Podcasts about B15

Protect Your Retirement W/ a Gold or Silver IRA Today!! https://www.sgtreportgold.com/ CALL( 877) 646-5347 - Noble Gold is Who I Trust   You might be unknowingly poisoning yourself every day with something very popular that you thought was "safe". But it's not, in fact it's a neurotoxin and it may well contribute to your early death if you ignore this important information. Author Dr. Janet Starr Hull joins me to convey the horrible TRUTH about "FDA approved" sweet poison.   Get in touch with Janet HERE: https://janethull.com/   If you want to STAY CANCER-FREE: Get the miracle of B17, B15 [& Apricot seeds] HERE! https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT   https://rumble.com/embed/v6pnp59/?pub=2peuz

Protect Your Retirement W/ a Gold or Silver IRA Today!! https://www.sgtreportgold.com/ CALL( 877) 646-5347 - Noble Gold is Who I Trust   A doctor at the Mayo Clinic in Rochester, MN told Rick Hill to gather his family together and prepare to die when he was diagnosed with widespread cancer some 50 years ago. Rick listened to his doctor's advice, thought about it, and then refused chemotherapy and walked out of the Mayo Clinic. Rick then hopped on airplane and went to Tiajuana Mexico for alternative treatment that not only changed his life, it saved his life. This is his story.   STAY CANCER-FREE: Get the miracle of B17, B15 [& Apricot seeds] HERE! https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT   Get the NANO-TECH, Graphene & Heavy Metals out of your blood w/ Master Peace https://masterpeacebyhcs.com/?ref=4094   https://rumble.com/embed/v6phbx9/?pub=2peuz

¡Haz este test de nivel de vocabulario en español conmigo! Tienes 3 preguntas de cada nivel: de A1, A2, B1, B2, C1 y C2. ¡Coge boli y papel y pon atención a la prueba! Luego, cuéntame en comentarios cómo te ha ido. ;)ÍNDICE de MINUTOS por NIVEL0:43 A11:43 A23:18 B15:15 B27:20 C19:26 C2

Protect Your Retirement W/ a Gold or Silver IRA: https://www.sgtreportgold.com/ CALL( 877) 646-5347 - Noble Gold is Who I Trust   Robert F. Kennendy Jr. had some pretty amazing things to say about his boss Donald J. Trump upon being sworn in as the top man at HHS, Kennedy declared "Everything President Trump told me he was going to do, he has done, and I genuinely believe [he is] a pivotal historical figure." John Richardson returns to SGT Report to help me keep score on the MAGA/MAHA game changer.   Get the miracle of B17, B15 [& Apricot seeds] HERE: https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT   Get the NANO-TECH, Graphene & Heavy Metals out of your blood w/ Master Peace https://masterpeacebyhcs.com/?ref=4094 https://rumble.com/embed/v6jhzpj/?pub=2peuz

Protect Your Retirement W/ a Gold or Silver IRA: https://www.sgtreportgold.com/ CALL( 877) 646-5347 - Noble Gold is Who I Trust   John Richardson returns to SGT Report to celebrate the swearing in of 47. We discuss what's coming as we make America GREAT and HEALTHY again. And as I write these words President Donald J Trump just fully pardoned 1,500 Jan 6'ers and much more as he delivers on his DAY ONE promises! Get READY to start wining again friends!!   Get the miracle of B17, B15 [& Apricot seeds] HERE: https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT   Get the NANO-TECH, Graphene & Heavy Metals out of your blood w/ Master Peace https://masterpeacebyhcs.com/?ref=4094   Cultivate Elevate: Get Pearl Powder to HEAL your EYES & VISION & Much More! https://cultivateelevate.com/?ref=Sgt USE CODE SGT10 to save 10% https://rumble.com/embed/v69mo7s/?pub=2peuz

Protect Your Retirement W/ a Gold and/or Silver IRA: https://www.sgtreportgold.com/ or CALL( 877) 646-5347 - Noble Gold is Who I Trust John Richardson the founder of World Without Cancer and RNCstore.com returns to SGT Report to share the truth about child trafficking AND cancer, both of which have links to Rockefeller. And guess what? They have been lying to all of us about cancer from the very beginning. So here's an inside tip: Get some Vitamin B17!!!   https://rumble.com/embed/v5rxa3w/?pub=2peuz   Get the miracle of B17, B15 [& Apricot seeds] HERE: https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT

Protect Your Retirement W/ a Gold and/or Silver IRA: https://www.sgtreportgold.com/ or CALL( 877) 646-5347 - Noble Gold is Who I Trust   John Richardson is back to share the TRUTH about "cancer", how to prevent and/or treat it and to cover the FACTS which prove that Biden and Harris have turned their backs on America as it crashes into a brick wall, by design. Hurricanes, Port strikes, the October surprises have begun.   Get the miracle of B17, B15 [& Apricot seeds] HERE: https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT   Get the NANO-TECH, Graphene & Heavy Metals out of your blood w/ Master Peace https://masterpeacebyhcs.com/?ref=4094   As mentioned in the show, EDTA from Global Healing: https://globalhealing.com/products/calcium-disodium-edta https://old.bitchute.com/video/Itvl4cTKIn1i/

Protect Your Retirement W/ a Gold and/or Silver IRA: https://www.sgtreportgold.com/ or CALL( 877) 646-5347 - Noble Gold is Who I Trust   Kamala Harris a communist witch who hates God AND truth, you know it and I know it. And her CRAFT (noun) /kraft/ (skill used in deceiving others) - is to deceive. John Richardson is back to help me break down the latest and we share some good news about "cancer", it's causes and remedies.   Get the miracle of B17, B15 [& Apricot seeds] HERE: https://rncstore.com/SGTREPORT Apply Discount Code SGTREPORT at Checkout! https://old.bitchute.com/video/QDlQKzbnVyRm/

Her Yol Bir Hikaye, Her Hikaye Bir Yolculuk! | Yolda Konuşuruz B15 by GENÇ Podcast

Protect Your Retirement W/ a Gold and/or Silver IRA: https://www.sgtreportgold.com/ or CALL( 877) 646-5347 - Noble Gold is Who I Trust Dr. Len Horowitz is back with good news and bad. The bad news is he has cancer. The good news is he's not afraid because he knows God and he knows the truth about cancer and alternative treatments. In this one we discuss profound revelations, blessings and big pharma whores. Thanks for joining us. GET & STAY HEALTHY w/ Oxy Silver & More from Healthy World Shop: https://healthyworldshop.com?ref=210 Get the miracle of B17, B15 [& Apricot seeds] HERE: https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT The World is NOT What You Think - Jordan Maxwell https://thephaser.com/2024/07/the-world-is-not-what-you-think-jordan-maxwell/ BIRD FLU TOP ANALYST PREDICTS ELECTION INTERFERENCE https://thewanewsjournal.com/Politics/bird-flu-top-analyst-predicts-election-interference/ Proof of God;s Love: The "KEY" to Miraculous Healing https://thephaser.com/2024/07/proof-of-gods-love-thekey-to-miraculous-healing/ https://old.bitchute.com/video/veg3dqf7UeTT/

Protect Your Retirement W/ a Gold and/or Silver IRA: https://www.sgtreportgold.com/ or CALL( 877) 646-5347 - Noble Gold is Who I Trust John Richardson Sr wrote the book on "curing" cancer, literally. But the definitive book on B17 (Laetrile) was written by Richardson's close family friend G Edward Griffin, 'World Without Cancer'. Griffin is a live and ticking today at age 93 in large part because he practices what he preached in that book.  Here's what you the truth that you MUST know about "cancer". **Get the miracle of B17, B15 [& Apricot seeds] HERE**: https://rncstore.com/SGTREPORT Apply Your Discount Code at Checkout: SGTREPORT https://www.bitchute.com/video/NUGyj2sFz8yq/

一、思想問題：我是個自以為是的人嗎？自以為是的人有什麼特徵呢？ 二、鑰節： 28:26 心中自是的，便是愚昧人；憑智慧行事的，必蒙拯救。 本章多強調人的自以為是，這是極大的危機，使人愚昧無知，並且常常伴隨v.14心裡剛硬，無知加上剛硬，幾乎無藥可救，而要遠離自以為是的危機，只有一條路，就是倚靠真理！vv.1-9強調遵守律法的重要，v.7遵守律法給我們智慧，可以脫離自以為是的軟弱，我們要珍惜並抓住神的話。 三、經文結構： 1-9 遵守律法者有智慧。 A10-14 脫離自以為是。 →B15-22 愚昧的行為：15-16 暴虐君王；17-18 死亡之路；19-22 急速發財的危機。 A23-28 脫離自以為是。 四、結構亮光： vv.1-9遵守律法的智慧。 這一段三次強調律法，v.4對律法的態度，決定了我們對惡人、罪惡的態度，律法與罪惡相爭，每個人必須做出選擇，渴慕遵行真理的人，必須預備好自己與罪惡、罪人相爭，付出代價抵擋罪惡，來獲得勝利。 v.7 律法與智慧連結在一起，神的律法、神的話要把智慧帶給我們，而攔阻我們遵行神律法的，是我們的私慾、貪酒好食，對愛世界的人來說，愛父的心無法存留在他們心中。 而拒絕律法的人，將會有什麼禍患？ 1） v.9他的 祈禱在神眼中也是可憎，如同舊約中不聽命的獻祭、新約中的法利賽人，若是失去了敬虔的實質，所留下的只是神的憤怒。 2） v.5 失去屬靈的智慧，不再能夠明白公義，不再能夠明白神的心意。 3） v.6,8 有錢人常常會藐視屬靈的智慧，認為金錢才是王道，但是這裡提醒我們，富足人若是離開了律法、離開了正道，將失去其價值，並且v.8用高利貸所累積的財富將無法存留，反要給那恩待、祝福窮人的人。 4） v.1 遵行神話語的義人，有很大的勇氣與確信，能看明困難並勇往直前；但是惡人卻要逃跑，即使沒有人追趕也會恐懼而逃。敬畏神的人可以一無所懼，但是不怕神的人就什麼都害怕。 5）vv.2-3 君王若是遵行神的話語，可以使國家安定，但若是欺壓貧民，必然像暴雨沖沒糧食一般，也沖沒自己的王位與領袖的地位。 A的部分：vv.10-14,23-28 都提到人會犯自以為是的罪。 v.11 有錢人自以為有智慧，但是聰明人一眼就可以看出他的心思；v.13 愚昧人想要遮掩自己的罪惡，卻欲蓋彌彰，然而謙卑承認自己軟弱的，必會蒙憐恤。 v.10人自以為可以隨自己的意思走在惡道上，並要引誘正直人走惡道，但是至終要掉入自己所挖的坑中。v.14 剛硬就是堅持己見，這樣的人必遠離福氣，進入禍患中。 v.26 人自恃聰明，根本不知道自己的愚昧；v.25 心中自私的人，會有各樣的貪欲，帶來各樣的爭端；v.24偷竊父母的東西，再說服自己說這不是罪，其實這已經犯了強盜罪；v.27 在人有需要時，閉起眼睛假裝看不見，這樣的人必被咒詛。 B的部分：vv.15-22 都提到了人愚昧的行為。 vv.15-16 暴虐君王的愚昧，以自己的特權來轄制人，控制人，以暴虐的方式對待人，如同獅子與熊般的可怕，但是卻無法年長日久。 vv.17-18 提到了死亡之路，流人血的人、行事彎曲的人，都會跌倒而走向死亡，無人可救。 vv.19-22 提到想要急速發財之人的愚昧。 v.19想要發財的人，必然不會殷勤耕地，反會轉向可以急速致富的道路，追隨虛浮必然貧窮。 v.20想要急速發財者，一定會偏離誠實的道路，走向危險之路。 v.21 在法庭上的法官，為了一點食物、一點賄賂而屈枉正直，被金錢迷惑的，必會遭遇大禍患。 v.22 被自己心中的吝嗇與貪婪所抓住，最後必然導致貧窮。 五、反省問題： 這一段所提及不遵守神的律法，而帶來的苦楚，哪一個抓住了我的心，當如何脫離？ 我有沒有自以為有智慧，常堅持己見，用各樣理由說服、麻痺自己的良心呢？ 我是否常夢想自己能發財致富？會有什麼危機？又會忽略什麼重要的東西？ －－－－－－－－－－－－－－－－ 講員： 貴格會合一堂 徐坤靖牧師 聖經之鑰-各卷書播放清單： https://thfc.pse.is/3epsdf 【聖經之鑰 相關資源】YouTube： https://thfc.pse.is/3cfams電子書： https://thfc.pse.is/3ccluu Powered by Firstory Hosting

Céline et Sylvain reviennent sur les 2 saisons de Loki.Engagez dans le TVA, nous allons vous faire le tour des Timelines.Celui qui demeure, Timely, Kang, Ravona, Miss Minute, qui vous a fait trembler ?Loki, Sylvie, Mobius, B15, Ouroboros nous embarquent dans cette aventure.Format blu-ray ou streaming, la question est aussi abordée.

On November 2, 1984, fifty-two-year-old Velma Barfield was executed by lethal injection at North Carolina's Central Prison, bringing an end to years of legal appeals and emotional debates over the death penalty and how, when, and to whom it gets applied. For six years, Barfield had sat on death row following her conviction for the poisoning murder of her boyfriend Stewart Taylor in 1976; however, during her trial she confessed to killing at least four other people.Velma Barfield's trial came at a time in the United States when Americans were just beginning to grapple with the concept of a serial killer, and the idea that a woman could commit such heinous acts seemed entirely inconceivable. Although woman had been sentenced to death for murder before in the US, none had confessed to methodically killing multiple people in such a callous way and for such a trivial reason. The debate only became more complicated following her death sentence, an already complicated subject among Americans that became exponentially so in 1984, when Barfield's case and personal story became a major talking point for politicians running for office around the state.Thank you to the Incredible Dave White of Bring Me the Axe Podcast for Research!ReferencesAssociated Press. 1984. "Hunt hopes Barfield's death will be deterrent." Asheville Citizen-Times, November 3: 1.—. 1978. "Woman charged in poisoning ." Charlotte Obvserver, March 15: 1.Barfield, Velma. 1985. Woman on Death Row. Nashville, TN: Oliver-Nelson .Bledsoe, Jerry. 1998. Death Sentence: The True Story of Velma Barfield's Life, Crimes, and Punishment. Dutton: Boston, MA.Carroll, Ginny. 1978. "Confessed poisoner awaits death." News and Observer, December 10: 1.Charlotte Observer. 1984. "New Evidence: Velma Barfield's Sickness." Charlotte Observer, October 31: 12.Journal Wire. 1984. "200 gather at funeral of Velma Barfield." Winston-Salem Journal, November 4: 35.Margie Velma Barfield v. James C. Woodward, Secretary of Corrections; Nathan A. Rice,warden; Rufus Edmisten, Attorney General, Appellees. 1984. 748 F.2d 844 (US Court of Appeals for the Fourth Circuit, November 1).Maxwell, Connie. 1984. "State executes Velma Barfield." Chapel Hill Newspaper, November 2: 1.Monk, John, Sue Anne Pressley, and Gary Wright. 1984. "Velma Barfield executed by injection." Charlotte Observer, November 2: 1.Ness and Observer. 1978. "Jailed woman eyed in more deaths." News and Observer, March 15: 1.New York Times. 1984. "Relatives of murder victims urge no clemency for Carolina killer." New York Times, September 20: B15.News and Observer. 1980. "Lawyer says he coached Mrs. Barfield." News and Observer, November 18: 17.Pearsall, Chip. 1978. "Barfield jury calls for death." News and Observer, December 3: 1.Stein, George. 1978. "Arsenic trail: Lumberton asks where it will end." Charlotte News, May 27: 1.The Robesonian. 1969. "Parkton man succumbs to smoke inhalation." The Robesonian, April 22: 1.Tilley, Greta. 1980. "She doesn't want to die." News and Record, September 21: 1.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

126. Loki 2x06 - Glorious PurposeJoin Ashley and Hugh as they welcome film critic Kelechi Ehenulo back to Podcast-616 to discuss the series finale of Loki season two, Glorious Purpose and tackle all of the really big questions: Has Loki become The God of Stories? Will we ever see Mobius and Sylvie again? Just how do you get key-lime pie that shade of green???HostHugh McStay& Ashley ThomasGuestsKelechi EhenuloEditorHugh McStayExecutive ProducerTony Black– Follow HUGH MCSTAY on Twitter @angryscotsman81– Follow ASHLEY THOMAS on Twitter @TheNerdyBlogger– Follow KELECHI EHENULO on Twitter @kehenuloJoin our Facebook group, Community-616:https://www.facebook.com/groups/community616Follow on Twitter:https://www.twitter.com/podcast616Follow on Bluesky: https://bsky.app/profile/podcast616.bsky.social We Made This on socials:Website: https://www.wemadethispodcasts.comTwitter: https://www.twitter.com/we_madethisFacebook: We Made ThisTitle music: A New Era Unfolding (c) Sinfonietta Cinematica via epidemicsound.com

Llegamos al final de esta gran aventura de Loki a través del tiempo, aquí nuestros comentarios de este final de temporada y nos despedimos de todos sus personajes.

LOKI SEASON 2 continues with Episode 5 "Science/Fiction" from Marvel Studios and Disney Plus starring TOM HIDDLESTON, OWEN WILSON , KEY HUY QUAN, SOPHIA DI MARTINO, GUGU MBATHA-RAW, WUNMI MOSAKA, TARA STRONG, EUGENE CORDERO, RAFAEL CASAL and JONATHAN MAJORS. The episode is directed by Justin Benson and Aaron Moorhead. Loki traverses dying timelines in an attempt to find his friends, but Reality is not what it seems. The Geek Buddies aka John Rocha, Michael Vogel, and Shannon McClung break down and spoiler review this episode and get into all the storylines, character beats and easter eggs. #loki #MARVEL #lokiseason2 #disneyplus #tomhiddleston  Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below. ____________________________________________________________________________________ Chapters:  0:00 Intro and Overall Thoughts on LOKI S2 Episode 5 9:08 LOKI visits Casey, Mobius and B15 in Their Timelines 20:47 Loki Visits and Chats with OB, Mobius is Recruited by LOKI 37:00 LOKI Talks to Sylvie Leading to an Emotional and Otherworldly Finale FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

This is our Watch Club Recap for Loki Season 2 Episodes 1-4. Join us and special guest Mike Smith from the Dumpster Talk Podcast as we break down our thoughts and theories from this incredible second season so far. We discuss our insurmountable love for Ouraboros, the incredible music and performances this season, as well as our theories on what's actually going on and why it might not all be “Loom and doom”.Loki Season 2 is streaming now on Disney+Check out the Dumpster Talk podcast and follow Mike using this link: dumpstertalk.comIf you want to support the actors of the things we love, you can do so by checking out these links:https://members.sagfoundation.org/donateCheck out Geekcentric onYouTube | Instagram | Twitter | TikTokJoin the Geekcentric Discord  HEREJoin Nate on Twitch at - twitch.tv/nateplaysgames

LOKI SEASON 2 continues with Episode 4 "HEART OF THE TVA" from Marvel Studios and Disney Plus starring TOM HIDDLESTON, OWEN WILSON , KEY HUY QUAN, SOPHIA DI MARTINO, GUGU MBATHA-RAW, WUNMI MOSAKA, TARA STRONG, EUGENE CORDERO, RAFAEL CASAL and JONATHAN MAJORS. The TVA's Loom nears catastrophic failure, but Loki, Mobius and Sylvie have a He Who Remains variant along with B15 to battle Ravonna Renslayer, Miss Minutes, Brad and more in the TVA. The Geek Buddies aka John Rocha, Michael Vogel, and Shannon McClung break down and spoiler review this episode and get into all the storylines, character beats and easter eggs. #loki #MARVEL #lokiseason2 #disneyplus #tomhiddleston  Remember to Like and Share this episode on your social media and to Subscribe to The Outlaw Nation YouTube channel below. ____________________________________________________________________________________ Chapters:  0:00 Intro and Overall Thoughts on LOKI S2 Episode 4 10:15 Miss Minutes Tells Ravonna the Secret, Loki and Mobius Convince Victor 28:35 Ravonna and Miss Minutes Come for Dox, Loki and Sylvie Discussion in the Pie Place 44:28 Miss Minutes is Rebooted, Victor Volunteers and a Shocking Finale FOLLOW THE GEEK BUDDIES: Twitter: https://twitter.com/Geek_Buddies Follow John Rocha: https://twitter.com/TheRochaSays​​​​​ Follow Michael Vogel: https://twitter.com/mktoon Follow Shannon McClung: https://twitter.com/Shannon_McClung Learn more about your ad choices. Visit megaphone.fm/adchoices

Em reunião com o ministro de Minas e Energia, Alexandre Silveira, o ministro da Agricultura e Pecuária, Carlos Fávaro, defendeu o fortalecimento da cadeia do biocombustível. Fávaro reafirmou sua posição favorável para o aumento da mistura de biodiesel ao óleo diesel. Atualmente, o teor é de 12% (B12) e o cronograma do governo estabelece B13 em 2024, B14 em 2025 e B15 em 2026. Também participou da reunião, o presidente da Frente Parlamentar do Biodiesel, deputado Alceu Moreira, que afirmou que o foco do setor é estabelecer um programa que dê previsibilidade à indústria de biodiesel.

