POPULARITY
214 episodes with litrpg
83 episodes with litrpg
57 episodes with litrpg
74 episodes with litrpg
18 episodes with litrpg
6 episodes with litrpg
6 episodes with litrpg
5 episodes with litrpg
6 episodes with litrpg
8 episodes with litrpg
5 episodes with litrpg
10 episodes with litrpg
6 episodes with litrpg
8 episodes with litrpg
3 episodes with litrpg
2 episodes with litrpg
2 episodes with litrpg
3 episodes with litrpg
What you doing and what you sharing? This week, Aaron, Joey, and Jess talk about battle rap, knitting, crochet, LitRPG, world building, and not finishing. They don't talk about Fraggle Rock. references Dungeon Crawler Carl by Matt Dinniman Another Dimension of Us by Mike Albo Pretty Pretty Boys from The Hazard and Somerset Mysteries by Gregory Ashe The Gentleman's Guide to Vice and Virtue by Mackenzi Lee Critical Nonsense Bookclub LitRPG R. A. Salvatore ACOTAR aka A Court of Thorns and Roses by Sarah J. Maas
We've got 15 books and series here, so there should be something to love for almost every reader (although we need some traditional fantasy page turners – send us some recommendations in the comments please)! Plus, at the end of the episode we each rank our personal top 3. We intentionally excluded YA and military sci-fi books, although those are often also page-turners - look out for episodes about each of those soon! Brent's brother, Alex, joined us for this episode, and brought us a whole new batch of books (and frankly a couple new subgenres) to enjoy. LitRPG / progression fantasy just keep getting more popular, and we can see why – the books we've picked up have all been so, so fun to read (although it probably helps we've been reading Alex's recommendations so far, the best of the best from the hundreds of LitRPG books he's read). No spoilers anywhere in this episode. Join the Hugonauts book club on discord Or you can watch our episodes on YouTube if you prefer video This episode is sponsored by Quinto's Challenge by Peter McChesney All the books we recommend, plus timestamps: 00:00 Intro 02:48 Sponsor – Quinto's Challenge by Peter McChesney 03:26 Silo by Hugh Howey 5:06 Mother of Learning by Domagoj Kurmaic 7:19 Murderbot by Martha Wells 9:10 Beware of Chicken by Casualfarmer 12:26 Andromeda Strain by Michael Crichton 14:49 Mark of the Fool by J.M. Clarke 18:18 Project Hail Mary and The Martian by Andy Weir 19:40 Iron Prince by Bryce O'Connor 22:33 Dark Matter by Blake Crouch 24:04 He Who Fights With Monsters by Shirtaloon 28:47 Daemon by Daniel Suarez 31:07 The Perfect Run by Maxime J. Durand 33:39 The Bobiverse by Dennis E. Taylor 36:24 Eight by Samer Rabadi 38:37 Dungeon Crawler Carl by Matt Dinniman 46:18 Rankings: Top 3 page turners
The Everfail will rise. His enemies will fall.Hiral is the Everfail, the weakest person on the flying island of Fallen Reach. He trains harder than any warrior. Studies longer than any scholar.But all his people are born with magic powered by the sun, flowing through tattoos on their bodies. Despite having enormous energy within, Hiral is the only one who can't channel it; his hard work is worth nothing.Until it isn't.In a moment of danger, Hiral unlocks an achievement with a special instruction: Access a Dungeon to receive a Class-Specific Reward.It's his first—and maybe last—chance for real power. Just one problem: all dungeons lay in the wilderness below the flying islands that humanity lives on, and there lay secrets and dangers that no one has survived.New powers await, but so do new challenges. If he survives? He could forge his own path to power.If he fails? Death will be the least of his problems.Don't miss the next Progression Fantasy series from J.M Clarke, Bestselling Author of Mark of the Fool, written with C.J. Thompson. Unlock a weak-to-strong progression into power and a detailed LitRPG system with unique classes, skills, dungeons, achievements, survival and evolution. Explore a mysterious world of fallen civilizations, strange monsters and deadly secrets.Support this show http://supporter.acast.com/houseofmysteryradio. Hosted on Acast. See acast.com/privacy for more information.
Join co-hosts M.J. Kuhn & Greta Kelly as they delve into a writing masterclass on LitRPG 101 with bestselling author Matt Dinniman. During the episode, Matt gives the lowdown on the LitRPG subgenre, including what it is, the rising popularity of the subgenre, incorporating game systems into your story, power progression and consequences, how to pace a LitRPG, writing from the perspective of NPCs and more.NOTE: This is part two of a two-part chat with Matt. Click here to check out part one.
Man, we might have to rename this podcast, “The LitRPG Show.” So you die in our world and wake up in a different one. Now you have powers and super strength. This new world also behaves much like a game would. You are also able to “awaken” creatures that instantly become your friends. Sounds familiar right? Well this time, you're at the beach and you are obsessed with fishing and eating sea food. That pretty much sums Heretical Fishing by Haylock Jobson. But does this seas-side version of the litRPG formula hot the spot?Host: Eugene StephensGuest: Ray Andrew, Shaun McLaren, Joseph MorolesLike the show? Support us by rating and reviewing wherever you listen. You can also find us on Facebook and Instagram.Listen and subscribe to the show on iTunes, Spotify, Pandora, Amazon Music, Audible, and YouTube.
Welcome to another episode of Perspective Checks where I sit down with friends and folks from the TTRPG world and discuss what they love about this wonderful hobby! Ian and I met playing in a short TTRPG series for previous guest of the show C.R. Rowenson's LitRPG series New Eternity and knew we had to chat more from our brief interactions and roles as the tankybois of the party. Ian is one-half of the podcast Undercommon Taste, a TTRPG Homebrew podcast, so it's perfect that he's coming on to talk about all things homebrewing! This is a big umbrella in the TTRPG space. House rules are homebrew, technically, but so are some games that hack existing systems, so when do you know it's time to make something new? How much do you need to do? What do you need to consider? We barely scratch the surface of the topic, but there's a lot of great nuggets of wisdom in this chat! Also, you best believe that there's a Powered by the Aporkalypse file in my Google Docs now... ----more---- Join the DMs After Dark Discord channel! I made a Ko-Fi if you feel absurdly generous and want to help cover podcast hosting costs & all the upkeep. I'm still working on whether I want to offer anything special over there or just give my extreme gratitude (maybe some stickers or something in the mail) to those who donate, but no pressure whatsoever :) Where to Follow Rene Plays Games: LinkTree | BlueSky | Threads | Instagram | Facebook | DMs After Dark Rene's Games: MECH | MECH Cities 2 | One Last Quest | I Know I Know You, But I Don't Know How... email: RenePlaysGamesPod@gmail.com Music in the Episode (in order of appearance): Rene Plays Games Theme written & produced by Dan Pomfret | @danfrombothbands
Join co-hosts M.J. Kuhn & Greta Kelly as they chat with bestselling author Matt Dinniman about his new novel Operation Bounce House, Dungeon Crawler Carl, going from self-pub to traditional publishing, audiobooks and Jeff Hays' narration, the creation of Princess Donut, gamer culture, injecting humor into a story, approaches to editing and research, writing weird characters and more.NOTE: This is part one of a two-part chat with Matt. Stayed tuned next week for his writing masterclass on LitRPG 101.OUR SPONSOR:Transference by Ian Patterson is a sci-fi dystopia that dissects what it means to be human in a city where diseases can be transferred.Purchase it here in eBook + paperback.SHOUTOUT TO THE 'SFF ADDICT' PATRONS:Thank you Ian Patterson, Emily Marie Wagner, Herman Steuernagel, David Hopkins, Luke F. Shepherd, Christopher R. DuBois, Luke A. Winch and GavinGuile for supporting us on Patreon at $10+.SUPPORT THE SHOW:- Patreon (for bonus episodes, author readings and more)- Rate and reviewEMAIL US WITH YOUR QUESTIONS & COMMENTS:sffaddictspod@gmail.comABOUT OUR GUEST:Matt Dinniman is the bestselling author of the Dungeon Crawler Carl series and more. His latest release is Operation Bounce House, which you can purchase here.Find Matt on Instagram, Amazon and his personal website.ABOUT OUR HOSTS:Adrian M. Gibson is the author of Mushroom Blues.Find Adrian on Instagram and his personal website.M.J. Kuhn is the author of Among Thieves and Thick as Thieves.Find M.J. on Instagram and her personal website.Greta Kelly is the author of The Queen of Days, The Frozen Crown and The Seventh Queen.Find Greta on Instagram and her personal website.FOLLOW SFF ADDICTS:LinktreeMUSIC:Intro: "Into The Grid" by MellauSFXOutro: “Galactic Synthwave” by DivionAD ATTRIBUTION:- Music: "Corporate Advertising Music" by SigmaMusicArt / "Synthetic Deception" by GioeleFazzeri- Video: Svavar Halldorsson / Gorodenkoff /artlab /Jacob Wackerhausen / FHP Animation Studio / SweetBunFactory / shivkantsharma07 / iLexx / circotasu / Astragal / Alasabyss
Author Hunter Blain and award-winning narrator Luke Daniels return to Epic Realms for an in-depth and often hilarious conversation about the creative partnership behind The Preternatural Chronicles, Chronos Paradox, and more. They discuss how R.C. Bray helped connect them, how their dynamic has evolved over multiple books, and why comedic timing and trust are essential in the author-narrator relationship. The conversation explores Hunter's approach to time travel and scientific realism, Luke's perspective on narrating litRPG and progression fantasy, and the challenges of balancing humor, heart, and high-concept storytelling. They also break down their upcoming litRPG detective crossover project, talk about the exploding litRPG genre, and share the story behind the Audiobook Olympics on TikTok. If you're a fan of urban fantasy, sci-fi, audiobooks, or behind-the-scenes creative process discussions, this episode delivers insight, authenticity, and plenty of laughs.
Back in the BRIG is a 10-time Amazon/Audible best selling author of the long running post apocalyptic zombie mega hit series ADRIAN'S UNDEAD DIARY and much much more! This time, Chris is here to chat about his brand new smash hit LitRPG novel AN UNDEAD GLITCH! This one takes the zombie apocalypse and makes it digital, via an incredibly well realized (sadly fictional) game environment. Think "Dungeon Crawler Carl" or "Ready Player One", but with ZOMBIES and tons of crude humor! What's extra cool is that the audio book for An Undead Glitch is a Retro Ridoctopus co-production—featuring engineering and narration by Parasite Steve and original retro game style music and sound effects by 8-Bit Alchemy! Expect plenty of talk on all of that, plus a discussion of our favorite glitches in gaming. Oh yeah... and WE HAD A CONTEST, which Chris graciously chooses the winners for!! SPOILER ALERT...(everyone is a winner). SHUBIBIN!! RETRO RIDOCTOPUS is ----------------------------------- "Parasite Steve"...... AKA Steve Van Samson (read) "8-Bit Alchemy "...... AKA Tim Krikorian (listen) "Coopster Gold"...... AKA Justin Cooper (subscribe) ------------------------------------------------------------------------- Retro Ridoctopus is a proud member of The Dorkening Podcast Network and is brought to you by Deadly Grounds Coffee. Podcast intro and all heavy metal interstitials by Enchanted Exile.
In this week's episode, I take a look back at my ten bestselling books of 2025, and consider five lessons learned from them. This coupon code will get you 50% off the audiobook of Dragonskull: Sword of the Squire, Book #1 in the Dragonskull series, (as excellently narrated by Brad Wills) at my Payhip store: DRAGONSKULL50 The coupon code is valid through February 2, 2026. So if you need a new audiobook this winter, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 287 of The Pulp Writer Show. My name is Jonathan Moeller. Today is January the 23rd, 2025, and today we are discussing five lessons learned from my 10 bestselling books of 2026. We'll also have Coupon of the Week and an update at my current writing, publishing, and audiobook projects. So let's start off with Coupon of the Week. This week's coupon code will get you 50% off the audiobook of Dragonskull: Sword of the Squire (as excellently narrated by Brad Wills) at my Payhip store. And that coupon code is DRAGONSKULL50. And as always, links to my Payhip store and the coupon code will be available in the show notes of this episode. This coupon code will be valid through February 2, 2026. So if you need a new audiobook this winter, we have got you covered. Now for an update on my current writing, publishing, and audiobook projects. I am very nearly done with Blade of Storms, the third book in my Blades of Ruin epic fantasy series. I am probably just going to stay inside and finish it this weekend because it is very cold. It is winter, but it looks like this week we are having super winter and I'm in the part of the US where we're not getting any snow thankfully, but it is in fact -20 degrees [Fahrenheit] outside, which makes it a good time to stay inside and work on Blade of Storms. So hopefully it will start going live by the time this episode goes live or shortly thereafter. I'm also 16,000 words into Cloak of Summoning, which will be the 14th book in the Cloak Mage series. And if all goes well, that should be my main project soon. It might come out before the end of February, but it will probably slip to March, the way things are looking. In audiobook news, we're very nearly done with the audiobook of Blade of Shadows (as excellently recorded by Brad Wills) and hopefully that should start getting through quality assurance on the various audiobook platforms before too much longer. Hollis McCarthy has started working on Cloak of Titans, the 11th book in the Cloak Mage urban fantasy series. So that is where I'm at with my current writing, publishing, and audiobook projects. 00:02:09 Main Topic of the Week: 5 Lessons Learned from My 10 Bestselling Books from 2025 And now let's move on to our main topic this week, five lessons learned from the top 10 of my bestselling books from 2025. I have this growing pile of tax paperwork on my desk and that got me to thinking about what were my 10 bestselling books of 2025 because all the sales data is now in so I can parse it and look back and see which books of mine sold the best in 2025. I thought it'd be interesting to look at my 10 bestselling ebooks, audiobooks, and paper books for 2025 and see what percentage of them or what rather what percentage of book revenue came from new stuff published in 2025 and old stuff that I had published previously and then I would take a look at five lessons learned from that. So with all that in mind, let's take a first look at my ten bestselling ebooks of 2025 and what percentage of my book revenue for 2025 came from new books and from my backlist. So first up, my 10 bestselling ebooks of 2025: 1. Shield of Deception 2. Shield of Battle 3. Shield of Power 4. Ghost in the Assembly 5. Ghost in the Corruption 6. Cloak of Worlds 7. Blade of Flames 8. Ghost in the Siege 9. Blade of Shadows 10. Cloak of Illusion And for my total ebook revenue for 2025, 29.3% came from new books and 70.7% came from things I published prior to 2025. So let's look at the 10 bestselling audiobooks of 2025: 1. The Ghosts: Omnibus One 2. Cloak Mage Omnibus One 3. Ghost Armor Omnibus One 4. Dragonskull Omnibus One 5. The Ghosts Omnibus Two 6. The Ghosts Omnibus Three 7. Half-Elven Thief: Omnibus One 8. Ghost Exile Omnibus One 9. Cloak Mage Omnibus Three 10. Frostborn: The Shadow Prison: Frostborn, Book 15 So for audio, for my total revenue, 11.92% of it came from things that were newly published in 2025 and 88.08% came from things that had been published prior to 2025. Now my top 10 selling print books: 1. The Windows Command Line Beginner's Guide - Second Edition 2. The Linux Command Line Beginner's Guide 3. The Ubuntu Beginner's Guide 4. Frostborn: The Gray Knight 5. Shield of Storms 6. Frostborn: The Master Thief 7. Shield of Darkness 8. Shield of Deception 9. Frostborn: The Shadow Prison 10. Frostborn: The Eightfold Knife In terms of the percentages of my total print revenue, 5.57% came from things that have been published in 2025, but a whopping 94.43% came from stuff I published prior to 2025. So those are the numbers and the sales percentages. Let's see what lessons we can learn from looking at this data. And so I thought of five lessons. #1: My efforts in 2025 to focus up and focus on finishing series and then shift to just working on three series at a time really paid off. For instance, my three bestselling ebooks for 2025 came from the Shield War Series (Shield of Deception, Shield of Battle, and Shield of Power). So very clearly it was a good idea to focus on that and it was also a good idea to focus on doing a new epic fantasy series like Blades of Ruin because Blade of Flames and Blade of Shadows were number, let's see, number seven and nine on that list respectively, and that was after they were published only in the last quarter of 2025. For that matter, I think people were very excited that I finally managed to get back to the Cloak Mage series because Cloak of Worlds was the sixth bestselling book of the year, even though it came out in I believe October and Cloak of Illusion was a year old and it was still one of the 10 bestselling books of 2025 just because people were that eager for me to get back to the Cloak Mage Series. Wizard Assassin, the fifth book in the Half-Elven Thief series, didn't make the list, but the reason for that is very obvious. It only came out on December 23rd and if it had become one of the 10 bestselling books of 2025 in the remaining, what was it, eight days of 2025 at that point, that would've been nothing short of astonishing, but it sold very well. And I think when I do podcast episode for this at the end of 2026, then some of the Half-Elven Thief books will definitely be on the list. So my strategy of focusing on just three series at a time and having the big epic fantasy series like Blades of Ruin be the main series, and then I alternate between Cloak Mage and Half-Elven Thief every other month does seem to be the right strategy. #2: The second lesson I think I learned is that it's good to have all your books in print if possible, but if you have nonfiction books, it's especially good for them to be in print because as you remember from the top 10, my top three bestselling print books of 2025 were The Windows Command Line, The Linux Command Line, and The Ubuntu Beginner's Guides, which are all nonfiction books I wrote a very long time ago and put into print. If I remember right, Linux Command Line and Windows Command Line, both were from 2012, which is a disturbingly long time ago at this point, but they remain my two of my top three bestselling print books of 2025. Obviously it's good to have all your books in print because you'll notice that several of my older fiction books and even one of my relatively newer fiction books (Shield of Storms) were all in the top 10 bestselling print list. But nonetheless, if you have nonfiction and you're selling nonfiction, I strongly recommend you get your nonfiction books into print because I think people are more likely to buy a nonfiction book in print than they are a fiction book. For fiction, it's only your absolute favorites that you get in print these days. I think the majority of what used to be the mass market paperback market has switched over to ebooks. But if you are reading nonfiction, trying to learn how to do something (and all three of these books are technical books), it's more likely that you're going to buy the print book but you keep it as a reference. So if you have a nonfiction, it's definitely a good idea to put it into print. #3: I think the third thing I learned is that audiobook bundles very definitely pay off. You notice that of my top 10 audiobooks for 2025, 9 of the 10 were audiobook bundles, and I think we see the influence of Audible on the audiobook market there. If you're familiar with Audible, you know that most Audible subscription plans give you a credit every month (or more than one credit every month), which means that Audible listeners are very length conscious because they want to get the most audiobook possible for their monthly credit. So they're more likely to spend their monthly credit on the Ghost Omnibus One rather than getting Child of the Ghosts, Ghost in the Flames, and Ghost