Podcasts about Comfortably Numb

The Pastords ramble on about random stuff before talking about the song of the day: Comfortably Numb

Send us a textHere in Episode 213 of the No Name Music Cast, it is Tim's turn to pick the topic and he chooses talk about the music of Pink Floyd!We cover Run Like Hell, Comfortably Numb, Money and albums such as Dark Side of the Moon to name but a few.We also cover the Rock and Roll Hall of Fame nominations, 12" singles, Lindsay Stirling and Billy Idol!Support the showEmail the show: nonamemusiccast@gmail.com Instagram: https://www.instagram.com/nonamemusiccastpodcast/ https://nonamemusiccast.com/

The guys talk about the Sixers shutting down Embiid, the Phillies starting spring training, the Eagles path in free agency , and remember Gene Hackman You can catch Corner Pub Sports live on Friday nights at 8:15pm (EST) on their Facebook and YouTube pages (@cornerpubsports)

Pour ce 415ème numéro c'est THE MOODY BLUES qui ouvrent le bal avec un titre dans lequel Mike Pinder s'inquiétait de la direction que prenait le monde avec ses gouvernements "va-t-en guerre" et ses gros industriels qui contrôlaient de plus en plus la planète. C'était en 1970, ajoutez y quelques GAFA et quoi de neuf sous le soleil ?

Dieser Song ist zu Recht eine absolute Rockhymne - sowohl musikalisch als auch textlich haben Pink Floyd etwas geschaffen, das seit über 40 Jahren die Musikwelt beeinflusst. Warum der Song so besonders ist und wie er entstand, erfahrt Ihr in dieser Podcast-Folge.

Kentucky is not a state that Pearl Jam has frequented often, so when the 2016 tour schedule released with Lexington as one of the announced dates, folks from the Bluegrass State were overjoyed that the band would be returning for the first time in 13 years. That's the focal point for this this episode. This is a show that is somehow approaching it's 9th year anniversary in April, and just like many of those Spring 2016 shows, it's full of deep cuts and talking points that are rarely broached on this podcast. This show is a good show with an A+ crowd, but certainly not without some hiccups. While the song Lightning Bolt was utilized in the opener role for the first time ever, the band struggled a bit out the gate with the first six songs. However, that storyline doesn't last throughout the entire show. The rabid crowd picked this band up and gave them the energy they needed to blaze through excellent performances of Corduroy, Army Reserve, 1/2 Full, Rearviewmirror, Thumbing My Way, Comfortably Numb and the ultra rare addition of Education. A big thank you goes out to Simon and Dawn Mortimer for the Patreon episode request! Visit the Concertpedia - http://liveon4legs.com Contact the Show - liveon4legspodcast@gmail.com Donate to the Show - http://patreon.com/liveon4legs

On this week's show, we wrap up the merry month of Debts-cember (and the year in general) with the most honorable of mentions, the runners-up that fill our cup, the best of the rest of 2024  All this & much, much less! Debts No Honest Man Can Pay is over 2 rock-solid hours of musical eclectica & other noodle stories. The show started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Die alte Garde gab dieses Jahr den Ton: Pearl Jam, Judas Priest, The Offspring oder Green Day liefern die dicksten Schlagzeilen. Aber auch die Zukunft der Rock-Zunft hat gewaltig markiert (Amyl & the Sniffers, 24/7 Diva Heaven) und die Schweizer Szene (Coilguns, Zeal & Ardor) brennt lichterloh. +++ PLAYLIST +++ 22:56 - INTROCHANGES von RAFAEL TORAL 22:53 - GUESS IT'S WRECKED von MOIN/OLAN MONK 22:51 - LOVE LIKE SNOW von CANDY FEAT. MIRSY/MMPH 22:48 - TIED von BEURRE 22:43 - MUUNTAUTUJA von ORANSSI PAZUZU 22:38 - SAY ANYTHING von MOONPOOLS 22:35 - A GOOD TIME PUSHED von KIM DEAL 22:32- -DAYS ARE DOGS von SHELLAC 22:29 - COOLER TALK von BACCHAE 22:23 - I GOT HEAVEN von MANNEQUIN PUSSY 22:19 - MOVING ON von PISSED JEANS 22:16 - LIVING LESS von SECRET WORLD 22:13 - MOB DLA von HIGH VIS 22:11 - PERSONA von GEL 21:56 - PICK IT UP von EMZYG 21:53 - SONIDO COSMICO von HERMANOS GUTIERREZ 21:47 - NICE LIQOUR von MOUNT JACINTO 21:41 - PERFECT PRETENDER von ANNIE TAYLOR 21:34 - ALONE von The Cure 21:27 - I'D LIKE TO HELP YOU WITH YOUR PROBLEM von THE DANDY WARHOLS FEAT. SLASH 21:19 - COMFORTABLY NUMB von Body Count 21:11 - PANIC ATTACK von JUDAS PRIEST 21:05 - GENERIC SKINCARE von COILGUNS 20:57 - MEA CULPA von GOJIRA 20:54 - HIDE IN SHADE von ZEAL AND ARDOR 20:48 - MÜNCHEN von KETTCAR FEAT. CHRIS HELL VON FJORT 20:45 - RAT RACE von 24/7 DIVA HEAVEN 20:38 - U SHOULD NOT BE DOING THAT von AMYL AND THE SNIFFERS 20:35 - THAT'S HOW I'M FEELING von JACK WHITE 20:29 - THE AMERICAN DREAM IS KILLING ME von GREEN DAY 20:24 - COME TO BRAZIL von THE OFFSPRING 20:15 - SIGHOMMI von THE SMASHING PUMPKINS 20:11 - WANTING AND WAITING von THE BLACK CROWES 20:06 - REACT, RESPOND von PEARL JAM

ThanksGiving left us fat and stuffed but we press on. Come join us and see why Blueberry pie is the cat's ass and Jerid learns the meaning of life. Listen in!We'd love to hear from you so send in questions to the show Instagram: @the.tttpodcastYour hosts:Denis Tyrell of Tyrell Knifeworks:IG: @tyrellknifeworksYouTube: https://www.youtube.com/c/TyrellKnifeworksWebsite: https://www.tyrellknifeworks.comFacebook: https://www.facebook.com/people/Tyrell-Knifeworks/61558767232017/Jerid Sandoval of Echo Blades:IG: @echo_bladesFacebook: https://www.facebook.com/people/Echo-Blades/100085394408004/Maker's Spotlight:https://www.instagram.com/heavy_forge/https://www.instagram.com/fidgetthingsOur sponsors:Two Basterds Tx Smithy & Supplies: @twobasterdshammersMaritime Knife Supply: http://maritimeknifesupply.comPelican Paste: https://pelicanpaste.com (Use TTT10 for 10% off!)Baker Forge and Tool: https://www.bakerforge.com (Use TTT10 for 10% off!)Podcasts we think you'll like: Hustle and Grind Work For It Fire and Steel KnifeTalk FullBlast ForgeSideChat Artisans of Steel Knife Perspective Can you hear the Eko

Er hält die Musikwelt in Atem: Nach dem Mega-Beef mit Rapper Drake und daraus resultierenden Streaming-Rekorden überrascht Kendrick mit «GNX», seinem 6. Album, das am Freitag ohne Vorlauf auftauchte. Damit zementiert er seine Unverzichtbarkeit, sagt Sounds! Rap-Experte Pablo Vögtli. +++PLAYLIST+++ · 22:56 - PLANT von EFTERKLANG (LIVE @ SOUNDS! SHOWCASE 2024) · 22:49 - MENTAL HEALTH von FATHER JOHN MISTY · 22:42 - SHE CLEANS UP von FATHER JOHN MISTY · 22:39 - COAST von KIM DEAL · 22:32 - WHERE IS MY MIND? von PIXIES · 22:28 - ARE YOU MINE von KIM DEAL · 22:22 - CRYSTAL BREATH von KIM DEAL · 22:19 - A GOOD TIME PUSHED von KIM DEAL · 22:15 - FORTUNATELY GONE von THE BREEDER · 22:12 - DISOBEDIENCE von KIM DEAL · 21:56 - CANNONBALL von THE BREEDERS · 21:52 - SO AMERICAN von OLIVIA RODRIGO · 21:48 - WORDS LOST MEANING von THE MURDER CAPITAL · 21:45 - THE WIND TO WASH THE PAIN von COILGUNS · 21:39 - CARAVEL von COILGUNS · 21:35 - WE MISSED THE PARADE von COILGUNS · 21:27 - BANDWAGONING von COILGUNS · 21:24 - RUNNING von KING HÜSKY · 21:20 - SVART SEPTEMBER von KVELERTAK · 21:15 - COMFORTABLY NUMB von BODY COUNT · 21:07 - COMFORTABLY NUMB von PINK FLOYD · · 20:57 - BODY COUNT von BODY COUNT · 20:55 - SECRET HATER von CALI P · 20:52 - ELEPHANT von 070 SHAKE · 20:49 - HEY NOW von KENDRICK LAMAR FEAT. DODY6 · 20:41 - GLORIA von KENDRICK LAMAR/SZA · 20:36 - REINCARNATED von KENDRICK LAMAR · 20:30 - TV OFF von KENDRICK LAMAR FEAT. LEFTY GUNPLAY · 20:26 - FATHER TIME von KENDRICK LAMAR FEAT. SAMPHA · 20:21 - SQUABBLE UP von KENDRICK LAMAR · 20:15 - WACCED OUT MURALS von KENDRICK LAMAR · 20:07 - NOT LIKE US von KENDRICK LAMAR

Ce 12 novembre, Marjorie Hache nous offre un mix parfait entre classiques et nouveautés. Parmi les classiques, The Smiths avec "Girlfriend in a Coma", les Sex Pistols avec "Pretty Vacant" et The Cure avec "Nothing Is Forever". Pour les nouveautés, Villagers avec "Mountain of a Molehill" et la collaboration entre Les Limiñanas et Bobby Gillespie de Primal Scream. L'album de la semaine est "Songs of a Lost World", le premier album de The Cure en 16 ans, explorant des thèmes comme le deuil et la désillusion. Le live est assuré par Bad Religion avec "American Jesus". La reprise du jour est "Shakin' All Over" de Johnny Kidd, revisitée par Raylene and the Blue Angels. Le long format de la soirée est "Comfortably Numb" de Pink Floyd, un classique intemporel. La playlist de l'émission ; Pixies - Motoroller Florence + The Machine - Ship To Wreck Sex Pistols - Pretty Vacant New Order - Crystal Gans - Dirty Cowboy Mungo Jerry - In The Summertime Weezer - All My Favorite Songs The Cure - And Nothing Is Forever The Smiths - Girlfriend In The Coma Pale Waves - Gravity Anthrax & Public Enemy - Bring The Noise Amyl And The Sniffers - Jerkin' Raylene & The Blue Angels - Shakin All Over Kasabian - Days Are Forgotten Lana Del Rey - Blue Jeans Villagers - Mountain Out Of A Molehill Pink Floyd - Comfortably Numb Queens Of The Stone Age - Little Sister Bad Religion - American Jesus (Fear And Loathing In Los Angeles - Live 1993) Al Green - Let's Stay Together Infectious Grooves - Violent & Funky The Liminanas & Bobby Gillespie - Prisonner Of Beauty Hole - Celebrity Skin Megadeath - Holy Wars... The Punishment Due The Dandy Warhols - Bohemian Like You The Who - Won't Get Fooled Again

I had High Hopes for this episode, and I'll be looking forward to Monday night, when it'll be Time to become Comfortably Numb. —--------------------- Thanks for listening to The Seventh Valkyrie! Sure love having you along for the ride.  To Support Us On Patreon (Plus get Bonus Features, Early Access, and the TABTA Archive): https://www.patreon.com/7thvalkyrie For 7th Valkyrie Gear and Apparel: https://store.7thvalkyrie.com/ To Join the Conversation/Community: https://www.reddit.com/r/theseventhvalkyrie/ To See the Series Come to Life: https://www.instagram.com/7thvalkyrie/ If You Don't Like My Voice Acting (Novelization and Ebooks): https://a.co/d/8ikI6dP  

On this week's show, we pour one out for the late Kris Kristofferson, spend quality with new records from Alan Sparhawk, The Hard Quartet and Steve Wynn, and spotlight the sprawling new compilation Cardinals at the Window, a benefit to raise money to help the communities of Western Notrth Carolina that were affected by Hurrican Helene. All this & much, much less! Debts No Honest Man Can Pay started in 2003 at WHFR-FM (Dearborn, MI), moved to WGWG-FM (Boiling Springs, NC) in 2006 & Plaza Midwood Community Radio (Charlotte, NC) in 2012, with a brief pit-stop at WLFM-FM (Appleton, WI) in 2004.