In this special episode of the podcast jD, Pete, and Tim sit down with Gord Sinclair for a broad conversation about touring with the Hip, the future of Rock music, and his new record In Continental Divide. Stay tuned for the big announcement following this episode. If you know you know. RateThisPodcast.com/ghtthTranscript0:00:00 - Speaker 1Well, we're really, really thrilled that you could take some time with us today. This is a pretty exciting And this is my pleasure. 0:00:07 - Speaker 2I appreciate it I. 0:00:09 - Speaker 1Don't know if you know what the premise of our podcast is, but I want to give you a. Snip it so you get a. You get an understanding of who these two gentlemen that you're, that you're with, are sure. 0:00:21 - Speaker 3Maybe you should tell them at the end JD, let's get the Way. 0:00:28 - Speaker 1No way, no way, i'm sorry out. So I did a podcast called meeting Malcolm s and it was about pavement and I met these two guys in Europe last year Going to see pavement a bunch of times and we got talking about music And I really love the way they talk about music, the thoughtfulness and the way they understand it and so, naturally me being a very big, tragically hip fan your, your name came up and Them being from Southern California, one by way of Malaga, spain, and one by way of Portland, portland, oregon. Now They hadn't, they hadn't had much experience with you. So I thought, dreamt up this idea of the podcast taking them through your discography, one record at a time, so that The listeners can experience, can experience what it's like to hear your music for the first time. Again, cool. 0:01:27 - Speaker 3It's been. It's been a journey man, it's been really. 0:01:31 - Speaker 2What do you guys up to now like record-wise? is it still work in progress or we have just released up to here. 0:01:39 - Speaker 1So Okay. Here's a fun fact for you. Did you know that if you take your entire catalog and Release them, starting on May 2 4 weekend, and release one a week for the summer, it ends on Labor Day? 0:01:58 - Speaker 2Oh, no, I didn't know that you're your catalog. 0:02:01 - Speaker 1Your catalog is perfect for the summer man. 0:02:03 - Speaker 2Okay, great, well, that's, that is kind of appropriate. For sure We're, you know, sir It. We're unlike Southern California. We kind of lived for the for the three or four months where You can actually sit outside and play guitar with it, your fingers falling off, you know. 0:02:21 - Speaker 4That's, that's definitely me. in Portland, oregon, we had the the soggy a spring I could remember in my 22 years here. 0:02:28 - Speaker 2Yeah, yeah, that's a great town. We we played Portland a bunch, the Aladdin theater, remember that place. 0:02:36 - Speaker 4Yeah, it's an awesome theater. 0:02:37 - Speaker 2Yeah, it's great Yeah. 0:02:39 - Speaker 4Yeah, it was. It was a cool room. It was fun to play that. We'd love to have you back there with your your current gig. So it would be yeah well, it would be great. 0:02:48 - Speaker 2It would be great. Things have changed for the live music business. Unfortunately, Do it for the most true. 0:02:56 - Speaker 1Yeah, so for now, the tour, the tour that you're doing In Toronto and like Southern Ontario, yeah, is that? is that what we're expecting to see for now, or will there be more dates in the future? 0:03:10 - Speaker 2I mean it's still. It's still up in the air. I I'm certainly not averse to doing more dates, but we, you know, yeah, but, but we'll, but we'll wait and see. You know it's it's it's not an easy proposition. Taking the show on the road, i mean the expenses are kind of through the roof from, just in terms of putting the boys up. That's why we're staying pretty close to home. To start, not only on my band leader now, but I'm also a father. My, my youngest son, is Playing bass in the group and he's got a day job, so I got to get him back. It would be irresponsible for for me to have him run away to the circus like I did, you know. But what it needs to be seen, you know it remains to be seen. 0:04:03 - Speaker 1So how is that turn? turning around to your left or right and seeing your son, you know, in your familiar spot? 0:04:08 - Speaker 2It's, it's, it's, it's pretty great, i gotta say it's pretty great. He's a On his own. He is an amazing musician. All my, all my kids can play, but but he, this one's got a particular Ear and talent Guitar and piano or his principal instruments. He's not really a bass player But he can play just about anything. He's just one of these kids that can hear a melody on the radio or on record and sit down the piano and play it back to you. So, on that regard, it's really, really great to see him actually playing the. The flip side of it is as a He's a singer, songwriter in his own right and it's in the process of finishing a record that he did while he was at university, mcgill. And it's tough, you know, it's tough for young kids starting out today to get that, to get that leg up. You know that opportunity to that a group like ours had, you know where we, you know We were able to start playing gigs while we were in school, you know, and and kind of built it up from there very, very, very organically. We got better as we played more and and and as we played more, more people came and Then we got more gigs and it sort of snowballed from there and, like we like most, we started as a cover band And, crazily enough, like back in the 80s when we were playing, they didn't really want original artists in the clubs in Canada. So we would, you know, we would we were playing mostly kind of B sides of old stone songs and pre things and Kinks and stuff like that and then thrown in on, and so when we played at our song we said, oh that's, you know, that's from an old Damn record from from 1967, just absolutely bullshitting our way because there's some clubs that you had to write down your set list, make sure you weren't playing original material, bizarre. So. So now it's yeah, it's just a different scene. I'd love to see him working and playing, making it, taking a go at it. 0:06:18 - Speaker 4Yeah, i kind of feel like this day and age to Make it in a band and get on an actual tour That's further away than your closest region, it's like, it's almost like becoming a professional athlete. Yeah, you know, it's just like your chance. Yeah, getting that notoriety and getting embraced and carried through it, it's, it's just tougher. I have a close, close cousin of mine is in a band here in Portland and They're going at it so hard and you know they're lucky to get, i don't know, the six, six or eight West Coast swing. Yeah, and happy about it, but I tell you the cost for them and all that. Just like you said, it's, it's, it's, it's a tough, that's a tough go. 0:06:58 - Speaker 2Yeah, it's, it's. It's very much the same here. It's like anything, you know it, that You put a group together, you just, you get that, jones, you know, you do it for the love of it, and if you see a little glimpse of light at the end of the tunnel, it's enough to keep you going. Right, the one gig leads to the next, the next, but, but, boy, if you get continued roadblocks thrown up against you, it's a little demoralizing. And certainly up in Canada the live music scene Was in a tough spot even before COVID, and COVID really, just, you know, cut the head off the vampire It was. It was just made it so, so difficult, particularly at the at the early stage gigs, like in most downtown cores They've been. You know, the small rooms where it would be your first gig when you came to Winnipeg, or your first gig when you came to London, ontario, those rooms don't exist anymore. Yeah, you know, in fact I was talking to my agent a little while ago and Again, it's been a while since I've been out to Western Canada But he was saying that there's not really a gig in Vancouver and Calgary, you know, you know, in a 500 seat capacity and that's, and that's tough when you're just coming through town for the first time. I mean it's tough is on a regional level. If you're a young band story or a colonial, let alone From Kingston, ontario, you know, which is a real shame. I mean, the great thing about being from Canada, you know I The biggest obstacle to touring in this country Is actually our greatest assets, the sheer size of the country. You know, once you, once you kind of break out of your region and play in the crap little clubs around your hometown, then you've got eight, ten, twelve hours in some cases driving in between The, the gigs and you learn really early and really really quickly How to play. You know an empty room on a Tuesday night and a shithole on a Wednesday night With the object of getting to a win, a peg, you know, for Friday and Saturday night and maybe selling some tickets. You either You either fall in love with the lifestyle and the guys in your group or the gals in your group is the case. Maybe you're you bust up before you get you out of our problem, yeah, ontario. And so you get a lot of hearty souls that are doing it and then in the meantime, during all the traveling, you just develop this rapport with your bandmates and if you're a composer at all, it's great. You have so much time sitting in the band or sitting hotel room. You, just you're right, shoot the shit and Become what you become. It's true for musicians, it's true for crew people in this country as well. You know, you look at any international group and their crews are populated by Canadians. Because they have that experience, you learn how to travel. You know, get along with people in a confined space of a Band or tour bus, and it's a real asset that we have. The, fortunately, is getting more and more difficult. 0:10:17 - Speaker 3It's a bummer, because I love you guys you guys own your, i mean, and I we know this. I know this because We've pretty much gone through the, the majority of the discography, at least for the hip, and You guys really honed your skills of those Tuesday, wednesday night shittles, yeah, that you're playing To get you know, you can either take those is like Oh man, there's, there's five people here. What do we do? Like let's, let's, let's, let's treat it like a really tight rehearsal. Yeah, you know, whatever, and it it shows, at least from my perspective, on those records, those early records, and like to you guys just peak and just, you know, coast at 35,000 feet, so to speak. But it's funny you mentioned about the touring scene because I live in Malaga, i grew up in Southern California but I live in Malaga, spain and I We had a record come out last year and we're getting ready to do a second record And it's in the city center. They don't want anything original, they want stones, beatles, you know, maybe a couple Zeppelin tunes thrown in. They don't, they don't want they, they want cover bands, that's all they want. 0:11:39 - Speaker 2Yeah yeah, it's, it's tough, it's, it's a funny time And in a lot of ways I think it's a kind of a dangerous time from a cultural perspective. I mean, i, i'm a Stones fan and I'm a Beatles fan and I'm Zeppelin fan, you know, got it second hand from older brothers and sisters, you know. But but I, honestly, you know, i honestly believe that every generation needs their own stones. They need their. They need, like I grew up on the clash, right, you know, and the jam and and that was I was able to define Myself away from older brothers and sisters because of the tunes that I was like. And then, you know, and I've been Quite honestly, i've been waiting around for the next Nirvana and honest believing in my heart that's somewhere in the world, in some mom and dad's basement, there is the next Nirvana, working it and learning how to do it. I just, i really honestly believe it. I mean, again, i we're very fortunate Over the course of our career, touring, you know, we have Mums and dads that are bringing their kids to the, to our shows, and now those kids are, you know, so great, right, stealing to the hip and stuff, which is awesome. But but I worry, we're For Canada anyway, where that next hip is actually gonna come from. You know, and it's again, i think it's a cultural thing and, and you know, into your point about the Learning how to play the empty rooms, i mean That's what allowed us to. We were back and forth across Canada a number of times before we got the opportunity to Make that left turn and British Columbia and start playing in the United States, and it was literally like starting over. So by that point we were playing like larger clubs and doing really, really well. And then You know, you go down to Seattle and you're back to, you know, 20 to 50 people and and It's actually it's really informed our career. You know, we learned really early on to play to each other, it totally, and and how to play on stage and we always had this mantra we learned to play The hockey rinks like they were clubs and we learned to play the clubs like they were hockey rinks. You know, and Cool, cool. 0:14:08 - Speaker 4I love it. 0:14:08 - Speaker 2And we were really. We were also really really fortunate that we would go to a region like the Pacific Northwest In the States and, you know, at the club live and you could look out and you could see familiar faces, the folks that were really into it, like maybe it actually bought the records and you can see them in the first couple rows and and It was the same when we started in Canada. So we would change up the set every night. You know, try to throw in as many different tunes and we wouldn't open with the same tune, we wouldn't close with the same tune and to make it look like we were Not even look like we were trying, we were really trying to entertain these folks. You know, and you guys are all music fans and there's nothing worse than you know, you catch an act and you catch the, the acclater and the tour and it's like Hello Cleveland on the teleprompter. You know yes, agreed, agreed 100% and it's kind of like If you avoid phoning it in, consciously avoid phoning it in, then you're not phoning it in and You're not thinking about your laundry or the fight you just had with your partner. While you're out on the road You're actually engaged with your fellow musicians and particularly with the crowd. And, yeah, it's important to me as a music fan, you know, i just think it's really when there's still groups out there, you know, at the rink level, that do that, you know. 0:15:29 - Speaker 4Yeah, yeah, to comment quickly about your, your wish for the new Nirvana, like I think it's happening in in these sub capsules, like these regional areas. You know, i, i, i hear about bands doing a West Coast tour and doing in small clubs, smallish clubs, but also doing house parties along the way. And When I first heard this one band, i followed when I first heard they were doing, you know, in between, let's say, san Francisco and Eugene, they're doing house parties in Arcada, california, or Eugene, you know, south of Eugene or in Ashland is like. So they're doing house parties, like people are showing up and getting shit-faced and rocking out and in. To me It was kind of brilliant. It was very old-school feeling like you know, i remember stuff like this happening in the 80s, but at the same time I'm like, Well, if that's a way to hustle and get more fans to support you know, your, your venue climb, then that's that's just amazing. So I think it's happening with, you know, some of these kind of post-punk, kind of yeah, yeah, art rock bands. You know it's, it's happening, but it's it's so, it's so capsule-based, yeah. 0:16:45 - Speaker 2Yeah. 0:16:46 - Speaker 4So to break out of that, it's pretty tough. 0:16:48 - Speaker 2Yeah, i mean that that's my understanding of it as well that the first show I've got is part of a festival in our hometown called Spring Reverb and we again, it's a very, very local promoter who who's, you know? God bless them there. They're all in on live performance and they're they're they're like the Don Quixote's of music in this particular region And they'll do whatever it takes and there's tons of groups on the bill That I haven't heard before. It's and it's an exciting, you know, and it's a. It's a really, really good thing. But I think for your average music consumer, my age, it's like No one's trying to Pitch new music to me in any way. You know which is a real kind of drag. I, i have the dough to buy the records, but I don't know which ones to buy. You know, and it's I Still it's a. It's a bit of a problem. 0:17:47 - Speaker 4I'd love to send you a list. I'm bugging these two guys all the time. Hey, you gotta. You know. I told these guys all the time Hey, please, listen to this. There's one band in particular. I told them three times listen to it. Just make me a playlist. Maybe I'll listen to it later. 0:18:02 - Speaker 2And it's cool. It's never been easier to produce a record, like again when I started. Recording was expensive and you had to have a deal to do it and Someone had to invest the money in it, which, again, was maybe part of the advantage that we had that we did have some resources behind us with our first, even with our first DP, private resources and but you know that that patronage system is, i mean, kind of goes back to the Mozart days where you know folks that had the resources were able to Have house concerts, just happened to be in Palaces, right, right, but right, it's a good thing. I mean. I think you know the kids will find a way. It's just, it's just how, how to take it to the next level. I mean we, when we first started touring the States You know it was still regional radio was a real big deal. It was just before Ronald Reagan and the clear channel days kind of ruined it so many ways where you And it's a real shame as a music fan and as an artist you know you could be stiffen in one market, but then you go to like Austin, texas, for us it's like holy crap, where did all these people come from? And then you find out that a local DJ's got an affection for the band and they're kind of, they're kind of paving the road for you in advance And it was such a great. It was a great time. It was a great time for music. 0:19:48 - Speaker 3It's about what's played to you, gord, because I mean I just want to you talk. You mentioned the Clear Channel thing, but it's about what you're exposed to. Like you said, the DJ, that it's got a, that's got a. You know, it's got an affinity for your band. I know, joke. I'm in California right now because I'm visiting family out here And I saw two of my best friends. One flew out from Texas, the other one lives out and he's got to play some Mexico but he works the train. And so we all met up and on separate occasions I told him about this podcast and we listened to, to some hip tunes and they're like who the fuck are these guys? And and like immediate fans. Strangely enough, and because we have the same like taste in music, the three of us we grew up we played in bands the others were five, but never, never were exposed to it. Yeah, Yeah. Never had it. 0:20:44 - Speaker 2Yeah, we would get that a lot over the course of our career. You know, we've always benefited from really passionate fans that that they would, they would get it, and just the old fashioned word of mouth thing, you know, we would come back through town like 18 months later and they, they would have brought all their friends and maybe got turned into some more corded music, but then they would see the band play live and it would all make sense Like live music is supposed to. It's just like, oh, i didn't even think of that song on the record, but when they play it it's like, ah, you know, that's my new favorite song. And then it grew just really, really organically. You know, we, we never really had the benefit in the United States of a single that was big enough to open up like a national type of market, but we, we, we maintained this ability to tour around this, the circumference of the country, you know, and, um, yeah, and you know, wherever they had a professional hockey team, we would do pretty good, you know, right? 0:21:56 - Speaker 4So And I will say, though, i read, i read, i read you know something about you guys playing the, the Fillmore in the nineties in San Francisco, and there was some comment. It was like, yeah, they always do, they always have a big crowd here because every Canadian in California comes to the show, you know. so it's, it's hard to, it was hard to get tickets because all the Canadians would show up. So, you know, i love, i love the story of how everything happened organically and you guys kind of started from playing small clubs and what have you, and cover songs and how it. that rise is just totally remarkable And it's, you know, it's obviously worthy of of sharing, which we're we're doing now. I I gotta fast forward and ask about this. this uh, air stream, though, and you guys recording and you tell us about that. So cool. We have our own fantasy in our minds right now. Well, it was really it was a. 0:22:54 - Speaker 2Again, it's a kind of a a, a, a, a, a, a, a, a, a, a, a. It's a COVID based reality that that I faced, sure, the group myself, we, we own a recording studio in in Bath, ontario. It's a residential studio. So, um, COVID, it was really super busy because you know, artists, musicians, could, you could test up and and you'd live there. You didn't have to go anywhere and and as long as our, our engineer, um, you know, was safe. It was, so I I couldn't get into it, you know, like I just couldn't. It was booked out and and, um, i had, uh, you know, i'd I'd put out a record called taxi dancers previously And it's one of those things like I had tunes left over from writing with the hip and stuff. She got years and years to do that and then. But COVID was great for me as a, as a songwriter. I was locked down in my home with my family and um, and I was writing and using the guitar and and and writing lyrics as my means of journalism journaling really And I wrote this record fairly quickly. My buddy James, who played with me a bunch, i produced a bunch of records for his band, uh, peterborough, called the Spades, and so we've just always had a really close relationship, And he is an engineer and producer in Peterborough, um, and had this great idea this summer, before COVID, and he bought up an Airstream trailer And he rigged it up so that he was able to strip down his gear from his studio space and transplant everything into the airstream and go completely mobile So he could record live shows and, you know, any sort of situational stuff which I thought was a genius idea. And then COVID hit and it kind of you know, it kind of went on the back burner and then we got talking and said, you know I got enough tunes for a record And you know he played with me on the first one and engineered, so we want to try to do it again. And so he literally recorded it in my house. We parked the airstream in the driveway and ran a snake underneath my garage door and plugged in And it was kind of great. I hoofed my family out and it was just. It was just James and Jeff Housechuck and I are a drummer And we kind of stripped things down. We learned all the songs as a three piece, you know, with me playing the bass and then and then tracked kind of pretty much live And Jeff and I would play together and put the bed tracks down to like a scratch guitar, scratch, vocal and kind of did it like that. It was really kind of wicked and and not only in office is recording is, you know. We learned the songs and we kind of had all the beds done in like three, four days. It was just bang bang bang, kind of like that It was. It was a lot of fun, like kind of old school recording. You know We trying to almost emulate it doing its 16 track. You know, really minimal overdubs and just to get that sound. You know we spent the majority of our time miking up the drum kit, you know, so that we could. You know the Jeff Housechuck the drummer is just a fantastic player, jazz guy, and he decided to slum it with us rock and rollers And he brought that, that complexity and the touch where you could actually hear the notes on the drums. 0:26:48 - Speaker 4Yeah, yeah. 0:26:49 - Speaker 2I could hear it. That's great. We actually ran into him. Ironically, james and I were supporting the group classic Canadian story. but our very first show of the tour that we were doing supporting the troops got snowed out. We got to the bottom of George and Bay and the road was closed. It was drifted in. and so we drove back down to Toronto and went to this great club called the Rex Jazz Club And and Jeff was playing with this organ trio you know like real kind of like just fantastic player and had a couple beers with him after and said, hey, do you want to want to do this If I ever make another record? he said yeah, tommy, and the rest is kind of his. Yeah, it's wicked, yeah actually the phone. 0:27:34 - Speaker 3Yeah, Yeah, No, like, for example, the song over and over. I think it is Yeah. Yeah you can tell. I mean you can tell throughout the record, but like that one in particular. Like, however, because once you lay down your initial, you know your drums and bass, your guitar, your bones you start playing with arrangements. And that I was wondering, like thinking about your process, you know how you go about recording and once you get stuff down, but the way you explain the Airstream that had to have promoted like some level of like creativity, like where you see something you're like let's do this, let's try this, because you're not sitting in a traditional studio, yeah, you know, with four walls, yeah, and a window and like do you know what I'm saying? Does that? Yeah? 0:28:29 - Speaker 2no, 100% That's. That's exactly what we were able to do, you know, within the confines of the house, like I have a small home studio, i have an open house, so I got curtains everywhere to kind of allow, you know, for not only privacy but to kind of the dead and the sound and stuff. We had to be creative with what we were doing and trying to figure out where we're going to put drums and what we're going to do with bass. And it was literally because of the way Jeff played And my natural affinity for records that were done in the 70s that we wanted to, instead of getting the big, boomy Bob Rock kind of like we're going to play in the cabin, smash, smash, smash drum kit, we wanted to, like Jeff plays with jazz sticks, that's, you know it's with. Well, let's put them in this curtained off room where everything's totally dead and and do the do the Jeff Emmerich, you know and kind of play and play and play and move the mic and move the stand until we got the kit sounding perfectly. And then in the meantime, you know, we're rehearsing And James is playing with us, and then we, you know, we get tempos down and stuff and, and you know, do a scratch acoustic guitar and vocal. So we know the arrangement And then Jeff or James would go out into the air stream and we counted off and Jeff and I would play together, you know. And the bass amp is elsewhere in the house So there's no chance of it bleeding in, but we didn't have walls or rooms or anything like that. And again, it was the same process. Most of the bass is not DI, it's, it's. I've got an old, you know, portaflex B15 from 1965, the James Jamerson right And it was kind of like you stick the right mic in front of it And it sounds like, it sounds like Motown, you know, and and that's that's kind of the way we get it And obviously I knew the tunes real well And Jeff is just such a good enough player. That was like, oh, you know, you kind of get it in one or two takes and go out and listen to it. And then again is a cool thing that we go to the driveway, to the air stream, which was really our control room, and you listen to it all stripped away or it's just bass and drums And it's kind of like, oh, it's got even without a lyric and without a guitar or even a music Or even a melody. It's like, oh, this sounds pretty wicked. It's kind of the inverse of being a songwriter where I've always believed if you can sing a song around a campfire, and it can, and it can exist on that level and subsist on that level. And it's like, oh, okay, this is a decent song. And we kind of combined those two ethos and to make this record And it was again, it was just because of the circumstances of making it that you know, we all had to be tested up And we, you know, it was just the three of us and we were also living together and eating together and drinking beer together and playing pool pool table in one part of my house And it was great. It's like it's the band camp, you know it's the hardest way to kill time 0:31:49 - Speaker 1you know, sure, gord, i have a question from somebody on Twitter. We let them know that we were meeting with you And he said it's Craig Rogers from Twitter. And he said, curious if he curious of Gord finds himself writing on guitar or bass more often, or a mixture both with this album and when he wrote for the hip. His bass playing is very melodic, so does he have a chord progression in mind first and then works out a baseline, or does the bass melody come first? 0:32:17 - Speaker 2I primarily write on on guitar, for sure, you know, certainly with the hit, even the songs I would bring to the hip, i would have written riffs and started out on acoustic guitar, not all the time Like they were. on occasion I would try to do something on bass. Bass is kind of tough to sit around on your own. Keep yourself entertained. You know you can play along and stuff. But certainly like my main contributions writing with the hip because we had developed that cooperative songwriting style where you know no one in the group would bring a finished idea to the band. You know we would basically throw out a riff, be it a guitar riff, in some cases a bass riff, and we would start playing together And Gord would start putting a melody on top and a lyric on top And it was great that way. As the bass player you'd like oh here are all these holes all like add melody in here. Or in a lot of cases it was from the middle of songs while you were jamming or sound checks. You know we were always playing And but yeah, it was great fun. I miss making music with those guys big time because it was as a songwriter. It's different now, like you, never when you're, when I was in the hip, you never had to finish an idea And even if you had writers, if you were stuck with something, we would get together frequently And someone always had something new and fresh And that would, you know, cause a light bulb to come on And it would suggest a change that maybe the guy that brought the briefing hadn't thought of it Meanwhile, gord just being Gord, he would be riffing on top and his melody would suggest a change that he would make. And it was great. I loved being in that band And I miss it because it's like you know, like, yeah, you start, i still start the same way, i start with the riff, but man, it takes a lot longer, you know, to come up with complimentary parts and the lyrics and stuff. And again, i credit Gord. I really, you know, i tried to bring some heft to the lyrics that I was writing for this project and my previous one as well, cause he's, you know, he set a pretty high bar as a songwriter you know and can't really you can't really put out a solo record I've said this a few times, but it's absolutely true Like you can't write. Yummy, yummy, yummy. I've got love in my tummy, you know, and feel good about yourself with some of the lyrics that Gord has, Yeah. So yeah, the writing's a, it's a. It's a, it's a fun, it's a fun process. I'm not a sit down and write every day kind of guy. I don't do the Stephen King and lock myself in my studio for 2,500 words a day. You know, I kind of sit around and watch hockey playoffs or baseball playoffs and with the guitar in my lap and noodling all the while, and then you're like, oh, and The cascade begins from there. You know, kind of not really paying attention to either, and It's amazing if you're receptive to the idea, It'll come from somewhere. It's, it's great fun, It's great fun. 0:35:47 - Speaker 1Gordon, i'm so thrilled that you laid down in 2020, you laid down get back again. Yeah, so it was. So we have a like a proper studio version of that song, because I gotta tell you, that was one of the hip songs that I came to early on and in my young hip career, and I was like whoa, this is something that's not on the record. It's like this is like a bootleg, or this is so cool And I gotta I gotta wonder, though, how did it never end up on a record like that? It's such a phenomenal song. 0:36:17 - Speaker 2It's, it's a funny one. I mean that it was That's. It's an old song. I mean that was back from the day when we were we were kind of clubbing it, he just kind of in southeastern Ontario and and we were all learning how to write and we were Writing a little bit together. You know Gord Downey and I would and Paul were living together at a student house But yeah, and it it was kind of a mainstay when we would play live and it was in the running, you know for for up to here for sure as a song. But interestingly enough we We recorded a demo version of it. That was just dynamite. Like You know, the performance across the board is great, particularly by Gord, like he just sang the song beautifully. And it was one of those circumstances where the The, the guy that was helping us the demo, said, oh, that was really really great, one more time just like that and we'll run tape. And we're like, oh, what do you mean? you weren't running tape? and oh, tried it again and collectively we were so disappointed. You know that I don't know we never, we never seemed to Capture that vibe that we had on this unrecorded Demo. You know this is again, we were really young, we were still learning how to play in the studio where it sounded like us and Again it sounds old-fashioned and everything, but it was back in the day We recorded live like we would, you know, put the bass somewhere and you know, drums are in a booth and gorge in a booth And we were learning how to do it, but still get that feeling like with headphones on that, we know, you know It sounds like awesome. We're listening to each other Again and then, yeah, it just never. It just never made the cut. After that, i guess I mean there is a version of it somewhere, at least I thought we had reported it for up to here There is some kind of version of it somewhere. We're finding it Odd with. We've always been signed to Universal in various shapes or forms. We were signed to MCA back in the day. But the tracking down on old tapes, a little demo stuff And studio stuff, is proving very, very challenging from an archival point of view. Like stuff is You'd think it'd be, you know, t, hip or Or it would be alphabetized or the Dewey decimal system or something, but it seems pretty random and stuff is in different storage area Areas and our drummer John has just been. He's just been like a dog on a bone tracking down Material and just relentless trying to find stuff. We kind of process kind of started for us with Road apples and but we were still. We were only able to manage to find Two-thirds of the tapes. You'd think they'd all be somewhere together. You know, when we heard about that fire on the universal lot we hit the panic button like right. You know, wow is our? do you think some our stuff is in there? and then read the list in the paper and there was our name. You know, in between Mel Torme and the down Trop family singers, you know it's like oh crap, i hope we do, because that, that, because, to your point, that's exactly the kind of stuff that we were looking for. Turns out there were dupes and some of its backup in Canada. Definitely Yeah, it's a. 0:40:11 - Speaker 3I just I'd be remiss if I didn't ask a gear question What, what, what, what, what? what type of guitar do you do you like to sit in? Because when you're sitting watching a ball game and you're just noodling or you're just whatever like what's your go-to? 0:40:26 - Speaker 2I, honestly, i've got a. I've got a few favorites, in fact, like there's a song on this, this latest record called change your mind, i I bought a. I bought an old Martin D18, saw it. I bought it sight unseen because it's just always wandered one and down. I Picked it up and Literally pulled it out of the case and it became my main guitar for about a week and that was that that. I Written that song on it within Got probably a day or two, you know it. Just it felt right, sounded right. 0:41:08 - Speaker 1What's that? there's sort of like a dreamy stony sound on that song. 0:41:11 - Speaker 2Yeah, and I would credit the guitar. You know, i guess I I Have a lot of, i've got a lot of instruments laying around the house and I will, you know, i will, i'll trick myself and I'll keep one guitar With a capo on the second fret, you know, and thereby changing the key of the song. But you just, in certain cases, different chord shapes and different you know, composite chords, like you know, a D over G or whatever to sound different in a different key or it'll trigger something melodically and then that will Send it in a different direction. So I I kind of rotate them in and out. You know I I Got an old the first kind of cool guitar about was an old J 160, you know mid 50s old beaver of a guitar, and it's always out on a stand somewhere and I'll Pick it up and I'm playing. Right now I'm going out and playing this old, the ES 125, like a, like a hollow-bodied arched top, electric and And it's been laying around and it's just, you know It sounds kind of got a little more sound to it. Yeah, i just kind of believe in the magic of it. You know that it's just like oh, this, you know it's rules right and sounds right in the. The tones of these older instruments, to my ear anyway, are so nuanced that that each one has a different character and Suggests different things, you know, and some chords sound better on them than others. And yeah, it's so, so it's cool. I like I say, i trick myself and I mix it up. 0:42:50 - Speaker 3That's the per. That's the perfect answer. Had you said this is the guitar, that's trick Bs and me bulls it me right on that school Yeah my question was more what kind of beer we were you drinking where you were recording and the Not as young as I used to be, so I. 0:43:13 - Speaker 2There's always a case of the in this kicking around here, for sure, but I'm more of a light beer guy now. Unfortunately, i just I can't afford to Drink the loaf of bread like I used to when I was a young man. Live to tell it. 0:43:29 - Speaker 4I'm right there with you. Yeah, i'm right there with you, gord. 0:43:33 - Speaker 2Yeah, I'm pretty much a logger and a Guinness guy. 0:43:36 - Speaker 4Yeah, sorry. 0:43:49 - Speaker 1Well, I'd love to talk more about the. I'd love to talk more about the. The record sure. You gotta ask the video to man and we haven't touched. We haven't even touched on the video. 0:43:59 - Speaker 2Yeah, I'm glad you like it. I, i yeah, that's a friend of my, my youngest son's It's aspiring filmmaker and videographer and, obviously, videos on what there used to be. I'm like I'm a survivor of the MTV era where You just saw your recoupable account go up and up and up with your record company because you'd spend more money making videos And you would make the record. But it's. But he's a creative young guy having feral is his name and I I Was reading the newspaper And there was an article I can't think this one Facebook change just named in Metta, and Mr Zuckerberg had proclaimed that the future of the world, the future of reality, is going to be virtual reality. And They ran a little clip of the journalists were testing it out with the, with those goggles or that, whatever that is. I said, wow, this is the future of reality. The graphics are kind of shitty, you know, and and And I bounced it off heaven and I want to make this video about these tech guys that are kind of changing the way we interact with each other and getting rich in the process. And could we make a virtual reality kind of video for this song about kind of love in the VR world? and and man he ran with it. He was like I know exactly what you're talking about. 0:45:34 - Speaker 3And it's clear who everybody is. It's very clear who everybody is. 0:45:37 - Speaker 2He ran into a little problem with the record. Here it was, it was clear, still in the legal department And hit the panic button real quick. But we just, i think. 0:45:52 - Speaker 4You know, it's a good thing when that happens And it was fun. 0:45:55 - Speaker 2The song I think Google Guy has a bit of a sense of humor to it And yeah, i got when all that stuff was going on, when they were talking about how their algorithm there were purports to bring people together was actually the algorithm itself was based on making people butt heads, because there was more engagement when the conversation was contentious, as opposed to fluffy, puffy stuff. And that young woman, francis Hogan, really kind of went official with it. She kind of blew the whistle on these, these guys, and I thought right away to myself like oh, what would what would Joe Strummer do with a concept like this? You know, like you wouldn't know all have very much and try to call the guy out. And it was actually the last song I wrote for the record And it came real, real quick because I kind of got my dander up just a little bit. I'm not a social media guy. I understand how people do it. It's a great way to stay in touch with friends all over the world and stuff, and I get it. But God, imagine if you're Instagramming or Facebooking with your pals. But there was a artificial intelligence kind of trying to get you guys to fight about something you may have said to each other in high school and dragging that your relationship through them. 0:47:21 - Speaker 3I'm sure it's already there. 0:47:22 - Speaker 2Exactly, you know. I mean, i'm in a. I was in a band with my high school friends and, oh my God, we fought about crap that was 35 years old. You know, sometimes it was kind of anyway, yeah, so I yeah anyway, i glad you liked the video. It was fun to do. I'm going to do a follow up. He's one of them for call Yeah, but I don't know, i haven't seen it, yet I'm dying. He's okay. I'll be anxious to check that out. 0:47:56 - Speaker 4I enjoyed the video and the song and the song. Honestly it brought me. There's this kind of 80s feel to it, like it's it's interesting kind of the juxtaposition of I don't know had money for nothing Yeah yeah, and then what? Yeah, I'm not, i'm not sure, yeah it's. Yeah, it's reminded me of I don't know a couple of things, but anyways, the the video is great, and it was just I love the personification of the characters, and it's just. I just really related it. I was, i was in, i was in Italy recently. We were staying with family and I'm kind of a handy guy, so I was helping them do some stuff and I said, well, can you work and we get this? you know, we needed something in particular. My aunt there says, well, we could just order it on Amazon, and sure enough it was there the next day. And I'm like I mean Italy and Jeff, jeff, still knocking on the front door delivering, yeah yeah, it's not so I conveniently unbelievable. 0:48:57 - Speaker 2I totally understood. And obviously the pandemic Unbelievable fall for those companies because all the stores are closed, you know, but Massive. You know I'm from a small, small ish city. You know we got 150,000, 200,000 people here. You know, if the if you don't support your local hardware store owner, who may very well be your neighbor down the street, you know it's, it's kind of like the kind of the 100 mile Right Diet approach to living. You know where you live in a community and if you got a couple Extra bucks for things like I get it like people go to the big box stores to buy 10,000 rolls of toilet paper and junk like that. But but you know I go to the local record store and my local stereo shop and my local guitar store and we shop at a small little market And it's important, you know it's. It's important if, if the pandemic taught us anything, it was to kind of value community Because we would support each other more. And meanwhile, that's what I love to do. Devon's portrayal of the of. They call themselves founders. I understand the founders in the orbiting space station above, above the world, that slowly falling apart. And frankly, that's what I try to articulate in the, in the lyric of the songs, that we all know the reason, and the reason is really us. It's up to us, you know, to build community and to support community And and everyone wants to save a buck. I understand that stuff, but at what cost, you know. And what cost? Yeah, in many cases, like mm. Hmm, there's a lot of each cylinder vans all over North America as we speak, idling in people's driveways dropping off stuff that they ordered on Amazon last night, you know, and there's a cost to that, ever, you know. And that's what I was trying to articulate anyway, yeah, yeah. 0:51:21 - Speaker 4What I notice nowadays on, i mean, i'm in Portland, we're in the city, you know, downtown Portland is about three miles away, and what I notice is, when we don't have any deliveries, like, i'll just stop, i'm mostly home. I'll stop in the house and think, boy, it's actually been quiet today. You know it's. You have to wait for the white, the white noise to go away in order to I have a Kingston question for you. 0:51:45 - Speaker 1These gentlemen we are recording, we're doing a live finale for this podcast in Toronto on September 1st. So Pete is coming from Spain and Tim is coming from Portland and we're doing it at the rec room in Toronto. We're doing like a live podcast. There's going to be a standup comedian, There's going to be a hip tribute band, et cetera. But as part of their coming to Toronto, I've booked us a day in Kingston and I booked an Airbnb just yesterday. What are some? what are some hip, hip must see spots, Some you mentioned a record store earlier, a guitar store. What are some cool spots that we should go when we're? Yeah, I got to hit the store. 0:52:29 - Speaker 2You know what there's there's. so there's so many of it like this. First off, about Kingston. You know I'm born and bred and raised here. I went to university here and you know, like most young men, like Rob Baker and I, grew up across the street from each other And all through high school together and you know, gordon, Paul and I lived together in university And John was a little bit younger than us behind us, but all went to the same high school Parents, on to each other, and nonetheless, like most young men, we couldn't wait to shape the dust off this one horse town off our boots. You know, move on, or big city, and as it turned out, you know, our career took this home, over Europe and North America and traveling all the time And we kept coming back home And because it was home, you kind of learn to fall in love with where you're from By leaving it, you know, and you kind of realize, oh, there's no better place to come back to. And it still is a really, it's a really special place. Even even with the, the dearth of of live music venues and various cities and stuff, we still have five, six places in town that run live entertainment nightly. You know, and I think that's a big reason Kingston is as it is is produce so many great recording artists, you know Sarah Harmer, headstones and the Glorious Suns, and because they all came up the way I came up, you know, you kind of start playing in downtown Kingston and you play the bigger bar and the bigger bar after that. So there's, there's some great live music venues. The place I'm playing in town is called the, called the the Brune factory, which is kind of a multi multimedia approach to live. It's a film place, it's comedy, it's an office building for the local promoter during the day And it's, it's great. It's very DIY in town, you know it's. Also Kingston is an interesting place because it's a university town, a very large, very good university here. So we kind of punch above our weight for for restaurants and actually activities to do. We have a local symphony orchestra to symphony halls. You know it's just there's, it's a, it's a really special place And it's also it's right at the confluence of Lake Ontario and the St Lawrence River. So it's where the Great Lakes kind of funnel all down and the area just east of us is the start of the Thousand Islands, which is again it's we kind of take it for granted. But you guys coming from out of town, you know it's worth jumping on a, on a boat, and you've never seen anything like it. It's, it's just absolutely spectacular, you know, and it's, yeah, it's just really, really cool. There's so many great rooms. You know, the club that we played our first gig was called the the toucan, but it still exists, you know, and it's still still there. It's not a great place to see music or play music, but it's still running live. It's pretty wicked. There's another place called the mansion. That that they're again. They're fighting the good fight. They're trying to bring acts in all the time and get people a place to play. You know, and it's in, it's kind of great. It's kind of a great place to be. I feel very comfortable here. You guys are like it. 0:56:15 - Speaker 3If people, if they have places to play there and there's places that they make available, i mean there's. there's no doubt that's why the city thrives. 0:56:25 - Speaker 2I really think so as well, because people, obviously they people get used to live music being a viable option. You know, that was something that we experienced as young musicians First time we went to Europe. You know, it was again like starting over. But we got to the Netherlands And it was like that was. It was the case of like, where are all these people come from? how do they? but it's because the the nature of the culture and it was back in the CD days, when they were Ridiculously expensive, you know. So you'd have to pony up whatever 30, 40 Gelder's they were called back then so people would literally would go see a band play live before they would pull me up for the record, which was perfect for a group like us, because you know they huh, there are all these Magnificently tall people standing there and all speaking English, hang them boards, every word, yeah, it was great. It's all like. That's all about the amazing thing. I am such a such a believer. It's just so important. 0:57:36 - Speaker 1I I totally feel the song sometimes. Yeah, did you write that? like thinking, live in mind, like, like that feels like a live song. 0:57:46 - Speaker 2Yeah, i Did it's, it's, It's for sure, it's. There's an anger to it for sure, and it's it's not the easiest thing when you're sitting by yourself in a pandemic to To write an uptempo song. But like I, like I was seeing earlier, i was using that experience, i would close the sliding doors of our family room and, and, like everybody, there were moments during when I was locked down or where I was Wasn't quite myself. You know I was feeling. You know, being locked down in the middle of the winter in Canada is You get some dark days for sure, not only Physically dark days, but but the mood kind of translates on you and that's that's really what that song's about. And and I Attempted to turn that frown upside down and kind of went back to the old punk rock me, and It's basically like a confessional more than anything, because it was true, sometimes I felt like I was losing my mind, you know, and and sometimes you know, weed, weeds legal up here and and and so maybe sometimes I'm they've, you know, smoked a bomber a little too early in the day, you know, or maybe a little Bailey's in my morning coffee just to take the edge off. Even quite confessional about that as well. Much sugar in, yeah. 0:59:23 - Speaker 3That's really cool of you sharing my songs with us Share. 0:59:28 - Speaker 1I mean, for me it's been. It's been 38 years of you sharing songs with me, so I really appreciate that and Love that you made time for us today, well. 0:59:39 - Speaker 2I appreciate that. I appreciate that I'm a music fan as well and I and I I Made music with guys I know really well, guys I love, you know, and and We always took it really, really seriously and we always never took whatever success we may have achieved, we never took that for granted, you know, and we knew it was because of the people that liked our music and that supported the group and we, you know, with the past, you know Gordon Lightfoot. It was also such a huge believer in live performance and the love and respect for his audience. you know We came up, you know, very much the same way, just like getting our getting in front of people and, you know, and thanking them. You know, and being truly grateful and trying to allow the music to reflect our growth as people and but our commitment to making really good music and you know I'm I Love it I'm still trying to do it on my own. You know, i'd give anything to have gourd still here and be working my, my normal day job, you know. But but In no small way he still is. You know, he wouldn't have wanted any of us to stop playing, you know, and to stop making music and Yeah, and so I'm kind of doing it to honor him, but it's also it's because it's the only thing I know how to do. I kind of They caught into my, it's my, my yearly cycle of like, oh I'm, you should be making a record soon. I think the song start pouring out. Anyway, i'd go on, but I appreciate you guys for doing this and listening as it is intently, as I Listen to music like that's the way I listen to it too, you know I turn it up. 1:01:31 - Speaker 3Yeah, pleasure's our pleasure We've. 1:01:34 - Speaker 4we've got great time, so thank you so much. 1:01:37 - Speaker 2I'll get a list of places to see in Kingston, and there's some that would be great. It's a pretty, it's a pretty special. It's a pretty special little town. You'll, you'll get the vibe right away. You know, september is a great time of year. Kids are just coming back to school and the and the sailors are still hanging around. It's a touristy town. So there's a. There's a good, it's a good vibe here. It's a nice place to visit. I can't wait. Yeah, i can't wait awesome, awesome. 1:02:02 - Speaker 1Well, thank you so much Thanks for a pleasure, guys. 1:02:06 - Speaker 2I really really appreciate your time. It's fun. 1:02:08 - Speaker 3Yeah, thank you boys. 1:02:10 - Speaker 2Okay, take care, we'll see you real soon. Yeah, thank you. Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

