Podcasts about Gild

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. Title:  We Are All Connected Show Transcripts Opening: [00:00:00] Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express.   Ayame Keane-Lee: [00:01:17] Welcome to Apex Express. Tonight's show is June 19th. We are all connected. We are talking with Asian and Asian American Children's book authors. PowerLeeGirls host Miko Lee talks with Chi Thai and Livia Blackburne about the power of storytelling, maternal heritage, generational trauma, and much more. First, we want to start by wishing everyone a happy Juneteenth, Juneteenth commemorates, an end to slavery and the emancipation of Black Americans after the Civil War. In 1865, 2 years after the Emancipation Proclamation, enslaved people in Galveston, Texas finally learned of their freedom. Juneteenth marks the day the last enslaved people learned of their freedom. Though outright slavery became illegal, the systematic oppression of African Americans continues to this day. We see that show up in almost every aspect of American culture, from the high rate of infant mortality to the over punishing of Black children in schools, to police brutality, to incarceration. We must continue to recognize the importance of championing Black lives and lifting up Black voices. We are all connected. June 19th is also an important day in Asian American history. In 1982 in Detroit, Vincent Chin was at a bar celebrating his bachelor party prior to his wedding the next day. Ronald Ebens, a white auto worker, and his stepson Michael Nitz taunted Vincent with racial epithets. They thought he was Japanese and were angry about the Japanese rise in the auto industry. When Vincent left the bar later, the two men attacked and killed Vincent with a baseball bat. He was 27 years old. Ronald Ebens never did time for this murder. Ronald Ebens is 85 years old now. Ebens not only skirted prosecution, he has used bankruptcy and homesteading laws in Nevada to avoid a wrongful death civil suit settlement. Ordered by the court in 1987 to pay $1.5 million to Chin's family, the Chin estate has received nothing. Lily Chin, Vincent's mom could have stayed silent about the racist attack on her son. Instead she spoke out. She took a courageous stance to highlight this most painful moment in her life. In doing so, she helped ignite a new generation of Asian American activists working for civil rights and social justice. We find ourselves in a new wave of activism as our communities band together to work against the injustices of the current regime. And what does this have to do with children's books? It is all connected. We highlight children's books by Asian and Asian American authors because we want our next generation of children to know and appreciate their own heritage. We want them to proudly represent who they are so that they can work in solidarity with other peoples. Our struggle is interwoven. As Grace Lee Boggs said, “History is a story not only of the past, but of the future.” Thank you for joining us on apex express. Enjoy the show.   Miko Lee: [00:04:24] First off. Let's take a listen to one of Byron Au Young's compositions called “Know Your Rights” This is part of the trilogy of the Activist Songbook. This multi-lingual rap, give steps to know what to do when ICE officers come to your door.    MUSIC   That was “Know Your Rights” performed by Jason Chu with lyrics by Aaron Jeffries and composed by Byron Au Yong Welcome, Chi Thai to Apex Express.    Chi Thai: [00:07:13] Hello. I'm really happy to be joining you, Miko.  Miko Lee: [00:07:16] I'm really happy to meet you and learn about you as an artist, as a filmmaker, as a children's book author. And I wanna first start with a personal question, which is, who are your people and what legacy do you carry with you? Chi Thai: [00:07:30] Ooh, what a great question. You know what? I love being asked stuff that hasn't been asked kind of before. I mean, there's a kinda really kinda natural answer to that, which is, you know, family are my people. Of course. 100%. And certainly, you know, the reason why I'm talking to you today, you know, in regard to the, to the book, you know, it's about my family's journey. But I found, and I don't know if this is. Somewhat to do with, you know, being a child of two cultures and you know, being a child of the diaspora that you really have to kind of find your own family too. 'cause I suppose I grew up feeling, I didn't quite relate to maybe my parents in a way that, you know, you normally would if you weren't part of the diaspora. And I felt estranged from my birth country and I didn't really feel like British either a lot of the time. So in terms of like, who are my people? I've gathered those people as I've kind of grown up and it's, it's a kind of strange feeling too. I feel like it's taken me a really long to grow up and to figure out who I am. And I suppose that's why, you know, the people that I have a really, a lot of people that have come, kinda later in my life, I actually have no friends in my childhood as an example of that. I've had to kind of find these people as I've grown up, but it's taken me a long time to grow up because growing up in the UK there wasn't any literature to read about what it was like to be Asian. And British, to be a refugee and things like that. So it just took me longer and I then, as a result, it just took me longer to find my tribe. but I have it now, but it's still work in progress. That was a very convoluted answer. I'm very sorry Miko.    Miko Lee: [00:09:15] No, it wasn't. No worries. It's fine. And what legacy do you carry with you?   Chi Thai: [00:09:19] Kind of an extension to that answer, I think when you're an artist, practicing your voice, figuring out your voice, can take a while. And I think I've only really started maybe the last like five to 10 years at the most really figured out what I want my legacy to be. The things I wanna talk about are really about s tories from the diaspora, certainly, and about community and healing. These are the things I think that are really important to me, especially when we talk about maybe coming from struggle. I don't feel it's enough to be an artist today and just talk about struggle. I want to talk about justice as well. And justice really is about healing, you know?    Miko Lee: [00:10:00] Oh, that's beautiful. Can you talk a little bit more about that healing and what that means to you and how that shows up in your work?    Chi Thai: [00:10:07] A couple years ago, no, not even that long ago, I produced a, a feature film. This is probably the best example for it, but I produced a feature film called Raging Grace, which we called it Horror with a small H and it. Basically took the story of what it was like to be, undocumented Filipina in the uk who was also a mother. And I think if that film had been made 10 years ago, it would just shown how hard her life was, and unrelentingly. So, and I think the reason why Raising Grace is so special is it goes beyond the trauma, it takes us to a place of justice, of being able to speak out for someone who has felt invisible, to be visible for someone who's not. Had a voice, to have a voice and to begin that kind of healing process of sticking up for herself, making a change transforming herself from maybe the good immigrant to the bad immigrant and things like that. I think that's a really great example and I think I read a really wonderful thing. It might have been in a Guardian article where we, so a lot of my work is around, inclusion representation of like diasporic stories. And I think when you have, when you exist in the poverty of like representation, I. the solution to that is plentitude. I think that Viet Thanh Nguyen probably said that, so I don't wanna take credit for it. He comes up with so many wonderful things, and that's a wonderful thing to be able to move from poverty, like to plentitude and that be the solution, is kinda really wonderful. So I enjoy being really prolific. I enjoy supporting artists to be able to do their work. So as a community, we can also be prolific and I wanna support, narratives that. Take us beyond a place of struggle and trauma to a place of like healing and justice and so forth.    Miko Lee: [00:11:57] Your work crosses so many genres. You were just mentioning how that film was kind of a horror film and, and then you've done these kind of dreamy animation pieces and then now this children's book. Do you select the genre and the format and the medium, or does it select you?   Chi Thai: [00:12:16] Oh, I think the story chooses it. I like 100% believe that. I just actually was thinking about this 'cause I was doing an interview on something else, people, often ask about the creative process and I, can only speak for my own. But usually when I get an idea for a story, the general shape of it comes almost like really well formed. There's a sense of a lready kinda what genre it'll be. There's a sense of the character, there's a sense of the journey and all these things. I felt the same about, writing The Endless Sea I knew it would be from the voice of a child. This probably sounds like my creative process is terrible, but it was just. This is how it was going to be. That kind of part was writing itself, or at least I feel that it'd been writing itself like that in my subconscious for many, many years before it kind of surfacing and writing. Like the writing bit is just the tip of the iceberg at the end of the day. there wasn't like a kind of decision about that. the story in that sense was quite intact. So I often feel like the story is demanding something about kind genre and for, for Raging Grace 'cause I've talked about this a lot, not just in listen to me, but other things. But we always said like if you are an an undocumented person, every breath you take is taken in a hostile environment. It's so natural for it to be a horror. So there's not a sense that you kinda decide that it's like that is the very reality of someone who's going, you know, that's their lived experience. And if you're going to represent that truthfully, it will be through the prism of horror. And I suppose that's how I think about genre. the story is kind of telling you what it needs to tell its emotional truth. and I felt that way, with The Endless Sea same thing with the Raging Grace, with Lullaby. And I think you talked about The Promise, I suppose I, with The Promise, which is an adaptation I had less choice about that because that was a book and it was a adapted into an animation. I've heard Nicola, who's the author of the book, talk about that and she talks about like the story coming to her in a dream and tiptoeing down her arm coming onto the page, she like describes it really beautifully. so maybe our processes are the same. It feels that way. there's not long deliberations. I mean, that's not to say the writing process isn't difficult. It is. But that, I've never found the, [genre] the difficulty or the bit that's required a lot of, I don't know soul searching with it.    Miko Lee: [00:14:28] So with that being said, how did Endless Sea your latest children's book? How did that tiptoe into your imagination?    Chi Thai: [00:14:36] This is a strange one because this is probably the closest thing to like, almost autobiographical work. What I can say is like, it's the true story o f how I and my family, which would've been at the time my mom and dad, my older sister, me, how we fled Vietnam after the fall of an Saigon. we actually left quite late we left in 1979 w hen things were tr were getting truly, truly, truly, quite terrible. And, this was very much a last resort. I think my parents would try to make things work, but realized that they couldn't. This journey that we took on these, boats that were made badly, made poorly, that many of which sank has become almost like the genesis story of our family. It's like it's a big, it has a long shadow, right? Ever since you know I, it is like the first story that I can remember. It's one of the few stories my mom would tell me again and again when we, when they see their old friends, it's something they talk about. So it's something that has happened to it to us, but it's such a big thing that it's just, echoed In my life growing up, as I've you know, got older and older, and the wonderful thing about having a story kinda live with you eventually it's in your blood and in your bones, but also if it's a thing that's kinda shared with you again and again, you actually build up this, there's something about the repetition of it, and then every time you hear it told from an uncle or a family friend or from your mom, a new little detail is embroidered that someone adds. So I've kinda lived with this story for 40 plus years and I've been collecting all these little things about it all this time and all that time it was, I think, kind of just writing itself, you know? You know, it was doing all that work before I actually put like pen to paper. Um, yeah.    Miko Lee: [00:16:31] Was there a catalyst or something that made you actually put the pen to paper?   Chi Thai: [00:16:36] That's really interesting. You know, I probably don't mind it is probably something really banal like. I think I probably wrote it during Covid and I had more time. Um, I think there are probably be some bigger forces in place. And you know what, I can tell you what it is actually if I'm, I'm forcing myself to think and examine a bit closer so when this is totally true. So I remember hearing the news about Viet Thanh Nguyen win winning the Pulitzer for The Sympathizer. And it made such a mark on me and I kind of felt, wow, someone from our community has achieved this incredible thing. And I thought, why? Why now? Like, and I was like, well, you know what? It's probably taken our community certain amount of time to come of age, to develop not just the abilities to write, to create, to make art, but also to have possibly the relationships or networks in place to be able to then make the art and get it out into the world. And I kind of felt when he was able to do that and came of age, I kind of felt there was going to be like other people from the kind of diasporic Vietnamese community that would also start to flourish. And that made me feel really good. About probably being a bit older than the average kind of artist, like making their, kinda like their pieces and everything and saying, you know what? My time can be now. It's okay. And I just find it just really inspiring that, you know our community was kind of growing, growing up, coming of age and being able to do these, these things And I kind of felt like it had given me the permission, I suppose the, the confidence to go, “Oh this story that I've been carrying my whole life, which I don't really see a version of out there I can write that and now I can write it and I'm the right person to write it.” And I had just done The Promise so I had a relationship with Walker. I was like, I have a, you know, a relationship with the publisher. I feel my writing is matured. Like I can do this. And so it was like a culmination and, you know, convergence of those things. And, but I do remember having that thought thinking, “This is a good time to be alive in our community 'cause we're actually able to make our art and get it out there now.” I, I felt it was like a real watershed moment really.   Miko Lee: [00:19:11] What made you decide to do it in this format as a Little Kid's Children's Illustrated book? We were talking earlier about how to, to me, this is the first more realistic version of a boat people experience in a very little kid's voice. What made you decide to do it in this style?    Chi Thai: [00:19:33] So interesting. At the same time, I was writing The Endless Sea. I was writing also the script for a short film, which is called Lullaby, which is takes an incident that happened on my boat but expresses it as a film, as a little kinda horror kinda drama, but a kid cannot watch that. It's like too terrifying. Um, and I wrote, you know, The Endless Sea at the same time. And again, I can't, it's really hard for me to articulate. I just knew it was gonna be a kid's book, like, and I knew it'd be written from the voice of a kid, and I didn't actually, can I say I didn't even ascribe a particular kind of value to that. It wasn't until I had started conversations with the publisher they're like, you know, we see like there's a really high, like this is really great that it's written in the voice of the kid. It somehow gives it something else. Something more is something kind of special. I didn't set out to like, overthink, like what was the most effective way to tell this story? I, I think I just told the story as honestly as I could, you know, with the words that I felt that, you know, I had in me to de, you know, to describe it. In the most authentic way to, to me. And like I say, at the same time, I knew, like I knew that was a kid's book. There was another part of that I wanted to express that was really important to me and that was survivor's guilt. But that I felt was like, that was a horror, so that was really not gonna be suitable for kids. So I was definitely thinking about lots of things to do with the same subject of the same time, but they were definitely being expressed in different ways. And again, Lullaby came to me very kind of quickly, almost fully formed. And I knew, you know, it would be a ghost story. I knew it would be the story of a mother and things like that. And I often maybe, you know, I should, I, I should interrogate more, but I kinda, I take these kinda. These ideas, which are quite well shaped and, and then I just like lean into them more and more and more. But they, the way they arrive it, I've kinda, I, I can see a lot of what is already about to unfold.   Miko Lee: [00:21:43] And do you still dream about that experience of being on the boat as a kid?    Chi Thai: [00:21:52] It's, it's a really difficult thing to explain because you know that that happened now so long ago, and I've probably heard the story thousands of times. I've watched all the terrible Hollywood movies, I've seen all the news clippings, I've watched all the archive. I've listened to, you know, people talk, and I have my own memories and I look at photographs and I have memories of looking at photographs. I feel like, you know, my memory is really unreliable, but what it is instead is it's this, this kind of, kind of tapestry of, you know, of the story of memories, of, you know, images as I grow up of hearing the story, like all coming together. One of the things I did when I wrote, I wrote The Endless Sea, is I then went back to my mom and I did a recorded interview with her 'cause I was really worried about how unreliable my memory might be. And I interviewed her and I asked a lot of questions and I said, and I, it was like, you know, in the way I would've just like listened to the story quite passively before this time I interviewed her and I asked a lot of questions about details and all sorts of things. 'cause I really wanted to be able to represent things, you know, as factually as I could. And that was kinda one of my kinda kind of fact checking kinda exercises I did 'cause I was, I was much quite worried about how unreliable my memory was about it all. And you know, what is, what is a memory of a memory of memory, like, you know, especially when it comes to thinking about that time on the boat and the feelings I had. Yeah. So, you know,    Miko Lee: [00:23:34] and you were so young also to    Chi Thai: [00:23:37] Totally 100%. And sometimes, I don't know, you know, is it a memory of a memory? Is it a dream of a dream?   Miko Lee: [00:23:44] Mm-hmm.    Chi Thai: [00:23:44] Or just some, yeah.   Miko Lee: [00:23:46] Was there anything that your mom said that surprised you?    Chi Thai: [00:23:50] Yeah. Um, she didn't realize how bad it was gonna be and she was like, “God, if it, I'd known how terrifying it was I dunno if I, we could have done it.” I think there's a certain amount of naivety involved and I suppose that surprised me. You know? 'cause we know already now how bad it was. Um, so things like that surprised me.    Miko Lee: [00:24:15] and your mom, the dedication of the book is to your mom. What does she think when she first read it?    Chi Thai: [00:24:22] I've got a funny story. My parents, you know, they, we left, they were in their early twenties and I think it was, you know, the escape was hard for them, but settling in new country was really hard for them. That's. That's been kind of their struggle. They had to work so hard, so many hours to kind of, you know, give us a great life. And, I think a lot of that meant they weren't people that could go out, enjoy, enjoy movies, look at art, read lots of literature and things like that. They're very, very simple, very working class. Simple life or working class kinda life. Very much all about, uh, the work. Um, and I remember when I had a, the publisher had made like a mockup of the book and I gave it to my mum to read 'cause I wanted her to be happy about it too, and she's probably been my toughest critic. I think everything I've done, she hasn't really liked, to be honest. Um, and when I gave her the mockup to read. She went, “Yeah,” but she said it in such a way I knew what she meant was Yeah, that's right. You know, that's the truth. That's the, you know, the book isn't the testimony, but it felt like she was saying yeah. It was like the simple kind of approval. It wasn't like a lot    Miko Lee: [00:25:50] That is the most Asian mom's approval ever.    