Podcast appearances and mentions of Azar Lawrence

Sintonía: "Papa Luigi" - Mike Phillips & The Vocalaires"Whelp" (previously unreleased) - Doug Wintz (de la recopilación (2xLP) "Watts Funky 1968-76" (BGP 2001) de Johnny Otis & Friends"Warriors of Peace" de Azar Lawrence; "The Alomoravid" de Joe Chambers y "Josie Black" de Hampton Hawes, extraídas de la recopilación (2xLP) "Celestial Blues 1970-74" (BGP 2016)"Oriental Rock" de George Manis; "Yucca Bean" de The Four Friends; "Kiss Kiss Kiss" de Dorita & Jack Costanzo Orchestra y "Mambo Polka" de Cousin Fuzzy & His Cousins & Milkmaids, extraídas de la recopilación (1x10") "Down At The Ugly Men´s Lounge Vol. 7" (Roof Records, 2023) Johnny Otis & Friends (1968-76) se emitió el 24/01/2024Celestial Blues (1970-74) se emitió el 01/02/2024Down At The Ugly Men´s Lounge Vol. 3 & 7 se emitió el 08/04/2024  Escuchar audio

Today's episode of the Other Side of the Bell is brought to you by Bob Reeves Brass.  Check out all the information for what the shop is bringing to the International Trumpet Guild conference in Anaheim for 2024. This episode's special guest is Brian Swartz. Trumpeter Brian Swartz is a diverse musician with a wide range of influences. He has appeared on multiple Grammy® nominated and winning recordings with artists including The (Dixie) Chicks' Double Platinum "Taking the Long Way" which won 5 Grammy® Awards, including Album of the Year, Record of the Year, and Song of the Year in February 2007, John Beasley's Monk'estra which has garnered 6 Grammy® Nominations for it's 3 albums and 1 Grammy® Win for Beasley's arrangement of "Donna Lee," The Clayton/Hamilton Jazz Orchestra, Scott Healy's Tentet and Kim Richmond's Concert Jazz Orchestra. He has also performed or recorded with The Goo Goo Dolls, Michael Bublé, Kelly Clarkson, John Legend, Jennifer Nettles, Robin Thicke, Smashmouth, Patti Labelle, Natalie Cole, Dianne Reeves, Ivan Lins, Tom Harrell, Chucho Valdés, Brad Mehldau, Dave Douglas, Rickie Lee Jones, Big Bad Voodoo Daddy, The O'Jays, The Temptations, The Four Tops,  Saint Motel, Azar Lawrence, Buddy Montgomery, Joe Henry, Keb' Mo', Jackie Greene, Josie Cotton, Lisa Loeb, The Fabulous Thunderbirds, Gerry Gibbs, Connie Han, Taylor Eigsti, Raya Yarbrough, Bob Florence, The Luckman Jazz Orchestra, Francisco Aguabella, JazzAntiqua, The Los Angeles Jazz Collective, Jose Rizo's Jazz on the Latin Side All Stars and many more.  Since 2005, Swartz has proudly held the trumpet chair in Oingo Boingo Former Members.    Brian Swartz has released five jazz albums as a leader: "There's Only Me" (Noir Records 2000), "Live at the Jazz Bakery" (Summit Records 2005), "Three" (Summit Records 2006) and "Portraiture" (Summit Records 2014), "To Be With You" (DistroKid 2020). As an arranger, Brian has written for his own big band, Ruthie Foster's 2021 Grammy® Nominated "Live at the Paramount," Sussan Deyhim with the Pacific Symphony, the Ron Jones Influence Orchestra and has served as staff arranger for The Luckman Jazz Orchestra, John Beasley's Monk'estra, Oingo Boingo Former Members and the ABC TV show, "Duets." Brian's film credits include the 2012 Oscar® Winning Animated Feature "Rango," Jennifer Anniston's "The Break-Up," "The Cooler" starring William H. Macy and "Let Them All Talk" with Meryl Streep. In 2021, Brian appeared with John Beasley's Quintet on the Amazon Prime TV show 'Bosch," Season 7, Episode 1.   Born December 16, 1967, Brian is a second generation trumpeter. His father, CMSgt Lawrence Swartz (1937-1992), was a 30 year trumpeter in the United States AirForce. Brian's early exposure to music made a profound influence on him and he started playing trumpet at the age of ten in Bellevue, Nebraska. As a teenager, his family moved to the San Francisco Bay Area where he attended Armijo High School. He played all through his high school years and won many honors and accolades. He graduated from Armijo in 1986 and began his music education at Solano Community College. In 1988, he moved to Los Angeles to attend California State University at Northridge and the University of Southern California where he could further hone his craft. For five years, Brian studied with trumpet guru Bobby Shew. Bobby inspired Brian's passion for teaching and since 1997, Brian has maintained a very busy schedule of private students in the Los Angeles area and beyond. Brian also studied with John Coppola (SFO), Bill Bing (CSUN), John Thomas (USC) and LA studio legend Uan Rasey. Brian's dedication to mastering his craft and continually building upon his knowledge has brought him to prominence in the global jazz scene.

