Podcasts about Stop Loving You

Helen and Gavin chat about Mountainhead, Bring Her Back, Karate Kid: Legends (just a little), and Jane Austen Wrecked My Life and it's Week 5 of the list of Grammy Record of the Year Winners from 1963, which will be picked from I Left My Heart in San Francisco by Tony Bennett, I Can't Stop Loving You by Ray Charles, What Kind of Fool Am I by Sammy Davis Jr, Fly Me to the Moon Bossa Nova by Joe Harnell and His Orchestra, and Desfinado by Stan Getz and Charlie Byrd.

Get ready for a deep dive into one of the most iconic albums of all time — Bad by Michael Jackson. Join the New Jack Swing Podcast live on Saturday, May 3rd at 4:30 PM EST / 9:30 PM UK, as we review and count down our favorite tracks from MJ's legendary 1987 album.Bad was Michael Jackson's follow-up to the record-breaking Thriller and marked a bold new era in his career. With production by Quincy Jones and a more aggressive, streetwise image, Bad became the first album in history to produce five consecutive Billboard Hot 100 No. 1 singles — including "Bad," "The Way You Make Me Feel," "Man in the Mirror," "Dirty Diana," and "I Just Can't Stop Loving You."We'll break down the backstories behind the songs, discuss the cultural impact, and explore how this album pushed boundaries in sound, style, and music video innovation — all while counting down our personal top picks.Whether you're a lifelong MJ fan or discovering Bad for the first time, you won't want to miss this celebration of the King of Pop's groundbreaking work.Hit that subscribe button, turn on notifications, and join the conversation in the live chat!#MichaelJackson #BadAlbum #NewJackSwing #TopTracks #MJBad #PodcastLive #KingOfPop

    gravado ao ar livre, algures no Alentejo  ---- 1 - Alan Sparhawk - Alan Sparhawk with Trampled by Turtles - Not Broken 2 - Djrum - Under Tangled Silence - Reprise 3 - Lili Holland-Fricke & Sean Rogan - At First 4 - Talons' - Rustic Bullshit - F Everything 5 - Lili Holland-Fricke & Sean Rogan - Dear Alien - Half Blue 6 - Florist - Jellywish - Gloom Designs 7 - Sophie Jamieson - I Still Want to Share - Camera 8 - Lucy Gooch - Desert Window - Clouds 9 - Romance - Love Is Colder Than Death - We'll Always Have Paris 10 - Kara-Lis Coverdale - From Where You Came - Eternity 11 - Sheila Chandra - Weaving My Ancestors' Voices - Ever So Lonely / Eyes / Ocean 12 - Kara-Lis Coverdale - From Where You Came - Flickers in the Air of Night 13 - Maria Somerville - Luster - Halo 14 - The Vernon Spring – Under a Familiar Sun - In The Middle 15 - The Vernon Spring - Under a Familiar Sun - Requiem For Reem 16 - Maria Somerville - Luster - Corrib 17 - Brigid Mae Power - Silver Strand Tapes - I Can't Stop Loving You ---- 18 - Oliver Coates - Skins n Slime - Soaring X (feat. Malibu) 19 - Chihei Hatakeyama - Void XXVII - The Other Side Of The Sea 20 - U.e. · Ulla Straus - Hometown Girl - Little Window 21 - U.e. · Ulla Straus - Hometown Girl - Lavender (NF) 22 - Brian Eno & Beatie Wolfe - Luminal - What We Are 23 - Karen Vogt - Haunted Woodland Volume Five - Air on my Skin 24 - Sontag Shogun x Lau Nau - Päiväkahvit - Go north 25 - Bvdub - Decades On Divided Stars - Decades in Red (II) 26 - Harp - Albion - I Am The Seed 27 - Jamie Lidell - Places of Unknowing - The Center 28 - Nils Frahm - Night - Kanten 29 - Marianne Faithfull - Burning Moonlight - Burning Moonlight 30 - DIIV - Return of Youth 31 - Slowdive - Souvlaki - Alison ---- * imagem de (image by) Raquel Nobre Guerra

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Rabia from "Suddenly: A Frank Sinatra Podcast" and "TCBCast After Dark" joins Justin for a main feed discussion all about the 1977 compilation "Welcome to My World," which brought together an intriguing collection of country recordings spanning from 1958-1973 with some loose thematic threads that we try to tease out. Plus, Rabia dug up a handful of original contemporary reviews that reveal how critics received this album at the time, both positively and negatively! For Song of the Week, as voted on by TCBCast Patreon backers, Justin rolls with the final track featured on the album, Don Gibson's "I Can't Stop Loving You" which was a mainstay of Elvis's setlists for a number of years and also recorded as a jam during his 1969 sessions. Justin reflects on Gibson's original, Ray Charles' iconic cover, and what Elvis might have intended with his frequent inclusion of it in his live shows.  Rabia then takes us home with a dive into the rare one-liner Elvis did (twice!) of "Tiptoe Through the Tulips," a Tin Pan Alley song resurrected in 1968 - the same year Elvis was filmed on the set of his NBC TV special singing the song - by the immensely talented pop culture phenomenon that was Tiny Tim.  You can find "SUDDENLY" on most major podcast platforms where TCBCast is also available. If you enjoy TCBCast, please consider supporting us with a donation at Patreon.com/TCBCast. Your support allows us to continue to provide thoughtful, provocative, challenging and well-researched perspectives on Elvis's career, his peers and influences, and his cultural impact and legacy.

Rejoignez-nous pour découvrir les coulisses de la création de l'un des plus grands tubes de Michael Jackson, "Man in the Mirror". Cet épisode passionnant vous plongera dans les méandres de la genèse de ce morceau emblématique, de la quête d'un hymne à la paix de l'artiste à l'arrivée de la compositrice inattendue qui a décrochée le gros lot.Vous apprendrez comment Michael Jackson, en quête d'un message de paix pour son album "Bad", a réuni plusieurs compositeurs pour trouver la perle rare. Et contre toute attente, c'est une jeune femme du nom de Sida Gareth, qui n'avait jamais écrit de chanson auparavant, qui a su captiver l'attention du Roi de la Pop avec sa maquette. Michael Jackson a été tellement séduit par la mélodie et les paroles de "Man in the Mirror" qu'il a même demandé à Sida Gareth d'écrire une autre chanson pour l'album, "I Just Can't Stop Loving You". Mais l'histoire ne s'arrête pas là ! Le génie de Michael Jackson s'est aussi exprimé dans l'ajout d'un somptueux chœur gospel, rappelant celui qu'il avait utilisé sur "Like a Prayer" de Madonna. Un détail qui a définitivement fait de "Man in the Mirror" un morceau inoubliable.Laissez-vous transporter par les anecdotes savoureuses de la création de ce titre emblématique, qui a marqué l'histoire de la musique pop. Vous en ressortirez avec un regard neuf sur l'une des chansons les plus puissantes et inspirantes de Michael Jackson.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Ray es una película biográfica de 2004 que cuenta la biografía de Ray Charles, músico ciego interpretado por Jamie Foxx. La película está dirigida por Taylor Hackford y consiguió el Óscar al mejor actor principal y al mejor sonido. El director Taylor Hackford escogió 17 canciones de Ray los años 50 y 60, seleccionadas de los álbumnes de Atlántic y ABC records. Lista de Tracks 01. Mess Around [02:41] 02. I've Got a Woman [02:52] 03. Hallelujah I Love Her So (live) [03:05] 04. Drown in My Own Tears [03:21] 05. (Night Time Is) The Right Time [03:24] 06. Mary Ann [02:47] 07. Hard Times (No One Knows Better Than I) [02:55] 08. What'd I Say (live) [04:38] 09. Georgia on My Mind [03:39] 10. Hit the Road Jack [02:00] 11. Unchain My Heart [02:50] 12. I Can't Stop Loving You (live) [03:16] 13. Born to Lose [03:15] 14. Bye Bye, Love [02:11] 15. You Don't Know Me (live) [03:15] 16. Let the Good Times Roll (live) [02:48] 17. Georgia on My Mind (live) [05:30]Escucha este episodio completo y accede a todo el contenido exclusivo de EDITORIAL GCO. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/2313218

Réécoutez FG Chic Mix Disco Tales by Purple Disco Machine du samedi 21 décembre 2024 Tracklist : 01. Can't Stop Loving You feat. Morgan (Diogo Strausz Remix) 00:00:3702. Purple Disco Machine, Kungs - Substitution feat. Julian Perretta (Birdee Remix) 00:03:4703. Purple Disco Machine, Yung Bae - Contact feat. TOBi 00:08:1004. Purple Disco Machine - Higher Ground feat. Roosevelt 00:13:3405. Purple Disco Machine - Paradisco feat. Dabeull (HiFI Sean Remix) 00:19:0306. Purple Disco Machine - Dirty Pleasures with Lorenz Rhode feat. Jake Shears (Erol Alkan Rework) 00:22:0907. Purple Disco Machine - Something On My Mind with Duke Dumont & Nothing But Thieves (Solomun Remix) 00:26:4808. Purple Disco Machine - Bad Company (Lifelike Remix) 00:30:0609. Purple Disco Machine - Get Up 24 00:33:5310. Purple Disco Machine - W.T.P. feat. Metronomy (Club Dub) 00:39:0111. Purple Disco Machine - Beat Of Your Heart with ÁSDÍS (Marten Hørger Remix) 00:43:4512. Purple Disco Machine - Honey Boy with Benjamin Ingrosso feat. Nile Rodgers & Shenseea (The Sponges Remix) 00:48:3813. Purple Disco Machine - Die Maschine with Friedrich Liechtenstein (Club Dub) 00:53:0114. Purple Disco Machine - All My Life with The Magician (Blank & Jones Ambient Remix) 00:57:27

Blake Shelton - OverBoyzone - WordsElton John - I Guess That's Why They Call It The BluesCrowded House - Don't Dream It's OverPaul Young - Every Time You Go AwayToto - I'll Be Over YouABBA - One Of UsCapitan & Tennille - Do That To Me One More TimeThe Doobie Brothers - What A Fool BelievesEric Clapton - Hello Old FriendJohnny Nash - Stir It UpCrystal Gayle - Don't It Make My Brown Eyes BlueDire Straits - Romeo and JulietBoy George - Everything I OwnHeart - AloneRichard Marx - Right Here WaitingSade - Your Love Is KingPatti Austin - Baby, Come To MeLionel Richie - TrulyTina Turner - I Don't Wanna Lose YouBerlin - Take My Breath AwayGene Chandler - Groovy SituationThe Doobie Brothers - Take Me In Your Arms (Rock Me)Harold Melvin & The Blue Notes - If You Don't Know Me By NowJean Knight - Mr. Big StuffKansas - Dust In The WindEric Clapton - I Shot The SheriffLittle River Band - ReminiscingThe Doobie Brothers - Minute By MinuteTower Of Power - So Very Hard To GoToto - Hold The LineLeo Sayer - More Than I Can SayMichael Jackson & Siedah Garrett - I Just Can't Stop Loving You (2012 Remaster)U2 - I Still Haven't Found What I'm Looking For

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¡Prepárate para un viaje musical épico a través del tiempo! En este episodio de Vinyl Radio, exploramos los éxitos más importantes del Billboard Hot 100 de agosto de 1987, cuando la música pop y el rock dominaban las ondas de radio. Desde las baladas poderosas hasta los himnos llenos de energía, te llevaremos a una era inolvidable con un Top 10 que definió a toda una generación.

