Podcasts about jug band christmas

Welcome to another episode of No Notes, where Stephanie, Kelly, and Jack take a break from dissecting guilty pleasures to delve into some cinematic treasures. This holiday season, Kelly takes center stage with her selection of three lesser-known Christmas specials that promise to warm your heart and tickle your funny bone. First up, we have Emmett Otter's Jug-Band Christmas, a charming tale featuring Jim Henson's magical Muppets and the melodic genius of Paul Williams. This special offers a unique twist on the classic "Gift of the Magi" story and introduces us to the greatest fictional band ever—the River Bottom Nightmare Band. The hosts explore the deeper themes of poverty and resilience, all wrapped up in a heartwarming holiday package. Next, Kelly presents the delightfully bizarre Opus and Bill's A Wish for Wings That Work. This oddball gem, featuring voice cameos from Robin Williams and Dustin Hoffman, is a surreal holiday experience that had Kelly's family hooked from its single TV airing. The hosts revel in its absurd humor and unexpected sincerity, making it an unforgettable addition to any holiday watchlist. Finally, they discuss the emotional rollercoaster that is the Bob's Burgers Christmas episode, "The Plight Before Christmas." This episode captures the chaos of holiday scheduling conflicts and the profound love within the Belcher family. The hosts reflect on the genuine, heartfelt storytelling that brings tears and laughter in equal measure. --- Support this podcast: https://podcasters.spotify.com/pod/show/guilty-pleasures-film/support

In this week's episode, I take a look back at my writing goals for 2024 and see how many I met, and look ahead to my writing goals for 2025. 00:00:00 Introduction and Writing Updates   Hello, everyone. Welcome to Episode 232 of The Pulp Writer Show. My name is Jonathan Moeller. Today is December the 20th, 2024 and today we're looking back to see if I met my writing goals for 2024 and looking ahead to see what my writing goals will be in 2025. This will also be the last episode of 2024 so I can take a few days off for Christmas and New Year's, so tune back in 2025 for some more exciting episodes.   In the meantime, we'll start with an update on my current writing projects and then do Question of the Week. My main project right now is Shield of Deception, the fourth book in the Shield War series. I am at 33,000 words into it as of this recording, which if my math is right means I'm about 24% of the way through the rough draft. I'm hoping that will come out in January, but there's good chance it will slip to February because I'm think it's going to be pretty long. My secondary project right now is Ghost in the Assembly and I am 2,000 words into that and I'm hoping to have that out in February, but if Shield of Deception slips to February, then it'll probably be out in March.   In audio news, recording for Cloak of Masks, the eighth Cloak Mage book, is nearly done and I expect to have some files to proof for that before much longer. That will be narrated by Hollis McCarthy. Leanne Woodward has started working on the audiobook version of Orc Hoard, so both of those should be coming along shortly in 2025. So that's where I'm at with my current writing and audiobook projects.   00:01:34 Question of the Week   And now let's move on to Question of the Week. Question of the Week is designed to inspire enjoyable discussions of interesting topics. This week's question: what is your favorite movie or TV version of A Christmas Carol by Charles Dickens? No wrong answers, obviously. The inspiration for this question was I was scrolling through movies on various streaming services and of course this time of year you can watch a billion different versions of A Christmas Carol.   Todd says: my personal favorite of A Christmas Carol is from 1971. This animated classic had the original Scrooge and Marley actors voice the respective characters. Another Christmas television program would also have to be Emmett Otter's Jug Band Christmas. It's got Frank Oz!   I have to admit, I have never heard of Emmett Otter's Jug Band Christmas before this comment.   Justin says: I would have to say the 1951 version with Alastair Sim, although the Muppets are a close second.   Bonnie says: This is one of my hubby's favorite Christmas traditions. Unsure of how many different versions we have. His two are American Christmas Carol with Henry Winkler and the George C. Scott one. I like the Albert Finney musical version and the Alastair Sim one. Paul says: Yes, sentimental favorite is the George C. Scott version from 1984. I like the version with Patrick Stewart as Scrooge as well. We'll watch many versions through the season if I see them on. The Muppet version is great as well. Not a fan of the Jim Carey cartoon version. It is okay, but prefer the first three mentioned.   Andrew says: The Muppet version is the best.   Randy says: Another vote for Kermit here! “Light the lamp, not the rat!”   Jenny says:  OMG Yes, the Muppet's version!   Jeremiah says: Alastair Sim version for classic and modern, the Patrick Stewart version.   Catriona says: The Muppets- just iconic!   Gary says: The Muppets.   Tom says: Yes, A Muppet's Christmas Carol, nothing else comes close.   Becca says: Muppets   Tracy says: I like the one with Patrick Stewart.   For myself, I pretty much closely agree with the commenters here. I think my sentimental favorite is the George C. Scott version from 1984, since that's the one I used to watch when I was younger. Rewatching it as an adult, it's impressive how Scott doesn't even attempt a British accent. It's actually rather surprising that his version of Scrooge is actually pretty funny, with a dry wit.   That said, as many of the commentators here already said, I think the best overall best version of A Christmas Carol is Muppet Christmas Carol from 1992. It works because Michael Caine plays it stone dead serious even when he is sharing the screen with a bunch of Muppets. Caine famously said that he played against the Muppets like he was playing against the Royal Shakespeare Company, and the contrast with Caine's serious performance against the silliness of the Muppets creates a sort of alchemy that works really well. Also, The Man Who Invented Christmas from 2017, a highly fictionalized version of Charles Dickens writing a Christmas Carol, is definitely worth watching even though it takes a few, well, more than a few creative liberties with the facts.   So that is it for Question of the Week this week.   00:04:26 Writing Goals 2024/2025   Now let's look back at my writing goals for 2024, see if I was able to meet them or not, and then look ahead to my writing goals for this coming year of 2025. First of all, I would like to very much thank everyone who bought one of my books or audiobooks this year. I am glad you enjoyed them. I would also like to thank the narrators I worked with this year, C.J. McCallister, Hollis McCarthy, Brad Wills, and Leanne Woodward, who actually did the work of creating amazing audiobooks. Additionally, I would also like to thank my podcast transcriptionist, my Excel bookkeeper, and my audiobook proof listener (all three of whom wished to remain anonymous), who really helped out and took a lot of work off my plate this year so I could focus on writing. 2024 for me on a personal level was a pretty good year. However, I admit it was a rough year for book sales. I was down about 12% overall. This came from two causes. One, a significant portion of the book reading American public disappeared into doomscrolling their news and social media apps from July to about November. Two, I scattered my attention too much across too many series. I think in 2025, I'm going to focus up and do an Andomhaim book every other month like I did from oh, 2013 to 2023 or so. But all that is to come. Let's first look back and see if I met 2024's writing goals.   #1: Write as many words as possible while trying to hit 1 million new words. I did it! I am very pleased to report that I published 1 million words of new fiction in 2024, for the first time since 2020. In 2021, I only published 971,000 words. I figured I had slipped and would get to it the next year. In 2022, however, I only published 814,000 words. This happened due to a combination of a lot of travel and various real-life stresses. In 2023, I published 935,000 words, a significant improvement over the previous year, but I had COVID twice pretty close together in the early spring/summer of that year and that really messed me up for a couple months.   But in 2024 (as of Orc-Hoard), I published 1,490,000 new words of fiction for the year. My ten 10,000 word days for 2024 probably helped with that a great deal. I am very happy about this since I tried to hit a million words in 2021, 2022, and 2023 but just couldn't quite get there. So it is very satisfying (after four years of not quite making it) to have finally published a million words of new fiction in 2024. Naturally, I hope to repeat this feat in 2025, but more on that in a little bit.   #2: Start The Shield War. I did that as well, publishing Shield of Storms, Shield of Darkness, and Shield of Conquest all in 2024, and they're even all in audiobook (as excellently narrated by Brad Wills).   #3: Continue Cloak Mage. I did that as well with Cloak of Titans and Cloak of Illusion. Both books were interesting challenges to write, since Titans burned up a lot of the ongoing subplots for the series. No spoilers. Cloak of Illusion had to work with a new game board, so to speak since so much had changed in the previous book.   #4: Continue Ghost Armor. I did that as well with Ghosts in the Veils and Ghost in the Tombs and both of them are in audiobook (as excellently narrated by Hollis McCarthy). #5: Continue Half-Elven Thief. I was able to do that as well with Wizard Thief, Half-Orc Paladin, and Orc-Hoard. Half-Elven Thief, Wizard Thief, and Half-Orc Paladin are in audiobook, as excellently narrated by Leanne Woodward.   #6: Continue Sevenfold Sword Online. Around June, I renamed this series to Stealth and Spells Online since so many people were getting confused with Sevenfold Sword. I did release Stealth and Spells Online: Leveling in February. Both books in the series are in audio, as excellently narrated by C.J. McAllister.   #7: New audiobooks for new books. There's only so much time, energy, and especially budget for audiobooks, so I decided that I was only going to do audiobooks in new series going forward rather than trying to have old books recorded. I think this worked out pretty well, all told, because 2024 will be the best year so far for my self-published audiobooks. We did end up recording some of the older Cloak Mage audiobooks because I promised Hollis McCarthy a recording spot in April for Ghost in the Veils, but I just couldn't finish that book in time. So we did Cloak Mage #7 instead, with #8 and #9 to come in 2025.   So I'm pleased I met all my writing goals for 2024. As might have guessed, I'm especially pleased about the million words, since I had been trying to reach that in a year for the last four years and we finally managed to do it in 2024. Very satisfying, lemme tell you.   Now let's look ahead to my writing goals for 2025. Here is what I would like to do, in order of priority.   #1: Write as many words as possible, hopefully hitting 1 million words of new fiction. As I mentioned above, it was enormously satisfying to hit a million new words in a year after failing to do so since 2020. So I would like to do that again if possible, though of course circumstances may be out of my control. Regardless, I definitely want to write as much as possible in 2025.   #2: Finish The Shield War. I am exactly halfway through The Shield War, which as I mentioned earlier in the show, puts me on book four of six. I am planning to write a Shield War book every other month in 2025 until the series is complete.   #3: Finish Ghost Armor. I'm also exactly halfway through the Ghost Armor series, which puts me on book four of six. Like with Shield War, I'm planning to write a Ghost Armor book every other month until the series is complete.   #4: Continue Cloak Mage. Once The Shield War and Ghost Armor are complete, I plan to continue Cloak Mage, though I will probably start Cloak of Worlds a little earlier as a secondary project. I was originally planning for 15 books in Cloak Mage, but I realized I have way too much story to fit into the remaining three books. So it's going to be 18 in total (not 15), with a suitably epic conclusion once I get to the 18th and final book.   #5: Continue Half-Elven Thief. I also want to continue Half-Elven Thief because of the three new things I've tried in the last four years, this one has worked the best. I had originally planned for six books, but as with Cloak Mage, there's too much story to fit in six, so it's going to be nine instead.   #6: Conclude Stealth and Spells Online. As of this recording, I am 29,000 words into Stealth and Spells Online: Reactant, which will be the third and very definitely final book in the series (or trilogy, technically, since it's only three). I would very much like to thank everyone who read the first two books or listened to the first two audiobooks.   Stealth and Spells Online, I admit, didn't perform as well as I had hoped. I was just crunching some numbers to get ready for tax time, which means also looking at my bestselling books of 2024. I have published 158 novels, but my top 10 in any given year are usually books I published in that year. My top five bestselling books in 2024 (unless something drastically changes in the next 10 days) are Shield of Storms, Shield of Darkness, Cloak of Titans, Shield of Conquest, and Ghost in the Veils. All five of them came out in 2024, so that's not a big surprise.   Stealth and Spells Online: Leveling came out in February, 2024, so logically you would expect it to be in the top 10. Nope. Top 20? Still nope. Top 30? Got to keep going. It was the 41st bestselling book of 2024. It came out in February, which means it had abundant chances to place in the top 10, but sadly it did not. The Dragonskull and Sevenfold Sword series, both of which have been done for a while, both outsold Stealth and Spells Online: Leveling by a significant margin.   I think the problem is that I wanted to write a LitRPG book, but what I ended up with was a high concept science fiction espionage thriller with some LitRPG elements to it. Maybe I should have written it so the protagonist Noah Carver had a harem of anime monster girls or something. That always seems to be popular in LitRPG. The initial confusion with Sevenfold Sword probably didn't help matters, either. I honestly thought about abandoning the series, but if I left it unfinished, it would nag at me forever like a permanent pebble in my shoe. So I've been working on the third book as a secondary project and will hopefully publish it around this summer or so. It will wrap up the story with no unfinished threads while hopefully providing a satisfactory ending to the readers. That will be the definitive end of my foray into the world of LitRPG, then it will be time to turn to my next focus.   #7: A new epic fantasy series in the Andomhaim setting. I will start on this after The Shield War is done and it will be my main focus for a while, with books coming ideally every other month. I'm still working on the concept, but all I'll say so far is that we'll be set in Owyllain, which we haven't visited in any depth since Sevenfold Sword finished back in 2019. Even back in Sevenfold Sword, we didn't really see all that much of Owyllain, mainly the cities Aenesium and Trojas. So there's a lot of potential for story ideas there.   #8: My eighth and final goal for 2025: new audiobooks as time, budget, and narrator availability allow. My self-published audiobooks did a bit better in 2024 than they did in 2023, so I think I'm going to continue with focusing on new releases rather than trying to bring older series into audio. I would like to do as many new releases in audio as possible, though of course this depends on budget, narrator availability, and a few other factors.   So those are my writing goals for 2025. Hopefully I shall have some excellent new books for you very soon, though there's always a quote from the Book of James that I like to remember when I'm making long-term plans: “Go to now, ye that say, Today or tomorrow we will go into such a city, and continue there a year, and buy and sell, and get gain: Whereas ye know not what shall be on the morrow. For what is your life? It is even a vapour, that appeareth for a little time, and then vanisheth away. For that ye ought to say, If the Lord will, we shall live, and do this, or that.”   So if the Lord wills it, that is what I'm hoping to do in 2025.   So that is it for this week and indeed for 2024. I'd just like to take a moment to thank everyone who has listened to the podcast this year. I hope you have found it enjoyable and at times a profitable experience to do so. And also once again, I'd like to thank my podcast transcriptionist. Without her help, the podcast would not have its own dedicated website and there would definitely not be transcripts for the podcast.   So thanks for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes on https://thepulpwritershow.com, often with transcripts (added note: transcriptions are available for Episode 140 onward). If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next year and have a Merry Christmas and a Happy New Year.

This week, I'm extremely grateful to welcome Paul Williams to the program to dive into two of his classic soundtrack projects: Emmet Otter's Jug Band Christmas & The Muppet Movie, with the latter including my favorite song of all time: Rainbow Connection.  During the sit down, we talk about the stories behind the songs, the performances, the writing processes & working with Jim Henson. But that's just scratching the surface... We also discuss: his role as President of ASCAP; his work with Brian Henson on The Muppet Christmas Carol; working with his band on the Phantom of the Paradise soundtrack; the songs he wrote and recorded with Daft Punk & Portugal. The Man; seeing Metallica perform at Elton John & Bernie Taupin's 2024 Library of Congress Gershwin Prize event; My Morning Jacket's cover of “Brothers / Our World” for the Muppets: The Green Album; his love of skydiving; working with both Willie Nelson & Jason Mraz on their respective covers of Rainbow Connection, and so much more! I hope everyone has a happy and healthy holiday season!  Be sure to visit MyWeeklyMixtape.com to hear all of the songs we discussed in this episode, and join the My Weekly Mixtape Discord Server via the link on the episode page! FOR MORE ON MY WEEKLY MIXTAPE Website: http://www.myweeklymixtape.com Patreon: https://www.patreon.com/myweeklymixtape Facebook: http://www.facebook.com/myweeklymixtape Twitter/X: https://twitter.com/myweeklymixtape Instagram: https://www.instagram.com/myweeklymixtape TikTok: https://www.tiktok.com/@myweeklymixtape Learn more about your ad choices. Visit megaphone.fm/adchoices

There'll be much mistletoeing and hearts will be glowing when we defrost Kaleigh DuLac for her annual holiday summons: a Merry Muppet Melee between 1977's “Emmet Otter's Jug-Band Christmas” and 1987's “A Muppet Family Christmas." *** “Emmet Otter's Jug-Band Christmas”: Ryan Luis Rodriguez. “A Muppet Family Christmas": Maynard Bangs. Judge: The Honorable Dylan J. Schlender. Jurors: Kaleigh DuLac, Big Ben Haslar, Dylan J. Schlender. *** Advisory: Silvana Carranza. Prologue: Kirk R. Thatcher. Original Theme: WT Golden.What did you think of the verdict?

Join us on a trip back to the late 1970s, the era of disco, stagflation, and holiday specials where there's really no Christmas content at all. Instead of jingle bells and chestnuts, we had washboards, cigar boxes, and washtubs.

Growing up, the magic of waking up to a blanket of fresh snow was unbeatable, but the struggle of shoveling and navigating icy roads was a stark reality check. In this episode of the Jesus Fix It Podcast, we reflect on those mixed feelings about winter's wonderland. We embrace the enchantment of snow days, where warm drinks and beloved holiday movies provide the perfect cozy escape, while also acknowledging the practical challenges the season brings. The episode is filled with personal stories that reveal the delicate dance between cherishing the beauty of a snowy Christmas and the longing for clear roads when the festivities come to an end.As we journey through the nostalgia of Christmas movie traditions and family meals, listeners are invited to share in our love for timeless classics like "Home Alone" and hidden treasures like "Emmett Otter's Jug Band Christmas." Alongside these cinematic gems, we share heartwarming family traditions ranging from traditional feasts to uniquely personal celebrations. Our conversation takes a meaningful turn as we discuss the importance of embracing hope in every season, drawing strength from faith amidst life's ups and downs. With deeply personal reflections, we offer a prayer for resilience and hope, inviting listeners to find their own strength in the face of life's challenges.

Book Vs. Movie: Emmet Otter's Jug-Band Christmas 1971 Children's Bool Vs. the 1977 TV SpecialLast year, the Margos adapted O. Henry's "Gift of the Magi," so it felt appropriate to revisit the themes of selflessness and family during the holidays by exploring Russell Hoban's "Emmet Otter's Jug-Band Christmas." This 1971 book inspired the beloved Jim Henson-directed TV special from 1977, which has become a classic for generations. So, between the book and the film, which did the Margos prefer? Listen to find out! In this ep, the Margos discuss:Biography of the author Russell HobanThe world of Jim HensonThe Movie Cast: Jerry Nelson (Emmet Otter,) Frank Oz & Marilyn Sokol (Alice Otter,) Jim Henson (Kermit the Frog,) Richard Hunt (Charlie Muskrat,) Eren Ozker as Gretchen Fox. Margo's upcoming book on Saturday Night Fever (pre-order!) Clips used:“Kermit the Frog Opener”Emmet Otter's Jug-Band Christmas trailer“Ain't No Hole in the Wash Tub”“Bar-B-Que”“Emmet meets Chuck.”“Brothers song”“Riverbottom Nightmare”“Brothers in Our World”Music composed by Paul WilliamsFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog : coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Christian welcomes back to the show Nikki Bailey, to discuss the greatest Christmas special ever made: Jim Henson's "Emmet Otter's Jug-Band Christmas"

Book Vs. Movie: Emmet Otter's Jug-Band Christmas 1971 Children's Book Vs. the 1977 TV SpecialLast year, the Margos adapted O. Henry's "Gift of the Magi," so it felt appropriate to revisit the themes of selflessness and family during the holidays by exploring Russell Hoban's "Emmet Otter's Jug-Band Christmas." This 1971 book inspired the beloved Jim Henson-directed TV special from 1977, which has become a classic for generations. So, between the book and the film, which did the Margos prefer? Listen to find out! In this ep, the Margos discuss:Biography of the author Russell HobanThe world of Jim HensonThe Movie Cast: Jerry Nelson (Emmet Otter,) Frank Oz & Marilyn Sokol (Alice Otter,) Jim Henson (Kermit the Frog,) Richard Hunt (Charlie Muskrat,) Eren Ozker as Gretchen Fox. Margo's upcoming book on Saturday Night Fever (pre-order!) Clips used:“Kermit the Frog Opener”Emmet Otter's Jug-Band Christmas trailer“Ain't No Hole in the Wash Tub”“Bar-B-Que”“Emmet meets Chuck.”“Brothers song”“Riverbottom Nightmare”“Brothers in Our World”Music composed by Paul WilliamsFollow us on the socials!Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupInstagram: Book Versus Movie @bookversusmoviebookversusmoviepodcast@gmail.com Margo D's Blog: Brooklynfitchick.comMargo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok Margo D's YouTube: @MargoDonohueMargo P's Instagram: @shesnachomama Margo P's Blog : coloniabook.comMargo P's YouTube Channel: @shesnachomamaOur logo was designed by Madeleine Gainey/Studio 39 Marketing Follow on Instagram @Studio39Marketing & @musicalmadeleine 