Wir haben uns dieses mal wieder ganz viele Gitarren, Amps und Pedale angeguckt, z.B. das Nano Cortex von Neural DSP, den neuen Engl Steve Morse Amp, zwei Spark Amps, Delays, den neuen Fender Mustang Micro plus. Natürlich haben wir in das neue Album von David Gilmour rein gehört und in Attachment Theory von Sophie Chasseé. Und wir reden über Linkin Park: neue Sängerin und ein altes Album. Diese Folge auf Youtube https://youtu.be/r02boEhgfok 00:00:00 Intro und Begrüssung 00:02:10 Linkin Park hat eine neue Sängerin 00:06:35 David Gilmour Probe gestreamt und Vorabkonzerte in Brighton 00:11:50 Bodycount haben Comfortably Numb gecovert 00:12:55 Beat ist jetzt auf Tour 00:14:10 Equipment News 00:52:55 Neue Musik: David Gilmour – Luck And Strange 00:59:40 Sophie Chasseé – Attachment Theory 01:06:50 Wieder reingehört – Linkin Park – Minutes To Midnight 01:13:45 Album Jubiläen 01:31:30 Verabschiedung und Outro https://www.facebook.com/gitarrenkram https://gitarrenkram.de https://gitarrenkram.de/gitarrenkram-unterstuetzen Unsere Musik auf Bandcamp https://silentmenband.bandcamp.com/releases

The whole crew is back in the Labyrinth this week, bringing you the latest in pop culture madness! We kick things off with the drama surrounding P Diddy as his empire seems to be crumbling, with legal troubles and speculation running wild. Are celebrities deleting their social media to hide something, or just steering clear of the chaos? We dive deep into the latest scandals and controversies. Tim and Dustin review "Nothing But A Good Time," the 80s metal documentary on Paramount Plus, which was a hit Staff Pick. Tim even got the chance to interview the filmmaker on his radio show! We also delve into the debut episode of "The Penguin" on MAX, starring Colin Farrell. Is it the 'lost' Sopranos Season 8 we never got? We dissect its ties to "The Batman" universe and share our thoughts. Steph brings us up to speed with all the pop culture news you need this week, from the curious rumors of Michael Jackson as Blade's sidekick in an alternate "Blade 2," to the bizarre story of squatters at one of Diddy's abandoned mansions. Could there be an Ed Gein biopic from the creators of "Dahmer" and "Menendez"? And what's the deal with Ice-T and David Gilmour's collaboration on "Comfortably Numb"? We attempt to unravel the mystery! Don't miss our classic segments—Views or Snooze? and Staff Picks—where we tell you what's worth watching this week! Subscribe, hit the thumbs-up, and catch the audio version on Spotify. Your support keeps us going as we navigate the twists and turns of pop culture! So, grab your headphones and join us on another epic journey through the Labyrinth! And as always, KEEP IT CANON! Steph's Walk: https://www2.breakthrought1d.org/site/TR?fr_id=9703&pg=personal&px=14063204 Watch The Show Only YouTube: https://youtu.be/DIQzDdL-QQ8 ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ Hosts: Tim Andrews, Jeff Leiboff, Steph Swain and Dustin Lollar Audio Podcast & YouTube Video Edited by Dustin Lollar ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ SOCIAL MEDIA LINKS: https://linktr.ee/RadioLabyrinth ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ SPONSORS: Atlanta Pizza & Gyro http://www.atlantapizzagyro.com/ https://www.facebook.com/atlpizza/ LDI REPROPRINTING OF ATHENS CALL 706-316-9366 OR EMAIL THEM AT ATHENS@LDILINE.COM ▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀▀ THANK YOU SO MUCH TO ALL OF OUR RADIO PRODUCERS & PATRONS! Thanks to our Radio Labyrinth Producers: Jeff Peterson, Bryan Smith, Chelsey Smith, Jim Fortner, Brett Perkins, Terri Fuller, Chris Chandler, Tim Slaton, Mike Hall, Mike D, Matt Carter, John Allen & Robey Neeley.  And thank you to all of our awesome Patreon Patrons: Hemp Huntress, Tracy McCoy, Emily Warren, Buck Monterey, Randy Reeves, Robey Neeley, Robert Kerns, Wayne Blair, Sherrie Dougherty, Rusty Weinberg, Michael Einhaus, Mark Weilandt, Leslie Haynie, Kevin Stokes, Jesse Rusinski, Jeremy Truman, Jeff Peterson, Herb Lamb, Gwynne Ketcham, Denise Reynolds, David C Funk, Collin Omen, Christopher Doerr, Chris Weilandt, Chris Cosentino, Erick Malmstrom, Brian Jackson, Brennon Price, Andrew Mulazzi, Andrew Harbin, Amber Gilpatrick, Alan Barker, Aaron Roberts, Walt Murray PI, Sam Wells, Ryan Wilson, Lou Coniglio, Kevin Schwartz, Kevin Jackson, Gus Turner, Jim Fortner, Scott Augustine, Jonathan Wilson, Cynthia Hadaway, Tony Outlaw, Dave Benson,Jack G,Adam Lavezzo, Kyle Gorecki and Tom & Terri Kennedy!

On this week's Loudini Rock & Roll Circus we do something a litlle different and combine two of our series. First of all our RUSH series (The Rockin RUSH Circus) and our series entitled The Gear That Made Rock. So... this weeks is The Guitars of RUSH!   Topics Discussed: What we did this week: Loudini: Incidents Around The House; Maxxine, Billy Idol @ The Hoover Dam, Does Album artwork still matter in 2024? Did Jar Jar destroy Star Wars & Lucas Film? Joe B on John Mayhall and the RRHF, VH's 1984 tour,  Aerosmith Retires, Harrison Ford in the MCU???, Eurythmics Retrospective, Rick Beato steps in doo doo, Sammy Hagar interviews Extreme, Real Reason Jimmy Page left the Black Crows tour,  Pretty Reckless Live in Spain(Witches Burn) Stevie Ray Vaugh plays Comfortably Numb, Snuffaluppagus Mr. Pittsburgh   The Guitars of RUSH   https://rush.fandom.com/wiki/Alex_Lifeson_equipment#Rush   https://rush.fandom.com/wiki/Geddy_Lee_equipment     New & Notable: Loudini: Austin Gold; The Wire Defines Mr Pittsburgh: Roses Undread; Brand New Me

Show Notes Highlights: Pete Floyd's Formation: Pete Delaney shares how the pandemic inspired the formation of the tribute band Pete Floyd alongside Pete Hale, who profoundly loves Pink Floyd's music. - Band Lineup: The group features a powerhouse lineup of local musicians, including saxophonist Alex Garcia, keyboardist Bob McBain, bassist Toby Tyler, drummer Sean Englund, vocalist Paige Clem, vocalist and guitarist Teal Collins, and guitarist Pete Hale, each adding unique depth to the performances. - The Music: Pete Delaney discusses their approach to covering Pink Floyd's extensive catalog, focusing on albums like Dark Side of the Moon, Wish You Were Here, and The Wall, blending live elements from iconic performances. Visual Experience: Pete Floyd offers a full visual experience, complete with coordinated lighting designed by its new lighting director, adding a dynamic visual component to its live shows. - Special Moments: Delaney recalls memorable performances, including their third show at the Phoenix Theater in Petaluma and the incredible energy felt during the "Comfortably Numb" performance at The Chapel in San Francisco. - Upcoming Shows: The band will perform at Sebastiana Theater on Friday, September 20th, with a special laser light show. They are also preparing a 50th-anniversary tribute to Wish You Were Here for 2025.  Featured Songs - “Great Gig in the Sky” – Pete Floyd's rendition featuring Teal Collins on vocals. - “Dogs” – A segment from their live performance featuring Pete Hale's exceptional guitar work.  Links - Pete Floyd Official Website: https://petefloyd.com - Sebastiana Theater Tickets: https://www.sebastianitheatre.com  Social Media Hashtags #PeteFloyd #PinkFloydTribute #SonomaMusic #LiveMusic #SebastianiTheater #WishYouWereHere #DarkSideOfTheMoon #BackstageSonoma

F1 2024 continues to deliver! Incredible racing, chaotic races, and for George Russell, post-race heartbreak. Join Patrick and Brian on the Hard Compound for full analysis of the Belgian Grand Prix 2024. And a look toward the second half of the season. 5:00 George Russell masterclass is all for nothing. He now trails even Sergio Perez in the driver standings! 10:00 Yes, obviously Lewis Hamilton has regrets over leaving Mercedes. (And later, why Toto Wolff still smarts from Lewis's jump to Ferrari.)15:00 Red Bull made the prudent choice in keeping Sergio Perez. We try and make the case.20:00 Our thoughts on the second half of the F1 season. Mostly McLaren vs Mercedes vs Max. (But with a shock Lewis Hamilton prediction.)30:00 The great Mario Andretti agrees with us. There's more than enough talent in F1 for an 11th team! 35:00 Our unsurprising opinion on who will race for Mercedes in 2025. And Patrick's thoughts on the sorry state of Williams. And why Carlos Sainz still decided to race for Williams in 2025. All that and much more, including our predictions for the second half of the season and for the Dutch Grand Prix. Text Brian or PatrickAnd as always, thank you for listening to everybody's most beloved father and son F1 podcast!

Text us about this show.Copper Box is the Wisconsin Area Music Industry's (WAMI) 2024 Band of the Year and for good reason. When you combine a great, fun show with first class musicianship and personnel who are gracious and genuine, the result is something extraordinarily special. Danny and Michelle LL Jerabek have been working hard over twenty-three years to make Copper Box what it is—a band that you simply can't ignore. Whether they're playing a wonderful original song or a cover the only way Copper Box can play it, you're guaranteed a memorable and great time. Join us as we discuss what makes Copper Box the incredible band that it is."Getaway" performed by Copper Boxwritten by Michelle LL Jerabek℗ 2024 Copper Box. Used with permission of Copper Box."Comfortably Numb" performed by Copper Boxwritten by David Gilmour & Roger Waters; arranged by Copper Box℗ 2003 Copper Box. Used with permission of Copper Box."Still The Night" performed by Copper Boxwritten by Guy Hoffman, Sam Llanas, and Kurt Neumann; arr. by Copper Box℗ 2024 Copper Box. Used with permission of Copper Box.Support the Show.Visit Into The Music at https://in2themusic.com!Support the show: https://www.buymeacoffee.com/intothemusic E-mail us at intothemusic@newprojectx.com YouTube Facebook Instagram INTO THE MUSIC is a production of Project X Productions, Appleton, WI.Host/producer: Rob MarnochaVoiceovers: Brad BordiniRecording, engineering, and post production: Rob MarnochaOpening theme: "Aerostar" by Los Straitjackets* (℗2013 Yep Roc Records)Closing theme: "Close to Champaign" by Los Straitjackets* (℗1999 Yep Roc Records)*Used with permission of Eddie Angel of Los StraitjacketsThis podcast copyright ©2024 by Project X Productions. All rights reserved....

Join Jill this week as she revisits an episode from January 2021 where she discusses the transformative journey sparked by her recent workshop masterclass, which has blossomed into a supportive and vibrant community for women! She shares her excitement about the unexpected success of the workshop held and invites listeners to join this growing network, emphasizing the importance of self-promotion without guilt! Listen as Jill discusses the workshop's key themes, including stepping out of comfort zones and breaking free from the ways that we buffer and numb ourselves. She highlights how participants are challenging themselves in unique ways, from taking cold showers to driving different routes and even altering their daily habits like drinking coffee with the non-dominant hand, all small but significant actions that can help you create new neural pathways and experience personal growth! Jill focuses primarily on the concept of numbing - how we go through life on autopilot, missing out on the richness of the present moment. Jill explores various forms of numbing, such as overindulgence in food, alcohol, and media, and delves into the more subtle, everyday autopilot behaviors that prevent full self-expression and joy. Hear practical examples of how the women in the workshop, including Jill herself, are embracing discomfort to foster growth. From mixing up their daily routines to experimenting with their personal style, they are actively working to break free from familiarity and its binds. Moreover, Jill reflects on the importance of intuition and following one's heart, sharing a personal decision to turn down a business opportunity that, while logical, didn't feel right in her heart. This decision underscores the episode's central theme: true growth and joy come from listening to oneself and making intentional, sometimes uncomfortable choices.Tune in for an inspiring and relatable discussion on how to cultivate joy, break free from numbing behaviors, embrace the fullness of life, and live more authentically!   Show Notes: [01:44] - Jill reveals that her workshop masterclass has turned into something really special with great feedback! [03:52] - The masterclass discussed getting out of comfort zones and stopping the numbing and routines. [06:47] - Jill's group members are challenging themselves to get out of numbing with small, surprising changes. [09:13] - Discussing and journaling growth creates new levels of self-expression and personal growth. [12:08] - Listeners are challenged to wear no makeup and go out, embracing natural beauty. [15:53] - Jill shares how she embraced fun and joy by extending a lunch with a friend to five hours. [17:50] - Embrace fun by stepping out of your comfort zone, even if it feels like too much fun for one day. [19:41] - Jill encourages listeners to follow their hearts and intuition even if it defies logic and business opportunities. [22:10] - Commit to personal growth by following your intuition every day; focus on deep inner work and healing past traumas to see what the future reveals. [23:48] - Tune into God's guidance for spiritual growth, even if it seems to defy conventional logic. Rate, Review, & Follow on Apple Podcasts “I love Be You Podcast!” ← If that sounds like you, please consider rating and reviewing my show! This helps the podcast reach more people just like you. Click here, scroll to the bottom, tap to rate with five stars, and select “Write a Review.” I know there was something in this episode that you were meant to hear. Let me know what that is! Also, if you haven't done so already, follow Be You Podcast. There is a new episode every single week, and if you're not following, there's a good chance you'll miss out.  

