Podcasts about Paul Francis Webster

Our guitarist Danny Cox paints pictures with his sound. He has a positively uncanny capacity for discovering ways to bring out the colors and textures in all kinds of melodies and to plant stories in the minds of everyone who hears.Just listen to his treatment of this rich old Sonny Burke composition, finding all kinds of new magic and nuance in this poignant melody.About the SongAs reported earlier, “Black Coffee,” written in 1948, spent the first decade of its life as a darling of vocalists. Recording it, for instance, revamped the careers of both Sarah Vaughan and Peggy Lee as their fans grooved on Paul Francis Webster's sparse, evocative lyrics.But composer Burke knew the potential of his melody as well; he himself performed it on alto sax in 1948. However, about decade passed before the song started getting serious attention as a jazz instrumental. That's because it was just what a young Ray Charles was looking for.While Brother Ray rarely singled out “Black Coffee” in interviews, he spoke extensively about the artistic philosophy that informed his instrumental treatments during that era. His decision to record “Black Coffee” instrumentally for The Great Ray Charles album was a deliberate effort to be recognized as a serious jazz musician, not just an R&B star on the radio.For that project, his second studio album, Charles avoided his signature vocal style in order to highlight his piano blues with all those Art Tatum-influenced flourishes. For the “Black Coffee” session (April 30, 1956), he deviated from his usual big-band horn arrangements and stripped the performance down to a trio. He was joined on the date by Oscar Pettiford on bass and Joe Harris on drums.Later in his autobiography, Brother Ray, he noted that these sessions allowed him to explore the chord structures of this fundamental jazz standard.Other RenditionsAfter Ray Charles's performance, other artists took “Black Coffee” on instrumental outings, such as Bobby Scott (1959), Earl Hines (1964) and Earl Grant (1968).Meanwhile, a wide and wildly varied group of singers also have served up “Black Coffee” in the 70 years since its introduction, from Canned Heat (on its 2003 Friends in the Can album) to the Pointer Sisters on 1984's That's a Plenty album.k.d. lang's “darkly twangy” version from her 1988 album Shadowland is considered an essential track in her discography, bringing a new interpretation to the song.Women have been especially attracted to the song, from Petula Clark (1968), Sinead O'Connor (1992) and Rita Cooledge and Gladys Knight (both 1996) to Maria Muldaur (2002) and Marianne Faithful ( 2008).For more about the song's history, see our earlier Flood Watch article by clicking here.More from DannyMeanwhile, speaking of more renditions, would you like some more Danny Cox tunes for your Flood Friday? We gotcha covered. Visit our free Radio Floodango music streaming service and give the Danny Channel a listen.Click here to set the Danny playlist in motion. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

Hammer Time at the House of Franklin-Stein! Chris and Cindy discuss the 1966 film The Reptile! A mysterious black death plagues the residents of a small Cornish village. What kind of creature could be behind it, and who will save the day? Why, none other than Hammer's greatest supporting player, Michael Ripper! Then they slither to the comic crypt to check out Spider-Man's first encounter with Dr. Curt Connor's reptilian alter-ego, the Lizard from Amazing Spider-Man #6 by Stan Lee and Steve Ditko! Subscribe via iTunes. Or Spotify.. This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK Visit our WEBSITE: http://fireandwaterpodcast.com/ Please consider supporting us on Patreon: https://www.patreon.com/fwpodcasts Like our FACEBOOK page - https://www.facebook.com/FWPodcastNetwork Like our FACEBOOK page - https://www.facebook.com/supermatespodcast Use our HASHTAG online: #FWPodcasts Email us at supermatespodcast@gmail.com Clip credits: The Reptile (1966) directed by John Gilling Spider-Man (1967) animated series theme composed by Paul Francis Webster and Bob Harris, sung by the Billy Van Singers and the Laurie Bower Singers. Incidental music from Spider-Man (1967) by Ray Ellis “The House of Franklinstein” by Terry O'Malley, of Stop Calling Me Frank https://www.facebook.com/rockSCMF

¡Hombre Araña! ¡Hombre Araña! ¡Tu Amigable Vecino El Hombre Araña! Marvel Studios Animation recientemente lanzó la primera temporada de la nueva serie animada del arácnido, Your Friendly Neighborhood Spider-Man, que explora los comienzos de la carrera superheroica de Peter Parker en un universo que se parece un poco al MCU, pero que al final no es. En este programa hacemos la RE: seña de esta serie, que mezcla elementos modernos con inspiraciones visuales de los dos artistas más clásicos de Spidey, su co-creador Steve Ditko, y quien lo sucedió, John Romita padre. Después, ya que estábamos en la onda "inicios de Spidey", reseñamos varios comics viejos con comienzos del personaje. Empezamos por su debut en Amazing Fantasy #15 (por Steve Ditko y Stan Lee) y el primer número de su propia serie, Amazing Spider-Man, ambas de 1962 y del mismo equipo creativo (Steve Ditko y Stan Lee). Seguimos por los primeros dos números del primer volumen de Marvel Team-Up (1971/1972, por Roy Thomas, Gerry Comway, y Ross Andru), con un Spider-Man que ya tiene algunos años de actividad, pero haciendo sus primeras colaboraciones importantes con su amigo Human Torch. Para terminar, cubrimos los dos primeros números de Untold Tales of Spider-Man (1995, por Kurt Busiek y Pat Olliffe), una serie con historias retroactivamente ubicadas en los primeros años de actividad del trepamuros. Con música de The Math Club con Relaye y Melo Makes Music (sampleando a Paul Francis Webster y Bob Harris), Within The Ruins, y Weezer. Próximo programa: Tres comics rioplatenses, Tango Pulp / Nonfata / El Cronista.

