Podcasts about De Profundis

Tired is only in the mind. Everyone's great when they aren't tired. It's when they're tired is when the real champions come out. SpeakersPatrick MouratoglouGet Patricks book "Champion Mindset: Coach Yourself to Win at Life": https://www.patrickmouratoglou.com/en/champion-mindset-pre-order/www.patrickmouratoglou.comhttps://www.instagram.com/patrickmouratoglouhttps://www.youtube.com/@patrickmouratoglou_officialMichael Phelpshttps://www.instagram.com/m_phelps00Serena Williamshttps://www.instagram.com/serenawilliams/Tim Groverhttps://www.instagram.com/timgroverRobert Greenehttps://www.youtube.com/@RobertGreeneOfficialKobe Bryanthttps://www.instagram.com/kobebryantPatrick Bet-Davidhttps://www.youtube.com/@VALUETAINMENTTim Groverhttps://www.instagram.com/timgrover/Aaron Rodgershttps://www.instagram.com/aaronrodgers12/Music: Secession Studios - Forever Upward, De Profundis, A Phoenix Riseshttps://www.youtube.com/user/thesecession Hosted on Acast. See acast.com/privacy for more information.

SCRIPTURE- John 10:29-30"My Father, who has given them to me, is greater than all, and no one can take them out of the Father's hand. The Father and I are one.”REFLECTION- Sr. CarolMUSIC- "De Profundis" by WorldHarmonic- "He's Got the Whole World in His Hands" by The Staple Singers- "He's Got the Whole World" instrumental by Bill Traylor- "Interlude" ft. Canea Quartett by AbbottNOTES- PRAYER OF LETTING GOTo You do I belong, O God, into Your hands I surrender my life. Pour out Your Spirit upon me that I may love You perfectly, and serve You faithfully until my soul rests in You.

Welcome to Day 2870 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2870 – Wisdom Nuggets – Psalm 131:1-3 Daily Wisdom Wisdom-Trek Podcast Script - Day 2870 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2870 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The title for today's Wisdom-Trek is: The Song of Ascent – The Sanctuary of the Quiet Soul In our previous episode on this grand pilgrimage, we crawled through the dark, suffocating currents of the eleventh Song of Ascent, Psalm One Hundred Thirty. We stood at the very bottom of the spiritual abyss, De Profundis, crying out from the depths of personal and corporate guilt. We witnessed the hyper-vigilant sentry straining his eyes on the city battlements, waiting with absolute, unshakeable certainty for the first radiant rays of the dawn. We celebrated the staggering reality of Yahweh's celestial ledger-erasing forgiveness, and we anchored our lives to a redemption that completely overflows, buying our souls back from the legal custody of the dark powers. Today, we step forward onto the next section of the mountain pass, moving into the twelfth song of this ancient pilgrim collection. We are exploring Psalm One Hundred Thirty-One, verses one through three, in the New Living Translation. This masterpiece, written by King Solomon's father, King David, is one of the shortest psalms in the entire Bible, containing only three brief verses. Yet, what it lacks in length, it more than makes up for in profound, world-altering psychological depth. It provides the perfect, beautiful emotional resolution to the desperate cry of the previous psalm. Once a soul has been lifted out of the depths of the abyss, and completely cleansed by the overflowing mercy of the King, the frantic striving, the exhausting pride, and the paralyzing anxieties of this life simply melt away. Let us step onto this quiet, sunlit ridge of the trail, and learn the rare art of a quiet soul. The first segment is: The Abdication of Cosmic Hubris Psalm One Hundred Thirty-One: verse one. Lord, my heart is not proud; my eyes are not haughty. I don't concern myself with matters too great or too awesome for me to grasp. The song opens with an intimate, raw, and deeply transparent confession made directly to the Creator. “Lord, my heart is not proud; my eyes are not haughty.” To fully appreciate the staggering nature of this statement, we must look at the identity of the writer. This is King David speaking. David was not a quiet, sheltered monk living far away from the realities of the world. David was a towering giant of human history. He was a ruthless warrior who slaughtered tens of thousands on the battlefield, a brilliant political strategist who unified a fractured nation, and a wealthy monarch who established an empire. He was a man who possessed every earthly reason to be consumed by arrogance. Yet, as he walks the pilgrim road to Jerusalem, stripping off his royal robes and marching shoulder-to-shoulder with the lowliest peasants, he looks up to the heavenly throne room and declares, “Lord, my heart is not proud.” The Hebrew word for proud here implies being swollen, inflated, or lifted up above your proper station. David refuses to let his heart be infected by the toxic gas of self-importance. He adds, “...my eyes are not haughty.” Haughty eyes are visually raised eyes. It is the posture of a person who constantly looks down their nose at others, treating fellow image-bearers with condescension and contempt. We remember from our trek through Psalm One Hundred Twenty-Three how deeply the pilgrims suffered from the contempt of the proud and the arrogant proxies of the culture. David actively abdicates that posture. He refuses to participate in the competitive, status-driven games of the world. He then provides the practical, operational definition of his humility: “I don't concern myself with matters too great or too awesome for me to grasp.” Other translations render this phrase, “Neither do I exercise myself in great matters, or in things too wonderful for me.” The Hebrew phrase for “too awesome” or “too wonderful” is b'nifla'ot mimeni, which refers to things that are hidden, supernatural, or beyond human jurisdiction. We must view this through the lens of the Ancient Israelite divine council worldview, as masterfully taught by Doctor Michael S. Heiser. In the ancient Near East, the great temptation for human rulers was cosmic hubris. The rebel spiritual principalities—the fallen elohim of the nations—rebelled against Yahweh precisely because they wanted to overstep their assigned boundaries. They wanted to hoard forbidden knowledge, manipulate cosmic events, and ascend to heights that were reserved exclusively for the Most High God. They infected human empires with this same madness, driving pagan kings to perform dark, esoteric rituals to uncover the hidden secrets of the gods, frantically trying to control the future through sorcery and political manipulation. David looks at the chaotic, overreaching ambition of the rebel gods and their earthly empires, and he completely opts out. He says, “I am not an elohim. I am a human being made of dust. I am a servant, not the Master. I do not need to understand the hidden, complex mechanics of how Yahweh governs the unseen spiritual realm. I do not need to stay awake at night frantically worrying about the turning of the cosmic gears, or trying to decipher every single hidden mystery of the universe.” True wisdom lies in knowing your limitations within God's created order. It is the peace of acknowledging that you do not have to be omniscient, because you serve a King who is. David abdicates the burden of trying to run the cosmos, choosing instead to manage the small, specific territory of his own obedience. The second segment is:The Sanctuary of the Weaned Child Psalm One Hundred Thirty-One: verse two. Instead, I have calmed and quieted myself, like a weaned child who no longer cries for its mother's milk. Yes, like a weaned child is my soul within me. Having cleared away the noisy, exhausting clutter of pride and cosmic anxiety, the psalmist introduces one of the most beautiful, tender, and emotionally resonant metaphors in all of Holy Scripture. “Instead, I have calmed and quieted myself, like a weaned child who no longer cries for its mother's milk. Yes, like a weaned child is my soul within me.” Notice the active verbs used here: “I have calmed and quieted myself.” This tells us that a peaceful soul is not something that happens to us automatically or accidentally. It requires aggressive, intentional self-discipline. The natural human heart is a raging storm of desires, appetites, and demands. Left to itself, your soul will scream for attention, throwing continuous tantrums for more control, more validation, and more security. To calm and quiet the soul means you have to actively take the reins of your inner life, speaking the authoritative words of the Creator over your own internal chaos: “Peace, be still.” To illustrate this quietness, David invites us to look at a mother and her child. But pay close attention to the specific stage of development he highlights: it is a weaned child. In the ancient Near East, a child was typically not weaned until they were three, or even four, years old. An unweaned, nursing infant operates on a purely transactional, high-stress relationship with its mother. When that tiny baby is hungry, it doesn't care about the mother's comfort, the time of night, or the surrounding environment. It experiences a physical craving, and it screams. It scratches, it claws, and it treats the mother not as a person to be loved, but as a utility to be consumed. The moment it gets what it wants, it falls asleep; the moment the milk is delayed, the frantic, red-faced panic returns. This is a profound, accurate description of how many of us naturally relate to the Creator. We live as spiritual infants, completely unweaned from the world. Our relationship with Yahweh is entirely transactional. We approach His throne room only when we want something, when we are desperate for a blessing, hungry for a breakthrough, or terrified of a crisis. We scratch and claw at His hand, demanding that He fulfill our immediate desires according to our precise timeline. And if the answer is delayed, or if the blessing is withheld, we immediately throw a spiritual tantrum, accusing God of abandoning us, and allowing our hearts to spin into a frenzy of anxiety. But look at the weaned child. This older child has gone through the painful, difficult process of having the immediate gratification of the milk removed. They have survived the transition. And now, they come to...

