1998 film directed by Spike Lee
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2 episodes with He Got Game
2 episodes with He Got Game
2 episodes with He Got Game
2 episodes with He Got Game
2 episodes with He Got Game
Welcome back to Morgan Hasn't Seen with Jeannine Brice & Morgan Robinson!!A little Spike Lee miniseries begins in the middle of our celebration of Denzel Washington as Jeannine and Morgan talk their third collaboration, seeing Denzel as a deeply troubled father to a basketball prodigy whose contentious relationship is the human core in the down-to-earth, stripped back sports drama, HE GOT GAME (1998)!Not without hints of Spike Lee's flair, and clearly from the mind of a man who adores the game of basketball, it also stars Ray Allen, Rosario Dawson & Milla Jovovich!Our YouTube Channel for all our regular videos:https://www.youtube.com/channel/UCvACMX8jX1qQ5ClrGW53vowDonate:https://www.buymeacoffee.com/ItsAWonderful1Join our Patreon:https://www.patreon.com/ItsAWonderful1IT'S A WONDERFUL PODCAST STORE:https://www.teepublic.com/user/g9designSub to the feed and download now on all major podcast platforms and be sure to rate, review and SHARE AROUND!!Keep up with us on (X) Twitter:Podcast:https://twitter.com/ItsAWonderful1Morgan:https://twitter.com/Th3PurpleDonJeannine:https://twitter.com/JeannineDaBean_Keep being wonderful!!
In this episode, the Munsons dive deep into the career of the effortlessly cool and endlessly talented Rosario Dawson. We explore her humble beginnings on the Lower East Side of NYC, where early family struggles and imposter syndrome in film school shaped her unique path to stardom. From the moment luck literally knocked on her doorstep, Dawson's journey has been anything but typical. We discuss how Prince once dubbed her the voice of a generation at just 19, and her frequent appearances in music videos through the years. Her pop culture impact is undeniable, thanks to standout roles in Rent and Josie and the Pussycats. We were seriously impressed by her work opposite Denzel Washington in He Got Game, and we share our frustration over Rob Zombie cutting her from one of his films. Throughout her filmography, one thing remains constant: Rosario always classes up the joint. We also unpack her fascinating dating history, her inspiring decision to adopt her daughter at age 12, and her commitment to her political and philanthropic impact. How does she rank on the Munson Meter? Listen to find out
Welcome back to another bite-sized episode of Look Behind the Look. Today, we're back with another obscure cinema excavation exploring Spike Lee's 1996 film, Girl 6. The film offers a unique take on the world of phone sex operators through the eyes of an aspiring actress in New York City and, of course, so much more than that. We'll explore how this film fell into obscurity...and the layered messages on race and female exploitation.Despite its ambitious narrative, the film received mixed reviews upon release and was a commercial disappointment, grossing approximately $4.9 million against a $12 million budget. Girl 6 was dismissed so hard when it came out; it's like it just vanished from Spike Lee's filmography. Reviewers like The Washington Post's Rita Kempley described it as "little more than a profane litany punctuated by Oscar-caliber orgasms," while the Post's Desson Howe stated that "it's enough to reduce expectations over him forever."Even when discussing He Got Game two years later, Spike wouldn't mention Girl 6…That's how much people sidelined it. It's wild because after Girl 6, Spike didn't make another film centered on a female perspective until Chi-Raq in 2015, almost 20 years later. You have to wonder if the reception to Girl 6 made Spike pull back from telling stories about women, especially Black women, navigating systems that weren't built for them. Girl 6 is one of Spike's most overlooked films, but also one of the most fascinating. That's exactly why it deserves a closer look behind the look.A Cultural ReassessmentIn 1996, people didn't know what to do with Girl 6. It barely made a dent at the box office, critics were lukewarm at best, and ultimately, it faded into obscurity. But here's the thing—Girl 6 wasn't a failure. It was a film about performance, sex, race, capitalism, and identity. It didn't fit the mold Hollywood—or even Spike Lee fans—wanted it to fit.This was Spike's first time directing a script he didn't write. The screenplay came from Pulitzer Prize-winner Suzan-Lori Parks, and what they created together was something totally different from the more straightforward sociopolitical narratives people had come to expect from Spike. Instead of overt protest, Girl 6 gives us a quiet, messy rebellion in the form of one Black woman trying to survive the film industry without selling her soul.Theresa Randle plays Judy, a struggling actress who ends up working as a phone sex operator to make ends meet. And that premise could've easily become male-gazey or exploitative in the wrong hands. But it doesn't. This is a story about the male gaze, not one that indulges it. The camera doesn't leer. It's observant. It's empathetic. It's watching Judy navigate objectification. Beyond general objectification, it shows how she manages which specific forms of objectification she subjugates herself to, like being told by her boss, Lil played by a perfectly cast, Hollywood legend, Jenifer Lewis, she needs to sound “Caucasian” on the phone, because that's what “the client likes.”The film also drops in these surreal, meta moments that throw you off, especially the interspersed news storyline of the young black girl who survived falling down the elevator shaft in her building, but that's the point. It draws a direct line from girlhood to adulthood—how young Black girls are burdened from the start with invisibility, impossible standards, and stereotypes they're expected to navigate alone just to survive. We see Judy auditioning for roles where she's told to be more "urban," more "real," while directors like Quentin Tarantino, in his now-infamous cameo, barks at Judy with lines laced in microaggressions that escalate—into full-blown aggression, unchecked racism, and flat-out exploitation as he demands she take her top off on camera. It's violent in its familiarity. And that's the point. Girl 6 doesn't flinch—it forces us to sit in the discomfort, to confront how easily Black women are dehumanized under the guise of “opportunity.” This isn't just a scene. It's a reckoning that begins Judy's arc. It's Spike and Suzan-Lori Parks holding up a mirror and asking, ‘How many times has this happened—and how many times did we call it art?' or better yet "This is what you do to Black women when you 'give them a chance.'"And that's why the ending hits so hard. Because after everything—after all that growth and pain and disillusionment—it's gutting to see Judy go back to Shoplifter. It's framed like a reunion, maybe even a resolution—but it isn't. It's a return to something familiar. Something that once had control over her.And when she heads to L.A. for her so-called fresh start, she walks right into the same kind of exploitative audition that launched this whole journey. The loop restarts. But this time—she doesn't freeze. She doesn't stay quiet. She doesn't submit. She assertively leaves. That moment shifts everything. Because even though the circumstances haven't evolved, she has. It's not loud. It's not celebrated. But it's powerful. It's self-possession. It's Judy refusing to play the part again, even if the script is exactly the same.So no, the ending isn't tied up in a bow. But it's not hopeless either. Girl 6 isn't offering a fantasy of escape—it's showing us what resistance looks like when the world and the people around you won't meet you halfway. Quiet, deliberate, exhausted… but still yours.So why did Girl 6 flop? Because audiences weren't ready for a Black feminist art film disguised as a phone-sex dramedy. It didn't check the boxes. It wasn't "important" in how people expected a Spike Lee joint to be. The film's portrayal of Judy's experiences resonates with contemporary discussions about the empowerment and exploitation inherent in everything we've come to understand about performance, labor, and digital sex work (hello, OnlyFans), Girl 6 feels prophetic. In recent years, Girl 6 has been reassessed for its ahead-of-its-time commentary on sex work and female agency.It's time we stop calling it a misstep. Girl 6 didn't fail. We did—for not seeing what it was trying to show us. With all that said, I do still think it's worth critiquing how a man directing the film despite having a female screenwriter is a statement and impression in and of itself that is left upon this film, and that's something we're still unpacking today.The wigs, costuming, and futuristic sets are all intentional and impeccably designed. Judy is a chameleon, adapting to the fantasies projected onto her. She tries never to lose herself, but as the film progresses, it becomes a hard line to walk. And Randle does it brilliantly. Her performance is nuanced, internal, and often quiet—maybe that's why it got overlooked. People expected something louder. But Judy's strength is in her stillness. I paused the film so many times in awe, wondering - how we didn't get Theresa Randle leading dozens of films post-Girl 6. Her performance has always stuck with me. She is the film.Girl 6 is a wig-lover's dream. Theresa Randle wears over 20 different wigs and styles throughout the film, and each one feels like a window into her state of mind or her persona at that moment. Her hair isn't just flair—it's fashion, character, power, and commentary all in one.There's the long honey-blonde crop she rocks in the phone booth—classic "sex symbol" vibes and we see everything from her an ode to Dorothy Dandridge, bantu knots, finger waves, a full-on Foxy Brown afro—it's a whiplash of transformations that, if you blink, you might miss one. Her hair becomes armor, a mask, a performance. And what's genius is that the wigs and styling reflect the emotional tone of each scene without her having to say a word.It also speaks to the fantasy that phone sex work sells. Every call, every client, is a role she steps into. And Theresa's ever-changing look mirrors that idea—who she is depends entirely on who's on the other end of the line and what they're paying for.Plus, let's give some flowers to the hairstyling team. There is not much information out there about who exactly was responsible. I tried to get in touch with Lisa Hazell, but could not reach her for an interview. The hair designs gave Theresa an entire visual vocabulary of Black femininity, expression, power, seduction, and identity.Theresa Randle played Judy, the lead role. Before this, Randle had appeared in supporting roles in Lee's "Jungle Fever" and "Malcolm X." Her performance as Judy marked her first leading role, showcasing her range and depth as an actress.And while a lot of this film wasn't exactly the norm for Spike, he still had a role, as he often does—but this time, it feels especially personal. He plays Judy's cousin and best friend, Jimmy, a comic book nerd obsessed with blaxploitation and sports memorabilia. It's sweet and totally feels like a little bit of an opportunity for Spike to get all his Brooklyn Dodgers gear into the production design. He's one of the only people in her life who doesn't