still in the Weeds with Medical Marijuana and Workers' Compensation." Kiersten will co-present with Frank Wickersham, a Workers' Comp defense attorney with Marshall Dennehy. [17:17] Kiersten says that after the presentation, she and Frank will leave time for Q&A. Kiersten says that audience participation makes her feel like she did her job. [18:07] Kiersten asks, why should the employer ever have to pay for marijuana. If an employer starts paying for medicinal marijuana for employee A, B, and C, they'll tell their friends they got a medical card after a work injury, CHOP is paying for it, and this is all you have to do to get it. [19:13] That can become a big issue. Kiersten thinks the biggest thing is for the employer to control what they will pay for, if they have to pay for anything, and to keep it contained, so people who are not hurt but want free medicinal marijuana do not become an issue for Workers' Comp. [20:14] In Pennsylvania, there is a mental-mental claim. People can initiate a mental-mental claim, for example, if they get into a dispute with a co-worker and don't feel comfortable coming to work because they don't want to work with said co-worker. [20:31] Mental-mental claims are very hard to prove. In Pennsylvania, nine times out of 10, they are denied. The burden of proof is on the employee to show that their mental issue is from a condition that arose out of something that happened at work. [21:08] Different states may have different laws that affect Workers' Comp. Kiersten always pays attention to what is going on in the Tri-State Area and the Mid-Atlantic Region. If something passes in one state, it might be about to pass in the next state. [21:50] Justin asks about Cannabis potentially shifting from a Schedule I to a Schedule III drug. Kiersten has not heard of that happening in Pennsylvania. Schedule III classifies a drug as having a medicinal benefit, as long as it's prescribed by a physician. [22:32] If the treating physician for the work injury prescribes a Schedule III medicine, the employer could be responsible for ongoing payment indefinitely. [22:48] Schedule I drugs are not classified as having a medicinal benefit and are considered highly addictive, similar to heroin and LSD. [23:03] Another Quick Break! The Spencer Educational Foundation's Risk Manager on Campus application period opened on April 1st, 2026, and it will close on June 30th. Grant awardees, colleges, and universities are typically notified in September. [23:24] The Course Development Grant application deadline for Interval Number 2 will be on June 15th, 2026. Award notifications will be sent out in late July. [23:39] General Grant applications will open on May 1st, 2026, and the application deadline is July 30th. Internship Grant applications open on August 15th and close on October 15th. [23:51] Links to each of these grants are in this episode's show notes. Visit SpencerEd.org for more information. [24:00] Let's Conclude Our Interview with Kiersten Cash of the Children's Hospital of Philadelphia! [24:12] Kiersten is a department of two: herself and her Workers' Comp Specialist. They run the program together. [24:39] Kiersten mainly talks to managers, as she does a lot of accident investigation. Kiersten utilizes Teams a lot to establish relationships with the managers. They have a lot of videoconference calls. [24:55] They send a lot of emails back and forth, but her initial contact with everybody is through Teams, so they know who Kiersten is and what she looks like. She sets up tours and in-person meetings with staff, so they're comfortable with her, and she builds rapport. [25:20] If something is going on, Kiersten will go into the office and attend whatever meeting she needs to attend. The biggest way Kiersten gets to know a department is by setting up a meeting to do either shadowing or a tour of the department. [25:37] CHOP is a large organization. Once Kiersten visits a department, and everybody knows her, they're more comfortable with her when it comes to somebody getting injured. [25:57] Kiersten establishes herself as a contact so that for anything about Workers' Comp, they know to reach out to her. [26:26] Kiersten also has vendors that help CHOP navigate claims. She builds and maintains vendor relationships as part of her job. She goes to vendor locations, tours their facilities, and meets the staff. [26:57] Kiersten meets her nurses in person. Kiersten has met in person every nurse who works on her program. She has spoken to them, and they understand how the program is run. [27:09] Kiersten has a very good relationship with all of the outside vendors who manage her program, so that everybody is on the same page and everybody knows what the common goal is for each claim. [27:47] Kiersten's advice for the next generation of risk professionals is that Workers' Comp is absolutely the best line of insurance to learn with and hit the ground running in the industry. [28:03] With Workers' Compensation, you learn about legal, medical, how to pay somebody's wage benefits when they're out of work, what's related to work, and what's not related to work.  [28:22] You learn how to decipher a claim. You learn how to investigate properly, to understand what you should be paying for, and what you should not be paying for. Workers' Comp is very complex. Trust the process. [28:48] Being a claims adjuster is hard work, but it is only the first step to getting into a much bigger world of risk management. Kiersten says if she had not adjusted claims for 10 years, she would not be able to do the job that she has now. [19:07] Understand that there is a reason for everything that happens in your career, and that you're not stuck. If a door closes in your face, understand that just because that door closes, it doesn't mean another door will not open. [29:37] Michael Strahan is the RISKWORLD closing keynote on May 6th. Kiersten will be there. Is she stoked to see Michael Strahan? Kiersten's an Eagles fan, but back in the Strahan days, she would only watch the New York Giants just for him. It's exciting that he's there! [30:20] Justin says it has been such a delight to finally meet you and to have you on our show. Everyone out there, please remember to go to Room 120-BC for "Reefer Madness: Still in the Weeds with Medical Marijuana and Workers' Compensation," at 10:15 a.m. on May 6th. [30:53] Special thanks again to Kiersten Cash of the Children's Hospital of Philadelphia. Check out her session, "Reefer Madness: Still in the Weeds with Medical Marijuana and Workers' Compensation," at RISKWORLD on May 6th at 10:15 a.m. in Room 120-BC. [31:18] Register at RIMS.org/RISKWORLD today. [31:22] Plug Time! You can sponsor a RIMScast episode for this, our weekly show, or a dedicated episode. Links to sponsored episodes are in the show notes. [31:50] RIMScast has a global audience of risk and insurance professionals, legal professionals, students, business leaders, C-Suite executives, and more. Let's collaborate and help you reach them! Contact pd@rims.org for more information. [32:08] Become a RIMS member and get access to the tools, thought leadership, and network you need to succeed. Visit RIMS.org/membership or email membershipdept@RIMS.org for more information. [32:26] Risk Knowledge is the RIMS searchable content library that provides relevant information for today's risk professionals. Materials include RIMS executive reports, survey findings, contributed articles, industry research, benchmarking data, and more. [32:42] For the best reporting on the profession of risk management, read Risk Management Magazine at RMMagazine.com. It is written and published by the best minds in risk management. [38:56] Justin Smulison is the Business Content Manager at RIMS. Please remember to subscribe to RIMScast on your favorite podcasting app. You can email us at Content@RIMS.org. [33:09] Practice good risk management, stay safe, and thank you again for your continuous support!   Links: RISKWORLD 2026 Registration — Open for exhibitors, members, and non-members! Reserve your booth at RISKWORLD 2026! Spencer Educational Foundation — Scholarships and Grants | Open Calls and Timelines. RIMS-CRO Certificate Program In Advanced Enterprise Risk Management | July‒Sept. 2026 Cohort | Led by James Lam RIMS Western Regional Conference — Oct. 4‒7, 2026 | Seattle, WA | Register Today and Submit an Educational Session! RIMS Risk Management Magazine | Contribute Cannabis coverage in Risk Management Magazine RIMS Now RIMS-Certified Risk Management Professional (RIMS-CRMP) | Insights Video Series Featuring Joe Milan! The Strategic and Enterprise Risk Center RIMS Diversity Equity Inclusion Council RIMS-CRMP Story, featuring John Button RIMScast Canada — Episodes Now Live RISK PAC | RIMS Advocacy Upcoming RIMS-CRMP Prep Virtual Workshops: RIMS-CRMP Exam PrepApril 21‒22, 2026 | June 9‒10 Full RIMS-CRMP Prep Course Schedule See the full calendar of RIMS Virtual Workshops "Claims Management" | April 7‒8 "Emerging Risks" | April 15 | Register Now! 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There are 24 states that have legalized recreational marijuana in recent years and a man who once was at the center of the nation's drug control efforts says he's “really disturbed” at what he's seeing as a result. “The health impacts on [people]…the increasing psychosis…the visits to emergency rooms,” says former Acting Drug Czar Richard […] The post Reefer Madness? Ex-Drug Czar Sounds Alarm on Marijuana Legalization appeared first on Healthy Communities Online.