Chi Thai: [00:25:54] It's so funny, like people say to me, oh Chi, it's such a beautiful book. Oh, the writing so lit, like lyrical. It's stripped back, it's elegant. Like, you know, Viet Thanh Nguyen , like God bless his like consults, gave me a comment to put in the book, said these wonderful things, and my mom goes, “yeah.”. You know, it made me laugh at the time, but I knew what it meant. And I also was old enough, I was mature enough, you know, God, if she'd given me that, if I'd been 20 written that I might have cried and my heart might have broken. Right. But I, I knew I had, I've so much compassion, you know, for my parents. Mm-hmm. And people like my parents, what they've been through and, you know, but    Miko Lee: [00:26:38] That was incredibly high praise for her.    Chi Thai: [00:26:40] It was, I couldn't have asked more.   Miko Lee: [00:26:47] Oh, I totally get that. I think that's such an Asian thing. That is so funny.    Chi Thai: [00:26:53] It is, it is. I didn't feel bad. I, I remember showing her Lullaby, um, and she didn't like it at all.    Miko Lee: [00:27:02] What did she say? What is her not like voice? What did she say to that?    Chi Thai: [00:27:05] Oh, she. Well, firstly, she, well, the, the film is almost silent because basically it tells a story. It's inspired by a mother that was on our boat who lost her baby on the border crossing, and I was very much ever, for as long as I knew about this woman's story, I was like, I was very much haunted by it, and I was haunted by, you know, the fact that that's how she felt and her guilt. Over losing her baby on this journey. And I knew, I knew I wanted to tell her story. 'cause one of the things I feel very strongly about is when you are on the losing side. So I'm from South Vietnam, like that's not the, you know, that's not the story that's told, the story is told of who triumphs at the end of the day. And I was just like all those people that we lost at sea, this mother, her baby. The stories kind of aren't told. So I kind of felt really strongly that this was somehow a very creative way to put down like a, an historical record like this happened. And actually I found out after making the film that five babies were lost in our boat, not just one.   Miko Lee: [00:28:24] Wow. So what did she say, your mom say?   Chi Thai: [00:28:28] Yes. So I made this film, which was for the most part, a silent film. This is a woman that's shut down. She barely speaks anymore. She is living with the guilt ever. You know, when she was on the boat before her baby died, she sang a lullaby, and ever since then, she hasn't been able to speak again. And then we find out that she has been haunted by the ghost of her child that she lost. And then a bit too, you know, to kind of free herself from that. She, she actually sings, you know, the, the film culminates in her singing the Luby one last time. S saying Goodbye finally being able to move beyond her Gild and I Griffin, saying goodbye and hoping she's able to, you know, progress. So I made a film about that was largely silence except for this lullaby, and my mum watched it. She went, next time you make a film, you know you need more words. I was just like, oh, I think my heart probably did crumple off a bit a bit at that point.    Miko Lee: [00:29:30] Aw.    Chi Thai: [00:29:31] You know? Um, but yeah. But yeah, it's okay. It's okay because you know what? My mom doesn't get to see stuff like that very often. So sometimes she doesn't have the wider, and this is why, I mean, like, the life that she's had, you know, hasn't been one where she's been able to surround herself with, oh, I'm so lucky. You know, my life has been so different, but it's been different. Different because of, you know what she's, what she's done for us, so it's okay. I can take it on the chin when she says my film doesn't have enough dialogue in it.    Miko Lee: [00:30:04] I love that. For you, have you had conversations with your mom about your life as an artist, and what are her thoughts on that?   Chi Thai: [00:30:16] Well say. So I, so my mom, I don't really like, you know, she's probably not that into it. I'll be honest about being an artist. I can understand why she wants you to have a good life. And I would say for the most part, being an artist is, is a, is a tough life because it's hard to make, you know, the, the pennies work, right?   Miko Lee: [00:30:44] She wants stability for you, right?    Chi Thai: [00:30:45] Yeah, exactly. But she's made a peace with it. And basically what happened, I think all the best story is gonna be about my mom, right? Is that she basically, I, I, um, I have a partner, we've been together for 15 years. Um, he's a really nice guy and he has a reliable job and we have two kids together and i,    Miko Lee: [00:31:08] So that makes it okay.   Chi Thai: [00:31:10] So yeah, this is what I was saying. So she said to me like. It doesn't really matter what you do now. 'cause she, you are already peaked. You're somebody's wife. We're not married. But she told everyone in Vietnam we were married 'cause she couldn't cope with this not being like having kids out of wedlock. In her head. She's rewritten that we are married. Right. She's like, you are married, you're somebody's wife and you mother, it doesn't get better than that. So if you are an artist or if you're a filmmaker, whatever, it doesn't matter. 'cause nothing can be better than that. Right. So she's accepted on the basis that I've already fulfilled, kind of my promise.   Miko Lee: [00:31:46] Wow. Interesting.    Chi Thai: [00:31:50] And she means that in the nicest possible way.    Miko Lee: [00:31:52] Yeah.    Chi Thai: [00:31:52] That she feels like you have a home, you have stability, you have someone who loves you, you know, you have a, a purpose in life, but really her value, you know, the way, I think, the way she measures my value is like, that's how she looks at it. The, the art is something else.    Miko Lee: [00:32:10] Well, I really appreciate you sharing your art with us in the world and your various, um, genres and styles. And I'm wondering how our audience can find out more about your work. Clearly we'll put links to where people can buy the book and let's see, but how do they find out more about your films?   Chi Thai: [00:32:28] Um, so that like, because it is the 50th anniversary of the end of the Vietnam War in 2025. Actually the very anniversary of that is the tomorrow, the 30th, April, right? Um, you can watch Lullaby on Altar, which is a YouTube channel. Um, and I can give you the link for it. Rating Grace is on Paramount Plus if you want to, if you've got Paramount Plus, but you can also buy it from all the usual kind of places too. Um, and you know, and we'll see us from all great book stockists, I imagine in, in the us.   Miko Lee: [00:33:07] Thank you so much. Um, I'd love to get, I'd love for you to send me the link so I could put 'em in the show notes. I really appreciate chatting with you today. Um, is there anything else you'd like to share?    Chi Thai: [00:33:19] Um, no, I think, I think that's good. Your, your questions are so good. Mika, I'm already like, kinda like processing them all. Uh, yes.    Miko Lee: [00:33:30] Well, it was a delight to chat with you and to learn more about your artistic vision, and my wishes are that you continue to grow and feel blessed no matter what your mama says, because deep down, she's still proud of you. Even if she doesn't say it out loud.    Chi Thai: [00:33:47] I believe it. I totally believe it.    Miko Lee: [00:33:50] Yay. Thank you so much for spending time with us on Apex Express.Next up, listen to stay, go from dark heart, a concert narrative by singer and songwriter Golda Sargento.   MUSIC   That was the voice of Golda Sargento from the new Filipino futurism punk rock sci-fi dark heart. Welcome, Livia Blackburne Children's book, author of Nainai's Mountain. Welcome to Apex Express.    Livia Blackburne: [00:38:56] Thank you so much for having me.    Miko Lee: [00:38:58] I wanna start with a personal question, which is, who are your people and what legacy do you carry with you?    Livia Blackburne: [00:39:05] I am Chinese American, and so I carry the stories of my grandparents who fled China to Taiwan, fled that war. And I also carry the stories of my parents and myself who immigrated. To America, and I am, I grew up in New Mexico, so I have fond memories of green chili and new Mexican food. I went to college, Harvard and MIT on the east coast. So I've got a bit of that kind of ivory tower. And now I'm in LA and, you know, my people are, my family and my community, the writing community here. So I, I'm a big mix. Yes.    Miko Lee: [00:39:44] What legacy do you carry with you?    Livia Blackburne: [00:39:47] I mentioned a bit of my grandparents and my parents. What they went through in the war in China, and then my parents and me coming here. the experience of being here in two worlds, coming from Taiwan having that cultural background and also, growing up in the United States. The culture I've been surrounded with here as well.    Miko Lee: [00:40:06] Thank you so much for sharing. Can you tell us about your new illustrated children's book? Nainai's Mountain. What inspired this work?    Livia Blackburne: [00:40:14] The story of this book actually started with another book that is coming out in a couple years that actually I can't share too much about. My grandparents fled the war in China and then my. Parents grew up in Taiwan and I wanted to preserve that family story. My parents are getting older. So I started doing oral interviews with my parents about their childhood, what it was like, growing up. I wouldn't say they weren't refugees in Taiwan. It's a very complicated political situation, but they were transplants to Taiwan, and what it was like growing up there, their daily life. What kind of things they did when they were a child, their pastimes, I wanted to preserve their stories and I got a lot of great material., A lot of that is going into a novel that I'm currently working on. But also as I worked on it, there were so many great details that I thought would be really good in a picture book as well. Also, I'm a mother now. I have an 8-year-old daughter, and she is half Caucasian, half Asian. She has never gone to Taiwan before and I. As I'm writing this, I'm thinking, it would be really great to, I do want to share Taiwan and, my own childhood, home with her at some point. And so I start imagining what would it be like to bring her back to Taiwan and show her everything. And that became the seed for Nainai's Mountain, which is a. Story of a girl visiting Taiwan for the first time with her grandmother. And her grandmother shows her around and tells her stories about her childhood, and the girl through her grandmother's eyes, sees Taiwan, you know, for the beautiful place that it is.    Miko Lee: [00:41:56] You also wrote the book I Dream of Popo. How are these companions to each other and also for audiences that might not speak Chinese. One is a grandmother on the mother's side, and the other is the grandmother on the father's side. Can you talk about how I dream of Popo is linked to Nainai's Mountain?   Livia Blackburne: [00:42:15] Thank you for pointing that out. Yes. So Popo is maternal grandmother, and Nainai is a paternal grandmother. And that is a fantastic question. So I dream of popo is kind of my story. So it's about a little girl who moves from Taiwan , to the United States and it's about her relationship with her grandmother who stays in Taiwan. And it talks about, how a close relationship, navigating long geographical distances about the language barrier that comes up. And that was very much me, Nainai's Mountain. It's kind of like Popo in reverse, you know, it's now it's someone going back to Taiwan and kind of getting in touch with those roots. That, as I mentioned, that's inspired by my daughter. And you'll see in Nainai's Mountain, I specified that the child should be, half Asian, half Caucasian. Because, I wanted more of that representation in the children's literature.    Miko Lee: [00:43:07] Thank you. I, I wonder if you could talk a little bit about the artistic style. So you are the author, but you had different illustrators for both of the books and the style is really different. The in, when I look at Nainai's Mountain, which I'm holding here, it's sort of collage and really vibrant colors. Where I Dream of Popo has a different, more. I'm almost realistic, kind of look to it. And I'm wondering what your process was like in collaborating with illustrators.    Livia Blackburne: [00:43:37] That's one of the best things about being a picture book author, is that you get to collaborate with so many illustrators and they all have such different styles, such different visions. Most of the time it's the publisher who chooses the illustrator, although they. Consult me usually. My editor for I Dream of Popo picked Julia Kuo. And she sent me samples and I loved it. And, it was great. I'm friends with Julia now and that book did really well. It was very well known, especially in kind of Taiwanese American, Asian American circles. And so when I did, Nainai's mountain, that was with a different publishing house and my editor. He very consciously said, you know, because it's also a book about Taiwan and a grandmother. We don't want to get it confused with I dream of Popo. So, we made a conscious decision to pick an artist with a very different style and Joey Chou is fantastic. He's very well known for his Disney art. You can see his art in a lot of the hotels and cruise ships. And, he, very bright, vibrant, and I, he's also from Taiwan. I think he did a fantastic job.   Miko Lee: [00:44:41] And have the artistic work ever surprised you as being really different from your imagination while you were writing?    Livia Blackburne: [00:44:48] That's a great question. I don't think they've ever surprised me. By being different. They surprised me in the specifics that they've chosen. For example, I dream of Popo. Julia, spent a lot of time in Taiwan and she put in these great, Taiwan details that, you know, if you're from Taiwan, you would know for sure. There's like a specific brand of rice cooker called the rice cooker, and she has one there and like the giant bag of rice in the corner, and the calendar on the wall.   Miko Lee: [00:45:16] Even the specificities of the food and the trays and everything is quite lovely.    Livia Blackburne: [00:45:20] Yeah, yeah. You know, every time I read that, I look at that spread, I get hungry. So surprise there. And, with Joey, I, I love how he does the different, there's kind of flashback pictures and there's, pictures now and. The thing about him, his color, I just love the color that he put in from the greens, of Taiwan to kind of the bright fluorescent lights, neon lights of Taipei, and then there's kind of the slight sepia tones of the past and he just, you know, brings it so to life so well.   Miko Lee: [00:45:49] I didn't know he was a Disney animator, but it totally makes sense because it feels very layered. It does feel animated in a way and kind of alive. So I appreciate that.   Livia Blackburne: [00:45:59] I'm not sure. If he's an animator. He does a lot of art for the theme parks and like products and the cruise ships and stuff. I'm not sure.    Miko Lee: [00:46:07] Oh, interesting.   Livia Blackburne: [00:46:07] He does like movies and  stuff.    Miko Lee: [00:46:08] Interesting. It looks like animation though. Your book.    Livia Blackburne: [00:46:13] It does look very, yeah. Lively. Mm-hmm.    Miko Lee: [00:46:16] That I'm looking forward to that series. That would be so cute. The grandmother series as a whole little mini series traveling to different places. can you tell us about your new book, Dreams to Ashes? Has that been released yet?   Livia Blackburne: [00:46:29] Dreams to Ashes? That has been released that, released about a month before Nainai's Mountain. Yeah, that one's quite a bit different. So that one is a nonfiction book and it's a picture book, and it's about the Los Angeles massacre of 1871. Whenever people, I tell people about that, they're like, wait, you wrote a picture book about a massacre? Which is slightly counterintuitive. So I never knew about the Los Angeles massacre growing up. And, and, given that I am a Chinese person in Los Angeles, that is kind of weird. Basically, it was a race massacre that occurred. One of the biggest mass lynchings in history, uh, where there was a between two rival Chinese organizations and a white bystander was killed. And because of that, , a mob formed and they rounded the Chinese population up basically. And. Blame them for that death. In the end, 18 Chinese men were killed and only one of them were involved in the original gunfight. It was a horrible tragedy. And unfortunately, as often happened with these kind of historical tragedies in our country, nobody was really punished for it. A few men were indicted and convicted, but their convictions were overturned and it just kind of disappeared into history. And it really struck me that, you know, nobody knew about this. I wanted to kind of bring this to light and unfortunately when I was writing it, it was also, during the Covid pandemic and, I was seeing a lot of anti-Asian rhetoric, anti-Asian hate crimes were going up. And I saw so many parallels between what happened. Back then, because, you know, Chinese people specifically were being vilified , they were being called immoral, stealing people's jobs. And you can see in the years before the massacre the newspapers were saying horrible things and, you know, the hate was just becoming very strong and all that exploded one night into an unspeakable tragedy. Unfortunately as an author, you want your work to be relevant, but sometimes you don't want your work to be relevant in this way. Right. Nowadays I'm seeing so much rhetoric again against immigrants and not of many ethnicities. And in some ways I'm sad. That, this is happening now. And I also hope that this book will contribute to the conversation and show how the danger of racism and xenophobia and hate and what, what can happen because of that.   Miko Lee: [00:48:55] So this occurred in the late 1800s, right? Was it before the Chinese Exclusion Act?    Livia Blackburne: [00:49:03] Yes, it was before the Chinese Exclusion Act. So you'd hope that people kinda learn from these things. And it was just kind of one of the, one of the horrible things that happened on the way to the Chinese Exclusion Act and Chinese immigrants being excluded basically Chinese laborers at least.   Miko Lee: [00:49:23] Oh wow. Okay. I'm looking this up now. And 1882 we know was the Chinese Exclusion Act and this incident actually happened in 1871. Yes. A decade beforehand, Helen Zia always talks about these moments that are missing. MIH missing in history and this is clearly another one of, another time of just wiping out a population.I'm wondering if you could speak a little bit more about how Children's Books can make a difference in the world that we're currently living in, where our government is banning books and you know that there's a narratives that they want to align with a certain kind of conservative ideology. Can you talk about the power of being a Children's Book author in this time that we're living in right now? . I'm really thinking about dreams to Ashes and even I dream of Popo and even Nainai's Mountain, which you would think, oh, they're, you, they're visiting their grandparent, their grandmothers, that would not be controversial. But now when even words like inclusion and diversity are threatened and books are being banned, I'm just wondering if you could. Share a little bit more about your superpower as a children's book author?    Livia Blackburne: [00:50:31] Yeah, that's a fantastic question. We live in a time right now, there's, a lot of hate, a lot of intolerance, a lot of fear of different people groups. And a lot of that I think is because people are unfamiliar with people unlike themselves. They see. People who are different, look differently, act differently, speak differently, and it scares them. And I think the best way to get around that is to actually get to know people of other backgrounds, to see them as human. And I think that's where children's books come in. ‘Cause we don't, children are not born. With this hate of the other. They learn it. But, if they grow up being familiar with people of different backgrounds seeing their stories seeing them as, normal human beings, which, should be obvious, but sometimes it's hard, for adults to realize. Then, I'm hoping, as a children's book author that it will lead to a more empathetic world. And perhaps that's why the government sometimes in certain groups are wanting to, censor this and control the flow of children's books because, children are the most their minds are still open. They're still able to learn.    Miko Lee: [00:51:48] And Livia, tell us what you're working on next.   Livia Blackburne: [00:51:53] So right now I am. Working on a historical middle grade. We haven't quite announced it yet, so I can't say the title or too many details, but it is based on my family history of my parents and grandparents who moved from China to Taiwan after the civil War.   Miko Lee: [00:52:12] Please check out our website, kpfa.org. To find out more about our show tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating and sharing your visions with the world because your voices are important. Apex Express is created by Miko Lee, Jalena Keane-Lee, Preti Mangala-Shekar, Swati Rayasam, Aisa Villarosa, Estella Owoimaha-Church, Gabriel Tanglao, Cheryl Truong and Ayame Keane-Lee.   The post APEX Express – 6.19.25 We Are All Connected appeared first on KPFA.

