Podcasts about parsi

If the Trump administration adopts Israel's “red lines” in the negotiations with Iran, the talks are doomed, argues Trita Parsi, executive vice president of the Quincy Institute for Responsible Statecraft. Parsi tells host Steve Clemons that Iran is willing to reach a deal on its nuclear programme, as it did in 2015 with then-President Barack Obama. But a lot depends on “whether the US is willing to push back against Israel or not”. Israeli officials were “very upset” that the United States has so far chosen diplomacy over war, and demand that the US add new issues – especially Iran's ballistic missiles – to the agenda. Subscribe to our channel: http://bit.ly/AJSubscribe Follow us on X : https://twitter.com/AJEnglish Find us on Facebook: https://www.facebook.com/aljazeera Check our website: http://www.aljazeera.com/ Check out our Instagram page: https://www.instagram.com/aljazeeraenglish/ Download AJE Mobile App: https://aje.news/AJEMobile

This episode was recorded on Jan 21, 2026.Wasay Mir hosts a conversation with Trita Parsi, Executive Vice President of the Quincy Institute and one of the most influential voices on US-Iran relations in Washington.A Johns Hopkins SAIS PhD and author of four books on American foreign policy in the Middle East, Parsi unpacks Iran's unfolding domestic crisis in January 2026. Seven months after devastating strikes on Iran's nuclear facilities, mass protests have erupted amid economic collapse and an unprecedented regime crackdown.Together, they explore whether this uprising differs from past movements like the Green Revolution or Mahsa Amini protests, what the collapse of Iran's regional proxy network means for the regime's survival, and whether Gulf states actually want a weakened Iran or fear what comes after.Parsi's personal history as the son of an outspoken academic who faced repression under both the Shah and Ayatollah Khomeini provides unique insight into Iranian authoritarianism.Produced by the Phillip Merrill Center for Strategic Studies at Johns Hopkins SAIS.Researched and hosted by Wasay Mir; edited by Vishal Gogusetti

