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This episode we will discuss various embassies to and from Yamato during the reign of Takara Hime, with a particular focus on the embassy of 659, which occured at a particularly eventful time and happened to be extremely well-recorded fro the period by Iki no Hakatoko, who was apparently on the mission to the Tang court itself. For more, check out our blog post at: https://sengokudaimyo.com/podcast/episode-123 Rough Transcript Welcome to Sengoku Daimyo's Chronicles of Japan.  My name is Joshua, and this is episode 123: Embassy Interrupted.   Iki no Hakatoko sat in his room, gazing out at the city.   It was truly an amazing place, filled with all kinds of people from around the world.  And yet, still, after 9 months of confinement, the place felt small.  Sure, there he hadwere visits from ranking nobles and dignitaries, but even the most lenient of house arrests was still house arrest. But that didn't mean that he had nothing to do.  There were books and more that he had access to—many that had not yet made it to the archipelago, and some of which he no doubt hoped he could bring back with him.  And of course, there was paper, brush, and ink. And then there were the experiences he and others had acquired on this mission to the Great Tang.  From the very beginning the missionit washad been plagued with disaster when they lost half of their ships and company mission to rogue winds on the open seas.  Now they were trapped because the Emperor himself wouldn't let them return home.  They had experienced and seen so much, and that provided ample material for one to catalogue. As the seasons changed, and rumors arrived that perhaps his situation would also something would change soon, Iki no Hakatoko spread out the paper on the desk in front of him, dipped his brush in the ink, and began to write.  He wrote down notes about his experiences, and what had befallen him and the others.  He had no idea who It is unclear whom he thought might read it, and if he was intending this to be an official or personal record, but he wrote it down anyway. Hakatoko He couldn't have known then that his words would eventually be captured in a much larger work, chronicling the entire history of Yamato from its very creation, nor that his would be one of the oldest such personal accounts records to be handed down.  His Itwords  wwould only survive in fragments—or perhaps his writing was simply that terse—but his words they would be preserved, in a format that was still being read over a thousand years later.     Last episode we finished up the story of Xuanzang and his Journey to the West—which is to say the Western Regions -- , and thence on to India, or Tianzhu, where he walked in the footsteps of the historical Buddha, studied the scriptures at the feet of venerable teachers, such as Silabadhra at the Great Monastery of Nalanda, and eventually wound up bringingbrought back hundreds of manuscripts to Chang'an to , which he and others be translated and disseminated, impacting Buddhist thought across East Asia.  HisXuanzang's travels lasted from around 629 to 645, and he was still teaching in Chang'an in the 650s when various student-monks from Yamato  arrived to study and learn from him, eventually bringing back his teachings to the archipelago as part of the Faxiang, or Hossou, school of Buddhism. Before that we talked about the visitors from “Tukhara” and “Sha'e” recorded in the Chronicles.  As we noted, these peopley were morest likely from the Ryukyuan islands, and the names may have been conflated with distant lands overseas – but regardless, .  Whether or not it was a mistake, this it does seem to indicated that Yamato had at least an inkling of the wider world, introduced through the continental literature that they had been importing, if not the direct interactions with individuals from the Korean peninsula and the Tang court. This episode, we're going to talk about some of the relations between Yamato and the continent, including the various embassies sent back and forth, as well as one especially detailed embassy from Yamato to the Tang Court that found itself in a bit of a pickle.  After all, what did you do, back in those days, when you were and ambassador, and your country suddenly went to war?  We'll talk about that and what happened. To reorient ourselves in time, we're in the reign of Takara Hime, called aka Kyogoku Tennou during her first reign, who had reascended to the throne in 655, following the death of her brother, Prince Karu.  The Chroniclers would dub her Saimei Tennou in her second run on the throne. From the very beginning of her second reign, Takara Hime was entertaining foreign envoys.  In 654, the Three Han of the Korean Peninsula—Goguryeo, Baekje, and Silla—all sent ambassadors to express their condolence on the death of her brother, and presumably to witness her ascension.  And in the 8th month of her reign, Kawabe no Maro no Omi, along with others, returned from Chang'an.  He Kawabe no Maro no Omi had been the Chief Ambassador to the Tang on an embassy sent , traveling there in the 2nd month of the previous year.  Originally he had been He was under the command of the controlling envoy, Takamuku no Obito no Kuromaro, but Kuromaro who unfortunately died in Chang'an and so Kawabe no Mari no Omi took over his role. That same year, 655, we know that there were about 100 persons recorded in Yamato from Baekje, along with envoys of Goguryeo and Silla.  These are likely the same ones we mentioned back in episode 117 when 150 Baekje envoys were present at court along with multiple members of the Emishi. Silla, for their part, had sent to Yamato a special hostage , whom we know as something like “Mimu”, along with skilled workmen.  Unfortunately, we are told that Mimu fell ill and died.  The Chronicles are pretty sparse on what this meant, but I can't imagine it was great.  After all, the whole idea of sending a hostage to another nation was as a pledge of good behavior – the idea being that the hostage was the idea that they werewas valuable enough that the sending nation wouldn't do anything too rash.  The flip side of that is if the hostage died, Of course, if they perished, the hosting country lost any leverage—and presumably the sending nation would be none too pleased.  That said, people getting sick and passing away was hardly a hostile action, and likely just considered an unfortunate situation. The following year, in 656, we see that Goguryeo, Baekje, and Silla again all sent ambassadords were all sent to offer “tribute”.  The Chronicles mention that dark purple curtains were drawn around the palace site to entertain the ambassadors—likely referring to the new palace site at Asuka no Wokamoto, which probably was not yet fully built out, yet.   We are given the name of the Goguryeo ambassador, Talsa, and associate ambassador, Ilchi,  in the 8th month, Talsa and Ilichi, with 81 total members in the Goguryeo retinueof the embassy.  In seeming response, Yamato sent an embassy was sent to Goguryeo with the likes of Kashiwade no Omi no Hatsumi as the Chief Ambassador and Sakahibe no Muraji no Iwasuki as the Associate Ambassador.  Other names mentioned include We also see the likes of Inugami no Shiromaro, Kawachi no Fumi no Obito—no personal name is given—and Ohokura no Maro.  We also see thea note in the Chronicles that Yamato ambassadors to the quote-unquote “Western Sea”—which seems to refer to the Tang court, but could possibly refer to anything from the Korean Peninsula west—returned in that same year.  The two are named as Saheki no Muraji no Takunaha and Oyamashita no Naniha no Kishi no Kunikatsu.  These are both families that were clearly involved in cross-strait relations , based on how they are frequently referenced in the Chronicles as being associated with various overseas missions.  but  However, we don't seem to have clear evidence of them when these particular individualsy leavingft on this mission.  “Kunikatsu” mightay refer to an earlier ambassador to Baekje, but the names are different, so that is largely just speculation.  In any case, Uupon their return, they are said to have brought with them a parrot.  This wasn't the first parrot the court had seen—that feathery traveler had arrived in 647, or at least that is the first parrotinstance  we have in the written record -- .  Aand that one came from Silla as part of that embassy's gifts. Continuing on, in 657, The following year there was another group of ambassadors returned coming  from the “Western Seas”, in this case coming back from—or through—Baekje.  Thisese wasere Adzumi no Muraji no Tsuratari and Tsu no Omi no Kutsuma.  The presents they brought back were, of all things:  one camel and two donkeys.  And can you imagine bringing a camel back across the sea at this point?  Even if they were using the larger ships based on continental designs, it still must have been something else to put up with a camel and donkeys onboard, animals that are not exactly known for their easy-going and compliant nature. Speaking of boats, we should probably touch on what we *think* they were usinghas been going on here.  I say *think* because we only get glimpses  of the various boats being used in the archipelago, whether from mentions in or around Yamato, archaeology, or artistic depictions, many of which came from later periods., and wSo while it is generally assumed that they the Yamato were using Tang style vessels by the 8th and 9th century, there does not appear to be clear evidence of exactly what kind of boats were being used during the early earlier periods of contact. A quick note on boat technology and navigation: while travel between the Japanese archipelago and the Korean Peninsula, and up the Yellow Sea, wasn't safe, it would have been possible with the vessels of the time.  Japan sits on the continental shelf, meaning that to the east where the shelf gives way to the Pacific Ocean with the Phillippine Sea to the south, the waters are much, much deeper than they are to the west.  In deep waters, waves are not necessarily affected by the ocean floor, meaning they can build up much more energy and require different kinds of technology to sail.  In shallower areas, such as the Sea of Japan, the Yellow Sea, the East China Sea or the Korean Straits to the west of the archipelago, there's more drag that dampens out the wave effect – it's not that these areas are uniformly shallow and calm, but they are calmer and easier to navigate in general.  Our oldest example of boats in the archipelago of any kind are dugout canoes, .  These are logs that are hollowed out  and shaped. , and tThese appear to be what Jomon era populations used to cross to the archipelago and travel between the various islands.  Though they may be considered primitive, without many of the later innovations that would increase stability and seaworthiness—something I'll touch on more a bit later—, they were clearly effective enough to populate the islands of the Ryukyuan chain and even get people and livestock, in the form of pigs, down to the Hachijo islands south of modern Tokyo.    So they weren't ineffective. Deep waters mean that the waves are not necessarily affected by the ocean floor.  Once it hits shallower water, there is more drag that affects larger waves.  This means that there can be more energy in these ocean waves.  That usually means that shallower areas tend to be more calm and easier to navigate—though there are other things that can affect that as well. We probably should note, however, that Japan sits on the edge of the continental shelf.  To the west, the seas are deep, but not nearly as deep as they are to the east, where continental shelf gives way to the Pacific ocean, with the Philippine Sea to the south.  These are much deeper waters than those of the Yellow Sea, the East China Sea, or the Korean Straits.  The Sea of Japan does have some depth to it, but even then it doesn't compare in both size and depth. Deep waters mean that the waves are not necessarily affected by the ocean floor.  Once it hits shallower water, there is more drag that affects larger waves.  This means that there can be more energy in these ocean waves.  That usually means that shallower areas tend to be more calm and easier to navigate—though there are other things that can affect that as well. All this to say that travel between the Japanese archipelago and the Korean Peninsula, and up the Yellow Sea, were all things that were likely much easier to navigate with the vessels available at the time, but that doesn't mean that it was safe. Later, we see a different type of vessel appear: .  This is a built vessel, made of multiple hewn pieces of wood.  The examples that we see show a rather square front and back that rise up, sometimes dramatically, .  There are with various protrusions on either side. We see examples of this shape , and we've seen examples in haniwa from about the 6th century, and we have some corresponding wooden pieces found around the Korean peninsula that pretty closely match the haniwa boat shapesuggest similar boats were in use there as well, .  Nnot surprising given the cultural connections.  These boats do not show examples of sails, and were likely crewed by rowers.  Descriptions of some suggest that they might be adorned with branches, jewels, mirrors, and other such things for formal occasions to identify some boats as special -- , and we even have one record of the rowers in ceremonial garb with deer antlers.  But none of this suggests more than one basic boat typevery different types of boats. In the areas of the Yellow and Yangzi rivers, area of modern China, particularly in the modern PRC, the boats we see are a little different.  They tend to be flat bottomed boats, possible evolved from  which appear to have been designed from rafts or similar .   These vessels would have evolved out of those used to transport goods and people up and down the Yellow and Yangzi rivers and their tributaries.  These boats y had developed sails, but still the boats wwere n'ot necessarily the most stable on the open ocean.  Larger boats could perhaps make their way through some of the waves, and were no doubt used throughout the Yellow Sea and similar regions.  However, for going farther abroad, we are told thatcourt chronicles note that there were other boats that were preferred: . These are sometimes called  the Kun'lun-po, or Boats of the Kunlun, or the Boats of the Dark-skinned people.  A quick dive here into how this name came to be. Originally, “Kunlun” appears to refer to a mythical mountain range, the Kunlun-shan, which may have originated in the Shan-hai-jing, the Classic of Mountains and Seas, and so may not have referred to anything specific terrestrial mountain range, ally.  Italthough the term would later attach be used to describe to the mountain chain that forms the northern edge of the Tibetan plateau, on the southern edge of the Tarim Basin. However, at some point, it seems that “Kunlun” came to refer to people -- .  Sspecifically, it came to refer to people of dark complexion, with curly hair.  There are Tang era depictions of such people, but their origin is not exactly known: it might .  It is thought that it may have have equally referred to dark-skinned individuals of African descent, or possibly referring to some of the dark-skinned people who lived in the southern seas—people like the Andamanese living on the islands west of modern Thailand or some of the people of the Malay peninsula, for example. It is these latter groups that likely were the origin, then, of the “Kun'lun-po”, referring to the ships of the south, such as those of Malay and AsutronesianAustronesian origin.  We know that from the period of at least the Northern and Southern Dynasties, and even into the early Tang, these foreign ships often , which were often plyingied the waters from trade port to trade port, and were the preferred sailing vessels for voyages to the south, where the waters could be more treacherous.  Indeed, the Malay language eventually gives us the term of their vessels as “Djong”, a term that eventually made its way into Portuguese as “Junco” and thus into English as “junk”, though this terms has since been rather broadly applied to different “Asian” style sailing vessels. So that leaves us with three ship types that the Yamato court could have been using to send these embassies back and forth to the continent: .  Were they still using their own style of native boat as seen on haniwa,, or were they adopting continental boats to their needs?   If so, were they using the flat-bottomed boats of the Tang dynasty, or the more seaworthy vessels of the foreign merchants?. Which were they using?  The general thinking is that IMost depictions I have seen of the kentoushi, the Japanese embassies to the Tang court, depict them as t is generally thought that they were probably using the more continental-style flat-bottomed, riverine vessels.  After all, they were copying so much of what the Sui and Tang courts were doing, why would they not consider these ships to likewise be superior to their own?  At least for diplomatic purposes.  I suspect that local fishermen did their own were keeping their own counsel as far as ships are concernedthing, and I also have to wonder about what got used they were using from a military standpoint for military purposes.  Certainly we see the Tang style boats used in later centuries, suggesting that these had been adopted at some earlier point, possibly by the 650s or earlier. Whatever they used, and while long-distance sailing vessels could Sailing vessels could be larger than short-distance riverine craft, this was not a luxury cruise.  , but conditions on board were not necessarily a luxury cruise.  From later accounts we know that they would really pack people into these shipspeople could be packed in.  It should be noted that individual beds and bedrooms were a luxury in much of the world, and many people probably had little more than a mat to sleep on.  Furthermore, people could be packed in tight.   Think of the size of some of these embassies, which are said to be 80 to 150 people in size.  A long, overseas journey likely meant getting quite cozy with your neighbors on the voyage.  So how much more so with a camel and two donkeys on board a vessel that was likely never meant to carry them?  Not exactly the most pleasant experience, I imagine – and this is not really any different than European sailing vessels during the later age of exploration.. So, from the records for just the first few years of Takara-hime's second reign, we see that there are lots of people going back and forth, and we have a sense of how they might be getting to and from the continent and peninsula.  