Podcasts about cooper union school

Welcome to the Lost Artists of Fairhaven Podcast Series hosted by Scott Bishop! The series focuses on the artists who once lived, worked, or were born in Fairhaven, Massachusetts. The town was and continues to be called home to many now-historical artists who were forgotten or unsung in their day. This focused series of podcast episodes presented by The Artists Index brings you informative conversations with historians, family members, friends, or acquaintances who once contributed to Fairhaven as Visual, Performing, Literary, or Culinary Artists as well as the supporters, and cultural impresarios of this remarkable corner of the South Coast's creative community. Scott speaks with The Millicent Library's director, Kyle DeCicco Carey * about Lillian Allen Dexter. She was born in New Bedford, Massachusetts, on August 29, 1871.  She graduated from New Bedford High School in 1889. From there, she then went on to study at the Cooper Union School in New York City, where she earned a certificate in Pen and Ink Illustration from the school's Women's Art Department in 1893. During the 1890s, Dexter traveled to various locations between Massachusetts, New York, and West Virginia visiting, parks and Civil War battlefields, where she sketched flowers and other botanicals. In the late 1890s, she lived in Washington, D.C., with her uncle, the clerk of the US Senate Finance Committee. While there she worked for the American Rose Company, creating commercial art. After leaving Washington, Dexter settled in Marion, Massachusetts where she remained until her passing on July 13, 1928. The Millicent Library archival collections include many of her watercolors and pen-and-ink drawings. If you have any further knowledge, memories, or documentation on this artist, please contact us! Check back here for the latest episodes... THIS SERIES IS SUPPORTED IN PART with a grant from the Fairhaven Cultural Council, a local agency supported by the Mass Cultural Council, a state Agency.   * Kyle DeCicco-Carey has appeared on: Podcast Episode 132  – William Bradford Podcast Episode 133 – Lemuel Eldred Podcast Episode 146 – Robert Swain Gifford Podcast Number 152 – Charles Henry Gifford Podcast Episode 161  – Albertus van Beest  

"Now is Better" is a visually stunning book that encourages long-term thinking and highlights global improvements. Conceived during the 2020 pandemic, the book uses data and historical art to illustrate societal progress and future potential. With vivid graphs, 19th-century paintings, embroidered canvases, lenticular prints, and hand-painted water glasses, Stefan Sagmeister showcases how life has improved for most people, countering the negativity prevalent in today's news cycles. His work aims to inspire gratitude and optimism about the future. Stefan is an Austrian graphic designer based in New York City, where he founded Sagmeister Inc. in 1993. He has created iconic designs for artists like Lou Reed, OK Go, The Rolling Stones, David Byrne, Jay Z, Aerosmith, Talking Heads, Brian Eno, and Pat Metheny, and worked with clients including HBO, the Guggenheim Museum, and Time Warner. He is also the author of "Made You Look" and teaches at the School of Visual Arts in New York, holding the Frank Stanton Chair at the Cooper Union School of Art. Join us for an engaging conversation with Stefan—a design legend—about his inspiring new project and his thoughts on the future. 

Katie Merz, artist and professor of drawing at the Cooper Union School of Art, talks about the art she is creating for WNYC's upcoming centennial, and takes calls from listeners who share what they see as the most iconic NYC-related image, place or object. 

Welcome back to ARTMATTERS: The Podcast for ArtistsOn today's episode we have the dramatic conclusion of my conversation with the artist James English Leary. Last time, James and I spoke at length about the state of art education. Today we discuss his new watercolors, collecting art, different kinds of change, deskilling, space and depiction, 19th century French painting and how unconditional support for an artists work - like love - is for babies.  We also talk Renoir, Matisse, Hockney, Schnabel, Guston, Jack Witten, Ron Gorchov and Howard Hodgkin.This will be the last episode of ARTMATTERS in 2023 so I want to say a big thank you to all of my listeners! I hope you all have a great holiday and a happy new year:)See you back in 2024 for the next episode of ARTMATTERS: The Podcast for Artists.About James English Leary:James English Leary is a painter and psychotherapist in private practice in New York City. His work has been exhibited in Greater New York at MoMA PS1, the Whitney Biennial, and the Sundance Film Festival. He co-founded the artist collective The Bruce High Quality Foundation which was the subject of a 2013 retrospective at the Brooklyn Museum. Leary co-founded the tuition-free art school BHQFU where he was a director and teacher. He has lectured on the sociology and economies of the institutions of art history and taught drawing and painting at The Cooper Union School of Art.If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!      If you have an any questions you want answered, write in to artmatterspodcast@gmail.comAbout the Podcast:    Host: Isaac Mann www.isaacmann.cominsta: @isaac.mannGuest: James English Learyhttps://www.kandlhofer.com/artists/86-james-english-leary insta: @jamesenglishleary

