Podcasts about Crimson King

I'm always in motion, but I'm not going anywhere. I'm still the opposite of Ben when I think about it. He's everywhere and all at once, and so busy, and the scurrying barely stops. I mean, I almost wonder if Ben is real when I stop to think about it. I never see him. I feel like I imagine I hear him as much as actually hearing him, but yeah, the proof of him was definitely on display for a time. And the echo of him sure seems real. I feel like he and I have worked a pretty good system on this place now too — he's probably more likely to be fully enjoying the run of the joint when I'm out. So I'm trying to go out more. But I also know I'm going nowhere very quickly.Bought a copy of Gravity's Rainbow from a secondhand store, and I take it with me most places. It's good. I mean, I am reading it, I do like it, I do get it, and all that. But it's also a book most people you meet have no fucking idea about, or the idea they have is it's too big for them, so I am able to bullshit about it with just about anyone. It's the Ulysses for Generation X. Basically. I must remember to tell a bunch of people that, and with the conviction that's my own idea too.Hannah was in my dream last night. And I've had the dream before. About once a week I'd say at present. I run to her at the tree. I get there in time, but I call her Anna, she shakes her head as if to say that's not her name, so the query cannot be for her. And I wake with her in the air, the rope around her neck. It's got me drinking breakfast beers, at least when I have leftovers. I shouldn't drink before lunchtime, or even before dinner time, but at least I'm too embarrassed to take my car anywhere, so I'm not in danger of driving again. Instead I load up my Discman with this great new album, Rocket by Primitive Radio Gods. No one knows it, which is exactly why I love it. At best, people seem to know the single, Standing Outside a Broken Phone Booth with Money In My Hand. Feels like a metaphor to me. Or just a scene I'm constantly walking right through. I first heard it in the movie Cable Guy, and it was perfect, if not that noticeable to many. But how could you not notice and love that song when it's riding on a sample of B.B. King's How Blue Can You Get? Only thing about relentlessly listening to this song is it's not all that great for my mood. I start thinking about whether I'm gonna bump into Joolz, or Anna for that matter. Or that fucking girl that was with Esther and Liz. I mean I don't think she knows I even exist, but yeah, I would say something now. I know I could. I'd ask her about Gravity's Rainbow. Show her my book, which is so well-thumbed. Could even make out it was new to me, and it's my constant re-reading that's made it look all old and nearly ruined. Slick. I'm'a do that for sure. Will and Glen want me to go record shopping with them, so I walk along with my Primitive Radio Gods, and I listen to Phone Booth three times, then skip it forward to Who Say, which is basically a different band, even though it's actually the same one guy making all of the music. Sounds like Supergroove or something. I like it. But I'm telling myself I love it, just so I can have something no one else holds on to. Album of the Year I'm deciding. No one will pick this. But I am. Inside the store, Will's got all these old prog-rock records for a buck each, Genesis and King Crimson and CAN. He holds them up one by one, for me to say yes or no to.The Lamb Lies Down On Broadway. Genesis. “Yes.”In The Court of the Crimson King. King Crimson. “Yes.”Tago Mago. CAN. “Yes.”Tales From Topographic Oceans. By the band Yes. “No.”Well it gets a laugh from Glen. But then, “You're a fucking snob, Jimmy. Wannabe fucking snob.”“I'm not a snob, I just think Yes is the fucking pits. And Jon Anderson sounds like a frog. I mean, fuckssake, if you're gonna buy that you might as well buy a Rush album.”“They're only a buck,” Will says. “So I think I'll just get it anyway, eh.”“Fine. What would I know,” I say. “Indeed”, Glen says”. And he's laughing.“Well,” I say, “I would know that if you're going to get anything from 1973, it better not be a fucking Yes record, and it absolutely should be a Thomas Pynchon novel.” I'm reaching for Rainbow from my backpack, and Will has his hand reverse-cupped across his forehead. Glen is just laughing even harder. “Fuck up about that fucking book,” Glen adds. “Just because you can't read,” I say.“I can read a room though,” Glen bats straight back. Can't lie. This lands. I think he can even see that I'm wounded. Slightly. “Fuck man,” I'm searching, buying time. “Fucking hell you dick, I mean shit, my fucking girlfriend killed herself.”“Oh yeah,” Glen says. “But do you need to tell everyone you meet this instantly. And also, where is the evidence of this mate? I mean, tragic fucking story, but seriously, it's like you kinda turned it on to suit, there's no photos of you, no one to back you up on this. I am not saying it's not sad as hell. It is. But there's a weird angle too, if you're grafting yourself to the story a little more than is true.”“Cunt!” I had nothing. That was it. I walked straight out of the store, and straight into Joolz. Head down, and angry. Me, that is. I just ploughed into her, and of course, I say sorry. She looks up, deer frozen for a second. “Joolz!” I say. She pulls free from my very loose grip, my hands on her shoulders, apologising, gently holding her to make sure she's steady. But nah. She's having none of this. She shakes her head, as if I've got the wrong person, puts her head down and walks fast. I take three steps after her then stop. “Bitch,” I shout. And then instantly feel like a fucking dick. At the bar, I'm lining up a beer and a bourbon. Americans call it a Boilermaker. I call it necessary. I hit most of the beer in one big slug. Then down the shot. Then back to neck the end of the beer. How is this happening to me. Why am I going everywhere and nowhere all at once and never? How am I the rocket falling in my own story? “You look glum?”“Thanks,” I say. “At least I'm doing something right, I suppose. Like, I feel like I should look glum.”I know she's paid to talk to me, but still. The barmaid says, “What's that book you got there? Is that gonna cheer you up, or is that what's making you sad? It looks,” she pauses, “huge!”It's on the tip of my tongue to say thanks for noticing, but I'd only fuck it up. “Gravity's Rainbow by Thomas Pynchon,” I say. No insight, no joke, no nothing. Just title and author. “Oh, I've heard of that,” she says. And I don't believe her. “Want another combo,” she adds, gesturing to the two glasses. “Tell me about the book,” and she's already turning her back to refill the bourbon shot.“It's pretty dense, right. But it has a real humour to it, also a real metaphysical fatalism.”“A meta-what-now?”“If they get you asking the wrong questions, then they don't have to worry about the answers.”“So that's a wrong question then?”“No no, sorry, that's pretty much a line from the book. I mean not verbatim, but close to it.”“So you're a sad guy, but a smart guy. Reckon you can actually explain to me what the book is about there, smart guy?”“Classic paranoid countercultural stuff, high brow, low brow, the works. It's a book about everything. And nothing.”“Well,” she says, putting the pint down next to the shot of bourbon, “It should really be called Rainbow's Gravity shouldn't it? I mean that's the pot of gold weighing it down, eh?”“Oh my fucking god. It's about rockets. That's the space rocket's arc. The rainbow. It's a metaphor. It's not really about density. The only density in the book is what you're bringing to it. And it sounds like you're bringing a lot!” As soon as I've said it, I think about how I botched every aspect of that. I'm a boring, rude cunt, and I cannot flirt. What the fuck was that?“Hey, sad cunt? Drink your drinks and fuck off, okay?”“Look, my girlfriend, she, um, she ah she took her life…”“Is that because the only other option was having you being a patronising jerk to her? I don't believe you. And I'm not going to serve you. You're done. Finish that and piss right off okay. And I'll tell my partner about you. So fucking watch it.”The bourbon goes down easily and immediately, but I take one swig of the beer and it just feels off. Not the actual taste, but I can't be here. I push the stool back, and it clatters to the floor, my feet vaguely caught in it, I nearly lose my balance. “Get walking there, class act,” the barmaid serves a different kind of shot. “Look, I'm sorry,” I say. And I'm already walking.“You sure are,” she says. All but spitting the words at my back. I've turned and walked, and I'm not looking back. I stand outside and count the coins from my pocket into my hand, and then back into the other hand. I take the Primitive Radio Gods CD out from the Discman and file it in the case, and put it back in my bag, and grab Natalie Merchant's Tigerlily. I can't hear that Broken Phone Booth song again anytime soon. I'm basically standing there as if I'm in the song. As if the song is me. My life. My mood. The sum of it all. And I need to keep moving. I kick at nothing, as I walk the streets wondering where to go. And yeah, I skip straight to Carnival.Sounds Good! is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber.Thanks for reading Sounds Good! ! This post is public so feel free to share it.Start writing today. Use the button below to create a Substack of your own Get full access to Sounds Good! at simonsweetman.substack.com/subscribe