in the Blood individually because it's a much better bargain. There's much debate online in the indie author space about how much influence Audible has over the audiobook market, and many people argue that Audible has too much influence over the audiobook market, but the reality remains that Audible has a lot of influence on the audiobook market. And so consequently, the longer the audiobook, the easier it is to sell. So if you have the opportunity to do audiobook bundles, it might be worth doing them. I think you'll find that selling an audiobook bundle is significantly easier than selling an individual audiobook. The best way to promote the audiobook is to promote the ebook. For example, this past week I had a BookBub feature deal for Cloak Mage Omnibus One that did very well (and thank you everyone for that) and it also boosted the audiobook quite a bit, to the point where that as of this recording January 23rd, 2026, Cloak Mage Omnibus One will be my bestselling audiobook for 2026 so far, we'll see how the rest of the year plays out, but I will continue to do audiobook bundles when feasible. And very clearly, this is an excellent way to market your audiobooks if you have the resources to do that, and you're willing to put the bundles on Audible. Not everyone is. #4: The fourth lesson is that I basically misread the LitRPG market because if you'll remember Stealth and Spells Online: Final Quest, the last book in my Stealth and Spells Online trilogy, came out in July and it didn't crack the top 10. I don't think it even cracked the top 20, if I remember right, it was like my 24th, 25th maybe bestselling book of 2025, which means that a lot of older stuff sold quite a bit more than it did. In fact, I think Demonsouled Omnibus One and Demonsouled Omnibus Two both sold more copies and brought in more revenue than Stealth and Spells Online: Final Quest did. Now, I think those are good books, the Stealth and Spells books, and I'm very grateful to everyone who enjoyed them. But as I've said before, I think I fundamentally misread the LitRPG market because it's about a virtual reality game but the LitRPG market these days focuses mostly on isekai style stories or system apocalypse style stories, more things like on the verge of a Dungeon Crawler Carl than people playing a virtual reality game. This isn't to say that the genre of virtual reality online game can't be done well, it's just that I don't think I executed it well in terms of communicating it to potential readers. And as you might remember, it was originally entitled Sevenfold Sword Online, which just confused people because they thought it was connected to my Sevenfold Sword series. So with all that, if I had to do it over again, I would not do a virtual reality LitRPG, I'd probably do a system one or an isekai one, but for now, I'm not going to think about that. I'm going to focus on my three unfinished series and not start a new unfinished series until I finish one of my three remaining unfinished series because as I learned in '23, '24, and '25, having five unfinished series at the same time is too many for both the writer and the reader. So if I ever return to the LitRPG genre and never say never, it will not be for a virtual reality online LitRPG. #5: The fifth and final lesson I think I can learn from this is the combination of effort over time because I've been doing this for a long time, and the reason that in 2025, 70% of my ebook sales came from the backlist (and even more for print and audiobooks) is because I've been doing this for such a long time and my efforts have been compounding over that length of time. For example, when I published Wizard-Assassin last month in December, the previous four books in the series in just the eight days of 2025 that were remaining sold like 600% more in December than they had in November, just from the boost provided by a new book. And again, that's only possible with the effort over time because of those four books hadn't been there, then they wouldn't have been available to have that significant sales boost. So I think this just reflects that one of the hardest lessons of all is patience, because when we publish a book, we want it to immediately be a bestseller and make us lots of money and all that, but that usually doesn't happen. In fact, it hardly ever happens. What you really need to do is just keep slogging away, putting in the effort every day, writing your book, publishing a new one, and building up gradually over time. And I think looking at these numbers for the last year, that the combination of effort over time and remaining patient is indeed the most valuable lesson I can learn and that all of us can learn from 2025. And I would like to conclude talking about this by saying a big thank you to everyone who bought an ebook, a print book, or an audiobook over this year. I'm very grateful for all of your readership, listening and reading, and obviously there'd be no point in doing all this if nobody was reading the books. So thank you again for reading and listening over 2025. So that's it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful, a reminder that you can listen to all the backup episodes on https://thepulpwritershow.com. If you enjoyed the podcast, please consider leaving your review on your podcasting platform of choice. Stay safe, stay healthy. Please stay warm, and we will see you all next week.
Clare and Hannah read "Ready Player One," Ernest Cline's 2011 LitRPG novel in which every challenge can be solved by being chronically online. Contestants plug in to the OASIS, a virtual universe where anything is possible, if you have the credits and enough one-joystick two-button dexterity to totally kick butt in Black Tiger. Finally, knowing Monty Python and the Holy Grail word for word is useful for something. It's a masterpiece of 80s nostalgia for the Gen-Xers and nihilism for the Millenials. We'd love to hear your thoughts! Click here to send us a text message!Support the showWe provide links and other resources to help you find and enjoy the things we talked about on this episode! Note that some of these may include “affiliate” links to books and other products. When you click through and purchase, the price of the item is the same for you. In fact, most of the time you'll get a discount! But the company gives us a little somethin' somethin' to say “thanks” for sending you their way! This helps you enjoy the website and the podcast EVEN MORE by eliminating intrusive advertisements. Thanks for clicking! Theme music: “Splanchnics Riff” composed and performed by Clare T. Walker Clare is an independent author who would love it if you checked out her books! If you like exciting thrillers featuring an “everyman” hero who rises to his or her full potential in the face of peril—-you might enjoy The Keys of Death. It's a veterinary medical thriller about a small-town animal doctor who gets tangled up in a whistle-blowing scheme against a big biotech company. Or, if you prefer shorter fiction, try Startling Figures, a collection of three paranormal urban fantasy stories.
Is there a genre we at 372 Pages have not covered? Oh, yes. Yes there is. Join us as we dive into the wildly popular world of LitRPG and our latest book The Mayor of Noobtown Buy the book here Assignment: Read thru Chapter 7
Dungeon Crawler Carl by Matt Dinniman is an intergalactic sci-fi adventure following one man's journey through the apocalypse. Matt joins us to talk about LitRPG novels, video games, worldbuilding, writing in a gameshow structure, the evolution of gaming and more with guest host Chris Gillespie. This episode of Poured Over was hosted by Chris Gillespie and mixed by Harry Liang. New episodes land Tuesdays and Thursdays (with occasional Saturdays) here and on your favorite podcast app. Featured Books (Episode): Dungeon Crawler Carl by Matt Dinniman Ready Player One by Ernest Cline Operation Bounce House by Matt Dinniman A Parade of Horribles by Matt Dinniman
In this episode of Geeking With Karen Bee, Seanorama and Karen dive into AI ethics, creative ownership, and how artificial intelligence is reshaping work, art, and even tabletop RPG prep. They explore the benefits and concerns surrounding AI, including copyright issues and its impact on artists and creators.The conversation shifts to book recommendations and geek reading habits, spotlighting the popular LitRPG series Dungeon Crawler Carl, along with current DC and Marvel comics featuring Batman, Superman, Wonder Woman, and the X-Men. The hosts also discuss standout comic creators like Gail Simone and Warren Ellis.Film and television take center stage as Sean and Karen break down Peacemaker, Hawkeye, Knives Out, Zootopia 2, and the evolving Marvel and DC cinematic universes. They share candid thoughts on upcoming superhero movies, actor performances, and why strong storytelling matters more than box office numbers.The episode wraps with reflections on beloved actors, career comebacks, celebrity authenticity, and what makes fandom feel meaningful in an era of constant reboots and sequels.A thoughtful, funny, and honest conversation about pop culture, technology, and the stories that keep us geeking out.Linktree: https://linktr.ee/seangeekpodcastPatreon: https://www.patreon.com/c/meetthegeeksWe are a part of the Boneless Podcast Network: https://boneless-catalogue-player.lovable.app/Merch: Tee Public: https://www.teepublic.com/seangeekpodcastRed Bubble: https://www.redbubble.com/people/seangeekpodcast/shop@seangeekpodcast on Twitter, Instagram and FacebookMentioned in this episode:New Merch AdAn ad that incorporates Red Bubble and Tee Public
Author The Longwinded One and narrator Chris Tucci discuss The Breaking Annwn (Book 2 of The Four Treasures Saga), exploring tonal shifts in LitRPG series, writing with friends, and producing a multi-narrator audiobook.In this episode, author The Longwinded One and narrator Chris Tucci talk about the evolution of The Four Treasures Saga, focusing on The Breaking Annwn, a darker, more serious second installment in the series.
We’re closing out this strange year with a “big-picture” episode: editor & critic Dan Hartland is on to talk about trends and directions—or lack thereof—in recent speculative fiction. We talk about the interesting spread of books & awards this year, do some armchair speculating about genre shifts & their accompanying arguments, and have some very insider-baseball discussion of what gets reviewed (or not) and why. And, of course, Dan and Casella talk about their favorite reads from 2025. Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books. Please consider supporting ARB’s Patreon! Guest: Dan Hartland Host:Jake Casella Brookins Music byGiselle Gabrielle Garcia Artwork byRob Patterson Opening poem by Bhartṛhari, translated by John Brough Transcribers: Kate Dollarhyde and John WM Thompson References: Critical Friends podcast Gautam Bhatia's The Sentence Vajra Chandrasekera's Rakesfall Award spread this year- see for instance SFADB Article on UK romantasy sales numbers Romantasy, LitRPG, Progression Fantasy, Baen Books Locus SFT= Speculative Fiction in Translation Strange Horizons issue on the NEA cuts and SFT Richard K. Morgan Orbus by Neal Asher Jenny Hamilton’s work at Reactor AO3= Archive Of Our Own When There Are Wolves Again by E.J. Swift Metal from Heaven by August Clarke Niall Harrison’s review of Swift William Gibson's Sprawl trilogy Hugboxing vs Scab-Picking H.G. Wells Sylvia Park's Luminous Eva Meijer’s Sea Now, tr. Anne Thompson Melo The Booker Prize “Prestige TV in the Time of Climate Change” by Sarah Miller The Sopranos & Breaking Bad The Book of Records by Madeleine Thien Hannah Arendt & Baruch Spinoza John Wyndham & J.G. Ballard The Unworthy by Agustina Bazterrica, tr. Sarah Moses Becky Chambers Colourfields by Paul Kincaid Margaret Killjoy's A Country of Ghosts The Expansion Project by Ben Pester The Goldsmiths Prize Olga Ravn's The Employees Jeff VanderMeer's Area X Ned Beauman BSFA short SF in translation award Translated Hugo Initiative Dengue Boy by Michel Nieva, tr. Rahul Berry Isaac Fellman's Notes from a Regicide Vajra Chandrasekera’s The Saint of Bright Doors Christopher Priest Debbie Urbanski's Portalmania Thomas Ha's Uncertain Sons Ted Chiang's Stories of Your Life and Others Leyna Krow's Sinkhole and Other Inexplicable Voids Ed Park's An Oral History of Atlantis Kelly Link, George Saunders, T.C. Boyle, Nana Kwame Adjei-Brenyah, Elwin Cotman Deep Dream: Science Fiction Exploring the Future of Art, edited by Indrapramit Das Countess by Suzan Palumbo Annie Bot by Sierra Grier Erika Swyler's We Lived On The Horizon Adrian Tchaikovsky, Premee Mohamed Lincoln Michel's Metallic Realms Ed Park’s Same Bed Different Dreams
We’re closing out this strange year with a “big-picture” episode: editor & critic Dan Hartland is on to talk about trends and directions—or lack thereof—in recent speculative fiction. We talk about the interesting spread of books & awards this year, do some armchair speculating about genre shifts & their accompanying arguments, and have some very insider-baseball discussion of what gets reviewed (or not) and why. And, of course, Dan and Casella talk about their favorite reads from 2025. Podcasts, reviews, interviews, essays, and more at the Ancillary Review of Books. Please consider supporting ARB’s Patreon! Guest: Dan Hartland Host:Jake Casella Brookins Music byGiselle Gabrielle Garcia Artwork byRob Patterson Opening poem by Bhartṛhari, translated by John Brough Transcribers: Kate Dollarhyde and John WM Thompson References: Critical Friends podcast Gautam Bhatia's The Sentence Vajra Chandrasekera's Rakesfall Award spread this year- see for instance SFADB Article on UK romantasy sales numbers Romantasy, LitRPG, Progression Fantasy, Baen Books Locus SFT= Speculative Fiction in Translation Strange Horizons issue on the NEA cuts and SFT Richard K. Morgan Orbus by Neal Asher Jenny Hamilton’s work at Reactor AO3= Archive Of Our Own When There Are Wolves Again by E.J. Swift Metal from Heaven by August Clarke Niall Harrison’s review of Swift William Gibson's Sprawl trilogy Hugboxing vs Scab-Picking H.G. Wells Sylvia Park's Luminous Eva Meijer’s Sea Now, tr. Anne Thompson Melo The Booker Prize “Prestige TV in the Time of Climate Change” by Sarah Miller The Sopranos & Breaking Bad The Book of Records by Madeleine Thien Hannah Arendt & Baruch Spinoza John Wyndham & J.G. Ballard The Unworthy by Agustina Bazterrica, tr. Sarah Moses Becky Chambers Colourfields by Paul Kincaid Margaret Killjoy's A Country of Ghosts The Expansion Project by Ben Pester The Goldsmiths Prize Olga Ravn's The Employees Jeff VanderMeer's Area X Ned Beauman BSFA short SF in translation award Translated Hugo Initiative Dengue Boy by Michel Nieva, tr. Rahul Berry Isaac Fellman's Notes from a Regicide Vajra Chandrasekera’s The Saint of Bright Doors Christopher Priest Debbie Urbanski's Portalmania Thomas Ha's Uncertain Sons Ted Chiang's Stories of Your Life and Others Leyna Krow's Sinkhole and Other Inexplicable Voids Ed Park's An Oral History of Atlantis Kelly Link, George Saunders, T.C. Boyle, Nana Kwame Adjei-Brenyah, Elwin Cotman Deep Dream: Science Fiction Exploring the Future of Art, edited by Indrapramit Das Countess by Suzan Palumbo Annie Bot by Sierra Grier Erika Swyler's We Lived On The Horizon Adrian Tchaikovsky, Premee Mohamed Lincoln Michel's Metallic Realms Ed Park’s Same Bed Different Dreams
Please don't forget to subscribe! Hosted and owned by: Daniel Coolbaugh For this episode of season 5, I had the pleasure of interviewing LitRPG and Dungeon Core author John Stovall! We got to chat about his Elf Empire Series, Demon Card Enforcer, Super Hero Dungeon books and more! Make sure to check out his book and social links in the space below! Please don't forget to subscribe! Author Social Links: Amazon Author Page-https://www.amazon.com/stores/John-Stovall/author/B096ZF7676?ref=sr_ntt_srch_lnk_1&qid=1760050285&sr=1-1&isDramIntegrated=true&shoppingPortalEnabled=true Author Website: https://john-stovall-author.com/ Author Goodreads: https://www.goodreads.com/author/show/21498085.John_Stovall Author Facebook: https://www.facebook.com/p/John-Stovall-Author-100071998330067/ Author Audible: https://www.audible.com/author/John-Stovall/B096ZF7676 Author Patreon: https://www.patreon.com/Johnstovall Podcast Channel Links: Patreon: patreon.com/TFSFP Website: https://thefantasyandscififanaticspod.com/ Youtube Channel Subscription: https://youtube.com/@thefantasyandsci-fifanatic2328 Rss.com: https://media.rss.com/thefantasyandsci-fifanaticspodcast/feed.xml Spotify: https://open.spotify.com/show/2aCCUhora9GdLAduLaaqiu?si=cl-8VWgaSrOGDwJg-cKONQ Facebook Group join link: https://www.facebook.com/groups/402724958101648/?ref=share
Welcome to Part 2 of my updated Top 100 Fantasy Reads of All Time (2025 Edition)! Today we journey through ranks 80 to 61, where beloved classics jostle with grimdark heavy-hitters, LitRPG mayhem rubs elbows with dragonriders, and more than one book drops or rises in ways sure to spark debate.In this section we hit everything from action-packed urban fantasy, to sprawling epic battles, to sci-fantasy legends, to some very emotional Malazan entries (because of course). Some long-time favorites hold their ground… and some tumble after a year of reflection.If you enjoy fantasy lists, book recommendations, chaotic rankings, and the occasional controversial take, be sure to Like, Subscribe, and Ring the Bell so you won't miss the next episodes in this series!✨ In this episode:– Ranks 80–61 revealed– New arrivals & returning champions– Sharp rises, surprising drops, and unexpected placements– Short, witty summaries and ranking commentary for each bookDrop a comment with your thoughts! Which books do YOU think should be higher? Which ones shocked you? Let's talk fantasy.❤️ Great appreciation goes out to our Patreon supporters for helping make such episodes possible. Join our Patreon community and access special perks, and our undying thanks!: patreon.com/FantasyForTheAges#FantasyBooks #Top100Fantasy #BookTube #FantasyForTheAges #EpicFantasy #Grimdark #UrbanFantasy #Malazan #WheelOfTimeWant to purchase books/media mentioned in this episode?Assail: https://t.ly/06mI3Before They Are Hanged: https://t.ly/14r49The Blade Itself: https://t.ly/LSDn2Blood and Bone: https://t.ly/p59HwA Crown of Swords: https://t.ly/QaHVMThe Dark Tower: https://t.ly/lZtgrDaughter of the Empire: https://t.ly/wnKGtDeadhouse Gates: https://t.ly/BfX88Doctor Sleep: https://t.ly/Ni3v1Ex-Heroes: https://t.ly/UWz6hA Game of Thrones: https://t.ly/o7bq0Gardens of the Moon: https://t.ly/_OQsuThe Illearth War: https://t.ly/DkduvMistress of the Empire: https://t.ly/DSJ0PMoreta, Dragonlady of Pern: https://t.ly/Xbwd3The Path of Daggers: https://t.ly/ty2AAServant of the Empire: https://t.ly/HNWAzThis Inevitable Ruin: https://t.ly/_Z_qZTo Green Angel Tower: https://t.ly/ghUweWolves of the Calla: https://t.ly/a3XOLWays to connect with us:Follow Jim/Father on Goodreads: https://www.goodreads.com/user/show/13848336-jim-scriven Join us on Discord: https://discord.gg/jMWyVJ6qKk Follow us on "X": @Fantasy4theAges Follow us on Blue Sky: @fantasy4theages.bsky.socialFollow us on Instagram: fantasy_for_the_ages Follow us on Mastodon: @FantasyForTheAges@nerdculture.de Email us: FantasyForTheAges@gmail.com Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheagesJim's Microphone: Blue Yeti https://tinyurl.com/3shpvhb4 Jim's Camera: Razer Kito Pro https://tinyurl.com/c873tc2n 0:00 - Opening 1:31 - List Explanation2:50 - Books 80 - 6116:24 - Conclusion & Wrap-up————————————————————————————Music and video elements licensed under Envato Elements:https://elements.envato.com/
Esta semana traemos como tema central un libro que está de moda... bueno, una saga entera. Carl el mazmorrero que, si no lo conocéis, tenéis que lanzaros a por él. Exponente de un subgénero bautizado como Litrpg que combina eso, literatura y videojuego. Además tenéis una completa crónica del Manga BCN 2025 y un montón de recomendaciones. Este es el contenido del programa: Tema central (00:02:25) CARL, EL MAZMORRERO CRÓNICA MANGA BCN 2025 (00:17:52) Ensalada de Reseñas (00:39:15) PELIS: Diamante en bruto, Sueños de trenes, Zootropolis 2, Caza de brujas SERIES: Dr Slump, i Love L.A. CÓMIC: VJUEGOS: Thief VR: Legacy of Shadow, Milano's oddjob collection LIBRICOS: La Vegetariana, Prince, la historia detrás de sus 684 canciones. Y eso es todo por esta semana... pero recordad que estamos 24/7 en www.hellofriki.com y en redes además de en nuestro canal de Telegram
Welcome to Part 1 of my brand-new Top 100 Fantasy Reads of 2025!