Get caught in the web of Spider-Man and why Sony has produced so many Spider-Man movies in the last 2 decades. PatreonMerchTwitterInstagramPipedream podcastshttps://pipedreampodcasts.com/Clips used in this episode:Spider-Man (2002)Spider-Man 2 (2004)Spider-Man 3 (2007)The Amazing Spider-Man (2012)The Amazing Spider-Man 2 (2014)Spider-Man: Homecoming (2017)Spider-Man: Far from Home (2019)Spider-Man: No Way Home (2021)Spider-Man: Into the Spider-Verse (2018)Spider-Man: Across the Spider-Verse (2023)Black Widow (2021)Captain America: The Winter Soldier (2014)Freaks and Geeks (1999)Jake Gyllenhaal vs. Tobey Maguire Celebrity DeathmatchMs. Marvel (2022)Ultimate Spider-Man (2012)Venom (2018)"Spider-Man" by Paul Francis Webster and Bob HarrisCaptain America Civil War (2016)Superman IV: The Quest for Peace (1987)X-Men (2000)X-Men: The Animated Series (1992)Interstellar (2014)Avengers: Infinity War (2018)Music by Kevin MacLeod"Discovery Hit""Jazz Brunch""Miami Nights"This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5681427/advertisement

Get caught in the web of Spider-Man and why Sony has produced so many Spider-Man movies in the last 2 decades. PatreonMerchTwitterInstagramPipedream podcastsClips used in this episode:Spider-Man (2002)Spider-Man 2 (2004)Spider-Man 3 (2007)The Amazing Spider-Man (2012)The Amazing Spider-Man 2 (2014)Spider-Man: Homecoming (2017)Spider-Man: Far from Home (2019)Spider-Man: No Way Home (2021)Spider-Man: Into the Spider-Verse (2018)Spider-Man: Across the Spider-Verse (2023)Black Widow (2021)Captain America: The Winter Soldier (2014)Freaks and Geeks (1999)Jake Gyllenhaal vs. Tobey Maguire Celebrity DeathmatchMs. Marvel (2022)Ultimate Spider-Man (2012)Venom (2018)"Spider-Man" by Paul Francis Webster and Bob HarrisCaptain America Civil War (2016)Superman IV: The Quest for Peace (1987)X-Men (2000)X-Men: The Animated Series (1992)Interstellar (2014)Avengers: Infinity War (2018)Music by Kevin MacLeod"Discovery Hit""Jazz Brunch""Miami Nights"This show is part of the Spreaker Prime Network, if you are interested in advertising on this podcast, contact us at https://www.spreaker.com/show/5681427/advertisement

Miranda the Mermaid sings the classic Spider-Man Theme, as inspired by the incredible Michael Bublé. The song was composed by Paul Francis Webster and Bob Harris.

durée : 00:58:16 - « A Time for Love » musique Johnny Mandel & paroles Paul Francis Webster (1966) - par : Laurent Valero - "Ballade écrite pour le film de Robert Gist, An American Dream, signée Johnny Mandel compositeur, arrangeur, dans le monde du jazz et du cinéma, co-écrite avec le parolier Paul Francis Webster spécialisé dans le théâtre & le cinéma, qui remporta 3 fois l'Oscar de la meilleure chanson" Laurent Valero - réalisé par : Antoine Courtin

durée : 00:58:16 - « A Time for Love » musique Johnny Mandel & paroles Paul Francis Webster (1966) - par : Laurent Valero - "Ballade écrite pour le film de Robert Gist, An American Dream, signée Johnny Mandel compositeur, arrangeur, dans le monde du jazz et du cinéma, co-écrite avec le parolier Paul Francis Webster spécialisé dans le théâtre & le cinéma, qui remporta 3 fois l'Oscar de la meilleure chanson" Laurent Valero - réalisé par : Antoine Courtin

 Back in the days when we would ride on — and occasionally even got to perform on — the good ol' Delta Queen steamboat, it often meant a reunion with a dear friend, the boat's band leader, the legendary New Orleans cornetist Connie Jones.  We learned “Memphis in June” from Connie. On his album, it was an instrumental, but whenever we'd ask for it on board the boat, Connie would sing it. Here from a recent rehearsal is our take on the tune,  conjuring up memories of sunny days up in The Delta Queen's Texas Lounge, seeing Connie, eyes closed and grinning as he purred those sweet Paul Francis Webster lyrics. Here then, in memory of Connie Jones, is Hoagy's sweet love song to summer.

“Memphis in June” was written by Hoagy Carmichael and Paul Francis Webster for the 1945 George Raft movie “Johnny Angel.” Carmichael himself, playing a character named "Celestial O'Brien,” performed the tune in the film, then revisited it on several subsequent recordings.A Musicians' FavoriteWhile it isn't one of the better known Carmichael compositions, “Memphis in June” is a particular favorite among musicians, covered 40 times over the years in various genres and formats.For instance, 16 years after the movie, Nina Simone delivered perhaps the definitive version of the song. (Of course, almost any song Simone approached was definitively addressed). Simone's jazzy 1961 reading is tinged with a bluer quality that puts the emphasis on Memphis.A half century later, Annie Lennox brought a wonderful interpretation of the composition to her 2014 “Nostalgia” album, a reading full of warmth and feeling that some think are missing from Hoagy's 1945 original.Meanwhile, Bob Dylan gave a hearty shout-out to song on his 1985 “Empire Burlesque” album. Remember how Bob's song “Tight Connection To My Heart” drew this word picture?Well, they're not showing any lights tonightAnd there's no moon.There's just a hot-blooded singer Singing "Memphis in June.” Our Take on the TuneBack in the days when we would ride on — and occasionally even perform on — the good ol' Delta Queen steamboat, it often meant a reunion with a dear friend, the boat's band leader, legendary New Orleans cornetist Connie Jones. We learned “Memphis in June” from Connie. On his album, it was an instrumental, but whenever we'd ask for it on board the boat, Connie would sing it. From a recent rehearsal, this is The Flood's latest take on the tune, conjuring up memories of sunny days up in The Delta Queen's Texas Lounge, seeing Connie, eyes closed and grinning as he purred those sweet lyrics. Here then, in memory of Connie Jones, is Hoagy's love song to summer. This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit 1937flood.substack.com

1) The History of Weather Forecasting Part 1 - Jack van Brunschot and Marc Opie 2) Walk On - Deep Purple 3) I'm Ready - Willie Dixon 4) Iron Hand - Dire Straits 5) There from Spider Man - Bob Harris and Paul Francis Webster

1) War Tactics : Jack van Brunschot and Marc Opie 2) Pipe Line: The Ventures, 3) Bei Mir Bist Du Schoen (Performed by Janis Siegel) Jacob Jacobs, and Sholom Secunda, 4) Money (That's What I Want) (Performed by Barret):  Barry Gordy and Janie Bradford, 5) Ride on Josephine: George Thorogood and the Destroyers 6) The Theme from Spiderman: Bob Harris, Paul Francis Webster

Bad Viking Poetry Part 1 - Jack van Brunshot and Marc Opie Sonic Reducer - The Dead Boys Hound Doug - Elvis Presley Shakin' All Over - Johnny Kidd and the Pirates Sweet Home Chicago - Robert Johnson Doc's Guitar - Doc Watson Theme from Spiderman - Bob Harris and Paul Francis Webster