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is live on Kickstarter NOW. Become a backer at https://avantr.is/neon-rpg-yt  

Now on air: Prog & Roll Radio Show 0:48 RUSH Tom Sawyer 4:37 #10: Moving Pictures (1981) (2015 Remastered) RUSH Limelight 4:19 #10: Moving Pictures (1981) (2015 Remastered) GENESIS The Musical Box 10:30 #9: Nursery Cryme (1971) (2014 Remastered) GENESIS Carpet Crawlers 5:14 #8: The Lamb Lies Down on Broadway (1974) GENESIS Anyway 3:08 #8: The Lamb Lies Down on Broadway (1974) CAMEL Lady Fantasy: Encounter/Smiles For You/Lady Fantasy 12:45 #7: Mirage (1974) (2002 Remastered) PINK FLOYD Have a Cigar 5:09 #6: Wish You Were Here (1975) PINK FLOYD Wish You Were Here 5:34 #6: Wish You Were Here (1975) Prog & Roll Radio Show with George and Nihal 0:31 PINK FLOYD In the Flesh 3:03 #5: The Wall (1979) PINK FLOYD Comfortably Numb 6:21 #5: The Wall (1979) JETHRO TULL Thick as a Brick (Part 1) 22:37 #4: Thick as a Brick (1972) KING CRIMSON In the Court of the Crimson King 9:27 I#3: In the Court of the Crimson King (1969) GENESIS Firth of Fifth 9:35 #2: Selling England by the Pound (1973) (2014 Remastered) PINK FLOYD The Dark Side of the Moon Medley 12:11 #1: The Dark Side of the Moon (1973)

Neon Odyssey, our 1,400+ page Space Opera trilogy for D&D 5.5E, is live on Kickstarter NOW. Become a backer at https://avantr.is/neon-rpg-yt  

The Sound Chaser Progressive Rock Podcast is on the air. The show this time is #3 in my series of progressive rock by artists not normally associated with progressive rock. We will see how in one way or another the influence of the progressive style for composition and performance has had a far-reaching influence, despite all the hatred from the music critics. So, sit back and take in sounds that are just a little bit different, both from the usual course of progressive rock and from the usual music these artists offer. In addition, I have an In Memoriam feature for keyboardist Christopher North. All that, plus news of tours and releases on Sound Chaser. Playlist1. Doc Severinsen & The Now Generation Brass - The Court of the Crimson King, from Doc Severinsen's ClosetIN MEMORIAM CHRISTOPHER NORTH2. Ambrosia - The Brunt, from Somewhere I've Never TravelledEND IN MEMORIAM3. Alice Cooper - Halo of Flies, from Killer4. BZN - The Man in the Wood, from The Bastard5. America - Donkey Jaw, from America6. Patrice Rushen - Before the Dawn, from Before the Dawn7. Joe Walsh - The Confessor, from The Confessor8. Bruce Springsteen - Jungleland, from Born to Run9. Daft Punk - Giorgio by Moroder, from Random Access Memories10. Muse - United States of Eurasia (+ Collateral Damage) / Guiding Light, from The Resistance11. Queens of the Stone Age - I Think I Lost My Headache, from Rated RTHE SYMPHONIC ZONE12. Coldplay - Coloratura, from Music of the Spheres13. Silverchair - Tuna in the Brine, from Diorama14. Dave Matthews Band - The Stone, from Before These Crowded Streets15. MGMT - Siberian Breaks, from Congratulations16. The Fire Theft - Sinatra, from The Fire Theft17. John Entwistle - Too Late the Hero, from Too Late the HeroLEAVING THE SYMPHONIC ZONE18. Daryl Hall - Babs and Babs / Urban Landscape / NYCNY, from Sacred Songs19. Toto - Hydra, from Hydra20. Ultravox - I Want to Be a Machine, from Ultravox!21. Sufjan Stevens - Come on! Feel the Illinoise!, from Illinois22. Ween - Alcan Road, from Quebec23. Ninja Sex Party - I Don't Know What We're Talking About, from The Prophecy24. Zwan - Jesus, I / Mary Star of the Sea, from Mary Star of the Sea25. Lil Yachty - the BLACK seminole, from Let's Start Here26. Angel - Tower, from Angel27. Dan Fogelberg - Tullamore Dew / Phoenix, from Phoenix

Nat and I stick around in the shadowed recesses of Black House for another half hour, to discuss all the things that Chris got right and wrong – and to make some entirely unfounded claims of our own.   It's overflowing with spoilers for the whole Dark Tower series, so don't listen if you're a newbie. We start to ask who is the Crimson King? Would Roland and Jack have gotten along? And we get very grumpy about certain wolves in a certain town further down the road.   Enjoy.   Support Talking Scared on Patreon   Check out the Talking Scared Merch line – at VoidMerch   Come talk books on Bluesky @talkscaredpod.bsky.social  on Instagram/Threads, or email direct to talkingscaredpod@gmail.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

Spinning sides at the conversational disco to see what fills the dancefloor, which this week includes … … Jerry Garcia had seven fingers! Brian Jones had seven children! Morrissey worked for the Inland Revenue! … the most terrifying villain in the history of cinema ... is pop music becoming inbred? … when Neil Sedaka made records with 10cc (and Abba) … Happy? Get Lucky? Crazy In Love? What was the last hit single the whole world seemed to be singing? … Noddy Holder, Kim Wilde, Robert Wyatt, Gary Numan: what makes you a National Treasure? … rock and roll puns and double-entendres … “drawn from the national conversation”: the divine Englishness of the Pet Shop Boys … the Gilded Palace of Sin, In The Court of the Crimson King and other records we bought because of the title … and acts wiped out by the Beatles “like corn before the sickle”.Help us to keep the conversation going: https://www.patreon.com/wordinyourear Hosted on Acast. See acast.com/privacy for more information.

I commit to changing my life, Before it changes me. My greatest excitement and deepest passion, Is the fuel that will set me free. ☉Hola New Paradigmers! Mother nature is such a teacher.  I sat on the bank and watched the river flow after finishing Pele. First I saw a floating branch slowly making its way upstream, caught in an eddy. Yes, in the river of life there are eddies and if we're not careful we can get caught in them and go around and around and around getting nowhere. All the while the "river of life" is right there next to us taking everything downstream! Next, I saw a duck swimming up the rapids. I wondered if he was having "fun." One way or the other, he was PUTTING FORTH EFFORT. There are places in the river (times in life) where the river widens, it's called flat water. In the flat water you have to either swim harder or paddle harder if you want to get anywhere. Other times there are rapids where you just kick back and let the river take you. Just like the river of life there are times when we can kick back and times when we have to swim hard. Oh yeah, the third... RAPIDS! I feel like we're coming out of some flat water, it's starting to speed up and we're entering the rapids. In rapids it's not about just floating or swimming, it's more about precision navigating. We've got to be on top of our game, alert, ready to kick, push, back paddle, you name it. If we've done it before and have some experience it is a lot easier and can even be a fun, wild ride. If not, there's not much time to learn and we best give it all we've got, hope and pray, breathe, and try not to swallow too much water. We'll make it, some with more bumps than others, some that can help others, and some that can't wait to do it again. Since we're all here together on planet earth at this time, I think we're the latter. Blessings on your swim! Court of the Crimson King: https://youtu.be/lrsW--Sh7YE?si=Jm_KLXqJnYBY3zPjSo Much Love,Kaypacha

Git Head - "Reset" - Head Git Arling & Cameron - "Spacebeach" - Theme for Imaginary Fillms [0:05:07] King Crimson - "Moonchild" - In The Court of the Crimson King [0:08:28] Linda Perhacs - "Chimacum Rain" - Parallelograms [0:10:36] Scarlet Rivera - "Ava Maria" - Magic Christmas [0:14:50] Melody Gardot - "Sunset in the Blue" - Joe McGasko 2022 Fundraiser Premium [0:19:12] Spirit - "Space Child" - Twelve Dreams of Dr. Sardonicus [0:22:26] Brightblack Morning Light - "Everybody Daylight" - Self Titled [0:25:16] Korla Pandit - "Ava Maria" - Merry Christmas [0:30:57] Elis Regina - "Modinha" - Elis and Tom [0:34:20] Peter Blegvad - "The Incinerator" - Live on WFMU [with Kristoffer Blegvad] [0:43:54] Victor Lovera with R. Stevie Moore - "Dancehouse" - Love Lovera [0:46:18] Scott Williams - "My Dear Children" - Home Recordings Volume 3 [0:49:35] Guided byVoices - "In Stitches" - Do the Collapse [0:50:41] Wire - "Germ Ship" - Read and Burn EP [0:56:25] Robyn Hitchcock - "City of women" - Wig In A Box: Songs From And Inspired By Hedwig And The Angry Inch [Songs From Inspired By Hedwig And The Angry Inch] [1:00:18] Dustin O'Halloran - "Opus 20" - Piano Solos Vol. 2 [1:05:30] Mark Almond - "The Sausalito Bay Suite" - Mark Almond II [1:09:33] David Gates - "Clouds" - First [1:15:59] Velvet Belly - "Restless" - Lucia [1:16:30] Linda Cohen - "Lake of Light" - Lake of Light [1:20:20] Evelyne / Masao - "Singing in the Rain" - Testpattern [1:29:00] Shel Silverstein - "Have Another Espresso" - Inside Folk Songs [1:33:13] Los Lobos - "kiko and the lavender moon" - Kiko [1:35:44] Elis Regina - "Corcovado" - Elis and Tom [1:39:25] Yacht - "Shangra-La" - The In Sound [1:41:51] Céline Dessberg - "Chintamani" - Single B Side [1:47:19] Ike Quebec - "Favela" - Bossa Nova Sould Samba [1:51:30] Gary McFarland - "Here I Am" - The In Sound From Way Out [1:54:34] the Monkees - "Words" - Pisces, Aquarius, Capricorn & Jones Ltd. [New Box Set] [2:02:26] Material - "White Man" - Temporary Music [2:04:05] Black Sabbath - "Planet Caravan" - Far Beyond Driven [2:11:25] Cory Hanson - "Santa Claus Is Coming To Town" - I Love People [2:15:36] Nina Rota - "O'Venezia" - Casanova Film Soundtrack [2:18:19] Ernest Rogers - "The Mythological Blues" - 78 single [2:22:33] Robert Wyatt - "P.L.O. Poor Little Alphie" - Old Rottenhat [2:24:07] CV Vision - "Go Your Way" - Release The Beast [2:30:18] Lydia Kavina - "Dance in the Moon" - Theremagic!: Radio Ravioli's 2023 WFMU Marathon Premium [2:33:49] The Cleveland Orchestra - "Pavane Pour Une Enfante Defunte" [2:36:18] Henry Mancini & His Orchestra - "Dreamsville" - 45RPM Single [2:40:32] Magma - "Sowiloi" - Live 1974 [2:57:33] Nat King Cole - "Lonely One" - Blue Interlude: My 2022 Marathon Premium https://www.wfmu.org/playlists/shows/159591

These are the ones to watch!The McFarlands celebrate their 6 year anniversary discussing the all-stars of the autumnal season on this week's episode of The Growing Season. Canada geese kick off the show.  Lynne discusses what she learned over the last year.  Jack and Matt chime in. Potentillas, sprinklers and irrigation also feature.  Silver linings and record breaking heat during the summer months are also correlated. Jack rants about fall colour change.  Is it stress or is it actual fall colour. The science of fall colour change is highlighted. Why is the summer solstice so important?Red maples vs. Crimson King maple. Jack wonders if the newer, more bespoke varieties of plants, are more susceptible to stress. Sedum, black eyed susie, birch, ginkgo, The PARKLAND PILLAR BIRCH!   OHHHHH BABY!  Matt gushes. Then he gushes some more. Japanese maples feature prominently in the discussion.  Are there fall coloured varieties with the Japanese Maple? Unusual?  Lets talk about the 'Flamethrower Redbud.'Why don't we use the Amur Maple more? The trio discuss. Why did we stop using Viburnums?Ornamental grasses can be glorious in the fall. Tune in. Looking to book a consult for your property?  We'd love to help.  CLICK HERE.What is a TGS Tiny Garden? CLICK HERE.Subscribe to The Growing Season podcast.  CLICK HERE.

In this special bonus episode, Paul Andrews takes a break from the last two weeks' exploration of the “10 albums every guitar player should listen to” and shines a light on five underrated, yet essential, guitar albums that deserve a spot in every player's listening library. These records might not be the legendary household names, but they've deeply influenced guitarists and can inspire your playing with fresh techniques, tones, and approaches.What's InsideWhy Listen?Discover guitar albums that have shaped generations without always making the mainstream lists.Learn key guitar takeaways and lessons from each artist and album.Find fresh inspiration for your own playing by exploring sounds, tones, and phrasing that go beyond the classics.Spotify playlists:10 Essential Guitar Albums: https://open.spotify.com/playlist/2wsbamC84DCMQQWFrnMNLD?si=Fp5elQeGQRynigYKgR31Aw5 Underrated Guitar Albums You Need to Hear: https://open.spotify.com/playlist/6As52V2e4zvsaYwZK5u6Hd?si=bm6pUsNuTLyNJ6nOrbxWGwThis Episode's Featured AlbumsJohn Mayall & The Bluesbreakers with Eric Clapton (1966) – “The Beano Album”Why it matters: Introduced the monumental Les Paul + Marshall amp British rock sound.Guitar takeaway: Tone is about phrasing, vibrato, and dynamics—not just speed or effects.Highlight track: “They Call It Stormy Monday” https://youtu.be/Az7sLKGOUe8?si=TsYkWP3nTXDvlVlsJeff Beck – Blow by Blow (1975)Why it matters: An iconic instrumental album blending rock, jazz, and funk; inspired countless fusion musicians.Guitar takeaway: Focus on phrasing and expression—make your guitar “sing.”Highlight track: “Because We Ended as Lovers” (Live in Japan, 1986) https://youtu.be/5aWd88rs6JE?si=qa6KiwTIqcGobjbmRory Gallagher – Irish Tour ‘74 (1974)Why it matters: Raw, passionate blues rock, capturing Gallagher's fiery live energy.Guitar takeaway: Energy and heart matter more than perfection. Play with soul.Highlight track: “Cradle Rock” (Live from Montreal, 1975) https://youtu.be/dZIs6bosh-Q?si=btUdLiR8Q-5ueLSgKing Crimson – In the Court of the Crimson King (1969)Why it matters: The album that kickstarted prog rock. Robert Fripp's experimental guitar work broke all the rules.Guitar takeaway: Don't be afraid to experiment—try odd time signatures, new chord voicings, and unusual dynamics.Highlight track: “21st Century Schizoid Man” (Live at the Fillmore East, 1969) https://youtu.be/0kOjsKhlC1I?si=ado5SLQ-dgW51RxUThe Allman Brothers Band – At Fillmore East (1971)Why it matters: One of the best live albums ever. Showcases southern rock's harmonized twin guitars and epic jams.Guitar takeaway: Collaboration and jamming with other players can massively improve your skills.Highlight track:...

The Sound Chaser Progressive Rock Podcast is on the air. On the show this time I have the new single from Massimo Pieretti, a wide variety of progressive music styles, the Symphonic Zone, and more. All that, plus news of tours and releases on Sound Chaser. Playlist1. Magenta - Speechless, from We Are Seven2. Phil Manzanera / 801 - Listen Now, from Listen Now!3. Phil Manzanera / 801 - Flight 19, from Listen Now!4. Shakti - Lotus Feet, from Shakti, with John McLaughlin5. Arti + Mestieri - Terminal, from Giro di Valzer per Domani6. Kotebel - The Flight of the Hippogriff Part 2, from Live at Prog-Résiste 20137. Carlo Celuque - Gravity Force, from Berlin Walk8. Quarkspace - Where Galaxies Collide, from The Hidden Moon9. Massimo Pieretti - Alone, from The Next Dream10. Kristian Schultze - Total Recall, from Metronomics11. Dream Theater - Voices, from Once in a LIVEtimeTHE SYMPHONIC ZONE12. Colin Masson - South Australia, from The Southern Cross13. Qango - The Last One Home, from Live in the Hood14. Vangelis - Chariots of Fire, from Chariots of Fire15. Synergy - Legacy, from Electronic Realizations for Rock Orchestra16. Tomita - Debussy: Arabesque No. 1, from Snowflakes Are Dancing17. IZZ - Deafening Silence, from My River FlowsLEAVING THE SYMPHONIC ZONE18. Eduard Artemiev - Expectation, from Warmth of Earth19. Eduard Artemiev - Rekkens, from Warmth of Earth20. Michael Garrison - Dimensions, from Eclipse21. Patrick Moraz - Eastern Sundays, from Future Memories I & II Live on TV22. Steve Morse Band - Live to Ride, from StressFest23. Frank Zappa - Can't Afford No Shoes, from One Size Fits All24. Banned from Utopia - So Yuh Don't Like Modern Art, from So Yuh Don't Like Modern Art25. King Crimson - Moon Child (Take 1), from In the Court of the Crimson King 40th Anniversary Edition26. Träd Gräs och Stenar - Tegenborgsvalsen, from Gärdet 12.6.197027. Gentle Giant - Funny Ways, from Live Rome 197428. Nicolas Meier World Group - Stories from the Garden, from Magnificent

After the revolutionary In the Court of the Crimson King in 1969 King Crimson did a tour behind the record, which was a hit in the UK and a cult favorite in the U.S. Problem was, by the end, Robert Fripp and Pete Sinfield were the only full-time members left in the group. Fripp was able to talk Greg Lake, Michael Giles and Peter Giles to return to record In the Court of the Crimson King, but the tour would lead to a new lineup. Meanwhile, their second album became their highest charting in the UK, and was a sign of things to come. 

For the end of Season 6, we talk about a groundbreaking album in the world of Progressive Rock, the debut album of King Crimson, 1969's 'In The Court Of The Crimson King'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

For the end of Season 6, we talk about a groundbreaking album in the world of Progressive Rock, the debut album of King Crimson, 1969's 'In The Court Of The Crimson King'. Do you really want to see what we look like while we record? Check out select episodes on our YouTube, you weirdo: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/channel/UCO8oo8oZkSLUqOuiiw8hD7Q⁠⁠⁠⁠⁠⁠ If you like what you hear (and see) and want to support the podcast, you can become a Patreon supporter for as little as $1/month: ⁠⁠⁠⁠⁠⁠https://www.patreon.com/audiojudo⁠⁠⁠⁠⁠⁠ You can also buy some swag with our logo on it: ⁠⁠⁠⁠⁠⁠https://www.teepublic.com/user/audio-judo-podcast⁠⁠⁠⁠⁠⁠ As always, let us know what you think by emailing info(at)audiojudo(dot)com. ⁠⁠⁠⁠⁠⁠Website: https://www.audiojudo.com⁠⁠⁠⁠⁠⁠ Get in touch on social media: ⁠⁠⁠⁠⁠⁠Facebook: https://www.facebook.com/audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Twitter: @audiojudo⁠⁠⁠⁠⁠⁠ ⁠⁠⁠⁠⁠⁠Instagram: @audio_jud⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠o⁠⁠⁠⁠⁠⁠ We are proud members of the Pantheon Podcast Network. If you like our show check out other music related podcasts at ⁠⁠⁠⁠⁠⁠https://www.pantheonpodcasts.com⁠⁠⁠⁠⁠ Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we're discussing every album by King Crimson from 1969 to 1974. Led by the legendary (and partially insane) Robert Fripp, King Crimson is one of the pioneers of prog rock, as well as one of the wildest and most influential bands of all time. This era of the band chronicles some of the most memorable albums in all of prog rock. But be warned, this is not a band that welcomes everyone. The insanity is real.Closing track” One More Red Nightmare” from Red (1974)Patreonhttps://www.patreon.com/everyalbumeverMerchhttps://pandermonkey.creator-spring.com/Mike's EP:Pander Monkey on Bandcamp, Spotify, Apple,Mike on Instagram @pandermonkeyAlex on Bluesky @octatron3030Tom on Instagram @tomosmansoundsHistory Tom's stuff:Music on Spotify, ApplePodcast on Spotify, YouTubeSubstackWebsiteMike's Picks:In the Court of the Crimson King (1969) — Best AlbumRed (1974) — Personal FavoriteLarks' Tongues in Aspic (1973) — Worst Album, Least FavoriteAlex's Picks:Red (1974) — Best Album, Personal FavoriteIslands (1971) — Worst Album, Least FavoriteAlbums we discussed this episode…In the Court of the Crimson King (1969)In the Wake of Poseidon (1970)Lizard (1970)Islands (1971)Larks' Tongues in Aspic (1973)Starless and Bible Black (1974)Red (1974)

En esta entrega de La Ruleta Rusa, hemos escuchado y comentado la música de VA, Reimagining In The Court of Crimson King; Rückwater; black midi; The Storm; Blessed Child Opera; Beck; The Rolling Stones.

In the first Round Table of 2025 Tadd and Peter palaver about King's upcoming Talisman 3 confirmation, some updates from the early marketing for Welcome to Derry including the planned run and what each seasons' time period, and a few other news bits. And in the Palaver section Tadd throws out a challenge for next episode and talk about the nature of the Crimson King, Farson, and if Mid-World is healing. And of course plenty of tangents!   Engage with the show by Email or Social Media! Check the website at DarkTowerPalaver.com or Patreon at patreon.com/darktowerpalaver

Every year, host Greg Kot makes a mixtape of new songs to express his feelings about the past year. Greg shares a selection of that mix and the rest of the show staff look at other top singles of 2024. Plus, the hosts remember a few other musicians we lost in 2024.Join our Facebook Group: https://bit.ly/3sivr9TBecome a member on Patreon: https://bit.ly/3slWZvcSign up for our newsletter: https://bit.ly/3eEvRnGMake a donation via PayPal: https://bit.ly/3dmt9lUSend us a Voice Memo: Desktop: bit.ly/2RyD5Ah Mobile: sayhi.chat/soundops Featured Songs:Chappell Roan, "Good Luck, Babe!," Good Luck, Babe! (Single), Island, 2024The Beatles, "With A Little Help From My Friends," Sgt. Pepper's Lonely Hearts Club Band, Parlophone, 1967King Crimson, "21st Century Schizoid Man," In the Court of the Crimson King, Island, 1969The Allman Brothers Band, "Ramblin' Man," Brothers and Sisters, Capricorn, 1973Slim Dunlap, "The Ballad of the Opening Band," The Old New Me, Medium Cool/Twin/Tone, 1993Marlena Shaw, "Woman of the Ghetto," The Spice of Life, Cadet, 1969Beyoncé, "16 CARRIAGES," Cowboy Carter, Parkwood and Columbia, 2024Sabrina Carpenter, "Espresso (Mark Ronson x FNZ Working Late Remix)," Espresso (Mark Ronson x FNZ Working Late Remix) (Single), Island, 2024Kabin Crew, "The Spark (feat. Lisdoonvarna Crew)," The Spark (feat. Lisdoonvarna Crew) (Single), Rubyworks, 2024Charli XCX, "Girl, so confusing featuring lorde," Brat and It's Completely Different but Also Still Brat (Single), Atlantic, 2024Geordie Greep, "Holy, Holy," The New Sound, Rough Trade, 2024Shaboozey, "A Bar Song (Tipsy)," Where I've Been, Isn't Where I'm Going, American Dogwood and Empire, 2024Wussy Duo, "Cellar Door," Cellar Door EP, Shake It!, 2024La Luz, "Strange World," News of the Universe, Sub Pop, 2024Trupa Trupa, "Sister Ray," Sister Ray (Single), Self-Released, 2024The Bug Club, "Lonsdale Slipons," On the Intricate Inner Workings of the System, Sub Pop, 2024Lambrini Girls, "God's Country," God's Country (Single), City Slang, 2024Tunde Adebimpe, "Magnetic," Magnetic (Single), Sub Pop, 2024The Unfit, "Who's in Charge," Disconnected EP, Share It Music, 2024The Jesus Lizard, "Hide & Seek," Rack, Ipecac, 2024Shellac, "Chick New Wave," To All Trains, Touch And Go, 2024Horsegirl, "2468," 2468 (Single), Matador, 2024X, "The Hungry Wolf," Under the Big Black Sun, Elektra, 1982See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Evan and Amanda continue their yearly December shenanigans by comparing "In the Court of the Crimson King" by King Crimson against "Lateralus" by Tool. Find us on Instagram and Threads @worstpodonmars Find us on Facebook @ The Worst Podcast on Mars Send us an email: worstpodonmars@gmail.com

If my life is not expanding,  I need to question why,  What do I fear or need to do,  So I can spread my wings and fly. ☉

"Hail, Gunslinger! May we be well met on the path..." For The Dark Tower 5, Wolves of the Calla: Introduction: Ima Nervous but So Ready to be Back! Strengths: The Western Roots, Setting Immersion, Lore & Character Development Characters: Mia, Andy, Father Callahan, Rosalita & Jake USA Scribner Paperback (Pgs: 268-270) Criticism & Questions: -Where is the Crimson King? -Why is Harry Potter Involved? -Breaking the 4th Wall? -The Anticlimactic Climax -What's a Breaker? -Black 13? -Who are the Manni? Please Give the Show Some Love and Post a 5-Star Rating on Your Favorite Podcast Outlet! End Credits: (Keys of Moon) Soundcloud X: @UnderratedSKPod Insta: @UnderratedSKPodcast Threads: underrated_sk_podcast Patreon: patreon.com/dansewithkimc Kim C. will return with, The Stand (1990)

We've developed our On First Listen series to give us a chance to explore albums that we didn't know but had heard about for years. Maybe a friend recommended it, perhaps it was popular at a time in our lives when it slipped past us or maybe we'd seen in on all-time lists. King Crimson's debut fit into the third category as many progressive rock fans hold In The Court Of The Crimson King in very high regard. And with many talented line-ups over the years including Greg Lake on bass & vocals, Ian McDonald on keys and many other things, and Robert Fripp on guitar on this album (with future versions featuring John Wetton, Boz Burrell, Bill Bruford, Tony Levin, Adrian Belew, Mel Collins and many, many more) we figured we'd give it a go. However, while the musicianship is off the charts and they experiment with many keys, times and toys (the new mellotron was driving much of their experimental sound), sometimes it's not terribly listenable. 21st Century Schitzoid Man is abrupt and in your face as a protest to the Vietnam War but isn't a toe tapper. The wistful I Listen To The Wind is 180 degree turn as a lovely ballad but is more than 6 minutes long. And Epitaph, Moonchild (nothing like the Iron Maiden song) and The Court Of The Crimson King though they have moments of beauty and style fail to land in the fun zone. While many will appreciate the music for it's complexity and degree of difficulty, it's not an album you put on in the background of a party. Perhaps our blues based rock brains aren't mature enough to understand but we find 70s era Yes and Genesis far easier to digest and enjoy. Note: We recorded this a year before releasing it as we planned for it to be our first On First Listen but scheduling necessities caused us to leave it on the shelf. We mention that it's 54th anniversary is coming up but as we release this it's the 55th anniversary of original release. And it was before we interviewed director Toby Amies about his fabulous documentary King Crimson: In The Court Of The Crimson King for episode 158. Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

We've developed our On First Listen series to give us a chance to explore albums that we didn't know but had heard about for years. Maybe a friend recommended it, perhaps it was popular at a time in our lives when it slipped past us or maybe we'd seen in on all-time lists. King Crimson's debut fit into the third category as many progressive rock fans hold In The Court Of The Crimson King in very high regard. And with many talented line-ups over the years including Greg Lake on bass & vocals, Ian McDonald on keys and many other things, and Robert Fripp on guitar on this album (with future versions featuring John Wetton, Boz Burrell, Bill Bruford, Tony Levin, Adrian Belew, Mel Collins and many, many more) we figured we'd give it a go. However, while the musicianship is off the charts and they experiment with many keys, times and toys (the new mellotron was driving much of their experimental sound), sometimes it's not terribly listenable. 21st Century Schitzoid Man is abrupt and in your face as a protest to the Vietnam War but isn't a toe tapper. The wistful I Listen To The Wind is 180 degree turn as a lovely ballad but is more than 6 minutes long. And Epitaph, Moonchild (nothing like the Iron Maiden song) and The Court Of The Crimson King though they have moments of beauty and style fail to land in the fun zone. While many will appreciate the music for it's complexity and degree of difficulty, it's not an album you put on in the background of a party. Perhaps our blues based rock brains aren't mature enough to understand but we find 70s era Yes and Genesis far easier to digest and enjoy. Note: We recorded this a year before releasing it as we planned for it to be our first On First Listen but scheduling necessities caused us to leave it on the shelf. We mention that it's 54th anniversary is coming up but as we release this it's the 55th anniversary of original release. And it was before we interviewed director Toby Amies about his fabulous documentary King Crimson: In The Court Of The Crimson King for episode 158. Ugly American Werewolf in London Website Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Since the critics can't seem to get enough progressive rock, they are reviewing In the Court of the Crimson King by King Crimson. Nerds unite! This episode features a ravenous parody of a rock'n'roll classic.

Your hosts the 21st century schizoid men invite you to meet them on the desert shore to hear what they make of Christa Paffgen's difficult third album and the King Crimson record that may well be to blame for inventing prog rock. Do they have time for such Fripp-ery?

References Acta Physiologica (Oxford)2024. V.240, Issue 3 e14107 Int. J. Mol. Sci. 2023, 24, 5564 Simon, Paul and Bruce Woodley. 1966.The Cyrkle. "Red Rubber Ball" https://open.spotify.com/track/6DuLN8tFW0DkH9wsbTHZsX?si=3bc8b99f3ae34ac6 Robert Fripp, Ian McDonald, Greg Lake, Michael Giles, Pete Sinfield English 1969. "Court of the Crimson King" King Crimson https://open.spotify.com/track/3kzbkZtBqamTgyO31DO1Sn?si=ff8d5fd6194740d6 Mendelsshon. F. 1830. Overture:"The Hebrides/ Fingal's Cave" Op. 26. https://open.spotify.com/track/5u04CcLiM8zflXQIPcyprv?si=2b08f07ddbe34ed0 --- Support this podcast: https://podcasters.spotify.com/pod/show/dr-daniel-j-guerra/support

Send us a Text Message.A home invasion gone sideways. An eccentric, fancy family dinner interrupted. A project upstairs, and a secret in the basement. Blood, carnage, terror, and a fate worse than death. Put on your Sunday best and settle down for a meal like none other. all music performed by the immensely talented Gregor Quendelincluding:Strauss's blue danubeSschuberts death and the maidenVivaldi, the four seasons, winterMozart's lacrimosa requiemand preludes 4 and 15 from Opus 28 by ChopinCeck this guy out, he's on FreeMusicArchive, and he has hundreds more amazing songs. Please subscribe through Buzzsprout, Stitcher, Spotify, Podchaser, or iTunesFind me on social media on Instagram Facebook and Twitter, or email me direct at AScaryHomeCompanion@gmail.comSupport our PATREON page! And check out the Redbubble merch shop. Support the Show.

Send us a Text Message.On this weeks episode, we discuss King Crimson's 1969 debut: In the Court of the Crimson King. Not only is In the Court of the Crimson King regarded as one of the greatest and most influential progressive rock (or prog rock) albums of all time, it is considered by many to be the album that defined the genre. Like all prog rock musicians, Robert Fripp, Greg Lake, Micheal Giles, and Ian McDonald all know their way around their instruments.   But what makes King Crimson stand out from those they would influence, and what makes this album worthy of a listen, is that the band never lost the sight of what made a song a song; they weren't interested in excessive musicianship over musicality, and most of In the Court of the Crimson King is hauntingly beautiful. Based on the band's live performances, established artists such as Pete Townsend and Jimi Hendrix sung the band's praises before the album was ever released. Their performance in front of an estimated 500,00 people in Hyde Park on a bill with the Rolling Stones in July 1969 reinforced that King Crimson was a band to watch.  When In the Court of the Crimson King was release later that year, songs like title track and "21st Century Schizoid Man" laid down the foundational building blocks for progressive rock for years to come, and cemented King Crimson as one of the most influential bands to come out of the 1960s.  It's never been easier to call 512-766-8495Visit us at www.tappingvinyl.com.

In this brief episode, we spotlight the two metal bands brave enough to tackle the middle part of King Crimson's innovative and highly influential 1969 classic, "21st Century Schizoid Man." Note I: The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note II: All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.org Music Cited in Order of Appearance: King Crimson, "21st Century Schizoid Man" (In the Court of the Crimson King, 1969) Voivod, "21st Century Schizoid Man" (Phobos, 1997) Forbidden, "21st Century Schizoid Man" (Distortion, 1995)

In this brief episode, we spotlight the two metal bands brave enough to tackle the middle part of King Crimson's innovative and highly influential 1969 classic, "21st Century Schizoid Man." Note I: The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note II: All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.org Music Cited in Order of Appearance: King Crimson, "21st Century Schizoid Man" (In the Court of the Crimson King, 1969) Voivod, "21st Century Schizoid Man" (Phobos, 1997) Forbidden, "21st Century Schizoid Man" (Distortion, 1995)

In this brief episode, we spotlight the two metal bands brave enough to tackle the middle part of King Crimson's innovative and highly influential 1969 classic, "21st Century Schizoid Man." Note I: The Radical Research Patreon page is now set up and ready for your patronage. We are offering tiered subscription levels for those who want a set-it-and-forget-it donation option. As ever, if you choose to support us, we are humbled and grateful! patreon.com/RadicalResearchPodcast Note II: All past Radical Research episodes can be found here, where you can also find Jeff's Peter Steele and Fates Warning books…and more to come soon! Radicalresearch.org Music Cited in Order of Appearance: King Crimson, "21st Century Schizoid Man" (In the Court of the Crimson King, 1969) Voivod, "21st Century Schizoid Man" (Phobos, 1997) Forbidden, "21st Century Schizoid Man" (Distortion, 1995)

Novo and Buck discuss King Crimson's debut LP - In the Court of the Crimson King - focusing on the album artwork, the music, sound, and aesthetic, and why this album is more than just a pivotal point in the history of progressive rock, but in fact, it's birthplace. This Episode is brought to you by: Upcoming novel "Til The Bitter [End]emic" - coming soon! Short Story "Post Meridiem" - follow entropy sessions character Lydia, one of the lead madams of an Anonymous House, as she manages the ups and downs of a very unique hospitality market, one that specializes in the most sinful of pleasures only the underbelly of society can really offer; you can find “Post Meridiem” on Amazon ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ in all major ebook formats. Novella “Adul(ter)ation” – Now available as an Audiobook ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - follow adult entertainer Jessica Amber Star as she embarks on a journey that will change her life forever…She not only finds herself in the industry, but figures out a way to transform herself and eventually become…reborn…find out how in Adul(ter)ation, which can be found on Amazon in all major formats. Novel "The Entropy Sessions" - a tale of loss, love, and madness, and our past, present, and future relationships with technology - find it ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠here⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ - in paperback, as an ebook on Amazon, or as an audiobook through Audible. Zencastr - our go-to tool to record our podcast with multiple guests remotely. With Zencastr, you can record separate audio and video tracks, and it's all backed up on a secured cloud so you never lose your hard work. It's reliable, easy to use, and there's nothing to download. So go to ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠zencastr.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and use promo code: artofthebeholder, and get 30% off your first three months with a PRO account. Thank you for listening. You can check out more at novodeproductions.com, please consider supporting us with a donation, and if you'd like to be on the show, you can contact us at novodeproductions@gmail.com. Main resource: wikipedia. --- Support this podcast: https://podcasters.spotify.com/pod/show/artofthebeholder/support

The ‘eater of worlds' is a composite creature hell bent on consuming all life and all good in the world. Many know this monster as the Crimson King or Pennywise, both Stephen King characters, but their essence can also be found in the recent portrait of King Charles, which also features, by mirroring and flipping or applying filters, something clearly unsettling. Some see Baphomet, but this composite has horns pointing upward and is not representative of the demonic like William Blake's Great Red Dragon, an image that appears to be in the center of the painting. And a decapitated king's head instead implies the Ritual of Killing the King, while the butterfly is not Monarch mind control, but a symbol of the BA leaving the body at death. Is the portrait a dark omen of his death and transfer of power to William? Running parallel to this bizarre revelation is the Eurovision contest that seemed more like a black mass for beginners, or at least debauchery dressed up, or down, as entertainment. The Vatican also updated their guidance on apparitions and revelations earlier today, tightening control on official recognition of such things due to frauds and other factors.-FREE ARCHIVE & RSS: https://www.spreaker.com/show/the-secret-teachingsTwitter: https://twitter.com/TST___RadioFacebook: https://www.facebook.com/thesecretteachingsWEBSITE (BOOKS, RESUBSCRIBE for early show access): http://thesecretteachings.infoPaypal: rdgable@yahoo.comCashApp: $rdgableBuy Me a Coffee: https://www.buymeacoffee.com/tstradioSUBSCRIBE TO NETWORK: http://aftermath.mediaEMAIL: rdgable@yahoo.com / TSTRadio@protonmail.com

Rich and Gaz are back with your weekly dose of sanity, with all the WTAF moments of the past week.GET YOUR 40% OFF ALL CDB PRODUCTS HERE: USE THE CODE (WTAF)https://supremecbd.ukWatch the video version for Free every Sunday Exclusive to ickonic.com https://www.ickonic.com/Series/107Get you WTAF Mech here https://shop.ickonic.com

https://www.patreon.com/AdeptusRidiculoushttps://www.adeptusridiculous.com/https://twitter.com/AdRidiculoushttps://orchideight.com/collections/adeptus-ridiculousMagnus the Red (also known as the Crimson King, the Sorcerer-King, Cyclopean Magnus or the Red Cyclops) is the Primarch of the Thousand Sons Chaos Space Marine legion. A giant in both physical and mental terms whilst a mortal inhabitant of the materium, Magnus long tried to understand and control the warp, becoming a sorcerer of formidable power. Magnus would eventually fall from favour with his father, the Emperor, and with the majority of his brother-primarchs due to his zealous advocacy and use of such power. Indeed it would prove to be his mortal undoing, as, forewarned of Horus' fall to Chaos, his attempt to use his own warp-touched abilities to alert the Emperor to the situation brought about his own damnation and servitude to the Chaos God Tzeentch. Magnus led his own troops to the banner of Horus and fought on his side during the Great Betrayal, surviving the events and being elevated to the position of Daemon Prince. He has spent the majority of the millennia since ensconced atop his tower upon the Planet of the Sorcerers, planning the destruction of the Imperium.Support the show

"The plus is because Pete Townshend likes it. (...) Beware the forthcoming hype. This is ersatz shit." -Robert Christgau in his D+ review of King Crimson's debut album "In The Court of the Crimson King" "A statue has never been erected in honor of a critic." -Jean Sibelius Me and the theater kids agree. This is prog rock.

Floating islands rising from the ocean, tethered by chains. Prophecies in song, carried on the wind. Prog rock. These are just a few parts of a listener's bronze-age setting built on an idyllic seascape, traversed by kites and boats. But all is not as it seems, and to learn the truth we must go far into the planet's past, when the red star first rose and the royal pair still reigned together.   Do you have a setting you'd like us to build? Send us your worldbuilding prompt! https://forms.gle/F4SNMH3k7ea5fr1F8 And if you're feeling particularly generous, you can support us on Patreon! https://www.patreon.com/worldbuildwithus Chat with us on our Discord server: https://discord.gg/SRFhWV3 Subscribe to our YouTube channel: https://www.youtube.com/@worldbuildwithus Email us your suggestions: WorldbuildWithUs@gmail.com Follow us on Twitter: @LetsWorldBuild    Intro theme: "Half Mystery" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0  Outro Theme: "Study and Relax" Kevin MacLeod (incompetech.com) Licensed under Creative Commons: By Attribution 3.0 http://creativecommons.org/licenses/by/3.0

King Crimson emerged from the UK in the late 60's with their debut album In The Court of the Crimson King, viewed by many as a prog rock masterpiece. However, right after the album was released, we saw the first of many defections from the band. Over half a century, some of the most proficient musicians on the planet have played with King Crimson, led all the while by the mercurial Robert Fripp. To capture the spirit of the band and to endeavor to find answers as to why there has been so much turnover of band members (19 total members over the years), director Toby Amies (The Man Whose Mind Exploded) took on the task of getting to know the band members during what might just be their final tour. With stints in radio, record labels and MTV on both sides of the pond, Toby Amies has had a fascinating career. He took on the challenge of learning the ins and outs of the members of the band, why they choose to play in King Crimson and what is Robert Fripp's role in guiding this band for over half a century. While Robert will tell the reason for infighting and defections don't lie with him, Toby gets the stories of all the surviving members of King Crimson, current and former, to investigate what makes this band what it is. Not everyone gets King Crimson and their blend of rock, jazz, classical and experimental muisc but once they do, they are hooked true-believers. Toby endeavors to find out why and delivers a compelling film full of human drama, emotion, heartbreak, humor and music. Find how to watch In The Court of the Crimson King - King Crimson at 50 Visit www.tobyamies.com Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

King Crimson emerged from the UK in the late 60's with their debut album In The Court of the Crimson King, viewed by many as a prog rock masterpiece. However, right after the album was released, we saw the first of many defections from the band. Over half a century, some of the most proficient musicians on the planet have played with King Crimson, led all the while by the mercurial Robert Fripp. To capture the spirit of the band and to endeavor to find answers as to why there has been so much turnover of band members (19 total members over the years), director Toby Amies (The Man Whose Mind Exploded) took on the task of getting to know the band members during what might just be their final tour. With stints in radio, record labels and MTV on both sides of the pond, Toby Amies has had a fascinating career. He took on the challenge of learning the ins and outs of the members of the band, why they choose to play in King Crimson and what is Robert Fripp's role in guiding this band for over half a century. While Robert will tell the reason for infighting and defections don't lie with him, Toby gets the stories of all the surviving members of King Crimson, current and former, to investigate what makes this band what it is. Not everyone gets King Crimson and their blend of rock, jazz, classical and experimental muisc but once they do, they are hooked true-believers. Toby endeavors to find out why and delivers a compelling film full of human drama, emotion, heartbreak, humor and music. Find how to watch In The Court of the Crimson King - King Crimson at 50 Visit www.tobyamies.com Ugly American Werewolf in London Website Ugly American Werewolf in London Store - Get your Wolf merch and use code 10OFF2023 to save 10% during the holidays! Visit our sponsor RareVinyl.com and use the code UGLY to save 10%! Twitter Threads Instagram YouTube LInkTree www.pantheonpodcasts.com Learn more about your ad choices. Visit megaphone.fm/adchoices

Today we are talking with Toby Aimes. Toby is the director behind the critically acclaimed “rock-umentary” IN THE COURT OF THE CRIMSON KING: KING CRIMSON AT 50. The film began as a straightforward documentary about the cult rock band King Crimson as it turned 50, mutated into an exploration of time, death, family, and the transcendent power of music to change lives. Hosted by: Andrew Lamping and Jeff Stolhand Produced by: Melody Lopez Original Theme Music by: Stephen D. Bennett --- Send in a voice message: https://podcasters.spotify.com/pod/show/filmmakermixer/message

Alison, Brady and Josh fold time with Event Horizon - the 1997 Paul W.S. Anderson sci-fi horror movie starring Laurence Fishburne and Sam Neill.Plus!Listening To Kenny G, In the Court of the Crimson King, Victims of Sin, Rambo: First Blood Part II, The Nun 2 and The Menu.Send submissions to our Child Throwing and Man on Fire lists!Leave us a voicemail! We'll play it on the show. Check out the Solid Six Store!Letterboxd: Alison, Josh, BradyEmail us - podcast@solidsix.netFollow us on Instagram, Facebook, and TwitterLeave a review on Apple Podcasts and Spotify!

00:00 intro & Collision Course trailer 07:34 King Crimson "In the Court of the Crimson King" album review 19:40 Swifty McVay & 80 Empire "80 Empire" album review linktr.ee/therealrapcritic linktr.ee/mues

This episode is a recording of the first-ever live Rock Docs podcast, recorded at the home of Michael and Kristy Rennie along with friends and fans of the podcast. Along with King Crimson superfan Roger Morrison, we watched the 2022 documentary "In the Court of the Crimson King: King Crimson at 50", directed by Toby Amies. What you'll hear in this episode is the conversation following the screening. The movie is an exploration of the legendary prog rock band King Crimson, overseen by Robert Fripp, the band's leader and only consistent member. We see the band as they prepare for and go on a 50th anniversary tour, along with interviews with current and past members. The movie is as eccentric as the band itself, and is also surprisingly warm and funny. Featuring memorable moments from fans (including a nun) and the band's grizzled roadies. Thanks again to Michael and Kristy for co-hosting the event, to Michael for stepping into Andy's shoes as the episode's co-host, and to Roger for his KC insights. Rock Docs is a Treble Media Podcast hosted by David Lizerbram & Andrew Keatts   Twitter: @RockDocsPod   Instagram: @RockDocsPod   Cover Art by N.C. Winters - check him out on Instagram at @NCWintersArt  

picy and nutritious items in the rock and roll bouillabaisse this week include … … Roger Waters at the Palladium: a masterclass in how to insult an audience. … “without Andrew Loog Oldham, the Stones would have been Manfred Mann.” … the only rock star who can tell a story onstage. … Nempnett Thrubwell, Hinton Blewett, Glaister Fagan … Leafy Somerset hamlet or venerable reggae dubmeister? … the money Dave Grohl made from Nirvana (and it's less than you'd imagine). … why Barry McGuire's Eve Of Destruction was so terrifying. … please, someone, stage an exhibition of original paintings used on album sleeves! … the rise and rise of the rock spectacle. … Hogg, Fat Grapple, Makin' Bacon? Real or fictitious pork-related acts from the Melody Maker Club Calendar 1971. … has social media taken the place of protest music? Why has no-one made a statement the Israel/Hamas war? … more smoking-themed album covers. … what, in her darkest hour, Madonna must think about Taylor Swift's movie triumph. … and In The Court of the Crimson King and other albums that sound like their covers.Tickets for Word In Your Ear live at 21 Soho on October 30th here: https://www.tickettext.co.uk/ysY3FvyFaeTickets for Word In Your Ear live at 21 Soho on November 27th here: https://www.tickettext.co.uk/ZOthfatjxiSubscribe to Word In Your Ear on Patreon for early - and ad-free! - access to all of our content and more!: https://www.patreon.com/wordinyourear Get bonus content on Patreon Hosted on Acast. See acast.com/privacy for more information.

As frequently as we mention King Crimson on this podcast, you'd think we would have done a proper episode on them by now. But we wanted to hold off until we could really do it up right, so this is the premiere of our three-episode series on the greatest pioneers of progressive rock. They didn't fully invent prog, but they did more to solidify the genre than any group that had come before them, to the point where each song on their debut album spawned a different prog subgenre - so, while this isn't the first prog album, it might be the most important. Time to get started on this journey, because the cracked brass bells have rung to summon back all us fire witches to discuss The Court of the Crimson King.Cohosts: Amanda Rodgers, John McFerrin, Mike DeFabio, Dan WatkinsComplete show notes: https://discordpod.com/listen/120-king-crimson-in-the-court-of-the-crimson-king-1969Discord & Rhyme's merch store: http://tee.pub/lic/discordpodSupport the podcast! https://www.patreon.com/discordpod

Next week, the Losers will begin their much-anticipated final coverage of The Dark Tower with the first of two book episodes dedicated to the epic 2004 closer. In anticipation, we're unlocking this quirky, spoiler-filled discussion about the Crimson King from way, way back in August of 2020. At the time, we were just wrapping up our book episode on Insomnia, so it felt right to discuss Big Red. Now, as we reach the Tower, it makes even more sense to head into the Court of the Crimson King. So, join Rockin' Randall Colburn, Dan Caffrey, and Dan Pfleegor as they discuss the King's murky origins, the ways he threads the multiverse, and, most importantly, whether or not they think the King is cool. Again, there will be spoilers -- spotty as their memories are -- so listen at your own risk. Follow us on Facebook | Twitter | Instagram | Patreon | Store Hosted on Acast. See acast.com/privacy for more information.

Insomnia is a rare Stephen King novel that has not yet been adapted. The book centers on an elderly protagonist named Ralph Roberts who must square off against a mischievous supernatural being working at the behest of the dreaded Crimson King.  The novel tackles abortion rights, ageism, and lets us know that a bout with insomnia is all you need to pull back the dull veil of our real world and see the colorful beauty and horror beneath it all.