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This week, follow Desmond and Duane as they follow a slasher through this year's In a Violent Nature. Then, Desmond keeps the conversation going with an absinthe-fueled Dread Media Top 5 Unique Slashers. Songs included: "Stickin' in My Eye" by NOFX, "Ultra-Violent" by Cavalera Conspiracy, "Obsessed with Death" by Mammoth Grinder, and "Extinction" by Primal Code. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.
This week, follow Desmond and Duane as they follow a slasher through this year's In a Violent Nature. Then, Desmond keeps the conversation going with an absinthe-fueled Dread Media Top 5 Unique Slashers. Songs included: "Stickin' in My Eye" by NOFX, "Ultra-Violent" by Cavalera Conspiracy, "Obsessed with Death" by Mammoth Grinder, and "Extinction" by Primal Code. Send feedback to: dreadmediapodcast@gmail.com. Follow @DevilDinosaurJr and @dreadmedia on Twitter! Join the Facebook group! Support the show at www.patreon.com/dreadmedia. Visit www.desmondreddick.com, www.stayscary.wordpress.com, www.dreadmedia.bandcamp.com, www.kccinephile.com, and www.dejasdomicileofdread.blogspot.com.
Live from the SmartRecruiters booth at HR Tech in Las Vegas, this one is all beef, no filler. Stickin' it to Eightfold, "black Nazis," Brett Favre and cold beers start the episode off on a strong note, followed by the breaking news. Commentary focused on newly minted CEOs at Appcast and Enboarder, a $30 million round and a $250 million valuation at Silicon Valley darling, backed by Peter Thiel and Jack Dorsey, Mercor, and Amazon getting generous with Prime subscriptions for their employees ... in addition to a minimum wage starting at $22-hour. Buckle up kids, it's live from the bright lights of the Vegas Strip.
The multi-talented John Hudak of Brickwall Jackson (Spectra Music Group) is back with “Big Orange Guitar” featuring “Porch Swings” and “Sons of Many Fathers” plus the title track, “Happy Ain't Happy”, “Get Off My Lawn”, “Lovers Lullaby”, “When We're Gone”, “Ol' Scratch”, and “May You Remain”! John is a multi-talented singer, lead guitarist, vocalist and leader of the group hailing from Richmond, VA with numerous followers on Spotify, YouTube, and other platforms plus featured on Sirius XM, BBC Radio, and gives us an update on “Stickin' To It” plus sharing stories behind the music! Check out the amazing John Hudak of Brickwall Jackosn with the latest release on all major platforms and www.brickwalljackson.com and www.spectramusicgroup.com today! #brickwalljackson #johnhudak #spectramusicgroup #richmondvirginia #bigorangeguitar #porchswings #sonsofmanyfathers #happyainthappy #getoffmylawn #olscratch #americana #stickintoit #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbrickwalljackson #themikewagnershowbrickwalljackson --- Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
The multi-talented John Hudak of Brickwall Jackson (Spectra Music Group) is back with “Big Orange Guitar” featuring “Porch Swings” and “Sons of Many Fathers” plus the title track, “Happy Ain't Happy”, “Get Off My Lawn”, “Lovers Lullaby”, “When We're Gone”, “Ol' Scratch”, and “May You Remain”! John is a multi-talented singer, lead guitarist, vocalist and leader of the group hailing from Richmond, VA with numerous followers on Spotify, YouTube, and other platforms plus featured on Sirius XM, BBC Radio, and gives us an update on “Stickin' To It” plus sharing stories behind the music! Check out the amazing John Hudak of Brickwall Jackosn with the latest release on all major platforms and www.brickwalljackson.com and www.spectramusicgroup.com today! #brickwalljackson #johnhudak #spectramusicgroup #richmondvirginia #bigorangeguitar #porchswings #sonsofmanyfathers #happyainthappy #getoffmylawn #olscratch #americana #stickintoit #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbrickwalljackson #themikewagnershowbrickwalljackson --- Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
The multi-talented John Hudak of Brickwall Jackson (Spectra Music Group) is back with “Big Orange Guitar” featuring “Porch Swings” and “Sons of Many Fathers” plus the title track, “Happy Ain't Happy”, “Get Off My Lawn”, “Lovers Lullaby”, “When We're Gone”, “Ol' Scratch”, and “May You Remain”! John is a multi-talented singer, lead guitarist, vocalist and leader of the group hailing from Richmond, VA with numerous followers on Spotify, YouTube, and other platforms plus featured on Sirius XM, BBC Radio, and gives us an update on “Stickin' To It” plus sharing stories behind the music! Check out the amazing John Hudak of Brickwall Jackosn with the latest release on all major platforms and www.brickwalljackson.com and www.spectramusicgroup.com today! #brickwalljackson #johnhudak #spectramusicgroup #richmondvirginia #bigorangeguitar #porchswings #sonsofmanyfathers #happyainthappy #getoffmylawn #olscratch #americana #stickintoit #spreaker #iheartradio #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerbrickwalljackson #themikewagnershowbrickwalljackson Become a supporter of this podcast: https://www.spreaker.com/podcast/the-mike-wagner-show--3140147/support.
In this one, Eddie and Jerry talk fingerloving songs, Trump losing power, cast the M.A.S.K. movie and so much more. Enjoy!
June 25, 2024 Deut. 11:1-32; Ps. 71:1-6; Prov. 17:26; Luke 8:22-25
Etta James is back! And this time she's proactive and a totally outrageous paradigm!
Stickin' with it. In Episode 6 of Season 2, Georgia Highlands Outfielder Ryan Martin (@rmarty08) and Andrew College Infielder Charlie Kapp (@charlie.kapp) finally join the show for the first time. The long-time friends and training partners talk about their recruiting processes, development, and their favorite things about baseball. If you have any questions, shoot us a message on IG! make sure to drop a follow on IG! @locker.room.media @innoutpodcast @aaron_.12 @bockball Track: "Take Off", NEFFEX Music provided by https://slip.stream Free Download / Stream: https://get.slip.stream/GcQeOy Listen on Spotify: https://go-stream.link/sp-neffex
In this Season 4 Ep 10 of The Denver Homes Market Report we dicuss why that feel good sensation of telling the buyer's brokerage the buyer needs to pay for their own representation, that may give you that sorta "Stickin it to Tha Man" type mentality. However, when you limit the number of qualified buyers. You, as the seller might just be the one who get's stuck. You want to maximize the afforability of your home to more buyers, not less. Limiting your market may cause you to lose out on otherwise qualified buyers.
Our heroes continue their journey towards the haunted mines. Kim glows like a beacon. Rev sniffs out some ghosts. Tass discovers an incredibly mysterious sign. Megan gets an idea for how to get them into the mine. The team must split up to set up their maneuver. With dangers looming on all sides, the team prepares to enter the most haunted place in this world. ------ Content Warning: Language ------ You can support The Critshow through our Patreon to get more weekly TTRPG Actual Play content, access to our discord community, and much more! Follow The Critshow on twitter, join our subreddit, and follow us on Instagram. Get two free MotW mysteries and some Keeper tips from Rev by signing up on our website! Check out what's coming up on our monthly publication calendar. And don't forget to check out our wonderful sponsors! This episode of The Critshow featured Kim as The Artist, Megan as The Maverick, Rev as The Arcanist, Tass as The Gunslinger, and Jake as The GM. This episode was edited and produced by Brandon (Rev) Wentz with music by Jake Pierle. Learn more about your ad choices. Visit megaphone.fm/adchoices
Welcome to The Whatever, Buddy?! Podcast Today is Episode 90! Jonny is back in town after a long tour and he wants to talk about music. Specifically technical difficulties. Is it schtick or is it for real?! Decent question... Later, Ryan is feeling ALL the naustalgia for his most favoritest childhood band and geeks out after seeing them live once again. So, it's a fun one. Only thing left to do is grab a beverage of your preferred caffination, and let's go!! Welcome back to Whatever, Buddy Wednesday?! --- Support this podcast: https://podcasters.spotify.com/pod/show/whateverbuddy/support
October 24, 2023 *Numbers Fell Yesterday For Michigan *Numbers that follow *Adding 5 to numbers * 3 Day workout pick 3 *Hot Pairs *Hot sum for Michigan *Pick 3 Hot Around The State Including Michigan *Hot Four Digit *Look Over Michigan Pick 4 Evening Only Sums Planned for Michigan Today! *****Around The State***** I am The #1 Lottery Analyst that lets you know what numbers are going out to all states daily! Listen up and Win! *Sleepy Joe's pairs around the state *Hot pairs around the state *Hot numbers due around the state today Guaranteed to hit *Talked about numbers I gave out yesterday that fell around the state. Follow me on tiktok lotteryqueen2, follow me on Instagram cashforlife444 Good Luck talk to ya soon! Lottery Queen
From generic d**kholes to fancy buttplugs, we have all your bases covered on this week's edition of The Adult Toy Price Is Right!!!Brought to you, as always, by Moonlight Adult Boutique!!!!