Cada 27 de abril se celebra el Día internacional del Diseño y saludamos a todos aquellos creativos que están en el mundo del emprendimiento, que ponen su talento a disposición de aquellos que buscan crecer con sus ideas. Por si no lo sabías el diseño puede ser gráfico, industrial, de experiencias, digital… ¡en fin! El diseño hoy está en todo. Déjame contarte una historia de un diseñador gráfico creativo ¿Conoces a Stanly Martin Lieber? Más conocido como Stan Lee, el genio que diseñó en los años 60 a superhéroes como Iron Man, X Men, Hulk, The Avengers, Thor y tantos más. Hoy te quiero contar la historia de cómo creó el hombre araña COmo empleado de la editorial que más tarde se conocería como Marvel, Stan Lee hizo un brief, un boceto, se lo presentó a la directiva de la editorial y rápidamente recibió tres razones por las cuales NO debía llevar a cabo esa loca idea de hacer un superhéroe - araña: Fobia generalizada de las personas a las arañas No existían hasta entonces superhéroes jóvenes Crear un adolescente acontecido no parecía algo sensato en tiempos en que se fraguaba una revolución impulsada justamente por los jóvenes. Stan Lee persistió, supo esperar un tiempo pero luego llevó a cabo su personaje y triunfó. ¿El principal aprendizaje que comparte en libros y videos de libre acceso a través de internet? "No importa lo que te diga un experto, un libro o un estudio siempre y cuando tengas certeza de que es algo importante: no lleves a cabo todas tus ideas, no cualquiera, sino aquella que te genera convicción. Lánzala. Deja que el mercado te diga que sí o que no" Escuchamos la canción creada por Paul Francis Webster y Bob Harris y que lleva por título "The Spider Man" **Y te invito a conocer mi trabajo en www.leomeyer.cl**

1) The Circus - Jack van Brunschot and Marc Opie 2) Chemical Warfare - The Dead Kennedys 3) The House of the Rising Sun - Nina Simone 4) Mood Indigo - Nina Simone 5) The Theme from Spiderman - Bob Harris and Paul Francis Webster

1) The Circus (Part 1) Jack van Brunschot and Marc Opie 2) Serenade - Steve Miller 3) St. James Infirmary - Louis Armstrong 4) Werewolves of London - Warren Zevon 5) Theme from Spiderman - Bob Harris and Paul Francis Webster

1)  Peaking and Peking Man J- ack van Brunschot and Marc Opie 2) One Way or Another - Blondie 3) Rockin' Pneumonia and the Boogie Woogie Flu - Shocking Blue 4) The Highway Song - Blackfoot 5) Halloween Store excerpt - Jack Van Brunschot and Marc Opie 6) Road Runner - The Vaughan Road Blue Band 7) Spider Man - J. Robert Harris and Paul Francis Webster

1) The History of Physics, Jack Van Brunshot and Marc Opie 2) Black Leather, Steve Jones 3) When the Levee Breaks, Kansas Joe McCoy, Memphis Minnie 4) She's Gone, Hound Dog Taylor 5) Give Me Back my Wig, Hound Dog Taylor 6) Spider Man, Bob Harris and Paul Francis Webster

 Back in the days when we would ride on — and occasionally even got to perform on — the good ol’ Delta Queen steamboat, it often meant a reunion with a dear friend, the boat’s band leader, the legendary New Orleans cornetist Connie Jones. We learned this song — an obscure Hoagy Carmichael composition — from Connie. On his album, it was an instrumental, but whenever we’d ask for it on board the boat, Connie would sing it. Now, The Flood’s only just begun learning this song — we started messing around with it a few weeks ago, so our arrangement is still evolving — but it’s already doing its magic, conjuring up memories of sunny days up in The Delta Queen’s Texas Lounge, seeing Connie, eyes closed and grinning as he purred those sweet Paul Francis Webster lyrics. Here then, in memory of Connie Jones in the week of what would have been his 87th birthday, is Hoagy Carmichael’s “Memphis in June.”

WEEKLY RELEASES: Amazing Spider-Man #54 by Nick Spencer & Mark Bagley King in Black: Namor #1 #1 by Kurt Buisek & Ben Dewey and Jonas Scharf King in Black: Immortal Hulk #1 by Al Ewing & Aaron Kuder Venom #31 by Donny Cates & Iban Coello Spider-Man #5 by JJ and Henry Abrams & Sara Pichelli King in Black: Symbiote Spider-Man #2 by Peter David & Greg Land King in Black: Black Cat #1 by Jed MacKay & CF Villa REPRINTS: NONE Social Media : @ScruffyMooseMan Join Webhead & Spider-Man Fanboy, Hunter van Lierop as he sits down to talk the Spider-Man monthly Comic Book releases! Check out Spectacular Spider-Cast every OTHER Saturday at 10am EST! Credits: "Spider-Man" is the theme song of the 1967 cartoon show Spider-Man, composed by Paul Francis Webster and Bob Harris.

WEEKLY RELEASES: Amazing Spider-Man #53.LR by Nick Spencer, Matthew Rosenberg & Federico Vicentini, Takeshi Miyazawa Atlantis Attacks #5 by Greg Pak & Ario Anidito Champions #3 by Eve Ewing & Bob Quinn King in Black #1 by Donny Cates & Ryan Stegman Miles Morales Spider-Man #21 by Saladin Ahmed & Marcelo Ferreira The Union #1 by Paul Grist & Andrea Di Vito REPRINTS: Champions #1 (2nd) True Believers - Iron Man/Doctor Doom #1 (Iron Man #149) True Believers - King in Black: Franklin Richards #1 (Fantastic Four #245) True Believers - King in Black: Black Cat #1 (Amazing Spider-Man #194) Marvel Tales Knull #1 (Venom #3-4, Web of Venom: Carnage Born #1, Venom #25) Social Media : @ScruffyMooseMan Join Webhead & Spider-Man Fanboy, Hunter van Lierop as he sits down to talk the Spider-Man monthly Comic Book releases! Check out Spectacular Spider-Cast every OTHER Saturday at 10am EST! Credits: "Spider-Man" is the theme song of the 1967 cartoon show Spider-Man, composed by Paul Francis Webster and Bob Harris.