Welcome to Day 2868 of Wisdom-Trek. Thank you for joining me. This is Guthrie Chamberlain, Your Guide to Wisdom. Day 2868 – Wisdom Nuggets – Psalm 130:1-8 Daily Wisdom Wisdom-Trek Podcast Script - Day 2868 Welcome to Wisdom-Trek with Gramps! I am Guthrie Chamberlain, and we are on Day 2868 of our Trek. The Purpose of Wisdom-Trek is to create a legacy of wisdom, to seek out discernment and insights, and to boldly grow where few have chosen to grow before. The Title for Today's Wisdom-Trek is: The Song of Ascent – Out of the Depths of the Cosmic Abyss In our previous episode on this grand pilgrimage, we traveled along the rugged trails of the tenth Song of Ascent, Psalm One Hundred Twenty-Nine. We confronted the gritty, painful reality of the survivor. We looked at the deep, bloody furrows plowed across the back of the covenant community by the wicked—the earthly agents of the rebel spiritual principalities. Yet, we celebrated the triumphant, sharp justice of Yahweh, who stepped onto the field and sliced the harnesses of oppression in half. We saw that while the haters of Zion look elevated, they are ultimately nothing more than shallow roof-grass, destined to wither into worthlessness under the heat of divine judgment. Today, we take our next deliberate, introspective steps up the mountain pass toward Jerusalem. We are exploring the eleventh song in this ancient collection: Psalm One Hundred Thirty, verses one through eight, in the New Living Translation. Historically, this deeply moving psalm has been known in the Christian tradition by its opening Latin words, De Profundis, which translate to, "Out of the Depths." The psalmist shifts our focus from the external persecution of worldly enemies, to the internal, suffocating weight of personal and corporate guilt. We are moving from the battlefield of physical survival, into the profound spiritual depths of the human soul, learning how to cry out for mercy when we are drowning in our own brokenness. Let us step onto the trail, and listen to the desperate cry for redemption. The first segment is: Crying from the Chaotic Waters of Despair Psalm One Hundred Thirty: verses one and two. Out of the depths of despair, O Lord, I call for your help. Hear my cry, O Lord. Listen to my prayer. The song opens not with a shout of triumph, but with a muffled, echoing cry from the dark. "Out of the depths of despair, O Lord, I call for your help. Hear my cry, O Lord. Listen to my prayer." To truly comprehend the terrifying weight of this opening, we must view the imagery through the lens of the Ancient Israelite worldview. The Hebrew word for "depths" is ma'amaqim. In the ancient Near East, the deep, dark, and churning waters of the ocean were not viewed merely as a geographic feature; they represented primeval chaos, the cosmic abyss, and the terrifying domain of death. The sea was the playground of Leviathan, and the watery throat of Sheol—the underworld. To be in "the depths" meant you were drowning, completely overwhelmed by cosmic forces, suffocating in total darkness, and entirely cut off from the land of the living. But what has dragged the psalmist down into this spiritual abyss? It is not the armies of Babylon this time; it is the realization of his own sin. The depths of despair represent the suffocating environment of guilt. When you recognize how far you have fallen from the cosmic blueprint of the Creator, the psychological weight can feel like a multi-ton tidal wave, pinning you to the ocean floor. Yet, look at the direction of his cry. Even from the bottom of the chaotic abyss, wrapped in the dark currents of his own failure, the pilgrim directs his voice straight upward. He calls out to the Name of Yahweh. He begs, "Hear my cry, O Lord. Listen to my prayer." This is an act of fierce, desperate faith. The rebel spiritual forces—the corrupt elohim of the Divine Council—want the guilty soul to believe that it is permanently abandoned, that the abyss has claimed them forever. But the psalmist refuses to listen to the blackmail of the enemy. He knows that the voice of the Creator can penetrate the deepest, darkest waters of the cosmic void. When you are drowning in your own brokenness, you must use your final breath to send an SOS straight to the heavenly throne room. The second segment is: The Celestial Ledger and the Scandal of Grace Psalm One Hundred Thirty: verses three and four. Lord, if you kept a record of our sins, who, O Lord, could ever survive? But you offer forgiveness, that we might learn to fear you. Standing before the cosmic courtroom of heaven, the psalmist poses a chilling, rhetorical question that seals the fate of all humanity. "Lord, if you kept a record of our sins, who, O Lord, could ever survive?" In the ancient Near Eastern worldview, it was believed that the gods kept rigorous, celestial ledgers. The rebel principalities kept meticulous books, recording every infraction, every mistake, and every failure of mankind, utilizing those records to extort, torture, and condemn human beings. They demanded absolute, flawless perfection, but provided absolutely no grace. If Yahweh operated on the same system, the cosmic trial would be over before it even started. The Hebrew word for "survive" here means to stand. If God brought out the unedited ledger of our hidden thoughts, our compromised motives, and our outright rebellions, every single human being, every angel, and every member of the council would instantly collapse under the weight of perfect justice. No one could stand. But then, the psalmist introduces a staggering, paradigm-shifting truth that completely shatters the cosmic legal system of the enemy. Verse four declares, "But you offer forgiveness, that we might learn to fear you." This is a beautiful, supernatural paradox. In our human way of thinking, we assume that if a judge lets a criminal off the hook, the criminal will lose all respect for the law. We think that punishment produces fear, and forgiveness produces carelessness. But in the economy of the Most High God, the exact opposite is true. The rebel gods of the pagan nations used fear and guilt to manipulate their followers into slavery. They never offered true, total forgiveness; they only offered temporary, expensive truces. But Yahweh performs a miracle of grace. He skims off the record of our sins, completely erasing the ledger through His covenant love. When a human being, drowning at the bottom of the abyss, experiences the overwhelming, unmerited release of divine forgiveness, it triggers a profound, holy shockwave in their soul. They don't become careless; they become utterly captivated. They develop a deep, trembling, and reverential awe—the true "fear of the Lord." They realize they are dealing with a King who is too good, too powerful, and too merciful to ever be trifled with. Forgiveness doesn't produce license; it produces absolute, unswerving loyalty to the true Sovereign of the cosmos. The third segment is: The Hyper-Vigilant Vigil for the Sun of Righteousness Psalm One Hundred Thirty: verses five and six. I am counting on the Lord; yes, I am counting on him. I have put my hope in his word. I long for the Lord more than sentries long for the dawn, yes, more than sentries long for the dawn. Having received the assurance of forgiveness, the psalmist transitions into a posture of patient, yet hyper-vigilant, waiting. "I am counting on the Lord; yes, I am counting on him. I have put my hope in his word." The Hebrew word for "counting on," or "waiting," is qavah, which carries the visceral idea of twisting cords together to make a strong rope. It implies an active, muscular tension. The pilgrim is not waiting passively, like a person sitting bored in a doctor's office. He is binding his soul tightly to the promises of God, bracing himself for the long watch. He has anchored his hope exclusively to the "word"—the cosmic decrees and covenant oaths of Yahweh. He illustrates the intensity of this waiting with a beautiful, hauntingly repetitive military metaphor in verse six. "I long for the Lord more than sentries long for the dawn, yes, more than sentries long for the dawn." To understand this, we must remember our previous treks through the Songs of Ascents, specifically Psalm One Hundred Twenty-Seven, where we learned about the vital role of the watchman guarding the city walls. Imagine a sentry stationed on the high stone battlements of Jerusalem during the ancient night watch. The darkness around him is heavy, absolute, and infested with hidden dangers. The enemy principalities and their human proxies do their most destructive work...