In this special episode of the podcast jD, Pete, and Tim sit down with Gord Sinclair for a broad conversation about touring with the Hip, the future of Rock music, and his new record In Continental Divide. Stay tuned for the big announcement following this episode. If you know you know. RateThisPodcast.com/ghtthTranscript0:00:00 - Speaker 1Well, we're really, really thrilled that you could take some time with us today. This is a pretty exciting And this is my pleasure. 0:00:07 - Speaker 2I appreciate it I. 0:00:09 - Speaker 1Don't know if you know what the premise of our podcast is, but I want to give you a. Snip it so you get a. You get an understanding of who these two gentlemen that you're, that you're with, are sure. 0:00:21 - Speaker 3Maybe you should tell them at the end JD, let's get the Way. 0:00:28 - Speaker 1No way, no way, i'm sorry out. So I did a podcast called meeting Malcolm s and it was about pavement and I met these two guys in Europe last year Going to see pavement a bunch of times and we got talking about music And I really love the way they talk about music, the thoughtfulness and the way they understand it and so, naturally me being a very big, tragically hip fan your, your name came up and Them being from Southern California, one by way of Malaga, spain, and one by way of Portland, portland, oregon. Now They hadn't, they hadn't had much experience with you. So I thought, dreamt up this idea of the podcast taking them through your discography, one record at a time, so that The listeners can experience, can experience what it's like to hear your music for the first time. Again, cool. 0:01:27 - Speaker 3It's been. It's been a journey man, it's been really. 0:01:31 - Speaker 2What do you guys up to now like record-wise? is it still work in progress or we have just released up to here. 0:01:39 - Speaker 1So Okay. Here's a fun fact for you. Did you know that if you take your entire catalog and Release them, starting on May 2 4 weekend, and release one a week for the summer, it ends on Labor Day? 0:01:58 - Speaker 2Oh, no, I didn't know that you're your catalog. 0:02:01 - Speaker 1Your catalog is perfect for the summer man. 0:02:03 - Speaker 2Okay, great, well, that's, that is kind of appropriate. For sure We're, you know, sir It. We're unlike Southern California. We kind of lived for the for the three or four months where You can actually sit outside and play guitar with it, your fingers falling off, you know. 0:02:21 - Speaker 4That's, that's definitely me. in Portland, oregon, we had the the soggy a spring I could remember in my 22 years here. 0:02:28 - Speaker 2Yeah, yeah, that's a great town. We we played Portland a bunch, the Aladdin theater, remember that place. 0:02:36 - Speaker 4Yeah, it's an awesome theater. 0:02:37 - Speaker 2Yeah, it's great Yeah. 0:02:39 - Speaker 4Yeah, it was. It was a cool room. It was fun to play that. We'd love to have you back there with your your current gig. So it would be yeah well, it would be great. 0:02:48 - Speaker 2It would be great. Things have changed for the live music business. Unfortunately, Do it for the most true. 0:02:56 - Speaker 1Yeah, so for now, the tour, the tour that you're doing In Toronto and like Southern Ontario, yeah, is that? is that what we're expecting to see for now, or will there be more dates in the future? 0:03:10 - Speaker 2I mean it's still. It's still up in the air. I I'm certainly not averse to doing more dates, but we, you know, yeah, but, but we'll, but we'll wait and see. You know it's it's it's not an easy proposition. Taking the show on the road, i mean the expenses are kind of through the roof from, just in terms of putting the boys up. That's why we're staying pretty close to home. To start, not only on my band leader now, but I'm also a father. My, my youngest son, is Playing bass in the group and he's got a day job, so I got to get him back. It would be irresponsible for for me to have him run away to the circus like I did, you know. But what it needs to be seen, you know it remains to be seen. 0:04:03 - Speaker 1So how is that turn? turning around to your left or right and seeing your son, you know, in your familiar spot? 0:04:08 - Speaker 2It's, it's, it's, it's pretty great, i gotta say it's pretty great. He's a On his own. He is an amazing musician. All my, all my kids can play, but but he, this one's got a particular Ear and talent Guitar and piano or his principal instruments. He's not really a bass player But he can play just about anything. He's just one of these kids that can hear a melody on the radio or on record and sit down the piano and play it back to you. So, on that regard, it's really, really great to see him actually playing the. The flip side of it is as a He's a singer, songwriter in his own right and it's in the process of finishing a record that he did while he was at university, mcgill. And it's tough, you know, it's tough for young kids starting out today to get that, to get that leg up. You know that opportunity to that a group like ours had, you know where we, you know We were able to start playing gigs while we were in school, you know, and and kind of built it up from there very, very, very organically. We got better as we played more and and and as we played more, more people came and Then we got more gigs and it sort of snowballed from there and, like we like most, we started as a cover band And, crazily enough, like back in the 80s when we were playing, they didn't really want original artists in the clubs in Canada. So we would, you know, we would we were playing mostly kind of B sides of old stone songs and pre things and Kinks and stuff like that and then thrown in on, and so when we played at our song we said, oh that's, you know, that's from an old Damn record from from 1967, just absolutely bullshitting our way because there's some clubs that you had to write down your set list, make sure you weren't playing original material, bizarre. So. So now it's yeah, it's just a different scene. I'd love to see him working and playing, making it, taking a go at it. 0:06:18 - Speaker 4Yeah, i kind of feel like this day and age to Make it in a band and get on an actual tour That's further away than your closest region, it's like, it's almost like becoming a professional athlete. Yeah, you know, it's just like your chance. Yeah, getting that notoriety and getting embraced and carried through it, it's, it's just tougher. I have a close, close cousin of mine is in a band here in Portland and They're going at it so hard and you know they're lucky to get, i don't know, the six, six or eight West Coast swing. Yeah, and happy about it, but I tell you the cost for them and all that. Just like you said, it's, it's, it's, it's a tough, that's a tough go. 0:06:58 - Speaker 2Yeah, it's, it's. It's very much the same here. It's like anything, you know it, that You put a group together, you just, you get that, jones, you know, you do it for the love of it, and if you see a little glimpse of light at the end of the tunnel, it's enough to keep you going. Right, the one gig leads to the next, the next, but, but, boy, if you get continued roadblocks thrown up against you, it's a little demoralizing. And certainly up in Canada the live music scene Was in a tough spot even before COVID, and COVID really, just, you know, cut the head off the vampire It was. It was just made it so, so difficult, particularly at the at the early stage gigs, like in most downtown cores They've been. You know, the small rooms where it would be your first gig when you came to Winnipeg, or your first gig when you came to London, ontario, those rooms don't exist anymore. Yeah, you know, in fact I was talking to my agent a little while ago and Again, it's been a while since I've been out to Western Canada But he was saying that there's not really a gig in Vancouver and Calgary, you know, you know, in a 500 seat capacity and that's, and that's tough when you're just coming through town for the first time. I mean it's tough is on a regional level. If you're a young band story or a colonial, let alone From Kingston, ontario, you know, which is a real shame. I mean, the great thing about being from Canada, you know I The biggest obstacle to touring in this country Is actually our greatest assets, the sheer size of the country. You know, once you, once you kind of break out of your region and play in the crap little clubs around your hometown, then you've got eight, ten, twelve hours in some cases driving in between The, the gigs and you learn really early and really really quickly How to play. You know an empty room on a Tuesday night and a shithole on a Wednesday night With the object of getting to a win, a peg, you know, for Friday and Saturday night and maybe selling some tickets. You either You either fall in love with the lifestyle and the guys in your group or the gals in your group is the case. Maybe you're you bust up before you get you out of our problem, yeah, ontario. And so you get a lot of hearty souls that are doing it and then in the meantime, during all the traveling, you just develop this rapport with your bandmates and if you're a composer at all, it's great. You have so much time sitting in the band or sitting hotel room. You, just you're right, shoot the shit and Become what you become. It's true for musicians, it's true for crew people in this country as well. You know, you look at any international group and their crews are populated by Canadians. Because they have that experience, you learn how to travel. You know, get along with people in a confined space of a Band or tour bus, and it's a real asset that we have. The, fortunately, is getting more and more difficult. 0:10:17 - Speaker 3It's a bummer, because I love you guys you guys own your, i mean, and I we know this. I know this because We've pretty much gone through the, the majority of the discography, at least for the hip, and You guys really honed your skills of those Tuesday, wednesday night shittles, yeah, that you're playing To get you know, you can either take those is like Oh man, there's, there's five people here. What do we do? Like let's, let's, let's, let's treat it like a really tight rehearsal. Yeah, you know, whatever, and it it shows, at least from my perspective, on those records, those early records, and like to you guys just peak and just, you know, coast at 35,000 feet, so to speak. But it's funny you mentioned about the touring scene because I live in Malaga, i grew up in Southern California but I live in Malaga, spain and I We had a record come out last year and we're getting ready to do a second record And it's in the city center. They don't want anything original, they want stones, beatles, you know, maybe a couple Zeppelin tunes thrown in. They don't, they don't want they, they want cover bands, that's all they want. 0:11:39 - Speaker 2Yeah yeah, it's, it's tough, it's, it's a funny time And in a lot of ways I think it's a kind of a dangerous time from a cultural perspective. I mean, i, i'm a Stones fan and I'm a Beatles fan and I'm Zeppelin fan, you know, got it second hand from older brothers and sisters, you know. But but I, honestly, you know, i honestly believe that every generation needs their own stones. They need their. They need, like I grew up on the clash, right, you know, and the jam and and that was I was able to define Myself away from older brothers and sisters because of the tunes that I was like. And then, you know, and I've been Quite honestly, i've been waiting around for the next Nirvana and honest believing in my heart that's somewhere in the world, in some mom and dad's basement, there is the next Nirvana, working it and learning how to do it. I just, i really honestly believe it. I mean, again, i we're very fortunate Over the course of our career, touring, you know, we have Mums and dads that are bringing their kids to the, to our shows, and now those kids are, you know, so great, right, stealing to the hip and stuff, which is awesome. But but I worry, we're For Canada anyway, where that next hip is actually gonna come from. You know, and it's again, i think it's a cultural thing and, and you know, into your point about the Learning how to play the empty rooms, i mean That's what allowed us to. We were back and forth across Canada a number of times before we got the opportunity to Make that left turn and British Columbia and start playing in the United States, and it was literally like starting over. So by that point we were playing like larger clubs and doing really, really well. And then You know, you go down to Seattle and you're back to, you know, 20 to 50 people and and It's actually it's really informed our career. You know, we learned really early on to play to each other, it totally, and and how to play on stage and we always had this mantra we learned to play The hockey rinks like they were clubs and we learned to play the clubs like they were hockey rinks. You know, and Cool, cool. 0:14:08 - Speaker 4I love it. 0:14:08 - Speaker 2And we were really. We were also really really fortunate that we would go to a region like the Pacific Northwest In the States and, you know, at the club live and you could look out and you could see familiar faces, the folks that were really into it, like maybe it actually bought the records and you can see them in the first couple rows and and It was the same when we started in Canada. So we would change up the set every night. You know, try to throw in as many different tunes and we wouldn't open with the same tune, we wouldn't close with the same tune and to make it look like we were Not even look like we were trying, we were really trying to entertain these folks. You know, and you guys are all music fans and there's nothing worse than you know, you catch an act and you catch the, the acclater and the tour and it's like Hello Cleveland on the teleprompter. You know yes, agreed, agreed 100% and it's kind of like If you avoid phoning it in, consciously avoid phoning it in, then you're not phoning it in and You're not thinking about your laundry or the fight you just had with your partner. While you're out on the road You're actually engaged with your fellow musicians and particularly with the crowd. And, yeah, it's important to me as a music fan, you know, i just think it's really when there's still groups out there, you know, at the rink level, that do that, you know. 0:15:29 - Speaker 4Yeah, yeah, to comment quickly about your, your wish for the new Nirvana, like I think it's happening in in these sub capsules, like these regional areas. You know, i, i, i hear about bands doing a West Coast tour and doing in small clubs, smallish clubs, but also doing house parties along the way. And When I first heard this one band, i followed when I first heard they were doing, you know, in between, let's say, san Francisco and Eugene, they're doing house parties in Arcada, california, or Eugene, you know, south of Eugene or in Ashland is like. So they're doing house parties, like people are showing up and getting shit-faced and rocking out and in. To me It was kind of brilliant. It was very old-school feeling like you know, i remember stuff like this happening in the 80s, but at the same time I'm like, Well, if that's a way to hustle and get more fans to support you know, your, your venue climb, then that's that's just amazing. So I think it's happening with, you know, some of these kind of post-punk, kind of yeah, yeah, art rock bands. You know it's, it's happening, but it's it's so, it's so capsule-based, yeah. 0:16:45 - Speaker 2Yeah. 0:16:46 - Speaker 4So to break out of that, it's pretty tough. 0:16:48 - Speaker 2Yeah, i mean that that's my understanding of it as well that the first show I've got is part of a festival in our hometown called Spring Reverb and we again, it's a very, very local promoter who who's, you know? God bless them there. They're all in on live performance and they're they're they're like the Don Quixote's of music in this particular region And they'll do whatever it takes and there's tons of groups on the bill That I haven't heard before. It's and it's an exciting, you know, and it's a. It's a really, really good thing. But I think for your average music consumer, my age, it's like No one's trying to Pitch new music to me in any way. You know which is a real kind of drag. I, i have the dough to buy the records, but I don't know which ones to buy. You know, and it's I Still it's a. It's a bit of a problem. 0:17:47 - Speaker 4I'd love to send you a list. I'm bugging these two guys all the time. Hey, you gotta. You know. I told these guys all the time Hey, please, listen to this. There's one band in particular. I told them three times listen to it. Just make me a playlist. Maybe I'll listen to it later. 0:18:02 - Speaker 2And it's cool. It's never been easier to produce a record, like again when I started. Recording was expensive and you had to have a deal to do it and Someone had to invest the money in it, which, again, was maybe part of the advantage that we had that we did have some resources behind us with our first, even with our first DP, private resources and but you know that that patronage system is, i mean, kind of goes back to the Mozart days where you know folks that had the resources were able to Have house concerts, just happened to be in Palaces, right, right, but right, it's a good thing. I mean. I think you know the kids will find a way. It's just, it's just how, how to take it to the next level. I mean we, when we first started touring the States You know it was still regional radio was a real big deal. It was just before Ronald Reagan and the clear channel days kind of ruined it so many ways where you And it's a real shame as a music fan and as an artist you know you could be stiffen in one market, but then you go to like Austin, texas, for us it's like holy crap, where did all these people come from? And then you find out that a local DJ's got an affection for the band and they're kind of, they're kind of paving the road for you in advance And it was such a great. It was a great time. It was a great time for music. 0:19:48 - Speaker 3It's about what's played to you, gord, because I mean I just want to you talk. You mentioned the Clear Channel thing, but it's about what you're exposed to. Like you said, the DJ, that it's got a, that's got a. You know, it's got an affinity for your band. I know, joke. I'm in California right now because I'm visiting family out here And I saw two of my best friends. One flew out from Texas, the other one lives out and he's got to play some Mexico but he works the train. And so we all met up and on separate occasions I told him about this podcast and we listened to, to some hip tunes and they're like who the fuck are these guys? And and like immediate fans. Strangely enough, and because we have the same like taste in music, the three of us we grew up we played in bands the others were five, but never, never were exposed to it. Yeah, Yeah. Never had it. 0:20:44 - Speaker 2Yeah, we would get that a lot over the course of our career. You know, we've always benefited from really passionate fans that that they would, they would get it, and just the old fashioned word of mouth thing, you know, we would come back through town like 18 months later and they, they would have brought all their friends and maybe got turned into some more corded music, but then they would see the band play live and it would all make sense Like live music is supposed to. It's just like, oh, i didn't even think of that song on the record, but when they play it it's like, ah, you know, that's my new favorite song. And then it grew just really, really organically. You know, we, we never really had the benefit in the United States of a single that was big enough to open up like a national type of market, but we, we, we maintained this ability to tour around this, the circumference of the country, you know, and, um, yeah, and you know, wherever they had a professional hockey team, we would do pretty good, you know, right? 0:21:56 - Speaker 4So And I will say, though, i read, i read, i read you know something about you guys playing the, the Fillmore in the nineties in San Francisco, and there was some comment. It was like, yeah, they always do, they always have a big crowd here because every Canadian in California comes to the show, you know. so it's, it's hard to, it was hard to get tickets because all the Canadians would show up. So, you know, i love, i love the story of how everything happened organically and you guys kind of started from playing small clubs and what have you, and cover songs and how it. that rise is just totally remarkable And it's, you know, it's obviously worthy of of sharing, which we're we're doing now. I I gotta fast forward and ask about this. this uh, air stream, though, and you guys recording and you tell us about that. So cool. We have our own fantasy in our minds right now. Well, it was really it was a. 0:22:54 - Speaker 2Again, it's a kind of a a, a, a, a, a, a, a, a, a, a, a. It's a COVID based reality that that I faced, sure, the group myself, we, we own a recording studio in in Bath, ontario. It's a residential studio. So, um, COVID, it was really super busy because you know, artists, musicians, could, you could test up and and you'd live there. You didn't have to go anywhere and and as long as our, our engineer, um, you know, was safe. It was, so I I couldn't get into it, you know, like I just couldn't. It was booked out and and, um, i had, uh, you know, i'd I'd put out a record called taxi dancers previously And it's one of those things like I had tunes left over from writing with the hip and stuff. She got years and years to do that and then. But COVID was great for me as a, as a songwriter. I was locked down in my home with my family and um, and I was writing and using the guitar and and and writing lyrics as my means of journalism journaling really And I wrote this record fairly quickly. My buddy James, who played with me a bunch, i produced a bunch of records for his band, uh, peterborough, called the Spades, and so we've just always had a really close relationship, And he is an engineer and producer in Peterborough, um, and had this great idea this summer, before COVID, and he bought up an Airstream trailer And he rigged it up so that he was able to strip down his gear from his studio space and transplant everything into the airstream and go completely mobile So he could record live shows and, you know, any sort of situational stuff which I thought was a genius idea. And then COVID hit and it kind of you know, it kind of went on the back burner and then we got talking and said, you know I got enough tunes for a record And you know he played with me on the first one and engineered, so we want to try to do it again. And so he literally recorded it in my house. We parked the airstream in the driveway and ran a snake underneath my garage door and plugged in And it was kind of great. I hoofed my family out and it was just. It was just James and Jeff Housechuck and I are a drummer And we kind of stripped things down. We learned all the songs as a three piece, you know, with me playing the bass and then and then tracked kind of pretty much live And Jeff and I would play together and put the bed tracks down to like a scratch guitar, scratch, vocal and kind of did it like that. It was really kind of wicked and and not only in office is recording is, you know. We learned the songs and we kind of had all the beds done in like three, four days. It was just bang bang bang, kind of like that It was. It was a lot of fun, like kind of old school recording. You know We trying to almost emulate it doing its 16 track. You know, really minimal overdubs and just to get that sound. You know we spent the majority of our time miking up the drum kit, you know, so that we could. You know the Jeff Housechuck the drummer is just a fantastic player, jazz guy, and he decided to slum it with us rock and rollers And he brought that, that complexity and the touch where you could actually hear the notes on the drums. 0:26:48 - Speaker 4Yeah, yeah. 0:26:49 - Speaker 2I could hear it. That's great. We actually ran into him. Ironically, james and I were supporting the group classic Canadian story. but our very first show of the tour that we were doing supporting the troops got snowed out. We got to the bottom of George and Bay and the road was closed. It was drifted in. and so we drove back down to Toronto and went to this great club called the Rex Jazz Club And and Jeff was playing with this organ trio you know like real kind of like just fantastic player and had a couple beers with him after and said, hey, do you want to want to do this If I ever make another record? he said yeah, tommy, and the rest is kind of his. Yeah, it's wicked, yeah actually the phone. 0:27:34 - Speaker 3Yeah, Yeah, No, like, for example, the song over and over. I think it is Yeah. Yeah you can tell. I mean you can tell throughout the record, but like that one in particular. Like, however, because once you lay down your initial, you know your drums and bass, your guitar, your bones you start playing with arrangements. And that I was wondering, like thinking about your process, you know how you go about recording and once you get stuff down, but the way you explain the Airstream that had to have promoted like some level of like creativity, like where you see something you're like let's do this, let's try this, because you're not sitting in a traditional studio, yeah, you know, with four walls, yeah, and a window and like do you know what I'm saying? Does that? Yeah? 0:28:29 - Speaker 2no, 100% That's. That's exactly what we were able to do, you know, within the confines of the house, like I have a small home studio, i have an open house, so I got curtains everywhere to kind of allow, you know, for not only privacy but to kind of the dead and the sound and stuff. We had to be creative with what we were doing and trying to figure out where we're going to put drums and what we're going to do with bass. And it was literally because of the way Jeff played And my natural affinity for records that were done in the 70s that we wanted to, instead of getting the big, boomy Bob Rock kind of like we're going to play in the cabin, smash, smash, smash drum kit, we wanted to, like Jeff plays with jazz sticks, that's, you know it's with. Well, let's put them in this curtained off room where everything's totally dead and and do the do the Jeff Emmerich, you know and kind of play and play and play and move the mic and move the stand until we got the kit sounding perfectly. And then in the meantime, you know, we're rehearsing And James is playing with us, and then we, you know, we get tempos down and stuff and, and you know, do a scratch acoustic guitar and vocal. So we know the arrangement And then Jeff or James would go out into the air stream and we counted off and Jeff and I would play together, you know. And the bass amp is elsewhere in the house So there's no chance of it bleeding in, but we didn't have walls or rooms or anything like that. And again, it was the same process. Most of the bass is not DI, it's, it's. I've got an old, you know, portaflex B15 from 1965, the James Jamerson right And it was kind of like you stick the right mic in front of it And it sounds like, it sounds like Motown, you know, and and that's that's kind of the way we get it And obviously I knew the tunes real well And Jeff is just such a good enough player. That was like, oh, you know, you kind of get it in one or two takes and go out and listen to it. And then again is a cool thing that we go to the driveway, to the air stream, which was really our control room, and you listen to it all stripped away or it's just bass and drums And it's kind of like, oh, it's got even without a lyric and without a guitar or even a music Or even a melody. It's like, oh, this sounds pretty wicked. It's kind of the inverse of being a songwriter where I've always believed if you can sing a song around a campfire, and it can, and it can exist on that level and subsist on that level. And it's like, oh, okay, this is a decent song. And we kind of combined those two ethos and to make this record And it was again, it was just because of the circumstances of making it that you know, we all had to be tested up And we, you know, it was just the three of us and we were also living together and eating together and drinking beer together and playing pool pool table in one part of my house And it was great. It's like it's the band camp, you know it's the hardest way to kill time 0:31:49 - Speaker 1you know, sure, gord, i have a question from somebody on Twitter. We let them know that we were meeting with you And he said it's Craig Rogers from Twitter. And he said, curious if he curious of Gord finds himself writing on guitar or bass more often, or a mixture both with this album and when he wrote for the hip. His bass playing is very melodic, so does he have a chord progression in mind first and then works out a baseline, or does the bass melody come first? 0:32:17 - Speaker 2I primarily write on on guitar, for sure, you know, certainly with the hit, even the songs I would bring to the hip, i would have written riffs and started out on acoustic guitar, not all the time Like they were. on occasion I would try to do something on bass. Bass is kind of tough to sit around on your own. Keep yourself entertained. You know you can play along and stuff. But certainly like my main contributions writing with the hip because we had developed that cooperative songwriting style where you know no one in the group would bring a finished idea to the band. You know we would basically throw out a riff, be it a guitar riff, in some cases a bass riff, and we would start playing together And Gord would start putting a melody on top and a lyric on top And it was great that way. As the bass player you'd like oh here are all these holes all like add melody in here. Or in a lot of cases it was from the middle of songs while you were jamming or sound checks. You know we were always playing And but yeah, it was great fun. I miss making music with those guys big time because it was as a songwriter. It's different now, like you, never when you're, when I was in the hip, you never had to finish an idea And even if you had writers, if you were stuck with something, we would get together frequently And someone always had something new and fresh And that would, you know, cause a light bulb to come on And it would suggest a change that maybe the guy that brought the briefing hadn't thought of it Meanwhile, gord just being Gord, he would be riffing on top and his melody would suggest a change that he would make. And it was great. I loved being in that band And I miss it because it's like you know, like, yeah, you start, i still start the same way, i start with the riff, but man, it takes a lot longer, you know, to come up with complimentary parts and the lyrics and stuff. And again, i credit Gord. I really, you know, i tried to bring some heft to the lyrics that I was writing for this project and my previous one as well, cause he's, you know, he set a pretty high bar as a songwriter you know and can't really you can't really put out a solo record I've said this a few times, but it's absolutely true Like you can't write. Yummy, yummy, yummy. I've got love in my tummy, you know, and feel good about yourself with some of the lyrics that Gord has, Yeah. So yeah, the writing's a, it's a. It's a, it's a fun, it's a fun process. I'm not a sit down and write every day kind of guy. I don't do the Stephen King and lock myself in my studio for 2,500 words a day. You know, I kind of sit around and watch hockey playoffs or baseball playoffs and with the guitar in my lap and noodling all the while, and then you're like, oh, and The cascade begins from there. You know, kind of not really paying attention to either, and It's amazing if you're receptive to the idea, It'll come from somewhere. It's, it's great fun, It's great fun. 0:35:47 - Speaker 1Gordon, i'm so thrilled that you laid down in 2020, you laid down get back again. Yeah, so it was. So we have a like a proper studio version of that song, because I gotta tell you, that was one of the hip songs that I came to early on and in my young hip career, and I was like whoa, this is something that's not on the record. It's like this is like a bootleg, or this is so cool And I gotta I gotta wonder, though, how did it never end up on a record like that? It's such a phenomenal song. 0:36:17 - Speaker 2It's, it's a funny one. I mean that it was That's. It's an old song. I mean that was back from the day when we were we were kind of clubbing it, he just kind of in southeastern Ontario and and we were all learning how to write and we were Writing a little bit together. You know Gord Downey and I would and Paul were living together at a student house But yeah, and it it was kind of a mainstay when we would play live and it was in the running, you know for for up to here for sure as a song. But interestingly enough we We recorded a demo version of it. That was just dynamite. Like You know, the performance across the board is great, particularly by Gord, like he just sang the song beautifully. And it was one of those circumstances where the The, the guy that was helping us the demo, said, oh, that was really really great, one more time just like that and we'll run tape. And we're like, oh, what do you mean? you weren't running tape? and oh, tried it again and collectively we were so disappointed. You know that I don't know we never, we never seemed to Capture that vibe that we had on this unrecorded Demo. You know this is again, we were really young, we were still learning how to play in the studio where it sounded like us and Again it sounds old-fashioned and everything, but it was back in the day We recorded live like we would, you know, put the bass somewhere and you know, drums are in a booth and gorge in a booth And we were learning how to do it, but still get that feeling like with headphones on that, we know, you know It sounds like awesome. We're listening to each other Again and then, yeah, it just never. It just never made the cut. After that, i guess I mean there is a version of it somewhere, at least I thought we had reported it for up to here There is some kind of version of it somewhere. We're finding it Odd with. We've always been signed to Universal in various shapes or forms. We were signed to MCA back in the day. But the tracking down on old tapes, a little demo stuff And studio stuff, is proving very, very challenging from an archival point of view. Like stuff is You'd think it'd be, you know, t, hip or Or it would be alphabetized or the Dewey decimal system or something, but it seems pretty random and stuff is in different storage area Areas and our drummer John has just been. He's just been like a dog on a bone tracking down Material and just relentless trying to find stuff. We kind of process kind of started for us with Road apples and but we were still. We were only able to manage to find Two-thirds of the tapes. You'd think they'd all be somewhere together. You know, when we heard about that fire on the universal lot we hit the panic button like right. You know, wow is our? do you think some our stuff is in there? and then read the list in the paper and there was our name. You know, in between Mel Torme and the down Trop family singers, you know it's like oh crap, i hope we do, because that, that, because, to your point, that's exactly the kind of stuff that we were looking for. Turns out there were dupes and some of its backup in Canada. Definitely Yeah, it's a. 0:40:11 - Speaker 3I just I'd be remiss if I didn't ask a gear question What, what, what, what, what? what type of guitar do you do you like to sit in? Because when you're sitting watching a ball game and you're just noodling or you're just whatever like what's your go-to? 0:40:26 - Speaker 2I, honestly, i've got a. I've got a few favorites, in fact, like there's a song on this, this latest record called change your mind, i I bought a. I bought an old Martin D18, saw it. I bought it sight unseen because it's just always wandered one and down. I Picked it up and Literally pulled it out of the case and it became my main guitar for about a week and that was that that. I Written that song on it within Got probably a day or two, you know it. Just it felt right, sounded right. 0:41:08 - Speaker 1What's that? there's sort of like a dreamy stony sound on that song. 0:41:11 - Speaker 2Yeah, and I would credit the guitar. You know, i guess I I Have a lot of, i've got a lot of instruments laying around the house and I will, you know, i will, i'll trick myself and I'll keep one guitar With a capo on the second fret, you know, and thereby changing the key of the song. But you just, in certain cases, different chord shapes and different you know, composite chords, like you know, a D over G or whatever to sound different in a different key or it'll trigger something melodically and then that will Send it in a different direction. So I I kind of rotate them in and out. You know I I Got an old the first kind of cool guitar about was an old J 160, you know mid 50s old beaver of a guitar, and it's always out on a stand somewhere and I'll Pick it up and I'm playing. Right now I'm going out and playing this old, the ES 125, like a, like a hollow-bodied arched top, electric and And it's been laying around and it's just, you know It sounds kind of got a little more sound to it. Yeah, i just kind of believe in the magic of it. You know that it's just like oh, this, you know it's rules right and sounds right in the. The tones of these older instruments, to my ear anyway, are so nuanced that that each one has a different character and Suggests different things, you know, and some chords sound better on them than others. And yeah, it's so, so it's cool. I like I say, i trick myself and I mix it up. 0:42:50 - Speaker 3That's the per. That's the perfect answer. Had you said this is the guitar, that's trick Bs and me bulls it me right on that school Yeah my question was more what kind of beer we were you drinking where you were recording and the Not as young as I used to be, so I. 0:43:13 - Speaker 2There's always a case of the in this kicking around here, for sure, but I'm more of a light beer guy now. Unfortunately, i just I can't afford to Drink the loaf of bread like I used to when I was a young man. Live to tell it. 0:43:29 - Speaker 4I'm right there with you. Yeah, i'm right there with you, gord. 0:43:33 - Speaker 2Yeah, I'm pretty much a logger and a Guinness guy. 0:43:36 - Speaker 4Yeah, sorry. 0:43:49 - Speaker 1Well, I'd love to talk more about the. I'd love to talk more about the. The record sure. You gotta ask the video to man and we haven't touched. We haven't even touched on the video. 0:43:59 - Speaker 2Yeah, I'm glad you like it. I, i yeah, that's a friend of my, my youngest son's It's aspiring filmmaker and videographer and, obviously, videos on what there used to be. I'm like I'm a survivor of the MTV era where You just saw your recoupable account go up and up and up with your record company because you'd spend more money making videos And you would make the record. But it's. But he's a creative young guy having feral is his name and I I Was reading the newspaper And there was an article I can't think this one Facebook change just named in Metta, and Mr Zuckerberg had proclaimed that the future of the world, the future of reality, is going to be virtual reality. And They ran a little clip of the journalists were testing it out with the, with those goggles or that, whatever that is. I said, wow, this is the future of reality. The graphics are kind of shitty, you know, and and And I bounced it off heaven and I want to make this video about these tech guys that are kind of changing the way we interact with each other and getting rich in the process. And could we make a virtual reality kind of video for this song about kind of love in the VR world? and and man he ran with it. He was like I know exactly what you're talking about. 0:45:34 - Speaker 3And it's clear who everybody is. It's very clear who everybody is. 0:45:37 - Speaker 2He ran into a little problem with the record. Here it was, it was clear, still in the legal department And hit the panic button real quick. But we just, i think. 0:45:52 - Speaker 4You know, it's a good thing when that happens And it was fun. 0:45:55 - Speaker 2The song I think Google Guy has a bit of a sense of humor to it And yeah, i got when all that stuff was going on, when they were talking about how their algorithm there were purports to bring people together was actually the algorithm itself was based on making people butt heads, because there was more engagement when the conversation was contentious, as opposed to fluffy, puffy stuff. And that young woman, francis Hogan, really kind of went official with it. She kind of blew the whistle on these, these guys, and I thought right away to myself like oh, what would what would Joe Strummer do with a concept like this? You know, like you wouldn't know all have very much and try to call the guy out. And it was actually the last song I wrote for the record And it came real, real quick because I kind of got my dander up just a little bit. I'm not a social media guy. I understand how people do it. It's a great way to stay in touch with friends all over the world and stuff, and I get it. But God, imagine if you're Instagramming or Facebooking with your pals. But there was a artificial intelligence kind of trying to get you guys to fight about something you may have said to each other in high school and dragging that your relationship through them. 0:47:21 - Speaker 3I'm sure it's already there. 0:47:22 - Speaker 2Exactly, you know. I mean, i'm in a. I was in a band with my high school friends and, oh my God, we fought about crap that was 35 years old. You know, sometimes it was kind of anyway, yeah, so I yeah anyway, i glad you liked the video. It was fun to do. I'm going to do a follow up. He's one of them for call Yeah, but I don't know, i haven't seen it, yet I'm dying. He's okay. I'll be anxious to check that out. 0:47:56 - Speaker 4I enjoyed the video and the song and the song. Honestly it brought me. There's this kind of 80s feel to it, like it's it's interesting kind of the juxtaposition of I don't know had money for nothing Yeah yeah, and then what? Yeah, I'm not, i'm not sure, yeah it's. Yeah, it's reminded me of I don't know a couple of things, but anyways, the the video is great, and it was just I love the personification of the characters, and it's just. I just really related it. I was, i was in, i was in Italy recently. We were staying with family and I'm kind of a handy guy, so I was helping them do some stuff and I said, well, can you work and we get this? you know, we needed something in particular. My aunt there says, well, we could just order it on Amazon, and sure enough it was there the next day. And I'm like I mean Italy and Jeff, jeff, still knocking on the front door delivering, yeah yeah, it's not so I conveniently unbelievable. 0:48:57 - Speaker 2I totally understood. And obviously the pandemic Unbelievable fall for those companies because all the stores are closed, you know, but Massive. You know I'm from a small, small ish city. You know we got 150,000, 200,000 people here. You know, if the if you don't support your local hardware store owner, who may very well be your neighbor down the street, you know it's, it's kind of like the kind of the 100 mile Right Diet approach to living. You know where you live in a community and if you got a couple Extra bucks for things like I get it like people go to the big box stores to buy 10,000 rolls of toilet paper and junk like that. But but you know I go to the local record store and my local stereo shop and my local guitar store and we shop at a small little market And it's important, you know it's. It's important if, if the pandemic taught us anything, it was to kind of value community Because we would support each other more. And meanwhile, that's what I love to do. Devon's portrayal of the of. They call themselves founders. I understand the founders in the orbiting space station above, above the world, that slowly falling apart. And frankly, that's what I try to articulate in the, in the lyric of the songs, that we all know the reason, and the reason is really us. It's up to us, you know, to build community and to support community And and everyone wants to save a buck. I understand that stuff, but at what cost, you know. And what cost? Yeah, in many cases, like mm. Hmm, there's a lot of each cylinder vans all over North America as we speak, idling in people's driveways dropping off stuff that they ordered on Amazon last night, you know, and there's a cost to that, ever, you know. And that's what I was trying to articulate anyway, yeah, yeah. 0:51:21 - Speaker 4What I notice nowadays on, i mean, i'm in Portland, we're in the city, you know, downtown Portland is about three miles away, and what I notice is, when we don't have any deliveries, like, i'll just stop, i'm mostly home. I'll stop in the house and think, boy, it's actually been quiet today. You know it's. You have to wait for the white, the white noise to go away in order to I have a Kingston question for you. 0:51:45 - Speaker 1These gentlemen we are recording, we're doing a live finale for this podcast in Toronto on September 1st. So Pete is coming from Spain and Tim is coming from Portland and we're doing it at the rec room in Toronto. We're doing like a live podcast. There's going to be a standup comedian, There's going to be a hip tribute band, et cetera. But as part of their coming to Toronto, I've booked us a day in Kingston and I booked an Airbnb just yesterday. What are some? what are some hip, hip must see spots, Some you mentioned a record store earlier, a guitar store. What are some cool spots that we should go when we're? Yeah, I got to hit the store. 0:52:29 - Speaker 2You know what there's there's. so there's so many of it like this. First off, about Kingston. You know I'm born and bred and raised here. I went to university here and you know, like most young men, like Rob Baker and I, grew up across the street from each other And all through high school together and you know, gordon, Paul and I lived together in university And John was a little bit younger than us behind us, but all went to the same high school Parents, on to each other, and nonetheless, like most young men, we couldn't wait to shape the dust off this one horse town off our boots. You know, move on, or big city, and as it turned out, you know, our career took this home, over Europe and North America and traveling all the time And we kept coming back home And because it was home, you kind of learn to fall in love with where you're from By leaving it, you know, and you kind of realize, oh, there's no better place to come back to. And it still is a really, it's a really special place. Even even with the, the dearth of of live music venues and various cities and stuff, we still have five, six places in town that run live entertainment nightly. You know, and I think that's a big reason Kingston is as it is is produce so many great recording artists, you know Sarah Harmer, headstones and the Glorious Suns, and because they all came up the way I came up, you know, you kind of start playing in downtown Kingston and you play the bigger bar and the bigger bar after that. So there's, there's some great live music venues. The place I'm playing in town is called the, called the the Brune factory, which is kind of a multi multimedia approach to live. It's a film place, it's comedy, it's an office building for the local promoter during the day And it's, it's great. It's very DIY in town, you know it's. Also Kingston is an interesting place because it's a university town, a very large, very good university here. So we kind of punch above our weight for for restaurants and actually activities to do. We have a local symphony orchestra to symphony halls. You know it's just there's, it's a, it's a really special place And it's also it's right at the confluence of Lake Ontario and the St Lawrence River. So it's where the Great Lakes kind of funnel all down and the area just east of us is the start of the Thousand Islands, which is again it's we kind of take it for granted. But you guys coming from out of town, you know it's worth jumping on a, on a boat, and you've never seen anything like it. It's, it's just absolutely spectacular, you know, and it's, yeah, it's just really, really cool. There's so many great rooms. You know, the club that we played our first gig was called the the toucan, but it still exists, you know, and it's still still there. It's not a great place to see music or play music, but it's still running live. It's pretty wicked. There's another place called the mansion. That that they're again. They're fighting the good fight. They're trying to bring acts in all the time and get people a place to play. You know, and it's in, it's kind of great. It's kind of a great place to be. I feel very comfortable here. You guys are like it. 0:56:15 - Speaker 3If people, if they have places to play there and there's places that they make available, i mean there's. there's no doubt that's why the city thrives. 0:56:25 - Speaker 2I really think so as well, because people, obviously they people get used to live music being a viable option. You know, that was something that we experienced as young musicians First time we went to Europe. You know, it was again like starting over. But we got to the Netherlands And it was like that was. It was the case of like, where are all these people come from? how do they? but it's because the the nature of the culture and it was back in the CD days, when they were Ridiculously expensive, you know. So you'd have to pony up whatever 30, 40 Gelder's they were called back then so people would literally would go see a band play live before they would pull me up for the record, which was perfect for a group like us, because you know they huh, there are all these Magnificently tall people standing there and all speaking English, hang them boards, every word, yeah, it was great. It's all like. That's all about the amazing thing. I am such a such a believer. It's just so important. 0:57:36 - Speaker 1I I totally feel the song sometimes. Yeah, did you write that? like thinking, live in mind, like, like that feels like a live song. 0:57:46 - Speaker 2Yeah, i Did it's, it's, It's for sure, it's. There's an anger to it for sure, and it's it's not the easiest thing when you're sitting by yourself in a pandemic to To write an uptempo song. But like I, like I was seeing earlier, i was using that experience, i would close the sliding doors of our family room and, and, like everybody, there were moments during when I was locked down or where I was Wasn't quite myself. You know I was feeling. You know, being locked down in the middle of the winter in Canada is You get some dark days for sure, not only Physically dark days, but but the mood kind of translates on you and that's that's really what that song's about. And and I Attempted to turn that frown upside down and kind of went back to the old punk rock me, and It's basically like a confessional more than anything, because it was true, sometimes I felt like I was losing my mind, you know, and and sometimes you know, weed, weeds legal up here and and and so maybe sometimes I'm they've, you know, smoked a bomber a little too early in the day, you know, or maybe a little Bailey's in my morning coffee just to take the edge off. Even quite confessional about that as well. Much sugar in, yeah. 0:59:23 - Speaker 3That's really cool of you sharing my songs with us Share. 0:59:28 - Speaker 1I mean, for me it's been. It's been 38 years of you sharing songs with me, so I really appreciate that and Love that you made time for us today, well. 0:59:39 - Speaker 2I appreciate that. I appreciate that I'm a music fan as well and I and I I Made music with guys I know really well, guys I love, you know, and and We always took it really, really seriously and we always never took whatever success we may have achieved, we never took that for granted, you know, and we knew it was because of the people that liked our music and that supported the group and we, you know, with the past, you know Gordon Lightfoot. It was also such a huge believer in live performance and the love and respect for his audience. you know We came up, you know, very much the same way, just like getting our getting in front of people and, you know, and thanking them. You know, and being truly grateful and trying to allow the music to reflect our growth as people and but our commitment to making really good music and you know I'm I Love it I'm still trying to do it on my own. You know, i'd give anything to have gourd still here and be working my, my normal day job, you know. But but In no small way he still is. You know, he wouldn't have wanted any of us to stop playing, you know, and to stop making music and Yeah, and so I'm kind of doing it to honor him, but it's also it's because it's the only thing I know how to do. I kind of They caught into my, it's my, my yearly cycle of like, oh I'm, you should be making a record soon. I think the song start pouring out. Anyway, i'd go on, but I appreciate you guys for doing this and listening as it is intently, as I Listen to music like that's the way I listen to it too, you know I turn it up. 1:01:31 - Speaker 3Yeah, pleasure's our pleasure We've. 1:01:34 - Speaker 4we've got great time, so thank you so much. 1:01:37 - Speaker 2I'll get a list of places to see in Kingston, and there's some that would be great. It's a pretty, it's a pretty special. It's a pretty special little town. You'll, you'll get the vibe right away. You know, september is a great time of year. Kids are just coming back to school and the and the sailors are still hanging around. It's a touristy town. So there's a. There's a good, it's a good vibe here. It's a nice place to visit. I can't wait. Yeah, i can't wait awesome, awesome. 1:02:02 - Speaker 1Well, thank you so much Thanks for a pleasure, guys. 1:02:06 - Speaker 2I really really appreciate your time. It's fun. 1:02:08 - Speaker 3Yeah, thank you boys. 1:02:10 - Speaker 2Okay, take care, we'll see you real soon. Yeah, thank you. Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Decisão inicial prevê que composição do diesel cresça dois pontos percentuais a partir de abril deste ano, passando do atual patamar de 10% (mistura B10) para 12% (mistura B12). A norma prevê que o teor seja elevado para 13% em abril de 2024, para 14% em abril de 2025 e para 15% (mistura B15) em abril de 2026