This week on the show, jD, Craig, Justin, and Kirk wrap up Coke Machine Glow and pick their MVP tracks. Join us won't you?Transcript:Track 1:[0:56] Minneapolis hotel room. Here I sit, cool as a garage, writing by lightning. I don't mean lightning as a metaphor for inspiration. I mean lighting. Intermittent lightning. By lightning really turning it on. A lightning-powered hotel room. It's the most lightning I've ever seen in one room.Track 2:[1:19] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 3:[1:28] Hey, it's J.D. here, and I'm joined, as I am every week, by my pals Craig, Justin, and Kirk from Chino. While our love for the hip unites us, it's Gord's solo ventures that remain uncharted for our trio. Hence, I've gathered this team of enthusiasts to delve into the musical repertoire of the enigmatic frontman of the tragically hip, the late Gord Downie. Come along with us on this exploration as we navigate through his albums one by one in chronological order, embarking on our quest of discovering Downey. This is the second of two parts of our gang covering Gord's first solo record, Coke Machine Glow. If you listened to part one, we discussed the album as a whole and then got into a song by song breakdown. Down on this episode we'll pick up where we left off with a song that has to be about cottage country doesn't it well in my head it is craig why don't you kick things off with your thoughts on black flies right.Track 4:[2:31] Away what hit me was the laminar flow line because i was at that show and i'm not sure if this was something that he did all through the the roadside attraction the first tour that I saw. But the Vancouver show or the Seabird Island show in 1993, I believe.Track 4:[2:50] Um maybe 94 93 um he goes off on this rant about the laminar flow and you can actually find it online too and uh and he's talking about you know it's the flow of liquid and he's sort of talking about the crowd and the movement of the crowd and this was my first hip show we're talking i'm not sure how many thousands of people there are 20 000 this wave of people and this is like the early hip fans right this is this is roadside a partying crowd yep and it was this it was in the In the middle of nowhere. That's your first hip show? Huge. Wow. Yeah, huge. Yeah, just in the middle of a forest, really. And, you know, just like you see on the videos with, like, Canadian flags and drunk, you know, jock types. And I was quite young. I think I was 18 at the time. And not really knowing how to take gourd. Like, I loved the hip at the time. Like, I think fully completely. I'd either just come out or was about to. Loved that album. Loved, you know, the band since up to here. And at one point, and you can actually see it in this video, he starts getting angry with someone in the crowd saying, don't look at them, look at me. Like, you know, referencing, you know, the other band members. And he was obviously joking, but at the time I had no clue. He just looked, I was like, this guy really is starved for attention because not only does he sing all the songs and he's talking in between all the songs, he's talking over top of the guitar solos. And at first I didn't know how to take that. I thought it was really...Track 4:[4:15] It was really jarring for me being a musician and, and I was kind of thinking, what are the other bandmates think of this? Like he's, um, of course over the years you get to, you come to appreciate that and, and know it's just a part of the act. Right. But, but yeah, that, um, don't look at, don't look at them. Look at me.Track 4:[4:32] You have to find the clip. It's so good. It's called laminar flow. Find it on YouTube. It's so funny. My friend, I went to the show with who I still am in contact with. He would always talk about the laminar flow and I didn't remember it really. And then he, He, a few years ago, pointed out the video to me and I'm like, oh yeah, I do remember that trim. Gord had the big beard at the time. He had the almost like pajamas on. And when the pajama top came off, he had the Save the Human shirt on, which I actually saw in one of the videos for this album. So he brought the shirt back out for Coke Machine Glow. And the timing of that wouldn't have been too far removed from the Killer Whale time. Probably not, yeah. I don't remember him doing that. But again, I was young and it was craziness. It was it was a fun fun time see the bull moose checking out another drac, like sorry that was the highlight i made from from a lyrical standpoint and then you know from a musical standpoint and i think i also read about this um it's pretty prevalent where they're strumming the piano strings and they brought a mic and recorded it and just love that love that like what's that and uh they decide to bring bring bring in the bring in the mic and record the track so on to lofty pines all right let's go to lofty pines where paul langlois shows up and makes uh an appearance one of two appearances.Track 4:[5:59] On this record to provide his sublime backing vocals god damn is this guy good.Track 4:[10:46] I think it was a week or so ago, I took a trip up north. I think you guys know about. And I was driving back and it was, it was raining and which we don't get a lot of rain. We don't get a lot of anything in California other than the sun. So, you know, when it's raining out, it's a big deal. Yeah, yeah, yeah. I remember listening as I was driving and buddy I was with was, you know, was, I think he was taking a nap or working on something. And I remember going, the mood, you know, my mood was, okay, I got a long drive. And, uh, there was kind of like a monotonous monotony that had been coming from song after song after song, because this is typically slower than that hip stuff, um, that, that I was used to. Um and and i know that they made a conscious effort or at least gordon made a conscious effort to keep the hip away from this right like i read as well like they didn't they didn't want to record anywhere that the hip had recorded they didn't want to use any of the gear but then paul who's right his that's his long longest friend or buddy for sure yeah yeah and then he comes in and and And he's on another tune as well, I believe, on this album.Track 4:[12:06] But you hear that, and for me, driving, I was just, I got that like, okay, thank you. Thank you for giving me a little just reconnection. I know this is Gord, but I also know that Gord is that kind of heartbeat and pulse and provides the lyrics to. And I liked having that friend along, me personally. Um and uh and i couldn't you know i couldn't get the you know twin peaks type lofty pine uh connection correlation uh going there not not that i was you know fully into the twin peaks world or whatnot but yeah so uh that's what i had for my some of my notes the the lines that are in french i was hoping for something revealing and it's literally just i was born for the heat we can't, I was hoping one of you guys would research that. I was too lazy. They, my only note for this song. Yeah. If you could see my notebooks, just better call Paul. Cause he's, um, he just is so effortless. I just picture Gord being in the studio. Like, ah, yeah, I can't quite get the sound I'm going for here. And.Track 4:[13:16] Calls up Paul and he just comes in and, you know, smoke hanging out of his mouth. He just rips off one take and that's how I, it's just so effortless. You can just tell by the, you know, he's just sang with Gord for so long, sung, sang with Gord for so long that he, he just knows what to do. I guarantee it was one take and he was done. Yeah. Again, it gave me that, uh, just, uh, the combination is something that, that, That definitely fills you up.Track 4:[13:42] When I was doing the research as well on the French part, the first thing that came up was, I want to say a province in Quebec, but it was like a lake chalet.Track 4:[13:53] So that's where I was going at first and then obviously did a little deeper and found out. No, not quite, but thought we were referencing something there at one point. Well, I mean, that could be. There's a lot of lofty pines in Quebec and a lot of lakes. So you never know. The Lofty Pine Hotel was in cottage country in Ontario until I don't even know when. Like, not that, like, pretty recently. So, to me, I hear this song and...Track 4:[14:26] It's like one of those, it sounds sticky. It sounds muggy. It's like one of those August nights in the city where, you know, it's extra hot because air conditioners are spitting out hot heat. Like the city's just got this almost dense air that you're walking through. The cool side of your pillow is sweating, you know? That's the kind of heat.Track 4:[14:50] And they're just daydreaming about getting up to the cottage. Just getting the fuck out of dodge and going to the cottage dreaming of those lofty pines i don't know that's that's sort of what i get from it so just a real quick note building on what you just said about it's so freaking hot and the spectacular part in the lyrics and there's a matchbook or whatever that falls like we needed something hotter right yes you know and here's matches you know i didn't get that but yeah totally what do you believe he's referring to in the uh i give the editor my pitch a series on the cultural wealth uh about the era of catalogs and lists i just think he's good at creating protagonists uh i think it's like a protagonist of this song um like but i but i guess i'm very literal yeah don't don't make me say hitler again no i don't i think this is i don't know literal more literal you know but he's proven to not do that so often that it seems like not likely but that's how like he's answering a question that we haven't asked you know let's go to the next track which is boy bruised by butterfly shake I really didn't have anything to say about the song for a while.Track 4:[16:14] And then I listened to it, um, actually just today. And it kind of came to me that this is.Track 4:[16:21] Somewhere between consciousness and unconsciousness or life and death somewhere in the middle um you know he he references someone was crying i as i lay in the dirt i could hear their hearts breaking but i wasn't even hurt so that's kind of like i'm slipping away and i don't feel anything sort of thing that's just how i interpreted the line i came across um something just by chance glancing through the cd booklet last night um and there's a little article it says bruised by a butterfly chase and it looks like um it's actually photocopied from a newspaper it says four-year-old andrew herrit holds his winnie the pooh blanket at a hospital in halifax the kentville boy survived a 20 meter fall from a cliff at blommadon provincial park while chasing butterflies during a family outing so it could be very literally about a boy down down down falling yeah exactly yeah it made so much sense when i read that so yeah there's an extra song and i didn't get to listen to it yet but is it this it's it is down down down yeah it's the same lyrics yeah yeah and i guess that makes sense the grass felt so good and there's they're talking about he didn't have shoes so that makes sense that it's a four-year-old um the day was so blue i must have tripped i don't know do i remember falling away nothing that i hold on to and not being afraid so that's when you're that young you probably don't have much.Track 4:[17:46] Memory of it as an adult and especially i would assume there's some trauma there and justin though i i.Track 4:[17:53] Mean just your your first explanation that that in between um before we.Track 4:[18:00] Heard the story like you took me there and i think musically it does as well like my notes are the guitar like you know guitar is prevalent in some of these other songs but you don't hear.Track 4:[18:12] Guitar lines and guitar melodies as much and there's some very clear guitar work going on here both acoustic and electric which you also don't really get a lot of in in these songs or you know the song is almost poppy yeah it's super radio absolutely and i thought it could be a hip song yeah yeah you know those and i guess obviously see that could be true to anything, but change up some of the instrumentation, change up some of the tempo and, and, uh, yeah, yeah, you're definitely in hip territory. Definitely hip territory. Let's go to mystery, a sonic soundscape. Yeah. And, and it really is, it starts off in, in that sonic soundscape world and then goes to the spoken word. Sorry, a bit of humor. You know, one of my favorite flicks is, so I married an ax murderer and turn off the base. It's your rollers. The soccer game is on somewhere.Track 4:[19:13] There's a soccer game. and uh being being you know the background with that i i at a loss in the sense of that that journey that gourd's going through and and doing some research and finding you know with with the book of poetry that came out uh that he was you know it was not received from the poetry world as it were um and yeah it was yeah they they it was not received from a it's like oh this is just you know and they made the joke of oh yeah what what are you going to do give bob dylan a a pulitzer or uh you know uh it it's just it's that being someone that's written songs before and and And I can't say that I've written poetry, but it's very much frowned upon to have, you know, they said, you know, Jim Morrison killed that. So why is anybody else doing it? And so then the counter argument goes.Track 4:[20:17] Well, yeah, it sells well because of who Gord is and what he does and how he moves people. And then what came afterwards was, yeah, in the libraries and in the bookstores, there was a lot more people in the poetry section than had ever been there before. So what are you trying to do? Are you trying to be completely inclusive or exclusive? And does the inclusivity then start damaging the art? I'm of the belief and the ilk that you need people to dive into both lyrics, dive into poetry, dive into the spoken word side. So, yeah, sorry, I digress. And this is just coming off the song Poets on Phantom Power, which in live shows, he's sort of, don't tell me what the poets are doing. I don't want to know. I don't care about the poets. Or it could be perceived that way, whether he meant that or not.Track 4:[21:21] I know from a musical standpoint, this song gave me vibes of, of the rain song by Led Zeppelin. And I know it sounds nothing like it, but if you listen, and it took me a while to figure out what it was, but if you listen to the bass notes, he's playing really high in the register and it just gives that cascading feel of, of the rain song. And, um, yeah. And, and near the end too, he's playing up the neck on the bass and it's just some really nice playing. Yeah, I have avant-garde. I would imagine that the Dinner is Ruined gang had a heavy influence on this. Yeah, and this is the other Adam McGaughan track as well. So that guitar you hear, the little classical guitar, that's McGaughan. Ah, cool. Sorry, help me understand, not being as familiar outside of in the research, does he hold a special place in a Canadian heart?Track 4:[22:14] Um adam mcgoyne he was a filmmaker i i can't say i'm an expert on him but he's um he had a movie called the sweet hereafter which was very well received i believe it won awards and actually i believe uh didn't sarah harmer sing i think a version of courage on the soundtrack sarah polly sarah polly right right yes yeah well i'll have to do a little more research and check some of that that out justin were you familiar at all only from reading the never-ending present book had i had i heard the name no anything else on mystery uh only that the the phantom power outtake version is so drastically different and also equally amazing it is so yes the one on phantom power is so dark and so so moody and i have here a note that it's almost like a more depressing version of landslide by fleetwood mac it's just haunting oh yeah yeah yes like i mean they're wildly different but so funny they share the same dna ultimately what's i think what's funny is that the version that's on the phantom power re-release would have been recorded two years before this so this is reimagining this is part two yeah it makes you wonder is it just that he really loved the words and he you know the track got cut for whatever reason just didn't fit in maybe with the album and he it was something he really wanted to put out there and And, you know, I'm glad he did. I love both versions.Track 4:[23:43] Okay, next up, we get a song of 3-4. It's got a country-ish little tinge to it.Track 4:[23:50] And that's Elaborate. Elaborate.Track 4:[29:10] I imagine cowboys after having driven cattle across the plains, just sitting around a fire, drinking a beer, you know, and somebody's got a guitar and then somebody works out a mandolin three minutes into the song, you know, but it's about, it's about death. It's about somebody's sick, somebody's dying, has cancer. And in the poem version in the book, the title also has a parenthetical Toronto No. 2, which Music at Work has the song Toronto No. 4, which is about Gord's grandmother dying. So there's a common thread there. I don't know. It is very much a end of the day.Track 4:[29:51] Things are happening and they may not be coming to us. Yeah, I have a tough time hearing this, knowing what we know about what happened to Gord. Like, I can't help but hear it through that filter, and it makes it difficult to listen to for me. Yeah, I had the same thing, JD. It felt to me like a song that was meant to have a little bit of, I don't want to say humor, but a bit of lightheartedness to it in a way. But then knowing what we know... What happened with Gord, it definitely changes the way you hear it. Interestingly, my head went to Now for Plan A instead of Gord's own diagnosis. And also, I'm not sure if you guys heard this at all, but again, I'm less of a lyric guy, more of a music guy. The mandolin solo comes in, a little mandolin melody, and it reminds me so much of Neil Diamond's Play Me. And I swear, if you listen to it, you'll know what I mean. It's so funny. It doesn't quite go in the same place, but it's very close. Yeah. Great tune. And at the end, they're kind of going on for a while. And then Gord kind of clears his throat, like as if to say, come on, wrap it up, boys. I have that in my notes. So JD, if we're going on too long, just clear your throat and we'll know it's time to wrap up. No, not at all.Track 4:[31:11] One thing that I picked up on, which is a timestamp on this album, is Gord mentions cell phone. And a lot of bands in the late 90s, early 2000s for just like a three or four year period mentioned cell phones because that's when they came out. We didn't have cell phones before 98, 99. And if we did, they were in a bag that weighed 30 pounds. So I thought it was interesting that cell phone was topical for their 2000s. It's a country song. You said it. It's a country tune. That's my first note is country tune. And then you hear the guitar tremolo, that ringing, that just doing single notes and it's just ringing. And then the mandolin. But yeah, you're talking about modern topics on a cowboy song, on a country tune. There's also a great live version of this I found. It's the black and white. It's like a full concert that someone's put on YouTube. There's this pretty epic Gord rant on it. And he's talking about stem cell research and the Pope. And it's worth a watch for sure.Track 4:[32:18] And he actually, and he dedicates the song to Dave Bedini, which I found interesting from Reostatics. He's still alive. So I don't, I don't know why he just says, you know, the songs for, for Dave. I wonder if he went through a battle with a family member. Yeah. Possibly maybe, maybe a mutual acquaintance or yeah. Who knows? The beauty of the beauty of where, where we're being taken on this, this particular album is, is pretty incredible yeah and then you go into frigging a polka right with you're possessed.Track 4:[32:52] Yeah yeah i did not expect that coming i'm just like you're hearing all these songs that are very kind of melancholy yeah you know outside of canada geese that that that has a little bit of drive to it yeah you're another two man yeah and then now for two but if you guys know um have you.Track 4:[33:11] You guys seen spinal tap i'm guessing oh of course okay so my mind went right to you know yeah yeah the the nigel and david uh st hubbins their first song the you know the dune duga dune dune dune walking down the railroad track to get dune dune dune dune wait for my babe to bring me back um that's where my mind went but um funnily enough my my daughter picked this song out uh we were in the car listening to the cd and she wanted to pick a song so she went through the the track listing and she picked you're possessed because uh her favorite hip song is you're not the ocean this is my 11 year old daughter and so she loved the spelling of of year and uh she put this song on and her reading of it like the i told her what what i was thinking and she said this sounds to me like emmett otter, and i'm not sure if there's a ref i can see kirk knows what i'm talking about so here's a quick Oh my gosh. We could just be finished right now.Track 4:[34:09] I grew up in a small town called Peachland in the Okanagan in BC. A small town. We had maybe, I don't know, a couple thousand people when I lived there. And we had two channels. We had channel four, CBC, and channel nine, CTV. And there was no cable company in town. But on the outskirts of town was a large satellite dish, like a huge satellite dish that someone put there and uh and so the whole town got free hbo for years like pirated stolen hbo i'm talking like five six seven years and uh let's go every you know three months you'd come home turn on hbo and it'd be scrambled and so that it would be all down for a couple days until they repositioned the satellite and so every christmas time and you know this is early 80s Emma Daughter's Jug Band Christmas would come on HBO.Track 4:[34:59] And to me, I just thought this was a thing that everyone knew. And as I got older and I found a DVD copy in a bargain bin at Zeller's or something, I started talking about this show to people and no one...Track 4:[35:14] Except for the people i know from peachland know this show and it is it's a jim henson production from about 1977 it's and it's like it's a cult classic it's just paul williams yeah, and to me yeah that's what my daughter said and i was like yeah that's that's it this is this is a jug band you know with a tuba instead of a jug t-shirts i have stickers i um am on the verge of learning river bottom nightmare band to cover with our band um right christmas does not happen in the Lane household. I'm the same way. Emmett Otter's plays. We have, you know, obviously the DVD copy. And in fact, it's a running joke. Sorry, JD and Justin, if you haven't seen it, but like anything that's $50, Craig, $50, that's a lot of money. So my whole family, anything that's 50 bucks, the first response is $50. Yeah, yeah. Or yeah, anytime we have mashed potatoes, just mashed potatoes i love mashed potatoes hey yeah man how are you doing catching anything good today sorry guys so jd and justin you haven't seen that christmas your life will will begin begin to exist afterwards so let's let's change the focus for episode two please the music is so good and it's this christmas story doesn't once mention you know religion jesus it doesn't once Once mentioned Santa.Track 4:[36:44] And it's the best Christmas show you'll ever see. It's so sweet. Huh. The music. Yeah, it's just, it's amazing. It tears me up every time. And I love that connection that your daughter has to this song, Craig. I mean, that's, I really did start welling up. Not only finding someone that loves him and Otter, but that she made that connection. Yeah, it's really cool. That's fantastic. Yeah. Fantastic. And of course, Paul's back singing the backups here. And I have to ask, have you guys been to Boston? They mentioned Lansdowne Street, Fenway Park. I'm guessing Lansdowne is. So that's where Fenway Park is. And that's my only note on this song was just after that, he says, no one's going to hurt me like you did. Well, he's talking about the Red Sox. He's totally talking about Bill Buckner missing the catch or the grounder in 1986 to throw it away. Maybe, or I watched a live version of this as well. And he tells a story and I don't remember all the details, but he tells a story about a fight with his brother, Patrick. So yeah, I'm not, I'm not sure if it could be, you know, a brotherly story. Well, and Patrick was the sound guy for the garden where the Bruins play and the Celtics play.Track 4:[37:57] Um, and of course the, um, Harry Sinden, the Bruins coach was the godfather. Yeah. Yeah, absolutely. Yeah. yeah sure he wore the sweater in um courage in the video for wow yeah this is a great great tune i mean just in all of it you know you've got the spoken word stuff you've got uh some of the melancholy stuff and and and then boom you know you get this boom boom and and the solos uh.Track 4:[38:28] Yeah we're at a pool party in 1946 and uh and also quick canadian tie-in um another i know j uh jd you know the other canadian classic with a tuba can you you know what i'm talking about i don't off the top we talked about this spirit of the west and if venice is sinking oh my god like tuba part yeah yeah so the only two songs i can think of featuring a tuba i'm sure there are others but it last i checked there weren't that many bands featuring a tuba not enough every irrelevance i spoke a lot already on this last one but i can i just share my experience with this one because so i'm doing doing dishes i'm often listening to um music or podcasts when i'm doing dishes and and uh i'm listening to this song and i'm just getting into it's just this beautiful like instrumental sounding song. I love the tremolo guitar.Track 4:[39:22] And I was just thinking, okay, this is probably, maybe there's no words on here. And I was really digging it and thinking, okay, I like this. I like this choice of an instrumental near the end of the album. And then all of a sudden Gord starts singing and just this beautiful melody. And then the snare comes in halfway through the verse and I'm just like elevating. I'm just like my mood. And what I thought of later when I was thinking of how to explain this was the Vince McMahon meme, you know, the levels of Vince McMahon's like elation. And so I'm like- Which doesn't play so well now.Track 4:[40:01] And level one, that's the instrumental. Level two, Vince is the singing. And then all of a sudden he hits me with, catharsis my arses is capable of more flesh and i'm like oh it's the line from from the from the live album and you know um and then i'm just like loving this song and all of a sudden the there's the piano and so i'm all of a sudden on fourth level vince and just when i think i can't love the song anymore that trumpet comes in at the end and it is so tasty just the the muted trumpet tasteful perfect like the both the piano and the trumpet play just enough they don't overplay and i just love this song who did the horns it wasn't this from another can't think of his name though is it andy mays i'd have to look at that i i don't that sounds familiar yeah yeah well i'm pretty sure that's who he's talking about an emperor penguin as well right like the first two lines yeah yeah tony or trump that was my other thought yeah i like the tony yeah there's There's another line that I can't remember which live show it's in. It might even be from the live between this album, but it's leading into a head by a century. He talks about adolescence in essence is all about trust. And that, that line pops up in here.Track 4:[41:20] Um, I don't think he mentions adolescence in this song, but yeah, I'm looking at the credit. So does Andy Mays, is it? That's what I thought. Yeah. Yeah. Nice job, JD. And one thing, um, did you guys notice in the, uh, in the credits to this album it's very specific it mentions the type of guitar being played by each member the type you know the types of drums and um and it very clearly says that gourd was playing on a gut string guitar which is you know the old old style string made of you know, animal guts basically yeah and it just gives a way different um you know timbre.Track 4:[41:57] I like the echo on the snare on this particular and, and it sounded like a standup bass. I'm not sure if it was a standup bass. It was just the way the notes were played. Um, but you know, I, I have a jazz reference obviously in my notes. So yeah, I agree. Craig musically, it was phenomenal. And then, then again, you're not quite sure we're going to get a spoken word or, and then you get the, you know, the beautiful, the beautiful voice and the beautiful, uh, song. Hmm.Track 4:[42:28] It's it's definitely one of the best ones on the on the record i think i i love the song i'm i'm a big fan as well i i love when he leaves little breadcrumbs in in a what seems to be like an improv rant or a throwaway rant not that any of them are throwaway but you you turn it turns out that it's been a line in his notebook for five years prior and it's got six underlines under it you know like god damn it i'm going to use this line somewhere down the line yeah when it presents i'm going to rhyme catharsis that's right i've got this great lyric i'm gonna use it sometime you know and uh i think that's so cool he's so talented let's just go right now to insomniacs of the world, good night.Track 4:[43:56] Thank you. I can see the line of your reserve, I can contemplate it from here, there's no need for breathlessness when we're so far apart. I can see us writhing in a phone booth or laid back in the dewy grass of our youth and gathering our sweetnesses and wishing on the never-ending sun.Track 4:[48:05] So, the research that I saw, this was supposed to be the name of the album? Does that jive with what anyone else saw? Yeah, that checks out. Yeah, that's what I heard. And then um again capping it off with you know more of a spoken word and just straight up i can see the line of your brassiere i can contemplate it from here there's no need for breathlessness when we're so far apart i know um one thing i noticed was um.Track 4:[48:42] What I picture here is, is there's a point where he starts recapping some lyrics from some other songs. I know he brings up the Fenway park again. And what I think this is, is, is recordings of Gord in the middle of the night, grabbing his tape recorder when he's got a melody going through his head. And he's kind of singing because it almost sounds like he trails off. Sometimes he doesn't always have the full melody melody developed. And I think this might be his like audio journal, like little excerpts.Track 4:[49:09] Wow. listen to it again i i swear i'm i'm very quite confident in this that's amazing that and a perfect bookend as well to to star star painters just um bookends the album the spoken word on both sides the sort of um i don't know that's i think it's an organ this time not an accordion but a similar sound and oh and julie uh dwaron is pocketed or is credited with with playing the a pocket trumpet so just a just basically a tiny trumpet shakespeare pops up in in some of the hip works and there's that um if i could sleep there's a chance i could dream which is from hamlet um he changes it a bit because it's perchance and shakespeare right so it's it's interesting yeah right this line yes arguably the most notable line that shakespeare ever wrote and changes it and keeps it the same but just that little word change like what what does that mean what is that all about and more to the point and it's the elephant in the room, is the version from phantom power.Track 4:[50:20] Where do you guys stand on those two versions? Can you enjoy them both? Can they both be your children? Or if I asked you to make a selfish choice, which one would you choose as a preference? I can't answer it because I don't know the one from Phantom Power as well. That's cheating, but okay. But I do remember. It sure is. That means I just don't love one of my children, right? Right. Um, I do remember him screaming the line at live shows and in some performances. I had heard that reference and, and heard a scene that reference for in some. Yeah. My preference is, is this one. I, I, I really like this, this version of it. One thing that I really is so amazing about this song is it lulls you like you're ready to until the crash. Yeah. That's the same thing. Massive cymbal crash. Yes. Oh God, I love it. I love that so much.Track 4:[51:25] And fast forward to the final album that the hit put out, Man Machine Poem, and there's the song Insomnia. Insomnia. Which was supposed to be Insomnia. Yep. And if you read the liner notes in that, Insomnia is scratched out in every line. And I don't know what that means, but interesting.Track 4:[51:44] Well, I think the whole record is interesting. what did you guys think overall is an experience with the record and uh after you tell me that what is your mvp track and you have to pick one this time justin i'm gonna go first i'll make it easy because i think i've already referenced it and and and it it's you know probably unlikely but But Star Painters was my, and again, it's the lyric. It's that line. Like anytime I hear that line, whether I'm walking the dog and I listen to it or if I'm driving and I hear it, you know, the scaffolding. Scaffolding.Track 4:[52:29] The scaffolding is in its place. The Star Painters are taking over now. And then your anesthesiologist tonight is washing up and on her way. So for me, it was that line. And I think it's because, again, I wanted to separate and I'm glad that I had the wherewithal to be able to go. I wasn't looking for hip light. I was looking for Gore Downey. And, and you didn't, I, it's me personally. And I think we even mentioned it with, with the book ending with the spoken word, you were going to get Gord Downie and you were in a, not just, you're not just going to get the energy that we know and from the hip, but you know, that he's going to take all these, these amazing musicians that were part of obviously his career.Track 4:[53:20] His musical background that, that, that created the hip and that he's going to give them that opportunity for them to get together. And then just when you hear the story about how they recorded it and where they recorded it and, uh, you know, meshing that together at the same time, he's, he's, he's, he's writing, you know, he's putting out the book along with it. So I'm, I mean, yeah, a little bit of criticisms on some of the recording maybe techniques and could have used a few more mics here and there. But that's just, I guess, the musician in me. But overall, I can understand why it was what I would assume mostly fairly well received. And again, I know there's a lot of hip fans that weren't even going to give it a chance. And then the song that I chose as my MVP kind of pushed him away from the get-go, at least for me. So, yeah, I'm...Track 4:[54:22] I'm glad I found the hip or maybe I should say the hip found me and I'm glad I didn't give up on them. And, uh, you know, the energy and, and the feeling that Gord always gave me when I, uh, had the great chance to see, uh, see the band and see him. And even when I met him, I actually, I wore this shirt on purpose. This is the shirt that I was wearing when I met Gord backstage house of blues Anaheim. It's a harley davidson shirt with big letters hd and the ac are masked with a canadian flag, yeah and this i got this up in vancouver on a trip when i went up there i fancied myself i was going to be a harley rider one of these days and and still don't have a bike um but went through that phase and uh i wore this shirt because i felt like i needed to because i'm you know go see the hip. And, uh, and this is the first thing he said, he just goes, that's a really nice shirt, man.Track 4:[55:23] And he shook my hand and, and, uh, and there was just this gentleness about him. And, uh, you know, I was starstruck and I don't typically get that. I mean, I'm, I'm in a business where I meet people all the time and I'm in LA and Hollywood and, and, and done all that, but this guy is different. And it was a moment where I definitely paused and couldn't put together a whole lot of words. I didn't know that I was necessarily going to meet him. I wore this in honor of that moment and taking this journey with you guys. So I am so excited because I think this was a great start.Track 4:[56:07] Outside, I've heard a little bit of some Secret Path. I absolutely had not heard anything from any of the other albums outside of Coke Machine Glow, and again, a little bit from Secret Path. So I'm just, I'm really jazzed, right? Because I get to dig, you know, we get to dig deeper into this individual that's just, wow, he's pretty special. And you could see, you know, the impact that he's had on so many. So I'm excited about this journey and I'm picking that song and I'm sticking to it. Nice. Craig, how about you?Track 4:[56:45] Well, being one of those hip fans who took a bit of a break around this time, and not that I completely abandoned them, I think for me, I was just at an age where I was just exploring so much music. I was in school for music, so I was being bombarded by classical music and music from all through the ages. And on top of that, I was getting into a lot of more experimental music. And I just started drifting away from not just the hip, but all the bands I had been listening to in the 90s. And, you know, a lot of those bands I did come back to, some I didn't, but I came back to the hip big time, kind of the mid 2000s or, you know, yeah, around 2006, probably. And um and so for me i this is an album i never gave a chance i'd heard you know a couple songs here and there chancellor and vancouver divorce i think but um i'd never listened to the whole thing and wow i'm i'm so grateful for this opportunity to do this it's just i love this album i i put it up there with with you know some of those great hip albums and um my my um mvp track is every irrelevance i again i explained already the vince mcmahon meme um that that was me during this song just i by the end i was just you know spent lying down with the smoke.Track 4:[58:14] Justin uh it's sentimental for me with it's trick rider um because my daughter is six um and And I build bike ramps for her, you know, and, and then tell her don't ride so fast off that bike ramp. I just built you, you know, and, um, don't ask me to explain. Um, and, Yeah, I just, that's, it drives, you know, it really, yeah, I don't know. I love that song for different reasons. I also really love Canada Geese just because it's a sweet rock song. And I know, I just like what I like. I grew up on Yes and listening to 22-minute opuses that were way beyond what a 13-year-old kid should be listening to. So, I get weird stuff and I get out there stuff, but I also just love rock and roll.Track 4:[59:06] And, uh, you know, that's a, that's a pretty good rock and roll song. I, and I'm going to echo you guys that I'm super excited for this platform. Um, because as a kid in the States who had the secret about the hip, you know, my last name is St. Louis. So everybody thought I was Canadian and I was a Montreal Canadians fan. So everybody, you know, they'd pick on me. And then I talk about the tragically hip, which was in the periphery, you know, nobody, nobody listened to it, but they'd at least heard of them. And then be like, Oh, that's who the hell is that? Why are you listening to that? And it's stupid. Well, now I can finally celebrate it and talk about it, you know, and, and I'm Canadian for the next eight weeks. Oh, that's great. Eh? Yeah.Track 4:[59:49] Well, this has been a great deal of fun.Track 4:[59:55] This Saturday afternoon. You'll be listening to this on a Monday, of course. If you have anything you want to shout out to us, please send us an email. We would love to hear from you. The email is discoveringdowney at gmail.com. That's discoveringdowney at gmail.com. You can also find a link on our website, discoveringdowney.com, and there's a link to email us right from there, which makes it easy peasy. So it's been a blast doing this with you guys this week. I'm really looking forward to where we go and learning more. I am a somebody who has listened to all the records, and I've listened to them on a number of occasions, but I have a very poor short-term memory, and it's tough to recall them sometimes. Times so it's been really fun going through this and listening the shit out of this record and then getting to talk about it with somebody it's like a book club so i had a lot of fun and if you like what you heard send us an email discovering downy at gmail.com we'd love to hear from you, and on behalf of kirk craig and justin pick up your shit.Track 1:[1:01:13] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at DiscoveringDowney at gmail.com. And hey, we're social.Support this podcast at — https://redcircle.com/fully-and-completely/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on