Welcome back to ARTMATTERS: The Podcast for ArtistsToday on the podcast, James English Leary and i discuss in depth our perspectives on the current state of art education, how that system has evolved over time, and what changes we hope to see from it in the future. James also shares his experience co-founding the Bruce High Quality Foundation. This is the first part of a two-part conversation with James English Leary. No such thing as too much of a good time. To be continued . . .About James English Leary:James English Leary is a painter and psychotherapist in private practice in New York City. His work has been exhibited in Greater New York at MoMA PS1, the Whitney Biennial, and the Sundance Film Festival. He co-founded the artist collective The Bruce High Quality Foundation which was the subject of a 2013 retrospective at the Brooklyn Museum. Leary co-founded the tuition-free art school BHQFU where he was a director and teacher. He has lectured on the sociology and economies of the institutions of art history and taught drawing and painting at The Cooper Union School of Art.If you're enjoying the podcast so far, please rate, review, subscribe and SHARE ON INSTAGRAM!       If you have an any questions you want answered, write in to artmatterspodcast@gmail.com About the Podcast:    Host: Isaac Mann www.isaacmann.cominsta: @isaac.mann Guest: James English Learyhttps://www.kandlhofer.com/artists/86-james-english-leary insta: @jamesenglishleary

Jodi Hays is a painter who has had recent solo shows at Night Gallery (Los Angeles) and two-person shows at Susan Inglett Gallery (New York City) and Devening Projects (Chicago). Brooks Museum, Fisk University, and Devening Projects, among others. She was a 2019 Finalist for the Hopper Prize and the recipient of grants from the Rauschenberg Foundation, Foundation for Contemporary Art, Sustainable Arts Foundation and the Elizabeth Firestone Graham Foundation. Residencies include Oxbow School of Art, Stoveworks, The Cooper Union School of Art and Vermont Studio Center. Her work has been published in Art Forum, New American Painting, Hyperallergic, New Art Examiner and Two Coats of Paint. Her paintings can be found in many public and corporate collections including the J Crew Group, Morgan Stanley, Fidelity, and the Birmingham Museum of Art.

Welcome, Kyle DeCicco-Carey to In-Focus Podcast Number 146! Kyle is the Library Director at the Millicent Library in Fairhaven, Massachusetts, and will be speaking with us for the third time about Robert Swain Gifford, also known as R. Swain Gifford. Kyle's first visit was Episode 132 about William Bradford. His second was Episode 133 about Lemuel Eldred. This is a five-part series on celebrated Fairhaven artists from days gone by. It is supported in part by a grant from the Fairhaven Cultural Council, a local agency, which is supported by the Mass Cultural Council, a state agency. “Kyle DeCicco-Carey has nearly 20 years of professional library experience. He comes to the Millicent Library from Harvard University, where he was a senior reference archivist in the property information resource center. He has experience as an interim library director at the Mattapoisett Free Public Library, and is president of the Board of Directors of the Mattapoisett Historical Society.” [Fairhaven Neighborhood News] Kyle holds a master's degree in library and information science from Simmons University and, a digital archives specialist certification from the Society of American Archivists. He also holds certifications from the Academy of Certified Archivists and the Harvard Extension School in nonprofit management. He has over twenty years of library, archive, and museum experience. ROBERT SWAIN GIFFORD American Landscape Painter December 23, 1840 – January 15, 1905 Kyle tells us that, “at age two, Robert Swain Gifford came to Fairhaven with his family from Nonamesset Island where he was born in 1840. He had developed a love of art by the time he met Albertus Van Beest as a teen. He would study with Van Beest and William Bradford before opening his own studio in New Bedford, Boston, and later New York.” “His artwork consisted of etchings, oil paintings, and watercolors. His landscapes were influenced by the Barbizon School of Painting. Gifford traveled to the western US and overseas to England, France, Spain, and Egypt creating landscapes of the places he visited. He would later take part in the Harriman Expedition of Alaska and the Bering Straight along with George Bird Grinnell, John Muir, Edward S. Curtis, and others.” Gifford served on the National Academy of Design Council and taught at the Cooper Union School. He died in 1905 in New York and is buried at Rural Cemetery in New Bedford. Several works by Gifford are on display at the Millicent Library in Fairhaven. His work may be seen in Fairhaven Town Hall, The Millicent Library, the Peabody Essex Museum in Salem, Massachusetts, the New Bedford Whaling Museum, and the Kendall Whaling Museum. Listen in on this conversation as The Artist Index's Co-Founder/Host – Ron Fortier – delves more into Robert Swain Gifford's life, work, and legacy with Kyle DeCicci-Cary. The whole concept of The Artists Index and our journey is still in the making and very organic. If you would like to be a guest or, have a suggestion, please let us know! The In-Focus Podcasts are up close and personal conversations with the makers, performers, supporters, and cultural impresarios of the remarkable creative community of South Coast Massachusetts including New Bedford, Dartmouth, Fairhaven, Westport, and beyond.  