A weekly magazine-style radio show featuring the voices and stories of Asians and Pacific Islanders from all corners of our community. The show is produced by a collective of media makers, deejays, and activists. Envisioning Hopeful Futures Host Miko Lee speaks with two Bay Area artists, activists, and social change makers: Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists.   LINKS TO OUR GUESTS WORK Tara Dorabji Author's website New book Call Her Freedom Find more information about what is happening in Kashmir Stand With Kashmir Cece Carpio  Tabi Tabi Po running at Somarts   SHOW Transcript Opening Music: Apex Express Asian Pacific expression. Community and cultural coverage, music and calendar, new visions and voices, coming to you with an Asian Pacific Islander point of view. It's time to get on board the Apex Express. Miko Lee: Good evening. I'm your host Miko Lee, and tonight I have the pleasure of speaking with two Bay Area local artists, activists, and social change makers, Tara Dorabji and Cece Carpio. Both of these powerful people have been kicking it up in the bay for a minute. They worked in arts administration as community organizers and as artist activists. I so love aligning with these multi hyphenated women whose works you can catch right now. First up, I talk with my longtime colleague, Tara Dorabji Tara is an award-winning writer whose first book Call Her Freedom just came out in paperback. And I just wanna give a little background that over a decade ago I met Tara at a workshop with the Great Marshall Gantz, and we were both asked to share our stories with the crowd. During a break, Tara came up to me and said, Hey, are you interested in joining our radio show, Apex Express? And that began my time with Apex and the broader Asian Americans for Civil Rights and Equality community. So if you hear a tinge of familiarity and warmth in the interview, that's because it's real and the book is so great. Please check it out and go to a local bookstore and listen next to my chat with Tara. Welcome Tara Dorabji to Apex Express.  Tara Dorabji: Thank you so much for having me. It's wonderful to be with you, Miko. Miko Lee: And you're actually the person who pulled me into Apex Express many a moon ago, and so now times have changed and I'm here interviewing you about your book Call Her Freedom, which just was released in paperback, right? Tara Dorabji: Yep. It's the one year book-anniversary. Miko Lee: Happy book anniversary. Let's go back and start with a little bit for our audience. They may have heard you, if they've been a long time Apex listener, but you as an artist, as a creator, as a change maker tell me who are your people and what legacy do you carry with you? Tara Dorabji: Who are my people? My people I would say are those who really align with truth. Truth in the heart. That's like at the very core of it. And I'm from the Bay Area. I've been organizing in the Bay a long time. I started out organizing around contaminated sites from nuclear weapons. I've moved into organizing with young people and supporting storytelling. So arts and culture has been a huge part of it. Of course, KPFA has been a big part of my journey, amplifying stories that have been silenced, and I think in terms of legacy, I've been thinking about this more and more. I think it goes into two categories for me. One are the relationships and who remembers you and and those deep heart connections. So that's one part. And then for my artistry, it's the artists that come and can create. On the work that I've done and from that create things that I couldn't even imagine. And so I really think that's the deepest gift is not the art that you're able to make, but what you create so that others can continue to create. Miko Lee: Thank you so much for sharing the deep kind of legacy and sense of collaboration that you've had with all these different artists that you've worked with and it's, your work is very powerful. I read it a year ago when it first came out, and I love that it's out in paper back now. Can you tell our audience what inspired Call her Freedom. Tara Dorabji: Call Her Freedom is very much inspired by the independence movement in Indian occupied Kashmir. And for me it was during the summer uprisings when, and this was way back in, In 2010-2009, after the Arab Spring and for the entire summer, Kashmir would be striking. It would shut down from mothers, grandmothers, women, children in the street. This huge nonviolent uprising, and I was really drawn to how it's both one of the most militarized zones on earth. And how there was this huge nonviolent uprising happening and questions about what it could look like, even like liberation beyond the nation state. And so I was really drawn to that. My dad's from Bombay, from Mumbai, that's the occupying side of it, and ethnically we're Parsi. So from Persia a thousand years ago. And so I think for me, at a personal level, there's this question of, okay, my people have been welcomed and assimilated for generations, and yet you have indigenous folks to the region that are under a complete seizure and occupation as part of the post-colonial legacy. And so I went and when I went to Kashmir for the first time was in 2011, and I was there. Right when the state was verifying mass graves and was able to meet with human rights workers and defenders, and there was a woman whose husband had disappeared and she talked to me about going to the graves and she told me, she said I wanted to crawl in and hug those bones. Those are the lost and stolen brothers, sons, uncles, those are our people. And another woman I spoke to talked about how it gave her hope for the stories to carry beyond the region and for other people to hear them. And so that became a real core part of my work and really what call her freedom is born from. Miko Lee: Thank you for sharing and I know that you did a film series and I wonder if you could about Kashmir and about what's going on, and I think that's great because so many times we in American media don't really hear what's going on in these occupied lands. Can you talk a little bit about how the interconnectedness of your film series and the book and was that part of your research? Was it woven together? How did you utilize those two art forms?  Tara Dorabji: I think we're both accidental filmmakers. That might be another way that our cross, our paths cross. In terms of medium. So for me, I was actually working with Youth Speaks the Brave New Voices Network at that time and doing a lot of short form. So video content, three minutes, 10 minutes, six minutes. And it was playing really well and what I was seeing coming outta kir by local filmmakers was beautiful, gorgeous, highly repressed work generally, longer form, and not always immediately accessible to an audience that didn't have context, that hadn't been, didn't understand. And my thinking was this was a gap I could fill. I had experience, not as a filmmaker, but like overseeing film teams doing the work, right? And then here are some of the most silent stories of our time. So when I went back to do book research in 2018, I was like, Hey, why don't I make some short form films now? I didn't even know what I was getting into. And also I think. When you go in as a novelist, you're absorbing your hearing and it takes time. There's no clock. It was, it's been the hardest project to get from start to finish. And I couldn't be like, okay, Miko, like I've done it once. Now this is how you do it. And when people trust you with their story, there's an urgency. So throughout the whole project, I was always seeking form. So my first trip went straight to KPFA radio. Took the stories, project sensor, took the stories, and so I wanted to build on that. And so the documentary films provided a more some are, I'm still working on, but there was some immediacy that I could release, at least the first film and the second film, and also I could talk about how can this work dovetail with campaigns happening on the ground and how can my work accelerate what human rights defenders are doing? So the first film here still was released with the first comprehensive report on torture from the region. And so it gave that report a whole different dimension in terms of conversation and accessibility. It was a difficult film but necessary, and because I had to spend so much time with. It was a difficult film but necessary, and because I had to spend so much time with transcribing, watching the footage over and over again, it really did inform my research from the B-roll to sitting and hearing the content and also for what people were willing to share. I think people shared in a different way during video interviews than when I was there for novel research. So it worked really well. And what I am, I think most proud of is that the work was able to serve what people were doing in a really good way, even though it's really difficult work.  Miko Lee: It built on the communication strategies of those issues like the torture report and others that you're working on.  Tara Dorabji: Exactly. And in that way I wasn't just coming and taking stories, I was applying storytelling to the legal advocacy strategies that were underway. And, you make mistakes, so it's not like there weren't difficulties in the production and all of that. And then also being able to work with creatives on the ground and at times it just. You, it became increasingly difficult, like any type of money going out was too heavily scrutinized. But for a time you could work with creatives as part of the projects in the region and then that's also super exciting.    [00:11:18] Miko Lee: Yeah. Can you talk a little bit more, I heard you say something about how the, when people are telling your story for the novel versus telling the story for the video that the cadence changes. Can you share a little bit more about what you mean by that?    Tara Dorabji: Yeah, I think when I'm doing novel research, it's very expansive, so I'm dealing with these really big questions like, what is freedom? How do you live in it? How do you, how do you choose freedom when your rights are being eroded? And so that conversation, you could take me in so many different directions, but if I am focused on a very specific, okay, I'm doing a short documentary film around torture, we're gonna go into those narratives. Or if I'm coming with a film medium, like people just see it differently and they'll speak and tell their stories differently than with a novel. It's gonna be fictionalized. Some of it might get in there or not. And also with a novel, I don't ever, I don't take people and apply them to fiction. I have characters that like, I guess come to me and then they're threaded through with reality. So one character may hold anecdotes from like dozens of different people and are threaded through. And so in that way you're just taking like bits and pieces become part of it, but. You don't get to see yourself in the same way that you do with the film. So in some ways. It can be safer when the security environment is as extreme as is as it is right now. But there's also this real important part of documentary film where it's people are expressing themselves in their own words, and I'm just curating the container.  Miko Lee: Was there an issue like getting film out during the time that you were doing the documentary work? Because I've heard from other folks that were in Kashmir that were talking about smuggling film, trying to upload it and finding different, did you have to deal with any of that, or was that before the hardest crackdown? Tara Dorabji: I mean there were, there's been series, so 2019 was abrogation where there was a six month media blockade. And so just your ability to upload and download. And so that was after I had been there. The environment was there was challenges to the environment. I was there for a short time and you just come and you go. You just do what you're gonna do and you be discreet. Miko Lee: And what is going on in Kashmir now?  Tara Dorabji: The situation is really difficult. One of the lead leads of the report on torture and coordinator from the human rights group that put, that helped put out that report has been incarcerated for four years Koran Perve. Miko Lee: Based on what?  Tara Dorabji: His human rights work. So they've just been detaining him and the United Nations keeps calling for his release.  Miko Lee: And what do they give a reason even?  Tara Dorabji: They, it's yeah, they give all kinds of trumped up charges about the state and terrorism and this and that. And also. One of the journalists and storyteller and artists in the first film that I released, Iran Raj, he's been incarcerated for two years. He was taken shortly after he was married, the press, the media has been dismantled. So there was, prolific local press. Now it's very few and it's all Indian State sponsored narrative propaganda coming through. ] Miko Lee: How are concerned folks here in the US able to get any news about what's happening in Kashmere, what's really going down?  ara Dorabji: It's really hard. Stand with cashmere is a really good source. That's one. There's cashmere awareness. There's a few different outlets that cover what happens, but it's very difficult to be getting the information and there's a huge amount of repression. So I definitely think the more instagram orgs, like the organizations that go straight to the ground and then are having reels and short information and stories on Instagram is some of the most accurate information because the longer form journalism. It is just not happening right now. In that way people are being locked up and the press is being dismantled and people running, the papers are being charged. It's just horrendous. Entire archives are being pulled and destroyed. So hard. Really hard. So those, Stand With Kashmir is my go-to source, and then I see where else they're looking.  Miko Lee: So your book Call Her Freedom is a fictionalized version, but it's based around the real situation of what's been going on in Kashmir. Can you share a little bit more about your book, about what people should expect and about what you want them to walk away with understanding.  Tara Dorabji: It's a mother daughter story. It's a love story. It's about love and loss and families, how you find home when it's taken. And the mom is no Johan. She's a healer. She's a midwife. She has a complex relationship with her daughter and she haunts the book. So the story told from multiple points of view, we never get and ignore the mom's head, but. She comes back as she has a lot to say. And I think it's interesting too because in this village that's largely run by men, you have these two women living by themselves and really determining their own fate. And a lot of it has to do with both nors ability to look at ancient healing practices, but also a commitment that her daughter gets educated. And so she really like positions her daughter in between the worlds and all the while you have increasing militarization. And Aisha starts as a young girl just starting school. And then at the end of the story, she's a grandmother. We get to see her relationships evolve, her relationship with love evolve, and a lot of the imperfections in it. And one of the things in writing this is when you're dealing. Living in occupation, there's still the day-to-day challenges that so many of us endure. And you have these other layers that are horrific.  Miko Lee: Yeah. And I'm wondering how much of yourself as a mother you embedded into the book as a mother, as an activist, as a mother of daughters, how much of yourself do you feel like you put into the book?  Tara Dorabji: A ton. It's my heart and spirit in there. And there were some really, there's this scene where the mom does die, and I actually wrote that before my mom passed away. And I do remember like after my mom died, going through and editing that part. And it was just like. It was really, it was super intense and yeah, I mean it definitely made me cry and it was also like the emotion was already there, which was interesting for me to have written it before but then have it come back and a full circle, I think.  Miko Lee: So did you change it after you experienced your own mom dying?  Tara Dorabji: It was soft edits. In my second novel, there's a scene and it, that one completely changed 'cause I didn't hit the emotion. Emotional tenor, right? It's funny, but in this one it was pretty good. I was like, I did pretty good on that one. But yeah, so it was just like tinkering with it a little. I think also my daughters were about four when I started.  Miko Lee: Oh, wow.  Tara Dorabji: And it came out as, when they're 18. So the other part was I was able to use their age references constantly throughout it because. I could just map to what it's like being a mom of a kid that age. So I did ob yeah, definitely used my own. So it's an amalgam and also it's fictionalized. So in the book, it's not Kashmir, it's Poshkarbal there's right a village. And so trying to take people out of something that they can identify as reality, but then at the same time, you can see the threads of reality and create a new experience. Miko Lee: So since you brought that up, tell us about the next book that you're working on right now.  Tara Dorabji: Yes, it's still very much in a draft form, but takes place here in the Bay Area. Similar themes around militarization, family secret love, lineage loss, and part of it's in Livermore Home to one of the world's nuclear weapons lab. Mm-hmm. Part of it's in San Francisco, so exploring into the future tech, AI, and. There's an underpinning around humans' relationship to technology, and I think at this point. We know that technology isn't gonna solve the crisis of technology. And so also looking at our relationship to land and culture and lineage. So there's, it's about, now I'm looking at about a hundred year span in it.  Miko Lee: Wow. Really?  Tara Dorabji: Yeah. Contained with the geography of the Bay Area  Miko Lee: Toward the future. Toward the past? Tara Dorabji: both past and future Miko Lee: Whoa. Interesting.  Tara Dorabji: Yeah.  Miko Lee: I'm reading Empire of AI right now. I don't know if you're familiar with that, but, oh, the AI stuff is so deeply disturbing about humanity. You're really thinking about where we're going, so I'm curious to find out your fictionalized versions of the impact.  Tara Dorabji: It's a major change we're going through. Yeah, and you and I grew up in a time when we didn't have cell phones and we used maps, and Yeah. If I was gonna meet you, I had to be there and we'd have to make a plan in advance and yeah. It's just shifting so rapidly. So we went  Miko Lee: through that. Even how to read a, how to read a clock like my girls, I had to show them as adults how to read a clock. Wow, I didn't realize these things. Our world is so digitized that even the most basic, that concepts ha how are shifting and even fine motor skills. Like most young people do not have good, fine motor skills.  Tara Dorabji: Yeah.  Miko Lee: Because they're just used to being on their phone all the time.  Tara Dorabji: Yes, and the, and I would give it is during the rain over the holidays, there is just always a family out with a small child in their yellow rain boots. And the kid like reaching into the tree, grabbing, smelling it dad or mom holding them. And so there are these anchors.  Miko Lee: Yeah.  Tara Dorabji: And even though humanity is accelerating in this one way, that's very scary and digitize. It's like the anchor of the earth in our community and our relationships still is holding us. Some of, you know, there's still that pull. And so I think that how people form their communities in the future and the way that. The choices that are gonna be made are just gonna become increasingly difficult. We faced it in our generation, parenting around cell phones, social media. We're seeing that impact of the suicidality, all of those things coming up. And that's gonna accelerate. So I do think it's, definitely a major change in transition some dark times, but also some really beautiful possibilities still rooting in our communities and in the world.  Miko Lee: And because we both work in movement spaces, I'm really curious I heard you talk a lot about connection and land and I'm just curious in your book. I got this vibe and I know a lot of the work that we do in the community. I'm wondering if you could speak a little bit on the land back movement internationally. In so many of those spaces, women are at the forefront of that. I wonder if you could talk a little bit about that.  Tara Dorabji: That's one of the most exciting things happening right now is the land back movement. In my younger days when I was studying what determines a woman's quality of life internationally at a scale, it's, it was really came down to land ownership. So in societies where land ownership went to women, they were able, and it was like. Outpaced by far, education and those other things is like that access to the land and the resource in that way. And land back is an acceleration of that, and I think particularly when we're looking at a lot of questions around philanthropy, spun downs, how it's done. When you transition an asset back into the community as land and land stewardship, right? Because then there's like the ownership for the stewardship and yeah, the different ways that it's done. But that is a lasting impact for that community. And so often when you're investing in women. Then it goes not just in terms of their quality of life, but the children, right? And the whole community tends to benefit from that. And I think even looking at Kir in the, one of the things that always has fascinated me is Kashmir during, it was independence was a carve up by the British, so that's a post-colonial strategy to keep people fighting. That has been very successful in the subcontinent. Kashmir had  Miko Lee: all over the world.  Tara Dorabji: Exactly. And Kashmir had a semi-autonomous status. That's what was really stripped in 2019, was that article from the Constitution. And so in the very early days when their autonomy was stronger, they started some pretty revolutionary land reforms. And so there was actually clauses where the people that were working the land could have it. And people Kashmiris were transferring land. To two other cashmeres. And so it was this radical re resource redistribution and you have a really strong legacy of feminism and women protesting and leading in Kashmir and I think that part from my perspective is that was a threat. This fear of redistribution of resources, land distribution other areas started to follow suit and the nation state didn't want that to happen. They wanted a certain type of concentration of wealth. And so I think that was one of the factors that. There were many, but I do think that was one that contributed to it. So I do think this idea of land backed land reform is extraordinarily important, and particularly looking at our own relationship with it. How do we steward it? How do we stop stripping the land? Of its resources and start realigning our relationship to it where humans are supposed to be the caretakers. Not the ones taking from.  Miko Lee: Thank you for sharing. I was thinking so much about your book, but also about the movement that we live in and the more positive visions of the future. Because right now it's devastating all the things that are happening in our communities. So I'm trying to be a bit hopeful and honestly just to keep through it make sure that we get through each day. Given so many of our brothers and sisters are at risk right now I'm wondering what gives you hope these days?  Tara Dorabji: Yeah, a lot of things do, I think like when I do try to take the breaths for the grief and the devastation because that loss of life is deep and it's heavy and it's real and it's mounting. So one, not to shy away from feeling it. Obviously not, it's hard. You don't want to 24 7, but when it comes in to let it come in and move through. And for me it's also this idea of not. It's just like living in hope. How do you live each moment and hope? And so a big part of it for me is natural beauty, like just noticing the beauty around me and filling myself up in it because that can never be taken away. And I think also in some of the most violent acts that are being committed right now, the way people are meeting them with a pure heart.  Miko Lee: Yeah.  Tara Dorabji: It's like you can't stop, like that's unstoppable is like that beauty and that purity and that love. And so to try to live in love, to try to ground in hope and to try to really take in the beauty. And then also like how do we treat each other day to day, and really take the time to be kind to one another. To slow it down and connect. So there are, these are tremendously difficult times. I think that reality of instability, political violence, assassination, disappearances, paramilitary have come visibly. They've been in the country, but at a, in the US at a more quiet pace, and now it's so visible and visceral  Miko Lee: And blatant. Yeah. It's just out there. There's no, they're not hiding about it. They're just out there saying out there, roaming the streets of Minnesota right now and other states to come. It's pretty wild.  Tara Dorabji: Yeah. And I think that the practice is not to move in fear. The grief is there, the rage and outrage can be there. But the love and the beauty exists in our communities and and in the young people. Miko Lee: Yeah.  Tara Dorabji: And our elders too. There's so much wisdom in our, in the elders. So really soaking up those lessons as much as possible.  Miko Lee: Thank you so much for chatting with me and I hope everybody that checks out your book call Her Freedom, which has gotten some acclaim, won some awards, been out there, people can have access to it in Paper Book. We'll put a link in our show notes so people can have access to buy it from an independent bookstore.  Tara Dorabji: Thank you so much. Wonderful to catch up and thank you for all your work on Apex as well.  Miko Lee: Thank you. Next up, take a listen to “Live It Up” by Bay Area's Power Struggle.    MUSIC “Live It Up” by Bay Area's Power Struggle.  Next up I chat with Visual artist, cultural strategist and Dream Weaver, Cece Carpio about her solo exhibition that is up and running right now at SOMArts through March. Welcome, Cece Carpio to Apex Express.   [00:33:37] Cece Carpio: Thank you for having me here.   [00:33:39] Miko Lee: I am so excited to talk with you, and I wanna start with my very first question that I ask all of my guests, which is, who are your people and what legacy do you carry with you? [00:33:52] Cece Carpio: That's a packed question and something I love. just in terms of where I come from, I was born and raised in the Philippines, small little farming village town, and migrated as my first so ground in the United States here in San Francisco. So my peoples consists of many different beings in all track of. The world whom I met, who I've loved and fought with, and, relate with and connect with and vision the world with. So that includes my family, both blood and extended, and the people who are here claiming the streets and claiming. Claiming our nation and claiming our world to make sure that we live in the world, that we wanna envision, that we are visioning, that we are creating. I track along indigenous immigrant folks in diaspora. black, indigenous people of color, community, queer folks, and those are folks that resonate in, identify and relate, and live, and pray and play and create art with.  [00:35:11] Miko Lee: Thank you so much. And do you wanna talk, chat a little bit about the legacy that you carry with you? [00:35:16] Cece Carpio: I carry a legacy of. Lovers and fighters, who are moving and shaking things, who are creating things, who are the healers, the teachers, the artists and it's a lot of load to carry in some extent, but something I'm very proud of, and those are the folks I'm also rocking with right now. I think we're still continuing and we're still making that legacy. And those are the people that are constantly breathing on my neck to make sure that I'm doing and walking the path. And it's a responsibility I don't take lightly, but it's also a responsibility I take proudly. [00:35:58] Miko Lee: Thank you for sharing. We are talking today because you have an exhibit that's at SOMArts Space, your first solo exhibit, and it's running all the way through March 29th, and it's called Tabi Tabi Po: Come Out With the Spirits! You Are Welcome Here First, tell me about the title and what that evokes for you. [00:36:18] Cece Carpio: Yes, so Tabi Tabi Po is a saying from the Philippines that essentially. Acknowledge, like it's most often used when you walk in the forest. And I think collectively acknowledge that there are other beings and spirits there beyond ourselves. So it's asking for permission. It's almost kind of like, excuse me, we're walking your territory right now. And, acknowledging that they're there and acknowledging that we're here or present and that, we're about to. Coexist in that space for that moment. So can we please come through? I think this is also not just like my open idea and choosing this title is not that we're only just coming through, but we're actually coming out to hang out for a little while and see what's happening here and kick it. Opening up space and welcoming folks who wants to come out and play with us and who wants to come and share the space.  [00:37:15] Miko Lee: Ooh. I really love that. I feel that when I walk in the forest to this ancestors that are with us. That's beautiful. This is your first solo exhibit, so I'm wondering what that feels like. You have been a cultural bearer for a really long time, and also an arts administrator. So what does it feel like to have your first solo exhibit and see so much of all of your work all around?  [00:37:36] Cece Carpio: Well, I'm a public artist. Most of the stuff that I've been doing the last decade has been out in public, creating murals and installations and activations, in different public spaces, and went somewhere. Specifically Carolina, who is the curator at SOMA have asked me to do this. To be honest, I was a little bit hesitant because I'm like, oh, it's a big space. I don't know. 'cause I've done group exhibitions in different parts of the years, but most of the stuff I do are affordable housing to like public activations to support the movement. Then I kind of retracted back and it's like, maybe this is the next step that I wanna explore. And it was a beautiful and amazing decision to work alongside so Mars and Carolina to make this happen 'cause I don't think it would've happened the way we did it in any other space, and it was amazing. Stressful that moments because I was still doing other projects and as I tried to conceive of a 2000 square footage gallery and so my district in San Francisco. But it was also the perfect opportunity. 'cause my community, my folks are here and. We are saying that it's a solo exhibition, but it really did take the village to make it all happen, and, which was one of my favorite part because I've been tracking this stem for so long and he is like folks on my back and I wanted to tell both my stories and our stories together. It was very opening, very humbling. Very vulnerable and exciting. All at the same time, I was able to talk or explore other mediums within the show. I've never really put out my writing out into public and is a big part and component of the exhibition as well as creating installations in the space. Alongside, what I do, which is painting mostly. But to be honest, the painting part is probably just half of the show. So it was beautiful to play and explore those different parts of me that was also playing with the notion of private and public, like sharing some of my own stories is something as I'm still trying to find ease and comfort in. Because as a public artist, I'm mostly translating our collective stories out, to be a visual language for folks to see. So this time around I was challenged a little bit to be like, what is it that you wanna share? What is it that you wanna tell? And that part was both scary and exciting. And, and he was, it was wonderful. It was great. I thought he was received well. And also, it was actually very relieving to share parts and pieces of me out with my community who have known for a long time. There were still different parts of that there were just now still learning. [00:40:39] Miko Lee: What did you discover about yourself as you're kind of grappling with this public versus private presentation? [00:40:45] Cece Carpio: What I learned about myself through this process is I can actually pretty shy. I mean, I might be, you know, um, contrary to like popular belief, but it was definitely, I'm like, Ooh, I don't know. I don't know. My folks who had been standing close with me, just like, this is dope. And also just in the whole notion that, the more personal it is, the more universal it becomes and learning that, being able to share those part of me in a way of just for the pure sake of sharing, actually allows more people to resonate and relate, and connect, which at this moment in time is I thing very necessary for all of us to know who our peoples are when this tyranny, trying to go and divide us and trying to go and separate us and trying to go and erase us. So I think there's something really beautiful in being able to find those connections with folks and spaces and places that otherwise wouldn't have opened up if you weren't sharing parts and pieces of each other.   [00:42:00] Miko Lee: That's so interesting. The more personal, kind of vulnerable you make yourself, the more it resonates with folks around the world. I think that's such a powerful sentiment because the, even just having a gallery, any piece of artwork is like a piece of yourself. So opening up a huge space like Somar, it's, that's like, come on in people. Thank you for sharing with us. To your point about the shocking, horrible, challenging, awful times that we live in. As we talk right now, which is Saturday, January 31st, there protests going on all around the country. I'm wondering if you can talk a little bit about what it means to be a visual artist, a cultural bearer in a time of fascism and in a time of struggle. [00:42:43] Cece Carpio: Well, if you go and see the exhibition, that's actually very much intertwined. My practice has always been intertwined with, creating a vision in solidarity with our communities who are believing and fighting for another world that's possible. My practice of this work has been embedded and rooted with the movement and with organizations and people who have the same goals and dreams to, bring in presence and existence of just us regular, everyday people who are still fighting to just be here to exist. So just to your question of, but what it means to do this work at this time. I think it is the imagination. It is the creativity that allow us to imagine something different. It is the imagination, it is the dreams that allow us to create that. Other world that we wanna envision when, everything else around us is telling us another way that's not really the best for ourselves and for our peoples and for the future generations that's gonna be carrying this load for us. And with this. In so many ways, a lot of my. my creating process, my making process has always carried that, and even myself, immigrating to this place that was once foreign is figuring out where I can belong. My art practice has not only been a way in which I express myself, but it has been the way in which I navigate the world. That's how I relate to people. That's how I am able to be part of different groups and community. And it's also how I communicate. , And that's always been, and still is a very big portion of my own practice.   [00:44:37] Miko Lee: Can you share a little bit more about your arts practice, especially when we're living in times where, people are trying to get a paycheck and then go to the rally, and then maybe phone banking and organizing and there's so many outside pressures for us to just continue to move on and be in community and be in movement work. I'm wondering how do you do it? Do you carve out times? Is it in your dreams? Where and how do you put yourself in your arts practice. [00:45:04] Cece Carpio: I don't think there is a wrong or right way of doing this. I think being an artist, it is not only about being creative on what, a paint on the walls, it is about being creative on how you live your life. I don't know if there's a formula and it's also been something that, to be honest, it's a real conversation. I mean, most of us artists. We're asking each other that, you know, like You do it. How do you figure out, like how do you add hours in your day? How do you continue doing what it is that you love and still fall in love with it when we're under capitalism trying to survive, all these different things. Everyone has a different answer and everyone has different ways of doing it. I'm just kind of figuring it out as I go, you know? I'm an independent artist. It is the center of the work that I do, both as a livelihood and as a creative practice, as a spiritual practice, as a connective practice. This is what I do. For me it is just like finding my peoples who wants to come and trek along. Finding folks who wants to support and make it happen. Beyond painting on walls, I'm also an educator. I've taught and pretty much most of the different levels of, what this nation's education system is like and still do that in practice, in both workshops, , sometimes classrooms, community group workshops and folks who wants to learn stern, both technical and also like conceptual skills. I consider myself also a cultural strategist, within a lot of my public activation and how I can support the movement is not just, creating banners or like little cards, but actually how to strategize how we utilize art. To speak of those things unspoken. But to gather folks together in order to create gateways for, other everyday folks who might not be as involved with, doesn't have time or availability or access to be involved to make our revolution irresistible. Many different cultural strategist comes together and we produce public art activations to make it both irresistible, but also to provide access, to folks who otherwise probably would just walk by and have to go to their everyday grind to just make it on this work. As long as I see it aligned within kind of divisions that we have together to consistently rise up and get our stories known and become. Both a visual translator but also a visual communicator in spaces and places sometimes, you know, unexpected, like for example, within the protest when protest is over, like what are left behind within those spaces where we can create memories. And not just like a moment in time, but actually how do we mark. The space and places we share and that we learn from and that we do actions with. We can make a mark and let it be seen.   [00:48:05] Miko Lee: Thank you for that. I'm wondering, as you're talking about your profound work, and how you move through the world, I'm wondering who are some of the artists that inspire you right now?  [00:48:17] Cece Carpio: So many, so many folks. Artists at this moment have been becoming vital because of the intensity of our political climate that's happening. There's so many artists right now who are. doing a lot of amazing, amazing things. I definitely always have to give shout out to my mama, Esra, which is one Alicia, who's just consistently and prolifically still creating things. And she, I've been doing and collaborating with her for many, many years. What I think I really love and enjoy is that she's continuously doing it and like it gives us more hunger to like, all right, we gotta catch up. it's amazing and  [00:48:58] Miko Lee: beautiful. Amazing work.  [00:49:00] Cece Carpio: Yes, and I've been very fortunate and been very lucky to be part of an artist Has been such an inspiration , and a collaborator and in the many process of the different works that we do. So some of the crew members definitely shout out to my brother Miguel to, folks like Frankie and Sean Sacramento. Then we have span over in New York, like we've, we're now spreading like Voltron. ‘ve been very lucky to have some amazing people around me that love doing the same things who are my family. We're continuing to do that. So many more. It's really countless. I feel like I definitely have learned my craft and this trait by. Both being out there and making happen and then meeting folks along the way who actually are in the same path. And it's such a beautiful meeting and connection when that happens. Not only just in path of creating work, but, and path of we down to do something together. There's so many, there's so many. It's so nameless.  [00:50:05] Miko Lee: Thank you for sharing some of them, some of the artists that helped to feed you, and I'm sure you feed them. You just have finished up an artist in residence with the Ohlone people. I'm wondering if you could talk a little bit about what that experience was like being an artist in residence there. [00:50:21] Cece Carpio: It has been an amazing, and the relationship continues. Karina actually gave the spirit plate on the opening, which is such a big honor because I consider her, both a mentor and a comrade and, and  [00:50:34] Miko Lee: Karina Gold, the Chair of the Ohlone tribe.  [00:50:38] Cece Carpio: Yes. And who I have such admiration for, because if. Both integrity and also the knowledge that she carries and the work that she's doing and how she opens it up for different folks. How she walks is such a big part of how that collaboration started in the first place. As an indigenous immigrant that's been consistent. Like what does even mean to be indigenous in the land that's not yours, you know? Just the notion of what is our responsibility as stewards of this land to live on stolen land? I had this specific skill that I wanted to share, and they were more than willing, and open to dream together of what that could look like and was able to do. Many different projects and different sites , of land that's been returned to indigenous hands. It was such an honor to be part of that. Creating visual markers and visual acknowledgement in spaces that, you know, kind of telling the autobiographical stories of those spaces and how it was returned, what our divisions, and to work alongside the young people, the various different communities she believes and wanted to take part of the movement. I learned as much or if not more. I share my knowledge of like how to paint a mural or all the different skills. So it was very much a reciprocal relationship and it's still a continuous relationship that we're building. It's gonna be an ongoing fight, an ongoing resistance, but an ongoing victory. They've already have shared and won and have shown and shared with us the experiences of that. It's been very rejuvenating, regenerating, revitalizing, and in all those different ways, being able to bear witness to that, but taking small part in pieces, and certain projects to uplift and support that and also just to learn from the many different folks, and people from both Sego and the communities that they've able to like. Create and build through the time, I mean through the young time actually that they've been here, but definitely still growing.  [00:52:46] Miko Lee: Thank you. Your show is up until the end of March. What do you want folks to feel after they go see Tabi Tabi Po  [00:52:55] Cece Carpio: Mostly are gonna feel whatever they wanna feel. I'm kind of curious to know actually, what is it that people are feeling and thinking, but I think Enchantment, I wanna recapture that feeling of Enchantment in a time and moment where. It can be very frustrating. It can be very, depressing. Seeing the series of event in this nation and just uncaring, and like the pickable violence that's imposed to our peoples. I wanna be able to give folks a little bit of glimpse of like, why we are fighting and why we were doing this for and even see the magic in the fight. I think that's a big part of the story that's being told and that the, knowing that we're still writing a story as we go. Within this exhibition, there's a lot of spaces of me sharing parts of my story, but a big part of that is also spaces for folks to share theirs. That exchange of magic is something that we can use as ammunitions, we can use as tools to keep us going in times that is very, very trying.  [00:53:59] Miko Lee: The magical exchange to make the revolution irresistible.  [00:54:03] Cece Carpio: Let's do it. Let's go.  [00:54:05] Miko Lee: Sounds great. We're gonna put links to the show at SoMarts we'll put them on our Apex Express, um, page, and I'm wondering what's next for you? [00:54:14] Cece Carpio: We will also have programs that coincides alongside the various stories that we're telling with this exhibition to welcome for other community members, other artists, other cultural bearers, other fighters to come and join us, and be part of it and tell stories, heal time. Imagine a magical future to celebrate the victories and wins as big and small as they come. So that is gonna be happening. What's nice for me is, actually it's going simultaneously is I'm still painting. I'm going to be in support of painting a new space opening for a Palestinian owned bakery. They're opening up a new space back in their hometown right here in Oakland. And Reem is a close friend, but also a very frontline fighter. 'cause you know, genocide is still happening right now. I wanna be able to support that and also support her. Another public art installation is actually gonna be unveiling within next month over at soma. In the district of Soma Filipino with the Jean Friend Recreation Center. I'm actually trying to carve out more time to write. I'm still exploring, definitely like in the infants stages of exploring it, but falling in love with it. At some point in time within this show, . Wanna be able to actually get it published, in a written form where both the images can accompany some of the written work , and wanna see like its duration last beyond the exhibition show. There's always the streets to come and protest to happen and contributing to that work that we do to reclaim what is ours, the world that is ours.  [00:55:53] Miko Lee: Thank you so much. You're doing so many things so powerfully, so beautifully, so articulately and I guess the best way for folks to follow up is on your Instagram. [00:56:04] Cece Carpio: Yeah, I'm still actually operating in myself.  [00:56:06] Miko Lee: Okay. Okay. Well thank you so much for your work, everything that you do in the community, so powerful, and thanks so much for speaking with us today. Thank you. Thanks so much for listening to our show tonight. Please go check out Cece's exhibition Tabi Tabi Po at SoMarts and go to a local bookstore to get the paperback version of Tara's Call Her Freedom. Support artists who are paving the way towards a vision for a new future. They are working to make the revolution irresistible. Join us. [00:56:41] Closing Music: Please check out our website, kpfa.org/program/apex Express to find out more about our show and our guests tonight. We thank all of you listeners out there. Keep resisting, keep organizing, keep creating, and sharing your visions with the world because your voices are important. Apex Express is produced by Ayame Keane-Lee, Anuj Vaidya, Cheryl Truong, Isabel Li, Jalena Keane-Lee, Miko Lee, Miata Tan, Preeti Mangala Shekar and Swati Rayasam. Tonight's show was produced by me Miko Lee, and edited by Ayame Keane- Lee. Have a great night.     The post APEX Express – 2.5.26-Envisioning Hopeful Futures appeared first on KPFA.

