Podcasts about Mish Mash

Watch & Listen ➡️ linktr.ee/thebjjfoxcastThank you to our sponsor SALT Electrolytes! Use the code "Foxcast15" to save 15% off your first order at www.saltelectrolytes.com.Follow us on Instagram ➡️ https://www.instagram.com/thebjjfoxcastFollow us on TikTok ➡️ https://www.tiktok.com/@TheBJJFoxcastFollow us on Facebook ➡️ https://www.facebook.com/thebjjfoxcast(00:00) - Start(05:13) - Jiu-Jitsu Competition Qualification(15:10) - Derby Cars((20:10) - The Challenges of Jiu-Jitsu and Triathlons(24:38) - Jiu-Jitsu Strategy(28:57) - Tournament Challenges(39:48) - A Mish Mash of Topics(48:46) - Renting Sucks

Una ensalada de varios temas.

On this episode of Taste Buds with Deb, host Debra Eckerling speaks with kosher sushi chef Marisa Baggett, who blends tradition, identity and intention in her culinary work.    “My sushi journey and my Jewish journeys are actually very much entwined,” Baggett explains.  “When I was going through sushi school, I was also embracing Judaism, so there was always this kind of… pull between how I'm going to show up as a Jewish sushi chef.”    Baggett, who once owned a kosher deli and has brought her Japanese training into her Jewish food, decided to focus mostly on plant-based food in the last year.    “I think that I was probably always kind of on this path of heading towards only making plant-based sushi,” she says. “It just took me a while to get there.”    When asked what she knows now that she wished she knew early in her career, Baggett says that it's okay to bring all of the pieces of who you are to the table at once.     “For the longest time, I tried to keep everything separate,” she explains. “I really wish that I brought more of everything together - Southern, Jewish background, the Japanese training - earlier in my career.”    Chef Marisa Baggett talks about her out-of-the-blue sushi origin story, food memories from growing up in the south, and how to embrace creativity in the kitchen. She also shares her recipe for miso mish mash soup, which you can find at JewishJournal.com/podcasts.     “Give yourself permission to have fun in the kitchen,” she says. “There's a lot of flexibility in that one bowl.”   Learn more at MarisaBaggett.com, follow @ChefMarisaBaggett on Instagram and watch Marisa Baggett compete on “Morimoto's Sushi Master” on The Roku Channel. For more from Taste Buds, subscribe on iTunes and YouTube, and follow @TheDEBMethod on social media.

After taking a sick day, Noob Talk circles back to you for a conversation on the recently released Elder Scrolls IV: Oblivion Remastered and Mandragora: Whispers of the Witch Tree, as well as titles we are eagerly anticipating such as Tainted Grail: The Fall of Avalon, and indie weirdness Labyrinth of The Demon King. Newswhile, Sony does a Borderlands 4 focused State of Play, privacy firm sues Ubisoft over data collection and forced-online in single-player games, Ghost of Yōtei gets a solidified release date, and what we're playing as always. Please do enjoy.

I have calls from Spencer and Jason from Keep Off the Boarderlands and the Dungeon Plunger podcasts, respectively. We'll talk a little more about The Last Unicorn, mimic spell books, sauna stories, and the Grea t Equalizer, the D.Mfing.V. Let's get it!

Larry Weber talks about the wild swings in temperatures and as well as some new animal tracks in the snow and slush

2025 re-run bonus notes:   This episode is the third in a trilogy of music blocks (parts 1 and 2 were our January and February reruns). Long time listeners may already know what this trilogy is all about, but for those who don't and have been following the reruns, the introduction to this episode finally explains what the trilogy is all about.   So, the fun [for me] question: of the three music blocks in the trilogy, which did you like best (and why), which did you like least (and why), and do you or do you not think I made the right decision bumping "music block A" for "music block B" in C1E41? Let me know at nerd.noise.radio@gmail.com, or by any social media outlet on which we exist. I will genuinely be curious to know what you think. Even to this day in 2025, I *STILL* don't know what to think, personally!   DISCLAIMER: the production value was worse in 2022 when the intro and outro were produced, and substantially worse in 2018 when the music block was produced. So if this is your first time hearing Nerd Noise Radio, please keep in mind that our production values have much improved in the time since.   ----------------------------- Original (2022) Show Notes -----------------------------   Today's broadcast is  C1E69 for Mishmash Monday, November 7th, 2022. Today's Episode will be "Mishmash Monday - vol. 12, the long-lost "original C1E41", a 2018 Lost Level originally intended for 2019.    Track# / Track / Game / System / Composer(s) / Timestamp    01) Earcatcher - 00:00:00  02) Intro - 00:00:12  03) Flight - Panzer Dragoon - Saturn – c: Yoshitaka Azuma a: Tomoyuki Hayashi - 00:06:33  04) New Beginning pt. 1 - LA Noire - multi - Andrew Hale and Simon Hale - 00:10:15  05) This is Your Story - Final Fantasy X - PS2 – Masashi Hamauzu,  Junya Nakano, and/or Nobuo Uematsu - 00:11:18  06) Track 06 - Colony Wars - PS1 – Tim Wright aka CoLD SToRAGE - 00:13:30  07) The Flatfields - Quizzes and Dragons - Arcade – Isao Abe - 00:14:03  08) Midnight Chaser / Breakthrough - Wolf Fang - Kuhga 2001 - Arcade - Hiroaki Yoshida / Akira Taemoto - 00:15:38  09) Let's Go on an Adventure - Landstalker - Genesis  – Motoaki Takenouchi - 00:18:57  10) Track 7 - Mutant Rampage: Bodyslam - CD-I – Tony Trippi - 00:20:18  11) BGM #57 - Quiz Daisousasen Pt 2 - Neo Geo - Yoshihiko Kitamura, Yasuo Yamate, Yoko Osaka, Hiroaki Shimizu, Toshikazu Tanaka - 00:22:10  12) BGM 4 (Stage 3-2) - Shadow Dancer - Genesis - Keisuke Tsukahara - 00:25:03  13) Rendezvous Theme - Golgo 13 - NES – Michiharu Hasuya - 00:27:05  14) Areas 41-50 - Slap Fight - Arcade - Masahiro Yuge - 00:28:12  15) Unknown Track 22 - Team Innocent - PCFX – Kenji Kawai - 00:29:16  16) Fonction - N++ - multi – Broca - 00:31:52  17) Jus' Dance (Sole Channel Mix) - GT Sport - PS4 - Mr.V - 00:38:37  18) Just Hiss - WipEout HD - PS3 – Spector - 00:46:21  19) Rhythm Shift - Ridge Racer - Arcade / PS1 – Etsuo Ishii, Yuri Misumi, Keiichi Okabe, Shinji Hosoe, Ayoko Sasoh, Nobuyoshi Sano - 00:51:02  20) Fury - Rocket League - multi – Rogue - 00:53:00  21) Alien - Galactic Pinball - Virtual Boy – Kenji Yamamoto, Masaru Tajima and/or Minako Hamano - 00:56:58  22) Dungeon / Waterfall - Final Fantasy: Mystic Quest - SNES – Yasuhiro Kawakami and/or Ruiji Sasai - 00:59:50  23) Mysterious Ghost Ship - TMNT: Hyperstone Heist - Genesis – Masahiro Ikariko, Yuichi Takamine, Kaori Kinouchi, and/or Hideto Inoue - 01:02:06  24) Mystic Woods (Forest 2) - Grounseed - PC98 (OPN vers) - Daisuke Takahashi - 01:04:32  25) Meridian (Night) - Horizon Zero Dawn - PS4 - Joris de Man, The Flight, Niels van der Leest, and/or Jonathan Williams - 01:08:05  26) Title Theme - AD&D Slayer - 3DO – Billy Wolfe - 01:11:48  27) Cobbleston, Nestled in the Hills - Octopath Traveller - SWITCH! - Yasunori Nishiki - 01:12:58  28) Sealed Temple - LoZ: Skyward Sword - Wii – Hajime Wakai, Shiho Fujii, Mahito Yakota, Takeshi Hama, Koji Kondo - 01:15:58  29) Globe at Night - Wii Forecast Channel - Wii – Kazumi Totaka - 01:19:06  30) Island of Memory - Doshin the Giant - GameCube - Tatsuhiko Asano - 01:21:38  31) The Cliff that Time Forgot - Earthbound - SNES – Hirokazu Tanaka - 01:25:40  32) Oblivious Past - Alien Soldier - Mega Drive - Kazuo Hanzawa - 01:26:56  33) Outro - 01:32:11  34) Exit Earcatcher - 01:43:21    Music Block Runtime: 01:25:40 / Total Episode Runtime: 01:43:57    Our Intro and Outro Music is Funky Radio, from Jet Grind Radio on the Sega Dreamcast, composed by BB Rights.    Intro / Outro / Final Production produced using Ardour 6 / Audacity 3 in Ubuntu Studio [Linux] 22.04 09/08/2022. Music Block produced in GarageBand in macOS 10/19/2018.       IMPORTANT NOTE: The tools and techniques I used back in 2018 in producing the music block were NOT up to my current standards – including featuring less sophisticated fades, more imprecise volume level balancing, less developed track run-order sorting, and even my having used MP3s rather than WAVs in the source production, resulting in a lower-fidelity final product, and further limiting my ability to touch it up after the fact. As such, the production value of this episode will NOT be to par with our current "fresh episodes". But production values aside, the quality of the CONTENT itself, otherwise, I feel, is excellent, and well worth digging up to share with you.....I hope that you'll agree! :-)     You can also find all of our audio episodes on Archive.org as well as the occasional additional release only available there, such as remixes of previous releases and other content.    Our YouTube Channel, for the time being is in dormancy, but will be returning with content, hopefully, in 2022. Meanwhile, all the old stuff is still there, and can be found here:     https://www.youtube.com/user/NerdNoiseRadio    Our episodes (and occasionally, other content, including expanded show notes) can be found on our blog here:    nerdnoiseradio.blogspot.com.    Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at     https://www.facebook.com/groups/VGMPodcastFans/    Or, if you wish to connect with us directly, we have two groups of our own:     Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.    Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.    You can also follow us on Twitter at @NerdNoiseRadio. And we are also now on Spotify, TuneIn, Pandora, iHeartRadio, Stitcher, and Vurbl.    Thanks for listening! Join us again in December (all dates TBD) for C2R2: Channel 2's Season 2 retrospective, as well as not one, but TWO Channel 1s: The Best of 2022, Hugues' picks and St. John's picks - Tasty VGM and Talk on "Nerd Noise Game Club", as well as Delicious VGM on "Noise from the Hearts of Nerds"! And wherever you are - Fly the N!    Cheers! 

Lawmakers — and the public and press — have had their hands full tracking some 555 pieces of legislation this session. For some, all those bills present more opportunities for the best ideas to win. For others, the sheer quantity makes it hard to shape well-thought-out policies.

This week's episode is a bit of a throw together due to a few personal issues going on in the background, we have our usual segments along with some of the usual random funny shit we like to ramble, Enjoy!!