I talked with Shigeru Ban about disaster relief projects, emergency architecture and paper as a building material. Shigeru Ban is a Japanese, Pritzker-winning architect with world-wide experience and recognition. He was born in Tokyo and after studying architecture in Los Angeles and in Cooper Union School in New York, he opened his office in Tokyo, then in Paris and New York. He has designed projects worldwide from private houses, exhibitions, pavilions to offices or large scale museums. He is known for his innovative work with paper as a building material, particularly recycled cardboard tubes used to quickly and efficiently accommodate disaster victims. Societal contribution and humanitarian work is a big part of his profession. His ideas for cheap, flexible, easy to build, durable and safe shelters keep helping the refugees and victims of natural disasters around the world. He has established the NGO Voluntary Architects' Network (VAN) to start disaster relief activities, providing assistance in Turkey, India, Sri Lanka, China, Italy, Haiti, Japan, Ukraine and many more. In this conversation I'm asking him: What are the most crucial aspects when it comes to designing an emergency shelter? What is the main purpose of disaster relief projects? What are the advantages of using paper or cardboard tubes as a building material? How do you perceive temporary and permanence in architecture? What is the goal of Voluntary Architects' Network? How did the Paper Partition System help Ukrainian refugees? Is the contribution to society the biggest value the architect can give? Direct answers, rigid conclusions and a very humble and clear work approach. Enjoy the podcast! More about Ukraine Refugee Assistance Project The New Yorker Article on Ban's Paper Architecture Support the podcast Architektura Powinna Klaudia

Artist Scooter LaForge is a delight. To be honest, I somehow felt like connecting with him on this show was healing for me-now who's the shrink!? Scooter's work is amazing and so instinctual- he cannot not do it. Even though he's worked with big names like he is as humble as can be. So much to learn from his perspective—growing up as a gay man in a tiny town in Arizona. I have to say I was envious hearing of all the free-range outdoor time he had, but alas the town, it's sounds really small and devoid of gays which means a pretty homogenous group of people (boring!) Scooter is the best of what an artist is—someone fueled by their work and satisfied because of it. He complimented me a lot, so I'm going to give him an A as a guest rating. Follow and learn more about Scooter HERE: https://www.scooter-laforge.com/ Instagram @scooterlaforge @scooter_laforge_a_life_of_art/ BIO: Scooter Laforge began his love affair with art at a very young age while growing up in the small town of Las Cruces, New Mexico. His burning desire to render things beautifully began with his singer/songwriter mother, and his landscape painting father; both equally inspired his creativity and lust for art. Laforge's work can be characterized as Pop Art partnered with abstract expressionism and Dutch classicism. His paintings and drawings are portraitures, landscapes, and objective subject matter, utilizing his special painting techniques and incorporating his homoerotic, in your face, non-apologetic lifestyle.  Like Golden Books on acid, his work employs a 50's illustrated storybook technique, modernized by 70's color palettes and are influenced heavily by gay pornography, cute fluffy animals, and sometimes iconic cartoons (i.e. SpongeBob Square Pants, The Cookie Monster, and Popeye and Brutis) which are reoccurring characters and themes within his work.  LaForge earned his BFA from the University of Arizona in 1993,[5] and began his career as a painter in San Francisco.[6] He moved to New York City in 2001,[3] where he attended the Cooper Union School of Art under a fellowship.[8] His art is in the collections of the Leslie-Lohman Museum of Art[9] and Beth Rudin DeWoody.[10] LaForge has a line of hand-painted, unique clothing items that are sold through fashion stylist Patricia Field.[11] He has twice collaborated with Belgian fashion designer Walter Van Beirendonck.[12][13] His clothing has been worn by Susanne Bartsch,[14] Sandra Bernhard,[15] Beyoncé,[8] Miley Cyrus,[6] Boy George,[3] Debbie Harry,[8] Nicki Minaj,[3] Madonna,[8] Iggy Pop,[3] Rihanna,[6] and Lil Wayne.[3]