This episode features a full-length debate between Shadi Hamid and Trita Parsi —two thinkers who fundamentally disagree about the role of American power in the world. Released jointly with The Disagreement podcast and hosted by Alex Grodd, the conversation reflects a shared Wisdom of Crowds ethos — one that treats disagreement not as a failure of understanding, but as a tool for thinking more clearly about first principles. Rather than trading talking points, Hamid and Parsi engage each other's strongest arguments in a sustained, good-faith exchange.Shadi draws on themes from The Case for American Power to defend a position that has fallen out of favor across much of the political spectrum: that American power, when used with moral purpose, can still play a necessary role in reducing global suffering. His argument is aimed in part at a disillusioned left that has come to see U.S. power primarily as a source of harm rather than a potential instrument of humanitarian good. Against this, Trita — one of the most incisive critics of American interventionism — offers a sustained challenge, grounded in historical failures, unintended consequences, and the limits of even well-intentioned power.Does the world need the United States to act, and if so, when — and at what cost? How should past disasters constrain present ambitions? And if American power is curtailed, what realistic alternatives exist, and who bears responsibility when things go wrong? This debate doesn't resolve those questions — but it models what it looks like to take them seriously, in conversation with someone who sees the world very differently.Required Reading/ Listening: * The Disagreement podcast. * Shadi Hamid, The Case for American Power. (Amazon) * Shadi's 2024 debate with Daniel Bessner hosted by The Disagreement. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit wisdomofcrowds.live/subscribe

L'attacco degli Stati Uniti contro il Venezuela segna la fine del mondo come l'abbiamo conosciuto, e di quello che è stato definito l'ordine internazionale. Proviamo a capire ciò che viene dopo. Con Vittorio Emanuele Parsi, docente di Relazioni internazionali all'Università Cattolica di Milano. ⁠⁠⁠⁠⁠⁠Il link per abbonarti al Post e ascoltare la puntata per intero⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Sul Post– Come gli Stati Uniti hanno preso Maduro– Perché l'attacco degli Stati Uniti contro il Venezuela è illegale– Attaccare il Venezuela è “America First”?– Il petrolio del Venezuela è diverso I consigli di Vittorio Emanuele Parsi– Buio americano di Mario Del Pero– Autocrazie di Anne Applebaum– La serie TV I Soprano Learn more about your ad choices. Visit megaphone.fm/adchoices

Scott interviews Trita Parsi about Netanyahu's renewed effort to get Trump to bomb Iran on Israel's behalf. Discussed on the show: “As expected, Netanyahu back demanding more war with Iran” (Responsible Statecraft) Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy.Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi Audio cleaned up with the Podsworth app:  https://podsworth.com Use code HORTON50 for 50% off your first order at Podsworth.com to clean up your voice recordings, sound like a pro, and also support the Scott Horton Show! For more on Scott's work: Check out The Libertarian Institute:  https://www.libertarianinstitute.org Check out Scott's other show, Provoked, with Darryl Cooper https://youtube.com/@Provoked_Show Read Scott's books: Provoked: How Washington Started the New Cold War with Russia and the Catastrophe in Ukraine https://amzn.to/47jMtg7 (The audiobook of Provoked is being published in sections at https://scotthortonshow.com) Enough Already: Time to End the War on Terrorism: https://amzn.to/3tgMCdw Fool's Errand: Time to End the War in Afghanistan https://amzn.to/3HRufs0 Follow Scott on X @scotthortonshow And check out Scott's full interview archives: https://scotthorton.org/all-interviews This episode of the Scott Horton Show is sponsored by: Roberts and Roberts Brokerage Incorporated https://rrbi.co Moon Does Artisan Coffee https://scotthorton.org/coffee; Tom Woods' Liberty Classroom https://www.libertyclassroom.com/dap/a/?a=1616 and Dissident Media https://dissidentmedia.com You can also support Scott's work by making a one-time or recurring donation at https://scotthorton.org/donate/https://scotthortonshow.com or https://patreon.com/scotthortonshow Learn more about your ad choices. Visit megaphone.fm/adchoices

 Download Audio. Scott interviews Trita Parsi about Netanyahu's renewed effort to get Trump to bomb Iran on Israel's behalf. Discussed on the show: “As expected, Netanyahu back demanding more war with Iran” (Responsible Statecraft) Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi Audio cleaned up with the Podsworth app: https://podsworth.com Use code HORTON50 for 50% off your first order at Podsworth.com to clean up your voice recordings, sound like a pro, and also support the Scott Horton Show! For more on Scott's work: Check out The Libertarian Institute: https://www.libertarianinstitute.org Check out Scott's other show, Provoked, with Darryl Cooper https://youtube.com/@Provoked_Show Read Scott's books: Provoked: How Washington Started the New Cold War with Russia and the Catastrophe in Ukraine https://amzn.to/47jMtg7 (The audiobook of Provoked is being published in sections at https://scotthortonshow.com) Enough Already: Time to End the War on Terrorism: https://amzn.to/3tgMCdw Fool's Errand: Time to End the War in Afghanistan https://amzn.to/3HRufs0 Follow Scott on X @scotthortonshow And check out Scott's full interview archives: https://scotthorton.org/all-interviews This episode of the Scott Horton Show is sponsored by: Roberts and Roberts Brokerage Incorporated https://rrbi.co Moon Does Artisan Coffee https://scotthorton.org/coffee; Tom Woods' Liberty Classroom https://www.libertyclassroom.com/dap/a/?a=1616 and Dissident Media https://dissidentmedia.com You can also support Scott's work by making a one-time or recurring donation at https://scotthorton.org/donate/https://scotthortonshow.com or https://patreon.com/scotthortonshow

IANR 2541 101125 Line Up 4-6pm INTERVIEWSHere's the guest line-up for Sat, Oct 11, 2025 from 4 to 6pm CST on Indo American News Radio, a production of Indo American News (www.IndoAmerican-News.com). We areon 98.7 FM and you can also listen on the masalaradio app.By Monday, hear the recorded show on Podcast uploaded on Spotify, Apple Podcasts, Pocket Casts, Radio Public and Breaker. Our Podcast has been rated #2 among 100 Podcasts in Houston by feedspot.com. We have 6 years of Podcasts and have had thousands of hits.TO SUPPORT THE SHOW, SELECT FOLLOW ON OUR FREE PODCAST CHANNEL AND YOU'LL BE NOTIFIED OF NEW UPDATES.4:20 pm VFS Global is the world's largest visa outsourcing and technology services specialist for governments and diplomatic missions worldwide. The company manages theadministrative and non-judgmental tasks related to visa, passport and consular services for its client governments, including handling the visa requirements for India. Amit Kumar Sharma heads the company's Americas region andcalls in to explain how VFS and visa processing has evolved in the past two years and many other topics that travelers encounter when making plans.4:50 pm This weekend, the Zoroastrian Association of Houston is celebrating the 25th anniversary of their library with talks from scholars and local Parsi docent Vehista Kaikobad. The library is also a time capsule of artifacts,pictures and heirlooms that have been donated by the local Parsi community. It was the brainchild of Aban Rustomji and a few like-minded people who carved out a space for the library from the community center that was built on West Bellfort. We are delighted to have Arzan Wadia, the previous president of FEZANA, the national Zoroastrian association, with us today to talk about the library and its significance.5:30 pm The last time we had Ashok Rao on the show in August, he was mesmerizing us with the History of Spices! After a late summer break, we persuaded him to return with another installment in the History Talks series. A man with an inquisitive mind and penchant for storytelling, Ashok Rao, a serial entrepreneur and restauranteur, loves to research out the compelling forces behind the epochs that have affected the way we live. He is back again today with another episode of the fascinating History Talks series, a topic that will leave you tipsy – The History of Wine. So, grab your favorite glass of wine and tag along!!Also stay tuned in for news roundup, views, sports and movie reviews.      TO BE FEATURED ON THE SHOW, OR TO ADVERTISE, PLEASE CONTACT US AT 713-789-NEWS or 6397 or at indoamericannews@yahoo.comPlease pick up the print edition of Indo American News which is the ONLY community paper widely available all across town at grocery stores from Hillcroft to Sugar Land, Katy and FM 1960. Also visit our website indoamerican news.com which gets 90,000+ hits to track all current stories.And remember to visit our digital archives from over 17 years. Plus, our entire 44 years of hard copy archives are available in the Fondren Library at Rice University.

