Podcasts about Italian studies

Host Dr. Sara Pereira sits down with Dr. Brittany Zwischenberger, a cardiothoracic surgeon at Duke University, to explore her remarkable career journey. Dr. Zwischenberger shares how she briefly considered majoring in Italian Studies before deciding to follow in the footsteps of her surgeon father and mentor. She also opens up about personal challenges—including divorce and single motherhood—and how support from her surgical partners helped her become a respected clinician, accomplished researcher, and the first female associate professor of cardiac surgery at Duke.

“Nice liberal democracy you got there, shame if something wuz to happen to it…” Trump behaves like a mob boss, complete with extortion and protection scams against universities, businesses and governments. But is he a real Godfather or just cosplaying as one? John Dickie, Professor of Italian Studies at UCL and expert on the Mafia, joins us to dismantle La MAGA Nostra. Plus – the IMF think we should work well into our seventies. Do we need longer working lives, or better ones? Escape Routes • Seth's London Clubland: A Companion for the Curious  • Ros's choice – A Life by Simone Veil. • John's choices – The Red Brigades: The Terrorists who Brought Italy to its Knees by John Foot and Judgment At Tokyo by Gary J Bass.  • Andrew's choice – the Battle-Action mini-series. • Back us on Patreon for ad-free listening, bonus materials and more.  Written and presented by Andrew Harrison, Ros Taylor and Seth Thévoz. Audio production by Robin Leeburn. Theme music by Cornershop. Produced by Chris Jones. Managing Editor: Jacob Jarvis. Group Editor: Andrew Harrison OH GOD, WHAT NOW? is a Podmasters production. www.podmasters.co.uk Learn more about your ad choices. Visit podcastchoices.com/adchoices

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo's caption, referencing the couple's trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America's sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States' entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood's silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini's, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women's suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini's study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo's caption, referencing the couple's trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America's sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States' entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood's silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini's, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women's suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini's study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/film

In 1927, the Hollywood stars (and spouses), Mary Pickford and Douglas Fairbanks, Jr stood outside their California home, arms raised in fascist salute. The photo's caption, referencing the couple's trip to Rome the previous year, informs fans that the couple “greet guests at their beach camp in true Italian style.” How did “America's sweetheart” and her husband, a swashbuckler on and off screen, both patriots who had promoted Liberty bonds following the United States' entry into World War I, come to normalize something like Italian Fascism in its first decade? How did the Italian-born divo, or star, of Hollywood's silent cinema, Rudolph Valentino come to function as foil and counterpart to Benito Mussolini's, the duce, in public opinion in American culture in the 1920s? Winner of the 2019 award for best book in film/media from the American Association for Italian Studies, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America (University of California Press, 2019) tells the story of the relationship between celebrity culture, charismatic leadership and national sovereignty as it plays out on both sides of the Atlantic from roughly 1917 to the end of 1933. Giorgio Bertellini asks how two racially othered foreigners, Valentino and Mussolini, became leading figures in America and how these two icons of chauvinist Latin masculinity became public opinion leaders in a nation undergoing a major democratic expansion in terms of gender, equality, social mobility, and political representation. In the post-WWI American climate of nativism, isolationism, consumerism, and the democratic expansion of civic rights and women's suffrage, the divo and the duce became surprising paragons of both authoritarian male power as well as mass appeal. Bringing together star studies, screen studies, political science, Italian Studies, and American Studies Bertellini's study teaches us to think in new ways about cinema, political authority, masculinity, and race in Italian cinema and beyond. Meticulously archived, the author pays especial attention to the mediators between screens and the polity, a vast cast of players including journalists, photographers, ambassadors and other functionaries of state, advertisers, sponsors, and publicity agents, all of whom, on concert, work to promote the “ballyhoo” of the day. Thanks to the efforts of TOME (Toward an Open Monograph Ecosystem), a collaboration of the Association of American Universities, the Association of University Presses, and the Association of Research Libraries, The Divo and the Duce: Promoting Film Stardom and the Political Leadership in 1920s America is available free in an open access edition.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/performing-arts

BigTentUSA hosted a crucial conversation with Ruth Ben-Ghiat, historian and author, and Barbara McQuade, former U.S. Attorney and MSNBC Legal Analyst. Kimberly Atkins Stohr, senior opinion writer and columnist at The Boston Globe, moderated the conversation.Both Ben-Ghiat and McQuade are recognized for their expertise in analyzing and addressing challenges to democratic institutions and the rule of law. Together, they discussed connections between historical fascist tactics and the current threats facing America today. This timely discussion shed light on the strategies used to manipulate public perception, erode trust in democracy, and consolidate power—offered insights into how we can resist and respond.ABOUT THE SPEAKERSRuth Ben-Ghiat is a Professor of History and Italian Studies at New York University, specializing in the study of fascism, authoritarianism, and propaganda. She has authored several books, including the New York Times bestseller Strongmen: Mussolini to the Present, which examines how illiberal leaders use propaganda, corruption, violence, and machismo to maintain power. In addition to her academic work, Ben-Ghiat publishes “Lucid,” a Substack newsletter focused on threats to democracy, and serves as an advisor to Protect Democracy.Barbara McQuade is a professor from practice at the University of Michigan Law School, her alma mater, where she teaches courses in criminal law, criminal procedure, national security, and data privacy. She is also a legal analyst for NBC News and MSNBC, and a co-host of the podcast #SistersInLaw. From 2010 to 2017, McQuade served as U.S Attorney for the Eastern District of Michigan. Ms. McQuade was appointed by President Barack Obama, and was the first woman to serve in her position. Earlier in her career, she worked as a sports writer and copy editor, a judicial law clerk, an associate in private practice, and an assistant U.S. attorney. She is also the Author of Attack From Within: How Disinformation is Sabotaging America.Kimberly Atkins Stohr is a senior opinion writer and columnist at The Boston Globe. She is also an MSNBC contributor, a frequent panelist on NBC's “Meet the Press,” and co-host of the weekly Politicon legal news podcast #SistersInLaw. Previously, Kim was the inaugural columnist for The Emancipator, a collaboration between The Boston Globe and Boston University's Center for Antiracist Research that reframes the conversation about racial justice and equality. Download her newest Podcast: Justice By Design HERE.Watch YouTube Recording Learn More: BigTentUSA This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit bigtentnews.substack.com