第36章-神的公義，教導，大能 1-4引言－不虛謊，有全備的知識 A5-7神的公義＝賞善罰惡－拯救高舉義人 B8-10神教導人－苦難中的人 A11-14神的公義＝賞善罰惡 →11聽從神而蒙福 →12-14不聽從神要被殺喪命 B15-21神教導人－要留意身邊的誘惑 →15-16神拯救教導困苦人 →17-21要留意身邊罪惡的引誘－憤怒，資財勢力，罪孽 22- 33神的大能 →22-24無人能指揮評論祂，人應當歌頌讚美神的偉大 →25-30神創造天地的大能 →31-33神審判的大能 結構亮光：33-35章處理約伯的問題，36-37章主要以神的大能來說服約伯！ 採ABAB的架構，A是神的公義，B是神的教導－苦難成為主教導我們的一個主要方法！ 1-4節引言，說明自己的話語，旁徵博引，3目的在於彰顯神的公義，4是真實，是全備的(自己宣稱的)！ 5-7是神公義的彰顯，不保護惡人，為困苦人申冤，高舉義人；8-10是神透過苦難給人的教導－就是在鎖鍊與苦難的繩索中，神就指示人的過犯與驕傲，神開通人的耳朵使人能聽教訓，離開罪孽！ 11-14是第二個A－神的賞善罰惡，11聽從蒙福；12若是不聽，就會被殺，被神綑綁，(相對於8-9綑綁的結果是為了教導)，但是結局就是短命14！ 15-16再次提到了神的教導，藉著困苦來救拔困苦，再次提到開通耳朵，可以聽神的道！離開罪惡！17-21具體把要離開的罪惡一一細數－惡人的批評，忿怒，18為了金錢的賄賂走偏路，19-20金錢把人帶進入黑暗中，21是一個小結論－不要重看罪孽，寧可選擇苦難，不要走罪惡之道！ 5-21都是提到神的公義，透過苦難來教導人，一般而言是正確，但是如同三友，把約伯的苦難直接連結到約伯的罪惡，這是錯誤的！ 22-31提到神的大能－神的超越性，無人指揮祂(23 派定神做事)，無人評論祂(23你做的不善)；24更應當積極的讚美神，歌頌神！這應當是得拯救子民的記號！ 25-30提到了神的偉大創造 31-33提到了神的審判 鑰節：36:15 神藉著困苦救拔困苦人，趁他們受欺壓開通他們的耳朵。 神要救拔我們脫離困苦，其中一個重要的方式就是使我們落入苦難中，並不是神要修理我們，相反的，這是神的大愛，要使我們得到神拯救的過程！更讓我們耳朵開通，明白神的道，滿得神話語給我們的肥甘！ －－－－－－－－－－－－－－－－ 講員： 貴格會合一堂 徐坤靖牧師 聖經之鑰-各卷書播放清單： https://thfc.pse.is/3epsdf 【聖經之鑰 相關資源】YouTube： https://thfc.pse.is/3cfams電子書： https://thfc.pse.is/3ccluu Powered by Firstory Hosting