Let's dive into Next, we are going to talk about one of the most heavily documented embassies to the Tang court, which set out in the 7th month of the year 659.  Not only do we get a pretty detailed account of this embassy, but we even know who wrote the account: as in our imagined intro, , as this is one of the accounts by the famous Iki no Muraji no Hakatoko, transcribed by Aston as “Yuki” no Muraji. Iki no Hakatoko's name first appears in an entry for 654, where he is quoted as giving information about the status of some of the previous embassies to the Tang court.  Thereafter, various entries are labeled as “Iki no Muraji no Hakatoko says:”, which   This would seem to indicate that these particular entries came are taken directly from another work written by Iki no Hakatoko and referred to as the “Iki Hakatoko Sho”.  Based on the quoted fragments found in the Nihon Shoki, itthis appears to be one of ourthis oldest Japanese travelogues.  It , and spends considerable time on the mission of 659, of which it would appear that Iki no Hakatoko was himself a member, though not a ranking one.  Later, Iki no Hakatoko would find himself mentioned in the Nihon Shoki directly, and he would even be an ambassador, himself. The embassy of 659 itself, as we shall see, was rather momentous.  Although it started easily enough, the embassy would be caught up in some of the most impactful events that would take place between the Tang, Yamato, and the states of the Korean peninsula. This embassy was formally under the command of Sakahibe no Muraji no Iwashiki and Tsumori no Muraji no Kiza.  It's possible In the first instance it is not clear to me if this isthat he is the same person as the previously mentioned associate envoy, Sakahibe no Iwasuki—but the kanji are different enough, and there is another Sakahibe no Kusuri who shows up between the two in the record.  However, they are both listed as envoys during the reign of Takara Hime, aka Saimei Tennou, and as we've abundantly seen, and it wouldn't be the first time that scribal error crept in. has taken place, especially if the Chroniclers were pulling from different sources. The ambassadors took a retinue with them, including members of the northern Emishi, whom they were bringing along with them to show to the Tang court.  TheThey also  embassy ttook two ships—perhaps because of the size of the retinue, but I suspect that this was also because if anything happened to the one, you still had the other.  A kind of backup plan due to the likelihood something went wrong.  And wouldn't you know it, something did go wrong.  You see, things started out fine, departing Mitsu Bay, in Naniwa, on the 3rd day of the 7th month.  They sailed through the Seto Inland Sea and stopped at Tsukushi, likely for one last resupply and to check in with the Dazai, located near modern Fukuoka, who would have been in charge of overseeing ships coming and going to the archipelago.  They departed from Ohotsu bay in Tsukushi on the 11th day of the 8th month. A quick note: Sspeedboats these were not.  Today, one can cross from Fukuoka to Busan, on the southeast corner of the Korean peninsula, in less than a day.  The envoys, however, were taking their time.  They may have even stopped at the islands of Iki and Tsushima on their way.  By the 13th day of the 9th month—over a month from leaving Kyushu behind -- , the  ships finally came to an island along the southern border of Yamato's ally, Baekje.  Hakatoko does not recall the name of the island, but o On the following morning, around 4 AM, so just before sunrise, the two ships put out to sea together to cross the ocean, heading south, towards the mouth of the Yangzi river.  Unfortunately, the following day, the ship Iwashiki was on met with a contrary wind, and was driven away from the other ship – with nothing known of its fate until some time afterwards.  Meanwhile, the other ship, under the command of Tsumori no Muraji no Kiza, continued on and by midnight on the 16th day, it arrived at Mt. Xuan near Kuaiji Commandary in the Yue district, in modern Zhejiang.  Suddenly a violent northeast wind blew up, and p.  Tthey were saileding another 7 days before they finally arrived at Yuyao.  Today, this is part of the city of Ningbo, at the mouth of the Qiantang river, south of Shanghai and considered a part of the Yangzi Delta Region.  This area has been inhabited since at least 6300 years ago, and it has long been a trade port, especially with the creation of the Grand Canal connecting between the Yangzi and the Yellow River, which would have allowed transshipment of goods to both regions. The now half-size Yamato contingenty  left their ship at Yuyao and disembarked, and made their way to Yuezhou, the capital of the Kuaiji Commandary.  This took them a bit of time—a little over a month.  Presumably this was because of paperwork and logistics: they probably because they had to send word ahead, and I suspect they had to inventory everything they brought and negotiate carts and transportationfigure out transportation., since   Tthey didn't exactly have bags of holding to stuff it all in, so they probably needed to negotiate carts and transportation.  The finally made it to Yuezhou on the first day of the 11th intercalary month.  An “intercalary” month refers to an extra month in a year.  It was determined by various calculations and was added to keep the lunar and solar years in relative synch. From Yuezhou, things went a bit more quickly, as they were placed on post-horses up to the Eastern Capital, or Luoyang, where the Emperor Tang Gaozong was in residence.   The Tang kept a capital at Luoyang and another to the west, in Chang'an.  The trip to Luoyang was long—over 1,000 kilometers, or 1 megameter, as it were.  The trip first took them through the Southern Capital, meaning the area of modern Nanjing, which they entered on the 15th day of the month.  They then continued onwards, reaching Luoyang on the 29th day of the 11th month.  The following day, on the 30th day of the 11th intercalary month of the year 659, the Yamato envoys were granted an audience with Emperor Tang Gaozong.  As was proper, he inquired about the health of their sovereign, Takara Hime, and the envoys reported that she was doing well.  He asked other questions about how the officials were doing and whether there was peace in Yamato.  The envoys all responded affirmatively, assuring him that Yamato was at peace. Tang Gaozong also asked about the Emishi they had brought with them.  We mentioned this event previously, back in Episode XXX117 , how the Emishi had been shown to the Tang Emperor, and how they had described them for him.  This is actually one of the earliest accounts that we have describing the Emishi from the Yamato point of view, rather than just naming them—presumably because everyone in Yamato already knew who they were.  From a diplomatic perspective, of course, this was no doubt Yamato demonstrating how they were, in many ways, an Empire, similar to the Tang, with their own subordinate ethnicities and “barbarians”. After answering all of the emperor's questions, the audience was concluded.  The following day, however, was something of its own. This was the first day of the regular 11th lunar month, and it also was the celebration of the Winter Solstice—so though it was the 11th month, it may have been about 22 December according to our modern western calendars.  The envoys once again met with the emperor, and they were treated as distinguished guests—at least according to their own records of it.  Unfortunately, during the festivities, it seems that a fire broke out, creating some confusion, and .  Tthe matters of the diplomatic mission were put on hold while all of that went on. We don't know exactly what happened in the ensuing month.  Presumably the envoys took in the sites of the city, may have visited various monasteries, and likely got to know the movers and shakers in the court, who likely would have wined and dined them, inviting them to various gatherings, as since they brought their own exotic culture and experiences to the Tang court. Unfortunately, things apparently turned sour.  First off, it seems clear that the members of this embassyy weren't the only Japanese in the court.  There may have been various merchants, of course, but and we definitely know that there were students who had come on other missions and were still there likely still studying, such as those who had been learning from studying with Master Xuanzang, whose journeys we mentioned in the last several episodes.  But Wwe are given a very specific name of a troublemaker, however:  Kawachi no Aya no Ohomaro, and we are told that he was aa servant of Han Chihung, who .  Han Chihung, himself, is thought to have possiblymay have been of mixed ethnicity—both Japanese and ethnic Han, and may .  Hhe may have traveled to the Tang court on or around 653. , based on some of the records, but it isn't entirely clear. For whatever reason, on the 3rd day of the 12th month of the year 659, Kawachi no Aya no Ohomaro slandered the envoys, and although .  Wwe don't know exactly what he said, but the Tang court caught wind of the accusations and found the envoys guilty.  They were condemned to banishment, until the author of our tale, none other than Iki no Hakatoko himself, stepped up, .  He made representation to the Emperor, pleading against the slander.  , and tThe punishment was remitted, .  Sso they were no longer banished.  However, they were also then told that they could no't return home.  You see, the Tang court was in the middle of some sensitive military operations in the lands east of the sea—in other words they were working with Silla to and invadeing the Kingdom of Baekje.  Since Yamato was an ally of Baekje, it would be inconvenient if the envoys were to return home and rally Yamato to Baekje's defense. And so the entire Yamato embassy was moved to the Western Capital, Chang'an, where they were placed under individual house arrest.  They no doubt were treated well, but they were not allowed to leave, and .  Tthey ended up spending the next year in this state. of house arrest. Unfortunately, we don't have a record of just how they passed their time in Chang'an.  They likely studied, and were probably visited by nobles and others.  They weren't allowed to leave, but they weren't exactly thrown in jail, either.  After all, they were foreign emissaries, and though the Tang might be at war with their ally, there was no formal declaration of war with Yamato, as far as I can make out.  And so the embassy just sat there, for about 9 months. Finally, in the 7th month of 660, the records tell us we are told thatthat tThe Tang and Silla forces had been successful: .  Baekje was destroyed..  The Tang and Silla forces had been successful.   News must have reached Chang'an a month later, as Iki Hakatoko writes that this occurred in the 8th month of the year 660.  With the Tang special military operation on the Korean peninsula concluded, they released the envoys and allowed them to return to their own countries.  They envoys began their preparations as of the 12th day of the 9th month, no doubt eager to return home, and left were leaving Chang'an a week later, on the 19th day of the 9th month.  From there, it took them almost a month to reach Luoyang, arriving on the 16th day of the 10th month, and here they were greeted with more good news, for here it was that they met up once again with those members of their delegation who had been blown off course. As you may remember, the ship carrying Iwashiki was blown off-course on the 15th day of the 9th month in the year 659, shortly after setting out from the Korean peninsula.  The two ships had lost contact and Tsumori no Muraji no Kiza and his ship had been the one that had continued on.   Iwashiki and those with him, however, found themselves at the mercy of the contrary winds and eventually came ashore at an island in the Southern Sea, which Aston translates as “Erh-kia-wei”.   There appears to be at least some suggestion that this was an island in the Ryukyuan chain, possibly the island of Kikai.  There, local islanders, none too happy about these foreigners crashing into their beach, destroyed the ship, and presumably attacked the embassy.  Several members, including Yamato no Aya no Wosa no Atahe no Arima (yeah, that *is* a mouthful), Sakahibe no Muraji no Inadzumi (perhaps a relative of Iwashiki) and others all stole a local ship and made their way off the island.  They eventually made landfall at a Kuazhou, southeast of Lishui City in modern Zhejiang province, where they met with local officials of the Tang government, who then sent them under escort to the capital at Luoyang.  Once there, they were probably held in a similar state of house arrest, due to the invasion of Baekje, but they met back up with Kiza and Hakatoko's party. The envoys, now reunited, hung out in Luoyang for a bit longer, and thus .  Thus it was on the first day of the 11th month of 660 that they witnessed war captives being brought to the capital.  This included 13 royal persons of Baekje, from the King on down to the Crown Prince and various nobles, including the PRimiePrime Minister, as well as 37 other persons of lower rank—50 people all told.  TheThese captives y were delivered up to the Tang government and led before the emperor.  Of course, with the war concluded, and Baekje no longer a functioning state, while he could have had them executed, Tang Gaozong instead released them, demonstrating a certain amount of magnanimity.  The Yamato envoys remained in Luoyang for most of the month.  On the 19th, they had another audience with the emperor, who bestowed on them various gifts and presents, and then five days later they departed the Luoyang, and began the trek back to the archipelago in earnest. By the 25th day of the first month of 661, the envoys arrived back at Yuezhou, head of the Kuaiji Commandery.  They stayed there for another couple of months, possibly waiting for the right time, as crossing the sea at in the wrong season could be disastrous.  They finally departed east from Yuezhou on the first day of the fourth month, coming to .  They came to Mt. Cheng-an 6 days later, on the 7th, and set out to sea first thing in the morning on the 8th.  They had a southwest wind initially in their favor, but they lost their way in the open ocean, an all too commonall-too-common problem without modern navigational aids.  Fortunately, the favorable winds had carried them far enough that only a day later they made landfall on the island of Tamna, aka Jeju island. Jeju island was, at this point, its own independent kingdom, situated off the southern coast of the Korean peninsula.  Dr. Alexander Vovin suggested that the name “Tamna” may have been a corruption of a Japonic or proto-Japonic name: Tanimura.  The island was apparently quite strange to the Yamato embassy, and they met with various residents natives of Jeju island.  They, even convincinged Prince Aphaki and eight other men of the island to come with them to be presented at the Yamato court. The rest of their journey took a little over a month.  They finally arrived back in Yamato on the 23rd day of the fifth month of 661.  They had been gone for approximately two years, and a lot had changed, especially with the destruction of Baekje.  The Yamato court had already learned of what had happened and was in the process of drawing up plans for an expedition back to the Korean peninsula to restore the Baekje kingdom, and pPrince Naka no Oe himself was set to lead the troops. The icing on the cake was: Tthe reception that the envoys received upon their return was rather cold.  Apparently they were had been slandered to the Yamato court by another follower of Han Chihung—Yamato no Aya no Atahe no Tarushima—and so they weren't met with any fanfare.  We still don't know what it was that Tarsuhima was saying—possibly he had gotten letters from Chihung or Ohomaro and was simply repeating what they had said. Either way, the envoys were sick of it.  They had traveled all the way to the Tang capitals, they had been placed under house arrest for a year, and now they had returned.  They not only had gifts from the Tang emperor, but they were also bringing the first ever embassy from the Kingdom of Tamna along with them.  The slander would not stand.  And so they did what anyone would do at the time:  They apparently appealed to the Kami.  We are told that their anger reached to the Gods of the High Heaven, which is to say the kami of Takamanohara, who killed Tarushima with a thunderbolt.  Which I guess was one way to shut him up. From what we can tell, the embassy was eventually considered a success.  Iki no Hakatoko's star would rise—and fall—and rise again in the court circles.  As I noted, his account of this embassy is really one of the best and most in depth that we have from this time.  It lets us see the relative route that the envoys were taking—the Chronicles in particular note that they traveled to the Great Tang of Wu, and, sure enough, they had set out along the southern route to the old Wu capital, rather than trying to cross the Bohai Sea and make landfall by the Shandong peninsula or at the mouth of the Yellow River.  From there they traveled through Nanjing—the southern “capital” likely referring, in this instance, to the old Wu capital—and then to Luoyang.  Though they stayed there much longer than they had anticipated, they ended up living there through some of the most impactful events that occurred during this point in Northeast Asia.  they And that is something we will touch on next episode.  Until then, thank you once again for listening and for all of your support. If you like what we are doing, please tell your friends and feel free to rate us wherever you listen to podcasts.  If you feel the need to do more, and want to help us keep this going, we have information about how you can donate on Patreon or through our KoFi site, ko-fi.com/sengokudaimyo, or find the links over at our main website,  SengokuDaimyo.com/Podcast, where we will have some more discussion on topics from this episode. Also, feel free to reach out to our Sengoku Daimyo Facebook page.  You can also email us at the.sengoku.daimyo@gmail.com.  Thank you, also, to Ellen for their work editing the podcast. And that's all for now.  Thank you again, and I'll see you next episode on Sengoku Daimyo's Chronicles of Japan