Milk and Sugar - Let The Sun Shine (James Hurt Scorchio Extended Mix),Ceevox and Kry - Inhaca,Opolopo/Angela Johnson - The Ones You Love,Ezel/Rona Ray - UR in Control (Groove Junkies and Deep Soul Syndicate Sure is Bliss Mix),Audiowhores - Sometimes,Aaron K. Gray - I Am Everything,Distant People - Have No fear (feat. Carla Prather),Dave Anthony/Beverlei Brown - Best In Me (Manoo's Soulful Remix),House Gospel Choir feat. Morgan - Angels (Crackazat Remix),Genetic Funk - Keep On Loving (Original Mix),Next Phase/Helen Bruner and Terry Jones - I Ain't Got Time(Richard Earnshaw Extended Remix),Lukamusic/The Jargons - Lord, Grace and Mercy(Rocco Rodamaal Remix),Dennis Taylor - Love No Longer Has A Hold On Me,Maze feat. Frankie Beverly - I Wanna Be With You,Donald Byrd - Love Has Come Around, Corey Blake - How Can I Go On Without You,Damaris Carbaugh - What About My Love,Sandy's Gang - Hungry,Tommy Stewart - Riding High,Chaka Khan - Clouds,Daryl Hall - Stop Loving Me, Stop Loving You,Lisa Stansfield - The Real Thing (Alex Di Ciò Rework),

1. Nas - Define My Name 2. Nas - It Aint Hard To Tell (Remix) 3. Prince - Beautiful, Loved And Blessed 4. Tyler Daley - Small Circles 5. Prodigy - Keep It Thoro 6. Crooklyn Dodgers - Return Of The Crooklyn Dodgers 7. Willie Hutch - And All Hell Broke Loose 8. Four Tops - Keeper Of The Castle 9. Regina Belle - Good Lovin (12 Inch Remix) 10. Teddy Pendergrass - Joy 11. Natural Four - Try Love Again 12. Belita Woods - That's When I'll Stop Loving You 13. John Holt - Help Me Make It Through The Night

Send us a Text Message.Hey there, fellow music lovers! In this electrifying episode of "The Music in Me," I take you on a journey through the world of duets, where harmonies collide and voices intertwine to create musical magic. From timeless classics to contemporary hits, I'll be diving into my all-time favorite duets, from Elton John and Kiki Dee's disco-infused "Don't Go Breaking My Heart" to Andrea Bocelli and Sara Brightman's hauntingly beautiful "Time to Say Goodbye." You'll also hear about unforgettable duets from the likes of Michael Jackson, Kenny Rogers and Dolly Parton, and Queen with David Bowie. Get ready for lively anecdotes, hilarious puns, and heartfelt moments as I explore the enchanting world of duets that leave an indelible mark on the musical soul. Let the show begin!DUETS MENTIONED: Don't Go Breaking My Heart by Elton John and Kiki DeeTime to Say Goodbye by Andrea Bocelli and Sara BrightmanThe Prayer by Andrea Bocelli and Celine DionJackson by Johnny Cash and June Carter CashIslands in the Stream by Kenny Rogers and Dolly PartonUnder Pressure by Queen and David BowieDon't Let the Sun Go Down on Me by Elton John and George MichaelI Just Can't Stop Loving You by Michael Jackson and Seidah GarrettEndless Love by Lionel Richie and Diana RossAin't no Mountain High Enough by Marvin Gaye and Tammi TerrellWhen You Believe by Mariah Carey and Whitney HoustonCold Heart (PNAU Remix) by Elton John and Dua Lipayes, and? by Ariana Grande and Mariah CareyHelp Me Make it Through the Night by Michael Buble and Loren Allred Support the Show.Keep listening, keep grooving, and let the music in you continue to shine. Thank you, and see you soon!CONTACT TERI:Instagram: https://www.instagram.com/terirosborg/Facebook: https://www.facebook.com/teri.rosborgYouTube: The Music in MeTikTok: https://www.tiktok.com/@terirosborgPodcast Facebook Page: The Music in Me Podcast Facebook pageTHEME SONG BY: Hayley GremardINTRODUCTION BY: Gavin Bruno

The post Beat Club: I Can’t Stop Loving You appeared first on NiTfm.

The klpac Symphonic Band opens its 2024 season with a tribute to the King of Pop, Michael Jackson in the concert titled, This Is It: Tribute to Michael Jackson. Whether with The Jackson 5 or as a solo artist, Michael Jackson gave us countless chart-topping hits, and in this upcoming concert conducted by Cheryl Mah, we get the chance to relive these very hits such as “Thriller”, “Billie Jean”, “Beat It”, “I Just Can't Stop Loving You”, “Smooth Criminal” and many more all-time favourites. We find out more about what's in store from Chew Sze Gee, a flautist and the Vice President of The klpac Symphonic Band, and Lydia Ong, the concertmistress of the This Is It: Tribute to Michael Jackson show.Image credit: This Is It: Tribute to Michael Jackson

1) Indialucia, Monica Mata, Paquito González - La Séptima Puerta2) Paul Hardcastle - Return Of The Rainman Reprise3) Guru Ft Erykah Badu - Plenty4) Bryan Adams - Straight From The Heart5) Paul Young - Every Time You Go Away6) Gloria Estefan - Don't Wanna Lose You7) Simply Red - Holding Back the Years (2008 Remaster)8) Elton John - Nikita9) UB40 & Chrissie Hynde - I Got You Babe10) Dire Straits - Romeo and Juliet11) Boy George - Everything I Own12) Richard Marx - Right Here Waiting13) Sade - Your Love Is King14) Patti Austin - Baby, Come To Me15) Patti LaBelle - On My Own16) Tina Turner - I Don't Wanna Lose You17) Kool & The Gang - Cherish18) Madonna - Crazy For You19) Leo Sayer - More Than I Can Say20) Alison Moyet - Invisible (Remastered)21) Spandau Ballet - True (Single Edit)22) Mike & The Mechanics - The Living Years23) Tina Turner - We Don't Need Another Hero24) Mr. Mister - Broken Wings25) Brenda Russell - Piano In The Dark26) Michael Jackson & Siedah Garrett - I Just Can't Stop Loving You (2012 Remaster)27) Dionne Warwick - Heartbreaker28) U2 - I Still Haven't Found What I'm Looking For29) Foreigner - Waiting for a Girl like You

On this episode of Vinyl Verdict, Bell, Jamie and Plouffe listen to Jamie's next pick, Ray Charles' "Modern Sounds in Country and Western Music". Released in 1962, it was an immediate success, bridging the big band and jazz sound that Ray Charles had pioneered during the previous decade, with hits from country music. The album is made up of twelve covers of songs previously made famous by artists such as the Everly Brothers and Hank Williams. Three songs from the album were released as singles, with "I Can't Stop Loving You" being the biggest hit, going number one for five weeks. The single was also nominated and won the Grammy for Best Rhythm and Blues song at the 1963 Grammy's. Many country artists, including Willie Nelson, have cited this album as a turning point in expanding the appeal of country music and have noted it influenced their careers as well. Will the boys find this album impactful to the podcast? Come along and find out!