Happy Birthday Azar Lawrence (November 3rd) WIKI:  ⁠⁠⁠https://en.wikipedia.org/wiki/Azar_Lawrence Track List: 1.  La Bossa 2. Bridge into the New Age 3. Highway 4. Forces of Nature 5. Fatisha 6. Mystical Journey 7. Novo Ano 8. People Moving Subscribe to SOMETHING came from Baltimore (It's a music interview podcast about Jazz/Blues/R&B and not really about Baltimore) Also, Subscribe to The Beatles Come To America (limited-run with Brooke Halpin, we review all the Beatles US Albums) To Subscribe go to:  Youtube, Itunes, Anchor, Spotify, Amazon Podcasts, Google Podcast, Overcast, Breaker, Castbox, Radio Public, Podbay, Stitcher....and more! Contacts: Email:  somethingcamefrombaltimore@gmail.com Twitter: something came from baltimore (@tom_gouker) / Twitter Instagram: Something Came From Baltimore (@something.came.from.baltimore) TheBocX.com - SOMETHING came from Baltimore THE SHOW INFO: Something came from Baltimore is a Podcast and a 30-minute radio show and can be heard weekly (Thursday's at 7pm EST) it's called, SOMETHING came from Baltimore THE SHOW.  Check out the Station: Jazz Music Radio - The BocX Streaming Jazzy Music Support SOMETHING came from Baltimore: TIPS! Tom Gouker's Cash App Account: $ThomasGouker Tom Gouker's Venmo Account:  Thomas-Gouker FRIENDS OF THIS PODCAST: Adult Music: https://adultmusic.podbean.com/ Neon Jazz: https://podcasts.apple.com/us/podcast/famous-interviews-neon-jazz/id546432639 The Same Difference 2 Jazz Fans - 1 Jazz Standard:  https://podcasts.apple.com/us/podcast/same-difference-2-jazz-fans-1-jazz-standard/id1456627254 The Top 60 Jazz Podcast List including SOMETHING came from Baltimore is right here:  ⁠⁠https://blog.feedspot.com/jazz_podcasts/⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/message Support this podcast: https://podcasters.spotify.com/pod/show/somethingcame-from-baltim/support

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**It's The Jazz2Go Show Replay On traxfm.org. Jazz2Go Presented Some Classic & Contemporary Jazz Crackers From Carlos Garnett, Jazztronik, Azar Lawrence, Ithamara Koorax Feat Jose Roberto Betrami, Paprika Soul, Digital Blues AKA Gareth Emery, Mimis Plessas, Flora Purim, Moe Koffman, Dave Valentin, Erol Pekcan & Tuna Ötenel & Kudret Öztoprak & More #Jazz #JazzClassics #ContemporaryJazz #JazzGroove #JazzSoul Catch Jazz2Go Every Monday From 7PM UK Time Listen Live Here Via The Trax FM Player: chat.traxfm.org/player/index.html Mixcloud LIVE :mixcloud.com/live/traxfm Free Trax FM Android App: play.google.com/store/apps/det...mradio.ba.a6bcb The Trax FM Facebook Page : facebook.com/original103.3 Trax FM Live On Hear This: hearthis.at/k8bdngt4/live Tunerr: tunerr.co/radio/Trax-FM Tune In Radio : tunein.com/radio/Trax-FM-s225176 OnLine Radio Box: onlineradiobox.com/uk/trax/?cs...cs=uk.traxRadio Radio Deck: radiodeck.com/radio/5a09e2de87...7e3370db06d44dc Radio.Net: traxfmlondon.radio.net Stream Radio : streema.com/radios/Trax_FM..The_Originals Live Online Radio: liveonlineradio.net/english/tr...ax-fm-103-3.htm**

Azar Lawrence, Nduduzo Makhathini, Gerald Clayton, Anthony Wilson, Rachel Eckroth, Dan Rosenboom/Billy Mohler/Anthony Fung, Esthesis Quartet, Elsa Nilsson, Chris Morrissey, Jon Cowherd, Steve Cardenas, Oli Astral, Augustine Yates, Tania Gill, Way NorthPlaylist: Azar Lawrence - Peace and HarmonyNduduzo Makhathini - Senze' NinaGerald Clayton - My Ideal 1Anthony Wilson , featuring Gerald Clayton, David Piltch, and Jay Bellerose - The BridgeRachel Eckroth, featuring Tim Lefebvre and Christian Euman - Self PollinatorsDan Rosenboom, Billy Mohler, Anthony Fung - Where the Waves ConspireEsthesis Quartet, featuring Dawn Clement, Elsa Nilsson, Emma Dayhuff, Tina Raymond - PartialElsa Nilsson, featuring Chris Morrissey and Jon Cowherd - Old GrowthChris Morrissey - Don't Look So SeriousJon Cowherd, featuring Steve Cardenas, Tony Scherr, and Brian Blade - Braun's BroncoSteve Cardenas, featuring Loren Stillman, Matt Wilson, and Thomas Morgan - Prairie Avenue CowboyOli Astral - From the AstralAugustine Yates - A RiverTania Gill Quartet - FrisbeeWay North, featuring Rebecca Hennessy, Michael Herring, Petr Cancura, Richie Barshay - Play

