Podcasts about Starbury

On today's episode, we welcome New York Knicks legends, Stephon Marbury & Mikal Bridges, live from Central Park! The guys talk about Mikal's offseason, share untold Knicks stories, and more! You don't want to miss this one, make sure you're subscribed to never miss an episode of the ROOMMATES SHOW!Our NEW merch drop is LIVE at: http://RoommatesMerch.comGet 25% off your first order at http://www.TommyJohn.com/ROOMIESStay hyped and hydrated with BODYARMOR!! Available in stores nationwide but you can head on over now to the BODYARMOR Store on Amazon & get yours today!New Bet365 customers now get $200 in bonus bets when you bet $5. Download the Bet365 app today.TT: https://www.tiktok.com/@roommatesshowIG: https://www.instagram.com/theroommatesshowX/TW: https://twitter.com/roommates__showChapters:0:00-1:54 Block Party Intro1:55-2:56 Walkout entrance2:57-3:15 MVP Chant Central Park3:16-4:19 Mikal Entrance4:20-6:20 BKN-NYK Trade reaction6:21-7:38 Mikal's offseason7:39-8:08 Mikal # Change8:09-9:15 "BKN made me better"9:17-9:45 DAMN9:46-11:20 the FaceTime11:21-13:06 "would you try breastmilk?"13:07-15:09 Growth since NOVA15:10-16:28 474 game streak16:29-18:06 NBA Finals18:07-19:04 I love the Garden19:05-21:37 high & lows21:38-22:45 OG-Kale Defense22:46-23:37 "I've bust yo ass for years"23:38-24:06 who has best swag?24:07-25:07 best 3pt celly?25:08-25:52 Mikal's promise25:53-26:57 Tommy John26:58-27:25 Marbury entrance27:26-28:28 Hometown Kid28:29-29:37 NYC Flavor29:38-30:28 Which teams runs NY?30:29-31:12 Michael Jordan at MSG31:13-31:42 Best game @ MSG31:43-33:00 Starbury shoe33:01-34:31 What Steph said courtside34:32-36:30 China hoops36:31-38:11 Best draft class ever?38:12-39:20 Courtside at Olympics39:21-40:55 truth about KG40:56-41:48 Best trash talker ever41:49-43:44 Chamelo & business43:45-45:07 NBA Comparisons45:08-46:33 82 Games/48 mins46:34-48:07 sacrifices/ bball gateway48:08-48:36 Body Armor48:38-49:14 Macy's49:15-49:33 Bet36549:34-52:24 top 5 toughest matchups52:25-52:32 outro52:32-53:34 Part 2 previewMB01CGL4LBKK8ZT#nba #jalenbrunson #joshhart #knicksnba #mikalbridges #stephonmarbury #basketball #newyorkcity #nyc #roommates #blockparty #liveshow #newyorkknicks #knicksGAMBLING PROBLEM? CALL OR TEXT 1-800-GAMBLER (AZ, CO, IN, KY, LA, NC, NJ, OH, PA, VA) or 1-800-BETS OFF (IA). 21+ only (18+ in KY). T&C's apply. Hosted on Acast. See acast.com/privacy for more information.

Scoop B talks to Starbury about the Brooklyn Nets, Knicks, MJ, Jalen Brunson, today's NBA and so much more... Hosted on Acast. See acast.com/privacy for more information.

On a eu le plaisir de discuter avec #Stephon #Marbury à la #FIBA House pendant les Jeux Olympiques ! Son après-carrière, les douloureux JO 2004, Team USA et les Knicks : plein de sujets intéressants abordés avec Starbury !Entretien tourné le samedi 10 août 2024#FIBA Hébergé par Acast. Visitez acast.com/privacy pour plus d'informations.

Braga, King, and Ski talk: :15: Neighbors with eight cars, the new Madden movie, failed political word play. 17:28: The ridiculous arrogance of Raygun, the weird love for Starbury, the legend of Steph Curry, not taking for granted Lebron/KD/Steph. 46:45: Preseason CFB predictions, top 3 athletes turned actors.

Starbury joins KFTV for a special episode to discuss Knicks playoff run, adjustments Jalen Brunson will need to make, Starbury's career and much more! Get 20% off plus free shipping at Manscaped. Go to manscaped.com and enter promo code KFTV at checkout! $$ Support The Movement, Donate To The Show! $$ Paypal - paypal.me/knicksfantv CashApp - cash.app/$knicksfantv Join our Discord - https://discord.gg/sT3E6HqCKC JOIN THE MISSION TO 60K YOUTUBE SUBSCRIBERS! - Youtube.com/knicksfantv FACEBOOK: https://www.facebook.com/KnicksFanTVFB INSTAGRAM: Instagram.com/KnicksfanTV TWITTER: Twitter.com/Knicksfantv Join Our Mailing List to stay informed on new, future content and events! - http://eepurl.com/guEaOj Learn more about your ad choices. Visit podcastchoices.com/adchoices

For episode 2 of Planet Money Summer School, we are talking strategy. You have your million dollar business idea, and maybe some money in your pocket to get it up and running. But now you enter into a crowded market. You have to deal with competition. So, what can you do to make sure your product is a success? That was the conundrum facing the Starbury. It was a basketball shoe with a celebrity endorsement, that had to go up against THE basketball shoe with THE celebrity endorsement: the Air Jordan. Our first story is about the ways in which the Starbury succeeded and failed in taking on a juggernaut.Then, we will hear a story about trying to avoid the dangers of "perfect" competition. Two companies making almost identical handbells learn that the key to their success lies in convincing customers how different they really are.Find all episodes of Planet Money Summer School here.The series is hosted by Robert Smith and produced by Max Freedman. Our project manager is Julia Carney. This episode was edited by Keith Romer and engineered by Robert Rodriguez. The show is fact-checked by Sierra Juarez. Planet Money's executive producer is Alex Goldmark.Help support Planet Money and get bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.

For episode 2 of Planet Money Summer School, we are talking strategy. You have your million dollar business idea, and maybe some money in your pocket to get it up and running. But now you enter into a crowded market. You have to deal with competition. So, what can you do to make sure your product is a success? That was the conundrum facing the Starbury. It was a basketball shoe with a celebrity endorsement, that had to go up against THE basketball shoe with THE celebrity endorsement: the Air Jordan. Our first story is about the ways in which the Starbury succeeded and failed in taking on a juggernaut.Then, we will hear a story about trying to avoid the dangers of "perfect" competition. Two companies making almost identical handbells learn that the key to their success lies in convincing customers how different they really are.Find all episodes of Planet Money Summer School here.The series is hosted by Robert Smith and produced by Max Freedman. Our project manager is Julia Carney. This episode was edited by Keith Romer and engineered by Robert Rodriguez. The show is fact-checked by Sierra Juarez. Planet Money's executive producer is Alex Goldmark.Help support Planet Money and get bonus episodes by subscribing to Planet Money+ in Apple Podcasts or at plus.npr.org/planetmoney.