Dave's been throwing parties. Three in four days. Confirmation sponsor for a friend's son, family and friends over the next night, and then — because the universe has a sense of humor — some local gentleman decided to remodel Dave's brick mailbox. With his truck. At speed. Bricks were found over a hundred feet away. The guy left his license plate behind, which Dave is now holding like a man who accidentally picked up evidence and doesn't know what to do with it. The driver's fine. Well — he's in jail. But he's alive. Dave wants him to know that God's mercy is always ready and present, even for the man who turned a brand-new brick mailbox into gravel.Meanwhile, Adam got a new plum tree. Planted a maple. He's getting oaks for the pig pen so they'll drop acorns someday. One of his chickens died in a water barrel trap that nobody designed on purpose — the lid flipped, the chicken couldn't get out. Farm life. And then the real news: baby Mary is doing better. Haylee got to hold her. Adam held her for over three hours — only his second time since she was born in February. Three months of NICU, and the man finally got to just sit with his daughter. Praise God. Keep those prayers coming.Also — Adam's turning 40 on June 2nd. And Lady Pamela is due with their next baby on June 4th. They floated the idea of recording an episode in the delivery room. Pamela has not been consulted.This week we're sipping 13th Colony Distilleries Southern Rye Whiskey, French Oak Finish, Small Batch — 47.5% ABV. Platinum award-winning. Silky texture with hints of rye, apricot, and brown sugar. The rye's there but it doesn't overpower — still has a lot of bourbon elements to it. About forty bucks. That's a great buy.Then the conversation turns to something Adam's son Jude sparked. Jude — Adam's second oldest — just finished reading the entire Bible, Genesis through Revelation, straight through. Now he's reading the Council of Trent Catechism. He's a kid. Nobody told him to do this. He just had good books lying around the house and picked them up. That's the whole point.The virtue of study — studiositas — isn't what school taught us it was. It's not cramming. It's not memorizing facts to dump after the test. Aquinas calls it a habit of the mind ordered towards truth. Classical education at its best doesn't fill your head — it forms the way you think. The more you read rightly, the more you can arrive at correct conclusions through a sound process, not just recall. Study leads to contemplation. Contemplation is rest in truth. And it's not about finishing the book. If you're reading to check the box, you've already lost the plot. Sit with it. Let yourself be carried. The intellectual life doesn't compete with the family — it serves the family.From there, Adam and Dave go back and forth on the books that actually formed them. Adam leads with Joseph Pieper's In Tune with the World — a short, devastating argument for why festivity dies when we strip the divine out of celebration. Dave counters with The Soul of the Apostolate — the book that reordered his understanding of what has to come first before any ministry means anything. Adam brings John Senior's The Restoration of Christian Culture — hard opinions, harder truths, and a quote worth sitting with: the virtue of study requires a canon, a body of great works proven across time. Without tradition to guide what's worth studying, you're just chasing novelty.Dave goes deep on Fr. Timothy Gallagher's The Discernment of Spirits — a practical walkthrough of St. Ignatius's rules that shed light on the stages of the spiritual life and how the enemy shifts tactics as you grow. Adam responds with Raymond Arroyo's biography of Mother Angelica — a story of suffering, faithfulness, and a woman who said yes without knowing where it would lead. Dave makes a case for the Psalms — Psalm 51, the De Profundis in Latin, and the realization that there's a psalm for every moment of a man's life, and he'd been skimming past them for years.Adam goes deep cut: Fr. Paul Murray's Aquinas at Prayer — a book that reoriented his understanding of St. Thomas from pure intellect to contemplative soul. Dave brings Divine Mercy in My Soul by St. Faustina — hundreds of pages of our Lord's words on mercy that are sometimes scandalously generous. Adam throws in Simon Sinek's Start with Why as the non-Catholic book that changed how he thought about business, marriage, and fatherhood. Both men land on fiction that haunts them — Adam with Sigrid Undset's Kristin Lavransdatter, Dave with Candice Millard's Hero of the Empire on young Churchill. They touch on Lencioni's Five Dysfunctions of a Team, Gone with the Wind, the bishop chapters of Les Misérables, Neil Postman's Amusing Ourselves to Death, and close with John Senior's Thousand Good Books — the canon itself, the list that connects it all.They end where they always end: with Plato. They're halfway through the Republic in their great books group. David sits on the dumb couch. He knows he sits on the dumb couch. He's fine with it.Raise your glass.TOPICS COVEREDDave's brick mailbox obliterated by a truck — bricks found 100 feet away, driver in jail, license plate left behindThree parties in four days at Porter Prairie: confirmation, family gathering, and involuntary demolitionDave building a grain cradle for his scythe for the upcoming grain harvestAdam's new plum tree, maple tree, and oak trees planned for the pig penThe chicken that died in a water barrel trap nobody designed on purposeBaby Mary update — doing better, Adam held her for three hours, Haylee held her tooAdam turning 40 on June 2nd and Lady Pamela due June 4thBourbon of the week: 13th Colony Distilleries Southern Rye Whiskey, French Oak Finish, 47.5% ABVJude Minihan reading the entire Bible and now the Council of Trent Catechism — and nobody told him toWhy having good books lying around the house matters more than assigned readingThe virtue of studiositas — Aquinas on study as a habit of the mind ordered towards truthStudy isn't cramming — it's forming the way we think, not filling our headsWhy finishing the book isn't the point — sit with it, let yourself be carriedThe intellectual life doesn't compete with family — it serves the familyJoseph Pieper's In Tune with the World — why festivity dies without the divineThe Soul of the Apostolate — what has to come first before any ministry mattersJohn Senior's The Restoration of Christian Culture — hard opinions and the necessity of a canonFr. Timothy Gallagher's The Discernment of Spirits — St. Ignatius's rules made practicalRaymond Arroyo's biography of Mother Angelica — suffering, faithfulness, and saying yesThe Psalms as treasure — Psalm 51, the De Profundis in Latin, and why Dave had been skimming past themFr. Paul Murray's Aquinas at Prayer — reorienting Aquinas from intellect to contemplativeSt. Faustina's Divine Mercy in My Soul — mercy so generous it's almost scandalousSimon Sinek's Start with Why — a non-Catholic book that changed everythingSigrid Undset's Kristin Lavransdatter — fiction that haunts you because it doesn't read like fictionCandice Millard's Hero of the Empire — young Churchill before the cigar and the brandyPatrick Lencioni's Five Dysfunctions of a Team — why hard conversations are acts of charityGone with the Wind — Rhett Butler as a man whose virtues take a lifetime to findThe bishop chapters of Les Misérables — Hugo's best character, written by a man who wasn't even a fan of the ChurchNeil Postman's Amusing Ourselves to Death — prophetic in 1985, terrifying nowJohn Senior's Thousand Good Books — the canon that connects all the great worksThe Count of Monte Cristo as a commentary on Dante's InfernoPlato's dialogues — the Republic, Euthyphro, the Symposium, and why you need a great books groupAdam sits on the dumb couch at great books night and he's fine with itREFERENCED IN THIS EPISODEBooks & Writings:In Tune with the World: A Theory on Festivity by Joseph PieperLeisure, the Basis of Culture by Joseph Pieper (mentioned)The Intellectual Life by A.G. SertillangesThe Soul of the Apostolate (Dave's pick)The Restoration of Christian Culture by John SeniorThe Death of Christian Culture by John Senior (mentioned)The Discernment of Spirits by Fr. Timothy Gallagher (based on St. Ignatius's rules)Mother Angelica: The Remarkable Story of a Nun, Her Nerve, and a Network by Raymond ArroyoAquinas at Prayer by Fr. Paul Murray, O.P.Divine Mercy in My Soul by St. Maria FaustinaStart with Why by Simon SinekKristin Lavransdatter by Sigrid UndsetAnna Karenina by Leo TolstoyThe Five Dysfunctions of a Team by Patrick LencioniGone with the Wind by Margaret MitchellHero of the Empire: The Boer War, a...