第7章-約伯回覆－苦境與被神管教下的哀求 1-10苦境：生命黑暗與短暫 →1-5生命黑暗困苦疾病 →6-10短暫(6-8)下陰間(9-10) 11-20被神管教中求死向主哀求 →A11-14被神管教－防守驚駭我 ─→B15-16回應－寧可死亡，求主任憑 →A17-19被神管教－鑒察試驗我 ─→B20-21回應－求神安慰 結構亮光：這一章約伯繼續說明自己的苦境，並向主哀求！ 1-10說明自己的苦情－2-4：奴僕白天工作不停，只有日落後才可得歇息，僱工則到天晚才得工價，故這些人都渴望黑夜的來臨，可是約伯在晚上仍不能安歇，長夜漫漫，苦不堪言。換言之，白晝黑夜都是黑暗，都是困苦與疾病5，無法醫治！ 6-8生命非常的短暫，6如梭一般的快速，7生命的長度只是一口氣，8轉眼就看不見了！9-10而短暫人生的終點，就是陰間，人無法再回來！ 11-20採ABAB的結構，A11-14是神竟然像防守海中大魚的攪亂一般防守我，好像我有什麼翻天覆地的破壞力；神在夜間用夢與異象使我恐懼！是神的管教，也是神伸手攻擊！17-19也是神攻擊人，18每早晨鑒察試驗，19不給人任何喘息的空間！ B15-16是面對神攻擊的回應－厭棄生命，寧可死亡，也好過今日的一把骨頭，日子虛空！20-21承認自己有罪，但求主速速赦免，免得約伯真的死了，神要再找他，要在赦免他也來不及了！ 面對朋友的指控，約伯除了一再提到自己的苦境，並轉向呼求神！向神禱告與呼喊！這是真信心！即便有許多的不明白，仍堅持回到神的面前，堅持要抓住神！相信在神裡面有赦免與及時的幫助21！ 鑰節：7:17人算甚麼，你竟看他為大，將他放在心上？ 17節提到人算什麼，這與詩篇8:4幾乎完全一樣，(8:4便說：人算甚麼，你竟顧念他？世人算甚麼，你竟眷顧他？)但文意上卻是完全相反的，詩篇提到人的卑微，神卻顧念並把尊貴榮耀給人；但在這裡是我這樣卑微，神卻「顧念」我，不斷地攻擊我，試驗我，鑒察我，使我落入這樣的苦境中！表面上看來這兩節衝突，一個被神顧念得榮耀，一個是被神顧念被修理；但當我們進一步思想，神試練約伯只有一個目的－就是要把尊貴榮耀給他，只是在過程中約伯無法明白！我們今日期待神對我們的顧念，但我們要讓神來決定如何顧念我們，即便過程中會有辛苦與眼淚，但我們仍要堅信神用不變的愛來等候幫助我們！ －－－－－－－－－－－－－－－－ 講員： 貴格會合一堂 徐坤靖牧師 聖經之鑰-各卷書播放清單： https://thfc.pse.is/3epsdf 【聖經之鑰 相關資源】YouTube： https://thfc.pse.is/3cfams電子書： https://thfc.pse.is/3ccluu Powered by Firstory Hosting