The first few minutes the audio might get choppy but it's fixed for the majority of the episode afterwards! Apologies for that.The moment Tori Norman Castillo quit her Wall Street job from an LAX terminal after attending the Grammys, she knew her path forward would be different. As co-founder of Kelzana Artist Management, she's now revolutionizing how musicians build sustainable careers through strategic storytelling."Branding goes so deep," Tori explains, drawing from her film background to reimagine artist development. "I think about storytelling for musicians as a movie—what's the plot of their brand? Are they the tragic hero? The rebellious protagonist?" This cinematic approach transforms how artists connect with audiences in an overcrowded marketplace.Tori's playlist is titled "Top of the Mountain" and it's a journey through life's seasons from the youthful energy of Baby Keem's "16" through reflective winter tracks like Jorja Smith's "I Am." Each selection reveals how music marks transformative moments and shapes our understanding of ourselves. Having grown up in the Blue Ridge Mountains before traveling the world, Tori now returns to Georgia with a renewed appreciation for her roots and the musical influences that defined her.Kelzana's business model reflects this thoughtful approach, offering everything from foundational brand development to full management services. By meeting artists where they are and building authentic narratives, Tori helps musicians create sustainable careers beyond algorithmic trends.Whether you're an emerging artist seeking direction or simply fascinated by the intersection of music, storytelling, and personal growth, this conversation offers fresh perspective on finding your authentic voice in a noisy world. Connect with Tori and explore Kelzana's artist-centered approach at https://www.kelzanamgmt.com/.https://open.spotify.com/playlist/40L2daCIrUTYMvhQAzKTB2?si=3vbR3XejS2OoHnlE-qTwbw1. 16 - Baby Keem2. Songbird - Eva Cassidy3. Blue Ridge Mountains - Fleet Foxes4. Speyside - Bon Iver5. River - Leon Bridges6. El Condor Pasa (If I Could) - Simon & Garfunkel7. Gild the Lily - Billy Strings8. These Days - The Jesse Williams Band9. Rather Be Alone - Leon Thomas featuring Halle10. Harvest Moon (Spotify Studios Version) - Lord Huron11. 17 - Youth Lagoon12. I Am - Jorja Smith Support the showVisit us at https://www.superawesomemix.com to learn more about our app, our merchandise, our cards, and more!