D'arapo mo wa l'ati mu eko yii wa s'opin nigbati a o maa ka iwe işe awon aposteli l'ati ko èkó pataki l'ara Barnaba(Acts 9:26-30) ti o mu ipin/ipe şe nipa şişe ohun ti o bu ola fun Oluwa ni aini ariwo ninu....

Nje o ti bi ara re ni iru ibeere akinkanju béè ri? Kini idi iwalaaye mi tabi awon ohun naa ti a da mi l'ati şe? Nje mo n mu ipin/ipe şe?

EN PHASE explore le process de travail des artistes les plus créatifs.ves de la scène musique électronique française. Dans cet épisode : DELAURENTIS https://linktr.ee/delaurentis @delaurentis.music *** Cécile aka DeLaurentis fascine par son utilisation avancée des dernières technologies musicales, son travail sur la voix et sur la relation artiste - machine. Fille de pianiste, elle grandit entourée de musiciens, puis étudie la musique au Conservatoire et à l'université du Mirail en option Jazz. Elle développe très jeune un intérêt pour la voix et se produit d'abord en tant que chanteuse, avant de découvrir le monde de la synthèse et de l'audio numérique. Inspirée notamment par Laurie Anderson et Ryūichi Sakamoto, elle commence à expérimenter avec les synthétiseurs, séquenceurs, vocoders, masterisant l'utilisation du contrôleur Push (Ableton) très axée sur la performance live, et la manipulation de sa voix en temps réel. Elle attire l'attention avec des covers et des remixes, partagés sur les réseaux. Après plusieurs EP, syncro pubs et séries, elle propose en 2021 après 2 ans d'introspection, un album concept dans lequel elle met en scène sa relation avec son alter-égo numérique "Unica". On la voit expérimenter avec les gants Mimu, développés par Imogen Heap, l'Erae Touch d'Embodme, collaborer avec l'Ircam et son Virtual Choir, le Spotify CTRL Lab et ses outils d'IA… explorant toujours avec brio ce que les nouvelles technologies peuvent apporter à la musique. On a eu le temps d'aborder un tiers des sujets dont j'aurai aimé discuter avec Cécile, mais l'épisode est déjà super riche : ) --- Send in a voice message: https://podcasters.spotify.com/pod/show/studiomodule/message

For the final episode of Season 6 of Xian Archive Matt sits down with Joshua Draper.   Joshua is the former Creative Producer for OPUS Immersive, a former touring comedian and Second City Conservatory graduate. He is also a multi-instrumentalist and vocalist, and an early adopter of MiMU Gloves, which are an advanced wearable musical instrument for expressive creation, composition and performance.   During the conversation Joshua shares his journey of becoming a musician, comedian and early adopter of innovative technology centered around music and vibration. The two then discuss a variety of spiritual topics, such as The Diamond Sutra (an advanced Buddhist text), Karma, Reggae Music, Quantum Physics, the Merkaba + much more. Please enjoy, and thank you for listening to Season 6.  Find Joshua: https://www.joshdraper.me/   https://www.instagram.com/truejoshuadraper/       Sponsored by Element Kombucha: https://elementkombucha.com/   Use code 'Xian11' at checkout to save 11%   --- Sponsored by SHEATH: https://sheathunderwear.com   Use code 'TIMEWHEEL' at checkout to save 20%.

W Ursynowskim Centrum Kultury "Alternatywy" w Warszawie trwa XXIII Międzynarodowy Festiwal Sztuki Mimu. W piątek (13.10) zaprezentowany został spektakl "Treny" Jana Kochanowskiego w wykonaniu Warszawskiego Centrum Pantomimy. - Czy można pokazać poezję, wychodząc poza narrację słowną? Sam zadałem sobie to pytanie, gdy otrzymaliśmy taką propozycję - mówił w Dwójce Bartłomiej Ostapczuk, reżyser spektaklu i zarazem dyrektor wydarzenia.