Barry and Abigail discuss Drag by k.d. lang and sample Theoretical Jam, Maduro Brown Ale, and Fancy Papers™ from Cigar City Brewing in Tampa, Florida. Listen to the original versions of the songs that k.d. lang covered on this album! Barry compared the ominous-sounding outro of Don't Smoke In Bed to Goldfinger by Shirley Bassey. We played a bit of The Hollies' version (in Barry's eyes, the definitive version) of The Air That I Breathe. We discussed in depth the lyrics of Steve Miller Band's The Joker, eventually going on a tangent that led to Clap For the Wolfman by The Guess Who and The Letter by The Medallions. Abigail compared k.d. lang's vocal performance in Your Smoke Screen to Shana Cleveland's performance on Manzanita. Barry compared the song to Comfortably Numb by Pink Floyd. Congratulations to Jeff “Jafo” Shettler! At time of episode release, his bonus episode, Bonus: Pink Floyd Leftovers (Pink Floyd and brewLAB Leftovers) is our most listened-to episode of all time. We discussed the incredible backstory of Till the Heart Caves In, which is a “cover” of a Roy Orbison song that was never recorded. lang and Orbison had a previous connection as lang performed in Roy Orbison & Friends - A Black and White Night in 1988. Read more about the special! We believe that Jane Siberry wrote Hain't It Funny specifically for k.d. lang. On Siberry's album, “Hain't It Funny” is preceded by k.d. lang, a series of recorded voicemails between Siberry and lang. Up next… Professional Rapper by Lil Dicky, submitted to our Virtual Jukebox by Dinos Korominas Jingles are by our friend Pete Coe. Visit Anosmia Awareness for more information on Barry's condition. Follow Barry or Abigail on Untappd to see what we're drinking when we're not on mic! Leave us a rating or a review on Apple Podcasts or Spotify! Facebook | Instagram | X | YouTube | Website | Email us | Virtual Jukebox

This is a story that goes back the July of 1984 listen as I share my story of the time I bought my first bag of weed. My reflections and appreciation of where I am now. Interested in talking to me DM me on IG at dianeegibbs. Thanks and God Bless

Comfortably Numb (Pink Floyd cover) by Shut Up Dog Productions

    As with many other mixes this one has a specific track that was the inspiration. The tune is called "Franky's Floyd" from the album "An Evening with Friends" by Ron Boots. It's a live album by Boots and his friends. The track is called "Franky's Floyd" because Frank Dorittke plays a nine minute variation of David Gilmour's solo from Comfortably Numb. It all sounds so familiar but with enough variation to make it interesting. Thanks to Paul Asbury Seaman for giving me the heads-up on this track. I am in awe of it every time I listen. https://ronboots.bandcamp.com/album/an-evening-with-friends The title of this mix is a bit misleading, while there are a couple of screaming guitars here, most of the mix is just loud-ish guitar tracks that lean towards a spacey vibe. I think this set does a good job combining new and old tracks, going from 1975 & '77 to the 2010s and then 2020 & '21.  I've definitely been in a guitar mood lately with this one and a couple more guitar-based mixes in the works. One of them will have a Khruangbin vibe because they have a new album out and they are one of my favorite artists on the music scene right now. Cheers!   T R A C K L I S T : 00:00    Steve Hillage - Meditation Of The Snake (Fish Rising 1975) 03:03    Sunburned Hand Of The Man - Flex (Pick A Day To Die 2021) 06:51    Frank Dorittke, Harold Van Der Heijden, Ron Boots & Stephan Whitlan - Franky's Floyd (An Evening With Friends 2017) 13:55    Moon Duo - Square of the Sun (Hexadic III 2018) 19:55    Roy Buchanan - Fly…Night Bird (Sweet Dreams: The Anthology 1992) 24:30    Gov't Mule - Tomorrow Never Knows (Dub Side Of The Mule 2015) 28:50    Tangerine Dream - Impressions of Sorcerer (Sorcerer 1977) 31:24    Steve Hillage - The Glorious Om Riff (Green 1978) 37:42    Spencer cullum - Dieterich Buxtehude (Spencer Cullum's Coin Collection 2020) 44:53    Grails - Chalice Hymnal (Chalice Hymnal 2017) 48:50    Dans Dans - Shell Star (Zink 2021) 52:50    Dan Phelps - Cumulonimbus (MODULAR 2011) 59:30    end

Many men tried to claim the invention of anesthesia as their own. It didn't work out well for any of them. Check out: indeed.com/theconstant now to start hiring Visit our Patreon here. You too can get ad-free, early episodes, starting now!​​ BUY OUR MERCH, YOU FILTHY ANIMALS! The Constant is part of the Airwave Media podcast network.​​ ​​Interested in advertising on The Constant? Email sales@advertisecast.com to get on board! Learn more about your ad choices. Visit megaphone.fm/adchoices

Are you comfortable in your sin?  Are you honest about your level of sinfulness?  Romans 1 hits the problem of sin head on.  The guys break it down and share their insights and experiences.  Michael reveals what happens when you play Country Music backwards.Wach us on YouTube!https://youtu.be/4DRBe7ArNuE#joerogan #podcast #mensministry #christianliving #biblestudy #cussing #joerogan #jasonwhitlock #fearless #menshealth #christianliving #vincevaughn #timtebow #christianmotivation #churchmemes #mensministry #promiskeepers

What does every wild west shootout in every movie you've ever seen have to do with the history of anesthesia? You'll find out in the cold open! Then, stick around for the rest. Check out: indeed.com/theconstant now to start hiring Visit our Patreon here. You too can get ad-free, early episodes, starting now!​​ BUY OUR MERCH, YOU FILTHY ANIMALS! The Constant is part of the Airwave Media podcast network.​​ ​​Interested in advertising on The Constant? Email sales@advertisecast.com to get on board! Learn more about your ad choices. Visit megaphone.fm/adchoices

Today Laura and Kevin speak with privacy expert Alan Chapell about digital media and privacy. We talk about the FBI and CIA tracking our phones, how we have become numb to personal surveillance, the Chappell Report, credit at the expense of privacy, why we can't delete Facebook even though we all know we should, Alan's musical talent, stopping by a jazz party in Florida, figuring our how the Spotify algorithm works, if Ticketmaster is selling Kevin's data and the most common privacy mistake we all make. We also discuss our music tastes and debate who'd you'd rather get stuck in an elevator with, Laura or Kevin. This is a fun episode!Alan Chapell is outside privacy counsel to digital media companies and the principal analyst at the Chapell Report. Chapell started his career in digital media at Jupiter Research in 1997. Since 2003, Chapell has advised well over two hundred different companies, from venture backed startups to some of the largest media, technology, and telecommunications companies in the world.Chapell & Associates' mission is to help clients navigate regulatory, public policy and other marketplace challenges to maximize the value of their products and services. The Chapell Report is a monthly continuous information research tool focusing on the intersection between privacy, addressability and competition for data driven advertisers worldwide – helping them understand the key trends driving the advertising and media marketplace.Alan is also an accomplished musician. Check him out.

The war between humanity and its oldest, archest of enemies: pain. Get 50% off by navigating to factormeals.com/constant50 Check out: indeed.com/theconstant now to start hiring Visit our Patreon here. You too can get ad-free, early episodes, starting now!​​ BUY OUR MERCH, YOU FILTHY ANIMALS! The Constant is part of the Airwave Media podcast network.​​ ​​Interested in advertising on The Constant? Email sales@advertisecast.com to get on board! Learn more about your ad choices. Visit megaphone.fm/adchoices

The Survival and Basic Badass Podcast Episode#442 Are We Comfortably Numb Get Badass Gear @ https://prepping-badass.creator-spring.com/  www.preppingbadass.com  Support The Survival and Basic Badass Podcast on Patreon @ www.patreon.com/preppingbadass  Contact us @ preppingbadass@gmail.com  Watch Live on YouTube @ https://www.youtube.com/c/preppingbadass  Join The Badass Facebook Group https://www.facebook.com/groups/331588903926580  Badass Facebook Page https://www.facebook.com/preppingbadass  Badass Facebook Page That Wasn't banned https://www.facebook.com/profile.php?id=100093175926700  Don't let uncertainty overwhelm you. Subscribe to The Survival and Basic Badass Podcast. We deliver practical tips to help you and your family navigate what is coming. Remember being prepared is the first step toward embracing your inner Badass. The Survival and Basic Badass Podcast is available on Apple, Spotify, Podurama, and wherever you find great content. Subscribe to the podcast at: Apple https://podcasts.apple.com/us/podcast/survival-and-basic-badass-podcast/id1071703718  Spotify https://open.spotify.com/show/4YdMrZ4oWTPKv4YrcZgExg  Listen on Podurama https://podurama.com  For Entertainment only not medical or legal advice Learn more about your ad choices. Visit megaphone.fm/adchoices 

The Survival and Basic Badass Podcast Episode#442 Are We Comfortably Numb Get Badass Gear @ https://prepping-badass.creator-spring.com/ www.preppingbadass.com Support The Survival and Basic Badass Podcast on Patreon @ www.patreon.com/preppingbadass Contact us @ preppingbadass@gmail.com Watch Live on YouTube @ https://www.youtube.com/c/preppingbadass Join The Badass Facebook Group https://www.facebook.com/groups/331588903926580 Badass Facebook Page https://www.facebook.com/preppingbadass Badass Facebook Page That Wasn't banned https://www.facebook.com/profile.php?id=100093175926700 Don't let uncertainty overwhelm you. Subscribe to The Survival and Basic Badass Podcast. We deliver practical tips to help you and your family navigate what is coming. Remember being prepared is the first step toward embracing your inner Badass. The Survival and Basic Badass Podcast is available on Apple, Spotify, Podurama, and wherever you find great content. Subscribe to the podcast at: Apple https://podcasts.apple.com/us/podcast/survival-and-basic-badass-podcast/id1071703718 Spotify https://open.spotify.com/show/4YdMrZ4oWTPKv4YrcZgExg Listen on Podurama https://podurama.com For Entertainment only not medical or legal advice Learn more about your ad choices. Visit megaphone.fm/adchoices

1. Shine On You Crazy Diamond 00:00:00 2. Signs of Life 00:12:23 3. Learning to Fly00:15:46 4. Sorrow 00:21:03 5. Dogs of War 00:31:36 6. On The Turning Away 00:39:32 7. One of These Days 00:48:37 8. Time 00:54:50 9. On The Run 01:00:00 10. The Great Gig in the Sky 01:02:58 11. Wish You Were Here 01:07:49 12. US and Them 01:12:38 13. Money 01:20:18 14. Comfortably Numb 01:28:33 15. One Slip 01:38:30 16. Run Like Hell 01:44:36 All uploads on this channel are for promotional purposes only! The music has been converted before uploading to prevent ripping and to protect the artist(s) and label(s). If you don't want your content here  please contact us immediately via email: allmusiclive@outlook.com and WE WILL REMOVE THE EPISODE IMMEDIATELY! 

Are you ready to journey through the enigmatic world of Pink Floyd, the band that defined a generation and radically transformed rock music? We've got an incredible episode lined up, where we traverse from their psychedelic inception to their evolution into rock maestros, unraveling the stories behind their renowned albums. Witness the magic of "Comfortably Numb" from "The Wall", a living testament to Gilmore's soulful guitar solos, and Waters' evocative lyrics. This exploration will stir the soul of both die-hard fans and those newly discovering Pink Floyd.We don't stop at just the music; we delve into how Pink Floyd's music reflected societal norms and the human condition. Their songs addressed a spectrum of issues from the music industry to personal isolation. We reflect on the incredible impact their music has had, leaving an indelible mark on listeners across generations. And before we wrap up, we'll be inviting you to share your favorite Pink Floyd moments and join our social media family. Get ready for another captivating episode as we unfold yet another fascinating chapter of music history. Thanks for being a part of our journey, we are excited to continue exploring the incredible world of music with you.Support the showLa missione di FuffaWebFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti. Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.fuffa web online, free podcast : graffio@fuffaweb.com - mordicchio@fuffaweb.com FuffaWeb Italia, il podcast di qualita anti fuffa .news - arte - musica - crescita personale - moda - gaming - cucinaQUESTE LE RUBRICHE CHE SINTEIZZANO GLI ARGOMENTI DA NOI TRATTATI PER TIPOLOGIA D'EPISODIOFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti.Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.Un ringraziamento speciale a tutti Voi Se il nostro podcast ti piace, vota qui: I love FuffaWeb Italia Vota il nostro podcast, il tuo punto di vista conta per noi, e per gli altri, clicca il link qui sotto ed esprikmi il tuo paraere, ci contiamo, grazie:#PodcastGratis #AscoltaOra #NuovoEpisodio #PodcastDellSe...

Prepare yourself to be transported to the depths of 'Comfortably None,' as we welcome two titans of the music industry, David Gilmore and David Baulio, for a soul-touching journey unlike any other. This isn't your typical musical performance; it's an intimate exploration of pain, growth, and acceptance that echoes the continuous, transformative nature of life. Are you ready to delve deeper into your own feelings and experiences? This musical journey might just be the key.We're thrilled to have David Gilmore and David Baulio share their unparalleled talents on our stage. The resonating refrain of 'Comfortably None' accompanies us, moving from the background to the forefront, a testament to the ceaseless evolution of existence. As the performance unfolds, the words and melodies invite you on a trip of self-discovery and introspection. Ears open, hearts ready – embark on this unforgettable journey and let the music move you.Support the showLa missione di FuffaWebFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti. Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.fuffa web online, free podcast : graffio@fuffaweb.com - mordicchio@fuffaweb.com FuffaWeb Italia, il podcast di qualita anti fuffa .news - arte - musica - crescita personale - moda - gaming - cucinaQUESTE LE RUBRICHE CHE SINTEIZZANO GLI ARGOMENTI DA NOI TRATTATI PER TIPOLOGIA D'EPISODIOFuffaWeb è da sempre impegnata nella diffusione della verità senza censura, e questo articolo fa parte del nostro impegno nel portare alla luce temi importanti.Vogliamo essere una risorsa affidabile per tutti voi, fornendo informazioni pertinenti e incoraggiando azioni positive.Un ringraziamento speciale a tutti Voi Se il nostro podcast ti piace, vota qui: I love FuffaWeb Italia Vota il nostro podcast, il tuo punto di vista conta per noi, e per gli altri, clicca il link qui sotto ed esprikmi il tuo paraere, ci contiamo, grazie:#PodcastGratis #AscoltaOra #NuovoEpisodio #PodcastDellSe...