Anne is joined by special guest, Ian Russell, a multi-award-winning voice actor. They discuss his career in the voice over industry, including his journey to success. They talk about the importance of social media and authenticity in character creation. He advises aspiring voiceover actors to be careful not to violate non-disclosure agreements and to use social media to support their profiles. Anne and Ian also discuss the importance of respecting specified ethnicities and the limitations of casting notices. They highlight that authenticity and believability are essential in video game casting, and that having an acting background is a serious advantage. Tune in to hear the full conversation.    Transcript   It's time to take your business to the next level, the BOSS level! These are the premiere Business Owner Strategies and Successes being utilized by the industry's top talent today. Rock your business like a BOSS, a VO BOSS! Now let's welcome your host, Anne Ganguzza.   Anne: All right. Hey everyone. Welcome to the VO BOSS podcast. I'm your host Anne Ganguzza, and today I am so excited to bring very special guest Ian Russell to the podcast. Hey Ian. Yay.   Ian: Hey, Anne.   Anne: welcome. For those of you BOSSes out there, we'll tell you a little bit about Ian, and then he's gonna continue on telling us about his journey, he is a, a multi-award winning, seasoned voice actor working in commercial, corporate, video games, audiobooks. His voice can be heard for companies including Coca-Cola, MasterCard, Nestle, Heineken, Club Med, Phillips, and a bunch more. He was the recipient of the One Voice Male Voice of the Year 2020 award. And also in that year, he was also best character performance. Is that correct?   Ian: Animation, yeah.   Anne: And then continuing in 2021, he won Gaming Best Performance for One Voice Awards. And in 2022, the SOVAS Outstanding International Audio Description, Museums and Cultural Sites. Wow. That is fantastic. Ian, so honored to have you here on the show to talk about your journey and your wisdom. So , let's start.   Ian: Well, good luck with that.   Anne: Well, let's start telling people about your journey. How did you get into voiceover, a little bit about yourself and how you got into voiceover.   Ian: It's a long and winding road, which is a Beatles reference, but the first ever voiceover I ever, ever did was for a radio station in Liverpool. And it was a friend of mine worked at the radio station, and they had a pre-recorded interview for Paul McCartney when he bought and set up the Liverpool Institute for Performing Arts in Liverpool. It was his old school. And rather than having a boring interview where it was just Paul McCartney and some radio guy , he asked me. I was, we were in a local acting thing together, and he asked me to be the voice of Paul McCartney's teacher.   Anne: Wow.   Ian: When Paul McCartney was a kid. So we linked the questions, you know, and it  was like, oh yes, that McCartney he was always playing around with a guitar. He'll never amount anything. So it was that kind of -- we made it funny. I didn't even know what voiceover was, but I did it anyway. And it was fun. I didn't get paid or anything. I was doing it for a mate, but I still have the magnetic cassette tape, shows how long ago it was.   Anne: Yep. There you go. .   Ian: And then 30 years go by, and I get married, and my wife's stumbling around for what she can buy me. And we, because you know --   Anne: What happened 30 years though? That was a long time.   Ian: Oh, sorry. I, I went off and got a real job. I was, I was working in sales and sales management in the northwest of England and in Belgium and Holland and in and around Oxford.   Anne: So International for sure. Yeah.   Ian: Yeah. That's a whole other story, which we could get into another time. But that would use up our 30 minutes, would be nothing left . So anyway, so my wife's like, oh, well what do I buy him for Christmas this year? And I had done a bit of sort of community theater stuff as a young man, just explained with the Paul McCartney thing. And so she found a one day introduction to voiceover.   Anne: Uh-huh.   Ian: In London. It's a place called the Show Reel. And she bought me that for Christmas 2012. It's 10 years almost to the day.   Anne: Wow. Yeah.   Ian: And then two years later, we've had the credit crunch and the bank -- I was working for a bank at the time and they were trying to offload people, and I had to reapply for my own job multiple times. And in the end I'm like, I volunteer as tribute . Let me go, you know, I'm done here. I'm older than all these young guys. I don't want to be rushing around half of the UK seeing multimillionaires coming home at night, barely seeing my kids, writing reports 'til midnight, and then doing the same rinse and repeat tomorrow. I'll have a heart attack and die. Let me go. And two years later, they eventually let me go. And so my wife's American and we said, well, what are we gonna do now? ? Well, let's sell everything and move to America. Be near my dad, says my wife. So that's what we did.   Anne: I love that. Let's do it.   Ian: And I said, well, what am I, what am I gonna do?   Anne: Let's sell everything and move.   Ian: I'll give that voiceover thing a go. And I went to the guy in London and I said, does anybody get hired for this? And he went, yeah. And I said, would anybody hire me? And he went, I don't see why not. And that was the ringing endorsement that I had to come off and start. So 2014 I started properly, I would say.   Anne: Wow. Wow. And so when you started, what was it that -- I assume you, you got coaching, you got a demo, and then you started working, and so you started working and were successful in which genres?   Ian: I think I'm a product of the internet age. You know, I live in the metaphorical middle of nowhere. And everything I do is via the internet, pretty much. So I started probably the way a lot of people start. I didn't know anybody and I didn't know anything. I had some experience, life experience that helps for sure, the sales and having done a bit of community theater and all that. But I knew no one and I knew nothing. So I started searching on the internet, and I paid money down to online casting and, and started throwing mud at the wall. And I think in that market you do a lot of explainers. You do a lot of corporate. You do a lot of e-learning, e-sort of things that, that sort of thing.   Anne: And of course in the States now, you know, that accent of yours doesn't hurt you. I had a very good friend when I started and she was hired all the time for e-learning. Because I think for us listening, and you gotta have some sort of interesting -- like an American accent is, we hear it all the time. But a British accent might be something that, oh, that makes it more interesting. And so she was high in demand for e-learning and, and those explainers and corporate things. And she was always so wonderfully like natural and conversational about it. And it was just a pleasure to listen to her all the time. And I remember thinking, gosh, I wanna aspire to be that relaxed and that friendly in my voiceovers. And so I can totally see where that just, it lends it. It's also a very large market. And so everybody kind of gets there, and it's a good, good place to start off. And I know a lot of students that I work with, they start off in corporate or e-learning.   Ian: Yeah. There's masses of it. And it's relatively easy to find.   Anne: Exactly.   Ian: You might not get the best rate, but it's relatively easy to find.   Anne: Now, you won these awards, but these awards were not for corporate or e-learning. It was for gaming and character performance. And so let's talk about, 'cause I know when people start out, they're very concerned about you know, what's my niche? Like, where do I start and how do I know what I'm good at? You evolved into becoming an award-winning voice talent in gaming and characters.   Ian: Yeah, I know.   Anne: So let's talk about that.   Ian: How does that happen?   Anne: Yeah. How does that happen?   Ian: I'm gonna say I got lucky, but we all know that that's hard work meets preparation and all of that. But in 2015, so a year after I'd started, I booked a role in a significant video game called Payday 2. And the role is utterly -- it's this South African mercenary. He speaks like that, he's Locke, his name is Locke. And I have been performing Locke for Starbury Studios for seven years now.   Anne: Oh wow.   Ian: And it was the performance of Locke that won me the video game award last year. And we're still making content. And at the end of this year, we have Payday 3 coming up.   Anne: Ooh. Get ready, BOSSes.   Ian: And so there's a lot of chatter around who's gonna be in Payday 3. You know what it's like with a lot of --   Anne: NDAs.   Ian: -- casting for voiceover. It's --   Anne: You can't tell --   Ian: -- NDAs -- Well, well, if I knew something, I'd be able to tell you, but voice over casting often happens right at the end. So nothing, I can't say anything. I don't know anything. So.   Anne: So seven years.   Ian: I'm like a mushroom.   Anne: Wow.   Ian: Yeah. So, so that was my first video game thing. And I think a lot of younger folk, they're growing up now with video games and animation and it's a very aspirational genre for people to get into. And I think I got one, and I'll keep the story very short, but Locke, the character, has his own Twitter account, which now has almost 12,000 followers.   Anne: Do you have input into that account?   Ian: It's mine.   Anne: Okay. Okay.   Ian: It's all mine.   Anne: Now, was that something that maybe was requested of you through an agent or the company or --   Ian: No.   Anne: -- you just created it? That's a very interesting marketing um   Ian: Well, it was suggested to me because I went on a charity stream as Locke for Payday, and the guys that were running it said, you might want to set up a separate account because you don't want your personal account flooded with teenage boys --   Anne: Yeah, that makes sense.   Ian: -- swearing at you. Frankly.   Anne: Yeah, yeah.   Ian: Asking you about Locke, you know, what's your favorite color, that kind of thing. So I set up a separate Twitter account for him then; that was 2017-ish. And that, that's kind of just grown from there. And I don't just use it for Locke. I use it for Locke. But I, all my video game stuff I promote on there because they're all video game players. So they're interested.   Anne: I love that I'm talking to you about this right now because I wanna know, is the content monitored at all by the game company or the people that hire you at all? Or if you were to say something that maybe wouldn't be appropriate for your character, I would imagine that that's kind of a line that you walk.   Ian: For sure, it is. I'm pretty sure there have been several occasions where I've written something, and I've had the wherewithal to go, no, don't do that. Don't say that. That would be silly . The only thing that Starbury said is, because they own the character, they own the IP of the character, that I can't monetize it for myself. I have run charity fundraisers and things like that, but if I'm gonna do anything out of the ordinary, I go through them and say, hey, I'm thinking about about this; what do you think? I don't think they've ever said, no.   Anne: That's something that's so interesting for those BOSSes out there that are thinking about getting into video games or character animation. I mean, there really becomes -- it can have a celebrity attached to it, and that becomes more than just voicing. Right? That is voicing. And then also it becomes a marketing effort. It becomes something that is outside of your voiceover persona that is of concern, I would think, for you to make sure that you're not gonna say the wrong thing or make sure you're not gonna do something that spoils any new things coming out or disturbs any NDAs.   Ian: Yeah. I just basically assume that everything I've ever done is under NDA until it's public.   Anne: That's very wise, very wise.   Ian: I really don't, you know. It's just, it's easier to do that than to go, oh, I've been cast, I can't...   Anne: I think no matter what we do, we should consider that, even doing a lot of corporate work and e-learning, it really all should be considered.   Ian: It is one of the challenges with video games, because whilst we get cast often towards the end of the process, it can be months before the game is actually shipped. And I have got the list, but I've got games coming out this year with my voice in them, and I am burning, burning up with desire to tell people because I am so excited about it. And I just can't. And it's just really, really one of the hard things, you know, that you have to bury that.   Anne: Yeah. Yeah. So you got hired for this one game, it became something --   Ian: Yes. So the thing about the Twitter was, so a little while after that I had auditioned for a role in a Warhammer game called Inquisitor Martyr for one of the -- there were only gonna be three player characters. It was one of the player characters. And I got shortlisted, and they asked me for a second audition and I did that. And then they came back and they said, okay, it's down to two people, so can you do a third audition? I'm like, I almost didn't want to know. You know, me or the other guy. And if I don't get it, I know the other guy got it. And I'm like, I was so close. But , what I did say was, look, you must make the right casting choice for your game. But please know that I have a Twitter account with 10,000 followers who are all game players. And I promote any game I'm in on that Twitter account. So I just want you to know that.   Anne: I like that.   Ian: Don't let that influence your casting decision in any way at all, but know that I've got it.   Anne: Hey, that 27 years in sales, I think it served you well. I think it served you well. That's fantastic. I love that.   Ian: So I booked that. I don't know that, that's why I would like to think it was just because of my awesome acting talent. But it taught me a lesson that you can use these things to help support your profile, particularly in a high profile thing like animation or like games. You see like the anime guys that are doing that; they're always at cons promoting themselves. And you know that the anime companies are loving that. Because that sells more anime. And the video games is the same. So.   Anne: Now would you say that your award also was something you were able to use as a marketing for more characters and more work?   Ian: I'm gonna put it the other way around. I can't draw a direct line to -- I won this award in August last year in video games, and then suddenly I get cast in a lot of games. What I think happens, this is what I think happens, a lot of casters in video games are younger people. I mean, there are older ones as well, but they're very tech savvy. And I think that you --they get their auditions in, and if you get shortlisted, and you may not know you've been shortlisted, but they're gonna create a shortlist, and I think they pop over onto Instagram or onto Twitter --   Anne: Oh yeah, absolutely.   Ian: Right?   Anne: And look at your profiles and --   Ian: They wanna, who's, who is this guy? Is he an umpti or whatever. And they see the awards and they see the interaction with a game community from my case. And they go, oh, he knows what he's doing. He's obviously done it before. You know, and you can say that til you're blue in the face in a pitch proposal, but nobody reads them, I don't think. But when they see it on Instagram or they see it on Twitter, it makes a difference.   Anne: Yeah. It's validation for them.   Ian: Yeah. It's that whole trust.   Anne: Right? That maybe they're picking somebody that has that little bit of trust. Yep. That you've got these experience.   Ian: Well, and you think how many -- as, as the game studios get bigger, how many multimillions of pounds they've got invested in a game. And it has to ship successfully, otherwise the company goes pop.   Anne: Absolutely.   Ian: That narrative story to a two or three talent generally telling the story is a big decision for them. So I do think they check. I have no evidence directly for it, but I absolutely think they check.   Anne: Especially I think as a lead character. Right? I mean, there's more responsibility than just the voicing of it, because like I said, there's a persona attached to it, that can be attached to it, and the potential for that character to be able to sell more game, new releases of games.   Ian: I kind of figure if I can help sell 10 or 20 or 30 copies of the game, I'm getting out someway towards paying my own fee.   