In this Cyrus Says AMA Special, Cyrus is joined by comedian Shamik Chakrabarti for an hour of unfiltered banter, scams, sports, and sheer nonsense. From fake celebrity frauds (Keanu Reeves & Abraham Lincoln?!) to haunted houses charging rent, horror movie trauma, scam-crazy India, and why cricket feels pointless against UAE — nothing is spared. They also dive into:-Reading texts in Parsi & Bengali accents

The Iran-Israel conflict in June was terrifying but brief: it lasted 12 days. But that war is notover. Trita Parsi, vice president and cofounder of the Quincy Institute, has been warning thatboth the United States and Israel are planning for another round, with their European alliesproviding the groundwork. I spoke to Parsi about the likelihood of war, the rationale behind thecurrent sabre-rattling, and ways to stop the impending catastrophe.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Iran-Israel conflict in June was terrifying but brief: it lasted 12 days. But that war is notover. Trita Parsi, vice president and cofounder of the Quincy Institute, has been warning thatboth the United States and Israel are planning for another round, with their European alliesproviding the groundwork. I spoke to Parsi about the likelihood of war, the rationale behind thecurrent sabre-rattling, and ways to stop the impending catastrophe.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Welcome to Cyrus Says!Bollywood star Amyra Dastur joins Cyrus Broacha for an unfiltered, laugh-out-loud chat about movies, Parsis, and the quirks of South Bombay life. From her early modelling days and awkward auditions, Amyra opens up about the chaos, charm, and comedy of her career. In this no-holds-barred conversation, Amyra reveals: How a SoBo schoolgirl made it to Bollywood & beyond Why she refuses to drive in Mumbai (and her hilarious traffic trauma) The funniest — and weirdest — casting experiences she’s ever had Parsi family stories, single malt traditions, and pet antics It’s Bollywood banter, Mumbai mischief, and Parsi one-liners in a single episode you won’t want to pause.See omnystudio.com/listener for privacy information.

In this episode, Mr. Homer Abramian explained that “Iran,” pronounced (Eye-Ran), has been used for thousands of years, and that “Persia” is derived from the Iranian language (Parsi). He believes It is an inaccurate name and has no relation to race. Mr Abramian believes fears of regime collapse leading to civil war or separatism are hard to happen, noting that Iran's diverse nationalities are bound by intermarriages, shared identity and a common commitment to national unity despite dissatisfaction with the ruling regime.

Trita Parsi joins the show to discuss the fallout and likely near-term consequences of the Israeli-US air war on Iran. Parsi explains that the Iranians are now a lot more likely to make a serious go at building a nuclear bomb and, thanks to Netanyahu and Trump, it will now be a lot harder to stop them.  Discussed on the show: Iran's Nuke Program is Intact w/ MIT Prof Ted Postol & Lt Col Daniel Davis Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi This episode of the Scott Horton Show is sponsored by: Roberts and Roberts Brokerage Incorporated; Moon Does Artisan Coffee; Tom Woods' Liberty Classroom; Libertas Bella; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY Learn more about your ad choices. Visit megaphone.fm/adchoices

 Download Episode. Trita Parsi joins the show to discuss the fallout and likely near-term consequences of the Israeli-US air war on Iran. Parsi explains that the Iranians are now a lot more likely to make a serious go at building a nuclear bomb and, thanks to Netanyahu and Trump, it will now be a […]

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This week on Cyrus Says AMA, Cyrus is joined by writer, screenwriter, and ex-MTV producer Vrushali Samant for an absolutely unfiltered, nostalgic, and gloriously off-the-rails conversation. Together, they take on a fresh batch of ridiculous (and sometimes suspiciously deep) questions from our listeners — covering everything from international politics to Mumbai’s monsoon potholes. What else?!

Cyrus and Shreyas Manohar return for a chaotic yet insightful episode covering everything from iconic restaurants to superhero hypotheticals. They begin with the news about Jimmy Boy, the beloved Parsi eatery forced to shut down just before its 100th year—only for Shreyas to clarify that the legacy continues across Mumbai in the form of takeaways and pop-ups. The episode also ventures into what one should do in a zombie apocalypse, before moving into a sharp comparison between comedy scenes in New York and India. They cap things off with a funny discussion about Superman landing in Maharashtra—and MS Dhoni trademarking the phrase “Captain Cool.” Is it branding genius or just peak Dhoni?See omnystudio.com/listener for privacy information.

1/ LA REINA MORA X MOLLY X WENDELSOUND. G's. 2/ COSTA. Talibán. 3/ KASTA MAD & ALES FABIANI. Trailer park boys.4/ La Ice & Ales Fabiani. MARINA ABRAMOVIĆ.5/ NARSIL. Una razón.6/ PUTO YANU. Funky Monkeys. feat. HERMANO L.7/ MARTYN. Sky is the limit. feat DJTheArk & Farko.8/ CUZITOO & DICOTOMÍA. Nubes negras.9/ ALL CARLITO. Paciencia. feat Othervn.10/ TITO SATIVO & ZENIT. Alza las palabras. 11/ JUANINACKA & CICLO. Valor. feat SHOLO TRUTH.12/ ERGO PRO. Legal Drug Chito.13/ PIEZAS & JAYDER. Anhedonia 20.14/ G. PARSI. Mundo al revés.15/ ZAMORANO BEATZ. Eterno/wilfred. feat CHICO NIÑO.16/ C. POLO & J. CURTO. Cangreburguer. 17/ EZVIT 810. Buscando el sol.Escuchar audio

United States President Donald Trump can force Israel to end the war on Gaza if he shows the same gumption as he did with Iran, argues Trita Parsi, executive vice president of the Quincy Institute for Responsible Statecraft. Parsi discusses the wider implications of the 12-day war on Iran with host Steve Clemons, including: Will Iran double down on its nuclear weapons programme? Will improved Iran-US relations lead to sanctions relief? Why did European leaders legitimise the unprovoked US and Israeli attacks, instead of calling for the “rules-based order” as they do in Ukraine? Does Iran have allies? Subscribe to our channel: http://bit.ly/AJSubscribe Follow us on X : https://twitter.com/AJEnglish Find us on Facebook: https://www.facebook.com/aljazeera Check our website: http://www.aljazeera.com/ Check out our Instagram page: https://www.instagram.com/aljazeeraenglish/ Download AJE Mobile App: https://aje.io/AJEMobile #aljazeera #aljazeeraenglish #aljazeeranewslive

1/ La Ice & Ales Fabiani. MARINA ABRAMOVIĆ. 2/ TITO SATIVO & ZENIT. Alza las palabras. 3/ EL CHOJIN. Una canción de amor a mi. feat Charles Ans y La Mari. 4/ JUANINACKA & CICLO. Valor. feat SHOLO TRUTH. 5/ YSERN. Tiempo y ceniza. feat Jaloner y con Alana Sinkëy. 6/ C. POLO & J. CURTO. Papers. feat. Nero.7/ DJ SWET & HOSS. Tortilla camarone.8/ ZAMORANO BEATZ. Eterno/wilfred. feat CHICO NIÑO. 9/ PIEZAS & JAYDER. Una bala.10/ ERGO PRO. Madrid Sur. feat. Israel B y Elio Toffana.11/ DARMO. Triple vida. feat COSTA y CARMONA.prod. PREEMZ.12/ SHAOLIN MONKEY & EL SICARIO - GENÉTICA DE ASFALTO.13/ Las Ninyas del Corro. Pobres Ricos ft. Faenna (Prod. Esse Delgado).14/ LUIS FALL OUT & MUDDY SALSA. Ciudad podría.15/ G. PARSI. Mundo al revés.16/ MALVARES. Vigo state of mind.Escuchar audio

1/ C. POLO & J. CURTO. So happy. 2/ G. PARSI. Mundo al revés. 3/ LUIS FALL OUT & MUDDY SALSA. Ciudad podría. 4/ ERGO PRO. Splash bross. feat ILL PEKEÑO. 5/ MALVARES. Vigo state of mind. 6/ JUANINACKA & CICLO. Haribo. feat. ERICK HERVÉ. 7/ PIEZAS & JAYDER. Donde más duele. 8/ DARMO feat. ZATU. NADA NUEVO prod. PREEMZ. 9/ ZAMORANO BEATZ. Entre los bloques. feat FAENNA.10/ DJ PIMP. Que le jodan al plan. feat SOLO K.OS, NEKA BNK.11/ DANO. Blíster ft. BoriRock. 12/ SKINNY MAYO & KEVLAR. Sorry God (prod. Beast Inside Beats).13/ KING DEST & JOHNNY DOC. Los duros.14/ URI SANTAFÉ. La rabona. feat EL SANTO y ACONE. 15/ NONA SOLA. Gelato.16/ MADRID SOUTH GREEN. Mundo frío. (Prod. DJ ES.T). 17/ JULI GIULIANI. The Jazz.Escuchar audio

Att gärningsmän i våldsamma dåd vill använda medier som ett verktyg för att nå ut med sitt budskap är inte ovanligt. Lyssna på alla avsnitt i Sveriges Radio Play. I finska Birkala skedde i förra veckan just en sån händelse när en 16-årig knivbeväpnad kille gick in i sin skola och högg tre yngre tjejer. Innan attacken skickade han ett manifest till kvällstidningen Iltalehti med sina planer. Gärningsmannen filmade sig själv inne på en skoltoalett precis innan attackerna skedde och la ut klippet i sociala medier. Ett filmklipp som de flesta avstod från att publicera. Men inte alla. Reporter: Martina PierrouI veckan kom Utrikespolitiska institutets utredning om chefen för mellanösternprogrammet Rouzbeh Parsi. Det var i vintras som TV4 berättade att det fanns kopplingar mellan Parsi och ett iranskt påverkansnätverk. Det här ledde efter en del om och men till att UI drog igång en stor utredning. I veckan presenterades den alltså. Den stora anklagelsen i grunden här— att Rouzbeh Parsi på något sätt skulle varit styrd av Iran— ja den frias han från av utredningen— men det är en motstridig bild— för samtidigt får han även skarp kritik i rapporten och lämnar nu sitt uppdrag på utrikespolitiska institutet. Så frågan är: Vad säger rapporten egentligen om TV4:as publiceringar från i vintras?Reporter: Erik PeterssonNästa år går public service in i en ny tillståndsperiod som sträcker sig fram till 2033 - och förra veckan på en pressträff presenterade Tidöpartierna sitt förslag på förändringar i inriktning och finansiering. Det var egentligen inga stora överraskningar, det mesta har varit känt sen ett år tillbaka. SVT, SR och UR kommer få liite mer pengar än tidigare. Budskapet är att alla partier fortfarande är överens om att public service ska vara stort och starkt, sa SVT:s kulturredaktör Per Andersson. Det politiska bråket handlar mest om nyanser.Goda nyheter för programbolagen, kanske du tänker? Nä, då får du tänka om. Från public service-cheferna målades istället mörka hotfulla moln upp på horisonten. Det är allvar nu var deras budskap. Reporter: Freddi Ramel

Scott interviews Trita Parsi about the ongoing talks between the Trump administration and Iran. While the talks appear to have some momentum at the moment, Parsi is cautious about getting too optimistic. He and Scott analyze the situation and reflect on the broader regional context.   Discussed on the show: “On Iran, Trump Should Resist the Zero-Enrichment Fantasy” (The American Conservative)  Treacherous Alliance: The Secret Dealings of Israel, Iran, and the United States by Trita Parsi Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi This episode of the Scott Horton Show is sponsored by: Roberts and Roberts Brokerage Incorporated; Moon Does Artisan Coffee; Tom Woods' Liberty Classroom; Libertas Bella; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY Learn more about your ad choices. Visit megaphone.fm/adchoices

 Download Episode. Scott interviews Trita Parsi about the ongoing talks between the Trump administration and Iran. While the talks appear to have some momentum at the moment, Parsi is cautious about getting too optimistic. He and Scott analyze the situation and reflect on the broader regional context.   Discussed on the show: “On Iran, Trump Should Resist the Zero-Enrichment Fantasy” (The American Conservative)  Treacherous Alliance: The Secret Dealings of Israel, Iran, and the United States by Trita Parsi Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi This episode of the Scott Horton Show is sponsored by: Roberts and Roberts Brokerage Incorporated; Moon Does Artisan Coffee; Tom Woods' Liberty Classroom; Libertas Bella; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY

In this episode of Occupied Thoughts, FMEP Fellow Ahmed Moor speaks with analyst Trita Parsi of the Quincy Institute about Iran and the U.S. Their conversation spans from exploring decision-making authority and processes in Iran to the impact that U.S. sanctions have on ordinary people in Iran, where poverty has risen dramatically. They speak in depth about the regional and economic dynamics that may have primed Iran for a deal with the United States, including a growing recognition about both the potential and limits on what Russia and China can provide, and the possibility that President Trump will break with DC orthodoxy to make a deal. Trita Parsi is the executive vice president of the Quincy Institute. He is an award-winning author and the 2010 recipient of the Grawemeyer Award for Ideas Improving World Order. He is an expert on US-Iranian relations, Iranian foreign policy, and the geopolitics of the Middle East. He has authored four books on US foreign policy in the Middle East, with a particular focus on Iran and Israel. His first book, Treacherous Alliance: The Secret Dealings of Iran, Israel and the United States (Yale University Press, 2007), won the silver medal winner of the 2008 Arthur Ross Book Award from the Council on Foreign Relations. His second book, A Single Roll of the Dice – Obama's Diplomacy with Iran (Yale University Press, 2012) and was selected by Foreign Affairs as the Best Book of 2012 on the Middle East. Parsi's latest book – Losing an Enemy: Obama, Iran and the Triumph of Diplomacy (Yale University Press, 2017) – reveals the behind the scenes story to the nuclear deal with Iran. Parsi was born in Iran but moved with his family at the age of four to Sweden in order to escape political repression in Iran. His father was an outspoken academic who was jailed by the Shah and then by the Ayatollah. He moved to the United States as an adult and studied foreign policy at Johns Hopkins' School for Advanced International Studies where he received his PhD under Francis Fukuyama and Zbigniew Brzezinski. Ahmed Moor is a Palestinian-American writer born in Gaza and a 2025 Fellow at FMEP. He is an advisory board member of the US Campaign for Palestinian rights, co-editor of After Zionism (Saqi Books) and is currently writing a book about Palestine. He also currently serves on the board of the Independence Media Foundation. His work has been published in The Guardian, The London Review of Books, The Nation, and elsewhere. He earned a BA at the University of Pennsylvania and an MPP at Harvard University. Original music by Jalal Yaquoub.