sexualize Judy, who just wants to hang out and talk about old-school movies. It's giving Letterboxd boyfriend energy… uh if your boyfriend was your cousin and just wanted to debate Pam Grier films over pizza. Their friendship grounds the film, a reminder of who Judy is underneath all the wigs and roleplay.The opposite of Jimmy is Isaiah Washington's character—Judy's ex, known only as “Shoplifter.” And that name alone tells you everything. He's not even given the dignity of a real identity—just a label, a behavior, a red flag. He's controlling in the way so many men are: smiling, supportive on the surface, but constantly trying to reshape her into someone more manageable. He pushes her to get a “real job,” but what he really wants is her dependence. He wants her small.The tension between them is always there—quiet, but constant. And the way Spike shoots those scenes, you can feel the power imbalance. It's intimate, but it's not safe. These aren't just moments between two people with history. These are scenes about how easily women—especially Black women—are asked to compromise themselves in exchange for stability, approval, or love that's conditional.Both of these male characters exist to show us different versions of masculinity—Jimmy is supportive, if a little clueless, and Isaiah's character is the opposite: demanding, judgmental, and ultimately part of the reason Judy needs to reclaim her voice in the first place.The film is peppered with notable cameos, adding layers of meta-commentary. As mentioned previously, Quentin Tarantino appears as the self-absorbed director, and this collaboration, interestingly enough, occurred before the well-documented disagreements between Lee and Tarantino over the use of racial slurs in cinema.We also get Halle Berry, Debi Mazar, John Turturro, Ron Silver, John Cameron Mitchell, and Michael Imperioli giving their best, if not strangest, character acting bits to the film.Other notable appearances include Madonna as the competing strip club owner. She looked insanely good—possibly the best she's ever looked, and that's saying a lot for someone who literally invented iconic beauty in the 80s and 90s—and, of course, supermodel Naomi Campbell as a fellow phone sex operator, taking on a more demure and reserved role.Pete Travers at Rolling Stone called Girl 6 "the worst movie Spike Lee has ever made," one that "[resorts] to all-star cameos to disguise structural shortcomings." Still, I believe these cameos contribute to the film's commentary on fame, exploitation, and the blurred lines between reality and performance.The PRINCE SoundtrackI could never go without mentioning one of the film's most essential elements, being its soundtrack, composed entirely of songs by Prince. You can't say that about any other film outside of Purple Rain. The entire soundtrack is Prince. Yup. Not just a song or two—the whole thing. And it's not a greatest-hits situation either; We're talking deep cuts, unreleased tracks, B-sides, and songs he gave just to this movie. "She Spoke 2 Me"? Unreal. "Don't Talk 2 Strangers"? Are you kidding? These weren't just throwaways—he curated a whole vibe for Judy's world, and I can't even believe we aren't talking about this every day.Prince was famously selective about who he worked with, and it says a lot that he said yes to this film. You get the sense that he understood what the story was about—performance, femininity, identity, power. And that's all over his music, too. Prince elevates the whole damn film. That's the kind of creative alignment that doesn't happen often. Honestly, the Girl 6 soundtrack is one of the most slept-on parts of Prince's catalog—and of 90s cinema in general.How this happened still blows my mind and definitely leads me to believe that, aside from Spike distancing himself from the film, the complexity of continuing to secure rights to Prince's catalog may be why we haven't been able to stream the film. That's a whooooole other can of worms to dive into for another day…But I will get to the bottom of it.Girl 6's unique collaborations, themes, and the conversations it continues to inspire about representation, exploitation, and agency for Black women and in the entertainment industry are why it remains a fascinating entry in Spike Lee's filmography. Although its approach to these themes may have been clunky, convoluted—dare I say, disjointed—it's 1000% worth watching, studying, and taking the time to understand the story beyond traditional narrative form.Unless you own a VHS or DVD copy, it's a shame you can only find it for $100+ on eBay right now. Kelli and I mailed the DVD back and forth like it was 2006 to study and put this episode together. So, grab a friend or two and create an old-school Netflix sisterhood of the traveling DVD and watch for yourselves. If you do track down a copy, tag me @lookbehindthelook—I want to see your setups. As always, we love hearing your thoughts, what you want to hear more about, and what films you'd like us to dive into next.Thank you for joining me on another bite-sized episode of Look Behind the Look. Until next time...**At the time that I recorded this, the DVDs were $80-$100 on ebay but now it looks like it jumped to $225-$350! Keep your eyes on those DVD bins at the vintage stores, people!Girl 6 on eBaywritten by Kelli Reilly Get full access to Look Behind The Look's Substack at lookbehindthelook.substack.com/subscribe
Welcome back to the Giant Ideas Podcast, Season 2! Today on the podcast we are joined by Rick Fox - businessman, actor, three-time NBA Champion and captain of Shaquille O'Neal and Kobe Bryant at the LA Lakers.Elite sport was part of Rick's life from an early age - his mother was an Olympic athlete. Rick's own NBA career went on to span 13 seasons, from Boston Celtics in 1991, to captain of the LA Lakers, captaining three consecutive championships from 2000 to 2002. Then, Rick did a different kind of pivot. He decided to leave basketball entirely and join the acting and producing world, securing roles in major films and television series such as Denzel Washington's "He Got Game," appearing as the villainous loan shark on "One Tree Hill", and on "Ugly Betty" - he has worked across virtually every major television network with over 30 years in front and behind the camera. Ten years ago he moved into business, starting first an e-sports franchise, and now joining the climate tech world, as founder & CEO of Partanna - pioneers of green cement.Building a purpose driven company? Read more about Giant Ventures at www.Giant.vc.Music credits: Bubble King written and produced by Cameron McLain and Stevan Cablayan aka Vector_XING. Please note: The content of this podcast is for informational and entertainment purposes only. It should not be considered financial, legal, or investment advice. Always consult a licensed professional before making any investment decisions.
Story about a student journalist celebrating the Florida victory Monday. Is that in-bounds? The audience hates this story and mainly Jackson. Which former or current STL athlete would you want to help you change a tire?Covering vs. Sampling. Jackson is dripping in Culture. He Got Game. Ray Allen. Mount Rushmore of Men's Men in St. Louis. Brown liquor. Storytime. Dotem Golf Tournament news coming soon. Best STL athlete golfer. Learn more about your ad choices. Visit podcastchoices.com/adchoicesSee Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Story about a student journalist celebrating the Florida victory Monday. Is that in-bounds? The audience hates this story and mainly Jackson. Which former or current STL athlete would you want to help you change a tire? Covering vs. Sampling. Jackson is dripping in Culture. He Got Game. Ray Allen. Mount Rushmore of Men's Men in St. Louis. Brown liquor. Storytime. Dotem Golf Tournament news coming soon. Best STL athlete golfer. Learn more about your ad choices. Visit podcastchoices.com/adchoices
Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 -------- Die-hard Knicks fan Spike Lee joins the show to discuss his New York fandom and legendary filmmaking career. Spike reveals which movies were most impactful to him, why he thinks Denzel Washington is the greatest actor of our time, what has been the key to his success, and will he live to see his beloved Knicks win the NBA Championship. Jim reveals to Spike how Phil Jackson used one of his films to motivate the Lakers during their 2006 Playoff series against Phoenix. Additionally, Spike reveals who he wanted to audition for the role of Jesus Shuttlesworth in “He Got Game” before Ray Allen was cast and how the movie was originally scripted to end. Learn more about your ad choices. Visit podcastchoices.com/adchoices
3/7/25 - Hour 3 Rich and the guys discuss the bevy of quality NFL WRs available via trade or free agency, and in ‘What's More Likely' weighs in on DK Metcalf, Myles Garrett, Ja'Marr Chase, Brock Purdy, Micah Parsons, the Bills, Dodgers, Lakers, Shedeur Sanders' NFL Draft stock and more. Actor Michael Fassbender and Rich discuss his new ‘Black Bag' Steven Soderbergh film, ‘The Agency' on Paramount+, and in ‘Celebrity True or False' talks ‘Band of Brothers' boot camp, channeling David Bowie and Greg Louganis for his role in ‘Prometheus,' and more. Rich and a caller discuss the best landing spots for Davante Adams, and the guys react to Spike Lee's ‘He Got Game' story he told on this week's ‘Jim Jackson Show' podcast. Please check out other RES productions: Overreaction Monday: http://apple.co/overreactionmonday What the Football with Suzy Shuster and Amy Trask: http://apple.co/whatthefootball The Jim Jackson Show: https://podcasts.apple.com/us/podcast/the-jim-jackson-show/id1770609432 No-Contest Wrestling with O'Shea Jackson Jr. and TJ Jefferson: https://podcasts.apple.com/us/podcast/no-contest-wrestling/id1771450708 Learn more about your ad choices. Visit podcastchoices.com/adchoices
Welcome back to another episode where we are diving into the illustrious career of Spike Lee. Listen in because for the first time ever we had on two guests who you know amd love, Jeremiah Battle and Kev from the ReelforReal podcast. We discussed 25th Hour, Malcom X, School Daze, Jungle Fever and He Got Game.Table of Contents:00:00 (Intro)05:12 (School Daze)35:35 (Jungle Fever)55:26 (Malcom X)01:26:55 (He Got Game)01:54:44 (25th Hour)02:15:20 (Movie Recomendations)
Wrapping up February we bring you a Spike Lee joint. Starring Ray Allen, Rosaria Dawson, Denzel Washington, we were split on He Got Game (1998). Keith found it bogged down by overly long scenes and a tropey-ass B plot, while Z appreciated the time taken with dialog and the musical & visual choices made. Plus we talk the evolution of breast implants in media and give our rankings for the month. https://en.wikipedia.org/wiki/John_the_ConquerorRick Rubin interview with Brian Eno +++++Willie Dixon and Memphis Slim performing Rub My Root
Jay Ellis (Top Gun: Maverick, Insecure) joins Kate and Franklin for their signature movie survey, diving into the films that shaped him—from Spaceballs (his surprising answer for what made him fall in love with movies) to He Got Game and White Men Can't Jump. They also talk about his experience starring in Top Gun: Maverick, how fatherhood has changed his perspective, his Insecure directorial debut, and more. Plus, a deep dive into basketball movies and '90s sports film nostalgia.