2:05 Intro 3:14 Wanna Be Startin' Sometin' 8:25 Heartbreak Hotel 13:22 Another Part Of Me 17:30 I Just Can't Stop Loving You 22:25 She's Out Of My Life 26:23 I Want You Back 27:28 The Love You Save 28:29 I'll Be There 33:57 Rock With You 38:03 Human Nature 43:13 Smooth Criminal 50:18 Dirty Diana 57:06 Thriller 1:02:12 Bad Groove 1:15:40 Workin' Day and Night 1:23:27 Beat It 1:30:16 Billie Jean 1:39:25 Bad 1:49:04 Man in The Mirror 1:58:24 The Way You Make Me Feel 2:03:52 I Just Can't Stop Loving You ( Bad Tour Yokohama 1987) 2:10:52 Bad ( Bad Tour Yokohama 1987) All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

Weekly Worship with the Blue Army1st Age:  "I Won't Stop Loving You"                     "I'm Riding Waves"                     "Praise the Lord"2nd Age: "Surrender"                     "Tearing Down the Walls"                     "All of Me"

Halloween may be over but those spooky sensations have followed us well into November as we throw up the devil horns and discuss a few perfumes inspired by the darker sides of life including De Profundis by Serge Lutens and Hexensalbe by Stora Skuggan. We also marvel over the big time bold move of Melanie Martinez's follow up to the wildly successful Cry Baby as well as a walk-through of the latest from Thin Wild Mercury.It's a jam-packed episode with lots of scent layering, woo-girl admiration, and a cocktail-influenced real-time purchase of a perfume featured in The Game. (00:00) - - Opening (04:01) - - Spooky Scents, Perfume News, and Recent Samples (22:22) - - Portals by Melanie Martinez (28:50) - - Thin Wild Mercury New York Collection (39:12) - - Scents of The Week (49:24) - - The Game Cocktail of the Week - A La LouisianeMovie of the Week - Glass Key (1942) featured in Criterion Channel's November Noir collectionFragrances mentioned in this episode:De Profundis, Muscs Koublai Khan, and Fille En Anguilles by Serge Lutens /  Muguet Fleuri by Oriza L. Legrand / Muguet Porcelain by Hermès / Vanilla Barka, Orris Wakan, and Incense Rori by Amouage / Lune Feline by Atelier Des Ors / Hexensalbe by Stora Skuggan / Flaming Creature by Marissa Zappas / Cry Baby Perfume Milk by Melanie Martinez / Air of Clarity, Earthy Abundance, Fiery Passion, and Water of Intuition by Portals Perfume / 34 Bohemian Cafes, Sheep Meadow, Chelsea Staircase, and Girl of the Year by Thin Wild Mercury / Telegrama by Imaginary Authors / Rita's Car by Saint Rita Parlor / Poudrextase by Marlon / Rose 31 by Le Labo / Amber Teutonic by DS & Durga / Queen Nzinga by Marissa Zappas / Babycat by Yves Saint Laurent / Sellier by Byredo / Molecule 01 + Iris by Eccentric Molecules / Arbole by Hiram Green / Baccarat Rouge 540 by Maison Francis Kurkdjian / Love Don't Be Shy by By Kilian / Rouge Malachite by Giorgio Armani / CK One by Calvin Klein / Acqua di Giò for Women by Giorgio Armani / Daisy by Marc Jacobs / Angels' Share, I Don't Need A Prince By My Side To Be A Princess  and Blue Moon Ginger Dash by By Kilian / Oud Satin Mood by Maison Francis Kurkdjian / Radical Rose by Matiere Premiere / Rouge Smoking by BDK Parfums / Lost Cherry by Tom FordThe Game:Oud Assam by Raina J / For Your Love by Mizensir / Can't Stop Loving You by By Kilian / Jasmin Kama by Raina J / Cairo by Penhaligon's / Cherry Punk by Room 1015Please feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia

Our buddy Sean from the SeanGeek & FastFret Podcast is back to help us break down Van Halen's last Top 40 hit, "Can't Stop Loving You" from the album Balance! Wanna be a part of the show? Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Patreon⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! You can follow us on Twitter ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@PodcastWillRock⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and you can check out our website at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.podcastwillrock.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Proud member of The Deep Dive Podcast Network, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠www.deepdivepodcastnetwork.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/and-the-podcast-will-rock/message

This week it's back to Music From Another Dimension and the single 'Can't Stop Loving You" featuring Carrie Underwood! Catch our newest show "Back Tracks: Theme Music" where we take a dive deep into the symbiotic relationship between music and story. Available wherever you get your podcasts! You can follow us on twitter @BTAerosmith and please support our friend and sponsor Ken Napzok on Pop Rockin' Radio! ⁠⁠⁠⁠⁠⁠⁠https://www.mixcloud.com/PopRockinRadio⁠⁠⁠⁠⁠⁠⁠. Proud member of the ⁠⁠⁠⁠⁠⁠⁠Deep Dive Podcast Network!

This week: Geoff plays tracks from Ella's performances at the Cave Supper Club in Vancouver, Canada in 1968, including I'm Beginning To See The Light, Blues Skies / On A Clear Day / A Foggy Day (medley), Satin Doll, Sunny, For Once In My Life, Goin' Out Of My Head, Girl Talk (actually, Music to Watch Girls By), I Can't Stop Loving You, Gone With The Wind, Just One Of Those Things, One Note Samba. GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays tracks from Ella's performances at the Cave Supper Club in Vancouver, Canada in 1968, including I'm Beginning To See The Light, Blues Skies / On A Clear Day / A Foggy Day (medley), Satin Doll, Sunny, For Once In My Life, Goin' Out Of My Head, Girl Talk (actually, Music to Watch Girls By), I Can't Stop Loving You, Gone With The Wind, Just One Of Those Things, One Note Samba. GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays tracks from Ella's performances at the Cave Supper Club in Vancouver, Canada in 1968, including I'm Beginning To See The Light, Blues Skies / On A Clear Day / A Foggy Day (medley), Satin Doll, Sunny, For Once In My Life, Goin' Out Of My Head, Girl Talk (actually, Music to Watch Girls By), I Can't Stop Loving You, Gone With The Wind, Just One Of Those Things, One Note Samba. GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week: Geoff plays tracks from Ella's performances at the Cave Supper Club in Vancouver, Canada in 1968, including I'm Beginning To See The Light, Blues Skies / On A Clear Day / A Foggy Day (medley), Satin Doll, Sunny, For Once In My Life, Goin' Out Of My Head, Girl Talk (actually, Music to Watch Girls By), I Can't Stop Loving You, Gone With The Wind, Just One Of Those Things, One Note Samba. GPE is produced by Ed Robertson Learn more about your ad choices. Visit podcastchoices.com/adchoices

| Sleeping With The Enemy  | Shell-B  | 2023 | Fabulous (2023 Remaster)  | Al Lindsey  | 2023 | That's When I'll Stop Loving You  | Belita Woods  | 2023 | I Gotta Keep My Bluff In  | Freddie Hughes  | 1968 | Running Around  | Drea' C  | 2023 | Alibi  | Drea' C, Harrison Hollingquest  | 2023 | Be Happy For Me  | The Masqueraders  | 2023 | One More Chance  | The Masqueraders  | 2023 | Inconsiderate  | JKabel  | 2023 | Love Story  | JKabel  | 2023 | Haven't I Been Good To You  | Lorraine Ellison  | 2023 | I'm Gonna Cry Till My Tears Run Dry  | Lorraine Ellison  | 2023 | Million Dollar Lady  | Manutua  | 1983 | Separate Ways  | Quinn Walls  | 2023 | Cry  | Ebony Riley  | 2023 | You Look Better  | October London  | 2023 | I Don't Ever Wanna Break Up (feat. Wendell B)  | J'Cenae  | 2021 | Out On A Limb  | Teena Marie  | 1984 | Only One  | Will Downing  | 2013 | Easy  | Chanté Moore  | 1999 | You're My Greatest Hit  | Workshop  | 1978 | Baecation (Gedi Clean Edit)  | J. Holiday  | 2023 | What Am I Guilty Of  | Lee Williams & The Cymbals  | 1971 | Thinking Of You  | Chelsea Nichole feat. Jeff Lorber  | 2023 | This Way  | Chelsea Nichole feat. Jeff Lorber  | 2023 | You  | Omar Cunningham  | 2023 | Gah Damn  | Secily  | 2023 | Can You Remember  | The Delfonics  | 1968 | Beautiful  | Kim Tavar  | 2023 | When You Kiss Me  | Klymaxx  | 1990

| There It Is (Original Mix)  | Kevin Yost | Edua (The Almighty) (Mijangos Afro House Remix)  | Jay B McCauley, Emiola Sunday | Keep It Coming (Original Mix)  | Dr Packer, Suki Soul | A.I.E. A Mwana (Afro Version)  | Monsieur Willy, Funky French League | What Did You Do Today (DJ Fella Retro House Radio Edit)  | The Ebonys  | Hey Baby (Gedi Edit)  | Yvonne J feat. Music Joseph Rodriguez | God Is Good  | Stanley Brown, Karen Clark-Sheard, Hezekiah Walker, Kierra Sheard | What's Good? (feat. Darien Dean)  | Soulpersona | Got To Be (Soul Mix - Radio Edit)  | Brian Power feat. Roachford  | Make A Move On Me  | Ernie & The Family McKone feat. Laura Jackson | Brighter Days  | Natasha Watts  | Whatcha Doin' To Me? (feat. Black Cafè)  | Massnada | Just Say The Word (Paul Simpson Re-edit)  | Trammps | Trammps Disco Theme (Paul Simpson Re-edit)  | Trammps | That's When I'll Stop Loving You  | Belita Woods | Magic Corner  | Belita Woods | Love On You  | Will Downing | For Crying Out Loud (2023)  | Larry Braggs | Mr. Big Stuff  | Evette Busby | Let's Stay In Tonight  | Dennis Taylor  | Flippin' (Gedi Clean Edit)  | Tribez | You Make Me Tremble  | Paul Kelly | Roll With Me  | Carlene Graham | Good Morning  | PJ Morton feat. Susan Carol | Grown Woman (Clean Version)  | Viktoria Vennice | Prom Night  | Justin Garner | Persuade Me  | Ivey Amour | That's On Me (Gedi Clean Edit)  | Jane Handcock with October London | Sorry Now  | LeMarvin | Louie, Louie  | Los Yesterdays | One More Chance  | The Masqueraders | Lover's Interlude  | October London | Make Me Wanna  | October London | Standing  | Loie | Unnecessary  | JKabel | Old News  | JKabel | Beautiful  | Kim Tavar

We creep into the archives for songs that have been done and done again! From Can't Stop Loving You to Tainted Love these song have been covered 16+ times but always seem current! Plus we sit down with Carlos King a Palm Springs interior decorator who talks about the homes he loved recreating and his passion for vintage jewelry. Wrapping up with the legend Janis Joplin and “Me & Bobby McGee” it's just too much!!