In this episode we discuss the Era of Blue, the current 7th Heaven renaissance, crying headaches, Dill from Stickin' Around's famous saying "hooooooly mackerel", whether Maddy caused her stinking problem from excessive deoderant use, msn talk IRL, Liv's infamous Betsey Johnson bag she spent her teen life savings on, a "restaurant opening" for a pita pit, needing to ask for hot sauce consent, boys voices cracking, sanitary napkins, whether you'd rather have diarrhea or a period stain on a date and SO MUCH MORE!!!
The fellas take the wayback machine to Uranus, I mean, Canada in the mid-1990s to a show that was as important to them as even Arthur was, Stickin' Around (or is it "Little Arthur?"). This is a preview of the full hour-long episode of ECL Origins. For the full episode and hundreds more hours of content, pay-what-you-want to subscribe to our Patreon!
Central Virginia's John Hudak of the amazing Americana group Brickwall Jackson talks about the latest release “Stickin' To It” featuring “Begin”, “Gun-Truck (Spectra Music Group), etc., plus other releases including “Just Life”, “Beautiful Music” and more! John also talks about how the band formed in 2012 and has garnered a solid reputation for musical diversity and honest lyric content about the human condition! Check out the amazing John Hudak and Brickwall Jackson on all streaming platforms and www.brickwalljackson and www.spectramusicgroup.com today! #brickwalljackson #johnhudak #centralvirginia #americana #stickintoit #guntruck #justlife #spectramusicgroup #iheartradio #spreaker #spotify #applemusic #youtube #anchorfm #bitchute #rumble #mikewagner #themikewagnershow #mikewagnerteaganmorrison #themikewagnershowteaganmorrison #mikewagnerbrickwalljackson #themikewagnershowbrickwalljackson --- Send in a voice message: https://podcasters.spotify.com/pod/show/themikewagnershow/message Support this podcast: https://podcasters.spotify.com/pod/show/themikewagnershow/support
When a crime like this happens right in front of you, what's the first move you're making when it's all said & done?
SWAT Team Bathroom: A man dropping a deuce at 7/11 has the whole ass SWAT team at the door for "blowing up" the bathroom. 3 Dollar Cheese: Dumb TikTok thot tells a lie and it becomes her whole personality? Did she walk out on a date over a 3 dollar cheese add on!? STICKIN': We watch some videos of people getting one over on the cops and learn about Broward County Stickin. SO FUCKING COOL!, PLAY SOME RAP MUSIC!, THE LAST BOY SCOUT!, THE WATCHER!, DR DRE!, CHRONIC 2001!, KUBRICK STARE!, KUBRICK GOODING JUNIOR!, 7/11!, BLOW UP THE BATHROOM!, SWAT TEAM!, TROLLING!, SOVEREIGN CITIZEN!, TIKTOK!, TAKE OUT YOUR PHONE!, GOOF!, FUCKING WITH COPS!, RIOT SHIELD!, LOGAN!, ACAB MIKE!, FAKEAB!, PIG MIKE!, DISTURBING THE PEACE!, RESISTING ARREST!, DONKEY DICK!, 3 DOLLAR CHEESE!, HINGE!, DATE!, LEFT HER DATE!, RESTAURANT!, NEW YORK CITY!, PAID THE CHECK!, LEFT!, THOT!, BRANZINO!, CHECK!, TAKEN CARE OF!, DEEP DIVE!, BLOCKED!, FOREIGN!, ACCENT!, THAT HAPPENED!, WIN!, I DIDN'T DO IT BOY!, SIMPSONS!, BART!, ATTENTION WHORE!, KINK!, PEGGED!, PRISON!, SOHO KAREN!, MIYA PONSETTO!, POLICE FIGHT!, EGGED ON!, COPS!, NYC!, INSTIGATED!, HAYMAKERS!, EATING!, CRUISER!, GOT AWAY!, RUN OFF!, STICKIN!, FLORIDA!, BROWARD COUNTY STICKIN!, JIT!, JUVENILE IN TRAINING!, FIX STICKING DOOR!, RUBBER CEMENT GUY!, GLUE FAIL!, MIKE LOVES IT!, BABIES THROWING UP!, AMERICA'S FUNNIEST HOME VIDEOS! You can find the videos from this episode at our Discord RIGHT HERE!
TikTok music has revolutionized the way we discover and engage with songs in the digital age. This vibrant and ever-evolving platform has become a breeding ground for viral music trends, transforming obscure tracks into global sensations overnight. With its short-form video format and seamless integration of music, TikTok has empowered artists and propelled their careers to new heights. The app's algorithmic recommendations and user-generated challenges have created a fertile environment for discovering catchy hooks, infectious beats, and memorable lyrics. TikTok's influence on the music industry cannot be underestimated, as it has sparked numerous chart-topping hits, elevated underground artists to mainstream success, and given rise to a new generation of music enthusiasts and creators. From dance challenges to lip-syncing trends, TikTok music has become an integral part of popular culture, captivating millions of users and shaping the soundtracks of our digital lives. Learn more about your ad choices. Visit megaphone.fm/adchoices
Rap Rankings Replay S0E03 - Missy Elliott, Da Real World. Episodes from Season 0 (The Beta Test Season), previously existed on SoundCloud only. This version is remastered to resemble current show standards for your enjoyment. ------------------ Intro (0:00) -- Da Real World Info (25:15) -- Track 1: "Mysterious (Intro)" (1:15:31) -- Track 2: "Beat Biters" (1:16:41) -- Track 3: "Busa Rhyme" (1:25:40) -- Track 4: "All N My Grill" (1:33:53) -- Track 5: "Dangerous Mouths" (1:43:55) -- Track 6: "Hot Boyz" (1:50:14) -- Track 7: "You Don't Know" (1:53:16) -- Track 8: "Mr. DJ" (1:57:39) -- Track 9: "Checkin' For You" (2:03:08) -- Track 10: "Stickin' Chickens" (2:06:15) -- Track 11: "Smooth Chick" (2:08:13) -- Track 12: "We Did It" (2:15:38) -- Track 13: "Throw Your Hands Up" (2:18:25) -- Track 14: "She's A Bitch" (2:19:10) -- Track 15: "U Can't Resist" (2:22:30) -- Track 16: "Crazy Feelings" (2:24:34) -- Track 17: "Religious Blessings" (2:32:56) -- Ranking Da Real World (2:37:28) -- Outro (2:48:04)
In the first of two episodes dropping simultaneously, Nick and Dan cover another of the B-Sides to the band's second single. Despite an ominously short review section, we discuss count-ins being a young band's game, punk influences, the band's meteoric rise and misheard lyrics. Not only that, there's also time for our most potty-mouthed bonus round yet. Filth. Don't forget to like, follow and review on whatever you use to listen, it massively helps us out with the algorithms, whatever that means. Don't Believe The Hype is written and produced by Nick Lee and Dan Holt. Sign up to our Patreon here: https://patreon.com/arcticpodcast Find all our links here: https://linktr.ee/arcticmonkeyspodcast Get in touch with the show at arcticmonkeyspodcast@gmail.com Royalty-free music courtesy of https://lesfm.net/
What's your story? And do you really want to stick to it? Just because we think something, doesn't mean it's true, but how we consistently think leads us to how we act. We can think thoughts that will help us to act with compassion and hope, or we can choose thoughts that can leave us depressed and angry. You have a choice every day to choose what story you 'want to stick to.'