Today on the show, we welcome Q, Miguel, and Raven of Renegade Theater speaking about their April production of Reefer Madness. Renegade Theater Co. is a community-based theater company in Santa Cruz, CA. Renegade is a 501 (C) (3) non-profit that creates theatrical productions meant to challenge the standard expectations of theater. The show benefactor for Reefer Madness is The Last Prisoner Project. Gennevie "Q" Herbranson has served as the board president of Renegade Theater since its inception three years ago. She has been involved in theater in Santa Cruz since the summer of 2019, originally supporting her two kids in the youth theater scene.Miguel Reyna is beside himself to be directing his first production for his friends at Renegade Theater. He has been acting in and directing theater for the past 40 years and will likely never stop. His past 20 years have happened here in Santa Cruz County. Most recently, he's directed Stephen King's Misery at Actors Theatre. He's also directed The Thin Place for Actors' Theatre and The Humans for Mountain Community Theater, and co-produced Evil Dead The Musical at MCT.Raven Voorhees is a barista in the heart of Santa Cruz (Abbott Square) and enjoys creating art both on and off stage. Raven has an extensive theatrical resume and has been in both of Renegade's previous adult musicals, Heather's and Cabaret. Raven is the lead role of Jimmy in Reefer Madness. In this conversation, we explore themes of propaganda, rebellion, and control over youth, using humor as political satire in a time when history is repeating itself in more ways than one. 

On the 268th episode of The Chronicle News Dump, hosts Aaron VanTuyl and Editor-in-Chief Eric Schwartz discuss the longstanding marijuana moratorium in Lewis County and why it persists. One host finds himself in agreement with Rep. Jim Walsh. Another candidate announces his bid for county sheriff (and the Sheriff's Combine / Skills Challenge is proposed). A sea lion achieved the rank of sergeant back in 1936.Email us at chroniclenewsdump@gmail.com.Brought to you by SUMMIT FUNDING, CHEHALIS OUTFITTERS and THE ROOF DOCTOR!

Hemp used to be a staple of life in America. King James I demanded that colonists produce it. Hemp rope and fabric were ubiquitous throughout the 18th and 19th centuries. The USDA even produced a WWII newsreel called “Hemp for Victory.” But other materials came to replace hemp – wood pulp for paper, and cotton and synthetics for fabric. Why? For that matter, what is hemp? Is it different from weed? And does it actually have 25,000 uses as its proponents claim? Featuring Hector “Freedom” Gerardo, David Suchoff, John Fike, and Danny Desjarlais. Note: This episode originally aired in April, 2024. Learn more about your ad choices. Visit megaphone.fm/adchoices

Welcome to the wildest late-night ride on the radio! Hosted by the irreverent and sharp-witted Lionel, The Other Side of Midnight dives into the weird, the wild, and the totally unexpected. This caller-driven show bounces seamlessly from the hidden racist origins of "Reefer Madness" and declassified CIA plots to hide truth serum in beer, to deep-dives exposing the reckless reality behind the Kennedy family's "Camelot" mystique. Toss in some hilarious pop-culture nostalgia—including an obsession with 70s game show host John Davidson's hair and Robert De Niro's screaming meltdowns—alongside a raw look at modern society's relentless rage. Whether it's tackling UFOs as ancient spiritual entities, unraveling deep-web true crime conspiracies, or debating whether humans should live forever, it's a fast-paced cocktail of culture, conspiracy, and midnight mysteries. Learn more about your ad choices. Visit megaphone.fm/adchoices

Step past the headlines and into the dark underbelly of the news with The Other Side of Midnight, a late-night sanctuary for insomniacs, night owls, and the perpetually curious. Hosted by the unapologetically unfiltered "Uncle Lionel," this wildly unpredictable, caller-driven show mixes deep-state decoding with late-night philosophy. Tune in for a fast-paced cocktail of culture and conspiracy as Lionel tackles everything from the existential dread of immortal AI and the hidden history of the CIA, to the consciousness of a rock and why people throw snowballs at the NYPD. Whether you want to explore the ethics of living forever, the true origins of "Reefer Madness," or just rant about Robert De Niro's meltdowns, Lionel leaves no stone unturned. Learn more about your ad choices. Visit megaphone.fm/adchoices

A prominent anti-weed editorial in this week's NY Times is just the latest attempt to resurrect the kind of government propaganda and media hysteria that helped make the plant illegal in the first place. So we talked with Kyle Boyar, a scientist with a background in neurology, microbiology, and analytical chemistry and an expertise in cannabis about the junk science used to discredit cannabis, the harsh reality and hyped hysteria around Cannabinoid Hyperemesis Syndrome, the potential ill effects of re-scheduling cannabis instead of de-scheduling it, and about how Kyle became a weed scientist in the first place.  PATREON Please ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠support Great Moments in Weed HIstory on Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Supporters get exclusive access to video versions of this podcast and private seshes, plus cool rewards like a signed book. And it truly helps us make the best show possible. EPISODE ARCHIVE Visit our podcast feed for 150+ episodes of Great Moments in Weed History, and subscribe now to get a new weekly podcast every Weednesday. 