| Cross The Line  | Country Boy with TK Soul  | 2023 | I Just Can't Stop Loving You  | Cornelius Brothers & Sister Rose  | 1973 | Even Though You're Gone  | The Jacksons  | 1977 | Take Me Away  | The Temptations  | 1980 | Yours With Love  | Special Gift  | 1996 | Sunshine Lady  | Roshell Anderson  | 1991 | Guess I'll Never  | Ronnie Walker  | 2020 | Does He Treat You Better  | Unique Blend  | 1974 | Missin' You (feat. The Dells & Marvin Junior Jr)  | Verne 'VA' Allison  | 2022 | Missing You  | Mighty Fire  | 1981 | The Crutch  | The Tymes  | 1974 | Don't Make Me A Storyteller  | The Dells  | 1973 | I Don't Think I'll Ever Love Another  | Rock Candy  | 1971 | I Don't Think I'll Ever Love Another  | The Darling Dears  | 1972 | So Hard To Move On  | Country Boy with TK Soul  | 2022 | Future Lover  | Thee Sacred Souls  | 2022 | Just You And Me Baby  | Spinners  | 1973 | Feels So Good Inside  | Ron Preyer (of The Younghearts)  | 2022 | Nobody (feat. Athena Cage)  | Keith Sweat  | 1996 | Honey, I Love You  | Solar Heat  | 1979 | Woman In My Life  | Solar Heat  | 1979 | I Need To Know  | Ledisi  | 2023 | Don't Want To Be Lonely  | Donnie Ray  | 2016 | Sunshine  | Crutchfield Jones  | 2022 | Wrong Feels Right  | Coupe Deville  | 2022 | I'm Loving You Softly  | Smokey Robinson  | 1978 | If I Had You  | Frankie  | 1997 | Winter Love  | Barbara Mason  | 1984 | She's Got The Papers (I Got The Man) (12" Version)  | Barbara Mason  | 1984

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| Turn Us Back Around  | Sir Spencer feat. Chrissi Poland  | 2022 | My Love Song  | Ronald Isley & The Isley Brothers  | 2022 | Right Way  | Ronald Isley & The Isley Brothers  | 2022 | Something Inside My Head (feat. Phillippe Wynne)  | Gene Dunlap  | 1981 | Giving Love  | The Voices Of East Harlem  | 1973 | What A Difference She Made  | Jalen Ngonda  | 2022 | Good Good Lovin'  | Bobby Hebb  | 1966 | Unloved, Unwanted Me  | Barbara Lynn  | 2022 | Merry Go Round  | Oscar Perry  | 1986 | That Feeling  | Coline Creuzot  | 2022 | Special Lady  | Erskine Williams  | 1987 | I Can't Stop Loving You  | Such  | 2022 | All That Matters  | Michigan Avenue  | 1983 | Fly  | Telica feat. Amalie Bryde  | 2022 | For The First Time  | Bloodstone  | 1974 | Who You Sleeping With  | Jesse James  | 2022 | Body And Soul (That's The Way It's Got To Be)  | Soul Generation  | 1972 | The Girl Next Door  | The Mansion  | 2022 | Stop, Let Your Heart Be Your Guide  | The Mansion  | 2022 | Like A Flower  | Terry Harris  | 2022 | If You Bout It  | Terry Harris  | 2022 | Why Should We Stop Now  | The Natural Four  | 1969 | I Never Knew Love (Could Feel This Way)  | Platypus  | 2022 | When You Dance (Gedi Clean Edit)  | Tank  | 2022 | Come Over  | Chandra Raye  | 2022 | I Found Love (When I Found You)  | Spinners  | 1977 | I'm Riding Your Shadow (Down To Love)  | Spinners  | 1977 | Late Night With You  | Jarvis Greene  | 2022 | Don't Leave Me Baby  | Ray Gant & Arabian Knights  | 1971 | It Ain't No Fun  | Shirley Brown  | 1974

Hugh Hendricks & the Buccaneers - "Tenasstee Waltz" [0:00:00] Dennis Brown - "Silhouettes" [0:04:39] Music behind DJ: The Skatalites - "Exodus" [0:07:24] Max Romeo - "Please Help Me I'm Falling" [0:10:38] The Paragons - "The Tide Is High" [0:13:18] Alton Elliis - "I Can't Stop Loving You" [0:16:20] The Crystalites - "You Can't Hide" [0:18:30] Don Drummond - "Occupation" [0:21:35] Music behind DJ: The Skatalites - "Exodus" [0:24:15] Charley Ace - "Country Boy" [0:27:15] Cornell Campbell - "The Duke Of Earl" [0:30:37] The Techniques - "I Wish It Would Rain" [0:34:07] Jimmy London - "I'm Your Puppet" [0:36:36] Hopeton Lewis - "Don't Take Your Guns To Town" [0:39:46] Merlene Webber - "Stand By Your Man" [0:43:07] Music behind DJ: Virgil Pate - "Wildwood Flower" [0:46:20] Johnny Cash - "Give My Love To Rose" [0:48:53] Johnny Cash - "I Walk The Line" [0:51:35] Johnny Cash - "Guess Things Happen That Way" [0:54:17] Johnny Cash - "I Still Miss Someone" [0:56:03] Music behind DJ: The Skatalites - "Exodus" [0:58:39] https://www.wfmu.org/playlists/shows/120613

Hugh Hendricks & the Buccaneers - "Tenasstee Waltz" [0:00:00] Dennis Brown - "Silhouettes" [0:04:39] Music behind DJ: The Skatalites - "Exodus" [0:07:24] Max Romeo - "Please Help Me I'm Falling" [0:10:38] The Paragons - "The Tide Is High" [0:13:18] Alton Elliis - "I Can't Stop Loving You" [0:16:20] The Crystalites - "You Can't Hide" [0:18:30] Don Drummond - "Occupation" [0:21:35] Music behind DJ: The Skatalites - "Exodus" [0:24:15] Charley Ace - "Country Boy" [0:27:15] Cornell Campbell - "The Duke Of Earl" [0:30:37] The Techniques - "I Wish It Would Rain" [0:34:07] Jimmy London - "I'm Your Puppet" [0:36:36] Hopeton Lewis - "Don't Take Your Guns To Town" [0:39:46] Merlene Webber - "Stand By Your Man" [0:43:07] Music behind DJ: Virgil Pate - "Wildwood Flower" [0:46:20] Johnny Cash - "Give My Love To Rose" [0:48:53] Johnny Cash - "I Walk The Line" [0:51:35] Johnny Cash - "Guess Things Happen That Way" [0:54:17] Johnny Cash - "I Still Miss Someone" [0:56:03] Music behind DJ: The Skatalites - "Exodus" [0:58:39] https://www.wfmu.org/playlists/shows/120613

"A girl I became friends with on a school trip in high school fell asleep on my shoulders on the ride back." "I'm still coasting on that memory."   Crimson and Clover and Crystal Blue Persuasion were on the same album. I was 11. It was one of my first and biggest music memories of "my" music...and perhaps it was the first record I wore out. Literally. Listening to Top 40 radio was a constant in the car. At home, the biggest memory and influence was my dad's 1962 Ray Charles' record, Modern Sounds of Country and Western Music. Side one 1. "Bye Bye Love" 2. "You Don't Know Me" 3. "Half as Much" 4. "I Love You So Much It Hurts" 5. "Just a Little Lovin' (Will Go a Long Way)" 6. "Born to Lose" Side two 1. "Worried Mind" 2. "It Makes No Difference Now" 3. "You Win Again" 4. "Careless Love" 5. "I Can't Stop Loving You" 6. "Hey, Good Lookin'"     My early music experiences consisted of great rhythm and harmonies. My sister loved The Lettermen and later on, The Carpenters. For me, Ray Charles was hard to beat. For a little kid, not yet a teenager, I was falling in love with music. The albums were played on a piece of furniture. Homes with music had stereo consoles. Junior high brought on a new music-related interest, hi-fi stereo gear. That fueled even deeper and broader interest in records. Tons of music memories have provided a good coasting surface for my life. Watching the documentary about Ben Fong-Torres, famous music editor for Rolling Stone magazine brought back lots of memories of the 1970s and the music that once dominated my life. But music is just part of the memories I coast on. Words increasingly mattered, and not just the song lyrics. I devoured Ben Fong-Torres' writing. And Hunter S. Thompson. And Cameron Crowe. Their writing wasn't like anything familiar to me. Ben wrote about music and musicians. Hunter, well, he wrote about lots of stuff. Popular culture. Politics. I didn't care that much about the topics, but I enjoyed how Hunter wrote. Crowe, like Ben, he was writing about musicians. I read their stuff regularly adding a new coasting surface for memories - words. Music. Technology. Words. The convergence of these 3 things happened in the 1970s. The song remains the same. Memories reflected my future. And my present. Memories don't determine the present or the future, but they influence it. Our memories are part of us. What has happened to us helps define us. The guy coasting on the memory of the girl who fell asleep on his shoulder indicates how something so small can linger for so long...and even fuel us along the way. It's not about coasting in the sense that we don't do anything. Not putting any effort into anything. I don't know what memories you may leverage for coasting, but it did make me think of what memories might be fueling me. I began the conversation with memories of music because music has accompanied every era of my life so far. I don't suspect it's going to stop until my life stops. But I'm not coasting on it. Any of it. It's not a driving force so much as a soundtrack, a key but minor player in the grand scheme of things. I started thinking of the memory this guy shared and wondering if I had any such memories. I'm not at a loss for pivotal memories, but I'm not sure I've got any single memory that fuels me like that. One of my first thoughts was about family and faith. And not separately, but how connected they are for me. I've long thought that I hit the lottery when it came to being born into a Christian home where I was taught the Bible and where I learned about God. And myself. From grandparents to parents to old men and old women, I was fortunate enough to have great teachers. I didn't have to go searching for God or the truth. It was handed to me on a platter. I only had to read, listen, learn and figure out on my own whether I'd embrace it or not. It wasn't about indoctrination as much as it was about exp...