第4章-關鍵抉擇－末底改鼓勵以斯帖見王求情 1-6末底改的禁食，以斯帖詢問 →A1-3末底改披麻蒙灰禁食 →B4-6以斯帖憂心派人詢問末底改 7-12末底改吩咐王后見王求情，以斯帖提到困難 →A7-9末底改吩咐以斯帖去見王 →B10-12以斯帖回答末底改－按例只有在王召見時見王，否則要被治死，已經30日未見王 13-17末底改提醒以斯帖這是你的使命，以斯帖請求禱告 →A13-14末底改提醒以斯帖－這是神給你的位份與使命 →B15-17以斯帖答應，請求禱告，不要命的去見王 結構亮光：當惡人哈曼利用王的愚昧無知下達對猶大人的屠殺令，3:15哈曼冷血無情，把酒言歡，靜心等待得遂心願之日，與本章末底改隨即哀痛哭號的表現，成為鮮明的對比。 末底改如何面對這樣的危機？1-3披麻蒙灰，禁食呼求！末底改知道這是屬靈爭戰，得勝關鍵不在於言語，政治勢力，而在於屬天的權柄，神的大能！求主使神的子民有這樣的真知灼見！ 7-9除了禱告，末底改也吩咐關鍵人物－以斯帖向王請求，我們要善用身邊神所放下的人事物，來建立神榮耀的工作！13-14鼓勵邀請以斯帖勇敢起來向王求情，並強調這不是神拯救我們唯一的方式，而是我們有幸參與神的工作，若閉口不言，猶大人仍要得拯救，只有神拯救的工作與我們無關，我們要受責罰！ 以斯帖如何回應這樣的危機？4-6她真正關心愛她的末底改，冒著被人揭發身分的危機，派人去問末底改；這是跨越危機的勇氣；10-12她清楚明白要付的代價，不隨便作決定；15-17請求所有人禁食禱告三日三夜，並且有一個信心的宣告－死就死吧！把民族命運放在自己好處以上，把神的事放在自己需要之上，這是信心的選擇！ 鑰節：4:14 末底改關心以斯帖，但他更關心整個民族、上帝選民；因此在關鍵時刻，他鼓勵以斯帖勇敢在王面前求情，拯救民族，更是回應神的好機會！若閉口不言，神會追討罪惡，但神的拯救工作一定會完成！我們事奉主的人一定要有這樣的認知，神若是使用我們，完成神的工作，是我們的榮幸，卻不是我們的功勞！因為神可以透過天使，透過外邦的王，透過萬有來做大事，根本不需要我們！這是僕人應有的謙卑與自我認識！ 末底改鼓勵她，今天得到得到王后的位份，就是為了這時候！我們所領受，擁有的一切，就是為了服事主，特別在關鍵時刻，一定不可以閉口，要勇敢回應神的呼喚！ －－－－－－－－－－－－－－－－ 講員： 貴格會合一堂 徐坤靖牧師 聖經之鑰-各卷書播放清單： https://thfc.pse.is/3epsdf 【聖經之鑰 相關資源】YouTube： https://thfc.pse.is/3cfams電子書： https://thfc.pse.is/3ccluu Powered by Firstory Hosting

In todays episode we are speaking to one of our good friends Lucinda who is also the Co-owner of Core Crystal Co. Lucinda's trying to conceive journey felt like it started with a bang when her and her partner fell pregnant quite quickly, which was an absolute blessing. Unfortunately this pregnancy resulted in a miscarriage early on and left the pair devastated. Going through the grief of a miscarriage as well as going through the disappointment of month after month not falling pregnant again, was the start of a passion and business venture for her. That business being Core Crystal Co, where you can learn all things Crystals, Manifestation, Self-care and Spirituality. After recovering from her loss Lucinda's cycle had not returned so she started working with a Homeopath. After many months this led her to get her cycle back and fall pregnant with her rainbow baby Indy. Indy's start to life was a grand entrance 7 weeks premature which was a rollercoaster within itself. Fast forward and Lucinda is pregnant with her second baby girl which was conceived when she was putting her own manifestation guidance to practice. Her second conception was so different from the first and Lucinda talks us through what she did different and gives us tips on how you can positively position your mind you are trying to conceive after trauma. Instagram: @corecrystal.co www.corecrystalco.com.au with discount code I&B15

La queja general de los padres y sobre todo las madres es porque sus niños no se concentran, por lo tanto no retienen los conocimientos adecuadamente. A los niños tratados con una substancia conocida como Dimethylglycine (DMG), pangamato de calcio o ácido pangámico o "vitamina B15", les ayudó a enriquecer su vocabulario, los niños empezaron a utilizar frases simples, su estado mental general mejoró, y había mejor concentración y mayor interés en juguetes y juegos. Puede obtener este Programa en LA Farmacia Natural en Los Angeles, Van Nuys, Huntington Park, El Monte, Arleta, Pico Rivera, Santa Ana y en Burbank o llamando a la Línea de la Salud, al 1-800-227-8428 si desean que se lo enviemos a su casa.