Full Episode! John A. Di Camillo, PhD, BeL, is a health care ethicist and the Personal Consultations Director at The National Catholic Bioethics Center (NCBC). He manages NCBC's 24/7 free ethics consultation service as well as the Personal Consultations Fellows and Interns Program. Dr. Di Camillo applies Catholic moral theology to science and medicine through research, writing, speaking, mentoring, and fielding hundreds of ethics questions every year. His areas of focus include cooperation with evil, sexual orientation and gender identity, brain death and organ donation, reproductive technologies, and pregnancy complications. He also assists hospital ethics committees as an outside expert and conducts moral analyses of institutional collaborative arrangements. Dr. Di Camillo has a range of teaching experience from middle school to graduate school across various disciplines, including Italian, Church history, science, philosophy, biomedical ethics, and moral theology. He has translated Italian publications on theology, spirituality, and bioethics, and served for a time as the managing editor for Dappled Things Magazine. He earned his BA in the Biological Basis of Behavior and Italian Studies at the University of Pennsylvania in Philadelphia and completed his graduate degrees in bioethics at the Pontifical Athenaeum Regina Apostolorum in Rome.   The National Catholic Bioethics Center: https://www.ncbcenter.org/   Article, “On The Donations of Eggs, Sperm, and Selves” by Dr Morse: https://journals.sagepub.com/doi/abs/10.1177/00243639221128391   Stephanie Gray-Connons on IVF on The Dr J Show: https://www.youtube.com/watch?v=UoDVr6CndD0   The National Catholic Bioethics Center (NCBC): www.ncbcenter.org   NCBC Personal Consultations Department: https://www.ncbcenter.org/about-personal-consults   The Center for Bioethics & Culture Network (CBC): https://cbc-network.org/   The Alabama Decision more info: https://www.ncregister.com/news/alabama-in-vitro-fact-and-fiction and https://cbc-network.org/2024/02/no-alabama-didnt-ban-ivf/   Sacred Heart Shelter ministry: https://sacredheartguardians.org/   Restorative Reproductive Medicine and fertility awareness-based methods as authentic, natural ways of helping couples achieve pregnancy: https://naprotechnology.com/ - Natural Reproductive Technology https://iirrm.org/ - International Institute of Restorative Reproductive Medicine https://naturalwomanhood.org/ - Natural Womanhood: Know Your Body https://www.factsaboutfertility.org/ - Fertility Appreciation Collaborative to Teach the Science   Infertility ministries: https://springsinthedesert.org/ - Springs in the Desert https://www.thefruitfulhollow.com/ - The Fruitful Hollow https://rabboniinstitute.org/infertility/about/ - Sarah's Hope and Abraham's Promise (Rabboni Institute)   This Dr J Show is also on the following platforms:   TheRuthInstitute.Locals.com   https://rumble.com/c/TheRuthInstitute   https://www.bitchute.com/channel/MXkWgTk4Brwr/   https://odysee.com/@TheRuthInstitute:7   Sign up for our weekly newsletter here: https://ruthinstitute.org/newsletter/   Be sure to subscribe, and check out ALL the Dr J Shows!   +   Have a question or a comment? Leave it in the comments, and we'll get back to you!   Subscribe to our YouTube playlist:  @RuthInstitute  Follow us on Social Media: https://www.instagram.com/theruthinstitute https://twitter.com/RuthInstitute https://www.facebook.com/TheRuthInstitute/ https://theruthinstitute.locals.com/newsfeed   Press: NC Register: https://www.ncregister.com/author/jennifer-roback-morse Catholic Answers: https://www.catholic.com/profile/jennifer-roback-morse The Stream: https://stream.org/author/jennifer-roback-morse/ Crisis Magazine: https://crisismagazine.com/author/jennifer-roeback-morse   Father Sullins' Reports on Clergy Sexual Abuse: https://ruthinstitute.org/resource-centers/father-sullins-research/   Listen to our podcast: Apple Podcasts - https://podcasts.apple.com/us/podcast/the-ruth-institute-podcast/id309797947 Spotify - https://open.spotify.com/show/1t7mWLRHjrCqNjsbH7zXv1d

Ruth Ben-Ghiat, Professor of History and Italian Studies at NYU, has written a book, Strongmen: Mussolini to the Present, in which she explains what modern authoritarian leaders have in common with each other and how their plans follow the typical script of fascism developed a hundred years earlier. The post Strongman Dystopia appeared first on WORT-FM 89.9.

Melvyn Bragg and guests discuss the Italian author of Invisible Cities, If On A Winter's Night A Traveller, Cosmicomics and other celebrated novels, fables and short stories of the 20th Century. Calvino (1923 -1985) had a passionate belief that writing and art could make life better for everyone. Despite his parents being scientists, who dearly wanted him to be a scientist too, and his time fighting with the Partisans in Liguria in WWII during which his parents were held hostage by the Nazis, Calvino turned away from realism in his writing. Ideally, he said, he would have liked to be alive in the Enlightenment. He moved towards the fantastical, drawing on his childhood reading while collecting a huge number of the fables of Italy and translating them from dialect into Italian to enrich the shared culture of his fellow citizens. His fresh perspective on the novel continues to inspire writers and delight readers in Italian and in translations around the world.With Guido Bonsaver Professor of Italian Cultural History at the University of OxfordJennifer Burns Professor of Italian Studies at the University of WarwickAndBeatrice Sica Associate Professor in Italian Studies at UCLProducer: Simon TillotsonReading list: Elio Baldi, The Author in Criticism: Italo Calvino's Authorial Image in Italy, the United States, and the United Kingdom (Fairleigh Dickinson University Press, 2020)Elio Baldi and Cecilia Schwartz, Circulation, Translation and Reception Across Borders: Italo Calvino's Invisible Cities Around the World (Routledge, 2024)Peter Bondanella and Andrea Ciccarelli (eds.), The Cambridge Companion to the Italian Novel (Cambridge University Press, 2003), especially the chapter ‘Italo Calvino and Umberto Eco: Postmodern Masters'James Butler, ‘Infinite Artichoke' (London Review of Books, vol. 45, no. 12, 15 June 2023)Italo Calvino (trans. Martin McLaughlin), The Path to the Spiders' Nests (first published 1947; Penguin Classics, 2009)Italo Calvino (trans. Mikki Taylor), The Baron in the Trees (first published 1957; Vintage Classics, 2021)Italo Calvino, Marcovaldo (first published 1963; Vintage Classics, 2023) Italo Calvino (trans. William Weaver and Ann Goldstein), Difficult Loves and Other Stories (first published 1970; Vintage Classics, 2018)Italo Calvino (trans. William Weaver), Invisible Cities (first published 1972; Vintage Classics, 1997)Italo Calvino (trans. Patrick Creagh), The Uses of Literature (first published 1980; Houghton Mifflin, 1987)Italo Calvino (trans. Geoffrey Brock), Six Memos for the Next Millennium (first published 1988; Penguin Classics, 2016) Italo Calvino (trans. Tim Parks), The Road to San Giovanni (first published 1990; HMH Books, 2014) Italo Calvino (trans. Ann Goldstein), The Written World and the Unwritten World: Essays (Mariner Books Classics, 2023)Kathryn Hume, Calvino's Fictions: Cogito and Cosmos (Clarendon Press, 1992)Martin McLaughlin, Italo Calvino (Edinburgh University Press, 1998)In Our Time is a BBC Studios Audio Production

About the series: This is a critical year for the future of democracy. Half the world's population will go to the polls in 2024, at a time when citizens in America and across the globe are losing faith in democratic institutions. We often view the rollback of democracy and threats to the liberal international order as separate problems, but in reality they are closely interlinked. Through a new limited podcast series, MEI's Gonul Tol seeks to examine the interplay between democracy's domestic and international foes as well as how to counter them. In this episode: Last month, the US electorate voted President-Elect Donald Trump back into the White House. His victory was seen by some experts as part of a global trend and a move towards anti-incumbency attitudes and populism. How will Trump's rhetoric impact the United States domestically and internationally? Will he govern as a strongman during his second term? What can we expect to be different from his first term? Dr. Larry Diamond, Mosbacher Senior Fellow of Global Democracy at the Freeman Spogli Institute for International Studies at Stanford University and author of Ill Winds: Saving Democracy from Russian Rage, Chinese Ambition, and American Complacency, and Ruth Ben-Ghiat, Professor of History and Italian Studies at New York University and author of Strongmen: Mussolini to the Present, join host Gonul Tol to discuss Trump's election.

Dance Talk” ® with Joanne Carey and special guest, Artistic Director, Jody Sperling In this episode of Dance Talk, host Joanne Carey chats with Jody Sperling, the artistic director of Time Lapse Dance. They explore Jody's journey into dance, the absolute joy it brings, and the influence of historical figures especially Loie Fuller. The discussion delves into the intersection of dance and science, particularly in relation to climate change and environmental themes. Jody shares insights on the role of costumes in her performances, the experience of dancing, and the importance of community connection. They also touch on the two solo works Jody created in homage to Loïe Fuller, Claire de Lune and Vive La Loïe! (world premiere) on the Paul Taylor Company  for their Lincoln Center Season at the Koch Theater.  Tune in - I am sure you  will find Jody's joy and exuberance infectious! Jody Sperling is A New York City-based dancer-choreographer,who has created more than 50 works. She is considered the world's leading exponent of the style of early modern dancer and performance technologist ⁠Loïe Fuller⁠ (1862-1928). Sperling has expanded Fuller's genre into the 21st century, deploying it in the context of contemporary and environmental performance forms. She is currently Eco-Artist-in-Residence at The New York Society for Ethical Culture. Years of working in Fuller's idiom has influenced Sperling's awareness of the body's relationship with the larger environment. In 2014, she participated in a polar science mission—as the first choreographer-in-residence aboard a US Coast Guard icebreaker—and danced on Arctic sea ice. Her short film Ice Floe, shot during the expedition, won a Creative Climate Award. Following her Arctic experience, her artistic focus has been on engaging with climate creatively. Sperling earned a World Choreography Award nomination for her work on the French feature film “The Dancer” (Dir. Stephanie Di Giusto, 2016 Cannes Film Festival). She is also featured and created a new work for the Fuller documentary Obsessed with Light (Dirs. Sabine Krayenbuehl and Zeva Oelbaum, premiere 2023 Rome Film Fest).  Sperling and company have performed or taught throughout the US and in Bahrain, Canada, France, India, Ireland, Italy, The Netherlands, Nigeria, Russia, and Scotland. She holds a BA from Wesleyan University in Dance and Italian Studies, an MA in Performance Studies from New York University Tisch School of the Arts, and an MFA in Dance from Montclair State University. Sperling and Time Lapse Dance have received commissions from the Vermont Performance Lab with Marlboro College, The University of Wyoming through the NEA American Masterpieces Program, and the Streb Lab for Action Mechanics. Works have been featured in the repertory of The Netherlands' Introdans ensemble and performed by Ice Theatre of New York. Sperling, also a dance writer and scholar, has served on the Board of Directors of the Society of Dance History Scholars (SDHS). Her dance writings have appeared online and in print in Dance Magazine, The Village Voice, The SDHS Conference Proceedings, The International Encyclopedia of Dance, and she has contributed chapters to the books Birds of Paradise: Costume as Cinematic Spectacle (British Film Institute, 2014) and Milestones in Dance in the USA (Routledge, 2022). Prior to founding Time Lapse Dance, Sperling performed as a dancer in the works of other choreographers including Sarah Michelson and Yvonne Rainer.  ⁠⁠⁠ Learn More ⁠www.timelapsedance.com/⁠ Tickets to see Jody's work with the Paul Taylor Company  ⁠https://www.davidhkochtheater.com/tickets-and-events/paul-taylor⁠ Follow “Dance Talk” ® with Joanne Carey wherever you listen to your podcasts.  ⁠⁠⁠⁠https://dancetalkwithjoannecarey.com/⁠⁠ Tune in. Follow. Like us. And Share.  Please leave us review about our podcast!  “Dance Talk” ® with Joanne Carey  "Where the Dance World Connects, the Conversations Inspire, and Where We Are Keeping Them Real."

Going into November, we'll be doing some shows where we talk with one guest, for the hour, who knows a lot about the election. This hour, we talk with Ruth Ben-Ghiat about authoritarianism and democracy. GUEST:  Ruth Ben-Ghiat: Professor of History and Italian Studies at New York University. Her latest book is Strongmen: Mussolini to the Present. She also writes the Substack newsletter “Lucid.”  Support the show: http://www.wnpr.org/donateSee omnystudio.com/listener for privacy information.

Ruth Ben-Ghiat, Professor of History and Italian Studies at NYU, has written a book, Strongmen: Mussolini to the Present, in which she explains what modern authoritarian leaders have in common […] The post Strongman Dystopia appeared first on WORT-FM 89.9.

Maggie Mertens www.MaggieMertens.com) is a writer, journalist, and editor located in Seattle. Her essays and reporting have appeared in The Atlantic, NPR, Sports Illustrated, ESPNw, Deadspin, VICE, The Cut, Glamour, Pacific Standard, Refinery29, and Creative Nonfiction, among others. Her work has also appeared in The Year's Best Sports Writing 2021 (Triumph Books), Women and Sports in the United States (The University of Chicago Press), and has been nominated for the 2021 Dan Jenkins Medal for Excellence in Sportswriting. She earned a B.A. in English Literature and Italian Studies from Smith College, and an M.F.A. in Creative-Nonfiction Writing from The New School. Today we discuss her new book Better, faster, Farther: How Running Changed Everything we Know About Women. Maggie is a greta story teller and her book/interview discuss the earliest stages of women's running, from the 1896 Olympic marathon, the myth of women collapsing on the track in the 1928 Olympics that set women's sport back decades, to Paula Radcliff, Caitlin Clark and modern day women in sport. Connect with Maggie at www.MaggieMertens.com.  NEW WOC MASTERMIND AND CERTIFICATION PROGRAM As you may have heard, we decided to cancel our 2024 Way of Champions Conference, which opens up the opportunity for us to begin a year long mastermind and coach certification program in the Way of Champions and CTGP materials. If you want to simply take a deeper dive then ever offered before into your coaching and personal development, or work within your school or club improving coaching or transforming the culture, or you want to hit the road as a speaker and presenter working with teams and youth sports organizations, we will give you the tools and support to do so. We are collecting names who are interested at this moment in learning more, you can do so by clicking here and adding your name and email to the list. PUT IN YOUR BULK BOOK ORDERS FOR OUR BESTSELLING BOOKS! Programs such as UNC soccer and lacrosse, Syracuse lacrosse, Stanford Lacrosse, Middlebury College, Colby College, Rutgers University, and many other champions are using THE CHAMPION TEAMMATE book with their athletes. Schools and clubs are using EVERY MOMENT MATTERS for staff development and book clubs. Are you?  We have been fulfilling numerous bulk orders for some of the top high school and collegiate sports programs in the country, will your team be next? Click here to visit John's author page on Amazon Click here to visit Jerry's author page on Amazon Please email John@ChangingTheGameProject.com if you want discounted pricing on 10 or more books on any of our books. Thanks everyone. This week's podcast is brought to you by our friends at Sprocket Sports.  Sprocket Sports is a new software platform for youth sports clubs.  There are a lot of these systems out there, but Sprocket provides the full enchilada. They give you all the cool front-end stuff to make your club look good– like websites and marketing tools – AND all the back-end transactions and services to run your business better so you can focus on what really matters – your players and your teams. Sprocket is built for those clubs looking to thrive, not just survive, in the competitive world of youth sports clubs.  So if you've been looking for a true business partner – not just another app – check them out today at https://sprocketsports.me/CTG. Become a Podcast Champion! This weeks podcast is also sponsored by our Patreon Podcast Champions. Help Support the Podcast and get FREE access to our most popular online courses, a $300 value. If you love the podcast, we would love for you to become a Podcast Champion, (https://www.patreon.com/wayofchampions) for as little as a cup of coffee per month (OK, its a Venti Mocha), to help us up the ante and provide even better interviews, better sound, and an overall enhanced experience. Plus, as a $10 per month Podcast Super-Champion, you will have access to never before released and bonus material, including: Downloadable transcripts of our best podcasts, so you don't have to crash your car trying to take notes! A code to get free access to our online course called “Coaching Mastery,” usually a $97 course, plus four other courses worth over $100, all yours for free for becoming a patron. Other special bonus opportunities that come up time to time Access to an online community of coaches like you who are dedicated listeners of the podcast, and will be able to answer your questions and share their coaching experiences

Erin's work includes the features film projects: Good Time, Italian Studies, Funny Pages, and Bad Actor: A Hollywood Ponzi Scheme. Erin also edited the short films: Rejoice In The Lamb, Power Signal, and Dance, starring Pura Fe.  

In the wake of a “major Summit” on Ukraine which neither the Russians nor the Chinese attended, the war remains as murky and inconclusive as ever. And it's this murkiness and inconclusiveness that the San Francisco based writer Sasha Vasiljuk explores in her new novel, Your Presence is Mandatory. But Vasiljuk's semi-autobiographical, semi-fictional canvas focuses on more than just Putin's invasions of Ukraine. It's a sweeping panorama of the last seventy-five years of Ukrainian history - although there's nothing particularly sweeping or panoramic about the awkward secrets that Vasiljuk digs up in this most most morally murky of geographies.Sasha Vasilyuk is a journalist and author of the debut novel Your Presence is Mandatory (Bloomsbury) about a Ukrainian Jewish WWII soldier and his family who reckon with his lifelong secrecy. The novel will also come out in Italy, France, Germany, Finland and Brazil in Fall 2024. Sasha grew up between Ukraine and Russia before immigrating to the U.S. at the age of 13. She has a MA in Journalism from New York University and her nonfiction has appeared in The New York Times, CNN, TIME, Los Angeles Times, Harper's Bazaar, BBC Radio, USA Today, KQED, San Francisco Chronicle, The Telegraph, and Narrative. She has won several writing awards, including the Solas Award for Best Travel Writing and the NATJA award. Besides writing, she has founded a leading wedding PR company and the first coworking space in San Francisco. She also spent a year traveling alone around the world. Sasha is a graduate of Lowell High School, UC Berkeley (BA in Comparative Literature and Italian Studies), and New York University (MA in Journalism). She lives in San Francisco with her husband and two children.Named as one of the "100 most connected men" by GQ magazine, Andrew Keen is amongst the world's best known broadcasters and commentators. In addition to presenting KEEN ON, he is the host of the long-running How To Fix Democracy show. He is also the author of four prescient books about digital technology: CULT OF THE AMATEUR, DIGITAL VERTIGO, THE INTERNET IS NOT THE ANSWER and HOW TO FIX THE FUTURE. Andrew lives in San Francisco, is married to Cassandra Knight, Google's VP of Litigation & Discovery, and has two grown children.Keen On is a reader-supported publication. To receive new posts and support my work, consider becoming a free or paid subscriber. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit keenon.substack.com/subscribe

Tra il 3 e il 6 luglio si terrà il convegno dell'ACIS (Australasian Centre for Italian Studies), che riunisce italianisti ed italianiste che operano in Australia e Nuova Zelanda. Ne parliamo con Francesco Ricatti.

Notes and Links to Sasha Vasilyuk's Work      For Episode 234, Pete welcomes Sasha Vasilyuk, and the two discuss, among other topics, her childhood in Ukraine, Russia, and then San Francisco, her experiences with multilingualism, early formative and transformative reading, seeds for Your Presence is Mandatory, including the ways in which Ukrainian Jewish grandfather's experiences informed the book, gender balances in the USSR post-WWII, humanity and the ways it's expressed in the book, connections between contemporary separatist movements and World War II, and salient themes like grief, trauma, and the ways in which secrecy affects generations.         Sasha Vasilyuk is a journalist and author of the debut novel Your Presence is Mandatory about a Ukrainian Jewish WWII soldier and his family who reckon with his lifelong secrecy, which is coming out in 2024. Sasha has written a lot about Eastern Europe, art, culture, travel and business. Her nonfiction has appeared in The New York Times, TIME, NBC, Harper's Bazaar, BBC Radio, USA Today, KQED, San Francisco Chronicle, The Telegraph, Los Angeles Times, and Narrative. She has won several writing awards, including the Solas Award for Best Travel Writing and the NATJA award. Besides writing, she has founded a leading wedding PR company, the first coworking space in San Francisco, and the first U.S. magazine for Russian-speaking emigre teens. She also spent a year traveling alone around the world. Sasha is a graduate of Lowell High School, UC Berkeley (BA in Comparative Literature and Italian Studies), and New York University (MA in Journalism). She lives in San Francisco with her husband and two children.   Buy Your Presence is Mandatory     Sasha's Website   Review of Your Presence is Mandatory in Los Angeles Review of Books     At about 2:55, Sasha talks about her language background, early life  At about 6:00, Sasha talks about early reading through talking about a trip to her San Francisco childhood home At about 9:00, Pete tests Sasha's British English and NorCal slang and Sasha talks about her experiences in ESL in school At about 10:40, Sasha responds to Pete's questions about if and how Russian enhances/affects her English writing At about 13:15, Sasha shares her thoughts on A Woman Warrior and other formative and transformative texts At about 16:20, Sasha highlights contemporary and not so contemporary books that challenge and inspire her, including Vasily Grossman's Life and Fate and Yaa Gaasi's Homegoing At about 19:10, Sasha shares a cool story about the origin of her cover At about 21:35, Sasha gives background on the book's seeds At about 26:20, Sasha shares how Masha and other voices are important in the book At about 27:20, Pete provides some of the book's exposition and how a famous Yevtushenko poem is related  At about 28:45, Pete wonders about atheism and its connection to the Soviet Jews and Christians featured in her book At about 32:10, Pete provides information on key characters in the book, especially Yefim and Niña, and Sasha addresses the note from the book that is a catalyst for important events in the book At about 34:00, The two discuss Baltic/Soviet Union history that informs a lot of the book's key events At about 38:45, Sasha discusses the peculiarities of gender balance (due to the massive death from the WWII-era) that inform the relationship between Yefim and Nina and so many in the book and in real-life At about 42:55, The two discuss Stalino/Donetsk, which features in the book prominently  At about 44:20, Pete reflects on how a possible extramarital affair is so suggestive of the secrecy of the post WWII Soviet Union At about 45:00, Pete's wondering about Yefim's avoiding admittance of his Jewishness and how it paralleled Sasha's grandfather; her response deals with a key question that propelled  At about 50:20, Pete compliments Sasha's fresh take on the events of history/the book  At about 51:40, Pete highlights a key and well-drawn scene that takes place within Germany, and Sasha recounts her experiences in traveling in Berlin and Germany as a whole, and how humanity and nuance come into play  At about 57:20, Pete brings up The Book Thief in praising the ways in which Sasha portrays humanity and the closeness of history  At about 59:15, Sasha discusses her “post-pub weird mental state” and future projects     You can now subscribe to the podcast on Apple Podcasts, and leave me a five-star review. You can also ask for the podcast by name using Alexa, and find the pod on Stitcher, Spotify, and on Amazon Music. Follow me on IG, where I'm @chillsatwillpodcast, or on Twitter, where I'm @chillsatwillpo1. You can watch this and other episodes on YouTube-watch and subscribe to The Chills at Will Podcast Channel. Please subscribe to both my YouTube Channel and my podcast while you're checking out this episode.    I am very excited about having one or two podcast episodes per month featured on the website of Chicago Review of Books. The audio will be posted, along with a written interview culled from the audio. A big thanks to Rachel León and Michael Welch at Chicago Review-I'm looking forward to the partnership! Look out for my interview with José Vadi sometime around May 17.    Sign up now for The Chills at Will Podcast Patreon: it can be found at patreon.com/chillsatwillpodcastpeterriehl     Check out the page that describes the benefits of a Patreon membership, including cool swag and bonus episodes. Thanks in advance for supporting my one-man show, my DIY podcast and my extensive reading, research, editing, and promoting to keep this independent podcast pumping out high-quality content!       This is a passion project of mine, a DIY operation, and I'd love for your help in promoting what I'm convinced is a unique and spirited look at an often-ignored art form.    The intro song for The Chills at Will Podcast is “Wind Down” (Instrumental Version), and the other song played on this episode was “Hoops” (Instrumental)” by Matt Weidauer, and both songs are used through ArchesAudio.com.     Please tune in for Episode 235 with Lindsay Hunter, whose novel, DON'T KISS ME, was published by FSG Originals in 2013 and was named one of Amazon's 10 Best Books of the Year: Short Stories; her latest novel, Eat Only When You're Hungry, was a Book of the Month Club selection, a finalist for the 2017 Chicago Review of Books Fiction Award, and a 2017 NPR Great Read. She has been a great help to me as the marvelous host of the podcast I'm a Writer But; her fifth book, 2023's Hot Springs Drive, was named one of the 12 Best Thrillers of the Year by the Washington Post.  The episode will go live on May 22.  Lastly, please go to https://ceasefiretoday.com/, which features 10+ actions to help bring about Ceasefire in Gaza.

This podcast features alumna author Nicole Ruane, class of 1988. Nicole is senior lecturer in classics, humanities, and Italian Studies at University of New Hampshire. She was previously a visiting assistant professor at Syracuse University, a lecturer at Northeastern University, and an instructor at Union Theological Seminary and The General Theological Seminary. She has published numerous scholarly articles about gender, sacrifice, and ritual in the Bible and her work was included in “A Question of Sex? Gender and Difference in the Hebrew Bible and Beyond,” edited by Deborah Rooke as well as other collections. Her book is “Sacrifice and Gender in Biblical Law.”

Host Reed Galen is joined by Ruth Ben-Ghiat, Author and Professor of History and Italian Studies at New York University. They discuss what to take away from the latest E. Jean Carroll verdict, how autocrats and criminal behavior often go hand-in-hand, and Greg Abbott's handling of the Texas border as viewed through a lens of authoritarianism. Plus, why eroding trust in democratic institutions is an autocrat's greatest weapon. If you'd like to hear more from Ruth, check out Lucid (her Substack newsletter) and pick up Strongmen: Mussolini to the Present. For more from Reed Galen, subscribe to “The Home Front”. If you'd like to ask a question or share a comment with The Lincoln Project, send an email to podcast@lincolnproject.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

"The smaller the audience, the bigger the history." So, at least, said Tony Wilson, co-founder of Factory Records and larger than life character at the center of Michael Winterbottom's 2002 punk pseudo-music-doc, our topic today! We are joined by Professor of Italian Studies at Boston College to explore the pull of nostalgia, anticipated retrospection, how the film's blend of fact/fiction/and legend reflects the mythmaking of its protagonist, and, of course, the music duh! What do you think of the movie? What do you think of the show? Email us at cowspod@gmail.com! Reach out to us on Twitter @cowspod! And find us on the web at www.cowspod.com

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/new-books-network

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/islamic-studies

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/intellectual-history

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/european-studies

In Dante and the Mediterranean Comedy: From Muslim Spain to Post-Colonial Italy (Palgrave Macmillan, 2022), Andrea Celli explores the complex ways in which Dante's Comedy could be considered ‘Mediterranean,' ranging widely from Orientalist scholarship to prison wall graffiti in Palermo. He presents both a history of criticism that explores the 20th-century debates around Dante and Islam as well as a novel approach to interrogating Mediterranean possibilities in the reception and appropriation of Dante's poem. Celli's Mediterranean Dante is neither given over to the ‘clash of civilizations' model nor to the idealized notion of a cultural melting pot, but instead to a nuanced perspective that moves beyond traditional binaries and paradigms. In a medieval mode, he draws attention to the possible use of Islamic sources in the punishment of Muhammad in Inferno 28 and explores affinities between Ibn Hazm's 11th-century Andalusian work Ring of the Dove and Dante's Vita Nuova. With an orientation to reception, he dwells at length on the 17th-century drawings and grafitti on the prison walls of the Palazzo Chiaramonte-Steri in Palermo that see a blending of high and low culture and connect Dante to broader Mediterranean culture in early modern Sicily. Dante and the Mediterranean Comedy breaks new ground in assembling such materials and critical perspectives; it urges us to both read the Comedy through the heuristic tool of the Mediterranean and to read the field of Mediterranean studies through Dante. Akash Kumar is Assistant Professor of Italian Studies at the University of California, Berkeley. His research focuses on medieval Italian literature through the lens of Mediterranean and global culture, from the history of science to the origins of popular phenomena such as the game of chess. Recent work on a global Dante has appeared in the volume Migrants Shaping Europe, Past and Present (Manchester UP, 2022), MLN (2022), and the Blackwell Companion to World Literature (2020). Akash also serves as Editor of Dante Notes, the digital publication of the Dante Society of America. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/italian-studies

On today's episode of Hear Me Out… sailing the ocean blue. Most of us just had Monday off for the holiday formerly known as Columbus Day — and technically, still known as Columbus Day, on the federal level. Indigenous People's Day, or Native Americans' Day, was christened as a rebuttal to what Columbus actually meant for many: colonialism, violence, death, and destruction. But there are those who believe that Columbus, the man, is a different beast than Columbus, the event. Spanish ships landing in the Caribbean was a monumental moment in global history… so could that still be worth commemorating, even in a world that's no longer kind to Columbus?  Prof. William Connell, chair of Italian Studies at Seton Hall University and organizer/co-editor of the definitive Routledge History of Italian-Americans, joins us.  If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of Hear Me Out… sailing the ocean blue. Most of us just had Monday off for the holiday formerly known as Columbus Day — and technically, still known as Columbus Day, on the federal level. Indigenous People's Day, or Native Americans' Day, was christened as a rebuttal to what Columbus actually meant for many: colonialism, violence, death, and destruction. But there are those who believe that Columbus, the man, is a different beast than Columbus, the event. Spanish ships landing in the Caribbean was a monumental moment in global history… so could that still be worth commemorating, even in a world that's no longer kind to Columbus?  Prof. William Connell, chair of Italian Studies at Seton Hall University and organizer/co-editor of the definitive Routledge History of Italian-Americans, joins us.  If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of Hear Me Out… sailing the ocean blue. Most of us just had Monday off for the holiday formerly known as Columbus Day — and technically, still known as Columbus Day, on the federal level. Indigenous People's Day, or Native Americans' Day, was christened as a rebuttal to what Columbus actually meant for many: colonialism, violence, death, and destruction. But there are those who believe that Columbus, the man, is a different beast than Columbus, the event. Spanish ships landing in the Caribbean was a monumental moment in global history… so could that still be worth commemorating, even in a world that's no longer kind to Columbus?  Prof. William Connell, chair of Italian Studies at Seton Hall University and organizer/co-editor of the definitive Routledge History of Italian-Americans, joins us.  If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today's episode of Hear Me Out… sailing the ocean blue. Most of us just had Monday off for the holiday formerly known as Columbus Day — and technically, still known as Columbus Day, on the federal level. Indigenous People's Day, or Native Americans' Day, was christened as a rebuttal to what Columbus actually meant for many: colonialism, violence, death, and destruction. But there are those who believe that Columbus, the man, is a different beast than Columbus, the event. Spanish ships landing in the Caribbean was a monumental moment in global history… so could that still be worth commemorating, even in a world that's no longer kind to Columbus?  Prof. William Connell, chair of Italian Studies at Seton Hall University and organizer/co-editor of the definitive Routledge History of Italian-Americans, joins us.  If you have thoughts you want to share, or an idea for a topic we should tackle, you can email the show: hearmeout@slate.com Podcast production by Maura Currie You can skip all the ads in Hear Me Out by joining Slate Plus. Sign up now at slate.com/hearmeoutplus for just $15 a month for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Host Reed Galen is joined by Ruth Ben-Ghiat, Author and Professor of History and Italian Studies at New York University. They discuss the role extremist groups play in a nation's evolution to authoritarianism, how every Trump rally since 2015 has been a radicalization site, and how the history of strongmen can inform our nation's current political moment. If you'd like to hear more from Ruth, check out Lucid (her Substack newsletter) and pick up Strongmen: Mussolini to the Present. If you'd like to ask a question or share a comment with The Lincoln Project, send an email to podcast@lincolnproject.us. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ruth Ben-Ghiat, Professor of History and Italian Studies at New York University, joins Am Johal to discuss the pertinent topic of fascism and how political figures use and promote the image of “strongmen'' in their pursuit of power. Am and Ruth explore the modern political environment through Ruth's book, Strongmen: From Mussolini to the Present, linking the style of Mussolini to politicians like Berlusconi, Orban, and Trump, and the process by which they become more corrupt, more reliant on power, and thereby more reliant on extremists. In conjunction with our previous episode with Alberto Toscano, these two episodes give a historical perspective to understanding the rise of fascism in the present. Full episode details: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/218-ruth-ben-ghiat.html Read the transcript: https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/transcripts/218-ruth-ben-ghiat.html Resources: Ruth Ben-Ghiat: https://ruthbenghiat.com/ Strongmen: Mussolini to the Present: https://wwnorton.com/books/strongmen Lucid: Substack Newsletter: https://lucid.substack.com/ Bio: Ruth Ben-Ghiat is Professor of History and Italian Studies at New York University. She writes about fascism, authoritarianism, propaganda, and democracy protection. Her latest book, Strongmen: Mussolini to the Present, examines how illiberal leaders use corruption, violence, propaganda, and machismo to stay in power, and how resistance to them has unfolded over a century. Cite this episode: Chicago Style Johal, Am. “Fascist Strongmen — with Ruth Ben-Ghiat.” Below the Radar, SFU's Vancity Office of Community Engagement. Podcast audio, September 12, 2023. https://www.sfu.ca/vancity-office-community-engagement/below-the-radar-podcast/episodes/218-ruth-ben-ghiat.html.

Steve Adubato welcomes William Connell, Ph.D., La Motta Chair of Italian Studies at Seton Hall University, for an informative discussion about the history and impact of Italian Americans in New Jersey. Michele Siekerka, President & CEO of New Jersey Business and Industry Association joins Steve Adubato to discuss the corporate business tax, the implications of […]

* Candidate Ron DeSantis Poses Unique Threat to Democracy; Ruth Ben-Ghiat, Professor of History and Italian Studies at New York University; Producer: Scott Harris. * Massive Pentagon Budget Increased Under Proposed Debt Ceiling Deal; Lindsay Koshgarian, Program Director of the National Priorities Project; Producer: Scott Harris. * Food Rescue Group Feeds The Hungry, Protects the Environment; Lori Martin, Haven's Harvest co-founder and executive director; Producer: Melinda Tuhus.

Whitney Stewart is the director of clinical project management at Curebase. She has served the clinical research space for more than 10 years, and holds bachelors' degrees in Molecular and Cellular biology, and Italian Studies.  In this episode we discuss evidence standards for digital therapeutics and the recent Digital Therapeutics Alliance publication “Setting the Stage for a Fit-For-Purpose DTx Evidentiary Standard”. Whitney on LinkedIn: https://www.linkedin.com/in/whitney-stewart-b9969326/ Digital Therapeutics Alliance and Curebase release publication setting the stage for a fit-for-purpose evidence standard for digital therapeutics (DTx): https://www.curebase.com/news/digital-therapeutics-alliance-and-curebase-release-publication-setting-the-stage-for-a-fit-for-purpose-evidence-standard-for-digital-therapeutics-dtx Learn more about our sponsor, Inato: https://go.inato.com/41YxjXY  

Episode 158: Simulation and Simulacra in the Tripoli Trade Fairs In this podcast, Stephanie Malia Hom, Associate Professor of Transnational Italian Studies at the University of California - Santa Barbara, discusses her work on colonial Libya. She applies Jean Baudrillard's ideas of simulacra and simulation to make sense of the way that Italian authorities constructed the Tripoli Trade Fairs (1927-1939) as an idealized vision of Libya, and the Italian colonial empire more broadly, while simultaneously applying violent practices in Cyrenaica to crush anti-colonial rebellion. She ultimately argues that the pavilions at the Tripoli Trade Fairs "belie an insecurity on the part of Italian colonizers to demonstrate the worth of their own enterprise." Throughout her work, Hom raises questions about mobility, hyperreality, imperialism, nationalism, violence, aesthetics, and spatial production while depicting how these themes are profoundly intertwined. Stephanie Malia Hom is Associate Professor of Transnational Italian Studies at the University of California, Santa Barbara. She writes and lectures on modern Italy and the Mediterranean, mobility studies, colonialism and imperialism, migration and detention, and tourism history and practice. Prior to her appointment at UCSB, she served as Executive Director of the Berkeley-based nonprofit organization, Acus Foundation, and before that, as Presidential Professor of Italian at the University of Oklahoma. She is the author of Empire's Mobius Strip: Historical Echoes in Italy's Crisis of Migration and Detention (Cornell, 2019), which won the 2019 AAIS Book Prize (20th and 21st century), and The Beautiful Country: Tourism and the Impossible State of Destination Italy (Toronto, 2015). She also co-edited with Ruth Ben-Ghiat, the edited volume Italian Mobilities (Routledge, 2016), and with Claudio Fogu and Laura E. Ruberto the special issue of California Italian Studies (2019) on “Borderless Italy/Italia senza frontiere.” Her essays and articles have been published in wide range of venues, including the leading journals in the fields of Italian studies, tourism history, urban studies, and folklore. She has also worked as a journalist in the U.S. and Europe. For her research, Hom has been awarded fellowships from the American Council of Learned Societies, American Academy in Rome, American School of Classical Studies in Athens, Harvard University, Stanford Humanities Center, and The Nantucket Project. She earned her MA and PhD in Italian Studies at UC Berkeley, and a BA with honors in International Relations from Brown University. This podcast was recorded via Zoom by the Centre d'Études Maghrébines à Tunis (CEMAT) on December 13, 2022 with Luke Scalone, CEMAT Chargé de Programmes. We thank Hishem Errish, a music composer and oud soloist, for his interpretation of “When the Desert Sings” in the introduction and conclusion of this podcast. Posted by: Hayet Yebbous Bensaid, Librarian, Outreach Coordinator, Content Curator (CEMA).

Host Reed Galen is joined by Ruth Ben-Ghiat, Author and Professor of History and Italian Studies at New York University. They discuss how the entire GOP has become an autocratic entity (not just the MAGA extremists), why Trump's propaganda has turned into policy, and how Donald Trump's victimhood complex is just another play from the standard authoritarian playbook. Plus, what's the fallout from the original sin of not prosecuting Donald Trump? If you'd like to connect with The Lincoln Project, send an email to podcast@lincolnproject.us.  

This week, my guest Professor Ruth Ben-Ghiat, an expert in authoritarianism, democracy protection, and propaganda and author of the bestelling book, Strongmen: Mussolini to the Present. Ruth is both a professor of History and Italian Studies at New York University. Outside of the classroom, Ruth frequently appears on cable news to discuss the frightening similarities between early fascism in Europe and current movements here in the United States within the Republican party and abroad. On today's episode, I speak wth Ruth about our current crop of authoritarian brutes who use corruption, violence, propaganda, and machismo to stay in power and what we can do to stop them. To stay current with Ruth's thinking, you can subscribe to her substack, Lucid or read her and her insightful opinion column with MSNBC. Contact Booked Up: You can email Jen & the Booked Up team at: BOOKEDUP@POLITICON.COM or by writing to:  BOOKED UP  P.O. BOX 147 NORTHAMPTON, MA 01061 Get More from Ruth Ben-Ghiat Twitter | Website | LUCID Substack |  Author of STRONGMEN Get More from Jen Taub: Twitter | Follow the Money substack| Author of BIG DIRTY MONEY 

This Week's Guests: Professor - Ruth Ben-Ghiat Comedian - Tony Daro The World's Famous comedy Cellar presents "Live From America Podcast" with Noam Dworman and Hatem Gabr. The top experts and thinkers of the world and the best comics in the Nation get together weekly with our hosts to discuss different topics each week, News, Culture, Politics, comedy & and more with an equal parts of knowledge and comedy! Ruth Ben-Ghiat is Professor of History and Italian Studies at New York University. She writes about fascism, authoritarianism, and propaganda. She is the recipient of Guggenheim and other fellowships and an advisor to Protect Democracy. She is an MSNBC opinion columnist and provides commentary on MSNBC and other networks. She publishes Lucid, a newsletter on threats to democracy. Her latest book, Strongmen: Mussolini to the Present (2020; paperback, 2021), looks at how illiberal leaders use propaganda, corruption, violence, and machismo - and how they can be defeated. Her newsletter https://lucid.substack.com/about?utm_source=menu-dropdown Her Book https://wwnorton.com/books/9781324001546 Follow Live From America YouTube www.youtube.com/channel/UCS2fqgw61yK1J6iKNxV0LmA Twitter twitter.com/AmericasPodcast www.LiveFromAmericaPodcast.com LiveFromAmerica@ComedyCellar.com Follow Hatem Twitter twitter.com/HatemNYC Instagram www.instagram.com/hatemnyc/ Follow Noam Twitter twitter.com/noamdworman?lang #strongmen #StrongmenRuthBenGhiat #RuthBenGhiat

Historian Ruth Ben-Ghiat describes the similarities between current authoritarian movements and those of the past. Ruth is a historian who specializes in authoritarianism and propaganda. She's a professor of History and Italian Studies, as well as an MSNBC Opinion Columnist and frequent guest commentator on CNN, MSNBC, and other media channels. Her most recent book, Strongmen: From Mussolini to the Present, examines how authoritarians use propaganda, virility, corruption, and violence to stay in power, and how they can be opposed.  Ruth also authored Fascist Modernities, about how Mussolini presented fascism as a unique solution to his people, and Italian Fascism's Empire Cinema, about the propaganda films created in Mussolini's Italy. If you'd like to hear more from Ruth, you can subscribe to her weekly newsletter Lucid for free. Also, make sure to check out her website, ruthbenghiat.com, and follow her on Twitter @ruthbenghiat. Learn more about your ad choices. Visit megaphone.fm/adchoices

How close are we to fascism in America? David sits down to discuss with Ruth Ben-Ghiat, Professor of History and Italian Studies at New York University. What are the resonances between our current moment and the 1920s and 30s? How worried should we be about fascism bubbling up from the state and local levels? Is the global movement to protect democracy actually making some gains? Find out during this insightful conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

How close are we to fascism in America? David sits down to discuss with Ruth Ben-Ghiat, Professor of History and Italian Studies at New York University. What are the resonances between our current moment and the 1920s and 30s? How worried should we be about fascism bubbling up from the state and local levels? Is the global movement to protect democracy actually making some gains? Find out during this insightful conversation. Learn more about your ad choices. Visit megaphone.fm/adchoices