Anne: Now -- right? Now, lemme ask you though, in terms of, let's say compensation for games, right? What are your thoughts about that? I mean, do voices for big games get paid better? There's really no royalties, residuals, like that kinda sucks.   Ian: No. It does. Yeah. If I was being paid union royalties for Payday 2, I'd be a wealthier man.   Anne: Yeah.   Ian: It's just the, that's the way it is, Anne. I don't have any control over it. So all I can do is negotiate the best fee I think I can for each individual one. But that's the other thing you've got, if you like AAA games at the top of the feeding frenzy, and they can afford to pay a great deal more. And at the bottom, you've got one guy with a 40-watt light bulb who's making a game, and he wants to get a voice in it, and he just doesn't have the budget. So you have to ask yourself then, is this a game that will further my profile? Do I want my -- you almost, you talk about the celebrity element of it. Do I want my name attached to this game?   Anne: Absolutely. Yeah.   Ian: And there are games I want attached. There are a lot of games out there that the content is marginal, should we say? Not safe for work is the phrase. . And there is no value to me as a talent in attaching my name to a game like that, because it would impact -- if I wanna be in a big AAA adventure game, I think it taints a little bit, my profile. So I, there are games that I will avoid and I will ask. There's one game I'm in and they have a safe for work version and they have a non-safe work version. And I said, uh, nothing to -- if you want this character in both versions, count me out. But they said, no, we can just write you into this one. So, they did that.   Anne: That's great. Look at that. That, you know, and that's interesting that you bring up these things that I never would've thought of, because obviously I'm not doing video games, but I love that you brought that up.   Ian: But you could, Anne.   Anne: Well, I could if I wanted to. I mean, you did it. So what made you, I'm gonna say, what made you audition for that first game? Did somebody suggest it to you? Did they say, oh, we're looking --   Ian: The Payday one? No, it was an open audition. It said South African mercenary.   Anne: And you said, oh, I can do that. Right?   Ian: Yeah, absolutely. I was so naive that I thought I could do everything.   Anne: So you said, I could do that.   Ian: Yeah, I can do that.   Anne: Okay. So I have to tell you my little story.   Ian: They cast me so great.   Anne: That's fantastic. I have to tell you my story. My story was a long time ago, like when I first started, I was on one of the pay-to-plays and they had a audition out, and they said it was for a phone system and it was for a British accent. And I thought, well, I can do that. I was naive , and I got it. And literally I worked for that company for 10 years. And it wasn't until like I actually spoke to somebody on the phone, because we had communicated, got jobs from them all the time onto this. And then it became not a cool thing to do because what accent am I doing? And it started to become that sort of a thing. Well, you're not a native. They didn't know. They said, oh my God, we thought you were native --   Ian: Oh, really?   Anne: -- British. And, and it was because I just, I didn't know any better, and I made the mistake. I didn't read that where it said they wanted native. And I said, oh, I can do that. I'll give it a shot. I'll throw my audition in. And I got it. And they employed me for a good 10 years before it was like, oh, now Anne, we just need your English. You know? Not, not your British. So, but it's so interesting that you kind of on a whim just did it. And I think that really speaks to having the confidence to kind of just put yourself out there, and even for things that you don't think you're good at, because they think when people get into this industry in the beginning, they're so concerned about, oh my God, I think I should do this, and I'm no good at character, or I'm no good at -- and I think that really, you don't really know until you try.   Ian: Well, let me share another quick story for you.   Anne: Sure.   Ian: So I auditioned for another game called Road Redemption, which is a motorcycle game. And you drive along the road and you have an iron stick and you're trying to hit other people off their motorbikes. And I auditioned with a sort of a Ray Wins, yeah. Come over, we all gonna hit you with a steel bat, you know, that sort of thing. And I thought, yeah, that'll work. And they decided that they liked my take on the character. So we got together on Skype . Who remembers Skype? And we are chatting, there's three of them, and there's me here. And they're like, what's your Australian accent like? Alright, where's that, right out of left field.   Anne: Where'd that come from?   Ian: Where'd that come from? And he said, because it's this sort of Mad Max kind of feel to the game. And they said, you know, what's your, and I said, very bad. I said, any Australian will immediately notice. You know, I can put another prawn on a barbie kind of thing. But everybody will, they will know, he's not from Australia anyway. So then we're on Skype and you hear tap, tap, tap, tap, tap, tap, tap. And they've sent me a line on the, in the chat. Read that in your Australian accent, whatever it was. Hey, I'm gonna hit you in me iron bar, mate, you know, tap, tap, tap, tap, tap. Read that one in your Australian -- yeah, this shrimp's gonna really get you, you know, anyway. And at the end of it, they said, yeah, okay, we're gonna use you for the game. And I said, okay, do you want the Ray Winston thing or do you want this? Oh, we want the Australian thing. Okay. Well, I, like I said, they went, yeah, but Australia's such a small market for us. We're not worried about that.   Anne: We're not worried that people in Australia are gonna complain . Well, it's true.   Ian: Right. And Locke's the same thing with his South African. And where it led me to in my head was video games, even if they're sort of set in an earth-like environment, are fiction. And I think a lot of game makers now particularly, but certainly back then as well, the acting performance of the character outweighs --   Anne: Is more important.   Ian: -- the absolute accuracy of a given accent.   Anne: Very interesting. Especially now because now it's a casting thing. Are they casting a native UK or a native Australian? And I think that we are all in a spot, like are we going to audition for that? Ian: Well, with that rider of there are accent issues and there are ethnicity issues.   Anne: Yes. Absolutely.   Ian: You know, I absolutely would not put myself forward for a British SWANA or MENA or -- I can't say African American because that's American.   Anne: Yeah, no, I get, I get that.   Ian: British Black, I think.   Anne: I think if they're, if they're specifying -- yes. If they're specifying ethnicity, then I think, yeah, absolutely. It's something that we respect.   Ian: PGM, person of global majority.   Anne: Yep. Absolutely.   Ian: That's, that, that works well for me. So there are things that I just will walk past now that maybe 10 years ago would've been acceptable.   Anne: Sure. Yeah. Things have definitely changed over the past just a few years.   Ian: This could be quite controversial, but I've seen casters ask for a minority ethnicity, and then in the sides it makes reference to, I don't know, America or Great Britain or whatever. And you're like, the ethnicity of of this character does not match the character in the script that you are portraying. And I fear a little bit, what's been the motivation for that?   Anne: You know what, interestingly enough, I know that you say that that's a very inter -- I had that with an e-learning, believe it or not, they had the characters, it was a character based e-learning, and they were all different ethnicities. And mine was a mixed ethnicity, but then they said, don't perform it in any kind of accent. And so I thought, well what is that there for then? You know what I mean? And that was a few years back now. I would kind of hope that if they're specifying ethnicity, that they try really hard to get that so that there can be authentic and genuine. Yeah.   Ian: Yeah. And at the top end, some casting directors at the top of the market will challenge that sort of thing. They'll go back to the studio, they're in a strong enough position to go back to the studio and go, really? Does that work? Are you sure? And they will challenge that if you like the mass market, often the person hiring the voice and directing the voice is a part of the studio itself. So. Johnny at the back, go and get a voice actor, will you, for this character. I think a lot of that is kind of left to the voice actor to work out for themselves. If you have an any kind of an acting background, and you are auditioning for particularly indie video games, you are already streets ahead because the guys in the studios have never hired anyone before. They don't know who to hire really. It's kind of like, we'll know it when we hear it kind of thing. So if you can make a performance, if you can create a character that's believable within the universe of the game, you are already streets ahead.   Anne: It's very interesting that you bring up the casting directors for video games. And you know, it's not necessarily, I think, the talent agents of today that you think of for commercial and broadcast. For video games, you do have to make it authentic and believable. And these people may only be casting for their game, and maybe they've never cast for another game, or they don't have a lot of experience . But that's a great point. And so I think that even more so now, the marketing that you employed, having followers on Twitter, maybe putting your awards on your website so that it's out there and it's known, that definitely has an impact. Because your casting directors may or may not be as experienced as somebody who's casting like 10 commercials a day. Right? That's all they do. That they listen for voices and they cast, whereas games, they're so into their game that they know their characters, and they're listening for just that character to come alive, what they believe the character is like.   Ian: Yeah, absolutely, absolutely, absolutely. I had a beautiful testimonial from an indie guy, he put on Twitter, it was on Twitter, his casting notice. And he said, the character is 60 and British from the southwest of England, and he's got early signs of dementia. And he said, but there aren't many older British actors. You know, I've always found it a struggle to cast older actors. So when I wrote to him, I said, , I am 60.   Anne: I'm old. .   Ian: So anyway, so I got cast of that surprising, surprise me though. He actually cast me as a second character that he was struggling. I said to him, you said you were struggling to cast this. Have you've got anything else that you're struggling to cast? So he sent me, said, yes, I'm struggling to cast this. And he sent it to me, and I thought, I can have a go at that. So I sent it back and I said, do you mean something like this? So I didn't put it as though I was auditioning. I just said, do you mean something like this? And he went, oh great. Was that you? And I went, yes. He went, okay, yeah, you are hired.   Anne: I love it. I love it.   Ian: I booked two characters. But he said, you might just, it's a real kind of bigging myself up, but you might be, he said, the best actor I've ever auditioned.   Anne: Awesome.   Ian: And I'm like, aww.   Anne: What a wonderful, what a wonderful compliment.   Ian: Oh. That is on my Instagram. If you check -- care to go.   Anne: Yeah. There you go. . So I love that.   Ian: Oh, and I know, what did I wanted to say about, you talked about casting directors. So Bianca Shuttling, who's one of the big casting directors in LA, she goes looking on Instagram. She's very open about that. If she's not got someone in her little pool of people where she goes, she gets -- she doesn't go to agents, she goes to Instagram.   Anne: Wow, there you go.   Ian: That's where she goes.   Anne: There you go. I love that.   Ian: There, you learnt it -- you heard it third or fourth here. .   Anne: So let me say, because I really think that there's that business savvy that you have, which, BOSSes out there, do not discount the value of being business savvy and marketing savvy. Because I think that that's gonna get you opportunities that otherwise you would not already have. But I do wanna address the acting part of it because you don't just get these roles over and over again if you're not a great actor. So what do you attribute your acting prowess? Have you, just because you've been doing it for years, have you been working with coaches or what do you attribute it to?   Ian: I owe it all to my mum.   Anne: Ah, okay. Well, there you go. , I'd like to thank my mom and my .   Ian: Well, yeah. But in this case, my mom was a very prolific community actress herself.   Anne: Got it.   Ian: So my first living memory is a smell, and it's not the smell of the grease pain. It's that kind of musty damp wood smell that you get backstage in an old theater. And I have the image that follows it, but -- and I must have been maybe around two or three years old. There's no words involved in this memory. So I basically grew up --   Anne: In the theater.   Ian: -- in the backstage. Yeah. One of those things. So it was happening all around me all the time. And I did try and become a proper professional actor as a young man, but I couldn't figure out how to earn money doing it . So.   Anne: Same thing when you start off doing voice acting, right? It's kind of hard sometimes. How do I even get money? How do I even get started? Yeah.   Ian: Yeah, yeah. It took me another 27 years of sales and management --   Anne: Well, there's your overnight success. Right? And I love telling that to people. They're like, you're so successful. Like, how did you do it? And people think it's overnight, but I think obviously you've evolved so nicely into your success, and it well, well deserved.   Ian: And now it pays two -- pays me and I hired -- my wife works for me now.   Anne: There you go.   Ian: So that Christmas present 10 years ago has employed both of us now.   Anne: Yeah. So that 10 year overnight success in voiceover, I mean actually, actually it was a little less than that.   Ian: Yeah, that's interesting. Because I got my first nomination, and I was --   Anne: In 2020, right?   Ian: -- 2019, I got nominated. I didn't win anything that year, but I thought I was ahead of the curve at that point. You know, and then it all went a bit quieter after that. But the last two years, so years nine and ten, or if you count it from 2014, years seven and eight, really have my career, iIt just looks entirely different now. And it is for the people out there, the BOSSes out there, you know, if you are three, four, and five years in and you're making your way, keep going. Because it is my view that in another two or three years, if you are booking regularly, suddenly something will click, something will change, and bam, away you go.   Anne: I was just gonna ask you what's your best advice? But I'll tell you what, that was a golden nugget of wisdom right there . I think so many people, they give up so quickly, and they get their demos, and they're like, well, why am I not working? And they get so frustrated and down and yeah.   Ian: Took me three months to get my first booking. I worked for three months for nothing.   Anne: Yeah, absolutely. Absolutely. Well, Ian, it has been such a wonderful pleasure having you in here.   Ian: Are we done?   Anne: Yeah.   Ian: Already?   Anne: Well, I, I can probably talk to you for another three hours, for sure. But I appreciate you coming and sharing your journey. I think ,BOSSes out there, you can learn a lot from this wonderful gentleman. And thank you so much for being here with us today.   Ian: You're very welcome, Anne. Anytime.   Anne: I'm gonna give a great big shout out to my sponsor, ipDTL. You too can connect and work like a BOSS. Find out more at ipdtl.com. And then also I'd like to talk to you about 100 Voices Who Care. It's your chance to make a difference in the world and give back to the communities that give to you. Find out more at 100voiceswhocare.org to commit. All right, you guys, have an amazing week. Ian, thanks again, and we'll see you next week. Bye-bye.   Ian: Bye-Bye.   Join us next week for another edition of VO BOSS with your host Anne Ganguzza. And take your business to the next level. Sign up for our mailing list at voBOSS.com and receive exclusive content, industry revolutionizing tips and strategies, and new ways to rock your business like a BOSS. Redistribution with permission. Coast to coast connectivity via ipDTL.