Elaine and Louise chat with Lula Mebrahtu or Lula.XYZ about her exciting new show OommoO which is on @Summerhall in the Red lecture Theatre @4.15pm until the 27th August 2023. We chat the creation of the show, telling stories with the beat of life, loss and so much more. It's another wonderful episode with another wonderful guest. https://tickets.edfringe.com/whats-on/oommoo Oommoo Real-life events of a first-generation immigrant navigating the duality of two cultures, Habesha (Eritrean/Ethiopian) heritage and British identity. It looks at the effects of memory loss on a displaced community. When you've left everything behind for the promise of something "better", and it's not better… When you have nothing but memories and memory is fading… What do you have? Interviewing language, customs and music with wearable tech MiMu gloves, it's a poetic reflection of an emotionally visceral experience unpacked through an Afro-Futuristic East-African lens. Neither a musical, drama or gig theatre... It's a new kind of storytelling. https://www.lulamebrahtu.com/ OUR WEBSITE - www.persistentandnasty.co.uk Persistent Pal & Nasty Hero - Pals and Hero Membership Support In The Room - https://www.crowdfunder.co.uk/p/in-the-room Email – persistentandnasty@gmail.com Instagram - @persistentandnasty Twitter - @PersistentNasty Coffee Morning Eventbrite - Coffee Morning Tickets LINKTREE - LINKTR.EE Resources Samaritans - Rape Crisis Scotland - Rape Crisis UK ArtsMinds - BAPAM Freelancers Make Theatre Work Stonewall UK - Trevor Project - Mermaids UK Switchboard LGBT+ - GATE PLANNED PARENTHOOD DONATE - DONATE ABORTION SUPPORT NETWORK UK - ASN.COM- DONATE WeAudition offer: For 25% off your monthly subscription quote: NASTY25 Backstage Offers: Get a free 12 months Actor Subscription: https://join.backstage.com/persistentnasty-uk-12m-free/

Singer, songwriter Imogen Heap is known for her music making as much as for her innovation and pioneering approach to music, from her Mimu gloves to the Creative Passport.  In this episode Imogen shares her journey to a recent ADHD diagnosis and navigating the world with ADHD. We talk about the positives and the challenges of being neurodivergent, and how important it is to support each other, especially children, to thrive in our own ways. The book's that Imogen mentions:  Better Late Than Never: Understand, Survive and Thrive a Midlife Diagnosis of ADHD by Emma Mahony and Sari Solden Dirty Laundry: Why adults with ADHD are so ashamed and what we can do to help by Richard Pink and Roxanne Emery http://imogenheap.com/  https://mimugloves.com/  Here's a playlist of guest's answer to the last question: https://shorturl.at/ezLX4 This season is produced and hosted by Hayleigh Bosher www.instagram.com/hayleigh.bosher/ Edited by Eliza Kania twitter.com/elizakania

**Wer bist du in wenigen Worten?** Hey ich bin Milena und lege seit ungefähr 10 Jahren auf. **Wo drehst du deine Scheiben in Tübingen? (Ort, Veranstaltungsreihe)** In Tübingen spiele ich eher im Dunstkreis der Wohnprojekte. Oft auch nach Livekonzerten. Ich habe keine feste Veranstaltungsreihe.Ich hatte ein paar Jahre eine Radiosendung beim freien Radio, die aber momentan auf Eis liegt. **Was steckt hinter und in deinem Mix für die Drehscheibe Tübingen?** Mein Mix beinhaltet von stampfig stumpf bis hin zu catchy bittersweeten Melodien - im weitesten Sinne Punkmusik. Manche Platten haben schon einiges miterlebt, was man glaube ich hört haha. **Welches ist dein liebster “Drehscheiben-Ort“ in Tübingen?** Mein Tübinger Lieblingsort wurde leider abgerissen. Ich mochte das "Goldene Zeiten" am Bahnhof mit seinem ranzigen 60er Stil. **Welche drei Drehscheiben verlassen nie deinen Plattenkoffer?** Head - Spend the Night alone The Lyres - How do you know Cate le Bon - Mug Museum **Tracklist:** XRay Spex - Oh Bondage! Up Yours! Les Marylènes - Le Beau Têtard sur son cigare Sweeping Promises - Hunger for a Way Out Ruth - Mots Belgrado - Clockwise The Splits - Ghosts Exbats - Hey Hey DEHD - Bad Love BBQT - Savage Sheer Mag - What You Want The Gossip - Standing in the Way of Control Shannon and the Clams - you will always bring me flowers Cate le Bon - Sisters Bombettes - Amsterdam Amyl and The Sniffers - Security The Detroit Cobras - Feel Good Hex Dispensers - Gates of Steel The Baboon Show - There is a Light

OBSERWUJ TEN PODCAST, BY DOSTAWAĆ INFO O NOWYCH ODCINKACH O co chodzi z tym klaunowaniem? Jak uwolnić się od presji sukcesu w sztuce? Co ma Beza do Eufurii? Joanna Płóciennik to aktorka pantomimy, reżyserka i choreografka spektakli ruchowych, pedagożka, animatorka kultury. Jest mimką i klaunem (klaunką? klaunicą? tego nie udało nam się ustalić). Od 2009 roku uczestniczy we wszystkich spektaklach i projektach Fundacji Sztuka Ciała, którą od początku współtworzy.

In This episode, we speak with pioneering musician and producer  Imogen Heap about the various tools and technology being developed to make the life of an artist easier. We delve into a day in the life of both a working musician and mother, as well as discuss how and why Imogen invented the incredible MiMu gloves, as well as our hopes for the next generation of artists and the future of music.

This fascinating episode focuses on how new and innovative technology can elevate our listening experiences and take them to a new level: Oisin Lunny speaks to Dr. Kelly Snook, Founder of the Kepler Concordia, Co-Founder and Director of Mi.Mu Gloves, owner and producer at “It's Not Rocket Science Studios” recording studios and a former NASA researcher (hello International Space Week 2021!) & Sean Barton, Senior Global Product Line Manager of Home Audio at HARMAN and one of the masterminds behind the innovative Harman Kardon Radiance 2400 speaker system. How can technologies from the professional audio world improve our music consumption at home? How can new and innovative technology elevate our listening experience? And what is the future of audio technology? Tune in!

LATI WA NI ILERA, A KO GBODO MUN OTI LILE

LATI WA NI ILERA, A KO GBODO MUN OTI LILE

We opened our doors to our brand new studio, Eazy's Listening Room & Studio, located at Austin's one & only Native Hostel. This studio was crafted to highlight the stories, passions, and pursuits of those in Austin, Texas. There are people flocking to this city hoping to contribute, but it is also a very pivotal time in our city to highlight a culture that has existed for quite some time. • In this new series, at the SpeakEazy, we are keeping our featured guest anonymous until people walk into the studio. With this concept we are able to expose people to perspectives, and industries they wouldn't ordinarily seek out. We aren't selling out this room based on people's interest, but instead on the concept that whatever is in this room is shaping Austin as a whole. So we begin… • I first saw the technology that Josh Draper was using on a friend's instagram story. He was showcasing the Mi.Mu Gloves in a mutual friend's living room. I knew at first glance that it was something special, so I asked him to come by the studio to learn more. I decided Josh would be a perfect fit for the SpeakEAZY. Austin is quickly establishing itself as one of the quickest growing tech leaders in the world. Beyond the amount of corporations that are flooding here. I like to see how individuals are driving this forward themselves. The tech world was an industry I hadn't quite tapped into yet here in Austin with the podcast, and is very important to highlight as it is shaping our culture in massive ways. • Josh performed several different types of songs he had programmed utilizing the Mi.Mu Gloves as people walked into the room. Showing a wide range of what these gloves could do. Like most people the first time they saw the gloves, the energy in the room left one question in people's minds, “what the f*ck are those and how do they work?”. In this episode you will hear Josh's story about how he came across the gloves himself at SXSW here in Austin, what these gloves gave him during “the 2020 experience”, and also how they are being used to innovate around the world. • There is a wide range of how these gloves can and will be used. I am excited to see how these gloves change the world, and I am even more proud that a very special group of people saw it first here at Eazy's first. Join us next week to see who we feature next! We hope to continue to inspire, open peoples minds, and give people a little more room to… listen. One love. • Guest: @truejoshdraper Tech: @mi.mu.gloves • Bringing the conversation of community & culture to Austin, TX. Own your space. • Please give us a RATING & REVIEW if you enjoyed the episode & be sure to SUBSCRIBE! • Instagram: @eazy.does.it Studio: @eazys.studio Email: evan.h.duvall@gmail.com Website: eazydoesit.org Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode, I will be reviewing BL Fans LOVE My Brother?! By Mimu Oyamada TOKYOPOP (30 Jan. 2021) Listener of *It's A Yaoi Recipe* can get 15% off of any Manga at The Isle of Manga www.theisleofmanga.co.uk Use Promo Code: *REBEKAH* for a 15% discount at the checkout. Ship to the United Kingdom Only. The Isle of Manga is a brand new UK online book store, specialising in Manga and light novels. they sell bestselling Manga as well as new upcoming manga. *Orders over £25 get free shipping*. All shipping is *1st class* delivery. Check out The Isle of Manga https://www.theisleofmanga.co.uk/ for more information. If you like the podcast and want to join in the fun. you can join my Yaoi Recipe Discord Server. It's an active server, I always post new stuff on there. There is already have 30 members joined. which is great. https://discord.gg/ebM92P6bs8 you can also contact me on Twitter: @reebeksart or my website reebekillustrations.com Please read my featured article: Boy Love (Yaoi) Manga Recommendation to Buy at CDJapan featured on CD Japan website: https://www.cdjapan.co.jp/feature/Boy_Love_Yaoi_Manga_Recommendation_to_Buy_at_CDJapan

Imogen Heap is uniquely positioned to talk about new ways of composing and presenting music with her work on the MiMu gloves and the Listening Chair as well as different ways of making albums whilst staying sane and balanced. As well as this we discuss the business aspects of music and the Creative Passport and Life of a Song projects. Life of a Song: https://loas.creativepassport.net/ Creative Passport: https://www.creativepassport.net/ Imogen Heap app: https://imogenheap.app/

This is a chat with Kris Halpin, who also trades as Dyskinetic. Kris is now known for his work with the MiMu gloves, created by Imogen Heap. The gloves let you create music by gesture. They are extraordinary things, and there's a sample in this podcast. But there's another factor that informs Kris and his work: disability. It led Kris to his involvement with the gloves, as he sensibly pointed out to their makers that these could a fantastic tool for musicians with disabilities, and they promptly took him on to help with their research. In this podcast, Kris deals with his disability – a very serious disability, which absolutely won't go away - with jaw-dropping openness, and I am hugely grateful. But there's an awful lot more. Kris has a very clear eye on his situation, and it turned out to be a jaw-dropping conversation. There's a sample of Kris's work in the podcast, and if you want to explore more about the gloves and the people involved, visit the detailed companion blog post: 'A Life in Music: Kris Halpin', which you can find here on the Radio To Go Blog. A footnote: the intro and outro flourishes I'm using in this series of Lives in Music podcast come from Vo Fletcher who is featured in this series, along with Loz Kingsley, here. I asked him for a bit of live impro, and this was the result.   The Lives in Music Podcast These are interviews with local musicians, looking at how music has shaped them throughout their lives. Series 3 also looks hard at how lockdown has had an impact. There are some lovely stories. To see who's in the list, here's a link to see every episode. I am hugely grateful to Kris for his openness and completely level-headed take on his situation. I've put a lot of links into the companion podcast. Photo: Josefa Torres    

Imogen Heap is an artist, songwriter and technologist. She speaks to Anne-Marie about how tech is transforming how she makes music and interacts with audiences. She describes how she developed her MiMu smart gloves, which work as a wearable music instrument. And they talk about Mycelia, Heap's blockchain driven project to help musicians with their music distribution, rights and payment management. See acast.com/privacy for privacy and opt-out information.

MUN IFE OMI MEFA SI MEJO LOOJO; OLORUN FE KI A GBORAN SI OUN PATAPATA

There are people that loath AI and others that embrace it. Imogen Heap is definitely the second one: “If I ever could jam with an AI version of me it would take me to the next level.” Her use of technology as an artist is truly unique. Starting with her MIMU gloves, musical controllers she uses for her performances up to her ideas how legal issues could be solved with technologies like blockchain. Her holistic view on how technology can augment every aspect of art and creativity is impressive.