Janine is a professional Highland games heavy athlete, which basically means she wears a kilt and throws heavy stuff. Badass, right?She is also studying law (1L at Akron Law), She's a 2022 Masters world champion in HG (for W40-44), holds world record for masters women 21lb standing weight over bar, and is a powerful advocate for women and girls in sports.I can't wait for you guys to hear this one!Connect with Janine:@janinethrowstiktok: @janinethrowsJOIN MY FREE FACEBOOK GROUP: www.facebook.com/groups/chloepufftraining Connect with me on social media: Facebook: https://www.facebook.com/chloepuff Instagram: @chloepufftraining & @musclesmotherhoodmotivation Tik Tok: @chloepuff_training Twitter: @beboldbefitWWW.CHLOEPUFFTRAINING.COM
Sun, 05 Feb 2023 13:00:00 -0800
Is it okay for a man to lick and not stick? Do alpha males perform oral sex? Should you only go downtown on a woman that you love? The squad returns to discuss these topics and also, the sudden emergence of eating groceries. If you're feeling this episode, leave us a review and hit us up at 2deep4daintro@gmail.com to chop it up with anyone from the show. Be great outchea, holla! --- Support this podcast: https://anchor.fm/2-deep-4-da-intro/support
Las novedades más bonicas de Havalina, Belle and Sebastian, M83, Neuman, Nunatak, Rococó, Lusillón, Todo Mal, Daughter y másPorque no solo se Shakiras y Bizarraps vive la música, en De Música Ligera te ofrecemos una semana más la mejor música posible. Las novedades más bonicas de Havalina, Belle and Sebastian, M83, Neuman, Nunatak, Rococó, Lusillón, Todo Mal, Daughter, Los Marcianos, Los Pilotos y Everything But The Girl. Que no decimos que la de Shaki y Biza no lo sea, pero las nuestras más.
Las novedades más bonicas de Havalina, Belle and Sebastian, M83, Neuman, Nunatak, Rococó, Lusillón, Todo Mal, Daughter y másPorque no solo se Shakiras y Bizarraps vive la música, en De Música Ligera te ofrecemos una semana más la mejor música posible. Las novedades más bonicas de Havalina, Belle and Sebastian, M83, Neuman, Nunatak, Rococó, Lusillón, Todo Mal, Daughter, Los Marcianos, Los Pilotos y Everything But The Girl. Que no decimos que la de Shaki y Biza no lo sea, pero las nuestras más.
Thank you for listening to another episode of DWP! Julia from Cosmic Peach Podcast https://www.instagram.com/cosmic.peach.podcast/ podcasts.apple.com/us/podcast/cosmic-peach/id1620410114 https://www.youtube.com/@cosmicpeachpodcast Amit from Hawk It Podcast https://www.instagram.com/hawk_it_podcast/ https://linktr.ee/hawk_it_podcast Adam from Into the Apocalypse/Debra Gets Red Pilled/Unhinged/ https://www.instagram.com/debragetsredpilled/ https://debra-gets-red-pilled-podcast.creator-spring.com/ t.me/debragetsredpilled debragetsredpilled@protonmail.com Mat from The Great Deception Podcast Linktree: https://linktr.ee/thegreatdeceptionpodcast IG: https://www.instagram.com/thegreatdeceptionpodcast/ https://www.instagram.com/thegreatdeceptionpodcast_v2/ YouTube: https://youtube.com/user/Barons44 Email: thegreatdeceptionpodcast@gmail.com To Make Contributions: PayPal: https://www.paypal.com/paypalme/MatthewTerrillion?country.x=US&locale.x=en_US Venmo: https://account.venmo.com/u/Matthew-Terrillion Patreon: https://www.patreon.com/thegreatdeceptionpodcast Merch: https://my-store-cb4b4e.creator-spring.com --- Support this podcast: https://anchor.fm/the-great-deception-podcast/support For only $3 get the full versions of every episode plus bonus episodes For $5 get additional weekly bonus episodes! https://www.patreon.com/Dangerousworldpodcast IG: DangerousWorldPod EMAIL: DangerousWorldPodcast@gmail.com IG: DangerousWorldPod Our online store
Thank you for listening to another episode of DWP!Julia from Cosmic Peach Podcast https://www.instagram.com/cosmic.peach.podcast/ podcasts.apple.com/us/podcast/cosmic-peach/id1620410114 https://www.youtube.com/@cosmicpeachpodcastAmit from Hawk It Podcast https://www.instagram.com/hawk_it_podcast/ https://linktr.ee/hawk_it_podcast Adam from Into the Apocalypse/Debra Gets Red Pilled/Unhinged/ https://www.instagram.com/debragetsredpilled/ https://debra-gets-red-pilled-podcast.creator-spring.com/ t.me/debragetsredpilled debragetsredpilled@protonmail.com Mat fromThe Great Deception Podcast Linktree: https://linktr.ee/thegreatdeceptionpodcast IG: https://www.instagram.com/thegreatdeceptionpodcast/ https://www.instagram.com/thegreatdeceptionpodcast_v2/ YouTube: https://youtube.com/user/Barons44 Email: thegreatdeceptionpodcast@gmail.com To Make Contributions: PayPal: https://www.paypal.com/paypalme/MatthewTerrillion?country.x=US&locale.x=en_US Venmo: https://account.venmo.com/u/Matthew-Terrillion Patreon: https://www.patreon.com/thegreatdeceptionpodcast Merch: https://my-store-cb4b4e.creator-spring.com ---IG: DangerousWorldPodEMAIL: DangerousWorldPodcast@gmail.com@dangerousworldpodcast | LinktreeMERCH DangerousWorldPodcast (fourthwall.com)PATREON DANGEROUS WORLD PODCAST | creating Podcasts | PatreonAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
It's exam time, and Auburn is playing basketball games in a sparse nature. We're reviewing the win over Colgate and previewing the game against Memphis this weekend! Also, we're playing Portal Kid or Pro Cyclist with the Transfer Portal in college football. Can Ryan and James make the proper distinction? We'll see. Learn more about your ad choices. Visit podcastchoices.com/adchoices
We know what you're thinking--1.5 hours of THIS LEAGUE!!! Fantasy Football? You're welcome.Come for the new segment, "Stickin' or Dippin'," where we hold our hosts accountable on whether they are "stickin" or "dippin" with their champion predictions from the pre-season. Stay for what was a surprisingly consequential Week 10 that had more playoff implications than we realized, a topsy-turvy Power Rankings, a THIS LEAGUE!!! Guarantee that can't lose, and a preview of Week 11--with only 4 weeks remaining until the playoffs.THIS LEAGUE!!! is a special fantasy football podcast covering the best and most competitive fantasy football league in the land. Keep up with all the scores and transactions at www.thisleaguepod.com . Have a question or suggestion? We want to hear from you! Follow us on Twitter and Instagram @ThisLeague_Pod.Don't forget to POUND that like button, subscribe, and share.
"Your mom" jokes. Stickin around. Working on sets again. Low budget shoot Saturday, straight to the goddamn Sick Of It All show after. A brief history of skinheads. I need a Fatburger intervention. The Woodstock 99 documentary on Netflix. The fat cop and the Falling Down 711 clerk.
Kurt talks with Randy McKnight, pit master of Smokin' Rack out of Jacksonville, FL, about why he cooks low and slow, a story about getting stitches and still getting the Grand Champion, the fun he likes to have in competitions by using his creativity, and the importance of knowing what works for you and not getting fancy just for the sake of it. Connect with Randy on Facebook at the link below! Facebook: https://www.facebook.com/rantom418 Leave us a review on Apple Podcasts or Spotify! Follow us on Facebook, Instagram, TikTok, and Twitter here! Want to reach us? Email us at bbq4newbies@gmail.com
Dana White revealed over the weekend that he had a deal in place for Brady & Gronkowski to go to the Raiders, only for Jon Gruden to blow it up? In favor of Derek Carr?
Hey is… Is Treacheron a good character? He seems pretty cool actually, maybe this will be a good a-oh he's dead, never mind. Yes it's Treacheron's last stand, but in the meantime we also talk about Guilty Gear, Indigenous representation, and wonder if the show is moving away from direct Gingaman translations after the Lights of Orion saga.