News this week; Spider-Man Remastered & Miles Morales launched in PS4 & PS5, Spider-Man's new Disneyland Ride gets some information, Spider-Man 3 set leaks, a new Miles Morales Hot Toy detailed, 4 new LEGO sets got announced, Into the Spider-Verse character teasers, and a new Music Video for Miles Morales dropped. WEEKLY RELEASES: Amazing Spider-Man #53 by Nick Spencer & Mark Bagely Spider-Woman #6 by Karla Pacheco & Pere Perez Symbiote Spider-Man: King in Black #1 by Peter David & Greg Land Venom #30 by Donny Cates & Luke Ross REPRINTS: Marvel Voices #1 (Reprint/Expanded Edition) Miles Morales: Spider-Man #19 (2nd) Venom #27 (4th) True Believers: King in Black - Monsterworld #1 (Venom Super Special #1) True Believers: King in Black - Thunderbolts #1 (Incredible Hulk #449) Social Media : @ScruffyMooseMan Join Webhead & Spider-Man Fanboy, Hunter van Lierop as he sits down to talk Spider-Man Comic Book, TV Show, Movie and Video Game news bi-weekly as well as cover the monthly Comic Book releases! Check out Spectacular Spider-Cast every OTHER Saturday at 10am EST! Credits: "Spider-Man" is the theme song of the 1967 cartoon show Spider-Man, composed by Paul Francis Webster and Bob Harris.

Join Webhead & Spider-Man Fanboy, Hunter van Lierop as he sits down to talk Spider-Man Comic Book, TV Show, Movie and Video Game news bi-weekly as well as cover the monthly Comic Book releases! Check out Spectacular Spider-Cast every OTHER Saturday at 10am EST! Credits: "Spider-Man" is the theme song of the 1967 cartoon show Spider-Man, composed by Paul Francis Webster and Bob Harris.

“Classic-Pop Standards” is a one-hour program inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. Danny Lane brings new life to the Great American Songbook on “Classic-Pop Standards”. In this episode, you’ll hear: 1) Swingin' Down The Lane [Excerpt] by Les Brown / Isham Jones (music) & Gus Kahn (lyrics) [1923] 2) Let's Get Away From It All by Della Reese / Matt Dennis (music) / lyrics by Tom Adair (lyrics) [1941] 3) Nobody Else But Me by Tony Bennett / Jerome Kern (music)/Oscar Hammerstein II (lyrics) [1946] 4) Some Cats Know by Peggy Lee / Jerry Leiber & Mike Stoller [1968] 5) Fever by Ray Charles & Natalie Cole / Eddie Cooley & John Davenport [1956] 6) Bounce Me Brother (With a Solid Four) by Ann Hampton Callaway / Don Raye and Hughie Prince (music & lyrics) [1941] 7) Someone To Watch Over Me by Rod Stewart / George Gershwin (music) & Ira Gershwin (lyrics) [1926] 8) It's Love by Lena Horne / Betty Comden and Adolph Green (lyrics) & Leonard Bernstein (music) [1953] 9) When October Goes by Barry Manilow / Barry Manilow (music) & Johnny Mercer (lyrics) [1984] 10) The Shadow of Your Smile by Nancy Wilson / Johnny Mandel (music) & Paul Francis Webster (lyrics) [1965] 11) I'm The Big Band Singer by Rosemary Clooney / Merv Griffin (words & music) 12) To Make You Feel My Love by Kurt Darren / Bob Dylan [1997] 13) I Got Rhythm by Bill Elliott Swing Orchestra (Wendi Williams, vocal) / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 14) Almost Like Being In Love by Vic Damone / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1947] 15) Someone Like You by Linda Eder / Frank Wildhorn (music) & Frank Wildhorn, Leslie Bricusse and Steve Cuden (lyrics) [1990] 16) There Ain't Nobody Else by Bert Stratton / Bert Stratton [2002] 17) All I Ask Of You by Shirley Bassey / Andrew Lloyd Webber (Music) Charles Hart (Lyrics) [1984] 18) They Can't Take That Away From Me by Perry Como / George Gershwin (music)/Ira Gershwin (lyrics) [1937] 19) Good Morning Heartache by Diana Ross / Dan Fisher, Irene Higginbotham, and Ervin Drake [1946] 20) Alaskan Nights by David Schwartz / David Schwartz [1992]

“Classic-Pop Standards” is inspired by the Great American Songbook. This series of podcasts features the singers, the lyricists, and the composers of the music we call “American Standards.” Come along with us as we honor the great songwriters by never forgetting their music. These are songs with not only a history, but with a future; Songs born along Tin Pan Alley, on 42nd Street, at the Brill building, and down Broadway. We bring new life to the Great American Songbook on “Classic-Pop Standards”. ***** In this episode, you’ll hear: 1) Oh, Lady Be Good [Excerpt] by Benny Goodman Quintet / George Gershwin (music) & Ira Gershwin (lyrics) [1924] 2) I Got Rhythm by Bobby Darin / George Gershwin (music) & Ira Gershwin (lyrics) [1930] 3) September In The Rain by Dinah Washington / Harry Warren (music) & Al Dubin (lyrics) [1937] 4) I Can't Give You Anything But Love by Mel Tormé / Jimmy McHugh (music) & Dorothy Fields (lyrics) [1928] 5) Lover, Come Back To Me by Barbra Streisand / Sigmund Romberg (music) & Oscar Hammerstein II (lyrics) [1928] 6) I Get A Kick Out Of You by Frank Sinatra / Cole Porter (music & lyrics) [1934] 7) Blues In The Night by Eva Cassidy / Johnny Mercer (words) & Harold Arlen (music) [1941] 8) Thank Heaven for Little Girls by Maurice Chevalier / Alan Jay Lerner (lyrics) & Frederick Loewe (music) [1957] 9) It's De-Lovely by Ella Fitzgerald / Cole Porter (music & lyrics) [1936] 10) Once In Love With Amy by Dean Martin / Frank Loesser (music & lyrics) [1948] 11) Without A Memory by Judy Garland / Bob Hilliard (lyricist) & Milton De Lugg (composer) 12) Lulu's Back in Town by Dick Haymes / Al Dubin (lyrics) and Harry Warren (music) [1935] 13) My Heart Belongs To Daddy by Eartha Kitt / Cole Porter [1938] 14) A Foggy Day (In London Town) by Michael Bublé / George Gershwin (music) & Ira Gershwin (lyrics) [1937] 15) I've Got the World On a String by Julie Budd / Harold Arlen (music) & Ted Koehler (lyrics) [1932] 16) My One And Only Love by Louis Armstrong / Guy Wood (music) & Robert Mellin (lyrics) [1952] 17) I Got It Bad (And That Ain't Good) by Carly Simon / Duke Ellington (music) & Paul Francis Webster (lyrics) [1941] 18) Come To Me, Bend To Me by Andy Williams / Alan Jay Lerner (lyrics) & Frederick Loewe (music) 19) Spring, Spring, Spring by JaLaLa / Johnny Mercer (lyrics) & Gene dePaul and Saul Chaplin (music) [1954] 20) Bewitched, Bothered & Bewildered by Frank Sinatra & Patti LaBelle / Richard Rodgers (music) & Lorenz Hart (lyrics) [1940] 21) I've Got My Love To Keep Me Warm by Les Brown / Irving Berlin (music & lyrics) [1937]