Apple (AAPL) is expected to double its iPhone output from India to 80 million. Diane King Hall says the company is bracing to maneuver its production around tariffs aimed at China. On earnings, T-Mobile (TMUS) lagged compared to peers when its customer additions didn't meet expectations. Diane also turns to Gilead's (GILD) earnings, which showed pockets of strength that face pressures in a shifting healthcare sector. ======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

S&P Futures have reversed course and are now trading flat to higher this morning. Global trade talks and earnings announcements are in focus today. Inconsistent messaging from the White House remains a key source of volatility for the markets. On Wednesday, Treasury Secretary Bessent outlined hopes for a "big deal" with China, yet Chinese officials have said that no trade takes are underway. China's Politburo meeting is scheduled for late this month. On the economic front, report on Jobless Claims, Durable Goods and Existing Home Sales are set for release today. Earnings reports have been coming in better than initial expectations, forward guidance remains a concern. After the bell today, GOOG, TMUS, GILD, & INTC are scheduled to report.

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It's time once again to dust off David's old writings and pull some lessons forward into the light of today. We discuss re-recs and buying stocks that you already own, annual predictions, risk ratings, and keeping a record of your investment decisions. We look back to be smarter about looking forward! (5:52) Introduction to May 2003 Issue (16:00) New Year's Resolution (24:47) Risk Ratings For New Members (32:35) What is in Front of One's Nose Companies Discussed: BIDU, FSLR, AMZN, GILD, NVDA Host: David Gardner Producer: Rick Engdahl

Christine Short and Nick Raich talk expectations for the upcoming earnings season. Nick likes to use the “early reporters” as a barometer for the overall season. He sees a lower number of companies “than normal” lowering outlooks and missing estimates. Christine sees healthcare leading, like GILD, BMY and LLY. “The margin by which they're beating” is also lower, though.======== Schwab Network ========Empowering every investor and trader, every market day.Subscribe to the Market Minute newsletter - https://schwabnetwork.com/subscribeDownload the iOS app - https://apps.apple.com/us/app/schwab-network/id1460719185Download the Amazon Fire Tv App - https://www.amazon.com/TD-Ameritrade-Network/dp/B07KRD76C7Watch on Sling - https://watch.sling.com/1/asset/191928615bd8d47686f94682aefaa007/watchWatch on Vizio - https://www.vizio.com/en/watchfreeplus-exploreWatch on DistroTV - https://www.distro.tv/live/schwab-network/Follow us on X – https://twitter.com/schwabnetworkFollow us on Facebook – https://www.facebook.com/schwabnetworkFollow us on LinkedIn - https://www.linkedin.com/company/schwab-network/About Schwab Network - https://schwabnetwork.com/about

Send us a textLet's yap about Gild by Raven Kennedy. Summon us @DTFaePodcast We like our coffee icy and our books spicy! Oh, and we're totally Down To Fae. A podcast for fantasy romance readers and fans of authors like Sarah J. Maas, Jennifer L. Armentrout, Rebecca Yarros and Carissa Broadbent. Follow along as your delulu hosts discuss your favorite romantasy books in a chapter-by-chapter read, re-read or refresher.