2025 re-run bonus notes:   This rerun is releasing on the precise 5yr anniversary of its original release - in other words, this celebration of St. John's 40th birthday, featuring his wife, both his kids, both his parents, and his brother is re-releasing on St. John's 45th birthday!   Also, it is the second of a trilogy of music blocks (the first of which was last month's rerun), which, if not already clear to long-time listeners of the show will be explained in the intro to the third track of the trilogy, which will be our March 2025 rerun. So stay tuned til next month's rerun!   DISCLAIMER 1: DEAD-NAME ALERT! August is not their birth name, and this episode was recorded prior to their self-discovery, so it uses their birth/dead name. Because of this, I checked with August prior to releasing it to make sure they were okay with it. They said they were okay with it so long as I included the disclaimer - which I would've done anyway! :-D   DISCLAIMER 2: Apologies for some of the off-color jokes and references in the blooper reel. I was not as far along in my personal transformation at the point this episode was released. There are things that made this blooper that would not have today. Therefore, please consider it a piece of history rather than an accurate representation of current perspectives.   DISCLAIMER 3: the production value was much worse back in 2020. So if this is your first time hearing Nerd Noise Radio, please keep in mind that our production values have much improved in the time since.   ----------------------------- Original (2020) Show Notes -----------------------------   Today's broadcast is C1E51 for Mishmash Monday, February 3rd, 2020. Today's broadcast is Mishmash Monday - vol 9. The inaugural episode of Season 40, and a special celebration of St. John's 40th birthday, guest hosted by various members of his family.    01 - Ear Catcher - 00:00:00  02 - Intro - 00:00:12  03 - Sonic CD - Sega CD - Stardust Speedway Zone (Past) - Naofumi Hataya and/or Masafumi Ogata - 00:02:10  04 - FIFA 20 - Multi - Vámano - Buscabulla - 00:04:33  05 - Prey - multi - Everything's gonna be Okay - Mick Gordon - 00:07:57  06 - Lumines II - PSP - Star Guitar - The Chemical Brothers - 00:12:37  07 - Jurassic Park - SNES - River - Jonathan Dunn - 00:18:58  08 - TMNT: TF - Genesis - Sisyphus Stage - Miki Higashino - 00:21:10  09 - Jet Set Radio - Dreamcast - Funky Radio (IN-GAME VERSION) - BB Rights - 00:25:32  10 - Dragon Sabre - Arcade - Volcano - Shinji Hosoe - 00:28:56  11 - Last Resort - Neo Geo - The Melting Point -  Toshio Shimizu and/or Yasuo Yamate - 00:32:28  12 - Wolfenstein 3d - PC (Adlib) - Zero Hour - Bobby Prince - 00:35:03  13 - Zillion - Mastersystem - Computer Room – Tokuhiko Uwabo - 00:37:16  14 - Mountain King - Atari 2600 - Flame Spirit (an arrangement of "Anitra's Dance")  - c: Edvard Grieg a: E. F. Dryer and/or Ed Salvo - 00:38:00  15 - P.O.W. - NES - Inside Truck – Toshikazu Tanaka and/or Kikuto Hataya - 00:39:49  16 - Spiderman - Genesis - Cavern - Mark Miller, John Karr, and/or David Javelosa - 00:41:42  17 - Teki Paki - Arcade - Quick, Junk, Sequence - Tomoaki Takenohashi - 00:44:28  18 - Vegas Stakes - SNES - The 2020 - Kimitaka and/or Manami Matsumae - 00:48:51  19 - Splatoon 2 (Octo Expansion) - SWITCH! - frisk - DedF1sh - 00:50:38  20 - Vindicators Part II - Arcade - Target Select - Brad Fuller and/or Hal Canon - 00:52:48  21 - Deneb - Atari 8-bit - Song 2 (Title) - Robert Drag - 00:53:12  22 - Tube Panic - Arcade - Attract Mode - Ichiro Takagi - 00:54:08  23 - Bosconian - X68000 - Blast Power - Yuzo Koshiro - 00:55:59  24 - Yuu Yuu Hakusho: Makyou Toitsusen - Mega Drive - Sub-Space 2 BGM - Aki Hata, Katsuhiko Suzuki - 00:58:45  25 - Hyperzone - SNES - Title Theme - Jun Ishikawa - 01:02:07  26 - Chaos Seed Feng Shui Kairouki - SFC - The Last Hermit's Cave – Yasunori Shiono, Katsuhiro Hayashi, and/or Yukio Nakajima - 01:03:15  27 - A Dinosaur's Tale - Genesis - Cecilia's Apartment (track 04)- Kim Jensen - 01:05:28  28 - Grim Fandango - PC - Neon Ledge - Peter McConnell - 01:07:17  29 - God of War - PS4 - Witch of the Woods - Bear McCreary - 01:08:18  30 - Lost Eden - CD-I - Moorkus Rex's Lair – Stephane Picq - 01:11:11  31 - Splatoon 2 (Octo Expansion) - SWITCH! - regret - DedF1sh - 01:12:57  32 - Silent Hill 2 - PS2 - Betrayal - Akira Yamaoka - 01:15:42  33 - Doom - PC - Nobody Told Me About Id (E2M8) - Bobby Prince - 01:18:24  34 - Metroid Prime 2 - Quadraxis Battle - Kenji Yamamoto - 01:21:11  35 - Call of Duty: Black Ops 2 - multi - Adrenaline - Jack Wall - 01:24:07  36 - Final Fantasy XIII-2 - PS3 - Paradigm Shift - Masashi Hamauzu, Naoshi Mizuta, and/or Mitsuto Suzuki - 01:27:27  37 - PILcaSEX - PC98 - Groove Machine - Muse - 01:31:10  38 - Castlevania II - Gameboy - Praying Hands - Hidehiro Funauchi - 01:33:09  39 - Sonic 3D Blast - Genesis - The Final Fight - Jun Senoue, Tatsuyuki Maeda, Seirou Okamoto, Masaru Setsumaru - 01:36:04  40 - F-Zero - SNES - Silence - Yukio Kaneoka - 01:37:52  41 - Metroid Prime 3 - Wii - Skytown - Kenji Yamamoto, Minako Hamano, and/or Masaru Tajima - 01:40:31  42 - Snatcher - Sega CD - Tear-Stained Eyes - Konami Kukeiha Club - 01:43:53  43 - Outro - 01:48:44  44 - Exit Earcatcher - 02:09:30  45 - Blooper Reel - 02:09:57    Music Block Runtime: 01:46:43, Total Episode Runtime: 02:45:42    Our Intro and Outro Music is Funky Radio, from Jet Grind Radio, on the Sega Dreamcast, composed by BB Rights, and Happy Birthday from Gimmick, on the Famicom, composed by Masashi Kageyama. Our outro music is Neighborhood 2 from The Sims, on the PC, composed by Jerry Martin and/or Marc Russo.    The "Nerd Noise Radio - RERUNS!" channel can be found here:     https://www.buzzsprout.com/77944/    or here    https://itunes.apple.com/us/podcast/nerd-noise-radios-podcast/id1191400767    You can also find all of our audio episodes on Archive.org    Our YouTube Channel can be found here:     https://www.youtube.com/user/NerdNoiseRadio    Our episodes (and occasionally, other content) can be found on our blog here:    nerdnoiseradio.blogspot.com.    Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at     https://www.facebook.com/groups/VGMPodcastFans/    Or, if you wish to connect with us directly, we have two groups of our own:     Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.    Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.    Lastly, you can also follow us on Twitter at @NerdNoiseRadio.    Thanks for listening! Join us again April 1st for a very special bonus retrospective. Delicious VGM on "Noise from the Hearts of Nerds"! And wherever you are - Fly the N!    Cheers! 

Today's broadcast is  C1E91 for Mishmash Monday, January 27th, 2025. Today's Broadcast will be Mishmash Monday – vol. 16 – the debut episode of season 8, and our final "regular", "ordinary", "standard:, "customary" [pick your preferred term] season.      Tracklist!     Track# / Track / Game / System / Composer(s) / Original Episode(s) / Originally Selected By / Timestamp     A1) Intro - 00:00:00     01) Next Chapter - Tetris Effect Connected – Multi -  Hydelic - 00:04:05     02) Asian Shuffle - Cho Aniki: Kyuukyoku Muteki Ginga Saikyou Otoko - PS1 / Saturn - Kōji Hayama, Taku Iwasaki, Isao Mizoguchi, and/or Sanae Kasahara - 00:08:39     03) Real Life - Grounseed (OPNA) - PC98 – Ryu Umemoto - 00:10:20     04) Echo Basin - Rollerdome – Multi – ELECTRIC DRAGON - 00:12:35     05) Never 4ever - Hover - multi - Hideki Naganuma - 00:16:29     06) Birthday Cake (JSRF Edit) – Jet Set Radio Future – XBox – Cibo Matto - 00:20:42     07) Ring Man Stage - Mega Mav IV – NES – Minae Fujii and/or Yasuaki Fujita - 00:23:26     08) Boss Battle 3 - Street Fighter 2010 – NES – Junko Tamiya - 00:25:19     09) Chapter 05 - Cross Wiber – PCE – Yasuashi Kawasaki, and/or Hiroto Saitoh - 00:26:49     10) Jungle - Cyber Shinobi – Mastersystem – Keisuke Tsukahara - 00:28:22     11) City of the Future - Rocket Coaster – LaserActive – Wataru Ogura - 00:30:01     12) Jazz 2 - SimCopter - PC – Jerry Martin - 00:31:54     13) Skylight Tune – Insector X – Genesis – Cube - 00:37:22     14) Liberty – Gran Turismo 5 – PS3 - Kemmei Adachi - 00:39:35     15) Violet-eyed Beauty - Dead Or Alive Xtreme 3 Scarlet – PS4 / Switch – Makoto Hosoi, Gota Masuoka, Masayoshi Sasaki, Mari Yoshida, and/or Kosuke Mizukami - 00:43:42     16) Endscreen - Final Vendetta - multi – Futurecast and/or Utah Saints - 00:46:54     17) Track 2 - Impact Racing – PS1 / Saturn – Brian Lewis and/or Martin Schjøler - 00:49:38     18) New World (Level Unlock) - Art of Balance – Multi – Martin Schjøler - 00:52:41     19) Main Menu – Zenses Ocean – DS - Martin Schjøler - 00:53:30     20) Spatial Lullaby - Stellaris – Multi - Andreas Waldetoft - 00:56:41     21) Air Area Night - Drakkhen –SNES – Hiroyuki Masuno - 01:00:43     22) Parcul Trandafirilor (Evening) - Twilight – X68000 – Ryu Umemoto, Ryu Takami, and/or Hiroaki Sano - 01:02:37     23) Rememberance Garden – Palia – Multi – Steffen Schmidt – 01:05:19     24) Snow Field - LoZ: Echoes of Wisdom – Switch – Yoshitaka Fujita, Hajime Wakai, Masato Ohashi, Manaka Kataoka, Chisaki Hosaka, Reika Nakai, Yuri Goto, Ryotaro Yagi,  and/or Azusa Kato - 01:09:50     25) Motionless - Returnal– PS5 / PC - Bobby Krilic - 01:12:00     26) Prologue – Dordogne – Multi – Supernaive - 01:16:16     27) Track 06 - Jurassic Park – Sega CD – David Javelosa, Barry Blum, Brian Coburn, Tom Miley, and/or Spencer Nilsen - 01:17:50     28) April Village - Lovely Planet 2: April Skies – PC – Calem Bowen - 01:18:48     29) Silly Science A - Snipperclips - Switch - Calum Bowen - 01:20:46     30) Free Programming - Game Builder Garage – Switch – Kazumi Totaka - 01:26:01     31) Lively Town - Shining Force II - Genesis – Motoaki Takenouchi - 01:29:00     32) O.M.I.S.E. - Super Hydlide - Genesis – Shigeru Tomita - 01:32:27     33)  Title Theme - PGA Tour 96 – Genesis –  Marc Farly, Rob Hubbard, Tony Berkeley, and/or David Whittaker - 01:34:11     B1) Outro - 01:36:53     B2) OUTTAKE: Wyatt 2025 “Fly the N” recording session - 01:46:18        Music Block Runtime: 01:32:50 / Total Episode Runtime: 01:49:05    Our Intro and Outro Music is Funky Radio, from Jet Grind Radio on the Sega Dreamcast, composed by BB Rights.    Produced using a nearly equal mix of Audacity and Ardour in Fedora Linux on an ASUS ROG Zephyrus 14 (2023) laptop with perhaps a little support from a Dell Latitude 7480 (also running Fedora Linux) or the Steam Deck (running Steam OS). Recorded with a Shure SM7B XLR dynamic microphone on a RØDE PSA1+ boom arm through a Cloudlifter and a Focusrite 4i4 XLR-to-USB interface!    You can also find all of our audio episodes on https://archive.org/details/@nerd_noise_radio as well as the occasional additional release only available there, such as remixes of previous releases and other content.    Our YouTube Channel, for the time being is in dormancy, but will be returning with content, hopefully, in 2022. Meanwhile, all the old stuff is still there, and can be found here:     https://www.youtube.com/user/NerdNoiseRadio    Occasional blogs and sometimes expanded show notes can be found here:    nerdnoiseradio.blogspot.com.    Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at     https://www.facebook.com/groups/VGMPodcastFans/    We are also a member of Podcasters of Des Moines at https://www.facebook.com/groups/1782895868426870/    Or, if you wish to connect with us directly, we have two groups of our own:     Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.    Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.    Or you can reach us by e-mail at nerd.noise.radio@gmail.com    You can also follow us on X (Twitter) at https://twitter.com/NerdNoiseRadio , Threads at https://www.threads.net/@nerdnoiseradio , Instagram at https://www.instagram.com/nerdnoiseradio?igsh=MWF4NjBpdGVxazUxYw== , Mastodon at https://universeodon.com/@NerdNoiseRadio , and BlueSky at  And we are also now on Spotify, TuneIn, Pandora, iHeartRadio, Vurbl, Amazon Music and Audible! There is technically a Discord channel, but we may or may not ever take it public!    Thanks for listening! Join us again next month for C1E92 (Channel 1, Episode 92):The Arzette Soundtrack - Delicious VGM on "Noise from the Hearts of Nerds"! And wherever you are - Fly the N!    Cheers! 

Hour 3: Sports Mishmash, NFL Coaching Searches, Audio Dump full 2675 Wed, 22 Jan 2025 04:56:00 +0000 N0lFkAzxwRrYSFGrf4lG6yetPovGLTzg sports The Fan After Dark sports Hour 3: Sports Mishmash, NFL Coaching Searches, Audio Dump The Fan After Dark includes a rotation of hosts offering a truth-telling sports entertainment experience that gets listeners right on the biggest sports topics in and around DFW, across the country, and around the world. Focusing on the Cowboys, Rangers, Mavericks, etc., The Fan After Dark airs M-F from 7-11 PM and is the only live and local sports radio show in the MetroplexCome 'Get Right' with Reg on The Fan, and be prepared for sports talk on a whole new level. You can follow Reg on Twitter @regadetula © 2024 Audacy, Inc. Sports False https://player.amperwavepodcasting

Well the truth be told, our regular shows are as we call them behind the podcast around the basement ...we call these our MISH-MASH shows. Because we throw a lot of various variety into these shows, so me and (MM.1) call it well time to edit and post another mish mash show.So on this show we have music from" Buddy Holly / The Hollies / Del Shannon / Toto / Traffic / Spirit and Heart.......So here we post another mish mash show on Songs From The basement....  YES!!! more to come..... slowly but surely....Intro: Hard To Find-Gary Lewis1. Just For You-Traffic2. Sweet Southern Love-Phil Everly3. A Quiet Place To Live-Carole King4. It's Alright For Me-New Riders Of The Purple Sage5. Power Of Love-Gary Wright6. More Than You Can Take-Helen Reddy7. Rock Maker-Toto8. For The Heart-Elvis Presley9. Franklin Limestone-The Charlie Daniels Band10. Get On The Right Thing-Wings11. I'll Be Back-The Beatles12. This Man Is Mine-Heart13. Sweet Loraine-Kay Starr14. Ain't That Loving You-The Beau Brummel's15. Soul Surfer-The Lively Ones 16. You Know That I Love You-The Archies17. Reminiscing-Buddy Holly18. Early Morning Rain-Judy Collins19. Dark Eyed Woman-Spirit20. Getting Even-Carl Smith21. Run Baby Run-The Newbeats22. Why Didn't You Believe-The Hollies23. Cherry Hill Park-Classics 424. Keep Searching-Del Shannon25. Dark Eyed Angel-Donovan26. My Kind Of Life-Cliff Richard27.  Fall In Love Again-Maria Muldar 28. Mixed Emotions-Atlanta Rhythm Section29. When You Get Right Down To It-The Delphonics 30. What You See-Al Wilson31. Now She's Gone-Marshall Tucker Band32. Break Away-Art Garfunkel 33. What A Day-The Contrasts 34. Twinkle Toes-Roy Orbison35. Birthday Party-The Pixies 336. No-No-No-Tony Perkins37. Everything Stopped For A While-Mel CarterOutro: Dig-The Viscounts

A new MP3 sermon from Alpha and Omega Ministries is now available on SermonAudio with the following details: Title: A MishMash of Topics Today! Subtitle: The Dividing Line 2025 Speaker: Dr. James White Broadcaster: Alpha and Omega Ministries Event: Podcast Date: 1/14/2025 Length: 61 min.