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Estreno de 'Rock The World', el disco que ha editado el saxofonista, productor y compositor Darren Rahn. En el repaso a novedades de la música Smooth Jazz reseñamos los álbumes de Paul Hardcastle, Azar Lawrence, Tracy Carter, The New Guitar Underground y Threestyle. En el bloque central recordamos los tres discos que publicó en la década de los 80 el compositor y cantante Michael Lovesmith.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! The New Guitar Underground es un proyecto que une a dos guitarristas: el portugués Francisco Sales y 'Bluey' Maunick, líder y fundador de la banda Incognito. Acaban de lanzar su primer álbum y lo estrenamos en esta edición en la que también repasamos los recientes discos editados por Tracy Carter, David Benoit, Azar Lawrence, Rick Braun y Kim Scott. En el bloque para el recuerdo hacemos una pequeña retrospectiva sobre la discografía de Zuco 103, el proyecto encabezado por la vocalista Lilian Vieira.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Presentación de 'Round The Corner', nuevo trabajo discográfico de la banda australiana Kerbside Collection. En el repaso a la actualidad de la música Smooth Jazz escuchamos los discos editados recientemente por Azar Lawrence, Rick Braun, Joss Stone, Christophe Goze y Kim Scott. En el bloque central recordamos los dos álbumes publicados a finales de la década de los 70 por el flautista Art Webb.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Welcome to a new edition of the Neon Jazz interview series with Legendary Saxophonist & Composer Azar Lawrence on the 2022 CD New Sky .. He is bringing in his positive energy in the approaching post-pandemic age with a new CD set for a February 4th release. For Azar, surviving the Covid-19 pandemic during the last two years have been transformative. This new project is an optimistic musical soundtrack focusing on the benefits that we've received since the pandemic began. He's got a great story .. Enjoy .. Click to listen.Neon Jazz is a radio program airing since 2011. Hosted by Joe Dimino and Engineered by John Christopher in Kansas City, Missouri giving listeners a journey into one of America's finest inventions. Take a listen on KCXL (102.9 FM / 1140 AM) out of Liberty, MO. Listen to KCXL on Tunein Radio at http://tunein.com/radio/Neon-Jazz-With-Joe-Dimino-p381685/. You can now catch Neon Jazz on KOJH 104.7 FM out of the Mutual Musicians Foundation from Noon - 1 p.m. CST Monday-Friday at https://www.kojhfm.org/. Check us out at All About Jazz @ https://kansascity.jazznearyou.com/neon-jazz.php. For all things Neon Jazz, visit http://theneonjazz.blogspot.com/If you like what you hear, please let us know. You can contribute a few bucks to keep Neon Jazz going strong into the future.   https://www.paypal.com/donate?hosted_button_id=ERA4C4TTVKLR4

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Estreno de 'Never Forget My Love', el nuevo trabajo discográfico de la cantante británica Joss Stone, y repaso a novedades publicadas por Iwan Vanhetten, Iñaki Arakistain, Azar Lawrence, Bob James y Michael Ross. En el apartado para el recuerdo repasamos álbumes editados en la década de los 70 por el teclista, compositor y cantante Leroy Hutson. Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

This content is for Members only. Come and join us by subscribing here In the meantime, here's some more details about the show: It's a warm welcome then to the man himself: Dr. Brad Stone - the JazzWeek Programmer of the Year 2017, who's here every Thursday to present The Creative Source - a two hour show, highlighting jazz-fusion and progressive jazz flavours from back then, the here and now, plus occasional forays into the future. Please feel free to get in touch with Brad with any comments or suggestions you might have; he'll be more than happy to hear from you: brad@soulandjazz.com or follow him via Facebook or Twitter. Enjoy! The Creative Source 10th February 2022 Artist - Track - Album - Year Yaron Gershovsky    Awakening    Transitions    2021 Azar Lawrence    Revelation    New Sky    2021 Ron Jackson    Brandy (feat. Brian Ho)    Standards and My Songs    2022 Boris Kozlov    Second Line Sally    First Things First    2022 Le Coq Records Presents The Jazz All Stars    Balinda    Vol. 2    2022 The Matt Gordy Jazz Tonite Sextet    Soul Eyes (M. Waldron)    Be With Me    2021 Blue Moods    Pithycanthropus Erectus    Myth & Wisdom    2022 Doug MacDonald and the L.A. All-Star Octet    Night by Night    Overtones    2022 Deanna Witkowski    Lonely Moments    Force of Nature    2021 Immanuel Wilkins    Lighthouse    The 7th Hand    2022 Cortez-Williams Project    Hermanos    Hermanos    2021 Eugenie Jones    Ey Brother    Players    2022 Jazzameia Horn    Be Perfect (Vocal Interlude)    Dear Love    2021 Jazzameia Horn    He Could Be Perfect    Dear Love    2021 Liz Terrell    People Make the World Go Round    It's All Right With Me    2022 Larry Vuckovich    Blue Bohemia Suite    Street Scene    2006 Gordon Grdina's Square Peg    Microbian Theory    Klotski    2021 The post The Creative Source (#CreativeSource) – 10th February 2022 appeared first on SoulandJazz.com | Stereo, not stereotypical ®.