Welcome to another episode of Fratello On Air! This week, Balazs and Mike rant a touch after talking about a number of topics and before finishing with Geneva Watch Days. We were feeling a bit feisty on this one, so forgive us…or don't!Who doesn't love a good rant every so often? As much as we try to keep things on a relatively positive note, every so often something raises our collective eyebrows. Today is that day! Still, there are plenty of other topics to discuss.Handgelenks KontrolleBalazs is busy packing for his evening drive to Geneva Watch Days and informs us about the watches that will make the journey. On his wrist, though, is his prized Speedmaster 145-022“Transitional.” Mike is still living in his vintage higher-end Seiko world. He's wearing a King Seiko 44-9990 from 1966 in support of an upcoming article on this classic.A rant or twoWe discuss a true-crime podcast called “The Yellow Car.” Then we shift to a documentary on the once-popular basketball brand, And1.” We recall the “Starbury” shoes that were supposed to revolutionize the shoe world…but didn't. Mike also brings up the Mickey Mantle baseball card that recently sold for $12.6 Million…a sign that big spenders aren't going anywhere anytime soon for top-grade collectibles. Balazs mentions an upcoming Michael Jordan-themed auction where a game-worn jersey is estimated to sell for around $5 Million.The rant begins when we get to watches. We discuss a recent video made by a watch personality that is aimed toward Breitling and question the intent. Then, it's on to a W.M.T. watch with a bent case that's a replica of a battle-worn piece that took a bullet. Neither of us is impressed with the commercial venture. Finally, we talk about Geneva Watch Days and what we might see.We hope you enjoyed this episode. As always, if you have ideas for the show, let us know and we'll be happy to consider them for a future episode.