Hello awesome peeps - welcome back to the pod! In today's episode, I discuss why your night routine matters! I hope that you all enjoy today's episode. Follow me: @mariahcantyy www.mariahcanty.com Peace, Love + Blessings ☺ - Mariah Holistic Health + Wellness Coach
Born in Lubbock, Texas, on September 7, 1936, Charles Hardin Holley (he later dropped the "e"), after both grandfathers the fourth child of Lawrence Odell "L.O." Holley and Ella Pauline Drake. older siblings were Larry, Travis, and Patricia Lou. nicknamed Buddy from a young age, and it stuck with him throughout his life. Oddly enough, the newspaper announcement claimed that Buddy was actually a little girl. “A daughter weighing 8.5 lbs”, the Lubbock evening journal wrote. He was also only 6.5 pounds. And a boy. Buddy's family was mainly of English and Welsh descent and had some native American ancestry. During the Great Depression, the Holleys frequently moved residences within Lubbock; 17 in all. His father changed jobs several times. The Holley family were a musical household. Except for Buddy's father, all family members could play an instrument or sing. His older brothers frequently entered local talent shows, and one time, his brothers signed up and Buddy wanted to play violin with them. However, Buddy couldn't play the violin. Not wanting to break little Buddy's heart, his older brothers greased up the strings so it wouldn't make a sound. Buddy started singing his heart out and the three ended up winning the contest! When WWII started, the U.S. government called his brothers into service. His brother Larry brought back a guitar he bought from a shipmate, and that guitar set Buddy's off. At 11 years old, Buddy started taking piano lessons. Nine months later, he quit piano lessons and switched to guitar after seeing a classmate playing and singing on the school bus. His parents initially bought him a steel guitar, but Buddy insisted he wanted a guitar like his brothers. They bought him a guitar, a gold top Gibson acoustic, from a pawn shop, and his brother Travis taught him to play it. By 15, Buddy was proficient on guitar, banjo, and mandolin. During his early childhood, Holley was influenced by Hank Williams, Jimmie Rodgers, Hank Snow, Bob Wills, and the Carter Family. He started writing songs and working with his childhood friend Bob Montgomery. The two jammed together, practicing songs by the Louvin Brothers and Johnnie & Jack. They frequently listened to Grand Ole Opry's radio programs on WSM, Louisiana Hayride on KWKH (which they once drove 600 miles to okay just to be turned away), and Big D Jamboree. If you're not familiar with the Grand Ol Opry, it's a weekly American country music stage concert in Nashville, Tennessee, founded on November 28, 1925, by George D. Hay as a one-hour radio "barn dance" on Clearchannel's WSM, which first hit the airwaves on October 5, 1925. Its the longest-running radio broadcast in U.S. history. At the same time he was practicing with Bob, Holley played with other musicians he met in high school, including Sonny Curtis and Jerry Allison. In 1952 Holley and Jack Neal participated as a duo billed as "Buddy and Jack" in a talent contest on a local television show. After Neal left, he was replaced by his buddy Bob, and they were billed as "Buddy and Bob." By the mid-'50s, Buddy & Bob played their style of music called "western and bop ." Holley was influenced by late-night radio stations that played the blues and rhythm and blues. Holley would sit in his car with Sonny Curtis and tune to distant “black” radio stations that could only be received at night when bigger stations turned off local transmissions. Holley then changed his music by blending his earlier country and western influence with Rhythm and Blues. After seeing the legendary Elvis perform, Holly decided to pursue his career in music full-time once he graduated high school. By mid-1955, Buddy & Bob, who already worked with an upright bass player (played by Larry Welborn), added drummer Jerry Allison to their lineup. After seeing Elvis Presley performing live in Lubbock, who Pappy Dave Stone of KDAV booked, Buddy really wanted to get after it. In February, he opened for Elvis at the Fair Park Coliseum, in April at the Cotton Club, then again in June at the Coliseum. Elvis significantly influenced the group to turn more towards Rock n Roll. Buddy and the king became friends, with Buddy even driving Elvis around when he was in town. Eventually, Bob Montgomery, who leaned toward a traditional country sound, left the group, though they continued writing and composing songs together. Holly kept pushing his music toward a straight-ahead rock & roll sound, working with Allison, Welborn, and other local musicians, including his pal and guitarist Sonny Curtis and bassist Don Guess. In October, Holly was booked as the opener for Bill Haley & His Comets (Rock Around the Clock), to be seen by Nashville scout Eddie Crandall. Obviously impressed, Eddie Crandall talked Grand Ole Opry manager Jim Denny into finding a recording contract for Holley. Pappy Stone sent Denny a demo tape, which Denny forwarded to Paul Cohen. Cohen signed the band to Decca Records in February 1956. In the contract, Decca accidentally misspelled Holley's surname as "Holly," From that point forward, he was known as "Buddy Holly." On January 26, 1956, Holly went to his first professional recording session with producer Owen Bradley. He was a part of two more sessions in Nashville. the producer selected the session musicians and arrangements, Holly became frustrated by his lack of creative control. In April 1956, Decca released "Blue Days, Black Nights" as a single and "Love Me" on the B-side. "B-sides" were secondary songs that were sent out with single records. They were usually just added to have something on the flip side. Later they became songs that bands would either not release or wait to release. Jim Denny added Holly on tour as the opening act for Faron Young. While on this tour, they were promoted as "Buddy Holly and the Two Tones." Decca then called them "Buddy Holly and the Three Tunes." The label released Holly's second single, "Modern Don Juan," along with "You Are My One Desire." Unfortunately, neither one of these singles tickled anyone's fancy. On January 22, 1957, Decca informed Holly that they wouldn't re-sign him and insisted he could not record the same songs for anyone else for five years. The same shit happened to Universal and me. A couple of classics, like "Midnight Shift" and "Rock Around with Ollie Vee," did come out of those Decca sessions, but nothing issued at the time went anywhere. It looked as though Holly had missed his shot at stardom. Holly was disappointed with his time with Decca. inspired by Buddy Knox's "Party Doll" and Jimmy Bowen's "I'm Stickin' with You" he decided to visit Norman Petty, who produced and promoted both of those successful records. Buddy, Jerry Allison, bassist Joe B. Mauldin, and rhythm guitarist Niki Sullivan pulled together and headed to Petty's studio in Clovis, New Mexico. The group recorded a demo of the now-classic, "That'll Be the Day," which they had previously recorded in Nashville. Now rockin' that lead guitar, Holly finally achieved the sound he wanted. They got the song nailed down and recorded. Along with Petty's help, the group got it picked up by Murray Deutsch, a publishing associate of Petty's, and Murray got it to Bob Thiele, an executive at Coral Records. Thiele loved it. Ironically, Coral Records was a subsidiary of Decca, the company Holly had signed with before. On a side note, a subsidiary is a smaller label under the major label's umbrella. For instance, Universal signed my band to Republic, a subsidiary of Universal Music that dealt primarily with rock genres, like Godsmack. Norman Petty saw the potential in Buddy and became his manager. He sent the record to Brunswick Records in New York City. Thiele saw the record as a potential hit, but there were some significant hurdles to overcome before it could be released. According to author Philip Norman, in his book Rave On, Thiele would only get the most reluctant support from his record company. Decca had lucked out in 1954 when they'd signed Bill Haley & His Comets and saw their "Rock Around the Clock" top the charts. Still, very few of those in charge at Decca had a natural feel or appreciation for Rock & Roll, let alone any idea of where it might be heading or whether the label could (or should) follow it down that road. Also, remember that although Buddy had been dropped by Decca the year before, the contract that Holly signed explicitly forbade him from re-recording anything he had recorded for them, released or not, for five years. However, Coral was a subsidiary of Decca, and Decca's Nashville office could hold up the release and possibly even haul Holly into court. "That'll Be the Day" was issued in May of 1957 mainly as an indulgence to Thiele, to "humor" him. The record was put out on the Brunswick label, more of jazz and R&B label, and credited to the Crickets. The group chose this name to prevent the suits at Decca -- and more importantly, Decca's Nashville office -- from finding out that this new release was from the guy they