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! Estrenamos el homenaje a la música de Michael Franks que han realizado la cantante Lilian Vieira y el productor Roberto de Lujo: el álbum se titula 'Seguir Vivendo꞉ A Brazilian Tribute To Michael Franks'. En el repaso a novedades de la música Smooth Jazz escuchamos los nuevos discos de Iwan VanHetten, Bob James, Michael Ross, Azar Lawrence y Kim Scott. En el bloque para el recuerdo rescatamos unos cuantos discos en solitario de Chris Jasper, el que fuera componente de la banda The Isley Brothers.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Agradece a este podcast tantas horas de entretenimiento y disfruta de episodios exclusivos como éste. ¡Apóyale en iVoox! 𝐃𝐄𝐒𝐃𝐄 𝐄𝐋 𝟏𝟒 𝐃𝐄 𝐅𝐄𝐁𝐑𝐄𝐑𝐎 𝐂𝐋𝐎𝐔𝐃 𝐉𝐀𝐙𝐙 𝐄𝐍 𝐄𝐗𝐂𝐋𝐔𝐒𝐈𝐕𝐀 𝐄𝐍 𝐈𝐕𝐎𝐎𝐗 Estreno de 'New Sky', nuevo trabajo discográfico del veterano saxofonista Azar Lawrence, y repaso a recientes lanzamientos de Christophe Goze, Kim Scott, Bob James, Iwan VanHetten y Lance Ferguson. En el apartado del recuerdo recuperamos música de Andy Narell y Will Wheaton.Escucha este episodio completo y accede a todo el contenido exclusivo de Cloud Jazz Smooth Jazz. Descubre antes que nadie los nuevos episodios, y participa en la comunidad exclusiva de oyentes en https://go.ivoox.com/sq/27170

Enjoying the show? Please support BFF.FM with a donation. Playlist 0′00″ Человечность by UMAN on Chaleur Humaine (freedom to spend) 1′35″ Sekret by Pejzaż on Wyspa (Bartosz Kruczyński) 6′10″ Rock Mignon (Filet Dub) by Lopo on Duppy Vaulted (2011 - 2021) (Bokeh Versions) 10′25″ Kill-A-Milli (feat. Papa Roger Robinson) by Seekersinternational on Presents Ragga Preservation Society - Worldwide Sound (Diskotopia) 14′28″ Everything Is Fine by Charisma on Everything Is Fine - Single (Emotional Rescue) 17′45″ Be Thankful by One Blood on Be Thankful (Emotional Rescue) 25′35″ Dosti by Nazia Hassan & Zoheb Hassan on Naya Beat Volume 1: South Asian Dance and Electronic Music 1983-1992 (Naya Beat Records) 30′05″ Nostalgia (Il Sapore Di Quell'estate) by Modula on Bacolearica - Single (Tugboat Motion Company) 33′22″ Fools Paradise by Valerie Harrison on For the Love of You, Vol. 2 (Athens Of The North) 38′15″ Life and Death - А F T Є Я Г Ї F Є (Farragol remix) by Farragol on CHAOS (self released) 41′20″ Be Yourself (Motivational Mix) by Space Ghost on Dance Planet (Tartelet Records) 45′30″ Hometown Dream by Helado Negro on Far In (Private Energy under exclusive license to 4AD Ltd.) 50′52″ What's Good for the Goose (feat. Supercoolwicked) by Omar S on What's Good for the Goose (feat. Supercoolwicked) - Single (FXHE Records) 53′10″ Me Espera (Gaspar Muniz Remix) by Mulú & Letrux on Me Espera - Single (Mulú) 58′45″ Your Love is Keeping Me Alive by Azar Lawrence on Shadow Dancing (Light In The Attic Records) 62′18″ Searchin' by Frank Reynolds & The Re:Generations on Ain't No Stoppin' Us Now - Single (Star Creature) 66′55″ Golden Green by Emma-Jean Thackray on Yellow (Movementt) 70′45″ rashida jones by P. Morris & MORRI$ on rashida jones - Single (Bear Club Music Group) 73′30″ Knockin (Rip Screw & Pimp C) by Amadeezy on Thee Alpha and Omega , Vol. VII (Clan Destine Records) 76′12″ Soul Belongs 2 U by dreamcastmoe on After All This - EP (In Real Life under exclusive license to AWAL Recordings America, Inc.) 78′50″ Dreaming by Ashaye on V4 Visions: Label Sampler - EP (Numero Group) 83′50″ Dreamin's For Free by Ben Pirani on Dreamin's For Free - Single (Colemine Records) 87′50″ This Is the Way I Am by La'Fez on Rust Side Story Vol. 24 (Numero Group) 90′55″ Do You Feel It Working (with L'Eclair) by Maston on Souvenir (with L'Eclair) (Innovative Leisure / Calico Discos) 94′45″ Find It In Your Eyes by The System on The System (Music From Memory) 99′10″ Kinky Love by Maria Somerville on Kinky Love - Single (4AD Ltd.) 103′00″ Cambios En El Tiempo by Vandana on Back Up: Mexican Tecno Pop 1980-1989 (Dark Entries Records) 106′45″ A' Fumme Marjua' by Avida on Avida (Hot Elephant Music) 111′10″ Not Just Another by Mike Hounshell on Sometime Somewhere (The Numero Group) 113′35″ Dancing with My Demons (feat. Paul Cherry) by Eyedress on Mulholland Drive (Lex Records Ltd) 117′10″ I Must Spread My Genes by Charles on Let's Start a Family Tonight (Babe City Records) Check out the full archives on the website.