Bridget, Caitlin, and Hilda discuss the last half of "Goldfinch," the sixth and final book in Raven Kennedy's Plated Prisoner series.  Not to spoil anything, but it's a fantastic end to a great series ... and who knows, maybe the door has been left open to a spinoff. We sure hope so! Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

S&P Futures are trading lower this morning with the markets in a holding pattern ahead of this morning CPI report. President Trump is expected to make an announcement today on tariffs and he is likely to use a 1930's trade law as the basis for reciprocal U.S. tariffs. Fed Chairman Jerome Powell will be continuing his testimony on Capitol Hill today. Earning beats this morning from BIIB, CVS & GNRC and last night from GILD, DASH, & AIG shares are trading higher. After the bell today CSCO, APP, EQIX HOOD, RDDT & UPWK to report. Oil prices are falling after last night's AOI data displayed a big build in inventories.

Join Bridget, Caitlin, and Hilda to discuss the first half of "Goldfinch," the sixth and final book in Raven Kennedy's The Plated Prisoner series. And we're all in agreement when we say the first half doesn't disappoint, and as the cherry on top, we get a glorious display of King Ravinger's special talent - iykyk.  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

S&P Futures are trading lower this morning as President Trump announced 25% tariffs on steel and aluminum. He also signed an Executive Order which is directing the DOJ to pause enforcement on a law that prohibits U.S. companies from bribing foreign officials. Bond yields are moving higher as Fed Chairman Powell begins two days of testimony on Capitol Hill today. NVS to buy Anthos Therapeutics from Blackstone for $3.1B. Elon Musk makes a bid for Open AI which was immediately rejected. President Trump to meet with the Crown Prince of Jordon today. Earning beats this morning from DD, KO, LDOS & CARR - shares are trading higher. After the bell today GILD, DASH. AIG, Z, SMCI. & LYFT to report. Oil prices continuing to move higher due to tariffs and recent sanctions action.

This week we discuss Gild, the first book in the Plated Prisoner series by Raven Kennedy. We read listener thoughts as well as our own first blush analysis. We get into Raven's writing style techniques and how that contributes to the reader's first impressions, Auren's growth, and the book's themes. Sponsors Manscaped: Get 25% off plus free shipping with the code BOOKTALK. Visit Manscaped.com today! Learn more about your ad choices. Visit megaphone.fm/adchoices

This week we discuss Gild, the first book in the Plated Prisoner series by Raven Kennedy. We read listener thoughts as well as our own first blush analysis. We get into Raven's writing style techniques and how that contributes to the reader's first impressions, Auren's growth, and the book's themes. Sponsors Manscaped: Get 25% off plus free shipping with the code BOOKTALK. Visit Manscaped.com today! Learn more about your ad choices. Visit megaphone.fm/adchoices

Please note: this episode was planned and recorded before the results of the 2024 U.S. Presidential Election. While we are still processing the events of this past week, like so many of you, reading offers us an escape. This week, we want to ensure our podcast remains a safe space for our community and those looking to discuss books with a little humor. While this episode's rant section discusses dating and men with funny anecdotes, we will be back next week with more thoughts.  We launched this podcast with the goal of finding others who read to cope with life in their twenties, and we're always here for you. Happy reading besties - Karly & Mia Karly & Mia are back with another round of reading BookTok books so you don't have to. So, which reads are worth your time? The girls share their thoughts on some appropriately hyped reads, including Gild, A Fate Inked in Blood, and When the Moon Hatched. Recently, they've also been on a kick of underhyped gems like Blood and Steel, Spark of the Everflame, and Song of the Marked. Of course, there are always a few overhyped disappointments (did the period blood in Heartless Hunter bother anyone else?) The rant of the week: delusional men in the dating world. The girls recount various ick-inducing encounters including Karly's ex-boyfriend hard launching his new relationship (via a joint Instagram post). If you've ever had a man ask you to split the bill on a third date and then watched him take the leftovers to go, you're safe here. 

S&P Futures are higher this morning with the election outcome in focus. A Republican sweep of the house and senate means less gridlock. Bond yields are on the rise and the dollar is strengthening. Markets are likely to show strong momentum this morning. On the earnings front CVS, IRM, JKHY & PRGO are higher after announcements. After the bell today ARM, QCOM, GILD, MCK and LYFT are scheduled to release. The FOMC meeting begins today with an announcement scheduled for Thursday. In Europe, markets are higher and economic releases were positive. Oil prices are falling as the API's stockpile estimates indicated weakness ahead of today EIA report.

In this episode of The Influence Factor, host Alessandro Bogliari interviews Tiffany Hardin, Founder and CEO of Gild Creative Group. They discuss her journey in influencer marketing and the significance of sustainability in the industry. Tiffany emphasizes that creators should have a clear vision, establish solid operational structures, and prioritize financial management. She advises influencers to consider the overall value and benefits of partnerships when negotiating prices. For brands, she highlights the importance of creating a supportive environment for creators and being clear about goals and KPIs. Tiffany believes the future of influencer marketing hinges on creators' commitment to their craft and the human connection brands bring to the relationship.

Welcome to the Sunday Roast mid-season montage! In this special episode, hosts Phil Carroll and Kevin Hornsby take you through a dynamic recap of the biggest stories and pivotal moments from the current financial season. Featuring key excerpts from the last eight Midweek Takeaway podcasts, this montage dives into recent news, analyses market movers and shakers, and revisits insightful interviews with industry leaders. Whether you missed a few episodes or just want to revisit the highlights, this compilation provides a comprehensive overview of the significant trends and forecasts shaping the markets today. Join us as we reflect on the insights and forecasts that have captivated our listeners since the season finale. Tune in for a curated selection of the most critical discussions and expert analyses from the world of finance. Disclaimer & Declaration of Interest The information, investment views, and recommendations in this podcast are provided for general information purposes only. Nothing in this podcast should be construed as a solicitation to buy or sell any financial product relating to any companies under discussion or to engage in or refrain from doing so or engaging in any other transaction. Any opinions or comments are made to the best of the knowledge and belief of the commentator but no responsibility is accepted for actions based on such opinions or comments. The commentators may or may not hold investments in the companies under discussion.

S&P Futures are moving higher this morning as yesterday positive momentum continues. Positive action this morning after earnings releases from GILD, TTD, SG, AKAM & EXPE. China's consumer inflation rose more than expected last month, highlighting some improving trends in the country. Middle East tensions are elevated as Israel is expecting hostile actions from Iran or one of its proxies over the weekend. In Europe, stocks are gaining but have come down from their highs, and oil prices are moving ticking higher.

In today's poem, John Keats isn't worried about authenticity–and that's just fine. Get full access to The Daily Poem Podcast at dailypoempod.substack.com/subscribe

HOST: MARK LONGO, THE OPTIONS INSIDER MEDIA GROUP CO-HOST: MARK SEBASTIAN, THE OPTION PIT CO-HOST: MIKE TOSAW, ST. CHARLES WEALTH MANAGEMENT ON THIS EPISODE, MARK, THE GREASY MEATBALL, AND UNCLE MIKE BREAK DOWN: THE LATEST IN THE OPTIONS MARKETS INCL AMD, THE OPTIONS CONFERENCE MOST ACTIVE EQUITY OPTIONS INCL INTC, TSLA EARNINGS VOLATILITY INCL DPZ, MCD, KO, PYPL, AMD, AMZN, SBUX, DASH, CVNA, EBAYQCOM, PTEN, MRNA, SHAK, AAPL, COIN, DKNG, CBOE UNUSUAL OPTIONS ACTIVITY IN AVTR, GILD, MLCO HEDGING APRECIATED VALUE USING A TRADITIONAL COLLAR  WHAT'S ON OUR RADAR FOR THE REST OF THE WEEK AND MUCH MORE The Option Block is brought to you by Public. Options are not suitable for all investors and carry significant risk.  Option investors can rapidly lose the value of their investment in a short period of time and incur permanent loss by expiration date.  Certain complex options strategies carry additional risk.  There are additional costs associated with option strategies that call for multiple purchases and sales of options, such as spreads, straddles, among others, as compared with a single option trade.   Prior to buying or selling an option, investors must read and understand the “Characteristics and Risks of Standardized Options”, also known as the options disclosure document (ODD) which can be found at: www.theocc.com/company-information/documents-and-archives/options-disclosure-document   Supporting documentation for any claims will be furnished upon request.   If you are enrolled in our Options Order Flow Rebate Program, The exact rebate will depend on the specifics of each transaction and will be previewed for you prior to submitting each trade. This rebate will be deducted from your cost to place the trade and will be reflected on your trade confirmation. Order flow rebates are not available for non-options transactions. To learn more, see our Fee Schedule, Order Flow Rebate FAQ, and Order Flow Rebate Program Terms & Conditions.   Options can be risky and are not suitable for all investors. See the Characteristics and Risks of Standardized Options to learn more.   All investing involves the risk of loss, including loss of principal. Brokerage services for US-listed, registered securities, options and bonds in a self-directed account are offered by Open to the Public Investing, Inc., member FINRA & SIPC. See public.com/#disclosures-main for more information.