Jason Teasley and Mark Radulich review movies currently on streaming services: Above the Rim/Coach Carter/He Got Game Movie Review! First up is Above the Rim (1994). Then we move on to Coach Carter (2005). Finally we review He Got Game (1998).Above the Rim is a 1994 American sports drama film co-written and directed by Jeff Pollack in his directorial debut. The screenplay was written by Barry Michael Cooper, adapted from a story by Benny Medina.The film stars Duane Martin, Tupac Shakur, Marlon Wayans, and Leon. Considered the conclusion to Cooper's "Harlem Trilogy" (the preceding films being New Jack City (1991) and Sugar Hill (1994), the film tells the story about a promising New York City high school basketball star, and his relationships with a drug dealer and a former basketball star, now employed as a security guard at the high school he was a promising young star for the past years.The film was shot in Harlem, with various scenes filmed at the Manhattan Center for Science and Mathematics in East Harlem. Some of the basketball scenes were filmed at Samuel J. Tilden High School in Brooklyn, New York.Coach Carter is a 2005 American biographical sports drama film starring Samuel L. Jackson and directed by Thomas Carter. It is based on the true story of Richmond High School basketball coach Ken Carter, who made headlines in 1999 for suspending his undefeated high school basketball team due to poor academic results. The screenplay was co-written by John Gatins and Mark Schwahn. The cast features Rob Brown, Channing Tatum (in his film debut), Debbi Morgan, Robert Ri'chard, and the singer Ashanti.The film was a co-production between MTV Films and Tollin/Robbins Productions. It was commercially distributed by Paramount Pictures for theatrical release and home video rental. The film explores professional ethics, academics, and athletics. The sports action in the film was coordinated by Mark Ellis. On January 11, the film's soundtrack was released by Capitol Records, and the film's score was composed and orchestrated by musician Trevor Rabin.Coach Carter was released in the United States on January 14, 2005, and earned $77 million. It received a varied reception from critics.He Got Game is a 1998 American sports drama film written, produced and directed by Spike Lee and starring Denzel Washington and Ray Allen. The film revolves around Jake Shuttlesworth (Denzel Washington), father of the top-ranked basketball prospect in the country, Jesus Shuttlesworth (Ray Allen). Jake, in prison for killing his wife, is released on parole for a week by the state's governor to persuade his son to play for the governor's alma mater in exchange for a reduced prison sentence.Disclaimer: The following may contain offensive language, adult humor, and/or content that some viewers may find offensive – The views and opinions expressed by any one speaker does not explicitly or necessarily reflect or represent those of Mark Radulich or W2M Network.Mark Radulich and his wacky podcast on all the things:https://linktr.ee/markkind76alsohttps://www.teepublic.com/user/radulich-in-broadcasting-networkFB Messenger: Mark Radulich LCSWTiktok: @markradulichtwitter: @MarkRadulichInstagram: markkind76RIBN Album Playlist: https://suno.com/playlist/91d704c9-d1ea-45a0-9ffe-5069497bad59
Join us on B-Ball Radio as we welcome Professor and Author David Hollander, who dives deep into the themes of his NYU course and his thought-provoking book, How Basketball Can Save the World. As the creator of World Basketball Day and Assistant Dean of Real World Experiences at the Preston Robert Tisch Institute for Global Sport, David brings a unique perspective on the impact of basketball beyond the court. Tune in for engaging conversations about the intersection of sports, culture, and global change. Don't miss out—subscribe to explore how basketball can inspire a better world!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
tiktokX https://t.co/qCFDsrk6Krwww.arebelliousact.comBioJennifer Esposito is an American actress who has appeared in both film and television. She's known for her roles in Summer of Sam (1999), Don't Say a Word, Crash, Taxi, and Mob Town. Her first major film was Spike Lee's Summer of Sam and she also appeared in Lee's 1998 film He Got Game. Esposito recently made her directorial debut with Fresh Kills, the first film to be financed and traded by a global fan base. Jennifer Esposito discusses her film #FreshKills on the Creator to Creators with Meosha Bean podcast. Tune in on all podcast platforms and watch the conversation streaming on #Facebook and #YouTube.In this episode of Creator to Creators, we delve into an thought-provoking conversation with actress director Jennifer Esposito, the director of mafia film Fresh Kills. This film marks her debut in the world of filmmaking, and we explore its compelling narrative. The story follows the daughters of the Larusso family as they navigate the complex world of organized crime, struggling to break free from the unspoken code of women who stand behind the men. As fear, violence, and rage start to dictate their identities, the film explores the intense transformation they undergo and the impact of these forces on their lives.We dive into how these pressures limit women's potential and shape their lives, both in the film industry and beyond. This conversation invites reflection on the forces that continue to define who women are and who they are allowed to be.We hope you find it insightful and share it with others. Be sure to subscribe to Creator to Creators with Meosha Bean Listen to the episode here: https://www.amazon.in/Creator-Creators-Meosha-Bean/dp/B09PNRVMYBBecome a supporter of this podcast: https://www.spreaker.com/podcast/creator-to-creators-with-meosha-bean--4460322/support.