There are people that loath AI and others that embrace it. Imogen Heap is definitely the second one: “If I ever could jam with an AI version of me it would take me to the next level.” Her use of technology as an artist is truly unique. Starting with her MIMU gloves, musical controllers she uses for her performances up to her ideas how legal issues could be solved with technologies like blockchain. Her holistic view on how technology can augment every aspect of art and creativity is impressive.

Have you ever had an idea, but told yourself it would never really work, or that you are too busy, or you felt like you couldn’t do it by yourself? Sisters-in-law Mimi Hecht and Mushky Notik had an idea and brought it to life, all while having busy, growing families and guided by their Orthodox Jewish culture and faith.   In fact, their culture is what inspired their growing business: Mimu Maxi. Mi and Mu’s faith promotes modest attire and as fashionable NYC women, they simply weren’t finding a lot of stylish options that fit their needs. The sisters-in-law/work wives started with designing just one maxi skirt - and before they knew it, were spearheading a Modest Fashion Movement, being featured in Refinery 29 and even Vogue. Using social media as a powerful tool for connection and community building, Mimu Maxi has inspired dialogue and created community with so many different types of women and cultures coming together around their designs. While their business is growing in leaps, they’ve never let it get in the way of their growing families or their faith. It’s all about balance.   This episode is a powerful example to women who are building their dream life - inclusive of family, faith AND success. When G-d is your business partner, can you really go wrong? More Radical Lessons in this episode:   — Take your dream day by day, if you focus too much on the end goal you'll get overwhelmed.   — We don’t have to go it alone, de-isolation is powerful to keep ourselves accountable, supported, and inspired.   — If something in your life isn't flowing, put it aside and work on things that are happening.   — There's a difference between working hard and balancing important aspects of your life, and truly being in a struggle. The struggle doesn’t need to be real.   — The only competition we have is ourselves.   — If you have an idea, listen to the positive voice inside you and go with what’s natural. Start small, start with what’s within your reach.   — It’s not worth it to be totally attached to your phone if something in your real life is taking a hit.   — Believing in something bigger can help relieve stress and help prioritize your values. Links! Website: http://www.mimumaxi.com Instagram: https://www.instagram.com/mimumaxi/ Share Mi & Mu’s Wisdom on Social Media! Post these Quotes:   "If you have an idea and an inkling that it’s a good idea, just start." "If you're open to hearing the message, you'll know where to go." “If it’s not natural to you, don’t do it.” “Blessings bring blessings.”

Imogen Heap is an Grammy-winning songwriter and performer, who has worked with everyone from Taylor Swift to Jeff Beck. An early adopter of technology in her art, Heap has been involved in designing and producing musical gloves called MiMu. This week she was in Dublin to talk about her latest venture, the Creative Passport, at a spin-off of the Web Summit, MoneyConf. Heap came into studio while she was here and spoke to Róisín Ingle all about her innovations, her early life and some of the hard lessons she has had to learn in her career.

Willkommen an Bord! Heute beginnen die Großen Ferien auf #Vienna! Was, schon im Mai? Ja, denn David Kleinl vom Hörspiel- und DJ-Set "Die Großen Ferien" schickt uns mit seinem besten Output mental in den Urlaub. Davor sprechen wir aber mit Oliver Hangl vom Wiener Beschwerdechor über das Raunzen in der Stadt! Kinder der 80er kennen sie: He-Man, der fiese Skelettor, Man-At Arms und der verpeilte Zauberer Orko. Zusammen bilden sie das Hörspieluniversum von "Masters of the Universe". David Kleinl und Herwig Steiner haben beschlossen dieses Universum wieder aufleben zu lassen. Mit live-Vertonungen der alten Kasetten. Nicht immer müssen sie alle Stimmen selber lesen. Im Wiener Phil haben sie etwa Unterstützung von Voodoo Jürgens, Ankathie Koi, Zanshin und Mimu erhalten. Am 27. Mai lesen sie bei der letzten Wiener Lesebühne, die unter anderem von Stefanie Sargnagel veranstaltet wird. Im Radiostudio von NJOY 91.3 lassen wir die Masters of the Universe ebenfalls aufleben. Mit einer exklusiv waghalsigen live Performance. Nicht zu verpassen! Außerdem sprechen wir mit Oliver Hangl. Er hat unter anderem den Wiener Beschwerdechor gegründet (den ältesten noch existierenden Beschwerdechor der Welt). Wir sprechen über die neue Wiener Regierung, warum es sich in Wien schwer raunzen lässt und wie man seine Stadt am besten nutzen könnte. Im Zuge des Festivals der Bezirke organisiert Oliver Hangl nämlich noch die Baulückenkonzerte (20. Juni mit Clara Luzia) und das Silent Bootskonzert, dieses Jahr mit Scheibsta und die Buben an der alten Donau. Wer wissen will, was im Juni in Wien so los ist, oder einfach einmal ein gutes Hörspiel hören, ist eingeladen einzuschalten.

INNER is a world breaking out of the human recorded in one take. Because you’ve said I should misbehave.#deep #tech #progressive #minimal #outsider #hypnotic #electronic #deephouse #deeptechhouse #techhouse #progressivehouse #house #deeptechno #minimaltechno #minimalelectronica #mixtape #music #nikitacano 00:00 The Acid – Ra (David August Remix) 06:05 Mujuice – Aquatilis 08:29 Tiefschwarz – Fire It Out (feat. Ruede Hagelstein) 11:41 Michael Mayer – Und Da Stehen Fremde Menschen 15:08 Jesper Ryom – Ghostly 17:32 Downtown Party Network – Space Me Out (feat. Egle Sirvydyte) (Mario Basanov Remix) 22:52 Gui Boratto – Paralelo (Boss Axis Remix) 27:07 Jim-E Stack – Dreamt 30:51 M83 – Do It, Try It (Tepr Remix) 35:18 Kim Ann Foxman – It's You That Drives Me Wild (Maya Jane Coles Remix) 39:10 Machine – Blowfish 41:26 Mathew Jonson – In The Stars 44:26 Minilogue – City Boy 49:33 Worakls – Toi 54:53 Glitterbug – The Stars Behind The Light 57:16 The Radio Dept. – Teach Me How To Forget 1:00:28 Christian Löffler – Athlete 1:03:08 Underset – Berlin 1:06:03 Sevensol & Bender – Piano Ist Der Teufel 1:07:59 Matzak – Girl In Water 1:10:55 Arp Aubert – Stripping The Forms 1:14:36 Mano Le Tough – Everything You've Done Before (Dixon Remix) 1:17:32 Max Cooper – Autumn Haze (Ripperton's Frostbite Remix) 1:22:52 Clara Moto – Deer And Fox (feat. Mimu) 1:26:23 Mees Dierdorp – Wandrin Ways

INNER is a world breaking out of the human recorded in one take. Because you’ve said I should misbehave.#deep #tech #progressive #minimal #outsider #hypnotic #electronic #deephouse #deeptechhouse #techhouse #progressivehouse #house #deeptechno #minimaltechno #minimalelectronica #mixtape #music #nikitacano 00:00 The Acid – Ra (David August Remix) 06:05 Mujuice – Aquatilis 08:29 Tiefschwarz – Fire It Out (feat. Ruede Hagelstein) 11:41 Michael Mayer – Und Da Stehen Fremde Menschen 15:08 Jesper Ryom – Ghostly 17:32 Downtown Party Network – Space Me Out (feat. Egle Sirvydyte) (Mario Basanov Remix) 22:52 Gui Boratto – Paralelo (Boss Axis Remix) 27:07 Jim-E Stack – Dreamt 30:51 M83 – Do It, Try It (Tepr Remix) 35:18 Kim Ann Foxman – It's You That Drives Me Wild (Maya Jane Coles Remix) 39:10 Machine – Blowfish 41:26 Mathew Jonson – In The Stars 44:26 Minilogue – City Boy 49:33 Worakls – Toi 54:53 Glitterbug – The Stars Behind The Light 57:16 The Radio Dept. – Teach Me How To Forget 1:00:28 Christian Löffler – Athlete 1:03:08 Underset – Berlin 1:06:03 Sevensol & Bender – Piano Ist Der Teufel 1:07:59 Matzak – Girl In Water 1:10:55 Arp Aubert – Stripping The Forms 1:14:36 Mano Le Tough – Everything You've Done Before (Dixon Remix) 1:17:32 Max Cooper – Autumn Haze (Ripperton's Frostbite Remix) 1:22:52 Clara Moto – Deer And Fox (feat. Mimu) 1:26:23 Mees Dierdorp – Wandrin Ways

Awọn Ẹkọ ti o nbẹ fun jijẹ ati mimu - 2

Awọn Ẹkọ ti o nbẹ fun jijẹ ati mimu - 1

About Episode # 40 I do not really lose many words;) .. As more than just a fantastic melody has smuggled :)! So: Close your eyes, lay back and float away .. 01 Worakls - Bleu 02 John Creamer, Stephane K - I Wish You Wher Here feat.Nkemdi (Mika Olson Remix) 03 Eelke Kleijn - Ein Tag am Strand (Instrumental) 04 Jonas Woehl - Into You feat. Fabian Reichelt (Konstantin Sibold Years Ago Rmx) 05 Kidnap Kid - Survive 06 Nora En Pure - Sweet Melody 07 AMC - All Alone 08 Worakls - Good Night my Love 09 Klangkuenstler - Barfuß auf Wolken (Club Mix) 10 Andrey Exx, Formichev - Be Good 11 Clara Moto - Wicked Game feat. Mimu and Lee Burton www.hartmutkiss.com www.facebook.com/hartmutkissi www.mixcloud.com/hartmukiss www.dj.beatport.com/hartmutkiss https://itunes.apple.com/de/podcast/hartmut-kiss-in-the-mix/id474578571?mt=2

About Episode # 40 I do not really lose many words;) .. As more than just a fantastic melody has smuggled :)! So: Close your eyes, lay back and float away .. 01 Worakls - Bleu 02 John Creamer, Stephane K - I Wish You Wher Here feat.Nkemdi (Mika Olson Remix) 03 Eelke Kleijn - Ein Tag am Strand (Instrumental) 04 Jonas Woehl - Into You feat. Fabian Reichelt (Konstantin Sibold Years Ago Rmx) 05 Kidnap Kid - Survive 06 Nora En Pure - Sweet Melody 07 AMC - All Alone 08 Worakls - Good Night my Love 09 Klangkuenstler - Barfuß auf Wolken (Club Mix) 10 Andrey Exx, Formichev - Be Good 11 Clara Moto - Wicked Game feat. Mimu and Lee Burton www.hartmutkiss.com www.facebook.com/hartmutkissi www.mixcloud.com/hartmukiss www.dj.beatport.com/hartmutkiss itunes.apple.com/de/podcast/hartm…id474578571?mt=2

Big City Groove Live set Mixed By DJ Serdar AYYILDIZ 1-Clara Moto - Deer And Fox (feat. Mimu) 2-U-Ness & Jedset feat Lorena - Missing (Badu Remix) 3- Dont - Deep Blue Sea (Original Mix) 4-Martin Dawson - Sunday Smoking 5- Siwell - Absentium (Original Mix) 6-Anita Ward -- Ring My Bell (Oscar Lopez Retro-Mix ) 7-Noir & Haze - Around [Solomun Vox Mix] 8- Reasons (Ariane Blank Remix) 9- Phonique & Guti - Divertimento (Original Mix) 10- Serafim Tsotsonis- i'm free (scsi-9 remix) 11- Doomwork - Blacklight 12 - X-Press 2 feat. Rob Harvey - Kill 100 (Lost Heroes Science Remix) 13- X-Press 2, Rob Harvey - Kill 100 (Uner Remix) 14- Siopis & Mr Brean - Dog Or Dusta