Episode 613 Hour 1: The host kicks off the show by playing a few excerpts from his conversation with Emily from Arizona who lives with fibromyalgia. After announcing he's been vaccinated, the host recalls a time when he got a Bart Simpson sticker after getting a hepatitis B vaccine. Stewie pipes into make fun of the host per usual. Sports - Jim Rome gets emails about Chicago and a commercial featuring Andy Reid. The host doesn't like that Taylor Swift is going to be a playable character in the new Madden game. A clip of Mad Dog Russo from October 06, 2003 ranting about the San Francisco Giants getting eliminated by the Florida Marlins. Today in history, Arnold Schwarzenegger interjects. The Covid-19 cards wil no longer be printed, followed by "Yesterday (Covid-19 Version)" from "The Blind Man Cometh" track 24. After briefly talking about Roger Waters's album where he redoes "The Dark Side Of The Moon", the first hour closes out with "The Facebook Wall" from "The Blind Man Cometh", track 15. Hour 2: The host comes back briefly talking about the Pink Floyd album "The Wall". The Weird History YouTube channel on The Chicago fire and a tribe of people called the Sentinelese. Bed bugs in France. Kevin McCarthy outed, a clip from the archives where Howard Cosell describes McCarthy's struggle. The show closes with an excerpt of the host's interview with Larry Willson talking about Siegfried and Roy, as Tuesday was the 20 year anniversary of Roy getting attacked by the tiger. Break music - "Comfortably Numb" by Pink Floyd Rejoiner music - "Mother" by Pink Floyd --- Send in a voice message: https://podcasters.spotify.com/pod/show/lawrence-ross9/message

This month for the August 2023 episode of the RCEM Learning Podcast we've got a New in EM segment looking at the STANDING Algorithm in Vertigo. We then continue hearing from Becky & Chris about the new NICE head injury guidelines which is the exciting conclusion to our two parter. We then have a discussion with Steve Black discussing the history of ED performance. We rejoin Andy & Dave for a New in EM looking at the use of take-away topical anaesthetics in corneal abrasion and then end with New Online. If you'd like to email us, please feel free to do so here. (02:24) New in EM - The STANDING Protocol for Vertigo Effectiveness and reliability of the four-step STANDING algorithm performed by interns and senior emergency physicians for predicting central causes of vertigo (Gerlier et al., 2023) Can Emergency Physicians Accurately Rule Out a Central Cause of Vertigo Using the HINTS Examination? A Systematic Review and Meta-analysis (Ohle et al., 2020) Peter Johns (24:01) Guidelines for EM - NICE CT Head Injury (Part 2 of 2) NICE - Head injury: assessment and early management (01:01:56) Steve Black - A Brief History of ED Performance Steve Black at the Health Services Journal Policy Skeptic Blog Steve Black's Twitter (01:18:20) New in EM - TTA Topical Anaesthetics in Corneal Abrasion Topical Anesthetics for Analgesia in Acute Corneal Abrasion: Eye Care Providers Survey (Anderson-Quiñones et al., 2023) SGEM #315: Comfortably Numb with Topical Tetracaine for Corneal Abrasions (01:29:10) New Online – new articles on RCEMLearning for your CPD Top Ten Tips for Turning Your ED Green - Helen Wilkins Matthew Dunn - Syncope Dermatological Examination - Alexandra Newman

Are you comfortably NUMB? You know, just coasting along on auto-pilot and missing out on your life? In this episode of Play Hard & Love Big Radio, Nick Clark and Katie Clark discuss the idea that being UNCOMFORTABLE is actually something to be grateful for, not something to be avoided. When we are experiencing discomfort we have the opportunity to learn, grow, and thrive! --- Send in a voice message: https://podcasters.spotify.com/pod/show/playhardlovebig/message

Who would've thought we would learn so much from Pink Floyd's 1979 album, The Wall. As life happens, we get the various bumps, setbacks and punches below the belt. All of these and more lead to us "protecting ourselves" but what if it's that 'protection' that's hindering us from being our full potential? This wall, this shield we build around ourselves may not be what we think it is. Listen in to this archived episode as we break down the ideas behind 'The Wall' in our hopes to no longer be Comfortably Numb.

This week on RL Radio - NOT going back to the way it was This is the final episode of Season #5. We had a hard time putting a pin in this Season - we had so much fun laughing with each other (and hopefully with you guys as you listened in). I also realize that we bring out the tears in a lot of our listeners, so for that - well, I'm grateful that you were able to grieve and connect and know that we love you all! I wanted us to loop back to Episode #60 where Jason talked about the rubric for living out recovery in life. (Which, btw, for any of you that read this - would you like for us to make a graphic of that rubric?! if so, please email me, subject line podcast and let me know!)   We re-listened to parts of Episode #60 before recording this episode and Jason mentioned in that episode that some men want to do life the way they have always done it, minus the acting out. I see this as a huge issue with the clients I work with - this temptation to just go back to the way it was (for him) once he has stopped acting out. So Jason talked through a Rubric that can be used to live life from a recovery mindset. At the end of the episode, one of the questions I had for Jason was: what makes him even *want* to go back to life as it was? We didn't have time to dig into that question on episode #60 so here we are - digging into it now. You're welcome. Jason shares a handful of reasons men want to go back to life as it was before (and I added in one at the end) - what would you add to this list? Fear of wholesale change / Identity shifts. Being “comfortably numb”. Ignorance Religion / Faith  Being the center of the universe (as the addict) and the desire to go back to that. Arrogance and pride. Shame (including both appropriate biblical shame or toxic shame) I love at the end when Jason said that too many people think recovery is going to meetings.  When actually recovery is actually #1 - sanctification and #2 - life work.  Boom.   We are so glad YOU are here, thanks for joining us!   You can listen to Episode #60 - A Rubric for Living Out Recovery In Life here Jason refers to Pink Floyd and Comfortably Numb - he says they are great theologians - I wanted to ask him what in the world he meant by that - but I decided not to, we will save that for next season. I was mistaken, when I referred to Deuteronomy for the four connectors (mind, heart, body and soul) - I was actually referring to Luke 10:27. Jason refers to the story of Jesus and the invalid in John 5:1-14. I misunderstood Jason during the recording - I thought he was saying that this story DID occur in the Bible. As I was working on the show notes, I couldn't find that story (oh my.). So I clarified with Jason - he is saying that there are some men that are prideful and arrogant and would say to Jesus - “I ain't sick man, I don't know what you are talking about.” I'm such a #bibletoddler. Would love for you join me and my team at the next Retreat.  Applications are LIVE but will be closing soon - click here to access the application.  And if you are reading this much later, I would love for you to join the wait list which simply means you will get early notification to apply to the next retreat. For more information on RL Academy, click here. Would love to connect with you on Instagram - @shelley_martinkus. We offer 1:1 coaching, couples recovery coaching, support groups, MasterClasses and on-line courses - check out our websites: redemptiveliving.com and rlforwomen.com for the full scoop! Click here to subscribe to Shelley's {almost} monthly letter + announcements. Click here to subscribe to Jason's list. Questions for the Podcast? Email us with the subject line: Podcast.