The Rockin' Eddy Oldies Radio Show featuring Chuck Berry - "Brown Eyed Handsome Man", Ernie Freeman - "Raunchy", Trini Lopez - "If I Had A Hammer", (Twin Spin) Jan & Dean - "Surf City" / "She's My Summer Girl", Johnny Mann Singers - "Love Me With All Your Heart", Billy & Lillie - "Bells, Bells, Bells", Louis Prima - "Just A Gigolo", The Pyramids - "Ankle Bracelet", Kenny Karen - "Sixteen Years Ago Tonight", Johnny Mathis - "Wonderful Wonderful", Barry Mann - "Little Miss USA", George Barnes - "Spooky", Gloria Lynn - "I Wish You Love", Vince Castro - "Too Proud To Cry", Douglas Jocko Henderson - "A Little Bit Of Everything", Ellie Gee & The Jets - "Red Corvette", Santo & Johnny - "Sleepwalk", Ray Charles - "I Can't Stop Loving You".

Let's talk about one of Phil Collins' last big hit songs, from the album Testify, “Can't Stop Loving You.”

Listen to Powertools every Saturday nights at 9PM PST/ 11PM EST on Pitbull's Globalization on Sirius XM Ch. 13 hosted by Richard Vission.This week we have mixes from Gettoblaster and Ilkay SencanGive us a follow on ourSocial Media Handles: @richardvission@gettoblasterdj@ilkaysencan@SiriusXM@GlobalizationXMGettoblaster Tracklist1. Chuwe - Esa Nena2. Farruko - Pepas (Gettoblaster Exlusive Remix)3. Gettoblaster & Franklyn Watts - I Won't Stop Loving You feat. Frankie C.4. Gettoblaster - Phantom (Javi Bora Remix)5. MEEN - Fruit Of Tulum ft MC Junior 6. Gettoblaster Watchout Now7. Gordo - La Mama (Edit)8. Malaa - That's How It Goes9. The Martinez Brother & Gordo - Rizzla feat. RemaIlkay Sencan TracklistBarlas & Mert - Pina ColadaHAWK & Xvw - TequilaSMACK & Swanky Tunes feat. Ayah Marar - Ready Or NotCID & WILL K - OoohVolac - Naughty WaterRanger Trucco - Take Me BackAyberk Cin - Move Like ThatOliver Heldens Feat. Nile Rodgers & House Gospel ChoirVintage Culture & Goodboys - This FeelingSevenn & Ilkay Sencan Feat. Patrik Jean