Songs of Love and Pontoon Boats(all songs written by C. McCabe except *written by Paul Francis Webster and Robert “Bob” Harris)1. Pontoon Boat2. No Happily Ever After For Me3. Spider Man Theme Song*4. I’ve Got My Mind on You5. Love Makes You Stupid

Songs of Love and Pontoon Boats(all songs written by C. McCabe except *written by Paul Francis Webster and Robert “Bob” Harris)1. Pontoon Boat2. No Happily Ever After For Me3. Spider Man Theme Song*4. I’ve Got My Mind on You5. Love Makes You Stupid

Back in the 70's, Stan Lee pushed for a Spider-Man movie, and nearly got his wish fulfilled when it was giving to the sci-fi master at the time James Cameron. Redbubble Clips and music used in this episode: Aliens (1986) Batman & Robin (1997) Spider-Man (2002) Spider-Man 2 (2004) Spider-Man 3 (2007) Batman (1989) Cannon Films Logo Terminator 2: Judgment Day (1991) Eight Legged Freaks (2002) Full Metal Jacket (1987) Hook (1991) Top Gun (1986) Italian Spiderman 1998 Academy Award Show Spider-Man (1978-Japanese) Thor Ragnorok (Bonus Features) The Amazing Spider-Man 2 (2014) Harry Potter and the Sorcerer's Stone (2001) The Tonight Show with Jimmy Fallon feat. Michael Keaton Office Space (1999) Spider-Man PS4 Pecker (1998) Rambo First Blood Part 2 (1985) Sound of Music (1965) Spider-Man TV Show (1994) Spider-Man Strikes Back (1978) Spider-Man The Dragon' Challenge (1979) Spider-Man theme song by Paul Francis Webster and Robert "Bob" Harris Back to the Future (1985) Titanic (1997) Music by Kevin MacLeod "Discovery Hit" "Jazz Brunch" "Miami Nights"

PROG.Nº 664.- Dos horas para el análisis y repaso a la historia y actualidad que generan esta música americana . Todo en el tono que acostumbra este programa, en dos secciones JAZZ ANIVERSARIO y JAZZ ACTUALIDAD importantes novedades y diferentes canales de comunicación que se ofrecerán al oyente. STANDARD SEMANAL.- “NIGHT IN TUNISIA” (Sarah Vaughan-Dizzy Gillespie-Sonny Rollins) • JAZZ RECUERDO ANIVERSARIO.- Kai Winding - The Incredible Kai Winding Trombones (1960) • es un álbum del trombonista de jazz estadounidense Kai Winding que presenta actuaciones grabadas en 1960 para el Impulse! etiqueta. • La reseña de Allmusic de Scott Yanow le otorgó al álbum 4 estrellas y lo llamó "Buena música directa, obviamente, más disfrutada por los oyentes a quienes les gusta el sonido de los trombones". Track listing[edit] 1. "Speak Low" (Ogden Nash, Kurt Weill) — 4:08 2. "Lil Darlin'" (Neil Hefti) — 4:07 3. "Doodlin'" (Horace Silver) — 3:36 4. "Love Walked In" (George Gershwin, Ira Gershwin) — 2:56 5. "Mangos" (Dee Libby, Sid Wayne) — 3:46 6. "Impulse" (Kai Winding) — 3:14 7. "Black Coffee" (Sonny Burke, Paul Francis Webster) — 4:09 8. "Bye Bye Blackbird" (Mort Dixon, Ray Henderson) — 4:02 9. "Michie" (Slow) (Winding) — 3:05 10. "Michie" (Fast) (Winding) — 3:48 • Recorded at Rudy Van Gelder Studio in Englewood Cliffs, New Jersey on November 17, 1960 (tracks 6 & 9), November 21, 1960 (tracks 1, 4 & 5), November 23, 1960 (tracks 2 & 3) and December 13, 1960 (tracks 7, 8 & 10) Personnel[edit] • Kai Winding — trombone • Jimmy Knepper (tracks 7, 8 & 10), Johnny Messner (tracks 1-5), Ephie Resnick (tracks 6 & 9) — trombone • Paul Faulise, Dick Lieb (tracks 7, 8 & 10), Tony Studd (tracks 1-6 & 9) — bass trombone • Bill Evans (tracks 7, 8 & 10), Ross Tompkins (tracks 1-6 & 9) — piano • Ray Starling (tracks 1 & 2) — mellophone • Bob Cranshaw (tracks 1-6 & 9), Ron Carter (tracks 7, 8 & 10) — bass • Al Beldini (tracks 1-6 & 9), Sticks Evans (tracks 7, 8 & 10) — drums • Olatunji - congas (tracks 1 & 5) Kai Winding fue un trombonista estadounidense de jazz de origen danés. Nacido en Dinamarca, la familia de Kai Winding emigró a Estados Unidos en 1934, cuando el músico contaba sólo con 12 años. Tras su paso por las orquestas de Alvino Rey y Sonny Dunham, Winding ingresa en una banda militar y permanece allí durante tres años. En 1946 entra en la orquesta de Benny Goodman, pero su salto a la fama tiene lugar poco más tarde, cuando ingresa en la orquesta de Stan Kenton. Allí, su estilo y sonido son imitados por otros músicos de la orquesta, lo que eventualmente daría lugar a un cambio en el sonido de la orquesta misma. A finales de la década de 1940 Winding participa en sesiones con músicos bebop, toca con Tadd Cameron y toma parte en las grabaciones del noneto de Miles Davis que darían lugar al surgimiento del cool jazz. Tras ello, Winding trabaja con Charlie Ventura y Buddy Steart, y finalmente forma un quinteto con el gran trombonista J. J. Johnson que efectuaría diversas grabaciones para vario sellos discográficos de 1954 a 1956, período durante el cual el sonido de ambos trombonistas es indistinguible. La banda pasa a la historia del jazz por la calidad de su propuesta, pero tras 1956 las reuniones de Winding y Johnson tendrían lugar ya sólo esporádicamente.12 Desde finales de la década de 1950, Winding lidera intermitentemente un septeto con cuatro trombones, y ya en la década de 1960 se convierte en el director musical de los Playboy Clubs en Nueva York. En la década de 1970 forma parte de Giants of Jazz, una All-Stars Band que contaba con la participación de figuras de la talla de Dizzy Gillespie, Sonny Stitt, Thelonious Monk o Art Blakey; sus trabajos se van haciendo cada vez más esporádicos y el músico establece su segunda residencia en España. Kai Winding pasó los últimos años de su vida en Nueva York, retirado de la actividad musical.12 Una de las más grandes figuras de la era del bebop, la figura de Kai Winding siempre estuvo en cierta forma ensombrecida por la del gigante J. J. Johnson, con quien lideró uno de los grupos más populares de la década de 1950.1 Kai Winding ayudó a Johnson a establecer el fraseo bebop en su instrumento, con una claridad de sonido y una velocidad de ejecución impensables pocos años antes y la asociación de ambos hombres ha pasado a la historia como uno de los episodios más importantes de la historia reciente del instrumento.3 JAZZ ACTUALIDAD .- Esta semana tendremos a MICHEL OLIVERA-OASIS Michael Olivera es uno de los bateristas mas importantes de la escena musical cubana y española, desde su llegada a la ciudad europea de Madrid hace 6 años, ha tocado en los festivales de jazz mas importantes como Jazz a Vienne, Marciac, North Sea Jazz, Montroux Jazz Festival, Montreal Jazz Fest, Blue Note NY, junto a artistas de la talla de Alfredo Rodriguez ” Tocororo ” co-arreglista (Alfredo forma parte del ” Quincy Jones Artist ” ), Javier Colina, Sting, Esperanza Spalding, Tomatico, Perico Sambeat, Miryam Latrece y muchos otros. Después de una larga carrera como baterista y productor y participando en más de 40 discos, Michael Olivera decide en 2016 realizar su primer trabajo como bandleader, el cual está titulado ” Ashé “, y un año nos regala esta segunda producion “Oasis” una continuacion del primer album un viaje por Cuba-Brazil-Africa… los dejo con la presentacion del album por el propio Olivera, la placa esta disponible en todas las plataformas.