On this episode, I sat down with Rodolphe El-Khoury 86 BArch, Hashim Sarkis 85 BArch, Nader Tehrani 86 BArch. We spoke about how their friendship, formed in the RISD Architecture Department, led them to their current positions as the deans of the University of Miami School of Architecture, MIT School of Architecture and Planning, and The Cooper Union School of Architecture. We were curious if there was a special ingredient at RISD which produced three great leaders. And we even asked if they are interested in becoming the next department head at RISD Architecture... only kidding, of course. 

Lydia Kallipoliti is an architect, engineer, and scholar. She is an assistant professor at the Cooper Union School of Architecture, the author of the book The Architecture of Closed Worlds and is the co-curator of the 2022 Tallinn Architecture Biennale. In this conversation, Jarrett and Lydia talk about being an architect who doesn't build, Lydia's concept of ‘immersive scholarship', and alternative forms of disseminating research. Links from this episode can be found at scratchingthesurface.fm/211-lydia-kallipoliti. — If you enjoy the show, please consider supporting us on Patreon and get bonus content, transcripts, and our monthly newsletter! www.patreon.com/surfacepodcast

In episode 81 of The Great Women Artists Podcast, Katy Hessel interviews Jeffreen M. Hayes on the Harlem Renaissance pioneer, Augusta Savage!! *BOOK NEWS!* I have written a book! Order The Story of Art without Men here: https://www.amazon.co.uk/Story-Art-without-Men/dp/1529151147/ref=tmm_hrd_swatch_0?_encoding=UTF8&qid=1647348710&sr=8-1 [This episode is brought to you by Alighieri jewellery: www.alighieri.co.uk | use the code TGWA at checkout for 10% off!] Overcoming poverty, racism, and sexual discrimination, Savage is one of the greatest American artists of the 20th century and is famed for her emotionally tender and stoic life-size figures and plaster portrait busts. Raised in a strict family in Florida with a father who opposed her artistic pursuits, she arrived in New York with just $4.60, and in 1922 enrolled at The Cooper Union School of Art. Coming to the fore in the 1920s, Savage mastered emotionally tender and stoic life-size figures and plaster portrait busts (painted with shoe polish for a bronzed effect), and her subjects ranged from dignified everyday Black figures to influential Harlemites, including W. E. B. Du Bois. Working with images to elevate Black culture into mainstream America, Savage was also a key community organiser, exhibitor and teacher to so many. Not only did she become the first African American woman in the US to open her own private art gallery, she was also appointed the first director of the Harlem Community Art Center. As confirmed by Jeffreen, who has previously said: “I don't think about Augusta Savage as someone who only made objects … [but rather as someone who] has really left behind a blueprint of what it means to be an artist that centres humanity.” ENJOY! Follow us: Katy Hessel: @thegreatwomenartists / @katy.hessel Sound editing by Nada Smiljanic Research assistant: Viva Ruggi Artwork by @thisisaliceskinner Music by Ben Wetherfield https://www.thegreatwomenartists.com/