Part 2 When Thriller was released in November 1982, it didn't seem to have a single direction. Instead, it arguably sounded like many singles. But it became apparent that this was precisely what Michael intended Thriller to be: a brilliant collection of songs meant as hits, each designed for a particular audience in mind. Michael put out "Billie Jean" for the dancers and "Beat It" for the rockers and then followed each jam with amazing videos to enhance his allure and his inaccessibility. These songs had a life of their own. Thriller was almost called “Star Light”. The lyric "thriller" in the track of the same name was originally "star light". The decision to change it was down to marketing appeal.    This wonderful article from Rolling Stone says: "Wanna Be Startin' Somethin'" had the sense of a vitalizing nightmare in its best lines ("You're stuck in the middle/And the pain is thunder. … Still they hate you, you're a vegetable. … They eat off you, you're a vegetable"). "Billie Jean," in the meantime, exposed how the interaction between the artist's fame and the outside world might invoke soul-killing dishonor ("People always told me, be careful of what you do. … 'Cause the lie becomes the truth," Jackson sings, possibly thinking of a paternity charge from a while back). And "Beat It" was pure anger – a rousing depiction of violence as a male stance, a social inheritance that might be overcome. It also almost caught the studio on fire. When Eddie Van Halen recorded his solo, the sound of his guitar caused one of the studio speakers to catch fire. The video for “Beat It” was set in Los Angeles' Skid Row and featured up to 80 real-life gang members from the notorious street gangs the Crips and the Bloods. It cost $100,000 to make.   Thriller's parts added up to the most improbable kind of art – a work of personal revelation that was also a mass-market masterpiece. It's an achievement that will likely never be topped. It was the best-selling album worldwide in 1983 and became the best-selling album of all time in the U.S. and the best-selling album of all time worldwide, selling an estimated 70 million copies. It topped the Billboard 200 chart for 37 weeks and was in the top 10 of the 200 for 80 consecutive weeks. It was the first album to produce seven Billboard Hot 100 top-10 singles. Thriller is still the highest-selling album of all time. Want to know what the top 25 are? Subscribe to our Patreon for our video bonus on the top-selling albums ever! Billie Jean was the first video by an African-American artist to air on MTV. The video revealed Jackson's new look of a leather suit, pink shirt, red bow tie and his signature single white glove. It was a style copied by kids throughout the United States. It caused one school, New Jersey's Bound Brook High, to ban students from coming to class wearing white gloves.   Toto members Keyboardist Steve Porcaro co-wrote Human Nature, and Steve Lukather contributed rhythm guitar on Beat It.   On March 25, 1983, Jackson reunited with his brothers for Motown 25: Yesterday, Today, Forever, an NBC television special. The show aired on May 16 to an estimated audience of 47 million and featured the Jacksons and other Motown stars. Jackson had just performed a medley of greatest hits with his brothers. It was exciting stuff, but for Michael, it wasn't enough. As his brothers said their goodbyes and left the stage, Michael remained. He seemed shy for a moment, trying to find words to say. "Yeah," he almost whispered, "those were good old days. … I like those songs a lot. But especially—" and then he placed the microphone into the stand with a commanding look and said, "I like the new songs."  Then, wearing a white glove decorated with rhinestones, he swooped down, picked up a fedora, put it on his head with confidence, and vaulted into "Billie Jean." He also debuted his moonwalk dance (which became his signature dance). This was one of Michael's first public acts as a star outside and beyond the Jacksons, and it was startlingly clear that he was not only one of the most breathtaking live performers in pop music but that he could mesmerize the audience, something not seen since the likes of Elvis Presley. Michael had initially turned down the invitation to the show, believing he had been doing too much television. But at the request of Motown founder and Icon Berry Gordy, he performed in exchange for an opportunity to do a solo performance. And he killed it.    "Almost 50 million people saw that show," Michael wrote in his book Moonwalk. "After that, many things changed." At this time, Michael Jackson was obviously an immensely talented young man – he seemed shy but ambitious and undoubtedly enigmatic. Nobody knew much about his beliefs or sex life; he rarely gave interviews, but he also didn't land himself in scandals. He did, however, describe himself as a lonely person – especially around the time he made Off the Wall. Former Los Angeles Times music critic Robert Hilburn recently wrote of meeting Jackson in 1981, when the singer was 23, that Jackson struck him as "one of the most fragile and lonely people I've ever met … almost abandoned. When I asked why he didn't live on his own like his brothers, instead of remaining at his parents' house, he said, 'Oh, no, I think I'd die on my own. I'd be so lonely. Even at home, I'm lonely. I sit in my room and sometimes cry. It is so hard to make friends, and there are some things you can't talk to your parents or family about. I sometimes walk around the neighborhood at night, just hoping to find someone to talk to. But I just end up coming home.'"   Jackson's social uneasiness was probably formed by the wounds in his history; the children were insulated from others their age, and Jackson's status as a lifelong star may have left him feeling not just cut off from most people but also alienated from them – as if his experience or his vocation made him extraordinary. "I hate to admit it," he once said, "but I feel strange around everyday people." Not exactly an unusual sentiment for some highly celebrated celebrities, especially former child stars. At the same time, it's a statement full of signals: Michael didn't enjoy the sort of company that might guide him in positive ways. He probably never did throughout his life. Maybe the most troubling passage in his autobiography Moonwalk is when he talks about children in the entertainment world who eventually fell prey to drugs: "I can understand … considering the enormous stresses put upon them at a young age. It's a difficult life."   Thriller placed seven singles in Billboard's Top 10 (presently around 50 million copies). At the 1984 Grammy Awards, Michael finally claimed his due, capturing eight awards, a record he holds with the band Santana, including Album of the Year, Record of the Year, Best Male Pop Vocal Performance, Best Rock Vocal Performance for "Beat It," Best R&B Song, and Best R&B Vocal Performance for "Billie Jean," and he won an award for the E.T. the Extra-Terrestrial storybook. In addition, the album won Producer of the year (Quincy Jones).    At the 11th Annual American Music Awards, Michael won another eight awards and became the youngest artist to win the Award of Merit. He also won Favorite Male Artist, Favorite Soul/R&B Artist, and Favorite Pop/Rock Artist. "Beat It" won Favorite Soul/R&B Video, Favorite Pop/Rock Video, and Favorite Pop/Rock Single. In addition, the album won Favorite Soul/R&B Album and Favorite Pop/Rock Album. Thriller's sales doubled after releasing an extended music video, Michael Jackson's Thriller, seeing Michael dancing with a group of incredibly designed zombies and was directed by John Landis.   Michael had the highest royalty rate in the music industry at that point, with about $2 for every album sold (equivalent to $5 in 2021). The same year, The Making of Michael Jackson's Thriller, a documentary about the music video, won a Grammy for Best Music Video (Longform). At this time, The New York Times wrote, "in the world of pop music, there is Michael Jackson, and there is everybody else."   Oddly enough, On May 14, 1984, then-President Ronald Reagan gave Michael an award recognizing his support of alcohol and drug abuse charities.   In November 1983, Michael and his brothers partnered with PepsiCo in a $5 million promotional deal that broke records for a celebrity endorsement (equivalent to $13,603,408 in 2021).  On January 27, 1984, Michael and other members of the Jacksons filmed a Pepsi commercial. Pyrotechnics accidentally set Jackson's hair on fire during a simulated concert before a whole house of fans, causing second-degree burns to his scalp. Michael underwent treatment to hide the scars and had his third rhinoplasty shortly after. Pepsi settled out of court, and Jackson donated the $1.5 million settlement to the Brotman Medical Center in Culver City, California; its now-closed Michael Jackson Burn Center was named in his honor. Michael signed a second agreement with Pepsi in the late 1980s for $10 million. The second campaign covered 20 countries and provided financial support for Jackson's Bad album and the 1987–88 world tour.  He was making SO much money and was the most significant music star globally.   Then, months later, it was announced that Michael would be setting out on a nationwide tour with the Jacksons. He didn't want to do it but felt obligated. Clearly, Michael was bigger, better, and "badder" than his family's limitations on him. He should have been taking the stage alone at this point in his career.   Jackson's aversion to the Victory Tour was apparent when he sat looking miserable at press conferences.   The Victory Tour of 1984 headlined the Jacksons and showcased Michael's new solo material to more than two million Americans. Following the controversy over the concert's ticket sales, Jackson donated his share of the proceeds, an estimated $3 to 5 million, to charity. What controversy, you ask?    Don King (yeah, boxing promoter Don King), Chuck Sullivan, and Papa Joe Jackson came up with a way to generate extra money from ticket sales. Those wanting to attend would have to send a postal money order for $120 ($310 in current dollars) along with a particular form to a lottery to buy blocks of four tickets at $30 apiece (US$78 in 2021 dollars), allegedly to stop scalpers. Upon receipt, the money was to be deposited into a standard money market account earning 7% annual interest; it would take six to eight weeks for the lottery to be held and money to be refunded to those that didn't win. Since only one in ten purchasers would win the lottery and receive tickets, there would be more money in the bank for that period than there were tickets to sell, and they expected to earn $10–12 million in interest. Obviously, the Jacksons were all for the idea, but Michael wasn't, and he warned them that it would be a public relations disaster. The $30 ticket price was already higher than most touring acts (like Prince and Bruce Springsteen) were charging at the time and was even worse by the requirement to buy four. This put tickets out of reach of many of Michael's African-American fans who were not financially secure. At this time, Michael was already being blasted about his physical look and music separating him from his race.  That community was joined by many commentators in the media in criticizing the Jackson's over the plan. Nevertheless, it worked, and people were lining up to get their newspapers to sign up for the lottery. On July 5, 1984, after receiving a letter from eleven-year-old fan Ladonna Jones, who accused the Jacksons and their promoters of being "selfish and just out for money," Michael held a press conference to announce changes in the tour's organization and also to announce that his share of the proceeds from the tour would be donated to charity. Jones later received VIP treatment at the Dallas concert. The following is Michael's speech at the press conference: "A lot of people are having trouble getting tickets. The other day I got a letter from a fan in Texas named Ladonna Jones. She'd been saving her money from odd jobs to buy a ticket, but with the turned tour system, she'd have to buy four tickets and she couldn't afford that. So, we asked our promoter to work out a new way of distributing tickets, a way that no longer requires a money order. There has also been a lot of talk about the promoter holding money for tickets that didn't sell. I've asked our promoter to end the mail order ticket system as soon as possible so that no one will pay money unless they get a ticket. Finally, and most importantly, there's something else I am going to announce today. I want you to know that I decided to donate all my money I make from our performance to charity. There will be further press statements released in the next two weeks."   Some procedures were modified; however, the ticket price remained unchanged, and at a press conference, Don King justified the $30 fee as appropriate and that he did not blame the promoters for charging that price, adding that "you must understand, you get what you pay for." During the last concert of the Victory Tour at the Dodger Stadium in Los Angeles, Jackson announced his split from The Jacksons during "Shake Your Body".   His charitable work continued with the release of "We Are the World" (1985), co-written with future Icon Lionel Richie, which raised money for the poor in the U.S. and Africa. It earned $63 million (equivalent to $158,728,032 in 2021) and became one of the best-selling singles, with 20 million copies sold. It won four Grammy Awards in 1985, including Song of the Year for Michael and Lionel as its writers.    Michael collaborated with Sir Paul McCartney in the early 1980s and learned that Paul was making $40 million a year from owning the rights to other artists' songs. By 1983, Michael had begun buying publishing rights to others' songs, but he was careful with his purchases, only bidding on a few of the dozens offered to him. Michael's early buys included Sly and the Family Stone's "Everyday People" (1968), Len Barry's "1–2–3" (1965), Dion DiMucci's "The Wanderer" (1961), and "Runaround Sue" (1961).   In 1984, it was announced that the publishing rights to nearly 4000 songs from ATV Music, including most of the Beatles' material, were coming up for sale. In 1981, Paul McCartney was offered the catalog for £20 million ($40 million). Michael submitted a bid of $46 million on November 20, 1984. When Michael and Paul were unable to make a joint purchase, McCartney did not want to be the sole owner of the Beatles' songs, and did not pursue an offer on his own. At first, Michael's team couldn't figure it out and walked away, but then they heard someone else was looking to buy them. Michael's increased bid of $47.5 million (equivalent to $119,675,897 in 2021) was accepted because he could close the deal faster. His purchase of ATV Music was finalized on August 10, 1985.   So, at this time, why was Michael being questioned about his look and his music? As a child, Michael had a sweet, dark-skinned appearance; many early Jackson 5 fans regarded him as the cutest of the brothers. J. Randy Taraborrelli, author of Michael Jackson: The Magic and the Madness, has written, "[Michael] believed his skin… 'messed up my whole personality.' He no longer looked at people as he talked to them. His playful personality changed, and he became quieter and more serious. He thought he was ugly – his skin was too dark, he decided, and his nose too wide. It was no help that his insensitive father and brothers called him 'Big Nose.'" Also, as Jackson became an adolescent, he was horribly self-conscious about acne. Hilburn recalled going through a stack of photos with Jackson one night and coming across a picture of him as a teenager: "'Ohh, that's horrible,' [Jackson] said, recoiling from the picture."   The face Jackson displayed on the cover of Thriller had changed; the skin tone seemed lighter and his nose thinner and straighter. In his book, Moonwalk, Michael claimed that much of the physical overhaul was due to a change in his diet; he admitted to altering his nose and chin, but he denied he'd done anything to his skin. Still, the changes didn't end there. Over the years, Michael's skin grew lighter and lighter, his nose tapered more and more, and his cheekbones became more defined. This all became fair game for mockery to some; to others, it seemed like mutilation – not just because it might have been an act of conceit, aimed to keep him looking child-like, but worse because some believed Michael wanted to transform himself into a white person. Or an androgyne – somebody with both male and female traits.  Michael's art was still his best way of making a case for himself at that time. Then, in 1987, he released Bad, his highly-anticipated successor to Thriller. It may not have been as eventful and ingenious as Off the Wall and Thriller, but Bad was awesome.    It became the first album to produce five U.S. number-one singles: "I Just Can't Stop Loving You," "Bad," "The Way You Make Me Feel," "Man in the Mirror," and "Dirty Diana.", which you can hear our version at the end of this episode. Another song, "Smooth Criminal," peaked at number seven. Bad won the 1988 Grammy for Best Engineered Recording – Non-Classical and the 1990 Grammy Award for Best Music Video, Short Form for "Leave Me Alone". Michael won an Award of Achievement at the American Music Awards in 1989 after Bad generated five number-one singles, became the first album to top the charts in 25 countries, and the best-selling album worldwide in 1987 and 1988. By 2012, it had sold between 30 and 45 million copies worldwide. Oh, and it was considered a "flop." Oh, and The title track for the Bad album was supposed to be a duet with Prince. But the latter walked away from it due to the opening line "Your butt is mine". "Now, who is going to sing that to whom? Cause [he] sure ain't singing that to me, and I sure ain't singing it to [him]," Prince said in a TV interview with American comedian Chris Rock.   Later that year, Michael staged his first solo tour, The Bad World Tour. It ran from September 12, 1987, to January 14, 1989. The tour had 14 sellouts in Japan and drew 570,000 people, nearly tripling the previous record for a single tour. In addition, the 504,000 people who attended seven sold-out shows at Wembley Stadium set a new Guinness World Record.   In 1988, Michael released the autobiography, as mentioned earlier, Moonwalk. It sold 200,000 copies and reached the top of the New York Times bestsellers list. In October, Michael released a film, Moonwalker, which featured live footage and short films starring himself and Goodfella star Joe Pesci. In the U.S., it was released direct-to-video and became the best-selling videocassette. The RIAA certified it as eight-time platinum. In March 1988, Jackson purchased 2,700 acres (11 km2) of land near Santa Ynez, California, to build a new home, Neverland Ranch, at $17 million (equivalent to $38,950,760 in 2021).   In 1991, Michael renewed his contract with Sony for $65 million (equivalent to $129,317,127 in 2021), a record-breaking deal. Also, in 1991, he released his eighth album, Dangerous, co-produced with Mr. Rumpshaker himself, Teddy Riley. It was certified eight times platinum in the U.S., and by 2018 had sold 32 million copies worldwide. In the U.S., the first single, "Black or White," was the album's highest-charting song; it was number one on the Billboard Hot 100 for seven weeks and achieved similar chart performances worldwide, and the video featured a very young Macauley Culkin.  The second single, "Remember the Time," peaked at number three on the Billboard Hot 100 singles chart, and that video featured Eddie Murphy. At the end of 1992, Dangerous was the best-selling album worldwide and "Black or White" the best-selling single of the year worldwide at the BillboardMusic Awards.   Obviously, Michael wanted to tour in promotion of his latest album, and The Dangerous World Tour ran between June 1992 and November 1993 and grossed $100 million (equivalent to $187,583,506 in 2021); Jackson performed for 3.5 million people in 70 concerts, all of which were outside the U.S. A part of the proceeds went to the Heal the World Foundation. In addition, Michael sold the broadcast rights of the tour to HBO for $20 million, a record-breaking deal that still hasn't been broken.   Also, in 1993, Michael performed at the Super Bowl 27 halftime show in Pasadena, California. The NFL wanted a prominent musical artist to keep ratings high during halftime. It was the first Super Bowl where the halftime performance drew higher audience figures than the game. Jackson played "Jam," "Billie Jean," "Black or White," and "Heal the World." Dangerous rose 90 places in the album chart after the performance   In January 1993, Michael won three American Music Awards for Favorite Pop/Rock Album (Dangerous), Favorite Soul/R&B Single ("Remember the Time"), and he was the first to win the International Artist Award of Excellence. In addition, he won the "Living Legend Award" at the 35th Annual Grammy Awards in Los Angeles in February. He attended the award ceremony with Brooke Shields. In addition, "Dangerous" was nominated for Best Vocal Performance (for "Black or White"), Best R&B Vocal Performance for "Jam," and Best R&B Song for "Jam."   In June 1995, Michael released the double album HIStory: Past, Present, and Future, Book I. The album debuted at number one on the charts and certified for eight million sold in the U.S. It is the best-selling multi-disc album of all time, with 20 million copies (40 million units) sold worldwide. In addition, HIStory received a Grammy nomination for Album of the Year. The first single from HIStory was "Scream/Childhood." "Scream" was a duet with Michael's youngest sister Janet, or "Miss Jackson if you're nasty." The single reached number five on the Billboard Hot 100 and received a Grammy nomination for "Best Pop Collaboration with Vocals." Also, at the time, in 1995, it was the most expensive music video ever produced. It had a budget of 7 million dollars. FOR ONE VIDEO!!  His second single, "You Are Not Alone," holds the Guinness world record for the first song to debut at number one on the Billboard Hot 100 chart. In addition, it received a Grammy nomination for "Best Pop Vocal Performance" in 1995.   In November of the same year, Michael merged his ATV Music catalog with Sony's music publishing division, creating Sony/ATV Music Publishing. He kept ownership of half the company, earning $95 million upfront (equivalent to $168,941,909 in 2021) and the rights to a ton more songs.   Michael promoted HIStory with the obviously named HIStory World Tour, from September 7, 1996, to October 15, 1997. He performed 82 concerts in five continents, 35 countries, and 58 cities to over 4.5 million fans, making it his most attended tour. It grossed $165 million, or $302,346,462 today.   In 1997, Michael released Blood on the Dance Floor: HIStory in the Mix, which contained remixes of singles from HIStory and five new songs. Worldwide sales stand at 6 million copies, making it the best-selling remix album ever. It reached number one in the U.K., as did the title track. In the U.S., the album reached number 24 and was certified platinum. Yeah, a remix album going platinum.   From October 1997 to September 2001, Michael worked on his tenth solo album, Invincible, which cost $30 million to record! Invincible was released on October 30, 2001. It was his first full-length album in six years and the last album of original material he would release in his lifetime. It debuted at number one in 13 countries, sold eight million copies worldwide, and went double platinum.   In September 2001, Michael performed in two "30th Anniversary concerts" with his brothers for the first time since 1984. The show also featured Mýa, Usher, Whitney Houston, Destiny's Child, Monica, Liza Minnelli, and Slash.    On January 9, 2002, Michael won his 22nd American Music Award for Artist of the Century.   On November 18, 2003, Sony released Number Ones, a greatest hits compilation. It was certified five-times platinum by the RIAA, and nine times platinum in the UK, for shipments of at least 2.7 million units.   During this time, allegations of child sexual abuse, and the trials that followed, were all over the news. If you're unfamiliar, you can research it for yourself.  Unfortunately, Michael's finances were also coming undone; he had been spending ludicrous sums, and he'd mismanaged his money – which took some doing since he had made such a vast fortune. As a result, the biggest star in the world had fallen from the tallest height. He left the country and moved to Bahrain, where it was announced that Jackson had signed a contract with a Bahrain-based startup, Two Seas Records; nothing came of the deal, and Two Seas CEO Guy Holmes, later said it was never finalized. That October, Fox News reported that Michael had been recording at a studio in County Westmeath, Ireland. It was unknown what he was working on or who had paid for the sessions; his publicist stated that he had left Two Seas by then. After that, Michael was only occasionally seen or heard from. Nobody knew whether he could recover his name or preserve his undeniable music legacy until he announced an incredibly ambitious series of 50 concerts – which he described as the "final curtain call."    The "This Is It" shows were his first significant concerts since the HIStory World Tour in 1997. Michael suggested he would retire after the shows. The initial plan was for 10 concerts in London, followed by shows in Paris, New York City, and Mumbai. Randy Phillips, president, and chief executive of AEG Live, predicted the first 10 dates would earn Jackson £50 million, or close to 63 Million US dollars. After record-breaking ticket sales, the London shows were increased to 50 dates; over one million tickets were sold in less than two hours. The concerts were to run from July 13, 2009, to March 6, 2010. Michael moved back to Los Angeles, where he rehearsed in the weeks leading up to the tour under the direction of choreographer Kenny Ortega, whom he had worked with during his previous tours. Most rehearsals took place at the Staples Center, which was owned by AEG.   It's hard to believe that Jackson, who was so proud of his public performances and so peerless at delivering them, would have committed himself to a project he might fail so tremendously. At the same time, it is not inconceivable that Michael Jackson could have been a man half-hungry and broken in the past few years. All that is certain is that on June 25, in Los Angeles, Michael Jackson met the only sure redemption he might know in the most famous unexpected, and mysterious death in current history. That redemption didn't come because he died, but because his death forced us to reconsider what his life added up to. Less than three weeks before the first This Is It show was due to kick off in London, with all concerts sold out, I repeat; sold out, Michael Jackson died from cardiac arrest caused by a propofol and benzodiazepine overdose. Conrad Murray, his personal physician, had given Michael different medications to help him sleep at his rented mansion in Holmby Hills, Los Angeles. Paramedics received a 911 call at 12:22 pm Pacific time and arrived three minutes later. He wasn't breathing, and the medics performed CPR. Resuscitation efforts continued en route to Ronald Reagan UCLA Medical Center and for more than an hour after Michael's arrival, but were unsuccessful, and Michael Jackson, the king of pop, was pronounced dead at 2:26 pm.   News of his death spread quickly online, causing websites to slow down, crash from user overload, and put unprecedented strain on services and websites, including Google, AOL Instant Messenger, Twitter, and Wikipedia. Overall, web traffic rose by between 11% and 20%. MTV and BET aired marathons of Michael's music videos, and specials aired on television stations worldwide. MTV briefly returned to its original music video format, which is messed up that it took an Icon to die for MTV to actually be MUSIC TELEVISION, and they aired hours of Michael's music videos, with live news specials featuring reactions and interviews from MTV personalities and other celebrities.   His memorial was held on July 7, 2009, at the Staples Center in Los Angeles, preceded by a private family service at Forest Lawn Memorial Park's Hall of Liberty. Over 1.6 million fans applied for tickets to the memorial; the 8,750 recipients were drawn at random, and each received two tickets. The memorial service was one of the most-watched events in streaming history, with an estimated US audience of 31.1 million and an estimated 2.5 to 3 billion worldwide. Mariah Carey, Stevie Wonder, Lionel Richie, Jennifer Hudson, and others performed at the memorial, and Smokey Robinson and Queen Latifah gave eulogies. Reverend Al Sharpton received a standing ovation with cheers when he told Michael's children: "Wasn't nothing strange about your daddy. It was strange what your daddy had to deal with. But he dealt with it anyway." Michael's 11-year-old daughter Paris Katherine, wept as she addressed the crowd. Michael's body was entombed on September 3, 2009, at Forest Lawn Memorial Park in Glendale, California.   Oh, but wait. There's more. But of course there is. It's Michael Jackson!   His doctor was initially charged with involuntary manslaughter and was found guilty. So he was sentenced to four years. Yep... four friggin years.    After his death, Michael was still winning awards. He won 4 awards at 2009's AMA's, bringing his total AMA wins to 26, something no one else has touched.    The documentary "Michael Jackson's This Is It" came out shortly after, and I have seen it and loved it, as sad as it was knowing that he'd never get to perform those concerts. Despite a limited two-week engagement, the film became the highest-grossing documentary or concert film ever, with more than $260 million worldwide earnings.