In Part II of our Fantasy Subgenre Series, we explore the darker and more modern branches of fantasy: Dark Fantasy, Grimdark, Urban Fantasy, Contemporary/Modern Fantasy, Paranormal Fantasy, Romantasy, Progression Fantasy, LitRPG, and Gamelit.
One of the best "hear me out..." books may be Matt Dinniman's "Dungeon Crawler Carl". It's a LitRPG that reads like a video game but is somehow still funny and fast-paced. But is the world built for every kind of reader? Video: https://youtu.be/B1Bnp9sOlFs
In this episode of Brave New Bookshelf, hosts Steph Pajonas and Danica Favorite welcome back Jill Cooper from The Writing Wives. Jill shares her insights on using AI as a project management tool, particularly in crafting her cozy LitRPG fantasy series and managing Kickstarter campaigns. She also examines the use of AI for creating effective Facebook ads, emphasizing the importance of understanding reader demographics and tropes. Visit our website https://bravenewbookshelf.com to view the full episode notes, links and apps mentioned in the episode, and the full transcript.
Can't forget to do a solo one-shot for spooky month, so here is my one-player one-shot experience of Spellbook by DValeris a.k.a. Edaureen Muhamad Nor! This game is based on a familiar game from last year's holiday one-shots, Bucket Of Bolts by Jason Price and uses the Lost & Found SRD to simulate the life of a sentient spellbook that is past down through the hands of witches over three Acts. It was a very fun session and I fully admit I fall hard into stereotypical Rene tropes (sorry not sorry). Definitely give this and more of Edaureen's games a look! Also, shout out and check out friend of the show C.R. Rowenson's new LitRPG book Spawn Point, Book 1 of the New Eternity series! And if you want to watch me and some other creators play a short TTRPG series in that world, check out Clark's YouTube channel - The Magic Engineer! ----more---- Join the DMs After Dark Discord channel! I made a Ko-Fi if you feel absurdly generous and want to help cover podcast hosting costs & all the upkeep. I'm still working on whether I want to offer anything special over there or just give my extreme gratitude (maybe some stickers or something in the mail) to those who donate, but no pressure whatsoever :) Where to Follow Rene Plays Games: LinkTree | BlueSky | Threads | Instagram | Facebook | DMs After Dark Rene's Games: MECH | MECH Cities 2 | One Last Quest email: RenePlaysGamesPod@gmail.com Music in the Episode (in order of appearance): Rene Plays Games Theme written & produced by Dan Pomfret | @danfrombothbands Elder Magic by Vindsvept Kingdom of Mist by TabletopAudio.com Mushroom Forest by TabletopAudio.com Witches Dance by TabletopAudio.com Dark Future by TabletopAudio.com Pieces of a Memory by Vindsvept Daybreak by Vindsvept
This week, we're playing a one-shot of Cezar Capacle's solo-capable RPG Wraithound. Join us as we build a fantasy ghost hunter, walk him into a spooky mansion, and watch his attempts to identify and banish the spirits haunting the Cobblestone Chateau. Wraithound is one of many excellent games designed by Cezar Capacle. You can find his work on Itch at capacle.itch.io; Wraithound is currently on sale for 30% off. As we mentioned at the end of the episode, Ian is going to be in a livestream game as part of the launch party for C.R. Rowenson's new LitRPG novel, Spawn Point. You can RSVP for the party to get notifications and updates by going to crrowenson.com/launch. The livestream game will be starting at 12:00 PM Eastern/9:00 AM Pacific on Saturday, October 25th. The first play session is up on Clark's YouTube channel now: https://www.youtube.com/watch?v=RHwSyIiORgc Our website is live! Head on over to undercommontaste.com to find links to all of our social media, streaming sites, Patreon, Itch store, and Discord. Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.
The Blasters & Blades PodcastI had on returning guest, JC Chambers III, on to chat about his progression fantasy LitRPG story. It's currently on Royal Road, a free website, which you can read a chapter at a time as he writes it. We also dove into his nerdy pedigree and his experience as a Marine Corps brat, meaning his dad was a #Jarhead and dragged him all over the world. Because of that, he got to experience a lot of cultures, which flavors his world views and his writing. This was a fun interview, so go check out this episode. Lend us your eyes and ears, you won't be sorry!! Join us for a fun show! We're just a couple of nerdy Army veterans geeking out on things that go "abracadabra," "pew," "zoom," "boop-beep" and rhyme with Science Fiction & Fantasy. Co-Hosts: JR Handley (Author) (Grunt)Nick Garber (Comic Book Artist) (Super Grunt)Madam Stabby Stab (Uber Fan) (Horror Nerd)Jana S Brown (Author) (Chief Shenanigator)We work for free, so if you wanna throw a few pennies our way there is a linked Buy Me A Coffee site where you can do so. Just mention the podcast in the comments when you donate, and I'll keep the sacred bean water boiling!Support the Show: https://www.buymeacoffee.com/AuthorJRHandley Our LinkTree: https://linktr.ee/blastersandbladespodcast Today's SponsorGenesis: A LitRPG Fantasy Adventure by Jonathan Yanez & Ross Buzzell: https://www.amazon.com/Genesis-LitRPG-Journey-Legends-Online-ebook/dp/B07S9HTZ67/ Coffee Brand Coffee Affiliate Support the Show: https://coffeebrandcoffee.com/?ref=y4GWASiVorJZDb Discount Code: PodcastGrunts Coupon Code Gets you 10% offDeadmen Dungeoneers by JC Chambers III: https://www.royalroad.com/fiction/121066/deadmen-dungeoneers Follow JC Chambers III on social mediaJC's Amazon: https://www.amazon.com/stores/author/B08G3WRDCV JC's Website: https://jcthethird.com/ JC's Twitter: https://twitter.com/jcchambersiii JC's Facebook: https://www.facebook.com/authorjcthethird/ JC's YouTube: https://www.youtube.com/@j.c.chambersiii8249/featured JC's Patreon: https://www.patreon.com/jcthethird JC's Discord: https://discord.com/invite/FWxY6Q4 JC's Royal Roads: https://www.royalroad.com/fiction/121066/deadmen-dungeoneers #scifishenanigans #scifishenaniganspodcast #bbp #blastersandblades #blastersandbladespodcast #podcast #scifipodcast #fantasypodcast #scifi #fantasy #books #rpg #comics #fandom #literature #comedy #veteran #army #armyranger #ranger #scififan #redshirts #scifiworld #sciencefiction #scifidaily #scificoncept #podcastersofinstagram #scificons #podcastlife #podcastsofinstagram #scifibooks #awardwinningscifi #newepisode #podcastersofinstagram #podcastaddict #podcast #scifigeek #scifibook #sfv #scifivisionaries #firesidechat #chat #panel #fireside #religionquestion #coffee #tea #coffeeortea #CoffeeBrandCoffee #JRHandley #NickGarber #MadamStabby #JenaRey #JanaSBrown #OpalKingdomPress #DeadmenDungeoneers #JCChambersIII #RoyalRoad #starwars #jedi #georgelucas #lucasfilms #startrek #trekkie #firefly #serenity #browncoat #wheeloftime #wot #robertjordan #brandonsanderson #gameofthrones #got #grrm #georgerrmartin #ChroniclesofNarnia #CSLewis #WilfordBrimley #USMC #MarineCorps #USMCBrat #MarineCorpsBrat #MarineBrat #Japan #Anime #beach #waterfall #jellyfish #militarypolice #lotus #JapaneseMacaque
Hello Crawlers! On this week's episode, Josh and Luke are joined by creator Matt Dinniman to discuss the WEBTOON adaptation of his popular LitRPG novel Dungeon Crawler Carl. Join them as they discuss the webcomic, Matt's inspirations, Chrono Trigger, and much more. Thank you to WEBTOON for helping to facilitate this interview. Download the app and read thousands of comics absolutely FREE! Follow Matt Instagram @mattdinniman on Patreon his website mattdinniman.com & check out Dungeon Crawler Carl on WEBTOON today! Follow WEBTOON: Instagram @webtoonofficial Twitter @webtoonofficial We are looking for new cohosts! if you are interested in joining our team, please reach out to us on Instagram or via email at WUFcohosts@gmail.com. Special Thanks to this week's sponsor Wild Bill's Soda! Enjoy crisp unique olde fashioned soda flavors anytime with Wild Bill's. Head over to drinkwildbills.com and use code FANDOM10 to get 10% off your purchase! Do you have suggestions for the show? Do have specific voice actor or creator that you would like us to interview? We would love to hear from you! Feel free to message us. If you enjoy the show, please rate and review! Follow the show on: Instagram @WhatsUpFandom Twitter @WhatsUpFandomPC YouTube What's Up, Fandom Podcast Follow Josh @JoshLCain Follow Luke @tatted_triceratops Tags: podcast, podcasts, movies, tv, comics, pop culture, fandom, anime, video games, books, webtoon, webcomic, dnd, dungeons and dragons, dungeon crawler carl, princess donut, matt dinniman, litrpg, chrono trigger, webtoon
In this week's episode, I take a look back at the movies and streaming shows I watched in Summer 2025. This coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book #1 in the Ghost Armor series, (as excellently narrated by Hollis McCarthy) at my Payhip store: FALLSERPENT50 The coupon code is valid through September 15, 2025 (please note the shorter expiration date). So if you need a new audiobook this fall, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 267 of The Pulp Writer Show. My name is Jonathan Moeller. Today is September 5, 2025 and today I'm doing a review roundup of the movies and streaming shows I saw in Summer 2025. Before we do that, we will have Coupon of the Week and a progress update on my current writing and audiobook projects. First up, this week's coupon code will get you 50% off the audiobook of Ghost in the Serpent, Book One in the Ghost Armor series (as excellently narrated by Hollis McCarthy) at my Payhip store. That is FALLSERPENT50. This coupon code will be valid through September 15th, 2025 (exactly one week). So if you need a new audiobook to listen to as we head into fall, we have got you covered. Now for an update on my current writing and audiobook projects. I am pleased to report that the rough draft of Blade of Flames, which will be the first book in my new Blades of Ruin epic fantasy series is finished. The rough draft came at about 90,000 words long, which was what I was aiming for. Next up, I will be writing a short story set as sort of a bonus in that plot line called Thunder Hammer and that will be the backstory of one of the characters in Blade of Flames. And when Blade of Flames comes out (which will hopefully be later this September), newsletter subscribers will get a free ebook copy of Thunder Hammer. So this is an excellent time to subscribe to my newsletter. I am also 8,000 words into Cloak of Worlds. At long last, I am coming back to the Cloak Mage series after nearly a year's absence. Longtime listeners will know the reason was that I had five unfinished series and I wanted to spend the summer of 2025 finishing the unfinished ones and focusing up so I will only have three ongoing series at any given time. I'm hoping Blade of Flames will come out before the end of September and Cloak of Worlds before the end of October, and after that I will be able to return to the Rivah series at long last. In audiobook news, recording is finished on Shield of Power. That will be excellently narrated by Brad Wills and hopefully once it gets through processing and quality assurance and everything, it should be showing up on the various audiobook stores before too much longer. Hollis McCarthy is about halfway through the recording of Ghost in the Siege, which was, as you know, the last book in the Ghost Armor series that just came out. And if all goes well, the audiobook should be coming out probably in October once everything is done with recording and quality assurance and all that. So that is where I'm at with my current writing and audiobook projects. 00:02:34 Main Topic: Summer 2025 Movie/TV Roundup So without further ado, let's head into our main topic. The end of summer is nigh, which means this time for my summer movie review roundup. As is usual for the summer, I saw a lot of movies, so this will be one of the longer episodes. For some reason I ended up watching a bunch of westerns. As always, the movies are ranked from least favorite to most favorite. The grades of course are totally subjective and based on nothing more than my own opinions, impressions, and interpretations. Now on to the movies. First up is the Austin Powers trilogy, the three movies of which came out in 1997, 1999, and 2002. The Austin Powers movies came out just as the Internet really got going in terms of mass adoption, which is likewise why so many Austin Powers and Dr. Evil memes are embedded in online culture. Despite that, I had never really seen any of them all the way through. They've been on in the background on TBS or whatever quite a bit when I visited people, but I've never seen them all. But I happened upon a DVD of the trilogy for $0.25 (USD), so I decided for 25 cents I would give it a go. I would say the movies were funny, albeit not particularly good. Obviously the Austin Powers movies are a parody of the James Bond movies. The movies kind of watch like an extended series of Saturday Night Live skits, only loosely connected, like the skit is what if Dr. Evil had a son named Scott who wasn't impressed with him or another skit was what if a British agent from the ‘60s arrives in the ‘90s and experiences culture clash? What if Dr. Evil didn't understand the concept of inflation and demanded only a million dollars from the United Nations? What if Dr. Evil was actually Austin's brother and they went to school together at Spy Academy? Michael Caine was pretty great as Austin's father. Overall, funny but fairly incoherent. Overall grade: C- Next up is Horrible Bosses, a very dark and very raunchy comedy from about 14 years ago. It came out in 2011. Interestingly, this movie reflects what I think is one of the major crises of the contemporary era, frequent failures of leadership at all levels of society. In the movie Nick, Dale, and Kurt are lifelong friends living in LA and all three of them have truly horrible bosses in their place of employment, ranging from a sociopathic finance director, the company founder's cokehead son, and a boorish dentist with a tendency to sexual harassment. At the bar, they fantasize about killing their horrible bosses and then mutually decide to do something about it. Obviously, they'd all be prime suspects in the murder of their own bosses, but if they killed each other's bosses, that would allow them to establish airtight alibis. However, since Nick, Dale and Kurt are not as bright as they think they are, it all goes hilariously wrong very quickly. Bob Hope has a hilarious cameo. If the best “crude comedies” I've seen are Anchorman, Zoolander, Tropic Thunder, and Dodgeball, and the worst one was MacGruber, I'd say Horrible Bosses lands about in the middle. Overall grade: C Next up is Cowboys and Aliens, which came out in 2011. Now I almost saw this in 2011 when it came out, but I was too busy to go to the theater in July of 2011, so I finally saw it here in 2025 and I would say this was almost a great movie, like the performances were great, the concept was great, the scenery was great, the special effects were great, and the story was packed full of really interesting ideas, but somehow they just didn't coalesce. I'm not entirely sure why. I think upon reflection, it was that the movie is just too overcrowded with too many characters and too many subplots. Anyway, Daniel Craig portrays a man who wakes up with no memory in the Old West, with a mysterious bracelet locked around his wrist. He makes his way to the town of Atonement, and promptly gets arrested because he is apparently a notorious outlaw (which he doesn't remember). While he is locked in jail, space aliens attack the town. The aliens, for unknown reasons, abduct many of the townspeople, and Daniel Craig's character, who is named Jake even if he doesn't remember it, must lead the town's effort to recover their abducted citizens. Harrison's Ford has an excellent performance as this awful cattle baron who nonetheless has virtues of courage and fortitude that you can't help but admire. An excellent performance. That said, the movie was just too packed, and I thought it would work better as a novel. After I watched the movie, it turned out that it was indeed based off a graphic novel. Novels and graphic novels allow for a far more complex story than a movie, and I don't think this movie quite managed to handle the transition from a graphic novel to a film. Overall grade: C Next up is Heads of State, which came out in 2025. This was kind of a stupid movie. However, the fundamental question of any movie, shouted to the audience by Russell Crow in Gladiator is, “are you not entertained?!?” I was thoroughly entertained watching this, so entertained I actually watched it twice. Not everything has to be Shakespeare or a profound meditation on the unresolvable conflicts inherent within human nature. Anyway, John Cena plays Will Derringer, newly elected President of the United States. Idris Elba plays Sam Clark, who has now been the UK Prime Minister for the last six years. Derringer was an action star who parleyed his celebrity into elected office (in the same way Arnold Schwarzenegger did), while Clarke is an army veteran who worked his way up through the UK's political system. Needless to say, the cheerful Derringer and the grim Clarke take an immediate dislike to each other. However, they'll have to team up when Air Force One is shot down, stranding them in eastern Europe. They'll have to make their way home while evading their enemies to unravel the conspiracy that threatens world peace. So half action thriller, half buddy road trip comedy. The premise really doesn't work if you think about it too much for more than thirty seconds, but the movie was funny and I enjoyed it. Jack Quaid really stole his scenes as a crazy but hyper-competent CIA officer. Overall grade: C+ Next up, Captain America: Brave New World, which came out in 2025 and I think this movie ended up on the good side of middling. You can definitely tell it went through a lot of reshoots and retooling, and I suspect the various film industry strikes hit it like a freight train. But we ended up with a reasonably solid superhero thriller. Sam Wilson is now Captain America. He's not superhuman the way Steve Rogers was and doesn't have magic powers or anything, so he kind of fights like the Mandalorian – a very capable fighter who relies on excellent armor. Meanwhile, in the grand American political tradition of failing upward, Thaddeus “Thunderbolt” Ross, who spent years persecuting The Hulk and whose meddling caused the Avengers to disband right before Thanos attacked, has now been elected President. To Wilson's surprise, Ross reaches out and wants him to restart the Avengers. But Ross (as we know) did a lot of shady black ops stuff for years, and one of his projects is coming back to haunt him. Wilson finds himself in the middle of a shadowy conspiracy, and it's up to him to figure out what's going on before it's too late. I was amused that lifelong government apparatchik Ross wanted to restart the Avengers, because when the Avengers had their biggest victory in Avengers: Endgame, they were essentially unsanctioned vigilantes bankrolled by a rogue tech billionaire. Overall grade: B- Next up is Ironheart, which came out in 2025. I'd say Ironheart was about 40% very weird and 60% quite good. It's sort of like the modern version of Dr. Faustus. The show got some flak on the Internet from the crossfire between the usual culture war people, but the key to understanding it is to realize that Riri Williams AKA Ironheart is in fact an antihero who's tottering on the edge of becoming a full-blown supervillain. Like Tony Stark, she's a once-in-a-generation scientific talent, but while she doesn't have Stark's alcohol problems, she's emotionally unstable, immature, ruthless, indifferent to collateral damage and consequences, and suffering from severe PTSD after her best friend and stepfather were killed in a drive-by shooting. This volatile mix gets her thrown out of MIT after her experiments cause too much destruction, and she has to go home to Chicago. To get the funds to keep working on her Iron Man armor, she turns to crime, and falls in with a gang of high-end thieves led by a mysterious figure named Hood. It turns out that Hood has actual magic powers, which both disturbs and fascinates Riri. However, Hood got his magic in a pact with a mysterious dark force. When a job goes bad, Riri gains the enmity of Hood and has to go on the run. It also turns out Hood's dark master has become very interested in Riri, which might be a lot more dangerous for everyone in the long run. Overall, I'd say this is about in the same vein as Agatha All Along, an interesting show constructed around a very morally questionable protagonist. Overall grade: B Next up is A Minecraft movie, which came out in 2024. I have to admit, I've never actually played Minecraft, so I know very little about the game and its ecosystem, only what I've generally