New year, new decade, old Spidey, baby! That's right, Lewis and Nick kick off 2020 by revisiting "Spider-Man 3" (2007), a wonderful, heartfelt depiction of the beloved Marvel Comics icon that is objectively more faithful than the MCU's Spider-Tech Intern. A sprinkle of some messy Twitter drama adds a spicy note to the full body of this hearty review. Excelsior! Our Patreon: www.patreon.com/pro_con Music- "when the struggle itself becomes identified with a series of defeats" by 红山郡 (hongshanjun.bandcamp.com/album/-) "Spider-Man" (theme song from the 1967 cartoon)composed by Paul Francis Webster and Robert Harris

It's the grand finale for Spidey Month! And with that, join host Aeric Azana for our VERY FIRST "Geeksplained Spotlight" - where we look back on one of the greatest comics featuring our friendly neighborhood webslinger: Spider-Man Blue! Also featuring our Weekly Review, this weeks Comics Countdown and more! Connect with us! IG & Twitter - @GeeksplainedPod Email - geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Spider-Man Theme" by Paul Francis Webster and Bob Harris "Space Lion" by The Seatbelts "Swamp Thing Theme" by Brian Tyler "Love" by Bensound

Spider-Man: Far From Home has officially hit theatres everywhere! Join host Aeric Azana on a SPOILER-FILLED review through every twist and turn in this globe-trotting adventure. Plus, our Weekly Review, Comics Countdown, and two HUGE announcements! DanikaXIX Shop link: https://danikaxix.shop/collections/frontpage/products/optics-longsleeve-polo-glasses-bundle Give us a follow and tweet who YOUR favorite X-Man(or X-Woman) is and WHY! Make sure you use the hashtag #DanikaXIX to enter our giveaway! Connect with us! IG & Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Sayonara" by SAKEROCK "Spider-Man (1967)" by Paul Francis Webster & Bob Harris "Spider-Man (1994)" by Joe Perry "Kakero! Spider-Man" by Michiake Watanabe & Yuki Hide "Spectacular Spider-Man" by The Tender Box "Spider-Man Theme" by Benjamin Squires "Swamp Thing Theme" by Brian Tyler "Vacation" by The Go-Gos

In this SPOILER FREE mini movie review episode, Xan reviews the latest live action version of Spider-man? Sit back and enjoy as our host reviews the 23rd film in the Marvel Cinematic Universe "Spider-Man: Far From Home" directed by Jon Watts and starring Tom Holland alongside Samuel L. Jackson, Zendaya, Cobie Smulders, Jon Favreau, J. B. Smoove, Jacob Batalon, Martin Starr, Marisa Tomei, and Jake Gyllenhaal.     ----more---- As with our other mini reviews, this is not an official review, and our Host talks about the overall perfomance from Tom Holland and Jake Gyllenhaal. Xan keeps the spoilers to a minimum, but he does speak a little bit about Spider-man Homecoming. If you would like to hear a spoiler filled review of this movie, stay tuned. Please send us any comments concerns and ideas on how to make this podcast better. Let us know so we can do something about it. Rate us on iTunes, check out the facebook fangroup Spiraken Movie Review, purchase some stuff from our amazon store in order to fund this podcast and finally, listen to the primary podcast, The Spiraken Manga Review. Hope you enjoy the episode. Music Used in the Episode: Ending Theme- Main Theme by Paul Francis Webster and Robert "Bob" Harris (Spider-Man Tv Show 1960s OST), Main Theme  by Michael Giacchino (Spider-Man Far From Home OST) Our Website http://www.spiraken.com Our tumblr http://spiraken.tumblr.com/ Our Instagram  https://www.instagram.com/spiraken/Our Email Spiraken@gmail.com Xan's Email xan@spiraken.com Our Twitter Spiraken Xboxlive Gamertag Xan Spiraken Our Amazon Store http://www.amazon.com/shops/spiraken Random Question of the Day: Was This your favorite Spider-Man Movie?