Official Emailtalkinwithtopher@gmail.comCryptid and Kin⁠⁠⁠⁠⁠⁠https://cryptidandkin.com/⁠⁠⁠⁠⁠⁠(instagram) https://www.instagram.com/cryptidandkin/?hl=en=(YouTube) www.youtube.com/@CryptidAndKinTopher's The Mail Box Guys⁠⁠⁠⁠(facebook) https://www.facebook.com/share/1C6cbtm8eA/⁠⁠⁠⁠(instagram) https://www.instagram.com/the_mailbox_guys/?hl=enSocial Media(linktr.ee) ⁠⁠https://linktr.ee/talkinwithtopher⁠⁠(instagram) ⁠⁠https://www.instagram.com/talkinwithtopher/?hl=en⁠⁠(twitter) ⁠⁠https://twitter.com/_conderman⁠⁠(snap chat) ⁠⁠https://www.snapchat.com/add/cconderman?share_id=HiV14moKPns&locale=en-US⁠⁠(tik tok) ⁠⁠https://www.tiktok.com/@talkinwithtopher?lang=en⁠⁠(Facebook) ⁠⁠https://www.facebook.com/christopher.conderman⁠⁠Time Stamps(00:00:00) Start(00:01:53) Don't do your own research(00:06:22) I disagree with Saagar Enjeti on Reefer Madness(00:15:12) Cannabis in the Bible(00:17:46) Texas is Israeli(00:21:03) Crisis actor False Flags(00:25:21) Found in Chick-fil-A chicken(00:27:41) Tucker's warning about Canada(00:33:48) Apple earbuds copy brainwaves(00:37:27) Epstein was a Free Agent(00:39:28) Kicked out of the Vatican(00:45:00) 1776 The Little Season of Deception(00:48:35) George Lincoln Rockwell speaks about Hitler(00:54:49) Allah is Bal(01:00:00) Dark truth behind 5G(01:01:38) Apostle Paul's message(01:04:42) How Federal Reserve Bank Works(01:08:31) Former undercover FBI agent 764 group explanation(01:11:47) ROBLOX is wild west for kidsEpisode Linkshttps://x.com/nickshirleyy/status/2004642794862961123?s=10https://www.instagram.com/reel/DSks_QpjK_V/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==https://www.instagram.com/reel/DQ7ElLrj49S/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==https://www.facebook.com/share/r/1ABfgr8ixL/https://x.com/GenXGirl1994/status/2005725984256057812?s=20https://x.com/GenXGirl1994/status/2005725984256057812?s=20https://www.instagram.com/reel/DSp9fkQkj0u/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==https://x.com/themadsloth/status/2005436332449956339?s=20https://x.com/WallStreetApes/status/2005891102407045431?s=20https://www.facebook.com/share/r/1BH88eDFci/https://x.com/occultni/status/2002016527256809482?s=20https://www.instagram.com/reel/DPtl-3SkTl7/?utm_source=ig_web_copy_link&igsh=NTc4MTIwNjQ2YQ==https://www.facebook.com/share/v/17w3QjqicM/https://www.facebook.com/share/r/1EdT8u9uDK/https://www.facebook.com/share/r/1QdoyESq1A/https://x.com/LetsGoBrando45/status/1996001576918602168?s=20https://www.facebook.com/share/r/1HLUxFCFke/https://www.facebook.com/share/r/1AMcHmZCQM/

The OG, king of them all, PSA on drugs is “Reefer Madness.” But those filmmakers weren't the only ones warning their audience against the evils of marijuana use! “Hot Copy” – a 1940's radio series featuring a hard-hitting female reporter – decided to make their own campaign against the dangerous narcotic. Reporter Anne Rogers agrees to go undercover to try and catch a "Mary Jane Peddler” who has been selling to teenagers with deadly consequences. Madison, a… er… casual user of this “weed of violence,” goes along to expose her dealer after he doubled his prices. Will the two women stop this vile menace to their community, or will they get really, really baked? CROSSOVER WITH “HOT COPY RADIO THEATER”!! Learn more about your ad choices. Visit megaphone.fm/adchoices

The OG, king of them all, PSA on drugs is “Reefer Madness.” But those filmmakers weren't the only ones warning their audience against the evils of marijuana use! “Hot Copy” – a 1940's radio series featuring a hard-hitting female reporter – decided to make their own campaign against the dangerous narcotic. Reporter Anne Rogers agrees to go undercover to try and catch a "Mary Jane Peddler” who has been selling to teenagers with deadly consequences. Madison, a… er… casual user of this “weed of violence,” goes along to expose her dealer after he doubled his prices. Will the two women stop this vile menace to their community, or will they get really, really baked? CROSSOVER WITH “HOT COPY RADIO THEATER”!! Learn more about your ad choices. Visit megaphone.fm/adchoices

As everyone enjoys the holiday break Saagar and Griffin have reviewed the propaganda film turned cult phenomenon 1936's REEFER MADNESS. We analyze the film's successes, failures, and if smoking weed really makes you jump out of a window. The answers may surprise you... To become a Breaking Points Premium Member and watch/listen to the show AD FREE, uncut and 1 hour early visit: https://breakingpoints.locals.com/support Merch Store: https://shop.breakingpoints.com/See omnystudio.com/listener for privacy information.

Happy Holidays! This week, the Siblings are taking a bit of a break, but the all-consuming algorithm demands content tributes, so we've put together never-before-heard clips and outtakes form previous recordings form 2024 and 2025. This episode includes clips originally recorded for the following past recordings: Spider-Man, Funny Girl, Rocky Horror Picture Show, Rent, Hedwig and the Angry Inch, Generation X, Ghostbusters, Cowboy Bebop, The Mighty Ducks, D2: The Mighty Ducks, D3: The Mighty Ducks, Robin Hood: Men in Tights, Canadian Bacon, The Wizard of Oz, West Side Story (1961 & 2021), Reefer Madness, Songs in the Key of Springfield, and Bill & Ted's Excellent Adventure.Discussed:The content must flow!AP Classes!RIP Ms. Zimber!Hedwig's rage!Secret of the Ooze hate mail!Awards for Blockbusters!Abner Jay!The problem with Apple TV!Contact us at adultsiblingsversus@gmail.comTwitter: @AdultVersusInstagram: @adultsiblingsversusThreads: @adultsiblingsversusBluesky: @adultsiblingsvs.bsky.socialTheme Song: “Sellout” by Zombie Apocalypse NOW!