Dr. Feroze Sidhwa discusses Gaza with Clint Borgen. Dr. Sidhaw is a Trauma Surgeon, based in California, with experience in Gaza, Ukraine, the West Bank, Zimbabwe, Haiti, Dominican Republic, and Burkina Faso. He received his Masters in Public Health from Harvard and his Medical Degree from the University of Texas Medical School.Take Action: Urge Congress to meet with American doctors who served in Gaza.Mentioned: Read the letter U.S. doctors sent to Congress.Official podcast of The Borgen Project, an international organization that works at the political level to improve living conditions for people impacted by war, famine and poverty.borgenproject.orgGuest BioDr. Feroze Sidhwa is a general, trauma, and critical care surgeon in California. He is triple-board certified in general surgery, trauma/surgical critical care, and neurocritical care, and is a Fellow of the American College of Surgeons and of the International College of Surgeons.Feroze is also a humanitarian surgeon. He has worked most extensively in Palestine, but has also worked in Ukraine three times with the International Medical Corps and Harvard Humanitarian Initiative, and in Zimbabwe, Haiti, Dominican Republic, and Burkina Faso. He has helped edit books on the Israeli-Palestinian conflict published by University of California Press (Berkeley, CA), O/R Books (London, UK), and the Institute for Palestine Studies (Washington, DC). He is widely published in the medical literature, including in The Journal of the American College of Surgeons, Annals of Surgery, World Journal of Surgery, Journal of Bone and Joint Surgery, Cochrane Database of Systematic Reviews, Surgical Infections, Plastic and Reconstructive Surgery, JAMA Pediatrics, Journal of Pediatric Surgery, and Journal of Laproendoscopic and Advanced Surgical Techniques, among others. Feroze has spoken on humanitarian relief work and its political implications at the Harvard FXB Center for Health and Human Rights, the University of California San Francisco School of Medicine, as the keynote speaker of the Stanford 31st Annual Trauma Critical Care Symposium, at UChicago Medicine Trauma Grand Rounds, at the University of Chicago Pritzker School of Medicine, University of Chicago Law School, Johns Hopkins University and School of Public Health, Johns Hopkins School of Advanced International Studies, MIT, Kings County Hospital in Brooklyn, SUNY Downstate College of Medicine, NYU, the Hawaii Medical Association, and the University of Hawaii A. John Burns School of Medicine. He has also spoken widely in the community, mostly in the San Francisco Bay Area but also with Jewish Voice for Peace Phoenix and Tucson, Massachusetts Peace Action, the 2024 Democratic National Convention, and elsewhere.Lay publications about Feroze's humanitarian surgical work and its political implications include:New York Times, October 9, 2024. “65 Doctors, Nurses and Paramedics: What We Saw in Gaza”Haaretz (Israel), October 17, 2024. “65 אנשי רפואה לניו יורק טיימס: אלה המחזות שראינו בעזה”Politico, July 19, 2024. “We Volunteered at a Gaza Hospital. What We Saw Was Unspeakable.”CommonDreams.org, May 23, 2024. “The Atlantic's Sloppy Reporting on UN Gaza Statistics Jeopardizes Its Credibility”CommonDreams.org, April 11, 2024. “As Surgeons, We Have Never Seen Cruelty Like Israel's Genocide in Gaza”Columbia Daily Spectator, January 29, 2025. “In Gaza, a ‘political' ethical problem is still an ethical problem.”Feroze is the primary author of two open letters to the Biden-Harris administration regarding the United States' role in the Israeli assault on Gaza that followed the October 7, 2023 attacks on Israel, as well as the appendices accompanying those letters. These letters were updated and sent to the Trump transition team on November 15, 2024.Feroze has appeared on CNN's Amanpour, PBS, MSNBC's Ayman Mohyeldin Reports, Democracy Now!, CNN international, the Australia Broadcasting Corporation, DropSite News, NPR, and the BBC World News, as well as a variety of radio programs and podcasts. He has been quoted widely in mainstream and alternative media, including on CBS Sunday Morning News, ABC News, Reuters, the Washington Post, Mother Jones, the New Republic, Mainchi Newspaper (Japan), Local Call (Israel), the Huffington Post, the New Statesman, NRK (Norway), the Guardian, the Independent, Pass Blue, and Democracy Now! Dr. Sidhwa serves as a peer reviewer for the Journal of the American College of Surgeons on global surgical topics and as an external expert reviewer for Human Rights Watch.Feroze was born in Houston, TX to Parsi parents who left Pakistan to find a better life. They moved to the UK and then in the United States. Feroze grew up in Flint, MI. After graduating from Johns Hopkins University in 2004 with a bachelor's degree in public health he lived in Haifa, Israel for one year, working with a Palestinian-Jewish cooperative in the city. He then taught middle school in east Baltimore for one year before starting medical school at the University of Texas School of Medicine at San Antonio. During his time in medical school he also obtained a Master of Public Health from the Harvard School of Public Health.After finishing medical school, Feroze joined the general surgery residency program at Boston Medical Center. During his residency he completed a surgical research fellowship at Boston Children's Hospital. During that time Feroze treated victims of the Boston Marathon Bombing. After finishing residency in 2018 he began his one-year trauma/surgical critical care fellowship at Cooper University Healthcare in Camden, NJ. After completing his fellowship, he moved to California where he now practices as a trauma surgeon at a county hospital and as a general surgeon in the Veterans Affairs Northern California Health Care System.Dr. Sidhwa critiques the United States' role in the Israeli-Palestinian conflict through a unique lens. He is a secular American with no ethnic or religious ties to the Middle East. He has a broad knowledge of Israeli and American academic work on the conflict, and closely follows the technical humanitarian, human rights, medical, political, economic, and environmental research done on the topic by Israeli, Palestinian, and international agencies. His public health degrees afford him a broad understanding of how these different areas affect the people of the region. He has no interest in any particular political solution to the conflict. And, most importantly to him, he has seen the conflict in person, seen what it is doing to Palestinians and to Israelis, and has treated its victims with his own hands.

Maria Rita Parsi"Il potere distruttivo" esprime, nel microcosmo familiare come nel macrocosmo sociale, il malessere, il disagio psicologico, quando non l'evidente disturbo mentale, dettati dall'angoscia di morte, dalla paura, dalla rabbia, dalla frustrazione, dall'impotenza di chi lo ricerca, di chi lo esercita o tenta di esercitarlo. E, ancora, di chi lo accetta e lo sostiene facendolo, per delega, esercitare ad altri. Questo manifesto contro il potere distruttivo è stato pensato e scritto contro tutti i dittatori e contro tutti i potenti e gli sfruttatori criminali che ancora opprimono, con le loro imprese e le loro perversioni, milioni di esseri umani e tante nazioni del mondo.Psicopedagogista, psicoterapeuta, docente, saggista, scrittrice, editorialista, svolge da anni un'intensa attività didattica e di formazione presso università, istituti specializzati, associazioni private. Membro del Comitato ONU per i diritti dei fanciulli e delle fanciulle, ha dato vita alla Fondazione Movimento Bambino ONLUS, per la tutela giuridica e sociale dei minori, per la diffusione dei loro diritti, per la formazione dei formatori e per l'ascolto, l'aiuto e l'assistenza ai minori e alle loro famiglie, in Italia e all'estero. Ha fondato e dirige il Corso di specializzazione in psicoterapia umanistica ad orientamento bioenergetico. Collabora a molti quotidiani e periodici con rubriche settimanali.Al suo attivo più di cinquanta pubblicazioni tra cui L'amore dannoso, Manuale anti-ansia per genitori, Fragile come un maschio, Single per sempre, Alle spalle della luna, Ingrati. La sindrome rancorosa del beneficato, La felicità è contagiosa, Doni, Maladolescenza, Le parole dei bambini, I maschi son così, Se non ti amo più e Generazione H (con Mario Campanella).IL POSTO DELLE PAROLEascoltare fa pensarewww.ilpostodelleparole.itDiventa un supporter di questo podcast: https://www.spreaker.com/podcast/il-posto-delle-parole--1487855/support.

Welcome to Cyrus Says!The Mehta Boys: A Heartfelt Tale of Family, Cricket & Parsi Culture with Boman Irani & Cyrus Broacha "The Mehta Boys" promises a rollercoaster of emotions as Amay, a young architect, navigates 48 tumultuous hours with his estranged father, blending humor and heartache. The podcast subtly weaves in cricket legends Sunil Gavaskar and Farokh Engineer, sparking debates on the "Real Parsi Hero"—a nod to Boman Irani’s iconic role as Engineer in ’83 and a nostalgic anecdote where Engineer once took him to Old Manchester. Behind-the-scenes gems include Boman’s and his childhood cricket saga with Eknath Solkar, Their chemistry shines beyond The Mehta Boys—revisiting 2009’s 99 and Fruit and Nut. At the 2025 Kala Ghoda Festival, the duo bonded over chai and Parsi nostalgia, while Boman paid tribute to Regal Cinema’s Aslam, the projectionist who fueled his film passion. Perfect for fans of cultural comedies and cricket lore, The Mehta Boys blends generational clashes, Parsi humor, and iconic Mumbai landmarks—a tribute to Kunal Vijayakar, family, food, and the chaos that binds us. Boman cherishes working with Pawan Kalyan for his humility. As for “I Am Not Bajirao,” he’d cast fresh faces but keep the soul intact—just like Parsis preserve their custard recipes! Kripya subscribe to the channel: https://www.youtube.com/c/CyrusSays Spotify Video EP's - https://open.spotify.com/show/2vrxGELviPynQA3AhMc40n?si=GdGevGetS6WuUlz2BAT8vQ Listen to the full audio episodes at: Amazon Music Exclusive https://music.amazon.in/podcasts/4d52847d-6dbd-46b1-8219-34792a987d09/cyrus-says---amazon-music-exclusive Email your AMA questions to us at whatcyrussays@gmail.comDiscord Server - https://discord.gg/ Don’t forget to follow Cyrus Says’ official Instagram handle at @whatcyrussays[https://www.instagram.com/whatcyrussays/] Connect with Cyrus on socials: Instagram: https://www.instagram.com/cyrus_broacha/Twitter: https://twitter.com/Broacha_Cyrus Aur like, share, comment karna na bhule! #comedypodcast #livepodcast #cyrusbroacha #CyrusBroacha #CyrusBroachaPodcast #cyrussays #cyrusbroachapodcast #amawithcyrus #cocknbull #AMAwithCyrus #CocknBullSee omnystudio.com/listener for privacy information.

En este programa nos visita la rapera barcelonesa Santa Salut. Presenta su nuevo y tercer álbum, Queens of Groove, un álbum que además de explorar en sonidos habituales dentro del hip hop, incluye temas que pasan por el house, tecno o el drum n bass mostrando que además de hip hop, la música electrónica también tiene cabida en sus proyectos. Además, también escucharemos lo nuevo de G. Parsi, Jaelo y Uri Santafé.Escuchar audio

Brent visits with Pooja from A Chef's Tour in Mumbai, India. She tells Brent about a place she calls The Alley of Treats and why she says it activates all five senses. Pooja also talks about all the different peoples who have come to Mumbai and continue to influence the culture and cuisine including the Parsi who fled Iran over 1,000 years ago. And, Pooja shares the best street food and other dishes to try when you visit Mumbai. Plus, the incredible story of food delivery in Mumbai! [Ep 325] Show Notes: Destination Eat Drink Portugal foodie travel guide ebook A Chef's Tour in Mumbai with Pooja Pooja's email khathuriapooja95@gmail.com

This week, Gilly's with Niloufer Mavalvala to discover the food of the Zorastrians in the fourth of her compendium, The Route to Parsi Cooking.This is about food without borders, a cuisine which is under threat as so many are when their people are displaced. But as we hear so often on this show, they can also become the roots to a culture. With only about 200k Zoroastrians living around the world, Niloufer tells Gilly why she has taken it upon herself to revive this ancient cuisine.Click here for Extra Bites of Niloufer on Gilly's Substack Hosted on Acast. See acast.com/privacy for more information.

1/ laboca. Como halcones en Cali. feat 1S1 y Juntanza Caleña. 2/ REGINA ZERENÉ. Volveré. 3/ HIP HORNS BRASS COLLECTIVE. Praia de Moreré. 4/ G. PARSI. Amor eterno, juntos para siempre. 5/ SHAZUNO. Once Again. 6/ SHARIF. Hacia mi propia utopía. feat Swan. 7/ CORDAE. Summer Drop. Anderson Paak. 8/ SKYZOO. Record Store. 9/ K.A.A.N. & DJ HOPPA. Dark night.10/ OT THE REAL. Bridesgurg. 11/ SLEEP SINATRA. Nights at the lunar lounge. 12/ EMMA LEE MC AND ROCCWELL. Cravings. feat BAHAMADIA.13/ FREEWAY AND JAKE ONE. Price of fame. 14/ MORTIMER SUGAR AKA MELO 5 & GSPOT. Golden Eye. feat Master Chi. 15/ SANTA SALUT. LIBRE. 16/ SHOGUN XL. Las Cuentas.Escuchar audio

Welcome to Cyrus Says! Join Cyrus Broacha on Cyrus Says as he dives into Mumbai's rich history with Bharat Gothoskar, the founder of Khaki Tours. Explore the untold stories of the city, from its hidden architectural treasures to its vibrant cultural heritage. Bharat shares fascinating insights about how Khaki Tours began, its inspiration, and why Mumbai's history is more captivating than ever imagined. Whether you're a Mumbaikar or a history enthusiast, this episode is packed with intriguing tales and unexpected trivia about the city that never sleeps. Don't miss this journey into the heart of Mumbai with Cyrus's signature humor and Bharat's wealth of knowledge! 00:00  = Cold Open 01:07 = Purpose to start Khaaki Tours7:27 = Engineer turned Marketing Head9:00 = Birth of Khaaki Tours18:52 = Old Bombay Trivia22:13 = Historical Walks & Trivia29:24 = Break30:17 = Accepting Various Cultures34:02  = Did Koli's & Parsi's build Modern Mumbai ?37:00 = International Walks & Jeep Tours39:15  = Bombay History41:37 = Fun + Development of Mumbai50:32 = AMA x Fans01:00:26 = Precap Kripya subscribe to the channel: https://www.youtube.com/c/CyrusSays Listen to the full audio episodes at: Amazon Music Exclusive https://music.amazon.in/podcasts/4d52847d-6dbd-46b1-8219-34792a987d09/cyrus-says---amazon-music-exclusive Email your AMA questions to us at whatcyrussays@gmail.com Don't forget to follow Cyrus Says' official Instagram handle at @whatcyrussays[https://www.instagram.com/whatcyrussays/] Connect with Cyrus on socials: Instagram: https://www.instagram.com/cyrus_broacha/Twitter: https://twitter.com/Broacha_Cyrus Aur like, share, comment karna na bhule! #comedypodcast #livepodcast #cyrussays #bharatgothoskar #khakitours #comedypodcast Mumbai history, Khaki Tours, Bharat Gothoskar, Cyrus Says, Mumbai's hidden gems, Mumbai architecture, cultural heritage, city tours, Mumbai trivia, Cyrus BroachaSee omnystudio.com/listener for privacy information.

1/ SANTA SALUT. LIBRE. 2/ L-MENTAL & WERTILIANO. Make it. 3/ JOVEN ESTRIT. Me he hecho a mi mismo. 4/ ERLANTZ VEGA (CHEST). Distopía. 5/ SHODA MONKAS. Dos tacos en un calcetín. 6/ G. PARSI. Vértigo. 7/ SHAZUNO. Balas de kevlar. 8/ RAÚL SINAKA & B. ALTER. Oratoria. 9/ MEDINA & PABLOCK. Luces y sombras. 10/ FIVEFINGERS. Gorgonas. 11/ IHON, GACELOIDE Y GORDO JAZZ. Caprichos de Mayahuel. feat KIAMYA y CELIA AMORES. 12/ HAMID & AMEL LADY SOUL. Un amor para el barrio. 13/ MORTIMER SUGAR AKA MELO 5 & GSPOT. Obelix. 14/ MADRID SOUTH GREEN. Nueva era. feat BALTESHI. 15/ SHARIF. La Rabia en el surco. con SHO HAI. 16/ SOCIO EJECUTOR. Kung fu smokers pt 1. feat. C. TERRIBLE, EZIJA, ORIGINAL JUAN, 1010 y LISTEN 2 Feel.Escuchar audio

Send me a DM here (it doesn't let me respond), OR email me: imagineabetterworld2020@gmail.comToday I'm honored to introduce you all to: Lifelong UAP and NHI phenomenon experiencer, abuse survivor, whistleblower, targeted individual, empath, content creator, and another brave warrior stepping up to shine a light on the darkness: Mack aka: Parsi XMack - who we will also be calling Parsi X, has been an experiencer of the phenomenon for his entire life starting with a close encounter he experienced with his twin brother when they were both children at the tender age of 11 living in India. Mack and his twin brother were fortunate to be the sons of a loving mother who brilliantly had them document their individual experiences instead of immediately discrediting them or chalking up their allegations to being a figment of their childlike imaginations - even though she had her doubts. Macks's experiences have continued throughout his life with phenomena manifesting themselves as orbs, UAPs, and NHI that connect with him in intelligent ways that defy explanation and - at times - leave a lot more questions than answers. Mack's formative years also include being bullied in school, and eventually he fell captive to being prey to a deviant predator who abused him at the age of 23. Today will be the first time he has ever publicly shared this part of his story and I ask you all to wrap Mack in a blanket of love and compassion as you always do as we talk about an extremely traumatic and devastating event that forever changed his life and left lasting scars of betrayal, pain and trauma on his body, heart, mind, and soul. One of the reasons Mack has decided to speak out about these very vulnerable moments in his life is because he knows many other experiencers and survivors are out there suffering in silence, and that his story may help validate their experiences and give them hope and a voice. He hopes to encourage people who are suffering to keep going, and to show that with consistent work and healing that life can be beautiful and purposeful - even if the journey is difficult and imperfect. Mack has learned that the way you hand shame and trauma back isn't through internalizing the pain and stuffing it down, but by finding ways to ‘out' it through public disclosure. Whether this is telling a friend, a therapist, or strangers on the internet - Mack has become a living example of what can happen when you embrace the truth and face it head on. An abuser's most lethal weapon is the silence of their victims, and today we are breaking that silence with disclosure, exposure, and heart-led truth. Mack is an incredible advocate for other survivors, experiencers and whistleblowers and I know all of you listening will be here today offering him the same love and support he is always the first to offer to others. Mack's story is incredibly important as it begs us to look closer into phenomena that often gets written off as coincidence, imagination or conspiracy and also shows us how these fascinating encounters can also be tormenting, traumatizing, and even isolating for the individuals who experience them. Our hope with this episode is to help many of you gain a greater understanding of phenomena that may be newer to you in your learning journey, and to also let those of you on the other side of the screen who have had or are having similar experiences know that you aren't alone. I ask all of you to please put away whatever you're doing and give my courageous warrior of a friend your full attention as he shares his full testimony for the very, first, time. CONNECT WITH MACK: Twitter: (4) Parsi__X

SynopsisToday's date in 1922 marks the birthday of Héctor Campos Parsi, one of Puerto Rico's finest composers.Campos Parsi originally planned to become a doctor, but after a meeting with the Mexican composer Carlos Chávez, ended up studying music at the New England Conservatory in 1949 and 1950 with the likes of Aaron Copland, Olivier Messiaen and Serge Koussevitzky, and between 1950 and 1954 with Paul Hindemith at Yale and with Nadia Boulanger in Paris.Returning to Puerto Rico, Campos Parsi pursued a dual career: as a writer, he contributed short stories, essays, poems to Puerto Rican magazines, and wrote music reviews and articles for island newspapers. As a composer, he wrote instrumental and vocal works for chamber, orchestral, and choral ensemble. Two of his best-known works are Divertimento del Sur, written for string orchestra with solo flute and clarinet, and a piano sonata dedicated to Puerto Rican pianist Jesús María Sanromá. As a musicologist, Campos Parsi wrote entries for music encyclopedias and served as the director of the IberoAmerican Center of Musical Documentation and as composer-in-residence at the University of Puerto Rico at Cayey, where died in 1998 at 75.Music Played in Today's ProgramHéctor Campos Parsi (1922-1998): Divertimento del Sur; Members of the Casals Festival Orchestra; Milton Katims, conductor; Smithsonian Folkways COOK-01061

On this episode of Cyrus Says , we have a Parsi bawa in the house, Riyaaz Amlaani, who's an entrepreneur and restaurateur based in Mumbai, India. He is the CEO and MD of Impresario Handmade Restaurants and the former President of National Restaurant Association of India (NRAI) from 2014 to 2017. Catch interesting stories of what went behind building the famous restaurants chains like SOCIAL, Smoke House Deli, Salt Water Cafe, & managing , antiSOCIAL & Prithvi Cafe'. Tune in to catch up his stories from early days, before the success of such brands & his love for different foods.See omnystudio.com/listener for privacy information.

In the first episode of our miniseries of podcasts celebrating South Asian Heritage Month 2024, Gautam Bhattacharyya, chair of Reed Smith's India Business team, welcomes Yasmin Batliwala MBE, CEO of Advocates for International Development. Together, they explore Yasmin's career path, her mentors and inspirations, her passion for pro bono work and the significance of her Parsi heritage. ----more---- Transcript: Intro: Welcome to the Reed Smith Podcast, Inclusivity Included: Powerful Personal Stories. In each episode of this podcast,  our guests will share their personal stories, passions, and challenges, past and present, all with the goal of bringing people together and learning more about others.  You might be surprised by what we all have in common, inclusivity included.   Gautam: Hello everyone and welcome to another of our Reed Smith podcasts and this one is part of our special mini-series to celebrate and mark South Asian Heritage Month 2024 and I'm overjoyed to have as our podcast today the incredibly impressive Yasmin Batliwala. Hello Yasmin.  Yasmin: Hello Gautam, lovely to be here.  Gautam: It's lovely to have you and I've been really so excited to do this podcast with you. For our listeners, I'm going to introduce Yasmin so you can appreciate just what an amazing person she is. Yasmin is the chief executive of Advocates for International Development, a very prominent pro bono and CSR institution with which Reed Smith has had a very long and happy relationship and association. And we continue to do so. And I've known Yasmin for many, many years. and we've had many a discussion about our shared passion for pro bono work and the importance of lawyers doing pro bono work and the impact that it has. Yasmin is responsible for overseeing the work of A4ID, as I'll call it, and she's held many prominent roles in the public and third sector over her very illustrious career. Apart from pro bono work, her portfolios have included some incredible causes. Those include HIV and AIDS, drug alcohol, dependency, and criminal justice. She has also undertaken work for the UN's Office of Drugs and Crime, and has a great deal of board experience too, having, amongst other things, been on the board of a large NHS trust. Yasmin also, to the extent she has spare time, and I'm stunned she does have spare time, has also served as a magistrate in the Youth and Adult Courts. She's also, as you can imagine, been the recipient of several honors. And amongst those, and there are many of them, she has been awarded the City of London Woman of Achievement for her public service work. And in 2022, Yasmin received an MBE for her work in human rights, the rule of law and international development as part of the Queen's New Year's honors list. So it really is a wonderful privilege to be speaking to you on this podcast, Yasmin, and I'm really looking forward to our discussions. Now, let me start with this as we get into our discussion. Tell us a little bit about your career background. I've already highlighted for our listeners a few of the roles that you've undertaken prior to your current role as chief executive of A4ID. But I wonder whether you could give us a little bit of a background about how you got to your role at A4ID and your career background, which has led up to that.  Yasmin: Thank you very much, Gautam. I'd like to start then by thanking you for inviting me to join in this podcast and for the opportunity to talk about the work of Advocates for International Development, which I know that you know that I'm truly passionate about. So to answer your question about what I was doing prior to A4ID work-wise, before joining A4ID, basically I ran my own consultancy, providing senior level support to the public and non-profit sectors. My work primarily involved problem solving, managing teams, assisting the recruitment of CEOs and other executive positions. And I should say that I thoroughly enjoyed being self-employed as it allowed me to spend quality time with my two young daughters as they were then. And I could work during their nursery hours and resume tasks when they were asleep. And incidentally, I even earned more money than I've ever done since while I was working for myself. Throughout my career, I think you've said, I have worked mainly in the public and non-profit sector. And you've indicated the background work I've done within the drugs field and also in HIV. And I've also served, as you've mentioned, on various boards, including also a university, as well as on police authority, where I briefly held position of chair. I currently chair VIA, formerly known as WDP, which is a leading charity providing drug and alcohol services across the UK. VIA is known for its quality of services and innovative approach. And I like to think that my leadership has played a role in its success. Now, in respect to other things that have brought me to A4ID, I was invited to get involved with A4ID just by chance. Someone suggested that I met the executive director at the time. She and I got on swimmingly and as a consequence of that I started to work with her to look at how we could build the organization so that's really a potted summary of my career to date.  Gautam: Well thank you and it really is I mean you know you've packed a lot in in your wonderful career today and undertaking some amazing work for lots of really important causes and you know I think I think one of the things I just want to step back to is you've had a very impressive career. Of that, there's no doubt. And it's ongoing, right? You're not finished yet. Not by a long way. But we all benefit from mentors and inspirations in the course of our career. And I wonder whether you could share with our listeners some of your biggest career mentors and inspirations so far.  Yasmin: Gautam, I think that's a really difficult question because I have been inspired by so many people over the years. Obviously, those who have supported and encouraged me stand out, ranging from my line managers and peers to various teams that I've worked with, including actually my current team. Indeed, my very first job was doing what was called action research on illicit drug use in SW5, which is Earls Court, and also the West End. Professor Betsy Ettore was my line manager at the time, and she was simply amazing. She encouraged me to think for myself and was always available when I needed her. I was at the time fresh out of university and yet she treated me like an equal and I valued that because she actually listened very carefully to what I had to say and supported my ambition for the study that we were doing. Now coming back to where I am today I suppose I especially want to mention the board of A4ID. Their support has been incredible but it's their pioneering spirit and belief that everything is possible that truly inspires me. They also believe in me personally which has been invaluable and enabled me to push forward with our vision. Roger Leese, the chair of A4ID and a partner at Clifford Chance, has perhaps been a significant inspiration throughout our time working together. We've often solved problems by approaching them from completely different perspectives, and his insights have always been spot on. Indeed, the longer I have known him, the more I've come to respect him. To me, integrity and respect are very important in those that have inspired me. And perhaps the reason I've been working in this role for so long has been mainly because of the individuals that I have been fortunate to come across over the years. Now, I've been particularly impressed by the legal profession's can-do culture and their attitude that everything and anything is possible, which happens also to be my perspective in life. This approach and their understated passion is something I greatly admire. The entire legal pro bono community, from international law firms that we work with, to in-house counsel, the judiciary, paralegals and barristers, demonstrate to me their remarkable dedication. They use their skills and intellect to contribute to the greater good, often without expecting recognition or even a pat on the back. Let me give you an example close to home. Now, you've mentioned just in your start the involvement of Reed Smith. So when I joined A4ID, Reed Smith provided us with the accommodation. At that time, A4ID was a much smaller organization with fewer staff and a smaller turnover. Right. Without Reed Smith's support, I'm not sure A4ID would have thrived. Reed Smith even contributed their staff's time to oversee the development of A4ID at the beginning, not seeking thanks or recognition, just doing what they could to help the cause. If anything was requested from them, they would think about it and come back to us with a solution about how to make it happen. So I, for one, have immense admiration for Reed Smith and the support that the firm has provided ever since our inception in 2006. Many of our law firms have also, as well as corporate partners, have also shown and continue to show some support over the years. They've supported A4ID in its journey and through us have provided expert pro bono legal advice to international development sector and have also donated funds to enable us to exist and to function. And I firmly believe that through the law, we can change the world for the greater good and that lawyers have a key role to play in making this happen. Imagine no other profession is able to achieve this, only the legal profession. What inspiration is that? So to answer your question, I would say I've been most inspired by the legal sector with which I've been fortunate to work with and why I'm still in this role after all these many years.  Gautam: Well, thank you, Yasmin. That was an incredibly impressive set of points. And I just wonder if I could dig into that a little bit. Extremely, there's a lot I could unpack there. But let me focus on what makes pro bono work so important. Now, we all know it's really important. It has real impact. And lawyers are integral to that. And so I wonder whether you could give us your thoughts on just why pro bono work is so important and why law firms and the teamwork that they achieve is so important to make that happen. You mentioned in your answer just now just how unique in many ways the legal profession is to be able to deliver those sorts of services and results. And I certainly know how enriching it's been for me personally to be heavily involved in pro bono work for so many years. But I wonder whether you could share your thoughts on that, please.  Yasmin: Thanks, Gautam. I would say that pro bono work is vital because it allows professionals and the corporates to give back to the community, promoting social justice and addressing systemic inequalities. qualities. By providing free legal services to those who cannot afford them, pro bono work ensures that access to justice is not limited by financial means. This contribution really helps to level the playing field, ensuring that vulnerable and marginalized communities and individuals can defend their rights and receive fair treatment under the law. If you look at CSR for law firms, on the other hand, I think it encompasses a broader range of activities beyond pro bono work, which includes ethical business practices, environmental sustainability and community engagement. Pro Bono also, I would say, demonstrates the company's commitment to operating responsibly and contributing positively to society. These initiatives enhance the company's reputation, build trust with stakeholders, and also we find continually that it can lead to increased employee satisfaction and retention. Through pro bono, law firms and corporates can address various social issues from poverty and education to health and environmental protection. The other thing I think that's really important with regard to pro bono, is teamwork that law firms can do. Teamwork is essential in making pro bono successful because it allows the pooling of resources, expertise and networks. Law firms possess specialized legal knowledge and skills and are crucial for tackling complex legal issues. By collaborating, firms can leverage their collective expertise to provide a comprehensive and effective legal assistance. I think this collaborative approach really does ensure that beneficiaries receive high quality support, which are tailored to their specific needs. Also, teamwork among law firms fosters a culture of shared responsibility and mutual support. And we find that when law firms work together with us on pro bono projects, they can share best practices, learn from each other's experiences, and really develop innovative solutions to very common challenges. This collective effort amplifies the impact of their work, making it possible to address larger and more complex issues than any single firm could or tackle alone. It also, I suppose, fosters a sense of solidarity and purpose within the legal community as a whole. So collaboration enhances the reach and scalability of pro bono. By joining forces, and certainly by joining forces with us, law firms can extend their service to a broader range of beneficiaries and communities. This expanded reach is particularly important in addressing systemic issues that require coordinated efforts across different jurisdictions and different sectors which apply to us at A4ID. Collaborative initiatives can mobilize more resources including funding, personnel, technological tools to support large-scale projects and long-term interventions. In fact, teamwork with law firms also provide opportunities for professional development and capacity building. We find and I find continually that lawyers engaged in pro bono work gain valuable experience and skills to enhance their professional growth. Put simply pro bono work makes you a better lawyer. The reason is obvious through A4ID lawyers are exposed to diverse legal issues and client populations broadening their perspective and very much enriching their practices. Additionally, firms that actively participate in these initiatives can attract and retain talent by demonstrating their commitment to social justice as well as ethical practices. And as I've said already, co-ordinated efforts in pro bono can lead to systemic change by addressing root causes of social issues and advocating for policy reforms, law firms can help to create a more equitable and just society. Collaborative projects that people do with A4ID often involve strategic litigation, legislative advocacy and public education concerns, campaigns that go beyond individual cases to affect broader societal change. This strategic approach maximizes the long-term impact of pro bono. So effective teamwork also ensures that pro bono is sustainable. And by sharing the workload and resources, firms can maintain those long-term communities to these projects. Sustainability, after all, is crucial for achieving lasting impact and ensuring that the beneficiaries receive continuous support. Collaborative efforts help distribute the responsibilities and costs which are associated with these initiatives, making it much easier for firms to sustain their involvement over time. So to conclude, pro bono work is essential promoting social justice, corporate responsibility. Teamwork with law firms is crucial for maximizing the effectiveness and reach and sustainability of these initiatives. And through collaboration, law firms can leverage their collective expertise, resources and networks works to make a significant positive impact on society and advance the cause of justice for all. So in a nutshell, that's what makes pro bono so incredibly important.  Gautam: Thank you, Yasmin. And you know, everything you said there, I was just absorbing and just realizing just how it all aligns with exactly how I see it. Because I can honestly tell you, Yasmin that us and you know we've had many a conversation about what pro bono means to each of us but i know that some of my most satisfying outcomes that i've achieved as a lawyer for clients for for pro bono clients have come from that sort of work it's it's not just about doing big cases as we do and as i as i do for big corporate companies a big industrial groups for governments, etc, etc. That's, of course, very important to the life of a law firm. But a law firm needs to be known for everything it brings. And I can honestly say, and I can't talk about some of these cases, but some of the most important cases I've done have involved taking on the establishment. Establishment for people who would otherwise not have access to law firms what I call big law big law firms and those law firms come together in teams like you say often in conjunction with other law firms and there are a number of examples where Reed Smith has teamed up with other law firms and it's a wonderful thing because the perception is otherwise that law firms are all competitors. They're like boxers in a boxing ring. But we're not actually. That's really a myth. We operate in a marketplace, yes, but on pro bono work, we actually come together in a very productive way. And so, no, thank you for sharing those really, really, really amazing thoughts, because I'm sure our listeners, it'll really resonate with our listeners. So thank you for that, Yasmin. I wonder whether I could just now turn to the question of heritage, because heritage is obviously a very important thing. And this podcast is being recorded and will be published as part of South Asian Heritage Month. And I wonder whether you could just share with us a little bit about what makes your heritage so empowering and so important and uplifting for you.  Yasmin: Well, Gautam, as you know, I'm a Parsi. Parsis originated from ancient Persia and fled to India, I think around the 6th, 7th century to escape religious persecution. Their successful integration and preservation of our culture and religious identity in a foreign land. For me, I think exemplify the resilience and adaptability of the community of Parsis. The religion of the Parsi community is Zoroastrianism, which places its values of saying good thoughts, good words and good deeds and doing good deeds. This provides very much of a strong moral and ethical foundation, promoting a positive and proactive approach to life and encouraging meaningful contributions to society. And despite being a small community, and I do mean small, as a number of Parsis are reducing year on year to the point of extinction, I should say, Parsis have made significant contributions in various fields such as business, science, arts and philanthropy. Indeed, social responsibility and generosity of spirit are highly encouraged within the community. So I suppose my heritage is empowering and uplifting because it connects me to a rich and a diverse cultural tapestry that informs my identity and sense of self. This connection to my roots provides me with a deep understanding of where I come from and the traditions that have shaped my community over generations. The stories, the customs and values that have been passed down to me are a source of pride and strength, offering a foundation upon which I can build my own life and my own aspirations. Considerations this cultural inheritance if you like acts as my guiding light influencing my values behaviors and perspectives cultural heritage has also paid i think a significant role in shaping my world view and moral compass the values and ethics inherited from my cultural background guide me guide my actions and decisions promoting principles such as respect as i've have mentioned before, integrity, but also responsibility. These values are not just abstract concepts. They are lived experiences demonstrated by my family members and the community. This moral grounding is empowering as it provides clear guidelines on how to navigate life's complexities and make meaningful contributions to society. And as I've mentioned, My commitment can only be demonstrated by my contribution to the various public sector boards and roles that I've had within the community in which I live. So that's very, for me, a very important part of being a Parsi and a member of a community that will disappear, I suspect, in the not too distant future.  Gautam: Yeah, no, thank you, Yasmin. I am indeed very familiar with the Parsi history. And indeed, many of my best friends in the law are Parsis. And if I just take one jurisdiction, for example, in India, right, which you, of course, know very well, there are many prominent Parsi lawyers. And there have been. One of my greatest mentors was Fali Nariman, who was India's most celebrated lawyer, who unfortunately passed away in February of this year. But many, many prominent lawyers in India are Parsis. And many of the big industrial houses, as you know, in India, are Parsi in origin and remain Parsi in management and in all that they do. And those concepts of doing business fairly and being philanthropic, like very heart of Parsi culture. So it's very interesting. And I recall also, I grew up, Yasmin, in Northwest London. And very near where I went to school, there was an old cinema that stopped showing films. And it was taken over by the Parsi community. And it became a Zoroastrian center of worship. And this goes back to my much younger days. So I'm very familiar with that. And it's very interesting how it continues to inform you and inspire you, because it should do. And I also, I'm also very familiar with the fact that the Parsi community is getting smaller. As people marry outside of the Parsi faith, that inevitably has an impact. But the pride and the history of the Parsis is so rich. And, you know, it'll always be everlasting. So, and there's a long way yet to go. So, no, thank you for that. That's really, really nice to know. And, you know, just one last question on that before we turn to the last topic. What, in terms of looking at the examples of what the Parsi tradition and faith and heritage has taught you, one of the things that I'm always very mindful of is that the pro bono tradition, as I call it, is very well developed in certain jurisdictions. Jurisdictions but it's yet to develop fully in some jurisdictions now one of the countries where it is gathering pace is certainly India but just look at the size of that country and the legal community there i mean just briefly what you know what are your thoughts about what we could do to try to expand the pro bono tradition in a wonderful jurisdiction like India,  Yasmin: Actually, I think there's an awful lot that can be done. There's certainly an interest. We have been working in India and in fact have an entity called the A4ID Foundation, which is wholly Indian. We've been working alongside some amazing lawyers. In fact, part of the board comprises of some absolutely amazing Indian lawyers who are working with us to develop this. So we are bringing the culture to the pro bono culture that already exists, actually, within India and within the Indian community. But it's about using their legal brains that we're starting to to encourage. And that's happening, happening slowly, but it is happening. And with the vast number of lawyers in India, just think what we could do. Amazing. The other thing I wanted to just mention in terms of what you said was this week I received a gift from one of my team, members of my team. He's actually based in India. And the gift was a signed copy of the constitution, Indian constitution by Nariman.  Gautam: Oh, wow. Yeah. It's a wonderful book. Yes. And so I've been dipping since he sent it to me. I've been dipping in it. It's quite a quite a tomb. And I actually thought when I saw it, oh, my God, am I going to be able to read this? Because, you know, it's quite an interesting but quite a how can I put it, a dry topic.  Gautam: Yeah.  Yasmin: But having looked at it and read through it, it's actually brilliantly easy to read. He simplifies things because he knows the subject area so well that it's so easy to read. And I would thoroughly recommend if you have the opportunity to do so. And that includes your the people listening to this. I would thoroughly recommend it. It's a fantastic read.  Gautam: I agree. And, you know, the whole concept of the constitution is so important because it comes down to fundamental principles of fairness and doing things in an orderly way, in a proper way, and upholding that separation of power and not enabling things to just become merged as one. And that independence of thought is very very important now that's well i i think you're very fortunate to have a signed copy of that of that tome um i'm sure it'll be well thumbed in days and weeks to come as you read it so yes we've come almost to the end of our podcast and i've enjoyed, as i always do speaking to you i've had as i've said in the introduction i've had many a conversation with you over the years. I've always come away a much better person after each of those conversations, and this conversation has certainly been no exception to that. One of the traditions that we have in this podcast series, and I'm going to maintain that tradition even though this is a mini-series for South Asian Heritage Month, is to ask you a few more lighthearted things, to get to know the non-pro bono chief executive, Yasmin Batliwala. And so I want to ask you three very, very simple questions. Nothing mean, because I'm not a mean person, as you know, Yasmin. I want to ask you three little questions. First of all, have you got a favorite sort of music?  Yasmin: So on that question, I'd say, where do I start? I like all sorts of music. I have a particular preference, I should say, for classical music. Anything, anything at all by Mozart or J.S. Bach are things that I would be listening to regularly. I also like opera. In fact, I love opera. And I'm also a fan of David Bowie, I should say. But recently, Gautam, I've discovered a new genre of music, and that's heavy metal and electronic music.  Gautam: Amazing.  Yasmin: I've discovered a band called Disturbed, who are amazing. So to all your listeners, I encourage you to listen to their rendition of Simon and Garfunkel's song, Sound of Silence, which is absolutely mesmerizing and haunting.  Gautam: I'm going to check it out myself.  Yasmin: So let me know what you think. I've also discovered a band called Rammstein. I think that's how you pronounce it, which is a German heavy metal group of the 1990s. And I think, I think, and I seem to be listening to them quite a lot. And finally, I've also discovered, recently discovered, Mongolian electronic throat music. And that's totally blown me away. So I've been listening to that. So in terms of my musical taste, it's slightly expanding.  Gautam: That is incredibly eclectic. And I'm going to check out the German metal band and the rendition of Sound of Silence. I'm going to check those out. And I must tell you just very briefly on the Mongolian throat music. Many years ago, I was very fortunate to do a case for the government of Mongolia. It was a litigation in the English courts. And it went all the way to the Court of Appeal here. And I'm very happy that we won in the High Court and in the Court of Appeal. And I had the very good fortune to get to Mongolia twice on that case and to the great city of Ulaanbaatar. And I got introduced to Mongolian throat music. Now, the first trip was 2002-2003, around about then. I've not heard the electronic version as yet, but I'm certainly aware of the more basic classical rendition of throat singing. And also on that trip, I also learned about the eagle dance, which is a very famous dance that they do because the eagle and horses are very revered in Mongolia. And there's a dance which the wrestlers, Mongolian wrestling is also very popular and the wrestlers before they start the bout do this thing called the eagle dance. It's, I mean, I'll tell you more about it when I see you next. Okay, just two more quick ones and then I know we'll wrap. But have you got a favorite holiday destination or place that you just love to visit?  Yasmin: I, yeah, I like it. I love Italy. I don't think I've ever been to any single place And I like to travel around and visit different places that I haven't liked. So I like Italy. I like Italy also. But not only its beauty, its architecture, but the food and the people. So it's not far too far away from the UK. And so if ever I have an opportunity, I've gone to Italy. Recently, though, I went to Sicily. And that was a real find because it's obviously, I mean, talking about cultural traditions and cultural heritage, it seems to have been basically every country has stepped foot on it and taken it over. And it's left these amazing it's the amazing footprints so we've got the Greeks we've got the Normans we've got the various Moors as well all of them make it such a very interesting place.  Gautam: Absolutely. It just shows how cultures have moved around the world. One last question. We are recording this podcast during the European Championships in football. And this is not a leading question. And I am a lawyer. So this is not a leading question. Who's going to win the European Championships? Which country?  Yasmin: I'm afraid I don't watch football. So I can't answer that question. I have been to football matches, Gautam, and I haven't known what's been going on. This was during my time at the police authority, where I went out with the police at Watford to observe how policing was done. It was a lovely day, although we got up incredibly early, I seem to recall. But I had no idea what was going on in the pitch. Um it was slightly tribal in terms of the shouting. It was Manchester and Watford Manchester not sure if it was City or United. I think it was City it had um one of the Gallagher um one of the Gallagher  Gautam: Yeah it's Man City then  Yasmin: Yeah so just to watch that whole kind of tribal way was quite fascinating so i'm afraid i can't answer your question.  Gautam: That's quite okay you um you've answered many many questions in the course of this podcast yasmin thank you very much for doing this podcast it's been a delight to do it and to speak to you and um I could literally have asked you lots more questions and spent more time but these podcasts unfortunately would go on for a very long time if we did that but thank you very much indeed and thank you particularly for doing all the wonderful work that you continue to do on the the pro bono side and the great example you set through your leadership. So thank you very much.  Yasmin: Gautam, thank you so much also for inviting me to this podcast, which I must say I've enjoyed immensely. And if anyone listening out there is interested to work together with us at A4ID, please do contact me. And who knows what we can achieve together.  Gautam: Thank you, Yasmin.  Outro: Arbitral Insights is a Reed Smith production. Our producer is Ali McCardell. For more information about Reed Smith's global international arbitration practice, email arbitralinsights@reedsmith.com. To learn about the Reed Smith Arbitration Pricing Calculator, a first-of-its-kind mobile app that forecasts the cost of arbitration around the world, search Arbitration Pricing Calculator on reedsmith.com or download for free through the Apple and Google Play app stores. You can find our podcast on Spotify, Apple, Google Play, Stitcher, reedsmith.com, and our social media accounts at Reed Smith LLP on LinkedIn, Facebook, and Twitter.  Disclaimer: This podcast is provided for educational purposes. It does not constitute legal advice and is not intended to establish an attorney-client relationship, nor is it intended to suggest or establish standards of care applicable to particular lawyers in any given situation. Prior results do not guarantee a similar outcome. Any views, opinions, or comments made by any external guest speaker are not to be attributed to Reed Smith LLP or its individual lawyers.  All rights reserved. Transcript is auto-generated.