In this episode of Bloody Angola Podcast, Woody Overton and Jim Chapman tell the story of Robert Lee Willie who was executed at Bloody Angola in 1984 and his story was part of the inspiration for the movie "Dead Man Walking"Woody and Jim Cover the victims, the crimes and the eventual execution of willie via electric chair. #DeadManWalking #BloodyAngolaPodcast #truecrime #robertwillie #prison #convict #podcast #susansonrandon #seanpenn #hollywood #serialkillers #louisianaFull TranscriptTHE REAL DEAD MAN WALKINGJim: Hey, everyone, and welcome to this episode of Bloody-Woody: -Angola.Jim: A podcast 142 years in the making.Woody: The Complete Story of America's Bloodiest Prison.Jim: And I'm Jim Chapman.Woody: And I'm Woody Overton.Jim: Y'all, we have got, Woody, I'd say one of the most highly requested stories we've had since we started.Woody: Right. I agree with you but when people request this, they are thinking about a movie. They don't know the real story.Jim: They don't. As someone who, in preparation of this episode, actually watched the movie again, I can say it's nothing like it.Woody: No doubt you did your research and the homework on it. Once again, you found out things that I didn't even know. But I knew the true story, and I knew when I saw the movie, it was two different things put together. But this is-- some of this, y'all, is going to be hard to hear, but we always told you it'd be different on Bloody Angola.Jim: That's right.Woody: So, we're going to get to talking today, and we're going to call the name this episode The Real Dead Man Walking. And y'all, we're talking about Robert Willie. Okay, so I'm going to start telling you about Faith Colleen Hathaway. Now, Faith was born in Orlando, y'all, in 1961, but she grew up in Mandeville, Louisiana. Mandeville is about an hour east drive of Baton Ridge and right across Lake Pontchartrain from New Orleans. Faith had been around, her family traveled a lot. Her family had left Louisiana for a few years and then the mid-1970s to travel, and they spent a lot of time in Ecuador and Haiti. I guess maybe they're doing mission work or something.Jim: Yeah, primarily mission work.Woody: Well, going to these different countries helped Faith develop a love for learning different languages and sparked her interest in joining the military. She knew that soldiers who were bilingual were desired and sought after by the US Army at the time. By her senior year of high school, she signed her commitment to join army, just like I did. So, immediately following graduation, she was going to get shipped out to basic training.Jim: That's it. On May 21st, 1980, she did just that, Woody Overton. She graduated from high school, and at 18 years old, she had her sights on reporting to active duty. That was like a week later, on May 28th of 1980, she was to report.Woody: She's rolling.Jim: She's rolling just a week after graduation, but sadly, she never made it. On May 27th, 1980, Faith awoke, she had breakfast at McDonald's in Mandeville, which is a smaller town back then. Now, it's-Woody: Yeah, it's pretty big.Jim: -pretty big. But back then, it was just a little Podunk town. And she did some shopping. She actually shopped for support bras because her recruiter mentioned she's going to probably need those for basic training and she was running out of time to have to report as basic training, as we told you, was the next day. She returned to the apartment complex her mom managed where her and a friend, they shared a separate unit from her mother and stepfather. She's 18, and it was the 70s all. It was different. Nowadays, you think about that and it's like, "What?"Woody: Right. "I'm not going to let my daughter do that." But totally different time, totally different world.Jim: Totally. She decided she wanted to go swimming in the pool. So, she did that. Then, she gets dressed and she had kind of her last day at work before joining basic training and she worked at a local restaurant.Woody: Yeah. The difference between her and I, when I went eight years later, I wasn't trying to work in the [crosstalk]Jim: [chuckles] I wouldn't either.Woody: That shows her commitment. I was getting drunk to shit for probably a week before.But she was go-getter.Jim: Worked all the way to her last day at work. After working her shift, she had some friends who contact her. Well, one friend in particular. She said, "Hey, let's go out for drinks after you get off work. It's your last night in town." And so, that's what they did. They go to a local bar and celebrate her leaving the next day for basic training.Woody: The next morning comes and that's May the 28th and Faith's mom went to Faith's room or her apartment, whatever you want to call it, to spend some time with her before her army recruiter showed up to pick her up and bring her to the military bus that would take her to basic training. When Faith's mom opened the bedroom door, she was surprised to see that Faith hadn't slept in her bed. She woke up Faith's roommate and asked her to say, "Hey, where's Faith at?" And her roommate said that she had gone to bed early the night before and hadn't seen Faith since she left for work the prior night. Faith's mom then calls-- now y'all, there was no cell phone, Faith's mom then calls the friend that Faith had drinks with the night before and she was hoping that Faith had stayed the night at her house, but she hadn't.So, naturally what do moms do? Because this wasn't like Faith. Her mom panicked. And she got in contact with Faith's biological father who lived in New Orleans. And Faith was really tight with him, and she told him, said, "Hey, I can't find Faith. And she never came home evidently." He jumps into action and went straight to the police and reported her missing, both to the Mandeville Police Department and the St. Tammany Parish Sheriff's Office.Jim: Yeah, this guy just kind of got into action. Went dad mode, and mom was in a panic, understandably. Thank God, one of them could keep a level head long enough to think about what to do. On the following day, which was Thursday, May 29th, 1980, a multi-state alert was basically put out on her disappearance. By Sunday, personal articles of clothing werediscovered in a remote 47-acre tract of land in Franklinton, Louisiana, which is about an hour's drive north, y'all, of Mandeville, where she was last seen.Woody: In Washington Parish. Really, really rural. Jim: Yeah. Very rural.Woody: [crosstalk] -over there is papermill.Jim: That's it. And you can smell it when you're passing through. The belongings were discovered really by mere chance. There was a family. They were picnicking in the area, and their seven-year-old daughter walked up to them, and the daughter had a tube of lipstick. The mother asked her, she said, "Where did you get that?" And the child said behind a tree. There's a lot of stuff back there. So, the family kind of goes back there and looks, and they discover a full case of makeup, a bunch of clothing that turned out to be Faith's. How they kind of knew it was her was they found a billfold with her driver's license in it, and it had some other belongings. They go straight to Covington, Louisiana, and return those to the sheriff's office, not realizing at the time that this person was missing. They were just being good citizens.Woody: They know Faith's missing, and now they know basically you don't get a female doesn't go anywhere without her purse or makeup and ID and all that, but her clothes were there. So, they jump into action, and a search party was formed. On Wednesday, June of 4th, 1980, Faith's body was found in some thick underbrush just 200 yards from where her belongings were found five days earlier. Faith had been brutally raped, and her throat had been slashed. Her body was locked up in rigor mortis in a spread-eagle position, legs forced open, arms above her head, several severed fingers. This is a sign, y'all, naturally. The severed fingers is a sign that Faith tried to defend herself, but ultimately it was futile. She had been stabbed repeatedly in the neck with a large knife and had a total of 17 stab wounds [unintelligible [00:10:40]. The cut across her throat was so deep that her necklace was embedded into her flesh. The pathologist who performed the autopsy said that her death was not immediate and had to be excruciating. Basically, it took long enough for her to bleed to death. It's a horrible, horrible death.Jim: Yeah.Woody: This isn't like in the woods, y'all. You can imagine being out there fighting for your life, and somebody just slicing you. 17 stab wounds is a lot. But then, you slice the neck so hard that you embed the necklace deep into your neck. It's crazy.Jim: It really is. Woody: 18 years old.Jim: 18 years old, and just about to leave for basic training the morning all this went down really.Woody: Whole life ahead of you.Jim: Whole life ahead of you. Now what no one suspected at the time outside of the police was, well, when Faith's body was found was that a connection was being made. On May 31st, 1980, just three days before the disappearance of Faith Hathaway, another abduction had taken place in the same area. Mark Brewster, who was 20, parked his car near the Tchefuncte River, and that was a lover's lane, and he had a 16-year-old girlfriend. Different time, y'all. I'm not saying I agree with that but it's a different time. It was more common thenthan now. Two men approached the vehicle. They were armed with guns, and they forced Mark into the trunk of the vehicle while driving to Alabama and repeatedly raping his young girlfriend.Now near Wilcox, Alabama, the two men stopped the vehicle in a wooded area. They pull Brewster out of the trunk. They tie him to a tree and they shoot him twice in the head with a .22 revolver before slashing his throat and leaving him for dead.Woody: That's crazy.Jim: Wilcox, Alabama is not a stone's throw from here. Woody: That's away.Jim: It's away. The two men then drive back to Louisiana, repeatedly raping the young girl again the entire way back. Originally, these two assholes brought the girl back to a third man's trailer in Folsom, which is basically halfway between Franklinton and Mandeville in Louisiana. They were using this trailer as a hideout. The man, the third guy, starts making kind of sexual advances towards her. Obviously, these are some real winners, right?Woody: Yeah, right.Jim: However, the girl mentioned at some point that she was raped by the other two guys. And the man starts to panic. So, he goes to the two guys that have really kicked off this whole thing and he says, "Look, you got to let this girl go. We're going to be in a shit pile of trouble." So, that's what they do. They kind of drove her out to the middle of nowhere and dropped her off. She walks to a nearby home and knocks on the door, beats on the door. The occupants, thank God, grab her and bring her to the police station.Woody: Right. On Monday, June the 2nd, miraculously, she was able to lead the cops back to the location of Brewster despite having been locked in the trunk when Brewster was tied to a tree, shot twice, and had his throat slash. When police and the girlfriend arrived on the scene on Tuesday, June the 3rd, Brewster was still alive.Jim: Can you believe that?Woody: The other thing about that I want to say real quick, not only those injuries that hehad, but you're out there in Alabama and- Jim: Tied to a tree.Woody: -in the middle of the summer, can you imagine mosquito bites? I had a case like this. A husband and wife went into the woods around the same time of year when it was hot like that, and they even brought the cat. He shot the cat, he shot her, and shot himself, and she lived. But when I found her, she didn't look like a human being because she had millions of mosquito bites on her. Because her heart was still pumping, the mosquitoes were on it. So, this guy on top of being shot, everything else had to be just absolutely, almost unrecognizable as a human being. Brewster was immediately brought to the South Alabama University Hospital. About the time he underwent surgery, three suspects were arrested in Texarkana after they were recognized by the composite drawings from descriptions made by Brewster's girlfriend. The suspects were Robert Willie, 21, of Covington, Louisiana, Joseph Vaccaro, 28, of Pearl River, Louisiana, and Thomas Holden, 26, of Folsom, Louisiana, y'all. Now, upon suspecting that the crimes were related and one of the crimes taking place across Louisiana state lines, the FBI was brought in to lead the interrogation.The FBI wasn't having any luck at interrogating Willie, and he was saying nothing, but St. Tammany Parish sheriff's deputy named Donald Duck Sharp had known Willie since childhood and was flown up to Texarkana to assist in an interrogation. Within 30 minutes of starting to talk to him, y'all, Lieutenant Sharp produced a picture of Faith Hathaway, to which Robert Willie responded, "I killed her." When pressed further, Willie said that he didn't actually kill her, that Vaccaro slashed her throat. Lieutenant Sharp then went into the interrogation room with Vaccaro and played the tape of Willie stating that Vaccaro slashed Hathaway's throat, to which Vaccaro denied and said that Willie was lying and that he is the one who killed Hathaway. And that's typical interrogation techniques, y'all.Jim: Yeah, that's what I was going to ask you. As an interrogator, is it critical to play one against the other--? [crosstalk]Woody: Absolutely. Look, you think your homie is you ride or die until, "I killed her, but no, actually, I didn't kill her. He killed her." You go play it for him and then it's "he said, he said" and you're both getting