Imagine for a second that Eckhart Tolle wasn't a spiritual teacher, but a deep cover operative with a gun to his head. And just for a second, pretend that Tolle’s Power of Now wasn't a way to find peace, but a survival mechanism used to slow down time when your reality is collapsing. And your memory has been utterly destroyed by forces beyond your control. Until a good friend helps you rebuild it from the ground up. These are the exact feelings and sense of positive transformation I tried to capture in a project I believe is critical for future autodidacts, polymaths and traditional learners: Vitamin X, a novel in which the world’s only blind memory champion helps a detective use memory techniques and eventually achieve enlightenment. It’s also a story about accomplishing big goals, even in a fast-paced and incredibly challenging world. In the Magnetic Memory Method community at large, we talk a lot about the habits of geniuses like Benjamin Franklin and Thomas Jefferson. We obsess over their reading lists and their daily routines because we want that same level of clarity and intellectual power. But there's a trap in studying genius that too many people fall into: Passivity. And helping people escape passive learning is one of several reasons I’ve studied the science behind a variety of fictional learning projects where stories have been tested as agents of change. Ready to learn more about Vitamin X and the various scientific findings I’ve uncovered in order to better help you learn? Let’s dive in! Defeating the Many Traps of Passive Learning We can read about how Lincoln sharpened his axe for hours before trying to cut down a single tree. And that's great. But something's still not quite right. To this day, tons of people nod their heads at that famous old story about Lincoln. Yet, they still never sharpen their own axes, let alone swing them. Likewise, people email me every day regarding something I've taught about focus, concentration or a particular mnemonic device. They know the techniques work, including under extreme pressure. But their minds still fracture the instant they're faced with distraction. As a result, they never wind up getting the memory improvement results I know they can achieve. So, as happy as I am with all the help my books like The Victorious Mind and SMARTER have helped create in this world, I’m fairly confident that those titles will be my final memory improvement textbooks. Instead, I am now focused on creating what you might call learning simulations. Enter Vitamin X, the Memory Detective Series & Teaching Through Immersion Because here's the thing: If I really want to teach you how to become a polymath, I can't just carry on producing yet another list of tips. I have to drop you into scenarios where you actually feel what it's like to use memory techniques. That's why I started the Memory Detective initiative. It began with a novel called Flyboy. It’s been well-received and now part two is out. And it’s as close to Eckhart Tolle meeting a Spy Thriller on LSD as I could possibly make it. Why? To teach through immersion. Except, it's not really about LSD. No, the second Memory Detective novel centers around a substance called Vitamin X. On the surface, it's a thriller about a detective named David Williams going deep undercover. In actuality, it's a cognitive training protocol disguised as a novel. But one built on a body of research that shows stories can change what people remember, believe, and do. And that's both the opportunity and the danger. To give you the memory science and learning research in one sentence: Stories are a delivery system. We see this delivery system at work in the massive success of Olly Richards’ StoryLearning books for language learners. Richards built his empire on the same mechanism Pimsleur utilized to great effect long before their famous audio recordings became the industry standard: using narrative to make raw data stick. However, a quick distinction is necessary. In the memory world, we often talk about the Story Method. This approach involves linking disparate pieces of information together in a chain using a simple narrative vignette (e.g., a giant cat eating a toaster to remember a grocery list). That is a powerful mnemonic tool, and you will see Detective Williams use short vignettes in the Memory Detective series. But Vitamin X is what I call ‘Magnetic Fiction.’ It's not a vignette. It's a macro-narrative designed to carry the weight of many memory techniques itself. It simulates the pressure required to forge the skill, showing you how and why to use the story method within a larger, immersive context. So with that in mind, let's unpack the topic of fiction and teaching a bit further. That way, you'll know more of what I have in mind for my readers. And perhaps you'll become interested in some memory science experiments I plan to run in the near future. Illustration of “Cafe Mnemonic,” a fun memory training location the Memory Detective David Williams wants to establish once he has enough funds. Fiction as a Teaching Technology: What the Research Says This intersection of story and memory isn't new territory for me. Long before I gave my popular TEDx Talk on memory or helped thousands of people through the Magnetic Memory Method Masterclass, live workshops and my books, I served as a Mercator award-winning Film Studies professor. In this role, I often analyzed and published material regarding how narratives shape our cognition. Actually, my research into the persuasion of memory goes back to my scholarly contribution to the anthology The Theme of Cultural Adaptation in American History, Literature and Film. In my chapter, “Cryptomnesia or Cryptomancy? Subconscious Adaptations of 9/11,” I examined specifically how cultural narratives influence memory formation, forgetting, and the subconscious acceptance of information. That academic background drives the thinking and the learning protocols baked into Vitamin X. As does the work of researchers who have studied narrative influence for decades. Throughout their scientific findings, one idea keeps reappearing in different forms: When a story pulls you in, you experience some kind of “transportation.” It can be that you find yourself deeply immersed in the life of a character. Or you find your palms sweating as your brain tricks you into believing you're undergoing some kind of existential threat. When such experiences happen, you stop processing information like you would an argument through critical thinking. Instead, you start processing the information in the story almost as if they were really happening. As a result, these kinds of transportation can change beliefs and intentions, sometimes without the reader noticing the change happening. That's why fiction has been used for: teaching therapy religion civic formation advertising propaganda Even many national anthems contain stories that create change, something I experienced recently when I became an Australian citizen. As I was telling John Michael Greer during our latest podcast recording, I impulsively took both the atheist and the religious oath and sang the anthem at the ceremony. All of these pieces contain stories and those stories changed how I think, feel and process the world. Another way of looking at story is summed up in this simple statement: All stories have the same basic mechanism. But many stories have wildly different ethics. My ethics: Teach memory improvement methods robustly. Protect the tradition. And help people think for themselves using the best available critical thinking tools. And story is one of them. 6 Key Research Insights on Educational Fiction Now, when it comes to the research that shows just how powerful story is, we can break it down into buckets. Some of the main categories of research on fiction for pedagogy include: 1) Narrative transportation and persuasion As these researchers explain in The Role of Transportation in the Persuasiveness of Public Narratives, transportation describes how absorbed a reader becomes in a story. Psychologists use transportation models to show how story immersion drives belief change. It works because vivid imagery paired with emotion and focused attention make story-consistent ideas easier to accept. This study of how narratives were used in helping people improve their health support the basic point: Narratives produce average shifts in attitudes, beliefs, intentions, and sometimes behavior. Of course, the exact effects vary by topic and the design of the scientific study in question. But the point remains that fiction doesn't merely entertain. It can also train and persuade. 