Oudemuziekkenner Kees Koudstaal presenteert de mooiste en recentste CD’s met oude en klassieke muziek. Aandacht voor de net verschenen albums van Sollazzo Ensemble, Hester Groenleer en Matthias Havinga, De Profundis, Lautten Compagney Berlin en Modo Antiquo. 1a. Guillaume Du Fay (1397-1474) – ‘O sante Sebastiane' 1b. Matteo da Perugia (fl. 1400-1416) – ‘Pres du soloil' […]

Robert, Eamonn and Catherine, Robert's 'French baroque wife', talk Morales, Charpentier and wildly dramatic Schubert. Performances by De Profundis, Le Concert Spirituel and Concentus Musicus Wien.Support this show http://supporter.acast.com/choral-chihuahua. Hosted on Acast. See acast.com/privacy for more information.

Derrière la célébrité du plus célèbre Londonien de tous les temps, se cachent les failles et les ambiguïtés d'un Irlandais irréductible.Plongez dans l'histoire des grands personnages et des évènements marquants qui ont façonné notre monde ! Avec enthousiasme et talent, Franck Ferrand vous révèle les coulisses de l'histoire avec un grand H, entre mystères, secrets et épisodes méconnus : un cadeau pour les amoureux du passé, de la préhistoire à l'histoire contemporaine.Hébergé par Audiomeans. Visitez audiomeans.fr/politique-de-confidentialite pour plus d'informations.

Schauspielerin und Kabarettistin Maren Kroymann ist berührt von dem konzentrierten Monologabend, der aus einem langen Brief Oscar Wildes an dessen Liebhaber entstanden ist. Sie geht auf die Beziehung der beiden ein und ordnet sie innerhalb der Zeit ein. Schauspieler Jens Harzer erzählt davon, wie er sich am Vorstellungstag auf den großen Monolog vorbereitet und wie er zu Oscar Wilde steht.Mehr Informationen und Tickets für "De Profundis" am Berliner Ensemble findet ihr unter https://www.berliner-ensemble.de/inszenierung/de-profundisWie war's? Das wollen wir auch von Euch wissen!Schickt uns Euer Feedback zum Podcast per Mail an podcast@berliner-ensemble.de oder schreibt uns Eure Meinung auf den Social-Media-Kanälen unter den Hashtags #BEpodcast und #BEwiewars Hosted on Acast. See acast.com/privacy for more information.

Join Father Peter George Flynn as he explores Psalm 129, De Profundis, the penitential psalm historically recited at the end of every Mass in Ireland. Reflect on the depths of sin, the hope of redemption, and the power of prayer for the souls of the departed. Experience the rich history, spiritual insight, and guidance for […] L'articolo Catechesis – 129, De Profundis: The Sixth Penitential Psalm – Fr Peter George Flynn OFM proviene da Radio Maria.

This short work of Wilde's was written during his two year incarceration for "gross indecency". This work is a letter which sorts out his life, and his love toward Lord Alfred Douglas. Wilde wrote this as a farewell letter to Douglas. NOTE: "Transcribed from the 1913 Methuen & Co. edition. Note that later editions of De Profundis contained more material. The most complete editions are still in copyright in the U.S.A."Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This short work of Wilde's was written during his two year incarceration for "gross indecency". This work is a letter which sorts out his life, and his love toward Lord Alfred Douglas. Wilde wrote this as a farewell letter to Douglas. NOTE: "Transcribed from the 1913 Methuen & Co. edition. Note that later editions of De Profundis contained more material. The most complete editions are still in copyright in the U.S.A."Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which novel, intended to "induce kindness, sympathy and an understanding treatment of horses", was written by Anna Sewell? Question 2: Whose works the "Ballad Of Reading Gaol" and "De Profundis" were written from his experiences in prison? Question 3: Which author wrote 'A Wrinkle in Time'? Question 4: Which author wrote 'Great Expectations'? Question 5: Which author wrote 'A Scandal in Bohemia'? Question 6: Which book contains the character 'Kurtz'? Question 7: Which author wrote 'Persuasion'? Question 8: The painting "Cafe Terrace at Night" by ‎Vincent van Gogh is a part of which art movement? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

11-19-25: De Profundis Prayer - Sr. Mary Brigid, Desert Nuns of Our Lady of Solitude by

Im Berliner Ensemble bringt Jens Harzer den Brief "De Profundis" von Oscar Wilde auf die Bühne - solo im Dialog mit einem abwesenden Geliebten. Er ahmt Wilde nicht nach, sondern setzt sich frei mit Liebe, Verrat und persönlicher Reifung auseinander. Timm, Ulrike www.deutschlandfunkkultur.de, Im Gespräch

Oscar Wilde remains one of the greatest writers in the modern era. A genius with the pen he was born in Dublin, Ireland on October 16 1854 an died on November 30th 1900 in Paris, France. He took his artistic talents from his mother Jane Francesca Elgee, a poet and a journalist.He published his fairy tales for his two sons in 1888. His only novel, the Picture of Dorian Grey was published in 1891 to a very negative response owing mostly to the depiction of homoeroticism. The dialogue in this book is some of the best dialogue I have ever had the pleasure of reading. His truest talent lay in the writing of his plays, Lady Windermere's Fan in 1892, A Woman of No Importance in 1893, An Ideal Husband in 1895 and the Importance of Being Earnest, also in 1895.Losing a case he had brought for libel against the Marquis of Queensbury for having accused him of homosexuality, he was arrested and tried for gross indecency and was sentenced to 2 years of hard labour. He wrote De Profundis while in prison.When released in 1897 he wrote The Ballad of Reading Gaol for his concerns about prison conditions. He spent the rest of his life wandering around Europe, penniless, staying with friends. He died in a cheap hotel in Paris of cerebral meningitis.I welcome opinions of every kind so please come and find me on social media at:Instagram: TwoandaMicTwitter: TwoandaMic1TikTok: Twoandamic2Should I really have to ask?