absorbed by glancing at the news. That said, I think the movie held together quite well, and wasn't deserving of the general disdain it got in the press. (No doubt the $950 million box office compensated for any hurt feelings.) One of the many downsides of rapid technological change in the last fifty years is that the Boomers and Gen X and the Millennials and Gen Z and Gen Alpha have had such radically different formative experiences in childhood that it's harder to relate to each other. Growing up in the 1980s was a wildly different experience than growing up in the 2010s, and growing up in the 2010s was an even more wildly different experience than growing up in the 1960s. Smartphones and social media were dominant in 2020, barely starting in 2010, and implausible science fiction in 2000 and earlier, and so it was like the different generations grew up on different planets, because in some sense they actually did. (A five-year-old relative of mine just started school, and the descriptions of his school compared to what I remember of school really do sound like different planets entirely.) The Minecraft game and A Minecraft Movie might be one of those generation-locked experiences. Anyway, this has gotten very deep digression for what was essentially a portal-based LitRPG movie. A group of people experiencing various life difficulties in a rural Idaho town get sucked into the Minecraft world through a magic portal. There they must combine forces and learn to work together to master the Minecraft world to save it from an evil sorceress. As always, the fundamental question of any movie is the one that Russell Crowe's character shouted to the audience in Gladiator back in 2000. “Are you not entertained?” I admit I was entertained when watching A Minecraft Movie since it was funny and I recognized a lot of the video game mechanics, even though I've never actually played Minecraft. Like, Castlevania II had a night/day cycle the way Minecraft does, and Castlevania II was forty years ago. But that was another digression! I did enjoy A Minecraft Movie. It was kind of crazy, but it committed to the craziness and maintained a consistent creative vision, and I was entertained. Though I did think it was impressive how Jack Black's agent managed to insist that he sing several different times. Overall grade: B Next up is Back to School, which came out in 1986 and this is one of the better ‘80s comedies I've seen. Rodney Dangerfield plays Thornton Melon, who never went to college and is the wealthy owner of a chain of plus-sized clothing stores. His son Jason is attending Great Lakes University, and after Thornton's unfaithful gold-digging wife leaves him (Thornton is mostly relieved by this development), he decides to go visit his son. He quickly discovers that Jason is flailing at college, and decides to enroll to help out his son. Wacky adventures ensue! I quite enjoyed this. The fictional “Great Lakes University” was largely shot at UW-Madison in Wisconsin, which I found amusing because I spent a lot of time at UW-Madison several decades ago as a temporary IT employee. I liked seeing the characters walk past a place where I'd eat lunch outside when the day was nice, that kind of thing. Also, I'm very familiar with how the sausage gets made in higher ed. There's a scene where the dean is asking why Thornton is qualified to enter college, and then it cuts to the dean cheerfully overseeing the groundbreaking of the new Thornton Melon Hall which Thornton just donated, and I laughed so hard I almost hurt myself, because that is exactly how higher ed works. The movie had some pointless nudity, but it was only a few seconds and no doubt gets cut in network broadcasts. Overall grade: B Next up is Whiskey Galore, which came out in 1949 and this is a comedy set in Scotland during World War II. The villagers living on an isolated island have no whiskey due to wartime rationing. However, when a government ship carrying 50,000 cases of whiskey runs aground near the island, wacky hijinks ensue. I have to admit the first half of the movie was very slow and deliberate, gradually setting up all the pieces for later. Then, once the shipwreck happens, things pick up and the movie gets much funnier. Definitely worth watching both as a good comedy movie and an artifact of its time. A modicum of historical knowledge is required – if you don't know what the Home Guard is, you might have to do some Googling to understand the context of some of the scenes. Regrettably, the version I watched did not have captioning, so I had to pay really close attention to understand what the characters were saying, because some of the accents were very strong. Overall grade: B Next up is Happy Gilmore 2, which came out in 2025. This was dumb and overstuffed with celebrity cameos but thoroughly hilarious and I say this even though it uses one of my least favorite story tropes, namely “hero of previous movie is now a middle age loser.” However, the movie leads into it for comedy. When Happy Gilmore accidentally kills his wife with a line drive, he spirals into alcoholism and despair. But his five children still love him, and when his talented daughter needs tuition for school, Happy attempts to shake off his despair and go back to golf to win the money. But Happy soon stumbles onto a sinister conspiracy led by an evil CEO to transform the game of golf into his own personal profit center. Happy must team up with his old nemesis Shooter McGavin to save golf itself from the evil CEO. Amusingly, as I've said before, the best Adam Sandler movies are almost medieval. In medieval fables, it was common for a clever peasant to outwit pompous lords, corrupt priests, and greedy merchants. The best Adam Sandler protagonist remains an everyman who outwits the modern equivalent of pompous lords and corrupt priests, in this case an evil CEO. Overall grade: B+ Next up is Superman, which came out in 2025 and I thought this was pretty good and very funny at times. I think it caught the essential nature of Superman. Like, Superman should be a Lawful Good character. If he was a Dungeons and Dragons character, he would be a paladin. People on the Internet tend to take the characterization of superheroes seriously to perhaps an unhealthy degree, but it seems the best characterization of Superman is as an earnest, slightly dorky Boy Scout who goes around doing good deeds. The contrast of that good-hearted earnestness with his godlike abilities that would allow him to easily conquer and rule the world is what makes for an interesting character. I also appreciated how the movie dispensed with the overused trope of the Origin Story and just got down to business. In this movie, Lex Luthor is obsessed with destroying Superman and is willing to use both super-advanced technology and engineered geopolitical conflict to do it. Superman, because he's essentially a decent person, doesn't comprehend just how depraved Luthor is, and how far Luthor is willing to go out of petty spite. (Ironically, a billionaire willing to destroy the world out of petty spite is alas, quite realistic). Guy Gardener (“Jerkish Green Lantern”) and the extremely competent and the extremely exasperated Mr. Terrific definitely stole all their scenes. The director of the movie, James Gunn, was quite famously fired from Disney in 2018 for offensive jokes he had made on Twitter back when he was an edgy young filmmaker with an alcohol problem. I suppose Mr. Gunn can rest content knowing that Superman made more money than any Marvel movie released this year. Overall grade: A- Next up is Who Framed Roger Rabbit?, which came out in 1988. This was a very strange movie, but nonetheless, one with an ambitious premise, strong performances, and a strong artistic vision. It's set in post WWII Los Angeles, and “toons” (basically cartoon characters) live and work alongside humans. Private eye Eddie Valiant hates toons since one of them killed his brother five years ago. However, he's hired by the head of a studio who's having trouble with one of his toon actors, Roger Rabbit. Roger's worried his wife Jessica is having an affair, and Valiant obtains pictures of Jessica playing patty cake (not a euphemism, they actually were playing patty cake) with another man. Roger has an emotional breakdown, and soon the other man winds up dead, and Roger insists he's innocent. Valiant and Roger find themselves sucked into a dangerous conspiracy overseen by a ruthless mastermind. This movie was such an interesting cultural artifact. It perfectly follows the structure of a ‘40s film noir movie, but with cartoons, and the dissonance between film noir and the cheerfulness of the toons was embraced and used as a frequently source of comedy. In fact, when the grim and dour Valiant uses the toons' comedy techniques as a tactical improvisation in a moment of mortal peril, it's both hilarious and awesome. Christopher Lloyd's performance as the villainous Judge Doom was amazing. (I don't think it's a spoiler to say that he's villainous, because his character is named Judge Doom and he's literally wearing a black hat.) Like, his performance perfectly captures something monstrous that is trying very hard to pretend to be human and not quite getting it right. And the amount of work it must have taken to make this movie staggers the mind. Nowadays, having live actors interact with cartoon characters is expensive, but not unduly so. It's a frequent technique. You see it all the time in commercials when a housewife is smiling at an animated roll of paper towels or something, and Marvel's essentially been doing it for years. But this was 1988! Computer animation was still a ways off. They had to shoot the movie on analog film, and then hand-draw all the animation and successfully match it to the live film. It wouldn't have worked without the performance of Bob Hoskins as Eddie Valiant, who plays everything perfectly straight in the same way Michael Caine did in A Muppet Christmas Carol. So kind of a strange movie, but definitely worth watching. And it has both Disney and Warner Brothers animated characters in the same movie, which is something we will never, ever see again. Overall grade: A Next up is K-Pop Demon Hunters, which came out in 2025. Like Who framed Roger Rabbit?, this is a very strange movie, but nonetheless with a clear and focused artistic vision. It is a cultural artifact that provides a fascinating look into a world of which I have no knowledge or interest, namely K-pop bands and their dueling fandoms. Anyway, the plot is that for millennia, female Korean musicians have used the magic of their voices to keep the demons locked away in a demon world. The current incarnation is a three-woman K-Pop group called Huntrix, and they are on the verge of sealing away the demons forever. Naturally, the Demon King doesn't like this, so one of his cleverer minions comes up with a plan. They'll start a Demon K-Pop Boy Band! Disguised as humans, the demon K-Pop group will win away Huntrix's fans, allowing them to breach the barrier and devour the world. However, one of the Huntrix musicians is half-demon, and she starts falling for the lead demon in the boy band, who is handsome and of course has a dark and troubled past. Essentially a musical K-drama follows. I have to admit I know practically nothing about K-Pop groups and their dueling fandoms, other than the fact that they exist. However, this was an interesting movie to watch. The animation was excellent, it did have a focused vision, and there were some funny bits. Overall grade: A Next up is Clarkson's Farm Season Four, which came out in 2025. A long time ago in the ‘90s, I watched the episode of Frasier where Frasier and Niles attempt to open a restaurant and it all goes horribly (yet hilariously) wrong. At the time, I had no money, but I promised myself that I would never invest in a restaurant. Nothing I have seen or learned in the subsequent thirty years has ever changed that decision. Season 4 of Clarkson's Farm is basically Jeremy Clarkson, like Frasier and Niles, attempting to open a restaurant, specifically a British pub. On paper it's a good idea, since Clarkson can provide the pub with food produced from his own farm and other local farmers. However, it's an enormous logistical nightmare, and Clarkson must deal with miles of red tape, contractors, and a ballooning budget, all while trying to keep his farm from going under. An excellent and entertaining documentary into the difficulties of both the farming life and food service. I still don't want to own a restaurant! Overall grade: A Next up is Tombstone, which came out in 1993. The Western genre of fiction is interesting because it's limited to such a very specific period of time and geographical region. Like the “Wild West” period that characterizes the Western genre really only lasted as a historical period from about 1865 to roughly 1890. The Western genre was at its most popular in movies from the 1940s and the 1960s, and I wonder if it declined because cultural and demographic changes made it unpopular to romanticize the Old West the way someone like Walt Disney did at Disneyland with “Frontierland.” Of course, the genre lives on in different forms in grittier Western movies, neo-Westerns like Yellowstone and Longmire, and a lot of the genre's conventions apply really well to science fiction. Everyone talks about Firefly being the first Space Western, but The Mandalorian was much more successful and was basically a Western in space (albeit with occasional visits from Space Wizards). Anyway! After that long-winded introduction, let's talk about Tombstone. When Val Kilmer died earlier this year, the news articles mentioned Tombstone as among his best work, so I decided to give it a watch. The plot centers around Wyatt Earp, played by Kurt Russell, who has decided to give up his career in law enforcement and move to Tombstone, Arizona, a silver mining boomtown, in hopes of making his fortune. However, Tombstone is mostly controlled by the Cowboys outlaw gang, and Earp is inevitably drawn into conflict with them. With the help of his brothers and Doc Holliday (Val Kilmer's character), Earp sets out to bring some law and order to Tombstone, whether the Cowboys like it or not. Holliday is in the process of dying from tuberculosis, which makes him a formidable fighter since he knows getting shot will be a less painful and protracted death than the one his illness will bring him. Kilmer plays him as a dissolute, scheming warrior-poet who nonetheless is a very loyal friend. Definitely a classic of the Western genre, and so worth watching. Overall grade: A Next up is Mission Impossible: The Final Reckoning, the eighth Mission Impossible movie. Of the eight movies, I think the sixth one was the best one, but this one comes in at a close second. It continues on from Dead Reckoning. Ethan Hunt now possesses the key that will unlock the source code of the Entity, the malicious AI (think ChatGPT, but even more obviously evil) that is actively maneuvering the world's nuclear powers into destroying each other so the Entity can rule the remnants of humanity. Unfortunately, the Entity's source code is sitting in a wrecked Russian nuclear sub at the bottom of the Bering Sea. Even more unfortunately, the Entity knows that Hunt has the key and is trying to stop him, even as the Entity's former minion and Hunt's bitter enemy Gabriel seeks to seize control of the Entity for himself. A sense of apocalyptic doom hangs over the movie, which works well to build tension. Once again, the world is doomed, unless Ethan Hunt and his allies can save the day. The tension works extremely well during the movie's underwater sequence, and the final airborne duel between Hunt and Gabriel. I don't know if they're going to make any more Mission Impossible movies after this (they are insanely expensive), but if this is the end, it is a satisfying conclusion for the character of Ethan Hunt and the Impossible Mission Force. Overall grade: A Next up is Deep Cover, which came out in 2025. This is described as a comedy thriller, and I didn't know what to expect when I watched it, but I really enjoyed it. Bryce Dallas Howard plays Kat, a struggling comedy improv teacher living in London. Her best students are Marlon (played by Orlando Bloom), a dedicated character actor who wants to portray gritty realism but keeps getting cast in tacky commercials, and Hugh (played by Nick Mohammed), an awkward IT worker with no social skills whatsoever. One day, the three of them are recruited by Detective Sergeant Billings (played by Sean Bean) of the Metropolitan Police. The Met wants to use improv comedians to do undercover work for minor busts with drug dealers. Since it plays 200 pounds a pop, the trio agrees. Of course, things rapidly spiral out of control, because Kat, Marlon, and Hugh are actually a lot better at improv than they think, and soon they find themselves negotiating with the chief criminals of the London underworld. What follows is a movie that is both very tense and very funny. Kat, Marlon, and Hugh are in way over their heads, and will have to do the best improv of their lives to escape a very grisly fate. Whether Sean Bean dies or not (as is tradition), you will just have to watch the movie and find out. Overall grade: A Next up is Puss in Boots: The Final Wish, which came out in 2022. I don't personally know much about the history of Disney as a corporation, and I don't much care, but I do have several relatives who are very interested in the history of the Disney corporation, and therefore I have picked up some by osmosis. Apparently Disney CEO Michael Eisner forcing out Jeffrey Katzenberg in the 1990s was a very serious mistake, because Katzenberg went on to co-found DreamWorks, which has been Disney's consistent rival for animation for the last thirty years. That's like “CIA Regime Change Blowback” levels of creating your own enemy. Anyway, historical ironies aside, Puss in Boots: The Final Wish was a funny and surprisingly thoughtful animated movie. Puss in Boots is a legendary outlaw and folk hero, but he has used up eight of his nine lives. An ominous bounty hunter who looks like a humanoid wolf begins pursuing him, and the Wolf is able to shrug off the best of Puss In Boots' attacks. Panicked, Puss hides in a retirement home for elderly cats, but then hears rumors of the magical Last Wish. Hoping to use it to get his lives back, Puss In Boots sets off on the quest. It was amusing how Little Jack Horner and Goldilocks and the Three Bears were rival criminal gangs seeking the Last Wish. Overall grade: A Next up is Chicken People, which came out in 2016. A good documentary film gives you a glimpse into an alien world that you would otherwise never visit. In this example, I have absolutely no interest in competitive chicken breeding and will only raise chickens in my backyard if society ever collapses to the level that it becomes necessary for survival. That said, this was a very interesting look into the work of competitive chicken breeding. Apparently, there is an official “American Standard of Perfection” for individual chicken breeds, and the winner of the yearly chicken competition gets the title “Super Grand Champion.” Not Grand Champion, Super Grand Champion! That looks impressive on a resume. It is interesting how chicken breeding is in some sense an elaborate Skinner Box – like you can deliberately set out to breed chickens with the desirable traits on the American Standard of Perfection, but until the chickens are hatched and grow up, you don't know how they're going to turn out, so you need to try again and again and again… Overall grade: A Next up is The Mask of Zoro, which came out in 1998. I saw this in the theatre when it came out 27 years ago, but that was 27 years ago, and I don't have much of a memory of it, save that I liked it. So when I had the chance to watch it again, I did! Anthony Hopkins plays Diego de la Vega, who has the secret identity of Zorro in the final days before Mexico breaks away from the Spanish Empire. With Mexico on the verge of getting its independence, Diego decides to hang up his sword and mask and focus on his beloved wife and daughter. Unfortunately, the military governor Don Montero realizes Diego is Zorro, so has him arrested, kills his wife, and steals his baby daughter to raise as his own. Twenty years later, a bandit named Alejandro loses his brother and best friends to a brutal cavalry commander. It turns out that Montero is returning to California from Spain, and plans to seize control of California as an independent republic (which, of course, will be ruled by him). In the chaos, Diego escapes from prison and encounters a drunken Alejandro, and stops him from a futile attack upon the cavalry commander. He then proposes a pact – Diego will train Alejandro as the next Zorro, and together they can take vengeance upon the men who wronged them. This was a good movie. It was good to see that my taste in movies 27 years ago wasn't terrible. It manages to cram an entire epic plot into only 2 hours and 20 minutes. In some ways it was like a throwback to a ‘40s movie but with modern (for the ‘90s) production values, and some very good swordfights. Overall grade: A Next up is Wick is Pain, which came out in 2025. I've seen all four John Wick movies and enjoyed them thoroughly, though I've never gotten around to any of the spinoffs. Wick is Pain is a documentary about how John Wick went from a doomed indie movie with a $6.5 million hole in its budget to one of the most popular action series of the last few decades. Apparently Keanu Reeves made an offhand joke about how “Wick is pain” and that became the mantra of the cast and crew, because making an action movie that intense really was a painful experience. Definitely worth watching if you enjoyed the John Wick movies or moviemaking in general. Overall grade: A The last movie I saw this summer was Game Night, which came out in 2016. It was a hilarious, if occasionally dark comedy action thriller. Jason Bateman and Rachel McAdams play Max and Annie Davis, a married couple who are very competitive and enjoy playing games of all kinds. Jason has an unresolved conflict with his brother Brooks, and one night Brooks invites them over for game night, which Max resents. Halfway through the evening, Brooks is kidnapped, with Max and Annie assume is part of the game. However, Brooks really is involved in something shady. Hilarity ensues, and it's up to Max and Annie to rescue Brooks and stay alive in the process. This was really funny, though a bit dark in places. That said, Max and Annie have a loving and supportive marriage, so it was nice to see something like that portrayed on the screen. Though this also leads to some hilarity, like when Annie accidentally shoots Max in the arm. No spoilers, but the punchline to that particular sequence was one of the funniest things I've ever seen. Overall grade: A So no A+ movie this time around, but I still saw a bunch of solid movies I enjoyed. One final note, I have to admit, I've really come to respect Adam Sandler as an entertainer, even if his movies and comedy are not always to my taste. He makes what he wants, makes a lot of money, ensures that his friends get paid, and then occasionally takes on a serious role in someone else's movie when he wants to flex some acting muscles. I am not surprised that nearly everyone who's in the original Happy Gilmore who was still alive wanted to come back for Happy Gilmore 2. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show enjoyable and perhaps a guide to some good movies to watch. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave a review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