The wheel gave us something special this week, our first listen to a song that was on the Japanese import of Balance and the B-Side to "Can't Stop Loving You"...this is "Crossing Over"! If you like the show please leave a review wherever you listen to podcasts and help us grow. You can follow us on Twitter @PodcastWillRock and you can check out our website at www.podcastwillrock.com Wanna appear on the show and spin the Wheel Of Rock? Drop us a line on Twitter, our website or at podcastwillrock@gmail.com and let us know...the last week of every month we will be having guests on the show!

Tony opens the show by talking about the passing of Wendy Rieger, who was a great friend to the show over the years, and he also talks about Jordan Spieth's win at Hilton Head. Then Tony recaps the NBA playoff games from over the weekend, and after that they play an audio tribute to Wendy with some of her greatest moments on the show, and Tony closes things out by opening up the Mailbag. Songs : Leslie Mendelson “If I Don't Stop Loving You” ; “Goodnight” Learn more about your ad choices. Visit podcastchoices.com/adchoices

This week we have a Justin heavy episode. We discuss Justin and Jessica, and I recall the time I got to be at The 20/20 Experience right by Jessica Biel. We also learn about what Justin has in common with Garth Brooks. All this, and we break down the lyrics to one of my favorite NSYNC songs of all time, "That's When I'll Stop Loving You." Tour Dates March 30-Ontario, CA April 7-9 Dallas, TX April 13-17 Minneapolis, MN April 23 New Orleans, LA --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Lev Said It - LEVtating (feat. Dua Lipa), **EXCLSUIVE**DJ Beloved, Kenny Bobien, Doug Gomez - Heaven Sent(Doug Gomez Merecumbe Soul Remix),MissFly, Deep Soul Syndicate - Ribbon  In The Sky (Original Mix),Peter Brown - Dance Symbol (Original Mix),Mousse T vs Marvin Gaye- Sexual Pleasure (Stephen Day Bootleg),Change - A Lover's Holiday (N-You-Up Re-Edit),Sylvester - Tell Me (MiikeAndTess Edit),Bronx Cheer/Anna M - No Big Thing (Nu Disco Club Mix),Dames Brown - What Would You Do? (feat. Andrés & Amp Fiddler),Diogo Strausz - Emancipação (Ron Trent Remix),The R&R Soul Orchestra - Make It Go Wrong,Hall & Oates - I Can't Go For That (No Can Do) (Simon Sinfield Remix),Daryl Hall - Stop Loving Me, Stop Loving You,Sean Oliver - Magic,David Morales - Life Is A Song,Kathy Kosins - From A 2 B,Blue Lab Beats/Teni Tinks - I'll Be Here For You,Phono 48 - So Pure (feat. Laville, Kitty Liv & Nick Corbin),Mario Biondi - You'll Never Find Another Love Like Mine,Carmen Lundy - So This Is Love,Ivan Matias - Somebody Knows How You Feel,Colonel Abrams - You Don't Know,Terry Ronald - What The Child Needs,www.starpointradio.com