SKY HIGH PODCAST #60 EURO DOMINANCE + STARBURY + RETIREMENT GAMER MARQUES WASHINGTON W/ RYANTHERIVAC   Follow us: Youtube: https://www.youtube.com/channel/UC3_rVT-I5n15aVeO8ci-iUQ Find us also on: Instagram: https://www.instagram.com/erth2whoevr​​... Twitter: https://twitter.com/ERTH2WHOEVR​​ Podbean: http://erth2whoevr.podbean.com/​​ also on Spotify and iTunes!!!    CRESCENDO BROWN- "WAIT NO MORE"  AND "WASTE YOUR TIME" LINK

This episode is special on so many levels and any true hooper knows why. We are blessed to have former Rhode Island star and Pro Hooper Zach Marbury on the podcast today. Everyone knows the importance, love, and beauty that the Marbury legacy represents GLOBALLY, and we are honored to learn more about Zach and his unique basketball experiences.The average fan would think that his talent along with the name would be a lock for a spot on an NBA roster. Zach shares with us so many important views on why his route into pro basketball was not an easy one by any means. Although the NBA may not have been in the cards, the beauty behind this story is how he has been able to make a name for himself and give back to the game in such a positive way after all that he has been through. You'll hear great stories about growing up with his brother Stephon, DerMarr Johnson, Kobe Bryant, Lamar Odom, Allen Iverson, Gilbert Arenas, Al Harrington, Booger Smith, NBA Draft process, experiences overseas and MUCH more.We can't thank Zach enough for joining us. You don't often get basketball stories like the ones he shared in this episode. Every young hooper will learn a lot in this one about the game, the business, the politics, and how to overcome. This was truly an honor and we know you're going to love this!Thank you Zach Marbury!Checkout Enso supplements! Enso will help you maximize your sleep, provide natural energy and also balance your hormones. Don't miss out on this limited time Not in My House discount code!Discount code: MyHouseLink posted below!www.discoverenso.com/discount/MyHouseYou can find this episode on Apple, Spotify or any source for podcasts.Follow us on social media for news, updates and highlight reels!Facebook - https://www.facebook.com/notin.myhouse.79Instagram- @Not_in_my_house_podcastTwitter - @NOTINMYHOUSEpc

Ascesa, declino, caduta (col botto) e rinascita di Starbury. Leggenda dei playground newyorkesi, non ha mantenuto le aspettative a causa, o per colpa, del suo carattere non proprio semplicissimo. Ripudiato dalla sua stessa città, è dovuto emigrare in Cina per dimostrare a se stesso di essere sempre The Coney Island Finest. E le due statue che ci sono a Pechino ne sono la riprova.

Hey there Knicks fans... how you doin'? Welcome to the official Knicks Film School Patreon! First off, we want to make one thing clear from the jump: all of the content you have enjoyed for free stays free. We are still dropping three episodes per week on the KFS podcast feed and the coinciding videos on the KFS YouTube channel for all. Every postgame live stream and podcast will remain free as well. What you are getting by being a patron is 100% additional to the content you are getting already. We have created four tiers for our patrons: STARBURY ($3) - You're a Star...bury! You appreciate our work and want to show your support by helping us “keep the lights on.” You will continue to have access to all of our free content, including podcasts and any unlocked newsletters. MELO ($7) - Seven to the dome! You want to help us keep the lights on, PLUS you will receive one additional KFS podcast per week. Each bonus episode will revolve around the gang's thoughts on other teams and storylines around the NBA. The RSS Feed is solely provided through Patreon & is available on iTunes or Spotify. MONROE ($15) - Mother of Pearl! You want to help us keep the lights on, you will receive one additional KFS podcast per week, PLUS you will receive one item from the KFS merch store ON US for up to the value of your monthly subscription. This promotion will occur every six months subscribed that follow. Note: Must be a member for at least three months to be eligible for this benefit. In addition, you will also receive an invite to our monthly KFS town hall! Once a month, Jon, Jeremy, Andrew, and Kris will talk Knicks for an evening and you're invited to participate. EWING ($33) - God. Mode. Activated. You want to help us keep the lights on, you will receive one additional KFS podcast per week, one item from the KFS merch store ON US for up to the value of your monthly subscription (same membership rule applies), an invite to our monthly KFS town hall, PLUS: An invitation to watch a KFS pod recorded LIVE FREE merch exclusively available to our patrons An additional promotion for all items available in the merch store Since launching in 2018, we have been so touched by the appreciation you have shown us. Through the good times and the bad times, we've laughed, we've cried, and we've even said KPness. Whether it's been interviews, livestreams, or salary cap presentations, you have been there every step of the way. We share a common goal at KFS of growing as an organization that is created by fans, for fans. And with your help, we can continue to make that happen. Sincerely, The KFS team https://www.patreon.com/KnicksFilmSchool Learn more about your ad choices. Visit podcastchoices.com/adchoices

Chris and Winston talk NBA playoffs, black stores Winston used to shop at, wearing Starbury's (yikes), Red Lobster..again and a deep conversation about cops...its a good one!

Are the Suns for real in the West! Breakdown of Stephon Marbury Documentary "A Kid from Coney Island" 1996 Draft among the greatest ever $2600 for some popsicles! ( Could have bought Ethereum instead) DK joins USATF

Stephon Marbury è il quinto figlio maschio della famiglia Marbury, sangue blu della pallacanestro new yorkese, giù a Coney Island. Blu come le divise di Lincoln High, viste in He Got Game proprio in onore di Steph, blu come la tristezza che ha caratterizzato molti passaggi della sua carriera, dal freddo Minnesota in coppia con Garnett, ai New Jersey Nets, alle sfide infinite con Allen Iverson, per arrivare agli anni in cui giocò per la sua città con la maglia numero 3 dei New York Knicks. Fu un fallimento tale che lo portò sull'orlo della depressione. Rifiutato dalla sua stessa città, Steph vivrà una seconda carriera in Cina, vincendo 3 titoli e guadagnando 2 statue in bronzo a lui dedicate a Pechino. Questa è la storia di Starbury, fanno da colonna sonora i pezzi rap più new yorkesi possibili: da Notorius BIG passando per il Wu-Tang Clan, per arrivare ai Mobb Deep, a Tekitah ed agli EPMD. Keep bouncing, Steph!Better Go Soul è su:Medium: bettergosoul.medium.comInstagram: https://www.instagram.com/bettergosoul/Facebook: https://www.facebook.com/profile.php?id=100010079737509

Stephon Marbury è il quinto figlio maschio della famiglia Marbury, sangue blu della pallacanestro new yorkese, giù a Coney Island. Blu come le divise di Lincoln High, viste in He Got Game proprio in onore di Steph, blu come la tristezza che ha caratterizzato molti passaggi della sua carriera, dal freddo Minnesota in coppia con Garnett, ai New Jersey Nets, alle sfide infinite con Allen Iverson, per arrivare agli anni in cui giocò per la sua città con la maglia numero 3 dei New York Knicks. Fu un fallimento tale che lo portò sull'orlo della depressione. Rifiutato dalla sua stessa città, Steph vivrà una seconda carriera in Cina, vincendo 3 titoli e guadagnando 2 statue in bronzo a lui dedicate a Pechino. Questa è la storia di Starbury, fanno da colonna sonora i pezzi rap più new yorkesi possibili: da Notorius BIG passando per il Wu-Tang Clan, per arrivare ai Mobb Deep, a Tekitah ed agli EPMD. Keep bouncing, Steph!

This week the dudes chat: RuPaul Drag Racers, Starbury, kicks, vaccines, southern accents, impressions, NCAA vs NIT, Red Dog, Justice League, Batmen, Ben Affleck, Falcon & Winter Soldier, clairvoyance, skyscrapers, and comics.

The Boys talk about Buzz Aldrin's right hook, Stephon Marbury's iconic "Starbury" shoe, and visit a brain coach.

Stephon Xavier Marbury was born February 20, 1977, in Brooklyn, New York, to Mabel and Don Marbury, their sixth of an eventual seven children. The Marburys lived and grew up in the Coney Island Houses project at the end of four subway lines; a place where very few paths led out. Stephon’s older brothers can be credited for the youngster’s development early on, with a 9-year-old Stephon putting on shooting clinics, during halftime of high school games at the age of 9, earning him the nickname “Starbury”. By 11, he was listed as one of the country’s top sixth graders. At 13, Stephon was so good, that when he was discovered sneaking into a camp for high-school basketball prospects, the directors allowed it.

This week: Remember The Rio Grande Mud Vipers, having airport shuttle on speed dial, the Sixers double down on their double act, soft acts to follow, hedge fund hires, we’ve got big balls, trust issues, OG Mormons, cashing out under Covid, it’s football not sockdrawer, the father-son rule jumps codes, Nurse assistants, shopping indy bargain bin, inventing modern basketball, guess we’re stuck with JVG calling NBA games, 2x speed Sarver, trading with yourself, the crazy cat lady of the NBA, all parts included (some assembly required), happy returns for Christmas, Operation Big Power Grab, there is power in a union, who needs an offseason anyway, Rashford v Boris, judging an entire generation of basketballers by how much of a munter Starbury was, pray for Nash, YOU get to coach! AND YOU get to coach!, Beeso loves that green, NZ domestic decks are a little different to Oz domestic decks, spicy drop-ins, our traditionally comprehensive Grand Final coverage, maverick premierships, Richmond’s three weird flags, and foiling super Villains. BALLS and tripping balls are available on their own RSS feeds, as well as being found together on Omny Studio,Spotify and Apple Podcasts (feel free to subscribe, rate and review) - and we welcome your reckons via Twitter, Facebook and email. See omnystudio.com/listener for privacy information.

I was at a DC Nightclub and Venus Williams showed up to party. She made quite the impression on people. I'll discuss that and a bunch more - on the inside!! Join me. Special Offer For Over 40 Men! Click Here:https://www.theover40mensguidetofitness.com/ --- Support this podcast: https://anchor.fm/lee-smith47/support

The guys get into some light topics this week. Just hit play if you enjoy our shenanigans. Fast Forward to (45:50) for our normal show where we talk about the Tony Hawk Demo, the Halo delay, DC Universe transition, DC Fan-dome, and Fortnite vs. Apple/Google. Enjoy! See acast.com/privacy for privacy and opt-out information.

Intro Question of the week - Have you ever had food worth 150k - 3:36 Ayyyye yuuuung - Lebron ruins Starbury - 6:45 That Rona - 10:15 Crazy Doctor - 17:45 Dame Dash says be a BOSS - 25:26 Take the Red or Blue Bill - 45:28 Welling Park - Donald Trump first pitch and Louis Gohmert and that Rona - 53:28 Wrap Up -

On this episode we discuss some of the top NBA duos in history, Marbury documentary, Madden Ratings, and more. --- Support this podcast: https://anchor.fm/antonio-burnett-ii/support

In this Episode Geoff, Latty, and Bo talk Miami/Memphis scrimmage, dress code changes, masks in the bubble, annual performance awards, and the Starbury documentary.  Thank you for listening!

Meatsauce and Nordo kick off the show discussing the documentary, "A Kid from Coney Island" and reminisce on Stephon Marbury's career. Jonny Athletic calls in to give some insider info on the NBA bubble. Plus, John Bonnes and Aaron Gleeman in studio for a full hour of Twins talk!

In this weeks episode Jack & Justin discuss Woj getting suspended for his email to Senator Hawley, the Stephon Marbury documentary "A Kid from Coney Island" , Bucky Brooks Starting 5 list, and the Washington Redskins announcing they are changing their name.

Join your Bros for another briefing at the roundtable in The War Room! On this week's episode, we'll discuss... - Maker making HIStory - Patrick Mahomes obliterates the bank - The pressure ratchets up on Dan Snyder and the Washington Profession Football Organization - Jews make Jackson & Jackson bend the knee - Fall sports altered or scrapped altogether - Ye 2020 - Starbury ...and MUCH more! "This portion of the revolution will not be televised, but EVERYBODY can listen." Don't miss it!!! --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/war-room-sports-llc/message

Join your Bros for another briefing at the roundtable in The War Room! On this week's episode, we'll discuss... - Maker making HIStory - Patrick Mahomes obliterates the bank - The pressure ratchets up on Dan Snyder and the Washington Profession Football Organzation - Jews make Jackson & Jackson bend the knee - Fall sports altered or scrapped altogether - Ye 2020 - Starbury ...and MUCH more! "This portion of the revolution will not be televised, but EVERYBODY can listen." Don't miss it!!!

On episode 101, we debut the new official basketball shoe of the podcast the Starbury. Very affordable and surprisingly comfortable shoe. For a taste test, we try the new Pringles Wavy Applewood Smoked Cheddar chip, Steve has more animation for you and BV tells all about the Kobe Bryant book, the Mamba Mentality: How I […] The post Episode 101 Starbury Basketball Shoes Official Podcast Shoe appeared first on Fat Guys on a Little Podcast!.

Episode 65, the guys talk about the best NYC point guard ever?, Coach Thibbs possibly destroying players and much more. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app

On Cookies' 200th episode, we discuss vintage jersey collections (3:30), skyrocketing unemployment (8:04), food-based attitude adjustments (13:30), Kuo remaining unapologetic about eating over the sink (21:44), reading the room during a pandemic (29:32), Scott Storch vs Mannie Fresh (36:22), New York Knicks' alleged interest in carb-on-carb size baron Elton Brand (48:45), erasing Iverson (59:21), if could LeBron James have existed before....LeBron James? (1:10:43), an ode to Starbury (1:17:21), Chinatown shirts in a time of peril (1:21:54). Cookies is hosted by Ben Detrick, Jordan Redaelli and Andrew Kuo. 

With Ross Peterson out due to feeling ill (but just minor symptoms, no fear of coronavirus), Travis Hines fills in and he, Chris Williams and Erick Zamorastart the show giving a weekend update, talk about what everyone's up to and discuss how much and in what ways they're consuming alcohol these days. Hines admits this is the first time he's left his house for non food shopping purposes in three weeks. The guys talk about making sure your daughters avoid ever going to the pits in racing, supporting local with takeout and then they get into more analysis of Tiger King. Chris talks about Stephon Marbury looking to arrange a deal that would deliver millions of masks to New York City. They also talk about the passing away of Joe Diffie who died from COVID-19 and they also discuss how LeBron James doesn't seem to get this whole coronavirus as he is more concerned with how it affects him if the NBA comes back to empty arenas.

The story of an NBA All-Star and an experiment: To make a desirable basketball shoe cheap enough for anyone.

Ep02-07 BWAM-(Black Women & Asian men), Internet long distance, and interracial relarionships. Shao-Linn Fantastic meets with six guests from different states to discuss interracial dating, long distance internet dating, sliding Dam's, and social media ettiques when you're in a relationship, & does social media helps us out or breaks us in a relationship? Big shout out to Stephon Marbury aka Starbury for participating on our episode. --- Send in a voice message: https://anchor.fm/thefreshdeliveryshow/message

We're back like we never left! Some things happened while we were off for two weeks so we give you guys a recap of current events and discuss if the holidays are losing their impact on society and who's to blame. On this week's episode, Chris reminisces about his Starbury collection growing up, Luis was about to get jumped by a podcast and James recaps his experience at the Powerhouse event presented Power 105.1 #ignantmondays Follow your Honorable Hosts on social media: Chris - @lawd.scruff Luis - @luisthedesigner James - @highdefshooter / @fivestarstudios This episode was recorded at an undisclosed location somewhere in Queens. Follow the Podcast: Instagram - @honorablementionpodcast Twitter - @ignantpodcast And as always, if you want to submit a question or topic, email us at honorablementionpod@gmail.com Also, don't forget to check out the podcast homie, Antonette's new single and video that just dropped for "Worth It" featuring a cameo from a couple guys from your favorite podcast!

This week Cee, dcmbr & Buddah discuss the Grammy's, potential artists for the XXL Freshman list, Troy Ave, Starbury and more!!

ESPN's SAM ALIPOUR loves adventures, with athletes or without. The guy who once took a "red wine bath" with Amar'e and tipped Jimmy Butler out of a canoe breaks down his gig showing off the personalities of athletes, plus his own thrill-seeking tendencies. Plus, the guys break down Starbury's electronics line, the "Justice League" disaster, why JJ Watt isn't creating a "Bad Moms" expanded universe and more.

Stevie is rooting against the Celts, have we covered that? 00:10 - Jimmer v Starbury in China 16:17 -  Puppy Problems 22:00 - Monster L for the King (of NY) 28:42 - #FCF Goes Mind-Hunting 42:26 -  Chi-Town Bunz, Son!

After a week to catch our breaths we are back and better than ever. Talking Jameis Winston and his pump up speech. Followed by college football talk and discussion of the CFP (17:02). WHERE IS THE AMERICAN SOUTHWEST (20:21)??! Then a punter has a run-in with a conch shell (23:14). Are the Pistons and/or Lions for real (25:26)? Jimmer vs. Starbury in the fight of the century(33:09). Where Are They Now? For Josh Beckett, Gordo from Lizzie McGwire, Jerry Trainor (37:50). Then we hand out grades and discuss Baby Ruth (45:52). And end with Kid Pix, and Liangelo Ball.