Sometimes you just have a bunch of windows open on the computer and just do your best to work through them! Results in a lot of different topics covered, but hey, that way you might find something that grabs your interest!

We discussed the latest transfer stories, including Marcus Rashford's transfer to Serie A giants and Khvicha Kvaratskhelia's best possible destination.

Send us a textIn another solo episode, Hotflash inc founder Ann Marie McQueen talks about her frustration with unrealistic expectations for women, Peter Attia, weighted vests, people who use the words “misinformation, disinformation” and who like to “debunk” things, what happens when you start to choose yourself, the song that got her crying in the gym and why It's all a great way to get you excited about who's going to be on the podcast next week. Join the Hotflash Inc perimenoposse: Web: hotflashinc.comTikTok: @hotflashincInstagram: @hotflashincX: @hotflashinc Episode website: Hotflashinc See hotflashinc.com/privacy-policy for privacy information

Hour 3: Connor Hibbett, Sports Mishmash, Blake It or Leave It full 2678 Wed, 13 Nov 2024 04:57:00 +0000 YszezDeVXUY25ISzGMrtIWhxJSamWHBf sports The Fan After Dark sports Hour 3: Connor Hibbett, Sports Mishmash, Blake It or Leave It The Fan After Dark includes a rotation of hosts offering a truth-telling sports entertainment experience that gets listeners right on the biggest sports topics in and around DFW, across the country, and around the world. Focusing on the Cowboys, Rangers, Mavericks, etc., The Fan After Dark airs M-F from 7-11 PM and is the only live and local sports radio show in the MetroplexCome 'Get Right' with Reg on The Fan, and be prepared for sports talk on a whole new level. You can follow Reg on Twitter @regadetula © 2024 Audacy, Inc. Sports False https://player.amperwavepodcast

Hour 2: Fan After Dark Mishmash, Brandon Loree, Fair or Foul full 2569 Wed, 30 Oct 2024 03:58:00 +0000 Zc84QaenzOnhPqpIYV6ok91AOntjTCm7 sports The Get Right sports Hour 2: Fan After Dark Mishmash, Brandon Loree, Fair or Foul The Get Right with Reginald Adetula is a truth-telling sports entertainment experience that gets listeners right on the biggest sports topics in and around DFW, across the country, and around the world. Focusing on the Cowboys, Rangers, Mavericks, etc., The Get Right airs M-F from 7-11 PM and is the only live and local sports radio show in the Metroplex. Blending wit, humor, and candid conversation, Reg brings a fresh perspective on the sports topics of the day that engages all listeners, no matter their favorite sport. With can't miss segments like 'This or That,' Reggie aims to bring entertainment and fun to every sports conversation, no matter the subject. Come 'Get Right' with Reg on The Fan, and be prepared for sports talk on a whole new level. You can follow Reg on Twitter @regadetula 2024 © 2021 Audacy, Inc. Sports False https://player.amperwavepodcasti

Concerning quality measures in healthcare organizations, a common complaint is, “I've got so many people looking over my shoulder, pulling our data in, ranking me, rating me, everything else, and there is no way I can keep track of literally the hundreds of metrics for which we're accountable.”   On this episode of our award-winning podcast, Dr. Tomas Villanueva welcomes back a leading quality expert to discuss how organizations can approach quality metrics today – what metrics to choose and how to apply them.   Moderator: Tomas Villanueva, DO, MBA, FACPE, SFHM Senior Principal, Performance Improvement Consulting Vizient   Guest: Rick May, MD Senior Principal, Consulting Solutions Vizient   Show Notes: [01:49] Why measuring quality is crucial [02:17] If you do quality well, financial success follows [02:57] Quality attracts staff [03:46] Has quality improved overall in healthcare? [04:42] Choosing the right metrics – 500 metrics exist overall [05:58] Mishmash in timing of measures – complex and “all over the map” [08:03] Realistic rate of improvement (hint: it's not 10%!) [08:53] Impact of under-capturing documentation   Links | Resources: To contact Modern Practice: modernpracticepodcast@vizientinc.com Dr. May's email: rick.may@vizientinc.com   Subscribe Today! Apple Podcasts Amazon Podcasts Android Spotify RSS Feed

The first full week of College football and the Skullduggery continues in college athletics. A new position has been created around the country without a true job description. Why Iowa's H/C was missing for week one. The schools are to to put the toothpaste back in the tube to get some control back from the athletes, by shrinking the opportunities to transfer to other schools. Will it lead to more court time for the NCAA? Red shirt may become a thing of the past. More ways to earn money by the athletes. Title Sponsor: minnesotapersonalinjury.com Sponsor: www.linkzart.com www.jaybeesgloverepair.com Contact us: jaybee780@comcast.net   #NCAA #kirkferentz #redshirt #transferportal #payforplay

On this week of Serious Privacy, Paul Breitbarth of Catawiki and Dr. K Royal cover a privacy mishmash - starting with the shot heard ‘round the world (assassination attempt on Donald Trump), followed by morality expectations of some professionals (like teachers, at least one teacher was fired for comments on the attempt), the FTC's actions against Calmara, #HeHealth's controversial app (and kudos to the team who had to go through all those pics and videos) and NGL Labs, a viral #TikTok doctor who lost her license, SHIELD Act, and an FCC settlement against CaptionCall. We also covered the Turkish KVKK's long awaited guidance on international data transfers, UK priorities as stated in the King's Speech, a Dutch enforcement against Kruidvat.nl  for €600,000s for online tracking, and a little about the Olympics. #livelearnlaugh If you have comments or questions, find us on LinkedIn and IG @seriousprivacy @podcastprivacy @euroPaulB @heartofprivacy and email podcast@seriousprivacy.eu. Rate and Review us! Proudly sponsored by TrustArc. Learn more about NymityAI at https://trustarc.com/nymityai-beta/ #heartofprivacy #europaulb #seriousprivacy #privacy #dataprotection #cybersecuritylaw #CPO #DPO #CISO

Happy spooky Wednesday, friends! This week is Kala's birthday episode! She celebrates by telling you all about the Danvers State Hospital in Danvers, Massachusetts. Once a psychiatric hospital in the late 1800s (with all the horrible history that goes along with that) it is now the site of luxury apartments. But would you want to pay top dollar to be surrounded by apparitions and disembodied screams? And Brittany gifts both Kala and you listeners with tales of the spooky activity in the Appalachian Mountains. Cryptids, spirits, and bears! Oh my! Don't go out for a midnight stroll out there, you may not come back.

Meredith just woke up from a nap two minutes before recording and keeps yawning, air fresheners, we talk about everyone's side hustle and some random ideas from ChatGPT, we talk about budgeting, you have to think you're craft is the best to sell it at a craft show, Meredith no longer plays scratch-offs, and Cassandra no longer has credit cards, Congratulations to Brianna and Rob!All the Clopen links: https://linktr.ee/theclopeneffectSupport us here to keep us recording: https://the-clopen-effect.captivate.fm/supportBuy merch here because it's cool: https://www.zazzle.com/the_clopen_effect_t_shirt-256038010043042814All material, unless otherwise stated, written and performed by The Clopen EffectFrom our other podcast, the book: Anxiety Makes Me Poop, Too: https://a.co/d/3eDNUzn

Today we head on down to the internet Imbibery, to drink our cares away and talk funny about all things theme parks. This week were all about that relaxed fit. Adriane and Ryantalk about some upcoming events, we talk through some big disney news articles as of late and jam out to some listener mail and posts. its fun for the family, but with swears, so maybe the whole family that is cool with hearing us talk dirty about the adult side of the themed out world. what's it all about?...  To find out, you just gotta listen in. Drunk Distory, The Dark Ride, Funny, Comedy, Comedians, Adult Disney Podcast, Adult Universal Podcast, Adult Themepark Podcast, Vacation, Universal Studios Orlando, Disney Vacation, suns out guns out, Trip Report, Peltz for President, Iger, cruise control, price hike, surge pricing, annual passholder, club 33, Disney Hollywood Studios, Magic Kingdom, EPCOT, epcot, Animal Kingdom, Rides, History, booze, Theme Park Podcast, Orlando, Amusement Park, Drinking Game Podcast, Universal Studios, Islands of Adventure

Playlist for this episodeCatchup:Bjear vinylBandcamp …Reviews:Asher reviewed “Spirituality and Distortion” by IgorrrJosh reviewed “Good and Green Again” by Jake Xerxes FussellHomework:Josh gave Asher “Tea for the Tillerman” by Cat StevensAsher gave Josh “6 and 12-String Guitar” by Leo Kottke Part 1, Part 2Honourable mentions:IDLESSlaughter Beach, DogNick Cave and Warren Ellis FilmZach BryanJonathan ActchleyAkusmiA.S. EmberEraserheadBrave OST

The staff and customers pool their talents to rid the Coffee Shop Hey, You! of the rowdy Suits.Coming next on 26 March – Heartbeats, a microgameProgramme notesInterstitial, 2nd edition is on KickstarterCreditsCOMPERE: Matt BoothmanSTARRING:Alexander Pankhurst as Morgana Le FayNatalie Winter as Jemima Puddle-DuckStrat as Tom ThumbROLEPLAYING GAME SYSTEM: Interstitial: Our Hearts Intertwined by Riley HopkinsMUSIC: In The Dark – Flashes by Bix Beiderbeck, performed by Jess Stacy, provided by the Open Music ArchiveRECORDED AND ENGINEERED BY: Kristian Mitchell-DolbyEDITED AND PRODUCED BY: Matt BoothmanCOMMISSIONED BY: Mira Manga and Fiona KT Howat for the Dragonmeet Podcast Zone 2023Find usOn InstagramOn Tumblrwww.MerelyRoleplayers.com

Some badly behaved new customers are ruining the vibe at the Coffee Shop Hey, You!Coming next on 19 March – Fan Fic Mish Mash, Act 2 (live at Dragonmeet 2023)Programme notesInterstitial, 2nd edition is on KickstarterBook to play Spindlewheel or The Hunted with Matt at Airecon on 15 and 16 MarchCatch up on the two-part game of Heart: The City Beneath that Matt ran for Actual Play UKCreditsCOMPERE: Matt BoothmanSTARRING:Alexander Pankhurst as Morgana Le FayNatalie Winter as Jemima Puddle-DuckStrat as Tom ThumbROLEPLAYING GAME SYSTEM: Interstitial: Our Hearts Intertwined by Riley HopkinsMUSIC: In The Dark – Flashes by Bix Beiderbeck, performed by Jess Stacy, provided by the Open Music ArchiveRECORDED AND ENGINEERED BY: Kristian Mitchell-DolbyEDITED AND PRODUCED BY: Matt BoothmanCOMMISSIONED BY: Mira Manga and Fiona KT Howat for the Dragonmeet Podcast Zone 2023Find usOn InstagramOn Tumblrwww.MerelyRoleplayers.com