An amazing record recently landed in my post office box, an absolute classic of an album I honestly never thought I'd see in person let alone get a copy of: Winston Mankunku Ngozi's quartet masterpiece “Yakhal Inkomo” - I insist everyone at least take a listen to this on Spotify or elsewhere. On this episode I've included the title track to start off the set. There is also an excellent interview with South African jazz scholars Percy Mabandu, Kevin Davidson, Nduduzo Makhathini and Salim Washington discussing the importance of this recording, link is on my Soundcloud. Anyway, I decided to partner it on this podcast with a few other horn-heavy selections. Hope you dig! Tracklist: Mankunku Quartet, Azar Lawrence, Lee Morgan, Sahib Shihab, John Coltrane

The foundations of a human being begin within their home. The education, the adherence to a craft and not overcompensating with blind faith. My guest today had a bed rock in his home and it is because of his mother that he is where he is today. Part of The JFS is to promote inclusivity as it relates to parents and their relationships with their kids. I do this by talking to musicians like my guest who under the tutelage Erma gained an education thorough world experience, world sound and melodic invention. My guest was enlightened to the creator and their impact on this earth by an apparatus. A horn that emits sequences of ideas and streams of knowledge that is at the core of true music. The ability to heal and dance. To settle disputes through universal communication. To build a bridge to a new era after they themselves reached the bottom of the pit. What started with his mom led to Raymond Pounds, Elvin Jones and McCoy Tyner who like Van Morrison and Bob Marley played music that transcended this orbit. McCoy's band was tight knit- My guest, Joonie Booth and Alphonse Mouzon who he plays with today in Southern California with two other sages in spirit Theo Saunders and The Skipper Henry Franklin. I witnessed my guest playing at the RG club in Venice and The Sea Bird Chicken and Waffles establishment in Long Beach. I rocked back and forth to the undulating rhythms while my guest danced around the African JuJu with long improvisational riffs that make you think and think even more when you don't want to think. He has bands on both coasts and seems to be rising on the burning shore before we all check out. Quoting my guest, if you win one battle over yourself that's how you can experience growth. Azar Lawerence welcome to the JFS

On this episode of Riffin on Jazz, Howard and Chuck give you a unique combination of Jazz jams. In part 2 we hear from artists like Azar Lawrence, Kurt Elling and more, so make sure to tune into this eclectic episode of Riffin on Jazz on the Kudzukian App, Kudzukian.com or your favorite podcast provider.

This week in the Groove studio we close out the month celebrating Jazz History Month with our esteem guest. Award-winning pianist, composer , author and speaker Kevin Toney. Musician, Composer, Arranger & Vocalist Johnny Britt . Saxophonist Composer & Arranger Azar Lawrence. Guitarist Composer Producer Craig T Cooper and contemporary jazz guitarist, Nils Jiptner, aka Nils. We have these gentlemen latest releases and video's. Join us for an evening of great music and conversation. Tune in www.ubngo.com channel 1 Facebook, YouTube, and twitter live 8pm pst. Like us on Facebook subscribe to our you tube channel. Call In At 323-524-2599

Support Burning Ambulance on Patreon Get the Burning Ambulance email newsletter Muriel Grossmann is a saxophonist originally from Vienna, Austria, but now she lives in Spain, and she puts out roughly an album a year entirely independently, though she licenses them to a label for the vinyl editions, which she talks about in this interview. She was very open about the business side of being an independent musician, in terms of self-funding and having the discipline and mental fortitude to keep on pushing until you find the audience that’s waiting to hear your music. Muriel plays spiritual jazz, long flowing tunes that may remind you of Alice Coltrane or Pharoah Sanders – I hear things that remind me of early 70s Joe Henderson or Azar Lawrence records too, and sometimes when she adds harp and droning elements from tamboura and other instruments, it reminds me of Illuminations, the album Carlos Santana made with Alice Coltrane, or even Larry Young’s Lawrence of Newark. What’s most fascinating about her music, though, is the degree to which she uses the studio as an instrument, adding layers upon layers of percussion and drone and ornamentation so it’s not just four or five musicians, it sounds almost orchestral at times. We talk about that a lot too, as well as the whole definition of the phrase spiritual jazz, which you see thrown around a lot without ever really pinning down what it means, or how you would define it in terms of a set of rhythms or a particular instrumental palette or whatever – it’s just kind of a know it when you hear it sort of thing. Anyway, this was a very interesting conversation from my perspective, as I’ve only recently become a fan of Muriel’s but now I’m deep into her catalog, almost all of which is available on Bandcamp, so by all means check it out after you’re done listening to this interview. And if you enjoy this podcast, please consider visiting patreon.com/burningambulance and becoming a subscriber. For just $5 a month, you can help keep this show and Burning Ambulance as a whole active and thriving. Thanks! Music heard in this episode: Muriel Grossmann, "Wien" (Quiet Earth) Muriel Grossmann, "Wisdom" (Earth Tones)

Welcoming in 2021 with some more jazz selections. Went back into the stacks for a couple favorites, a few things I hadn't listened to in years, and something new from Amanda Whiting. Hope everyone is staying safe and healthy! RIP MF DOOM. Tracklist: Yusef Lateef, Ramsey Lewis Trio, Amanda Whiting, Michel Sardaby, Azar Lawrence, Marion Brown

Scott Goldman interviews GRAMMY® Award–winning American jazz pianist/electric keyboardist and composer, Chick Corea. As a member of Miles Davis's band in the late 1960s, he participated in the birth of jazz fusion and continues to redefine the “social music” of jazz. Listen as Chick describes his relationship with music from his childhood days to his latest GRAMMY® nominations.

Scott Goldman, longtime moderator of the GRAMMY® Museum Public Programs Series, interviews two accomplished musicians and producers uniquely qualified to discuss the career of Miles Davis: Erin Davis, Miles’ son, and Vincent Wilburn, Jr., Miles’ nephew. Erin and Vincent, who currently help manage the Miles Davis estate, both toured and recorded with Miles in the ’80s. Here they reflect on the icon’s fearless approach to music, his insistence on minimal takes and going through the “University of Miles Davis,” where you learn that some of the greatest music comes from being uncomfortable.

15e et dernière émission de la 45e session... Cette semaine, jazz spirituel, jazz modal, jazz moderne et électro-jazz! En musique: Roy Haynes ; Idris Muhammad sur la compilation Spiritual Jazz 10: Prestige  (Jazzman, 2019, enr. 1961-73); Harold Land sur l'album A New Shade of Blue  (Mainstream, 1971); Azar Lawrence sur l'album Summer Solstice  (Prestige, 1975); Sefi Zisling sur l'album Expanse  (Tru Toughts, 2019); Junius Paul sur l'album Ism  (International Anthem, 2019); Jamael Dean sur l'album Black Space Tapes  (Stone Throw, 2019)...

15e et dernière émission de la 45e session... Cette semaine, jazz spirituel, jazz modal, jazz moderne et électro-jazz! En musique: Roy Hayes ; Idris Muhammad sur la compilation Spiritual Jazz 10: Prestige  (Jazzman, 2019, enr. 1961-73); Harold Land sur l'album A New Shade of Blue  (Mainstream, 1971); Azar Lawrence sur l'album Summer Solstice  (Prestige, 1975); Sefi Zisling sur l'album Expanse  (Tru Toughts, 2019); Junius Paul sur l'album Ism  (International Anthem, 2019); Jamael Dean sur l'album Black Space Tapes  (Stone Throw, 2019)...

Scott Goldman, longtime moderator of the GRAMMY® Museum Public Programs Series, interviews songwriter, producer and multi-instrumentalist, Nate Mercereau. Sharing his unique experiences from recording and releasing his own debut album Joy Techniques, to contributing to releases from various artists spanning from Jay-Z, to Lizzo, to Shawn Mendes, listen as Nate discusses capturing the beauty of the first take and the joy of creation.

Scott Goldman, longtime moderator of the GRAMMY® Museum Public Programs Series, interviews critically acclaimed saxophonist, Azar Lawrence. One of the only remaining Prestige artists to still be actively touring and recording, Azar shares stories of his early days performing as a sideman to many of jazz’s greats, including Miles Davis, Woody Shaw and McCoy Tyner; and speaks to the recent reissue of his groundbreaking title Summer Solstice on Craft’s Jazz Dispensary.

Scott Goldman, longtime moderator of the GRAMMY® Museum Public Programs Series, interviews upright bassist, vocalist, producer, composer, arranger, and founding member of the West Coast Get-Down, Miles Mosley. Listen as Miles speaks to the powerhouse of Prestige, the shared language of jazz, and how accidents make great art. Prepare to be encapsulated in a forcefield of love! (Miles Mosley appears courtesy of Verve Records.)

Azar Lawrence is an American jazz saxophonist who was hired by McCoy Tyner following the death of John Coltrane. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about what Lawrence can teach us about continuing a legacy, finding our voice, and knowing our value while holding on to our mortality.

Scott Goldman, longtime moderator of the GRAMMY® Museum Public Programs Series, interviews GRAMMY® Award–winning Latin jazz bandleader, salsa singer and conga player, Poncho Sanchez. Listen as Poncho describes his musical journey, starting from his earliest experiences as a musician in LA, to why he chose to record a John Coltrane cover album as his latest release on Concord Records.

Azar Lawrence is an American jazz saxophonist who was hired by McCoy Tyner following the death of John Coltrane. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about what Lawrence can teach us about continuing a legacy, finding our voice, and knowing our value while holding on to our mortality.

Azar Lawrence is an American jazz saxophonist who was hired by McCoy Tyner following the death of John Coltrane. In this edition of Liner Notes, Rabbi and jazz historian Neil Blumofe talks about what Lawrence can teach us about continuing a legacy, finding our voice, and knowing our value while holding on to our mortality.

The Prestige 70 podcast features intimate conversations between acclaimed musicians, composers, producers, and Scott Goldman—who, as the longtime moderator of the GRAMMY® Museum Public Programs Series, has interviewed hundreds of iconic figures in music. Through the lens of contemporary artists including Poncho Sanchez, Miles Mosley, Azar Lawrence and Chick Corea, Prestige 70 not only looks back at the musicians and recordings that made the label so important but also looks to the future, as a new generation continues the tradition of redefining and pushing the boundaries of jazz.

Azar Lawrence In Conversation with Mark "Frosty" McNeill Legendary saxophonist, Azar Lawrence, stopped by the dublab studio to talk with Mark “Frosty” McNeill. Lawrence’s visionary work, Bridge into the New Age, was recently reissued to the delight of cosmic minded music lovers everywhere. Hope you can join us for this special episode of In Conversation! In Conversation is produced by dublab. Sound editing and theme music are by Matteah Baim. Due to rights reasons music from the original broadcast has been shortened. To hear more, please visit dublab.com.

Destiny Muhammad is a Recording/ Performing Artist | Band Leader | Composer & Producer. Her genre Celtic to Coltrane is cool and eclectic with a feel of Jazz & storytelling to round out the sonic experience. Destiny has opened for The Oakland East Bay Symphony and Smooth Jazz Artist Gerald Albright, shared the stage with Jazz Masters Marcus Shelby, Omar Sosa, Blue Note Artist Ambrose Akisemuire, and Azar Lawrence to name a few. She has headlined for 'Women in Jazz' Concert series,  the AfroSolo/ Yerba Buena Gardens Concert Festival, Sunday’s in the Redwoods Concert, Fest Sundiata and SFJAZZ Tribute to Alice Coltrane's epic album Impulse Release 'Journey in Satchitdananda'  Destiny is the Principal Harpist for the Eddie Gale Inner Peace Orchestra, the Oakland Community Orchestra and performs with The AWESOME Orchestra.  The Destiny Muhammad JAZZ Trio~~~Following in the footsteps of jazz harp master Dorothy Ashby (who recorded with everyone from Freddie Hubbard and Frank Wess to Bill Withers and Stevie Wonder), the Destiny Muhammad Jazz Trio is a sleek and soulful ensemble designed to showcase Muhammad’s soaring vocals and transporting string work. Whether interpreting jazz standards or her original tunes, Muhammad turns every piece into a soulful adventure.  Destiny is Governor Emeritus and Educational Chair Emeritus of the Recording Academy, Jazz Heritage Center of San Francisco Jazz Ambassador,  ASCAP Songwriter Awardee, and Judge for The West Coast Songwriters Contest and Northern California Entertainers Music Awards Female Jazz Artist of the Year.  "When one contemplates the great musicians of Jazz a list of harpists do not immediately come to mind, but that is destined to change with Sound Sculptress, Destiny Muhammad."  Destiny Muhammad Project

Destiny Muhammad hails from Oakland, California. She is a recording and performing artist, bandleader, composer, and producer. Her genre Celtic to Coltrane™ is cool and eclectic with a feel of Jazz and storytelling to round out the sonic experience. Destiny opened for The Oakland East Bay Symphony and smooth jazz artist Gerald Albright, shared the stage with jazz masters Marcus Shelby, Omar Sosa, Ambrose Akisemuire, and Azar Lawrence. She headlined for Women in Jazz concert series, the AfroSolo Yerba Buena Gardens concert festival series, Sunday’s in the Redwoods concert series, Fest Sundiata, and Jazz Center in her Tribute to Alice Coltrane’s signature album Journey in Satchitdananda. She has done dance and music collaborations Dimensions Dance Theater Company, Dimensions Dance Theater Rites of Passage, Jetaun D’Armand and Dance Theater of The Gospel, Robert Henry Johnson, and Collette Eloi and El Wah Movement Dance Theater. Destiny is the principal harpist for the Eddie Gale Inner Peace Orchestra, the Oakland Community Orchestra and performs with The AWESOME Orchestra. The Destiny Muhammad Jazz Trio that follows in the footsteps of Jazz harp legends Alice Coltrane and Dorothy Ashby, who recorded with Freddie Hubbard, Frank Wess, Bill Withers, and Stevie Wonder. The Destiny Muhammad Jazz Trio is a sleek and soulful ensemble designed to showcase Muhammad’s soaring vocals and transporting string work. Whether interpreting jazz standards or her original tunes, Muhammad turns every piece into a soulful adventure. www.destinymuhammadproject.com www.wijsf.org    

Saxophonist Azar Lawrence is featured.

Phil Freeman talks to saxophonist Azar Lawrence.

The eleventh episode of the Burning Ambulance podcast features Azar Lawrence, a veteran saxophonist from Los Angeles who's played with McCoy Tyner, Miles Davis, Elvin Jones, Earth, Wind & Fire, and has made many albums under his own name since the 1970s. His latest album, Elementals, is out now on HighNote. In this conversation, we discuss his time with McCoy Tyner and Miles Davis, his debut album Bridge Into the New Age, working with Earth, Wind & Fire, and much more.

We welcome this week to the groove studio Jazz man Azar Lawrence. Azar started his career in his early days as side man to McCoy Tyner, Miles Davis, Freddie Hubbard, and Woody Shaw. Lawrence was the tenor saxophonist Tyner used following John Coltrane's death. 

Anche dall'edizione '73 del festival nascono album significativi. Fra questi risalta in particolare Enlightenment di McCoy Tyner, il pianista che era stato accanto a John Coltrane fra il '60 e il '65. Il set di Tyner, che si esibisce in quartetto con il sassofonista Azar Lawrence, con il bassista Joony Booth e con il batterista Alphonse Mouzon, si apre con l'ampia suite da cui l'album prende il titolo. (prima parte) A cura di Marcello Lorrai

Anche dall'edizione '73 del festival nascono album significativi. Fra questi risalta in particolare Enlightenment di McCoy Tyner, il pianista che era stato accanto a John Coltrane fra il '60 e il '65. Il set di Tyner, che si esibisce in quartetto con il sassofonista Azar Lawrence, con il bassista Joony Booth e con il batterista Alphonse Mouzon, si apre con l'ampia suite da cui l'album prende il titolo. (prima parte) A cura di Marcello Lorrai

For this week's show, we're stepping out of the pop realm and into the jazz and classical worlds with two world-renowned performer. First, Montreal-based solo pianist Mark Pinkus speaks with CM Radio about his latest recording, The Peace Messenger. Mark has nine solo piano releases that have taken him around the world to perform. His career is primarily self-driven, so we'll get an idea as to the kind of work that goes with that. Kiermyer is an iconic Canadian jazz drummer fresh off the release of his latest recording, Further, which features Azar Lawrence, Benito Gonzalez, and Juini Booth. He has performed with the likes of Pharoah Sanders and been heralded by outlets including The Village Voice, Entertainment Weekly, and more. He and Mike speak at lengths about his latest recording, the modern jazz scene, and more.

ILLUMINATION McCoy Alfred Tyner is best remembered from the John Coltrane Quartet. In the past decades since he has become one of the major pianists and composers, expanding the vocabulary of color and harmony. His lusty piano is richly percussive and hammering, while full of cascading and romantic sounds. His unique and forceful style has inspired and influenced a whole new generation of musicians. Tyner was born in Philadelphia on December 11, 1938, the oldest of three children. He was encouraged to study piano by his mother. He finally began studying the piano at age 13 and within two years, music had become the focal point in his life. In the beginning McCoy practiced on a neighbour's piano. When his family bought one, he began hosting jam sessions. Among his friends and neighbours were a number of young musicians who would go on to make their marks in jazz, such as trumpeter Lee Morgan, saxophonist Archie Shepp, pianist Bobby Timmons, and bassist Regie Workman. "Bud and Richie Powell moved into my neighbourhood. Bud was a major influence on me during my early teens. He was very dynamic." In addition, Thelonious Monk and Art Tatum were young McCoy's major influences. McCoy studied at the West Philadelphia Music School and later at Granoff School of Music. At age 17, while playing at a local club called the Red Rooster, he first met JOHN COLTRANE. Coltrane was in Philadelphia between gigs with Miles Davis. The saxophonist, whose style was still in its formative stages and whose reputation was on the rise, had no working group of his own, but secured a few engagements in and around Philadelphia, with McCoy often in his rhythm section. The rapport between the two was so apparent, that Coltrane made it clear that he hoped to eventually have a regular band with McCoy Tyner in it.His first main exposure came with BENNY GOLSON being the first pianist in Golson's and Art Farmer's legendary Jazztet (1959). By 1960, when John Coltrane finally left Miles Davis to form his own group, McCoy left Art Farmer. Tyner continued with Coltrane through 1965, participating in all the major recording sessions.The pianist participated in numerous historical recording sessions with Coltrane, including for instance Africa Brass, A Love Supreme, and My Favorite Things. While with Coltrane, Tyner also recorded many of his own albums for Impulse!, including such classics as "Inception", "Night of Ballads and Blues", and "Live at Newport", and later for Blue Note, which enabled him to feature his densely rich piano sound to great effect.Upon Leaving Coltrane (1965), there was a lull in Tyner's popularity. The future looked bright and the trio he formed seemed to have a big future. In fact he spent the next five years playing superbly but getting more and more disillusioned due to lack of acceptance. But he rebounded in the 1970's. Due to groups featuring Sonny Fortune and Azar Lawrence and recordings for Milestone like "Sahara", which received two Grammy nominations and was named 'Album of the year' in the Down Beat Critics Poll, Tyner gained recognition. He toured and recorded with SONNY ROLLINS, Ron Carter and Al Foster as the Milestone Jazzstars in 1978, and in the mid-1980s led a quintet that included Gary Bartz and violinist John Blake. Since 1980, he has also arranged his lavishly textured harmonies for a big band that performs and records when possible. In the late 1980s, he mainly focussed on his regular piano trio featuring Avery Sharpe on bass and Aarron Scott on drums. As of today, this trio is still in great demand. He returned to Impulse in 1995, with a superb album featuring MICHAEL BRECKER. In 1996 he recorded a special album with the music of BURT BACHARACH. In 1998 he changed labels again and recorded a interesting latin album and an album featuring STANLEY CLARKE for TelArc. While he avoids modern conventions and the trappings of the moment, Tyner's sound remains contemporary to this day. Tyner's full use of the piano's keyboard, with a striking exploitation of dynamics, sets him aside from more introverted players like Bill Evans and Keith Jarret. Their "musique de chambre" links them more with the European-oriented piano tradition, whereas Tyner follows the track back to the roots of the Afro-American quintessence of jazz music.Tyner's music has been a major influence over the adoption in jazz of quartal and quintal harmonies, modes and pentatonic scales. He achieved a revived appreciation as a major player in the international jazz scene, a status he continues to maintain

"People Moving" Azar Lawrence "Mommy What's Funkadelic" Funkadelic "Mister Sinister" Kokolo "Pelotera" Akoya "Enough" The Frank Popp Ensemble "Rough Enough" Artie White "Baby Baby Baby" Americans Of '68

  "People Moving" Azar Lawrence "Mommy What's Funkadelic" Funkadelic "Mister Sinister" Kokolo "Pelotera" Akoya "Enough" The Frank Popp Ensemble "Rough Enough" Artie White "Baby Baby Baby" Americans Of '68

New Spencer Daniels, Azar Lawrence, Bob Stroger & The Headcutters, #DirtyKnobs, Joss Jaffe, #EddieVedder + Dave Brubeck, Lauryn Hill, Brigitte Purdy, Wynton Marsalis, Veirs, Case & Lang, Miram Makeba, #BillyStrings, Weather Report, #RobertRandolph,#snoopdogg, #drdre, #eminem... Birthdays for John Helliwell, Ali Campbell, Mick Avory