Picture it, the turn of the millennium, and the dawn of the online music revolution. jD just shelled out his last few dollars on The Tragically Hip's seventh studio record, Music at Work, unaware that it would mark the end of an era for him - his final first-day purchase. From there we take a deep dive into the album's reception, its relevance today, and the debate if it was a step out of The Hip's comfort zone.Make sure to get your tickets for Longslice Presents: Getting Hip to the Hip - An Evening for the Downie Wenjack Fund today! https://bit.ly/GHTTHTicketsTranscriptTrack 1:[0:00] Welcome to getting hip to the hip. I'm JD. I'm here as always with Pete and. [0:06] Tim How are you fellas doing this fine day? Track 3:[0:10] Doing great doing great Just getting it going and excited to be here and see a couple of my favorite dudes over the interwebs. Track 2:[0:19] I Am doing supercalifragilisticexpialidocious to fucking discuss this fucking record Oh, wow. Track 3:[0:27] Oh, boy. Track 2:[0:28] Oh, boy. Track 3:[0:29] So... Fasten your seatbelts, folks. Track 1:[0:31] Fasten your seatbelts, folks. Track 2:[0:32] What does that mean? Spoons, plural. Spoons full of sugar. Not just fucking... Not just one. Track 1:[0:39] The Disney references are just rolling out. Track 3:[0:41] Jeez. Track 1:[0:44] Well, we're here today to talk about the 2000 release, June 2000, the seventh studio record by seminal Canadian rock band The Tragically Hip. Music at work. Before we go into our vaunted segment of song by song, let's just get a general sense of what you guys thought of this record. Where you listened to it, what you were exposed to, how it formed over time. What do you think there, Pete? Track 2:[1:21] I'll be brief, because I want to really dive into the songs, too, but I will say, I listened to this record at work. Well, I was at my computer. Come on, Tim, did you want that one? Were you waiting to use that one? Track 3:[1:42] No, it was your turn. It was your turn. A lot of listeners right now are like, oh my god, we're out of here. Track 2:[1:52] Listen to it in the car. The sound system in the car made it really pop. But I will say, probably the best place to listen to it was on runs. It was just... I love the record. I really, really enjoyed this record profusely. So I'll say that. I'll leave it there. All right. Track 1:[2:21] Mr. Leiden. Track 3:[2:22] Yeah, so I listened to this. I had a bunch of headphone-based physical therapy the past week, and I pretty much had it on for all of that, which was very much focused movement and definitely could consider audio. And it was it was pretty good. It took me back to, I think, mostly to Live Between Us, like if we're gonna go apples to apples or apples and oranges throughout their discography thus far, for many reasons. And there's some songs on here I really like a lot. There's a couple that I thought were pretty different, like definitely a step out than past albums. And yeah, at one point I thought this might be my favorite so far in our work to get to this point. I thought this might be one of my favorite albums so far, but I'm still questioning it. I'm still thinking that there might be another one out there in the future that I just I Give you know nine point five two or whatever. Album Rating and Discussion on Critics' OpinionsTrack 1:[3:35] It might be Gotcha Yeah, this was rated relatively low by all music and what? Track 3:[3:43] Big fucking surprise They're like the professor that doesn't give a is you know, yeah, yeah negative five out of five I I have a little bit of a vibe with that, but I understand sometimes there's a great piece of work out there that still doesn't get the accolades it deserves, and that happens so often. Track 1:[4:06] Yeah. Well, shall we get into it? Track 3:[4:10] Yeah. Track 2:[4:12] What did they give it, by the way, J.D.? I'm curious. Track 1:[4:14] Three out of five. Track 3:[4:15] Three, right? Three out of five. So just some quick research on the title that I found of the album, Music at Work. So from what I read, it's poking fun at a rock station in Canada, 100.5 FM. Yeah. E-Zed Rock or Easy Rock, whichever. Track 4:[4:38] You went with Zed first. You're so Canadian. Oh my God. So Canadian. Track 3:[4:45] Music at Work was their tagline, you know. It was like, imagine this kind of 80s looking logo in essence like a corporatized Van Halen Firebird Camaro looking Easy Rock 100.5 FM and underneath at music at work. That makes sense. But I thought maybe, yeah, I thought maybe the hip tagging, you know, taking this tagline was perhaps their, I guess, you know, maybe even, I think it was their stab at back at clear channel. I thought like Like, these guys, yeah, yeah, yeah, I thought these guys are still talking. Track 2:[5:36] Was that a Clear Channel station? Track 3:[5:38] Rock and roll. Track 2:[5:39] I'm sure they were. Track 3:[5:40] Dude. Track 1:[5:41] It's a heavy format. Track 3:[5:42] I didn't look it up, but if you look at everything about it, I'm sure it is. Track 2:[5:48] And at that time, dude, nowadays it's like, it's not even a competition. Like Clear Channel owns the Airwaves, but I remember at that time it was like, you were We were starting to realize that every station was a clear channel station. Track 1:[6:02] Yeah. Yeah. Track 3:[6:04] Yeah. So, that was kind of some brief history on the album title. The first song, you know, title track, album name. The First Single from the RecordTrack 1:[6:40] You I think it's a, little bit of a, a That chives. Yeah, it was the first single from the record too. So okay. Yeah, it dropped a couple weeks before the record came out. Track 2:[7:33] Well, not to correct Tim, but I'm going to do it. Do it. It is not the title track. Ah, yes. The name of the track is actually my music at work. Yeah, interesting. And I didn't... No, no, no. Track 3:[7:54] I was really close, man. Track 2:[7:56] You were close, too. Track 3:[7:58] You know, okay. The influence of the... The Groove and Tightness of the New RecordTrack 2:[8:07] I mean, if I picture myself as I have now, listen, have listened to the previous hip records, anticipating this new record coming out, hearing this first track on this new record and just like putting it on volume up, start my car, light my cigarette, open my Red Bull, whatever the fuck I was doing in the year 2000. And just fucking wow. I mean, they must have just been like, fuck yes. I mean, this song, it was, I wrote this down. This is one of the things I wrote down in the notes. The song was born in the pocket. Like when you talk about when you're in the pocket, musically, I think we all know what that means. I'm sure most of the listeners know what it means. But it's just, it's in the pocket. It's just the groove, the rhythm, the fucking instruments, everything is just fucking tight and it fits, gourd sounds fucking great. It's a great build after the La La La with the soft guitar. Oh God, I've got to eventually get there. Track 3:[9:29] I'll just quickly add in there the La La La. Track 2:[9:30] Johnny Cain? Track 3:[9:31] Okay, go, go, go. Track 2:[9:32] Go ahead. No, no. You go ahead. Track 3:[9:35] I was going to fill in for you. The La La La part for this one, I mean that was new. We haven't had La La La's yet in soft. No, not really. Right. Track 2:[9:42] No, no, yeah But but Johnny Johnny Faye. Yeah drummer. Yeah Really just fucking builds it into where the song you know starts to go at that point and then there's a There's a Lord of the Rings reference in there. I think I feel like it is I took it as what cuz he says middle of the earth. Ah Which I'm always My record store that I grew up going to in down in California, now out of business, was called Middle Earth. And it was a fucking great record store. This is the type of record store where dollars to fucking donuts, man. If you were there in the 90s, they were like, if you went up to the front and asked this guy Larry for a recommendation, he would have fucking slipped you a hip record. Hands down. I was just too scared to fucking go up to Larry cause he was cool. Larry had a picture of David Bowie where David Bowie was smiling, not Larry. Track 1:[10:47] Wow. Track 2:[10:48] Like that goes to show you how cool fucking Larry was. Track 3:[10:51] You know what? I can't tell you how many. Stories I've heard about like interviews with artists who had that record store They went to growing up and how walking up to the clerk whoever was working was like the most intimidating thing Like you like you like so many artists would walk I've read it about it so many times Walking a record store with like kind of tail between your legs and you're afraid to purchase what you've picked For being ridiculed or anything, right? It's just it was like the most I mean think about it back You know in the 80s or 70s or 90s like going to Tower Records or wherever you go and grabbing that Item and walking up to this like hipper than thou person Clerk and trying to make over just yeah Yeah, this was before that it was common where people had like, you know Sleeves of tattoos and like ear and nose piercings like you saw somebody up there at the front with a fucking a bar through the nose a two sleeves of tattoos, and green hair. Track 2:[11:56] Everybody's got fucking green hair nowadays, right? And you're just like. Track 1:[12:00] Makes me sick. Track 2:[12:01] No, but you know what I'm saying? Like, you know, my nephew's got green hair for crying out loud. But like, I don't give a shit, you know, I'm telling my nephew what I'm listening to, but if, you know, back in the 90s, I walked up to the counter and saw somebody like that, that I was like dude I am not bringing up anything that's on the radio right yeah that's so cool that's so cool that you had this this tragically hip frame of reference from back in the record store days I mean I completely don't have that I had a bumper sticker in college you know of my apartment complex neighbor so. The Second Song: Messy and IncoherentTrack 3:[19:00] Yeah. Track 2:[19:00] Do you want to? I don't know. I mean, I'm ready to fucking blow up in there. You know what I'm saying? Okay. The fucking the second song. I mean, it's hard to top this second song. I mean, it is when I first heard it. I loved how it faded in from the first track. And then he just starts saying this is what the fuck is Tiger the Lion? Track 1:[19:30] I don't. Track 2:[19:30] I'm just saying the first time I heard it, right. And I did my research on it, which I kind of regret. I gotta stop looking at lyrics. Once I stopped looking at lyrics, these songs really open up for me. Track 1:[19:41] You can't stop though. It's gorg, right? Like, you know? Track 2:[19:45] No, but he eventually started listening to them and internalizing them, which is better for me than reading them. Either way, this fucking song, it just opens up so messy and incoherent and I'm like, what the fuck? I mean, again, putting myself in the position of a hit fan when they hear this for the first time. They're like, is this gorgeous going off on his fucking, you know, he wrote some crazy poetry and he's just, you know, free-forming it right now. What's he doing? You know, but the The instrumentation on it, it's so well thought out. Track 4:[20:24] Right? It's... Track 2:[20:26] I love how, because for me as a musician, my writing style is pretty incoherent. A lot of people say, like, lyrics wise, my shit doesn't make sense, which is, you know, it's not like I'm going for it, but it's just, it is what it is. But the John Cage quote? Track 3:[20:45] Yeah. Track 2:[20:46] Oh, fuck. I mean, I'm a huge John Cage, but just all about who that guy was as an individual who brought his brain to art and music. There's a melodic drop down, the purpose is not unique. I just, I don't know, dude, I did a little bit of research on the meaning of the song about it being like a reference to fighter pilots. Did you get that too, Tim? Track 3:[21:21] Yep, yep, yep. Big time. There's been so many World War II references that I just, you know, I instantly went to that, which I have a emotional family connection to World War II, so that hits heavy for me. Track 2:[21:36] Two-way radio, yeah. But, uh, this, line... JD, I thought of you when I read this. But not to get order from chaos. Tell you how to create simply wait to your life like, like, there's, there, there is no order. Yeah, there's no other shoe that were, you know, and I don't know, dude, this fucking song is, I still can't fucking and unwrap it and make sense of it. It's just a fucking banger. Yeah. What a song. Living in the Music: Appreciating Art without Analyzing LyricsTrack 3:[22:15] I mean, Pete, as a, maybe you can clarify a little bit for me, as a songwriter, you, when this one came on and you listened through it and you say that you, sometimes you don't want to research lyrics just so you can live in it in your head as much as possible, right? Is that kind of your sentiment? Right? Track 2:[22:34] I mean, I think, I think the lyrics, Because I think that what you, for me, this is me personally, what I tend to do is, is rather than physically listen to the song, which is what the medium is meant to do for listening, I'm reading what I'm listening to. And so it starts to, I start to make judgment upon what I'm listening to based on what I'm reading. Which is never like there's so many weird fucking lyrics in this fucking record And I'm sure we can talk about it till the cows come home Yeah But it did me it did more damage for me in the beginning because it was like I'm not fucking getting this I'm not getting this and then I just was like, okay I put the lyrics down and then I just started to listen to it incessantly. Okay, this shit's fucking making sense. Okay. Got it and then not to Not to bury the lead, but I mean if you don't get the fucking Comfortably Numb, Rob Baker literally Channeling the fucking David Gilmour in this fucking song. I mean What do you I mean, what are we doing here? There's one drop where it doesn't it doesn't go down to the next chord that you just feel like it's like going to country, but it doesn't go there and it's just... [24:01] Yeah, his guitar tone, everything about it. He's using the Strat on this. [24:06] Fucking it's great song. Sorry. Yeah. Amazing song. Track 3:[24:10] For me to go from music at work to this was like, whoa, this is, you know, if this is second gear for taking off in the car, and it's like, what did our car just change into? Because the song is, Because the song is its own beast. Man, me and my dad jokes, dad puns, tiger, the lion. So I mean, this is the longest song on the album. It's 5 and 1 1⁄2 minutes. And I love songs that can hit 5, 6, 7 minute mark, and you don't even know they're that long. Track 1:[24:47] Yeah. Track 3:[24:48] Like sometimes you hear a song, and you're like, god damn, These guys just wanted this to be the longest song ever, and they succeeded. But this one, it's very, no, it doesn't feel that long. And I think, Pete, you touched on most of it. But the themes, I guess I should say, I don't read the lyrics or look into the lyrics until I've listened to one of these albums in great length or many times. So I try not to pay attention to the lyrics. If I'm listening to it in the car and I'm at a stop for too long, then I can actually hit the whatever on Spotify to make the lyrics pop up. I'll check it out for a minute. But I try to live in my head for as long as possible, I think, kind of like you, Pete, to just get deep into the song. [25:44] The John Cage references. I mean, there's so much in this song in both that theme and kind of World War II themes, but the kind of two big takeaways for me were this song is about challenging the listener and society and anyone to appreciate, like, nature, art in life, or just art, or like literature or whatever it might be. And if you live your life without recognizing any art form, then you're like a fucking robot, you know? That's kind of, that's what the song was about to me in that regard, the John Cage regard and all of that. The his radio goes silent, you know that like I imagined this as like World War two airplane Pilot, you know the his engines destroyed And he's just falling from the sky, you know, like and stops working. This is where my head my engine stops working You have this like last bit of life where you hear the wind the radio stops working You know, you're on your way down. That's kind of where I went with. Track 1:[27:03] Whoa, that's heavy, man. Introduction and Researching Band MembersTrack 3:[27:04] Yeah, that's kind of how it felt to me. Okay, so I did some research around who else is playing with this band. Because we've talked about, at least the past album, I've been talking about, you know, who's that on backup singing blah blah blah blah blah. Right. So with this, I guess I would have talked about this at the beginning, but with this song we have a guy named Chris Brown from Toronto on keys, right? So he toured, He recorded and toured with the band with this album. He came from a band or was in a band called, Bourbon Tabernacle Choir. Yep, you got it. And from the 80s and 90s, which I heard of that, man. Yeah, which I didn't know an ounce about until I kind of did this research. So finally, I was making some headway with this album to hear who else we have contributing, which is an obvious impact to me as a listener to hear kind of extra elements going on. But this song, man, it could be its own album. That's what I thought. Like this song, this song on a 7-inch on one side, like it's hand me that. I'll pay 20 bucks for it. Like let's go. It's fucking that good. Track 1:[28:30] Yeah, I agree. Track 3:[28:32] Lake Fever, the next one. This is where I was like, okay, maybe we're shifting gears into like this perfect love song or forlorn love or is this a song about loss or remembrance or you know what is this what is this going on there's amazing prose within this song like was the brief dude seriously i knew pete was just like i knew his heart was melting for this It was probably driving down, you know, here's Pete, everybody in Spain, in his awesome vehicle. I don't even know what it is, and I don't want to know until I visit him someday, so no spoilers, J.D. But here's Pete in his awesome vehicle driving down some coastal highway in fucking Spain. This is a dude from the LBC, right? And this song comes on, and there's tears coming from Pete's face on this beautiful sunny day. It's like, I, I, you know, I'm, I'm hearing this song during fucking physical therapy. Therapy just gone. [29:42] Is this a wedding song or is it a funeral song or do I want this at my wake or do I play this for Amy on her next anniversary? Like what the fuck is this emotional song going on in place three after my music at work and after Tiger the Lion we have this Lake Fever. It's like what the hell so yeah it was this you know this this is that third gear song where i'm like okay, let's see let's see where this is gonna go what's this about is it oh yeah okay maybe it is about the cholera outbreak in toronto in 1834 oh fuck god damn it okay that's what it's about guess i'm I'm not playing at my anniversary. No, not playing at next April 14th, honey. Track 1:[30:38] But it's more than that because the protagonist is regaling his potential lover with that story. Like the song isn't necessarily about like fever. It's like this couple are walking in the woods about to go, you know, have sex. And he's so nervous that he's trying to like, you know, talk to this girl and he's telling her, well, there was this time in Toronto that there was a sewer back up and cholera got in the way and it went all the way up to Ottawa and near Kingston and it was terrible, many people died and she's just like, hurry, just hurry. Just Coital Fury, you know, like, yeah, that wine, man. Track 2:[31:26] Fuck, it's good. Dude, you know, I tell you, it's it's funny because I think it's just the Canadian. I mean, last week, Tim and I both heard the rush in fireworks for last week's a record but you know I started to hear the first thing I heard and now I like don't hear it at all but the first thing I heard with this song was the percussion feeling very once again very Alanis, right wow but yeah put that all kind of behind it's kind of all in the past dude the glockenspiel which I think they're using and like the keyboard effect over when he says the the word courage is I'm just you're right Tim I'm driving down the fucking coast in the mountainous windy roads of Malaga Spain and just fucking crying with my wind blowing, my air blowing in the wind. Cigarette out the window, the arm just like, Oh, just fucking loving this. [32:42] We're going to get into it a little bit more, because I