HOST: MARK LONGO, THE OPTIONS INSIDER MEDIA GROUP CO-HOST: MARK SEBASTIAN, THE OPTION PIT CO-HOST: MIKE TOSAW, ST. CHARLES WEALTH MANAGEMENT ON THIS EPISODE, MARK, THE GREASY MEATBALL, AND UNCLE MIKE BREAK DOWN: THE LATEST IN THE OPTIONS MARKETS INCL AMD, THE OPTIONS CONFERENCE MOST ACTIVE EQUITY OPTIONS INCL INTC, TSLA EARNINGS VOLATILITY INCL DPZ, MCD, KO, PYPL, AMD, AMZN, SBUX, DASH, CVNA, EBAY, QCOM, PTEN, MRNA, SHAK, AAPL, COIN, DKNG, CBOE UNUSUAL OPTIONS ACTIVITY IN AVTR, GILD, MLCO HEDGING APRECIATED VALUE USING A TRADITIONAL COLLAR  WHAT'S ON OUR RADAR FOR THE REST OF THE WEEK AND MUCH MORE The Option Block is brought to you by Public. Options are not suitable for all investors and carry significant risk.  Option investors can rapidly lose the value of their investment in a short period of time and incur permanent loss by expiration date.  Certain complex options strategies carry additional risk.  There are additional costs associated with option strategies that call for multiple purchases and sales of options, such as spreads, straddles, among others, as compared with a single option trade.   Prior to buying or selling an option, investors must read and understand the “Characteristics and Risks of Standardized Options”, also known as the options disclosure document (ODD) which can be found at: www.theocc.com/company-information/documents-and-archives/options-disclosure-document   Supporting documentation for any claims will be furnished upon request.   If you are enrolled in our Options Order Flow Rebate Program, The exact rebate will depend on the specifics of each transaction and will be previewed for you prior to submitting each trade. This rebate will be deducted from your cost to place the trade and will be reflected on your trade confirmation. Order flow rebates are not available for non-options transactions. To learn more, see our Fee Schedule, Order Flow Rebate FAQ, and Order Flow Rebate Program Terms & Conditions.   Options can be risky and are not suitable for all investors. See the Characteristics and Risks of Standardized Options to learn more.   All investing involves the risk of loss, including loss of principal. Brokerage services for US-listed, registered securities, options and bonds in a self-directed account are offered by Open to the Public Investing, Inc., member FINRA & SIPC. See public.com/#disclosures-main for more information.

Artistic Director of Montana Repertory Theatre, Michael Legg, stops by the Tail1033 studio for a visit with Mike Smith. Inspired by the vibrant local businesses along Missoula's iconic Hip Strip, Hip Strip Hijinks presents a series of five new 10-minute plays written by nationally renowned playwrights. April 25-27 and May 2-4.Patrons will meet up at GILD Brewing and then walk to five nearby establishments, including the lively atmosphere of Betty's Divine and the eclectic vibes of Ear Candy, to watch plays that are designed to capture the essence of their host businesses and to offer an immersive and theatrical experience after hours.The five plays will be performed in Betty's Divine, Ear Candy, GILD, Le Petit Outre, and Compass Barbershop. Pick what you pay pricing structure ($5-$50)…details & tickets: Montanarep.com  Established in 1967 and celebrating its 57th season, The Rep serves as the resident professional theatre for the University of Montana. 

Tune in as we discuss the art of creating and communicating stories in terms of branding with Jeff Goldblatt, a Content Marketing expert and Managing Member of Jeff's Journeys, LL. Also, gain insights into various event planning aspects, effective business event hosting, and maximizing marketing opportunities with our guest, Gilberto Valdes, the 'Gild-Master' and owner of The Gild. Let's Talk Business Mega Mixer | May 16, 2024

Gilead Sciences's Q4 2023 earnings call, unedited

(Season 8 is in partnership with ADCOLOR. ADCOLOR champions diversity and inclusion in creative industries.) Tiffany Hardin is an award-winning executive marketer, investor, and educator. Hardin is the CEO & founder of Gild Creative Group (GCG), an influencer marketing agency delivering strategy for brands that desire meaningful influencer/talent integrations for campaigns on and offline. She is known to help create and share culturally relevant stories to build meaningful connections that drive trust, awareness, and impact. Some client work has included brands such as Hulu, Onyx, Black Girl in Om, Victoria's Secret, Airbnb, WeWork, Microsoft & Target.As an early pioneer in the mid-00s of the influencer marketing industry, Tiffany has been at the forefront of social branded content helping lead curious brands on the power of leveraging talent-driven platforms. As a “culture A&R,” Tiffany can trend forecast to see the waves of culture shift and support her clients in anticipating the wave versus reacting or getting caught in the rip tide.Tiffany's commitment to educating and creating pathways for the next generation of mindful leaders is illustrated in how she shows up in and for her industry in classrooms and media. Hardin has taught Capstone and Partnership courses at NYU's Tisch and Stern Schools, guest mentored and lectured at AWS Impact Accelerator for Women, and been a featured lecturer for Billboard's Music Industry Essentials Online Certificate Program. She is also a powerful speaker, contributing to stages at SXSW and Adcolor & Advertising Week. Further, she advocates for those seeking an alternative to “hustle culture,” providing the professional development curriculum and lifestyle brand Conscious Hustler™. Currently, Tiffany is building a tech startup, Represent, to support creators at every stage of their careers, leveraging tech-enabled tools and an expert marketplace of professionals.Additionally, Tiffany has served as a Board member, advisor, or member of community organizations like AdColor, Harlem's Fashion Row, Heal Haus, Be Well Schools, YWCA, and Nashville Repertory Theater.

Bridget, Caitlin, and HIlda cover "Gold," book 5 in Raven Kennedy's Plated Prisoner series. While there's plenty of action, adventure, and intrigue, this book is seriously lacking Commander Rip's signature dirty talk. So how do we feel about it? Listen and find out!  Join our Patreon for exclusive behind-the-scenes content and let's be friends!Instagram > @Booktokmademe_podTikTok > @BooktokMadeMe

Access our training - $200K and 300 Leads in 15 Days for Woodpreneurs here: https://go.buildergrowth.io/optin-wms “We've had quite a few of those project, you'd be surprised. Yeah, we develop client relations through that. So that's probably one of the big ones another big one would be quality so you can be making drawer boxes, you can be making shelves just make the best ones you can” -Bob Gild Welcome to a brand-new episode of the Woodpreneur Podcast. Today, your host Steve Larosiliere is joined by Bob Guild from Craftworks USA, a commercial architectural woodworking outfit based in the Pittsburgh area. We provide nationwide services, specializing in crafting custom pieces for various projects, including reception desks and more. I initially studied product design, but I found my way into custom furniture design and high-end built-ins after graduation. From there, I ventured into commercial drafting and estimating. Craft Works USA became the perfect fit for me, allowing me to explore both the design and business aspects of the industry. Over the years, I've witnessed and contributed to the growth of Craft Works from a 10,000-square-foot shop to a 32,000-square-foot facility. The constant variety and excitement of new projects keep me engaged. Listen now and get the whole story! “ I thought about this a little bit. And I think, like a lot of the other millwork shops right now we have a great client base. So we're trying to learn, you know, the right times to say no, so we can grow the way we want to grow.” -Bob Gild The Role of Technology at Craft Works USA We recently invested in Enertia to streamline our processes. Prior to that, we relied on multiple spreadsheets. Enertia has helped us tie everything together, making tracking and logging much more efficient. I oversee engineering, some strategic initiatives, and focus a lot on design-build methods. Currently, my role involves a significant amount of training and teaching, which presents its own set of challenges. The Art of Leadership and Development It's been a learning process for me. Teaching someone requires understanding how they want to learn and adapting to their style. Patience is crucial, especially when guiding individuals to discover their potential. It's a longer road, but witnessing their development is rewarding. Delivering on promises and ensuring client satisfaction is paramount. Quality craftsmanship is another key factor. We take pride in producing top-notch products that stand out. Crafting a Unique Future for Craft Works USA While growth is on the horizon, we aim to pace it more comfortably. We're focused on maintaining our current revenue levels and enhancing efficiency. Managing growth strategically is our primary objective. Perhaps it's through continuous education and storytelling, showcasing the artistry and craftsmanship behind each project. Helping clients understand the value we bring could redefine how projects are assessed. Want to get in touch with Jared Foster? Contact him through: Instagram: https://www.instagram.com/craftworks_usa/ Website: https://www.instagram.com/craftworks_usa/

Gilead Sciences Q3 2023 earnings call, unedited

What happens when two powerful advocates for gender equity join forces? Can they change the narrative surrounding working mothers? Tune into this riveting conversation with Rachel Bauer and Kelsey Pytlik, the trailblazing co-founders of Gild Collective. They share their inspiring journeys, the inception of their organization, and their relentless pursuit to elevate empathy and understanding in workplaces, particularly for working mothers.Tara and her guests navigate the complex terrain of maternal bias and the 'daddy bonus' phenomenon. Rachel and Kelsey shed light on the often unseen tasks that disproportionately burden women, the criticality of setting boundaries, and the role managers play as allies for working mothers. Kelsey and Rachel not only challenge these stereotypes but provide actionable insights on how to combat them.In the final portion of the conversation, they delve into the silent epidemic of invisible labor and its unequal distribution. Rachel and Kelsey offer guidance on how mothers can assertively demand their fair share and the importance of tracking and evaluating our contributions at work. They also explore the three steps of allyship and the significance of managers in preventing burnout. So, if you're a working parent or an organization looking to foster an inclusive environment, this episode is a must-listen! Links:https://www.gildcollective.com/https://www.gildcollective.com/gender-inequity-simulatorSupport the show Follow & DM me @modernmomprobs Pick up my book Check out modernmomprobs Shout out to Citizens of Sound Leave a review

This episode is a riveting exploration of simple daily routines that can be transformed into portals of divine ravishment.  Gild the garden gates of your heart and ring the singing bowl of your belly in today's special episode. Show Links: Renaissance of The Body - Claim Your Free Seat Episode 32: The Art of FragranceLeave a review of the podcast

Srebro! Ne ono koje sija zlatnim sjajem, nego srebro! Pravo srebro! Borili su se naši košarkaši u odličnom finalu protiv jakih Nemaca koliko su god mogli, ali više na kraju ipak nije moglo. Sa dodatno skraćenom rotacijom, bez Ognjena Dobrića koji se povredio u prvim minutima meča, „plavi“ su imali snage da dobro ispariraju, ali su na kraju ipak ostali kratki. Šteta, ali i to je sport! Nemcima pružamo ruku. Oni su odigrali odličan turnir, završili bez poraza i impresionirali i svoje fanove i neutralce. Braća Vagner, sjajni Denis Šreder, svi su imali svoju ulogu u velikom trijumfu koji je Nemcima doneo prvu zlatnu medalju. A nije da nismo najavili, iz starta smo rekli da je Nemačka jedan od favorita...eto, bar nešto pogodismo. Treće mesto – iznenađenje! U duelu dve severnoameričke ekipe trijumfovali su Kanađani, kojima je ovo ujedno i najbolji plasman na svetskim prvenstvima u istoriji. Opet su Amerikanci došli na utakmicu u „plažnom“ izdanju, i čak ih ni magija Majkla Bridžisa pred kraj nije trgnula da zaigraju bolje u produžetku. Savršen je bio Dilon Bruks, koji je konačno „isterao svoje“, a poslovično odlično je odigrao i Šaj Gildžus-Aleksandar. I tako se završava i ovo svetsko prvenstvo u košarci. Radovali smo se mnogo više nego 2019, kada smo takmičenje završili već u četvrtfinalu. Naši momci iz Manile donose srebrnu medalju, i još jednom, svaka im čast na tom velikom uspehu. Priliku da odu korak dalje imaće dogodine u Parizu na olimpijskom turniru! A mi? Mi odosmo malo da se odmorimo. Vidimo se na početku klupske sezone! Pozdrav i hvala svima što ste nas slušali!