the show, jD, Craig, Justin, and Kirk wrap up Coke Machine Glow and pick their MVP tracks. Join us won't you?Transcript:Track 1:[0:56] Minneapolis hotel room. Here I sit, cool as a garage, writing by lightning. I don't mean lightning as a metaphor for inspiration. I mean lighting. Intermittent lightning. By lightning really turning it on. A lightning-powered hotel room. It's the most lightning I've ever seen in one room.Track 2:[1:19] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 3:[1:28] Hey, it's J.D. here, and I'm joined, as I am every week, by my pals Craig, Justin, and Kirk from Chino. While our love for the hip unites us, it's Gord's solo ventures that remain uncharted for our trio. Hence, I've gathered this team of enthusiasts to delve into the musical repertoire of the enigmatic frontman of the tragically hip, the late Gord Downie. Come along with us on this exploration as we navigate through his albums one by one in chronological order, embarking on our quest of discovering Downey. This is the second of two parts of our gang covering Gord's first solo record, Coke Machine Glow. If you listened to part one, we discussed the album as a whole and then got into a song by song breakdown. Down on this episode we'll pick up where we left off with a song that has to be about cottage country doesn't it well in my head it is craig why don't you kick things off with your thoughts on black flies right.Track 4:[2:31] Away what hit me was the laminar flow line because i was at that show and i'm not sure if this was something that he did all through the the roadside attraction the first tour that I saw. But the Vancouver show or the Seabird Island show in 1993, I believe.Track 4:[2:50] Um maybe 94 93 um he goes off on this rant about the laminar flow and you can actually find it online too and uh and he's talking about you know it's the flow of liquid and he's sort of talking about the crowd and the movement of the crowd and this was my first hip show we're talking i'm not sure how many thousands of people there are 20 000 this wave of people and this is like the early hip fans right this is this is roadside a partying crowd yep and it was this it was in the In the middle of nowhere. That's your first hip show? Huge. Wow. Yeah, huge. Yeah, just in the middle of a forest, really. And, you know, just like you see on the videos with, like, Canadian flags and drunk, you know, jock types. And I was quite young. I think I was 18 at the time. And not really knowing how to take gourd. Like, I loved the hip at the time. Like, I think fully completely. I'd either just come out or was about to. Loved that album. Loved, you know, the band since up to here. And at one point, and you can actually see it in this video, he starts getting angry with someone in the crowd saying, don't look at them, look at me. Like, you know, referencing, you know, the other band members. And he was obviously joking, but at the time I had no clue. He just looked, I was like, this guy really is starved for attention because not only does he sing all the songs and he's talking in between all the songs, he's talking over top of the guitar solos. And at first I didn't know how to take that. I thought it was really...Track 4:[4:15] It was really jarring for me being a musician and, and I was kind of thinking, what are the other bandmates think of this? Like he's, um, of course over the years you get to, you come to appreciate that and, and know it's just a part of the act. Right. But, but yeah, that, um, don't look at, don't look at them. Look at me.Track 4:[4:32] You have to find the clip. It's so good. It's called laminar flow. Find it on YouTube. It's so funny. My friend, I went to the show with who I still am in contact with. He would always talk about the laminar flow and I didn't remember it really. And then he, He, a few years ago, pointed out the video to me and I'm like, oh yeah, I do remember that trim. Gord had the big beard at the time. He had the almost like pajamas on. And when the pajama top came off, he had the Save the Human shirt on, which I actually saw in one of the videos for this album. So he brought the shirt back out for Coke Machine Glow. And the timing of that wouldn't have been too far removed from the Killer Whale time. Probably not, yeah. I don't remember him doing that. But again, I was young and it was craziness. It was it was a fun fun time see the bull moose checking out another drac, like sorry that was the highlight i made from from a lyrical standpoint and then you know from a musical standpoint and i think i also read about this um it's pretty prevalent where they're strumming the piano strings and they brought a mic and recorded it and just love that love that like what's that and uh they decide to bring bring bring in the bring in the mic and record the track so on to lofty pines all right let's go to lofty pines where paul langlois shows up and makes uh an appearance one of two appearances.Track 4:[5:59] On this record to provide his sublime backing vocals god damn is this guy good.Track 4:[10:46] I think it was a week or so ago, I took a trip up north. I think you guys know about. And I was driving back and it was, it was raining and which we don't get a lot of rain. We don't get a lot of anything in California other than the sun. So, you know, when it's raining out, it's a big deal. Yeah, yeah, yeah. I remember listening as I was driving and buddy I was with was, you know, was, I think he was taking a nap or working on something. And I remember going, the mood, you know, my mood was, okay, I got a long drive. And, uh, there was kind of like a monotonous monotony that had been coming from song after song after song, because this is typically slower than that hip stuff, um, that, that I was used to. Um and and i know that they made a conscious effort or at least gordon made a conscious effort to keep the hip away from this right like i read as well like they didn't they didn't want to record anywhere that the hip had recorded they didn't want to use any of the gear but then paul who's right his that's his long longest friend or buddy for sure yeah yeah and then he comes in and and And he's on another tune as well, I believe, on this album.Track 4:[12:06] But you hear that, and for me, driving, I was just, I got that like, okay, thank you. Thank you for giving me a little just reconnection. I know this is Gord, but I also know that Gord is that kind of heartbeat and pulse and provides the lyrics to. And I liked having that friend along, me personally. Um and uh and i couldn't you know i couldn't get the you know twin peaks type lofty pine uh connection correlation uh going there not not that i was you know fully into the twin peaks world or whatnot but yeah so uh that's what i had for my some of my notes the the lines that are in french i was hoping for something revealing and it's literally just i was born for the heat we can't, I was hoping one of you guys would research that. I was too lazy. They, my only note for this song. Yeah. If you could see my notebooks, just better call Paul. Cause he's, um, he just is so effortless. I just picture Gord being in the studio. Like, ah, yeah, I can't quite get the sound I'm going for here. And.Track 4:[13:16] Calls up Paul and he just comes in and, you know, smoke hanging out of his mouth. He just rips off one take and that's how I, it's just so effortless. You can just tell by the, you know, he's just sang with Gord for so long, sung, sang with Gord for so long that he, he just knows what to do. I guarantee it was one take and he was done. Yeah. Again, it gave me that, uh, just, uh, the combination is something that, that, That definitely fills you up.Track 4:[13:42] When I was doing the research as well on the French part, the first thing that came up was, I want to say a province in Quebec, but it was like a lake chalet.Track 4:[13:53] So that's where I was going at first and then obviously did a little deeper and found out. No, not quite, but thought we were referencing something there at one point. Well, I mean, that could be. There's a lot of lofty pines in Quebec and a lot of lakes. So you never know. The Lofty Pine Hotel was in cottage country in Ontario until I don't even know when. Like, not that, like, pretty recently. So, to me, I hear this song and...Track 4:[14:26] It's like one of those, it sounds sticky. It sounds muggy. It's like one of those August nights in the city where, you know, it's extra hot because air conditioners are spitting out hot heat. Like the city's just got this almost dense air that you're walking through. The cool side of your pillow is sweating, you know? That's the kind of heat.Track 4:[14:50] And they're just daydreaming about getting up to the cottage. Just getting the fuck out of dodge and going to the cottage dreaming of those lofty pines i don't know that's that's sort of what i get from it so just a real quick note building on what you just said about it's so freaking hot and the spectacular part in the lyrics and there's a matchbook or whatever that falls like we needed something hotter right yes you know and here's matches you know i didn't get that but yeah totally what do you believe he's referring to in the uh i give the editor my pitch a series on the cultural wealth uh about the era of catalogs and lists i just think he's good at creating protagonists uh i think it's like a protagonist of this song um like but i but i guess i'm very literal yeah don't don't make me say hitler again no i don't i think this is i don't know literal more literal you know but he's proven to not do that so often that it seems like not likely but that's how like he's answering a question that we haven't asked you know let's go to the next track which is boy bruised by butterfly shake I really didn't have anything to say about the song for a while.Track 4:[16:14] And then I listened to it, um, actually just today. And it kind of came to me that this is.Track 4:[16:21] Somewhere between consciousness and unconsciousness or life and death somewhere in the middle um you know he he references someone was crying i as i lay in the dirt i could hear their hearts breaking but i wasn't even hurt so that's kind of like i'm slipping away and i don't feel anything sort of thing that's just how i interpreted the line i came across um something just by chance glancing through the cd booklet last night um and there's a little article it says bruised by a butterfly chase and it looks like um it's actually photocopied from a newspaper it says four-year-old andrew herrit holds his winnie the pooh blanket at a hospital in halifax the kentville boy survived a 20 meter fall from a cliff at blommadon provincial park while chasing butterflies during a family outing so it could be very literally about a boy down down down falling yeah exactly yeah it made so much sense when i read that so yeah there's an extra song and i didn't get to listen to it yet but is it this it's it is down down down yeah it's the same lyrics yeah yeah and i guess that makes sense the grass felt so good and there's they're talking about he didn't have shoes so that makes sense that it's a four-year-old um the day was so blue i must have tripped i don't know do i remember falling away nothing that i hold on to and not being afraid so that's when you're that young you probably don't have much.Track 4:[17:46] Memory of it as an adult and especially i would assume there's some trauma there and justin though i i.Track 4:[17:53] Mean just your your first explanation that that in between um before we.Track 4:[18:00] Heard the story like you took me there and i think musically it does as well like my notes are the guitar like you know guitar is prevalent in some of these other songs but you don't hear.Track 4:[18:12] Guitar lines and guitar melodies as much and there's some very clear guitar work going on here both acoustic and electric which you also don't really get a lot of in in these songs or you know the song is almost poppy yeah it's super radio absolutely and i thought it could be a hip song yeah yeah you know those and i guess obviously see that could be true to anything, but change up some of the instrumentation, change up some of the tempo and, and, uh, yeah, yeah, you're definitely in hip territory. Definitely hip territory. Let's go to mystery, a sonic soundscape. Yeah. And, and it really is, it starts off in, in that sonic soundscape world and then goes to the spoken word. Sorry, a bit of humor. You know, one of my favorite flicks is, so I married an ax murderer and turn off the base. It's your rollers. The soccer game is on somewhere.Track 4:[19:13] There's a soccer game. and uh being being you know the background with that i i at a loss in the sense of that that journey that gourd's going through and and doing some research and finding you know with with the book of poetry that came out uh that he was you know it was not received from the poetry world as it were um and yeah it was yeah they they it was not received from a it's like oh this is just you know and they made the joke of oh yeah what what are you going to do give bob dylan a a pulitzer or uh you know uh it it's just it's that being someone that's written songs before and and And I can't say that I've written poetry, but it's very much frowned upon to have, you know, they said, you know, Jim Morrison killed that. So why is anybody else doing it? And so then the counter argument goes.Track 4:[20:17] Well, yeah, it sells well because of who Gord is and what he does and how he moves people. And then what came afterwards was, yeah, in the libraries and in the bookstores, there was a lot more people in the poetry section than had ever been there before. So what are you trying to do? Are you trying to be completely inclusive or exclusive? And does the inclusivity then start damaging the art? I'm of the belief and the ilk that you need people to dive into both lyrics, dive into poetry, dive into the spoken word side. So, yeah, sorry, I digress. And this is just coming off the song Poets on Phantom Power, which in live shows, he's sort of, don't tell me what the poets are doing. I don't want to know. I don't care about the poets. Or it could be perceived that way, whether he meant that or not.Track 4:[21:21] I know from a musical standpoint, this song gave me vibes of, of the rain song by Led Zeppelin. And I know it sounds nothing like it, but if you listen, and it took me a while to figure out what it was, but if you listen to the bass notes, he's playing really high in the register and it just gives that cascading feel of, of the rain song. And, um, yeah. And, and near the end too, he's playing up the neck on the bass and it's just some really nice playing. Yeah, I have avant-garde. I would imagine that the Dinner is Ruined gang had a heavy influence on this. Yeah, and this is the other Adam McGaughan track as well. So that guitar you hear, the little classical guitar, that's McGaughan. Ah, cool. Sorry, help me understand, not being as familiar outside of in the research, does he hold a special place in a Canadian heart?Track 4:[22:14] Um adam mcgoyne he was a filmmaker i i can't say i'm an expert on him but he's um he had a movie called the sweet hereafter which was very well received i believe it won awards and actually i believe uh didn't sarah harmer sing i think a version of courage on the soundtrack sarah polly sarah polly right right yes yeah well i'll have to do a little more research and check some of that that out justin were you familiar at all only from reading the never-ending present book had i had i heard the name no anything else on mystery uh only that the the phantom power outtake version is so drastically different and also equally amazing it is so yes the one on phantom power is so dark and so so moody and i have here a note that it's almost like a more depressing version of landslide by fleetwood mac it's just haunting oh yeah yeah yes like i mean they're wildly different but so funny they share the same dna ultimately what's i think what's funny is that the version that's on the phantom power re-release would have been recorded two years before this so this is reimagining this is part two yeah it makes you wonder is it just that he really loved the words and he you know the track got cut for whatever reason just didn't fit in maybe with the album and he it was something he really wanted to put out there and And, you know, I'm glad he did. I love both versions.Track 4:[23:43] Okay, next up, we get a song of 3-4. It's got a country-ish little tinge to it.Track 4:[23:50] And that's Elaborate. Elaborate.Track 4:[29:10] I imagine cowboys after having driven cattle across the plains, just sitting around a fire, drinking a beer, you know, and somebody's got a guitar and then somebody works out a mandolin three minutes into the song, you know, but it's about, it's about death. It's about somebody's sick, somebody's dying, has cancer. And in the poem version in the book, the title also has a parenthetical Toronto No. 2, which Music at Work has the song Toronto No. 4, which is about Gord's grandmother dying. So there's a common thread there. I don't know. It is very much a end of the day.Track 4:[29:51] Things are happening and they may not be coming to us. Yeah, I have a tough time hearing this, knowing what we know about what happened to Gord. Like, I can't help but hear it through that filter, and it makes it difficult to listen to for me. Yeah, I had the same thing, JD. It felt to me like a song that was meant to have a little bit of, I don't want to say humor, but a bit of lightheartedness to it in a way. But then knowing what we know... What happened with Gord, it definitely changes the way you hear it. Interestingly, my head went to Now for Plan A instead of Gord's own diagnosis. And also, I'm not sure if you guys heard this at all, but again, I'm less of a lyric guy, more of a music guy. The mandolin solo comes in, a little mandolin melody, and it reminds me so much of Neil Diamond's Play Me. And I swear, if you listen to it, you'll know what I mean. It's so funny. It doesn't quite go in the same place, but it's very close. Yeah. Great tune. And at the end, they're kind of going on for a while. And then Gord kind of clears his throat, like as if to say, come on, wrap it up, boys. I have that in my notes. So JD, if we're going on too long, just clear your throat and we'll know it's time to wrap up. No, not at all.Track 4:[31:11] One thing that I picked up on, which is a timestamp on this album, is Gord mentions cell phone. And a lot of bands in the late 90s, early 2000s for just like a three or four year period mentioned cell phones because that's when they came out. We didn't have cell phones before 98, 99. And if we did, they were in a bag that weighed 30 pounds. So I thought it was interesting that cell phone was topical for their 2000s. It's a country song. You said it. It's a country tune. That's my first note is country tune. And then you hear the guitar tremolo, that ringing, that just doing single notes and it's just ringing. And then the mandolin. But yeah, you're talking about modern topics on a cowboy song, on a country tune. There's also a great live version of this I found. It's the black and white. It's like a full concert that someone's put on YouTube. There's this pretty epic Gord rant on it. And he's talking about stem cell research and the Pope. And it's worth a watch for sure.Track 4:[32:18] And he actually, and he dedicates the song to Dave Bedini, which I found interesting from Reostatics. He's still alive. So I don't, I don't know why he just says, you know, the songs for, for Dave. I wonder if he went through a battle with a family member. Yeah. Possibly maybe, maybe a mutual acquaintance or yeah. Who knows? The beauty of the beauty of where, where we're being taken on this, this particular album is, is pretty incredible yeah and then you go into frigging a polka right with you're possessed.Track 4:[32:52] Yeah yeah i did not expect that coming i'm just like you're hearing all these songs that are very kind of melancholy yeah you know outside of canada geese that that that has a little bit of drive to it yeah you're another two man yeah and then now for two but if you guys know um have you.Track 4:[33:11] You guys seen spinal tap i'm guessing oh of course okay so my mind went right to you know yeah yeah the the nigel and david uh st hubbins their first song the you know the dune duga dune dune dune walking down the railroad track to get dune dune dune dune wait for my babe to bring me back um that's where my mind went but um funnily enough my my daughter picked this song out uh we were in the car listening to the cd and she wanted to pick a song so she went through the the track listing and she picked you're possessed because uh her favorite hip song is you're not the ocean this is my 11 year old daughter and so she loved the spelling of of year and uh she put this song on and her reading of it like the i told her what what i was thinking and she said this sounds to me like emmett otter, and i'm not sure if there's a ref i can see kirk knows what i'm talking about so here's a quick Oh my gosh. We could just be finished right now.Track 4:[34:09] I grew up in a small town called Peachland in the Okanagan in BC. A small town. We had maybe, I don't know, a couple thousand people when I lived there. And we had two channels. We had channel four, CBC, and channel nine, CTV. And there was no cable company in town. But on the outskirts of town was a large satellite dish, like a huge satellite dish that someone put there and uh and so the whole town got free hbo for years like pirated stolen hbo i'm talking like five six seven years and uh let's go every you know three months you'd come home turn on hbo and it'd be scrambled and so that it would be all down for a couple days until they repositioned the satellite and so every christmas time and you know this is early 80s Emma Daughter's Jug Band Christmas would come on HBO.Track 4:[34:59] And to me, I just thought this was a thing that everyone knew. And as I got older and I found a DVD copy in a bargain bin at Zeller's or something, I started talking about this show to people and no one...Track 4:[35:14] Except for the people i know from peachland know this show and it is it's a jim henson production from about 1977 it's and it's like it's a cult classic it's just paul williams yeah, and to me yeah that's what my daughter said and i was like yeah that's that's it this is this is a jug band you know with a tuba instead of a jug t-shirts i have stickers i um am on the verge of learning river bottom nightmare band to cover with our band um right christmas does not happen in the Lane household. I'm the same way. Emmett Otter's plays. We have, you know, obviously the DVD copy. And in fact, it's a running joke. Sorry, JD and Justin, if you haven't seen it, but like anything that's $50, Craig, $50, that's a lot of money. So my whole family, anything that's 50 bucks, the first response is $50. Yeah, yeah. Or yeah, anytime we have mashed potatoes, just mashed potatoes i love mashed potatoes hey yeah man how are you doing catching anything good today sorry guys so jd and justin you haven't seen that christmas your life will will begin begin to exist afterwards so let's let's change the focus for episode two please the music is so good and it's this christmas story doesn't once mention you know religion jesus it doesn't once Once mentioned Santa.Track 4:[36:44] And it's the best Christmas show you'll ever see. It's so sweet. Huh. The music. Yeah, it's just, it's amazing. It tears me up every time. And I love that connection that your daughter has to this song, Craig. I mean, that's, I really did start welling up. Not only finding someone that loves him and Otter, but that she made that connection. Yeah, it's really cool. That's fantastic. Yeah. Fantastic. And of course, Paul's back singing the backups here. And I have to ask, have you guys been to Boston? They mentioned Lansdowne Street, Fenway Park. I'm guessing Lansdowne is. So that's where Fenway Park is. And that's my only note on this song was just after that, he says, no one's going to hurt me like you did. Well, he's talking about the Red Sox. He's totally talking about Bill Buckner missing the catch or the grounder in 1986 to throw it away. Maybe, or I watched a live version of this as well. And he tells a story and I don't remember all the details, but he tells a story about a fight with his brother, Patrick. So yeah, I'm not, I'm not sure if it could be, you know, a brotherly story. Well, and Patrick was the sound guy for the garden where the Bruins play and the Celtics play.Track 4:[37:57] Um, and of course the, um, Harry Sinden, the Bruins coach was the godfather. Yeah. Yeah, absolutely. Yeah. yeah sure he wore the sweater in um courage in the video for wow yeah this is a great great tune i mean just in all of it you know you've got the spoken word stuff you've got uh some of the melancholy stuff and and and then boom you know you get this boom boom and and the solos uh.Track 4:[38:28] Yeah we're at a pool party in 1946 and uh and also quick canadian tie-in um another i know j uh jd you know the other canadian classic with a tuba can you you know what i'm talking about i don't off the top we talked about this spirit of the west and if venice is sinking oh my god like tuba part yeah yeah so the only two songs i can think of featuring a tuba i'm sure there are others but it last i checked there weren't that many bands featuring a tuba not enough every irrelevance i spoke a lot already on this last one but i can i just share my experience with this one because so i'm doing doing dishes i'm often listening to um music or podcasts when i'm doing dishes and and uh i'm listening to this song and i'm just getting into it's just this beautiful like instrumental sounding song. I love the tremolo guitar.Track 4:[39:22] And I was just thinking, okay, this is probably, maybe there's no words on here. And I was really digging it and thinking, okay, I like this. I like this choice of an instrumental near the end of the album. And then all of a sudden Gord starts singing and just this beautiful melody. And then the snare comes in halfway through the verse and I'm just like elevating. I'm just like my mood. And what I thought of later when I was thinking of how to explain this was the Vince McMahon meme, you know, the levels of Vince McMahon's like elation. And so I'm like- Which doesn't play so well now.Track 4:[40:01] And level one, that's the instrumental. Level two, Vince is the singing. And then all of a sudden he hits me with, catharsis my arses is capable of more flesh and i'm like oh it's the line from from the from the live album and you know um and then i'm just like loving this song and all of a sudden the there's the piano and so i'm all of a sudden on fourth level vince and just when i think i can't love the song anymore that trumpet comes in at the end and it is so tasty just the the muted trumpet tasteful perfect like the both the piano and the trumpet play just enough they don't overplay and i just love this song who did the horns it wasn't this from another can't think of his name though is it andy mays i'd have to look at that i i don't that sounds familiar yeah yeah well i'm pretty sure that's who he's talking about an emperor penguin as well right like the first two lines yeah yeah tony or trump that was my other thought yeah i like the tony yeah there's There's another line that I can't remember which live show it's in. It might even be from the live between this album, but it's leading into a head by a century. He talks about adolescence in essence is all about trust. And that, that line pops up in here.Track 4:[41:20] Um, I don't think he mentions adolescence in this song, but yeah, I'm looking at the credit. So does Andy Mays, is it? That's what I thought. Yeah. Yeah. Nice job, JD. And one thing, um, did you guys notice in the, uh, in the credits to this album it's very specific it mentions the type of guitar being played by each member the type you know the types of drums and um and it very clearly says that gourd was playing on a gut string guitar which is you know the old old style string made of you know, animal guts basically yeah and it just gives a way different um you know timbre.Track 4:[41:57] I like the echo on the snare on this particular and, and it sounded like a standup bass. I'm not sure if it was a standup bass. It was just the way the notes were played. Um, but you know, I, I have a jazz reference obviously in my notes. So yeah, I agree. Craig musically, it was phenomenal. And then, then again, you're not quite sure we're going to get a spoken word or, and then you get the, you know, the beautiful, the beautiful voice and the beautiful, uh, song. Hmm.Track 4:[42:28] It's it's definitely one of the best ones on the on the record i think i i love the song i'm i'm a big fan as well i i love when he leaves little breadcrumbs in in a what seems to be like an improv rant or a throwaway rant not that any of them are throwaway but you you turn it turns out that it's been a line in his notebook for five years prior and it's got six underlines under it you know like god damn it i'm going to use this line somewhere down the line yeah when it presents i'm going to rhyme catharsis that's right i've got this great lyric i'm gonna use it sometime you know and uh i think that's so cool he's so talented let's just go right now to insomniacs of the world, good night.Track 4:[43:56] Thank you. I can see the line of your reserve, I can contemplate it from here, there's no need for breathlessness when we're so far apart. I can see us writhing in a phone booth or laid back in the dewy grass of our youth and gathering our sweetnesses and wishing on the never-ending sun.Track 4:[48:05] So, the research that I saw, this was supposed to be the name of the album? Does that jive with what anyone else saw? Yeah, that checks out. Yeah, that's what I heard. And then um again capping it off with you know more of a spoken word and just straight up i can see the line of your brassiere i can contemplate it from here there's no need for breathlessness when we're so far apart i know um one thing i noticed was um.Track 4:[48:42] What I picture here is, is there's a point where he starts recapping some lyrics from some other songs. I know he brings up the Fenway park again. And what I think this is, is, is recordings of Gord in the middle of the night, grabbing his tape recorder when he's got a melody going through his head. And he's kind of singing because it almost sounds like he trails off. Sometimes he doesn't always have the full melody melody developed. And I think this might be his like audio journal, like little excerpts.Track 4:[49:09] Wow. listen to it again i i swear i'm i'm very quite confident in this that's amazing that and a perfect bookend as well to to star star painters just um bookends the album the spoken word on both sides the sort of um i don't know that's i think it's an organ this time not an accordion but a similar sound and oh and julie uh dwaron is pocketed or is credited with with playing the a pocket trumpet so just a just basically a tiny trumpet shakespeare pops up in in some of the hip works and there's that um if i could sleep there's a chance i could dream which is from hamlet um he changes it a bit because it's perchance and shakespeare right so it's it's interesting yeah right this line yes arguably the most notable line that shakespeare ever wrote and changes it and keeps it the same but just that little word change like what what does that mean what is that all about and more to the point and it's the elephant in the room, is the version from phantom power.Track 4:[50:20] Where do you guys stand on those two versions? Can you enjoy them both? Can they both be your children? Or if I asked you to make a selfish choice, which one would you choose as a preference? I can't answer it because I don't know the one from Phantom Power as well. That's cheating, but okay. But I do remember. It sure is. That means I just don't love one of my children, right? Right. Um, I do remember him screaming the line at live shows and in some performances. I had heard that reference and, and heard a scene that reference for in some. Yeah. My preference is, is this one. I, I, I really like this, this version of it. One thing that I really is so amazing about this song is it lulls you like you're ready to until the crash. Yeah. That's the same thing. Massive cymbal crash. Yes. Oh God, I love it. I love that so much.Track 4:[51:25] And fast forward to the final album that the hit put out, Man Machine Poem, and there's the song Insomnia. Insomnia. Which was supposed to be Insomnia. Yep. And if you read the liner notes in that, Insomnia is scratched out in every line. And I don't know what that means, but interesting.Track 4:[51:44] Well, I think the whole record is interesting. what did you guys think overall is an experience with the record and uh after you tell me that what is your mvp track and you have to pick one this time justin i'm gonna go first i'll make it easy because i think i've already referenced it and and and it it's you know probably unlikely but But Star Painters was my, and again, it's the lyric. It's that line. Like anytime I hear that line, whether I'm walking the dog and I listen to it or if I'm driving and I hear it, you know, the scaffolding. Scaffolding.Track 4:[52:29] The scaffolding is in its place. The Star Painters are taking over now. And then your anesthesiologist tonight is washing up and on her way. So for me, it was that line. And I think it's because, again, I wanted to separate and I'm glad that I had the wherewithal to be able to go. I wasn't looking for hip light. I was looking for Gore Downey. And, and you didn't, I, it's me personally. And I think we even mentioned it with, with the book ending with the spoken word, you were going to get Gord Downie and you were in a, not just, you're not just going to get the energy that we know and from the hip, but you know, that he's going to take all these, these amazing musicians that were part of obviously his career.Track 4:[53:20] His musical background that, that, that created the hip and that he's going to give them that opportunity for them to get together. And then just when you hear the story about how they recorded it and where they recorded it and, uh, you know, meshing that together at the same time, he's, he's, he's, he's writing, you know, he's putting out the book along with it. So I'm, I mean, yeah, a little bit of criticisms on some of the recording maybe techniques and could have used a few more mics here and there. But that's just, I guess, the musician in me. But overall, I can understand why it was what I would assume mostly fairly well received. And again, I know there's a lot of hip fans that weren't even going to give it a chance. And then the song that I chose as my MVP kind of pushed him away from the get-go, at least for me. So, yeah, I'm...Track 4:[54:22] I'm glad I found the hip or maybe I should say the hip found me and I'm glad I didn't give up on them. And, uh, you know, the energy and, and the feeling that Gord always gave me when I, uh, had the great chance to see, uh, see the band and see him. And even when I met him, I actually, I wore this shirt on purpose. This is the shirt that I was wearing when I met Gord backstage house of blues Anaheim. It's a harley davidson shirt with big letters hd and the ac are masked with a canadian flag, yeah and this i got this up in vancouver on a trip when i went up there i fancied myself i was going to be a harley rider one of these days and and still don't have a bike um but went through that phase and uh i wore this shirt because i felt like i needed to because i'm you know go see the hip. And, uh, and this is the first thing he said, he just goes, that's a really nice shirt, man.Track 4:[55:23] And he shook my hand and, and, uh, and there was just this gentleness about him. And, uh, you know, I was starstruck and I don't typically get that. I mean, I'm, I'm in a business where I meet people all the time and I'm in LA and Hollywood and, and, and done all that, but this guy is different. And it was a moment where I definitely paused and couldn't put together a whole lot of words. I didn't know that I was necessarily going to meet him. I wore this in honor of that moment and taking this journey with you guys. So I am so excited because I think this was a great start.Track 4:[56:07] Outside, I've heard a little bit of some Secret Path. I absolutely had not heard anything from any of the other albums outside of Coke Machine Glow, and again, a little bit from Secret Path. So I'm just, I'm really jazzed, right? Because I get to dig, you know, we get to dig deeper into this individual that's just, wow, he's pretty special. And you could see, you know, the impact that he's had on so many. So I'm excited about this journey and I'm picking that song and I'm sticking to it. Nice. Craig, how about you?Track 4:[56:45] Well, being one of those hip fans who took a bit of a break around this time, and not that I completely abandoned them, I think for me, I was just at an age where I was just exploring so much music. I was in school for music, so I was being bombarded by classical music and music from all through the ages. And on top of that, I was getting into a lot of more experimental music. And I just started drifting away from not just the hip, but all the bands I had been listening to in the 90s. And, you know, a lot of those bands I did come back to, some I didn't, but I came back to the hip big time, kind of the mid 2000s or, you know, yeah, around 2006, probably. And um and so for me i this is an album i never gave a chance i'd heard you know a couple songs here and there chancellor and vancouver divorce i think but um i'd never listened to the whole thing and wow i'm i'm so grateful for this opportunity to do this it's just i love this album i i put it up there with with you know some of those great hip albums and um my my um mvp track is every irrelevance i again i explained already the vince mcmahon meme um that that was me during this song just i by the end i was just you know spent lying down with the smoke.Track 4:[58:14] Justin uh it's sentimental for me with it's trick rider um because my daughter is six um and And I build bike ramps for her, you know, and, and then tell her don't ride so fast off that bike ramp. I just built you, you know, and, um, don't ask me to explain. Um, and, Yeah, I just, that's, it drives, you know, it really, yeah, I don't know. I love that song for different reasons. I also really love Canada Geese just because it's a sweet rock song. And I know, I just like what I like. I grew up on Yes and listening to 22-minute opuses that were way beyond what a 13-year-old kid should be listening to. So, I get weird stuff and I get out there stuff, but I also just love rock and roll.Track 4:[59:06] And, uh, you know, that's a, that's a pretty good rock and roll song. I, and I'm going to echo you guys that I'm super excited for this platform. Um, because as a kid in the States who had the secret about the hip, you know, my last name is St. Louis. So everybody thought I was Canadian and I was a Montreal Canadians fan. So everybody, you know, they'd pick on me. And then I talk about the tragically hip, which was in the periphery, you know, nobody, nobody listened to it, but they'd at least heard of them. And then be like, Oh, that's who the hell is that? Why are you listening to that? And it's stupid. Well, now I can finally celebrate it and talk about it, you know, and, and I'm Canadian for the next eight weeks. Oh, that's great. Eh? Yeah.Track 4:[59:49] Well, this has been a great deal of fun.Track 4:[59:55] This Saturday afternoon. You'll be listening to this on a Monday, of course. If you have anything you want to shout out to us, please send us an email. We would love to hear from you. The email is discoveringdowney at gmail.com. That's discoveringdowney at gmail.com. You can also find a link on our website, discoveringdowney.com, and there's a link to email us right from there, which makes it easy peasy. So it's been a blast doing this with you guys this week. I'm really looking forward to where we go and learning more. I am a somebody who has listened to all the records, and I've listened to them on a number of occasions, but I have a very poor short-term memory, and it's tough to recall them sometimes. Times so it's been really fun going through this and listening the shit out of this record and then getting to talk about it with somebody it's like a book club so i had a lot of fun and if you like what you heard send us an email discovering downy at gmail.com we'd love to hear from you, and on behalf of kirk craig and justin pick up your shit.Track 1:[1:01:13] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at DiscoveringDowney at gmail.com. And hey, we're social.Support this podcast at — https://redcircle.com/gettinghiptothehip/exclusive-contentAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