hooked.Jim: Yeah. I found it interesting that the FBI had the wherewithal to actually admit, "We're not going to get anything out of this guy." That's got to be hard. I mean, as an interrogator, you think you can get everybody to talk.Woody: The thing about the FBI, and I'm not throwing shade on them, and I've worked with them on task force and everything else, they're experts at federal crimes. Okay, they're not expert interrogators, but they were smart enough to know that they needed to bring somebody in to make that personal connection and to give them a start to at least to try to roll. Now, look, I've done it. I've brought in everybody from wives to preachers to high school teachers, whatever the fuck you got to do to get the juice.Jim: Absolutely. This guy having a long history with Willie being that they had known each other since childhood, he was, I guess, someone that Willie would have trusted, and they felt like he would open up to a little more. And how about the name Donald Duck Sharp. Love it. I wonder if he's still around St. Tammany. If you are, we'd love to have you on Bloody Angola.Woody: Let's see, in the 80s, that's what, another 40 something? Yeah, we'd love to have you.Jim: Absolutely. If any of you are listening to this and actually know him or you're listening on Facebook and you can find him, shoot him a message to him, we want him on Bloody Angola. We love to talk to him about his experience with all this.Woody: Props up to him for what he does in this case.Jim: 100%. Now, Lieutenant Sharp goes back in the room with Willie after he talked to Vaccaro and played the tape for him. He says, "Man, y'all are having conflicting stories here." He starts pulling out photos, just tons of photos of the murder scene.Woody: Another absolutely classic interrogation technique. Jim: Really?Woody: Oh, yeah, absolutely.Jim: So, what is he aiming for?Woody: He's aiming for shock value. If you were truly wrong-- somebody's a vicious fucking killer, but someone's a leader, someone's a follower. If you reach a certain point, you got both of them saying this and saying that, you throw it down in front of them and you try to strike a human emotion, being like, "Oh, shit." Because a lot of times in our brain, they may have been drunk or whatever, but they don't remember the real damage. And you see it there-- I would assume, being in color photographs by this time, you see that-- And I've used this in so many cases, you see that, then that'll break most people down.Jim: And you're watching for body language, and how they react, all of those sorts of things. Interesting. He does, he pulls out tons of photos of the murder scene, the body of Faith Hathaway. He kind of goes through them with Willie. Willie is looking at these pictures, and he sees the one with the severed fingers of Hathaway, and he says, "You see her fingers? She tried to grab the knife when Joe was trying to cut her. I reached up and grabbed her hands and I told her to behave."Woody: Oh, my God.Jim: That's horrible. Lieutenant Sharp pressed Willie even harder because now he's starting to kind of talk a little bit more, and he takes that advantage and he says, "You mean you told her to behave while you were cutting her?" And Willie responds, "Yeah." Willie and Vaccaro both told Lieutenant Sharp that Faith told them to let her die in peace, with Willie stating he did not rape Faith, that she wanted to have sex with him.Woody: Oh, yeah, that's why they had to cut her fingers off.Jim: Yeah, and Vaccaro raped her after. However, when Lieutenant Sharp goes to Vaccaro and questions him, he states he couldn't get hard, and although he tried to rape her, he could not get an erection, and that Willie did the raping. Before we go any further on, that just this quick thought. That's okay with them. "I tried to rape her, but I couldn't get hard, so I'm not guilty." You got the other one saying, "Oh, she wanted me to screw her." Freaking crazy. And they think they're going to get out of this? During Lieutenant Sharp's questioning of Willie, Willie told about a third victim that police were unaware of in the same short period as the other two crimes, where Willie and Vaccaro on the same night as the Brewster abduction, attempted to abduct another woman. She screamed, she hollered, she went nuts, and they kind of drove away. That's probably what you should do. If somebody's trying to abduct you, no matter how old you are, flip out.Woody: Fight all you can. It shows their progression that they were progressing in the nature of the crimes, and as seen in this case, they grew to the point where they completed it. But y'all, Willie wasn't any stranger to the cops, and he had a long and distinguished arrest record, including auto theft, trespassing, disturbing the peace, criminal damage property, ag assault, several counts of burglary, all before he was even an adult, before he even turned 18.Jim: And that's a big deal. This guy, before he turned 18, he had a rap sheet.Woody: That's the ones he got arrested for. I tell you that for everyone he got arrested for, there's probably 20 that he was never tied to. Hey, the apple doesn't fall far from the tree. John Willie, who's Willie's dad, was serving 27 years in Angola for a bunch of crimes. And in 1954, he went back to Angola for theft of cattle. He was released--Jim: In Angola. [chuckles]Woody: Right. I'll tell you what, there's still a lot in the books in East Louisiana Parish, if you steal cattle, you can be hung. It's not enforceable but--Jim: Look, I'm watching 1923, that's a big deal back then too.Woody: You're taking everything from them. John Willie was released, and guess what? 1964, he was sent back to Angola again, this time for second-degree murder and received a life sentence. But that sentence got commuted to 10 years, and he was released in 1972. But he then went back to Angola for aggravated battery and was released for the last time in 1983. But not all of Willie's bloodline contained convicts. His great grandfather, John Avery Willie, was a deputy for 35 years for the St. Tammany Parish Sheriff's Office and his grandfather for two decades.Jim: Yeah. That's crazy.Woody: That's probably how he knew Donald Duck.Jim: Somewhere along that line, that bloodline changed from heroes to convicts.Woody: I think actually think there's a very fine line. I think the best cops were probably OG convicts-- [crosstalk]Jim: [laughs] They were walking that line.Woody: [crosstalk]Jim: [laughs] I hear you. Just a little history on that, people, a lot of times want to know what the family history was like. Now, the trial for the rape and murder of Faith Hathaway starts. In court, Willie made easy work on the jurors who were looking to send it to him to death. He was a total asshole. He even stated at one point that Cuevas enjoyed being raped. Cuevas was the young lady who was now identified as she was an adult, that was the one who was raped-Woody: [crosstalk] -all the way to Alabama.Jim: -all the way to Alabama and all the way back. He actually had the balls to say she enjoyed that. Vaccaro was found guilty. Although the death penalty for Vaccaro was assault, the jury was not unanimous in the death penalty and Vaccaro receives a life sentence.Woody: Back then, you only had to have 10 out of 12 to get a guilty verdict. On a death penalty case, if you're going-- there's two separate phases. You have the trial phase and if he was found guilty, would have been first-degree murder. Then, you go into the penalty phase. For the penalty phase, if you get the death, it's got to be 12 out of 12. So, somebody felt guilty and didn't want him sentenced to die.Jim: No doubt about it. Now, Willie's mother, Elizabeth Oalman, who would help her son evade police, pled guilty to accessory after the fact and she served one year of a five-year sentence. That was the one thing in the actual movie, Dead Man Walking, they did talk about her prison sentence for helping him kind of evade police after the fact. So, Robert Lee Willie was found guilty of the murder of Faith, and he was sentenced to death. However, there was a technicality, happens a lot in cases. It could have been he wasn't read his rights at some point.Woody: The deal is a death penalty case is scrutinized much harder. I mean, had it been a regular burger case or whatever, probably they wouldn't have been looked at so hard that they could actually find technicality.Jim: Right. No worries because the evidence was stacked against him, he appealed. It had to be retried and he was again found guilty and sentenced to death. Now, next up was a trial for Brewster and the 16-year-old Debbie Cuevas, who I just told you about. You see, in the trial for Faith Hathaway, Debbie Cuevas actually testified. Obviously, she wasn't involved in that court case from a victim standpoint, but she testified maybe to the state of mind of these individuals.Woody: It shows that they're beasts.Jim: Yes.Woody: And that Hathaway wasn't the only one.Jim: 100%. Now, because Brewster and Cuevas were taken across state lines, this became a federal case under the Federal Kidnapping Act, which was brand new back then in 1980, and basically gave federal courts jurisdiction over any kidnapping that goes over state lines. They just have more resources than your state government.Woody: They can coordinate. Smart criminals go across state lines because even now with the FBI and this act, but back then, especially because law enforcement agencies didn't have the communication resources they do now. If you go across state line, it makes it harder to get help in another jurisdiction.Jim: 100%. Now, during the trial, Willie was up to his old tricks with Cuevas. In the trial where she was going to get justice, he's blowing kisses to her. He actually would draw his finger across his throat while she would look at him. That's how much of a piece of shit this guy was. In the middle of the trial, and this is where it gets very disgusting, now, Willie and Vaccaro were both tried at the same time. All of a sudden, middle of the trial, they both stand up and they say, "We want to go ahead and take a plea." They stand up in court, they take the plea, and the judge says, "What do you plead?" And they say, "Yeah, we're guilty. We just wanted to put y'all through this," looking right at Cuevas, who had to testify in detail about the many rapes she endured at their hands. That's insane.Willie and Vaccaro plead guilty to two counts of kidnapping, one count of conspiracy to kidnapping, and they both received life sentences. Now, although Brewster did live, he was partially paralyzed after the incident.Woody: Horrible.Jim: Holden, you may wonder about Holden. "Well, what about the guy in the trailer, the third guy?" Well, he actually was charged with accessory to federal kidnapping, and he took the coward's way out. He committed suicide in his cell by hanging himself shortly after the trial.Woody: Crazy.Jim: Yeah.Woody: Just death everywhere. Hell of jail for him. Jim: Hell is probably where he's at.Woody: It's just crazy. While on death row in Bloody Angola, Robert Willie pled guilty to yet another murder because he had killed Dennis Hemby. In 1978, Willie and his cousin, Perry Taylor, beat and drowned Dennis Hemby, who was 19 years old, to steal weed Hemby had in his possession. Just winners, right?Jim: Weed.Woody: Yeah, probably a bag of weed. Not like pounds or something. But Dennis Taylor pled guilty to manslaughter in the case and received a 21-year sentence. Willie pled guilty to second-degree murder and received another life sentence. What else? How many life sentences can you do? Willie also confessed to the 1978 murder of Louis Wagner, who was a St. Tammany Parish Sheriff's deputy, and he implicated three other men. Wagner was killed in retaliation for repeatedly arresting one of the four men. Charges were brought against all four but were dropped against all, but Robert Willie after Willie recanted his statement and said the men had nothing to do with the deputy's murder. He pled guilty to second-degree murder in that case and received another life sentence. It is alleged that Willie recanted his story after his father told him he had violated the honor code of convicts regarding being a snitch. Father of the year.Jim: Father of the year. Snitches get stitches.Woody: If all that's not crazy enough, serial killers, Henry Lee Lucas and Ottis Toole confessed to killing Wagner. When they confess, Willie completely recanted his story again saying the only reason he confessed the murder is he assumed he would stay in the St. Tammany Parish jail for a trial which he knew would be easier to escape from than Angola. It's crazy. Willie also claimed to kill two other men, one being a hitchhiker and the other being a brick truck driver. He gave no details on the hitchhiker but said he killed the brick truck driver after robbing him and then disposed of his body in a pond along the interstate in St. Tammany Parish.Jim: Absolutely crazy.Woody: Yeah. Fuck, I lost how many murders--[crosstalk] Jim: Total serial killer.Woody: Yeah, absolutely a serial killer.Jim: Just to back up for a second on something you just mentioned, Woody, and that was the name, Ottis Toole and Henry Lee Lucas. We're not going to go into-- that's a whole another episode. We'll tell y'all about those jokers. But I will tell you they were sexual partners, openly gay serial killers that had confessed to over 250 killings throughout their, I guess, serial killer reign. Just a whole other story with those guys. As a matter of fact, Ottis Toole is if you remember the Adam Walsh case back, I was a young buck back then and that scared me to go play around in a mall because