NBA analyst KELLY DWYER likes Steely Dan so much, he named his new site "The Second Arrangement" after the band! We go deep about the group's defiance of genres, its legendary albums and songs, and explaining the music to your kids. Plus, the gang breaks down the new movie about the life and times of Starbury. No, really, we do ... and it is glorious!

9/14/17 Clipps & Drew break down the fallacies in the ESPN Top 50 NBA players list and decide to come up with a list of their own. The boys are excited about the prospect of Stephon Marbury aka "Starbury" returning to the NBA and they discuss the insane talent in his 1996 draft class. Clipps & Drew share their opinions on Kobe's jersey retirement and Lonzo Ball's lack of hip-hop knowledge. --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app (https://anchor.fm/s/1743334/podcast/sponsor/acugkf/url/https%3A%2F%2Fanchor.fm%2Fapp) Learn more about your ad choices. Visit megaphone.fm/adchoices

Stephon Marbury joins the podcast to talk the relaunch of his Starbury brand, his relationship with the NBA, Zion Williamson, Big Baller Brand and more.

S3 Ep. 40  "AI, Kyrie and Starbury Walk Into a Bar..."  Keith, Chuck and a hoarse Jon are back together and they have things to say about Allen Iverson, Kyrie Irving and Stephon Marbury. Also, a final end-of-year report on the International Stackhouse of Pancakes is presentedLike our podcast? You can show your support at Patreon.com/FastbreakBreakfast Episode 183 (S3 Ep. 40)

Most athlete endorsements make a product more expensive. But what happens when an NBA All-Star uses his name to make a sneaker much, much cheaper? On today's show: How that worked out.

Getting married with Dolphins helmet on? Goodbye Phil Jackson! All aboard the CFL train. Matt is in full on Kool-Aid mode for the Dodgers. Chris has bets on something that hasn't happened in 8 years. Jay thinks Starbury is about to EGOT.

This week, the gang provides a non-sports smorgasbord. How dope will Starbury's new movie be? How dopey is Durant's new anti-media commercial? Will the shark actually know he's racing Michael Phelps? And who is the creepiest lover on Craigslist? Let's go deep!

Don't miss this dope episode of Strictly Speaking, the podcast I co-host with legendary college hoops and NBA point guard Rod Strickland. Stephon Marbury, aka Starbury, kicked it with us all the way from China, taking us through his life from a child prodigy in the Coney Island projects in Brooklyn to having his own museum in China. The stories and knowledge he drops are sincere. If you think you know his story, you have no idea. My man got deep with it. This is one you don't wanna miss. Listen and enjoy!!!

In this weeks convo we discuss the Cincinnati Zoo, the Troy Ave shooting, Starbury for the kids, and the Bad Boy Reunion Tour.

Former NBA star and CBA legend Stephon Marbury joins the guys to talk about his career, the differences between the NBA and CBA, and the resurrection of his Starbury sneaker line.

In this episode, the guys cover Kevin Durant and Dwyane Wade shaking up NBA Free Agency, Jon Jones' inability to avoid trouble, and the New York Liberty's big win over Seattle. Stephon Marbury joins the show to talk about his basketball career and his re-emerging shoe line. #BlackLivesMatter

Episode 3 of the Cheat Movement Family Hip-Hop Podcast (We Made It). This is the premier hip-hop podcast for independent artists in the Commonwealth of Virginia and beyond. Hosted by @CheatsMovement along with @hiphophenry @4estLodge @genghis_jahn IG:nikerich78 IG:cashrulzkb IG:rttnjc and many more of the Movement family. Special guest drop-ins from: IG:bofields & IG:ralphlauron_p. The show is our version of Stretch and Bobbito (S/O) to the pioneers. Our episode 3 guests are: Marques Berry, Jake Barkley and Rasneek, along with the Grind N Pray Movement: Uriyah, B. Giles, and Sir Bey. And the studio was filled with family: Roy Revolution, BC Music 1st, Bobby Wiggins, Gigi Broadway and more etc. We debut a brand new music from J. Slim, Drano, Marques Berry, Jake Barkley, and the Curators of Hip-Hop ft. Joey Gallo, Ra The MC, and Ellis, We debate topics like: Starbury vs. Jordan and Fredro vs. Murray. Pop a bottle and ride with us. #WESEEIT

Rod and Karen discuss an offended non-listener, Herman Cain sabotaging himself, your dick is a dick, Starbury, sperm storage, hunting in the wild, poo tattoo, joking about AIDS, KKK robes, prostitute daughter, Herm on unemployment, lady-centric porn, sword ratchetness, Murray gone, spare the curtain rob, teacher underwear party, thief makes himself at home, give up the seat, meal gets froggy, fake it till you make it and strippers in prison. Intro: Can I Live? - Jay-Z Outro: Control - Janet Jackson Twitter: @rodimusprime @SayDatAgain Email: theblackguywhotips@gmail.com Blog: www.theblackguywhotips.com Voice Mail: 704-557-0186 Sponsor: www.shadowdogproductions.com And they're on Twitter: @ShadowDogProd

In this episode; Rusty and Pmac dissect the point guard "situation" in New York, Yi Jianlian's dominance of the Australian "All-Stars", and the latest chapter in the life and times of Stephon Xavier Marbury.

In episode #56, Rusty reluctantly bids farewell to Stephon Marbury as an elated Pmac shows his eagerness to put the Knicks' Starbury era behind him. The guys also touch on some other roster moves made by both the Nets and Knicks in the last two weeks.

The Celtics shake up the roster a little bit, including the addition of the controversial Stephon Marbury. The Big 3 represented Boston at the All-Star weekend, and Kevin Garnett gets injured, and so much more!

On episode #13 of NBA E2W, Jlev and Kush discuss the rise of the Orlando Magic, the trade rumors involving Shawn Marion and Starbury's offer to the Knicks.

In episode #48 (the first of 2009), Rusty covers VC's dramatic week and discusses the latest in the Starbury saga with Pmac. The boys also recap the games played by both the Knicks and Nets since episode #47.

On this episode Rusty suggests a new name for the Oklahoma franchise, all the latest moves are recapped and the listeners’ demands are answered with a Starbury discussion. Throw in another infamous figure in tri-state basketball history and you have an hour of gripping and hard-hitting hoops talk.

The Knicks and Nets are back on track, ending their losing streaks. Rusty and PMAC discuss these wins as well as the return of Vince Carter, the status of Isiah and Starbury and throwing objects at Jason Collins from the stands.

The guys use this 'short' episode to recap the games since episode 3, talk about the death of Starbury's father, preview the week ahead and give their thoughts on the big Knicks/Nets match up on Wednesday night.

The guys use this 'short' episode to recap the games since episode 3, talk about the death of Starbury's father, preview the week ahead and give their thoughts on the big Knicks/Nets match up on Wednesday night.

The Knicks and Nets are back on track, ending their losing streaks. Rusty and PMAC discuss these wins as well as the return of Vince Carter, the status of Isiah and Starbury and throwing objects at Jason Collins from the stands.

Stephon Marbury ( http://sports.yahoo.com/nba/players/3099 ) Shoes were featured on 20/20 since they are selling for $14.98 Check it out, http://www.starbury.com/ http://shoes.about.com/b/a/257363.htm http://www.steveandbarrys.com/ and How About Pink Hockey Sticks being used by NHLers like Rick Nash ( http://www.tsn.ca/nhl/teams/players/bio/?id=2288&hubname=nhl-blue_jackets#stats ) http://www.tpshockey.com/pinkstick.htm http://cgi3.ebay.ca/ws/eBayISAPI.dll?ViewUserPage&userid=tps_pinksticks