Finale! Nema se šta dalje reći – Srbija je odigrala još jednu veličanstvenu partiju i prosto „pometlala“ Kanadu sa parketa na putu do finala svetskog prvenstva u košarci u Manili. Prelepo je bilo gledati kako fizički moćni Kanađani, pre svih Šaj Gildžus-Aleksander, Ar Džej Baret i Dilon Bruks, ne mogu ništa našim momcima, koji su opet došli maksimalno spremni za jak obračun, i opet pobedili! Bogdan Bogdanović je ponovo bio Lider sa velikim L. Ponovo je on ranim poenima dao napadački impuls i pokrenuo ostale, koji su odgovorili na najbolji mogući način. Standardan je bio i Nikola Milutinov, vrhunsku partiju ponovo je pružio Aleksa Avramović, a ovaj put je iks faktor bio Ognjen Dobrić koji je odigrao partiju turnira. Mada, nije da nismo navikli na njega da napreduje kako stvari odmiču, samo sada je izgleda „sabio“ celu sezonu u ovih dve nedelje SP! U finalu nam rival neće biti Amerikanci – već Nemci! U izuzetno dinamičnoj utakmici (cinik bi rekao utakmici bez odbrana), Nemci su trijumfovali sa 113-111 i tako namestili evropski derbi za zlato. Severnoamerikanci će morati da se zadovolje bronzom...videli smo još jednu neverovatnu partiju Nemaca, uz sve boljeg Franca Vagnera koji se oporavio tačno na vreme, ali i maestralnog Andreasa Obsta, čiji je potez u finišu i rešio pitanje pobednika! Nemci će se tako u borbi za zlatom sastati sa svojim „košarkaškim ocem“ Svetislavom Pešićem, čovekom koji je osvajao velike turnire „i sa nama i sa njima“. Biće to svakako utakmica za pamćenje, a mi se nadamo da će naši momci završiti posao koji je započet protiv Litvanije! Što ne znači da srebro nećemo slaviti kao zlato, jer ova reprezentacija to svakako zaslužuje! Glavu gore plavi, ima još da se igra! A mi se poslednji put vidimo u ponedeljak, da sumiramo sve utiske i ono lepo i ono manje lepo što smo gledali u ove dve sedmice.

Derral Eves is the Executive Producer and Co-Founder of "The Chosen" TV series, which was crowd-funded. He is a passionate entrepreneur who builds an audience to support his projects. He believes creating a shareable brand with a clear vision, mission, and purpose is crucial for success. Derral started in agency work in 1999, helping businesses be found online. He then shifted to creating content on YouTube, which has garnered over 91 billion views.  He will also host the Vid Summit in October where content creators will learn the business side and help them leverage the opportunities in the content economy.   Derral's future focuses on localizing "The Chosen" and getting it out to the world.   We'd like to introduce Seth Taylor, the Chief Experience Officer of Angel Studios. When asked about the company's origins, Seth explains that the Harmond brothers began with a content filtering service but quickly expanded into producing new content. Angel Studios operates on a "pay it forward" system to finance its projects and allows viewers to purchase tickets for others to stream "The Chosen" show. Seth emphasizes that Angel Studios values comments and feedback to create fresh content that aligns with its mission to promote positive stories. The company engages its audience, supporters, and investors through a crowd-sourced strategy and asks two crucial questions: "Does this story spread positivity?" and "How much would you regret it if this movie never came to fruition?" In addition to "The Chosen," Angel Studios offers other programs and movies, including "Sound of Freedom," which was crowdsourced. Seth Taylor leads the product team in expanding the app's reach and handles marketing. The company has also designed digital collectibles for crowdfunding contributors, offering fans digital ownership of a specific scene's frame. Anyone can view the scene or frame by pausing on it. [00:00:00] Crowd Funded [00:05:37] YouTube [00:12:29] The Chosen [00:19:18] Pay It Forward [00:28:03] The Gild [00:36:07] Digital Collectible

Derral Eves, the Executive Producer and Co-Founder of "The Chosen" TV series, was recently welcomed by Entrepreneur. During the interview, he shared his passion for entrepreneurship and his goal of creating an audience that would appreciate like-minded films. He emphasized the importance of engaging the audience and creating shareable, intentional content that defines the brand. Derral's vision was to translate his mission and purpose into the TV show, with the audience being the top priority. He believed that the viewers' engagement could become a social army that would promote the show and become an engine for its success.  Derral started his journey in the agency in 1999, where he helped businesses be found online. He had a passion for creating commercials from a young age, but his path led him to YouTube, where he learned about embedding videos onto websites. He then began creating commercial content for over 800 clients, utilizing YouTube for web design. He eventually shifted his focus to creating content on YouTube that people would talk about, resulting in over 91 billion views of content he made. Derral's mission is to help other entrepreneurs leverage the creator economy before losing the opportunity. He is hosting the Vid Summit in October, which is the business side of the creator economy for content creators who post anywhere online. It is a platform to help budding entrepreneurs with content as a part of their strategy and to help them leverage the opportunity.  Next Entrepreneur recently featured Seth Taylor, Chief Experience Officer at Angel Studios. Angel Studios was founded by the Harmond brothers, who created a content filtering service that allows users to remove inappropriate content from existing movies. However, they realized that producing new content and telling stories could be a more effective way to engage audiences. To raise funds, Angel Studios employs a "pay it forward" approach, wherein people can purchase tickets for others to watch their programs and movies. The Chosen was originally behind a paywall, but its popularity made it available to a larger audience through monetary donations that allowed others to stream it. Angel Studios collaborates with its audience through its crowd-sourced program, The Gild, which asks two questions: Does the story amplify light, and how disappointed would you be if this film was not made? Feedback and comments from the audience are used to create new content. Angel Studios is a platform that promotes stories of light and also offers collectibles to those who have crowd-funded. These collectibles provide digital ownership of a particular frame from a favorite scene, allowing users to share why they chose that scene and what it means. As Chief Experience Officer, Seth Taylor helps the product team to market their app and reach a wider audience. [00:00:00] Crowd Funded [00:05:37] YouTube [00:12:29] The Chosen [00:19:18] Pay It Forward [00:28:03] The Gild [00:36:07] Digital Collectible

What happens when we, as speakers of a language, just decide to misquote a phrase until it takes on a life of its own? You get something like "Gild the Lily". Hear Shauna swoon over Heath Ledger in a Knight's Tale while Dan treks through Oscar Wilde shade, bad technicolor movies, and puppy-sized elephants to tell this week's story on #BunnyTrails. Originally aired December 29, 2021. Copyright 2023 by The Readiness Corner, LLC - All Rights Reserved

Welcome to "The Literary Lounge" podcast! In this episode, we delve into the enchanting world of "Gild" by Raven Kennedy. Join us as we unravel the captivating plot of this book and share our thoughts, feedback, and honest reviews. Get ready for a literary adventure where we discuss the twists, turns, and intricacies of the story, exploring the themes, characters, and writing style that make "Gild" a remarkable read. Whether you've already enjoyed this book or are curious to learn more, our engaging discussion will provide insights and opinions that will leave you eager to dive into the pages of "Gild." Grab a cup of your favorite beverage, settle into the cozy literary lounge, and let's embark on this literary journey together.Instagram: @TheliteraryloungemnYoutube: @TheliteraryloungeTikTok: @Theliteraryloungemn

We are so happy to welcome Kelsey Pytlik, co-founder of Gild Collective, on this episode of HR Like a Boss! Hear Kelsey share her invaluable insights on achieving equity in hybrid work, which she will also be presenting at NOHRC on May 18th. Also, tune in to discover why it's HR's purpose to be a trusted resource, gain tips on building allyship, and much more! About Kelsey Kelsey Pytlik (she/her) co-founded Gild Collective in the Spring of 2015. Gild Collective changes individual views and behaviors to shift workplace cultures and break down gender barriers. Through thoughtfully designed leadership workshops and gender inclusion trainings, Gild aims to close the leadership development gap for women and create an inclusive environment for diverse talent to thrive. Kelsey has an undergraduate degree from Miami University, and Master's degree in User Experience Design from Kent State University. Kelsey spent her early career in creative agencies and ecommerce retailers conducting user research and designing usable interfaces. At Gild Collective, Kelsey's expertise in understanding user needs translates directly to developing powerful curriculum that addresses the needs of each organization through Gild Collective programs. In addition to Gild, Kelsey is a participant in endurance events to fundraise for the Leukemia and Lymphoma Society through Team in Training—in 2018, she climbed Mt. Kilimanjaro for the cause! About HR Like a Boss HR Like a Boss centers around the concept that with the right passion to be and think different, HR and business professionals can do amazingly awesome HR. People who do HR like a boss understand business concepts, what makes people tick, and how to approach HR as more than a compliance or cost center. This podcast builds the foundation for John Bernatovicz's upcoming book, "HR Like a Boss." If you're ready to take your HR career to the next level, this is the podcast for you. Share any comments with bridgette@willory.com. --- Send in a voice message: https://podcasters.spotify.com/pod/show/willory/message