had just dropped. The name “The Crickets” was inspired by a band that Buddy and his group followed, called “the Spiders” and they initially thought about calling themselves “The Beetles”, with two E's, but Buddy said he was afraid people would want to “squash them.” So, they picked “The Crickets.” Petty also became the group's manager and producer, signing the Crickets, identified as Allison, Sullivan, and Mauldin, to a contract. Unfortunately, Holly wasn't listed as a member in the original document to keep his involvement with "That'll Be the Day" a secret. This ruse would later become the source of severe legal and financial problems for Buddy. The song shot to #1 on the national charts that summer. But, of course, Decca knew Holly was in the band by then. So, with Thiele's persuasion and realizing they had a hit on their hands, the company agreed to release Holly from the five-year restriction on his old contract. This release left him free to sign any recording contract he wanted. While sorting out the ins and outs of Holly's legal situation, Thiele knew that Buddy was far more than a one-hit-wonder and that he could potentially write more and different types of hits. So, Holly found himself with two recording contracts, one with Brunswick as a member of the Crickets and the other with Coral Records as Buddy Holly, all thanks to Thiele's ingenious strategy to get the most out of Buddy and his abilities. By releasing two separate bodies of work, the Crickets could keep rockin' while allowing its apparent leader and "star" to break out on his own. Petty, whose name seems fitting as we go through this, acted as their manager and producer. He handed out writing credits at random, gifting Niki Sullivan and Joe B. Mauldin (and himself) the co-authorship of the song, "I'm Gonna Love You Too," while leaving Holly's name off of "Peggy Sue." at first. The song title, “Peggy Sue” was named after Buddy's biggest fan. Petty usually added his own name to the credit line, something the managers and producers who wanted a more significant piece of the pie did back in the '50s. To be somewhat fair, Petty made some suggestions, which were vital in shaping certain Holly songs. However, he didn't contribute as much as all of his credits allow us to believe. Some confusion over songwriting was exacerbated by problems stemming from Holly's contracts in 1956. Petty had his own publishing company, Nor Va Jak Music, and Buddy signed a contract to publish his new songs. However, Holly had signed an exclusive agreement with another company the year before. To reduce his profile as a songwriter until a settlement could be made with Petty and convince the other publisher that they weren't losing too much in any compensation, buddy copyrighted many of his new songs under the pseudonym "Charles Hardin." So many names! The dual recording contracts allowed Holly to record a crazy amount of songs during his short-lived 18 months of fame. Meanwhile, his band -- billed as Buddy Holly & the Crickets -- became one of the top attractions of the time. Holly was the frontman, singing lead and playing lead guitar, which was unusual for the era, and writing or co-writing many of their songs. But the Crickets were also a great band, creating a big and exciting sound (which is lost to history, aside from some live recordings from their 1958 British tour). Allison was a drummer ahead of his time and contributed to the songwriting more often than his colleagues, and Joe B. Mauldin and Niki Sullivan provided a solid rhythm section. The group relied on originals for their singles, making them unique and years ahead of their time. In 1957-1958, songwriting wasn't considered a skill essential to a career in rock & Roll; the music business was still limping along the lines it had followed since the '20s. Songwriting was a specialized profession set on the publishing side of the industry and not connected to performing and recording. A performer might write a song or, even more rarely, like Duke Ellington (It Don't Mean A Thing), count composition among his key talents; however, this was generally left to the experts. Any rock & roller wanting to write songs would also have to get past the image of Elvis. He was set to become a millionaire at the young age of 22. He never wrote his songs, and the few songwriting credits he had resulted from business arrangements rather than writing anything. Buddy Holly & the Crickets changed that seriously by hitting number one with a song they'd written and then reaching the Top Ten with originals like "Oh, Boy" and "Peggy Sue," They were regularly charging up the charts based on their songwriting. This ability wasn't appreciated by the public at the time and wouldn't be noticed widely until the '70s. Still, thousands of aspiring musicians, including John Lennon and Paul McCartney, from some unknown band called "The Beatles," took note of their success, and some of them decided to try and tried to be like Buddy. Also unknown at the time, Holly and his crew changed the primary industry method of recording, which was to bring the artist into the label's studio, working on their timetable. If an artist were highly successful, they got a blank check in the studio, and any union rules were thrown out, but that was rare and only happened to the highest bar of musicians. Buddy Holly & the Crickets, however, did their thing, starting with "That'll Be the Day," in Clovis, New Mexico, at Petty's studio. They took their time and experimented until they got the sound they were looking for. No union told them when to stop or start their work, and they delivered terrific records; not to mention, they were albums that sounded different than anything out there. The results changed the history of rock music. The group worked out a new sound that gave shape to the next wave of rock & Roll. Most definitely influenced was British rock & Roll and the British Invasion beat, with the lead and rhythm guitars working together to create a fuller, more complex sound. On songs such as "Not Fade Away," "Everyday," "Listen to Me," "Oh Boy!," "Peggy Sue," "Maybe Baby," "Rave On," "Heartbeat," and "It's So Easy," Holly took rock & roll's range and sophistication and pushed it without abandoning its excitement and, most importantly, it's fun. Holly and the band weren't afraid to push the envelope and try new things, even on their singles. "Peggy Sue" used changes in volume and timbre on the guitar that was usually only used in instrumental albums. "Words of Love" was one of the earliest examples of double-tracked vocals in rock & Roll, and the Beatles would jump on that train the following decade. Buddy Holly & the Crickets were extremely popular in America. Still, in England, they were even more significant; their impact was compared to Elvis and, in some ways, was even bigger. This success was because they toured England; Elvis didn't. They spent a month there in 1958, playing a list of shows that were still talked about 30 years later. It also had to do with their sound and Holly's persona on stage. The group's heavy use of rhythm guitar fit right in with the sound of skiffle music, a mix of blues, folk, country, and jazz elements that most of the younger British were introduced to playing music and their first taste of rock & Roll. Also, Holly looked a lot less likely a rock & roll star than Elvis. He was tall, skinny, and wore glasses; he looked like an ordinary dude who was good at music. Part of Buddy's appeal as a rock star was how he didn't look like one. He inspired tens of thousands of British teenagers who couldn't compare themselves to Elvis or Gene Vincent. (Be Bop A Lula) In the '50s, British guitarist Hank Marvin of the Shadows owed his look and that he wore his glasses proudly on-stage to Holly, and it was brought into the '70s by Elvis Costello. Buddy may have played several different kinds of guitars but, he was specifically responsible for popularizing the Fender Stratocaster, especially in England. For many wannabe rock & rollers in the UK, Holly's 1958 tour was the first chance they'd had to see or hear this iconic guitar in action, and it quickly became the guitar of choice for anyone wanting to be a guitarist in England. In fact, Marvin is said to have had the first Stratocaster ever brought into England. The Crickets became a trio with Sullivan dipping out in late 1957, right after the group's appearance on The Ed Sullivan Show, but a lot more would transpire over the next year or so. The group consolidated its success with the release of two L.P.s, The Chirping Crickets, and Buddy Holly. They had two successful international tours and performed more in the United States. Holly had also started to have different ideas and aspirations than Allison and Mauldin. They never thought of leaving Texas as their home, and they continued to base their lives there, while Buddy wanted to be in New York, not just to do business but to live. His marriage to Maria Elena Santiago, a receptionist in Murray Deutsch's office, made the decision to move to New York that much easier. By this time, Holly's music had become more sophisticated and complex, and he passed off the lead guitar duties in the studio to session player