In this super fun episode, Hilliard & guest co-host actor/writer/dir Denzel Whitaker sit down for an in-depth conversation with award-winning writer-dir-producer LISA FRANCE. If you ever had questions about how to become an Episodic Director, this might be the podcast for you!Lisa France is an entertainment vet with over 25+ years in the business as a writer, director and producer. She began her film and TV career from the ground up. PA, AD, set dec, camera operator, props, 2nd AD, driver, stand-in, extra, etc. She attributes her extensive entertainment job resume to her ability to think quickly in difficult production situations. Eventually she landed a stunt gig with Spike Lee in He Got Game and a stunt acting job on The Summer of Sam and did stunts on a variety of other TV shows and films, most notably, The Sopranos. France directed, co-wrote and produced her first feature film, "Anne B. Real" in 2003, which won more than 40 film festival awards and nominations around the world, including two Independent Spirit Award nominations.She then directed two more award-winning independent films in rapid succession, both were distributed on Netflix, Starz and AMC theaters. Her first documentary, "Roll with Me", also garnered numerous awards, debuted at The Woodstock Film Festival and was a 2018 Slamdance Official Selection later acquired and distributed by Ava DuVernay's ARRAY Releasing. France has directed numerous thrillers and Christmas movies for Lifetime, BounceTV, OWN Hulu and Tubi. During the height of the pandemic, France directed and produced on Season 5 and 6, the critically acclaimed, award winning series "Queen Sugar" by creator Ava DuVernay. France recently directed episodes of the hit FOX series "The Cleaning Lady" and "Naomi" which is currently streaming on HBO MAX. France produced "The Herricanes" which just debuted and won a Special Jury Prize and the Audience Award at SXSW and is actually playing in theaters this month. France is a proud member of AWD, the LGBTQ+ community, the DGA, WGA, and SAG-AFTRA.Our Motto: "Keep it GAME all day!"For information, Merch (T-SHIRTS/HOODIES), and all things Rant Room!www.Screenwritersrantroom.comhttps://screenwriters-rant-room.printify.me/productsSubscribe, like, follow, share & 5-star review!@Hilliard Guess on all social media@Hilliardguess.bsky.socialIG: @ScreenwritersRantRoom@Lisafrance2067@DenzelWhitakerWE ARE NOW OPEN TO SPONSORSHIPS AND BRANDING OPPORTUNITIES : Screenwritersrantroom@gmail.comWe invest countless hours per week to deliver the actionable content that goes into this podcast. We appreciate your support!THEME SONG: Jack SpadeWEBSITE: MQL2,Abigail Bloom & Laura HuieLOGOS: Rachel MusikanthRANT ROOM TEAM:Richard Scott - Creative ProducerTyler Musikanth - Assoc ProducerBrooke Baltimore - MarketingTogo - Marketing
On episode 262 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributor Jay Ledbetter to give their thoughts on Gladiator II and discuss their Top 5 Denzel Washington performances. Big weekend at the movie as audiences around the world got to see the long awaited Wicked Part 1 and Gladiator II. Before the guys get into their thoughts on Ridley Scott's latest, Ryan shares his reactions to Wicked Part 1, and why for him, the film is mostly frustrating experiences with a couple of good performances in it. After that, Ryan and Jay dive right into Gladiator II, a film over twenty years in the making, as Scott dives back into the world he created in 2000's Best Picture winning epic. Much like the original, the film is a tale of revenge, centered around a main character looking to take on not just the ones of betrayed him, but the most powerful of Rome, leading to bloody battles and political intrigue around every corner. The boys were mixed on it, with Jay not being as positive on the film as Ryan is, with the totality of the conversation focusing on the film's script, Scott and his team's craft of recreating Rome, if Paul Mescal is a “movie star,” and Denzel Washington's incredible performance. Once they are done reviewing the film, the episode shifts solely to Washington, one of the greatest movie stars of all time and his magnificent, celebrated career. The two time Oscar winner has built a career on and off screen that rivals many legendary actors and actresses. And after covering plenty of his films on Director Watch this year, Ryan and Jay give out their Top 5 Denzel Washington performances. The films discussed ranged from Remember the Titans, Malcolm X, Man on Fire, He Got Game, Crimson Tide, The Tragedy of Macbeth, Roman J Israel, Esq., John Q, Training Day, Philadelphia, Glory, Devil in a Blue Dress, and more. A fun, extensive dive into a career of one of the best to ever do it, and we hope you enjoy it. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 2h11m. We will be back next week for a retrospective of the 67th Academy Awards, covering the films of 1994. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
Spike Lee's Summer of Sam should have been the perfect 1999 movie. After Lee's breakthrough 1989 film Do the Right Thing, he was on a roll in the 90s, giving us 1990s' Mo Better Blues, 1991's Jungle Fever, 1992's Malcolm X, 1994's Crooklyn, 1995's Clockers, 1996's Get on the Bus, and 1998's He Got Game. And so a gritty, Scorsese-esque New York crime like Summer of Sam headlined by the rising star Brody and Leguizamo at his most popular seemed like a no-brainer. And maybe because its nearly two and a half hour run time just didn't appeal to audiences in the middle of summer, for some reason SoS (which served as a near-perfect metaphor for the anxiety of pre-Y2K America) just never caught on with critics or at the box office. But has our equally volatile (and true crime obsessed) 2024 America made the film newly relevant? And where does it stand in Spike Lee's oeuvre? To discuss, John welcomed back film and culture writer and frequent guest Julia Sirmons to the show.
Today's episode features Vincent Grashaw and his new film 'Bang Bang', screening this week at the Deauville Film Festival following Locarno and Tribeca. Past inspiration includes ‘The Wrestler', and we share an appreciation for Spike Lee's ‘He Got Game'.Vincent talks about his connection to boxing, his casting techniques, shooting on ultra-wide lenses, and the unsung process of color grading. He also discusses his previous films and the challenges of making low-budget indie movies, emphasizing the importance of taking control of your destiny and to never give up. Vincent shares the common themes in his films, such as friendship and the impact of relationships, and we talk about the current state of the Hollywood film industry and the need for a material renaissance. What Movies Are You Watching?Like, subscribe and follow us on our socials @pastpresentfeature
The summer of baseball movie reviews continues on the Dissect DJs, as we break down the iconic 1993 film - The Sandlot!We run through this entire 90s classic that anchored the greatest era of baseball movie history, asking and answering all the curious questions that rise along the way. Why can't Smalls throw a baseball? Why was his stepdad Dennis Leary such a dick? Was Babe Ruth really the legend he's made out to be? What was Wendy Peffercorn's deal? What is the Mt. Rushmore of stories told within movies? And as always, we hand out our MVP, Practice Squad Player and 6th Man Awards. Because heroes get remembered, but legends never die!
Arthur J. Nascarella's appearance in films is often as a mobster or police officer, but he has also portrayed fathers, a priest, and other good men. His notable film credits include a corrupt cop in Cop Land (1997), the hypocritical ambulance Captain Barney in Martin Scorsese's film Bringing Out The Dead (1999) and fed-up casino boss, Nicky "Fingers" Bonnatto in The Cooler (2003). He's played principal roles in multiple Spike Lee films, including New Jersey Drive (1995), Clockers (1995), He Got Game (1998), and Summer of Sam (1999). On television, he currently appears on the Showtime series Billions as the local pizza shop owner Bruno Capparelo, and he played fictional mobster and Capo Carlo Gervasi in The Sopranos.Before he became an actor, he was a 21-year veteran of the NYPD. He also served eight years in the United States Marine Corps.
It's hot, who's bringing the ice cubes? Welcome to episode five of our series about memory and the movies that made us. This week, we're talking about one of the most impactful and important directors of all-time, Spike Lee, and how his classics like 'Do the Right Thing' and 'He Got Game' influenced what we love about movies.Hosted by Zack Miller and Stephen Williams
This month we are discussing Spike Lee's 1998 outing He Got Game starring Denzel Washington and Ray Allen. Over the course of our conversation you will hear us talk about Spike Lee's directorial style meshing with the raw talent of athletes in front of the camera, Denzel Washington's fatherly mission and the importance of basketball as a social mobility vehicle. We also about magical realism having its place in every Spike Lee movie, the many ways in which the director reminds the viewer about how unfair life can be in America and much more! Tune in and enjoy! Hosts: Jakub Flasz & Randy Burrows Subscribe to our patreon at patreon.com/uncutgemspod (3$/month) and support us by gaining access to this show in full in addition to ALL of our exclusive podcasts, such as bonus tie-ins, themed retrospectives and director marathons! Head over to our website to find out more (uncutgemspodcast.com) Follow us on Twitter (@UncutGemsPod) and IG (@UncutGemsPod) Buy us a coffee over at Ko-Fi.com (ko-fi.com/uncutgemspod) Subscribe to our Patreon (patreon.com/uncutgemspod)
"If the Knicks are doing well, the whole city is doing well."Following the Knicks beating the Sixers in the first round of the NBA playoffs, the beers are in high spirits as Dylan starts off sharing tales of his lifelong love for the Knicks (2:20), then the beers discuss the inevitable heartbreak that comes with rooting for NY sports teams (12:48). As a reminder that we encourage and promote responsible drinking, we are staying hydrated with glasses of water in this week's episode (16:15).Back in the film and television world, the beers stick to the subject of basketball, discussing Spike Lee's 1998 basketball flick, 'He Got Game' (18:04). Next, the beers choose their actors, directors, and distributors in a "pickup game" style draft (29:30). The beers ponder ideas of a Celebrity UFC Fight Card with Actors (43:24), then The Will Smith & Chris Rock PPV match (44:39).To wrap up the episode, Dylan shares his movie and television routine and viewing strategy (50:49). Rog has a special request (56:50).Now sip back and enjoy the show!Created by upStreamhttps://www.upstreampix.com/the-wrap-beers-podcastFollow The Wrap Beers Podcast!https://www.instagram.com/thewrapbeers/https://twitter.com/TheWrapBeersDylan - https://www.instagram.com/dylan_john_murphy/Roger - https://www.instagram.com/rogerzworld/Music by: Matt Kuartzhttps://www.instagram.com/mattkuartz?utm_source=ig_web_button_share_sheet&igsh=ZDNlZDc0MzIxNw%3D%3D
From “Raging Bull” to “A League of Their Own,” films about athletes have commanded the attention of even the most sports-skeptical viewers. The pleasure of watching the protagonist undergo a test of body and spirit, proving their worth to society and to themselves—often with a training montage thrown in for good measure—is undeniable. Luca Guadagnino's steamy new tennis film, “Challengers,” applies this formula in a different context, mining familiar themes like rivalry and camaraderie for their erotic potential. On this episode of Critics at Large, the staff writers Vinson Cunningham, Naomi Fry, and Alexandra Schwartz discuss how recent entries like “Challengers” and last year's Zac Efron-led wrestling drama, “The Iron Claw,” reflect a more contemporary view of masculinity than their predecessors do. The hosts also assemble their “hall of fame” of sports films, including Spike Lee's “He Got Game,” the nineties classic “Cool Runnings,” and the rom-com “Love & Basketball.” They argue that the genre, at its best, offers auteurs the chance to embrace their instincts. “For our most stylish filmmakers, I would just lay down the gauntlet. If you want to express to us your personal vision, do a sports movie,” Cunningham says. “Because we'll know what you care about: visually, sensually—we will know.”Read, watch, and listen with the critics:“Challengers” (2024)“The Iron Claw” (2023)“Rocky IV” (1985)“Black Swan” (2010)“A League of Their Own” (1992)“Cool Runnings” (1993)“Raging Bull” (1980)“He Got Game” (1998)“Love & Basketball” (2000)“A League of Their Own” (2022—)New episodes drop every Thursday. Follow Critics at Large wherever you get your podcasts.