The Dior Common Thread podcast series represents a fascinating new avenue for exploring the collaborations initiated by Kim Jones since his arrival at Dior. Each episode will present a compelling encounter with one of the inspiring figures who have participated in his endlessly original reinventions. In conversation with Ed Tang, each recounts their unique experience and shares their singular vision, providing an immersive new window into the world of Dior men.     Creative daring drives the House's momentum today more than ever, and the Dior Common Thread podcast series explores the collaborations initiated by Kim Jones. For his Summer 2020 fashion show, the Artistic Director of the Dior men's collections invited the artist Daniel Arsham to create scenography featuring fascinating and seemingly disintegrating monolithic sculptures spelling out the word "D.I.O.R". These were later also reproduced for sale in a scaled-down, limited-edition version. A true “archaeologist of the future”, the New York-based Arsham has built his work at the intersection of disciplines, initiating captivating dialogues between architecture and design, history and contemporary art. In this episode of Common Thread, Ed Tang talks to Arsham about working with Dior, his practice, his collaborations and the myriad aspects of his creative life.     Daniel Arsham was born in Cleveland, Ohio, in 1980, and grew up in Miami, Florida. He won a scholarship to Cooper Union School of Art in New York and was awarded the Gelman Trust Fellowship in 2003. Straight out of art school, Arsham opened an exhibition space called The House in Miami, where he met the Parisian art dealer Emmanuel Perrotin, who has represented him ever since. Continuing this rapid trajectory, he was invited to collaborate with the legendary choreographer Merce Cunningham on stage designs in 2005 and has worked in this vein fairly continuously since. He founded the architecture collaboration Snarkitecture with Alex Mustonen in 2007, and in 2014 established a film company, Films for the Future.     Arsham has worked with numerous fashion and design brands in multiple design and creative capacities, and his work has been exhibited at PS1 and The New Museum in New York, the Contemporary Art Museum Miami, the Athens Biennial, and the Carré d'Art de Nîmes in France, among many others.     Today, Ed Tang and Daniel Arsham get right to the crux of his practice, talking in detail about the wide frames of reference and expansive source material in his worldview and creative output. As an artist who views all his multidisciplinary endeavors as part of his overarching framework of creation, he thinks laterally about the world we live in and the future of creativity, and how it relates to the future of our planet. An avid collector, a trait he shares with Kim Jones, he views his collecting as an extension of his continuous education and understanding of objects and form.   Arsham talks about his ideas around evolution and how he maintained his practice and indeed his working rhythm during lockdown, producing work with his children, preserving his connection to his studio and the life within it. He also delves into the world of painting and his return to this fundamental medium which was his introduction to image making in his art school days. The installation of large-scale canvases has been an enormous challenge, even in this biggest gallery spaces, but it is a challenge which this ultimate Renaissance man cannot but overcome.  

Hi everyone. I hope you are doing well. The winter holidays are almost upon us and here's hoping for a better new year. The news about Covid and all the variants doesn't seem to end so stay safe wherever you are. For this week, I have May Maylisa Cat, a multidisciplinary artist whose work spans video, paintings, glass, and live performances. May grew up in Chicago and graduated from the Cooper Union School of Art in New York City. Her work plays a critical role on the dominant discourses towards the community, the fantasy of the cultural “Other,” and how contemporary art appropriated social imaginaries, bringing them to a diluted universal conception of art. I spoke with May while she was finishing up a residency at Bunker Projects in Pittsburgh a few months ago, the city I used to live in. We ended up discussing third-culture kids, Zombie Formalism, Thai horror films, mukbang, ASMR videos, and so much more. As usual, stay safe, stay healthy, and I hope you enjoy this. Links Mentioned:May's WebsiteMay's InstagramThird culture kidKalup Linzy KrasueUncle Boonmee Who Can Recall His Past LivesMukbangASMRFollow Seeing Color:Seeing Color WebsiteSubscribe on Apple PodcastsFacebookTwitterInstagram

Special guest Mike Essl joins the program. He's the dean of the Cooper Union School of Art in New York, and we discuss the role and importance of formal education in the design world today.

Special guest Mike Essl joins the program. He's the dean of the Cooper Union School of Art in New York, and we discuss the role and importance of formal education in the design world today.