Tommy Alsup. He had done several recordings in New York using session musicians such as King Curtis. It was around this time that the band started to see a slight decline in sales. Singles such as "Heartbeat" didn't sell nearly as well as the 45s of 1957 that had rolled out of stores. It's said that Buddy might even have advanced further than most of the band's audience was willing to accept in late 1958. Critics believe that the song "Well...All Right" was years ahead of its time. Buddy split with the group -- and Petty -- in 1958. This departure left him free to chase some of those newer sounds, which also left him low on funds. In the course of the split, it became clear to Holly and everyone else that Petty had been fudging the numbers and probably taken a lot of the group's income for himself. Unfortunately, there was almost no way of proving his theft because he never seemed to finish his "accounting" of the money owed to anyone. His books were ultimately found to be so screwed up that when he came up with various low five-figure settlements to the folks he robbed, they took it. Holly vacationed with his wife in Lubbock, TX, and hung out in Waylin Jennings's radio station in December 1958. With no money coming in from Petty, Holly decided to earn some quick cash by signing to play the Midwest's Winter Dance Party package tour. For the start of the Winter Dance Party tour, he assembled a band consisting of Waylon Jennings (on bass), Tommy Allsup (on guitar), and Carl Bunch (on drums). Holly and Jennings left for New York City, arriving on January 15, 1959. Jennings stayed at Holly's apartment by Washington Square Park on the days before a meeting scheduled at the headquarters of the General Artists Corporation, the folks who organized the tour. They then traveled by train to Chicago to meet up with the rest of the band. The Winter Dance Party tour began in Milwaukee, Wisconsin, on January 23, 1959. The amount of travel involved created problems because whoever booked the tour dates didn't consider the distance between venues. On top of the scheduling conflicts, the unheated tour buses broke down twice in the freezing weather. In addition, Holly's drummer Carl Bunch was hospitalized for frostbite to his toes while aboard the bus, so Buddy looked for different transportation. Buddy actually sat in on drums for the local bands while Richie Valenz played drums for Buddy. On February 2, before their appearance in Clear Lake, Iowa, Holly chartered a four-seat Beechcraft Bonanza airplane for Jennings, Allsup, and himself, from Dwyer Flying Service in Mason City, Iowa, for $108. Holly wanted to leave after the performance at the Surf Ballroom in Clear Lake and fly to their next venue, in Moorhead, Minnesota, through Fargo, North Dakota. This plan would allow them time to rest, wash their clothes and avoid being on that crappy bus. The Clear Lake Show ended just before midnight, and Allsup agreed to flip a coin for the seat with Richie Valens. Valens called heads, and when he won, he reportedly said, "That's the first time I've ever won anything in my life" On a side note, Allsup later opened a restaurant in Fort Worth, Texas called Heads Up, in memory of this statement. Waylon Jennings voluntarily gave up his seat to J. P. Richardson (the Big Bopper), who had the flu and complained that the tour bus was too cold and uncomfortable for a man of his stature. When Buddy heard Waylon wouldn't be flying with him, he jokingly said, “I hope your old bus freezes up!” Then Waylon responded, “well, I hope your old plane crashes!” The last thing he would ever say to his friend. Roger Peterson, the pilot and only 21, took off in pretty nasty weather, although he wasn't certified to fly by instruments alone, failing an instrument test the year before. He was a big fan of Buddy's and didn't want to disappoint, so he called a more seasoned pilot to fly the trio to their destination. “I'm more of a Lawrence Welk fan.” Sadly, shortly after 12:55 am on February 3, 1959, Holly, Valens, Richardson, and Peterson were killed instantly when the plane crashed into a frozen cornfield five miles northwest of Mason City, Iowa, airport shortly after takeoff. Buddy was in the front, next to the pilot. He loved flying and had been taking flying lessons. The three musicians were ejected from the plane upon impact, suffering severe head and chest injuries. Holly was 22 years old. Holly's funeral was held on February 7, 1959, at the Tabernacle Baptist Church in Lubbock, TX. It was officiated by Ben D. Johnson, who married the Hollys' just months earlier. Jerry Allison, Joe B. Mauldin, Niki Sullivan, Bob Montgomery, and Sonny Curtis were pallbearers. Some sources say that Phil Everly, the one half of The Everly Brothers, was also the pallbearer, but he said at one time that he attended the funeral but was not a pallbearer. In addition, Waylon Jennings was unable to participate because of his commitment to the still-touring Winter Dance Party. Holly's body was buried in the City of Lubbock Cemetery, in the city's eastern part. His headstone has the correct spelling of his last name (Holley) and a carving of his Fender Stratocaster guitar. His wife, María Elena, had to see the first reports of her husband's death on T.V. She claimed she suffered a miscarriage the following day. Holly's mother, who heard the news on the radio in Lubbock, Texas, screamed and collapsed. Because of Elena's miscarriage, the authorities implemented a policy against announcing victims' names until the families were informed. As a result, Mary did not attend the funeral and has never visited the gravesite. She later told the Avalanche-Journal, "In a way, I blame myself. I was not feeling well when he left. I was two weeks pregnant, and I wanted Buddy to stay with me, but he had scheduled that tour. It was the only time I wasn't with him. And I blame myself because I know that, if only I had gone along, Buddy never would have gotten into that airplane." The accident wasn't considered a significant piece of news at the time, although sad. Most news outlets were run by out-of-touch older men and didn't think rock & Roll was anything more than to be exploited to sell newspapers or grab viewing audiences. However, Holly was clean-cut and scandal-free, and with the news of his recent marriage, the story contained more misery than other music stars of the period. For the teens of the time, it was their first glimpse of a public tragedy like this, and the news was heartbreaking. Radio station D.J.s were also traumatized. The accident and sudden way it happened, along with Holly and Valens being just 22 and 17, made it even worse. Hank Williams Sr had died at 29, but he was a drug user and heavy drinker, causing some to believe his young death was inevitable. The blues guitarist Johnny Ace had passed in 1954 while backstage at a show. However, that tragedy came at his hand in a game of Russian roulette. Holly's death was different, almost more personal to the public. Buddy left behind dozens of unfinished recordings — solo transcriptions of his new compositions, informal jam sessions with bandmates, and tapes with songs intended for other musicians. Buddy recorded his last six original songs in his apartment in late 1958 and were his most recent recordings. In June 1959, Coral Records overdubbed two of the songs with backing vocals by the Ray Charles Singers and hired guns to emulate the Crickets sound. Since his death, the finished tracks became the first singles, "Peggy Sue Got Married"/"Crying, Waiting, Hoping." The new release was a success, and the fans and industry wanted more. As a result, all six songs were included in The Buddy Holly Story, Vol. 2 in 1960 using the other Holly demos and the same studio personnel. The demand for Holly records was so great, and Holly had recorded so many tracks that his record label could release new Holly albums and singles for the next ten years. Norman Petty, the alleged swindler, produced most of these new songs, using unreleased studio masters, alternative takes, audition tapes, and even amateur recordings (a few from 1954 with recorded with low-quality vocals). The final Buddy Holly album, "Giant," was released in 1969 with the single, "Love Is Strange," taking the lead. These posthumous records did well in the U.S. but actually charted in England. New recordings of his music, like the Rolling Stones' rendition of "Not Fade Away" and the Beatles' rendition of "Words of Love," kept Buddy's name and music in the hearts and ears of a new generation of listeners. In the States, the struggle was a little more challenging. The rock & roll wave was constantly morphing, with new sounds, bands, and listeners continuously emerging, and the general public gradually forgot about Buddy and his short-lived legacy. Holly was a largely forgotten figure in his own country by the end of the '60s, except among older fans (then in their twenties) and hardcore oldies listeners. Things began to shift toward the end of the '60s with the start of the oldies boom. Holly's music was, of course, a part of this movement. But, as people listened, they also learned about the man behind the music. Even the highly respected rock zine Rolling