Braindead: Secuelas: NA. Presupuesto: $3 millones de USD. Recaudación: $242,623 USD. Año: 1992. Director: Peter Jackson. Actores: Timothy Balme (Lionel Cosgove), Diana Pelakver (Paquita María Sánchez) y Elizabeth Moody (Vera Cosgove). “Braindead”, también conocida como “Dead Alive”, “Muertos de miedo” en Latinoamérica o “Tu madre se ha comido a mi perro” en España, es una de las primeras películas del ya reconocido director Peter Jackson y considerada uno de los filmes más sangrientos de la historia (en su estreno muchas escenas tuvieron que ser eliminadas por su contenido gore). Influenciado por otras películas como “Evil Dead”, “Re-Animator” o “Night Of The Living Dead”, creó este clásico combinando los géneros de comedia y horror.¿De qué trata la película?La historia se ubica en 1957, Lionel, el protagonista, vive bajo el yugo de su posesiva madre, la señora Vera Cosgove. No obstante, el joven conoce a Paquita y en una de sus citas en el zoológico, su madre (quien los estaba espiando) es mordida por un mono-rata de Sumatra, el cual fue extraído de la isla Calavera como espécimen raro. La señora Vera se convertirá en un zombi o muerto viviente. Tras esto, Lionel intenta controlar la situación, pero poco a poco se le saldrá de las manos y personas del vecindario se infectarán hasta crear un ejército de zombis.La producción:Hablando un poco de Peter Jackson, es un director muy versátil, comenzó en el cine con una trilogía, después dirigió “Criaturas celestiales” basada en un hecho real, y la también graciosa “The Frighteners”. Luego vendrían las grandes producciones de corte fantástico como “El señor de los anillos” y “El hobbit”, así como una adaptación del clásico “King King” (donde le hace un tributo a Braindead), y el documental “Get Back” de The Beatles. La película salió en Nueva Zelanda y la BBFC la encontró tan cómica, a pesar de la gran cantidad de sangre que muestra, que la clasificaron como B15. Sin embargo, recapacitaron y decidieron ponerla como C, pues no querían enviar señales mixtas a los chicos por tanta “violencia cómica”.¿Qué tanta sangre se usó? Es catalogada como la película más sangrienta en la historia del cine de horror, no por la sangre que aparece en pantalla, sino por la cantidad de sangre falsa que utilizaron para filmarla, como en la escena de la podadora, usaron trescientos litros. Si fuera agua, como equivalencia, es lo que tomaría una persona promedio en cuatro meses.La película fue terminada con menos dinero del presupuestado, con ese extra, Peter Jackson filmó la escena del bebé en el picnic. Hoy en día, dice que es su escena favorita.Efectos especiales:Weta Digital, fundada por Jackson para la filmación de “Heavenly Creatures” fue evolucionando al punto de llegar a tener más de seis mil computadoras. Sin embargo, no se enfocaron solo en la parte digital, también en prostéticos, accesorios, muñecos/disfraces, efectos y todo lo que se requiere para crear un zombi. Para Peter Jackson esa es una de las partes más divertidas de filmar, todo lo que hay detrás de los efectos especiales.Actualizaciones:Peter Jackson dijo que ha pensado en sacar una versión con mejor calidad.Contexto del género horror-comedia:Uno de los factores que platicábamos sobre el género horror-comedia es cómo parte de un evento terrible, escala y de pronto lo que sucede se vuelve tan exagerado que se torna cómico. Esta película es un monumento al género. La fórmula la vemos aplicada repetidas veces en las múltiples escenas: Hay un estado natural en un ambiente de riesgo (por ejemplo, cuando están en la isla calavera escapando con el mono) y se siente tensión porque los nativos los están persiguiendo y al mismo tiempo el mono es superagresivo y araña al explorador. Luego está la escena donde este dice “oye, me atacó el mono”, enfocan un rasguño en la mano y sin preguntar ni avisar, le dan el machetazo (escala rápidamente). En seguida encuentran otro arañazo y vuelven a cortarlo, por último, muestran el arañazo en la cabeza y ahí es donde llega lo ridículo, sabes lo que le espera al explorador. Una escena similar sucede con la madre, cuando está espiando a Lionel en el zoológico, está tranquilo, pero existe la tensión de “van a cachar a la mamá espiando y se le va a armar”, No obstante, la muerde el mono y la escena se vuelve más intensa durante el escape, hasta que lo matan. En ese momento, la parte ridícula es la reacción de la mamá, o sea, recibió una mordida espeluznante y apenas pone carita de sufrimiento: “¡Ay, Lionel, ayúdame, me mordieron, pobre de mí!”. Sin embargo, no hay reacción del sufrimiento que una herida de ese nivel podría causar. En conjunto, te da risa la forma en la que finge la señora. También se presenta en los momentos románticos, cuando Paquita está enamorada y luego vienen las premoniciones de las cartas o las cosas que dice la abuela. Hay un constante contraste entre estos dos tipos de escenas que te llevan a la exageración, pero producen risa.  La parte grotesca siempre está vinculándose con lo ridículo, por ejemplo, las escenas de la comida con los parientes. La señora secreta pus y cae en la sopa; hay un acercamiento a la cucharada y cómo la introduce para degustar el platillo. Si bien, el personaje está disfrutando, uno como audiencia tiene información extra que provoca repulsión. En la secuencia de “desgarrarse la piel y tratar de arreglarlo con pegamento”, la situación llega a niveles inverosímiles. Estas mezclas se vuelven una experiencia surreal, convirtiendo la película en una delicia grotesca. Creo que Peter Jackson logra asombrarnos cada dos o tres minutos. Justo cuando piensas que ya no puede ser peor, se viene una ocurrencia mayor. Es lo que convierte en una joya a la película. Otro aspecto que vuelve cómica a la obra, pero hace sentir cómoda a la audiencia. es la velocidad en que se desencadena la enfermedad. En un par de horas la señora Vera empieza con pus, se le cae la piel, camina con dificultad y pierde la motricidad.  ¿Qué te gustó de la película?Hay varios aspectos interesantes y que si estás familiarizado con otros clásicos del horror, reconocerás con facilidad, por ejemplo: La relación de Lionel y su madre Vera. Es del estilo “Psycho”, pero en un nivel desesperante ante la actitud de la madre y el comportamiento obediente de Lionel. Además, al final de la película, Lionel inspira una actitud similar a la de Ash, de “Evil Dead”, realizando una masacre con una podadora y se ve bañado de sangre.  Temas que abordanEl manejo de la secrecía:Un factor muy importante en la película es “el secreto”. “Oye, ¿por qué no vas con las autoridades? ¿Por qué no llevas a tu mamá al hospital?”, La respuesta es que el ritmo de la película hace que las cosas se salgan de control tan rápidamente que, tanto el protagonista como la audiencia, sabemos que ya llegó a un punto de no retorno: hay demasiados infectados y si se sabe allá fuera, los van a matar. Por lo tanto, mejor mantener el secreto. Esto es un twist común en otras películas de zombis donde terminan matando a los contagiados conforme se van convirtiendo. Aquí tenemos a un protagonista codependiente, inútil, que no puede matar a nadie por la empatía que les tiene y menos a su madre, por más muerta que se encuentre. Es una bomba de tiempo. Para poder sobrevivir Lionel se ve forzado a tomar decisiones difíciles.Medio muertos, pero humanos:La cinta muestra a dos personajes en su estado zombi sintiendo atracción y desencadenando una relación sexual. Todo con tonos que te hacen retorcer por lo absurdo. Pero las cosas no paran ahí, en el mundo que nos presenta Jackson, donde el virus acelera el funcionamiento humano, ocurre también una concepción y posterior alumbramiento. Es increíble cómo la película está llena de creatividad y pensar que va a salir el bebé zombi es algo que uno empieza a anticipar.Cuidar de las personas mayores:La escena con los zombis nos pone en perspectiva sobre cuidar de los adultos mayores y/o los enfermos. Es una situación difícil y estresante para muchos. Lionel no solo tiene que atender a su madre moribunda, sino también a varios otros que se encuentran en estado disfuncional. Como dicen, de todos no se hace uno. Es a partir de la incertidumbre de cada personaje que está comiendo en la cena, donde uno puede entender el problema y la imposibilidad de controlar todo.Romance:Otra parte esencial en la película es el romance entre Lionel y Paquita. Por un lado, Lionel ha estado solo, dependiendo de su madre y ya es un adulto, no se ve para cuándo vaya a independizarse. De hecho, se nota que es un poco torpe para entender las normas sociales en cuanto al cortejo porque se encuentra aislado. En la película nos muestran cómo Paquita le ayuda a ganar atributos positivos y disminuir sus debilidades: falta de confianza, problemas para socializar, imposibilidad de intimar con otra persona fuera de su núcleo y dificultad para tomar decisiones complejas o desprenderse de la madre. Es como si Lionel pasara de ser un niño a un adulto y para ello tuvo que soltar la represión que tenía a nivel emocional y sexual, y explotar en una máquina podadora junto con litros de sangre. Ese es el momento en que se da cuenta de que tiene el poder de hacer lo que se le antoje y ya no depende de terceros.Cosas extrañas y chistosas:¿Por qué el sacerdote sabía Kung Fu? Es algo rándom que le da un toque especial, no sé por qué, pero me gusta, jajaja. “I kick ass for the Lord”.Créditos:Radio Horror es producido por Caro Arriaga y Rael Aguilar.Edición por Matías Beltrando desde Destek Soporte.Música:Closing Theme Hounds of Love por Dan Luscombe (Intro), Insiders por Joe Crotty (Intro), Patchwork por Patchworker f.k.a. [friendzoned] (Spoilers) y Nightlong por FSM Team (Outro).★ Support this podcast on Patreon ★

In this episode, we sit down with Benjamin Lillibridge (Founder/Funguy of Hawaii-based superfood company Mālama Mushrooms). We get a little nerdy...and a little wild...as we discuss all-things mushrooms as it relates to skincare, longevity and optimized health!TOPICS DISCUSSED:Health benefits of popular "superfood" mushrooms (Chaga, Reishi, Lion's Mane)Blending mushrooms with Raw Cacao and Honey for synergistic benefitsMycelium v. Fruiting Bodies: What should consumers know about mushroom labels?Tremella mushrooms in skincareForaging tips for beginnersOnly 7% of the fungi have been discovered - what about the other 93%?Future trends in the mushroom industry?and much more!RESOURCES MENTIONED:Mālama Mushrooms – Use code B&B15 for 15% off.The Hawaii Fungi Project (non-profit)DIY Mushroom Facemasks (blog post)iNaturalist appABOUT MALAMA: Mālama Mushrooms is a family-owned, superfood mushroom company based in Kona, Hawaii. Their mission is to share the health & wellness benefits of superfood mushrooms with the world. Malama first fruited in 2015 as a small farm in Kona, Hawaii when Ben produced his first Hawaiian-grown mushrooms whilst living on a farm in a mango-tree house. He started by utilizing a underground lava-formed cave to cultivate the first mushrooms of the business and fast forward to today, he has wrangled in his family & friends to help his mushroom mission of creating & sharing fung-tional superfood mushroom products that integrate easily into your daily routine and to support your overall health & wellness. LEARN MORE: Mālama Mushrooms – Use code B&B15 for 15% off.ABOUT BENJAMIN: Benjamin Lillibridge is the founder & funguy of Hawaii-based fung-tional superfood company, Mālama Mushrooms. Ben started off as an agriculturist & environmental scientist and then refocused his efforts on helping educate people on the benefits of medicinal mushrooms after studying mycology. He's also the founder of the Hawaii Fungi Project -- a non-profit that works to identify, sequence, map, & monitor some of the undocumented mushrooms that grow on the Hawaiian Islands.If you want to learn more about some of our go-to products for recovery and performance, check out our B&B Favorites Page: https://beautyandthebiohacker.com/favouritesABOUT BEAUTY & THE BIOHACKER:Learn more: beautyandthebiohacker.comEmail us at info@beautyandthebiohacker.comABOUT RACHEL & KATIE:Learn more with Rachel Varga BScN, RN, CANS, Board Certified Aesthetic Nurse Specialist https://RachelVarga.caBOOK YOUR ONE ON ONE Virtual Skin and Aging Consultation with Rachel Varga here: https://RachelVarga.ca/get-startedLearn more with Katie Type A: https://katietypea.comCheck out Katie Type A's YouTube Channel: https://bit.ly/3le3MUJDISCLAIMER: Information in this podcast and interview is not to be taken as medical advice, and always consult with your Physician before making any lifestyle changes. The material shared by guests in this podcast is not the opinion of Rachel Varga or Katie Moore, and disclaims any responsibility of inaccurate credentials of guests or information used that may cause harm. Always consult with your licensed Physician before any lifestyle modifications.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

灵魂乐是 1950 年代发源于美国的一种结合了节奏蓝调和福音音乐的音乐流派。 紧扣节奏、拍掌、即兴形体动作，是它的重要特征。 灵魂乐独唱与伴唱之间的交流对唱、特别紧绷的发声，也是其主要特色。对我来说，灵魂乐那种强烈而饱满的情绪，在我的音乐生活中有着无可替代的地位，只有灵魂乐，能填补我的灵魂。这期节目，从我个人的理解和音乐流派发展历史的角度，和你聊聊灵魂乐的起源。希望你会喜欢 :)

La queja general de los padres y sobre todo las madres es porque sus niños no se concentran, por lo tanto no retienen los conocimientos adecuadamente. A los niños tratados con una substancia conocida como Dimethylglycine (DMG), pangamato de calcio o ácido pangámico o "vitamina B15", les ayudó a enriquecer su vocabulario, los niños empezaron a utilizar frases simples, su estado mental general mejoró, y había mejor concentración y mayor interés en juguetes y juegos. Puede obtener este Programa en LA Farmacia Natural en Los Angeles, Van Nuys, Huntington Park, El Monte, Arleta, Pico Rivera, Santa Ana y en Burbank o llamando a la Línea de la Salud, al 1-800-227-8428 si desean que se lo enviemos a su casa.

This very special bonus episode of the Great British Mickey Waffle rounds off our amazing month of Marvel! Claire, Ben and Becca were so excited to be able to have the opportunity to “Share a Waffle” with none other than Kate Herron, director of the recently concluded season 1 of the Marvel Disney + Series: Loki. Kate had lots to tell us about her experiences shooting Loki. We discussed her favourite scene to create, what it was like being part of the MCU, and the incredible opportunity to work with the best SFX team in the business. We also had the chance to probe a little into the clever Easter eggs left around the show, how B15 was originally written as a male role, and also what it feels like for her to be handing the show across to a different director for Season 2 and whatever mischief it will bring. We even discussed Mobius and his Jet Ski! We are so grateful to Kate for spending her time chatting to us, joining us in geeking out about Loki and Marvel, and even pondering the concept of Alligator Loki perhaps appearing in a parade one day… stranger things have happened! We hope you enjoy this extra special episode- so far this has been a highlight of our podcast journey!

Loki & Sylvie confront “He Who Remains,” a variant of Kang the Conqueror, in the Citadel at the end of time. He is the dictator behind the Time Variance Authority and the knower of all in the timeline. Kang explains how he has orchestrated Loki & Sylvie's journey to the Citadel and forces them to make an impossible choice. They can either take over running the TVA from a very tired Kang or kill him. The latter option would break open the multiversal timelines and unleash dangerous variants of Kang, Loki, and others. Despite the danger, Sylvie is determined to kill Kang, and Loki is unable to stop her. In a wrenching show of emotion, Sylvie kisses Loki and shoves him through a time door back to the TVA. She then kills Kang, who promises to see her again with his last breath.    At the TVA, Mobius confronts Renslayer, who now has a mission of her own. Believing the TVA's cause to be righteous, Renslayer goes in search of whoever's in charge, with the help of mysterious files from Miss Minutes. Mobius and B15 are left behind to see the effects of Kang and Sylvie's actions: countless timelines branching into chaos. A distraught Loki reunites with them, only to discover that this Mobius and this B15 do not know who he is or why the timeline is branching. Loki then sees that the TVA is different: instead of three statues of The Timekeepers, there is only one, and it is Kang.    Loki is Marvel's third Disney+ show, continuing Phase 4 of the MCU. Loki stars Tom Hiddleston, Owen Wilson, Gugu Mbatha-Raw, Wunmi Mosaku, Sophia DiMartino, with special guests Richard E. Grant & Jonathan Majors.   30 & Nerdy Podcast on  Social Media    Website          For more details on the film/TV references that spill out of Kris's (and occasionally Amy's) brain, as well as links to other podcasts, visit the episode page on our website: Episode page link Email us at themarvelousmadames@gmail.com Follow us on Twitter  Instagram  Tumblr 

While awaiting certain death on Lamentis, Loki and Sylvie somehow create a Nexus event that alerts Agent Mobius and Hunter B15 to their location. On Ravonna Renslayer's orders, Loki and Sylvie are apprehended and brought back to the Time Variance Authority as prisoners. But the TVA is beginning to show cracks. Hunter B15 is shaken by the memories she saw during Sylvie's enchantment, while Mobius presses Renslayer for information and access to Hunter C20. Renslayer stonewalls Mobius, informing him that C20 is dead. Mobius then has another round of interrogation with Loki, who has been doing some important introspection in an unpleasant time loop. Mobius recognizes Loki's feelings for Sylvie, and Loki is finally honest and forthcoming with Mobius, whom he'd considered a friend. Loki tells Mobius he and the rest of the TVA employees are all prisoner variants, and Mobius immediately investigates this claim. After a tense confrontation with Renslayer, Mobius steals her TemPad and discovers the truth about Hunter C20 and the TVA. Mobius and Loki finally ally, but before they can work together, Renslayer has Mobius pruned. Meanwhile, Hunter B15 has partnered with Sylvie after the Goddess of Mischief showed B15 the life that was stolen from her. Renslayer takes Loki and Sylvie to be pruned by the Timekeepers, but B15 intervenes. Together, Loki, Sylvie, and B15 take down Renslayer and her Minutemen, only to discover that the Timekeepers are just robots. As a devastated Sylvie and Loki try to come to terms with this revelation, Renslayer prunes Loki. Rather than prune Renslayer in kind, Sylvie keeps her alive for answers. In a mid-credit scene, Loki is shown to be alive somewhere, being helped by four other Loki variants.    Loki is Marvel's third Disney+ show, continuing Phase 4 of the MCU. Loki stars Tom Hiddleston, Owen Wilson, Gugu Mbatha-Raw, Wunmi Mosaku, Sophia DiMartino, and Richard E. Grant.  Comic Book Keepers Podcast: Twitter    Instagram     Pod Feed We Get Dubbed Podcast: Twitter    Pod Feed   For more details on the film/TV references that spill out of Kris's (and occasionally Amy's) brain, as well as links to other podcasts, visit the episode page on our website: Episode page link Email us at themarvelousmadames@gmail.com Follow us on Twitter  Instagram  Tumblr 

Put on your alligator Loki horns and join Kristine Kippins and Marc Faletti for an exploration of the complex relationships between Loki, Mobius, Sylvie, Ravonna, B-15, and more!  We also address, once and for all, who's the superior Loki, how much of the TVA propaganda Ravonna actually buys, and the creative decision that made the scene between B-15 and Sylvie so moving.  We've got two episodes left, and the time/space shenanigans show no signs of letting up. So strap in for a Charactercast that's not afraid to wake up at the end of the timeline!

The nature of the relationship between Loki and Sylvie is as hard to define as it is for them to actually get a damn moment of peace together. To resolve this, Jesse Taylor and Marc Faletti examine it in the most scientific way possible: a Cosmo quiz. This being PonderVision, we also explore the outer limits of the most fascinating questions raised by Loki's fourth episode. For example, how does "pruning" actually work given the revelation of Loki's survival? What are the real names of the Timekeeperbots? How good would it feel to be the Sif in that timeloop situation? And so much more. Come ponder the most captivating conundrums of "The Nexus Event" with us now!