Matt Hansel (b. 1977, West Virginia) lives and works in Brooklyn, NY. He earned an MFA from Yale University School of Art and a BFA from The Cooper Union School of Art. Hansel has had solo shows nationally and abroad at galleries including The Hole, New York (2019), Brand New Gallery, Milan (2018), PM/AM Gallery, London (2017), Wasserman Projects, Detroit (2015), and Yuka Contemporary, Tokyo (2010). Hansel received a grant from New York Foundation for the Arts in 2011 and has been included in the White Columns Artist Registry since 2017. Hansel's work has been written about in publications including The New York Times, Blouin Artinfo, Vice, Time Out New York, and The Brooklyn Rail.

Ep.62 features William Villalongo. He received his B.F.A. from The Cooper Union School of Art, NYC and his M.F.A. from the Tyler School of Art at Temple University, Philadelphia. Recent exhibitions include Yesterday’s Tomorrow: Selections from the Rose Collection, 1933-2018 at the Rose Art Museum, Brandeis University, Waltham, MA; Living in America, curated by Assembly Room, at the International Print Center, NYC; Afro cosmologies: American Reflections, Wadsworth Atheneum Museum of Art, Hartford, CT; Young, Gifted, and Black: The Lumpkin-Boccuzzi Family Collection of Contemporary Art, OSilas Gallery, Concordia College, Bronxville, NY, travelling to Lehman College Art Gallery, Lehman College, Bronx, NY; New Mythologies: William Villalongo, The Harvey B. Gantt Center for African-American Arts and Culture, Charlotte, NC; Greater New York, MoMA PS1, Long Island City, NY; and the online exhibition, Life During Wartime, curated by Christian Viveros-Fauné, University of South Florida Contemporary Art Museum, Tampa, FL, among others. In 2023, Villalongo will have a solo museum exhibition originating at the Grinnell College Museum of Art, Grinnell, IA. He is the recipient of the Louis Comfort Tiffany Award and the Joan Mitchell Foundation Painters & Sculptor's Grant. His work is included in the permanent collections of the Baltimore Museum of Art; Denver Art Museum; Grinnell College Museum of Art, Grinnell, IA; Princeton University Art Museum; the Studio Museum in Harlem, NYC; the Whitney Museum of American Art, NYC; and the Yale University Art Gallery, New Haven, CT, among others. He is an Associate Professor at The Cooper Union School of Art, NYC. In January 2021, William presented his sixth solo exhibition with the Susan Inglett Gallery, titled 'Sticks & Stones', which highlighted the artist’s signature black velvet cut paper work. Artist Website https://villalongostudio.com/ Cooper-Union https://cooper.edu/art/people/william-villalongo Gallery - https://www.inglettgallery.com/ Wikipedia - https://en.wikipedia.org/wiki/William_Villalongo Creative Independent https://thecreativeindependent.com/people/william-villalongo-on-discovering-materials-that-mean-something-to-you/ Life During War Time Exhibition Time https://lifeduringwartimeexhibition.org/william-villalongo

Tariq is a Multifamily Apartment Syndicator/Sponsor and Passive Investor and invested in several thousands of units across several multi-family ventures in Texas, New Mexico and Oklahoma. These include: Avalon (Dallas, TX) // 75 units Broadmoore 24 (Norman, OK) // 65 units Home@Uptown (Albuquerque, NM) // 77 units Home@Valencia (Albuquerque, NM) // 51 units Kelly Crossing (Dallas, TX) // 334 units La Jolla Terrace (Dallas, TX) // 340 units Mission Ranch (Mesquite, TX) // 295 units Plaza 24 (Norman, OK) //99 units Ridge at Southcross (San Antonio, TX) // 212 units Villa Del Sol (Dallas, TX) // 255 units Winding Creek (Chickasha, OK) // 50 units many more With over 22 years of financial advisory and restructuring experience, Tariq has advised several businesses in the technology and telecommunications, retail, entertainment, healthcare and manufacturing industries. Prior to starting his own consulting/advisory practice in 2006, Tariq was a Director with Alvarez & Marsal in Europe and in USA. He led several successful restructuring efforts as Chief Restructuring Officer and advised the Creditors’ Committees of various clients in USA and Europe. Before joining Alvarez & Marsal, Tariq spent six years in the management consulting practice of Deloitte & Touche, advising clients in both finance and technology disciplines. Tariq received both Bachelor’s and Master’s degrees in civil engineering from the Cooper Union School of Engineering in New York, and a Master’s degree in Business Administration as well as an Advanced Professional Certificate in finance from New York University. He is a Certified Insolvency and Restructuring Advisor (CIRA) and a member of the Association of Insolvency and Restructuring Advisors (AIRA). He also holds a real estate license in Oklahoma. http://anthempropertyventures.com/