because there's a there's a couple of songs on this record. And I remember I don't know what record it was, oh, it was, was Troll Dan House that I referred to as the Tragically Hips Xerope. Track 1:[33:01] Yes. Track 3:[33:02] Right, right. Track 2:[33:05] But, do you know what this record is? Track 1:[33:07] Yeah. Track 2:[33:07] And it's funny because this record actually came out before the record I'm going to reference. And I'll tell you why. Track 1:[33:14] All right, hit me. Track 2:[33:15] This is fucking the Tragically Hips Yankee Hotel Foxtrot. All of the fucking instrumentation on it, all the pianos, the echoey pianos, a lot of the guitars. It's so fucking Wilco, man. And so I started thinking to myself, well, you know, what, what the fuck did, what, you know, what do we, well, I'll get into it, I'll get into the next one. Track 1:[33:44] We'll go. Give her. Track 2:[33:46] Yeah, we're going to put it down. So this song, there's a line in there saying the United States of ricochet. Something something happy in way. You know what I'm talking about, JD? Track 1:[34:02] I don't know the lyric offhand though, sorry. Track 2:[34:04] Great fucking line. And I'm getting very like, ashes of American flags like references to because I feel like I feel like Gord was really, um, getting, like, a lot of the shit that he focused on was the, God, the phrase, the term I'm trying to look for, like the plight of Canadians. Okay. Track 3:[34:30] I got it. I got it here if you want me to read it. Track 2:[34:33] Yeah, you want to read it, Tim? Track 3:[34:35] Yeah, it's just United States of Ricochet from the Boardwalk to the Appian Way, which I... From the Boardwalk to the Appian Way, yeah, that's what I'm looking for. Yeah, yeah, yeah. Track 2:[34:42] Diamond Files, Corporate Wraves, you know. So he's, I feel like up until this point, he's made a lot of references to not just the indigenous folks up north, in terms of, you know, what he's talked about, and what I know he's eventually going to talk more about. But I started to think like, God, what other band do I know that did that? And like, that's kind of where Wilco went, you know, they had Uncle Tupelo and then AM, which was their first record. And being there were kind of like a soft watered down version of, of that country vibe of Uncle Tupelo. And then when they hit Yankee Hotel, it was like, Whoa, what the fuck is this? This is not the same band. I remember hearing and I got the same vibe. And so I, anyway, I Googled and started doing a little research, come to find out. So I read Jeff Tweedie's. Memoir, which is a great book, you'll get through it in a day, man. It's called Let's Go So We Can Get Back. And he references them on tour with Tragically Hip during the Another Roadside Attraction tour. Track 1:[36:03] That's right. The third one. That's right. Yeah, yeah. Wilco's Similarities to Other Bands and Songwriting InfluencesTrack 2:[36:07] Yeah. And just this record came out a year before Yankee Hotel. So I don't know what if they were trading demos back and forth or they were playing music together on Tour and but fuck man. I mean so many similarities with this record and that record interest so many Do you feel you might catch my drift here? Track 3:[36:32] But do you feel like? When you hear other bands and are reminded of Wilco do you feel like Wilco has just borrowed so much from other bands or do you feel like I'm not gonna we're not going to turn this into a Wilco podcast by the way or do you feel like Wilco like really do you feel like Wilco just absolutely stand on their own as songwriters because I mean that's there that's like to me songwriting music you know what I mean yeah I know what you mean um it's a good question and I'll answer it as short as possible because I think This is something you could fucking have a garage with a, you know, half ounce and fucking go on forever. Track 2:[37:17] But I think Jeff Tweedy is an amazing songwriter, and he'd probably be the first one to admit that they've taken so much from other people. But I think that that band, especially when they went in, their record, two records after they did Yankee Hotel was a record called Sky Blue Sky. When they really got into that, they were just like... They were at the top of their fucking game. and they they they knew how to um, but it's It's hard to say man. I mean It's a great question tim because I you could say the same for Tragically him who are they both big time? Track 3:[38:05] Yeah, we've had so many references. Track 2:[38:07] I don't think I don't think rob baker would he be the last person to say he wasn't fucking fucking playing the exact notes that Gilmore played on fucking comfortably on that guitar solo or on Tiger the Lion. But it's not like you're saying, oh, you're stealing. It's like, it's an homage. It's also working it into a song that is not that song is, you know, you do it all. I've been writing a tune this week that is a is a indie rock tune adapted from the fucking Opening theme of the one of the Legend of Zelda songs. So cool. And am I stealing from Koji Kondo? Yes but It's in so I look at it more as an inspiration. Track 3:[38:54] Well, I mean they I mean all all artists, you know are inspired from every direction I just I don't I don't want to get into it too deep. Track 1:[39:01] I just went from no Writers I think good songwriters Make it almost Like a magician, you know, like a good songwriter. You don't see the sleight of hand. You don't see the Palming you don't see it like they're absolute pros and they stand on their own But of course you can't help but be affected by what you are exposed to and what you enjoy, you know You can't help it. Track 2:[39:34] Yeah, yeah. Yeah, and JD, you're right when you say that, because there was something that I put down, and I think I sent it to you, but I put this down about a month and a half ago, and there was a little guitar lick I put on there, and it was Nell. I recorded it with a fucking jazzmaster. It was Nell's Climb from fucking Wilco. And I was like, I was so worried that it was so obvious, and I played it for Issa, my wife, And I played it for you and I think I was like was it too much and like no it's just it was just right It was perfect. It was like kind of like a little but to me it was like My ears I literally stole the fucking Notes from him and like I took them and I said those are mine now. Thank you very much You know, but like it's it's not easy to do man. I don't know JD. Track 3:[40:25] Yes. I thought it I think they pulled it was just me JD that Pete Pete called up in the middle of my night and serenaded me with some guitar licks. Damn, I'm not feeling as special now. Track 2:[40:40] You'll get it Tim, you'll get it. Track 3:[40:42] Hey, I thought putting down... Track 1:[40:43] Putting down, yeah. Track 3:[40:45] Yeah, so putting down, I felt like, I mean Pete commented on the, you know, the references and stories of this great continent and what we did to the Indigenous folks that were already here and the land grabs and you know that's hitting hard with this one and I feel like with Gord's themes and songwriting and his connotations of it all, this is that song for the album, I thought it was like big and heavy. [41:22] I didn't really know what it was about my first handful of listens. I couldn't really peg it until I did a little bit deeper diving into it. But you know, it was my first few listens, it was kind of like a car ride sing-along song. I felt, you know, it just felt familiar. It felt hip. I didn't think like, this is the best song on the album, and I thought it held its place on the album for what it was. So that's kind of where it ended with me. Cool. The next one, Stay, on the other hand, I thought, man, this song, it's quiet, it's cute, it's cute. I hadn't had that feeling before. Is it a thank you? You know, the Bureau Chiefs and the Shrugging Spies, I thought this was at first when I first heard this? I thought this is hilarious. Without researching, I thought this was like a thank you or something to the band's road crew, because I heard beer and cheese and shrugging spies, not bureau chiefs. I mean, I was like, I was so incorrect with this song. You were a great crew. You were a great you. You know, what is the storyline here? Is it about going to war and relationships or what? What is going on here? Track 1:[42:48] Maybe a little of everything. Track 3:[42:49] Yeah, maybe, but one, you know, after I did, after the leak, Sit down and kind of research what it's about. Hopefully Pete you have some more music based Comments about it, but one person I need to shout out here. The the handle is The letter Y Salvatore, there was a song meanings.com. [43:15] Reference from 2005 so this this is amazing it said one theory is the song is about Fox Mulder from the X-Files lines like there's no one up above us and with the Bureau Chiefs and the shrugging spies on the X-Files series Mulder is often working against the establishment as a sentiment in this song you've got no business in here brother Mulder is obsessed Pete from I'll go with UFO so lines like you see a light and then another this this song maybe it's about UFOs maybe it's about aliens I don't know this this was like this was a total head-scratcher for me not to say that I didn't like it but it was like what is this song about it wasn't beer and cheese I don't know it's not it's funny that you say that because one of the lines already is this song makes me want to sit in a pub and drink beer with my buddy. I didn't say eat cheese, but like, that's the vibe I got. Appreciating the musicianship on this recordTrack 2:[44:21] I mean, it's, um, there's, there's, okay. I could say a lot. I really liked this song a lot. I loved it. It. The riffing that Gore does with the vocals. I think there's a bridge part of all things being balanced where John Fahy's drums... I feel like every musician on this record, on this record, really shines. Like everybody shines. Gord Sinclair, I feel like, has always been really top-notch. That guy is fucking flawless. He's so underrated. Extremely underrated. Uh, when it comes to, you know, I, I just because I'm, you know, playing wise, obviously Gordoni, I mean, there's nothing you can say about that, but playing wise, Paul Langlois, am I saying? Langlois. Track 1:[45:25] Langlois. Track 2:[45:27] Um, and Rob Baker. I've always kind of gone back. I'm starting to appreciate the differences between those guys because they're two Diametrically different guitar players. I mean so different and and That happened on this album. Track 3:[45:43] Don't you? Track 2:[45:43] Oh, yeah more so really noticeable and I went down a bit of a rabbit hole this week I'll try not to go as deep as I went, but I told JD I was watching some live stuff and looking at Rob Baker's set up. [46:05] Paul Ling Hua, he always plays that black Les Paul, but Rob Baker plays that Strat, which I fucking love. And he's got something called Lace Sensors pickups in it, which not to get too technical for the listeners. They were apparently these were like standard issue Fender pickups from 90 from 85 to like 96 and then they just became too expensive. But they're really cool. The only shitty part is they look horrible on a guitar. They don't look it doesn't make it look like a Strat anyway. But he also plays a Paul Reed Smith, which I absolutely hate those guitars because, and JD I told you this, they're the Carlos Santana guitar and when they first became like available to the public so to speak or like mainstream people were able to buy them. I remember walking into a guitar center in the 90s and seeing one up on the wall that was like, it was like $19,000 or $20,000 it was like ridiculous and just going, and now can buy a PRS for like $1,800, $2,000, but it just turned me off and I fucking hate it. And if I'm Rob Baker, if I'm Rob, if you're listening, just don't ever play the fucking PRS, man. Get rid of it. Ditch it. Rob Baker's guitar choices and preferences[47:30] The telly's cool, but that strat is where it's at, man. [47:35] He does play Tele, and there's one other one I can't remember, but there's a great website, and I sadly have been on it more times than I can count. Oh, and he plays an SG, and I play an SG too. The website's called Equipboard.com, and it's got, they can pretty much look at any like, musician that's like, you know, quote, unquote, made it, so to speak, and find their rig, and they have the references, like, not just like, they don't just tell you, but they go, this is why we know that this is they're playing and they have a link to like a concert video, or a picture of them pointing out the gear, which is fucking cool. Track 1:[48:24] It's really cool. Yeah. I love, neither of you guys mentioned it, but I love Gord's voice in this song. He's doing a different sort of thing with his voice. It's lower register, softer I suppose, right? Because it is a soft song. But it's down, it's, you know, sorry you can't see my hand, but it's down here, like belly button wise. Uh is really quite quite uh effective on this song i agree with that jd when are you gonna fix your your belly button cam you're gonna get that going next next pod what's that my belly button cam Yeah, that took me a minute to get. Sorry. All right, track number six. Track number 6 is The Bastard. Appreciating the Percussion and Lyrical InsanityTrack 2:[56:45] Wow. This song starts with the they're not bongos, but there's some sort of kind of cool percussion. Track 3:[56:54] They're there. Yeah, it's some kind of yeah, yeah, yeah. Track 2:[56:59] There's a lot. Track 3:[57:00] It's fun. I love when they bring those in. Track 2:[57:02] Yeah, it's really cool. This song lyrically is fucking insane. There's a word in there called crepuscular? Track 1:[57:16] Yeah, what is that? Like, what does that even mean? Track 2:[57:19] Yeah, it means, um, adjective of resembling or relating to twilight. Yeah, I mean, gnarly shit and- Oh, gourd. Track 1:[57:31] Oh, man. Track 3:[57:36] Crepuscular rays, as the sun groomed the plane with crepuscular rays. Track 2:[57:41] There's a line in there about the Purple Italians, like it's just... Track 3:[57:47] Yeah, what is that referencing? I meant to look that up. I meant to look that up more and did not. Track 2:[57:52] Some weird-ass lyrics. I noticed something too. I love the line, the presaging pel-nel. Yeah. Track 3:[58:03] Yeah, the pre-stage pel-nel. Track 1:[58:05] Pre-stage and pel-nel. Track 3:[58:06] Yeah, that was my favorite. Track 2:[58:09] It's um i noticed that in addition to to to um gordon sinclair being so in the fucking zone on this song like a like a like a hypnotized fucking i don't know dude he's just he's a fucking machine on this song song. He, I watched a little bit of the Woodstock, Woodstock live show 99. And in this song, during Grace 2, which is what they opened up with, Gord starts testing out some of these lyrics to this song during Grace 2. Bird's Eye View, right? Track 1:[58:54] He talks about a bird's eye view of a bird's eye view. Yeah, yeah. So cool that you got to see that. Track 2:[59:01] Finished watching the whole thing. Track 1:[59:02] And you recognize it. Track 2:[59:04] Go ahead. Frustration with lack of guitars in "Grace II"Track 1:[59:10] Yeah, I went down to Rabbit Hole the other day and was just watching a whole bunch. I started with that when I texted you guys and was like, yeah, I'm watching it. And for the beginning of Grace II, it's all drums and Gord's voice, which I don't mind, but I want to hear those guitars, you know? And then suddenly it kicks in. Track 3:[59:29] The purple people, the purple Italian people, I just found it was an Italian mass protest movement to call for the resignation of a prime minister, one of their prime ministers. I feel like, I don't know, there must have been an earlier historical use of this because this is actually from 2009. So yeah, I'm curious. Well, I forgot to tell you guys that Gord is actually reference a mystic he could see in the future yes I wouldn't be surprised yes guys if there's any more sorry there's any more insight on the purple people somebody somebody let us know Tim at getting hit So I got an email. Mention of an email received regarding the purple peopleTrack 1:[1:00:19] Yeah. Got to get our $80 worth. Track 3:[1:00:25] I loved the pre-staging Pell-Mel. There's been a handful. I wish I would have started a list of the gourdisms that would be so fun to learn and reference, because that was so good. When I first heard him sing that, it was like, you know. Track 1:[1:00:42] What is pell-mell? Track 3:[1:00:44] Well, it just means like, it just means like absurd craziness or warning, like presaging means like warning together. Well, pell-mell means confusion or disorder or like a confused haste. So it's, presaging is, you know, the warning of a disorderly moment or the warning of something about to go down. That's kind of what I took. Track 1:[1:01:16] That's dire, I love it. Track 3:[1:01:19] Pre-saging, yeah, it's good. I mean, it's a loaded three words, basically. I think Pete hit on a lot of it, but this song to me kind of got us back in the car and down the road again. It was like driving, rocking, feeling, which I totally dug. The reference of all of this auger as well, you know, auger meaning like a fucking coring, drilling, coring into something and it's just this good rocking song. Track 1:[1:01:55] It's different though. Auger spelled one way is coring, but there's another, like to auger is to portend a good or bad outcome. Track 3:[1:02:08] Okay. Track 1:[1:02:11] So it's like, to pretend. Yeah. And I believe that's what it, like, it's all this auger's well, like, but, right, like, auger a well could mean digging a hole. But auger's well means pretending to, portending to good things are going to happen. Track 3:[1:02:37] Okay, okay. I just thought there were some beautiful lyrics in here. Also, I mean, all this augurs well or yeah, it's the The stanza never mind that pool in the mountains victory came and went on winged elephants I saw you all this augurs. Well, like you know, what? What is what is going on there? But it I thought it was likely this loaded very story specific Specific song without researching it, you know, I heard the lyrics Billy Sunday shout in Philadelphia for Christ Like who really is this song about did you look up Billy Sunday? Track 1:[1:03:15] Yeah. Track 3:[1:03:16] Yeah. I loved I loved reading about that This is like one of those that is one of those songs easy, right? Yeah, you barely you barely touch into on the research side and Realize that you know Billy Sunday was baseball player. Track 1:[1:03:33] I want to say a pitcher from like 1891. Track 3:[1:03:36] Yeah, he was this total this this I guess amazing pitcher And he played for chicago and boston and philly and which During those times you played for a team like your whole career, you know, you stayed in the city You you you became a presence with the team and the community and all that stuff if you did but this this this fellow William Ashley or Billy Sunday Sunday was his family name he he was like a total drunk ladies man and he moved from team to team to team and I think this from what I read the cops and the ladies got to know him really well And then after playing in Philly, he was witnessed to on the street and ultimately became a traveling preacher. [1:04:32] He went from standout pitcher to traveling preacher. And while he was preaching, teams even were soliciting him to come back and pitch. And during those days, if you made like 400 bucks a month playing professional baseball, that was like, a great salary. Yeah, I'm sure. And at one point, I read the Pittsburgh Pirates offered him $2,000 a month, and he still declined, and he still continued to be a traveling preacher. And his kind of schtick was talking about like the sex and alcohol lifestyle, from what I gathered, a lot about alcohol. And it was so much that when towns heard he was coming, they would just close up the bars until he went out. Literally, because he was so like, you know, he was his own prohibitionist. So it's all the personality. Track 2:[1:05:37] Yeah Thinking of that was the runner then I Don't know Like losses lay or some Forrest Gump. Track 1:[1:05:45] No. Track 2:[1:05:45] No, this is a reference from the hip Oh Terry Fox Harry Fox. Track 1:[1:05:50] Very fine. Yeah no he's a guy that ran across canada or something and he got close but he died he ran a marathon everyday he ran a marathon everyday on one leg yeah. Oh okay yeah cuz he and he was he was like. He was twenty one years old and he got cancer they removed his leg and he decided he was gonna run across canada and he started on the east coast