Paul and Dan explore the rise of LitRPG, the literary genre where role-playing mechanics drive the narrative. Where did the term come from, and what early works fit the mold before it even had a name? We'll follow the ouroboros from the pulp fantasy that inspired D&D to novels that track stats, levels, and hit points — and ask how game mechanics have become part of our shared cultural language. Wandering DMs broadcasts live every Sunday at 1 PM Eastern. Join the live chat and bring your questions!
Welcome back to Mining Media where we turn your binging into better TTRPG experiences by telling the next episode or next book "You will not break me," and soldiering on anyway because goddamnit, Donut, someone's gotta try and save all these ideas. This month we're talking about the absurdly popular (and deserving) LitRPG book series Dungeon Crawler Carl by Matt Dinniman. These books follow Carl and his ex-girlfriend's prize show champion cat Donut into a televised level-0 funnel on the newest season of Dungeon Crawler World, a popular galactic game show where survivors fight through 18 levels of awful dungeon in hopes of making it out some kind of alive. This series is 1) hilarious, 2) way better than it has any right being, and 3) somehow has you crying over the most insanely out-of-pocket characters in truly deranged dungeon level concepts, but it's full of great ideas, too! And it's the 2nd book series we've done on Mining Media that is actually getting a TTRPG! I've been sick, so this is all you're getting for a description this week. Listen to the episode and let me know if you think I missed anything good to use at the gaming table! ----more---- Join the DMs After Dark Discord channel! I made a Ko-Fi if you feel absurdly generous and want to help cover podcast hosting costs & all the upkeep. I'm still working on whether I want to offer anything special over there or just give my extreme gratitude (maybe some stickers or something in the mail) to those who donate, but no pressure whatsoever :) Where to Follow Rene Plays Games: LinkTree | BlueSky | Threads | Instagram | Facebook | DMs After Dark Rene's Games: MECH | MECH Cities 2 | One Last Quest email: RenePlaysGamesPod@gmail.com Music in the Episode (in order of appearance): Music from Uppbeat: https://uppbeat.io/t/hoffy-beats/victory-lap
Hi MPAT studios. Heard you were reading LitRPG.
In the much-delayed final episode of our series on mindset for writers, we take a look at when writers should change course, and talk about the importance of mental flexibility. This coupon code will get you 25% off the ebooks in the Frostborn series at my Payhip store: AUGUSTFROST The coupon code is valid through September 8, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 265 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August 22nd, 2025, and today we are considering when a writer should change course. This is a new episode. It's the third and final one in the mindset series that I had hoped to finish in June, but it was a very busy summer, and so I ran quite a few reruns of old episodes over the summer, but today I have time to record a full length episode, so we're going to do that and wrap up this series on mindset that we've been doing this summer. We will also do Coupon of the Week and an update on my current writing and audiobook projects. First up is Coupon of the Week and this week's coupon will get you 25% off ebooks in the Frostborn series at my Payhip store, and that code is AUGUSTFROST. As always, the coupon code and the store links will be available in the show notes for this episode, and this coupon code will be valid through September 8th, 2025. So if you need a new ebook to read as we wrap up summer and head into fall, we have got you covered. Now let's do an update on my current writing projects. I'm pleased to report to that Ghost in the Siege, the sixth and final book of the Ghost Armor series, is out. You can get it at Amazon, Barnes and Noble, Kobo, Apple Books, Google Play, Smashwords, and my Payhip store. And with that, my Super Summer of Finishing Things is finally complete because I have finished the Shield War series, the Stealth and Spells trilogy, and now the Ghost Armor series. So now that those three series are done, what is next? Right now my main project is Blade of Flames, the first book in a new epic fantasy series that will be set in the Kingdom of Owyllain from my Sevenfold Sword series and I am 29,000 words into that. My secondary project right now is Cloak of Worlds, the 13th book in the Cloak Mage series, and I am 1,000 words into that. So hopefully we will have Blade of Flames come out towards the end of September and Cloak of Worlds come out towards the end of October, if all goes well. So my plan now that I have only three unfinished series is that the Blades of Ruin series (of which Blade Flames is the first one) will be my flagship series, and I'll do one of those every other month and then the month in between I will alternate between writing a Cloak Mage book and a Half-Elven Thief book. I will continue that schedule until one of those series is completed and then I will start a new one because what I learned through 2024 and the first two thirds here of 2025 is that having five unfinished series at the same time is too many. It's hard to keep up in my head and it makes for a really long wait for the readers between the individual entries in the series. So I'm going to stick to just three from now on and as I said, I'll have a flagship series and then two that I will alternate back and forth between in the months between the releases for the flagship series. So that is probably what I'll be doing for the rest of 2025 and hopefully most of 2026, if all goes well. In audiobook news, recording is underway for Shield of Power, which will be excellently narrated by Brad Wills. I've been listening to some chapters from that. Work has just started by Hollis McCarthy on recording Ghost in the Siege, so that will hopefully be an audiobook before too much longer. So that's where I'm at with my current writing and publishing and audiobook projects. 00:03:29 Main Topic: Mindset Series: Changing Course And now to our main topic, the final episode in our mindset series and we talk about changing course. In previous episodes on this topic, I've talked about some of the practical ways to help with distractions, procrastinating, and managing time wasters. In this episode, I'm going to focus on things that derail writers from a mindset perspective. Today we're going to wrap up this series by talking about mental flexibility, knowing when to change course, and how to make those types of decisions without spiraling out. First, we'll discuss a few reasons why mental flexibility is an important attribute to possess and then provide you with five examples of times it has been important for me in my writing career. First, why is having mental flexibility and the ability to change course important? With how fast things change in publishing, you have to be willing to change strategies or discard a strategy that's not working for you. An example is that many people who are familiar with Amazon ads swear by using Amazon keyword ads. After much experimentation, I concluded they weren't very helpful for fiction. The reason for that is I found that for most books that are sold off Amazon, people will sit down and type, for example, “Brandon Sanderson latest book” or “J.D. Robb latest book” or “Stephen King latest book” and so on. If you bid high enough, you can get top of search for those where if you pay $2 a click or $2 for the bid and someone types in “Stephen King latest book”, you can get your book to appear at the top of the page with the ad. However, in practice, what actually happens is the person who sat down to look for “Stephen King latest book” isn't looking for your book, he's looking for Stephen King's latest book. So he or she will simply scroll past the ad result with your book and then click on Stephen King's book. The only way I found that keyword advertising works for fiction is if you write towards very specific tropes and are willing to pay a lot of money for those clicks. For example, you write a romance that's a “slow burn, no spice, enemies to lovers romance”, and there are people who search for exactly those tropes, and if you use keyword ads to bid for that, you could get it, but it's very expensive and it's very difficult to turn a profit. Because of my experiments with this, I saw that although many people say keyword ads are essential, I didn't cling to that piece of advice and switched my Amazon ad focus to having a few more category ads and Audible ads for each title, and that has been pretty nearly profitable most of the time, certainly more profitable than just relying on keyword ads would be. I should note the one exception for that would be that keywords ads do work very well for nonfiction where, for example, my Linux Command Line book, I can pretty easily run ads to it for search terms like “Linux Command Line” or “Linux Command Prompt.” And because people are looking for a nonfiction book on that topic without looking for a specific author, that can work. In keyword ads, I found that for fiction, people are looking for a specific author and want that specific author, whereas for nonfiction, they're looking for the topic and don't care so much about the author, so long as the book has good reviews and looks like the author knows what he or she is talking about. Another reason to be mentally flexible is that something new might actually make things easier for you. I used to work in IT support, and so I fairly often encountered someone who stubbornly clings to the way they learn something. I knew numerous people who memorized a specific way to do a task on their computer and then just stuck to that and avoided doing anything easier, such as, for example, not learning to use keyboard shortcuts. And as you know, if you do a lot of office work, learning keyboard shortcuts like Control + C for copy, Control + V for paste, or Control + Z to undo can save you a whole lot of time over compared to very laboriously clicking through the menus with your mouse. People like that very frequently resist a learning curve in favor of a slower approach because it's working for them, but then they lose out on a faster and easier way to do something. Change is not always good, but sometimes change can be good. And the thing about indie publishing is that change is constant. In a field where change is constant like indie publishing, you can't cling to something that first worked when you started out. Trying new software, learning new skills, and keeping up with changes in ebook platforms is something self-published writers must do. Another reason to retain mental flexibility is you might be missing out on a source of revenue. If you're not willing to change sales strategies when the market changes, you might be missing out on potential readers. For example, as people are tightening their budgets in these times of economic uncertainty, they might be less likely to buy individual books and focus their book spending on a subscription like Kindle Unlimited or Kobo Plus. If you don't have content on those platforms for readers, you're missing out on readers who have shifted their spending. For myself, I only have some of my books on Kindle Unlimited because of the exclusivity requirement, but everything I have on Kobo should be available through Kobo Plus, and typically on any given month on Kobo, at least 60% of my revenue tends to come from Kobo Plus instead of Kobo direct book sales. So that was a place where it was necessary to have the mental flexibility to make a pivot. Another good reason to be mentally flexible is that you might be missing out on something important that the data is showing you. One of the big advantages of being self-published is having access to complex and real-time data instead of having to wait for biannual royalty statements that don't provide information. There are some criticisms that can be leveled at Amazon for how much data they show authors. However, this is light years ahead of the kind of sales data that comes out of traditional publishing for writers where royalty statements were often quite arcane and difficult to understand by design, so the publishers could get away with paying the authors as little as possible. And because you have access to this data, you have basis for solid information, solid decision-making. For example, if one of my series is starting very strong in the UK in its first week of release, I can shift some of my ad spending to UK specific ads. Looking at sales and ad data gives you an opportunity to respond and change your approach. And sales data, even more than reviews, tells you if a book, series, or genre is working for you or if it's time to try something new. It's important not to fall prey to what's called the sunk cost fallacy, where you throw even more time and money on something that isn't profitable in hope of recouping the money that you've already spent. Sometimes it's wise to know when to cut your losses and run. It's probably a better use of your time to focus on the next book or series. Data can tell you which book or series that readers are most excited to see from you. Now that we've talked about the various good reasons that mental flexibility is important, I thought it'd be helpful to show you five times that I've had to use mental flexibility and change course over the course of my career as a writer. #1: Self-publishing. For all that I've been a proponent of self-publishing for the last 14 years, that wasn't always the case. I started out with the goal in the late ‘90s and early ‘00s of being traditionally published. Demonsouled actually was traditionally published along with some short stories. However, for a variety of reasons that I've talked about before, this turned out to be a dead end. Traditional publishing at that time was not interested in fantasy series like mine. I felt like traditional publishing was a dead end, and then I changed my efforts to blogging on computer-based topics. I'm still quite proud of the fact that in 2010, I made a good bit of money from Google Ad Sense off my tech blog, a feat which was difficult then and would probably be impossible now. Then I started to hear about self-publishing through Amazon, which at the time was a very new phenomenon. I started hearing about that in 2009/2010, thereabouts, and I initially wasn't very impressed and I wasn't very impressed with the idea of ebooks altogether. At the time, I had a huge collection of paper books and well, I don't have as many now. I still do have a fair bit of paper books, but at the time, I didn't think that ebooks could be a substitute for traditional paper books. Then at the end of 2010, in fact, the week after Thanksgiving, I bought my first Kindle, a third generation Kindle that was famously called the Kindle Keyboard because they had that little keyboard at the bottom, and I was very impressed with the device. I thought there has got to be a way to make money off this. As I started reading various writers groups, I came across Kindle Direct Publishing, and finally in April of 2011, I decided to give it a go and republished Demonsouled through it, and that's where it all began for me. #2: Learning new skills and adapting. I think one of the biggest parts of why I've been fortunate enough to be able to do this for as long as I have is the willingness to take the time and effort to learn or try something new. I've had to teach myself how to format ebooks in several different programs, how to start first the LLC and then a S Corp, which finally involved realizing I couldn't do it myself and hiring people familiar with the appropriate documentation to do it for me, how to hire narrators and proof audio, how to file 1099s for narrators (that was a whole experience, lemme tell you), how to create a direct sales platform on Payhip, how to create my own book covers in Photoshop, how to make various 3D images myself for those book covers, how to maintain and update my website, how to do Amazon ads, how to do BookBub ads, how to do Facebook ads. So in the past 14 years I've been doing this, I think it's fair to say I've acquired quite a few new skills along the way. Each time I weighed out if not having this skill was holding me back. For example, creating my own covers became an absolute necessity for me after a while because even the most experienced cover designers could not create covers at the pace I published. Well, they could, but it's more accurate to say that the cover designers, the really good cover designers, the ones I wanted to hire, worked so far out in advance that you had to book them nine months to maybe a year in advance. And I eventually came to find that very rigid and constraining to my writing process. A couple of my books have titles that are totally unrelated to what the book is about, just because I had to pick the title like nine months, twelve months out in advance. And while they were very good covers, I did find it a little bit constraining that I had to try and keep the book at least close to what the cover was. If I hadn't changed course and learned how to do it myself, it would've limited how many books I could publish in a year, and likely it would've cost me many thousands a year in lost revenue. Therefore, having the mental flexibility to learn new things is a major skill in self-publishing. And the thing I'm contemplating learning right now is something with video, because short form video seems to be a good way that many authors are connecting with their readers and their audience. It's just that I don't personally use short form video a lot, so I'm wondering if it'd be worth the effort to learn. I think it'd probably be worth the effort to learn, but I haven't decided on how to do that and need to do some more reading, which is another aspect of mental flexibility. #3: Changing pricing strategies. Permafree pricing book for free on ebook platforms was not as common of a strategy when I first started self-publishing in 2011. I mean, people were doing it, but not as many as now. At the time (and to this day, in fact), many people were outraged that thought of giving out an ebook for free and opine that it would devalue their