For this BookTok Book Talk episode, Authors Lindsey Pogue and Lindsey Sparks discuss Gild by Raven Kennedy, a fantasy romance retelling of the King Midas myth. This book is quite dark and explicit, so definitely check the trigger warnings before reading it. WARNING: This episode contains ALL the spoilers for Gild.BOOK RECS!The Gentleman's Guide to Vice and Virtue  by MacKenzie LeeWhite Witch, Black Curse  by Kim HarrisonCURRENT FREEBIES (at the time of episode airing):The Darkest Winter  by Lindsey PogueAfter The Ending  by Lindsey Pogue and Lindsey Fairleigh (Sparks)--Lindsey Sparks' Discord:https://discord.gg/smTeDHQBhTLindsey Pogue's Discord:https://discord.gg/fexSbTh2zTLindsey Pogue's website:https://www.lindseypogue.com/Lindsey Sparks' website:https://www.authorlindseysparks.com/Support the show

Hi Clever listeners! We're taking some time to recharge our batteries and welcome in the new year. Please enjoy some of our favorite episodes from 2022. We'll be back in 2023 with some fantastic new episodes! ---Airbnb's Global Head of Marketing, Hiroki Asai, grew up riding his BMX through the orchards of Cupertino, CA. But it was the visual language of skateboard culture that ensnared his creative imagination and grew into a passion for graphic design. Always industrious, he took night school art classes as a teenager, went on to earn a BA in Graphic Design, and then got straight to work freelancing. Not long after, he began working with Apple - eventually rising in the ranks to Vice President of Global Marketing Communications. Over his 18 years with Apple, he directly influenced the branding, packaging and marketing that we have come to know as distinctly Apple. Now, with Airbnb since early 2020 (through the tumult of the pandemic, the IPO, and a recent major reconfiguring of how Airbnb serves up wander lust and discovery,) he's leading and supporting creative teams that are adapting and responding to the needs of a rapidly shifting global society. As a leader, he knows the most effective place for creative teams to be is right up close to the problems that need solving (aka in-house and upstream.) And to do their best work, the creative process needs protection and structure. Amen.Images, links and more from Hiroki!Many thanks to this episode's sponsors:Gild InsuranceHave you ever wondered if you have the insurance you need to be fully protected as a business owner? Gild is a nationally licensed, digital, independent insurance agency for small business owners, entrepreneurs, solopreneurs, microbusinesses and freelancers. Available online 24/7, Gild's one-of-a-kind digital insurance process is easy to navigate and understand. To learn more about how Gild provides insurance when you need it and how you want it, visit yourgild.com/Clever. Please say Hi on social! Twitter, Instagram and Facebook - @CleverPodcast, @amydevers,If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.Clever is a member of the Airwave Media podcast network. Visit airwavemedia.com to discover more great shows. Hosted on Acast. See acast.com/privacy for more information.

For our final week of Rumpelstiltskin Month, Drew and Cassie are delighted to be joined by Bethanie from Prince Kai Fan Pod to discuss Gilded and Cursed, the recently-completed YA duology by Marissa Meyer. This duology centers around Serilda, the daughter of a miller who was blessed by the god of fate and fortune and who is known for the fantastical stories she tells. When she comes face-to-face with the dangerous Erlking, her ability to tell stories gets her in trouble when she claims to spin straw into gold. Locked away in his castle, all seems hopeless - until a young man named Gild appears and offers to help. We discuss Marissa Meyer's use of names, the meanings behind some of the location names, Gilded vs. Wicked word counts, Cassie's lack of trust in Marissa, Cassie's fondness for banter, and so much more! And of course, we wrap up by revealing next month's fairy tale! Join our community! View all of the benefits of joining our Patreon including the Official Of Slippers and Spindles Book Club, exclusive polls, monthly bookmarks, Zoom hangouts, and more! https://patreon.com/ofslippersandspindles  Visit our our new merch store, Facebook group, Instagram, and more! https://linktr.ee/ofslippersandspindles  We love to hear from you! You can reach us at ofslippersandspindles@gmail.com  Music: Through The Woods by Shane Ivers - https://www.silvermansound.com  

Here's what you can expect from this episode: A few basic things you can do right now to protect yourself using insurance  Why insurance is good for day-to-day operations while helping you grow your business {and not just for traumatic events} Some of the insurance products that a boutique fitness studio owner needs to think about purchasing  Common scenarios that could occur that business owners do not necessarily think about, and what should be in place to be prepared for these situations  How to go about finding the right insurance as a new or established business Curious to know what types of insurance your business needs? Take a look at this Guide by Gild Insurance. It outlines the different types of business insurance and presents the options which may be best for your wellness business. Click here if want to learn more about Gild and how it can help you future-proof your business! LINKS: https://training.studiogrow.co/dare https://yourgild.com/insurance

Genetically edited humans are already here. Gene editing has massive implications for treating chronic illnesses and even the food we eat. So what does this mean for your investments and, y'know, possibly humanity? Ricky Mulvey talks with Motley Fool Advisor Karl Thiel about: - How CRISPR works - Some of the possibilities for CRISPR, from sickle cell cures to drought-resistant crops - How investors can approach investing in gene therapies - Biotech metrics to watch. Companies mentioned: BLUE, CRSP, GILD, EDIT, VRTX, NTLA Host: Ricky Mulvey Guest: Karl Theil Engineers: Tim Sparks, Dan Boyd

Another rough week for the stock market coincides with Amazon's exclusive start to Thursday Night Football. (0:30) Emily Flippen and Ron Gross discuss: - FedEx shares having a historically bad day amid talk of a recession - Adobe spending $20 billion for a start-up software design firm - Optimism around Starbucks after an impressive (and detailed) investor day - Twilio laying off 11% of employees - Two business leaders and their legacies (19:45) John Ourand from the Sports Business Journal discusses Amazon's investments in NFL programming, Disney's thinking about ESPN, college football playoff expansion, and story lines for the MLB playoffs. (35:30) Ron and Emily share two stocks on their radar: Union Pacific and Costco. Stocks discussed on the show: FDX, ADBE, SBUX, TWLO, AMZN, DIS, AAPL, UNP, COST Host: Chris Hill Guests: Emily Flippen, Ron Gross, John Ourand Engineer: Dan BoydGenetically edited humans are already here. Gene editing has massive implications for treating chronic illnesses and even the food we eat. So what does this mean for your investments and, y'know, possibly humanity? Ricky Mulvey talks with Motley Fool Advisor Karl Thiel about: - How CRISPR works - Some of the possibilities for CRISPR, from sickle cell cures to drought-resistant crops - How investors can approach investing in gene therapies - Biotech metrics to watch. Companies mentioned: BLUE, CRSP, GILD, EDIT, VRTX, NTLA Host: Ricky Mulvey Guest: Karl Theil Engineers: Tim Sparks, Dan Boyd

Airbnb's Global Head of Marketing, Hiroki Asai, grew up riding his BMX through the orchards of Cupertino, CA. But it was the visual language of skateboard culture that ensnared his creative imagination and grew into a passion for graphic design. Always industrious, he took night school art classes as a teenager, went on to earn a BA in Graphic Design, and then got straight to work freelancing. Not long after, he began working with Apple - eventually rising in the ranks to Vice President of Global Marketing Communications. Over his 18 years with Apple, he directly influenced the branding, packaging and marketing that we have come to know as distinctly Apple. Now, with Airbnb since early 2020 (through the tumult of the pandemic, the IPO, and a recent major reconfiguring of how Airbnb serves up wander lust and discovery,) he's leading and supporting creative teams that are adapting and responding to the needs of a rapidly shifting global society. As a leader, he knows the most effective place for creative teams to be is right up close to the problems that need solving (aka in-house and upstream.) And to do their best work, the creative process needs protection and structure. Amen.Images, links and more from Hiroki!Many thanks to this episode's sponsors:Gild InsuranceHave you ever wondered if you have the insurance you need to be fully protected as a business owner? Gild is a nationally licensed, digital, independent insurance agency for small business owners, entrepreneurs, solopreneurs, microbusinesses and freelancers. Available online 24/7, Gild's one-of-a-kind digital insurance process is easy to navigate and understand. To learn more about how Gild provides insurance when you need it and how you want it, visit yourgild.com/Clever. Please say Hi on social! Twitter, Instagram and Facebook - @CleverPodcast, @amydevers,If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.Clever is a member of the Airwave Media podcast network. Visit airwavemedia.com to discover more great shows.Support this show http://supporter.acast.com/clever. See acast.com/privacy for privacy and opt-out information.

Beat Baudenbacher was born in Switzerland, where he grew up exposed to the dynamic artistic world through his mother and the rational lens through his surgeon dad. Always fascinated by words, he fell in love with typography, and dabbled in graphic design in high school. He did an exchange year in California with no intention of pursuing design, but after his dad mentioned that a friend's daughter was attending Art Center, a lightbulb went off and he scrambled to create a portfolio. A serendipitous trip to a bookstore led him to a job at Attik, where he met future co-founder of entertainment branding studio, loyalkaspar, David Herbruck. Since founding loyalkaspar, Beat has pushed the thinking around branding and marketing, and written an upcoming book, Somewhere Yes, that dives into how we move through this world that is shaped by branding. Images, links and more from Beat!Many thanks to this episode's sponsors:Gild InsuranceHave you ever wondered if you have the insurance you need to be fully protected as a business owner? Gild is a nationally licensed, digital, independent insurance agency for small business owners, entrepreneurs, solopreneurs, microbusinesses and freelancers. Available online 24/7, Gild's one-of-a-kind digital insurance process is easy to navigate and understand. To learn more about how Gild provides insurance when you need it and how you want it, visit yourgild.com/Clever. Please say Hi on social! Twitter, Instagram and Facebook - @CleverPodcast, @amydevers,If you enjoy Clever we could use your support! Please consider leaving a review, making a donation, becoming a sponsor, or introducing us to your friends! We love and appreciate you!Clever is hosted & produced by Amy Devers, with editing by Rich Stroffolino, production assistance from Ilana Nevins and Anouchka Stephan, and music by El Ten Eleven.Clever is a member of the Airwave Media podcast network. Visit airwavemedia.com to discover more great shows.Support this show http://supporter.acast.com/clever. See acast.com/privacy for privacy and opt-out information.