This week on the show, jD, Craig, Justin, and Kirk wrap up Coke Machine Glow and pick their MVP tracks. Join us won't you?Transcript: Track 1:[0:56] Minneapolis hotel room. Here I sit, cool as a garage, writing by lightning. I don't mean lightning as a metaphor for inspiration. I mean lighting. Intermittent lightning. By lightning really turning it on. A lightning-powered hotel room. It's the most lightning I've ever seen in one room.Track 2:[1:19] Welcome, music lovers. Long Slice Brewery presents Discovering Downey.Track 3:[1:28] Hey, it's J.D. here, and I'm joined, as I am every week, by my pals Craig, Justin, and Kirk from Chino. While our love for the hip unites us, it's Gord's solo ventures that remain uncharted for our trio. Hence, I've gathered this team of enthusiasts to delve into the musical repertoire of the enigmatic frontman of the tragically hip, the late Gord Downie. Come along with us on this exploration as we navigate through his albums one by one in chronological order, embarking on our quest of discovering Downey. This is the second of two parts of our gang covering Gord's first solo record, Coke Machine Glow. If you listened to part one, we discussed the album as a whole and then got into a song by song breakdown. Down on this episode we'll pick up where we left off with a song that has to be about cottage country doesn't it well in my head it is craig why don't you kick things off with your thoughts on black flies right.Track 4:[2:31] Away what hit me was the laminar flow line because i was at that show and i'm not sure if this was something that he did all through the the roadside attraction the first tour that I saw. But the Vancouver show or the Seabird Island show in 1993, I believe.Track 4:[2:50] Um maybe 94 93 um he goes off on this rant about the laminar flow and you can actually find it online too and uh and he's talking about you know it's the flow of liquid and he's sort of talking about the crowd and the movement of the crowd and this was my first hip show we're talking i'm not sure how many thousands of people there are 20 000 this wave of people and this is like the early hip fans right this is this is roadside a partying crowd yep and it was this it was in the In the middle of nowhere. That's your first hip show? Huge. Wow. Yeah, huge. Yeah, just in the middle of a forest, really. And, you know, just like you see on the videos with, like, Canadian flags and drunk, you know, jock types. And I was quite young. I think I was 18 at the time. And not really knowing how to take gourd. Like, I loved the hip at the time. Like, I think fully completely. I'd either just come out or was about to. Loved that album. Loved, you know, the band since up to here. And at one point, and you can actually see it in this video, he starts getting angry with someone in the crowd saying, don't look at them, look at me. Like, you know, referencing, you know, the other band members. And he was obviously joking, but at the time I had no clue. He just looked, I was like, this guy really is starved for attention because not only does he sing all the songs and he's talking in between all the songs, he's talking over top of the guitar solos. And at first I didn't know how to take that. I thought it was really...Track 4:[4:15] It was really jarring for me being a musician and, and I was kind of thinking, what are the other bandmates think of this? Like he's, um, of course over the years you get to, you come to appreciate that and, and know it's just a part of the act. Right. But, but yeah, that, um, don't look at, don't look at them. Look at me.Track 4:[4:32] You have to find the clip. It's so good. It's called laminar flow. Find it on YouTube. It's so funny. My friend, I went to the show with who I still am in contact with. He would always talk about the laminar flow and I didn't remember it really. And then he, He, a few years ago, pointed out the video to me and I'm like, oh yeah, I do remember that trim. Gord had the big beard at the time. He had the almost like pajamas on. And when the pajama top came off, he had the Save the Human shirt on, which I actually saw in one of the videos for this album. So he brought the shirt back out for Coke Machine Glow. And the timing of that wouldn't have been too far removed from the Killer Whale time. Probably not, yeah. I don't remember him doing that. But again, I was young and it was craziness. It was it was a fun fun time see the bull moose checking out another drac, like sorry that was the highlight i made from from a lyrical standpoint and then you know from a musical standpoint and i think i also read about this um it's pretty prevalent where they're strumming the piano strings and they brought a mic and recorded it and just love that love that like what's that and uh they decide to bring bring bring in the bring in the mic and record the track so on to lofty pines all right let's go to lofty pines where paul langlois shows up and makes uh an appearance one of two appearances.Track 4:[5:59] On this record to provide his sublime backing vocals god damn is this guy good.Track 4:[10:46] I think it was a week or so ago, I took a trip up north. I think you guys know about. And I was driving back and it was, it was raining and which we don't get a lot of rain. We don't get a lot of anything in California other than the sun. So, you know, when it's raining out, it's a big deal. Yeah, yeah, yeah. I remember listening as I was driving and buddy I was with was, you know, was, I think he was taking a nap or working on something. And I remember going, the mood, you know, my mood was, okay, I got a long drive. And, uh, there was kind of like a monotonous monotony that had been coming from song after song after song, because this is typically slower than that hip stuff, um, that, that I was used to. Um and and i know that they made a conscious effort or at least gordon made a conscious effort to keep the hip away from this right like i read as well like they didn't they didn't want to record anywhere that the hip had recorded they didn't want to use any of the gear but then paul who's right his that's his long longest friend or buddy for sure yeah yeah and then he comes in and and And he's on another tune as well, I believe, on this album.Track 4:[12:06] But you hear that, and for me, driving, I was just, I got that like, okay, thank you. Thank you for giving me a little just reconnection. I know this is Gord, but I also know that Gord is that kind of heartbeat and pulse and provides the lyrics to. And I liked having that friend along, me personally. Um and uh and i couldn't you know i couldn't get the you know twin peaks type lofty pine uh connection correlation uh going there not not that i was you know fully into the twin peaks world or whatnot but yeah so uh that's what i had for my some of my notes the the lines that are in french i was hoping for something revealing and it's literally just i was born for the heat we can't, I was hoping one of you guys would research that. I was too lazy. They, my only note for this song. Yeah. If you could see my notebooks, just better call Paul. Cause he's, um, he just is so effortless. I just picture Gord being in the studio. Like, ah, yeah, I can't quite get the sound I'm going for here. And.Track 4:[13:16] Calls up Paul and he just comes in and, you know, smoke hanging out of his mouth. He just rips off one take and that's how I, it's just so effortless. You can just tell by the, you know, he's just sang with Gord for so long, sung, sang with Gord for so long that he, he just knows what to do. I guarantee it was one take and he was done. Yeah. Again, it gave me that, uh, just, uh, the combination is something that, that, That definitely fills you up.Track 4:[13:42] When I was doing the research as well on the French part, the first thing that came up was, I want to say a province in Quebec, but it was like a lake chalet.Track 4:[13:53] So that's where I was going at first and then obviously did a little deeper and found out. No, not quite, but thought we were referencing something there at one point. Well, I mean, that could be. There's a lot of lofty pines in Quebec and a lot of lakes. So you never know. The Lofty Pine Hotel was in cottage country in Ontario until I don't even know when. Like, not that, like, pretty recently. So, to me, I hear this song and...Track 4:[14:26] It's like one of those, it sounds sticky. It sounds muggy. It's like one of those August nights in the city where, you know, it's extra hot because air conditioners are spitting out hot heat. Like the city's just got this almost dense air that you're walking through. The cool side of your pillow is sweating, you know? That's the kind of heat.Track 4:[14:50] And they're just daydreaming about getting up to the cottage. Just getting the fuck out of dodge and going to the cottage dreaming of those lofty pines i don't know that's that's sort of what i get from it so just a real quick note building on what you just said about it's so freaking hot and the spectacular part in the lyrics and there's a matchbook or whatever that falls like we needed something hotter right yes you know and here's matches you know i didn't get that but yeah totally what do you believe he's referring to in the uh i give the editor my pitch a series on the cultural wealth uh about the era of catalogs and lists i just think he's good at creating protagonists uh i think it's like a protagonist of this song um like but i but i guess i'm very literal yeah don't don't make me say hitler again no i don't i think this is i don't know literal more literal you know but he's proven to not do that so often that it seems like not likely but that's how like he's answering a question that we haven't asked you know let's go to the next track which is boy bruised by butterfly shake I really didn't have anything to say about the song for a while.Track 4:[16:14] And then I listened to it, um, actually just today. And it kind of came to me that this is.Track 4:[16:21] Somewhere between consciousness and unconsciousness or life and death somewhere in the middle um you know he he references someone was crying i as i lay in the dirt i could hear their hearts breaking but i wasn't even hurt so that's kind of like i'm slipping away and i don't feel anything sort of thing that's just how i interpreted the line i came across um something just by chance glancing through the cd booklet last night um and there's a little article it says bruised by a butterfly chase and it looks like um it's actually photocopied from a newspaper it says four-year-old andrew herrit holds his winnie the pooh blanket at a hospital in halifax the kentville boy survived a 20 meter fall from a cliff at blommadon provincial park while chasing butterflies during a family outing so it could be very literally about a boy down down down falling yeah exactly yeah it made so much sense when i read that so yeah there's an extra song and i didn't get to listen to it yet but is it this it's it is down down down yeah it's the same lyrics yeah yeah and i guess that makes sense the grass felt so good and there's they're talking about he didn't have shoes so that makes sense that it's a four-year-old um the day was so blue i must have tripped i don't know do i remember falling away nothing that i hold on to and not being afraid so that's when you're that young you probably don't have much.Track 4:[17:46] Memory of it as an adult and especially i would assume there's some trauma there and justin though i i.Track 4:[17:53] Mean just your your first explanation that that in between um before we.Track 4:[18:00] Heard the story like you took me there and i think musically it does as well like my notes are the guitar like you know guitar is prevalent in some of these other songs but you don't hear.Track 4:[18:12] Guitar lines and guitar melodies as much and there's some very clear guitar work going on here both acoustic and electric which you also don't really get a lot of in in these songs or you know the song is almost poppy yeah it's super radio absolutely and i thought it could be a hip song yeah yeah you know those and i guess obviously see that could be true to anything, but change up some of the instrumentation, change up some of the tempo and, and, uh, yeah, yeah, you're definitely in hip territory. Definitely hip territory. Let's go to mystery, a sonic soundscape. Yeah. And, and it really is, it starts off in, in that sonic soundscape world and then goes to the spoken word. Sorry, a bit of humor. You know, one of my favorite flicks is, so I married an ax murderer and turn off the base. It's your rollers. The soccer game is on somewhere.Track 4:[19:13] There's a soccer game. and uh being being you know the background with that i i at a loss in the sense of that that journey that gourd's going through and and doing some research and finding you know with with the book of poetry that came out uh that he was you know it was not received from the poetry world as it were um and yeah it was yeah they they it was not received from a it's like oh this is just you know and they made the joke of oh yeah what what are you going to do give bob dylan a a pulitzer or uh you know uh it it's just it's that being someone that's written songs before and and And I can't say that I've written poetry, but it's very much frowned upon to have, you know, they said, you know, Jim Morrison killed that. So why is anybody else doing it? And so then the counter argument goes.Track 4:[20:17] Well, yeah, it sells well because of who Gord is and what he does and how he moves people. And then what came afterwards was, yeah, in the libraries and in the bookstores, there was a lot more people in the poetry section than had ever been there before. So what are you trying to do? Are you trying to be completely inclusive or exclusive? And does the inclusivity then start damaging the art? I'm of the belief and the ilk that you need people to dive into both lyrics, dive into poetry, dive into the spoken word side. So, yeah, sorry, I digress. And this is just coming off the song Poets on Phantom Power, which in live shows, he's sort of, don't tell me what the poets are doing. I don't want to know. I don't care about the poets. Or it could be perceived that way, whether he meant that or not.Track 4:[21:21] I know from a musical standpoint, this song gave me vibes of, of the rain song by Led Zeppelin. And I know it sounds nothing like it, but if you listen, and it took me a while to figure out what it was, but if you listen to the bass notes, he's playing really high in the register and it just gives that cascading feel of, of the rain song. And, um, yeah. And, and near the end too, he's playing up the neck on the bass and it's just some really nice playing. Yeah, I have avant-garde. I would imagine that the Dinner is Ruined gang had a heavy influence on this. Yeah, and this is the other Adam McGaughan track as well. So that guitar you hear, the little classical guitar, that's McGaughan. Ah, cool. Sorry, help me understand, not being as familiar outside of in the research, does he hold a special place in a Canadian heart?Track 4:[22:14] Um adam mcgoyne he was a filmmaker i i can't say i'm an expert on him but he's um he had a movie called the sweet hereafter which was very well received i believe it won awards and actually i believe uh didn't sarah harmer sing i think a version of courage on the soundtrack sarah polly sarah polly right right yes yeah well i'll have to do a little more research and check some of that that out justin were you familiar at all only from reading the never-ending present book had i had i heard the name no anything else on mystery uh only that the the phantom power outtake version is so drastically different and also equally amazing it is so yes the one on phantom power is so dark and so so moody and i have here a note that it's almost like a more depressing version of landslide by fleetwood mac it's just haunting oh yeah yeah yes like i mean they're wildly different but so funny they share the same dna ultimately what's i think what's funny is that the version that's on the phantom power re-release would have been recorded two years before this so this is reimagining this is part two yeah it makes you wonder is it just that he really loved the words and he you know the track got cut for whatever reason just didn't fit in maybe with the album and he it was something he really wanted to put out there and And, you know, I'm glad he did. I love both versions.Track 4:[23:43] Okay, next up, we get a song of 3-4. It's got a country-ish little tinge to it.Track 4:[23:50] And that's Elaborate. Elaborate.Track 4:[29:10] I imagine cowboys after having driven cattle across the plains, just sitting around a fire, drinking a beer, you know, and somebody's got a guitar and then somebody works out a mandolin three minutes into the song, you know, but it's about, it's about death. It's about somebody's sick, somebody's dying, has cancer. And in the poem version in the book, the title also has a parenthetical Toronto No. 2, which Music at Work has the song Toronto No. 4, which is about Gord's grandmother dying. So there's a common thread there. I don't know. It is very much a end of the day.Track 4:[29:51] Things are happening and they may not be coming to us. Yeah, I have a tough time hearing this, knowing what we know about what happened to Gord. Like, I can't help but hear it through that filter, and it makes it difficult to listen to for me. Yeah, I had the same thing, JD. It felt to me like a song that was meant to have a little bit of, I don't want to say humor, but a bit of lightheartedness to it in a way. But then knowing what we know... What happened with Gord, it definitely changes the way you hear it. Interestingly, my head went to Now for Plan A instead of Gord's own diagnosis. And also, I'm not sure if you guys heard this at all, but again, I'm less of a lyric guy, more of a music guy. The mandolin solo comes in, a little mandolin melody, and it reminds me so much of Neil Diamond's Play Me. And I swear, if you listen to it, you'll know what I mean. It's so funny. It doesn't quite go in the same place, but it's very close. Yeah. Great tune. And at the end, they're kind of going on for a while. And then Gord kind of clears his throat, like as if to say, come on, wrap it up, boys. I have that in my notes. So JD, if we're going on too long, just clear your throat and we'll know it's time to wrap up. No, not at all.Track 4:[31:11] One thing that I picked up on, which is a timestamp on this album, is Gord mentions cell phone. And a lot of bands in the late 90s, early 2000s for just like a three or four year period mentioned cell phones because that's when they came out. We didn't have cell phones before 98, 99. And if we did, they were in a bag that weighed 30 pounds. So I thought it was interesting that cell phone was topical for their 2000s. It's a country song. You said it. It's a country tune. That's my first note is country tune. And then you hear the guitar tremolo, that ringing, that just doing single notes and it's just ringing. And then the mandolin. But yeah, you're talking about modern topics on a cowboy song, on a country tune. There's also a great live version of this I found. It's the black and white. It's like a full concert that someone's put on YouTube. There's this pretty epic Gord rant on it. And he's talking about stem cell research and the Pope. And it's worth a watch for sure.Track 4:[32:18] And he actually, and he dedicates the song to Dave Bedini, which I found interesting from Reostatics. He's still alive. So I don't, I don't know why he just says, you know, the songs for, for Dave. I wonder if he went through a battle with a family member. Yeah. Possibly maybe, maybe a mutual acquaintance or yeah. Who knows? The beauty of the beauty of where, where we're being taken on this, this particular album is, is pretty incredible yeah and then you go into frigging a polka right with you're possessed.Track 4:[32:52] Yeah yeah i did not expect that coming i'm just like you're hearing all these songs that are very kind of melancholy yeah you know outside of canada geese that that that has a little bit of drive to it yeah you're another two man yeah and then now for two but if you guys know um have you.Track 4:[33:11] You guys seen spinal tap i'm guessing oh of course okay so my mind went right to you know yeah yeah the the nigel and david uh st hubbins their first song the you know the dune duga dune dune dune walking down the railroad track to get dune dune dune dune wait for my babe to bring me back um that's where my mind went but um funnily enough my my daughter picked this song out uh we were in the car listening to the cd and she wanted to pick a song so she went through the the track listing and she picked you're possessed because uh her favorite hip song is you're not the ocean this is my 11 year old daughter and so she loved the spelling of of year and uh she put this song on and her reading of it like the i told her what what i was thinking and she said this sounds to me like emmett otter, and i'm not sure if there's a ref i can see kirk knows what i'm talking about so here's a quick Oh my gosh. We could just be finished right now.Track 4:[34:09] I grew up in a small town called Peachland in the Okanagan in BC. A small town. We had maybe, I don't know, a couple thousand people when I lived there. And we had two channels. We had channel four, CBC, and channel nine, CTV. And there was no cable company in town. But on the outskirts of town was a large satellite dish, like a huge satellite dish that someone put there and uh and so the whole town got free hbo for years like pirated stolen hbo i'm talking like five six seven years and uh let's go every you know three months you'd come home turn on hbo and it'd be scrambled and so that it would be all down for a couple days until they repositioned the satellite and so every christmas time and you know this is early 80s Emma Daughter's Jug Band Christmas would come on HBO.Track 4:[34:59] And to me, I just thought this was a thing that everyone knew. And as I got older and I found a DVD copy in a bargain bin at Zeller's or something, I started talking about this show to people and no one...Track 4:[35:14] Except for the people i know from peachland know this show and it is it's a jim henson production from about 1977 it's and it's like it's a cult classic it's just paul williams yeah, and to me yeah that's what my daughter said and i was like yeah that's that's it this is this is a jug band you know with a tuba instead of a jug t-shirts i have stickers i um am on the verge of learning river bottom nightmare band to cover with our band um right christmas does not happen in the Lane household. I'm the same way. Emmett Otter's plays. We have, you know, obviously the DVD copy. And in fact, it's a running joke. Sorry, JD and Justin, if you haven't seen it, but like anything that's $50, Craig, $50, that's a lot of money. So my whole family, anything that's 50 bucks, the first response is $50. Yeah, yeah. Or yeah, anytime we have mashed potatoes, just mashed potatoes i love mashed potatoes hey yeah man how are you doing catching anything good today sorry guys so jd and justin you haven't seen that christmas your life will will begin begin to exist afterwards so let's let's change the focus for episode two please the music is so good and it's this christmas story doesn't once mention you know religion jesus it doesn't once Once mentioned Santa.Track 4:[36:44] And it's the best Christmas show you'll ever see. It's so sweet. Huh. The music. Yeah, it's just, it's amazing. It tears me up every time. And I love that connection that your daughter has to this song, Craig. I mean, that's, I really did start welling up. Not only finding someone that loves him and Otter, but that she made that connection. Yeah, it's really cool. That's fantastic. Yeah. Fantastic. And of course, Paul's back singing the backups here. And I have to ask, have you guys been to Boston? They mentioned Lansdowne Street, Fenway Park. I'm guessing Lansdowne is. So that's where Fenway Park is. And that's my only note on this song was just after that, he says, no one's going to hurt me like you did. Well, he's talking about the Red Sox. He's totally talking about Bill Buckner missing the catch or the grounder in 1986 to throw it away. Maybe, or I watched a live version of this as well. And he tells a story and I don't remember all the details, but he tells a story about a fight with his brother, Patrick. So yeah, I'm not, I'm not sure if it could be, you know, a brotherly story. Well, and Patrick was the sound guy for the garden where the Bruins play and the Celtics play.Track 4:[37:57] Um, and of course the, um, Harry Sinden, the Bruins coach was the godfather. Yeah. Yeah, absolutely. Yeah. yeah sure he wore the sweater in um courage in the video for wow yeah this is a great great tune i mean just in all of it you know you've got the spoken word stuff you've got uh some of the melancholy stuff and and and then boom you know you get this boom boom and and the solos uh.Track 4:[38:28] Yeah we're at a pool party in 1946 and uh and also quick canadian tie-in um another i know j uh jd you know the other canadian classic with a tuba can you you know what i'm talking about i don't off the top we talked about this spirit of the west and if venice is sinking oh my god like tuba part yeah yeah so the only two songs i can think of featuring a tuba i'm sure there are others but it last i checked there weren't that many bands featuring a tuba not enough every irrelevance i spoke a lot already on this last one but i can i just share my experience with this one because so i'm doing doing dishes i'm often listening to um music or podcasts when i'm doing dishes and and uh i'm listening to this song and i'm just getting into it's just this beautiful like instrumental sounding song. I love the tremolo guitar.Track 4:[39:22] And I was just thinking, okay, this is probably, maybe there's no words on here. And I was really digging it and thinking, okay, I like this. I like this choice of an instrumental near the end of the album. And then all of a sudden Gord starts singing and just this beautiful melody. And then the snare comes in halfway through the verse and I'm just like elevating. I'm just like my mood. And what I thought of later when I was thinking of how to explain this was the Vince McMahon meme, you know, the levels of Vince McMahon's like elation. And so I'm like- Which doesn't play so well now.Track 4:[40:01] And level one, that's the instrumental. Level two, Vince is the singing. And then all of a sudden he hits me with, catharsis my arses is capable of more flesh and i'm like oh it's the line from from the from the live album and you know um and then i'm just like loving this song and all of a sudden the there's the piano and so i'm all of a sudden on fourth level vince and just when i think i can't love the song anymore that trumpet comes in at the end and it is so tasty just the the muted trumpet tasteful perfect like the both the piano and the trumpet play just enough they don't overplay and i just love this song who did the horns it wasn't this from another can't think of his name though is it andy mays i'd have to look at that i i don't that sounds familiar yeah yeah well i'm pretty sure that's who he's talking about an emperor penguin as well right like the first two lines yeah yeah tony or trump that was my other thought yeah i like the tony yeah there's There's another line that I can't remember which live show it's in. It might even be from the live between this album, but it's leading into a head by a century. He talks about adolescence in essence is all about trust. And that, that line pops up in here.Track 4:[41:20] Um, I don't think he mentions adolescence in this song, but yeah, I'm looking at the credit. So does Andy Mays, is it? That's what I thought. Yeah. Yeah. Nice job, JD. And one thing, um, did you guys notice in the, uh, in the credits to this album it's very specific it mentions the type of guitar being played by each member the type you know the types of drums and um and it very clearly says that gourd was playing on a gut string guitar which is you know the old old style string made of you know, animal guts basically yeah and it just gives a way different um you know timbre.Track 4:[41:57] I like the echo on the snare on this particular and, and it sounded like a standup bass. I'm not sure if it was a standup bass. It was just the way the notes were played. Um, but you know, I, I have a jazz reference obviously in my notes. So yeah, I agree. Craig musically, it was phenomenal. And then, then again, you're not quite sure we're going to get a spoken word or, and then you get the, you know, the beautiful, the beautiful voice and the beautiful, uh, song. Hmm.Track 4:[42:28] It's it's definitely one of the best ones on the on the record i think i i love the song i'm i'm a big fan as well i i love when he leaves little breadcrumbs in in a what seems to be like an improv rant or a throwaway rant not that any of them are throwaway but you you turn it turns out that it's been a line in his notebook for five years prior and it's got six underlines under it you know like god damn it i'm going to use this line somewhere down the line yeah when it presents i'm going to rhyme catharsis that's right i've got this great lyric i'm gonna use it sometime you know and uh i think that's so cool he's so talented let's just go right now to insomniacs of the world, good night.Track 4:[43:56] Thank you. I can see the line of your reserve, I can contemplate it from here, there's no need for breathlessness when we're so far apart. I can see us writhing in a phone booth or laid back in the dewy grass of our youth and gathering our sweetnesses and wishing on the never-ending sun.Track 4:[48:05] So, the research that I saw, this was supposed to be the name of the album? Does that jive with what anyone else saw? Yeah, that checks out. Yeah, that's what I heard. And then um again capping it off with you know more of a spoken word and just straight up i can see the line of your brassiere i can contemplate it from here there's no need for breathlessness when we're so far apart i know um one thing i noticed was um.Track 4:[48:42] What I picture here is, is there's a point where he starts recapping some lyrics from some other songs. I know he brings up the Fenway park again. And what I think this is, is, is recordings of Gord in the middle of the night, grabbing his tape recorder when he's got a melody going through his head. And he's kind of singing because it almost sounds like he trails off. Sometimes he doesn't always have the full melody melody developed. And I think this might be his like audio journal, like little excerpts.Track 4:[49:09] Wow. listen to it again i i swear i'm i'm very quite confident in this that's amazing that and a perfect bookend as well to to star star painters just um bookends the album the spoken word on both sides the sort of um i don't know that's i think it's an organ this time not an accordion but a similar sound and oh and julie uh dwaron is pocketed or is credited with with playing the a pocket trumpet so just a just basically a tiny trumpet shakespeare pops up in in some of the hip works and there's that um if i could sleep there's a chance i could dream which is from hamlet um he changes it a bit because it's perchance and shakespeare right so it's it's interesting yeah right this line yes arguably the most notable line that shakespeare ever wrote and changes it and keeps it the same but just that little word change like what what does that mean what is that all about and more to the point and it's the elephant in the room, is the version from phantom power.Track 4:[50:20] Where do you guys stand on those two versions? Can you enjoy them both? Can they both be your children? Or if I asked you to make a selfish choice, which one would you choose as a preference? I can't answer it because I don't know the one from Phantom Power as well. That's cheating, but okay. But I do remember. It sure is. That means I just don't love one of my children, right? Right. Um, I do remember him screaming the line at live shows and in some performances. I had heard that reference and, and heard a scene that reference for in some. Yeah. My preference is, is this one. I, I, I really like this, this version of it. One thing that I really is so amazing about this song is it lulls you like you're ready to until the crash. Yeah. That's the same thing. Massive cymbal crash. Yes. Oh God, I love it. I love that so much.Track 4:[51:25] And fast forward to the final album that the hit put out, Man Machine Poem, and there's the song Insomnia. Insomnia. Which was supposed to be Insomnia. Yep. And if you read the liner notes in that, Insomnia is scratched out in every line. And I don't know what that means, but interesting.Track 4:[51:44] Well, I think the whole record is interesting. what did you guys think overall is an experience with the record and uh after you tell me that what is your mvp track and you have to pick one this time justin i'm gonna go first i'll make it easy because i think i've already referenced it and and and it it's you know probably unlikely but But Star Painters was my, and again, it's the lyric. It's that line. Like anytime I hear that line, whether I'm walking the dog and I listen to it or if I'm driving and I hear it, you know, the scaffolding. Scaffolding.Track 4:[52:29] The scaffolding is in its place. The Star Painters are taking over now. And then your anesthesiologist tonight is washing up and on her way. So for me, it was that line. And I think it's because, again, I wanted to separate and I'm glad that I had the wherewithal to be able to go. I wasn't looking for hip light. I was looking for Gore Downey. And, and you didn't, I, it's me personally. And I think we even mentioned it with, with the book ending with the spoken word, you were going to get Gord Downie and you were in a, not just, you're not just going to get the energy that we know and from the hip, but you know, that he's going to take all these, these amazing musicians that were part of obviously his career.Track 4:[53:20] His musical background that, that, that created the hip and that he's going to give them that opportunity for them to get together. And then just when you hear the story about how they recorded it and where they recorded it and, uh, you know, meshing that together at the same time, he's, he's, he's, he's writing, you know, he's putting out the book along with it. So I'm, I mean, yeah, a little bit of criticisms on some of the recording maybe techniques and could have used a few more mics here and there. But that's just, I guess, the musician in me. But overall, I can understand why it was what I would assume mostly fairly well received. And again, I know there's a lot of hip fans that weren't even going to give it a chance. And then the song that I chose as my MVP kind of pushed him away from the get-go, at least for me. So, yeah, I'm...Track 4:[54:22] I'm glad I found the hip or maybe I should say the hip found me and I'm glad I didn't give up on them. And, uh, you know, the energy and, and the feeling that Gord always gave me when I, uh, had the great chance to see, uh, see the band and see him. And even when I met him, I actually, I wore this shirt on purpose. This is the shirt that I was wearing when I met Gord backstage house of blues Anaheim. It's a harley davidson shirt with big letters hd and the ac are masked with a canadian flag, yeah and this i got this up in vancouver on a trip when i went up there i fancied myself i was going to be a harley rider one of these days and and still don't have a bike um but went through that phase and uh i wore this shirt because i felt like i needed to because i'm you know go see the hip. And, uh, and this is the first thing he said, he just goes, that's a really nice shirt, man.Track 4:[55:23] And he shook my hand and, and, uh, and there was just this gentleness about him. And, uh, you know, I was starstruck and I don't typically get that. I mean, I'm, I'm in a business where I meet people all the time and I'm in LA and Hollywood and, and, and done all that, but this guy is different. And it was a moment where I definitely paused and couldn't put together a whole lot of words. I didn't know that I was necessarily going to meet him. I wore this in honor of that moment and taking this journey with you guys. So I am so excited because I think this was a great start.Track 4:[56:07] Outside, I've heard a little bit of some Secret Path. I absolutely had not heard anything from any of the other albums outside of Coke Machine Glow, and again, a little bit from Secret Path. So I'm just, I'm really jazzed, right? Because I get to dig, you know, we get to dig deeper into this individual that's just, wow, he's pretty special. And you could see, you know, the impact that he's had on so many. So I'm excited about this journey and I'm picking that song and I'm sticking to it. Nice. Craig, how about you?Track 4:[56:45] Well, being one of those hip fans who took a bit of a break around this time, and not that I completely abandoned them, I think for me, I was just at an age where I was just exploring so much music. I was in school for music, so I was being bombarded by classical music and music from all through the ages. And on top of that, I was getting into a lot of more experimental music. And I just started drifting away from not just the hip, but all the bands I had been listening to in the 90s. And, you know, a lot of those bands I did come back to, some I didn't, but I came back to the hip big time, kind of the mid 2000s or, you know, yeah, around 2006, probably. And um and so for me i this is an album i never gave a chance i'd heard you know a couple songs here and there chancellor and vancouver divorce i think but um i'd never listened to the whole thing and wow i'm i'm so grateful for this opportunity to do this it's just i love this album i i put it up there with with you know some of those great hip albums and um my my um mvp track is every irrelevance i again i explained already the vince mcmahon meme um that that was me during this song just i by the end i was just you know spent lying down with the smoke.Track 4:[58:14] Justin uh it's sentimental for me with it's trick rider um because my daughter is six um and And I build bike ramps for her, you know, and, and then tell her don't ride so fast off that bike ramp. I just built you, you know, and, um, don't ask me to explain. Um, and, Yeah, I just, that's, it drives, you know, it really, yeah, I don't know. I love that song for different reasons. I also really love Canada Geese just because it's a sweet rock song. And I know, I just like what I like. I grew up on Yes and listening to 22-minute opuses that were way beyond what a 13-year-old kid should be listening to. So, I get weird stuff and I get out there stuff, but I also just love rock and roll.Track 4:[59:06] And, uh, you know, that's a, that's a pretty good rock and roll song. I, and I'm going to echo you guys that I'm super excited for this platform. Um, because as a kid in the States who had the secret about the hip, you know, my last name is St. Louis. So everybody thought I was Canadian and I was a Montreal Canadians fan. So everybody, you know, they'd pick on me. And then I talk about the tragically hip, which was in the periphery, you know, nobody, nobody listened to it, but they'd at least heard of them. And then be like, Oh, that's who the hell is that? Why are you listening to that? And it's stupid. Well, now I can finally celebrate it and talk about it, you know, and, and I'm Canadian for the next eight weeks. Oh, that's great. Eh? Yeah.Track 4:[59:49] Well, this has been a great deal of fun.Track 4:[59:55] This Saturday afternoon. You'll be listening to this on a Monday, of course. If you have anything you want to shout out to us, please send us an email. We would love to hear from you. The email is discoveringdowney at gmail.com. That's discoveringdowney at gmail.com. You can also find a link on our website, discoveringdowney.com, and there's a link to email us right from there, which makes it easy peasy. So it's been a blast doing this with you guys this week. I'm really looking forward to where we go and learning more. I am a somebody who has listened to all the records, and I've listened to them on a number of occasions, but I have a very poor short-term memory, and it's tough to recall them sometimes. Times so it's been really fun going through this and listening the shit out of this record and then getting to talk about it with somebody it's like a book club so i had a lot of fun and if you like what you heard send us an email discovering downy at gmail.com we'd love to hear from you, and on behalf of kirk craig and justin pick up your shit.Track 1:[1:01:13] Thanks for listening to Discovering Downey. To find out more about the show and its host, visit DiscoveringDowney.com. You can email us at DiscoveringDowney at gmail.com. And hey, we're social.

Its 2024… so lets get caught up with everything left from 2023 that I saw for the first time, plus what I started watching to be begin the year! (I apologize, I recorded this very late at night so my faculties weren't so sharp) The movies: Johnny Dangerously, The Color Purple (2023), Body Parts, Afire, Emmet Otter's Jug-Band Christmas (sorry but the Nightmare band was not good!!), Moonage Daydream, Addicted to Love, Set It Off, Ferrari, Etoile, Dead-End Drive In, Kubrick on Kubrick, Ghosts of Mars, The Iron Claw, Solaris (2002), Kokomo City, Search and Destroy (1995), and Origin (2023)!

Closing out our month of giving gifts to ourselves, Jodie and Andrea watched a mutually beloved holiday movie, Emmet Otter's Jug-Band Christmas. Join us as we unwrap the heartwarming tale that has become a treasured gem within the Muppetverse. We break it down from its origins as an adaptation of Russell and Lillian Hoban's book (love it) to the current stage adaptation (we're skeptical). We dive into the incredible work of the Muppeteers who continue to ruin their fragile human bodies in order to bring our beloved Muppets to life; we wonder at the unbelievable sets that make Frogtown Hollow and Waterville feel like places we've always wanted to visit, and we openly weep over Paul Williams' impeccable score (well, maybe that fat otter song is a tiny bit peccable. Maybe).Referenced in this episode:The INCREDIBLE bloopersAn Oral History of Emmet Otter's Jug-Band ChristmasEmmet Otter's Jug-Band Christmas: The Lost SongNext week, we're wrapping up 2023 with our contribution to the Every Podcast Must Release At Least One Episode Reviewing Their Favorite Things of the Last Year. (The Council of Podcasts demands it. Our hands our tied.) If you're reading this, that means you've probably got your podcatcher of choice open right now. It would be SO helpful if you gave our little new show a follow. If you like what you hear, you could even leave us a review. ☺️Follow:The Watchers on Twitter and Instagram (@WatchersPodNJ)Andrea on Twitter and Instagram (@AQAndreaQ)Jodie on Twitter (@jodiemim) and Instagram (@jodie_mim)Our sister show, New Jersey Is the World, on Twitter (@njistheworld) and Instagram (@newjerseyistheworld)Thanks to Kitzy (@heykitzy) for the use of our theme song, "No Book Club."

Jon and Roland dive into a Henson property this episode by way of O. Henry. The two express their emotions (a lot of them) during the episode, talk about the beauty in the songs, and are perplexed by how they did a lot of the puppetry.Roland's Instagram: @rolandrusinekPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Eight Crazy Nights!

Welcome to another episode of the Over Under Podcast, where we dissect popular movies and ask the simple question: Overrated or Underrated?

Welcome to the daily304 – your window into Wonderful, Almost Heaven, West Virginia.   Today is Friday, Dec. 22  Give the gift of college! Learn how you can purchase a gift card for redemption into a 529 college savings account. A hiking/biking trail at Nitro's Ridenour Lake is set for a major expansion. And get in the spirit with WV holiday beers and movie pairings…on today's daily304. #1 – From SMART529 – Toys come and go, but a college education lasts forever. The most valuable gift you can give begins with as little as $1 when you open a SMART529 college savings account for the child in your life. One of the main advantages SMART529 has over other college saving strategies is its significant tax benefits. West Virginia residents may gain income tax benefits at the Federal and West Virginia state levels, including tax-deferred accumulation, tax-free withdrawals for qualified education expenses, and more. Already have a SMART529 savings account? Give the Gift of College is an online gift registry program that allows family and friends to contribute toward higher education. You can give gift cards online via email or physically in the mail (minimum $250. The card can easily be redeemed right into a college savings 529 account. To open an account or purchase a gift card, visit www.smart529.com and click on College Gifting. Read more: https://www.smart529.com/college-gifting/college-gifting-overview.html   #2 – From WOWK-TV – Within the next two years, a popular hiking trail in Nitro will be nearly quadrupled in length. Last month, the city of Nitro began an expansion project on the hiking trail along Ridenour Lake. Currently, the trail goes for about four miles. After the expansion, it will become 15 miles long. The project is being funded by a $330,000 grant, which was evenly split between the city of Nitro and the Land and Water Conservation Fund. The leading trailblazer on the project is a Nitro native named Tracy Toler. An avid outdoorsman, Toler says he has volunteered at the lake since he moved to Nitro seven years ago. Now he and a group of trail builders are using the grant money to make their beloved park even prettier. Read more: https://www.wowktv.com/news/local/ridenour-lake-in-nitro-expanding-hiking-biking-trails/   #3 – From WBOY-TV – The holiday season means more holiday-themed beers than you can shake a growler at, but we certainly won't stop you from trying. 12 News asked West Virginia's breweries to share what they've been brewing for the holiday season. Try an Alpenglow Fruit Gose from Big Timber Brewing. This tart beer is made with cranberries, fresh orange peel, rosemary, coriander and West Virginia salt. Pair it with a showing of “The Grinch.” Or how about Gingerbread Winter Ale from Freefolk Brewery. This spiced winter ale is a tribute to the Gingerbread Festival in Fayetteville. Maintain that warm holiday feeling with a viewing of “Emmet Otter's Jug-Band Christmas.” Check out the rest of the story for more West Virginia beers and holiday movie pairings. And don't forget to leave a little something extra out for Santa! Read more: https://www.wboy.com/only-on-wboy-com/brews-news/west-virginias-newest-holiday-beers-you-can-try-right-now/   Find these stories and more at wv.gov/daily304. The daily304 curated news and information is brought to you by the West Virginia Department of Commerce: Sharing the wealth, beauty and opportunity in West Virginia with the world. Follow the daily304 on Facebook, Twitter and Instagram @daily304. Or find us online at wv.gov and just click the daily304 logo.  That's all for now. Take care. Be safe. Get outside and enjoy all the opportunity West Virginia has to offer.

Maybe you know Paul Williams for hits he co-wrote for the Carpenters (“We've Only Just Begun,” “Rainy Days and Mondays”) and Three Dog Night (“An Old Fashioned Love Song”). Or for his performances in Brian De Palma's Phantom of the Paradise and the Smokey and the Bandit movies. Or for his Oscar-winning song with Barbra Streisand, “Evergreen (Love Theme from A Star Is Born).” Or for the songs he wrote for Bugsy Malone and Ishtar. Or for his singing (and writing) on Daft Punk's 2013 Grammy-winning album, Random Access Memories. Or for what may be his most beloved song of all, “Rainbow Connection” (plus the rest of The Muppet Movie soundtrack). Factor in the current stage adaptation of the 1977 Jim Henson TV special, Emmet Otter's Jug-Band Christmas, and Williams has a lot to talk about—and he does so, delightfully.

It wouldn't be a holiday season on this podcast if we didn't cover a version of A Christmas Carol. Enter bestie of the pod Colden - he introduces Jon to the first animated Christmas special and to the world of Mr. Magoo by way of Mr. Magoo acting in a Broadway production of A Christmas Carol.Colden's Social -Instagram: @coldenlambWebsite: www.coldenlamb.comYouTube: https://www.youtube.com/@ColdenLambPodcast Socials -Email: butasongpod@gmail.comFacebook: @butasongpodInstagram: @butasongpodTikTok: @butasongpodTwitter: @butasongpodNext episode: Emmet Otter's Jug-Band Christmas!

Two queer women from Jersey, hosting a podcast where we watch movies and tv that are often–though not always–about New Jersey. It's a bit surprising it's taken us this long, but this week, Jodie and Andrea watched Chasing Amy, the third installment of Kevin Smith's so-called Jersey Trilogy. We spend a lot of time working through some of the elements that didn't age well (and were, frankly, already problematic in 1997), unpack the issues of bisexual representation (or lack thereof) in the 1990s in general, and in Chasing Amy in particular, and discuss why, despite all of that, we still find value in and have love for this movie.Next week, we're going for something a little more family-friendly with our jointly beloved Emmet Otter's Jug-Band Christmas. Here's where you can watch it.And here's a link to watch the INCREDIBLE bloopers, but wait until you've finished watching the movie before you do so.Referenced in this episode:Revisiting Bisexuality in Chasing AmyMy Rage at “Chasing Amy” Helped Me Find My BisexualityChasing Chasing Amy and The Rom-Com That Saved My LifeIf you're reading this, that means you've probably got your podcatcher of choice open right now. It would be SO helpful if you gave our little new show a follow. If you like what you hear, you could even leave us a review. ☺️Follow:The Watchers on Twitter and Instagram (@WatchersPodNJ)Andrea on Twitter and Instagram (@AQAndreaQ)Jodie on Twitter (@jodiemim) and Instagram (@jodie_mim)Our sister show, New Jersey Is the World, on Twitter (@njistheworld) and Instagram (@newjerseyistheworld)Thanks to Kitzy (@heykitzy) for the use of our theme song, "No Book Club."

Today's 12 Days of Christmas episode is about a sweet, 50 minute Muppets special from 1977. Rachel is back with us to talk about Emmet Otter's Jug Band Christmas. It's about family, friends, singing, and looking out for one another. Click on the link below to listen!

Paul goes behind the curtain with legendary composer and lyricist Paul Williams who has written the score for “Jim Henson's Emmet Otter's Jug-Band Christmas.” Williams known for a myriad of classics thru the decades (“”Rainbow Connection,” “Evergreen,” We've Only Just Begun,” Rainy Days and Mondays,” An Old Fashioned Love Song,”….and SO many more classics)…has been awarded an Academy Award, multiple Grammys, […]

Did you think we had already watched ALL the Muppets content out there? Think again! Join Katie and Otis as we discuss Jim Henson's 1977 Christmas film "Emmett Otter's Jud-Band Christmas." Follow us on Twitter @AllentownPod, on Facebook @AllentownPresents, or send us an email at AllentownPresents@gmail.com 

Soooooo, who wants to be in our jug band? While you're here, support the important nerdy work we do for future humans by becoming a patron on https://www.patreon.com/nerdcanonPatrons get exclusive access to full episodes on media that typically falls outside of our normal range, as well as the chance to pick topics for us, get […]

Oscar-winning singer/songwriter Paul Williams joins the Steve Cochran Show to discuss untold tales from his experience collaborating with Jim Henson and the Muppets, his appearance in Battle for the Planet of the Apes, and he provides insights into his creative process while composing music for films. Catch the unmissable "Emmet Otter's Jug Band Christmas" currently showing at the Studebaker Theater in the Historic Fine Arts Building!See omnystudio.com/listener for privacy information.

Join Chris, Bill, Drew, and Michael as they welcome friend of the show and nationally known radio DJ Benjie Fido and Othership original, the Cape Cod Casanova, Kevin Dignam!! The guys talk about the Big 3 Muppet Christmas specials/movies--Emmet Otter's Jug Band Christmas, A Muppet Family Christmas, and The Muppet Christmas Carol!! Hear what the guys liked, what they didn't, and get a little bonus Christmas movie and special talk at the end!! Join our Facebook group and be part of the show! ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/groups/732554851901133⁠⁠⁠⁠⁠⁠⁠ Time Stamps: Introduction: 1 minute 4 seconds Muppet Christmas Discussion: 2 minutes 4 seconds Wrap up, plugs, and shout outs: 1 hour 14 minutes 44 seconds Be sure to check out The Josephines at these following places: Facebook: ⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/thejosephinesbg⁠⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/thejosephines/⁠⁠⁠⁠⁠⁠⁠ Twitter: ⁠⁠⁠⁠⁠⁠⁠https://twitter.com/thejosephinesbg⁠⁠⁠⁠⁠⁠⁠ Youtube: ⁠⁠⁠⁠⁠⁠⁠youtube.com/@TheJosephines⁠⁠⁠⁠⁠⁠⁠ Website: ⁠⁠⁠⁠⁠⁠⁠https://thejosephines.net/⁠⁠⁠⁠⁠⁠⁠ Check out LunaWorldcast at these following places: Website: ⁠⁠⁠⁠⁠⁠https://lunaworldcast.com/home⁠⁠⁠⁠⁠⁠ Facebook: ⁠⁠⁠⁠⁠⁠https://www.facebook.com/LunaWorldcast/⁠⁠⁠⁠⁠⁠ Instagram: ⁠⁠⁠⁠⁠⁠https://www.instagram.com/lunaworldcast/?hl=en⁠⁠⁠⁠⁠⁠ A big thank you as always to The Josephines for the use of their amazing music, including this week's song "Fireball"! Check out The Regional Rasslin Podcast: ⁠⁠⁠⁠⁠⁠⁠https://wrestlecopia.com/#⁠⁠⁠⁠⁠⁠⁠ Check out the What's the Vibe? Podcast: ⁠⁠⁠⁠⁠⁠⁠https://www.youtube.com/@whatsthevibe⁠⁠⁠⁠⁠⁠⁠ Check out The Not Another Sports Podcast: ⁠⁠⁠⁠⁠⁠https://podcasters.spotify.com/pod/show/not-another-sports-pod⁠⁠⁠⁠⁠⁠ Check out Mr. and Mrs. Swift Youtube: ⁠⁠⁠⁠⁠⁠https://www.youtube.com/@ItsMrandMrsSwift2017⁠⁠⁠⁠⁠⁠ Check out Captain's Corner!! Facebook: ⁠⁠⁠⁠⁠https://www.facebook.com/captinscorner⁠⁠⁠⁠⁠ Check out Glory Days Grapplecon!! April 20th, 2024!! ⁠⁠https://www.facebook.com/events/856695189529060⁠⁠ Have a question for one of the guys? Thoughts or comments? E-mail us at ⁠⁠⁠⁠⁠⁠theothershippodcast@gmail.com⁠⁠⁠⁠⁠⁠ #EmmetOtterJugBandChristmas #EmmetOtter #MaOtter #RiverbottomNightmareBand #KurtTheFrog #You'reNotHalfCatfish #HoleInTheWashTub #Bar-B-Que #AMuppetFamilyChristmas #SesameStreet #FraggleRock #TheMuppets #BrennanStatler #DaleWaldorf #Swinger #FozzieAndTheSnowman #BigBird #SwedishChef #Pebble #DocAndSprocket #TheMuppetChristmasCarol #MichaelCaine #AmazingPerformance #LightTheLamp,NotTheRat #LightTheLamp,NotTheRat --- Send in a voice message: https://podcasters.spotify.com/pod/show/theothership/message

Tach & Jimmy look back and hilariously dissect EMMET OTTER'S JUG BAND CHRISTMAS! (PART 2) So, check it out!  THE RETRO NETWORK'S FUN.COM PROMO! CLICK HERE FOR 10% OFF YOUR PURCHASE UNTIL DECEMBER 31, 2023! https://www.fun.com/?CouponCode=trnholidays2023 Use our Amazon Affiliate Link here: https://www.averybradypodcast.com/shop Get your Gilligan's Island DVD box set here: https://amzn.to/3ALIhFo A VERY BRADY PODCAST is a part of THE RETRO NETWORK!  https://www.theretronetwork.com/ Check out A Very Brady Podcast Shop Here:  https://www.averybradypodcast.com/shop.  http://www.averybradypodcast.com  Merch Shop!! http://tee.pub/lic/averybradypodcastmerch NEW!! Box It Like A Boss! SHIRT HERE!!  https://www.teepublic.com/t-shirt/28016127-box-it-like-a-boss-tee?ref_id=10329  TIKI IDOL SHIRT!! LIMITED FOR SEASON 4!!  https://www.teepublic.com/t-shirt/22734146-a-very-brady-tiki-idol?ref_id=10329 SILVER PLATTERS METAL TEE! https://www.teepublic.com/t-shirt/6438668-the-silver-platters-metal-logo?ref_id=10329&store_id=249577 Contact: Instagram: @averybradypodcast Email: averybradypodcast@gmail.com Patreon: Patreon.com/averybradypodcast  Music by: Music from https://filmmusic.io "Your Call" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) --- Send in a voice message: https://podcasters.spotify.com/pod/show/averybradypodcast/message

Jacob and Drew Begin Christmas Month with Emmett Otter's Jug Band Christmas! plus they start their reviews of Neon Genesis Evangelion with Angel Attack and Unfamiliar Ceilings! Patreon - https://www.patreon.com/TheCelCast Facebook - https://www.facebook.com/TheCelCast  Twitch - https://www.twitch.tv/thecelcastgaming YouTube - https://www.youtube.com/channel/UCQcGNpWEc5qP7oKkxPWQEsw  Twitter - https://twitter.com/cast_cel Instagram - https://www.instagram.com/thecelcast/ Apple Podcasts - https://podcasts.apple.com/us/podcast/id1452118040  Google Play - https://podcasts.google.com/feed/aHR0cHM6Ly90aGVjZWxjYXN0LnBvZGJlYW4uY29tL2ZlZWQueG1s  Stitcher - https://www.stitcher.com/show/the-cel-cast  Spotify - https://open.spotify.com/show/4ETrW9WhJ44uLhr4bU03uK   This Podcast is apart of Pop Americana, For more great shows like this one visit  https://popamericana.wixsite.com/popamericana and This Podcast is apart of the Culture Box, For more great shows like this one visit  https://culturebox.media

Read transcriptEric shares a special Christmas list with you this holiday season. It's a list of Disney Christmas History! Fun and exciting ways you can learn more about Christmas and Disney. He offers up some of his favorite Disney Christmas books to stuff in your stocking, films to cozy up and watch in the light of your Christmas tree, and podcasts to punctuate all of your Christmas season tasks. He also takes a look back at a full calendar year of podcasting! Join us on this look into Disney and Christmas through some great resources. You'll wanna Add these to your own Christmas list! Resources mentioned in the episode: Books: Holiday Magic at the Disney Parks: Celebrations Around the World from Fall to Winter (Disney Editions Deluxe) https://a.co/d/22MdY5W From All of Us to All of You: Disney Christmas Card, The (Disney Editions Deluxe) https://a.co/d/41OuNWe The Vault of Walt Volume 7: Christmas Edition: Yuletide Tales of Walt Disney, Disney Theme Parks, Cartoons & More https://a.co/d/2ll0S8h Films: "Disneyland Around the Seasons (Walt Disney's Wonderful World of Color: 1961-69)" on Disney+. https://www.disneyplus.com/movies/disneyland-around-the-seasons-walt-disneys-wonderful-world-of-color-1961-69/3mJz5GTzFnRY "Decorating Disney: Holiday Magic" on Disney+. https://www.disneyplus.com/movies/decorating-disney-holiday-magic/4QLrT8IeJAt5 "Christmas with Walt Disney" on Disney+. https://www.disneyplus.com/movies/christmas-with-walt-disney/PJgws2cvpP5F Podcasts: Disney History Institute - Disneyland's first Christmas: https://youtu.be/OpNA9aMkDvk?si=dkyo0LYUmCoDg2jm Thirty20eight - #115 Holidayology: https://thirty20eight.libsyn.com/thirty20eight-115-disney-holidayology Book of the Mouse - #68: A Christmas Carol https://bookofthemouseclub.libsyn.com/68-a-christmas-carol-by-charles-dickens-ft-guest-reader-dr-paul-cote-celebrating-mickeys-christmas-carol-the-muppet-christmas-carol-disneys-a-christmas-carol Bonus: Emmet Otter's Jug Band Christmas on Rare Cuts Media Society - http://rarecutsmediasociety.com/episode/a01f856d/tv-movie-emmet-otter-s-jugband-christmas Thanks for listening to Synergy Loves Company: How Disney Connects to Everything. https://www.synergylovescompany.com Donate to the show: https://ko-fi.com/synergylovescompany Youtube: https://www.youtube.com/@synergylovescompany Twitter: https://twitter.com/EricHSynergy Facebook: https://www.facebook.com/synergylovescompany Instagram and Threads :https://www.instagram.com/synergylovescompany/

Tach & Jimmy look back and hilariously dissect Jim Henson's EMMET OTTER'S JUG BAND CHRISTMAS! (PART 1) So, check it out!  THE RETRO NETWORK'S FUN.COM PROMO! CLICK HERE FOR 10% OFF YOUR PURCHASE UNTIL DECEMBER 31, 2023! https://www.fun.com/?CouponCode=trnholidays2023 Use our Amazon Affiliate Link here: https://www.averybradypodcast.com/shop Get your Gilligan's Island DVD box set here: https://amzn.to/3ALIhFo A VERY BRADY PODCAST is a part of THE RETRO NETWORK!  https://www.theretronetwork.com/ Check out A Very Brady Podcast Shop Here:  https://www.averybradypodcast.com/shop.  http://www.averybradypodcast.com  Merch Shop!! http://tee.pub/lic/averybradypodcastmerch NEW!! Box It Like A Boss! SHIRT HERE!!  https://www.teepublic.com/t-shirt/28016127-box-it-like-a-boss-tee?ref_id=10329  TIKI IDOL SHIRT!! LIMITED FOR SEASON 4!!  https://www.teepublic.com/t-shirt/22734146-a-very-brady-tiki-idol?ref_id=10329 SILVER PLATTERS METAL TEE! https://www.teepublic.com/t-shirt/6438668-the-silver-platters-metal-logo?ref_id=10329&store_id=249577 Contact: Instagram: @averybradypodcast Email: averybradypodcast@gmail.com Patreon: Patreon.com/averybradypodcast  Music by: Music from https://filmmusic.io "Your Call" by Kevin MacLeod (https://incompetech.com) License: CC BY (http://creativecommons.org/licenses/by/4.0/) --- Send in a voice message: https://podcasters.spotify.com/pod/show/averybradypodcast/message

This week, Amy takes us on a delightful journey to Frogtown Hollow with a heartwarming Muppet classic, "Emmett Otter's Jug-Band Christmas." Immerse yourself in the quaint and cozy world of Emmett Otter and his Ma as they dream big and risk it all in the hope of creating a better future. This charming tale of love, sacrifice, and jug-band music is a nostalgic trip down memory lane, showcasing the magic of Jim Henson's storytelling and puppetry. Get ready for a deep dive into its captivating characters, memorable songs, and the timeless message of hope and family at its core.Next week! Watch How the Grinch Stole Christmas (1966)Send us feedback about the show on Twitter at @thosedaysshow or email us thosewerethedaysshow@gmail.comFollow us on Twitter!StephenAmyAudieTvsTravisSupport 2Dorks on PatreonJoin us every Monday at 9pm ET on Twitch to watch live! Hosted on Acast. See acast.com/privacy for more information.

It's finally time to meet Yoda! Joining me today is writer, producer, and Muppet aficionado Ken Plume. We break down Frank Oz's fantastic performance, including his speech syntax and the vocal qualities that define Yoda vs. Miss Piggy vs. Grover vs. Fozzie vs. Bert and Frank Oz's other classic characters. The music takes a backseat in this scene, giving the audience a chance to really meet and hear Yoda for the first time. This is THE EMPIRE STRIKES BACK minutes 46-50. Check out the video version of this episode if you want to see Ken's puppet demonstrations: https://youtu.be/RCqDQ6XCBc4 Timestamps: 0:00 - Hello there! 1:26 - How Ken's tweets made Xanthe appreciate the Muppets more. 7:25 - Listening to the start of these minutes. 13:07 - Piccolo/bassoon line when Luke lights the furnace. 17:04 - Artoo sitting back and watching everything unfold. 18:03 - Is the cue announcing the "magic has entered the room?" Kite metaphor. 27:02 - The Force theme tapping Luke on the shoulder rather than announcing when Luke has entered the room. 32:49 - This scene has Yoda's most extreme, comical vocal performance. 38:37 - Frank Oz voice comparisons. Noise-to-pitch ratio. What do Yoda, Grover, Miss Piggy, Animal, Bert, Cookie Monster, Sam Eagle, and Fozzie have in common? What is different? Grit, cleanliness, gravel, rumble, nasality, rasp, phlegm. 53:42 - Yoda syntax, pedagogy, younglings, Mr. Rogers, action words. 59:17 - Listener question: Do you think Yoda is an accent? 1:05:11 - Things in puppetry that separate amateurs from professionals. 1:10:27 - Puppet sound sync, mouth shapes. 1:17:28 - Listener question: What do you think it does for a puppet performer to portray both speech and action for a single character? 1:20:00 - Xanthe's disturbing Yoda puppetry attempt. 1:25:23 - Listener question: How do puppet designers prioritize movement and durability? 1:36:59 - Luke being tested in this scene, failing. Parable within a parable. 1:46:12 - A closer look at the shot with Yoda reaching across to grab the cane. "Live hands" situation. 1:53:09 - Frank Oz's little beats. The exhalation is all in the performance; the puppet has no lungs. 1:59:09 - Comparing Frank Oz's Yoda to other Yoda's (from The Clone Wars, etc). 2:08:52 - The music (5M3 Yoda's Entrance) gives us the tiniest little tease of who Yoda is. 2:17:31 - Tips on getting into the Muppets oeuvre. 2:23:30 - Is there an instrument that represents Yoda to you? (open to listener answers!) 2:30:00 - SWMM Questionnaire 2:40:11 - Ken's very disturbing Yoda mask. Things to Check Out: Dominic Sewell's analysis of cue 5M2 Yoda Appears - https://youtu.be/p10aBm6juXM  Playlist of Frank Oz's Muppet Character Voices - https://www.youtube.com/watch?v=GSnlOAEE_D0&list=PLw4AP6SyWCYxCHJ1eLHHj9JXbkLyYCM5k Yoda (Star Wars) | Evolution In Movies & TV (1980 - 2018) - https://youtu.be/ReZTZS7eIlw Yoda Comparison - The Phantom Menace - https://youtu.be/4DsYoc1CsUQ Emmet Otter's Jug-Band Christmas - https://youtu.be/nZqYHS4uzWE Singing Fish ("The Little Fishies" from The Muppet Show)- https://youtu.be/3lFOh2vzJzk Gremlins Suite (composed by Jerry Goldsmith) - https://youtu.be/jsE-Hr73Imw Complete Catalogue of the Musical Themes of Star Wars (by Frank Lehman): https://franklehman.com/starwars/. Cues: 5M2 "Yoda Appears" 5M3 "Yoda's Entrance" Musical Themes: 3. Force 12a. Yoda (A Section) Where are we in the soundtrack?: "Arrival on Dagobah" "Luke's Nocturnal Visitor" --------------- STAR WARS MUSIC MINUTE QUESTIONNAIRE: 1. In exactly 3 words, what does Star Wars sound like? Longing. Grace. Adventure. 2. What's something related to Star Wars music or sound that you want to learn more about? Major/big themes aside (like the Force theme and Imperial March), which of the more minor musical themes recur the most across the films? 3. What's a score or soundtrack you're fond of besides anything Star Wars? 1941 (composed by John Williams) The Italian Job (composed and arranged by Quincy Jones) Gremlins (composed by Jerry Goldsmith) The Last Starfighter (composed by Craig Safan) --------------- Guest: Ken Plume Linktree: https://linktr.ee/kenplume Twitter: https://twitter.com/kenplume Muppets/Jim Henson commentary thread: https://twitter.com/KenPlume/status/1351023387003518976 ------------------ If you want to support the show and join the Discord server, consider becoming a patron!  https://patreon.com/chrysanthetan Leave a voice message, and I might play it on the show...   https://starwarsmusicminute.com/comlink Where else to find SWMM: Twitter: https://twitter.com/StarWarsMusMin Spotify: https://smarturl.it/swmm-spotify Apple Podcasts: https://smarturl.it/swmm-apple YouTube: https://youtube.com/starwarsmusicminute TikTok: https://www.tiktok.com/@starwarsmusicminute? Instagram: https://instagram.com/starwarsmusicminute Email: podcast@starwarsmusicminute.com Buy Me A Coffee: https://buymeacoffee.com/starwarsmusmin

Sure, the Holidays are over...but we recorded this before then so get back into it or ELSE! Josh and Liam welcome one of the greats of punk rock drumming, Dave Wahenschutz (KID DYNAMITE, LIFETIME, GOOD RIDDANCE, INK & DAGGER) The post Cinepunx Episode 164: Emmet Otter's Jug-Band Christmas & A Muppet Christmas Carol w/ Dave Wagenschutz appeared first on Cinepunx.

Wanting to stretch the Christmas season a bit more? We thought so! Our delay of this bonus episode has NOTHING to do with the fact that we've been busy helping Santa and catching up with friends and family. Our only thought was to give you something to extend your Holiday Spirit! Don't believe us? Well....ok. But it's better late than never! Join us as we detail why we LOVE this movie so much. We hated criticizing it so much we had to hype it back up at the end. Please enjoy and we hope your Holidays were as fantastic as this movie is.

This week on Network Special, we get to help close out the year with a show we actually liked! Jim Henson comes to the rescue with this charming little southern Christmas classic from 1977. The puppetry is amazing, the music is great, and the voice actors are as nostalgic as ever. Join us!WATCHPublished by Golden Ox Studios - https://goldenoxstudio.com/SUBSCRIBE TO THE PODCAST: https://www.networkspecialpodcast.com/listenSOCIAL MEDIAhttps://www.facebook.com/networkspecialhttp://instagram.com/networkspecialhttps://www.tiktok.com/@networkspecial

Sharing a handful of childhood Christmas Eve memories, and featuring one of them in greater detail. If you've never watched Emmet Otter's Jug Band Christmas, my sisters and I are looking at you wondering how that could have happened. Go watch it and always remember that if you meet somebody who don't like soul food, they still got a soul. If you'd like to download a copy of the poem read here, click this link, and you should be able to download it. Feel free to share with anyone who you think will appreciate it. https://bit.ly/Franklin-Taggart-Night-Before-Christmas I wish you all warm and peaceful holidays. Be good to each other. #Christmas2022 #nightbeforechristmas #podcast --- Send in a voice message: https://anchor.fm/franklin-taggart9/message

In this special holiday episode, we're looking back to our seasons on the films of 1977 and 1992, to talk about two Christmas movies featuring Jim Henson's Muppets, Emmet Otter's Jug-Band Christmas and The Muppet Christmas Carol. Both written by Jerry Juhl and featuring the Muppets, Emmet Otter's Jug-Band Christmas was directed by Jim Henson and The Muppet Christmas Carol was directed by Henson's son Brian.The contemporary reviews for Emmet Otter's Jug-Band Christmas quoted in this episode come from Bill Musselwhite in the Calgary Herald and Tom Shales in the Washington Post. The contemporary reviews for The Muppet Christmas Carol quoted in this episode come from Roger Ebert (https://www.rogerebert.com/reviews/the-muppet-christmas-carol-1992) and Janet Maslin in The New York Times (https://www.nytimes.com/1992/12/11/movies/review-film-kermit-etc-do-dickens-up-green.html). Visit https://www.awesomemovieyear.com for more info about the show.Make sure to like Awesome Movie Year on Facebook at http://www.facebook.com/awesomemovieyear and follow us on Twitter @AwesomemoviepodYou can find Jason online at http://goforjason.com/, on Facebook at https://www.facebook.com/JHarrisComedy/, on Instagram at https://www.instagram.com/jasonharriscomedy/ and on Twitter @JHarrisComedyYou can find Josh online at http://joshbellhateseverything.com/, on Facebook at https://www.facebook.com/joshbellhateseverything/ and on Twitter @signalbleedYou can find our producer David Rosen's Piecing It Together Podcast at https://www.piecingpod.com, on Twitter at @piecingpod and the Popcorn & Puzzle Pieces Facebook Group at https://www.facebook.com/groups/piecingpod.You can also follow us all on Letterboxd to keep up with what we've been watching at goforjason, signalbleed and bydavidrosen.Subscribe on Patreon to support the show and get access to exclusive content from Awesome Movie Year, plus fellow podcasts Piecing It Together and All Rice No Beans, and music by David Rosen: https://www.patreon.com/bydavidrosenAll of the music in the episode is by David Rosen. Find more of his music at https://www.bydavidrosen.comPlease like, share, rate and comment on the show and this episode, and tune in as we continue our season on the films of 1953.

On todays episode the boys hang out with Emmet and friends! --- Support this podcast: https://podcasters.spotify.com/pod/show/thecleanslatepodcast/support

About Carla Cherry: Before helping coaches

Hi-ho, Cassettes! It's the BCD here and we're excited to share with you the story behind Jim Henson's beloved Christmas special: Emmet Otter's Jug-Band Christmas!  You can find show notes and sources here: https://www.blackcasediaries.com/ Thanks for listening!

Join the OAMR crew as we talk about Emmet Otter's Jug Band Christmas #classic #xmas #scrooge  #movies #reviews #christmas #christmasmovies #holidays #muppets       Facebook: https://www.facebook.com/OAMR-1122730... Youtube: https://www.youtube.com/channel/UCSy8... Email:  oamoviereviews@gmail.com

Since it first aired in 1977, Emmet Otter's Jug Band Christmas has been a family favorite here in the U.S. Muppets Emmet Otter and his Ma are poor, but they have each other. As Christmas is coming, Emmet wants to buy his mom a new piano, and she wants to buy him a new guitar. In this version of “Gift of the Magi” they each sacrifice something for the other in an attempt to win a talent contest to buy their gifts. There's also a cameo by Beth's favorite Muppet of all, Kermit the Frog! Join us in The Clubhouse! #mftvmcpodcast Links to Research: https://www.imdb.com/title/tt0075988/ https://www.imdb.com/name/nm0812427/?ref_=nmawd_awd_nm https://www.imdb.com/name/nm0625456/?ref_=tt_cl_t_1 https://www.imdb.com/name/nm0000568/?ref_=tt_cl_t_2 https://www.imdb.com/name/nm0001345/?ref_=tt_cl_t_7 https://www.imdb.com/name/nm0931437/?ref_=tt_trv_trv https://en.wikipedia.org/wiki/Paul_Williams_(songwriter) https://muppet.fandom.com/wiki/Emmet_Otter%27s_Jug-Band_Christmas --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

Your favorite podcast hosts Jason A. Coombs and Samantha Tuozzolo are back with the Broadway Icon, who discusses her new role in the new off-Broadway musical ‘BETWEEN THE LINES' at Second Stage which is running from now until Sunday, September 11. Julia also shares her experience bringing the legendary character of ‘Elphaba' to life in ‘WICKED' on tour and on Broadway, how instrumental the ‘WILD PARTY' original cast album was to the longevity of the show, and the importance of supporting your fellow Artist friends before closing out the episode with a fun round of ‘Wicked Trivia'! About BETWEEN THE LINES Don't miss this “whimsical and wonderful” new musical and the perfect summer theatrical escape for the entire family! BETWEEN THE LINES is an empowering and enchanting new musical for anyone who has ever sought to find their place in the world. An outsider in a new town and a new school, Delilah seeks comfort in the pages of her favorite book, where she feels heard and understood by the handsome Prince Oliver. But as the lines between fantasy and reality begin to blur in both extraordinary and astonishing ways, Delilah discovers how to find her place in the real world while keeping her dreams alive.  Produced by Daryl Roth (Kinky Boots, Indecent) and based on the novel by international bestselling author Jodi Picoult and Samantha van Leer, BETWEEN THE LINES stars Arielle Jacobs as Delilah, Jake David Smith as Prince Oliver, Vicki Lewis as Ms. Winx/Jessamyn Jacobs/Mrs. Brown/Kyrie, Hillary Fisher as Allie/Princess Seraphima, Will Burton as Frump/Ryan, Jerusha Cavazos as Janice/Marina, John Rapson as Dr. Ducharme/Rapskulio, Wren Rivera as Jules/Ondine, Sean Stack as Martin/Troll/Delivery Person, and Julia Murney as Grace/Queen Maureen. They are joined by understudies Heather Ayers, Dan Hoy, Martin Landry and Aubrey Matalon. Directed by two-time Tony Award nominee Jeff Calhoun (Newsies) and choreographed by Paul McGill (The Legend of Georgia McBride), BETWEEN THE LINES features a book by Timothy Allen McDonald (Jim Henson's Emmet Otter's Jug- Band Christmas) and music & lyrics by Elyssa Samsel & Kate Anderson (Apple TV+'s “Central Park”), in their New York theatre debuts. Tickets and more information are available here.  The episode opens with Samantha and Jason sharing a mic check where they throwback to the shocking ‘GREY'S ANATOMY' musical episode. The exclusive video can be found here on Broadway World and the audio only can be found on Apple Podcasts, Spotify, Audible or any of your other favorite podcast apps.  You can support the podcast and the hosts at www.buymeacoffee.com/SurvivalJobsPod and on Instagram at @surivaljobspod | @SammyTutz | @JasonACoombs.  Please excuse any sound issues, Friends! We are still in a pandemic!! Info on Julia Murney:  "Between the Lines" Tickets here! TDF Discounted Tickets Today Tix Discount Follow Julia on Instagram  Follow Julia on Twitter  Mic Check Links: Survival Jobs Broadway World Video/Article "Chasing Cars" from "Grey's Anatomy" musical episode P!nk "Glitter in the Air" Trapeze Buffy the Vampire Slayer: "Once More With Feeling" Important Links: Abortion Funds Website Plan C Pills Website National Write Your Congressman Link How to help Uvalde families NPR Article Check out Six Ways to Help the Buffalo Shooting Victims Check out Nine Ways to Be a Better Ally to Black People Register to VOTE here Where to Donate to Support Access to Abortions Right Now Info on Your Hosts:  Follow Samantha:  Instagram.   |  Samantha's Official Website here Follow Jason on Instagram  | Twitter. Broadway World Article on our Season 2 Launch Party Check out Jason's Official Website here Check out and support The Bridgeport Film Fest Support Us... Please!  If you're feeling generous, Buy Us A Coffee HERE! Please don't become complacent: Support the Black Mamas Matter Alliance Support Families Detained and Separated at the Border.  Support the AAPI Civic Engagement Fund. Support Black Trans Folx here Donate to the Community League of the Heights (CLOTH) Support the People of Palestine How to be an Ally to the AAPI Community 168 Ways to Donate in Support of Black Lives and Communities of Color The New York Times: On Mexico's Border With U.S., Desperation as Migrant Traffic Piles Up PBS: How to help India during its COVID surge — 12 places you can donate Covid quarantine didn't stop antisemitic attacks from rising to near-historic highs Opening and Closing Theme Music: "One Love" by Beats by Danny | Game Music: "Wake Up" by MBB.   If you enjoy Survival Jobs: A Podcast be sure to subscribe and follow us on your preferred podcast listening app! Also, feel free to follow us on Instagram and Twitter! Thank you!!

On the second episode of Passions & Prologues, Brad Meltzer joins the podcast to discuss a passion that he and Adam share- THE MUPPETS! They talk about their first memories of watching Sesame Street, how they bonded over a mutual love of the holiday classic Emmet Otter's Jug-Band Christmas, and why they both see themselves in Kermit the Frog. Brad then shares a few family memories with The Muppets themselves before transitioning to talking about his research into Dolly Parton for his latest children's book. Brad is the #1 New York Times bestselling author of countless thrillers for adults as well as the creator of the wildly popular Ordinary People Change the World series for children. The latest book in that series is I Am Dolly Parton and it's available wherever you buy books. Also, be sure to watch the incredible PBS series based off the books, Xavier Riddle and the Secret Museum. You can view the episode transcript here. Enjoyed this episode? Be sure to rate and review us on whatever platform you listen to your podcasts and send your feedback to passionsandprologues@gmail.com. If you email us proof of your review, Adam will send you a personalized book recommendation via email! Thank you to everyone who did so after episode 1! 

Chris Luner shares his duties as the production manager of Jim Henson's Emmet Otter's Jug-Band Christmas at the only Off-Broadway theatre dedicated to producing theatre for young audiences, The New Victory. Chris grew up with the desire to learn everything about the theatre business, and as a production manager he has been able to put his years of education to use by overseeing every department from a production's start to finish. In addition to working in production on and off Broadway, Chris Luner is the new artistic director of Upper Darby Summer Stage! Check out his work and the programs he oversees in Upper Darby by following the links below. Click here to purchase tickets and learn more about the summer programs for kids and teens at Upper Darby Summer Stage: https://summerstage.udfoundation.org Click here to find a screening of Chris Luner's film Ranch Water: https://www.ranchwaterfilm.com FACEBOOK: Chris Luner TWITTER: @Chris_Luner INSTAGRAM: @Chris_Luner EPISODE TRANSCRIPTION: https://pipeanddrapestories.blogspot.com INSTAGRAM: @PipeAndDrapeStories EMAIL: PipeAndDrapeStories@gmail.com Host: Stephen Fala Artwork: Stephen Gordon

The Muppet Movie Welcome to The Guys Review, where we review media, products and experiences.   **READ APPLE REVIEWS/Fan Mail**Mention Twitter DM group - like pinned tweet @The_GuysReviewRead emails theguysreviewpod@gmail.comTwitter Poll The Muppet Movie Directed by: James Frawley  Starring:  Jim HensonFrank OzJerry NelsonRichard HuntDave Goelz Release date: May 31, 1979 (United Kingdom)June 22, 1979 (United States) Budget: $8M ($32.2M in 2022) Box Office: $65.2M ($262.5M in 2022) Ratings:   IMDb 7.6/10 Rotten Tomatoes 88% Metacritic 74% Google Users 84%  Here art thine Awards My Lord Tucker the Wanker second Earl of Wessex. Lord of the Furries. Heir of Lord baldy the one eyed snake wrestler. Noinated for Acadamy award, golden globe, grammy, saturn and satalite awards, all for music. only won the grammy for best childrens album, and saturn award for best fantasy film. First time you saw the movie? Plot:The story opens with the Muppets sitting down at a private screening to watch a movie, for not only a screen testing, but as a pastiche of how they all met. Kermit the Frog lives a simple life in a Florida swamp. One day, he plays his banjo and sings "Rainbow Connection", and is approached by Bernie, a talent agent who encourages Kermit to pursue a career in show business. Inspired by the idea of "making millions of people happy", Kermit sets off on a cross-country trip to Hollywood. Kermit meets Fozzie Bear, who is working as a hapless stand-up comedian, and Kermit invites Fozzie on his journey. The two set out in Fozzie's 1951 Studebaker, but are soon pursued by entrepreneur Doc Hopper and his assistant Max in an attempt by Hopper to convince Kermit to be the new spokesfrog of Hopper's struggling French-fried frog legs restaurant franchise. Horrified, Kermit kindly refuses and he and Fozzie drive away. Unwilling to accept Kermit's refusal, Hopper resorts to increasingly forceful means of persuasion. In an old church, Kermit and Fozzie meet the rock band Dr. Teeth and the Electric Mayhem, and the band's manager Scooter, who help them disguise their car. Driving on, they meet and are joined by Gonzo and his girlfriend Camilla the Chicken, who are also interested in becoming movie stars. They trade in their failing vehicle at a used car lot, where they meet Sweetums. They invite Sweetums to come with them, but he runs away. The others drive away, only for Sweetums to emerge and reveal that he had only gone to pack his things. The group meets Miss Piggy at a county fair, and she immediately becomes love-stricken with Kermit. When Kermit and Miss Piggy meet for dinner that night, Hopper and Max sneak up on Miss Piggy and abduct her as bait to lure Kermit. When Kermit arrives at the designated location, mad scientist Professor Krassman tries to brainwash Kermit into performing in Hopper's advertisements, but Miss Piggy furiously knocks out Hopper's henchmen and causes Krassman to be brainwashed by his own device. However, immediately after the fight and saving Kermit, Miss Piggy receives a job offer and promptly abandons a devastated Kermit. Joined by Rowlf the Dog and reunited with Miss Piggy along the way, the Muppets continue their journey to Hollywood, but their car breaks down in the desert. Sitting at a campfire, the group sadly realizes that they will likely miss the audition the next day. Kermit wanders off, ashamed for bringing his friends on a fruitless journey, but some personal reflection restores his commitment. He returns to camp, where he discovers the Electric Mayhem have come to their rescue, having learned of their plight by reading ahead in the film's script. The Mayhem offer to drive the entire group the rest of the way in their bus. The group is warned by a reformed Max that Hopper has hired an assassin, Snake Walker, to kill Kermit. Kermit decides to face his aggressor and proposes a Western-style showdown in a nearby ghost town. There, they find inventor Dr. Bunsen Honeydew and his assistant Beaker. Kermit confronts Hopper with an appeal to Hopper's own hopes and dreams, but Hopper is unmoved and orders his henchmen to kill Kermit and his friends. They are saved when one of Dr. Honeydew's inventions, "insta-grow" pills, temporarily enlarges Mayhem drummer Animal, who frightens away Hopper and his henchmen for good. Once the Muppets reach the Hollywood studio, they finally meet studio executive Lew Lord, who signs the Muppets to a "standard 'rich and famous' contract". The first take in their attempt to perform the script goes awry when Gonzo crashes into the prop rainbow, and an explosion blows a hole in the roof of the studio. However, a real rainbow shines through the hole and onto the Muppets. Joined by other Muppet characters from The Muppet Show, Sesame Street, Emmet Otter's Jug-Band Christmas, and The Land of Gorch, the Muppets all sing together.Sweetums then tears through the movie screen in the theater, ending the film and catching up with the rest of the crew as they congratulate each other on their performances. Top Five Trivia of the movie: Top 5 Trivia-When Animal accidentally eats Dr. Bunsen Honeydew's Insta-Grow pills, he memorably balloons through the roof. Jim Henson refused to use a normal puppet on a miniature set to accomplish this effect, so his crew had to construct a gigantic Animal head that measured sixty feet.-In a 2004 interview, John Landis revealed that he was the puppeteer for Grover during the final sequence, as Frank Oz was busy operating Miss Piggy. Landis also noted that Tim Burton was also amongst the many puppeteers in the finale.-According to Austin Pendleton, James Frawley was very unhappy directing the movie, and did not get along with The Muppet performers.-The song "I'm Going to Go Back There Someday" was one of Jim Henson's favorites, and Gonzo's performer, Dave Goelz performed it at Henson's memorial.-When the film was released, The Muppet Show (1976) was the world's most popular TV show at the time, with an estimated 235 million viewers in 102 countries. **TRIPLE LINDY AWARD** **REVIEW AND RATING** TOP 5Stephen:1 Breakfast club2 T23 Sandlot4 Back to the Future5 Mail order brides Chris:1. sandlots2. T23. trick r treat4. rocky horror picture show5. hubie halloween Trey:1) Boondocks Saints2) Mail Order Brides3) Tombstone4) Very bad things5) She out of my league  Tucker:1. T22: Tombstone3: Gross Pointe Blank4: My Cousin Vinny5: John Wick WHAT ARE WE DOING NEXT WEEK? Web: https://theguysreview.simplecast.com/EM: theguysreviewpod@gmail.comIG: @TheGuysReviewPodTW: @The_GuysReviewFB: https://facebook.com/TheGuysReviewPod/YouTube: https://www.youtube.com/channel/UCYKXJhq9LbQ2VfR4K33kT9Q Please, Subscribe, rate and review us wherever you get your podcasts from!! Thank you,-The Guys

Join Joe Shoes and Michael Gomez as they present their weekly buffet of pop culture goodness! This week your double main men are discussing: our Christmases (1:25), Joe's YouTube updates and further discussion on Reese's Pieces (8:05), The Matrix Resurrections (15:13), HBO Max documentary Beanie Mania (32:55), Disney's Encanto (44:57), Marvel's Hawkeye finale and grading the Marvel Studios offerings from this year (49:23), the final week of Sleighing & Slaying with Emmett Otter's Jug Band Christmas and the Star Wars Holiday Special (1:02:58) & Big Finish: Top 3 Christmas Specials (1:23:39) Follow on all the socials: Twitter: @CarJoeMeZ, @TheJoeShoes, @thegomez154 Instagram: @CarJoeMeZ, @TheJoeShoes, @thegomez154 YouTube: Joe Shoes Twitch: MrJoeShoes, MezMovie Blog Site: CarJoeMeZ.com

This week, our old pal Pedro Nunez from Kayfabulous Lucha Bros. joins us for a return to the world of The Matrix. In what is becoming an annual tradition, we also get Pedro's top and bottom 10 horror films of 2021. Cool of the Week includes Yellowjackets, Emmit Otter's Jug Band Christmas, Don't Look Up, and Spider Man No Way Home. Trailers this week are The Northman, The Unbearable Weight of Massive Talent, and Everything Everywhere All at Once. The podcast spotlight shines on The Bingecast and The League of Geekz. And we get feedback from Xim Vader, Steven Lowblad, Ricky Morgan, Danny Bennett, Matt Jones, Ian McFadyen, Boz Bozier-Lown, Kate Pollock, and Phillip Perron. WE GET AN EMAIL FROM DAERON WILSON - BOOM! You're in the contest! Thanks for listening!

In this bonus Christmas episode, Georgia and John discuss Jim Henson's masterful Muppet/hillbilly Gift of the Magi, which is technically not a "film," but a fantastic Christmas special and a Macey family Christmas viewing must.