In PART 2 of Episode 50 the gang discusses some more current news topics such as Robert Pattinson being cast as the new BATMAN. The gang analyzes John Wick: Chapter 3 -  Parabellum.  Nick pays tribute to Doris Day and Grumpy Cat. Movies Spoiled: John Wick: Chapter 3 - Parabellum (2019)  Music Used: Assault on the Tower written by Michael Kamen for Die Hard Motion Picture Soundtrack, Windy City performed by Doris Day and written by Paul Francis Webster and Sammy Fain for Calamity Jane motion picture soundtrack, Que Sera, Sera (Whatever Will Be) performed by Doris Day, written by Jay Livingston and Ray Evans for The Man Who Knew Too Much soundtrack

Today's Reel Change concludes our delightful dive into the history of the Movie Musical. We continue our travel backwards in time, as we step song by song down memory lane. We hope today's selections (by no means intended as an exhaustive 'greatest of' list) spark joy in the way only great movie musicals can.Join us and be prepared - you may find yourself suddenly and uncontrollably bursting into song.[Note: This 2-part podcast focuses on songs from live-action Movie Musicals. A future Reel Change will cover the wonderful tradition of music from Animated Musicals].Listen to Reel Change: The Movie Musical (Part II)  Today's Selections:Little Shop of Horrors “Little Shop of Horrors” (music: Alan Menken, lyrics: Howard Ashman)Annie“Maybe” (music: Charles Strouse, lyrics: Martin Charnin)Grease“You’re the One that I Want” (John Farrar)Willy Wonka & the Chocolate Factory“Pure Imagination” (Leslie Bricusse / Anthony Newley)Hello Dolly“It Only Takes a Moment” (Jerry Herman)The Sound of Music“The Sound of Music” (music: Richard Rodgers, lyrics: Oscar Hammerstein)Mary Poppins“A Spoonful of Sugar” (Richard Sherman / Robert Sherman)The Music Man“Marian the Librarian” (Meredith Wilson)West Side Story“Something’s Coming” (music: Leonard Bernstein, lyrics: Stephen Sondheim)Carousel“If I Loved You” (music: Richard Rodgers, lyrics: Oscar Hammerstein)Calamity Jane“The Deadwood Stage” (music: Sammy Fain, lyrics: Paul Francis Webster)Singin' in the Rain“Singin' in the Rain” (music: Nacio Herb Brown, lyrics: Arthur Freed)Annie Get Your Gun“They Say It's Wonderful” (Irving Berlin)Meet Me in St. Louis“The Boy Next Door” (Hugh Martin / Ralph Blane)■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

‘Rockhistorier’ forkæler  lytterne med en klynge forgyldte evergreens, skrevet af folk som Cole Porter, Gershwin-brødrene og Irving Berlin, sunget af mesteren selv.Frank Sinatras karriere falder i flere stadier. Efter en periode som refrænsanger i Tommy Dorseys orkester udløste det Sinatramania, at han gik solo i 1942, hvor han blev det store idol for datidens bobby soxers. I starten af 1950’erne faldt populariteten betragteligt, og de færreste fattede, at Capitol Records gad skrive kontrakt med ham i 1953, hvor Columbia Records droppede ham. Men samme år revitaliserede hans rolle i filmen ”Herfra til evigheden” karrieren, og han gik ind i dens kunstnerisk mest frugtbare fase.Frem til 1962 indspillede han 15 mesterlige lp’er for Capitol, heraf over halvdelen i selskab med den kongeniale arrangør og orkesterleder Nelson Riddle, resten med folk som Gordon Jenkins, Billy May og Axel Stordahl. Hvert album slog en tone an, som forfulgtes hele vejen igennem, og i processen skabtes konceptpladen. Sinatra vekslede ligeligt mellem swing-tunes og torch-songs, to genrer, han ubesværet mestrede og resultatet blev det måske fineste og mest slidstærke underholdningsmusik, der nogensinde er blevet indspillet på magnetbånd.Playliste: I Get a Kick Out of You (Cole Porter) (1954) A Foggy Day (George & Ira Gershwin) (1954) Just One of Those Things (Cole Porter) (1954) Get Happy (Harold Arlen, Ted Koehler) (1954) In the Wee Small Hours of the Morning (David Mann, Bob Hilliard) (1955) It Never Entered My Mind (Richard Rodgers, Lorenz Hart) (1955) I’ve Got You under My Skin (Cole Porter) (1956) Old Devil Moon (Burton Lane, E.Y. ”Yip” Harburg (1956) Don’t Like Goodbyes (Harold Arlen, Truman Capote) (1957) I Got It Bad (And That Ain’t Good) (Duke Ellington, Paul Francis Webster) (1957) Autumn Leaves (Jacques Prévert, Johnny Mercer, Joseph Kosma) (1957) Lonely Town (Leonard Bernstein, Betty Comden, Adolph Green) (1957) Come Fly with Me (Sammy Cahn, Jimmy Van Heusen) (1958) Only the Lonely (Sammy Cahn, Jimmy Van Heusen) (1958) One for My Baby (And One More for the Road) (Harold Arlen, Johnny Mercer) (1958) Something’s Gotta Give (Johnny Mercer) (1959) Here’s That Rainy Day (Johnny Burke, Jimmy Van Heusen) (1959) How Deep Is the Ocean (Irving Berlin) (1960) On the Sunny Side of the Street (Jimmy McHugh, Dorothy Fields) (1961) September Song (Kurt Weill, Maxwell Anderson) (1962)Glædelig jul og godt nytår fra ‘Rockhistorier', vi er tilbage tirsdag d. 8.1.2019.