The Dummies breakdown episode 4 of Loki on Disney+. In this episode we review the Timekeepers big reveal along with our thoughts on where Mobius went and what happened to Loki. Could Renslayer be setting us up for a Kang The Conquerer reveal before the season finale or are we likely to see her again in Ant-Man and the Wasp: Quantumania? What of Sylvie and B15? Who will help us break open the secrets hidden deep within the layers of the Time Variance Authority? We also run through an in depth look at all of the characters in the Loki series and analyze what happened to them in Episode 4 and where we might be heading in the remaining two segments. Listen to this episode to find out about all things Loki and what it means for the Multiverse and greater MCU timeline! Checkout Videos From MCU For Dummies: https://bit.ly/3uN0PQ4 Ken on Twitter: https://twitter.com/kschmann Lou on Twitter: https://twitter.com/louisdallo MCU For Dummies on Twitter: https://twitter.com/mcufordummies Loki Episode 3 Recap: https://apple.co/2U5e3Kd

The Block is back and boy do we have a good show for you guys! We have a good bit to catch up on because I have been busy. From going on other shows and going to Cons again, there is a bit to talk about in the Update. Around The Net has some good stories, and the Nerdgasm for this week focuses on a truly deserving group. Black Women in Sci-Fi. Check out the links below and timestamps as well to skip around the episode. Time Stamps Update- 2:13 Around The Net- 6:37 Music Break - 25:30 (Veg Out- Masego) https://www.youtube.com/watch?v=NOhAUv6-WXA Nerdgasm- 28:45 Links: Call It Like I Don't See It Episode 43: Let's Wrestle Up Some Mischief https://www.podbean.com/ew/pb-agdij-10639fb Ahynte's Spinal Injury Recovery Fund: https://gofund.me/44353af2 Check Out Ahynte Designs at: https://www.ahynte.design/ Check out Pro Wrestling Visions Twitch Channel https://www.twitch.tv/teamvisiondojo Also, check out my last event and match there: https://www.twitch.tv/videos/1037424240 This show is AVAILABLE EVERYWHERE you can listen to podcasts. The Block is on iTunes, Stitcher, Spotify, iHeartRadio, and Deezer, Google Play, Audible and more. Give us a REVIEW to help The Block grow. Follow me on all social media @Bobbofnn Add our Alexa skill! https://amzn.to/3aIhgmH Subscribe to my Patreon at https://www.patreon.com/bobbo I have multiple tiers to support and you can always change your monthly donations. Subscribe to my Youtube Channel: https://www.youtube.com/channel/UC_aVgzt6GSmEQEml99gT19g Don't forget to come back and kick it on the block

La queja general de los padres y sobre todo las madres es porque sus niños no se concentran, por lo tanto no retienen los conocimientos adecuadamente. A los niños tratados con una substancia conocida como Dimethylglycine (DMG), pangamato de calcio o ácido pangámico o "vitamina B15", les ayudó a enriquecer su vocabulario, los niños empezaron a utilizar frases simples, su estado mental general mejoró, y había mejor concentración y mayor interés en juguetes y juegos. Puede obtener este Programa en LA Farmacia Natural en Los Angeles, Van Nuys, Huntington Park, El Monte, Arleta, Pico Rivera, Santa Ana y en Burbank o llamando a la Línea de la Salud, al 1-800-227-8428 si desean que se lo enviemos a su casa.

第18章 接待天使蒙神啟示 18:1-8 亞伯拉罕接待神與使者 1-5 亞伯拉罕竭力邀請接待神與使者：水、餅 6-8 亞伯拉罕熱情的接待，極謙卑，熱情！餅、牛、奶！極豐盛！ 9-15 神預言撒萊生子 A 9-11 神預言明年撒萊在生理不可能情況下生子！ B12 撒萊不信而笑 A13-14 神提醒：在神沒有難成的事 B15 撒萊否認，神再提醒！ 16-22 神啓示亞伯拉罕預備刑罰所多瑪！ 16-19 神祝福與啓示亞伯拉罕 20-22 神的使者前往所多瑪察看罪惡情況 23-33 亞伯拉罕抓住神的憐憫向神求情禱告 23-26 為50個義人求情 27-28 為45個義人求情 29-33 為40，30，20，10人求情 在神要作關鍵審判時，上帝先做什麼？亞伯拉罕為什麼能夠得蒙神的啓示16-22？呼求主使我們在愛中熱情接待人，接待神1-8！在神的啓示中更加熱切在愛中為人禱告呼求，求主的憐憫與拯救23-33！ 1.高度的積極、熱情！2跑，6急，速，7跑！對神國的熱愛！ 2.高度的謙卑：2俯伏，3蒙恩，8站！ 3.高度的愛人：23-33 17蒙神指示：1.10對個人的心意指示：關乎萬民，2.21對時代的心意 鑰節：17 成為與主同行，蒙神指示，謹醒禱告的器皿！ 2他擁有屬靈的眼睛，可以在第一時間看出神的使者，這是與神密契的結果，這不是知識、理論，而是生命與神的互動！ 他對神的態度極其謙卑，熱請，並且加倍的擺上，把最好的獻上！撒萊應該也常預備好招待人，在關鍵時刻可以接待天使與神！不單撒萊準備好接待人，僕人可以就位，亞伯拉罕自己也很清楚麵的分量，懂牛犢，這是領袖僕人的榜樣！ 16 許多時候在沮喪孤單中，我們的眼睛是迷糊的，看不清楚神的心意，自怨自艾！ 18 神吩咐：起來，抱在懷中，擁抱身邊神給我們的祝福，永不忘記神的憐憫， 19 眼睛明亮看見神為我們開的路！看見神為我們預備的井水！ －－－－－－－－－－－－－－－－ 講員： 貴格會合一堂 徐坤靖牧師 聖經之鑰-各卷書播放清單： https://thfc.pse.is/3epsdf 【聖經之鑰 相關資源】 YouTube： https://thfc.pse.is/3cfams 電子書： https://thfc.pse.is/3ccluu Powered by Firstory Hosting

La queja general de los padres y sobre todo las madres es porque sus niños no se concentran, por lo tanto no retienen los conocimientos adecuadamente. A los niños tratados con una substancia conocida como Dimethylglycine (DMG), pangamato de calcio o ácido pangámico o "vitamina B15", les ayudó a enriquecer su vocabulario, los niños empezaron a utilizar frases simples, su estado mental general mejoró, y había mejor concentración y mayor interés en juguetes y juegos. Puede obtener este Programa en LA Farmacia Natural en Los Angeles, Van Nuys, Huntington Park, El Monte, Arleta, Pico Rivera, Santa Ana y en Burbank o llamando a la Línea de la Salud, al 1-800-227-8428 si desean que se lo enviemos a su casa.

La queja general de los padres y sobre todo las madres es porque sus niños no se concentran, por lo tanto no retienen los conocimientos adecuadamente. A los niños tratados con una substancia conocida como Dimethylglycine (DMG), pangamato de calcio o ácido pangámico o "vitamina B15", les ayudó a enriquecer su vocabulario, los niños empezaron a utilizar frases simples, su estado mental general mejoró, y había mejor concentración y mayor interés en juguetes y juegos. Puede obtener este Programa en LA Farmacia Natural en Los Angeles, Van Nuys, Huntington Park, El Monte, Arleta, Pico Rivera, Santa Ana y en Burbank o llamando a la Línea de la Salud, al 1-800-227-8428 si desean que se lo enviemos a su casa.

La queja general de los padres y sobre todo las madres es porque sus niños no se concentran, por lo tanto no retienen los conocimientos adecuadamente. A los niños tratados con una substancia conocida como Dimethylglycine (DMG), pangamato de calcio o ácido pangámico o "vitamina B15", les ayudó a enriquecer su vocabulario, los niños empezaron a utilizar frases simples, su estado mental general mejoró, y había mejor concentración y mayor interés en juguetes y juegos. Puede obtener este Programa en LA Farmacia Natural en Los Angeles, Van Nuys, Huntington Park, El Monte, Arleta, Pico Rivera, Santa Ana y en Burbank o llamando a la Línea de la Salud, al 1-800-227-8428 si desean que se lo enviemos a su casa.

Some stories start out small, but turn out to be much, much bigger.Have you ever asked the question: “...is my short news spot better suited to become a multi-part podcast series!?”Jason Moon, reporter with New Hampshire Public Radio, discovered the answer was yes with the story that became Bear Brook, a podcast about murder in a small New Hampshire town and the invention of forensic genetic genealogy. Along the way, he learned a few things: like how writing for longform podcasts is different than writing for short news spots, how inserting yourself into a story can sometimes be a good thing, and how spending precious minutes developing characters in your story isn’t a pointless detour after all.In his 2019 Third Coast Conference session, Jason Moon shared what learned along his journey from public radio beat reporter to longform podcast producer.Note: Sessions are presented twice at the Third Coast Conference (once on Friday, once on Saturday). In this episode, you will hear the Q&A from both presentations of the session. Want to keep the conversation going? Follow Jason Moon on Twitter @jasonmoonNHPR.Images / slides referenced in this session (click here to view full folder):5:29 - Seven minute story script10:50 - Structuring for longform A / Structuring for longform B15:37 - News feature writing example script16:20 - Longform writing example script23:30 - Character description from 'The Spy Who Came in from the Cold' by John le Carre47:30 - Bear Brook edit process A48:00 - NHPR group edit49:20 - Bear Brook edit process BThe 2019 Third Coast Pocket Conference season was co-produced by Neroli Price and Isabel Vázquez. See acast.com/privacy for privacy and opt-out information.

Episode 2: Jean Verville Jean Verville is a Canadian architect and artist whose choice of medium is housing. His works exhibit a wide range of experimentation with powerful contrasts, playfulness, and ideas of what a place to live in could be. He is also a professor of architecture at Laval University and recipient of several awards including the Award of Excellence in Architecture in 2017, Azure's Best Architecture in 2016, Winner of the 2016 Montreal Museum of Fine Arts Installation Competition, Interiors Fredie Award in 2010, and the list goes on and on. More recently, Jean completed an art installation tilled ‘B15' that his students took part in. The piece was inspired by the musical artist KROY, which became a source of inspiration for this installation, resulting in a multidisciplinary experiment combining music, architecture, video and photography, What you are about to hear is a conversation we had with Jean before his Design Matters Lecture Series. Please Enjoy.

In dieser Episode werden Wirkungen und Einsatzgebiete von Stoffen beschrieben, die als B-Vitamin bezeichnet werden, aber keine sind. Die irrtümliche Bezeichnung hat unterschiedliche Gründe. Dennoch sind Vitamin B4, B10, B14, B15, B16 und B17 keine B-Vitamine, das sie entweder im Körper selbst hergestellt werden können, wenn auch nicht immer in ausreichender Menge, oder aber im Stoffwechsel nicht benötigt werden.

Hudson Yards may be New York's newest neighborhood, but it has already risen to the #2 spot on PropertyShark's list of the city's most expensive neighborhoods Way back in Episode 7, we talked about the proposal for a public beach in Manhattan, and this week, the Hudson River Park Trust revealed some renderings of what the park and beach may look like 231 years ago on July 26, 1788 — New York becomes the 11th state to join the United States of America This week, the city Department of Health detected mosquitoes infected with West Nile virus within the NYC area. July begins the active season for West Nile infections, which are spread via mosquito bites, and no human cases of West Nile have been detected yet, so now is the time to be prepared and protect yourself from mosquitoes if you will be outside. Wear clothing that covers your skin, use a mosquito repellent containing the chemical repellents DEET or Picaridin, or use a natural repellent containing oil of lemon eucalyptus. Be sure to seal around your window air conditioners so that mosquitoes won't have an easy entrance into your home, and use window screens if you'll be leaving windows open. If you'll be traveling overseas, take special precaution to avoid mosquito bites, and consider a vaccination against diseases that are common in the areas where you will be traveling. If you're staying in the city, you can even do your part by calling 311 to report standing water, defined as a place on public or private property where water gathers and remains for more than five days, creating a habitat where mosquitoes may breed. 102 years ago on July 28, 1917 — 10,000 people march in the Silent Parade down Fifth Avenue to protest recent violence and riots aimed at Blacks in the South — Learn more about the Silent Parade from the Bowery Boys. 3 years ago on August 2, 2016 — Karina Vetrano is attacked and murdered while jogging in Spring Creek Park in Howard Beach, Queens 74 years ago on July 28, 1945 — A U.S. Army B-25 bomber hits the Empire State Building, killing the three crew members and 11 people in the building 43 years ago on July 29, 1976 — David Berkowitz shoots two young women in the Bronx, beginning the Son of Sam murders that would keep NYC on edge for the next year 103 years ago on July 30, 1916 — The Black Tom explosion near Jersey City levels buildings, kills four, and injures hundreds — Read more from the FBI's history of the explosion 48 years ago on August 1, 1971 — George Harrison and Ravi Shankar organize the Concert for Bangladesh at Madison Square Garden The Straphangers Campaign and TransitCenter had some distinguished awards to hand out to two of the city's bus lines this week: In Manhattan, the M14A, which runs from the Lower East Side to Chelsea along 14th Street, received the award for slowest bus line, achieving an average speed of just 4.3mph. When it comes to reliability, Brooklyn's B15 comes in last place, leaving bus riders wondering when or if the next bus would arrive. The slowest buses in Queens and Staten Island are leaving the other boroughs in the dust, racing down city streets at 6.4 and 7.8 mph respectively. Looking back through AGBC history: 1 year ago — Revel Brings Electric Moped Rentals to Brooklyn — The pilot program must have been a success, because by May of 2019 they announced that they would be adding 1,000 more electric mopeds to their fleet and expanding their service area. 2 years ago — De Blasio Takes a Hit in Latest Polling Numbers; Homelessness a Major Issue — Back in 2017, voters surveyed only gave de Blasio a 50% approval rating and he was hammered on the issue of homelessness, with 63% disapproval on his handling of poverty and homelessness and with 73% of respondents ranking homelessness as a very serious problem. Unfortunately those job approval numbers have only gotten worse, sinking down with each survey until he reached a 42% approval when Quinnipiac last asked the question in an April 2019 poll. A Great Big City has been running a 24-hour newsfeed since 2010, but the AGBC News podcast is just getting started, and we need your support. A Great Big City is built on a dedication to explaining what is happening and how it fits into the larger history of New York, which means thoroughly researching every topic and avoiding clickbait headlines to provide a straightforward, honest, and factual explanation of the news. Individuals can make a monthly or one-time contribution at agreatbigcity.com/support and local businesses can have a lasting impact by supporting local news while promoting products or services directly to interested customers listening to this podcast. Visit agreatbigcity.com/advertising to learn more. AGBC is more than just a news website: It also automatically checks MTA data before morning rush hour and sends out notifications if there are delays on any subway lines, LIRR or MetroNorth trains, and bridges and tunnels. Follow @agreatbigcity on social media to receive the alerts. Park of the day Arcilla Playground — 991 TELLER AVENUE, the Bronx — This playground, which is jointly operated by Parks and the Board of Education, has had several names since it was first opened in 1962: JHS 145 Playground, Arturo Toscanini Playground, Clay Playground, and now Arcilla Playground, the Spanish word for "clay"! Parks Events 41st Annual Thunderbird American Indian Powwow Concert Calendar Kirk Franklin with Koryn Hawthorne is playing Beacon Theatre on the Upper West Side on Sunday, July 28th at 8pm. Limbo, Pixel Grip, Rare DM @ Baby's All Right, Rare Dm, Limbo, and PIXEL GRIP are playing Baby's All Right on Monday, July 29th. Rob Thomas with Abby Anderson are playing Beacon Theatre on the Upper West Side on Monday, July 29th at 8pm. Barry Manilow is playing Lunt-Fontanne Theatre in Midtown on Tuesday, July 30th at 7pm. Rob Thomas with Abby Anderson are playing Beacon Theatre on the Upper West Side on Tuesday, July 30th at 8pm. Snail Mail and Duster are playing Brooklyn Steel on Wednesday, July 31st. This Is Not This Heat and This Heat are playing Elsewhere on Wednesday, July 31st. Barry Manilow is playing Lunt-Fontanne Theatre in Midtown on Wednesday, July 31st at 7pm. Khalid with Clairo is playing Madison Square Garden in Midtown West / Chelsea / Hudson Yards on Wednesday, July 31st at 7pm. Lights is playing Bowery Ballroom on the Lower East Side on Wednesday, July 31st at 9pm. The Rolling Stones and The Wombats are playing MetLife Stadium on Thursday, August 1st. The Summer Slaughter Tour, Cattle Decapitation, Brand of Sacrifice, Carnifex, Lorna Shore, Nekrogoblikon, Rivers of Nihil, and The Faceless are playing (le) poisson rouge on Thursday, August 1st. Ben Folds and Violent Femmes are playing The Rooftop at Pier 17 on Thursday, August 1st. Duster, Snail Mail, Duster, Sasami, and Snail Mail are playing Webster Hall on Thursday, August 1st. Blood Orange and Kelsey Lu, Blood Orange, and Kelsey Lu are playing Lincoln Center on Thursday, August 1st. Jonny Couch "Mystery Man" Album Release Show, Jonny Couch, Giggly Boys, Horny, and Shining Mirrors are playing Berlin on Thursday, August 1st. The Chemical Brothers with Charlotte de Witte is playing Forest Hills Stadium in Forest Hills on Thursday, August 1st at 6pm. The Rolling Stones with The Wombats (Rescheduled from 6/13) is playing MetLife Stadium on Thursday, August 1st at 7pm. Khalid with Clairo is playing Madison Square Garden in Midtown West / Chelsea / Hudson Yards on Thursday, August 1st at 7pm. Herbie Hancock is playing Beacon Theatre on the Upper West Side on Thursday, August 1st at 7pm. Bad Religion and The Explosion are playing Webster Hall on Friday, August 2nd. Cayetana, Bacchae, and Katie Ellen are playing Music Hall of Williamsburg on Friday, August 2nd. Sarah McLachlan with The New York Pops is playing Forest Hills Stadium in Forest Hills on Friday, August 2nd at 7pm. Barry Manilow is playing Lunt-Fontanne Theatre in Midtown on Friday, August 2nd at 8pm. Barbra Streisand is playing Madison Square Garden on Saturday, August 3rd. Rebelution is playing The Rooftop at Pier 17 on Saturday, August 3rd. Soccer Cousins and Hurry are playing Trans-Pecos on Saturday, August 3rd. Steve Gunn and Hand Habits are playing Industry City Courtyard on Saturday, August 3rd. MONSTA X WORLD TOUR 'WE ARE HERE' and MONSTA X are playing Hulu Theater at Madison Square Garden on Saturday, August 3rd. Bad Religion and The Explosion are playing Brooklyn Steel on Saturday, August 3rd. Jenny Kern at Rockwood Music Hall and Jenny Kern are playing Rockwood Music Hall on Saturday, August 3rd. Bad Religion with The Explosion is playing Brooklyn Steel in Greenpoint on Saturday, August 3rd at 12pm. Barbra Streisand is playing Madison Square Garden in Midtown West / Chelsea / Hudson Yards on Saturday, August 3rd at 8pm. Find more fun things to do at agreatbigcity.com/events. Today's fact about New York Here's something you may not have known about New York: Those silver Water Sampling boxes along the sidewalk are used to monitor the quality of NYC's water — There are 965 sampling stations citywide and more than 1,300 samples are collected each month The West Eighth Street–New York Aquarium F and Q Train station in Coney Island is the southernmost station in the subway system Weather The extreme highs and lows for this week in weather history: Record High: 102°F on July 31, 1933 Record Low: 55°F on July 27, 1920 Weather for the week ahead: Possible drizzle on Wednesday and Thursday, with high temperatures falling to 84°F next Saturday. Intro and outro music: 'Start the Day' by Lee Rosevere — Concert Calendar music from Jukedeck.com

Hi gang, this week we got yet another good one for you, this time from a foreign land. The bright and talented Italian artist Marco Mazzoni was in town for his solo show at gallery B15 and he took the time to sit down with us and tell us about his vision. We learned about the ideas underpinning his latest works, about why artists shouldn't have websites, talked a little Italian politics and even heard an alternate take on the birth of the mafia. Sit down with us and get a rare insight into a quiet and thoughtful artist. Plus, stick around until the end, we have a special surprise guest coming by the studio to tell us a little secret. Holler!

Hi gang, this week we got yet another good one for you, this time from a foreign land. The bright and talented Italian artist Marco Mazzoni was in town for his solo show at gallery B15 and he took the time to sit down with us and tell us about his vision. We learned about the ideas underpinning his latest works, about why artists shouldn't have websites, talked a little Italian politics and even heard an alternate take on the birth of the mafia. Sit down with us and get a rare insight into a quiet and thoughtful artist. Plus, stick around until the end, we have a special surprise guest coming by the studio to tell us a little secret. Holler!