Programa #673 - Plan de Inmersiones 00,05'44” — Tendremos el privilegio de charlar con Laura Marroni, Vicepresidenta Ejecutiva de DAN Europe, buceadora, exploradora e investigadora en seguridad y medicina del buceo, oradora destacada en las Diving Talks 2025. 00,26'17” — Seguiremos con más invitados destacados, David de las Heras, Director ejecutivo de De Profundis y Regional Manager de SDI/TDI/ERDI/PFI para el Sur de Europa, uno de los más relevantes patrocinadores del Congreso Diving Talks de Lisboa. 00,56'45” — «Buceo con Ciencia», una cita en el fondo del mar para el aprendizaje, con la Dra. en Biología Marina, Mercedes Varela, Directora de Posidonia Ecosports, Alicante. 01,14'50” — «Cuéntame un Pecio», la sección que nos presenta Alejandro Gandul, en la que nos narra alguna dramática historia en la que un hermoso barco, se convirtió con el tiempo, en un museo abierto, visitado únicamente por hombres rana. 01,37'34” — «Encuentros en la IIIª Fase con RV», cita con la experiencia y el profundo conocimiento de toda una vida dedicada al mundo del buceo. Ramón Verdaguer nos sorprende en cada ocasión y esta no será diferente. Con las micro-secciones habituales del programa, «Una historia en el fondo del Mar», el repasito al «Archivo AOLDE» y la «Agenda de propuestas» para tu tiempo en superficie, hasta la próxima inmersión. Nos daremos, una noche más, por buceados. La foto de la semana nos sumerge en un sueño líquido, donde el buzo parece flotar entre dos mundos o elementos primarios: el fuego y el agua. Su luz corta la penumbra como un pensamiento luminoso que se atreve a descender hasta el corazón de la Tierra. En ese abrazo de sombras y resplandores, la vida se revela misteriosa, antigua y silenciosa… como un suspiro del planeta que respira bajo el espejo del mar. Se trata de una imagen titulada “Cenote en Llamas” y es cortesía de su autor, Tom St. George, y forma parte de la exposición fotográfica de las Diving Talks 2025. ¿Listo para la acción? Check al equipo propio y el de tu compañero, un Ok, y al agua. Sonaron en este programa: 00,00'09” — David Arkenston - Papillon - Sintonía 00,05'44” — Playing For Change - I Still Haven't Found What I'm Looking For 00,26'17” — Robbie Williams - Into the Silence 00,56'45” — Alex North - 2001 A Space Odyssey Theme song 01,13'18” — Avalon Jazz Band - La Mer (Beyond the Sea) 01,14'50” — Quique González - Terciopelo azul 01,37'34” — Neil Young - I'm the Ocean 02, 01'48” — The Wizard - Wednesday Plays Cello - Winter I. Allegro Non Molto (Vivaldi) 02,02'38” — The Well Tempered Clavier, Book II, BWV 870-893 - 5. Prelude and Fugue in D major, BWV 874 02,09'38” — Playing For Change - Tangled up In Blue _ Live Outside (feat. Luke Winslow-King & Roberto Luti) 02,15'41” — Scorpions_schenker [ Another Piece Of Meat ] Live,2006 02,19'01" — Hay Peores - Bajo El Mar (Cover de Under The Sea de La Sirenita) Sintonía

Tired is only in the mind. Everyone's great when they aren't tired. It's when they're tired is when the real champions come out. Best Motivational Speeches from Motiversity, featuring speeches from Michael Jordan, Muhammad Ali, Mike Tyson, Tom Brady, Serena Williams, and more.Special thanks to our partners:Chris Williamson: https://www.youtube.com/@ChrisWillxPatrick Bet-David: ttps://www.youtube.com/@VALUETAINMENTLewis Howes: https://www.youtube.com/@lewishowesThe Icons: https://www.youtube.com/@theiconsbymotiversitySpeakersMichael Jordanhttps://www.instagram.com/jumpman23/Muhammad Alihttps://www.instagram.com/muhammadali/Patrick MouratoglouGet Patricks book "Champion Mindset: Coach Yourself to Win at Life": https://www.patrickmouratoglou.com/en/champion-mindset-pre-order/www.patrickmouratoglou.comhttps://www.instagram.com/patrickmouratoglouhttps://www.youtube.com/@patrickmouratoglou_officialFull interview: The Icons: https://www.youtube.com/@theiconsbymotiversityEric Thomashttps://www.youtube.com/user/etthehiphoppreacherMichael Phelpshttps://www.instagram.com/m_phelps00Tom Bradyhttps://www.instagram.com/tombrady/LeBron Jameshttps://www.instagram.com/kingjames/Kobe Bryanthttps://www.instagram.com/kobebryantChris Williamsonhttps://www.youtube.com/@ChrisWillxPatrick Bet-Davidhttps://www.youtube.com/@VALUETAINMENTSerena Williamshttps://www.instagram.com/serenawilliams/Tim Groverhttps://www.instagram.com/timgrover/Aaron Rodgershttps://www.instagram.com/aaronrodgers12/Morgan Houselhttps://x.com/morganhousel?lang=enChris Bumsteadhttps://www.instagram.com/cbum/Stephen A. SmithInstagram: http://bit.ly/2oiTFWNTwitter: https://twitter.com/firsttakeFrank Brunohttps://www.instagram.com/frankbrunoboxer/Mike Tysonhttps://www.instagram.com/miketyson/Greg Plitthttps://www.instagram.com/gregplitt/?hl=enAlex Hormozihttps://www.instagram.com/hormozi/?hl=enRyan Holidayhttps://ryanholiday.net/Stephen Curryhttps://www.instagram.com/stephencurry30/?hl=enCoach PainYouTube: http://bit.ly/2LmRyeaInstagram: http://bit.ly/2XLcLW5Facebook: http://bit.ly/32tZdNiMarcus “Elevation” TaylorYouTube: https://bit.ly/MarcusATaylorChannelPatrick Bet-Davidhttps://www.youtube.com/@VALUETAINMENTRobert Greenehttps://www.youtube.com/@RobertGreeneOfficialArnold SchwarzeneggarThanks to Jürgen Höller: https://bit.ly/JürgenHöllerYouTubeMusic: Secession Studios - Forever Upward, De Profundis, A Phoenix Rises, The Untold IIhttps://www.youtube.com/user/thesecession Hosted on Acast. See acast.com/privacy for more information.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Goblinburgo, ciudad de goblins alcanzó la fama internacional por sus exportaciones de explosivos inestables y la pecuaria del garrapato, pero muy pocos conocen la complejidad de su idiosincrasia, los usos y costumbres de los goblins, el ejemplar funcionamiento de sus instituciones, el equitativo reparto de poder, los manjares y entretenimientos de una de las criaturas más representativas del universo fantástico. Disfruten pues amigos de esta crónica documental, guiados por Gandalf Attenborough, visitemos una de las ciudades más gloriosas, prósperas y caóticas del mundo. Bienvenidos a Goblinburgo... Hoy tenemos el privilegio de ficcionar a nuestro querido Fasa Ape, (El artista anteriormente conocido como José Manuel Gómez Martín), uno de nuestros más prolijos escritores del Foro De Profundis... El nos guiará como cronista infranqueable de la maravillosa sociedad goblin! Porque... Nunca se han preguntado cómo viven los goblins? A qué dedican el tiempo libre? la consistencia de sus secreciones? Probablemente no, pero a quien le importa! Esto es solo una parodia! Gracias Fasa. Gracias a todos los que hacéis posible el De Profundis. Sigan a Fasa en su perfil de Instagram: https://www.instagram.com/fasa_ape/ Únanse a nuestro foro De Profundis en noviembrenocturno.es Arte de portada del maestro Brian Froud Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

L'espectacle es podrà veure a Temporada Alta de Girona (les entrades ja estan exhaurides) i a la presó La Model de Barcelona.

durée : 00:14:54 - Disques de légende du jeudi 11 septembre 2025 - À l'occasion des 90 ans d'Arvo Pärt célébrés toute la journée sur France Musique, revenons sur une œuvre emblématique du compositeur estonien au style épuré, "De Profundis", interprétée ici par Paul Hillier et son Theatre of Voices. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

durée : 00:14:54 - Disques de légende du jeudi 11 septembre 2025 - À l'occasion des 90 ans d'Arvo Pärt célébrés toute la journée sur France Musique, revenons sur une œuvre emblématique du compositeur estonien au style épuré, "De Profundis", interprétée ici par Paul Hillier et son Theatre of Voices. Vous aimez ce podcast ? Pour écouter tous les autres épisodes sans limite, rendez-vous sur Radio France.