Episode Thirty-Five features Lisa Corinne Davis, an abstract painter exploring themes of racial, social and psychological identity. Born in Baltimore, MD, currently living and working in Brooklyn, NY, Davis received her BFA from Pratt Institute in 1980, and her MFA from Hunter College in 1983. Her paintings have been exhibited across the United States and in Europe, including one person shows at June Kelly Gallery (New York), Gerald Peters Gallery (New York), Zolla/Lieberman Gallery (Chicago), Spanierman Modern (Miami), and The Mayor Gallery (London). Her work is included in the collections of The Museum of Modern Art, the J. Paul Getty Museum, The Philadelphia Museum of Art, and the Victoria and Albert Museum.  Davis is the recipient of numerous awards, including The Louis Comfort Tiffany Foundation Grant, a National Endowment for the Arts Visual Artist Fellowship,and three Artist Fellowships from The New York Foundation for the Arts. In 2017, she was inducted as a National Academician at the National Academy Museum & School.  Her essays on art and culture have been published in the Brooklyn Rail and Art Critical.  Davis has previously taught painting at the Cooper Union School of Art and Yale University; she is currently Professor of Art and Head of Painting at Hunter College in New York. http://www.lisacorinnedavis.com/ https://huntercollegeart.org/studio-art-faculty/lisa-corinne-davis/ https://en.wikipedia.org/wiki/Lisa_Corinne_Davis https://www.jenkinsjohnsongallery.com/artists/80-lisa-corinne-davis/works/

Jon Agee is the author/illustrator of many acclaimed books for children, including the Boston Globe-Horn Book Honor winner It's Only Stanley and the ALA Notable Books Little Santa, Terrific, Milo's Hat Trick, and The Incredible Painting of Felix Clousseau, and a series of popular wordplay books including the IRA-CBC Children's Choice book of palindromes, Go Hang a Salami! I'm a Lasagna Hog! Jon grew up along the Hudson River in Nyack, New York, and went to college at The Cooper Union School of Art in New York City, where he studied painting and filmmaking. Now a full-time author, he lives in San Francisco with his wife, Audrey. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app Support this podcast: https://anchor.fm/farhoodman/support

Mike Essl, Dean at Cooper Union School of Art in New York, is Jeffrey Zeldman's guest. Topics: The designer as hobbyist. “I was an expert witness for the Associated Press.” Design is a machine. Working in a comic book store. The Cooper Union coincidences. Web design in 1995 versus today. New York design versus San Francisco design. Systems making versus picture making. Kind of Bloop. Links for this episode:Mike EsslMike Essl (@essl) | TwitterWelcome | The Cooper UnionBorn in the Bronx: A Visual Record of the Early Days of Hip Hop: Johan Kugelberg, Joe Conzo, Afrika Bambaataa, Buddy Esquire, Jeff Chang: 9780789315403: Amazon.com: BooksAmazon.com: Watching the Watchmen (9781848560413): Dave Gibbons: BooksThe Chopping Block, Inc :: World Domination Through Graphic Design

Mike Essl, Dean at Cooper Union School of Art in New York, is Jeffrey Zeldman’s guest. Topics: The designer as hobbyist. “I was an expert witness for the Associated Press.” Design is a machine. Working in a comic book store. The Cooper Union coincidences. Web design in 1995 versus today. New York design versus San Francisco design. Systems making versus picture making. Kind of Bloop.