Stone went out of its way to remind people who Buddy was. His posing images from 1957 and 1958, wearing his glasses, a jacket, and smiling, looked like a figure from another age. The way he died also set him apart from some of the deaths of rockers like Brian Jones, Jimi Hendrix, Janis Joplin, and Jim Morrison, musicians who, at the time, overindulged in the rock in roll lifestyle. Holly was different. He was eternally innocent in all aspects of his life. Don McLean, a relatively unknown singer/songwriter, who proudly considered himself a Buddy Holly fan, wrote and released a song called "American Pie," in 1971, catapulting him into the musical ethos. Although listeners assumed McLean wrote the song about President Kennedy, he let it be known publicly that he meant February 3, 1959, the day Holly died. Maclean was a holly fan and his death devastated him when he was only 11. The song's popularity led to Holly suddenly getting more press exposure than he'd ever had the chance to enjoy in his lifetime. The tragic plane accident launched a few careers in the years after. Bobby Vee became a star when his band took over Holly's spot on the Winter Dance Party tour. Holly's final single, "It Doesn't Matter Anymore," hit the British charts in the wake of his death and rose to number one. Two years after the event, producer Joe Meek and singer Mike Berry got together to make "Tribute to Buddy Holly," a memorial single. But, unfortunately, rumor has it that Meek never entirely got over Holly's death, and he killed himself on the anniversary of the plane accident. The Rock and Roll Hall of Fame included Holly among its first class in 1986. Upon his induction, the Hall of Fame basked about the large quantity of material he produced during his short musical career. Saying, "He made a major and lasting impact on popular music ." Calling him an "innovator" for writing his own material, experimenting with double-tracking, and using orchestration. He was also revered for having "pioneered and popularized" the use of two guitars, bass, and drums by rock bands. He was also inducted into the Songwriters Hall of Fame in 1986, saying his contributions "changed the face of Rock' n' Roll." Along with Petty, Holly developed techniques like overdubbing and reverb and other innovative instrumentation. As a result, according to the Songwriters Hall of Fame, Holly became "one of the most influential pioneers of rock and roll" who had a "lasting influence" on genre performers of the 1960s. Paul McCartney bought the rights to Buddy Holly's entire song catalog on July 1, 1976. Lubbock TX's Walk of Fame has a statue honoring Buddy of him rocking his Fender, which Grant Speed sculpted in 1980. There are other memorials to Buddy Holly, including a street named in his honor and the Buddy Holly Center, which contains a museum of memorabilia and fine arts gallery. The Center is located on Crickets Avenue, one street east of Buddy Holly Avenue. There was a musical about Buddy. Buddy: The Buddy Holly Story, a “pioneering jukebox musical which worked his familiar hits into a narrative,” debuted in the West End in 1989. It ran until 2008, where it also appeared on Broadway, as well as in Australia and Germany, not to mention touring companies in the U.K. and U.S. In 1994 "Buddy Holly" became a massive hit from the band Weezer, paying homage to the fallen rocker and is still played on the radio and whenever MTV decides to play videos on one of their side stations. Again, in ‘94, Holly's style also showed up in Quentin Tarantino's abstract and groundbreaking film Pulp Fiction, which featured Steve Buscemi playing a waiter impersonating Buddy. In 1997, Buddy received the Lifetime Achievement Award from the National Academy of Recording Arts and Sciences. He was inducted into the Iowa Rock 'n' Roll Hall of Fame in 2000, as well. In 2010, Grant Speed's statue of Buddy and his guitar was taken down for repairs, and construction of a new Walk of Fame began. On May 9, 2011, the City of Lubbock held a ribbon-cutting ceremony for the Buddy and Maria Elena Holly Plaza, the new home of the statue and the Walk of Fame. The same year, on why would be Buddy's 75th birthday, a star with his name was placed on the Hollywood Walk of Fame. There were two tribute albums released in 2011: Verve Forecast's Listen to Me: Buddy Holly, featuring Stevie Nicks, Brian Wilson, and Ringo Starr plus 13 other artists, and Fantasy/Concord's Rave on Buddy Holly, which had tracks from Paul McCartney, Patti Smith, the Black Keys, and Nick Lowe, among others. Pat DiNizio of the Smithereens released his own Holly tribute album in 2009. Universal released True Love Ways, an album where original Holly recordings were overdubbed by the Royal Philharmonic Orchestra in 2018, just in time for Christmas. That album debuted at number 10 on the U.K. charts. Groundbreaking was held on April 20, 2017, to construct a new performing arts center in Lubbock, TX, dubbed the Buddy Holly Hall of Performing Arts and Sciences, a $153 million project in downtown Lubbock completed in 2020 located at 1300 Mac Davis Lane. Recently, on May 5, 2019, an article on gearnews.com had a pretty cool story, if it's true. The famous Fender Stratocaster played and owned by Buddy Holly that disappeared after his death in 1959 has been found, according to a new video documentary called "The '54". Gill Matthews is an Australian drummer, producer, and collector of old Fender guitars. According to the documentary, he may have stumbled upon Buddy Holly's legendary guitar. The film is The '54 and tells the history of one particular 1954 Fender Stratocaster Gil purchased two decades after the plane crash that claimed Buddy's life. Experts cited in the film say there is a good chance that the guitar in Matthews' possession is indeed Buddy Holly's actual original '54 Fender Stratocaster. If this is true, it is possibly one of the most significant finds in guitar history. You can watch the video at gearnews.com and see all the evidence presented during the film. Sources: A biography on allmusic.com written by Bruce Eder was the main source of information here with other info coming from the following Rave on: The Biography of Buddy Holly written by Phillip Norman Buddy Holly : Rest In Peace by Don Mclean "Why Buddy Holly will never fade away" an article on The Telegraph website written by Phillip Norman Various other articles were used and tidbits taken from wikipedia. And Adam Moody Consider becoming a producer of the show. www.accidentaldads.com www.iconsandoutlaws.com
Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 114: Part 2 - Stickin' Your Dick In The Till - Actors That Screwed The Crew. It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band: www.rewind80sband.com Facebook: the80smontagepodcast twitter: 80_montage instagram: the80smontage Links from Episode 114: Part 2 - Stickin' Your Dick In The Till - Actors That Screwed The Crew.Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: #PaulaAbdul #StraightUp #RemasteredPaula Abdul - Straight Up (Official Music Video)https://youtu.be/El1kgCqD7XkREMASTERED IN HD!!Official Music Video for Straight Up performed by Paula Abdul. Follow Paula Abdul:Instagram: https://www.instagram.com/paulaabdul/Facebook: https://www.facebook.com/PaulaAbdulTwitter: https://twitter.com/PaulaAbdulWebsite: https://paulaabdulstore.com/Firstborn Trailer 1984https://youtu.be/_dGwC9mG8fkDream Academy - "Please, Please, Please Let Me Get What I Want" (Official Music Video)https://youtu.be/En1IgPz1jfkOur cover verion of the Smith's classic. It was used in John Hughes film, "Ferris Bueller's Day Off." Was not on any of our three albums but was released as a single in 7 and 12 inch formats.https://youtu.be/WFP4JoUx_2wProvided to YouTube by Warner RecordsPeach · PrinceThe Hits / The B-Sides℗ 1993 NPG Records, Inc. under exclusive license to Warner Records Inc.Unknown: Airiq AnestUnknown: Keith "KC" CohenUnknown: Mark ForresterArranger, Performance: PrinceProducer: PrinceUnknown: Rolly LaddUnknown: Steve NoonanWriter: PrinceAuto-generated by YouTube.Parental warningExplicit lyricsMates Condoms 80's Commercialhttps://youtu.be/oiOsb36bNsUHeathers Soundtrack (1) Strip Croquethttps://youtu.be/22xeNf5o--YRisky Business Dance Scenehttps://youtu.be/G2UVsyVLLcEAlf - Old Time Rock'n Roll , S01E03 Looking for Lucky 1986 , 720phttps://youtu.be/CozoPjQ_sH0Thanks for listening! www.the80smontage.com