he got beheaded after being kidnapped from, I believe, it was a Sears department store. Of course, his father, John Walsh, became a huge advocate for the milk carton stuff where you see the kids on milk cartons. That was John Walsh that spearheaded a lot of that. Whole another story. I'm getting chills thinking about it because that's important to tell.Woody: Also, America's Most Wanted.Jim: America's Most Wanted. Ottis Toole, to sum that up, is who confessed to that murder, and as a matter of fact, his lover actually confirmed that. There'll be more on that in another episode.If you've seen the movie, Dead Man Walking, like I just talked about, it's based off of a book and that book was written by Sister Helen Prejean. Now, Sister Helen Prejean's book is centered around the facts of her experience as a spiritual advisor for the Angola condemned. It really is an amazing account, y'all. Believe it or not, she's still alive and a really amazing lady. I think anyone that commits to religion as she has, in her mind, everything she's doing is for good. Who am I to argue with that? That being said, the movie is very-- and I mean very loosely based on the reality of Robert Willie. It's Hollywood, y'all. They didn't want to show accurate accounts of Willie's murders because, let's face it, if you had known what I just told you about this guy, you're not going to feel sorry for him. You're not. At the end of the movie, if you didn't know any better, I almost felt sorry for him.Woody: Yeah, that's crazy.Jim: It really is. Now, her work as an advocate against the death penalty, it's known worldwide, and she's 83 years young as of today and resides in the Slidell area, I believe, just an hour from where we're currently recording this episode. So, hey.Woody: Still St. Tammany Parish.Jim: Sister Prejean, if you're listening, Woody and I would love to have you on the show.Woody: We would love to have you on, sister. I respect what she does.Jim: 100%.Woody: Can you imagine-- Actually, if I'm not mistaken, Willie's case was the first one that she actually took on.Jim: Yeah. She was young. Woody: Right. Yeah, it was the first.Jim: You remember exactly right. As a matter of fact, they were pen pals. She was writing to inmates and had never even met a death row inmate before.Woody: And then went over there and called a lot of flak for it. Just think about this gap, Willie. You know the one thing I think they probably got true in the movie is when he tried to make sexual advances at her. He's a fucking animal. Let's go to Robert Willie's execution. Right before Robert Willie's execution, John Willie, who's the dad, said his son deserved to die and that Vaccaro should be executed along with him.Jim: Father of the year.Woody: He said, "If a man did me wrong, I'd have no problem with killing him like I'd kill that chicken out there," he said. "But I could never do anything to hurt a woman, a child or a young person," because you got to have some morals, huh?Jim: [chuckles]Woody: When Faith's parents, Vernon and Elizabeth Harvey, went to John's home and asked him if he believed in capital punishment, he said he was willing to pull the switchhimself. Well, you know what? If he'd been a better daddy, they would have never had to ask that question. Robert Willie's grandfather, a former sheriff, also said his grandson most likely deserved to die. He said, "Her life was precious to her and he took it, and they ought to take his life," Keaton Willie said. Vernon Harvey admitted that he had twice considered killing Willie during the trial.Jim: Good for you, Vernon.Woody: I think everybody that has to sit through their kid's murder trial thinks that too. He said in the courtroom during his second sentencing trial, "The deputy sheriff was standing less than 2ft in front of me with his unstrapped holstered .357 magnum pistol." He said, "I thought about stepping up and grabbing it, but there were other people too close to Willie," said Harvey. On the other occasion, Vernon saw that Willie had federal marshals driving him and he considered ramming the car. He said, "I contemplated ramming the car and trying to push it into lake. But then I figured the federal marshals hadn't done me any wrong." Willie was executed on December 28th, 1984. And I tell y'all the fires in hell burned a little bit brighter that day. He was a sixth man to be executed at Bloody Angola in a 13-month period. He rode the lightning Gruesome Gertie style. He was 26 years old.Jim: Amen. I'll tell you, before you go any further, in the movie, it's lethal injection he gets. Here, he didn't get lethal injection. He rode the light sponge.Woody: [crosstalk] sponge on that shaved head and-- Jim: Put that sponge on there.Woody: [crosstalk] -would say, killed him good. All right. Y'all, Willie asked Sister Helen Prejean to be with him on the day of his execution. He was also visited by his mom and his brothers. Sister Prejean attended the execution at his request, and he winked at her right before they threw the switch. Willie's last meal consisted of fried fish, oysters, shrimp, French fries, and a salad. Prior to his execution, he said to Hathaway's mother and stepfather, Elizabeth and Vernon Harvey, who were there as witnesses y'all for the prosecution, he said, "I hope you get some relief from my death. Killing people is wrong. That's why you put me to death. It makes no difference whether it's citizens, countries, or governments. Killing is wrong."Jim: Coming from someone who would know.Woody: Yeah [crosstalk] killed more people than we even talked about today. But Debbie Cuevas, the teen who endured all those horrible rapes from both Willie and Vaccaro, wrote a book on her experience and stated in the book that Willie never felt remorse. Asking Sister Prejean, did he show any real remorse before he died? To which Sister Prejean responded, "No. And you know, Debbie, I'm not sure he was capable of that."Jim: Good call, Sister Prejean. You're probably right.Woody: That's psychopathic [crosstalk] she was honest. Psychopath to the end.Jim: Yeah, really. Just so many lives affected from this guy. It just sickens me. Debbie Cuevas later married and had a son and daughter. And then, as Debbie Morris, she still struggled to come to terms with her experience. She eventually forgave both Willie and Vaccaro for their crimes against her. And she even wrote a book, y'all. In her book titled Forgiving the Dead Man Walking: Only One Woman Can Tell the Entire Story, she tells of her spiritual journey. She writes that she had decided to forgive Willie for the crimes hecommitted. Now, after her book was published, she began writing to Vaccaro in prison. Through this period, Morris also established a friendship with Sister Prejean.She's a lot more forgiving person than me, I can tell you. Morris opposes capital punishment. She has said in her book that she believed her testimony contributed to Willie being sentenced to death and executed. Now, Michael L. Varnado, the detective in the case of Faith Hathaway, also wrote a book, and it's called Victims of the Dead Man Walking, and it recounts his views of the case.Woody: It's crazy. Back then, or even when the movie came out, books were more widely read than they are now. But these would have come out using the name of the movie, Dead Man Walking, so they could tell their side of the story.Jim: Absolutely. Look, when this movie came out, and I think everybody in that movie won some sort of award, it was up for an Academy Award for best movie at that time. Good for these victims to take advantage of that to maybe help their income out and help get their story out. I'm sure some of them, it was about getting the story out, not even [crosstalk] the income.Woody: For me, it'd be like, you Hollywooded it up, let's tell the real story.Jim: Yeah. That's what I love about doing Bloody Angola, is that's what we just gave you. We gave you the real story of who this guy is. I'm sure a lot of you have seen that movie. If you're a true crime fan, I'm sure you watched it. I can tell you, you're probably like me after I finished this research and that was, "Holy crap, this is nothing like I thought. I thought this guy may have made one mistake in his entire--" oh, no, this guy was a full-blown piece of fucked.Woody: Serial killer, man. He just killed so many people, destroyed so many lives. That's the ones that we know about. Anyway, we want to thank y'all for listening to this episode. Our Patreon members, you're getting more episodes than probably any other podcast in the history of the world gives. We hope you're enjoying them. Y'all, if you want to be a Patreon member, you can go to--Jim: You can go to Patreon. Just type in "Bloody Angola Podcast," it'll pull up. Or you can go to the Facebook page, we've got our little link tree there. You click on that and that's got our links, not only to our Patreon, but all of our--Woody: Everything.Jim: Everything we pretty much have now. We have different levels on Patreon. It'severything from our Chase Team, to our CERT Team, to our Tie Down Team.Woody: To the Warden.Jim: To the Warden Team. As it goes up, you get more and more perks. Please go to the Chase Team-- or the Patreon team site and you can see what those different membership levels will get you. But it's really the only way we can continue to do the show, is through our Patreon team.Woody: We even have the option and you get the discount, if you sign up for a year at a time. We want to thank everybody that's done that. That's growing, because it's growing and we're getting more Patreon members, we're able to lock up more of these bonus episodes. This one not being one of them, obviously, but you're getting way more than I ever heard of in podcasting. So, go check it out. Hey, you can't be a Patreon member, we get it. We loveyou anyway. Please, if you feel so inclined, go leave us a review, like us, remember, wherever you listen to the podcast, hit subscribe. That way, anytime we drop an episode, you'll get the notification and it'll be there waiting so you never miss another episode of Bloody-Jim: -Angola. We want to shout out real quick. Each episode we're going to take a different team and we're going to kind of shout out those members. Today, we want to shout out our CERT Team members.Woody: Right, straight up. Y'all, CERT Team is our affectionate name for-- we're trying to keep it all in the prison names. CERT Team is basically the SWAT team. They're the ones who train to respond for everything from cell extractions to hostage situations to whatever, special kind of security.Jim: We do want to mention, the CERT perks include ad-free episodes. You get early access to those episodes, obviously, and you also get access to our companion episodes. This would be considered a regular episode of Bloody Angola.Woody: Commercial free.Jim: You get commercial free and all that as a CERT Team member. But you also get those companion episodes that are in our sally port that we do all kinds of stuff with. We've got about 20 different companions that we put out. $15 a month, y'all. You get all those perks with the CERT Team.Woody: And it's love-- Like Jim said, you can check out all the different perks you get, but for $15 a month, if you like Bloody Angola, you're going to love being a CERT Team member. The first one, I want to thank is Ms. Tisha Dubrock. Tisha, we really appreciate you being a CERT Team member. Thank you.Jim: And we also want to thank Ms. Tasha Brown. Thank you so much for joining the CERT Team and supporting us.Woody: And Tabitha Amall, that's a good, strong Cajun name. Thank you, Tabitha. We really do appreciate you.Jim: The next one I want to thank, and I'm going to pronounce it both ways, it's either Renee or Rena. Make a comment or something below this and correct me. I'm not even going to go-- it's one of those two. Last name, Walton.Woody: I'm going to go with Renee.Jim: There you go. Woody is going with Renee. Ms. Walton, we appreciate you so much forsupporting us.Woody: Thank you. And Payton Myers. Payton, thank you. We appreciate you. Couldn't do without you. Thank you.Jim: All right. Mamu Wama.Woody: I'm going to say Mimu.Jim: All right. So, you comment too below that, you can tell us which one is right. Woody: You let us know who is right.Jim: But thank you.Woody: Thank you so much. And Michelle Carter. Thank you, sweetie. We really appreciateyou backing us and supporting us.Jim: Woody gets all the easy names. [chuckles] All right. I'm going to go with Leah? Woody: I'm going with Leah too.Jim: Fuselait.Woody: Fuselait. I'm going with that too.Jim: Thank you so much. Let us know if we got it right.Woody: Let us know if we got it right, Leah, but thank you for your support. He's right because I got another easy one. Catherine Ford. Thank you. Thank you. Thank you. We really do appreciate your support.Jim: This next one, we know. She's an OG from way back on everything we do. And that's Ms. Jennifer Lamley.Woody: Jennifer Jerram Lamley. Sweetie, you know we love you and thank you for always supporting us. We really do appreciate it. Shoutout to CERT Team members. We appreciate, y'all. Thank you.Jim: Thank you so much. And until next time, I'm Jim Chapman. Woody: And I'm Woody Overton.Jim: Your host of Bloody-Woody: -Angola.Jim: A podcast 142 years into making.Woody: A Complete Story of America's Bloodiest Prison. Jim and Woody: Peace.Jim: Bloody Angola is an Envision Podcast Production, in partnership with Workhouse Connect. Music produced and composed by Alfe DeRouen in Studio 433, with vocals by Thomas Cain. Created and hosted by Jim Chapman and Wood Overton.[Bloody Angola theme]Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy