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A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title: We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show. Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door. MUSIC That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express. Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko. Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko. Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you? Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know? Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work? Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth. Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you? Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it. Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination? Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah. Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper? Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really. Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style? Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold. Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid? Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know, Miko Lee: [00:23:34] and you were so young also to Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream? Miko Lee: [00:23:44] Mm-hmm. Chi Thai: [00:23:44] Or just some, yeah. Miko Lee: [00:23:46] Was there anything that your mom said that surprised you? Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me. Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it? Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot Miko Lee: [00:25:50] That is the most Asian mom's approval ever. Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but Miko Lee: [00:26:38] That was incredibly high praise for her. Chi Thai: [00:26:40] It was, I couldn't have asked more. Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny. Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all. Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that? Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one. Miko Lee: [00:28:24] Wow. So what did she say, your mom say? Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point. Miko Lee: [00:29:30] Aw. Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it. Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that? Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right? Miko Lee: [00:30:44] She wants stability for you, right? Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i, Miko Lee: [00:31:08] So that makes it okay. Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise. Miko Lee: [00:31:46] Wow. Interesting. Chi Thai: [00:31:50] And she means that in the nicest possible way. Miko Lee: [00:31:52] Yeah. Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else. Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films? Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us. Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share? Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes. Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud. Chi Thai: [00:33:47] I believe it. I totally believe it. Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento. MUSIC That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express. Livia Blackburne: [00:38:56] Thank you so much for having me. Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you? Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes. Miko Lee: [00:39:44] What legacy do you carry with you? Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well. Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work? Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is. Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain? Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature. Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators. Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job. Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing? Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall. Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely. Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well. Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that. Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure. Miko Lee: [00:46:07] Oh, interesting. Livia Blackburne: [00:46:07] He does like movies and stuff. Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book. Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm. Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet? Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that. Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act? Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least. Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author? Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn. Miko Lee: [00:51:48] And Livia, tell us what you're working on next. Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War. Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee. The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.
Csak a magyar kormány szavazott nemmel az EU új orosz és belarusz agrárvámjaira Fenyegették Orbán Viktor anyját, Budai Gyula feljelentést tett Magyar atombombáról álmodozik a Miniszterelnökség támogatásából megjelenő kerületi lap Kim Dzsongün üzent Vlagyimir Putyinnak Szoboszlai Dominik az üzletben is tartolt, jól zárta első évét a vállalkozása Trónfosztás a médiában: letaszították a magyar RTL vezérét a befolyáslista 1. helyéről Nagy fogadalmat tett a BYD és a többi kínai autómárka Nagy magyar építési tervek, amikre hiába várt a nép Több élmény, nagyobb tét, felejthetetlen hangulat – hamarosan indul az 57. Mihálkovics Kupa – Sungrow Nagydíj Rendesen bezsákolna devizából a kormány – így látják az elemzők a lépést, amely stabil forint nélkül elképzelhetetlen Rendkívüli állapotot hirdethetnek ki Parajdon Az Európa-bajnok spanyol szélső igent mondott a Bayernnek Lewandowski nyerte a lengyel futballháborút, lemondott a válogatott szövetségi kapitánya Megtört a jég, másfél fok alatt a májusi melegedés mértéke A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Csak a magyar kormány szavazott nemmel az EU új orosz és belarusz agrárvámjaira Fenyegették Orbán Viktor anyját, Budai Gyula feljelentést tett Magyar atombombáról álmodozik a Miniszterelnökség támogatásából megjelenő kerületi lap Kim Dzsongün üzent Vlagyimir Putyinnak Szoboszlai Dominik az üzletben is tartolt, jól zárta első évét a vállalkozása Trónfosztás a médiában: letaszították a magyar RTL vezérét a befolyáslista 1. helyéről Nagy fogadalmat tett a BYD és a többi kínai autómárka Nagy magyar építési tervek, amikre hiába várt a nép Több élmény, nagyobb tét, felejthetetlen hangulat – hamarosan indul az 57. Mihálkovics Kupa – Sungrow Nagydíj Rendesen bezsákolna devizából a kormány – így látják az elemzők a lépést, amely stabil forint nélkül elképzelhetetlen Rendkívüli állapotot hirdethetnek ki Parajdon Az Európa-bajnok spanyol szélső igent mondott a Bayernnek Lewandowski nyerte a lengyel futballháborút, lemondott a válogatott szövetségi kapitánya Megtört a jég, másfél fok alatt a májusi melegedés mértéke A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Az előfizetők (de csak a Belső kör és Közösség csomagok tulajdonosai!) már szombat hajnalban hozzájutnak legfrissebb epizódunk teljes verziójához. A hétfőn publikált, ingyen meghallgatható verzió tíz perccel rövidebb. Itt írtunk arról, hogy tudod meghallgatni a teljes adást. Audiovizuálisan ismét megtekinthető műsorunk egyre radikálisabb retorikával katalizálja a rókakérdés mentén zajló társadalmi párbeszédet. 00:31 Itt a kánikula, de a tamil kajafutárok nem érzékelik. Videós emberkísérlet: tokaszalonna. 04:37 A Matolcsy-diéta. Kiss húsműhely. Winkler Róbert növényevő múltja. 08:47 Uj Péter kiönti a bort, majd elbukik az emberkísérleten. Családtagok és az egészséges életmód. 13:16 A borsörlők Maybachja. A kínai néni salátája. 18:50 Kínai könyv: hamarost. Pünkösdre sincs takarítás. Bukele eredményei és az autokrácia hógolyója. Kisgyerek varázspálcával. 22:56 A Magyar Madártatni Egyesület rókái. Róka-macska meccs Budaörsön. Parti-Nagy Lajos: Rókatárgy alkonyatkor. 27:22 Mészáros Lőrinc, a Tisza ügynöke. Látta ezt a Rogán? Bezzeg a Navracsics! Mennyi ide München? 33:02 Az idei BL-döntő színvonala. A 2003-as Milan-Juventus. A kisebbségi érzésből fakadó prefeudalizmus. Milyen cipővel kell megdobálni Gulyás Gergelyt cipővel? 37:07 Visszatér a magyar márka, a Pepsi. A 444 2014-es kólatesztje. 40:24 Miért van annyi palesztin zászló a Giro d'Italián? Mahmud Ahmenidezsád, Rák Sándorné, Döbrentei Kornél és Takaró Mihály a Tour d'Hongrie-n. Az ötszörös Tour de France-győztes felpofoz egy sztrájkoló hajógyári munkást. Jimmy Jump. 46:30 Kioktatás műszaki vizsgán. Jobboldali kipufogó és gyermekrák. See omnystudio.com/listener for privacy information.
In this vital episode of EMS One-Stop, host Rob Lawrence is joined by Matt Zavadsky and attorney Doug Wolfberg of Page, Wolfberg & Wirth for a deep-dive into three financial flashpoints currently impacting EMS. First, the trio unpack the launch of the new PWW|AG/EMS|MC EMS Financial Index, a quarterly report leveraging billing and revenue cycle data from over 1,500 agencies nationwide. This unprecedented benchmarking tool allows EMS leaders to measure performance against regional and national trends, uncovering actionable insights into billing strategies, reimbursement rates, payer mixes and the economics of service delivery. It's a critical step in helping agencies justify their value and improve their financial sustainability. Next, the discussion turns to MedPAC — the Medicare Payment Advisory Commission — and its controversial response to cost data submitted by ambulance services under the CMS Ground Ambulance Data Collection System. Doug Wolfberg explains how MedPAC discarded over half of the data, labeling higher-cost services — often rural or government-run — as outliers. This move could justify lower or stagnant Medicare fee increases, potentially devastating many providers. Finally, attention shifts to the “One Big Beautiful Bill” moving through Congress and now on its way to the Senate that would eliminate or severely restrict enhanced Medicaid funding mechanisms, such as supplemental payments and provider taxes. If passed, this legislation would reduce reimbursement for millions of transports, triggering funding crises across EMS systems — particularly in states like California and Illinois. The episode delivers a clear message: EMS leaders must prepare, advocate and act now. Episode timeline 00:41 – Rob introduces the three main topics: the PWW|AG/EMS|MC EMS Financial Index, MedPAC's response to ambulance data and a major federal bill impacting Medicaid 01:59 – Part 1 — PWW|AG/EMS|MC Financial Index 03:37 – Matt explains that the index is built using data from over 1,500 EMS agencies via EMS|MC 05:43 – The importance of regional benchmarking 08:22 – First major finding: dramatic variation in ALS billing rates across regions 09:30 – Key insight: agencies that bill more tend to collect more revenue — agencies are encouraged to determine their true cost of service and align billing accordingly 12:37 – Collection percentage is debunked as a misleading metric; focus should be on dollars collected 15:36 – ALS vs. BLS billing levels explained, with a look ahead to Q2's emergency-only data set 18:48 – How EMS agencies can better engage with insurers to cover non-transport and MIH services 20:46 – Part 2 — MedPAC 22:24 – Doug outlines how MedPAC discarded over half of the reported ambulance cost data 25:00 – Explanation of which data was discarded and why — primarily high-cost, rural and government-based services 28:22 – Doug asserts MedPAC is using cherry-picked data to suppress reimbursement increases 30:10 – Rob and Doug emphasize that EMS gave MedPAC quality input, but MedPAC is producing garbage output 32:08 – Doug outlines what MedPAC will do next and what EMS leaders must do in response 34:40 – Strong call to action: educate Congress, use real CMS data and don't accept MedPAC's narrative 36:59 – Doug emphasizes the importance of evidence-based deployment strategies for financial sustainability 37:31 – Part 3 — “One Big Beautiful Bill” 38:19 – Matt outlines how the bill would drastically limit Medicaid supplemental payments 39:43 – Federal/state Medicaid match rates explained with California as an example 42:51 – The looming reckoning: local governments may have to pay to maintain current EMS service levels 46:02 – Matt warns that the bill could trigger PAYGO cuts to Medicare as well 47:16 – Agencies are urged to plan now, talk to their communities and adjust operations 48:06 – Doug adds that pressure on U.S. senators, especially in red states, could still influence the bill 51:26 – Close and call to action Final takeaway This episode underscores that EMS cannot remain reactive — leaders must proactively use data, engage legislators and educate their communities on the true cost of care. The EMS Financial Index, the MedPAC dismissal, and the pending bill all point to a critical need for informed, strategic advocacy.
2025 januárban jelent meg Bujdosó János zeneszerző-gitáros kvartetté bővült zenekarának, a Bujdosó Quartet legújabb albuma Hundred Desires címmel, amelyet június 13-án a Gödör klubban, majd a nyár során az ország különböző részein be is mutat a közönség előtt. János számtalan zenekarban játszott az elmúlt harminc év során, az Adam 30-tól a Pop Ivanon át a Chakra Hackerig, vagy Rutkai Boritól, Kiss Erzsin át a Kistehénig vagy éppen az I Love You-ig, mindezen túl filmzenéket, színházi zenéket is szerzett.Beszélgetésünk során az új albumon túl merészen ugrálunk a Szolnok-Józsefváros-Erzsébetváros-háromszögben, a kilencvenes évek és 2025 között, beszélünk zenekarvezetés-beli felfogásokról, hogyan működteti zenekarát, ehhez képest hogyan vezeti Menyhárt Jenő az Európa Kiadót, Víg Mihály a Balatont, vidéki és józsefvárosi kultúraszervezésről, a Slayerről, az Iron Maidenról és Steve Harrisról, a Mocskos időkről, közel-keleti és mediterrán zenékről és hogy milyen felállású csapatban tudná még elképzelni magát.Műsorvezető: Bihari BalázsA Wanted podcast adása az NKA Hangfoglaló program támogatásával készült.
Správy. Téma dňa. S. Mihálik. Spomienka na herca L. Chudíka. Pocta pre Z. Cháru.
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Happy Asian American & Pacific Islander Heritage Month! Even though the Trump Administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion here at APEX Express and KPFA. We believe in lifting up people's voices and tonight on APEX Express the Powerleegirls are focusing on “Asian American Children's book authors”. Powerleegirl hosts Miko Lee and daughter Jalena Keane-Lee speak with: Michele Wong McSween, Gloria Huang, and Andrea Wang AAPINH Month Children's Books part 1 transcript Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Ayame Keane-Lee: [00:00:49] Happy Asian American and Pacific Islander Heritage Month. Even though the Trump administration has eliminated recognizing cultural heritage months, we are still celebrating diversity and inclusion. Here at Apex Express and KPFA, we believe in lifting up people's voices. And tonight on Apex Express, the PowerLeeGirls are focusing on Asian American Children's book authors. PowerLeeGirl hosts Miko Lee and daughter Jalena Keane-Lee. Speak with Michele Wong McSween, Gloria Huang and Andrea Wang. Thanks for joining us tonight on Apex Express. Enjoy the show. Miko Lee: [00:01:21] Welcome, Michele Wong McSween to Apex Express. Michele Wong McSween: [00:01:26] Thank you, Miko. It's nice to be here. Miko Lee: [00:01:28] I'm really happy to talk with you about your whole children's series, Gordon & Li Li, which is absolutely adorable. I wanna start very first with a personal question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? Michele Wong McSween: [00:01:45] I would say my people are really my family starting with, my great, great grandparents who came here down to my grandparents, my parents, and onto my children because, to me family is. The reason why I created Gordon & Li Li in the first place, it was really to bridge that connection for my children. I didn't grow up feeling that connected with my culture because as a fourth generation Chinese American, I was really in the belief that I'm American. Why do I need to know anything about my culture? Why do I need to speak Chinese? I never learned. As a sidebar to that, I never learned to speak Chinese and it didn't really hit me until I had my own kids that I was really doing a disservice to not only my kids, but to myself. my people are my family. I do this for my kids. I do this to almost apologize to my parents for being so, Disrespectful to my amazing culture and I do it for the families who really want to connect and bridge that gap for their own children and for themselves. Miko Lee: [00:02:53] And what legacy do you carry with you? Michele Wong McSween: [00:02:55] Again, my family. My, great grandparents. Really. Started our family's legacy with the hard work and the prejudices and all the things that they endured so that we could have a better life. And I've always felt that it is my responsibility to teach my own kids about the sacrifices that were made and not to make them feel guilty, but to just make them appreciate that we are here. Because of the the blood, sweat, and tears that their ancestors did for them. And so we are, eternally grateful for that. I think it's important for us to continue that legacy of always doing our best, being kind and doing what we can do to further the experience of not just our family, but the people in our community that we connect with and to the greater world. Miko Lee: [00:03:43] when you were growing up, were your parents speaking with you in Chinese and did you hear about your great grandparents and their legacy? Was that part of your upbringing? Michele Wong McSween: [00:03:52] I heard about my great grandparents in the stories that my mom told us, but to be quite honest, I wasn't receptive to really digging deep in my cultural understanding of. my great-grandfather and what he went through. I know mom, I know he came over in 19 whatever. I know he brought over all these young sons from his village, but I really didn't fully take it in and. No, I didn't hear Chinese spoken in the house much. The only time my parents spoke it was to each other so that we didn't know what they were talking about. They had like this secret code, language. My experience with my language was not, That positive. we did attempt to go to Chinese school only to be teased by all the other kids because we didn't speak it. It didn't end up well. my mom ended up pulling us out and so no, we were really not connected all that much to the language. Miko Lee: [00:04:48] I can really relate to what you're saying. As a fifth generation Chinese American, and my parents their ancestors came from different provinces, so their dialects were so different that they even spoke to each other in English. 'cause they couldn't understand each other in Chinese. So it happens so often. Yeah. Yeah. And so I really relate to that. I'm wondering if there was an epiphany in your life or a time where you thought, oh, I. I wish I knew more of those stories about my ancestors or was there some catalyst for you that changed? Michele Wong McSween: [00:05:17] All of this really kind of happened when I moved to New York. I, you know, raised in Sacramento, went to college in the Bay Area, lived in San Francisco for a while with a job, and then I eventually moved to New York. And it wasn't until I came to New York and I met Asians or Chinese Americans like me that actually spoke Chinese and they knew about cool stuff to do in Chinatown. It really opened my eyes to this new cool world of the Chinese culture because I really experienced Chinatown for the first time when I moved to New York. And it was just so incredible to see all these people, living together in this community. And they all looked the same. But here's the thing, they all spoke Chinese, or the majority of them spoke Chinese. So when I went to Chinatown and they would look at me and speak to me in Chinese and I would give them this blank stare. They would just look at me like, oh my gosh, she doesn't even speak her own language. And it kind of made me feel bad. And this was really the first time that it dawned on me that, oh wow, I, I kind of feel like something's missing. And then it really hit me when I had my kids, because they're half Chinese and I thought, oh my gosh, wait a minute, if I'm their last connection to the Chinese culture and I don't speak the language. They have no chance of learning anything about their language they couldn't go that deep into their culture if I didn't learn about it. So that really sparked this whole, Gordon & Li Li journey of learning and discovering language and culture for my kids. Miko Lee: [00:06:51] Share more about that. How, what happened actually, what was the inspiration for creating the Children's book series? Michele Wong McSween: [00:06:58] It was really my children, I really felt that it was my responsibility to teach them about their culture and language and, if I didn't know the language, then I better learn it. So I enrolled all of us in different Mandarin courses. They had this, I found this really cute kids' Mandarin class. I went to adult Mandarin classes and I chose Mandarin because that was the approved official language in China. I am from Taishan, My parents spoke Taishanese, but I thought, well, if Mandarin's the official language, I should choose that one probably so that my kids will have at least a better chance at maybe some better jobs in the future or connecting with, the billion people that speak it. I thought Mandarin would be the way to go. When I started going to these classes and I just realized, wow, this is really hard, not just to learn the language, but to learn Mandarin Chinese, because we're not just talking about learning how to say the four different tones. We're talking about reading these characters that if you look at a Chinese character, you have absolutely no idea what it sounds like if you're, if you're learning Spanish or French or German, you can see the letters and kind of sound it out a little bit. But with Chinese characters. No chance. So I found it extremely difficult and I realized, wow, I really need to support my kids more because if I am going to be the one that's going to be bridging this connection for them, I need to learn more and I need to find some more resources to help us. when we would have bedtime story time, that whole routine. That was always the favorite time of my kids to be really, quiet and they would really absorb what I was saying, or we would talk about our days or just talk about funny things and I realized, wow, these books that they love and we have to read over and over and over again. this is the way that they're going to get the information. And I started searching high and low for these books. back in 2006, they didn't exist. and so I realized if they didn't exist and I really wanted them for my kids, then I needed to create them. That's the impetus, is there was nothing out there and I really wanted it so badly that I had to create it myself. Miko Lee: [00:09:09] Oh, I love that. And I understand you started out self-publishing. Can you talk a little bit about that journey? Michele Wong McSween: [00:09:15] I'm glad I didn't know what I know today because it was really hard. luckily I had, A friend who used to work for a toy company, it was all through connections. there was nothing really on Google about it. there was no Amazon print on demand. There were none of these companies that provide these services like today. So I just kept asking questions. Hey, do you know a toy manufacturer in China that maybe prints books? Do you know a company that could help me? get my books to the states. Do you know an illustrator that can help me illustrate my books? Because I had gone to fashion design school, but I had not learned to illustrate characters or things in a book. So asking questions and not being afraid to ask the questions was really how I was able to do it because, Without the help of friends and family, I wouldn't have been able to do this. I had all my friends look at my books, show them to their kids. I had my kids look at them, and I kind of just figured it out as I went along. Ultimately when I did publish my first book, I had so much support from my kids' schools. To read the books there, I had support from a local play space for kids that we would go to. I really leaned on my community to help me, get the books out there, or actually it was just one at the time. Two years later I self-published two more books. So I had three in total. no one tells you that when you self-publish a book, the easy part is actually creating it. The hard part is what comes after that, which is the pr, the marketing, the pounding, the pavement, knocking on the doors to ask people to buy your books, and that was really hard for me. I would just take my books in a bag and I would explain my story to people and I would show them my books. sometimes they would say, okay, I'll take one of each, or Okay, we'll try it out. and slowly but surely they would reorder from me. I just slowly, slowly built up, a whole Roster of bookstores and I kept doing events in New York. I started doing events in Los Angeles and San Francisco, and through that I gained some following, some fans and people would tell their friends about me. they would give them to their nieces they would give them to their cousin's kids, or, things like that. I knew that I had to do it because my ultimate goal was to have Scholastic be my publisher. That was my ultimate goal. Because they are the publisher that I grew up with, that I love that I connected with, that I was so excited to get their book club, little flyer. I would check off every book that I wanted. And my mom never said no. She always let me get every single book I wanted. I realize now that that's what really Created the love of books for me is just having access to them and, going to the libraries and seeing all these books on the bookshelves and being able to take them out and read them on the spot. And then if I loved them enough, I would check them out and take them home and read them over and over. So it was really, my experience, having that love for books that I thought, oh gosh, it would be a dream. To have Scholastic become my publisher. So after 10 long years of events and community outreach and selling to these bookstores, I finally thought, okay, I've sold, about 17,000, 18,000 books. Maybe, maybe now I can take my series to them. I also had created an app. Maybe I can take this to them and show them what I've done. Maybe they'll be interested in acquiring me. And I got an appointment with the editor and I pitched my books on my app and within a couple of days they offered to acquire my books, which was my dream come true. So anyway, that was a very long story for how self-publishing really is and how ultimately it really helped my dream come true. Miko Lee: [00:13:08] Now your books are on this Scholastic book, fair Circuit, right? Michele Wong McSween: [00:13:13] Yes, they are. Well, it's actually just one book. They took the three books, which were everyday Words. Count in Mandarin and learn animals in Mandarin. They took all three books and they put them in one big compilation book, which is called My First Mandarin Words with Gordon & Li Li. So it's a bigger book. It's a bigger board book. Still very, very sturdy and it's a great, starter book for any family because it has those three first themes that were the first themes that I taught my own boys, and I think. It just, it's very natural for kids to want to learn how to count. animals were, and my kids were animal lovers, so I knew that that's what would keep them interested in learning Mandarin because they actually loved the topic. So, yes, my first mandarin words with Gordon & Li Li does live on Scholastics big roster. Miko Lee: [00:14:01] Fun. Your dream come true. I love it. Yeah. Thanks. And you were speaking earlier about your background in fashion design. Has there been any impact of your fashion design background on your voice as a children's book author? Michele Wong McSween: [00:14:14] I don't know if my background as a fashion designer has had any impact on my voice. I think it's had an impact on how I imagined my books and how I color my books and how I designed them because of working with, you know, color palettes and, and putting together collections I can visually see and, can anticipate. Because I have that background, I can kind of anticipate what a customer might want. And also, you know, speaking with people at my events and seeing what kids gravitate to, that also helps. But I think there's so much more to being an author than just writing the books. You know, when I go to my events, I have a table display, I have setups, I have props, I have, I actually now have a, a small. Capsule of merchandise because I missed designing clothes. So I have a teeny collection of, you know, sweaters, hoodies, onesies, a tote bag, and plushies Miko Lee: [00:15:04] they're super cute by the way. Michele Wong McSween: [00:15:06] Oh, thank you. So, you know, fashion has come in in different ways and I think having that background has really helped. kind of become who they are Miko Lee: [00:15:17] Can you tell us about the latest book in the series, which is Gordon and Li Li All About Me. Can you tell a little bit about your latest? Michele Wong McSween: [00:15:25] Gordon & Li Li All About Me is really, it's, to me, it's. I think my most fun interactive book because it really gets kids and parents up and out of their chairs, out of their seats and moving around. And you know, as a parent, I always would think about the kind of books that my kids would gravitate towards. What would they want to read and what as a parent would I want to read with my kids? Because really reading is all about connection with your kids. That's what I loved about books is it gave me a way to connect with my kids. And so a book about body parts to me is just a really fun way to be animated and get up and move around and you can tickle and, and squeeze and shake it around and dance around. And, you know, having three boys, my house was just like a big energy ball. So I knew that this book would be a really fun one for families and I have two nieces and a nephew, and I now, they're my new target market testers, and they just loved it. They had so much fun pointing to their body parts and the book ends with head, shoulders, knees, and toes in English and in Mandarin. And so of course. Every kid knows head, shoulders, knees, and toes in English. So we sing that. We get up, we point to our pottered parts, we shake it around, we dance around. And then the fun part is teaching them head, shoulders, knees, and toes in Mandarin because they're already familiar with the song. It's not scary to learn something in Mandarin. It just kind of naturally happens. And so I think the All About Me book is just a really fun way to connect with kids. I've actually launched it at a couple of events already and the response to the book has been overwhelming. I was at the Brooklyn Children's Museum and even the president of the museum came and did the head shoulders. Knees and toes, songs with us. It was so much fun. Everybody was dancing around and having a great time. So I'm just really, really excited for people to pick up this book and really learn about the body. It's, you know, body positivity, it's body awareness, and it's just a great way to connect with your kids. Miko Lee: [00:17:31] So fun. I, I saw that you're recently at the Asian American Book Con. Can you talk a little bit about that experience? Michele Wong McSween: [00:17:38] Oh, that was great. That was the first of its kind and. I led the entire author segment of it. I would say individual authors. There were, there were, publishing companies that brought in their own authors, but I was responsible for bringing in the independent authors. And so I think we had about eight of us. There were Indian, Korean, Chinese, Taiwanese, and we all came together for this one really special day of celebrating our voices and lifting each other up. And there was so much energy and so much positivity in that event, and I. Actually was just thinking about reaching out to the organizers last year and seeing if we could maybe do, part two? So, I'm glad you brought that up. It was a really positive experience. Miko Lee: [00:18:27] So we're celebrating the end of Asian American Pacific Islander Native Hawaiian month. Can you tell us why this month is important to you? Michele Wong McSween: [00:18:36] When you have something designated and set aside as, this is the month that we're going to be celebrating Asian American Native Hawaiian Pacific Islander heritage all month long, I think it kind of perks up. People's ears and they think, oh wow, this is a great opportunity for me to see what's happening in my community. I think it just brings the awareness to. The broader community and ultimately the world. And I think when we learn about each other and each other's cultures, it brings us closer together and makes us realize that we're really not that different from each other. And I think when there are so many events happening now it peaks the interest of people in the neighborhood that might otherwise not know about it and it can, really bring us closer together as a community. Miko Lee: [00:19:27] Michelle Wong McSween, thank you so much for joining me on Apex Express. It's great to hear more about you and about your latest book Gordon & Li Li and the entire series. Thank you so much. Michele Wong McSween: [00:19:39] Thank you, Miko Jalena Keane-Lee: [00:19:40] Thank you all so much for joining us. I'm here with Gloria l Huang, author of Kaya of the Ocean. Thank you so much for joining us, Gloria. Gloria Huang: [00:19:48] Oh, thanks so much for having me here. Jalena Keane-Lee: [00:19:50] So first off, one question that we're asking all of our guests on our show tonight is, who are your people? However you identify, you know, your community, your ancestors, and what legacy do you carry with you? Gloria Huang: [00:20:01] Oh, that's such a good question. So I am my heritage is Chinese. My parents were born in China and then grew up in Taiwan. And I myself was actually born in Canada. But then moved the states pretty young and and American Canadian dual citizen and now, but I, my heritage plays a lot into my. Kind of my worldview. It really shaped, how I grew up and how I saw things. And so it features very prominently in my writing and in my stories as you could probably tell from Kaya the ocean. Jalena Keane-Lee: [00:20:34] Yes. And I love the book so much. It was such a Gloria Huang: [00:20:37] thank you, Jalena Keane-Lee: [00:20:38] amazing read. And I'm also half Chinese and love the ocean. Just love the beach so much and have always felt such a connection with the water. I don't wanna give away too much things about the book, but I was wondering if you could talk about your inspiration for writing it and a little bit about, setting and everything. Gloria Huang: [00:20:56] Of course. So the inspiration for the book actually started I came up with the idea when the world was first emerging from the pandemic and I was seeing a lot of people obviously experiencing a lot of anxiety, but a lot of children very close to me in my life. And they were experiencing it for the first time, which was can be so difficult. I remember when it happened to me and there's just this tendency to. Worry that there's something wrong with you or that you've done something and you feel so alone. And so I remember standing by the ocean one night actually and thinking that I'd really love to write a book about a girl who is struggling with. The anxiety just to be able to send a message to all these kids that there's nothing wrong with them. They're not alone and really all parts of who they are. Even the parts they might not love so much are important parts of these amazing, beautiful, complicated people. They are. So that was the inspiration for that part of the story, the setting. I was very inspired. As you mentioned, the ocean is a huge inspiration to me. It actually comes into my mind, a lot of my stories and someone pointed that out once and I was like, you're right, it does. And I think part of it is that I love the ocean. I love the beach. I love being there, but I'm also so in awe of this powerful thing that, you know, where we know so little about it. It is. There's so much mystery to it. It can look so beautiful on the surface and be so dangerous underneath. I love it as a metaphor. I love it as a part of nature. So I think that was a huge part of why I wanted to incorporate that, especially because I think it also plays well into the metaphor for how some people experience anxiety and you can be calm on the surface, but so much is happening underneath. Jalena Keane-Lee: [00:22:29] Absolutely. Yeah. Those interplay with each other and are metaphors for each other in such a beautiful way, mirror the experience. Yeah. I wanted to talk a little bit more about anxiety and particular, as a young Asian American girl the cultural specificity of having anxiety as a young Asian American woman. Gloria Huang: [00:22:46] Yes I definitely think it's no coincidence. I think that anxiety often goes hand in hand with perfectionism and pressure and I, many people feel that kind of pressure, but certainly a young Asian girl especially with immigrant parents, will feel specific kind of pressure. And so I was really trying to portray that, Somebody once said to me, they were like, oh, I really like how Kaya on the surface seems so put together. She's, got really good grades. She works really hard at school. She's close to her parents, but there's all this going on underneath. And I actually think that's not unusual in terms of that experience for Asian American children of immigrants, and especially if you're female I was really trying to. Tease that out. And then in addition I think there's a tendency, and this might exist in other cultures as well, but in Asian culture, at least in my family history there's a tendency not to really want to talk about mental health. There was a, there's a joke in my family that my parents thought anything could be solved with good sleep and good nutrition, like anytime you had any problem. And I think that there is a, there's a. resistance to feeling like your child can be struggling in a way you can't help them. So I, really wanted to touch on that, part of the cultural pressures at play in kaya's life. Jalena Keane-Lee: [00:23:59] And you did so beautifully and it was very relatable, as a anxious Asian girly. And also just, the discussion of big feelings and somehow, having inklings that you may be more powerful than you even realize, but the kind of like emotions that come with that too. Gloria Huang: [00:24:15] Yes. I think that's a huge part of it is that like when you experience these huge feelings they feel powerful, know, in a negative way. But what I was really trying to get at was, there is also power in accepting these parts of yourself and realizing that They can make up this powerful being that you are, even if you might not love them in that moment. Jalena Keane-Lee: [00:24:34] Yeah. I felt very seen by the book and I, couldn't help but wonder wow, what would it have been like if I had read this when I was, 13 or 12 or kind of Closer to the age of the characters in the book. Gloria Huang: [00:24:45] Thank you so much for saying that it actually means a lot because a lot of my motivation when I do write these books is to write for people who are either of that age or, wish they had a book like that at that age, which is also how I feel a lot about books nowadays and oh, I, I'm so glad that exists. I wish that had been around when I was that age. Jalena Keane-Lee: [00:25:03] Yes. Were there any books that really set an example for you that either you read, maybe when you were, in the young adult. Age range or that you've read now as an adult where you're like, okay, this is definitely the audience that I wanna be writing for. Gloria Huang: [00:25:17] Definitely. I actually love this question 'cause I'm a big reader and so I love talking about books . When I was a kid, middle grade books were my gateway into my love of reading. So I still remember a lot of my favorite books, but I would say a recent book, it's actually maybe not that recent now, it's maybe a couple years old, but a book that really. Had an effect on the middle grade book was when you trap a tiger by Tae Keller and it explores. The kind of Korean experience, but also through the prism of kind of understanding generational grief. And it was just so beautifully done and really made an impact on me. So that was one recently that I thought was really powerful. And, I was like, this is an important book. This is definitely a book I would've loved as a child. When I was younger and I was reading books, there were three books that meant a lot to me. One was called the true confessions of Charlotte Doyle, and it was like a swashbuckling adventure story starring a girl, which was, at that time not very common. And it was, it meant, it was so earth shattering to me to be able to see a female character in that role. So that was great. There's a book called. Homecoming by Cynthia Voigt. And it's an adventure story and it also stars. The main character is a very strong female character and Tuck everlasting, which I just think is a beautiful book. It's also female characters. Now I'm saying it out loud. They are all female main characters. And all about, existentialism and adventure and things that, it was important for me to see. Female characters exploring. But I did also wanna say that when I was reading middle grade books, some of my favorite books included a series called, babysitters Club, which I think that they've redone now as a graphic novel. And that was actually really important, not necessarily for the stories, but because there's a character named Claudia Kishi who. Was a Japanese American character and she absolutely shattered the minds of, I think all kids that age were Asian descent and female in reading these books because there just wasn't a character like her before that, she was so cool and artistic but she had immigrant parents and she had a sister who was very good at math and they didn't get along and she loved junk food and she was. So incredibly nuanced and it was just not something that we saw back then. So that really inspired me, I think, to want to add to the diversity of voices. And thankfully there are many more diverse voices now than when I was reading. Jalena Keane-Lee: [00:27:30] I love that. And I also feel like books that you read at that age, they stay with you forever. Gloria Huang: [00:27:35] They really do. Jalena Keane-Lee: [00:27:35] And they shape so much of like your worldview and your friendships. And I'm curious, 'cause I know the book was released this year in January. Mm-hmm. So what has it been like for you on your book tour and what's been some other responses that you've heard? I. Gloria Huang: [00:27:48] It's been really great. It was so exciting to do the book launch and then just the amount of support from the writing community from, my, my kind of network, my agents and my publisher and editor. And also just readers. It's been really great. But one thing I think I wasn't expecting to love quite so much, not because I was expecting to not love it. I just said, it occurred to me that I would feel this way is getting feedback from, child readers is amazing because, I think as writers we love feedback no matter what. And if it's positive feedback, that's even better. But having a child reach out and as some of my friends will send a video of their. Children reacting to the book or they'll, their, let their child type out a text messages and just to hear how the book hits with them and to hear their excitement or to hear that they were moved or to have them want to know what happens next. It meant so much to me because it was, they're the target audience and to have them feel seen in that way was just, it's just the ultimate kind of powerful feeling. Jalena Keane-Lee: [00:28:51] That is so sweet. Oh my gosh. I can only imagine. And so you're talking about the young readers. Yes. But I'm also curious if you have any advice or thoughts for young writers who might be wanting to share and get similar stories out to the world? Gloria Huang: [00:29:05] Yeah I definitely do. And one of the. Experiences I've had that's been great is I've been doing, some school visits and I go and I talk about the book, but I actually talk about the writing process. And when I do that, I really talk to the kids. As if they're writers. The one of the first questions I ask is, hold up your hand. If you love writing or you think you want me, you might wanna be a writer someday. And a lot of hands go up and I tell them like, what the publishing process is, what are, the different genre options, what you might wanna consider, how you come up with an idea, how you sit down and write it, how you reach out to an agent. And I am surprised at how. Intensely, they're hanging onto every word and they're insightful questions after it. It shows me that a lot of them are really thinking about this. I think for one of the school visits, I remember someone held up her hand and she said what is the youngest age I. Someone has been able to be published. And I thought that was great. Because they're so inspired and you can tell that, that they're thinking for the first time this is a possibility. I have all kinds of advice during the school visits, the main piece of advice is really. Just that it can be a tough industry. writing is a very isolated process usually. There's a lot of kind of obstacles and there's a lot of gatekeeping. And so I tell 'em that the most important thing they can do is just keep pushing through and not to let any, setbacks stop them, because the ultimate goal is to reach even just one person. Jalena Keane-Lee: [00:30:24] Absolutely. And what kind of advice do you give around learning how to hone your own voice and also having discipline when it comes to an artistic practice? Gloria Huang: [00:30:33] Yeah, I think that's such a great question. And I was gonna say this piece of advice is probably more for I. Older writers, but adult writers, I guess I should say. The one thing that I've really been thinking about having published a middle grade book is the very specific and unique experience of writing for middle grade audiences. I think a lot of my friends who write for older audience groups, young adults, adults, They have their own challenges, but one of the things that is different is when they're writing, they are writing for the same target audience. That's also the decision makers. So generally, adults and young adults are picking their own books, and they're speaking to someone who will. Ultimately be the ones to pick up the books where when you're writing for middle grade audiences they're not usually the decision makers. at bookstores, they may or may not be in charge of which book they buy, in. Schools, usually it's a librarian or a teacher. So in some ways you're writing for one audience, but you're also writing a subject matter that you're hoping the decision makers will decide is worthy to put in front of your ultimate readers. So that's one challenge. And then the other challenge is I think middle grade audiences are so. fascinating because they're going through this amazingly unusual time in their lives, whether it's eventful and there's new experiences and that can be exciting, but also scary. So there's a lot to mind in terms of topics, but they are also a mixture of being very sophisticated readers who are on the cusp of being teens. And so there's a healthy dose of, skepticism, but they're still young enough that they. Believe in magic, at least in the literary world. So you, there's a lot of room to play with that. But they also. They sound different. They speak differently than adults. So it's important to get the dialogue, for me I, turn to children in my life, including my own, just to do a check to make sure that the dialogue sounds authentic and something that, people, that kids would say. So a lot of thoughts there, but I think, I've been thinking a lot about middle grade and writing for middle grade, and what a unique experience it is. Jalena Keane-Lee: [00:32:26] Yeah, that's such a good point about the decision maker and having the multiple audiences, and I'm sure sometimes the decision makers are reading the books too, right? Or reading it with their kids or what have you. For your personal writing practice, are there any upcoming projects that you can share with us? And how do you stay inspired for what I imagine is like the long haul of writing something. Gloria Huang: [00:32:45] I'm happiest when I have like several projects in the pipeline. So as soon as I am done a book or it's, outta my hands, it's with my agents or my editors. I'm looking to write another book. And I think sometimes I probably overwhelm my amazing book before agents. 'cause I'm like, I'm ready to start another story. And they're like, we're still looking at the book you just sent us. But I, that's very much how. I am happiest. I would definitely say that everybody finds their own rhythm. I'm in some writers groups and some people are incredibly fast drafters and just need multiple projects at a time. And some people are like, no, I need to work on one project and I need to have it to perfection and I'm gonna work on it for a year or two. And I think whatever works for the individual artist, I think is the best kind of process for them. But yes, for me it's very much about having multiple projects. I think I'm most inspired when I have different projects going at the same time. finding your own rhythm, I think is my advice. Jalena Keane-Lee: [00:33:40] kaya of the ocean has, strong themes and storylines about, myths, mythology, Chinese mythology, and goddesses. I'm curious if you wanna talk any more about that and then also if that shows up in any of the other projects you're working on Gloria Huang: [00:33:54] Yes, the Chinese mythological water goddess that features. Pretty prominently in Kaya of the Ocean is Matsu. And I find her to be such a fascinating character. She is a real goddess who's worshiped still in Asia. I think. Fishermen often will, pray to her for safe passage when they go out on the water. And my father told me about her when I was younger he told me like the side stories and I thought that was really interesting. But it was only when I started thinking about this book that I thought, I'd love to, I'd love to incorporate her. I hadn't heard about her too much in, in the fictional world, even though I knew she was still like a revered goddess. But I thought it was so cool that she was this strong. I. Strong female figure in a space that didn't always have that, hundreds of years ago. And so I dove into her story a little bit and found out, the story is that she was once a human child who loved to read and then she was afraid of swimming in water until she was older and then she drowned, saving, trying to save some relatives and it was interesting 'cause I'd already started plotting out Kaya and writing Kaya. And so much of her story wove easily into what I had already come up with. Like there, I think she has two sidekicks that were one time enemies that she, made into her friends and I'd already had Kaya written with two friends, Naomi and Ana. So I, there was just so much that I felt was kismet. And it was really fun to be able to weave that story together and fictionalize it. But I think it was also meaningful for me to be able to do that because. When I was younger, I loved reading Greek mythology. the stories are beautiful and they've been redone in beautiful ways, but it definitely was an area where I didn't necessarily see myself reflected. As part of my goal to add to the diversity of voices, I really wanted to feature Chinese mythology and bring those stories in so that. Kids can either see themselves reflected in those stories and or understand a new kind of set of mythology and learn about a new culture. Jalena Keane-Lee: [00:35:46] Yes. I'm so glad you put it that way because it is, it's such a privilege to have access to, our own I. Cultural stories and knowledge through these, like fun and modern interpretations. Definitely. So I'm so glad that this can provide that. Gloria Huang: [00:36:00] Oh, thank you. I did realize I didn't answer your other question, which is does it feature my other works? Which so I have sold another middle grade novel and I'm, it's not announced yet. I'm hoping to announce it soon. And I have some other. Books. I'm working on a young adult novel so far. They have not featured Chinese mythology, but I do definitely have a type that my most of my books tend to be contemporary settings, but with elements of speculative. Fantasy, just like the light touch of that and sometimes a little bit of historical elements as well. So they, they definitely all have that similar motif, but so far chi of the ocean is the only one to feature a Chinese mythological goddess. Jalena Keane-Lee: [00:36:43] Thank you so much for sharing that. I love that. And I really love the relationship that Kaya had with her two friends and just and then also like the cousin that comes and just capturing like the banter amongst, amongst the girls. Gloria Huang: [00:36:56] Thank you so much. that was really important to me, I think because at the stage that Kaia is in her life the loves of her life really are her two friends, Naomi and Ana, and they feature very prominently in how she learns to cope with her anxiety and her symptoms of anxiety. And so I really, I think that I really wanted to center her their friendship as much as possible. So I'm I'm glad that you saw it that way too. Jalena Keane-Lee: [00:37:19] Yeah. And I feel like, I mean, it truly is the most important relationship. And so it's nice when works of fiction and yeah, works of fiction, can reflect that in such a beautiful way. I know you mentioned that you have daughters or have children? Gloria Huang: [00:37:32] I do, yes. I have a son and a daughter. And my daughter actually was quite involved because when I first started writing Kaya, I think she was exactly of the age that she would be the target reader group. And so she actually helped Beta read it. She provided a lot of feedback. She became like a cheerleader. She was definitely involved in the process and I think that was really exciting for her. my son became of the reading age once it came out, so he reads it and he's a big fan too, Jalena Keane-Lee: [00:38:00] that's so sweet. I love that your daughter was part of the editing process too. That's amazing. Gloria Huang: [00:38:04] Yeah. Yeah. She loves writing and always says she wants to be a writer herself, so it was really special that she got to be part of this and see it up close. Jalena Keane-Lee: [00:38:13] Oh wow. Do you think you would do any collaborative projects with her in the future? Gloria Huang: [00:38:16] It's so funny that you say that. She always suggests that. And then sometimes they'll actually start a Google doc and they'll say, let's write a story together. And we all have, of course, very different writing styles. And then at some point they both actually usually just start reading what I'm writing. And at that point I'm like, this is not collaborative. You have to write as well. So we've had a couple of false starts, but that's always a joke that we're gonna do that together. Jalena Keane-Lee: [00:38:39] that's so sweet. What else is upcoming for you? I know this is, Asian American and native Hawaiian Pacific Islander month right now, and the episode will come out towards the end of May. So if there's anything else coming up from you for this month or for June or the summer. Yeah. We'd love to hear what you have going on. Gloria Huang: [00:38:57] Oh, yeah. Today actually Kaya's audio book was released people can listen to it. It was narrated by this amazing, narrator, Cindy K. And so anywhere you find audio books is available. And that was really cool. I've listened to a little bit of it and you, when you write, you hear the words in your head one way, and then it's amazing to hear like another artist do their take on it. So that's really cool. I will be at the Bay Area book Festival at the end of the month of May. There. Doing like different panels and I'll be on a panel. it's about Fantastical Worlds. I'm really excited about that. hopefully we'll be able to announce this other book soon. As you, you may know publishing is a very long lead time it will be a while before it's released, but I think the hope is to release it during, a API month as well just not this year. And working on a young adult novel that hopefully we can go on submission with at some point. But it's an exciting time for sure. Jalena Keane-Lee: [00:39:51] Wow, that does sound so exciting. I can't wait to hear about your new projects and to continue to read the work that you put out into the world. Is there anything else that you'd like to discuss or talk about? Gloria Huang: [00:40:01] I think just to say a thank you to you for, having me on here and reading Kaya of the Ocean and really anyone who's been interested in joining Kaya and her friends on their journey. It's just, it's so amazing, I think, to create these characters that become real to you, and then have them become real to other people. I don't have the words to describe how meaningful it is to me, but thank you. Jalena Keane-Lee: [00:40:24] Thank you for letting us join into the world of Kaya for a little bit 'cause it was very fun and healing and all of the amazing things. And thanks so much for joining us today on Apex Express. Gloria Huang: [00:40:36] For sure. Thanks so much. Miko Lee: [00:40:38] Welcome, Andrea Wang, award-winning children's book author to Apex Express. Andrea Wang: [00:40:43] Thank you, Miko. I'm so happy to be here. Miko Lee: [00:40:46] Happy to have you. I'd love to start first with a personal question, which is, who are your people and what legacy do you carry with you? Andrea Wang: [00:40:57] My people are from China. My mother's family belonged to an ethnic minority, called the Haka or the Kaja people, and she and her siblings were. A military family, and we're each born in a different province. And when the Chinese Civil War ended in 1949, they went to Taiwan where she grew up and immigrated to the United States in 1965 or 1966. My father's family are from Guangdong Province, and so I'm Cantonese on that side, although I don't speak any Cantonese. And he went to Hong Kong after the Chinese Civil War. So I am the daughter of Chinese immigrants, second generation Chinese American. Miko Lee: [00:42:01] And what legacy do you carry with you? Andrea Wang:[00:42:03] I carry the legacy of their stories, both the ones that I know and the ones that I don't know yet. Miko Lee: [00:42:12] Ooh. It sounds like there's lots of juicy things for you still to discover. That is fun. Andrea Wang: [00:42:16] Yes. Miko Lee: [00:42:17] Today we're talking about your new book, watercress, can you share what the audience, what the book is about, and then what is your inspiration for this book? Andrea Wang: [00:42:25] So the book is about a Chinese American girl who is growing up in rural Ohio and her parents spot watercress growing in a ditch by the side of the road, and they immediately pull over and make her enter older brother, get out of the car and get down into the ditch with them and collect this. Vegetable, but to her it's a weed. And so when they serve it to her and her family at dinner, she really is unhappy about this and. For her, picking food out of a ditch has a really different meaning than it does to her parents who survived a lot of hardship in China. And it's not until her mom tells her a story about her childhood growing up in China and spoiler alert, loses a sibling to the famine that the girl begins to understand and better appreciate her parents, her culture, and her heritage. Miko Lee: [00:43:29] And the inspiration for this book. Andrea Wang: [00:43:32] So the inspiration is largely my own life. this is a semi autobiographical story. The memory of picking watercress by the side of the road was just something that I couldn't forget, I don't know why this memory continued to haunt me into adulthood. And then after my mom passed away, I started writing down, memories and stories of being with my family in order to maintain a connection to her. When I wrote this, at first it was a personal essay and it just wasn't working. I would put it away and I would occasionally take it out and I would put it away and take it out and work on it again. And it wasn't until I decided to pursue writing for young people that I completely changed the manuscript from a personal essay into a picture book. But at that point it still wasn't working. It was in third person and it wasn't very personal It took me several more years to figure out the heart of the story for me. So it was largely based on my own memories and my mother's childhood stories that she shared with me. Miko Lee: [00:44:39] Can you share more about the power of memory and the artistic process? 'cause you've written many books and in different genres as well, but can you talk a little bit more about memory and its impact on your work? Andrea Wang: [00:44:52] Yeah, that's a great question. I tend to write primarily for myself. And to figure out how I felt about certain experiences, how they've changed me, to try and process things I feel like I remember a lot about my childhood. parts of it are very vivid and I like to go back to those. Moments that have stuck with me all these years and explore what it means to me. Like I'm just very curious about why I remember certain things watercress was largely my way of processing my childhood feelings of shame about my family and my culture. I have leaned into that and am still writing stories about identity and the struggle to find our identity. Memory has a lot to do with it. I put myself in every single book. Miko Lee: [00:45:45] Ooh, that's so interesting. And you're talking a little bit about shame and overcoming that. I'm wondering if you could speak more on, if you feel like memories hold the power to heal. Andrea Wang: [00:45:56] I firmly believe that memories hold the power to heal. I think that writing watercress and talking about these feelings has really helped me, , heal from, that sort of trauma of not feeling like I belonged as a kid and also that I may have been. Not the nicest kid to my parents, not the most filial, right? And so writing this story was, as I say in the author's note, sort of an apology and a love letter to my parents. So it's been very healing and healing to hear about from all the. People who have read the book and had it resonate with them, the things that they regretted in their lives and hoped to, heal as well. Miko Lee: [00:46:42] Oh, have you heard that story a lot from adult readers? Andrea Wang: [00:46:46] I have. They will often tell me about the things that their parents did that embarrassed them. A lot of foraging stories, but also stories about, relatives and ancestors who were sharecroppers or indigenous peoples. And it's just been fascinating how many people connect to the story on different levels. There is that theme of poverty. I think recognizing. That's not often talked about in children's books, I think makes people feel very seen. Miko Lee: [00:47:14] Yeah. That feeling of shame is really showcased by the illustrator Jason Chin. I mean your young you character kind of has a grumpy look on their face. And it was just so fun. Even in the book notes, Jason Chin, the illustrator, writes about how he combined both the western and eastern style of art, but also his similar cross-cultural background. I'm wondering when you very first saw the artwork and this was kind of young you did anything surprise you by it? Andrea Wang: [00:47:42] I mean, it's amazing, gorgeous artwork and I was really struck by how he dealt with the flashbacks because when I sold this manuscript, I. Had no idea how an illustrator would deal with how interior it is and, , and how they would tackle those flashbacks. And there's one spread where on the left hand side of the page, it shows the main character's current time and then it morphs across the gutter of the book into. The moms past and her childhood memories in China, and it was just exquisite is really the only way to describe it. It was, it's just brilliant, and amazing. We don't, as picture book authors typically get to work with our illustrators. We often do not have contact with them through the making of a picture book. But in this case. Our editors said since it was such a personal story for me, that he, , felt that Jason and I should collaborate. And so I provided photos, family photos, photos of Ohio, lots of different, , source materials to Jason and would talk to him about the feelings that young me in the book went through. And so the fact that, he was able to take all of that and put it on the page, it was just. Spectacular. Miko Lee: [00:49:01] Oh, that's so fun. I also understand that you love mythical creatures as you I, and one of your children's books is the Nian Monster, which I love. I'm wondering what is your favorite mythical creature and why? Andrea Wang: [00:49:15] I. Have been sort of fascinated with the qilin, the, or they call it the Chinese unicorn. Right. Although it looks very different from what we think of a, a European unicorn looks like. Yes. And I think it's because they're supposed to be this really benevolent, creature and Have all sorts of powers and I would love to do more research about the qilin and, you know, incorporate that into a book someday. Miko Lee: [00:49:42] Ooh, fun. Next book. I love it. you have so many books and I'm really curious about your upcoming book Worthy about Joseph Pierce. I love these as Helen Zia talks about these. MIH moments that are missing in history. And Joseph Pierce was the highest ranking Chinese American man who fought in the Civil War. Some people might recognize this picture of this Chinese American guy in a kind of civil war, uniform. Can you tell us one, when is the book being released and a little bit more about it? Andrea Wang: [00:50:11] Sure. The book is being released on September 9th, 2025, and it is. A picture book, which we typically think of as for younger readers, but it is 64 pages. So you know, it's an all ages picture book. I think my editor and I would like to say, and it is the story of a Chinese boy born in the, First half of the 18 hundreds in China in Guangdong province, and was sold by his father to an American ship captain named Amos Peck. the reasons for that are, lost to time, right? He left no primary sources behind, there was so much going on in China at the time. Famine war, you know, all of these, Difficult things that his father probably sold him in order to keep the rest of the family alive and as well as give him the opportunity to have a better life. And he did end up in Connecticut. He was raised with the captain's, siblings and sent to school and treated almost like a member of the family except for the fact that he was. Clearly Chinese and there were very few Chinese people in, Connecticut at that time. he joined the Union Army when he came of age and was able to leverage his service into gaining citizenship, which really people of color, weren't really able to do successfully back then. And so. He gained a citizenship. He married, he had a family. He was able to own property and accomplish all these amazing things. Sort of right before the Chinese exclusion Act was, enacted. So he was a very brave guy. Miko Lee: [00:51:45] It's a wild story and you sent me on a little bit of a rabbit hole, which is fun. Just, looking at Ruth Ann, McCune's. historical piece that there were 10 different Chinese American men in the Civil War, but he was exceptional because he rose to such high ranks. And I just think it's so interesting that, in the 1880 census, he registered as Chinese. But then after the Chinese Exclusion Act in 1882, he listed his race as Japanese in the 1890 census. but he was racialized as white so that he could buy property and everything. Yeah. Can you just talk a little bit about that, like talk about code switching? He like literally changed his race, Andrea Wang: [00:52:26] right. And people at that time could not tell the difference. Similar to now, people often can't tell different Asian, ethnicities apart. Right. I found actual newspaper articles where Joseph Pierce was interviewed about the battles, that the United States was having with Japan or the battles that Japan was having. He was asked his opinion on what the Japanese government was doing because he told these reporters he was Japanese and that was really the only clue that I had that he, Was code switching that after the Chinese exclusion Act was passed, he felt like he needed to protect himself and his family and he must have cut off his cue because otherwise, you know, that would've identified him immediately as Chinese. So that went into the book. I think it's a powerful moment, right, where he's doing what he has to do to survive and ensure his protection and his family's safety, Miko Lee: [00:53:25] You have a, a really interesting background. Just having No really, I mean, having done all these different things and I, you know, I think you have a science background too, right? Can you talk about the times that we're living in right now, the political times that we're living in, where our government is banning books that don't align with certain conservative ideologies, where right now certain words are forbodden suddenly. And can you talk a little bit about how that impacts you as a children's book author? Andrea Wang: [00:53:59] it is very disheartening and discouraging that the current climate is against, people who look like me or other people of color. And as a children's book author, we are experiencing a huge decrease in the number of teachers and librarians who are asking us to come and visit schools, to talk to students, which is horrible because. These young people are the ones who need to learn from books, right? Knowledge is power. And if we are not keeping them informed, then we are doing them a disservice. I think the attacks on our freedom to read are really unjust. and. personally as an author of color, I understand that books like Worthy may end up on some of these banned book lists because it does talk about racism. but these are the stories that we need now, and I'm going to continue writing these stories about the Hidden History, And to talk about these difficult subjects that I think kids understand on some level. but if they're not reading about it in books, then it's hard to spark a conversation with, educators or adults about it. So I think these books that I'm writing, that many of my friends and other children's book authors are writing are providing that. Sort of gateway to talk about, the topics that are so important right now. Miko Lee: [00:55:29] Thank you so much for sharing, and thank you so much for being on Apex Express today. We appreciate your voice and the work that you're putting out there in the world. Is there anything else you'd like to say? Andrea Wang: [00:55:39] you know, there's so much to say, I think just to. Stand up for what we all believe in and to, I encourage people to stand up for their intellectual freedom and that of their children. Miko Lee: [00:55:56] Thank you, Andrea Wang. I appreciate hearing from you and hearing your voice and seeing your work out there in the world. Andrea Wang: [00:56:03] Thank you so much, Miko. It was a pleasure. Miko Lee: [00:56:05] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee. The post APEX Express – 5.29.25 AAPI Children's Books appeared first on KPFA.
Kirakják a Pride-tüntetés szervezőjét a bizottságból Cipősdobozból fizette ki 65 milliós büntetését a NAV-nak egy cipőkereskedő cég Menczer Tamással fotózkodott egy korábban időseket lehúzó banda feje Óriási árcsökkentést jelentett be a német szupermarket: átlagosan húsz százalékkal csökken több mint 150 termék ára Új Magyar Állampapír Plusz-sorozat érkezik, de a kamata nem változik Szabadulnak a tulajdonosok a befektetési céllal vásárolt ingatlanoktól Hatmillióval kerül többe egy húszmilliós lakáshitel Magyarországon, mint a szomszéd országokban Ingyen áram növények és mikrobák segítségével? A jövőben akár autókat is tölthet! Így változik az otthoni házhozszállítás a GLS-nél: kódot kér a futár Ágy nélküli fekhely, rabszolgakörülmények: milliárdokat követelnek a BYD-tól Így áll a parajdi sóbánya megmentéséért zajló küzdelem Kerkez Milos elfogadta a Liverpool ajánlatát Mihályvári-Farkas Viktória nyíltvízi Európa-bajnok lett tíz kilométeren Hétvégére itt az igazi nyár A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Kirakják a Pride-tüntetés szervezőjét a bizottságból Cipősdobozból fizette ki 65 milliós büntetését a NAV-nak egy cipőkereskedő cég Menczer Tamással fotózkodott egy korábban időseket lehúzó banda feje Óriási árcsökkentést jelentett be a német szupermarket: átlagosan húsz százalékkal csökken több mint 150 termék ára Új Magyar Állampapír Plusz-sorozat érkezik, de a kamata nem változik Szabadulnak a tulajdonosok a befektetési céllal vásárolt ingatlanoktól Hatmillióval kerül többe egy húszmilliós lakáshitel Magyarországon, mint a szomszéd országokban Ingyen áram növények és mikrobák segítségével? A jövőben akár autókat is tölthet! Így változik az otthoni házhozszállítás a GLS-nél: kódot kér a futár Ágy nélküli fekhely, rabszolgakörülmények: milliárdokat követelnek a BYD-tól Így áll a parajdi sóbánya megmentéséért zajló küzdelem Kerkez Milos elfogadta a Liverpool ajánlatát Mihályvári-Farkas Viktória nyíltvízi Európa-bajnok lett tíz kilométeren Hétvégére itt az igazi nyár A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
2025. május 26., hétfő 9-10 óra MIHÁLOVITS GAZDA: Színes hírek a szántóföldekről és az istállókból Sárga virág, lila virág, bíbor virág - na de, mik ezek a mezők? Milyen táblák ezek, ahol sok mindenki szeret selfiezni? Érdemes-e belegázolni övig ezekbe a mezőkbe egy jó kép erejéig? Hát a bálák? Azokra olyan jó felmászni és fotózkodni! A taposási károk mellett saját magunknak is rosszat tehetünk ezzel… Mihálovits gazda one man showja. TŐZSDENYITÁS: Czibere Ákos, az Equilor Befektetési Zrt. elemzője HEURÉKA-ÉLMÉNY: Vide-coding "A vibe coding szuper dolog, sokat foglalkozom vele, szerintem nagy hatása lesz a digitális gazdaságra" - mondja Kiss Gergely. Ennek magyar neve egyelőre nincs, pár hónapos szókapcsolat csupán, talán hangulat-kódolásnak lehetne fordítani. Arról van szó, hogy szóban elmondod a gépnek, hogy milyen programot, weboldalt, vagy kódot, ill. scriptet akarsz, és az megcsinálja pikk-pakk. Már egy sima ingyenes Google Gemini AI-jal is el lehet kezdeni, de persze van hozzá többszáz eszköz, módszertan és technika. Kiss Gergely, Attrecto Zrt. társalapítója.
Tréningek, előadások, események, appok és a támogatásilehetőségek: https://linktr.ee/drdomjan Lazán és tudatosan podcast-csatorna: Zakar Anita műsorvezető és Dr. Domján Mihály pszichoterapeuta szakorvos, pszichológus, családterapeuta, mindfulness oktató beszélgetése - @dr.domjanIratkozz fel!Megjelent cikkek: https://24.hu/belfold/2025/03/30/domjan-mihaly-pszicho-csaladterapeuta-hazassag-valas-megmentes-interju/https://www.baon.hu/helyi-kozelet/2023/02/tobb-szazezren-hallgatjak-dr-domjan-mihaly-felegyhazi-pszichologus-podcast-sorozatathttps://marieclaire.hu/tag/dr-domjan-mihaly/https://felegyhazikozlony.eu/hirek/21257/vesztesegeink-betegsegeink-olykor-a-legnagyobb-tanitomestereink-beszelgetes-dr-domjan-mihallyalAmennyiben a blogbejegyzések és a podcast-ek értéket képviselnek számodra, mi több, a továbbiak elkészítéséttámogatni szeretnéd, akkor azt a Patreon oldalamon is - https://www.patreon.com/drdomjan - meg tudod tenni. Hálásan köszönöm!
Beszélgetés dr. Kolláth Mihály Gáborral, jogász, közgazdász, jövőkutatóval a mesterséges intelligencia, a mára és a jövőre gyakorolt hatásairól.
Sorozat készült a törökverő legendájából – a legendából viszont ezer dolog kimaradt. Például az, hogy mi történt Hunyadi János halála után, és miért fordult Szilágyi Mihály a törökökhöz segítségért. Ahogy az is, hogy mi volt Rigómezőn és miért volt bizalmatlan Hunyadival szemben mindenki a Nándorfehérvár előtti időszakban. Lenthár Balázs történésszel Kacskovics Mihály Béla beszélgetett. Iratkozz fel a Fülke csatornájára! Spotify: tiny.cc/FulkeSpotify Apple Podcasts: tiny.cc/FulkeApple Hallgasd meg a HVG többi podcastját: Spotify: tiny.cc/HVGpodcastokSpotify Apple Podcasts: tiny.cc/HVGpodcastokApple SoundCloud: tiny.cc/HVGpodcastokSC 00:00 Intro 01:56 Történelmet történelmi regényből – rossz utca 06:19 Hunyadi János, a profi politikus – köznemesből törökverő 14:00 vá… Vá… VÁMPÍÍÍR!!!! 16:05 Egy jámbor balfék, aki minden volt, csak balfék nem – az Újlaki-Hunyadi-ellentét és Szilágyi Erzsébet 22:53 SOROS! 29:40 Nándorfehérvár 42:15: És mi lesz Lackóval? 50:52 Politikai termék lett a Hunyadi?
A rendszerváltás óta először tilthatnak ki képviselőket a Parlamentből Telex 2025-04-28 05:05:43 Belföld Hadházy Ákos Momentum Mozgalom Kövér László Országház Minden korábbinál durvább büntetést kaphatnak a füstgyertyával tiltakozó képviselők ma, Hadházy Ákos és a Momentum két képviselője szeptemberig nem léphet be az Országház területére, összesen 82 milliós büntetést kaphat a hat képviselő. Frakciótársaik tiltakozásképp őszig bojkottálják az üléseket. Kövér László feljelentést tett, a képviselők pedig Nem fizet kártérítést az orvos a horrorműtét után 24.hu 2025-04-28 05:59:52 Belföld Kártérítés Erika több mint 15 éve kereste fel Szemerey Balázs István plasztikai sebészt egy baleset után. A rémálom az első műtét után kezdődött. A ma is praktizáló orvos a jogerős ítélet ellenére nem fizette ki a csaknem 14 millió forint kártérítést. Cégét egy horgosi szegénytelepen nyomorgó nőnek adta el. Donald Trump gúzsba kötötte Varga Mihály kezét mfor.hu 2025-04-28 05:51:02 Gazdaság USA Donald Trump Infláció Kamat Jegybank Varga Mihály Míg korábban az újra meglendülő infláció, most Donald Trump kiszámíthatatlan vámpolitikája bizonytalanítja el a piacot, így áprilisban sem fog lazítani a monetáris kondíciókon a jegybank – vélik a lapunk által megkérdezett szakemberek. Az Mfor Elemzői Konszenzus rovatunknak nyilatkozó szakértők kitérnek a nagy jegybankok kamatpolitikájára, illetve Vámháború? Semmiség! Egy másik fronton vághatja igazán tönkre Amerikát Donald Trump Privátbankár 2025-04-28 05:51:04 Külföld USA háború Donald Trump Felsőoktatás Egy gazdasági pofonból még csak-csak talpra lehet állni, de ha megszűnik az amerikai tudományos-technológiai fölény, abból szinte lehetetlen. A Trump-adminisztráció a felsőoktatás és a tudományos kutatás ellen indított háborúja pedig pontosan ezzel fenyeget. Döntöttek a boltok a május 1-jei nyitvatartásról, így vásárolhatsz a hosszú hétvégén - listán a Lidl, a Penny, az Aldi, a Spar és a többi üzletlánc Startlap Vásárlás 2025-04-28 05:33:56 Gazdaság Hétvége Lidl SPAR A munka ünnepe Aldi Tesco Auchan Penny Market Újabb négynapos hosszú hétvége elé nézünk, miután május elseje, a munka ünnepe csütörtökre esik. Mutatjuk a legnagyobb üzletláncok - így az Aldi, a Lidl, a Tesco, a Spar, a Penny, és az Auchan - nyitvatartási rendjét is. Trump úgy gondolja, Zelenszkij kész átadni Oroszországnak a Krímet 444.hu 2025-04-28 06:17:44 Külföld Volodimir Zelenszkij Krím Két napja még egészen mást mondott, ahogy azt szokta. Most arra is utalt, hogy két héten belül megállapodás jöhet a harcok befejezéséről. Új partner a sikercégekbe befektető, magyar PortfoLion-nál Forbes 2025-04-28 05:57:07 Gazdaság Olaszország Lengyelország Befektető Startup Mit keres a magyar tulajdonos lengyel cége Olaszországban? És hogyan érintette a nagyobb, érettebb cégeket a startup-piaci hájp, majd az összeomlás? Mihály Zsolttal beszélgettünk, aki nyolc éve juniorként kezdett a PortfoLion-nál, ma már a felsővezetésben dolgozik, elsőként a cégben karrierjüket elkezdő alkalmazottak közül. Sorra rongálták az autókat, megoldódott a rejtély Vezess 2025-04-28 05:50:36 Autó-motor Sokáig a károsult autósok is értetlenül álltak a betört visszapillantó tükrök előtt. Végül megfejtették a rejtélyt – az igazság egy egész várost sokkolt. Gazdára talált az ország híres vándorkutyája Sokszínű vidék 2025-04-28 06:00:07 Életmód Párkapcsolat Baranya Kutya Mohács Igazi egymásra találás és szerelem a legjobb gazdival, akit kívánhattak volna a Mohácsi Vándornak, a Somogyot, Tolnát és Baranyát bejáró kutyusnak. Hajós András: Sokat ülök az arcukon, azért értem a nyelvüket Index 2025-04-27 23:20:00 Bulvár Hajós András A Nagy Duett hetedik adásában a produkciók mellett a zsűri szövegétől is felhúztuk a szemöldökünk. Premier League: bajnok a Liverpool Euronews 2025-04-27 23:04:48 Külföld Anglia Szoboszlai Dominik Liverpool Premier League Szoboszlai Dominik, a Liverpool futballistája lett az első magyar, aki az angol labdarúgó-bajnokság élvonalában bajnoki címet ünnepelhet. Szoboszlai így táncolt az éjjel magyar zászlóval a derekán, Haaland is gratulált Magyar Nemzet 2025-04-28 05:17:20 Sport Szoboszlai Dominik Honfitársunk közösségi oldalain nagyon gyorsan megjelent egy profi videós összeállítás a legjobb pillanatairól. Ranieri Romája kifektette az Intert Rangadó 2025-04-27 23:31:37 Foci Serie A Internazionale Napoli Négy körrel a vége előtt kedvező helyzetbe került a Napoli a Serie A-ban. Az év egyik legcsapadékosabb napja ezúttal száraz marad Kiderül 2025-04-28 05:30:10 Időjárás A munka ünnepe Május elsején rendszerint záporos, zivataros időjárás van hazánkban. Idén ezzel szemben napos, száraz, nyáriasan enyhe időben majálisozhatunk. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
A rendszerváltás óta először tilthatnak ki képviselőket a Parlamentből Telex 2025-04-28 05:05:43 Belföld Hadházy Ákos Momentum Mozgalom Kövér László Országház Minden korábbinál durvább büntetést kaphatnak a füstgyertyával tiltakozó képviselők ma, Hadházy Ákos és a Momentum két képviselője szeptemberig nem léphet be az Országház területére, összesen 82 milliós büntetést kaphat a hat képviselő. Frakciótársaik tiltakozásképp őszig bojkottálják az üléseket. Kövér László feljelentést tett, a képviselők pedig Nem fizet kártérítést az orvos a horrorműtét után 24.hu 2025-04-28 05:59:52 Belföld Kártérítés Erika több mint 15 éve kereste fel Szemerey Balázs István plasztikai sebészt egy baleset után. A rémálom az első műtét után kezdődött. A ma is praktizáló orvos a jogerős ítélet ellenére nem fizette ki a csaknem 14 millió forint kártérítést. Cégét egy horgosi szegénytelepen nyomorgó nőnek adta el. Donald Trump gúzsba kötötte Varga Mihály kezét mfor.hu 2025-04-28 05:51:02 Gazdaság USA Donald Trump Infláció Kamat Jegybank Varga Mihály Míg korábban az újra meglendülő infláció, most Donald Trump kiszámíthatatlan vámpolitikája bizonytalanítja el a piacot, így áprilisban sem fog lazítani a monetáris kondíciókon a jegybank – vélik a lapunk által megkérdezett szakemberek. Az Mfor Elemzői Konszenzus rovatunknak nyilatkozó szakértők kitérnek a nagy jegybankok kamatpolitikájára, illetve Vámháború? Semmiség! Egy másik fronton vághatja igazán tönkre Amerikát Donald Trump Privátbankár 2025-04-28 05:51:04 Külföld USA háború Donald Trump Felsőoktatás Egy gazdasági pofonból még csak-csak talpra lehet állni, de ha megszűnik az amerikai tudományos-technológiai fölény, abból szinte lehetetlen. A Trump-adminisztráció a felsőoktatás és a tudományos kutatás ellen indított háborúja pedig pontosan ezzel fenyeget. Döntöttek a boltok a május 1-jei nyitvatartásról, így vásárolhatsz a hosszú hétvégén - listán a Lidl, a Penny, az Aldi, a Spar és a többi üzletlánc Startlap Vásárlás 2025-04-28 05:33:56 Gazdaság Hétvége Lidl SPAR A munka ünnepe Aldi Tesco Auchan Penny Market Újabb négynapos hosszú hétvége elé nézünk, miután május elseje, a munka ünnepe csütörtökre esik. Mutatjuk a legnagyobb üzletláncok - így az Aldi, a Lidl, a Tesco, a Spar, a Penny, és az Auchan - nyitvatartási rendjét is. Trump úgy gondolja, Zelenszkij kész átadni Oroszországnak a Krímet 444.hu 2025-04-28 06:17:44 Külföld Volodimir Zelenszkij Krím Két napja még egészen mást mondott, ahogy azt szokta. Most arra is utalt, hogy két héten belül megállapodás jöhet a harcok befejezéséről. Új partner a sikercégekbe befektető, magyar PortfoLion-nál Forbes 2025-04-28 05:57:07 Gazdaság Olaszország Lengyelország Befektető Startup Mit keres a magyar tulajdonos lengyel cége Olaszországban? És hogyan érintette a nagyobb, érettebb cégeket a startup-piaci hájp, majd az összeomlás? Mihály Zsolttal beszélgettünk, aki nyolc éve juniorként kezdett a PortfoLion-nál, ma már a felsővezetésben dolgozik, elsőként a cégben karrierjüket elkezdő alkalmazottak közül. Sorra rongálták az autókat, megoldódott a rejtély Vezess 2025-04-28 05:50:36 Autó-motor Sokáig a károsult autósok is értetlenül álltak a betört visszapillantó tükrök előtt. Végül megfejtették a rejtélyt – az igazság egy egész várost sokkolt. Gazdára talált az ország híres vándorkutyája Sokszínű vidék 2025-04-28 06:00:07 Életmód Párkapcsolat Baranya Kutya Mohács Igazi egymásra találás és szerelem a legjobb gazdival, akit kívánhattak volna a Mohácsi Vándornak, a Somogyot, Tolnát és Baranyát bejáró kutyusnak. Hajós András: Sokat ülök az arcukon, azért értem a nyelvüket Index 2025-04-27 23:20:00 Bulvár Hajós András A Nagy Duett hetedik adásában a produkciók mellett a zsűri szövegétől is felhúztuk a szemöldökünk. Premier League: bajnok a Liverpool Euronews 2025-04-27 23:04:48 Külföld Anglia Szoboszlai Dominik Liverpool Premier League Szoboszlai Dominik, a Liverpool futballistája lett az első magyar, aki az angol labdarúgó-bajnokság élvonalában bajnoki címet ünnepelhet. Szoboszlai így táncolt az éjjel magyar zászlóval a derekán, Haaland is gratulált Magyar Nemzet 2025-04-28 05:17:20 Sport Szoboszlai Dominik Honfitársunk közösségi oldalain nagyon gyorsan megjelent egy profi videós összeállítás a legjobb pillanatairól. Ranieri Romája kifektette az Intert Rangadó 2025-04-27 23:31:37 Foci Serie A Internazionale Napoli Négy körrel a vége előtt kedvező helyzetbe került a Napoli a Serie A-ban. Az év egyik legcsapadékosabb napja ezúttal száraz marad Kiderül 2025-04-28 05:30:10 Időjárás A munka ünnepe Május elsején rendszerint záporos, zivataros időjárás van hazánkban. Idén ezzel szemben napos, száraz, nyáriasan enyhe időben majálisozhatunk. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Májusban indul új önismereti tréning Budapesten - fókuszban a családi kapcsolatok, a mindfulness és a dramatikus gyakorlatok: https://www.facebook.com/events/4012165962438537Tréningek, előadások, események, appok és a támogatásilehetőségek: https://linktr.ee/drdomjan Lazán és tudatosan podcast-csatorna: Zakar Anita műsorvezető és Dr. Domján Mihály pszichoterapeutaszakorvos, pszichológus, családterapeuta, mindfulnessoktató beszélgetése - @dr.domjanMegjelent cikkek: https://24.hu/belfold/2025/03/30/domjan-mihaly-pszicho-csaladterapeuta-hazassag-valas-megmentes-interju/https://www.baon.hu/helyi-kozelet/2023/02/tobb-szazezren-hallgatjak-dr-domjan-mihaly-felegyhazi-pszichologus-podcast-sorozatathttps://marieclaire.hu/tag/dr-domjan-mihaly/Amennyiben a blogbejegyzések és a podcast-ek értéket képviselnek számodra, mi több, a továbbiak elkészítéséttámogatni szeretnéd, akkor azt a Patreon oldalamon is - https://www.patreon.com/drdomjan - meg tudod tenni. Hálásan köszönöm!- Web: https://drdomjan.hu- Facebook események: https://www.facebook.com/dr.domjan/events- Instagram: https://www.instagram.com/dr.domjan- Threads: https://www.threads.net/@dr.domjan- Linkedin: https://www.linkedin.com/in/mihály-dr-domján-44858b182- TikTok: https://vm.tiktok.com/ZMR2J3pxD/- Spotify: https://open.spotify.com/show/4HVpq9E2g9GAIEioAvgwTp- YouTube: https://www.youtube.com/playlist?list=PL2FlXHb9iN2nfXxbaaBTRSxbTZBSb-3L0- Apple Podcasts: https://podcasts.apple.com/us/podcast/dr-domj%C3%A1n-mih%C3%A1ly/id1507862497?ign-mpt=uo%3D4- Anchor: https://podcasters.spotify.com/pod/show/dr-domjan- RadioPublic: https://radiopublic.com/dr-domjn-mihly-G2rlZv- Breaker: https://www.breaker.audio/dr-domjan-mihaly- Overcast: https://overcast.fm/itunes1507862497/dr-domj-n-mih-ly@dr.domjan @zakaranita
Vyhľadanie odbornej pomoci v podobe psychológa je v dnešnej spoločnosti čoraz viac potrebné. Mnoho ľudí pracuje hlavou, a preto by mali mať správne utriedené myšlienky. Ale tento proces je stále medzi niektorými označovaný za slabosť, preto sa jednotlivci hanbia vyhľadať profesionála. Aj preto možnosť sedenia online môže byť cesta. Či bolo potrebné mať pri založení projektu aj reálneho psychológa, ako prebieha celý proces sedenia a aké marketingové kanály využívajú na oslovenie ľudí nám povedala Magdaléna Mihálová, CMO & co-founder ksebe.sk.https://www.ecommercebridge.sk/psychologovia-online-ksebe00:00 Úvod02:42 Čo je projekt ksebe.sk? 04:42 Bolo potrebné mať pri založení projektu aj reálneho psychológa? 05:53 Prečo by sa mali vyťažení psychológovia vôbec registrovať? 07:47 Nechýba ľuďom pri tomto systéme osobný kontakt? 09:25 Mali najprv na platforme psychológov alebo pacientov? 11:55 Prebieha celý proces v rámci jednej platformy? 17:25 Je tento trh pripravený na dva podobné projekty? 18:54 Môže byť psychológ aj na viacerých platformách naraz? 19:46 Aké marketingové kanály využívajú na oslovenie ľudí? 24:12 Čo s tým plánujú do budúcna? 27:43 Plánujú ísť aj do zahraničia? 28:43 ZáverEcommerce Bridge SK: https://www.ecommercebridge.sk/Ecommerce Bridge CZ: https://www.ecommercebridge.cz/Sledujte nás na sociálnych sieťach ⬇️LinkedIn:SK https://www.linkedin.com/company/ecommerce-bridge-slovensko/CZ https://www.linkedin.com/company/ecommerce-bridge-cesko/Facebook:SK https://www.facebook.com/ecommercebridgeslovenskoCZ https://www.facebook.com/EcommerceBridgeCeskoTwitter:SK https://twitter.com/ecommbridgeskCZ https://twitter.com/ecommbridgecz
2025.04.20.A műsort a Nissan elektromos offenzívájával indítjuk. Mihályi Norbert a márka hazai pr igazgatója lesz a segítségünkre, hogy Nissan több szegmensre is kiterjedő új, vagy rövidesen piacra lépő elektromosított modelljeiről mindent megtudhassunk. Persze újdonságokról lévén szó, a gyár sokszor még csak csöpögteti az infókat, de mi megpróbálunk benézni a díszletek mögé is.A műsor második felében Reizer Levente a Prémium Napelem kft. ügyvezetője lesz a vendégünk, aki az EU által elindított új programról mesél, ahol az e-autók akkumulátorait is bevonnák az energiatárolásba, hogy így a túltermelés időszakában keletkező zöld energia többletet hatékonyabban lehessen kezelni.
Konsolidácia verejných financií premiéra Roberta Fica postupne politicky pochováva a napokon jeho vláda bude musieť zrušiť aj Trináste dôchodky v ich aktuálnej podobe, tvrdí exminister práce Jozef Mihál. V rebríčku konsolidačných opatrení však podľa neho dominuje Transakčná daň. Tú treba čo najrýchlejšie zrušiť, hovorí Mihál. Ráno Nahlas o nezmyselných zákutiach Transakčnej dane.Slovensko čelí už druhému konsolidačnému balíčku vlády Roberta Fica štvrtého. Ten pritom v mene ozdravenia verejných financií prelomil i viacero svojich politických tabu - ako je napríklad zvýšenie sadzby DPH. Uťahovanie opaskov rozhodne nepatrí medzi obľúbené politické kratochvíle pretože logicky nevyvoláva žiadne nadšenie občanov. Zvýšené dane, nárast cien potravín, zvyšujúce sa poplatky, ale aj krátenie podpory rodín a detí. Ak by sa však konala hitparáda v nebľúbenosti konsolidačných opatrení, prvé miesto by nepochybne vyhrala Transakčná daň. To, že sa ňou podieľame na vládnej konsolidácií, ale zároveň ňou prispievame i na trináste dôchodky či zvýšené platy ministrov a poslancov, totiž podnikatelia - cinkaním esemesiek od banky, vnímajú prakticky deň čo deň. Deň čo deň si tak kladú otázky o jej férovosti, zmysluplnosti, ale i o kompetentnosti tejto vládnej garnitúry a jej politickej budúcnosti. Transakčná daň je jedným z veľkých klincov do politickej rakvy vládneho SMERu, myslí si exminister práce, sociálnych vecí a rodiny ako i expert na dane a odvody Jozef MihálPrečo je táto daň tak veľmi škodlivá a kde sú jej najväčšie úskalia? Má zmysel iniciatíva predsedu SNS na jej čiastočné okresanie alebo ju treba celú jednoducho zrušiť? Ak bude zrušená, kde bude vláda hľadať chýbajúce stámilióny? No a majú v tejto dobe s extrémne zlými verejnými financiami štátu ešte nejakú budúcnosť Trináste dôchodky alebo ich "voľky nevoľky" napokon stopne sám Robert Fico? Ráno Nahlas, o transakčnej dani, konsolidácií, ale aj o dôchodkovom systéme. S Jozefom Mihálom. Pekný deň a pokoj v duši praje Braňo Dobšinský.
Transakčná daň je klincom do politického konca Roberta Fica, tvrdí exminister Mihál. Zruší vláda Trináste dôchodky?Konsolidácia verejných financií Roberta Fica postupne politicky pochováva a napokon jeho vláda bude musieť zrušiť aj Trináste dôchodky v ich aktuálnej podobe, tvrdí exminister práce Jozef Mihál. V rebríčku konsolidačných opatrení však podľa neho dominuje Transakčná daň. Tú treba čo najrýchlejšie zrušiť, hovorí Mihál. Ráno Nahlas o nezmyselných zákutiach Transakčnej dane.Slovensko čelí už druhému konsolidačnému balíčku vlády Roberta Fica štvrtého. Ten pritom v mene ozdravenia verejných financií prelomil i viacero svojich politických tabu - ako je napríklad zvýšenie sadzby DPH. Uťahovanie opaskov rozhodne nepatrí medzi obľúbené politické kratochvíle pretože logicky nevyvoláva žiadne nadšenie občanov. Zvýšené dane, nárast cien potravín, zvyšujúce sa poplatky, ale aj krátenie podpory rodín a detí. Ak by sa však konala hitparáda v nebľúbenosti konsolidačných opatrení, prvé miesto by nepochybne vyhrala Transakčná daň. To, že sa ňou podieľame na vládnej konsolidácií, ale zároveň ňou prispievame i na trináste dôchodky či zvýšené platy ministrov a poslancov, totiž podnikatelia - cinkaním esemesiek od banky, vnímajú prakticky deň čo deň. Deň čo deň si tak kladú otázky o jej férovosti, zmysluplnosti, ale i o kompetentnosti tejto vládnej garnitúry a jej politickej budúcnosti. Transakčná daň je jedným z veľkých klincov do politickej rakvy vládneho SMERu, myslí si exminister práce, sociálnych vecí a rodiny ako i expert na dane a odvody Jozef MihálPrečo je táto daň tak veľmi škodlivá a kde sú jej najväčšie úskalia? Má zmysel iniciatíva predsedu SNS na jej čiastočné okresanie alebo ju treba celú jednoducho zrušiť? Ak bude zrušená, kde bude vláda hľadať chýbajúce stámilióny? No a majú v tejto dobe s extrémne zlými verejnými financiami štátu ešte nejakú budúcnosť Trináste dôchodky alebo ich "voľky nevoľky" napokon stopne sám Robert Fico? Ráno Nahlas, o transakčnej dani, konsolidácií, ale aj o dôchodkovom systéme. S Jozefom Mihálom. Pekný deň a pokoj v duši praje Braňo Dobšinský.
Sumérgete en el estado de flujo: el antídoto natural contra la ansiedad En este episodio imperdible de AMADAG TV, exploramos junto al neurocirujano Osmand Salazar uno de los estados mentales más fascinantes y transformadores: el estado de flujo ✨. Ese momento donde todo parece alinearse, la concentración es absoluta y el tiempo simplemente... desaparece. Pero ¿sabías que este estado no solo mejora tu rendimiento y creatividad, sino que además puede ser una herramienta poderosa contra la ansiedad? Acompáñanos a descubrir: Qué es exactamente el estado de flujo y cómo identificarlo. ⚖️ Por qué es el opuesto natural de la ansiedad y cómo puede ayudarte si la sufres. Qué ocurre en tu cerebro cuando entras en este estado, según la neurociencia. Cómo lo han estudiado expertos como Mihály Csíkszentmihályi y cómo lo relacionaron con el bienestar. La conexión entre este estado y conceptos espirituales y filosóficos como el Samādhi, Wu Wei, Mushin, Ikigai, Ataraxia o Fanaa. ️ Ejercicios sencillos que puedes practicar para inducir este estado cada día y mejorar tu calidad de vida. Este video es una guía práctica que conecta la ciencia, la psicología y la sabiduría ancestral para ayudarte a vivir mejor, con más presencia y menos ansiedad. Si buscas mejorar tu concentración, conectar contigo mismo y alcanzar tu mejor versión, ¡este contenido es para ti! Capítulos del video: 00:00 – Bienvenida y presentación del tema 04:02 – Qué es el estado de flujo y por qué es tan poderoso 12:15 – Sabiduría ancestral sobre el flujo: de Samādhi a Ikigai 19:40 – Historia y estudios de Mihály Csíkszentmihályi 25:50 – Flujo y salud mental: beneficios demostrados 33:20 – Flujo vs. ansiedad: ¿estados opuestos? 41:00 – Qué ocurre en el cerebro durante el flujo (neurociencia) 50:15 – El flujo como herramienta para la ansiedad 58:30 – Cómo inducir el flujo con ejercicios simples 01:05:10 – Reflexión final: fluir es una forma de vivir ♀️ ¿Te gustaría aprender a fluir más en tu vida? Este video te dará la inspiración y las herramientas que necesitas. ¡Dale al play, comenta y comparte con quienes necesitan esta información! RECURSOS Y ENLACES DE INTERÉS: Nuestro nuevo libro: www.elmapadelaansiedad.com Nuestra escuela de ansiedad: www.escuelaansiedad.com Visita nuestra página web: www.amadag.com Facebook: https://www.facebook.com/Asociacion.Agorafobia/ Instagram: https://www.instagram.com/amadag.psico/ Más vídeos en nuestro canal: https://www.youtube.com/channel/UC22fPGPhEhgiXCM7PGl68rw 25 Palabras clave (keywords): estado de flujo, ansiedad, salud mental, Mihály Csíkszentmihályi, mindfulness, concentración plena, dopamina, neurociencia, corteza prefrontal, flow, bienestar emocional, rendimiento mental, productividad consciente, meditación, terapia antiestrés, emociones positivas, equilibrio, ikigai, wu wei, samadhi, mushin, ataraxia, fanaa, espiritualidad, herramientas contra la ansiedad 6 Hashtags: #EstadoDeFlujo, #AMADAGTV, #Ansiedad, #BienestarMental, #Mindfulness, #Neurociencia
2025. április 14., hétfő 6:30-8 óra Nehéz a reggel, de mi megpróbálunk túllendülni ezen. Név- és születésnaposok felidézése. Lapszemle és tőzsdei összefoglaló. Budapest, te csodás. Fővárosi rovat. Elektromos buszok, Városháza felújítás, fővárosi fürdők. E témákat boncolgatjuk. ÉBRESZTŐ TÉMA. Veszélybe került az Utcáról Lakásba Egyesület működése. A Trump-adminisztráció leállítja az Egyesült Államokból kimenő nemzetközi segélyezési források több, mint 80 százalékát. A döntés világszintű válsághelyzetet generált a segélyszervezetek és civil szervezetek körében, a következmények Magyarországon is érzékelhetők”. Az ENSZ Menekültügyi Főbiztossága is kénytelen volt csökkenteni a 2025-ös támogatási keretét. Az Utcáról Lakásba Egyesület programja így a korábban már megítélt támogatás felétől, azaz 40 millió forinttól esett el. Krivácsy Balázs, az Utcáról Lakásba Egyesület Menekült Programjának vezetője. HETI KITEKINTŐ: Az EKB kamatdöntő ülést tart; az Egyesült Államokból konjunktúraindikátorok érkeznek. Kovács Mihály, az OTP Elemzési Központ elemzője.
Elhunyt a Nobel-díjas író, Mario Vargas Llosa Librarius 2025-04-14 09:35:45 Könyv Nobel-díj Peru Mario Vargas Llosa nemcsak regényeiben harcolt az elnyomás ellen: 1990-ben aktívan is színre lépett: elindult a perui elnökválasztáson. Mostantól ez 2025 legsikeresebb filmje Mafab 2025-04-14 09:00:03 Film Mozi A Egy Minecraft film 2025 legnagyobb mozisikerévé vált, miután mindössze két hét alatt több mint 550 millió dolláros globális bevételt ért el, írja a The Wrap. Kirúgták Mickey Rourke-ot, mert kilóg a woke-világból Magyar Hírlap 2025-04-13 18:37:15 Film A világhírű színészre a Big Brother brit celebváltozatában nem tartottak igényt, mert állítólag "homofób" megjegyzéseket tett. Új sorozat a brit alvilágról Ritchie-vel és Hardyval 24.hu 2025-04-13 20:04:22 Film London Ökölvívás Boksz Új sorozatában a rendező ismét alászállt a fülledt éjszakai klubok és illegális bokszmérkőzések világába, a MobLand londoni világpremierjén pedig a 24.hu is részt vett. Minden, amit A Fehér Lótusz következő évadának helyszínéről tudunk in.hu 2025-04-13 20:47:02 Film Thaiföld HBO Fehér Lótusz A napokban ért véget az HBO sikersorozatának a harmadik évada, ami Thaiföldön játszódott. A finálét követően csatorna megerősítette, hogy érkezik a következő évad is – a kérdés csak az, hogy hol játszódik majd? Nemrég ért véget a Mike White által készített A Fehér Lótusz legfrissebb évada, amiben a – túlélő – szereplők sértetlenül hajóztak el a tha Eddie Redmayne visszatér a Harry Potter-univerzumhoz Hamu és Gyémánt 2025-04-14 10:11:01 Film Harry Potter HBO Eddie Redmayne Annak ellenére, hogy immár tizennégy év telt el az utolsó Harry Potter-film bemutatója óta, a varázslóvilág népszerűsége semmit nem csökkent – különösen azután, hogy hamarosan érkezik az HBO saját gyártású, sokak által várt sorozata is. Azoknak azonban, akik nem bírják kivárni az új szériát, jó hírünk van: az Entertainment Weekly beszámolója alapjá Gáspár Győző nem hagyta szó nélkül a kiesését, odaszúrt Mihályfi Lucáéknak Blikk 2025-04-14 06:56:30 Film Győzike Liptai Claudia Dér Heni Gáspár Győző arcára minden rá volt írva vasárnap este, amikor Tilla és Liptai Claudia bejelentették, hogy ők A Nagy Duett újabb kiesői Dér Henivel. A showman nem tudta és nem is akarta titkolni a csalódottságát, mivel tovább szeretett volna maradni a versenyben. A búcsúbeszédében pedig Mihályfi Lucáéknak is nekiment. A magyar film napján debütál a romkocsmákról szóló dokumentumfilm kultura.hu 2025-04-14 06:48:05 Film Mozi Dokumentumfilm Április 26-án, a magyar film napján mutatják be Sipos Bence Romokból című dokumentumfilmjét a budapesti Kino Café moziban. Időutazás a skinny jeans uralta 2005-be, amikor megnyílt Magyarország egyik legnépszerűbb kulturális központja refresher.hu 2025-04-14 10:10:00 Film Müpa Mariah Carey Mi mindent adott a világnak a 2005-ös év? Többek között megannyi Mariah Carey slágert, a Büszkeség és balítélet filmet, és a Müpát. Könyvajánló: Mason Deaver – I Wish You All The Best: A legjobbakat kívánom neked Sorok között 2025-04-13 21:31:26 Könyv Be kell valljam, ez a könyv közelebb áll hozzám, mint a többi, ugyanis abban a szerencsés helyzetben voltam, hogy én fordíthattam le magyarral. Ben és Nathan hónapokig az életem része volt, és imádtam az történetüket átültetni magyar nyelvre. Örömmunka volt, ha fogalmazhatok így, bár időnként nagyon feladta a leckét, hiszen a főszereplő, Ben nembin Van utánpótlás Brad Pitt és George Clooney után Story 2025-04-13 18:00:51 Bulvár Mozi Brad Pitt George Clooney Ezek a világhírű szépfiúk először nem a mozikban szereztek nevet maguknak. Azután lettek körülrajongott szívtiprók, hogy a nézők nem győzték darálni a streamingszolgáltatókon a velük készült szériákat. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
Elhunyt a Nobel-díjas író, Mario Vargas Llosa Librarius 2025-04-14 09:35:45 Könyv Nobel-díj Peru Mario Vargas Llosa nemcsak regényeiben harcolt az elnyomás ellen: 1990-ben aktívan is színre lépett: elindult a perui elnökválasztáson. Mostantól ez 2025 legsikeresebb filmje Mafab 2025-04-14 09:00:03 Film Mozi A Egy Minecraft film 2025 legnagyobb mozisikerévé vált, miután mindössze két hét alatt több mint 550 millió dolláros globális bevételt ért el, írja a The Wrap. Kirúgták Mickey Rourke-ot, mert kilóg a woke-világból Magyar Hírlap 2025-04-13 18:37:15 Film A világhírű színészre a Big Brother brit celebváltozatában nem tartottak igényt, mert állítólag "homofób" megjegyzéseket tett. Új sorozat a brit alvilágról Ritchie-vel és Hardyval 24.hu 2025-04-13 20:04:22 Film London Ökölvívás Boksz Új sorozatában a rendező ismét alászállt a fülledt éjszakai klubok és illegális bokszmérkőzések világába, a MobLand londoni világpremierjén pedig a 24.hu is részt vett. Minden, amit A Fehér Lótusz következő évadának helyszínéről tudunk in.hu 2025-04-13 20:47:02 Film Thaiföld HBO Fehér Lótusz A napokban ért véget az HBO sikersorozatának a harmadik évada, ami Thaiföldön játszódott. A finálét követően csatorna megerősítette, hogy érkezik a következő évad is – a kérdés csak az, hogy hol játszódik majd? Nemrég ért véget a Mike White által készített A Fehér Lótusz legfrissebb évada, amiben a – túlélő – szereplők sértetlenül hajóztak el a tha Eddie Redmayne visszatér a Harry Potter-univerzumhoz Hamu és Gyémánt 2025-04-14 10:11:01 Film Harry Potter HBO Eddie Redmayne Annak ellenére, hogy immár tizennégy év telt el az utolsó Harry Potter-film bemutatója óta, a varázslóvilág népszerűsége semmit nem csökkent – különösen azután, hogy hamarosan érkezik az HBO saját gyártású, sokak által várt sorozata is. Azoknak azonban, akik nem bírják kivárni az új szériát, jó hírünk van: az Entertainment Weekly beszámolója alapjá Gáspár Győző nem hagyta szó nélkül a kiesését, odaszúrt Mihályfi Lucáéknak Blikk 2025-04-14 06:56:30 Film Győzike Liptai Claudia Dér Heni Gáspár Győző arcára minden rá volt írva vasárnap este, amikor Tilla és Liptai Claudia bejelentették, hogy ők A Nagy Duett újabb kiesői Dér Henivel. A showman nem tudta és nem is akarta titkolni a csalódottságát, mivel tovább szeretett volna maradni a versenyben. A búcsúbeszédében pedig Mihályfi Lucáéknak is nekiment. A magyar film napján debütál a romkocsmákról szóló dokumentumfilm kultura.hu 2025-04-14 06:48:05 Film Mozi Dokumentumfilm Április 26-án, a magyar film napján mutatják be Sipos Bence Romokból című dokumentumfilmjét a budapesti Kino Café moziban. Időutazás a skinny jeans uralta 2005-be, amikor megnyílt Magyarország egyik legnépszerűbb kulturális központja refresher.hu 2025-04-14 10:10:00 Film Müpa Mariah Carey Mi mindent adott a világnak a 2005-ös év? Többek között megannyi Mariah Carey slágert, a Büszkeség és balítélet filmet, és a Müpát. Könyvajánló: Mason Deaver – I Wish You All The Best: A legjobbakat kívánom neked Sorok között 2025-04-13 21:31:26 Könyv Be kell valljam, ez a könyv közelebb áll hozzám, mint a többi, ugyanis abban a szerencsés helyzetben voltam, hogy én fordíthattam le magyarral. Ben és Nathan hónapokig az életem része volt, és imádtam az történetüket átültetni magyar nyelvre. Örömmunka volt, ha fogalmazhatok így, bár időnként nagyon feladta a leckét, hiszen a főszereplő, Ben nembin Van utánpótlás Brad Pitt és George Clooney után Story 2025-04-13 18:00:51 Bulvár Mozi Brad Pitt George Clooney Ezek a világhírű szépfiúk először nem a mozikban szereztek nevet maguknak. Azután lettek körülrajongott szívtiprók, hogy a nézők nem győzték darálni a streamingszolgáltatókon a velük készült szériákat. A további adásainkat keresd a podcast.hirstart.hu oldalunkon.
A rendszerváltást követő privatizáció három évtizedes tapasztalatait dolgozta fel márciusi számában a Rubicon történelmi magazin. A tematikus lapszám cikkeinek szerzői között számos MKT-tag is szerepelt. Ennek apropóján a Magyar Közgazdasági Társaság kerekasztal-beszélgetést szervezett Elveszett illúziók? A privatizáció három évtizede címmel 2025. április 9-én, szerdán.A kerekasztal-beszélgetés résztvevői a tematikus szám szerzői közül Bod Péter Ákos egyetemi tanár, volt jegybankelnök, az Antall-kormány ipari és kereskedelmi minisztere, az MKT alelnöke; Csath Magdolna egyetemi tanár, az MKT Innovációs Szakosztályának alelnöke; Farkas Zoltán, a HVG szerkesztője; Lóránt Károly, a BME címzetes egyetemi docense és Mihályi Péter, az MTA levelező tagja, a Budapesti Corvinus Egyetem egyetemi tanára, a Közép-Európai Egyetem (CEU) vendégprofesszora volt.
Előadások, események, appok és a támogatási lehetőségek: https://linktr.ee/drdomjan Soron következő önismereti tréning Budapesten - fókuszban a családi kapcsolatok és a mindfulness gyakorlatok: https://www.facebook.com/events/4012165962438537Lazán és tudatosan podcast-csatorna: Zakar Anita műsorvezető és Dr. Domján Mihály pszichoterapeuta szakorvos, pszichológus, családterapeuta, mindfulnessoktató beszélgetése - @dr.domjanAz adás mottója:Egészséges emberi alapokra tud csak a természetfeletti ráépülni. (Dr. Székely Ilona)Ha valakit nem tisztelsz, az nem találhat utat a lelkedhez. És bár úgy rossz, mint jó tettekkel is ki lehet vívni a tiszteletet, álszentséggel és képmutatással soha - az csak megvetést érdemel. (John Vermeulen)Megjelent cikkek:https://24.hu/belfold/2025/03/30/domjan-mihaly-pszicho-csaladterapeuta-hazassag-valas-megmentes-interju/https://www.baon.hu/helyi-kozelet/2023/02/tobb-szazezren-hallgatjak-dr-domjan-mihaly-felegyhazi-pszichologus-podcast-sorozatathttps://marieclaire.hu/tag/dr-domjan-mihaly/Amennyiben a blogbejegyzések és a podcast-ek értéket képviselnek számodra, mi több, a továbbiak elkészítéséttámogatni szeretnéd, akkor azt a Patreon oldalamon is - https://www.patreon.com/drdomjan - meg tudod tenni. Hálásan köszönöm!Web: https://drdomjan.huFacebook események: https://www.facebook.com/dr.domjan/eventsInstagram: https://www.instagram.com/dr.domjanThreads: https://www.threads.net/@dr.domjanLinkedin: https://www.linkedin.com/in/mihály-dr-domján-44858b182TikTok: https://vm.tiktok.com/ZMR2J3pxD/Spotify: https://open.spotify.com/show/4HVpq9E2g9GAIEioAvgwTpYouTube: https://www.youtube.com/playlist?list=PL2FlXHb9iN2nfXxbaaBTRSxbTZBSb-3L0Apple Podcasts: https://podcasts.apple.com/us/podcast/dr-domj%C3%A1n-mih%C3%A1ly/id1507862497?ign-mpt=uo%3D4Anchor: https://podcasters.spotify.com/pod/show/dr-domjanRadioPublic: https://radiopublic.com/dr-domjn-mihly-G2rlZvBreaker: https://www.breaker.audio/dr-domjan-mihalyOvercast: https://overcast.fm/itunes1507862497/dr-domj-n-mih-ly@dr.domjan @zakaranita
4 - Kalózok elől bujkáltak a luxushajó utasai - vonalban Mihály Attila légi és tengeri szállítmányozási osztályvezető by Balázsék
2025. március 31., hétfő 6:30-8 óra Események, név- és születésnaposok, lapszemle, tőzsdei összefoglaló. BUDAPEST, TE CSODÁS - fővárosi rovat. dráguló tömegközlekedés, agglomerációs ingatlanpiac, új fővárosi híd, Time Machine Budapest. ÉBRESZTŐ TÉMA: Több mint félmillióan élnek kizárva az ország vérkeringéséből. Az Egyensúly Intézet 2024-es kutatása alapján 2,5–3 millió magyar él szegénységben. A megoldás nem kizárólag a szociálpolitika feladata: a szegénység csökkentésének és a társadalmi mobilitás erősítésének leghatékonyabb eszköze a nélkülözők segítése abban, hogy a munkaerőpiacra visszatalálva stabil, a méltó életvitelhez elegendő jövedelemhez jussanak, és kitörhessenek a szegénység csapdájából. Marek Bertram, az Egyensúly Intézet elemzője - kutatója. HETI KITEKINTŐ: Euróromlás és amerikai melósok. Az euróövezetben publikálásra kerülő adatok közül a legnagyobb izgalmakat a márciusi infláció előzetes gyorsbecslése okozhatja. A publikálásra kerülő adatok kitétel most igen fontos, mert egyéb tekintetben április 1-én jár le Trump elnök kölcsönös vámok kidolgozására kitűzött határideje a kereskedelmi minisztérium számára, amely szintén jelentős piacmozgató tényező lehet. Kovács Mihály, az OTP Elemzési Központ elemzője.
Comenzamos descubriendo el muy interesante proyecto Folk_ME, que, desde Hungría, nos sumerge en la interpretación de las músicas tradicionales, ofreciendo la oportunidad de escudriñarlas en profundidad. Nuestro invitado es Miklós Both, director de la Hagyományok Háza, (Casa de las Tradiciones), quien nos explica este proyecto y nos presenta tres fascinantes piezas provenientes de Ucrania y Transilvania. Disfrutamos también con novedades y adelantos que nos llevan por Hungría, Anatolia, Noruega, Bretaña y Gran Bretaña, homenajeando también al gran artista francés Gabriel Yacoub, recientemente desaparecido, con músicas del mítico grupo Malicorne. We begin by exploring the highly interesting Folk_ME project, which, from Hungary, delves into the interpretation of traditional music, offering the opportunity to examine it in depth. Our guest is Miklós Both, director of Hagyományok Háza (House of Hungarian Heritage), who explains this project and presents three fascinating pieces coming from Ukraine and Transylvania. We also enjoy with new releases and previews that take us through Hungary, Anatolia, Norway, Brittany, and Great Britain, also paying tribute to the great French artist Gabriel Yacoub, recently passed away, with music from the legendary group Malicorne. - Lajkó Felix - Hilarion halala - GisL - Iryna Slyvchuk, Iryna Tomkovych, Lilia Molodtsova, Olena Kushniruk, Viktoriya Vorontsova - Ne krychy, zhuravli, bo y ne lyuta zima - [Folk_ME] - Havasréti Pál, Mester László, Vizeli Balázs - Férfitánc zene Nagyenyed környékéről (Pontozó) - [Folk_ME] - András Orsolya Erzsébet, Enyedi Ágnes, Mihó Attila, Szabó Dániel - Gyergyói csárdás és sebes - [Folk_ME] - Ozan Baysal - Haydar Haydar - Tel ve ten - Jason Carter - I believe - In and out of time - Alan Stivell - Tri martolod - Liberté-Roazhon - Malicorne - La chasse gallery - Le bestiaire - Kvedarkvintetten - Stasgangar - Tagal - (Malicorne - Voici la Saint-Jean (ronde) - Almanach) Voz invitada: Guest voice: Miklós Both (Hagyományok Háza, Folk_ME) 📸 Havasréti Pál, Mester László, Vizeli Balázs (Folk_ME)
Tréningek, előadások, események, appok és a támogatási lehetőségek: https://linktr.ee/drdomjan Lazán és tudatosan podcast-csatorna: Zakar Anita műsorvezető és Dr. Domján Mihály pszichoterapeuta szakorvos, pszichológus, családterapeuta, mindfulnessoktató beszélgetése - @dr.domjan„Csak azért, mert a szüleid szeretnek és a legjobbat akarják neked, nem biztos, hogy az ő terveik a legjobbak számodra.” (Stephan Lee)„Előbb-utóbb - és tudom, hogy tinédzserek mellett ez az idő nagyon-nagyon hosszúnak tűnik - a gyerekeink kénytelenek egyedül felnőni, fejlődni, tanulni és érni. Nem vállalhatjuk át tőlük ezt a feladatot.” (Frances E. Jensen)
Akikben a jobboldali történetírás trianoni országvesztőket lát, azok egyúttal az első magyar köztársaság alapítói és az Ausztriától való függetlenedés szószólói. Születésük 150. évfordulóján mítoszok helyett a végére járunk, mik az érdemei, a hibái, egyáltalán a szellemi és politikai öröksége az őszirózsás forradalom két kulcsfigurájának, Károlyi Mihálynak és Jászi Oszkárnak.Vendégeink:Csunderlik Péter történészRomsics Gergely történészA Romsics Gergely vezetésével készülő “Trianon után” dokumentumsorozatot erre találjátok:https://trianonutan.hu/ A Politikatörténeti Intézet nyilvános tartalmait pedig erre: https://www.youtube.com/@politikatortenetiTámogasd te is a Partizán munkáját!https://cause.lundadonate.org/partizan/supportPéntek Reggel, a Partizán hírháttérpodcastja: https://pentekreggel.huIratkozz fel a Partizán hírlevelére:https://csapat.partizanmedia.hu/forms/partizan-feliratkozasFacebook: https://facebook.com/partizanpolitika/ Facebook Társalgó csoport: https://www.facebook.com/groups/partizantarsalgo Instagram: https://www.instagram.com/partizanpolitika/TikTok: https://www.tiktok.com/@partizan_mediaPartizán RSS: https://rss.com/podcasts/partizan-podcast/Partizán saját gyártású podcastok: https://rss.com/podcasts/partizanpodcast/További támogatási lehetőségekről bővebben: https://www.partizanmedia.hu/tamogatasFelhasznált forrás: Arcanum adatbázis (adt.arcanum.hu)
A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight on APEX Express Host Miko Lee continues the series on the Asian Prisoner Support Committee's campaign for justice for the APSC 4. The APSC4 are Ke Lam, Peejay Ai, Chanthon Bun and Maria Legarda. All are formerly incarcerated folx who have served their time and are currently incredibly valued leaders, advocates and healers in the community. They are also part of the staff of Asian Prisoner Support Committee and all are at risk of deportation. In our most recent episode we showcased an interview with all of the APSC4, in our upcoming shows we will center on each person's individual story. Tonight we focus on Maria Legarde. Thank you to the HHREC Podcast for allowing us to re-air a portion of their show, which will be linked in our show notes. Maria's story is also featured in the zine we was girls together by Trần Châu Hà. The zine is on display in the Walking Stories exhibit at Edge on the Square in San Francisco Chinatown until February 28th. For more information: Thank you to the HHREC Podcast for allowing us to rebroadcast part of their interview with Maria. Asian American Histories of Resistance timeline For tickets to Edge on the Square event APSC 4: https://action.18mr.org/pardonapsc3/ APSC Website: https://www.asianprisonersupport.com/ APSC Donation Page: https://donate.givedirect.org/?cid=13… APSC Get Involved Page: https://www.asianprisonersupport.com/apsc-4 Appreciation to the HHRC Podcast: https://www.youtube.com/@thehhrecpodcast83 Twitter: / asianprisonersc Facebook: / asianprisonersupportcommittee Instagram: / asianprisonersc SHOW TRANSCRIPT: APSC4 Part 2: Maria's Story Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Ayame Keane-Lee: [00:02:01] Thank you for joining us tonight on Apex Express. Welcome to the second part in our series on the Asian Prisoner Support Committee's Campaign for Justice for the APSC4. The APSC4 are Ke Lam, Peejay Ai , Chanthon Bun, and Maria Legarda. All are formerly incarcerated folks who have served their time and are currently incredibly valued leaders, advocates, and healers in the community. They are also part of the staff of Asian Prisoner Support Committee, and all are at risk of deportation. You can help today by urging Governor Newsom to pardon APSC4, and protect them from deportation, which you can find the links for in our show notes. In our most recent episode, we showcased an interview with all of the APSC4. In our upcoming shows, we will center on each person's individual story. Tonight we focus on Maria Legarda. Thank you to the HHREC podcast for allowing us to re-air a portion of their show, which will be linked in our show notes. Maria's story is also featured in the zine we was girls together by Trần Châu Hà. The zine is on display in the Walking Stories exhibit at Edge on the Square in San Francisco Chinatown until February 28th. You can come view the zine in person at the Walking Stories closing event, arriving with our stories on February 28th, 2025, at Edge on the Square in San Francisco, Chinatown, from 6 to 8 pm. Co presented by Asian Americans for Civil Rights and Equality, Asian Prisoner Support Committee and Edge on the Square, featuring readings from Asian Prisoner Support Committee's recent anthology, Arriving, Freedom Writings of Asian and Pacific Islanders, along with a panel discussion with the APSC4. Maria's story, the one we'll hear tonight, that is also featured in the exhibit, echoes the broader themes of the Arriving anthology, Where AAPI community members share their journeys through criminalization, deportation, and reentry. These narratives expose the deep entanglement of the prison and immigration systems while humanizing and making visible the resilience of those impacted. The link to RSVP for the event will be included in the show notes, where you can also choose to donate 25 and receive a copy of the anthology. this event marks the closing ceremony of the yearlong exhibition walking stories, but also a commitment to the ongoing work to center the voices and stories of system impacted individuals through the oral testimonies of those still incarcerated and the panel discussion with community leaders of APSC4, a space where storytelling is not just a practice of remembrance, but a demand for justice and an ongoing continuing call to action is created. So join us at arriving with our stories on February 28th, 2025, from 6 to 8 PM at Edge on the Square, 800 Grant Avenue, San Francisco, California. Find the full details in our show notes and at edge on the square. org. Now let's listen to Maria Legarda share her journey content warnings for mentions of sexual violence, substance abuse, death, incarceration, and trauma. Maria Legarda: [00:05:10] So I grew up in the Philippines, with my grandparents. My first years had the fondest memories there. Couple of years later, we moved to our new home. Had my baby brother and we moved and a couple years later, my sister was born. She had a medical condition when she was born and I saw the change in our household. You know, as she got older, her condition worsened and it took a toll on our family slowly. I withdrew from my folks, detached and I, I built a resentment towards my parents. I was young, this is what we used to have. And this is what's happening now, what's going on. You know, there was no emotional support when we were growing up, me and my brother. The focus was, Trying to get my sister better, you know, but I was young, I was young, and my brother was young for us to understand, you know, what was going on in our household, and, that started the separation between me, my parents, It was tough growing up, I'm the eldest and so I had to be responsible, you know, for my younger siblings and I didn't know. I didn't know what to do. so. When I got older, you know, my dad urged me to go to the U. S., you know, years where our family was in debt. And when I came to the U. S., I saw the opportunity to help my parents actually get out of debt, and help them. I didn't know the cost, the burden that it's going to cost me. being in a different country, and supporting my family alone. And I did everything that I could to help my parents and my siblings, not be in poverty. Not live day to day and have a future for them. but at the same time, being a young adult in America, when I immigrated here, it was after 9/11. So there was a lot of, society was different at that time and finding my place during that time was hard, you know, and I was alone, I was working hard. I was stressed, you know, I didn't have much help. ,and that started the drug use. it was hard for me to assimilate into a culture that it just looks, it's great. You know, being free and being able to experience a lot of different things, but deep down, I don't know how to, Find my place here. You know, I didn't have friends and I have my cousin, And I was dealing with a lot of the tension at home, too You know my mom dealing with my sister's death She passed away Dealing with the money issues dealing with her marriage I was her emotional support, and as a young adult, I don't know how to provide that for my family. And so the drug use became my coping here in a new country with new friends, and I just got tired of being hurt and being pain and, you know, the trauma of losing my sister. How do I deal with that? Losing my family because we were lost, you know, with her. And how do you cope from that? Drugs became my coping. I was numb. I was happy, you know, because I didn't hurt anymore. and, you know, being alone here in the U. S., I turned to online chatting. That's where friendships, I found friendships in there. I was very young and naive and, You know, I met a man online who said all the right things, words, that I felt loved and cared for, for somebody like me that was so desperate for emotional connection and just to feel loved that was huge for me to find that one person to give me that attention. And so for six months, you know, I felt I was at the happiest in my life because I had somebody to turn to, I had somebody to talk to. And, I felt that I, you know, I have somebody with me that understands what I'm going through, um, when my own family is not there for me because they're too busy trying to take care of their own needs. And, um, you know, we started talking and, after six months, he promised to, um, take me out on a date. and when we met, um, it was fun, you know, for the first time seeing somebody behind, you know, the, the conversations and seeing him in person, it was nice. It's real. Right. And, you know, everything happened so fast at that time that, I was excited, but then there's that fear and, you know, we were on our way to where we were going at, you For our first date and he veered off to a hotel and, you know, in my inexperience you know, I was hoping that, okay, why are we veering off to this? This wasn't part of what we talked about, but things were happening so fast and I was engaged in the conversations and what we're going to do, or we're just going to go and see. And, you know, I was very vulnerable and I went with it. And before I knew it. I was at the hotel, you know, with him and, I was hoping and praying that nothing bad would happen, but unfortunately, you know, I was alone and knowing that it was just me and him soon enough, the inevitable would happen. And our first meeting, our first date, I was raped, you know, and, all the signs were there, you know, that desperate for that human connection and that, you know, I trusted him. I trusted him that, you know, he was a good person, but it happened, after that I went home and I told myself that it didn't happen. Pretended that it didn't happen. my mind and my body just disassociated, you know, from what just happened and, you know, went to bed the next day, went to work, like it never happened, like nothing happened. That intensified my drug use. It was my way of coping. Every time I hurt, every time I'm in pain, I feel pain, I feel hurt. I turned to drugs because it made me numb and it made me function. You know, I am able to function and continue on with the next day. Why? Because I have a family who's waiting for me, that depends on me, and I need to take care of them. and that's how it was for me. For the next months, few months later, I found out that I was pregnant from the rape. And when I found out I was pregnant, I stopped using. You know, I was torn and at the same time I was still hoping there was still that small hope that what I had with him was real and I was suffering. Now I know that back then I was suffering from post traumatic, battered women's syndrome. I never got help from what happened that day. and so with the baby I have this, thought that maybe if he knew that I was pregnant, that he would come back to me. That's how my mindset was. I wanted my rapist to come back into my life. That's how desperate I was, you know, was alone. And I wasn't in the right state of mind, you know, with deep in my addiction, not being able to think rationally. By the time I, I asked, you know, for help, I asked my parents if they could, um, come and visit me here in the United States. I didn't know how to tell my mom about my addiction, about the rape, that I just needed them and they couldn't be there for me. And with everything else that's going on in my life, I hit, finally hit my rock bottom and I relapse, I relapse and I used, and me using far along in my pregnancy. That night induced my pregnancy, um, induced labor. And so the following morning, I went into premature labor. Again, I was alone in my room when they induced labor. I was in my bathroom and I gave birth to my son. I got him, picked him up, wrapped him in a towel, and when he wasn't breathing, I panicked. Wrapped him in a towel and put him in the room. And after that I went to go take care and get ready for work. What am I supposed to do with my baby not breathing? got ready for work, called the cab so I can go to work. I didn't make it to work because um, the cab driver took me to the hospital because I was so pale and I lost so much blood. And, um, so I stayed in the hospital and later on, um, medical staff was there. and, you know, the cops were there and I was arrested, I was sentenced to 25 years to life, for the death of my son. I was 24 when I sat in the holding cell of California's biggest women's prison sitting there thinking, this is what. Life is going to be like for me. What is life going to be like for me? How did I get here, you know, and I was, I was in so much denial. You know, I was in so much denial I don't even know where to start. Because at that time, sitting there at that holding cell, I was still in a victim mode. You know, I knew I was responsible for the death of my son, but the extent of it, I couldn't even grasp the severity of how much harm I've caused. And for 14 years, I immersed myself in self help groups to make sure that I understood what happened that night, what happened at that time, you know, 25 years, there's no amount of punishment that I think would, would equate because I give that punishment to myself every single day. There's not a day that goes by that I don't think like, okay, today he would have been 19 years old. I wondered if he was playing basketball, would I take him to football games? Would I take him to baseball games? Like, what would it be like for him? You know, when my parents came to visit, Those were questions like my dad would want it to know, my mom would want it to know, and it's the big elephant in the room, we don't talk about it. But today, um, I hold, I am, you know, I hold responsibility, accountability for all my actions that led to that dreadful night. You know, when, when I went to board and I was found suitable, you know, one of the, one of the programs that, really helped me was, um, We're just to life, you know, forgiveness I have to find forgiveness in myself for what I've done for my past decisions in order for me to move on and make a difference in, you know, for people. If I wanted to help people, how am I supposed to help people if I can't even start healing within me? you know, took all the self help groups so I could have that understanding of where do I need to start in order for me to have a future and so that people around me, I wouldn't hurt anymore the people, those people that are around me. My family, my friends, even people that I don't know that when they see me, they wouldn't get scared of the person that they knew came from prison. You know, that was sentenced to 25 to life for killing her own son. I don't want to be that person. So. I took advantage of all the groups that, you know, were, were offered to us and I earned that second chance. when I went to board and to really deep, look deep in, deep down and where was that anger coming from? You know, why was it so hard for me to ask for help? And the biggest part that I learned was stepping out of denial, acknowledging that the rape happened, that it wasn't my fault, that I could overcome that and, I could take control back, you know, take that back and turn my life around and use that. You know, motivate myself to, find healing and forgiveness. Today I'm a re-entry consultant for APSC. I help folks that are coming home from jails, from prisons, from detention centers. I help them navigate, you know, in their re entry. You know, coming home from detention, so after I, you after I paroled from CCWF, I knew that I would be, I had an ice hold and I would be detained and ICE came and picked me up in CCWF in 2019. You know, the first day of being free, I was welcomed with shackles, with handcuffs and a waist chain around my waist chain. And, I was walking, you know, into a white van and I drove off to the Holding cell, the ice holding cell, and I was on the road for 72 hours back and forth because they, they have nowhere to, put me, all the ice facility detention centers were, I guess, they were packed and they have no room for me. So they finally made room for me and I was in the Delanto where I stayed for 11 months. And. You know, when I was there, I'm just like Bun said, once they get you there, they ask you sign the paperwork, you deport, or you want to fight your case. And I've met Anoop, Anoop prepared me, you know, for when that day comes, like I just needed to let them know that, no, you're fighting because you have people, the community, the family here fighting alongside you. And that's what I told them. I said, no, I'm not. signing, I will go through the process and it was very, it was a very different experience, you know, with being sentenced to 25 years to life than being told, you have to sign this paper because I'm deporting you back to your country because you're not a citizen. You know, they don't see the changed person. They only see the person that was not born here in the United States. They don't see the person that has a family in the community waiting outside that building. They only see a convicted felon that has an aggravated felony that's not a U.S. citizen that needs to get deported back to the country where they were born. So knowing that every day, and I've always said it, you know, every moment in detention center is like a cliffhanger moment. You'll never know when your day is going to be when you don't come back to the dorm and you get shipped off and get sent to a plane. And then next thing you know, the next phone call your family gets is that you're in a country where you don't know where you're going. So that's what it was like in the detention center. You know, it was the onset of COVID when I was able to file, a writ because of my medical condition. And by the grace of God, you know, with the community behind me, Anoop too, was very instrumental. I was released Friday when everybody was telling me that you're not going to get released. You know, the cutoff date, the cutoff time is six o'clock and you're not going to get released and you're not going to get a bond hearing. You're not going to you're not going to get released from here. There's just no hope for you. You know, that's what they tell us in, in detention, you know, there's the chances of us being released from detention. Once ICE has a hold of you is very, very slim. So for us, that's. small hope is really just a teeny tiny window for us. But it takes a community, you know, to work together to get us all out. And I have that support with Anoop, with APSC. So at six o'clock on a Friday, when they said that the judge is not going to rule today, you're going to have to wait. And the last, The last process already for people that were getting released were already done. There's, you're, that's it. You're not gonna get it. But 6:30 came. It was after count time. All the tablets in the detention center was ringing and it was a phone call for me and all I saw was my grandma on the other line saying that, she was crying, crying, hysterically crying. And so my heart dropped because I thought, okay, this is it. I'm getting deported, what I didn't know, was Anoop and my grandma were constantly in communication trying to get me out and the judge made a decision a little after six that before five o'clock Saturday morning, they are to release me. And, it took the community, you know, to get, to make that happen. And on April of 2019, I was released from Adelanto and I was released to Los Angeles. I couldn't, parole to San Francisco, to the Bay area because, um, of COVID shelter in place. Ayame Keane-Lee: [00:23:30] You are listening to 94.1 KPFA and 89.3 KPFB in Berkeley, 88.1 KFCF in Fresno, 97.5 K248BR in Santa Cruz, 94.3 K232FZ in Monterey, and online worldwide at kpfa.org. We'll be right back to Maria's story after we listen to “7,000 Miles” by Ruby Ibarra featuring Ann One. MUSIC That was “7,000 Miles” by Ruby Ibarra, featuring Anne One. You are listening to Apex Express. Now let's get back to Maria Legarda ‘s story. Phillip Winnick: [00:28:19] Um, Maria, how long did you know Anoop throughout this process when you were in the detention center? Um, and how did you manage to get to San Francisco? Maria Legarda: [00:28:31] So I've known Anoop since 2015, end of 2015, beginning of 2016, right before board. I needed to seek his advice about, you know, my ICE detainer and how long. Like what the process is going to be, if I choose to fight it, if I don't fight it. And around that time, you know, we just had a new president in the Philippines and what would it look like for me if I don't win my case? Like, what are the chances, you know? So that's how we started corresponding, 2015, I prepped for board and then, um, when I got out in 2019, Prior to that, 2018, we started, corresponding frequently, more frequently because, My board date, um, is coming up, and, you know, when they ask me about questions about immigration, like, what do I say, Anoop, like, because the board wants to know everything, just like Bun mentioned before. They want to see the big picture. If we grant you parole, what are you going to do? So when it comes to immigration, like, what are your plans? So I have to have a realistic, it needs to be realistic for me. You know, there's no ifs and buts. I have to like, Anoop, what do I do? And if it's not possible, then I have to have a plan B, you know? So that's how we started corresponding and Anoop guided me in a lot of my preparation. and before I went to Adelanto, he prepped me step by steps on what it It's gonna look like for me once ICE picks me up and everything was on point, you know, they came and got me an R& R, I left around nine o'clock, the white van came and picked me up, I went to Fresno holding cell from there, they're gonna, assign me a, facility, you know, so that's how it started. And then when I ended up in Adelanto after 72 hours, they finally were able to locate me just like, when, you know, Anoop has a way of, you know, it's like a, you know, We have a GPS within us and Anoop just knows where to find us. So finally, you know, my grandma was telling me that Anoop told her that I was in Adelanto and, you know, later on I'm going to be in the system. And so, when I got there, everything that Anoop told me to, like, when you get there and they ask you for your signature, you tell them that, you're fighting your case, this is what's happening. You give them my number and, you know, so that's the step by step process. And, that's, that's how Anoop got me, situated when I got to Adelanto and in preparing for my, my hearing, he walked me through it too. from the Bay Area, I was all the way to like, what, San Bernardino County in Adelanto and he was guiding me every step of the way. He had some, The Advancing Justice LA kind of like helped me, you know, with representing. Um, so I have extra help, and then preparing for CAT hearing, preparing for, just, you know, the whole time that I was in Adelanto, I was in constant communication with Anoop. Sometimes it's not even about legal support, just emotional support. Like, okay. Anoop you have to, you have to just tell me. Tell me what I'm looking at. Tell me what I need to do. What are my next steps? What are my chances? And that really helped a lot, you know, stepping out of denial. That was my life story or, you know, I'm always in denial. And so this time, like, no, Anoop I need to know, like, what am I looking at? and so when. when it wasn't going, it didn't look well, you know, for me, as far as my hearing, it gave me all my probabilities, And I know what I need to do. So that's how we, I've always, um, until today, I still seek Anoop's advice about everything. you know, not being able to get my ID, like Anoop would be my next step, not being able to get, I said, some paperwork, some documents. So every step of the way in this whole journey, he's always been our, You know, emotional support, legal support, in everything. Anoop Prasad: [00:32:40] I think what's really amazing and special at APSC is I met most of the staff at APSC when they were incarcerated. And most of the APSC staff first met each other in prison, often when they were just kids. And I think that makes APSC just like such a special place. Um, and I met Maria through Nia Norn, who's our co director and met Maria at CCW Afton prison. Um, and I'd been writing Nia about her ICE hold and her deportation when she was serving a life sentence. and then she over mail introduced me to Maria and I started writing with Maria. and there's this ripple effect of hope and freedom from every person who gets out and Maria has helped so many other people and she got out, get out of prison and out of ICE and same with Bun.That's helped so many other folks in San Quentin and throughout the entire prison system get out. And so it's really amazing seeing folks come home and then come back to get other folks out. Phillip Winnick: [00:33:33] Yeah, it's incredible. Um, Maria, why don't you tell us about some of the experiences you had, um, helping people out with the APSC? Maria Legarda: [00:33:41] Oh, where do I start? Phillip Winnick: [00:33:43] Most memorable, I guess. Maria Legarda: [00:33:44] Yeah, the most memorable. you know, I've been sober for 20 plus years now and, one of my clients, um, when I introduced myself to her, I always introduced myself as a formerly incarcerated individual because I don't want them to feel that I'm, you know, most of my clients have had traumas and have been judged for a very long time. And I don't want them to think that I'm law enforcement or anything like that. And so I always tell them, oh, hi, my name is Maria and I'm formerly incarcerated. I served 14, 15 years and they're like, what? And so that opens up, you know the, the door and it becomes an easy conversation to have. And so when one of my clients, she told me that Maria, I'm 20 months sober. I was like, Oh, I'm so happy for you. And she's like, really? It's like, yes. Don't you know that it's an accomplishment? It's like, why? It's like, Oh my God, you just give me one day. I'd be the happiest person. And she said, why? Because I'm 20 years sober, 20 plus years sober. You're 20 months. You're going to get to where I'm at. And so that started that conversation and that just bond between us. She's, you know, she, she's worked hard and she needed some help in different aspects of, you know, her trying to get her life together. Like Maria, I need to get my kids. Um, I'm in the process. What do I do? It's like, okay, don't worry. We're going to find you some resources. We're going to find you some, help with the law clinics and see who can take your case. And we'll start from that. It's like, okay. she needs housing. We signed her up for a housing and, it didn't work out for her because she already participated in a similar program. So what we did was, okay, maybe we should start, you know, asking your CPS and this is what we're going to do. So having case plan goals in order for her to see what would best suit her, what she wants to do in life and what she wants for her kids. we worked on that, you know. and her desire to be a substance abuse counselor. The team, actually, I had talked to [unintelligible]. We need to help her get enrolled and she doesn't have, financially, she's struggling. She has three kids on coming back to her. You know, she's getting her custody, her three kids custody back. So, you know, her hands are gonna be full. we need to help her. What do we do? He's like Maria, enroll her. Like, I can? Like, yes, enroll her. I was like, really? I can enroll her? And to me, when my boss said I can enroll her, I was like, oh my god, that's like, you know, you're giving something. Like, that's a gift. It, it doesn't cost a lot, but that's her future. That's the kid's future. And her having, you know, a career after that. She's been on drugs for as long as she remembers, right? So that's the greatest achievement for her at that time to be a substance abuse counselor. And just like, Maria, can you please help me find a class and to be able to do that? That's why I'm doing the work that I do because if I can make a difference, even just by enrolling them, you know, what other programs do that? I don't know if they do that, out of their organization's pocket to sponsor somebody, you know, for higher education. So that was one of my memorable moments helping one of my clients get her classes to become a substance abuse counselor. Thank you. You know, and then the other one, we had one of our clients struggling with substance abuse and, his wife called me and she's not actually our client, but you know, we're all about family reunification. So if the wife, if the kids are having trouble and they have my phone number, they can reach out to us and we'll help them. Right. And she reached out and she felt really this burden of guilt because. Like Maria, I don't want to turn him in, but like he was drunk and being a, being a domestic violence survivor, right? I told her like, look, the first, that's the best, like, he's not going to be mad at you because you put your daughter's care and your care in your life first before anything and because I know he's a good father to her and a good man to you, besides that, you know, addiction, it creeps up on you and it crept up on him. And I said, you did the right thing. You did the right thing for him, because when the time comes, you were his accountable, accountability partner. So, you guys are both responsible for your daughter, and you did the right thing. And just walking her through that, because the guilt that was eating her up, because the whole family's mad at her because she put him there, she shouldn't have to go through that alone. You know, so, just taking the time, throughout the week and checking up on her. Do you need food? I can, we have pantry available for you. like, do you need diapers formula for the kid, for your daughter? Like, we have somewhere, a place that you can go to, to get some help in these trying times. And she's like, okay, Maria, I'm going. So other than the emotional support and you know, the, other things that she needs, just getting her through that toughest time, there's just no, there's no, amount of like, there's no satisfaction other than seeing a mother and the daughter being together and then now reunited with, you know, them reunited as a family. Phillip Winnick: [00:39:19] The feeling of you helping people who feel alone in a situation that you are similar to, and that you felt alone in, what is that feeling of being able to give these, these people somebody to talk to who have been through what, what they've been through? Maria Legarda: [00:39:38] You know, it feels good is not even like amount to it because, um, I always wondered what if somebody, you know, what if somebody took their time, you to ask me, like, Maria, is everything okay? I felt like that could have. You know, that could have made a difference. Maybe not, but I wouldn't know, right. Because of what I went through, but I don't want that to be me. So when people come my way, I, I encounter people and, you know, I get a sense of like, what's going on, you know, like what's going on in your life. Like, you know, to have a conversation and just get to know them just a little bit, Then that's when I know, you know, like, okay, this is what they're going through. So let me just walk them through it. Why? Because some people don't even know that they need that at that moment, at that time. You know, I, I didn't know that maybe, you know, if one of the lifer OGs, you know, and in the beginning of my time, if she didn't make an effort and say like, baby, you know, you can be more than just this around you. There's hope out there for you. And that, gave me that small window of hope that maybe there is a chance for me to get out of this place and see myself outside these walls, right? So when I encounter people and I know that they've been in situations, I don't know exactly what it is, I'll just give some time and just get to know, talk to them just a little bit. Just a little bit to see, like, what is it that you need? Maybe that's, you know, a few seconds would make a difference, right? So if that's what it needs, if that's what somebody needs, a few seconds of my time to deter them from making that one major, decision in their life that's gonna alter the course, right, of their life and go down that path that I went down on, like, that I've gone through, if I can prevent them from that. Then I did my job for that day, not my job, but I did what I'm supposed to do, you know, I felt like I went through all these obstacles in life because I have a purpose now, you know, and it's not about saving everybody, but just being there for that person at that moment when it counts. Ayame Keane-Lee: [00:42:01] We'll be right back after the next song, “GRLGNG” by Rocky Rivera. MUSIC You are listening to Apex Express. That was “GRLGNG” by Rocky Rivera. Thanks again to the HHREC podcast for allowing us to re-air a portion of their show. Let's get back to it. Phillip Winnick: [00:46:22] That's incredible. And I'm so happy for you that you found that for yourself. Why don't you, you were, you were talking about the support groups a little bit earlier. Why don't you, uh, tell me more about that? Maria Legarda: [00:46:33] Oh, so APSC, created, me and my director created, community and, re entry empowerment, which stands for CARE. It's APSC's first women's support group for formerly incarcerated women and transgender folks here in the Bay Area. And. You know, after years of incarceration, you know, navigating in, society, right, coming back home, transitioning into society, there's a lot of overwhelming experiences and obstacles that we all go through. And so I know a lot of people. Women need that support, but where do we get that support? So we've been in a lot of re entry groups, support groups, and men have it, like they have it it's, you know, it's available for them, but what about the women? And so when we started it, um, we started with 24 people, asking is this something that you're interested in? And majority of them said, yes, like, we need this because women wear many hats, you know, some are daughters, sisters, mothers, grandmothers, and there's a lot in their lives that they go through. and as formerly incarcerated, not everybody understands what it's like. So for us, you know, it's, we live right next to each other, right? If I need help and I need support, I'm going to knock on the door like, Hey, you got a few minutes. Like, cause I need to talk right now. Like, okay, come on. We'll walk down the yard, walk down and hash it out, talk and, you know, what's going on with you. It's like, I'm going through it. We can just talk. But now being out here, some live in the Bay area, some live in Antioch, some live in Pittsburgh, some live in Dinuba, some live up the mountains, like how do you find that support? Right? Some are tech challenged. They don't know how to zoom. They don't know how to FaceTime. So how do you do that? So we. made it possible for them, you know, to find, to have that space where we can meet every month and check in and see what's happening with it, with each other. You know, what's going on? What kind of support do you need? What resources do you need? Who do you need to get connected with? And, you know, being in that support group for six months, it's like I never left my sisters inside. You know, the bond that we formed, and I know Bun can, you know, relate to this, the bond that we formed, you know, in those walls, it just continued in that Zoom space, you know, and it, recharged, that motivation, that encouragement that we've always looked out for each other when we were inside. So now that we're out here, like, no, it doesn't mean that just because we're all out that we have to stop. So that space being created for us, we were able to reconnect and help each other out and playing phone tag and have text thread messages and emails. And so it just needed to get started. Like, no, this is what we're going to do. This is how we can be there for each other. And so the program was a success. You know, we graduated in December. We started with 24, but due to work conflicts, we graduated with 19 women, who participated and completed the program. We had three in person events. Their whole family came with us with a graduation. And the one thing we wanted for our graduates, our participants, is that to spend a weekend with their family without having to worry about, Oh my God, we're going to have to travel. It's going to cost us money. No. We wanted them to spend time with each other as a unit, as a family, because of all those years that they were separated. Right. And not only that, be in the same space with the sisters that they've left, that they've been celebrating Christmases for two decades that's how much time these women have spent with each other. And now that they're out, they just needed to find a place to, you know, have a reunion. But at the same time, continue what we have when we were inside. Cause it doesn't mean it has to stop. So now with the success of the program, We're getting emails and we're getting, you know, when can we start the next group? When can I participate? When can I come over? Am I going to be able to come to the Bay Area reunion? So there's that hope, you know, that they're not alone because, like we know now it's, you know, these are challenging and difficult times and we're here, you know, we we just. Don't leave any of our sisters behind we just come on we got you just like we've always had each other's backs. Ayame Keane-Lee: [00:51:18] You can learn more about Maria's story in the zine we was girls together by Trần Châu Hà. It portrays the story that you just heard along with more details. Maria's story is one of many. She's a survivor of gender based violence, forced to migrate to the United States due to the economic consequences of Western imperialism in the Philippines. Migrant women like Maria experience the compounding forces of colonialism, border exclusion, and economic exploitation in the United States, making them even more vulnerable to abusive relationships. In their attempts to survive, these women are usually met with criminal punishment rather than support or care. An estimated 94 percent of those in women's facilities are abuse survivors. In the absence of state sanctioned support, these women turn to one another, building their own networks of care and advocacy for each other's freedom. These networks illuminate the nature in which feminist care work is inherently a practice of racial solidarity between Black, Brown, Indigenous, and API women. The zine we was girls together, seeks to honor Maria's story alongside that of her community of incarcerated women, documenting their solidarity campaigns, mutual aid projects, and life affirming relationships to one another. Thank you so much for joining us. We hope you will have the opportunity to join the live event on February 28th and to take action in support of the APSC4. You can also find out more about Maria and the APSC4 in the Asian American Histories of Resistance Timeline that is both online and in augmented reality form in the gallery. This timeline spans from 1873 to present day. We have interviewed scholar Helen Zia on Apex Express multiple times. She talks about moments that are MIH, or missing in history. In the timeline, Acre, Asian Americans for Civil Rights and Equality, presents moments of our Asian American story that are MIH. One of those stories is about Maria. Apex Express is a proud member of ACRE, Asian Americans for Civil Rights and Equality. We are committed to fighting for a more just and equitable world. As Grace Lee Boggs said, We are the leaders we've been waiting for. Miko Lee: [00:53:26] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. APEX Express is created by Miko Lee, Jalena Keane-Lee, Preeti Mangala Shekar, Anuj Vaidya, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tangloao, Cheryl Truong and Ayame Keane-Lee. The post APEX Express – 2.13.25 – Arriving APSC4 Maria's Story appeared first on KPFA.
Pszichodráma és mindfulness - márciusban induló önismereti csoport KECSKEMÉTEN: https://www.facebook.com/events/2314723708889651Szomatodráma és mindfulness - márciusban induló önismereti csoport BUDAPESTEN: https://www.facebook.com/events/943557027892726Előadások, események, appok és a támogatásilehetőségek:https://linktr.ee/drdomjanIratkozz fel!Lazán és tudatosan podcast-csatorna: Zakar Anita műsorvezető és Dr. Domján Mihály pszichoterapeutaszakorvos, pszichológus, családterapeuta, mindfulnessoktató beszélgetése -@dr.domjanEpizód végén érintett két idézet:Legtöbbünk abban a hitben nőtt fel, hogy a harag a kontrollálatlan összeomlással egyenlő. A harag azonbanfontos figyelmeztető jelzés arra, hogy valami nincs rendben. Ha pedig hatékonyan kiaknázzuk, akkor erőt ad ahhoz, hogy helyrehozzuk a dolgokat.(Liz Fosslien)Általános igazság, hogy jelentéktelen dolgokon izgatjuk fel magunkat, mert nem merünk "kikezdeni" a nagyobb, komolyabb témákkal, amelyek tulajdonképpen bosszantanak. Morgolódunk azért, mert valaki felületesen mosogat, ahelyett, hogy megmondanánk, hogy már nem szeretjük ezt a bizonyos személyt. (Henrik Fexeus)Iratkozz fel!Amennyiben a blogbejegyzések és a podcast-ek értéket képviselnek számodra, mi több, a továbbiak elkészítéséttámogatni szeretnéd, akkor azt a Patreon oldalamon is - https://www.patreon.com/drdomjan - meg tudod tenni. Hálásan köszönöm! - Web:https://drdomjan.hu- Facebook események: https://www.facebook.com/dr.domjan/events- Instagram:https://www.instagram.com/dr.domjan- Threads:https://www.threads.net/@dr.domjan- Linkedin:https://www.linkedin.com/in/mihály-dr-domján-44858b182- TikTok:https://vm.tiktok.com/ZMR2J3pxD/- Spotify: https://open.spotify.com/show/4HVpq9E2g9GAIEioAvgwTp- YouTube:https://www.youtube.com/playlist?list=PL2FlXHb9iN2nfXxbaaBTRSxbTZBSb-3L0- Apple Podcasts:https://podcasts.apple.com/us/podcast/dr-domj%C3%A1n-mih%C3%A1ly/id1507862497?ign-mpt=uo%3D4- Anchor:https://podcasters.spotify.com/pod/show/dr-domjan-RadioPublic:https://radiopublic.com/dr-domjn-mihly-G2rlZv- Breaker:https://www.breaker.audio/dr-domjan-mihaly- Overcast:https://overcast.fm/itunes1507862497/dr-domj-n-mih-ly@dr.domjan @zakaranita
Tréningek, előadások, események, appok és a támogatási lehetőségek: https://linktr.ee/drdomjan Lazán és tudatosan podcast-csatorna: Zakar Anita műsorvezető és Dr. Domján Mihály pszichoterapeuta szakorvos, pszichológus, családterapeuta, mindfulness oktató beszélgetése - @dr.domjan Mostani mottó: Minden irányból remek tanácsokat kapunk, hogyan javítsuk az életünket: keressünk értelmes munkát, végezzük el ezt a nagyszerű edzést, menjünk ki a természetbe, kezdjünk el egy hobbit, csatlakozzunk egy klubhoz, járuljunk hozzá egy jótékony ügyhöz, tanuljunk új készségeket, szórakozzunk a barátainkkal és így tovább. És mindezek a tevékenységek mélyen kielégítőek lehetnek, ha azért végezzük őket, mert valóban fontosak és értelmesek számunkra. De ha ezeket a tevékenységeket elsősorban azért végezzük, hogy elmeneküljünk a kellemetlen gondolatok és érzések elől, akkor jó eséllyel nem lesznek túl kifizetődőek. Miért nem? Mert nehéz élvezni azt, amit csinálunk, miközben keményen próbálunk elmenekülni valami elől, ami fenyeget. (Russ Harris) Amennyiben a blogbejegyzések és a podcast-ek értéket képviselnek számodra, mi több, a továbbiak elkészítését támogatni szeretnéd, akkor azt a Patreon oldalamon is - https://www.patreon.com/drdomjan - meg tudod tenni. Hálásan köszönöm! - Web: https://drdomjan.hu - Facebook események: https://www.facebook.com/dr.domjan/events - Instagram: https://www.instagram.com/dr.domjan - Threads: https://www.threads.net/@dr.domjan - Linkedin: https://www.linkedin.com/in/mihály-dr-domján-44858b182 - TikTok: https://vm.tiktok.com/ZMR2J3pxD/ - Spotify: https://open.spotify.com/show/4HVpq9E2g9GAIEioAvgwTp - YouTube: https://www.youtube.com/playlist?list=PL2FlXHb9iN2nfXxbaaBTRSxbTZBSb-3L0 - Apple Podcasts: https://podcasts.apple.com/us/podcast/dr-domj%C3%A1n-mih%C3%A1ly/id1507862497?ign-mpt=uo%3D4 - Anchor: https://podcasters.spotify.com/pod/show/dr-domjan - RadioPublic: https://radiopublic.com/dr-domjn-mihly-G2rlZv - Breaker: https://www.breaker.audio/dr-domjan-mihaly - Overcast: https://overcast.fm/itunes1507862497/dr-domj-n-mih-ly @dr.domjan @zakaranita
Veľká časť spoločnosti bude vidieť na vlastnej peňaženke, že sa im darí horšie. Dôsledky konsolidácie tak Robert Fico pocíti aj politicky a preto určite zvažuje i možnosť predčasných volieb ako úniku pred následkami konsolidačného balíčka. Tvrdí to exminister práce, sociálnych vecí a rodiny Jozef Mihál. A dokedy bude udržateľná dnešná rozšafná penzijná politika?Je síce ešte len 21. januára, no prvé dôsledky vládneho konsolidačného balíčka už väčšina z nás cíti prakticky na každom kroku. Vládny balíček za takmer tri miliardy nám zvýšil sadzbu DPH na väčšinu tovarov i služieb, transakčná daň zasa ukrojí podnikateľom no a o krátky čas zaregistrujú mnohé rodiny i okresanie daňových bonusov na deti. Najväčšou obeťou vládnej podoby ozdravovania verejných financií sa pritom stali matky samoživiteľky, naopak za pomyselných víťazov by sa dali označiť živnostníci, ale i penzisti. Rozšafne nastavený penzijný systém totiž povedie k rekordne veľkej sekere v Sociálnej poisťovni. To, čo teda vláda uťahovaním našich opaskov na jednej strane získa, to na strane druhej prakticky okamžite minie na dôchodky. No a doslova za rohom nás čaká už ďalšie kolo ozdravovania verejných financií."V štátnom rozpočte je ešte stále obrovská sekera a určite musí prísť ďalší konsolidačný balíček a môže byť z pohľadu ľudí ešte horší. Zrejme sa už pristúpi aj k zvýšeniu sadzieb dane z príjmu a budú sa asi rušiť i nejaké daňové úľavy, tvrdí exminister Mihál. Obeťou sa podľa neho môže stať aj druhý penzijný pilier kde vláda môže opäť siahnuť k zásadnému zníženiu odvodov.Počúvate Ráno Nahlas, tentoraz o vládnej podobe konsolidácie verejných financií. S exministrom práce sociálnych vecí a rodiny Jozefom Mihálom. Pekný deň a pokoj v duši praje Braňo Dobšinský.
Veľká časť spoločnosti bude vidieť na vlastnej peňaženke, že sa im darí horšie. Dôsledky konsolidácie tak Robert Fico pocíti aj politicky a preto určite zvažuje i možnosť predčasných volieb ako úniku pred následkami konsolidačného balíčka. Tvrdí to exminister práce, sociálnych vecí a rodiny Jozef Mihál. A dokedy bude udržateľná dnešná rozšafná penzijná politika?Je síce ešte len 21. januára, no prvé dôsledky vládneho konsolidačného balíčka už väčšina z nás cíti prakticky na každom kroku. Vládny balíček za takmer tri miliardy nám zvýšil sadzbu DPH na väčšinu tovarov i služieb, transakčná daň zasa ukrojí podnikateľom no a o krátky čas zaregistrujú mnohé rodiny i okresanie daňových bonusov na deti. Najväčšou obeťou vládnej podoby ozdravovania verejných financií sa pritom stali matky samoživiteľky, naopak za pomyselných víťazov by sa dali označiť živnostníci, ale i penzisti. Rozšafne nastavený penzijný systém totiž povedie k rekordne veľkej sekere v Sociálnej poisťovni. To, čo teda vláda uťahovaním našich opaskov na jednej strane získa, to na strane druhej prakticky okamžite minie na dôchodky. No a doslova za rohom nás čaká už ďalšie kolo ozdravovania verejných financií."V štátnom rozpočte je ešte stále obrovská sekera a určite musí prísť ďalší konsolidačný balíček a môže byť z pohľadu ľudí ešte horší. Zrejme sa už pristúpi aj k zvýšeniu sadzieb dane z príjmu a budú sa asi rušiť i nejaké daňové úľavy, tvrdí exminister Mihál. Obeťou sa podľa neho môže stať aj druhý penzijný pilier kde vláda môže opäť siahnuť k zásadnému zníženiu odvodov.Počúvate Ráno Nahlas, tentoraz o vládnej podobe konsolidácie verejných financií. S exministrom práce sociálnych vecí a rodiny Jozefom Mihálom. Pekný deň a pokoj v duši praje Braňo Dobšinský.
O tym, jak obraziłam się na telefon, o papierowych mapach i o toksynach z mózgu, czyli o trendzie cyfrowego minimalizmu, który postanowiłam przetestować. Książki, które przeczytałam w tym temacie i wątków dookoła niego: Najbardziej polecam: „Wyloguj swój mózg” Anders Hansen„Złodzieje. Co okrada nas z uwagi” Johann Hari„Cyfrowy minimalizm” Cal Newport„Praca głęboka” Cal Newport „Niewolnicy dopaminy. Jak znaleźć równowagę w epoce obfitości” Anna Lembke- fajna, nie pomylić z tą poniżej, bo tamta jest słaba——„Dopaminowy detoks. Jak pozbyć się rozpraszaczy”- to ta słaba„Ekonomia uwagi. Jak nie przescrollować sobie życia?” Joanna Glogaza „Atomowe nawyki” James Clear „Skuszeni. Jak tworzyć produkty kształtujące nawyki konsumenckie” Nie Eyal Mężczyzna o imieniu Aza, który stworzył kod niekończącego się scrollowania to Aza Raskin. Nazwisko psychologa, którego nie umiałam odczytać to Mihály Csíkszentmihályi.Aplikacja do śledzenia swojego użycia mediów i telefonu: Opal Aplikacja do uproszczenia telefonu: Dumbphone Aplikacja do blokowania insta, która mi się nie sprawdziła: One sec Aplikacja-tinder dla zdjęć w telefonie: Picnic Aplikacja organizująca dzień: Structured
在蘋果公開宣布放棄造車之後,近來中國兩大手機品牌小米、華為竟成功投入造車產業,甚至讓盤踞車市的國際大廠紛紛敗退,實在令人嘖嘖稱奇。 中國電動車如何在短短十年內透過全球化佈局、代工模式,進而挑戰國際汽車大廠的地位?小米、華為迅速在電動車市場佔有一席之地的祕訣是什麼?而當傳統汽車品牌風光不再,淨零碳排的目標時間逐漸逼近,全球汽車產業在未來可能發生什麼樣的改變?台灣的汽車產業要如何因應? 主持人:天下雜誌總主筆 陳良榕 來賓:蔚來汽車共同創辦人、台灣MIH聯盟前執行長 鄭顯聰 製作團隊:李洛梅、劉駿逸 *訂閱阿榕伯科技電子報:https://bit.ly/42A6BWj *意見信箱:bill@cw.com.tw -- Hosting provided by SoundOn
Vedel/-a si, že každá žena môže vziať svoju plodnosť do vlastných rúk? V novej epizóde podcastu ksebe privítame gynekologičku Ivanu Francovú, ktorá sa venuje reprodukčnému zdraviu a sama podstúpila proces zmrazovania vajíčok. Spolu s Luckou z OZ Nádejná rodina, ktoré šíri osvetu o social freezingu, rozoberieme všetko, čo ti o tejto možnosti možno ešte nikto nepovedal. Kedy je ten správny čas? Ako prebieha celý proces? A prečo o tom niektoré ženy stále nevedia? Veríme, že tento podcast ti odpovie na tvoje otázky a pomôže predísť situácii, keď si povieš: „Prečo mi to nikto nepovedal skôr?“ Čo ťa na téme najviac zaujalo? Napíš nám do komentára! S Magdalénou Mihálovou z platformy ksebe sme sa pozreli na to:
An injured little bird needs to find a safe home, but will the trees of the forest come to her rescue? Find out in the charming tale ‘Why Evergreens Never Lose Their Leaves,' the latest episode of YourClassical Storytime — featuring narration by Valerie Kahler, illustrations by Nancy Carlson and music by Mihály Hajdú.
Biserica Sfânta Treime Sibiu - mesaj de încurajare și zidire spirituală, rostit de pastorul Mihăiță Dănilă, în data de 17 noiembrie 2024.
Biserica Filadelfia Sibiu - mesaj de încurajare și zidire spirituală, rostit de pastorul Mihăiță Dănilă, în data de 16 noiembrie 2024.
Biserica Albini Cluj - mesaj de încurajare și zidire spirituală, rostit de pastorul Mihăiță Dănilă, în data de 10 noiembrie 2024.
Pajor Tamás zenész, prédikátor, médiaszemélyiség, akit mindig is a provokáció vonzott. A Neurotic frontembereként az önpusztításnak, a Hit Gyülekezete prédikátoraként pedig Istennek kötelezte el magát, miközben egyet akart: hatni az emberekre. 1987-es megtérését a Rocktérítő című film örökítette meg, dalszerzői hatásáról pedig a magyar zene évtizedek óta tanúskodik. Most bejelentette harmadik életszakaszát is: jön a Pajor Tamás 3.0, aminek pontos mibenlétét életútinterjúnkban fejti ki. Az igazi punkságról, politikai kereszténységrőll, a Hit Gyülekezete és a Fidesz viszonyáról, imakommandókról, Németh Sándorról, Víg Mihályról, beszólásokról és pályatársakról, valamint a gázai háborúról is szó lesz az adásban. De az is kiderül, hogy Pajor miért lépett hátrébb a Gyülekezet vezetőségétől, és hogy miért tartja a gyerekeit az egyházbeli léte kárvallottjainak. Tartsatok velünk!Támogasd te is a Partizán munkáját!https://cause.lundadonate.org/partizan/supportPéntek Reggel, a Partizán hírháttérpodcastja:https://pentekreggel.huIratkozz fel a Partizán hírlevelére:https://csapat.partizanmedia.hu/forms/partizan-feliratkozasYouTube: https://www.youtube.com/@PartizanmediaFacebook: https://facebook.com/partizanpolitika/ Facebook Társalgó csoport: https://www.facebook.com/groups/partizantarsalgo Instagram: https://www.instagram.com/partizanpolitika/TikTok: https://www.tiktok.com/@partizan_mediaPartizán saját gyártású podcastok: https://rss.com/podcasts/partizanpodcast/További támogatási lehetőségekről bővebben:https://www.partizanmedia.hu/tamogatas
Elle fait partie des 50 coachs internationales les plus influentes, et elle nous livre ses meilleurs outils... Guila Clara Kessous nous parle de la notion de flow théorisée par le psychologue hongrois et américain, Mihály Csíkszentmihályi. D'après ses travaux, les personnes seraient plus heureuses quand elles sont dans un état de flow, un état de concentration ou d'absorption totale dans une activité ou une action. Extrait avant de découvrir l'épisode intégral.Vous aimez le podcast Mères et Les Louves ?Partagez avec nous votre commentaire avec 5 étoiles sur votre appli podcast : votre avis aide le podcast à remonter dans le classement, à vivre et à s'enrichir de nouveaux épisodes.Pour proposer un sujet ou un témoignage, écrivez à Marine sur contact@leslouves.com.
Read OnlineWhen they take you before synagogues and before rulers and authorities, do not worry about how or what your defense will be or about what you are to say. For the Holy Spirit will teach you at that moment what you should say.” Luke 12:11–12Jesus lived this Gospel passage in His own life to perfection. He was arrested, interrogated, falsely condemned and questioned by the Chief Priest, Herod and Pontius Pilate. During His interrogations, sometimes He spoke and at other times He remained silent. In preparation for these interrogations, Jesus did not study each ruler ahead of time, trying to figure out what He should say and not say. He did not prepare a defense but relied upon His perfect union with the Holy Spirit and with the Father to be led at every moment in His human nature.Though it may be unlikely that you will be arrested for your faith and put on trial for being Christian by the civil authorities, it is possible that you will experience various other forms of interrogation and condemnation at times during which you are challenged to respond. And more likely, if you are judged by another, you may be tempted to defend yourself in anger, attacking back.This Gospel passage, when clearly understood and lived, should have the effect of calming you and reassuring you during any and every experience of judgment. The Catechism of the Catholic Church states that “To avoid rash judgment, everyone should be careful to interpret insofar as possible his neighbor's thoughts, words, and deeds in a favorable way” (# 2478). And though you must always strive to do this yourself, there will most likely be times when others do not act in this careful and truthful way toward you. Thus, if you are judged by another, even if what they say has truth to it, it is important that you not react with defensiveness and anger, unless the Holy Spirit has unmistakably led you to do so. The key message Jesus gives is that you must trust that the Holy Spirit will always lead you as you humbly and continually seek to follow His every prompting. This is only possible if you have built a firm habit of attentiveness to the Voice of God within your conscience.Because the experience of rash judgment, detraction, calumny and the like are painful to encounter, you must prepare your defense ahead of time by learning to only rely upon the Holy Spirit in all things. Jesus exhorts us to do so! Therefore, if you daily and humbly seek to fulfill God's will, hear His voice, and respond with generosity, then you can be certain that when the time comes and you experience these forms of judgment, you will be ready. The Holy Spirit will speak to you, inspire you, console you and give you every grace you need to respond in accord with God's will. Do not doubt this. Have faith and confidence in these words and this promise of our Lord.Reflect, today, upon the ways that you have responded in the past to the judgment of another. Try to call to mind specific moments when this has happened. Did you respond with similar judgments? Were you filled with anger? Did you brood over injury? Did you lose your peace of heart? If you have fallen into these temptations, then commit yourself in faith to believe what Jesus says today. Trust Him. Trust that He will be with you in those difficult moments in the future and pray that you will be graced to respond only as the Holy Spirit directs you.My innocent Lord, You were put on trial, judged and falsely condemned. Yet in all of that, You were the Innocent Lamb Who always loved and spoke truth with perfection. When I experience judgment in my life, please fill me with peace of heart and trust in Your promise that the Holy Spirit will be with me, inspiring me and leading me in accord with Your perfect will. Holy Spirit, I abandon myself to You now and always. Jesus, I trust in You.Source of content: catholic-daily-reflections.comCopyright © 2024 My Catholic Life! Inc. All rights reserved. Used with permission via RSS feed.Featured image above: Christ in front of Pilate by Mihály Munkácsy, via Wikimedia Commons
In this episode of the Tennessee EMS Education Association Leadership Podcast, recorded during the 2024 TEMSEA Conference, we sit down with two prominent figures in the EMS industry—Chris Kelly, a seasoned healthcare attorney specializing in EMS-related law, and Matt Zavadsky, a leading expert in mobile integrated healthcare (MIH) and EMS system transformation. Chris Kelly shares his insights on the critical importance of thorough documentation, informed consent, and the potential legal pitfalls that EMS providers must navigate. Matt Zavadsky discusses the evolving role of EMS as a comprehensive healthcare provider, emphasizing the need for sustainable funding models and evidence-based system redesign.Listeners will gain valuable perspectives on how to protect themselves legally while also exploring innovative approaches to improving EMS services for the communities they serve. Don't miss this engaging and informative discussion that addresses both the challenges and opportunities facing the EMS industry today.EMS leaders listening to this podcast will take away several practical applications, including:Enhanced Documentation Practices:Leaders will understand the critical importance of thorough documentation in EMS reports. They'll learn to emphasize the need for complete narratives, proper patient signatures, and the documentation of pertinent negatives to protect their services from legal and financial repercussions.Informed Consent Processes:Leaders will gain insights into the importance of obtaining informed consent from patients who refuse treatment or transport. They'll be better equipped to train their teams on how to clearly communicate risks, care options, and ensure patients fully understand the implications of their decisions.Implementing Mobile Integrated Healthcare (MIH):The podcast will provide leaders with a clear understanding of how MIH can be integrated into their EMS services. They'll learn how to address challenges like hospital overcrowding and emergency service misuse by offering alternative care pathways through MIH programs.Advocacy for System Redesign:Leaders will be encouraged to advocate for the transformation of EMS from a traditional transport service to a comprehensive healthcare provider. This includes pushing for sustainable funding models, exploring alternative response options, and redesigning EMS systems based on evidence to improve service delivery.Risk Management and Legal Compliance:The conversation with Chris Kelly will highlight key areas where EMS providers are legally vulnerable, encouraging leaders to implement policies and training that minimize these risks. This includes regular audits of refusals and ensuring all EMS staff are well-versed in legal requirements.Strategic Communication with Stakeholders:Leaders will be inspired to engage with local and national stakeholders, including government officials, to push for necessary changes in EMS funding and policies. The podcast will emphasize the importance of communication in ensuring EMS services are recognized and reimbursed as essential healthcare services.
Chapter 1:Summary of Creativity"Creativity: Flow and the Psychology of Discovery and Invention," written by Mihály Csíkszentmihályi, is a detailed exploration into the nature, process, and cultivation of creativity across various domains. Csíkszentmihályi, who is also known for his development of the concept of "flow" — a state of heightened focus and immersion in activities — extends his research into the realm of creativity to understand how creativity can be fostered and what it contributes to life.In his work, Csíkszentmihályi embarks on an examination of creativity by studying the lives and workplaces of various innovative individuals across different fields such as arts, science, and business. He looks at patterns that signify creativity and identifies ways in which creative individuals find ‘flow' or are absorbed in their work with a kind of intrinsic motivation.The book defines creativity not simply as the mental ability to conceive new ideas, but as the process of actually bringing those ideas into reality. Csíkszentmihályi insists that creativity arises from a harmonious balance between personal skills and the challenges faced. When individuals engage in creative acts, they enter a state where they feel motivated and their skills are adequately engaged in overcoming challenges that the activity presents.Key tenets of his argument include:- The necessity of a domain: Creativity doesn't occur in isolation but as a part of a specific domain of knowledge like music, mathematics, or literature.- The role of culture: Cultural settings influence the acceptance or rejection of creative ideas, thus playing a crucial role in helping determine what is recognized as creative.- The systems model of creativity: Csíkszentmihályi introduces this model suggesting that creativity results from an interaction between a person and the systems in their field and culture.Through interviews and analyses, he also outlines the personality traits common among creative individuals. These include complexity, ambition, and a sense of humor amongst others. Moreover, Csíkszentmihályi discusses various impediments to and facilitators of creativity, providing insight into potential ways to enhance creativity in educational and professional settings."Creativity" extends beyond the psychological into practical suggestions and implications, making it a seminal work for understanding creativity both theoretically and pragmatically. It has become a cornerstone text for students and researchers interested in understanding the intricate dynamics of creative individuals and how creative expressions transform societies.Chapter 2:The Theme of CreativityCreativity: Flow and the Psychology of Discovery and Invention by Mihály Csíkszentmihályi is a deep examination of the concept of creativity, exploring its influence on science, art, business, and other fields of life. Rather than being structured as a narrative, the book offers an analytical perspective based on psychological research. Here are some key points on plot (development), character development (in this context, different types of creative individuals), and thematic concepts: Key Plot PointsSince this is a non-fiction analysis, it contains no plot in the traditional literary sense but rather builds on research and case studies. Csíkszentmihályi studies and presents the environment and processes that facilitate creativity, utilizing numerous real-life examples through interviews and research findings. Character DevelopmentIn this context, characters refer to the types of creative individuals Csíkszentmihályi elaborates on. He identifies several traits that are common among people who he considers to have high levels of creativity:1. Complexity: Creative people exhibit complex personalities that combine seemingly contradictory traits. For...