What is blocking you from your divine self, your key to prosperity? Juliana Park is the author of The Abundance Loop, and she stops by to share how we can overcome our fear of scarcity and awaken to our divine purpose. She believes that when we are aligned with our divine self, we balance inner and outer resources to achieve the freedom to gain true wealth and abundance. This show originally aired on Empower Radio.  Juliana Park is passionate about helping people break out of the scarcity mind-set and experience abundance. She wants to see you achieve financial security and enrich your net worth and self-worth. She developed an integral model to transform your relationship with money—and with yourself. Juliana is currently Assistant Vice President at Merrill Lynch in Oakland, California, and has been advising wealthy families for over 12 years. A Certified Financial Planner, Juliana earned her MA in Integral Psychology at John F. Kennedy University, her MBA from Yale School of Management, and her BFA from Cooper Union School of Art. She has spoken nationally on topics such as women and wealth, achieving your retirement vision, sustainability of wealth, and conscious wealth. Sign up for Juliana's newsletter and join her on her Abundance Loop journey: julianapark.com

What is blocking you from your divine self, your key to prosperity? Juliana Park is the author of The Abundance Loop, and she stops by to share how we can overcome our fear of scarcity and awaken to our divine purpose. She believes that when we are aligned with our divine self, we balance inner and outer resources to achieve the freedom to gain true wealth and abundance. This show originally aired on Empower Radio.  Juliana Park is passionate about helping people break out of the scarcity mind-set and experience abundance. She wants to see you achieve financial security and enrich your net worth and self-worth. She developed an integral model to transform your relationship with money—and with yourself. Juliana is currently Assistant Vice President at Merrill Lynch in Oakland, California, and has been advising wealthy families for over 12 years. A Certified Financial Planner, Juliana earned her MA in Integral Psychology at John F. Kennedy University, her MBA from Yale School of Management, and her BFA from Cooper Union School of Art. She has spoken nationally on topics such as women and wealth, achieving your retirement vision, sustainability of wealth, and conscious wealth. Sign up for Juliana’s newsletter and join her on her Abundance Loop journey: julianapark.com

Brought to you by http://www.stayroasted.com/bgmt https://www.facebook.com/badguymuaythai http://instagram.com/officialbgmt http://www.pinterest.com/badguymuaythai/ https://www.youtube.com/OfficialBGMT https://twitter.com/officialBGMT http://badguymuaythai.tumblr.com https://plus.google.com/115061119258118108650/posts Angela is a pro Muay Thai fighter, 2w-0L (pro) with 14w-0L, 4ko's as an amateur. Stay tuned, I plan to shock the world! Biography I moved from Clinton, MD to NYC in 2003 to attend The Cooper Union School of Art. After graduating, my new career choice took most people by surprise. I started Muay Thai as a hobby, but after going undefeated at 14-0 in my amateur Muay Thai fights, I decided to take my training more seriously and go pro. I debuted on Lion Fight 11 and earned my first unanimous decision win as a pro. I went on to headline on Friday Night Fights in NYC and won the North American WKA Flyweight title! I represent Evolution Muay Thai in NYC, and under Muay Thai coach Brandon Levi and with Radical MMA owner Rene Driefuss, I'm working towards having a successful pro MMA debut in the near future! Email angehill@gmail.com Website http://evolutionmuaythai.com http://radicalmmanyc.com/ http://www.facebook.com/angela.hill.169

click here to download video.Artist Michael Markowsky makes oil paintings while strapped to the roof of his BMW while a friend drives it at 75mph (120kmh) on the highway through the California desert. Further information can be found at www.michaelmarkowsky.comMichael Markowsky creates artworks in a variety of media. He is most well known for his "Driving Drawings", an ongoing series of artworks done while driving on the Los Angeles freeways. An 80-page-full-color catalogue will be released in early October 2006. Michael was born and raised in Calgary, Canada, and attended the Alberta College of Art and Design, the Cooper Union School of Art in New York City, the Royal College of Art in London, England and the Art Center in Pasadena, where he received a Master of Fine Art degree. He lives in Los Angeles, and teaches at the Armory Center for the Arts in Pasadena."The Driving Painting Project: Joshua Tree" has been presented at the Carmada exhibition of the MAK Center for the Arts in Los Angeles."The Driving Painting Project: Joshua Tree", Digital Video, 2006, By: Michael Markowsky (with video by Gregg Kucera, still photography by Kory Kinder, drivers Zachary Stadel and Aaron Bocanegra)