Beyer, Ina www.deutschlandfunk.de, Kultur heute

Müller, Tobi www.deutschlandfunkkultur.de, Fazit

The Daily Quiz - Art and Literature Today's Questions: Question 1: Which author wrote 'Harry Potter and the Cursed Child'? Question 2: The painting "The Flower Carrier" by Diego Rivera is a part of which art movement? Question 3: Which of these is NOT a work by Shakespeare? Question 4: Which author wrote 'His Last Bow'? Question 5: Which author wrote 'The Master and Margarita'? Question 6: Which piece of written work starts with the line 'In a hole in the ground there lived a hobbit.'? Question 7: Which book contains the character 'Hazel Motes'? Question 8: Which 1950's art movement presented a challenge to traditions of fine art by including imagery from popular and mass culture? Question 9: Whose works the "Ballad Of Reading Gaol" and "De Profundis" were written from his experiences in prison? This podcast is produced by Klassic Studios Learn more about your ad choices. Visit megaphone.fm/adchoices

GEORGIA STITT is an award-winning composer, lyricist, music producer, pianist, and activist. Her original musicals include Snow Child (commissioned by and premiered at Arena Stage, directed by Molly Smith), Big Red Sun (11th Hour Theater in Philadelphia, NAMT 2010), and a children's musical, Samantha Spade, Ace Detective (TADA Youth Theater), which won “Outstanding New Musical” from the National Youth Theatre in 2014 and is now licensed by Concord Theatricals. Other shows include The Danger Year, The Big Boom, The Water (winner of the 2008 ANMT Search for New Voices in American Musical Theater), Common Ground, and Mosaic.  Georgia has released four albums of her music: A Quiet Revolution (2020), My Lifelong Love (2014), This Ordinary Thursday (2007), and Alphabet City Cycle (featuring Tony-nominated actress Kate Baldwin, 2009). She is currently at work on a new album of theatrical art songs and an oratorio called The Circling Universe. Her choral piece with hope and virtue (using text from President Obama's 2009 inauguration speech) was featured on NPR, and both her orchestral piece, Waiting for Wings, co-written with husband Jason Robert Brown, and her piece for solo clarinet, Fanfare for the Ups and Downs, were commissioned and premiered by the Cincinnati Pops Orchestra. Georgia served for several years as the composer-in-residence at Pasadena Presbyterian Church, and she has written many pieces for choir, including A Better Resurrection, De Profundis, and The Promise of Light, which has often been performed by the LA Master Chorale.  Georgia is the Founder and President of Maestra Music, an organization that provides support, visibility, and community for women and nonbinary theater musicians, and through that work she has won an Obie Award and a Lilly Award and has been featured in Forbes, Billboard, Playbill, Opera News, and The New York Times. In collaboration with Lin-Manuel Miranda, she and her team at Maestra created the RISE Theatre Directory which seeks to build a more equitable and inclusive theater industry by centralizing DEIA tools and resources. Georgia is in leadership at The Dramatists Guild, The Recording Academy's Songwriters & Composers Wing, and MUSE (Musicians United for Social Equity). She has produced albums and musical events for singers and has worked in the music department on projects including Broadway's 2023 revival of Parade, NBC's The Sound of Music (Live!), the film version of The Last Five Years (starring Anna Kendrick and Jeremy Jordan), Off-Broadway's Sweet Charity (starring Sutton Foster), Disney/ABC's Once Upon a Mattress (starring Tracey Ullman and Carol Burnett), and the recent Netflix film, 13: The Musical. In her eight years living in LA, Georgia worked for America's Got Talent, Clash of the Choirs, and Grease: You're the One That I Want, and she wrote songs for MTV's The American Mall. She currently teaches Musical Theater Writing at Princeton University,  has previously taught at Pace University and USC, and is a frequent keynote speaker and master class instructor. Georgia lives in New York with her husband and their two wonderful daughters. www.georgias Learn more about your ad choices. Visit podcastchoices.com/adchoices

Tired is only in the mind. Everyone's great when they aren't tired. It's when they're tired is when the real champions come out. The Art of Winning! Best Motivational Speeches from Motiversity, featuring speeches from Michael Phelps, Serena Williams, Patrick Mouratoglou, Aaron Rodgers, Steph Curry, Tim Grover and more.Special thanks to:The Icons: https://www.youtube.com/@theiconsbymotiversityAubrey Marcus: https://www.youtube.com/@AubreyMarcusPodPatrick Bet-David: https://www.youtube.com/@VALUETAINMENTSpeakersPatrick MouratoglouGet Patricks book "Champion Mindset: Coach Yourself to Win at Life": https://www.patrickmouratoglou.com/en/champion-mindset-pre-order/www.patrickmouratoglou.comhttps://www.instagram.com/patrickmouratoglouhttps://www.youtube.com/@patrickmouratoglou_officialMichaael Phelpshttps://www.instagram.com/m_phelps00Serena Williamshttps://www.instagram.com/serenawilliams/Tim Groverhttps://www.instagram.com/timgroverRobert Greenehttps://www.youtube.com/@RobertGreeneOfficialKobe Bryanthttps://www.instagram.com/kobebryantPatrick Bet-Davidhttps://www.youtube.com/@VALUETAINMENTTim Groverhttps://www.instagram.com/timgrover/Aaron Rodgershttps://www.instagram.com/aaronrodgers12/Music: Secession Studios - Forever Upward, De Profundis, A Phoenix Riseshttps://www.youtube.com/user/thesecession Hosted on Acast. See acast.com/privacy for more information.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Esta noche, en exclusiva para todos nuestros mecenas de ivoox, tenemos el privilegio de estrenar un nuevo relato de Coquin Artero, surgido en el conciliábulo De Profundis de nuestro canal de Twitch. También incluimos el poema "Gemación", de nuestro Querido Lázaro, al que le dedicamos este episodio. Poco a poco iremos incluyendo relatos de nuestras invocaciones en el foro de Noviembre Nocturno y tratando de estar a la altura de vuestras magias. Gracias a todos los que sostenéis y apoyáis el podcast. Sin vosotros nada de esto sería posible! ^(;,;)^ Puedes encontrar este y otros relatos leídos en directo en nuestras sesiones del domingo noche de nuestro canal de Twitch aquí: Twitch.tv/noviembrenocturno Puedes seguir al maestro Coquin Arte en su cuenta de Instagram: https://www.instagram.com/coquin_tattoo/ Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

The agents lay siege to the archaeological dig site! The Corsican mafia wants...something buried under the burial grounds and it is up to the agents to stop it. They recruit mercenaries and receive the aid of a mysterious ally but will it be enough? Caleb as Eli Munny, special forces Aaron as Gina Tan, CIA translator Tom as Marcus Abrams, ex-Army pilot Chris as David Nelson, FBI agent

The agents head to Turkey to investigate a link between an archaeological dig site and the Corsican heroin trafficking route. An archaeologist died under mysterious circumstances and Delta Green believes it is linked to the occult heroin traffickers. When they arrive, the agents realize the dig site holds dark secrets. Can the agents uncover them? Caleb as Eli Munny, special forces Aaron as Gina Tan, CIA translator Tom as Marcus Abrams, ex-Army pilot Chris as David Nelson, FBI agent

Playwright Andrea James has researched a story from the 1840s, in which colonial newspapers suggested that a 'white woman' – maybe the survivor of a shipwreck – had been taken captive by Gunaikurnai people in what is now eastern Victoria.  Andrea interrogates the legend in a riveting new play called The Black Woman of Gippsland.In 1895 Oscar Wilde was sentenced to two gruelling years in Reading Gaol, for being homosexual. The experience broke his health and spirit, and towards the end of his ordeal he wrote an impassioned 80-page letter called De Profundis ('from the depths'). Acclaimed actor and singer Paul Capsis is performing the letter on stage.Athol Fugard wrote influential plays about the injustices of South Africa's racist Apartheid system on everyday people, for decades. Fugard died last month and fellow playwright and scholar Anthony Akerman tells Michael about his work and impact. 

En De Profundis, Oscar Wilde escribe a Lord Alfred Douglas desde la cárcel, donde cumplía condena por “indecencia grave”. Lo que empieza como una carta de reproche y desesperación se transforma en una profunda reflexión sobre el amor, el sufrimiento y la redención cristiana. Un episodio sobre una de las confesiones más desgarradoras de la literatura.https://linktr.ee/bibliotequeando Learn more about your ad choices. Visit megaphone.fm/adchoices

En De Profundis, Oscar Wilde escribe a Lord Alfred Douglas desde la cárcel, donde cumplía condena por “indecencia grave”. Lo que empieza como una carta de reproche y desesperación se transforma en una profunda reflexión sobre el amor, el sufrimiento y la redención cristiana. Un episodio sobre una de las confesiones más desgarradoras de la literatura.https://linktr.ee/bibliotequeando

From out of the depths Scott explores the history of the De Profundis prayer, which is also Psalm 129. (“Catholic Prayers” series, no. 14, De Profundis)

Auteur et illustrateur français né en 1982, Benjamin Lacombe est l'un des représentants phares de la nouvelle illustration française. Il a écrit et illustré une vingtaine d'ouvrages, dont certains ont été traduits dans une dizaine de langues et primés à travers le monde, tels que Les amants papillons, Généalogie d'une sorcière, La mélodie des tuyaux, Il était une fois.... Il expose régulièrement son travail en galerie et dirige la collection « Papillon noir » où il publie une version intégrale et illustrée du chef-d'œuvre d'Oscar Wilde. « Premier ouvrage abordant sans tabous l'homosexualité, Le portrait de Dorian Gray, censuré par deux fois et qui conduira Oscar Wilde en prison, est ici proposé dans sa version intégrale et non expurgée.Cette édition exceptionnelle, magistralement illustrée par Benjamin Lacombe et enrichie d'extraits du poème De Profundis, offre un éclairage nouveau sur ce monument de la littérature. » (Présentation des éditions Gallimard)► Site de Benjamin LacombeL'exposition Papillon noir – Benjamin Lacombe est présentée à la Galerie Gallimard (Paris VII) depuis le 26 novembre 2024.

Psalm 130 is one of the Psalms of Ascent, traditionally sung by pilgrims on their way to Jerusalem. It is a deeply emotional and spiritual cry for mercy, expressing human repentance and trust in God's forgiveness. The psalm is often referred to by its Latin title, De Profundis, meaning “Out of the Depths,” which highlights the psalmist's plea from a place of despair and need for divine intervention. Key Themes of Psalm 130: 1.A Cry for Help and Mercy (Verses 1-2): The psalm begins with the psalmist calling out to God from a place of deep distress: “Out of the depths I cry to you, Lord.” This imagery of “the depths” could symbolize both physical danger and spiritual or emotional despair. The speaker pleads for God to listen and be attentive to their voice. 2.Acknowledgment of Sin and God's Forgiveness (Verses 3-4): The psalmist acknowledges human frailty and sinfulness, recognizing that no one could stand before God if He kept a record of sins. However, it is followed by the comforting truth that God is forgiving: “But with you there is forgiveness, so that we can, with reverence, serve you.” This verse emphasizes the hope found in God's grace, knowing that His forgiveness leads to a renewed relationship and reverence. 3.Patient Waiting and Hope (Verses 5-6): The psalmist speaks of waiting on the Lord, comparing their longing to that of watchmen waiting for the morning. This metaphor reflects deep anticipation and trust that God will act in due time, even in moments of silence. The repetition, “more than watchmen wait for the morning,” underscores the intensity of this hope. 4.Hope in God's Redemption (Verses 7-8): The psalm closes with an exhortation for all of Israel to place their hope in God, not only because of His unfailing love but also because of His power to redeem: “He himself will redeem Israel from all their sins.” This emphasizes that God's mercy is not limited to the individual but extends to the entire community, bringing salvation and redemption. Significance of Psalm 130: •Spiritual Reflection: Psalm 130 is often associated with periods of reflection and repentance in both Jewish and Christian traditions. It is commonly recited during solemn times such as Yom Kippur in Judaism and during Lent in Christianity. •Themes of Mercy and Redemption: This psalm highlights the human need for God's mercy and forgiveness, but also the assurance that God is faithful to forgive and redeem. It speaks to both personal and communal aspects of salvation. •Hope Amid Despair: The psalm models how faith can sustain believers in times of deep distress or guilt. It illustrates the importance of waiting for God's deliverance, holding on to hope even when it seems distant. Psalm 130 offers a powerful message of hope and redemption, reminding believers that even in their deepest struggles, God's forgiveness and mercy are always present.Become a supporter of this podcast: https://www.spreaker.com/podcast/sendme-radio--732966/support.

Reverend Chris Harper - Scripture: Psalm 130

The Rev. Clint Wilson, December 25, 2023

This is the Grand Launch of ChantHacks, and is the first installment of "Let the Music Speak" series.In the this episode, Mark demonstrates how we can look at the music as a means of commenting on the text or lyrics.Please support these podcasts and other projects. Go to https://LifeFunder.com/mdonnellymusic

This episode features "De Profundis, a Space Love Letter" written by Bella Han. Published in the October 2023 issue of Clarkesworld Magazine and read by Kate Baker. The text version of this story can be found at: https://clarkesworldmagazine.com/han_10_23 Support us on Patreon at https://www.patreon.com/join/clarkesworld?

Halloween may be over but those spooky sensations have followed us well into November as we throw up the devil horns and discuss a few perfumes inspired by the darker sides of life including De Profundis by Serge Lutens and Hexensalbe by Stora Skuggan. We also marvel over the big time bold move of Melanie Martinez's follow up to the wildly successful Cry Baby as well as a walk-through of the latest from Thin Wild Mercury.It's a jam-packed episode with lots of scent layering, woo-girl admiration, and a cocktail-influenced real-time purchase of a perfume featured in The Game. (00:00) - - Opening (04:01) - - Spooky Scents, Perfume News, and Recent Samples (22:22) - - Portals by Melanie Martinez (28:50) - - Thin Wild Mercury New York Collection (39:12) - - Scents of The Week (49:24) - - The Game Cocktail of the Week - A La LouisianeMovie of the Week - Glass Key (1942) featured in Criterion Channel's November Noir collectionFragrances mentioned in this episode:De Profundis, Muscs Koublai Khan, and Fille En Anguilles by Serge Lutens /  Muguet Fleuri by Oriza L. Legrand / Muguet Porcelain by Hermès / Vanilla Barka, Orris Wakan, and Incense Rori by Amouage / Lune Feline by Atelier Des Ors / Hexensalbe by Stora Skuggan / Flaming Creature by Marissa Zappas / Cry Baby Perfume Milk by Melanie Martinez / Air of Clarity, Earthy Abundance, Fiery Passion, and Water of Intuition by Portals Perfume / 34 Bohemian Cafes, Sheep Meadow, Chelsea Staircase, and Girl of the Year by Thin Wild Mercury / Telegrama by Imaginary Authors / Rita's Car by Saint Rita Parlor / Poudrextase by Marlon / Rose 31 by Le Labo / Amber Teutonic by DS & Durga / Queen Nzinga by Marissa Zappas / Babycat by Yves Saint Laurent / Sellier by Byredo / Molecule 01 + Iris by Eccentric Molecules / Arbole by Hiram Green / Baccarat Rouge 540 by Maison Francis Kurkdjian / Love Don't Be Shy by By Kilian / Rouge Malachite by Giorgio Armani / CK One by Calvin Klein / Acqua di Giò for Women by Giorgio Armani / Daisy by Marc Jacobs / Angels' Share, I Don't Need A Prince By My Side To Be A Princess  and Blue Moon Ginger Dash by By Kilian / Oud Satin Mood by Maison Francis Kurkdjian / Radical Rose by Matiere Premiere / Rouge Smoking by BDK Parfums / Lost Cherry by Tom FordThe Game:Oud Assam by Raina J / For Your Love by Mizensir / Can't Stop Loving You by By Kilian / Jasmin Kama by Raina J / Cairo by Penhaligon's / Cherry Punk by Room 1015Please feel free to email us at hello@fragraphilia.com - Send us questions, comments, or recommendations. We can be found on TikTok and Instagram @fragraphilia

Sermon by the Rev. Jonathan Aitken from worship at 10:00 a.m. on Sunday, September 10, 2023 at All Saints Church, Pasadena. Readings: Psalm 72:1-4, 12-14, 18-19, Romans 2:12-16 and Matthew 18:1-7. Watch the sermon on YouTube. Follow All Saints Church on Twitter @ASCpas. Like us on Facebook at https://www.facebook.com/AllSaintsPasadena/. Check out the rest of our YouTube channel at https://www.youtube.com/user/allsaintspasadena1/videos. Subscribe, like, get notifications every time we post! Enjoy our extensive archive of stimulating and inspiring content! Donate to support the mission and ministries of All Saints at https://allsaints-pas.org/donate/donate-now/.

A reading of Oscar Wilde's unabridged DE PROFUNDIS in its entirety. All five and a half hours only for Patrons: patreon.com/imsopopular (ISP S4.E07)

In the dying days of a great century, a certain love dared speak its name. But there was evil in the tone. We examine The Picture of Dorian Gray, De Profundis, and the starry starry tell-tale life of Oscar Wilde, up to his tragic demise at the hands of an eternal scheming bottom.   Guest starring Jack Mason (The Perfume Nationalist) and Zach Langley (I'm So Popular).   This is a preview -- for the full twisted adventure, and double the episodes in past and future, subscribe at patreon.com/filthyarmenian   Follow us on twitter/insta @filthyarmenian Follow Jack @lotus__point Follow Zach @asukahomo   If this episode touches you, please rate, review, and spread the word to friends and enemies

A homily for the 5th Sunday of Lent year A 3/26/2023 --- Send in a voice message: https://podcasters.spotify.com/pod/show/frmatt-nagle/message

As February progresses and winter's grip begins to falter, Terminus takes advantage of this space between seasons to present a real grab bag of an episode. Today's theme? Confidence and boldness, as exhibited by bands from all over the world and in all styles of extreme metal- there's something for everyone here. First: Cuban(!) slam death band Orphan Autopsy, whose refined presentation and brilliant sense of pacing elevates conventional ideas into a slickly listenable but intensely brutal package. Next is a double feature of recent Sielunvihollinen releases which explore different aspects of the band's core sound. First is a split with fellow Finns Sudentaival. On these tracks Sielunvihollinen emphasizes the intense street punk influence in their black metal, where Sudentaival combines the rowdy schlager quality of Absurd with truly gorked garage punk. On the other side: Sielunvihollinen's newest EP, which shows off a more melodic side to the band, heavy on influences from melodeath and power metal but no less ferocious for their presence. To wrap things up, something completely different: the hideous return of the mighty and terrible Rigor Sardonicous, cult Long Island extreme doom purveyors whose sound is at once singular and primordially familiar. Trundling, oppressive chords derived from equal parts Winter and Black Sabbath batter the listener with sluggish regularity while monstrous pitch-shifted vocals roar and a drum machine thumps, clicks, and whirrs in the background. This repulsively majestic release stirs in your hosts an intense discussion and one of our best reviews. Save your fork- there's pie! 0:00:00 - Intro 0:04:30 - Orphan Autopsy - Blistering Deprive From Sanity (Rotten Music) 0:20:42 - Sielunvihollinen/Sudentaival - Split (D88 Records) 0:42:02 - Interlude - Hasil Adkins - “Chicken Walk,” fr. Out to Hunch (Norton Records, 1986) 0:43:56 - Sielunvihollinen - Sielunmurskaaja (Independent) 1:15:44 - Interlude - Peste Noire - “Retour de Flamme (Hooligan Black Metal),” fr. La Sanie des Siècles - Panégyrique de la Dégénérescence (De Profundis Éditions, 2006) 1:20:02 - Rigor Sardonicous - Praeparet Bellum (Memento Mori) 2:13:37 - Outro - Thralldom - “Quantum Frost,” fr. A Shaman Steering The Vessel of Vastness (Profound Lore / Parasitic Records, 2006) Terminus links: Terminus on Youtube Terminus on Patreon Terminus on Instagram Terminus on Facebook thetrueterminus@gmail.com

Our guest is Stephen Fry, writer, actor and polymath, who last week joined John and Andy in person to discuss Oscar Wilde's De Profundis, the essay addressed to Lord Alfred Douglas 'from the depths' of Wilde's incarceration in Reading Gaol in 1897. It has been described by Colm Tóibín as 'one of the greatest love letters ever written'; it is also Wilde's most powerful testament of the sacred duty of the artist as he conceived it. We discuss the work's convoluted publication history, Wilde's posthumous reputation and his ongoing relevance in the 21st century. In addition, Andy has been reading Hayley Campbell's fascinating All the Living and the Dead (Raven Books), which he describes as "a work of true rigour mortis"; while John digs enthusiastically into Villager (Unbound), the new novel from writer and former Backlisted guest Tom Cox. For more information visit https://www.backlisted.fm. Please support us and unlock bonus material at https://www.patreon.com/backlisted Timings: 14:19 - All the Living and the Dead by Hayley Campbell 21:06 - Villager by Tom Cox 25:52 - De Profundis by Oscar Wilde

In his 3,000-year-old book, Ecclesiastes, King Solomon tells us of the stages and phases of his life, his fads and fancies, his regrets and realizations. Then he gives us his final conclusions and advice. Next to the Good News of John, Ecclesiastes is probably my favorite book in the Bible. Oscar Wilde wrote a similar summary of his stages and phases, fads and fancies, regrets and realizations in a private letter to his best and last and only friend. Later published as De Profundis, “From the Depths,” this 55,000-word letter shines with the unfiltered transparency of a man who has nothing but time, nothing to gain, and nothing to lose. Indy Beagle shared a couple of passages from De Profundis in last week's rabbit hole. After receiving several happy emails from rabbit holers, Indy suggested that I give Oscar's story a wider frame and take you on a deeper dive. Grab your scuba gear.As a young man, Oscar fell in love with a woman who dumped him to marry his more conservative childhood friend, Bram Stoker. So Oscar married another young woman who bore him two fine sons. He soon became flamboyantly famous as a comedic playwright, a social wit, a raconteur, and a writer of children's stories.* Oscar Wilde was like Coca-Cola. He was everywhere. And then he went to prison for being gay. “The gods had given me almost everything. But I let myself be lured into long spells of senseless and sensual ease. I amused myself with being a flaneur, a dandy, a man of fashion. I surrounded myself with the smaller natures and the meaner minds. I became the spendthrift of my own genius, and to waste an eternal youth gave me a curious joy. Tired of being on the heights, I deliberately went to the depths in the search for new sensation.” “I had lost my name, my position, my happiness, my freedom, my wealth. I was a prisoner and a pauper. But I still had my children left. Suddenly they were taken away from me by the law. It was a blow so appalling that I did not know what to do, so I flung myself on my knees, and bowed my head, and wept, and said, ‘The body of a child is as the body of the Lord: I am not worthy of either.' That moment seemed to save me. I saw then that the only thing for me was to accept everything. Since then—curious as it will no doubt sound—I have been happier.” “I want to get to the point when I shall be able to say quite simply, and without affectation that the two great turning-points in my life were when my father sent me to Oxford, and when society sent me to prison… I was so typical a child of my age, that in my perversity, and for that perversity's sake, I turned the good things of my life to evil, and the evil things of my life to good.” “A man's very highest moment is, I have no doubt at all, when he kneels in the dust, and beats his breast, and tells all the sins of his life. I am completely penniless, and absolutely homeless. Yet there are worse things in the world than that.” “Nobody is worthy to be loved. The fact that God loves man shows us that in the divine order of ideal things it is written that eternal love is to be given to what is eternally unworthy. Or if that phrase seems to be a bitter one to bear, let us say that everybody is worthy of love, except him who thinks he is.” “Love is a sacrament that should be taken kneeling. Where there is sorrow there is holy ground. Someday people will realize what that means.” “Indeed, that is the charm about Christ, when all is said: he is just like a work of art. He does not really teach one anything, but by being brought into his presence one becomes something. And everybody is predestined to his presence. Once at least in his life each man walks with Christ to Emmaus… [Christ] had an intense and flamelike imagination… He understood the leprosy of the leper, the darkness of the blind, the fierce misery of those who live for pleasure, the strange poverty