He Got Game - 00:00 - 48:30 The Hollywood Pickup Draft - 48:30 - 1:09:42 With the playoffs in full swing, Extended Clip is diagnosed with Basketball Fever. The only persecription? Spike Lee's He Got Game. We talk about the auteur's analysis of the game, the real hooper mindset, Denzel's towering performance and more. Then, after an Aaron Copland-Mike Breen duet, we draft our squads for the all-Hollywood pickup basketball league. sign up at https://www.patreon.com/Extended_Clip for an extra episode every week!
My guests this week are New Jersey-via-Massachusetts rapper-producer NAHreally and Dublin producer-engineer The Expert. We spoke about Netflix reality shows, Severance, Tropic Thunder, Silo, Willy Wonka & The Chocolate Factory, He Got Game, Above The Rim, the legacy of Stones Throw and Madvillainy, their respective journeys through rap, joining forces creatively, and the creative process behind their debut collaborative album BLIP, out now via Rucksack Records. Come fuck with us.BLIP is available wherever music is sold, streamed, or stolen. Consider copping via The Expert's Bandcamp page. Follow NAHreally on Instagram and Twitter: @_nahreally_. Follow The Expert on Instagram and Twitter (@itstheexpert) and consider subscribing to EXcavations, his Substack newsletter. My first book, Reel Notes: Culture Writing on the Margins of Music and Movies, is available now, via 4PM Publishing. Order a digital copy on Amazon.Join the Reel Notes Patreon today for as little as $5/month to get early access to episodes, our Discord server, exclusive bonus interviews and reviews, and more!Reel Notes stands in solidarity with the oppressed peoples of Palestine, Congo, Sudan, Tigray, and Haiti. Please consider donating to the Palestine Children's Relief Fund, The Palestinian Youth Movement, Medical Aid for Palestinians, HealAfrica, FreeTigray, and/or Hope For Haiti. For information about contacting your representatives to demand a ceasefire, finding protests, and other tools, check out CeasefireToday!Follow me on Instagram (@cinemasai), Twitter (@CineMasai_), TikTok (@cinemasai), and Letterboxd (@CineMasai)Support the show
Locked On UConn - Daily Podcast on University of Connecticut Huskies Football and Basketball
"UCONN IS The Best Job in College Basketball" - Locked On UConn Podcast On this episode of Locked On UConn, we dive into the highly debated topic of whether UConn holds the title as the best job in college basketball. Alongside co-host and UConn legend Little Red, we're joined by Jeff D. Lowe, host of “The Dozen Trivia” on Introduction:A warm welcome and thanks to the listeners for making Locked On UCONN their first listen every day, with a note on the podcast's availability on all major platforms and YouTube.Special Guests:Introduction of co-host Little Red, and special guest Jeff D. Lowe, shedding light on UConn's prestige in the collegiate basketball world.Key Discussion Points:Debate over the best jobs in college basketball, listing the traditional powerhouses: Kansas, Kentucky, Carolina, Duke, and placing UConn at the top spot.Personal insights and experiences from attending the Final Four, including observations on the host city, the venue, the atmosphere within a football stadium, and amusing anecdotes from the event.UConn Trivia and Insights:A trivia challenge focusing on UConn's basketball prowess and historical moments, including notable performances and significant achievements in film and sports.Trivia questions range from Ray Allen's connections in the movie “He Got Game” to details about UConn players' recruitment and performances.Locked On Sports Today:Highlighting the launch of Locked On's first-ever national sports 24/7 streaming channel on YouTube and Amazon Fire TV, offering insights from local experts and covering top sports stories daily.Throughout the episode, we also explore the key factors that contribute to UConn's esteemed status, including leadership, history, fan base, and success on the national stage, making a compelling case for why UConn is considered the ultimate destination in college basketball.Try Again
Welcome back to The Movie Draft House! It's March 2024 and this month we're in "March Madness" as we review basketball films exclusively! To start the month off we reviewed the 1998 Spike Lee Joint "He Got Game" starring Denzel Washington and Ray Allen. Tune in to find out if Spike Lee is one of the goats, if he's on Jeff's Mount Rushmore, and why Mark could watch anything with Denzel in it...everywhere you get pods! IMDB synopsis "A basketball player's father must try to convince him to go to a college so he can get a shorter sentence." Music this month is brought to you by the New York group Noshows with their song "Getaway"! Catch their music wherever you get yours! Web Spotify Instagram YouTube Follow the podcast across all social media! Twitter Instagram TikTok YouTube
Join Joe Shoes and Michael Gomez as they present their weekly buffet of pop culture goodness! This week your double main men discuss: Social Media suggestions & Baby Hippos (1:15), Breaking News: Wendy's offering free Cinnabon Pull-Aparts for Leap Day (4:20), Hidden Valley Ranch collaborating with Cheez-Itz (7:17), KFC finally releasing the Chizza in the US (9:03), X-Men '97 Trailer (10:41), The Beekeeper (14:15), Gomez's weekend getaway and movie rewatches (17:00), Joe watches Cabin Boy (20:50), NBA All-Star ratings and criticism (24:10), Blue Chips (28:52), He Got Game (42:50), What we're watching next week (1:00:43), Big Finish: Fcuk, Marry Kill: Miley, Demi, Selena (1:03:08). Watch for Next Week: The Mighty Ducks, Miracle Follow on all the socials: Twitter: @CarJoeMeZ, @TheJoeShoes, @thegomez154 Instagram: @CarJoeMeZ, @TheJoeShoes, @thegomez154 YouTube: Joe Shoes, Car JoeMeZ Podcast Twitch: Mr. Joe Shoes, MeZ Movie Pro Wrestling Tees Store: Capt. Joe Shoes TikTok: @TheJoeShoes Blog Site: CarJoeMeZ.com
In our 2nd part of the Public Enemy retrospective, we see how PE should have imploded and become one of the many groups in the 90s to break up; but not only did they not break up, they kept dropping (to mixed results) and predicting the future of the music industry still to come to fruition.TIMESTAMPS:Weekly Music Roundup - (1:09)Ben:Little Simz - Drop 7Fivio Foreign - Pain & Love 2Dizzee Rascal - Don't Take It PersonalBlu & Roy Royal - Royal BluCharlie:Little Simz - Drop 7Adanna Duru - NAPPY HOUR IIBlu & Roy Royal - Royal BluTerrace Martin - Her ThoughtsDJ Harrison - Shades of YesterdayDizzee Rascal - Don't Take It PersonalAwon & Parental - SublimeBrittany Howard - What NowTopic Intro/Ben's Research House - (12:17)Apocalypse 91... The Enemy Strikes Black - (20:27)Muse Sick-n-Hour Mess Age - (31:20)He Got Game - (33:24)There's a Poison Goin' On - (50:46)Revolverlution - (1:01:51)New Whirl Odor - (1:08:48)Lighter Note - (1:22:58) Thanks for listening. Below are the Social accounts for all parties involved.Music - "Pizza And Video Games" by Bonus Points (Thanks to Chillhop Music for the right to use)HHBTN (Twitter & IG) - @HipHopNumbers5E (Twitter & IG) - @The5thElementUKChillHop (Twitter) - @ChillhopdotcomBonus Points (Twitter) - @BonusPoints92Other Podcasts Under The 5EPN:"What's Good?" W/ Charlie TaylorIn Search of SauceBlack Women Watch...5EPN RadioThe Beauty Of Independence
We sit down with the Was It Good Though Podcast, and they are doing their 104 Black Movies bracket. Check out this episode for what they think is the best black movie. If you want to do your tournament, please contact us, and we will set it up. Class Act (1992)A Thin Line Between Love and Hate (1996)Blankman (1994)a low down dirty shame (1994)Mo' Money (1992)South Central (1992)Sister Act 2: Back in the Habit (1993)Get Out (2017)Next friday (2000)moonlight (2016)Belly (1998)judas and the black messiah (2021)Bad Boys II (2003)What's Love Got To Do With It (1993)The Meteor man (1993)boyz n the hood (1991)John Q (2002)Black Panther (2018)friday after next Blackkklansman (2018)Harlem Nights (1989)Glory (1989)Stomp the yard12 Years a Slave (2013)Pootie Tang (2001)House Party (1990)major payne (1995)hidden figures (2016)all about the benjamins (2002)Do the Right Thing (1989Booty Call (1997)Straight Outta Compton (2015)for colored girls (2010)cooley high (1975)don't be a menace to south central while drinking your juice in the hood (1996)Malcolm X (1992)Poetic Justice (1993)hollywood shuffle (1987)the players club (1998)Love & Basketball (2000)Bébé's Kids (1992)The Princess and the Frog (2009)The Bodyguard (1992)Menace II Society (1993)The Five Heartbeats (1991)Soul Food (1997)Two can play that game Babershop (2002)The Wiz (1978)Drumline (2002)Bad Boys (1995)Hustle & Flow (2005)Higher Learning (1995)42 (2013)Just Wright (2010)American Ganster (2007)why did i get married (2007)New Jack City (1991)Boomerang (1992)Juice (1992)daddy's little girls (2007)He Got Game (1998)Dead Presidents (1995)the great debaters (2007)How Stella Got Her Groove Back (1998)Ray (2004)Notorious (2009)Dreamgirls (2006)Why do fools fall in love (1998)Crooklyn (1994)cb4 (1993)antwone fisher (2002)above the rim (1994)Undercover Brotha (2002)Life (1999)Friday (1995)Paid in Full (2002)love jones (1997)think like a man (2012)the help (2011)Waiting to exhale (1995)Def Jam's How to Be a Player (1997)Jason's Lyric (1994)Sister Act (1992)i can do bad all by myself (2009)Training Day (2001)The Wood (1999)Coming to america (1988)The Last Dragon (1985)The Color Purple (1985)the preacher's wife (1996)Purple Rain (1984)ATL (2006)Remember the Titans (2000)i'm gonna git you sucka (1988)The Best Man (1999)the brothers (2001)Baby boy (2001)Coach Carter (2005)Set It Off (1996)Brown Sugar (2002)Lean on Me (1989)the pursuit of happyness (2006)Ali (2001) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support
We sit down with the Toontastic Journeys Podcast, and they are doing their 104 Black Movies bracket. Check out this episode for what they think is the best black movie. If you want to do your tournament, please contact us, and we will set it up. Class Act (1992)A Thin Line Between Love and Hate (1996)Blankman (1994)a low down dirty shame (1994)Mo' Money (1992)South Central (1992)Sister Act 2: Back in the Habit (1993)Get Out (2017)Next friday (2000)moonlight (2016)Belly (1998)judas and the black messiah (2021)Bad Boys II (2003)What's Love Got To Do With It (1993)The Meteor man (1993)boyz n the hood (1991)John Q (2002)Black Panther (2018)friday after next Blackkklansman (2018)Harlem Nights (1989)Glory (1989)Stomp the yard12 Years a Slave (2013)Pootie Tang (2001)House Party (1990)major payne (1995)hidden figures (2016)all about the benjamins (2002)Do the Right Thing (1989Booty Call (1997)Straight Outta Compton (2015)for colored girls (2010)cooley high (1975)don't be a menace to south central while drinking your juice in the hood (1996)Malcolm X (1992)Poetic Justice (1993)hollywood shuffle (1987)the players club (1998)Love & Basketball (2000)Bébé's Kids (1992)The Princess and the Frog (2009)The Bodyguard (1992)Menace II Society (1993)The Five Heartbeats (1991)Soul Food (1997)Two can play that game Babershop (2002)The Wiz (1978)Drumline (2002)Bad Boys (1995)Hustle & Flow (2005)Higher Learning (1995)42 (2013)Just Wright (2010)American Ganster (2007)why did i get married (2007)New Jack City (1991)Boomerang (1992)Juice (1992)daddy's little girls (2007)He Got Game (1998)Dead Presidents (1995)the great debaters (2007)How Stella Got Her Groove Back (1998)Ray (2004)Notorious (2009)Dreamgirls (2006)Why do fools fall in love (1998)Crooklyn (1994)cb4 (1993)antwone fisher (2002)above the rim (1994)Undercover Brotha (2002)Life (1999)Friday (1995)Paid in Full (2002)love jones (1997)think like a man (2012)the help (2011)Waiting to exhale (1995)Def Jam's How to Be a Player (1997)Jason's Lyric (1994)Sister Act (1992)i can do bad all by myself (2009)Training Day (2001)The Wood (1999)Coming to america (1988)The Last Dragon (1985)The Color Purple (1985)the preacher's wife (1996)Purple Rain (1984)ATL (2006)Remember the Titans (2000)i'm gonna git you sucka (1988)The Best Man (1999)the brothers (2001)Baby boy (2001)Coach Carter (2005)Set It Off (1996)Brown Sugar (2002)Lean on Me (1989)the pursuit of happyness (2006)Ali (2001) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support
For this week's Acteurist Oeuvre-view episode we watched two films pairing acteur Lilli Palmer with then-husband Rex Harrison. We discuss the potential relationship of thriller/courtroom drama The Long Dark Hall (1951) to the scandal plaguing their marriage at the time and consider The Four Poster (1952) as a "marriage film," and what it has to say about that social and spiritual state. And in a packed Fear and Moviegoing in Toronto segment, we talk about five films from the TIFF Cinematheque's “Alone in the Arena” series: Rounders (1998), When We Were Kings (1996), He Got Game (1998), Any Given Sunday (1999), and The Color of Money (1986). Elise reveals that one of these movies finally made her understand what it feels like to care about a sport. Time Codes: 0h 00m 45s: THE LONG DARK HALL (1951) [dir. Anthony Bushell & Reginald Beck] 0h 20m 06s: THE FOUR POSTER (1952) [dir. Irving Reis] 0h 37m 37s: Fear and Moviegoing in Toronto – TIFF Cinémathèque's “Alone in the Arena” series – Rounders (1998) by John Dahl, When We Were Kings (1996) by Leon Gast, He Got Game (1998) by Spike Lee, Any Given Sunday (1999) by Oliver Stone & The Color of Money (1986) by Martin Scorsese +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project! Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join!
In the pantheon of iconic sports fathers, names like Earl Woods, Archie Manning, Joe Bryant, Richard Williams, Howie Long, and James Jordan stand out as legends who have left an indelible mark on the world of sports. Yet, in the vibrant tapestry of athletic legacies, one must not overlook the compelling narrative of Lancaster Sports Dad, Michael Crawley, and his son Terrell. Much like the aforementioned sports dads, Michael Crawley has played a pivotal role in shaping his son Terrell's journey in the realm of sports. The echoes of their story resonate with the rich traditions of mentorship, sacrifice, and unwavering support that define the relationship between a father and his athlete offspring. The saga of Terrell Crawley's rise to prominence in the sporting arena is a testament to the enduring influence of Michael Crawley's guidance. In a sporting landscape where fathers often become architects of their children's destinies, the Crawley duo stands tall. The story mirrors the archetypal tales portrayed in movies such as "He Got Game" or "Love & Basketball," where the dynamics of family and sports intertwine in a dance of ambition and passion. As Terrell embarks on his collegiate journey at Wagner University on an athletic scholarship, he joins the ranks of young athletes whose dreams are nurtured by the unwavering commitment of their fathers. Michael Crawley, a Lancaster Sports Dad, takes his place alongside the greats, like LaVar Ball, in the annals of sports history, contributing to the narrative of fathers shaping the destinies of their athletic progeny.Support WITF: https://www.witf.org/support/give-now/See omnystudio.com/listener for privacy information.
Two hours of WesternsFirst a look at this day in History.Then Have Gun Will Travel starring John Dehner, originally broadcast January 3, 1960, 64 years ago, Return Engagement. Paladin is hired to protect a rancher from Curly McLain, who is just out of Yuma prison, where he's spent the last six years. After discovering that Curly was framed, Paladin tries to right an injustice. Followed by Gunsmoke starring William Conrad, originally broadcast January 3, 1953, 71 years ago, Westbound. Marshal Dillon and Chester arrest Jack Daggett in Abilene for murder and plan to take him back to Dodge. Daggett's two older brothers have other ideas.Then The Lone Ranger starring Earle Graser, originally broadcast January 3, 1941, 73 years ago, Custer Rides with the Lone Ranger. The "Lizard Warriors" have formed their own tribe and are "bad medicine," says Tonto! The Ranger asks General Custer to help, but he's got an appointment at the Little Big Horn! Tonto is captured by the renegade Indians and is about to be killed, when he's rescued at the last moment by General Custer!Followed by The Six Shooter starring Jimmy Stewart, originally broadcast January 3, 1954, 70 years ago, A Friend in Need. Britt meets a killer in a narrow canyon who tells a very believable story. Finally Fibber McGee and Molly, originally broadcast January 3, 1955, 69 years ago, He Got Game. Fibber tries to get basketball tickets from his old pal, Coach Fogarty. Thanks to Bob and Sean for supporting our podcast by using the Buy Me a Coffee function at http://classicradio.stream
Alex and Nick break down their favorite Spike Lee joint, "He Got Game." The guys discuss the film's all-timer setup, Aaron Copland's powerful music, Denzel Washington's best roles, Ray Allen as a debut actor, Milla Jovovich's controversial role, great basketball scenes in film, the most awkward movie-going experience Alex ever had, the poetic finale, and so much more.Follow @WAYW_Podcast on Twitter and Instagram and Letterboxd.Watch Alex's films at http://alexwithrow.com/Watch Nick's films at https://www.nicholasdostal.com/Send us mailbag questions at whatareyouwatchingpodcast@gmail.com
1998 was a big year for some of us, including Denzel Washington. He had 3 films released this year: The Siege (1998), He Got Game (1998) and Fallen (1998). We watched all of them and ranked them in order of enjoyment. Come and listen and see if your rankings match up.Subscribe, rate, and review:Apple Podcasts: Our Film FathersSpotify: Our Film FathersGoogle Podcasts: Our Film Fathers---------------------------------------------Follow Us:Instagram: @ourfilmfathersTwitter: @ourfilmfathersEmail: ourfilmfathers@gmail.com
We talk the career, the commercials, the documentaries and above all the movies of Mr. Spike Lee. We go through our favorite movies of his, as well as the countless careers he helped to launch. We discuss our first memories of his work (Mars Blackmon, Nike commercials with Michael Jordan) to Do The Right Thing, to X, He Got Game, 4 Little Girls, Da 5 Bloods, and many many more. Put some Jagbags in your ear!