he passed away thunder bay so he passed away about one third of the way through. Track 3:[1:06:21] Wow. Track 1:[1:06:22] Oh, it's fucking still, man. That's crazy. But it's like, every day his stump was like, like, euchred because he was wearing one of the, like, now, probably, somebody could do it on one of those, like, one of those spring legs, you know? Track 3:[1:06:37] Yeah, yeah. Track 1:[1:06:38] Yeah, but back in the day, he had, like, just an old school prosthetic leg, and it was crazy. Yeah. Track 3:[1:06:45] Pete, on this one, did you feel like, Did you ever get an inkling like, uh, perhaps this one was music first lyric second, or did you pick up at all on like the kind of background guitar riffing that was kind of over here? And yeah, it was like, I don't know, it sounded a little after thought ish, that guitar riffing, just kind of carrying you through it all worked. But this one, this one, I think compositionally. You know, song, story, Billy Sunday reference aside, which is amazing to dive into and learn about. I mean, I almost want to paint Billy Sunday or something with like on the pulpit with a baseball bat. That's cool. A fifth of whiskey in the other hand or something. But anyways, I felt like compositionally, the song writing-wise fits in the album. It just It just kind of fits in there, but also like, eh. Track 1:[1:07:46] You weren't big on it. Track 3:[1:07:49] No, it didn't grab me. It was like, OK, let's get back in the car. We're back on the road. Let's get through the song. It's rocking. Yeah, let's see what's next. Track 2:[1:07:56] I think at first it was like that, but then the song really like, because instrumentally, it's so fucking rich. Yeah, but like Gord, dude, again, Gord could match, pick the most complex composition that any composers have ever written. And I'm sure there is some fucking book that Gord Downie wrote lyrics in, somewhere floating around or shoved in his fucking basement, that lyrics. Track 3:[1:08:29] I would hope there's like, yeah, like 200. Track 2:[1:08:32] Yeah, he could fit to that. I mean, they probably just, yeah. So I feel you. I feel you. I feel you. Yeah. Track 1:[1:08:40] So let's move into track number seven, The Completist. Track 2:[1:08:44] I don't have a ton to say about this. I would say I really love this song. Again, this is a fade in from the previous track. Gord Sinclair again. fucking standout performance on this song. The percussive chops of the band at this point in the record. I mean, there are other songs that come up that you're just like, what the fuck? But they're not a bar band anymore. I mean, I know they still, but I still think like, I don't know if it was Phantom Power before, a record or two before, you see that kind of bar band thing still rearing its head a little bit, Like, this is just so far from that. These guys are fucking, they've really become superb musicians from the EP to now. Like, they've honed their fucking craft. And then the... Musicians' dedication to improvementTrack 1:[1:09:51] Road tested. Track 2:[1:09:52] Yeah, I mean, it's the road, it's the recording, it's the composition. But it's clear that like, every single musician in this band is like, I want to become better at my instrument. And I'm going to do this. It wasn't just like they just played a bunch, kept doing it, like, they clearly actively tried to become better musicians, as they were continuing. Like, I would put that to any of these fucking guys, if they're standing in front of me, and tell me, like, tell me I'm lying. Like, tell me I'm full of shit. And they would say no. Like, Whether it's, I mean, fucking Kirk Hammett for fuck's sake was taking lessons from Steve Vai when he was already in Metallica. Like, what does that tell you? You know, like, musicians want to become better and they, these guys clearly. The only thing I was gonna say was the woman singing, I thought it was Kate Fenner from before, but it's not, right? Track 1:[1:10:52] I don't know, I thought it was Kate Fenner. Track 2:[1:10:54] Apparently it's, um, Julie. Do I run Dorian, Julie Dorian, Dorian. Track 1:[1:11:02] Oh, Julie Dorian. Track 2:[1:11:03] Okay. Track 1:[1:11:03] Yeah, yeah, yeah. That makes sense. Track 2:[1:11:05] But I, and this is just, you know, I want to say this earlier, Tim, but I want to say that I did do a little research on Kate Fenner and her, um, her label that she's signed to is called UFO music. So that's awesome. Track 1:[1:11:19] Oh, you must love that. Track 2:[1:11:20] I do. Track 3:[1:11:22] You just stole my thunder for Toronto 4. We'll get there. Track 2:[1:11:28] I thought the lyrics in the song were beautiful. It was fucking, the beautiful fucking lyrics. Amazingly beautiful. Track 1:[1:11:35] Yeah. Yeah. Track 3:[1:11:37] Well, I'll have to look into Julie Dorian. I had not found her. And we'll get to it, but we haven't talked much about Kate Fenner, nor who we mentioned earlier. Chris Brown. The fellow on keys, Chris Brown. Yeah, yeah, yeah. For me, this song to complete us, I felt like it was like at first it was kind of, OK, we're already back to a slowdown. Like, it felt a little bit of a chug placement-wise in the album, it's a beautiful song. You know, I just didn't, it kind of left me hanging a little bit. Like, it didn't grab me and shake me around or rattle me around or anything like that. It felt like it could have been an ender. Like, it felt like, is this the end of the album? I mean, this could be the end of an album, so that's good. Track 1:[1:12:29] Well, it's the end of side one, if you're thinking. Oh, maybe. LPs. Track 3:[1:12:36] Yeah, yeah, okay, okay. Track 1:[1:12:37] And that would make sense with our next song too, Freak Turbulence, opening side two with a banger, right? Track 3:[1:12:44] Yeah, big time. I mean, this is like we're alive again. We're back in the driver's seat or the passenger's seat. Like we have this backup singing again. I think this was Kate Fenner at this time. I'm not sure. Between the two. I don't know enough of Julie's voice to distinguish between the two. Track 1:[1:13:06] There are definitely people out there that will tell us for sure. Track 3:[1:13:10] Yeah, yeah, yeah, yeah. Well, I'm gonna look it up because I think I got Kate Fenner down. I mean, yes, yeah, yeah. So back to the song though, there's a comedy factor here, am I wrong? Like, this is so much about Gord being afraid to fly or not liking flying or, you know? Yeah, yeah, yeah, there's all this talk about. I don't know, it feels lighter and more fun than usual. Track 1:[1:13:39] Like, did the captain just say this? Like, did the captain just say, like? Track 3:[1:13:45] Well, we'll land in less than 10 minutes. Or he says, or unless. Did he say unless or less? Yeah, he's afraid. You know, I think this is the song that guys. Were had to fly back to Canada from the US because originally this album Was to be recorded on a moving locomotive train. Track 1:[1:14:11] They talked about doing that. Yes I don't know how that would have ever happened. Track 3:[1:14:15] No shit. What a fucking cool idea I mean imagine that Pete moving locomotive with all the sounds and shakes and rattles I mean maybe maybe for a song but a whole album yeah with some serious that was some serious weed smoking yeah I'm up with that idea you know we should do guys we should fly back down to Memphis take the train take the train to LA and record the home anyways this this is a this was kind of a fun song it was a little more jovial I dug it there's a There's a weird, PeepeePie caught this, there's some weird guitar feedback, like the last 10 seconds or so, which made the song feel kind of ominous, or maybe the Freak Turbulence was like the plane going down, I don't know. It was funny in that regard, it was like a total head-scratcher, but this one I kind of dug. Track 2:[1:15:15] Oh, I dug this one, man, there's a line in there that really stuck with me, it's Satan Holding back hands, our nose and our chin. Track 3:[1:15:22] Yeah, yeah. Track 2:[1:15:24] I love that. There's a really, I think, the mix, there was a lot of moments where I wrote down, this is probably the first time I've said it, but it's written on a ton of songs, the mix on this song, how they mix this song with the instruments, like the levels of all the instruments, it's just so, it really, you know, it makes the fucking song. It makes this song so fucking cool the vocals build, Yeah, I really, you know, I'll rather than to, I'll save my, you know, I'll yield my time only because I have some, some hefty shit to say about some stuff coming up. But I, this song made me run, like when this song came on and I was going on some runs, I definitely put it into a higher gear with this song. I loved it. I loved it. Yeah. Track 3:[1:16:20] Yeah. Yeah. Especially after the completed, you know, transitioning into this one. It's like, yes, OK, here we go again. This is definitely the if it's side two, it definitely is the the side one. Get us going again. "Sharks" - a monotonous but intriguing song[1:16:36] Sharks, can I go? Sharks. Yeah. This one kind of lazes along for me. It's got a few interesting bridges, but it's kind of monotonous, but not not. I'm not saying that in a negative way. It's almost like, it's almost got this head down, shoegazy kind of feel, you know? Then at the three minute mark, there's this like heavy tom kind of bass kind of transition in there. It's the bass guitar is like kind of all over the neck for just a brief second, but you know, it's one of, the, this song is, it has what I enjoyed because they they're starting to do this more because they're all just accelerating as musicians is that it has like well over a minute of music the last portion of it is just like great music carrying you through rather than singing until like the last seconds or giving like seven seconds at the end or what have you so it's. [1:17:42] It was kind of a fun song in that way. It just felt different than the rest, but also worked, you know, positively. Track 2:[1:17:52] I love, this is another fade in from the previous track, which I love, that they're doing that, making it very concept-y. I love the line in there about the Mariana's Trench. That's just fucking cool. It's such a, it's always been a fascination of mine, probably since I saw fucking, what was the name of that movie? Was that Harris? I don't know. I thought it was a James Cameron movie for Christ's sake, it was huge. The Abyss. The Abyss. Oh, The Abyss. The Abyss was in Maria's Trench. Track 1:[1:18:29] Right, right, right, right. Track 2:[1:18:32] But yeah, I mean, the big standout for me here is Rob Baker's guitar is just fucking insanity. He does these really cool arpeggios in the song. And the coolest thing for me was, I was like, what's that fucking effect on this guitar? And I was like, I wrote this down early on, I was like, he's got a, like a delay on the guitar, but not a delay. So it's going bum, bum, bum, bum, bum. It's so, the delay time is so small that you can't really hear it like a repetitive delay. It's just, when you put it down almost to zero, it just has this cool, and then I look on no shit by the time I found that website and he's got a Line 6 DL4 delay pedal that no doubt he was using on this fucking song. It just made me feel cool because I was like, my ears still work after all these years. But I fucking love it. If I didn't, I didn't think there was a song that could rival Tiger the Lion and I still don't think it beats it but it's pretty up there and that's fucking Toronto 4. An analysis of the opening guitar arpeggiosTrack 1:[1:26:42] Talk to me. Talk to me. Track 2:[1:26:44] I mean, the way it opens with the, like, the record static. Yep. Again, Rob Baker's doing these weird arpeggios, like he, like, it's kind of like a falling guitar, like he goes from a, like a, it's a D chord or whatever the hell, the octave, than the chord, then the seventh, then the diminished. Makes it feel really sad. It's just, or like, kind of sad and mysterious, and it's floating. It's like all the echo-y shit that there's, I don't know if it's Kate Fenner on this. It is. It is? Okay. Track 3:[1:27:26] Yeah. Track 2:[1:27:27] Yeah. The way that the, I don't know if it's like he's using mallets or what, but Johnny Fay is like coming in with the cymbals with these really soft mallets that like kind of give it like a gong sound to make it really super dramatic but the songs it's fucking awesome I mean I was like what it was weird because this was a song that early on I would get through the first nine tracks because I was doing like shorter runs when I would take it out and I didn't get to like Toronto for and then the first time I heard it I was like what in the fuck the surf tone on guitar is just... It's a cool jam dude. It's cool as fuck. A lot of Pink Floyd, I feel, influence on there. Track 3:[1:28:18] I agree with all that. I felt like the percussions on this, the drums on this one, had sort of this metronome, just more of a... I don't know. Track 2:[1:28:28] You do the panning on the left to right? Track 3:[1:28:31] Yeah, like the pace of the percussion really, to me, held the song like all the way through and was perfect. I mean, I often hone in on drum stuff like you do guitar and I felt like that was just, I don't know, this song is, it starts slow, it's emotional, it kind of feels like apologetic you know also feels like i don't know familiar maybe it's like the mention of Vesuvius as a metaphor for like family and stresses and breakups and i don't know the The song was just, it's pretty jam packed. I didn't. Look big into the background on lyrics or story or any of that, you know, I just questioned, which I said to JD like a week ago, I was like, why the hell Toronto four? Are there three other Toronto songs? Or what is what is that about? Track 1:[1:29:29] So if anybody knows, my only guess is, like my, as far as just guesswork, is might be, it might have been the fourth run, you know, it might have been the fourth take, like it's Sometimes you use the studio parlance to come up with the title of a song that you can't quite name. Track 3:[1:29:49] Yeah. Track 1:[1:29:50] Well, this is a great, it's a great song, and you're right, you nailed it on the head when you talk about family. Yeah, yeah. It's definitely familial. It's, you know, it's about the matriarch of his family, his grandmother, holding things up. And that what are the first the first lyrics are? Absolutely. They slay me and I can't recall them at the moment. Track 3:[1:30:17] You know, you were the rock plug for us all. Did you know you were the conduit of Vesuvius? You were far more unifying than, you know, I'm not a judge of suitable, but you almost had it all. I mean, if that's about his grandma being the what a tribute, the rock plug for their family. I mean rock plug is definitely a volcanic reference of you know a rock holding the mountain together before the magma just blows it apart so it's right fucking cool pretty pretty yeah I mean it's this this one maybe has the simplest lyrics that we've seen in a while. [1:30:59] It's it's a beautiful song. So Kate Fenner on this one just to touch on her because I Think we've heard her before although. I only found that she To recorded and toured for this album, but man, she's she's got this How do you describe her voice? I think it's just gorgeous. I think it's yeah, it's It's just, it's, it's, it's lovely. I, she, she, somebody described her as less, a lusty alternative to a Joni Mitchell ish sound. Like all of that is, is true. So she's got her own solo stuff. She's got, as Pete mentioned, UFO Records is her label. She's got this new album out that I touched on briefly over the weekend. It's it's pretty she's got a beautiful voice like if she ever tours and we get a chance to just Go and any of us hear her perform. I'm sure it would be worth it. She's got a dreamy voice So yeah, great great addition to me, too I don't know if you saw this tour JD, but what she did she yeah, do you recall her on stage or yeah? Track 1:[1:32:09] Because it was it was strange because both Chris Brown and her were on stage with them the whole time and that was It was just it was sort of a strange look because up until that point It had been the five of the month's age. Track 3:[1:32:20] Mm-hmm. Track 1:[1:32:20] That was it. And so this you know, it changed the dynamic for sure and I'll be the first to tell you that when this record dropped I Liked it But I didn't love it. But now 20 years later. Yeah, I fucking love this record Yeah, I can listen to this record at any time like yeah, yeah top to bottom. Okay, okay, Now let's go toward the bottom and talk about Wild Mountain Honey, dude. Track 3:[1:32:52] I love this one. So I'm taking I'm taking on this one. Mr Okay, you can you can fill in do it Yeah, like this this to me I heard Pink Floyd I heard Jerry Garcia of guitar effects Like I I heard like fish. I don't know like this song to me. They even the the title is is different, like this one was just a little bit different there. You know, it's the drums are soft, but they can sound kind of angry. This is one of the songs on the album, you know, the first time listening it through. Or I thought, OK, I need to find this one live and check it out because I'm sure it gets played harder and louder, maybe faster. [1:33:43] There's just really good chord changing and bridges and guitar riffs and it feels a little bit patched or contrived at the end you know I was hoping for like a big finish the first time I heard this one because it really grabbed me it made it just this to me was like hip fans who have seen the band play live a a bunch. Probably love this one live. You know, this one just, it hit some marks for me with going, with going after, like, followers of other bands who I knew probably in the same summer saw Grateful Dead play it or saw Phish play and saw the Tragically Hit play. Like a lot of, you know, A lot of times when I experience bands playing live over the course of a summer, it kind of, you know, dictates that summer. Like, you think back to that summer and you're like, oh, that's when I went to X Festival or that's when I saw 8Bandplay a couple times. The Papa Roach show. Yeah, like that's, yeah, definitely the Papa Roach show. But no, this one was, This kind of centered me back into the seat of the Tragically Hip. I really dug it. I ended up listening to it a handful of times by itself. Track 1:[1:35:08] Oh wow! Cool. Track 3:[1:35:11] Probably not a single though, right? Track 1:[1:35:13] Not a single, nope. Track 3:[1:35:14] Yeah, every once in a while they have a song that's not a single that's a little bit off character that I dig and this is one of those. Rhythms and Unique Drum Hits in "Wild Mountain Honey"Track 2:[1:35:23] I thought that I mean the song it's funny ironically it starts out like wild mountain honey it begins like the name does Soft like wild mountain honey, and it creeps up on you like a whiskey, and it fucking destroys. Yeah, yeah, yeah Yeah, I think It's funny because I remember looking for the lyrics online and realized there's a Steve Miller song called why I'm not many as well But when I saw the title of this, I thought of the Peach Boys song, Wild Honey, which neither of those examples are even close to this song. But what I got from it was, I fucking love the rhythms in this fucking, the drums in the rhythms. The drum hits in this fucking song are so cool and they're so unique and they don't sound like another band. Like there's some songs that, like I mentioned, some Wilco stuff earlier, there's other songs from other hip records where it's like they're doing a drum hit or a drum fill and you're like, yeah, that's the same drum fill that this band did on this song and that's been, this is completely fucking different. And it's so fucking cool. So unique, the rhythms in the song. [1:36:43] There's a weird keyboard or flute effect in the background going down, it was really faint and hard to pick up. I'm pretty sure it was a keyboard, but it could have been some sort of setting, but I love the line, I don't want to put another thought in my head, I just thought that was so fucking cool towards the end. And then the song, the solo starts before, but the part at about 3 minutes 30 seconds of the guitar soloer. Just, I don't know, dude. I hope I run into him. Track 3:[1:37:18] That carries it to the end, right? Track 2:[1:37:22] It does. Yeah. I want to run into Rob Baker at a 7-Eleven or something. Him buying a Slurpee and me already up front and being like, hey, man, let me get this guy's Slurpee and I'll pay for it or something. Just be like, alright, man. Track 1:[1:37:41] What a gentleman you are. Track 2:[1:37:42] I want to be that guy. It's weir