work. The argument was that if you take a year to write a book and then people should at least be willing to pay as much as they would for, for example, a fancy Starbucks coffee. However, this overlooks the reality of economics where that something is only as valuable as people are willing to pay for it. And that in fact is, a good way to get people to pay for your remaining books is if they read the first one for free and then they like it enough that suddenly the remainder of the books in the series will have value for them and hopefully they will buy it. But back in 2011, I decided to give permafree a try because I had series instead of standalones, and it has been one of the most significant ways that people have found my work. If I listened to the sort of old school traditional thinking about pricing ebooks, I would've missed out on this opportunity. #4: Doubling down on audio. At one point, towards the end of, actually towards the middle of 2023, I was considering and had almost decided to give up on producing my own audiobooks due to the significant expense and how much time having to proof them was taking away from my writing. Instead, I thought about ways to make the workload easier. I hired someone to proof the audiobooks for me and then found ways to promote them through deals on platforms like BookBub and Chirp. I started to create more Amazon ads for them and focus on making audiobook anthologies because these are very attractive to people trying to get the most out of their Audible credit each month. Although it's still mainly a tax deduction for me at this point in terms of business value, I would've lost out on a growing revenue source and a big piece of the publishing market if I had given up on audiobooks. #5: And fifth and finally, as I've talked about before, the Stealth and Spells series. This series really challenged me because I had a very specific plan for a multi-book series (I was thinking like seven or eight books originally) and enjoyed writing the first one. However, there were a few problems with it that forced me to take a hard look at the series and change my original plans quite drastically. The series was originally called Sevenfold Sword Online, which confused fans of the original Sevenfold Sword series. I made the choice to change the title to Stealth and Spells Online to make the separation clearer, even though it's a pain to change titles, and that came with some confusion of its own. I also changed the covers to resemble some of the other LitRPG books because it was originally closer in look to some of my epic fantasy covers. These changes did help, but I had to take a cold hard look at the data. Sales and ad data clearly showed that it was time to cut my losses and focus on more profitable series. So I changed my series plans to wrap everything up in the third and final book rather than a multi-book series as I had originally planned and based on reader reception to the third book, I think it went pretty well. Ultimately, you can only plan so much as a writer, and you have to accept that those plans might need to change. One of the best gifts you can give yourself as a writer is the ability to be mentally flexible and not stick with plans, books, or attitudes that aren't working for you. Well, I hope you have enjoyed this mindset series and found it useful to your own situation. So that is it for this week. Thank you for listening to the Pul Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes athttps://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
We're joined by Dungeon Crawler Carl creator Matt Dinniman and legendary audiobook narrator Jeff Hays! From self-publishing to bestsellers, TV adaptations, Dragon Con, and the voices behind Carl & Donut—this is the definitive DCC interview.
The Wandering Tavern presents: "RIFT" by Nancy E. Dunne Narrated by William Walker! Stay up to date with Nancy's new releases (and her doggos) at nancyedunne.com Learn more about William Walker HERE Visit thewanderingtavern.com! Follow @TWTavern on Instagram!
Last week's episode talked about finishing my STEALTH & SPELLS ONLINE LitRPG trilogy, and in this week's episode we respond to some of the insightful reader comments the prevoius episode generated. We also discuss the mechanics of putting series numbers on book covers. Once again it is time for Coupon of the Week! This coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store: DRAGONSUMMER25 The coupon code is valid through August 25, 2025. So if you need a new ebook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 262 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August 8, 2025, and today we are looking at reader comments on my LitRPG trilogy. We will also take a look at why sometimes books do not have the series order number on their front cover. Before we get into that, we'll have Coupon of the Week and then an update on my current writing progress. First up, Coupon of the Week. This week's coupon code will get you 25% off the ebooks in the Dragonskull series at my Payhip store. That coupon code is DRAGONSUMMER25. And as always, the coupon code and the links to my store will be available in the show notes. This coupon code is valid through August 25th, 2025. So if you need a new ebook to read this summer, we have got you covered. And now for a progress update on my current writing projects. I am 83,000 words into the rough draft of Ghost in the Siege, which is the sixth and final book in the Ghost Armor series. I think maybe one or two more good sessions and I will have the rough draft done and then I'll write a bonus short story that newsletter subscribers will get for free when the book comes out and then start editing. I'm also 9,000 words into Blade of Flames, which will be the first book in my new epic fantasy series after I finish Ghost in the Siege and my Super Summer of Finishing Things. In audiobook news, Brad Wills is currently recording Shield of Power, so we should have some updates on that soon. In addition, the distribution problems I was having with Shield of Battle and Ghost in the Corruption should be cleared up. So all those books should be turning up on all the usual audiobook stores before too much longer. Before, they should have all been available on Audible, Amazon, Apple, Google Play, and Kobo, but they should be showing up on all the other available stores before too much longer now. And of course I should mention that those audiobooks are available on my Payhip store and you can get them anytime (regardless of distribution troubles). So that is where I'm at with my current writing projects. 00:02:07 Question about Series Numbering And now let's take a look at a question about series numbering. A librarian acquaintance recently asked (with no small exasperation), why can't the series number be in the book title, on the spine, and on the cover? Well, as with so many things, the answer boils down to “it depends”, specifically, it depends on the publisher and the author (but only if the author is indie). For my books, they always have the series number on the cover. A random example- Orc Hoard, the fourth book in my Half-Elven Thief series, has plainly at the top of the cover “Half-Elven Thief Number Four”. Whether or not the series number will be on the cover depends on the publisher (or the writer, if the writer is indie). For myself, since I make my own covers, it is a trivial amount of extra work to make sure the series number is also on the cover. A small publisher or an indie author hiring a cover designer has to specifically ask for the series number on the cover, and they don't always think to do that. In terms of the spine of the print edition, it depends whether or not it is included with cover design. Typically for a print book, you need to make a wraparound PDF cover or you can use the automated tools with a platform like KDP Print to create it. The trouble is that space can be at a premium on a book spine and after you have the book title and the author name, there might not be adequate room left for the series number. For example, a title like Stealth and Spells Online: Final Quest takes up a lot of real estate on the spine and combine that with the author name of Jonathan Moeller, and we really don't exactly have much space left to work with. However, for ebooks, there's really no good reason for them not to be arranged in series order on the store because all the online platforms now have good series management tools, which is admittedly a relatively new development. For a long time Amazon and the other self-publishing platforms didn't have any series metadata management tools, so we had to take things into our own hands. That's why for a long time you'd see books with titles like Frostborn: The Iron Tower (Frostborn #5), because there was no other way in the metadata to indicate that the book was part of a series. Obviously this was a problem. So eventually all the self-publishing platforms added series manager tools. So now it's fairly easy to add ebooks to a series, so on the storefront they should show up in the proper series order. But for tradpub print books, I expect traditional publishers are not terribly invested in providing series numbers on the spines of print books because it is a layer of from their perspective, unnecessary work with no return on investment. Remember, most publishers are owned by big international conglomerates these days, and from the corporate owner's perspective, the publisher's existence boils down to a cell in a spreadsheet. So a series will only get new cover art (potentially numbers on the cover) if doing so might make “number go up” in that particular spreadsheet cell. A series is most likely to get numbers on its cover and its spine if it's one, finished and two, popular enough to be re-released with new covers. So the “too long, didn't read” answer: it depends if the publisher or the indie author has the resources to add numbers to the cover. 00:05:01 Main Topic of the Week: Comments on my LitRPG Trilogy Now onto our main topic this week, reader comments on my LitRPG trilogy. You might remember last week I did an episode and a blog post about the experience of finishing up my LitRPG trilogy and some of the misjudgments I made during the process and how I was grateful for the people who did enjoy it. And this inspired many interesting and insightful comments on the topic. So I thought I would read through some of the comments and share my own thoughts on them. Our first comment is from LEJ who says: “The big problem with virtual reality type LitRPG books is that virtual reality fights have no real stakes or consequences, or if they do, they're being arbitrarily assigned. This makes them dull no matter how well the fight scene is written. The second problem is character. In epic fantasy, the party members are developed characters and the reader learns who they are through the “show, not tell” guideline of writing. The characters are a group of people who have come together to put their lives on the line to do the plot is about. In a virtual reality game book, the party members are fake personas playing a game. There's no way to be sure who they really are and they're not invested. In books and in real life, people who go through grave peril together often forge powerful friendships. A gaming group is a lousy stand in for an actual epic fantasy questing party because they're not facing actual danger together.” That's an interesting comment and that was something I thought about during the outlining of Stealth and Spells, how essentially so much of the book is about a man sitting in a chair playing in a game, which is inherently not suspenseful. So that's why in Stealth and Spells, I designed it so that the game itself was dangerous and the reason the main character was playing the game so much was to try and find proof that the game was dangerous. But I think LEJ makes a good larger point about how why LitRPGs with virtual reality MMORPGs aren't as popular as the other subgenres, just because the stakes are so low essentially when you're playing a game. I was playing Wizardry Proving Grounds of the Mad Overlord the other night and had a total party kill, but so what? Just spin out new characters and start the game again. But that doesn't make for a good narrative tension in the story. Our next comment is from Justin who says: “There are some VR LitRPG books out, but they are a niche market. As LEJ noted (above), there's no real consequences and the character development is minimal. The successful ones (for measures of success) go heavy on humor. I like Stealth and Spells, but I like science fiction and had no problem with the premise. So another attempt at widening your audience has fallen flat. Sorry about that. The mystery market that you tried before is even worse now with AI pastiches flooding Kindle. You could try the superhero section, but there's lot of competition and the big boys have been stinking up that particular room, so I wouldn't recommend it. Well, at least you're a successful writer, able to apply your craft full time. That puts you in the top 1%. Getting any further requires either incredible luck or selling your soul. I look forward to Ghost in the Siege!” Thanks, Justin. I'm glad you liked the Stealth and Spells trilogy. It is true that I'm very fortunate to be able to do what I do in terms of writing full-time. I should mention I'm not hugely worried about AI books partly because they're generally not very good and partly because you can't legally copyright them. Though we should mention that historically writers often have a difficult time when they try to change a genre. Even 150 years ago, Sir Arthur Conan Doyle decided he wanted to write a historical fiction instead of Sherlock Holmes, so he killed off Sherlock Holmes and wrote historical fiction, which didn't go hugely over well with the public, and eventually he succumbed both to popular demand and large sums of money to start writing Sherlock Holmes again. Our next comment is from Joe who says: “I have never read a LitRPG book before. I read it because I enjoy your writing. I know I am in the minority, but it turned out to be my favorite series. Even though it shouldn't, it amazes me that Half-Elven Thief has done so much better. I guess I just dance to the beat of my own drummer.” Well, I suppose everyone dances to the beat of their own drummer in the end. I do think it's important for writers to remember, especially long-term writers like myself, that every book you've written is somebody's favorite book regardless of your personal opinion about it. Like for example, I think in all honesty, Tower of Endless Worlds is one of my weaker series. I was trying to do something in terms of urban fantasy that I don't think I had the writing skills to do until I started writing Cloak Games fourteen years later. But there are several people for whom Tower of Endless Worlds is their favorite book of all the ones I've written. So it's good to always keep that in mind and not trash one's own work unnecessarily because you are then trashing somebody's favorite book, which is just impolite. In terms of Half-Elven Thief doing better, I think that is because I really narrowed in better on the market for that than I did with Stealth and Spells. We've already talked about how Isekai, portal fantasy, progression fantasy, and System Apocalypse are much more popular genres than virtual reality LitRPG, but with Half-Elven Thief, I think I really narrowed into what the market wants and what my own particular skillset is for writing stories. So it worked pretty well. I'm very happy about that. Our next comment is from Geoff, who said: “Just went through and finished it and I absolutely loved it. It's a shame it only ended up being three when you had plans for more, but you ended it really well and made it feel like it was always meant to be ended that way. Really love that big reveal at the end about Calliande and Ridmark.” Thanks, Geoff. I'm very glad you liked the ending. I admit I thought really hard for a really long time about how to properly finish the series with just one book. I typically, as part of my exercise program, do an hour a day on the treadmill in the morning with variable rate cardio and I was thinking about Stealth and Spells a lot while I was doing that, so I'm very grateful that you appreciated the ending. Our next comment is from Keith who says: “I'm so glad you finished the series. I have avidly read pretty much everything you published almost as soon as you publish it (except the Ghost series finally lost me a year or two ago), and I was starting to wonder if you're going to continue this series. I'm sure I enjoyed Stealth and Spells a bit more because of my own experience with MMORPG games as an adult, no less from 1997 to about 2012 and still dabbled now and then. It was very entertaining reading the series about a game set in Ridmark's world that I've been so immersed in for the past few years. It's unfortunate that there won't be more Stealth and Spells to read, but I enjoyed the way the series ended as a trilogy, even though you say it was originally supposed to be more books.” Thanks, Keith. I am glad you enjoyed the ending. I suppose one of my weaknesses as I set out to write this trilogy was that I've never actually seriously played MMORPG. It was just when things like World of Warcraft and its various successors and imitators became popular it was a time in my life when I was both pretty broke and pretty busy, so I couldn't afford to play an MMORPG and even if I could have afforded to play an MMORPG, I wouldn't have had the time to do so. I think that lacking that experience may have been one of the reasons I had a bit of trouble sort of connecting the series to a wider market. That said, I have tried an MMORPG recently, Elder Scrolls Online. I enjoyed it, but the big problem with that, and the reason I didn't keep playing was that you can't pause it. I think it's fair to say that I'm a pretty busy guy and sometimes I need to pause the game right now and attend to things, but the inability to do that was just a huge deal breaker for me, so I just never really continued with it, though I did have fun with the parts I played and think it's a good game. Randy says: “I still maintain it's a great SF series and a great setting, but it does have a great ending, even if the hero never gets an encrypted message from Wire again.” Thanks, Randy. If I ever do return to this setting, it won't be as a LitRPG. It'll be just as a straight science fiction thriller adventure like Silent Order because while I don't particularly want to write another LitRPG series, I would like to write another science fiction series at some point. But as I've mentioned on earlier episodes, I've decided it's probably for the best to limit myself to three ongoing series at any one time, just for keeping the complexity level manageable. So once I finish one of my ongoing series (which currently would be Blades of Ruin, Half-Elven Thief, and Cloak Mage), then I might consider slotting a sci-fi one in as well. Our next comment is from Mike who says: “Thank you for sharing your thoughts on it. I really enjoyed the series and I'm glad you finished it. I always find it frustrating when an author leaves the story unfinished, but I understand it's a tough balance. At the end of the day, writing needs to be sustainable and that often means the books have to be profitable. So thank you for seeing it through.” Thanks Mike. I'm glad you enjoyed the ending. In terms of sustainability, Half-Elven Thief by itself across its entire lifetime has sold more than all three books of Stealth and Spells Online put together (which I am very grateful for). And the Half-Elven Thief series and the, let's see, three sequels for it I wrote in 2024 combined, did well enough to pay for my health insurance for that year, which is trust me, no small thing, for which I'm very grateful. But like I said before, I think Half-Elven Thief dialed into the market a bit better than I did with Stealth and Spells Online. Our next comment comes from Alon who says. “If you try again, you can consider progression fantasy; it is somewhere between regular and LitRPG. The best ones are Dungeon Crawler Carl and Mother of Learning.” Well, if you want to try some progression fantasy, there are some examples for you. I admit I've only read the first book of Dungeon Crawler Carl. I thought it was pretty good, if definitely a bit on the darker side. William says: “I think LitRPG/Isekai literature and other media is best understood as a specific kind of fantasy in the literal sense that happens to use fantasy aesthetics because the people in Japan who started writing it all grew up playing Dragon Quest as kids do and still do. Yet the core of said fantasy has nothing to do with the cultural nostalgia that drives a fantasy genre we know and love, but instead reflects a desire for a non-complex world where everything follows easily understood and quantifiable rules, which the authors and