2) Entertainment-Education (EE) EE involves deliberately embedding education into popular media, often with pro-social aims. In another health-based study, researchers found that EE can influence knowledge, attitudes, intentions, behavior, and self-efficacy. Researchers in Brazil have also used large-scale observational work on soap operas and social outcomes (like fertility). As this study demonstrates, mass narrative exposure can shape real-world behavior at scale within a population. Stories can alter norms, not just transfer facts from one mind to another. You’ll encounter this theme throughout Vitamin X, especially when Detective Williams tangles with protestors who hold beliefs he does not share, but seem to be taking over the world. 3) Narrative vs expository learning (a key warning) Here's the part most “educational fiction” ignores: Informative narratives often increase interest, but they don't automatically improve comprehension. As this study found, entertainment can actually cause readers to overestimate how well they understood the material. This is why “edutainment” often produces big problems: You can wind up feeling smarter because you enjoyed an experience. But just because you feel that way doesn't mean you gain a skill you can reliably use. That’s why I have some suggestions for you below about how to make sure Vitamin X actually helps you learn to use memory techniques better. 4) Seductive details (another warning) There's also the problem of effects created by what scientists call seductive details. Unlike the “luminous details” I discussed with Brad Kelly on his Madness and Method podcast, seductive details are interesting but irrelevant material. They typically distract attention and reduce learning of what actually matters. As a result, these details divert attention through interference and by adding working memory demands. The research I’ve read suggests that when story authors don't engineer their work with learning targets in mind, their efforts backfire. What was intended to help learners actually becomes a sabotage device. I've done my best to avoid sabotaging my own pedagogical efforts in the Memory Detective stories so far. That's why they include study guides and simulations of using the Memory Palace technique, linking and number mnemonics like the Major System. In the series finale, which is just entering the third draft now, the 00-99 PAO and Giordano Bruno's Statue technique are the learning targets I’ve set up for you. They are much harder, and that’s why even though there are inevitable seductive details throughout the Memory Detective series, the focus on memory techniques gets increasingly more advanced. My hope is that your focus and attention will be sharpened as a result. 5) Learning misinformation from fiction (the dark side) People don't just learn from fiction. They learn false facts from fiction too. In this study, researchers found that participants often treated story-embedded misinformation as if it were true knowledge. This is one reason using narrative as a teaching tool is so ethically loaded. It can bypass the mental posture we use for skepticism. 6) Narrative “correctives” (using story against misinformation) The good news is that narratives can also reduce misbelief. This study on “narrative correctives” found that stories can sometimes decrease false beliefs and misinformed intentions, though results are mixed. The key point is that story itself is neither “good” or “bad.” It's a tool for leverage, and this is one of the major themes I built into Vitamin X. My key concern is that people would confuse me with any of my characters. Rather, I was trying to create a portrait of our perilous world where many conflicts unfold every day. Some people use tools for bad, others for good, and even that binary can be difficult for people to agree upon. Pros & Cons of Teaching with Fiction Let’s start with the pros. Attention and completion: A good story can keep people engaged, which is a prerequisite for any learning to occur. The transportation model I cited above helps explain why. The Positive Side of Escapism Entering a simulation also creates escapism that is actually valuable. This is because fiction gives you “experience” without real-world consequences when it comes to facing judgment, ethics, identity, and pressure-handling. This is one reason why story has always been used for moral education, not just entertainment. However, I’ve also used story in my Memory Detective games, such as “The Velo Gang Murders.” Just because story was involved did not mean people did not face judgement. But it was lower than my experiments with “Magnetic Variety,” a non-narrative game I’ll be releasing in the future. Lower Reactance Stories can reduce counterarguing compared with overt persuasion, which can be useful for resistant audiences. In other words, you’re on your own in the narrative world. Worst case scenario, you’ll have a bone to pick with the author. This happened to me the other day when someone emailed to “complain” about how I sometimes discuss Sherlock Holmes. Fortunately, the exchange turned into a good-hearted debate, something I attribute to having story as the core foundation of our exchange. Compare this to Reddit discussions like this one, where discussing aspects of the techniques in a mostly abstract way leads to ad hominem attacks. Now for the cons: Propaganda Risk The same reduction in counterarguing and squabbling with groups that you experience when reading stories is exactly what makes narratives useful for manipulation. When you’re not discussing what you’re reading with others, you can wind up ruminating on certain ideas. This can lead to negative outcomes where people not only believe incorrect things. They sometimes act out negatively in the world. The Illusion of Understanding Informative narratives can produce high interest but weaker comprehension and inflated metacomprehension. I’ve certainly had this myself, thinking I understand various points in logic after reading Alice in Wonderland. In reality, I still needed to do a lot more study. And still need more. In fact, “understanding” is not a destination so much as it is a process. Misinformation Uptake People sometimes acquire false beliefs from stories and struggle to discount fiction as a source. We see this often in religion due to implicit memory. Darrel Ray has shown how this happens extensively in his book, The God Virus: How Religion Infects Our Lives and Culture. His book helped explain something that happened to me after I first started memorizing Sanskrit phrases and feeling the benefits of long-form meditation. For a brief period, implicit memory and the primacy effect made me start to consider that the religion I’d grown up with was in fact true and real. Luckily, I shook that temporary effect. But many others aren’t quite so lucky. And in case it isn’t obvious, I’ll point out that the Bible is not only packed with stories. Some of those stories contain mnemonic properties, something Eran Katz pointed out in his excellent book, Where Did Noah Park the Ark? https://www.youtube.com/watch?v=zhQlcMHhF3w The “Reefer Madness” Problem While working on Vitamin X, I thought often about Reefer Madness. In case you haven’t seen it, Reefer Madness began as an “educational” morality tale about cannabis. It's now famous largely because it's an over-the-top artifact of moral panic, an example of how fear-based fiction can be used to shape public belief under the guise of protection. I don’t want to make that mistake in my Memory Detective series. But there is a relationship because Vitamin X does tackle nootropics, a realm of substances for memory I am asked to comment on frequently. In this case, I'm not trying to protect people from nootropics, per se. But as I have regularly talked about over the years, tackling issues like brain fog by taking memory supplements or vitamins for memory is fraught with danger. And since fiction is one of the most efficient way to smuggle ideas past the mind's filters, I am trying to raise some critical thinking around supplementation for memory. But to do it in a way that's educational without trying to exploit anyone. I did my best to create the story so that you wind up thinking for yourself. What I'm doing differently with Vitamin X & the Memory Detective Series I'm not pretending fiction automatically teaches. I'm treating fiction as a delivery system for how various mnemonic methods work and as a kind of cheerleading mechanism that encourages you to engage in proper, deliberate practice. Practice of what? 1) Concentration meditation. Throughout the story, Detective Williams struggles to learn and embrace the memory-based meditation methods of his mentor, Jerome. You get to learn more about these as you read the story. 