Welcome to The 80's Montage! (music, mateys and cool shit from the 80s) Your Hosts Jay Jovi & Sammy HardOn, singers from Australia's 80's tribute band Rewind 80's. We take you back to living in the 80's: music, artists, TV commercials and video clips. Episode 113 : Stickin' Your Dick In The Till - Artists That Screwed The Crew.. It's a ripper! Please rate, review and enjoy! Music licensed by APRA/AMCOS Theme music ©2019 M. Skerman see Facebook for links to videos & songs mentioned in this episode! Email: planet80sproductions@gmail.com Rewind 80's Band: www.rewind80sband.com Facebook: the80smontagepodcast twitter: 80_montage instagram: the80smontage Links from Episode 113 : Stickin' Your Dick In The Till - Artists That Screwed The Crew..Patreon Link With Thanks x https://www.patreon.com/the80smontagepodcast www.the80smontage.comLinks: https://www.youtube.com/watch?v=aCWCF19nUhATom Tom Club - Genius Of Love (Official Music Video)https://www.youtube.com/watch?v=mwgg1Pu6cNgFleetwood Mac - Gypsy (Official Music Video)You're watching the official music video for Fleetwood Mac - "Gypsy" from the 1982 album "Mirage". The new Fleetwood Mac collection '50 Years – Don't Stop' is available now. Get your copy here https://lnk.to/FM50 and check out North American tour dates below to see if the band is coming to a town near you.The video for 'Gypsy', directed by Russell Mulcahy, was the very first 'World Premiere Video' on MTV in 1982.Subscribe to the channel! http://bit.ly/SubscribetoFleetwoodMacWatch all the Fleetwood Mac videos http://bit.ly/FleetwoodMacVideosStay in touch with Fleetwood Mac...Official Website https://www.fleetwoodmac.comFacebook https://www.facebook.com/FleetwoodMacTwitter https://twitter.com/fleetwoodmacWhite Boy - Culture Clubhttps://youtu.be/YGEj68bEjNQProvided to YouTube by Universal Music GroupWhite Boy · Culture ClubGreatest Hits℗ 2003 Virgin Records LimitedReleased on: 2005-01-01Associated Performer, Piano, Keyboards, Guitar, Electric Sitar: Roy HayProducer, Studio Personnel, Mixer, Engineer: Steve LevineAssociated Performer, Saxophone, Flute, Harmonica: Nick PayneAssociated Performer, Background Vocalist, Keyboards: Phil PickettAssociated Performer, Background Vocalist: Denise SpoonerAssociated Performer, Vocals: Boy GeorgeStudio Personnel, Mixer, Associated Performer, Drum Programming, Drums, Percussion: Jon MossAssociated Performer, Bass (vocal): Michael CraigAssociated Performer, Background Vocalist: Colin CampsieAssociated Performer, Trumpet: Terry BaileyAssociated Performer, Bass (vocal): Michael Emile CraigAssociated Performer, Background Vocalist: Colin CampsieProducer, Studio Personnel, Engineer, Mixer: Steve LevineAssociated Performer, Background Vocalist, Additional Keyboards: Phil PickettComposer: George O'DowdComposer, Composer Lyricist: Roy HayComposer: Michael CraigComposer, Composer Lyricist: Jon MossComposer Lyricist: Boy GeorgeComposer Lyricist: Michael Emile CraigListen to the new album: https://abba.lnk.to/VoyageAlbumListen to more music by ABBA: https://abba.lnk.to/musicIDFollow ABBA:Facebook: https://www.facebook.com/ABBA/ Instagram: https://www.instagram.com/abba/Twitter: https://twitter.com/abbaTikTok: https://www.tiktok.com/@abba Read More About ABBA: http://www.abbasite.com/(Benny Andersson and Björn Ulvaeus)© 1979 Polar Music International ABPublished by: Universal/Union Songs ABVideo produced by: Lasse Hallström#ABBAhttps://www.youtube.com/watch?v=WkL7Fkigfn8Bruce Springsteen - Out In The Street [Philadelphia, August 14, 1985]https://www.youtube.com/watch?v=9TTLxfeJhGgVeterans Stadium, Philadelphia, PA, August 14, 1985Bruce Springsteen (vocals, guitar)Roy Bittan (piano, keyboards)Clarence Clemons (tenor and baritone saxophones, backing vocals, percussion)Danny Federici (organ, accordion, keyboards)Nils Lofgren (guitar, backing vocals)Patti Scialfa (backing vocals, percussion)Garry Tallent (bass, percussion)Max Weinberg (drums)#BruceSpringsteen #BornInTheUSA #ClassicRockBruce Springsteen - Born in the U.S.A. (Official Video)https://www.youtube.com/watch?v=EPhWR4d3FJQPrince - Computer Blue #prince #wendyandLisahttps://www.youtube.com/watch?v=szs4bWoul8wComputer Blue Band - Sammy & Boys Australia ( Rewind 80's Band)https://www.youtube.com/watch?v=wqVACqFpkawMother Of Pearl · Wendy & LisaEroica℗ 1990 Virgin Records LimitedReleased on: 1990-01-01Associated Performer, Vocals, Producer: Wendy MelvoinAssociated Performer, Vocals, Keyboards, Producer: Lisa ColemanAssociated Performer, Drums, Percussion: Carla AzarProducer: Tony BergAssociated Performer, Vocals: K.D. LangStudio Personnel, Mastering Engineer: Bob LudwigComposer: Lisa ColemanComposer: Wendy MelvoinComposer: Michael PennComposer: Tony Berghttps://www.youtube.com/watch?v=5AqLpE4Jh-8The Cars - Drive (Official Music Video)You're watching the official music video for The Cars - "Drive" from the album 'Heartbeat City' (1984). "Drive" reached No. 3 on the Billboard Hot 100 and was The Cars' biggest international hit.Subscribe to the Rhino Channel! https://Rhino.lnk.to/YouTubeSubID Check Out Our Favorite Playlists:Classic Rock https://Rhino.lnk.to/YTClassicRockID80s Hits https://Rhino.lnk.to/YT80sHitsID80s Hard Rock https://Rhino.lnk.to/YT80sHardRockID80s Alternative https://Rhino.lnk.to/YT80sAlternativeID90s Hits https://Rhino.lnk.to/YT90sHitsIDStay connected with RHINO on...Facebook https://www.facebook.com/RHINO/Instagram https://www.instagram.com/rhino_recordsTwitter https://twitter.com/Rhino_Recordshttps://www.rhino.com/Thanks for listening! www.the80smontage.com
Brother David Schwarz is a veteran missionary to Costa Rica who has also served as the regional director for every country in the western hemisphere south of the Texas border! His advice to those seeking a successful career in the foreign mission field is to “Show up” and “Stay there.” Bro. Schwarz reflects on the practical ministry principles that allowed him to build credibility and gain influence among the national pastors and leaders on the mission field. This enabled the formation of a strong and healthy nationalized work.Bro. Schwarz also shares the current and future needs and opportunities for missionary work in Central America, the Caribbean, and soon to be formed, South America regions. For more information on these opportunities, please visit the links below: https://www.globalmissions.com/https://www.gmstm.net/As always, you can connect with our TMT team on Twitter or other platforms, through the links below:Nathan Harrod, @NathanHarrodRyan Paul, @ApostolicPaulsJoshua Tingley, @TingleyJoshua Sam Zenobia (Instagram) @snkzenobia
What's up, Browns fans! The Dawgs made their way to the first open training camp session on Friday, so we have some first-hand accounts on what we saw (and didn't see) on Friday afternoon in Berea. Also, some HUGE contract news dropped on Saturday about Nick Chubb. The Pro Bowl running back will be in Cleveland for a while! It feels so good to finally have our team out on the field. Training camp was a blast, and seeing the players up close and personal gave us some great insight as the preseason kicks off. We go position by position and break down what we saw, which players stood out, and our speculation about the roster moving forward. Also, Nick Chubb signed his 3-year, $36.6M contract on Saturday, locking up arguably (or definitely?) the best running back in the league for the next three seasons. Chubb is just entering his prime, and this contract couldn't be more team-friendly, which is another slam dunk signing for Andrew Berry and the Browns front office. Football is back, folks, and it's about time! ▬ Contents of this video ▬▬▬▬▬▬▬▬▬▬ 0:00 - Intro 0:30 - Hometown kid Hunter Armstrong wins gold at Tokyo Olympics 4:20 - Browns sign Nick Chubb to 3-year deal 9:16 - Comparing other big RB contracts and results (Gurley, Bell, Johnson) 16:52 - Nick Chubb compared to Jim Brown 19:53 - Salary cap analysis 24:50 - Our reactions from training camp 25:13 - Wide receivers 31:05 - Running backs 33:35 - Defensive backs 35:43 - Linebackers 39:17 - Defensive line 44:07 - Tight ends 50:06 - Final thoughts from camp Head over to our NEW website at https://www.thedawgspodcast.com/ (https://www.thedawgspodcast.com) and send us a voicemail with your thoughts or record an intro for an upcoming episode. Go to https://www.thedawgspodcast.com/schedule (https://www.thedawgspodcast.com/schedule) to submit your predictions for each of the Browns 17 games. We'll reveal the results during camp this summer when we do our in-depth game-by-game breakdown of the schedule and make our final preseason predictions. JOIN THE DAWGS PODCAST COMMUNITY! Make sure to follow The Dawgs Podcast on Facebook, Twitter, Instagram, and YouTube. - Twitter: https://www.twitter.com/thedawgspodcast (https://www.twitter.com/thedawgspodcast) - Facebook: https://www.facebook.com/thedawgspodcast (https://www.facebook.com/thedawgspodcast) - Instagram: https://www.instagram.com/thedawgspodcast (https://www.instagram.com/thedawgspodcast) - TikTok: https://www.tiktok.com/thedawgspodcast (https://www.tiktok.com/thedawgspodcast) Become an OFFICIAL Dawg Pack member at http://www.jointhedawgs.com/ (http://www.jointhedawgs.com) Make sure you subscribe on YouTube so you never miss a new release! https://my.captivate.fm/www.youtube.com/TheDawgsPodcast (www.youtube.com/TheDawgsPodcast) #clevelandbrowns #nfl
Mr. X joins me to catch up after a long hiatus from the CzabeCast. We talk about the boat he bought without telling Mrs. X, the Kelly in Vegas cancellation, MLB's stickum controversy and just how bad it is, plus a lot more. Also, we're now giving people weed, for a jab. Super.Advertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy
#92 - w/Heidi Van Tassell. Wicked good phone call with Cousin Dave. Welcome Darren Nelson to the crew! Puppies. Fat camp. Horrible foods. Stickin' donkeys. Sex techniques. Racist movie star (allegedly). --- Support this podcast: https://anchor.fm/rareformradio/support
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