the readers found in video games. Anyway, I enjoyed Stealth and Spells Online as a sci-fi thriller. It reminded me of the MMOPG subplot in Tad William's Outland novels.” Thanks, William. I'm glad you enjoyed the series. And I think that's a good point about the lack of ambiguity in some LitRPG, because Stealth and Spells has quite a bit of ambiguity to it at times, where the protagonist is trying to figure out if he can trust Hardcase19. He's trying to figure out who is controlling the Calliande NPC and he's trying to determine if he can trust that person or persons as well. So there's a lot of ambiguity in there that I think I probably picked up from how many mystery novels I enjoy and that might clash with the more popular tropes in LitRPG. Jesse says: “I'm glad you gave us a proper ending and I enjoyed discovering the identity of the Calliande/Ridmark NPCs. Honestly, the bit I will miss is you taking cracks at yourself (“failed historian”, “author secure in the knowledge he would never have to visualize it”), which was hysterical. Well done, sir.” Thanks. I'm glad you enjoyed the series and like I said before, I really didn't want to leave it unfinished because for a variety of reasons, it is very bad in the fantasy genre to leave things unfinished. Our next comment is from Jason who says: “Thank you for finishing the series. As you say, it was more of a science fiction thriller than a LitRPG. Nonetheless, I did enjoy it. LitRPGs have the roots in manga with their audience being teens and young adults who play video games and have kind of wish fulfillment of applying their game experience to a quasi-real world, usually like Death March to a Parallel World Rhapsody (a very long web novel, pretty bad anime, ongoing light novels and manga), combined with the cheat/administrator system to break the world in the main character's favor. Often such stories include female characters who throw themselves at the male lead for no discernible reason to be met with obliviousness, terror, or indifference. Fortunately, as authors have gotten older and married their portrayals, male characters and love interests have become more mature as well. The herbivore (a male character with no interest in women) main character still shows up, but not as often.” Thanks, Jason. I am glad you enjoyed the series and I was thinking about that to the extent that the basis that LitRPG has a strong basis in wish fulfillment and sort of retreating from reality. And I'm more interested in stories where the protagonist tends to actively protagonize and then engage with and grapple with reality. So maybe that was why I chose to write a VR based LitRPG instead of one of the other genres. And our last comment is from Michael who says: “I'm saddened that it wasn't more popular, but your reasoning makes sense to me. I tried to get into LitRPG years ago when it first appeared, but struggled to find any of the stories interesting despite loving MMORPGs and games in general. It all seemed to be about the kind of dreams that a stereotypical 14-year-old boy might have- being able to hyperfocus on min/maxing statistics, being powerful, being able to forget about the prosaic real world, being a ruler of a village/kingdom, et cetera (oh, and having lots of attractive women adore you). In any case, thanks for finishing the series. I thought it went from strength to strength and Final Quest was really good.” Thanks, Michael. I'm glad you enjoyed the books. And I have joked several times that maybe what I really needed to do to make Stealth and Spells Online popular was to add a harem of anime monster girls for the protagonist. But that ties into what we were talking about earlier where a lot of LitRPG is about sort of a flight from reality, which I should mention, there's nothing wrong with that in literature, but I'm more interested in writing the kind of stories where the protagonist has to grapple in some way with reality. So that is all the comments we are going to talk about on the show. I'd like to thank everybody who first, read and enjoyed the Stealth and Spells Online books, and second, took the time to share their thoughts about it. It was a really interesting discussion, I thought. So thank you again for reading Stealth and Spells Online. So that is it for this week. Thank you for listening to the Pulp Writer Show. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy, and we'll see you all next week.
Renegade Game Studios announces a “full scale” Dungeon Crawler Carl RPG based on Matt Dinniman's popular LitRPG series. The game will immerse players in the hilariously brutal world of Carl, featuring deadly traps, absurd loot, and relentless entertainment derived from the book series about a Coast Guard veteran and his ex-girlfriend's cat competing in […]
Long before booktok was an even worse place known as SomethingAwful. A squalid, terrible place, it nonetheless gave birth to many characters that have become Internet darlings--such as Nick "ulillillia" Smith.Ulillillia is one of the coolest people ever; despite a hard childhood of video game-induced phobias, he mastered the art of self-improvement by conceiving of his perceived faults as EXP bars in an RPG. Unfortunately, however, his debut novel The Legend of the 10 Elemental Masters is a bit of a mess. Join Andrew and J in another book deep dive and analysis through the sands of time, and see just what the adventures of Knuckles and Speed can offer writers--particularly those interested in LitRPG and adjacent genres.
In this week's episode, I take a look back at the challenges of finishing my STEALTH & SPELLS ONLINE LitRPG trilogy. This coupon code will get you 50% off the audiobooks in the Malison series (as excellently narrated by Brad Wills) at my Payhip store: MALISONSUMMER50 The coupon code is valid through August 18, 2025. So if you need a new audiobook this summer, we've got you covered! TRANSCRIPT 00:00:00 Introduction and Writing Updates Hello, everyone. Welcome to Episode 262 of The Pulp Writer Show. My name is Jonathan Moeller. Today is August 1, 2025, and today we are looking at how I finished my LitRPG trilogy at long last. Before we get into that, we will have Coupon of the Week, a progress update on my current writing and audiobook projects, and Question of the Week. First up is Coupon of the Week. This coupon code will get you 50% off the audiobooks in the Malison series (as excellently narrated by Brad Wills) at my Payhip store: MALISONSUMMER50. And as always, we will include the coupon code and the link to my Payhip store in the show notes. And this coupon code is valid through August 18th, 2025. So if you need a new audiobook this summer, we have got you covered. Now let's take a look at where I'm at with my current writing projects. As I mentioned in previous episodes, Stealth and Spells Online: Final Quest, the final book in the Stealth and Spells Online trilogy, is finished. You can get that at Amazon and Kindle Unlimited. It is doing slightly better than the previous two in the trilogy, which makes it the bestselling book in the trilogy so far. So thank you all for that. My next main project is Ghost in the Siege, which will be the sixth and final book in the Ghost Armor series. I am 53,000 words into that as of this recording, which puts me about halfway through, give or take. I'm also 6,000 words into Blade of Flames, which will be the first book in my new epic fantasy series that I will begin once Ghost in the Siege is out. In audiobook news, Shield of Power--recording for it is underway. That will be excellently narrated by Brad Wills and hopefully that will be out in probably towards the end of September sometime, if all goes well. 00:01:49 Question of the Week Now let's move on to Question of the Week, which is designed to inspire enjoyable discussions of interesting topics. This week's question: what is your favorite book you've read in 2025 so far? No wrong answers, obviously. The inspiration for this question was that June 30th was the halfway point of the year, which naturally inspires both reflection and some mandatory bookkeeping. Mary says: Witch Hat Atelier Volume 13 by Kamome Shirahama (which I probably mispronounced). After having read the rest of the series, of course. Juana says: Hidden Nature by Nora Roberts. Jonathan T. says: The Genesis Enigma: Why the Bible is Scientifically Accurate. This book is like my favorite nonfiction book so far of the year, while my favorite in the fiction category is likely Hardy Boys Casefiles: Dead On Target. Roger says: Just finished the latest in the Magelands Series, The Lost Ascendant. Really good, but a long series-even longer than yours, Jonathan. Gary says: It wasn't published in 2025 (I'm tragically behind the times) but Murtaugh by Christopher Paolini. Lynda says: Sunset by Sharon Sala. Denny says: Not sure if Brandon Sanderson's Stormlight Archives: Wind and Truth counts. It was released in December of 2024, but it's the newest book I've read. John K. says: My favorite book so far is by new indie author, J.L. Odom, By Blood By Salt. It's in line with apparently my favorite genre of MC called (I can't tell if this is disparaging or not) “competency porn” where the main character is well, uber competent. For myself, I think my favorite book of the year so far for 2025 would be The Icarus Coda by Timothy Zahn, which wraps up his excellent Icarus sci-fi mystery series after 25 years. So I definitely recommend you check out the Icarus series if you get a chance and if you're looking for other interesting things to read, apparently we have a few recommendations for you as well. 00:03:29 Main Topic: How I Finally Finished the Stealth and Spells Online Trilogy Now let's move on to our main topic this week. How I finally finished the Stealth and Spells Online trilogy with the last book, Stealth and Spells Online: Final Quest. I'm very grateful to everyone who read the trilogy and enjoyed it. All told, it took about 10 months to write Stealth and Spells Online: Final Quest, from September of 2024 to July 2025, when I finally published it. So that's a lot longer than it takes for me to usually write a book. So what took so long? Well, a lot of things went wrong. Let's look back. Towards the end of 2022, I decided I wanted to try something a little different, so I settled on LitRPG, which seemed promising because it's pretty popular. For the story, I had an idea of a software developer who was fired from a virtual reality MMORPG once he realized it was dangerous and how he starts playing the game to uncover the proof he needs of the corporation's evil plans. I also had why I thought would be a clever idea. The game would be based on my Frostborn books. Like, it's set 700 years in the future and some interstellar scout discovered the Frostborn books on a wrecked colony ship, and then the evil corporation built the game around them. I decided the game would be called Sevenfold Sword Online, which meant it was the logical name for the series. So I wrote Sevenfold Sword Online: Creation and published it in February of 2023. And alas, it didn't do particularly well. A couple of problems became immediately apparent. First, and perhaps foremost, the title was causing confusion. People assumed it was connected to my Sevenfold Sword series and was in some way a sequel to that series, which it wasn't. Second, people were confused and wondered if the Ridmark Arban and Calliande Arban NPCs in the game were the actual characters from the Frostborn, Sevenfold Sword, and Dragontiarna books. They weren't. But in comedy, there's a saying that if you have to explain the joke you've already lost. I suppose a parallel conclusion would be that if you have to explain the characters are NPCs in the game world based on your books 700 years in the future, then the concept of the book is probably a bit too abstract. Second, the book didn't really appeal to a majority of my regular readers who prefer epic fantasy from me. Case in point- when I published Half-Elven Thief in December 2023, in its first month it did 66% of what Stealth and Spells Online: Creation has done in the entire three and a half years it has been available, and I'm recording this on August 1st, 2025. So in its first month, Half-Elven Thief did two thirds of what Creation did the entire three and a half years it's been published. In its lifetime, Half-Elven Thief has sold 250% more than Stealth and Spells Online: Creation, and it's been out for ten and a half fewer months than Creation. Clearly, the majority of my regular readers prefer epic fantasy over LitRPG. Despite these setbacks, I continued onward and published Sevenfold Sword Online: Leveling in February of 2024. It did slightly worse than Creation. So for the rest of 2024, I on and off tried a bunch of things to improve how the series fared. To avoid confusion, I changed the title from Sevenfold Sword Online to Stealth and Spells Online, which it currently is. I redid the cover art, I changed the description, all the usual things for improving a series, and none of it ever really worked. I could never quite turn a profit when advertising the book. During these experiments, I realized I had fundamentally misread the LitRPG market because the three most popular kinds of LitRPG are: 1. Portal fantasy, when the protagonist falls through a portal and ends up in another world that runs on MMORPG style rules for whatever reason. 2. Isekai. The character dies and is reborn in a world that runs on MMORPG style rules. You'll see this in books with titles like I Died and was Reborn as a Level One Healer, something like that. 3. System Apocalypse. The world ends and is recreated as a living MMORPG, usually overseen by an all powerful “game system” (hence the name). The system can be created by gods or incomprehensibly powerful space aliens and is often malevolent. Dungeon Crawler Carl, where Earth is destroyed and remade into an MMORPG system as part of a sadistic alien game show is probably the most well-known example of this particular subgenre. The problem is that Stealth and Spells Online fits into none of these popular subgenres. I joke that I tried to write a LitRPG, but it ended up as a sci-fi thriller. I mean “software developer fighting sinister corporation's evil plans” is a sci-fi cyberpunk story, not a LitRPG. So I was trying to tell a story ill-suited for that particular genre, like attempting to write a cozy contemporary mystery in the format of an epic Arthurian fantasy quest. Like that idea could potentially work, but it probably wouldn't. With that realization, I had three choices about how to proceed. 1. Leave Stealth and Spells Online unfinished and never speak of it again. 2. Unpublish Stealth and Spells Online and never speak of it again. 3. Find a way to finish Stealth and Spells Online in a satisfactory fashion with a single book because I didn't want to write a long series that sold poorly. I disliked Options One and Two, partly for reasons of professional pride and partly because it's bad to get a reputation in the fantasy genre for leaving series unfinished. You don't want to leave readers hanging longer than is necessary. The tricky part for Option Three was I had originally planned Stealth and Spells Online to be like seven or eight books, and I was only two books into what I had outlined for the story. An additional, potentially major real life problem was that the Stealth and Spells Online books sold badly enough to seriously tank book sales in the month they were released. Like both February 2023 and February 2024 were some of my weakest sales months in the past decade. So that meant I needed an outline for the final book that would discard all the planned subplots and focus entirely on the main plot. I also needed to write the book as a side project and not a main project because I knew it probably would not sell well. Ideally, it would come out in the same month as a much stronger seller like one of the Shield War books. So in October of 2024, I started chipping away at what would become Stealth and Spells Online: Final Quest at 500 words a day. I would write 250 words before going to the gym in the morning and then 250 more words after dinner. During the normal workday, my main focus was on whatever book in the Shield War, Ghost Armor, Cloak Mage, and Half-Elven Thief series I was writing at the time. (As I've said before, having five unfinished series at the time is way too many, which is why I spent summer 2025 trying to get that number down.) But I did my 250 words in the morning and my 250 words after dinner almost every day. I just kept chipping away at it. Finally, in July of 2025, I was very nearly to the end of the book. After I published Shield of Power, I decided I was far enough along to make Final Quest my main project. Turns out I actually was pretty far along, since I only needed to write 3,000 more words to finish the book. Two rounds of editing and some new scenes later (I added a bunch of stuff since I thought the original ending was incomplete) and I published the book in July of 2025. It turned out reasonably well. People seemed to like the ending and find it satisfactory (at least those who read it). Final Quest sold slightly better than its predecessors. But to be honest, Shield of Power has generated sales in its first three days equal to what Final Quest did in its first two weeks. So I'm grateful for everyone who read the trilogy or listened to the two audiobooks. I'm really grateful that you read it or listened to it and enjoyed it. But in all honesty, I'm glad to be done with the trilogy. I've always been kind of sad when I finished my other series, especially the big ones, but with Stealth and Spells Online, I'm just relieved to be done and that I don't have to think about it very much anymore. It's easier to promote a finished trilogy than an unfinished series. Probably I'm going to make the first book free every three months, run some ads to it while it's free, and that will be that. I just signed up with C.J. McAllister a few days ago to do the audiobook version of Final Quest (and he did a very good job on the first two books in the trilogy), so eventually we'll probably have a Stealth and Spells Online: The Complete Trilogy audiobook, since audiobook bundles always do well and I expect a complete trilogy audiobook bundle would likewise do well. Amusingly, I realized that to finish this book, I essentially followed my own advice that I've been giving for years. I always say on this podcast and my blog that you can finish a novel if you just keep chipping away at it and small efforts add up over time. Final Quest turned out to be about 117,000 words, and I mostly got there 500 words at a time. Do I regret writing Stealth and Spells Online? No. But obviously if I had to do it all over again, I would definitely do some things differently. Will I ever return to writing in the LitRPG genre? Probably not. I listed all the popular subgenres of LitRPG earlier, and while I don't have anything against any of those subgenres, I just don't have any particular interest in writing a story that revolves around those tropes. For all that my books tend to be escapist, I always need to have at least a touchstone of reality in them so they make sense to me. Characters like Wire, Admiral Winterholt, and Alexander Maskell could definitely have their real-life (even contemporary) equivalents. LitRPG story tropes in general seem to be about a flight from reality. There's nothing wrong with that, of course, but it's not something I'm really interested in writing. I mean, I designed the Andomhaim setting in Frostborn around people who traveled from Sub-Roman Britain in the 500s A.D. to a world where magic is real, so that way I could make real-world historical references. I think if pressed, I could write a pretty good novel in the genres of epic fantasy, science fiction, mystery, thriller, and romance. But I'm not at all sure I could write a good book in the LitRPG subgenres I listed. Honestly, maybe I'm just too old for it. I don't think I encountered an MMORPG for the first time until I was, I think 24 or 25 years old, and I've never actually seriously played one, so it definitely wasn't a formative experience for me the way it was for many LitRPG authors. In fact, if I'm remembering it right, my first serious encounter with an MMORPG was in fact at work when I got an IT support ticket about network throttling, complaining about how long a World of Warcraft update was taking to download. So that is how I finally finished the Stealth and Spells Online trilogy. And once again, thank you to everyone who read and listened to these Stealth and Spells Online trilogy. I hope you found it enjoyable. So that is it for this week. Thank you for listening to The Pulp Writer Show. I hope you found the show useful. A reminder that you can listen to all the back episodes at https://thepulpwritershow.com. If you enjoyed the podcast, please leave your review on your podcasting platform of choice. Stay safe and stay healthy and see you all next week.