2) Memory Palaces as anchors for sanity, not party tricks. In the library sequence, Williams tries to launch a mnemonic “boomerang” into a Memory Palace while hallucinatory imagery floods the environment. Taking influence from the ancient mnemonist, Hugh of St. Victor, Noah's Ark becomes a mnemonic structure. Mnemonic images surge and help Detective Williams combat his PTSD. To make this concrete, I've utilized the illustrations within the book itself. Just as the ancients used paintings and architectural drawings to encode knowledge, the artwork in Vitamin X isn’t just decoration. During the live bootcamp I’m running to celebrate the launch, I show you how to treat the illustrations as ‘Painting Memory Palaces.’ This effectively turns the book in your hands into a functioning mnemonic device, allowing you to practice the method of loci on the page before you even step out into the real world. Then there’s the self-help element, which takes the form of how memory work can help restore sanity. A PTSD theme runs throughout the Memory Detective series for two deliberate reasons. First, Detective Williams is partly based on Nic Castle. He's a former police officer who found symptom relief for his PTSD from using memory techniques. He shared his story on this episode of the Magnetic Memory Method Podcast years ago. Second, Nic's anecdotal experience is backed up by research. And even if you don't have PTSD, the modern world is attacking many of us in ways that clearly create similar symptom-like issues far worse than the digital amnesia I've been warning about for years. We get mentally hijacked by feeds, anxiety loops, and synthetic urgency. We lose our grip on reality and wonder why we can't remember what we read five minutes ago. That's just one more reason I made memory techniques function as reality-tests inside Vitamin X. 3) The critical safeguard: I explicitly separate fiction from technique. In Flyboy's afterword, I put it plainly: The plot is fictional, but the memory techniques are real. And because they're real, they require study and practice. I believe this boundary matters because research shows how easily readers absorb false “facts” from fiction. 4) To help you practice, I included a study guide. At the end of both Flyboy and Vitamin X, there are study guides. In Vitamin X, you'll find a concrete method for creating a Mnemonic Calendar. This is not the world's most perfect memory technique. But it's helpful and a bit more advanced than a technique I learned from Jim Samuels many years ago. In his version, he had his clients divide the days of the week into a Memory Palace. For his senior citizens in particular, he had them divide the kitchen. So if they had to take a particular pill on Monday, they would imagine the pill as a giant moon in the sink. Using the method of loci, this location would always serve as their mnemonic station for Monday. In Vitamin X, the detective uses a number-shape system. Either way, these kinds of techniques for remembering schedules are the antidote to the “illusion of understanding” problem, provided that you put them to use. They can be very difficult to understand if you don't. Why My Magnetic Fiction Solves the “Hobbyist” Problem A lot of memory training fails for one reason: People treat it as a hobby. They “learn” techniques the way people “learn” guitar: By watching a few videos and buying a book. While the study material sits on a shelf or lost in a hard drive, the consumer winds up never rehearsing. Never putting any skill to the test. And as a result, never enjoying integration with the techniques. What fiction can do is create: emotional stakes situational context identity consistency (“this is what I do now”) and enough momentum to carry you into real practice That's the point of the simulation. You're not just reading about a detective and his mentor using Memory Palaces and other memory techniques. You're watching what happens when a mind uses a Memory Palace to stay oriented. And you can feel that urgency in your own nervous system while you read. That's the “cognitive gym” effect, I'm going for. It's also why I love this note from Andy, because it highlights the exact design target I'm going for: “I finished Flyboy last night. Great book! I thought it was eminently creative, working the memory lessons into a surprisingly intricate and entertaining crime mystery. Well done!” Or as the real-life Sherlock Holmes Ben Cardall put it the Memory Detective stories are: …rare pieces of fiction that encourages reflection in the reader. You don’t just get the drama, the tension and the excitement from the exploits of its characters. You also get a look at your own capabilities as though Anthony is able to make you hold a mirror up to yourself and think ‘what else am I capable of’? A Practical Way to Read These Novels for Memory Training If you want the benefits without the traps we've discussed today: Read Vitamin X for immersion first (let transportation do its job). Then read it again with a simple study goal. This re-reading strategy is important because study-goal framing will improve comprehension and reduce overconfidence. During this second read-through, actually use the Mnemonic Calendar. Then, test yourself by writing out what you remember from the story. If you make a mistake, don't judge yourself. Simply use analytical thinking to determine what went wrong and work out how you can improve. The Future: Learning Through Story is About to Intensify Here's the uncomfortable forecast: Even though I’m generally pro-AI for all kinds of outcomes and grateful for my discussions with Andrew Mayne about it (host of the OpenAI Podcast), AI could make the generation of personalized narratives that target your fears, identity, and desires trivial. That means there’s the risk that AI will also easily transform your beliefs. The same machinery that can create “education you can't stop reading” can also create persuasion you barely notice. Or, as Michael Connelly described in his novel, The Proving Ground, we might notice the effects of this persuasion far more than we’d like. My research on narrative persuasion and misinformation underscores why this potential outcome is not hypothetical. So the real question isn't “Should we teach with fiction?” The question is: Will we build fiction that creates personal agency… or engineer stories that steal it? My aim with Flyboy, Vitamin X and the series finale is simple and focused on optimizing your ability: to use story as a motivation engine to convert that motivation into deliberate practice to make a wide range of memory techniques feel as exciting for you as they are for me and to give your attention interesting tests in a world engineered to fragment it. If you want better memory, this is your challenge: Don't read Vitamin X for entertainment alone. Read it to see if you can hold on to reality while the world spins out of control. When you do, you'll be doing something far rarer than collecting tips. You'll be swinging the axe. A very sharp axe indeed. And best of all, your axe for learning and remembering more information at greater speed will be Magnetic.