Today's broadcast is  C1E81 for Mishmash Monday, . Today's episode is Mishmash Monday – vol 15, and the inaugural episode of 2024's "Season 7" (and the start of St. John's 8th year in podcasting).    Tracklist: Track Number - Track - Game - System(s) - Composer(s) - Timestamp    A1 Season 7 Earcatcher - 00:00:00  A2) Intro - 00:00:03  01) Spirit Hymn - Dinosaur - FM Towns (YM2612) - Masaki Kawai - 00:03:04  02) White Summit Probe Naberius - Phantasy Star Online 2 - Multiplatform - Hideaki Kobayashi, Mitsuharu Fukuyama, Kenichi Tokoi, Tadashi Kinukawa, and/or Chihiro Aoki - 00:05:38  03) The Hanging Edge - Final Fantasy XIII - PS3 / XB360 - Masashi Hamauzu - 00:13:03  04) Down the Rabbit Hole - Deathloop - Multiplatform - Tom Salta - 00:16:21  05) Streets of Bronx - Three Dirty Dwarves - Saturn - Attila Héger, and/or Attila Dobos - 00:19:33  06) Title Theme - Two Crude Dudes - Genesis - Azusa Hara, Hiroaki Yoshida, and or Tatsuya Kiuichi - 00:22:52  07) As Vrea - Twilight - X68000 - Ryu Umemoto, and/or Hiroaki Sano - 00:24:02  08) Wayland's Watch - Bard's Tale - Apple IIGS (ProDOS 8) - Lawrence Holland - 00:26:32  09) The Silence of Daylight - Castlevania II - NES - Kenichi Matsubara, Satoe Terashima, and/or Kouji Murata - 00:27:59  10) Super Shop Theme - Clash at Demonhead - NES - Michiharu Hasuya - 00:29:27  11) Yoru No Nikusyokujyu - Contra: Hard Corps - Genesis - Hiroshi Kobayashi, Akira Sōji, Kenji Miyaoka, Michiru Yamane, Akira Yamaoka, and/or Hirofumi Taniguchi - 00:30:31  12) Ginza - Shin Megami Tensei - PC Engine - Tsukasa Masuko - 00:33:06  13) Pao Pao Cafe - Fatal Fury - SNES - Kazuhiro Nishida, Yoko Osaka, Muraisan, Toshikazu Tanaka, Yasuo Yamate, Hiroshi Matsumoto, Michael Beard, and/or Goodam Kakaree  - 00:34:55  14) Title Theme - Supremacy - C64 - Jeroen Tel - 00:37:18  15) Level 2 - Jurassic Park - Gameboy - Jonathan Dunn - 00:41:07  16) The House of Wax Dolls - Vampire: Master of Darkness - Master System - Takashi Horiguchi - 00:45:43  17) Fight Theme - Mortal Kombat - Amiga - Allister Brimble - 00:47:25  18) Chicago Rooftop - Killer Instinct - Arcade - Robin Beanland, and/or Graeme Norgate - 00:49:16     [SENSORY WARNING: Next track opens very abrasively!]      19) Last Battle - Chrono Trigger - SNES - Yasunori Mitsuda - 00:51:37  20) Death Adder - Golden Axe - Genesis - Tōru Nakabayashi - 00:55:07  21) Munari City - Summoner 2 - PS2 - Franky Vivid - 00:57:33  22) Cave Dweller Concert - Donkey Kong Country - SNES - David Wise, Eveline Fischer (Novakovic), and/or Robin Beanland - 01:02:43  23) Poisonous Swamp / Ghost House - Super Mario Wonder - Switch - Shiho Fujii, Sayako Doi, and/or Chisaki Shimazu - 01:05:33  24) Outside NIWA - The Medium - Multiplatform - Arkadiusz Reikowski, and/or Akira Yamaoka - 01:07:42  25) Hot Spot - Zenses Ocean - DS - Martin Schjøler - 01:11:15  26) Little Cave - Diver's Dream - PS1 - Takayuki Ishikawa, and//or Shinya Watabe - 01:14:31  27) 10pm - Animal Crossing: New Horizons - Switch - Yasuaki Iwata, Yumi Takahashi, Shinobu Tanaka, Sayako Doi, and/or Masato Ohashi - 01:16:55  28) Select Screen - StarFox 64 - N64 - Kōji Kondō, and/or Hajime Wakai - 01:19:10  29) The Corridors of Time - Chrono Trigger - SNES - Yasunori Mitsuda - 01:20:56  30) Supplement - Bomberman Hero - N64 - Jun Chikuma - 01:23:38  31) World E - Art of Balance - Multiplatform - Martin Schjøler - 01:25:57  32) Forest - Miitopia - 3DS / Switch - Toshiyuki Sudo, Shinji Ushiroda, Yumi Takahashi, and/or Megumi Inoue - 01:28:11  33) Floor 2-2 - Wolfenstein 3D - 3DO - Todd Dennis - 01:30:08  B1) Outro - 01:33:30  B2) Outtakes - 01:45:12     Music Block Runtime: 01:30:30, Total Episode Runtime: 01:46:23    Our Intro and Outro Music is Funky Radio, from Jet Grind Radio on the Sega Dreamcast, composed by BB Rights.    Produced using a nearly equal mix of Audacity and Ardour in Linux (either Fedora Linux (Gnome), Nobara (Gnome), SteamOS 3 (KDE), Manjaro (MATE), Ubuntu DDE, Ultramarine (Pantheon), Ubuntu Unity, Sparky Linux (NsCDE), or on any combination of the Gaming PC "Big Rig", the Steam Deck, Living Room desktop, Mac Mini or one of three Linux laptops – Fedora on Laptop and/or Nobara on Big Rig being the most likely and most common). Recorded with a Shure SM7B XLR dynamic microphone on a RØDE PSA1+ boom arm through a Cloudlifter and a Focusrite 4i4 XLR-to-USB interface!    You can also find all of our audio episodes on https://archive.org/details/@nerd_noise_radio as well as the occasional additional release only available there, such as remixes of previous releases and other content.    Our YouTube Channel, for the time being is in dormancy, but will be returning with content, hopefully, in 2022. Meanwhile, all the old stuff is still there, and can be found here:     https://www.youtube.com/user/NerdNoiseRadio    Occasional blogs and sometimes expanded show notes can be found here:    nerdnoiseradio.blogspot.com.    Nerd Noise Radio is also available on The Retro Junkies Network at www.theretrojunkies.com, and is a member of the VGM Podcast Fans community at     https://www.facebook.com/groups/VGMPodcastFans/    We are also a member of Podcasters of Des Moines at https://www.facebook.com/groups/1782895868426870/    Or, if you wish to connect with us directly, we have two groups of our own:     Nerd Noise Radio - Easy Mode: https://www.facebook.com/groups/276843385859797/ for sharing tracks, video game news, or just general videogame fandom.    Nerd Noise Radio - Expert Mode: https://www.facebook.com/groups/381475162016534/ for going deep into video game sound hardware, composer info, and/or music theory.    Or you can reach us by e-mail at nerd.noise.radio@gmail.com    You can also follow us on X (Twitter) at https://twitter.com/NerdNoiseRadio , Threads at https://www.threads.net/@nerdnoiseradio , Instagram at https://www.instagram.com/nerdnoiseradio?igsh=MWF4NjBpdGVxazUxYw== , Mastodon at https://universeodon.com/@NerdNoiseRadio , and BlueSky at  And we are also now on Spotify, TuneIn, Pandora, iHeartRadio, Vurbl, Amazon Music and Audible! There is technically a Discord channel, but we may or may not ever take it public!    Thanks for listening! Join us again in February (dates TBD) for C1E82 (Channel 1, Episode 82) [SUBJECT TBD], as well as C2E16 – working title "Songs with Words" - Delicious VGM on "Noise from the Hearts of Nerds", as well as Tasty VGM and Talk on "Nerd Noise Game Club". And wherever you are - Fly the N!    Cheers! 

The title says it all as we're hitting a bunch of small topics this week on the show.

Canada got caught up with flase information on the Ohtani front all day Friday. Patience is a virtue I guess. The Penguins can't score on the power play, the Oilers are still 5 pts out of a playoff spot despite a 6 game win streak and the Leafs might have a goaltending issue with Woll out for the foreseeable future. And who is going to win the Heisman? Happy Birthday to Tony Batista and on this day in 1995Eddie George of the Ohio State Buckeyes won the Heisman Trophy And Happy Birthday to our producer and sound guy Jimmy Valentine! Check out his newest single "Save You" here on Spotify! https://open.spotify.com/track/1BFZPYmuzjiEeEyngu0pwG?si=e199342e8883431b Learn more about your ad choices. Visit megaphone.fm/adchoices

This week, we talk about Thanksgiving, PS5 Black Friday deal, Invincible, WWF Superstars cereal, New Day Booty O's entrance, MishMash cereal, Liquid Death vs Arnold Palmer, David McCallum's The Edge, the QoftheW, Insult, and more! Salty Merch: https://www.teepublic.com/user/saltylanguagepods Our Patreon: Patreon.com/saltylanguage   Subscribe / rate / review us on Apple Podcasts!   Links: 1. WWF Superstars cereal https://www.mrbreakfast.com/cereal_detail.asp?id=392 2. New Day Booty O's entrance https://www.youtube.com/watch?v=h_2i9gt2qMA&ab_channel=WWE 3. MishMash cereal https://eatmishmash.com/ 4. MishMash commercials https://www.instagram.com/eatmishmash/ 5. Liquid Death Dead Billionaire https://www.sportsbusinessjournal.com/Articles/2023/11/28/liquid-death-arnold-palmer-social-media-battle.aspx 6. David McCallum's The Edge https://rockthebells.com/articles/actor-david-mccallum-dre-dre-sample/ QoftheW: What is some rich shit you do even though you aren't rich? Insult: Fussock Visit us at: saltylanguage.com Apple Podcasts: https://podcasts.apple.com/us/podcast/salty-language/id454587072?mt=2 Spotify: https://open.spotify.com/show/3GnINOQglJq1jedh36ZjGC iHeart Radio: http://www.iheart.com/show/263-Salty-Language/ Google Play Music: https://play.google.com/music/listen#/ps/Ixozhhniffkdkgfp33brnqolvte Tony's YouTube channel: https://www.youtube.com/@allthebeers Bryan's YouTube channel: https://www.youtube.com/@IFinallyPlayed https://www.tiktok.com/@saltylanguage facebook.com/saltylanguage @salty_language / saltylanguage@gmail.com http://salty.libsyn.com/webpage  / http://www.youtube.com/user/SaltyLanguagePod Instagram/Threads: SaltyLanguage Reddit: r/saltylanguage Stitcher: https://www.stitcher.com/podcast/salty-language tangentboundnetwork.com Share with your friends!

Our 50th episode is here and Charles' mullet is gone! Charles and Link celebrate 50 together. Charles tells Link a story about getting recognized at his local bank. Link updates Charles on his father-in-law's improvement after a scary accident, and surprises him with the announcement of his new cereal brand, MishMash! C'mon and have a good time with us! Go to HelloFresh.com/myrtlefree and use code myrtlefree for FREE breakfast for life! One breakfast item per box while subscription is active. Order your boxes of Sweet Mac 'N Mello and Peanut Butter N' Honey Sandwich now at eatmishmash.com! To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Here's what we covered today:Check out Saurabh Shah on LinkedIn!STRIKE OVER: Actors Make a Deal With Studios After 118 Days TikTok's $1 billion creator fund is shutting down. Here's how creators are getting paid from now on. - Tubefilter TikTok is shutting down its Creator Fund in favor of its newer Creativity Program | TechCrunch  Rhett & Link launch their own mythical cereal brand - TubefilterUncommon Threads Media is translating global children's videos. Up first: A giraffe named Joze. - TubefilterPRIME crosses 1 billion bottles sold!

Get your bowls and spoons ready, because Rhett & Link have made a cereal! In this episode, Rhett & Link discuss how their new cereal MishMash came to be, find out that they might be playing a bigger role in some people's bedrooms than they thought, and someone reveals that Rhett's “Yoatmeal” actually already exists. Plus, Link's new fashion accessory to end the tyranny of pockets. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Show notes here in Markdown, No HTML. No relative links. In this episode, we discuss: Upgrading the network in a rented student house with TP-Link Deco The gaming journey of a tiny-handed toddler from button mashing to throwing rocks Building a solid-state NAS with NixOS You can send your feedback via show@linuxmatters.sh or the Contact Form. If you’d like to hang out with other listeners and share your feedback with the community you can join: The Linux Matters Chatters on Telegram. The #linux-matters channel on the Late Night Linux Discord server. If you enjoy the show, please consider supporting us using Patreon or PayPal. For $5 a month on Patreon, you can enjoy an ad-free feed of Linux Matters, or for $10, get access to all the Late Night Linux family of podcasts ad-free.

Show notes here in Markdown, No HTML. No relative links. In this episode, we discuss: Upgrading the network in a rented student house with TP-Link Deco The gaming journey of a tiny-handed toddler from button mashing to throwing rocks Building a solid-state NAS with NixOS You can send your feedback via show@linuxmatters.sh or the Contact Form. If you’d like to hang out with other listeners and share your feedback with the community you can join: The Linux Matters Chatters on Telegram. The #linux-matters channel on the Late Night Linux Discord server. If you enjoy the show, please consider supporting us using Patreon or PayPal. For $5 a month on Patreon, you can enjoy an ad-free feed of Linux Matters, or for $10, get access to all the Late Night Linux family of podcasts ad-free.

In this episode, we discuss: Upgrading the network in a rented student house with TP-Link Deco The gaming journey of a tiny-handed toddler from button mashing to throwing rocks Building a solid-state NAS with NixOS     You can send your feedback via show@linuxmatters.sh or the Contact Form. If you'd like to hang out with... Read More

The Hersey boys set out to have themselves a Halloween episode, and of course get sidetracked. Listen along and join them on their journey through haunted houses and so much more, some of which actually relates to the holiday. Connect with the TodCast! Check out our website at: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://todcastpodcast.com/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ On Twitter: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@CastTod⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ and/or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠@EricHersey⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ On FaceBook: ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.facebook.com/todcastpodcast/⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ Send us your ideas via the ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠website⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ or ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠email⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠! Find out what Eric has been up to in the world of websites and SEO at ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ericherseyweb.com⁠ --- Send in a voice message: https://podcasters.spotify.com/pod/show/todd8/message

Welcome to "Another Great Day," the podcast designed to encourage interaction, creativity, and conversation. Join your hosts, Aaron and Chris, as they explore a variety of intriguing topics, share a daily dose of wisdom, and bring a whole lot of laughter to your day. From dissecting "Bad Movie Descriptions" to delving into "This Day in History," and pondering thought-provoking questions, this podcast promises to make your day even more great. --- Send in a voice message: https://podcasters.spotify.com/pod/show/anothergreatday/message

John and Wes engage in thought-provoking conversations covering a wide range of subjects, including FEMA camps and mental health awareness (with a strong emphasis on discouraging suicide). They savor their discussions over a delightful Firestone Walker Oaktoberfest beer and a flavorful Rye whiskey from Peerless Distillery. Cheers to meaningful dialogues and responsible choices! Firestone Walker Oaktoberfest Peerless Rye Whiskey National Suicide Hotline Find your Fema Region Thanks to JT for the Rye Whiskey suggestion

Krystal and Alma are back from their delay, talking about self-care, boundaries, stress, habits, and more. As the title says, a mishmash of things! Check out the website for some resources inspired by this episode! thefriendshipbread.com We hope you enjoy this conversation, thank you for being here! Leave us a voicemail: https://anchor.fm/thefriendshipbreadpodcast/message Send us an email at: thefriendshipbread@gmail.com Find the community blog at: thefriendshipbread.com Find us on Instagram: instagram.com/thefriendshipbread/ Find us on Facebook: facebook.com/thefriendshipbread/

A novel theory of the distribution of consumption during the end of the 2nd hundred years war is developed.We explain the problems of relying on changing productivity numbers, but we still tend to accept them because the rest of our context suggests that they were truly increasing.In an episode focused on economic statistics and financial theory, Harald, perhaps betrays difficulties with emotional stability by berating the audience.You can learn about income growth, the industrious revolution, though there probably should have been more mention of the spiritual anxieties of puritans, the role of social stability in England (relative stability), the vital role of reputation in successful business, and labor mobility.