Gutsy and nuanced as a vocalist, and an accomplished songwriter, arranger, and pianist as well, Judith Hill is likely the only musician who can cite Elton John, Spike Lee, Prince, and Michael Jackson among those who have sought out her talent. One of the highest-profile background singers of her generation, she got her start in the early 2000s, and in the next decade established a solo career with the soundtrack to Lee's Red Hook Summer (2012). Since making these strides, she has built a discography of increasingly refined and creative albums that includes the Prince-produced Back in Time (2015), followed by Golden Child (2018) and Baby, I'm Hollywood! (2021), all while continuing her work in support of other artists. Hill starred in the Academy Award- and Grammy-winning 20 Feet from Stardom, the documentary film showcasing the under-acknowledged work of backup singers. Judith Hill earned a degree in music composition from Biola University, near her native Los Angeles. During the 2000s, she stockpiled background vocalist credits on releases by the likes of Anastacia, Robbie Williams, Evelyn "Champagne" King, and Rod Stewart. In 2009, she was selected to duet with Michael Jackson on "I Just Can't Stop Loving You" during the This Is It concerts, and performed at the King of Pop's memorial service, where she took the spotlight for "Heal the World." During the next few years, Hill continued to work in a background capacity for Elton John, Gregg Allman, and Barry Manilow, to name only a fraction of her connections. Hill co-wrote Iggy Azalea's Jennifer Hudson collaboration "Trouble." "Party Rockers," which Hill wrote and fronted for Gordon Goodwin's Big Phat Band, was nominated for a Grammy in the category of Best Arrangement, Instruments, and Vocals.  

Mike Lord and Tom Roche — co-hosts of Tabletop Genesis — take a busman's holiday from their own podcast to have a Genesis-adjacent conversation on this podcast. Mike, Tom and Al discuss Phil Collins' seventh solo album, Testify — an album that Al had never explored despite being an ardent Genesis and Phil Collins fan. Mike explains why he recommended this album to Al, despite its less-than-glowing reviews, and Tom discusses his own journey with the album. The whole crew reveals where they would rank Testify among Phil's albums.Some assorted notes:I criticized Phil for having a lyrical theme that was too close to that of a big hit by The Police. Then I referred to “Every Breath You Take” as “Every Step You Take,” which was a far greater offense than the thing I was criticizing.I could not find a link to the Toyota Avalon commercial with "Can't Stop Loving You." In my searches I did, however, learn that Taylor Swift did her own cover version in 2019. https://www.youtube.com/watch?v=O6FXmdoGut8I recommended a couple of YouTube channels, so here are the links!Tim Pierce: https://www.youtube.com/c/timpierceguitarLeland Sklar: https://www.youtube.com/channel/UCs5yDeiOgkyRZGZGphlSbIwAnd here is the episode where Lee tells the story about playing on Leo Sayer's version of “Can't Stop Loving You.” It starts at 16:26. https://www.youtube.com/watch?v=I74es0kSFlw&t=1062sFollow Tom and Mike on Twitter!Tom Roche is @burningfirebushMike Lord is @zorknappTheir Tabletop Genesis podcast is on Twitter, too! Follow them at @GenesisTabletopThe show also has a Facebook page (Tabletop Genesis) and a website, http://tabletopgenesis.com/, where you can get the podcast, take their polls and learn more about the program.(To the tune of Follow You, Follow Me) You can follow them, will you follow me…Al is on Twitter at @almelchiorBB, and this show has accounts on Twitter and Instagram at @youmealbum. Be sure to follow @youmealbum to find out in advance about upcoming guests and featured albums for this podcast.Al has recently launched You, Me and An Album: The Newsletter. You can subscribe for free to get Al's monthly posts, but paid subscriptions give you access to weekly posts and much more. Please consider trying a paid subscription as it also helps to support this podcast! https://youmealbum.substack.com1:16 Mike and Tom join the show3:01 Al and Mike explain how this episode came to be6:47 Tom hadn't listened to Testify much before preparing for this episode8:53 Al didn't even know Testify existed until several years after its release9:49 Al wonders if he can evaluate Testify fairly and enlists Tom and MIke's help16:40 Mike and Al consider whether they would have liked Testify 20 years ago17:54 Phil Collins' albums often reflect his mood at the time he records them18:47 Testify has a different sound than Phil's other albumsReactions to the album's tracks (slightly out of order)20:14 Wake Up Call26:37 Testify30:38 Come with Me35:47 Don't Get Me Started40:34 Swing Low44:28 It's Not Too Late50:46 This Love This Heart53:08 Driving Me Crazy57:55 The Least You Can Do1:00:27 Can't Stop Loving You1:06:58 Thru My Eyes1:09:31 You Touch My Heart1:11:36 Tom, Mike and Al consider how to re-sequence the album1:13:48 Tom, Mike and Al determine where they'd rank Testify among Phil's albums1:22:24 Mike was pleasantly surprised at his Twitter feed's reaction to us doing this podcast

The image of bluegrass is mountain music played and heard at high altitudes and towns like Deep Gap and remote mountain hollers across the Appalachians. But the earliest form of the music originated at lower elevations, in textile towns across the North Carolina Piedmont. As far back as the 1920s, old-time string bands like Charlie Poole's North Carolina Ramblers were playing an early form of the music in textile towns, like Gastonia, Spray, and Shelby - in Cleveland County west of Charlotte.In this second episode of Carolina Calling, we visit the small town of Shelby: a seemingly quiet place, like most small Southern towns one might pass by in their travels. Until you see the signs for the likes of the Don Gibson Theatre and the Earl Scruggs Center, you wouldn't guess that it was the town that raised two of the most influential musicians and songwriters in bluegrass and country music: Earl Scruggs, one of the most important musicians in the birth of bluegrass, whose banjo playing was so innovative that it still bears his name, “Scruggs style,” and Don Gibson, one of the greatest songwriters in the pop & country pantheon, who wrote “I Can't Stop Loving You,” “Sweet Dreams,” and other songs you know by heart. For both Don Gibson and Earl Scruggs, Shelby is where it all began.Subscribe to Carolina Calling to follow along as we journey across the Old North State, visiting towns like Greensboro, Durham, Wilmington, Asheville, and more.Brought to you by The Bluegrass Situation and Come Hear NCMusic featured in this episode:Charlie Poole & The North Carolina Ramblers - "Take a Drink On Me"Flatt & Scruggs - "Ground Speed"Don Gibson - "I Can't Stop Loving You"Andrew Marlin - "Erie Fiddler" (Carolina Calling Theme)Hedy West - "Cotton Mill Girl"Blind Boy Fuller - "Rag Mama, Rag"Don Gibson - "Sea Of Heartbreak"Patsy Cline - "Sweet Dreams "Ray Charles - "I Can't Stop Loving You"Ronnie Milsap - "(I'd Be) A Legend In My Time"Elvis Presley - "Crying In The Chapel"Hank Snow - "Oh Lonesome Me"Don Gibson - "Sweet Dreams"Don Gibson - "Oh Lonesome Me"Chet Atkins - "Oh Lonesome Me"Johnny Cash - "Oh, Lonesome Me"The Everly Brothers - "Oh Lonesome Me"Neil Young - "Oh Lonesome Me"Flatt & Scruggs - "Foggy Mountain Breakdown"Bill Preston - "Holy, Holy, Holy"Flat & Scruggs - "We'll Meet Again Sweetheart"Snuffy Jenkins - "Careless Love"Bill Monroe - "Uncle Pen"Bill Monroe - "It's Mighty Dark to Travel"The Earl Scruggs Revue - "I Shall Be Released"The Band - "I Shall Be Released"Nitty Gritty Dirt Band - "Will The Circle Be Unbroken"The Country Gentlemen - "Fox on the Run"Sonny Terry - "Whoopin' The Blues"Sonny Terry & Brownie McGee - "Born With The Blues (Live)"Nina Simone - "I Wish I Knew How It Would Feel To Be Free"Cover image courtesy of the Don Gibson TheatreAdvertising Inquiries: https://redcircle.com/brands

灵魂乐是 1950 年代发源于美国的一种结合了节奏蓝调和福音音乐的音乐流派。 紧扣节奏、拍掌、即兴形体动作，是它的重要特征。 灵魂乐独唱与伴唱之间的交流对唱、特别紧绷的发声，也是其主要特色。对我来说，灵魂乐那种强烈而饱满的情绪，在我的音乐生活中有着无可替代的地位，只有灵魂乐，能填补我的灵魂。这期节目，从我个人的理解和音乐流派发展历史的角度，和你聊聊灵魂乐的起源。希望你会喜欢 :)

#45-41Intro/Outro: I Can't Stop Loving You by Ray Charles45. Comfortably Numb by Pink Floyd (5)44. Jailhouse Rock by Elvis Presley (5)43. Hey Ya! by OutKast42. Buddy Holly by Weezer41. It's So Easy by Buddy Holly (3)Balderdash alert

This internationally renowned R&B singer/songwriter has to his credit: one Platinum-selling album (KEM: ALBUM II); two Gold-selling albums (KEMISTRY; INTIMACY); three GRAMMY nominations; five #1 hit singles (“Love Calls,” “I Can't Stop Loving You,” “Why Would You Stay,” “It's You” and “Nobody”), along with several sold-out national tours and international shows. In spite of his success in the world of R&B, many still don't know the true depths of KEM, his music, his passion for songwriting or his journey from homelessness and addiction to sobriety that have given life to his music and thousands of fans. Consequently, he's often called “R&B's Best Kept Secret.”http://www.musicbykem.com/https://www.instagram.com/musicbykem/?hl=en@thecareermusician@nomadsplace