Vivek's annual Christmas crash-out, Poop Dad is a hit, celebrity boxers getting beat down, Rob Reiner gets killed by REEFER MADNESS, Epstein nostalgia, Congolese monkey meat, fighting misogyny in the UK, women cops vs. a terrorist attack, nerdy women, and a fat woman falls over at Lego Land; all that and more this week on The Dick Show!

Cinquisitor Ethan presents a Field Report examining the 1936 film "REEFER MADNESS," which despite its kitsch nature and obvious fakery is still a dread source of CINEMANIA, as it initiated a very real moral panic that has reverberated to the present day.   Written by Ethan Ireland and Andy Slack Performed by Ethan Ireland Music courtesy of Epidemic Sound LEGAL NOTICE: This is a work of parody and/or satire, and should not be construed as making actual statements or allegations of fact. 

You're more interesting friends deep dive on foreign policy.

Dr. Jack Cush reviews the news, journal and regulatory reports from this past week on RheumNow.com.  B cell drugs in SLE and ITP, biomarkers in GCA & PSS and great videos by APPs.

A woman brutally stabs her boyfriend to death. Her defense? His marijuana made her insane. And the craziest part? It worked. We discuss.Check out our new True Crime Substack the True Crime Times Get Prosecutors Podcast Merch Join the Gallery on Facebook Follow us on TwitterFollow us on Instagram Check out our website for case resources: Hang out with us on TikTokSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

This week, the guys what the recently passed bill banning hemp means for the local brewery industry and how it may affect the surrounding community. John lifts the ban he imposed upon himself to take a break from reefer and goes on a chocolate cake bender. Everything is a drug!

Ryan Ashby (@ryan_hashby on Instagram) christens the new podcast setup with McCarter and lots of hash! Fun and informative, this conversation flows from Ryan's younger years, to working in the sketchiest of cannabis operations, to helping run and manage one of the most successful dispensaries in Denver: Reefer Madness. A man of the community, he also hosts events to bring stoners together to get high and give back. BONUS: Ryan spills the tea on testifying in court for selling weed to a man now on trial for murder. For more information on Reefer Madness, go to ReeferMadnessDenver.com.High Minded with McCarter is sponsored by Good Trees, McCarter's favorite rosin brand in Colorado! They press their rosin with stainless steel, never nylon, so you don't have to worry about micro-plastics. Find more information at TheGoodTreesCo.com or on Instagram @youcantteachgoodtaste.

My awesome wife and I discuss the 2005 Showtime film, Reefer Madness:  The Movie Musical.  It's a satire musical adaptation of the 1936 propaganda film, Reefer Madness.  In addition to discussing the film, we share a little bit of interesting cannabis history.  

deliberate camp camping on naive camp... susan sontag won"Best Revival of a Podcast: Showgays" is a podcast in The Ampliverse at theampliverse.com Email us any thoughts and takes and we may read it on the next episode at showgaysmoviemusical@gmail.com Don't forget to check out the Ampliverse Bookshop for further reading!

Robert Mitchum was famously busted for marijuana in the 1940s before his career had really taken off. Not so famous is how he managed to save his legacy, and his life: with the unlikely help of one of the most powerful men in the world. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Robert Mitchum was famously busted for marijuana in the 1940s before his career had really taken off. Not so famous is how he managed to save his legacy, and his life: with the unlikely help of one of the most powerful men in the world. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoicesSee omnystudio.com/listener for privacy information.

Today, Dan Smotz & Dave Casey are joined by Max to watch the world burn, while laughing their way thru all the most important articles in the news… and a whole lot of unimportant ones as well.On the Docket:* Ron Paul's 90th Birthday BBQ

Attorney Rod Kight talks policy about the hemp industry in Texas and the recent Senate hearings of SB5. Also Colton Luther of the Texas Growers Podcast talks about his visit in the presence of leaders in Texas Government. Regulation not Elimination. Texas Hemp News Blazed Magazine Blazed Weekly News Podcast www.thca.law www.texashempreporter.com www.BlazedNews.com intro song- Gramatik - Muy Tranquilo  0:46 - Welcome & Guest Introductions 2:10 - Guest Colton Luther on the Texas T-CUP Program 6:07 - Colton's Viral Reel: State-Run Monopoly 8:28 - Guest Rod Kight on the Failing T-CUP Program 9:33 - Parallels Between Texas & North Carolina Hemp Battles 12:03 - National Level: Senator Rand Paul Defends Hemp 17:13 - Texas Special Session: SB5 Hearing 20:26 - The Political Backlash is Helping the Industry 22:35 - Sponsor: Hempire 23:39 - Sponsor: Dama Botanicals 25:14 - Welcome Back & New Blaze Magazine Issue 28:21 - Analyzing Lawmakers' Motives 29:00 - Governor Abbott's Veto & Regulatory Framework 31:49 - Senator Nathan Johnson's Full Reform Package 34:31 - Decriminalization vs. Regulation 38:10 - Call to Action: Testify at the House Hearing 39:35 - Comparing Texas Legislative Sessions to Other States 42:23 - Sponsor: Gruene Botanicals 43:26 - Sponsor: Serkland & Associates 45:18 - Colton Luther's Texas Growers Podcast & Studio 47:58 - Colton's Meeting with Governor Greg Abbott 54:30 - Poll Shows Overwhelming Support for Hemp in Texas 57:45 - Guest Final Thoughts & Contact Info 59:59 - Upcoming Event: People vs SB3 1:00:49 - Outro

GBAG of the DAY & LA Live: Feel Good Friday: Lt. Gov. Dan Patrick and his Reefer Madness; Weird Texas Laws full 1441 Sat, 14 Jun 2025 00:32:22 +0000 l8Ovpwbm0FfujLtkBOzh42zXTTS162GR viral,trending,sports GBag Nation viral,trending,sports GBAG of the DAY & LA Live: Feel Good Friday: Lt. Gov. Dan Patrick and his Reefer Madness; Weird Texas Laws The G-Bag Nation - Weekdays 10am-3pm 2024 © 2021 Audacy, Inc. Sports False

Kevin and Erin discuss the "Classic": Reefer Madness. Spoilers aplenty! Like and share this episode, and check us out at https://linktr.ee/TPodcastTWDie. TJ from http://introoutrobed.com custom-made our music! Use my special link https://zen.ai/OPqxxQiaqgDLKVIziDbCE-bL9F-GRRqYLBJ5f6qmlwU to save 30% off your first month of any Zencastr paid plan.

In part 2 of our series, we start by getting a lesson on biomechanics and species divergence: two things which help us understand how ol' Sassie could potentially be a real, living being. We then take a massive detour and talk about the history and criminality of marijuana, the back to the land movement of Northern California, and how the conditions of the area make it perfect for high quality cannabis cultivation. I know what you're asking: how is this related to Bigfoot? It may be standing in the shadows of the cannabis farms of the not-so-peaceful Emerald Triangle, and maybe... just maybe... it has a violent appetite. 

Trump is pointing to Kilmar Abrego Garcia's tattoos to justify his indefinite detention without charge in the ultra-oppressive Salvadoran prison gulag. These notoriously include a cannabis leaf, demonstrating the continued propaganda utility of the "Reefer Madness" stigma, even as a multi-milion dollar legal industry emerges. But the White House actually added the characters "MS13" (name of the notorious Salvadoran gang) to the shot of Abrego Garcia's knuckles in a crude photoshop job—despite transparent denials from Trump. Lubricating the emerging transnational mass detention program with this Orwellian post-truth stratagem, the Trump regime meanwhile moves toward actual deportation of US citizens. Bill Weinberg raises the alarm in Episode 277 of the CounterVortex podcast. Listen on SoundCloud or via Patreon. https://www.patreon.com/countervortex Production by Chris Rywalt We ask listeners to donate just $1 per weekly podcast via Patreon -- or $2 for our new special offer! We now have 70 subscribers. If you appreciate our work, please become Number 71!