Actor/Writer/Producer, and "Cornish College of the Arts - Favorite Son," Charles Norris brings us "Bamboozled” (2000) Starring: Damon Wayans, Jada Pinkett, Michael Rappaport, Savion Glover, and Tommy Davidson. We unpack this (very well packed) 'Spike Lee Joint,' about the gives and takes / wills and wonts / dos and donts of making it in the industry. This rarely seen gem has now reached cult status, even being named to several "Top 10" lists for the first ten years of the millennium. How much performance is TOO much performance? How many DV cameras are TOO much? How much offensive imagery is TOO much? We may answer those questions, but you may just be getting BAMBOOZLED!!Plot:A frustrated African-American TV writer proposes a blackface minstrel show in protest, but to his chagrin, it becomes a hit.Recorded 10/232hr 00minsExplicit language.Artwork - Ben McFaddenReview Review Intro/Outro Theme - Jamie Henwood"What Are We Watching" Theme - Matthew FosketProduced by - Ben McFadden & Paul RootConcept - Paul Root
We are sitting down with Ashley Hoffman, who is doing her 104 90s movies tournament. Check out this episode to see what she thinks is the best 90s Movie ever. If you want to do your tournament, please contact us, and we will set it up. Here are the movies in the bracket: KIDS (1995)BASIC INSTINCT (1992)POETIC JUSTICE (1993)HALF BAKED (1998)Sleepless In Seattle (1993)PULP FICTION (1994)The Green Mile (1999)THE SHAWSHANK REDEMPTION (1994)THE ROCK (1996)THE LION KING (1994)MEN IN BLACK (1997)TITANIC (1997)AS GOOD AS IT GETS (1997)THE BIG LEBOWSKI (1998)AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (1997)THE BLAIR WITCH PROJECT (1999)The Boondock Saints (1999)JURASSIC PARK (1993)THE THIN RED LINE (1998)TOY STORY 2 (1999)THE CROW (1994)THELMA & LOUISE (1991)What About Bob? (1991)THE MATRIX (1999)AMERICAN HISTORY X (1998)SCHINDLER'S LIST (1993)THREE KINGS (1999)FIGHT CLUB (1999)FROM DUSK TILL DAWN (1996)FRIDAY (1995)THE NIGHTMARE BEFORE CHRISTMAS (1993)CLUELESS (1995)FEAR AND LOATHING IN LAS VEGAS (1998)TERMINATOR 2: JUDGMENT DAY (1991)SPACE JAM (1996)GOODFELLAS (1990)WAYNE'S WORLD (1992)L.A. CONFIDENTIAL (1997)HACKERS (1995)SAVING PRIVATE RYAN (1998)DAZED AND CONFUSED (1993)SCREAM (1996)HAPPY GILMORE (1996)THE IRON GIANT (1999)NEVER BEEN KISSED (1999)TOMMY BOY (1995)THERE'S SOMETHING ABOUT MARY (1998)don't be a menace to south central while drinking your juice in the hood (1996)SHAKESPEARE IN LOVE (1998)UNFORGIVEN (1992)BRAVEHEART (1995)BOYZ N THE HOOD (1991)THE SANDLOT (1993)10 THINGS I HATE ABOUT YOU (1999)Bad Boys (1995)HOOK (1991)ALADDIN (1992)FARGO (1996)TOMBSTONE (1993)GROUNDHOG DAY (1993)CASINO (1995)Devil in a Blue Dress (1995)SPEED (1994)TOY STORY (1995)HOME ALONE (1990)GOOD WILL HUNTING (1997)SISTER ACT (1992)THE SILENCE OF THE LAMBS (1991)HE GOT GAME (1998)CLERKS (1994)WILLIAM SHAKESPEARE'S ROMEO & JULIET (1996)OFFICE SPACE (1999)THE CRYING GAME (1992)PRETTY WOMAN (1990)AMERICAN BEAUTY (1999)HEAT (1995)Last Action Hero (1993)GLENGARRY GLEN ROSS (1992)INDEPENDENCE DAY (1996)Leon: THE PROFESSIONAL (1994)POINT BREAK (1991)BOOGIE NIGHTS (1997)MRS. DOUBTFIRE (1993)AMERICAN PIE (1999)BABE (1995)SEVEN (1995)HOUSE PARTY (1990)BEAUTY AND THE BEAST (1991)ARMY OF DARKNESS (1992)EDWARD SCISSORHANDS (1990)FORREST GUMP (1994)THE TRUMAN SHOW (1998)FACE/OFF (1997)RESERVOIR DOGS (1992)SWINGERS (1996)THE USUAL SUSPECTS (1995)GALAXY QUEST (1999)Liar Liar (1997)TOTAL RECALL (1990)TRAINSPOTTING (1996)DUMB & DUMBER (1994)THE FIFTH ELEMENT (1997)THE FUGITIVE (1993)THE SIXTH SENSE (1999) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support
This week on Black on Black Cinema, the crew returns to discuss the 1998 Spike Lee film, "He Got Game" starring Denzel Washington and Ray Allen. The film explores the intricate dynamics of the Shuttlesworth family, centered around the promising high-school basketball player, Jesus Shuttlesworth. Jesus is at a crossroads, pursued by the nation's top college basketball programs while navigating the return of his father, Jake, a convicted felon released temporarily to persuade him to join the governor's alma mater - "Big State."As the father and son grapple with a troubled past marked by loss, anger, and resentment, we witness flashbacks revealing the intense basketball training Jesus underwent under Jake and the tragic night that changed their lives forever. Parallel to the Shuttlesworth's story runs a heartfelt subplot of Dakota Barns, a woman trapped in a cycle of abuse, finding solace and aid in Jake, fostering a connection that speaks to the themes of redemption and hope.Despite the turmoil and the gravity of Jake's mission, the estranged family finds themselves wrestling with moral dilemmas and the harsh realities of their individual situations. As the deadline nears, a high-stakes basketball game between father and son becomes the crucible where futures are decided. In a world rife with corruption, temptation, and betrayal, will the bonds of family prevail?Join us on this emotional journey as we delve deep into a story of lost and regained connections, sacrifices, and the harsh truths about redemption and forgiveness in "He Got Game."
This week on Black on Black Cinema, the crew returns to announce the next film to be reviewed, "He Got Game." The Spike Lee directed film stars Denzel Washington and Ray Allen. The film follows a basketball player's father who must try to convince him to go to a college so he can get a shorter sentence. The random topic of the week is all about a few very public Black supporters of Donald Trump (Enrique Tarrio and Harrison Floyd) who have found themselves at the short end of the stick when it comes to law enforcement yet their white counterparts have largely not. The group gets into the fundamental difference in worldviews of Black conservatism vs what has help Black people to even survive in the United States since they stepped foot on its soil.
On episode 199 of The AwardsWatch Podcast, Executive Editor Ryan McQuade is joined by AwardsWatch contributors Nicole Ackman and Jay Ledbetter to give out their Top 5 Sports Movies. With just days before the fall festivals begin, the AwardsWatch podcast takes a left turn before all the madness begins. As one of the final films of the summer, Gran Turismo, finally made its way into theaters, giving the podcast team a chance to do a Top 5 Sports Movies episode inspired by the newest racing release. While not everyone is a sports fan, sports movies can be films made for all audiences, with some popular themes and messages that are larger than life, making audiences connect with the characters on their athletic journeys, thus becoming inspiring in the process. But not every film about sports is uplifting, as they can also be a looking glass into the soul of a human being, as well as examination of the time we live in and the dangers that the sporting world could bring to those who participate. Ryan, Nicole and Jay examine what makes a great sports film, what they love about them, and even stretch out the idea of what even qualifies as a sports movie in a fun episode featuring conversations over films like A League of Their Own, Bull Durham, Speed Racer, I, Tonya, The Color of Money, He Got Game, Warrior, Bend it Like Beckman, and many more. You can listen to The AwardsWatch Podcast wherever you stream podcasts, from iTunes, iHeartRadio, Soundcloud, Stitcher, Spotify, Audible, Amazon Music and more. This podcast runs 1h34m. We will be back next week to the films that premiered at the Telluride Film Festival. Till then, let's get into it. Music: “Modern Fashion” from AShamaleuvmusic (intro), “B-3” from BoxCat Games Nameless: The Hackers RPG Soundtrack (outro).