The definition of mishmash is a “confused mixture” and that's exactly what this episode is! I'm discussing all of the things that have been “running” through my head this past week. I talk about shoes, which trails to run, what races I have coming up, how untalented I am as a runner… the list goes on. I hope there's something here that resonates with you! As always, thank you for listening and please share your feedback on today's episode by either giving me a review on the app of your choice or by emailing me at funoftherunpodcast@gmail.com. I can also be reached via DM on Instagram @waddellrunninglady

In keeping with our tradition of Bric-a-brac, Grab-bag, Potpurri, and Miscellany, Ron and Ed will present their thoughts on some articles and posts on varied topics that require more than just a cursory conversation, but not quite a full episode. You can join in by submitting your latest ideas and topics by sending us an email to asktsoe@verasage.com or on X - @asktsoe.

In keeping with our tradition of Bric-a-brac, Grab-bag, Potpurri, and Miscellany, Ron and Ed will present their thoughts on some articles and posts on varied topics that require more than just a cursory conversation, but not quite a full episode. You can join in by submitting your latest ideas and topics by sending us an email to asktsoe@verasage.com or on X - @asktsoe.

Sarah yells at a stranger and Heather revels in the Berlin grit. Thank you to our Patrons! Please consider directly supporting us at Patreon for ad-free episodes, access to our Discord server, and all around good vibes as you help us keep the lights on.Support this show http://supporter.acast.com/hsgd. Hosted on Acast. See acast.com/privacy for more information.

New competition is springing up in the microblogging space by the week these days, and to one degree or another, all these new services are attempting to reduce the centralization that led to the current sorry state of Twitter. In this ep we chat about the idea of federated social media -- that is, a bunch of communities loosely connected together -- and how it's being implemented on Mastodon and Bluesky, wrestle with the implications for moderation and network effects when everyone is no longer on the same service, and remember that the Internet has been here and done all this before.Here's Bob Ballard's Titanic talk and the original press conference mentioned in the cold open:2012 talk: https://www.youtube.com/watch?v=5Q3eA6wYil41986 discovery press conference: https://www.youtube.com/watch?v=Fe54buLGWS8Support the Pod! Contribute to the Tech Pod Patreon and get access to our booming Discord, your name in the credits, and other great benefits! You can support the show at: https://patreon.com/techpod