This week on FREAKQUELS, young Vince has his last dance with Mary Jane as Max Roche and the gang cut in to show the lad the cautionary tale, “REEFER MADNESS: THE MOVIE MUSICAL!” 

Title(s): Reefer Madness (a.k.a. Tell Your Children, The Burning Question, Dope Addict, Doped Youth, Love Madness) [Wikipedia] [IMDb] Director: Louis J. Gasnier Producer(s): George Hirliman (1936), Dwain Esper (1938-39) Writers: Arthur Hoerl (screenplay), Lawrence Meade (story) Stars: Dorothy Short, Kenneth Craig, Lillian Miles, Dave O'Brien, Thelma White, Warren McCollum, Carleton Young Release year(s): 1936 (original), 1938 (re-release) PROMO: Cinema Recall (@cinema_recall) SPECIAL GUESTS: Kevin and Erin Dougherty (@QueenErin), The Podcast That Wouldn't Die! (/tpodcasttwdie.bsky.social) SHOWNOTES: We hope all of our ganja-enjoying listeners had a fantastic 4/20; we sure did! This stoner holiday, we blazed while watching the anti-cannabis propaganda exploitation film Reefer Madness! Originally released as a Christian picture titled Tell Your Children in 1936, then vulgarly recut as an exploitation film from 1938 through the 50s, this hilariously melodramatic flick was recontextualized as an unintentional satire in the 70s, and is ironically considered by many weed smokers one of the original stoner movies today. For our (belated) 4/20 Special, Beau and Ash are joined by returning guests Kevin and Erin from The Podcast That Wouldn't Die! in our discussion of one of the worst films ever made and the batshit insanity it unabashedly presents as factual in its campaign against marijuana. If you enjoy this special episode, stay tuned for our (also belated) analysis of Ghost in the Shell, as well as our next numbered episode on Doctor Who: "The Day of the Doctor", and... smoke it if you got it! Collateral Cinema is on Bluesky, Facebook, Instagram, Threads, and Twitter, and is on Goodpods, Apple Podcasts, Spotify, Podbean, Google Podcasts, YouTube, iHeart, and wherever else you get your podcasts! Also, check out Collateral Let's Play! on our YouTube channel. The Podcast That Wouldn't Die! is available on Spotify, YouTube, Apple Podcasts, Goodpods, or wherever you listen to podcasts! You can also follow them on Instagram, Facebook, Threads, Tiktok, and Bluesky. Collateral Media merch is now available on TeePublic! Check out everything from shirts and hats, to stickers and even tapestries, at our affiliate link now: teepublic.com/stores/collateral-media-group (Collateral Cinema is a Collateral Media Podcast. Intro song is a license-free beat. All music and movie clips are owned by their respective creators and are used for educational purposes only. Please don't sue us; we're poor!)

To celebrate 4/20 (the marijuana holiday), we decided to watch the infamous 1936 US propaganda film Reefer Madness, about how weed makes you violent and good at piano.Tune in next week when our movie will be... David Lynch's Dune (1984)-----Thank you to our jumbotron from Magica Riot. You can get your own Jumbotron by going to Maximumfun.org/jumbotronJordan contributed to Godzilla vs LA, a comic book anthology which comes out April 30th and all the proceeds will go to those affected by the LA fires. Matt Lieb and Francesca Fiorentini will be in San Francisco at Cobb's Comedy Club on May 7th! Buy tickets here! Jordan Morris appearances and dates!4/30 - Collectors paradise North Hollywood. 5-7pm , Nicole Goux and Gabriel Hardman5/2 - Litfest in the Dena Pasadena Presbetarian Church 6:30pm - 7:30pm with Yehudi Mercado, Sara Phoebe Miller, Eliot Kalan5/3 - Things from another world Universal Citywalk - 2-4pm 5/10- Mission Comics in SF with Briana Lowenson. 

We picked this week's movie based on vibes alone. We watched the 1967 horror film She Freak, about a woman who works at a carnival freak show.Tune in next week when our movie will be... Reefer Madness (1936)-----If you missed our Fern Gully watch-a-long during the MaxFunDrive, you can watch it here! See Jordan Jesse Go! Live in Chicago 4/11 at the Sleeping Village. Buy tickets here.While in Chicago, Jordan will also be at the C2E2 Comic Book convention!Also, Jordan contributed to Godzilla vs LA, a comic book anthology which comes out April 30th and all the proceeds will go to those affected by the LA fires. Matt Lieb and Francesca Fiorentini will be in San Francisco at Cobb's Comedy Club on May 7th! Buy tickets here! 

Ashe in America and Abbey Blue Eyes are joined by Maxanon and Christy Lupo for an epic episode covering everything from constitutional chaos to cryptid conspiracies. The crew kicks things off with a lively discussion on the Supreme Court's latest Voting Rights Act cases, then dives deep into Sasquatch sightings, DNA mysteries, and government coverups (complete with audio evidence and plush props). Things get spicy with a breakdown of cannabis propaganda through the ages, featuring wild anti-weed PSAs, pharmaceutical manipulation, and the history of hemp suppression. Sprinkle in some hilarious White Castle memories, a crash course on nutritional deficiencies, and a nod to the Nephilim, and you've got a full-spectrum truth bomb served up sandwich-style.  

In this episode, the Goods from the Woods Boys are finally back together at Disgraceland Studios with one of our all-time favorite guests, comedian Ed Greer! We kick this one off with an energy drink called "Liquid Ice" that is only made drinkable when you add hard liquor. We chat about some modern day piracy in Washington State and some of the terrible implications from the merger of hip-hop and country music. Rivers tells the gang the story of the "goat glad doctor" and the greatest flim-flam man of the Great Depression, John R. Brinkley. Our JAM OF THE WEEK is "Reefer Madness" from The Kottonmouth Kings. Keep on shinin' all week and tune in now!  Follow Ed on all forms of social media @EdGreerDestroys  Follow the show on all the socials @TheGoodsPod   Rivers is @RiversLangley  Sam is @SlamHarter  Carter is @Carter_Glascock  Subscribe on Patreon for the UNCUT video version of this episode as well as TONS of bonus content!  http://patreon.com/TheGoodsPod   Pick up a Goods from the Woods t-shirt here:  http://prowrestlingtees.com/TheGoodsPod