Let go of the things you can't control and worry about the things that you can. Your own mindset, actions, thoughts and how you spend your time is what you will become. Defeated people surrender.  Angry people fight.

Bike Prom vs the Denver Decom. The 7% of the Colorado Burnal Equinox. Bearwhalia? Narbears. Narbar. The unbearable antsiness of playa naming.  Dirty Panda's Playa Name Ritual Emporium of Adora Razzle-Dazzle. Excess has stuck. Playa Pops. Taking a chance on a Brian. Edging the acro-yoga people. Calling out Death Guild. It's not just about the art. Bearwhale Camp. Not your father's speaker (3 phases): Mucaro; ecstatic dancer; pull your finger. Atabay. The lost outhouse and THE MOBILE BLOODY MARY BAR. Be art. WELP. Janky car. Ordinary Sausage on the YouTubes. https://www.youtube.com/c/OrdinarySausage Music: “Bach's Brandenburg Concerto #3, Movement 1” and "Comfortably Numb" by Playa Pops https://www.playapops.com/

The expanding market for long-acting, injectable bupivacaine gives clinicians multiple, additional anesthetic options. Dr. Kerry Schwarz and Dr. John Schoen both Senior Clinical Managers in the Vizient Center for Pharmacy Practice Excellence, join Gretchen Brummel to discuss a recent Vizient Expert Panel on the topic. Guest speakers: Dr. Kerry Schwarz, PharmD, MPH Senior Clinical Manager  Vizient Center for Pharmacy Practice Excellence Dr. John Schoen, PharmD, BCPS Senior Clinical Manager  Vizient Center for Pharmacy Practice Excellence Moderator: Gretchen Brummel, PharmD, BCPS Pharmacy Executive Director Vizient Center for Pharmacy Practice Excellence Show Notes: [00:50 - 01:40] Kerry's background [01:40 - 05:26] What's happening in the long-acting bupivacaine market [05:27 - 07:00] Why Vizient wants to look at this [07:01 - 11:36] Details on the expert panel process [11:37 - 13:07] What evidence Vizient reviews [13:08 - 14:21] Questions John reviewed in the comparative effectiveness assessment [14:22 - 16:25] What Kerry assesses in the expert opinion section [16:26 - 17:08] How these findings can be put into practice Links | Resources: Long-acting bupivacaine products: full report (member link) Long-acting bupivacaine products: panel summary (member link) Expert panels (member link) Subscribe Today! Apple Podcasts Amazon Podcasts Google Podcasts Spotify Stitcher Android RSS Feed  

We look at a new LLM training technique called semantic decoder where data from scans of a person's brain activity are fed into the model. As T-Mobile suffers another data breach involving hundreds of customer's information including social security numbers, pin codes and address we ask why isn't T-Mobile's reputation taking a long lasting hit? And Google accounts now support passkeys to replace password and 2FA logins. Starring Tom Merritt, Sarah Lane, Scott Johnson, Roger Chang, Joe, Amos To read the show notes in a separate page click here! Support the show on Patreon by becoming a supporter!

We look at a new LLM training technique called semantic decoder where data from scans of a person's brain activity are fed into the model. As T-Mobile suffers another data breach involving hundreds of customer's information including social security numbers, pin codes and address we ask why isn't T-Mobile's reputation taking a long lasting hit? And Google accounts now support passkeys to replace password and 2FA logins.Starring Tom Merritt, Sarah Lane, Scott Johnson, Roger Chang, Joe.Link to the Show Notes. Become a member at https://plus.acast.com/s/dtns. Hosted on Acast. See acast.com/privacy for more information.

This week's episode of the QuadCast covers how lidocaine injection can improve breast cancer survival outcomes, the association of pathologic complete response with improved survival in soft tissue sarcoma, the role of supraclavicular lymph node dissection in breast cancer, and the beneficial effects of a preoperative exercise regimen in patients with colorectal cancer. QuadShot News website

Today we were delighted to host our good friend Ken Hersh, President and CEO of the George W. Bush Presidential Center. Prior to his position at the Presidential Center, Ken was the co-founder and long-time CEO of energy private equity firm NGP. Ken's first COBT appearance was in November of 2020 and since our last visit, Ken has written a new book entitled "The Fastest Tortoise Wins the Race: Winning in Industries I Knew Nothing About." The book was officially published on Tuesday, March 28th and we couldn't be more excited to visit with Ken and discuss the book. As you will hear, our whole team got (and read!) advanced copies and thoroughly enjoyed it.   In our conversation, we cover the broad array of topics Ken hits in the book and intersperse some of today's energy hot button issues. We start with Ken's inspiration for the book, cover some of the important moments in energy history that he has been a part of (the formation of Pioneer Natural Resources and of Energy Transfer, just to name a couple), re-live the journey of co-founding and leading NGP, and explore cultural and operational philosophies like "feeding your winners" and paying attention to signals ("yellow lights don't turn green"). We also touch on the importance of betting on a team for the long-run, Ken's early involvement championing energy technology and adaptation, the latest estimate of the IRA's total cost and government spending in general, and what Ken describes as “leapfrog” opportunities in the energy transition. Ken walks us through his perspective on the clash between today's fast-paced world and the deliberately slow institutions we have built in government and elsewhere, comments on the future of private equity, and some of the keys to building a collaborative and trusting culture. As we wrapped up, we of course probed him about what the future holds. In sum, we loved the book and the visit both.   Mike Bradley offered up five highlights/observations from the past week and for coming weeks. He observed that markets are becoming "Comfortably Numb," meaning investors are gaining "comfort" that systematic risks are lessening but "numb" in the sense that recession fears are still heightened. He also observed that bond yields are temporarily stabilizing because consensus believes (hopes) rate hikes are over and that the next move might be down in rates. He highlighted crude markets rebounding back to a previous trading range, near-term SPR refills by the Biden Administration looks to be fantasy, OPEC will likely not change their previous production policy at next week's meeting, and that the energy sector has temporarily become more correlated with regional bank equities than crude oil price. Mike also flagged the handful of traditional and new energy deals announced over the last week. He wrapped by highlighting a Richard Rainwater quote "where there is chaos - there is opportunity," and applied this concept to the recent purchase of Silicon Valley Bank by First Citizens Bank. Jeff Tillery also joined for today's engaging session.   We took a lot of lessons from visiting with Ken today and hope you enjoy it as much as we did. Our best to you all!

Drake shipped luxury toilets to DJ Khalid, Kelsea Ballerini is buying a mansion in Nashville, there is somehow a darker version of Comfortably Numb, Afroman fell of the stage, Elon Musk says he will produce his own smartphone if he has to, some fast facts, a poll shows people would trade the holiday's with their families for a vacation, and Vinnie reads your texts!

#CultBehavior #FalseWorship #ThinkFree MYCoffee promo code BARDS: https://mystore.com/bards MYPillow promo code: BARDS Go to https://www.mypillow.com/bards and use the promo code BARDS or... Call 1-800-975-2939. Use promo code BARDS. Xpedition Coffee: A coffee for whole body health. >>> https://xpeditioncoffee.com BIRCH GOLD Infokit:  >>>Text BARDS to 989898 BardsFM Flags: https://bardsfm.com/shop/black-flag/ Founders Bible 20% discount code: BARDS >>> https://thefoundersbible.com/#ordernow DONATE: https://bardsfm.com/donate/#donate-content   Address: Xpedition Cafe, LLC 780 NW Garden Valley Blvd. #64 Box 133 Roseburg, OR  97471