Hey everyone, it's JD here with Pete and Tim, and we've got an exciting episode for you as we explore the Tragically Hip's 1994 album, Day for Night. This record holds a special place in my heart, and I can't wait to share my memories with Pete and Tim. Listen in as we discuss the album's unique nuances.As we examine the tracks on Day for Night, we also dive into the powerful lyricism of songs like Greasy Jungle and Nautical Disaster, uncovering the stories behind them. Our discussion also touches on the impact of the album's intro song, Grace, Too, setting the tone for the record and leaving a lasting impression on listeners.Join us as we reminisce about the days of midnight album releases and the significance of this record in the Tragically Hip's discography. Through our conversation, Pete and Tim share their first experiences with the band's music. So, whether you're a longtime fan or discovering the Tragically Hip for the first time, this episode is sure to be a nostalgic and enlightening journey through the world of Canadian rock history.0:00:00 - Speaker 1Hey, it's JD here and I'm with Pete and Tim and we have a really big announcement we want to make. Are you strapped in Good? Mark your calendars for Friday, september 1st, as long-sliced brewery brings to you getting hip to the hip on evening for the Downey Wend Jack Fund. 0:00:22 - Speaker 2Join us at the Rec Room in Toronto for a night of music, unity and making a meaningful impact. This event is dedicated to honoring the legacy of the tragically hip, while supporting the Downey Wend Jack Fund. 0:00:32 - Speaker 3Immerse yourself in a powerful tribute performance by 50 Mission, celebrating timeless classics that have shaped Canadian rock history. We'll also wrap up the podcast in a memorable way by doing our finale live that evening, but it doesn't stop there. 0:00:48 - Speaker 1This event is all about making a difference. So we've got a silent auction with prizes. you've got to see, from Blue Jays tickets to tragically hip ephemera to kitchen appliances. If you're looking for something cool, chances are you'll find it at our silent auction. 0:01:05 - Speaker 2All proceeds for the evening will go directly to the Downey Wend Jack Fund supporting healing, reconciliation and positive changes for Indigenous communities. 0:01:13 - Speaker 3Tickets are on sale June 1st and can be picked up by visiting gettinghippetothehipcom and clicking on finale. 0:01:21 - Speaker 1By attending Getting Hip to the Hip, you're not only enjoying a night of incredible music and comedy, but also contributing to a brighter future. Join a community of like-minded individuals who believe in the power of music and unity. 0:01:35 - Speaker 2Tickets are only $40, so mark your calendars and visit our webpage to secure your spot at this unforgettable event to celebrate the hip with fellow hip fans. 0:01:45 - Speaker 3Getting Hip to the Hip. An evening for the Downey Wend Jack Fund promises to be an experience that leaves a lasting impact. Please join us at the Rec Room in Toronto on September 1st and be part of something truly meaningful. We'd love to see you there. 0:02:11 - Speaker 1It's nearly 10.30 pm on September 23rd 1994. I'm on the 106 bus riding from York University to Wilson Station. during my first year at the institution, i was on a mission to pick up the latest effort by my favourite band, the highly anticipated Day for Night. Since mid-summer of 1993, i'd been going bananas over the song Nautical Disaster, first introduced to me during my 19th birthday. It was at another roadside attraction, and as the band launched into New Orleans as Syncon they jammed through the now classic cut in spectacular fashion. However, it wasn't until the Kumbaya Festival early in September of that same year that I finally heard the track on tape. My friend Heather had come home from university having recorded the festival on DHS. We quickly dubbed the video to cassette and now I was off to the races From there. it took until Canada Day of 1994 before I heard anything else from the record. The hip played the gig with a chip on their shoulder, as many of the fans had acted brorish and disrespectful towards many of the opening acts, including Daniel and Locke. The set was heavily peppered with songs from Day for Night and I liked what I heard. As I got off the subway and approached HMV, it was nearing midnight. The new album would be in my hands soon and I could listen without the distraction of frapples throwing bottles towards the stage. From the first notes of Grace II, this one felt different, especially after the slick polish of fully completely or the bar blues of the prior two records. This was a band hitting its stride and understanding exactly where it fit into the fabric of the rock and roll paradigm. But that was then. Today I'm tasked with taking Pete and Tim into my memories and hoping to goodness this one sticks the landing for them. We'll soon find out on this episode of Getting Hip to the Hip. Long Sliced Brewery Presents Getting Hip to the Hip. Hey, it's JD here and welcome to Getting Hip to the Hip, a Tragically Hip podcast where we go through the discography of the hip with two folks who have never heard of the band before. So, while they're having their first experience listening to the music, you can revisit yours. Send me an email, jd, at GettingHipToTheHipcom, with your first experience with the Tragically Hip. It would be great to hear those, as we listen to Pete and Tim, describe theirs. Speaking of Pete and Tim, they are most certainly ready to be released from their protective hatches. I will push the button now and they are there. They are on their platforms. they're they're levitating platforms. How are you doing, fellas? 0:05:22 - Speaker 2Hey guys, Oh sorry. 0:05:26 - Speaker 1He nodded his head. 0:05:29 - Speaker 2I nodded my head for all you out there in radio land. 0:05:32 - Speaker 3That's my favorite aspect of podcasts. 0:05:35 - Speaker 1He loves theater of the mind. Sorry about that. Yeah, that's great. What's new? 0:05:42 - Speaker 2Oh man, it's new. Back in the saddle, man, you know. back to work today, like I said, struggling with a little bit of jet lag, but other than that, i mean I, i how much time we got JD. I could. Could tell you a lot of what's going on, but I don't know. Put you guys to sleep, tim. What's going on with you man? 0:06:08 - Speaker 3Oh, just cranking on. the week getting started here And last week was, to be honest, kind of rough, so I'm hoping this week's good. That's. that's what I'm counting on. 0:06:18 - Speaker 1Fingers across for you, fellas, both of you, to avail yourself from the. Jag, the Jag lat the jet lag and for you to feel better this week. 0:06:29 - Speaker 2Did you try to? did you try to call me a jackoff right now? 0:06:33 - Speaker 1Is that what you're trying to call me? No, i said jet lag, but I said it wrong. Jag lift, jag off. Yeah, i'm all right, i can't complain. We've got a new puppy dog and she's pretty awesome So far. She's having a nap on the bed right now. She spent the morning in her crate, so you know, we've been letting her run free this afternoon, or I have been letting her run free this afternoon. So, yeah, that's really irrespective of nothing. But Who named her? I did. 0:07:09 - Speaker 2Nice. 0:07:10 - Speaker 1Yeah, yeah, that's my last naming job that I get to do, though. 0:07:15 - Speaker 2I gotta ask you, michael Keaton, george Clooney, val Kilmer, christian Bale, robert Pattinson- I guess I'm a bailperson at this point. I would have. I would have also. The judges would have also accepted Adam West Michael. 0:07:34 - Speaker 1Keaton. Oh, adam West, yeah, sure, sure, yeah. 0:07:39 - Speaker 2Michael Keaton. Michael Keaton was great, but yeah, christian Bale was. Those movies were so amazing. 0:07:43 - Speaker 1Oh, it was Batmania, just Batmania, when Keaton and Tim Burton put that whole thing together. 0:07:52 - Speaker 2Oh yeah, Tim, were you a fan. 0:07:54 - Speaker 3No opinion. 0:07:55 - Speaker 2Okay, you're fleeting the fifth on this one. 0:07:59 - Speaker 1Yeah, no opinion, okay. So we're here today to talk about the fourth long play from the Tragically HIP, their fifth output at this point. This came out in 1994, to be exact, it came out the third week of my first year of university and they did a midnight album release. So, like all the record stores were open, they would be open all day and then they would close at nine and then they would reopen at midnight so they could sell the record, because it was the next day, it was Tuesday, so it was like Monday night at midnight you would go and get the record before anybody else. 0:08:42 - Speaker 2I remember that Tower used to do that too. 0:08:44 - Speaker 1Right, it was a cool fad and it's just. 0:08:48 - Speaker 2you know it's got like It was Tuesday you said right, That's right. 0:08:51 - Speaker 1Records always came out on Tuesdays. 0:08:53 - Speaker 2And there's a reason for that, and somebody told me the reason. I can't remember, but there was a reason. There's a distinct reason why that was the case, right. 0:09:01 - Speaker 1Okay. Well, if you out there know what it is, use social and let us know. Or shoot us an email at JD, pete or Tim at getting hip to the hipcom. This record means a lot to me. So you know, i'm not going to. I'm not going to beat around the bush this time. Or I am going to no, i'm not going to beat around the bush this time, i'm going to lay it all out right now and say I fucking love this record. So you know, let that not impact your scores. But there may be some arguments because it's just got the, it's got the crisscross of hitting a sweet spot for me with my favorite band at the time and coming out temporarily at just the right time you know to to build a culture around. you know it was produced by the hip with assistance from Howard and Freakin I believe it's Mark Howard and Mark Freakin. Freakin I want to say sound guy for the hip You can listen to fully and completely to get the all, the, all, the detailed information. We always went through that stuff in a big way on that show And this is not what this one's about. This is an addendum. So the label was MCA. This is again another MCA release for the hip Looks in at a record 59 minutes 26 seconds, you know, just a almost an hour. Singles It had six singles. Grace, two was a single, it was the first. One came out right before the record dropped. Greasy jungle was the second one. Nautical disaster was the third one. So hard done by then scared, and then thugs, and I believe that thugs was almost, you know, a full year after the record came out. So this one had legs. All music rated this record a 3.5 or part of me a three out of five, much lower than fully completely, which was the record before this, which got a 4.5 out of five. So a three. Very interesting, very, very interesting, grace. Start off the top with your initial thoughts on this record, mr Leiden. 0:11:32 - Speaker 3I felt it was long, you know, and realize pretty quickly that we were getting some extra songs. What else about it? I did notice some recording kind of changes or uplifts as far as production value goes, which is cool. What else about it? There are some certain songs on there which I absolutely dug. I ended up listening to the first half of the album several times I want to say struggled through to get through the whole album in a sitting, but I just kept finding myself starting over at certain points. Yeah, yeah, yeah, yeah. So we can talk about that more. 0:12:16 - Speaker 1I mean, it's definitely a long record, And could I edit this record? Sure, i could. I'm not going to ever say which songs I would potentially edit out, because they're all my babies and I just couldn't say it, but I secretly know which ones I'd get rid of. Tim, you have been looking for an album. You've been searching for an album throughout this podcast. You know you've talked about Pizza with the Works, you've talked about Mishmash's and collections of songs produced together to round out an album, but it seems to me as though you are seeking not necessarily a concept, but a conceit, and I would have thought that paid off with fully, completely. It didn't. So how about this record? I? 0:13:06 - Speaker 3don't think I'm quite there yet, but I'm close. Okay, i was expecting this album to be maybe more, maybe more concise, since they were driving and had more control, i don't know. I think that just the fact that it was a couple songs longer in the cadence of all the songs and really looking at where their place and all those things that I like to do, you know, it checked a lot of boxes for me, but I didn't. I didn't finish listening to it in a take and go oh yeah, now I'm here. Pretty close though, but I'm pretty close, jd, tell us, tell us, you know, when it came out at 12.01, were you in line buying it, or when did you listen to it? Like, what do you recall from your first listen to this album and how you felt and why it's your fave? 0:14:00 - Speaker 1Well, again, it's got that crossroads right of like culture and time and place And they were my favorite band so it was like so exciting to be in Toronto and buying it right away, because before I would have had to buy it the next day, there had been some concerts leading up to the release of this record where they had dribbled some breadcrumbs of what this record was going to entail And it was so cool to hear it And, more importantly for me, after the very slick sounding fully, completely, i love the. Well, you guys both know that I'm into lo-fi music and this isn't necessarily lo-fi, but this sounds much more self-produced, right Like. It sounds like it's recorded by people who are making their first record in a good way, in a really good way, like it's so fresh sounding after what. The last group of records that we heard were more slick and polished and that sort of bar rock thing. I've always said. This was the record where the Tragically Hip revealed that it hasn't been beer that's been fueling them all these years. It's weed, like they're a total weed band, and this record was the first one that reminded me of that. The rest of the records are sort of beer Okay okay, you know. Yeah, i've had 30 years to gestate on that, though, so bear that in mind. Now Pete has blood pouring out of his mouth right now. He's chewing his tongue off. You know He's dying to jump in here. What does he have to say about all this hullabaloo? 0:15:43 - Speaker 2Well, real quick. You mentioned that this was three out of five, and fully and completely was 4.5 out of five. Who's the company? 0:15:55 - Speaker 1I always use all music. I always use all music, all music, yeah. 0:15:59 - Speaker 2Yeah, they got their heads up their asses, because I don't even remotely see how this is less on the point scale than fully and completely, because I thought this record was fucking awesome. I agree that I felt the same way. That kind of Tim felt that it was a bit lengthy. I felt myself starting at a number of times and struggling a little bit to get through some ladder parts. There's certainly some areas where they could trim the fat, if you will. I'm not going to say which ones they are, but it was like for a band that's producing their first. It's their first go at producing a record themselves. It's kind of like it's just a little too much. It's like going out on a great first date, dinner's great, movie's great go back to the house. Sex is great. Oh, first date That your date's like hey, do you ever want to have kids? You know, it's like. It's like totally could've just done without saying that and the night would've been perfect. Like they just say that, they just ask that. Like on their way out It's like, oh, okay, doesn't mean you're not going to go out with them again, but it's, you know, i love it. I love it. 0:17:30 - Speaker 3I'll leave it there for now to let you say You know, i'll just quickly add on that very you know, very similar token that I had with it. I'm curious to hear the next albums And then to again look back at specific albums to see how I feel about them, because this is probably one. You know you are so excited. You know there's a trilogy of movies coming out on something that you love And you see the first one and you're like God, i hope the next two movies are just as good. Maybe the next one is pretty good or better, and you're like, oh shit, this is going to be great. You know, it's kind of I'm leaning towards that. I'm excited to revisit some of these to see how I feel in a couple of months. Hopefully I won't be like dude, i'm done you guys. No, that's not going to be the case. But yeah, i'm anxious to revisit the future for sure, because this is probably one of those albums. 0:18:30 - Speaker 1Yeah, yeah, i'll be interested to see that too. Maybe again we will have like a 10 year reunion. Pete mentioned that in the last episode. You know we should go back 10 years. Oh, we might. So who knows, maybe we will revisit this on whatever platform the kids are listening to in the future. I'm sure they'll be nuclear powered or something OK. So here's something new An intro song that doesn't just like open with a kick to your ass. It opens in a much different way. It still manages to kick your ass, but in a much different way. It doesn't have like a lick off the top like little bones or courage for human clenin, you know. It just doesn't have or blow a high dough. It doesn't have that same sort of whoop in the butt. It's a taste of like this is what you're going to get. I think You know it's a little bit of like setting the table. It's because you're listening to it and you're like whoa, this isn't the hip that I left behind a year and a half ago. 0:20:08 - Speaker 6Come on, just let's go. She kind of bit her left Geez, I don't know. But I can guarantee That we're now not gonna do. I'm told no proof That we're not gonna do. That's what I'm here for. I come from downtown. I'm already familiar. I'm with the low and weaks of our nation. That's what I'm here for. 0:21:46 - Speaker 7The secret rules of engagement are hard to endure. 0:21:57 - Speaker 6When the appearance of conflict again surrender means the appearance of force. Uncle, uncle, i can guarantee, i can guarantee There'll be no knock on the door. I can guarantee. I'm total proud. That's what I'm prepared for. Yeah, i've come from downtown. I'm ready for you. I'm ready to scale. And it's frustration. I'm ready to scale. And it's frustration. I'm ready to scale. And it's frustration. No, no, no, no, no, no, no, no, no, no, no, no. 0:25:07 - Speaker 7No, no, no, no, no, no. Thank you, music lovers. On behalf of our crew the finest crew in the business, ladies and gentlemen, on behalf of Robbie Gordy, johnny Paul, mr Jim Bryson on Keys, us musicians and the crew and everybody here tonight, we want to thank you. Thank you, music lovers. Thank you and Merci beaucoup. Summer on. Summer on take care of each other, drive the speed limit, wear a life jacket. 0:26:24 - Speaker 2Summer on you mentioned setting the table and I agree. And it's saying that it's a different band. That's like the one of the first things that wrote down. I feel like to be honest with you. I like this song so much. I feel like kind of it's just stupid even talking about it like it's such an honestly, it's a fucking banger. And I think I had sent to you guys in the group text like the SNL performance of this song. Yeah, it's just, it's jaw-dropping. Yeah, it's. It's the line about just. I looked at the phrasing, i looked at the lyrics and the way he did he wrote the lyrics and it's just so cool. Sorry, i wish I could articulate it better, but the rules of engagement are hard to endorse. Yeah, like is this I read a little bit online that it was you know about like a man propositioning a prostitute or a young girl. But I'm also like, is this a song about war? is this like an anti-war line that he's throwing in there? is it a double and tongue girl? I don't know, but I don't know. I could say a million things about this song, but I'll hand it over to to mr Leiden. 0:27:54 - Speaker 3I'm. I'm pretty much in the same boat. I heard this song and I immediately thought this is a stellar hip song. I can't wait to hear the rest of the album. But instead of like really going to the rest of the album, i immediately found the first live version I could find on a Google search, because I thought this song is, is gotta be, you know, quintessential live hip song and that's that's kind of where I went and I ended up finding the, the Woodstock 99. If you guys haven't watched any of the documentary about Woodstock 99, please do. It was a just the demise of Western North America, usa culture right there. But anyways, this recording, this video recording of the band at Woodstock 99, is so good, like chills on my arms, like Goose Pimples, it was just fucking amazing. This, this song. You know, i was basically like okay, that's, that's my single. Should I listen to the rest of the album? I'm pretty happy right now didn't they do. 0:29:12 - Speaker 2What did they do? a 94 and a 99, or did they just do 99 just? 0:29:19 - Speaker 3I think the documentary it's a 99 one, where they set everything on fire and tore down all the stages and rated the food trucks and 99 all those things. And then, you know, with this song in particular, i was anxious to hear the band doing their own thing without, you know, managers or producers looming over them. And there were a couple different things I heard, which are even more so on certain songs. But the drums sounded a little different, a little bigger. Maybe the bass was a little bit more engaged with drumming. And there's there's been some times when the bass is kind of funky feeling, just like really in it there was some kind of I don't know, pete, you might know, but there was some echo, really echoey guitar effects. 0:30:12 - Speaker 2I got, i got that written which were pretty cool. 0:30:15 - Speaker 3Yeah, it was kind of the song just hit all the boxes had kind of this transcendental gonna take you on a journey. You know, i liked it so much I was like I don't even care what it's about, this is just a great listen yeah. 0:30:32 - Speaker 1Tim you talking about. You know the drums being bigger and you know the production just sounding. You know bigger and you know with with some of the guitar effects a lot of it has to do with. They went back to New Orleans but this time they went to that Daniel Inwas studio and the Kingsway studio, which is just a big old house and you know they would do stuff like bedsheets over the stairwells and you know, just like like home studio tricker, but on a bigger, bolder scale, because this house has so many nooks and crannies that you can get different sounds of the different spaces. And they took advantage of that, which is very different from the, the path they took on the record prior. 0:31:22 - Speaker 2Okay, daredevil so daredevil this, the skipping start that they did. Yeah, i feel like that was. So this was. What year was this? again? GD 94, 94. So I feel like I mean that was the height of like CDs like were where literally everybody had a CD player, wasn't like the early days. So I feel like maybe it was a. It was a joke to to make people think their CD was skipped, because if you ever bought a CD and you were unfortunate to buy a scratch CD that was brand new and it skipped, you were fucking pissed. Oh yeah, so that was cool, that was unique. This song certainly does sound way better in the car. I don't know if it's just specifically my car, because I have a pretty good sounds. 0:32:26 - Speaker 3It's the premium audio system. Is that what you guys kept saying? 0:32:30 - Speaker 6premium audio. 0:32:31 - Speaker 3I think we're at a point for an acronym for pass sound system everybody everybody listening. 0:32:37 - Speaker 1How about a? 0:32:38 - Speaker 3t-shirt yeah, if I get, if I get through this. 0:32:41 - Speaker 1Okay, these guys only a ride in Pete's car, the big that dooby or there should be a bingo card where the you know, every time you hear Pete say premium audio sound system, you tick the box, or and then there's of course the free square, and then, if you hear me say so, there's that geez, we're going to Malaga. 0:33:15 - Speaker 3There's this guy there with this premium audio system and he gives people rides. 0:33:22 - Speaker 2I'm just saying that because I'm due you're doing yeah, for sure $25 a song I'm good I think that'd be cool. I think a job this no, this song. Tim mentioned something about the, this bass. You were JD, you were talking about the, the studio and all the trickery. But yeah, this is the first one where I write down the like the guitar solos, for example. They seem way less defined on this record, and I don't mean it in a bad way, i mean it in a way that and then there was a really cool oscillation effect maybe a little more jam. 0:34:13 - Speaker 3I don't know if you know, yeah, yeah, yeah, yeah yeah, i think the flavor is kind of gelled together more the oscillation effect. 0:34:24 - Speaker 2If you've ever heard the the song real emotional trash on the album, real emotional trash yeah, that Steve Malkomis song I know this came before that, but whatever he's using on that guitar solo is exactly the same effect they're using on their level because that oscillation of the guitar is just. It's so cool. I wish I was cool enough to know what it was to ever be able to use myself, because it's fucking rad. Anyway, i dug this song a lot. I really liked it. 0:34:59 - Speaker 1What do you think? what do you think they're damn? 0:35:03 - Speaker 3I did too. I think, yeah, i love the drummer just counting it off at the beginning. That that made it feel like maybe more home recording type scenario. This song, this song, like I was wishing I was in a bar, just like sitting at the bar pull-up and just I felt like I could be watching the band, you know. But it was like the barkeep and the kitchen people and I don't know. This, this one, this one kind of took me in a different direction than than many. After the one minute mark maybe this is kind of what you're talking about, pete like with the guitar and drums it gets kind of heavier or more layer layered. It felt like locomotive, like this train's just really going story wise, i mean, that's probably a podcast itself to talk about Annie Edison Taylor and going over the falls aspect of this one I love. The line in the real wonder of the world is that we don't jump to. Yes, you know, that's. That to me is like it delivers something inspiring. The song is like get out and get after it. Step out, you know, jump off that cliff, you have 50% chance of surviving if you survive. It's gonna be awesome and if you die, it'll be awesome. You know, this sounds really. It really is really cool. 0:36:40 - Speaker 1Where do we go next? we hit track three, and that's greasy jungle. Take it, tim greasy jungle. 0:36:48 - Speaker 3This one, the snares really snappy. I felt like this is where you're kind of hearing different recording, maybe aspects. When I say snappy snare, it's like tuned tighter. Maybe you know there's lots of film references here in this song which we've gotten before. There's congas, like. There's some hand drumming at some point in the song, i believe, which is. I was just like kind of tuned into the drums on this one. Obviously that's a background effect, but a new layer. There's a definitely a new crash cymbal, like there was some new drum gear right on this album. There's a new crash cymbal that's really bright. That's always kind of gets my attention. I didn't realize first few listens that it was like dirty streets, metropolis, correlation with greasy jungle. I didn't know what the heck it was about. You know I didn't for a song three. I always like hope that this is the one that's gonna get maybe somebody around the bases at bat. You know that they're gonna push, push it through and this one didn't do it as much for me. I was more kind of like okay, what's, what's next with. 0:38:21 - Speaker 1This one didn't grab me so much one of the cool little Gord Downey stories is the lyric that you're just talking about metropolis noir. It sounds so elegant and mysterious at the same time. But metropolis noir is a name he saw on a bag of coffee, it's. It's like French roasts, but in French it wasn't French roasts, it was a dark roast or something, or Italian roast. 0:39:00 - Speaker 3Dark roasts. Dark roasts, italian roasts. 0:39:02 - Speaker 1I forget which one it was, but it translated, because everything in Canada has to have a French label and a Canadian label. It translated to matropolis noir. So that's just one of those little things he stuck in his notebook. and then he's writing this greasy jungle, matropolis noir. And all of a sudden you've got this setting and then it takes you on that little story for funeral home sandwiches and coffee. Oh delicious Yeah. 0:39:33 - Speaker 3Yeah, i think that I also read that it maybe referenced a diner that he worked at that had the same name. Oh really, did you guys know that? Yeah, yeah, greasy jungle. Greasy jungle Sounds like a good diner though. 0:39:48 - Speaker 2Yeah, jd, you said French roasts, and it's funny because I always think I don't remember the name of the comedian, but in France they just call it roast, just like Tim and I's definition of Canadian bacon is actually just bacon for you right, JD, No I can't remember the comedian who did that bit, but, tim, i couldn't disagree with you more on this one. However, i will tell you. 0:40:25 - Speaker 1Tim, you're ignorant slut. 0:40:30 - Speaker 3Yes. 0:40:31 - Speaker 2I'm done. I sort of felt like that the first time I heard it And the more I. This was one where I kept digging Actually I didn't really have to do much work, but just the more I listened to it the more I was like okay, i get it. I get why this was a single. This is a banger on the phrasing on it. The vocal phrasing absolute A. Plus another great car song on the solos, super experimental, like again. It's cool, because it's not. Most of the guitar on this record is not like this. It's not a producer going. 0:41:11 - Speaker 1Okay, boys, let's lay down the solo. This is where we're going to put the solo here. Give me 32 bars, let's go. 0:41:18 - Speaker 232 bars, yeah, like it just it's so cool and it's not like that. And this song is the first although not as much, because there's another one we'll bring up and I'm sure you guys know which one it is But this is the first song where I really hear that the influence this band had on a Linus Morrisette. Oh wow, Oh yeah, There's another song on this record that we'll get to. That is clearly. It's clearly. She was sitting in her room listening to this record prior to recording Jagged Little Pill, like which I can't remember what year that came out. 0:42:04 - Speaker 1What year did that come out? It came out, i want to say the summer of 95 was when the was when she broke, when she exploded. 0:42:13 - Speaker 3Yeah, is she a fan? Is she a fan? 0:42:16 - Speaker 2She's a great musician and she's Canadian, so I would be hard pressed to think she's not. At least, i didn't mind. Oh yeah, she's Canadian. Yeah, you fuck her, stick together. So I saw her live in 2018 in LA and she just, i mean, fucking blew the roof off the place. Oh man, it was, it was, it was insane. 0:42:40 - Speaker 1Anyway, my wife had tickets to the 25th anniversary tour of Jagged Little Pill and it got canceled due to COVID. So, yeah, total drag. Yeah, yeah, okay, yeah, i'm, i'm on your side there, pete. As far as Greasy Jungle goes, next one is a cool thing that I don't know if this is something that pre-existed. You know, i don't know if somebody had taken a photograph and of a dog, you know, with its teeth bared, and wondered aloud if it had been yawning or snarling. Because, like, since that time, i've seen so many photos that I say that line in my head. You know, there's so many photos that they're captured and we feel something right away, but then you have to sort of open your mind and go well, wait a minute, maybe that feeling that I'm feeling isn't the right feeling. You know, it was just the way the photo was captured. It could have been yawning or snarling, and that sort of kicks us off. 0:44:08 - Speaker 5The cops go into the crowd under a glaring platter of light and the music's just so loud and the tourists take their t-shirts off and a bus load of kids and gifts to the finger Afternoon, when the sidewalk's hot and the shadows too chilly to linger. 0:44:50 - Speaker 6Both we're in the escuchians and at the bar, and people are helming Downtown. Never, ever been. 0:45:06 - Speaker 5Now just wait for me, I'm gonna resurface. 0:45:17 - Speaker 6I take a look at this photo girl. I don't know how clearly it's taken away. 0:45:28 - Speaker 5I'm gonna get out of here. I never saw it. The picture is never clear. 0:45:41 - Speaker 6I'm gonna make a decision. I mean an incarceration, i mean so much. One night in El Paso, the cops fall into the crowd Under a throbbing bladder of light And the music is just so loud And the tourists turn their TVs off. The box is apart with the sound of a linger Night time when the shadows come And you tilt to the tips of your fingers. But that's the way it goes in our region. I'm so strong, i'm making a chance Downtown, never ever been. Now just wait for you to resurface. Take a look at this photograph. How clearly it's taken away. He could have been the artist, not an artist. This picture is never clear. I'm so good at this photo, girl. How clearly it's taken away. I'm gonna get out of here. 0:47:48 - Speaker 5I'm in a slumber. The story is never clear. Walks right into a Mardi Gras parade. We're touring the south at the bottom of the beard. 0:48:28 - Speaker 2Yonnie and Snarling I first listened to. This record was my favorite song And that was, with my, everything I love about Grace too, it starts out very mad season. I don't know if you know that band. 0:48:52 - Speaker 1Yeah, that was the supergroup right. 0:48:54 - Speaker 2Yeah, that was the supergroup of Pearl Jam and Alice in Chains And that record. When did that record come out? Did it come out in 1993? Maybe, so they were active in 1994 to 1996, So maybe it's the same time, I don't know. Anyway, it starts out like the first and it builds. I don't know. I just loved it. I could say so much about the instrumentation, But lyrically, I don't know if you've got a line on exactly what it's about JD, But there's some historical references in there And talking about El Paso, he brings up the Mexican US border there. I'm pretty sure that runs through the 100th Meridian, Oh wow now, i know that. I could be wrong, but it just kind of feels like it's going, like Cordoni's really going in. He's a big fan of these historical references. I don't know, i dug it. What's saying you, tim? 0:50:11 - Speaker 3I dug it. I think when I first heard it started up I was thinking Okay, here's the spooky, sinister Pipps song of the album Which we often get. You know, if any song that I hear I hear a reference about El Paso or the Rio Grande, it's usually something heavy. It's not about going tubing and fishing and having fun. So yeah, there's a line in there about the cops go into the crowd Throbbing bladder of light. You know, i'd love that phrase, throbbing bladder of light. The music is so loud nighttime when the shadows cough Like this. Lyrically, the song's loaded, it's just it's really really big. I just, you know, somebody beat up and throw it in the river. This is an early song there's a moody guitar ending, i think throughout the song. The bass to me I'm always kind of honing in. It's funny because Pete's on guitar and I'm on bass and drums, which is cool, but the bass is a little punchier, like it's tuned up or I don't know. This one had definitely some home, you know, if they recorded it in the house. I'm just gonna call it home production because it's basically what it was, even if it was like Super Pro Studio, like there's some little things in there that I heard for sure. It's an interesting song. It's pretty cool It was. It's kind of an early song to me. I stuck with it a few times. 0:51:58 - Speaker 1Cool. What's next? It's number five. We're at five. Fire in the hole. 0:52:07 - Speaker 3Yeah, let's fire. Fire in the hole is fucking cool. And I say that because I heard kind of this 90s grungy punk influence with this one, even though it's not like super fast or anything. But then when I started reading into it, you know, because I figured it had something to do with fascism and Nazis And I don't know. There's something you know angry here. There's some different ties to Sonic Youth's Youth, sonic Youth's Youth Against Fascism song. It's very I don't want to say very similar, but there's definitely some things shared. You know, that was a time for me. It was a time of really getting into, like crunchy guitars, a little bit more experimentation, faster rhythms. You know this song, for a hip song maybe, is like a little bit tougher. It's a little bit tougher. And I also just thought you know by its own name and chorus that this one is probably ruckus live. It's probably just fun and, you know, fist in the air. 0:53:30 - Speaker 2Yeah, i agree, i agree, this is a banger for sure. The guitar work on it I definitely. I mean it's weird, i don't know because I'm not the biggest Guns N' Roses fan, but you know, slash's Les Paul guitar tone is pretty distinct, you know, when you hear it, and the guitar tone on this song that he's playing some lines sounds, i mean, identical. It doesn't sound like Guns N' Roses, of course the song doesn't, but that guitar tone just was so reminiscent of that And it kind of made me think, okay, so they're like trying to, they're trying to shed some older skin from the previous records, but you know, it's sort of like you can take the. You know, take the what out of the what, but you can't take the what out of the what. They still got it in their roots. You know what I mean. 0:54:35 - Speaker 1Yeah. 0:54:38 - Speaker 2So that's definitely there. And then, yeah, this is one like the obviously Grace too. I mean that's sort of like the flagship of this record. But this is another song where you're like, okay, gord's found his voice. He's really, you know, If the band is his recliner, like whenever he gets up, you can see his ass imprint. It is always there. He's found his voice. The chair is sunk. It's sunk in. Does that make sense What I'm trying to say? Yeah, he's. Yeah, he's been in that chair so long now for a number of records that it's just comforts Like he's found it. 0:55:29 - Speaker 1He knows where he's at. He's in the groove. He's in the groove Like he's absolutely. And to me, guys, isn't this the heaviest that we've ever heard them. Or is there something on Foley that might be? No, i think you're right, i do. 0:55:46 - Speaker 3I think it's up there. I think it's up there. 0:55:48 - Speaker 1Yeah, because you were saying fast and I was thinking to my head, I was like yeah, it is fast. It's fast and heavy, Like this is a great song alive. 0:55:54 - Speaker 2This is like Foo Fighters, Fast Like I was like whoa. 0:55:59 - Speaker 1Yeah, because it's still, it's still. 0:56:05 - Speaker 3It's interesting. You went to guns and roses. I don't know why I didn't go there Like I. Just I didn't hear that reference, but I want to go back. 0:56:14 - Speaker 2Just the guitar, just the guitar time. 0:56:17 - Speaker 3Yeah, yeah, yeah. 0:56:19 - Speaker 2For me oftentimes that doesn't mean something positive, Just yeah you know, outside of them anybody else I hear sounding like remotely like guns and roses. You just kind of go, eh you know. But I think it was just weird that Tom was there because coming up the hip I feel were such a that was. That was what most bands were sounding like back then. 0:56:49 - Speaker 3I don't know. Yeah, maybe 50 mission cap or something. Oh yeah, yeah, this one, you know. 0:56:56 - Speaker 1Yeah, you might be right, You might be and you might be so hard done by. 0:57:00 - Speaker 2So hard done by. To be honest with you, this is probably my least favorite of the of the record. Hey, we're in the break. Yeah, i just didn't. Yeah, i thought it was, i thought it was a cool chorus, but I just I kept thinking about, like, what would I say about the song? And it's just, you know, maybe in the 10 year reunion by then I'll have something. but this song, sorry, i wish I had I had more for it, but I really just don't. 0:57:42 - Speaker 3I'm with you a bit. I heard Allison Chains right away And I don't think it's like it's not like 100% Allison Chains. That's who I thought of And I'm starting to hear, you know, and occasional references to bands that we're doing well during this time And I'm not a big Allison Chains fan by any means, but it's. you know, there's still some lyric nuggets in here I love. you'll have to wait a minute. It's an en somatic Like. that to me is kind of a phrase of if you want, you know, beauty in life, it's not going to come to you right away. You got to, you got to deal. The ending is kind of rough. You know the yeah, i'm with you, pete. The ending is kind of rough. The snare is too snappy. The snare is like so snappy that it's like that's how you tune a snare for fucking punk rock songs with a high beat per minute. You know it just didn't. it just didn't. 0:58:45 - Speaker 1It's funny that you say that, because the original, like the demo version of this song is totally up tempo. Well so it's. It's a completely different song Me I. I think this is, i think it's fine, i think it's harkens back to like, like it could be on up to here, it could be on road apples. To me it's got that sleazy, not quite stone Z vibe. So I was really surprised to hear you say Alison chains, because I'm I'm going more of like the roots. You know, okay, that's, that's my vibe of John, but but that's, you know, this one, that's just how it was for sure. 0:59:30 - Speaker 3More filler had a rough ending and I was kind of glad it was like, okay, what's next? You want to? you want to add something, pete. 0:59:37 - Speaker 2Oh, all I was going to say was You know, that'd be cool if it was. I mean, maybe it is cool live. And I just just to comment that I always hate when you hear a band play a live version of a song and it's just fucking killer And that's the first way you hear it. And then you hear the studio version and it just absolutely blows. 0:59:59 - Speaker 3So yeah, i'm, i'm with you, I'm with you. Maybe this is that? 1:00:03 - Speaker 2But to answer your question, JD, what's next is not cool. I've actually heard JD sing this song. 1:00:12 - Speaker 1Oh, that's right, I did it. I did it for a, i did it for a hip podcast, like I do a pod list, just like I do for medium alchemists And I sang it. Is that that was right? Yeah, yeah. 1:00:27 - Speaker 3I dug it, I thought it. I thought it was what's, what's that pod JD had that he took off. It was like JD sings in the shower, Was it that one? 1:00:36 - Speaker 2That's what I wanted. Jd sings in the shower. There was a. There was a. There was a video version of the podcast too, but that was yeah that was that, the lovely fans. No, i remember hearing this and the first time you sent it to me I think I was already living in Malaga. But great tune, i, you know this, and JD, you, you, you explained to me what this song was about and I've since forgotten because my brain doesn't work anymore at my age, but I did get. I think the reason why we started talking about it in the first place was because we I mentioned to you the another great Canadian singer, gordon Lightfoot's Right, ricky Deven, if it's Gerald. And so you, you brought this song up and that's kind of how it came into my, my atmosphere, my airspace if you will. 1:01:44 - Speaker 1Well, those are forever linked for me, because the first time I saw this song played live Gordon, he introduced it live as a Canadian musician, would be complete without a song about a nautical disaster. 1:02:04 - Speaker 5This song is called nautical disaster. These are the Dh과a stations for brokers. 1:02:36 - Speaker 6NotOf cybersecurity. This is Darryl, i don't wanna sweat. Ha. What's wrong? What's going on? Can't tell yourself I'm a foreign team. He said hang on, just stop, shut your big mouth and gotta do what you feel is real. He got no peace and false gods Got no Sunni, my baby. She won't know me when I'm thinking about music. I'm a foreign team. Keep it going, man. 1:04:11 - Speaker 7Let's keep the wagon wheel going. Alright, i had this dream where I relished the fray And the screaming filled my head all day. I felt as though I'd been spinned here, Settled in into the pocket. 1:04:44 - Speaker 6In a lighthouse on some rocky socket Of the coast of France, dear One afternoon. Four thousand men died in the water Here And five hundred more repression, matthew, is parasite's life In your blood. Now I'm in a lifeboat Designed for ten. Ten on me. Anything that's systematic Would get you hated. It's not a deal, nor a test, Nor a love of something stated. The selection was quick, the crew was in order And those left in the water Got kicked off the padlock And we headed home. 1:06:24 - Speaker 7And in the dream and when the phone rings, we're doing alright. 1:06:30 - Speaker 6I set it out there Those days and nights, but only a fool would complain. Anyway, susan, if you'd like A conversation To say myself, in my memory Is those fingertips Scratching on my heart, and I'm in a lifeboat Designed for ten. Ten on me. 1:07:41 - Speaker 7Anything that's systematic Would get you hated. It's not a deal, nor a test, nor a love of something stated, no matter how hard it is. You see how hard it is, it's real hard. 1:08:27 - Speaker 5There's a lifeboat Hanging on a wire Sucking up to someone, just a stoke of fire. 1:08:35 - Speaker 7Picking up the highlights of the scenery, saw some little clouds. 1:08:50 - Speaker 5They looked a little like me. I had my hands in the river, my feet back up from banks, looked up to the Lord above, said he'd call me thanks. Some times I feel so good I've got to scream. Said 40 baby, i know exactly what you mean, he said. He said I swear to God. He said Now, now. 1:09:27 - Speaker 6Now, okay, my memory Was my dear watch's river that I nailed. If near or leave a sink in there, then I don't wanna swear Swag, swag, swag, swag. 1:10:42 - Speaker 1Swag, swag, and then they launch into New Orleans' sinking. Oh my gosh, and you're sorta like what? What's going on? And then, in the middle of New Orleans' sinking, is this brand new song, fully fleshed out, not a? 1:11:00 - Speaker 3good one. You know, i read about this And it's fucking holy crap. 1:11:07 - Speaker 1It is a tornado Like it is, so destructive. 1:11:14 - Speaker 3And you know, there's not many bands Who perform live that do Extremely intentional things like that For the audience. There's not many bands that do that Doing something like that, mixing in a new song in the middle of a song People know And then did they circle back? 1:11:31 - Speaker 1Yeah, They finished, then they finished all of these things. 1:11:34 - Speaker 3That's just insane to me. I just love, i just love, love, love that. I just love that. If any, if any songwriters are out there, do that for me. When I come here you live, mix me in a new one. It's a treat, right? Yeah, because it's the opposite of going to a show And hearing a band play Like their album. You know, i've walked out of shows Because it's just boring as fuck. You know, i'll say this about In 18. I believe it was built to spill. Oh my gosh, it was like I could have just put on One of their records and sat at home. So, yeah, to be able to split in another song And keep going and mix it up And do all these things that are so creative And have the confidence to do that, and phew. 1:12:30 - Speaker 2The only thing I'll say in defensive built to spill Is there's always. 1:12:34 - Speaker 3Oh, everybody defends. Built to spill. 1:12:36 - Speaker 2No, no, i'm only saying it live I've never seen them live. Only because they always have a new line up. It's only a singer They do. They do. So if I'm a guy sitting in And part of the band this time around, the only thing I know is the record, because that's probably how they play together, which that's uh. Yeah, my buddy's seen them live And he kind of had the same feeling as you did. 1:13:01 - Speaker 1Same feeling as you did, i'm just starting to get into built. 1:13:04 - Speaker 3Yeah, sorry, bds fans. There you have it. There's another fan that wants to punch me in the gut. Not a cool disaster, i think it's fucking cool. Like my sentiment right away was like Here's the epic storytelling TH song. Here The drums it was like beating. Like we're charging into war Lifeboat designed for ten and ten. Only You know. There's just all these Great metaphors in there for like I don't know. 1:13:34 - Speaker 1Oh, i love the line about getting The remaining people in the water Getting kicked off at Antler. Oh man, i don't know why. Yeah, and this song, there's no structure, there's no verse, there's no chorus, it's just literally Like you said, tim, it's like a story. 1:13:51 - Speaker 3Yeah yeah, i don't know who the Susan reference is. I didn't look too much into that part, like, towards the end there's something about Susan Which I don't know why. With this band, whenever they mention a woman I'm always like. 1:14:03 - Speaker 1She's Evelyn's sister. 1:14:04 - Speaker 3Because it's often something grim. But you know this song there's. There's lots of data in there. This could be a rabbit hole song. It wasn't so much for me, just because I thought it was awesome. 1:14:19 - Speaker 1You're right, it is awesome. It's fucking awesome. Maybe I'm out and we're actually more song for the band. Where do we go next? Um Thugs? 1:14:28 - Speaker 2This is gonna sound really strange, but first of all, i love the chorus on this song. That's fantastic. I really dug this song a lot. It's ironic that it's called thugs and the baseline is a slowed-down version of Grandmaster flashes a message yes or yes? 1:14:54 - Speaker 3Whoa, I didn't go that deep, but I knew it was something like I. I felt there was something go out on in this song And I didn't know what I was you know, i didn't know what it was, but Uh, you keep going it's a deep, deep. 1:15:09 - Speaker 2There's clearly a deep admiration for Grandmaster flash Going on here and The. this the we reference to JD. You mentioned that this is the song where, or this is the record where, you realized they're actually a wee band out of your band. 1:15:30 - Speaker 1Um, yeah, it sort of. It sort of happened at the same time to me as well, no, but you know, there's the reference about All roll or rolling. I'll do the details, you do the roll and I'll do the details. I'm sorry about that. That's all right. 1:15:48 - Speaker 2Yeah, that's, that's kind of where. That's kind of Where I thought on that, the Again the chorus awesome, uh, there's. He keeps doing this high, are you know? it doesn't a couple times and on the record but he does like a high-pitched whoo And this song, that's really cool. And The spacey reverb Guitar is just like. I couldn't think of the song that it reminded me of or the artist, but it's, there's so much reverb on this on that guitar, it's like It's insane. 1:16:26 - Speaker 1Love it, love love, love this one. Yes, it's, yeah, you can swim in it Well said. Yeah, yeah. Where are you on thugs? 1:16:34 - Speaker 3You know I I Felt it was a little bit filler. You know I I didn't get a whole lot from this one I when I Started looking into kind of the movie references or what they get up trying to figure out When I was trying to figure out. You know any details About this song that could make me get into it more? I read and I've read this before, the quote from gourd, that if that's what you think it's about, then that's what it's about Sure, which made me think for this song. Okay, if it's. You know if I think gourd would tell me hey man, if you, if you don't dig this song, then maybe you should try Inevitability of death. You know, if you want to get heavier, then go here. If you don't, you don't get heavy with thugs and let's give you a song about struggling with cancer, which is, i think, inevitability of death. You know, there's what I enjoyed about this song is they mix it up a little bit. You know there's a Chorus singing without drums. You know they're starting to do little creative things on this album That I think help make it stand out and keep my interests more. That's kind of what I, yeah, that's kind of what I've noticed. But then you know, i think everybody probably knows anybody, or sorry, anyone knows someone is diet of cancer and maybe that's what this is about about and living life. You know, trying to Do everything to your fullest. I'm not sure about this. The song was, it was a good jam, it was it was. 1:18:17 - Speaker 1You know what you're not. You're not Far off the track. I don't think, though, when, when you say that about cancer but that would be just so terribly ironic you know Writing a song about that and then succumbing to that illness. You know all those. 1:18:38 - Speaker 3Yeah, exactly. 1:18:40 - Speaker 1Because it came on suddenly. It wasn't something he battled with for very long. It came on suddenly and he was gone, wow, other than a other than a cross-canada tour. But well, you just think, puffy lips, glistening skin, yeah, everything comes rushing in. That could be like reference to, like the chemotherapy you know, like rushing into your body. You know We don't go to hell, just yeah. I love the. I also just love the word play. I thought you'd be the death of inevitability to death just a little bit. I thought you'd be the inevitability of death to death just a little bit like. I love how it's inverted Mm-hmm, very cool, very cool. 1:19:21 - Speaker 2And he makes it work it's crazy that you say like puffy lips and glistening skin. I'm thinking of a. I'm thinking of like Scarlett Johansson and in a bikini like that's who. I'm like. That's right where I went when I heard that. That's so. I'm not even joking. 1:19:43 - Speaker 1That's like what I thought say, could have been yonder somebody somebody just came from LA, i think. 1:19:51 - Speaker 2It's been any time with Scarlett, though The I dig this song It's. It's not one of my favorites, but this was the song that Clearly did the one I mentioned earlier that that Alanis drew a lot of The word play and the way he phrases it is It's. It's exactly what she does in the song. You ought to know like it's. It's 100%. You can't Can't deny it. I'm sure if you had a gun to read she'd say yes, of course It's worth it. She's got the inspiration on. I. 1:20:33 - Speaker 1Don't think it would go that far, just just for the record. No, yeah, if you were interviewing her you would probably, i probably, i probably just ask her. 1:20:39 - Speaker 2Yeah, she seems like a nice person. 1:20:43 - Speaker 3Let's, let's, let's have her guest on the next one. 1:20:45 - Speaker 1He's gonna you have. You have that up, jady Yeah. 1:20:47 - Speaker 3Yeah. 1:20:48 - Speaker 1Yeah, I like the bass that. 1:20:49 - Speaker 2I think the chords are a little bit more. I think the chords are a little bit monotonous. The line if you go to hell, i'll still remember you, that's just. That's a really fucking cool line. But The bass starts to shine at the end, which is cool because because the chords are so I guess I've been honest the bass really isn't doing much, but then it does something that that only Tim Hates is more than I do. It's just faith. 1:21:27 - Speaker 3You know, i will say some of the hip, some of the hips, fadeouts are better than others. Okay, they've had they've had some oh dare I tragic fadeouts oh. I use that because I hate fade out so much. 1:21:47 - Speaker 2Jady, can you, can you You edit this in? can you, can you do that? 1:21:55 - Speaker 3That's funny. You mentioned that cuz a couple weeks ago, jd. I said to JD you know, sometimes I just want to add in a sound effect, like You know, and he's like you do not do that on my podcast, i hate sound effects, because I'm even thinking. 1:22:14 - Speaker 1You know, when you were talking earlier, you were talking about The bass being slowed down from Grandmaster Flash, like, oh, i could intercut. I could intercut like the Grandmaster Flash song so people could hear it. 1:22:27 - Speaker 2But then it's like It's so noticeable man, i mean it's it's so noticeable. It's exact same bass line, but anyway. 1:22:37 - Speaker 1Next song, though. So then we slow it down with scared. 1:22:41 - Speaker 3This that's so scared for me is it's like a. I instantly went to. This song would be an amazing concert concert closer. You know it's. It comes on, you know the night's finishing, it might be the what else? songs. You close your eyes at some point and just listen and get in deep. You know it's, there's, it's layered and story from I don't know Russia and the Germans and Stalin and Trying to make culture and art disappeared and like housekeepers and all these different things. It's like it's. It's. It's a sad kind of beautiful song that It's a little bit of a usual makeup for them with this kind of section of the album, but I thought it was, you know, on that note, kind of dark and lovely overall. 1:23:37 - Speaker 1What do you think, sir? 1:23:39 - Speaker 2I wasn't. I thought this was kind of like just a token. If you will token slow tune like It didn't do it for me, like When it comes to like softer hip songs, like it didn't give me the same Warm, fuzzy feeling is like fiddler's green did. 1:24:02 - Speaker 1Sure, okay, yeah, i mean, fiddler's green is a knockout pie. It is, but my god scared. I love this song really good. 1:24:10 - Speaker 2Maybe it's just positioning on the record, i don't know. I've got a Spend some more time with it and in this was actually one song. There's a couple of tunes. I didn't Get to hear the car, yeah, towards the end, because my car rides weren't as long and they started the record. I would put the first song on when I got in the car, so if I wasn't driving for a long time, obviously the song story the other record didn't didn't didn't make it in the in the car, but there was something really weird on this song. There was a Spacey sort of keyboard sound that kept going off. You know I'm talking about. 1:24:54 - Speaker 3I know, now I don't really yeah, the only thing that certainly stood out to me was the use of acoustic guitars. There's, you know that's. That was a little unusual. I don't remember keyboards. 1:25:05 - Speaker 2There's some sort of keyboard effect going on in there. That is Like the only thing I can equate it to is like you know the. It's like an oscillated version of. You know the sound of the, the metal hitting the, the track on the song. It's a sound of the men working on the chain game. Yeah, it's like it. It's like an echoey, delayed, oscillated, real subtle Vert Sample of that or something, something similar to that, and it's done with the keyboards and said it's on the song 100%. 1:25:46 - Speaker 1Huh, i've got to listen with these headphones. 1:25:49 - Speaker 2But yeah it's. It was a cool song. I dug it and I kind of wish I had more of a feeling the way you guys do about it. But you know it's okay there just hope for you. 1:25:59 - Speaker 1There's hope for you, peter. From there we go to an inch an hour, and this song always impressed me, because the math works out an In an hour today the same way, an inch an hour to feed a day, to moan tonight in this most professional way. 1:26:57 - Speaker 5There's this fucking band. You gotta see they used to care about living shit. I see no profit in talk. No food in town, no rock and roll, no bestiality. 1:27:10 - Speaker 6Makes me feel the same way. An inch an hour to feed a day, to moan tonight with their little mouth to say But our health is best with the people in the space. No stuff of town, no feed you through, no salt on the tev. It works through Making lots and moogs. 1:27:49 - Speaker 5Tonight I'm gonna win and make this gift heart. I want you to see your breath in the spring side. Heart, coffee colors, ice and feeling. First part Sound. The rushing water in the dark Makes me feel the same way. 1:28:06 - Speaker 6An inch an hour to feed a day, to moan tonight with their little mouth to say But our health is best with the people in the space. I mean our health is best with the people in the space. You see, i don't know me. I don't know me at all, i don't know myself. 1:28:47 - Speaker 1I don't know myself. I don't know myself. What did you think of this? 1:29:06 - Speaker 2one. I love the. I don't know if I paid attention to it in the other records, or I'm just hearing this now, or this is the first time they're really doing it, but I feel like the guitar is falling the vocal line, or the vocal line is falling the guitar a little bit more, which is cool, like the melody of what Gord's singing. I thought it was a fucking banger. Again, this is another one where he's like yelping. I can only say yelping because he's not screaming but he's saying oh, oh, like really multiple times during the song. Anyway, i love it. I thought this song would probably be a really good opener. I don't know if they ever opened with it, but Definitely thought it would be a good opener. 1:30:07 - Speaker 3I think this one I was anticipating, without even knowing it, after listening to Scared. Scared was like this epic kind of novel, three-part novel to get through And when an inch and hour came on in the car, within seconds was turning it way up Like. This is one that I kind of needed. With the placement in the album, it truly so. I read that it's potentially, or possibly, if it's about a fan who wrote a fan letter to the band. Supposedly this guy claims to come home at the end of his night shift every day. He would go buy some beer and sit on the stoop of his apartment And just crank tragically hip and drink beers. And he was thumbing through one of their albums and saw an address to write letters into