Hello Show note reader! Thank you for paying such close attention to who is on and stuff.I am doing the stand up comedy in southeast PA on Friday Jan 13. Get tickets !  Also I think you will love today's show as I have 15 mins of news and 2 great guests! Stand Up is a daily podcast. I book,host,edit, post and promote new episodes with brilliant guests every day. Please subscribe now for as little as 5$ and gain access to a community of over 700 awesome, curious, kind, funny, brilliant, generous souls Check out StandUpwithPete.com to learn more 16 mins Ruth Ben-Ghiat is a historian and commentator on fascism, authoritarian leaders, and propaganda — and the threats these present to democracies. Subscribe to her newsletter at Lucid.substack.com As author or editor of seven books with over 100 op-eds and essays in media outlets including CNN, The New Yorker,  and The Washington Post, she brings historical perspective to her analyses of current events. Her insight into the authoritarian playbook has made her an expert source for television, radio, podcasts, and online events around the globe.  Ben-Ghiat is Professor of History and Italian Studies at New York University and an Advisor to Protect Democracy. She is also a historical consultant for film and television productions. She is a big fan of electronic music, which is her preferred soundtrack while writing. She practices yoga several times a week. Ben-Ghiat's work has been supported by Fulbright, Guggenheim, and other fellowships. Her books Fascist Modernities and Italian Fascism's Empire Cinema detail what happens to societies when authoritarian governments take hold, and explore the appeal of strongmen to collaborators and followers. Growing up in Pacific Palisades, California, where many intellectuals who fled Nazism resettled, sparked her interest in the subject.  With Strongmen: From Mussolini to the Present, which is now available she offers a blueprint for understanding and resisting authoritarianism. 48 mins Maura Quint  is a humor writer and activist whose work has been featured in publications such as McSweeneys and The New Yorker. She was named one of Rolling Stone's top 25 funniest twitter accounts of 2016. When not writing comedy, Maura has worked extensively with non-profits in diverse sectors including political action campaigns, international arts collectives and health and human services organizations. She has never been officially paid to protest but did once find fifteen cents on the ground at an immigrants' rights rally and wanted to make sure that had been disclosed. She was the co founder and executive director of TaxMarch.org  She is now the Wealth Tax Campaign Director at the Americans for Tax Fairness Check out all things Jon Carroll Follow and Support Pete Coe Pete on YouTube Pete on Twitter Pete On Instagram Pete Personal FB page Stand Up with Pete FB page

Why do people believe liars? How do authoritarians enthrall a nation? Historian and Author Ruth Ben-Ghiat joins the Head and the Heart to discuss her book Strongmen: Mussolini To The Present. In this episode she offers her fascinating analysis of fascism and highlights the modern authoritarian leaders who exhibit these all too familiar tendencies. Ed & Perry examine the through line of corruption, violence, and toxic masculinity that are often characteristic of past and present authoritarian political leaders, and they attempt to find an answer as to why these men are often popular and beloved by their followers. Ruth Ben-Ghiat is a historian who writes about authoritarianism, democracy, and propaganda. She is Professor of History and Italian Studies at New York University, the recipient of Guggenheim, Fulbright, and other fellowships, and Advisor to Protect Democracy. She is an MSNBC opinion columnist, a regular contributor to CNN and The Washington Post, and provides live commentary on CNN, MSNBC, and other networks. Follow Ed & Perry on Twitter @Head_Heart_Pod

Preet speaks with Ruth Ben-Ghiat, a Professor of History and Italian Studies at NYU and the author of Strongmen: Mussolini to the Present. Ben-Ghiat is an expert on authoritarianism, and discusses the rise of fascist politics in our time—from the recent election of Giorgia Meloni in Italy, to the reign of Vladimir Putin, to the tactics of Florida governor Ron DeSantis.  Plus, Preet weighs in on Judge Aileen Cannon and the January 6th Committee. Don't miss the Insider bonus, where Ben-Ghiat discusses the politics of platforming voices like Donald Trump and Marjorie Taylor Greene.  For show notes and a transcript of the episode, head to: https://cafe.com/stay-tuned/the-rise-of-global-fascism-with-ruth-ben-ghiat/ Tweet your questions to @PreetBharara with hashtag #askpreet, email us at staytuned@cafe.com, or call 669-247-7338 to leave a voicemail. Stay Tuned with Preet is brought to you by CAFE and the Vox Media Podcast Network. Learn more about your ad choices. Visit podcastchoices.com/adchoices

What does it mean to live “La Dolce Vita?” This week's guest is here to tell us how the answer to that question is just as varied as Italy herself! Carla Gambescia is a cultural “edu-tainer,” award-winning author, travel journalist, lecturer and avid photographer. The author of “La Dolce Vita University: An Unconventional Guide to Italian Culture from A to Z," Carla seeks to teach people about Italy's culture and lifestyle in everything she does. And, seeing as we're sitting down with the author of an “A to Z” guide to Italy's culture and history, it's no surprise that this is an episode that hits on topics ranging from the Roman roots of popular sayings, to the often-overlooked multiculturalism of the Venetian Republic. We'll discuss the surprising reasons behind some of the earliest Italian immigrations to the United States, Carla's time as a restauranteur on a mission to educate through food, and how Italy and Italian Studies are often ignored by the American educational system, even though learning about Italy and Italian culture has benefits for students from all backgrounds. Ultimately, Carla makes a compelling case for Italy to be recognized as the world's only global “Lifestyle Superpower”… and she gets Pat's wholehearted support for her cause! Get ready to get your diploma from “La Dolce Vita University” in an episode you won't want to miss!

ADAM LEON is a critically acclaimed director and writer. He was born and raised in Manhattan and still proudly resides there. His three feature films, "Gimme the Loot" (2012), "Tramps" (2016), and "Italian Studies" (2022) all depict the various parts of New York where he grew up thus making the iconic city a character in and of itself that resonates distinctively in each film. "Italian Studies," his most recent film, stars Vanessa Kirby, Fred Hechinger, Maya Hawke, and features the music of Oscar nominated composter Nicholas Britell. Leon graduated from University of Pennsylvania with a B.A. in African American Studies. He began his career as a production assistant and coordinator for some of the industry's most prestigious film festivals. Adam has now come full circle as a filmmaker whose cinematic contributions have received critical praise and recognition from many of the very same festivals where he got his start. He won the SXSW Grand Jury Award in 2012 for "Gimme the Loot" and in the same year was nominated for the Camera D'or award at The Cannes Film Festival where the movie premiered internationally. "Gimme the Loot" also received the Independent Spirit Award for "Someone to Watch" in 2013 and was nominated for Independent Spirit's "Best First Film" award. --- Support this podcast: https://anchor.fm/industry-standard-w-barry-katz/support

ADAM LEON is a critically acclaimed director and writer. He was born and raised in Manhattan and still proudly resides there. His three feature films, "Gimme the Loot" (2012), "Tramps" (2016), and "Italian Studies" (2022) all depict the various parts of New York where he grew up thus making the iconic city a character in and of itself that resonates distinctively in each film. "Italian Studies," his most recent film, stars Vanessa Kirby, Fred Hechinger, Maya Hawke, and features the music of Oscar nominated composter Nicholas Britell. Leon graduated from University of Pennsylvania with a B.A. in African American Studies. He began his career as a production assistant and coordinator for some of the industry's most prestigious film festivals. Adam has now come full circle as a filmmaker whose cinematic contributions have received critical praise and recognition from many of the very same festivals where he got his start. He won the SXSW Grand Jury Award in 2012 for "Gimme the Loot" and in the same year was nominated for the Camera D'or award at The Cannes Film Festival where the movie premiered internationally. "Gimme the Loot" also received the Independent Spirit Award for "Someone to Watch" in 2013 and was nominated for Independent Spirit's "Best First Film" award. --- Support this podcast: https://anchor.fm/industry-standard-w-barry-katz/support