Join host Adrian M. Gibson and guest authors Tao Wong, Shami Stovall and Michael Michel for an Indie Appreciation Month panel on Self-Publishing as a Career. During the panel, Tao, Shami and Michael discuss the long game of self-publishing, including self-publishing as a JOB, being a full-time vs. part-time writer/creative, budgeting and investment for your books, long-term finances and project management, experimenting with release strategies, having purpose and patience, lucrative book formats and publishing platforms, career longevity, income streams, burnout and more.RESOURCES MENTIONED:- The E-Myth Revisited - K-lyticsOUR SPONSOR:Shattered by Nicholas W. Fuller is an action-packed science fantasy novella that introduces readers to the Sanguine Stars universe.Get your copy at www.nicholaswfuller.com.SHOUTOUT TO THE 'SFF ADDICT' PATRONS:Thank you Ian Patterson, Nicholas W. Fuller, David Hopkins, Luke F. Shepherd, Christopher R. DuBois, Tai, Luke A. Winch, GavinGuile and Ruthstift for supporting us on Patreon at $10+.SUPPORT THE SHOW:- Patreon (for bonus episodes, author readings and more)EMAIL US WITH YOUR QUESTIONS & COMMENTS:sffaddictspod@gmail.comABOUT OUR GUESTS:Tao Wong is the author of the System Apocalypse post-apocalyptic LitRPG series, A Thousand Li xianxia fantasy series and more. Find Tao on Instagram, Amazon and his personal website.Shami Stovall is the award-winning author of the Frith Chronicles, the Astra Academy series, The Chronos Chronicles and more. Find Shami on Instagram, Amazon and her personal website.Michael Michel is the author of the Dreams of Dust and Steel fantasy series and Way of the Wizard. Find Michael on Instagram, Amazon and his personal website.ABOUT OUR HOSTS:Adrian M. Gibson is the author of Mushroom Blues.Find Adrian on Instagram and his personal website.M.J. Kuhn is the author of Among Thieves and Thick as Thieves.Find M.J. on Instagram and her personal website.Greta Kelly is the author of The Queen of Days, The Frozen Crown and The Seventh Queen.Find Greta on Instagram and her personal website.FOLLOW SFF ADDICTS:LinktreeMUSIC:Intro: "Into The Grid" by MellauSFXOutro: “Galactic Synthwave” by DivionAD ATTRIBUTION:- Music: "Infinity Heroes" by JoelFazhari- Video: Nattgw / utopia 36 / Ingrid North / Kmeel.com / Vadym_Shapran / DC_Studio / DC_Studio / FrameStock / FrameStock / Orkidee / Pressmaster
Send us a textA throwback from Season 3!! One of our first Authors we interviewed on the POD!!Hop Station Craft BarGet Beer, Cocktails, and fab food while enjoying darts, vintage games. Hop Station is hopping!Coastalos SodasUrban Artifact launched our own hemp derived THC brand Coastalo. Made with real fruit!!Niles BrewingUnique Beers and Cocktails! They host events and trivia weekly. Located in downtown Niles, Michigan!TavourUse our promo code 'DrunksWithBuds' for $10 off your second order.Disclaimer: This post contains affiliate links. If you make a purchase, I may receive a commission at no extra cost to you.Support the show
Welcome to another episode of Perspective Checks where I sit down with friends and folks from the TTRPG world and discuss what they love about this wonderful hobby! The second Perspective Checks this month on RPGs and their intersection with creative writing is with Clark R. Rowenson, a.k.a. The Magic Engineer on YouTube, an engineer, author, and writing coach with a lifelong interest in magic systems. We discuss magic system design, the importance of using the right kind of system for your stories, the explosion in popularity of the LitRPG genre, how both sides can still learn from its inspiration from the tabletop RPG space, and more. Stay tuned for more about Spawn Point, the first installment in Clark's upcoming LitRPG series A New Eternity about Topha & Nettle! ----more---- Join the DMs After Dark Discord channel! 2 New MECH Cities Out Now (& Free!) I made a Ko-Fi if you feel absurdly generous and want to help cover podcast hosting costs & all the upkeep. I'm still working on whether I want to offer anything special over there or just give my extreme gratitude (maybe some stickers or something in the mail) to those who donate, but no pressure whatsoever :) Where to Follow Rene Plays Games: LinkTree | BlueSky | Threads | Instagram | Facebook | DMs After Dark Rene's Games: MECH | One Last Quest email: RenePlaysGamesPod@gmail.com Music in the Episode: Theme Song written & produced by Dan Pomfret | @danfrombothbands
Get ready to dive into the world of Dungeon Crawler Carl! In this episode, Jim explores the fascinating world of this beloved LitRPG Fantasy series, first spoiler-lite, than full on spoil, sharing thoughts on what makes it so addictive. From its unique game mechanics to its charming banter, to it's over-the-top “Carl-ness,” he's covering it all. So, if you're a fan of this book series, or simply LitRPG in general, join us as we delve into the world of this underground gaming sensation.#FantasyForTheAges #Fantasy #SFF #FantasyFiction #LitRPG #DungeonCrawlerCarl #ProgressionFantasy #BookRecommendations #TBR #ReadingRecommendations #booktube #booktuberWant to purchase books/media mentioned in this episode?Dungeon Crawler Carl series: https://t.ly/E9NcyWays to connect with us:Support us on Patreon: https://www.patreon.com/FantasyForTheAges Follow Jim/Father on Goodreads: https://www.goodreads.com/user/show/13848336-jim-scriven Join us on Discord: https://discord.gg/jMWyVJ6qKk Follow us on "X": @Fantasy4theAges Follow us on Blue Sky: @fantasy4theages.bsky.socialFollow us on Instagram: fantasy_for_the_ages Follow us on Mastodon: @FantasyForTheAges@nerdculture.de Email us: FantasyForTheAges@gmail.com Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheagesJim's Microphone: Blue Yeti https://tinyurl.com/3shpvhb4 ————————————————————————————Music and video elements licensed under Envato Elements:https://elements.envato.com/
CritRPG - A Podcast about LitRPG, Progression Fantasy, and their authors
Hey everyone,in our penultimate episode, Neil Hellegers joins me to talk about the importance of Audiobooks to the genre, SAG-AFTRA, and the difference betweenm stage acting and voice acting.This will probably be our last episode for a while. Why? Because I want to have a real highlight for Episode 100, to cap the show off at a great place. That means I'll try to kidnap someone (or several someones) at LitRPGcon next month, and end things with a bang!
In this episode, the hosts discuss and grade the LitRPG series Dungeon Crawler Carl. Hosts: Trevor, Jay, and Josh
Today I return to the LitRPG pandemonium of the Dungeon Crawler Carl series, coming at you with my review of book 3, The Dungeon Anarchist's Cookbook. Rising stakes, believe it or not, even in the midst of a dungeon game show that's to the death! Carl, Donut, Mondo, and more are through into yet another level, and making it any further seems impossible! Here's Jim's spoiler-lite review, with full spoil commentary at the very end, so stick around all the way through if you've already read this title.#FantasyForTheAges #readingrecommendations #LitRPG #Fantasy #DungeonCrawlerCarl #TBR #ToBeRead #ReadingList #SFF #booktube #booktuberWant to purchase books/media mentioned in this episode?The Dungeon Anarchist's Cookbook: https://t.ly/xy2bYWays to connect with us:Support us on Patreon: https://www.patreon.com/FantasyForTheAges Follow Jim/Father on Goodreads: https://www.goodreads.com/user/show/13848336-jim-scriven Join us on Discord: https://discord.gg/jMWyVJ6qKk Follow us on "X": @Fantasy4theAges Follow us on Blue Sky: @fantasy4theages.bsky.socialFollow us on Instagram: fantasy_for_the_ages Follow us on Mastodon: @FantasyForTheAges@nerdculture.de Email us: FantasyForTheAges@gmail.com Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheagesJim's Microphone: Blue Yeti https://tinyurl.com/3shpvhb4 ————————————————————————————Music and video elements licensed under Envato Elements:https://elements.envato.com/
This week, we welcome returning guest Clark (C.R.) Rowenson, who has come to discuss his new LitRPG novel Spawn Point. Join us as we discuss the his new book, the LitRPG genre as a whole, and some ways to adapt LitRPG into your tabletop games (and vice versa). You can preorder Spawn Point for Kindle here (Release date Oct. 24th, 2025): https://www.amazon.com/Spawn-Point-New-Eternity-Book-ebook/dp/B0DVF4LX4N/ You can find Clark's other work on his website (crrowenson.com), his Patreon (patreon.com/crrowenson), or his YouTube channel, The Magic Engineer (youtube.com/@themagicengineer5314). Clark was last on way back in Episode 48, talking about his (then new) book The Magic System Blueprint. You can find it here: https://www.podbean.com/ew/pb-a349q-10a6743 Our website is live! Head on over to undercommontaste.com to find links to all of our social media, streaming sites, Patreon, Itch store, and Discord. Our theme song is Massacre Anne, written and performed by Mary Crowell, and used with permission. You can find Mary's work online at marycrowell.bandcamp.com, or on Patreon at patreon.com/DrMaryCCrowell. Our logo was illustrated by David Sutherland. You can find David's work online at instagram.com/wilex_73, or on DeviantArt at deviantart.com/davidsutherland.
Is Dungeon Crawler Carl the epitome of LitRPG perfection? In this episode, we dive into the world of LitRPG and explore what makes Dungeon Crawler Carl stand out from the rest. From its engaging storyline to its unique gameplay mechanics, we'll examine the elements that make this book a must-read for fans of the genre. Whether you're a seasoned LitRPG enthusiast or just discovering the world of literary RPGs, this episode is for you. So, join us as we delve into the world of Dungeon Crawler Carl and find out what makes it a true masterpiece of LitRPG literature.#FantasyForTheAges #readingrecommendations #LitRPG #DungeonCrawler #fantasy #SFF #FantasyFiction #TBR #ToBeRead #ReadingList #booktube #booktuberWant to purchase books/media mentioned in this episode?Dungeon Crawler Carl: https://t.ly/8AzjnHe Who Fights with Monsters: https://t.ly/Noem5 Ways to connect with us:Support us on Patreon: https://www.patreon.com/FantasyForTheAges Follow Jim/Father on Goodreads: https://www.goodreads.com/user/show/13848336-jim-scriven Join us on Discord: https://discord.gg/jMWyVJ6qKk Follow us on "X": @Fantasy4theAges Follow us on Blue Sky: @fantasy4theages.bsky.socialFollow us on Instagram: fantasy_for_the_ages Follow us on Mastodon: @FantasyForTheAges@nerdculture.de Email us: FantasyForTheAges@gmail.com Check out our merch: https://www.newcreationsbyjen.com/collections/fantasyfortheagesJim's Microphone: Blue Yeti https://tinyurl.com/3shpvhb4 ————————————————————————————Music and video elements licensed under Envato Elements:https://elements.envato.com/
Welcome to the 96th Episode of the ABC Pod the Adult Book Club where we drink and we read things. This episodefeatures Dungeon Crawler Carl by Matt Dinniman. Discussion of the book starts at the 12th minute. Because this book is a LITRPG and not a conventional act based set up, there is no spoilers section or maybe spoilers throughout depending on how you look at it. We start by discussing our who/what/where and then move into questions about specific events and secondary characters. We make a few guesses at where we think this series is headed and then finish with Russ' final recap from his Wheel of Time journey and revealing what's on the next episode. Enjoy!
Mockingjay finale We finally did it! We've finished the original Hunger Games trilogy, and boy do we have a lot to say about how little this series had to say. You would think there would be some big ideas in a story that ends with a horrific false flag atrocity, a member of the core love triangle making cluster munitions, and multiple megalomaniacs being betrayed, but... nope! Mostly it's about how sometimes you've just gotta do you. Or something. We turn to the tantalizingly-titled 'Writing About War' interview that's intrigued us for the whole show for insights instead. We also chat about LitRPG fiction, "cozy" mysteries, pulp, and a little bit more about our upcoming project!
© 2020-2026 Ivy Podcast Discovery LLC