Newt talks with Trita Parsi, Executive Vice President of the Quincy Institute for Responsible Statecraft, about the recent helicopter crash that killed Iran's President Ebrahim Raisi and Foreign Minister Hossein Amir-Abdollahian. Parsi discusses the potential implications of this event on Iran's future and its impact on the Middle East. They also discuss the complex political landscape of Iran, including the role of the Supreme Leader and the country's nuclear program. The conversation also touches on Iran's relationships with other countries and organizations, such as Hezbollah, the Houthis, and Hamas.See omnystudio.com/listener for privacy information.

Scott talks with Trita Parsi about the hollowness of Biden's efforts to improve things in Gaza. They start with the Administration's ridiculous framing, which seeks to admit that there are distasteful aspects of Israel's Gaza campaign, but then to blame those aspects solely on Prime Minister Benjamin Netanyahu. They also talk about how the war is affecting Democratic voters and the risk that this war will expand to southern Lebanon. Discussed on the show: “The US is trying to force the Israeli government's collapse” (Al Jazeera) “Israel Abandons Its Tortured Soldiers Too” (Substack) “U.S. Support for Israel's War Has Become Indefensible” (The Atlantic) Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi. This episode of the Scott Horton Show is sponsored by: Roberts and Robers Brokerage Incorporated; Tom Woods' Liberty Classroom; Libertas Bella; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY Learn more about your ad choices. Visit megaphone.fm/adchoices

 Download Episode. Scott talks with Trita Parsi about the hollowness of Biden's efforts to improve things in Gaza. They start with the Administration's ridiculous framing, which seeks to admit that there are distasteful aspects of Israel's Gaza campaign, but then to blame those aspects solely on Prime Minister Benjamin Netanyahu. They also talk about how the war is affecting Democratic voters and the risk that this war will expand to southern Lebanon. Discussed on the show: “The US is trying to force the Israeli government's collapse” (Al Jazeera) “Israel Abandons Its Tortured Soldiers Too” (Substack) “U.S. Support for Israel's War Has Become Indefensible” (The Atlantic) Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi. This episode of the Scott Horton Show is sponsored by: Roberts and Robers Brokerage Incorporated; Tom Woods' Liberty Classroom; Libertas Bella; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY

Niloufer Ichaporia King lives in a house with three kitchens. She prowls through six farmer's markets a week in search of unusual greens, roots, seeds, and traditional food plants from every immigrant culture. She is an anthropologist, a kitchen botanist, a one-of-a-kind cook, a Parsi from Bombay living in San Francisco, and the author of My Bombay Kitchen: Traditional and Modern Parsi Home Cooking. Niloufer is known for her ritual celebrations of Navroz, Parsi New Year, on the first day of Spring, when she creates an elaborate ceremonial meal based on the auspicious foods and traditions of her vanishing culture. The Parsi culture is some 3,000 years old and goes back from India to Persia. It's estimated that there are now under 100,000 Parsis in the world. Also featured in this Hidden Kitchens story are author Bharati Mukherjee, sharing her memories of the forbidden Bengali kitchen of her girlhood, with its four cooks and intricate rules of food preparation. And Harvard Professor Homi Bhabha, born in Mumbai to a Parsi family, who talks about auspicious lentils and the birth of his son. The Kitchen Sisters Present is produced by The Kitchen Sisters (Nikki Silva & Davia Nelson) with Nathan Dalton and Brandi Howell. We are part of Radiotopia from PRX, a curated network created specifically for independent podcasts—some of the best stories out there. Special thanks to the National Endowment for the Arts, the National Endowment for the Humanities, and contributors to the non profit Kitchen Sisters Productions .

On this episode of Unsupervised Learning, Razib talks to Zoe Booth and Iona Italia. Booth is community engagement officer and Italia is managing editor at Quillette. An Australian, Booth has degrees in French, Politics and Law from the University of Newcastle. Italia is an erstwhile academic of British nationality and mixed Parsi and Scottish heritage, with a Ph.D. in English literature from Cambridge University. She is the author of Our Tango World, former editor-in-chief of Areo Magazine and the host of the Two for Tea Podcast. Razib discusses both of their trajectories into the heterodox intellectual sphere, Booth, from her starting point as a younger Millennial and Italia as a member of Generation X. While Booth recounts she had typical generational views on social justice and left-inflected politics, Italia admits despite being very left-wing most of her life she was never very well disposed to the identitarian trend that has crystallized into “woke” politics in the 2020s. Booth also addresses the reality that even if the existence of Quillette, a female-led bastion of free thought, with founding editor Claire Lehmann and now managing editor Italia might seem to suggest otherwise, it is not always easy to be a heterodox woman. Booth and Italia discuss how female personality orientation tends more toward making people feel comfortable and included rather than confrontations over truth claims that might hurt feelings. Italia and Razib also address her unique personality quirk of very high disagreeability, which might explain both her rejection of group-think and her earnest quest for the truth as she understands it. Booth and Italia talk about how the recent events around the Gaza war between Israel and Hamas, have resulted in changes in their social life due to political polarization. Overall Quillette has taken a pro-Israel position across the editorial staff, which has resulted in some blowback among their readership. Italia also talks about her own change from solidarity to the global left because of their Hamas-friendly stance, and her continued rejection of conservative social movements, including Islam. Booth and Italia also address Quillette's consistent trend of touching cultural and political third rails, but in the service of classical liberal values. Italia believes any blowback toward her and the magazine comes disproportionately from a small group of malcontents, and that broadly liberal values are much more popular than most people realize.

Trita Parsi talks to Scott about the International Court of Justice's (ICJ) ruling in South Africa's case that Israel is committing genocide in Gaza. Parsi argues that this is a huge blow to Israel and that it puts the Biden Administration in a very difficult position. Discussed on the show: “ICJ lands stunning blow on Israel over Gaza genocide charge” (Responsible Statecraft) The ICJ Order Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi. This episode of the Scott Horton Show is sponsored by: Moon Does Artisan Coffee; Roberts and Robers Brokerage Incorporated; Tom Woods' Liberty Classroom; Libertas Bella; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY Learn more about your ad choices. Visit megaphone.fm/adchoices

It's Hump Day! Sam and Emma speak with Trita Parsi, executive vice president at the Quincy Institute, to discuss the state of play in Israel/Gaza nearly 3 months after October 7th. Then, they're joined by Paul Ortiz, professor of history at the University of Florida, to discuss how unions in Florida have been pushing back against Gov. Ron DeSantis's draconian anti-labor policy in the state. First, Sam and Emma run through updates on the recent attack on Iran's memorial for General Soleimani that killed 100, Israel's drone strike in Beirut, Bernie's call to block additional funding for Israel, the Fed's case against Menendez, the House GOP's consolidation around Trump as their majority thins, Texan fascism, and the Ivy president debacle, before parsing through Israel's absurd escalation of their ongoing conflict to the wider region of the Middle East. After briefly tackling the growing indictments against Senator Bob Menendez, Trita Parsi joins to discuss Israel expanding its offensive to Beirut and Damascus alongside the unclaimed terror attack, all serving to reinforce Israel's desire to bring this conflict onto the regional stage. Expanding on this, Parsi discusses Israel's apparent tact of provoking a military response from Iran, or a greater escalation from Hezbollah, and why that hinges on the US' unconditional support for Israel's disproportionate responses. Next, Trita, Sam, and Emma parse through what this potential escalation means for direct US military action, including the clear alignment of Houthi attacks on US troops with Israel's ongoing ethnic cleansing of Gaza, and what it means for Israel's multi-decade attempt to inspire war between the US and Iran. Wrapping up, Parsi looks at the Biden Administration's unwavering support for this conflict, and whether there's any hope for his electoral coalition moving forward. Paul Ortiz then joins, as he walks through the history of the United Faculty of Florida, formed in the 1970s in response to decades of attacks against Floridian educators over criticizing the American right or supporting progressive causes, and contextualizes their current work within the Florida Education Association. After expanding on the ongoing bout of attacks against educational freedom by Ron DeSantis' administration, with help from Chris Rufo, Ortiz dives into the union's emphasis on the social justice model of organizing, using community ties and interaction to bolster their intersectional approach to supporting their teachers amid ongoing attacks, before wrapping up with an assessment of UFF's incredible success in fighting back against fascism, and the hope that lies in the students they support.   And in the Fun Half: Sam and Emma watch Israel's telling response to South Africa initiating a suit against them over crimes of genocide in the International Criminal Court, Michael Knowles pleads with his followers to make Nazi propaganda out of beloved animated children's characters, and Tim Pool reflects on the pre-Mohammad era of humanity. Aaron Rodgers puts his bad foot in his mouth over the Epstein list, Nick from Michigan discusses pressuring Biden from the left (and the importance of the Democratic primaries in doing so), Aaron from Texas dissects the hypocrisy of Bill Maher, and Nick from Winnepeig on talking with conservatives, plus, your calls and IMs! Check out the Quincy Institute here: https://quincyinst.org/ Check out an interview Paul did with Bill Fletcher Jr. here: https://inthesetimes.com/article/united-faculty-of-florida-paul-ortiz-bill-fletcher-ron-desantis Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Gift a Majority Report subscription here: https://fans.fm/majority/gift Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Check out today's sponsors: Shopify: Sign up for a one-dollar-per-month trial period at https://shopify.com/majority. Go to https://shopify.com/majority now to grow your business–no matter what stage you're in. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattLech @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/

Scott is joined by Trita Parsi to discuss the horrific situation playing out in Gaza. They discuss what we know about the scale of suffering before zooming out and examining the broader geopolitical situation. Scott and Parsi also talk about how the war has affected the domestic political dynamic in both Israel and Washington DC. Discussed on the show: Treacherous Alliance by Trita Parsi “Biden admin officials see proof their strategy is working in hostage deal” (Politico) Trita Parsi is the Executive Vice President of the Quincy Institute for Responsible Statecraft and the author of Losing an Enemy: Obama, Iran and the Triumph of Diplomacy. Parsi is the recipient of the 2010 Grawemeyer Award for Ideas Improving World Order. Follow him on Twitter @tparsi. This episode of the Scott Horton Show is sponsored by: Tom Woods' Liberty Classroom; ExpandDesigns.com/Scott. Get Scott's interviews before anyone else! Subscribe to the Substack. Shop Libertarian Institute merch or donate to the show through Patreon, PayPal or Bitcoin: 1DZBZNJrxUhQhEzgDh7k8JXHXRjY Learn more about your ad choices. Visit megaphone.fm/adchoices

It's News Day Tuesday! But first, in a prerecorded conversation, Sam and Emma speak with Trita Parsi, executive vice president at the Quincy Institute, to discuss his recent piece on the escalating situation in Israel and Gaza entitled "Biden refuses to talk 'ceasefire' though it could prevent a regional war." First, Sam and Emma run through updates on Biden's visit to Israel, calls from the House for a ceasefire, Jim Jordan's upcoming speakership vote (and Democrats' response), the UAW, SCOTUS, and Biden's deal with Venezuela, before parsing through Ron DeSantis bringing his classic bigotry to the Israel-Gaza conflict as he tries to resuscitate his campaign. Trita Parsi then joins, outlining the peripheral players in the Israel-Gaza conflict, first looking to Hezbollah's ongoing skirmishes with Israel to the north, as well as Iran's relationship with Hezbollah, and the existing tensions between these players and Hamas, before walking through developments on the border between Gaza and Egypt, and the future of the 1.1 million inhabitants of northern Gaza. After tackling the Biden Administration's and State Departments' developing responses to the conflict, beginning with their full-throated support for military action in Gaza – to the point of banning the use of terms like “ceasefire” and “de-escalation” from any public statements – Sam, Emma, and Parsi explore Biden's stance as largely tied to domestic opinion, rather than foreign policy, and what that means for pushing a ceasefire. Wrapping up, Trita discusses growing tensions in the West Bank amid the genocide of Gazans, and Sam and Emma cover another failed GOP speakership vote, live! And in the Fun Half: Sam and Emma parse through the results from Jim Jordan's Speakership attempt, explore the parallels and shortcomings of a Gaza-Iraq comparison, and talk with Haley from Montana about the politics of polling. The MR Crew also listens to the newest earsore in right-wing music, Matt Walsh discusses colonization and the wonders it did for human dignity, and Cucker from Chicago dives into labor ongoings in the retail, grocery, and pharmaceutical world. Kevin McCarthy blames Democrats for the GOP's dysfunction, plus, your calls and IMs! Check out Trita's work here: https://quincyinst.org/author/tparsi/ Submit a formal comment on how AI content should be handled!: https://www.federalregister.gov/documents/2023/08/30/2023-18624/artificial-intelligence-and-copyright Become a member at JoinTheMajorityReport.com: https://fans.fm/majority/join Subscribe to the ESVN YouTube channel here: https://www.youtube.com/esvnshow Subscribe to the AMQuickie newsletter here: https://am-quickie.ghost.io/ Join the Majority Report Discord! http://majoritydiscord.com/ Get all your MR merch at our store: https://shop.majorityreportradio.com/ Get the free Majority Report App!: http://majority.fm/app Check out today's sponsors: Nutrafol: Take the first step to visibly thicker, healthier hair. For a limited time, Nutrafol is offering our listeners ten dollars off your first month's subscription and free shipping when you go to https://Nutrafol.com/men and enter the promo code TMR. Future Hindsight: Future Hindsight, an award-winning podcast that takes big ideas about civic life and democracy and turns them into action items for all of us. Find all episodes at  https://FutureHindsight.com or wherever you listen to podcasts. Follow the Majority Report crew on Twitter: @SamSeder @EmmaVigeland @MattBinder @MattLech @BF1nn @BradKAlsop Check out Matt's show, Left Reckoning, on Youtube, and subscribe on Patreon! https://www.patreon.com/leftreckoning Subscribe to Brandon's show The Discourse on Patreon! https://www.patreon.com/ExpandTheDiscourse Subscribe to Discourse Blog, a newsletter and website for progressive essays and related fun partly run by AM Quickie writer Jack Crosbie. https://discourseblog.com/ Check out Matt Binder's YouTube channel: https://www.youtube.com/mattbinder Check out Ava Raiza's music here! https://avaraiza.bandcamp.com/ The Majority Report with Sam Seder - https://majorityreportradio.com/