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of racism, childhood grief, dysfunctional families, parental anger, drugs, poverty, grief, loss. It was only a matter of time before Spike Lee decided to make his own ode to basketball. Unfortunately, his script here is just not up to par, which is a shame, because underneath the flash and messy storytelling, there's a really interesting story about fathers and sons. Denzel is bringing his best, as usual, and the supporting cast is doing their absolute best. Even Ray Allen, who's definitely not an actor, still has flashes of brilliance as he relaxes into the role. And Spike's directing has so much thought and care, particularly in his use of score. But none of that matters when the movie just doesn't have a whole lot to say. Check the ball and post up as we discuss 1998's He Got Game this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “He Got Game” from the soundtrack to the movie of the same name, written by LuQuantum Leap featuring Stephen Stills, and performed by Public Enemy along with the Voices of Shabach Community Choir of Long Island. Copyright 1998 Def Jam Records, Inc., a PolyGram Company.
CLICK TO SUBSCRIBE ON YOUR FAVORITE PODCATCHER CONTENT WARNING: Discussion of racism, childhood grief, dysfunctional families, parental anger, drugs, poverty, grief, loss. After another Spike masterpiece (one we've both seen already), Spike geared up for one of his most personal projects to date. Written as a TV pilot by Spike's sister Joie and brother Cinqué, Spike reigns everything back in to show a family, both good and bad, living in Brooklyn in 1973. It moves more like a series of scenes than an actual movie, but the characters here are among some of his best, and Spike is willing to lay everything in front of us: the anger, the dysfunction, the sorrow, and the love. It doesn't hurt that he's got Alfre Woodard and Delroy Lindo as the parents either, nor an outstanding child performance from Zelda Harris. It's a really good movie, subtle but true and a delight to watch. Turn the TV off and make sure you clean your dishes as we discuss 1994's Crooklyn this week on Macintosh & Maud Haven't Seen What?! You can email us with feedback at macintoshandmaud@gmail.com, or you can connect with us on Instagram, Twitter and Facebook. Also please subscribe, rate and review the show on your favorite podcatcher, and tell your friends. Intro and outro music taken from the Second Movement of Ludwig von Beethoven's 9th Symphony. Licensed under an Attribution-NonCommercial-NoDerivs 3.0 Hong Kong (CC BY-NC-ND 3.0 HK) license. To hear the full performance or get more information, visit the song page at the Internet Archive. Excerpt taken from “Everyday People” by Sly and the Family Stone, copyright 1968 Daly City Music. Excerpt taken from “He Got Game” from the soundtrack to the movie of the same name, written by LuQuantum Leap featuring Stephen Stills, and performed by Public Enemy along with the Voices of Shabach Community Choir of Long Island. Copyright 1998 Def Jam Records, Inc., a PolyGram Company.
Len and Vincent are in ol' school mode — all the way down to Len's Batman PJs — as they race thru chatter about Netflix's They Cloned Tyrone, Broadway's Tony Award-winning SIX, the record-shattering premiere of Warner Bros' Barbie and, of course, Denzel Washington, Ray Allen, and Rosario Dawson in Spike Lee's polarizing He Got Game (00:55). Rate & Review The Mission on Apple Email micheauxmission@gmail.com Follow The Mission on IG, and Twitter @micheauxmission Leave a Voicemail for Vincent & Len Subscribe to the Mission on YouTube Get your Micheaux Mission SWAG from TeePublic We are a proud member of The Podglomerate - we make podcasts work! Learn more about your ad choices. Visit megaphone.fm/adchoices
Join us and Ellen as we bring back WSWAM for the last time this summer as we discuss and recast Spike Lee's He Got Game! Follow us on Instagram! Join our Discord, it's free! Join our Patreon, it's not!
We are sitting down with Kasey, and he is doing his 104 Sports Movies tournament. Check out this episode to see what he thinks is the best Sports Movie. If you want to do your tournament, please contact us, and we will set it up. ROCKY BALBOA (2006) HE GOT GAME (1998) RUDY (1993) SEABISCUIT (2003) MIRACLE (2004) FORD V FERRARI (2019) INVICTUS (2009) CREED (2015) MAJOR LEAGUE (1989) I, TONYA (2017)GOON (2011) THE WRESTLER (2008) THE BOXER (1997) FIGHTING WITH MY FAMILY (2019) MCFARLAND, USA (2015) THE LONGEST YARD (1974) A LEAGUE OF THEIR OWN (1992) MONEYBALL (2011) SAFETY (2020) WHITE MEN CAN'T JUMP (1992) THE HAMMER (2007) COOL RUNNINGS (1993) THE PHENOM (2016) BULL DURHAM (1988) CADDYSHACK (1980) TALLADEGA NIGHTS: THE BALLAD OF RICKY BOBBY (2006) FRIDAY NIGHT LIGHTS (2004) REMEMBER THE TITANS (2000) LOVE & BASKETBALL (2000) RAGING BULL (1980) CINDERELLA MAN (2005) BLADES OF GLORY (2007) INVINCIBLE (2006) DODGEBALL: A TRUE UNDERDOG STORY (2004) TIN CUP (1996) THE KARATE KID (2010) THE ROOKIE (2002) ROCKY (1976) SLAP SHOT (1977) THE BLIND SIDE (2009) ALI (2001) ROCKY II (1979) THE HURRICANE (1999) OLYMPIC DREAMS (2019) BIG FAN (2009) FEVER PITCH (2005) MILLION DOLLAR ARM (2014) COACH CARTER (2005) JERRY MAGUIRE (1996) RACE (2016) EARLY MAN (2018) THE SANDLOT (1993) 42 (2013) SECRETARIAT (2010) DREAMER: INSPIRED BY A TRUE STORY (2005) THE BAD NEWS BEARS (1976) BRING IT ON (2000) CREED II (2018) COBB (1994) FOXCATCHER (2014) BEND IT LIKE BECKHAM (2002) THE FIGHTER (2010) ROCKY III (1982) RUSH (2013) WARRIOR (2011) THE EXPRESS (2008) EIGHT MEN OUT (1988) MILLION DOLLAR BABY (2004) EDDIE THE EAGLE (2016) THE GREATEST GAME EVER PLAYED (2005) WHIP IT (2009) BLUE CRUSH (2002) The Benchwarmers (2006) Hard Ball (2001)Mr 3000 (2004) Rookie of the Year (1993) THE KARATE KID (1984) Air Bud (1997) Concussion (2005) Draft Day (2014) GIRLFIGHT (2000) Gridiron Gang (2006) The Longest Yard (2005 Any Given Sunday (1999) FIELD OF DREAMS (1989) Little Giants (1994) The Waterboy (1998) The Replacements Above the Rim (1994) Like Mike (2002) Space Jam (1996) Glory Road (2006) Angels in the Outfield (1994) Uncle Drew (2018) Juwanna Mann (2002) The Sixth Man (1997) DREAM HORSE (2020) Baseketball (1998) THE COLOR OF MONEY (1986) HOOSIERS (1986) Double Teamed (2002) o (2001) Rounders (1998) A PRAYER BEFORE DAWN (2017) --- Send in a voice message: https://podcasters.spotify.com/pod/show/mass-debaters/message Support this podcast: https://podcasters.spotify.com/pod/show/mass-debaters/support
The Ringer's Bill Simmons, Van Lathan, and Logan Murdock head to Coney Island to check out the top-ranked basketball prospect in the country, Jesus Shuttlesworth, as they rewatch Spike Lee's sports drama ‘He Got Game,' starring Denzel Washington, Ray Allen, and Rosario Dawson. Producer: Craig Horlbeck Learn more about your ad choices. Visit podcastchoices.com/adchoices
What happens when athletes decide to act? And what doesn't happen? Wesley Morris and Bill Simmons, sportswriter and founder of The Ringer, break down the history of athletes in movies. They start with Jackie Robinson playing himself in 1950, discuss the Blaxpoitation-era stars and make their way to the '90s, from “He Got Game” (where Ray Allen turns in a solid performance opposite Denzel Washington, directed by Spike Lee) to “Space Jam” (the less said, the better). They trace this phenomenon all the way to Dwayne Johnson, a.k.a. The Rock, arguably the most successful athlete-turned-actor of all time — who seems to be playing the long game. Then, they imagine a new kind of renaissance for the sports movie.
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