Its the FINAL episode of 2018! Join host Aeric Azana on this SPOILER-FILLED review of the newest animated comic book film "Spider-Man: Into the Spider-Verse" - one of the BEST films of the entire year! And stick around after the review for this week's "Comics Countdown"! NOTE: We will be taking a 2-week break for Christmas, and will reconvene in the first week of January with "Kingdom Hearts: Dream Drop Distance". Have a Merry Christmas and a Happy New Year! FOLLOW US! Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Spider-Man (1967)" by Paul Francis Webster & Bob Harris "Home" by Vince Staples "Sunflower" by Post Malone feat. Swae Lee

Spiraken Movie Review Podcast has Been Rebranded to The SPIRAKEN MOTION PICTURE REVIEW PODCAST, so Let's Start it off right shall we. Xan and Gretta review the latest Marvel Animated film, this one based off of the Ultimate Spider-man known as Miles Morales and the Spider-man Mega Series "Spiderverse" . So  enjoy as our hosts review "Spider-man: Into The Spider-verse" directed by Bob Persichetti Peter Ramsey & Rodney Rothman. It is starring Shameik Moore as Morales, alongside Jake Johnson, Hailee Steinfeld, Mahershala Ali, Brian Tyree Henry, Lily Tomlin, Luna Lauren Velez, Zoë Kravitz, John Mulaney, Kimiko Glenn, Nicolas Cage, Kathryn Hahn, and Liev Schreiber.     ----more---- Besides going over the origins of Miles Morales, and the various other Spider-men, Our hosts talk about how right this film feels and ponder if it truly is the best spider-man movie. what do you think?  also who pointed first   Please send us any comments concerns and ideas on how to make this podcast better. Let us know so we can do something about it. Rate us on iTunes, check out the facebook fangroup Spiraken Movie Review, purchase some stuff from our amazon store in order to fund this podcast and finally, listen to the primary podcast, The Spiraken Manga Review. Hope you enjoy the episode. Music Used in the Episode: Opening Theme- Spiderman theme by Paul Francis Webster and Robert "Bob" Harris. (Spider-man 1967 OST), What's Up Danger- Blackway & Black Caviar (Spider-man: Into The Spider-verse OST) Our Website http://www.spiraken.com Our tumblr http://spiraken.tumblr.com/ Our Instagram  https://www.instagram.com/spiraken/Our Email Spiraken@gmail.com Xan's Email xan@spiraken.com Our Twitter Spiraken Xboxlive Gamertag Xan Spiraken Our Amazon Store http://www.amazon.com/shops/spiraken Random Question of the Day: What Spider-man would you want to see in the sequel?

This week we celebrate the life and "marvels" of Stan Lee.  Produced by Colin Gomez. Credits:  1. Spiderman Theme (with lyrics) Performed by Michael BubleComposed by Paul Francis Webster and Robert "Bob" HarrisProduced by David Foster and Humberto Gatica Label: 143 Records, Reprise 2. Marvel Studios FanfareComposed and conducted by Michael Giacchino Label: marvel Entertainment 

This is a big one. We've officially hit TWENTY-FIVE episodes of this podcast! And how do we celebrate this, you ask? By debuting a NEW segment called "Pitch It!" where host Aeric Azana will be pitching you his version of a standalone Spider-Man film. So join us as we celebrate 25 episodes of Geeksplained with web-slinging, wall-crawling and doing whatever else a spider can! And of course stay tuned til the end for "This Week in Comics"! FOLLOW US! Twitter - @GeeksplainedPod Email - Geeksplained@gmail.com Music Sampled: "Spider-Man (1967)" by Paul Francis Webster & Bob Harris "Spider-Man (1994)" by Joe Perry "Kakero! Spider-Man" by Michiake Watanabe & Yuki Hide "Spectacular Spider-Man" by The Tender Box "The Middle" by Jimmy Eat World "Drive that Funk Soul" by James Brown

Look out, Save Roommates--it's your Neighborhood Spidercast! That's right, this week we're going all in for Save Room Reviews and reviewing Marvel's Spider-Man for the Playstation 4. This is a game that we've been looking forward to playing for years now and we can easily say that within minutes of controlling Spider-Man, this game was well worth the wait. If you're new around here, you should know that our review episodes have a different flow to them (that is to say, almost no coherent flow). We open the episode with some overview and our impressions of the game, but as this episode implies--this is a spoiler cast. The majority of this episode is very spoiler heavy. We make a distinction for what's spoiler-free and what isn't, so if you have not beat the game: web up your ears and do yourself a favor by finishing the story first. When you're all caught up this episode (and our impromptu Spider-Man movie podcast within the podcast) will be awaiting you. We hope you enjoy this episode as much as we enjoyed recording it. As it stands, Marvel's Spider-Man is the most fun we've had with a game all year and easily the best Spider-Man game of all time. Spoilers or not, we think you'll agree that it is a standout title. ------------------------------------------ -Marvel's Spider-Man "Main Theme" by John Paesano, courtesy of Paesano, SIE, and Marvel. -1967 Spider-Man Theme by Paul Francis Webster and Robert Harris, courtesy if Webster, Harris, and RCA Studios. ----------------------------------------

Notre épisode 55 était consacré au Spider-Man de Marc Webb, mais les lois du business sont ce qu'elles sont et Sony a décidé de rebooter une nouvelle fois le personnage en l'intégrant cette fois au Marvel Cinematic Universe, sous la direction de Jon Watts dans un nouveau film justement intitulé Homecoming.Dans la première partie de l'émission, Jérôme et Julien évoquent les conséquences du désastre de la saga The Amazing Spider-Man et les coulisses de l'accord économique qui lie désormais Sony et Marvel Studios avant de livrer leur avis sans spoiler sur Homecoming, et comme d'habitude, lorsque le signal sonore retentit au bout de 0h56m45 d'émission, ils reviennent sur toutes les scènes principales du film pour livrer leurs avis et analyses, sans oublier les références cachées et anecdotes liées.Bonne écoute, et n'hésitez pas à nous dire ce que vous pensez du lissage du personnage par Sony et Marvel Studios !Crédits musicaux : Theme From Spider Man (Original Television Series - Composed by Paul Francis Webster and Robert "Bob" Harris) de Michael Giacchino, issu de l'album Spider-Man: Homecoming - Original Motion Picture Soundtrack (2017), et Spider-Man des Ramones, issu de l'album ¡Adios Amigos! (1995)

Following the release of Spider-Man: Homecoming I sat down with my resident Comic Book Expert here at The Ark of E (and cousin) Matthew J. Blanchard to discuss The Spider-Man Film Franchise. We open with a brief discussion about the 1st live-action Spider-Man (Nicholas Hammond in the 70's TV series The Amazing Spider-Man) before taking a journey through the tangled web of the first 5 & 1/4 films in the franchise (00:00:00 - 01:13:00). Then we get into an in-depth and SPOILER filled review of Spider-Man: Homecoming (01:13:01 - 02:00:40). We wrap things up with some comic-book / movie related banter as well as a behind the scenes look at our planning for future casts and articles (02:00:44 - 02:06:38) Stick around if you enjoy such things. Intro / Outro ("Spider-Man (Theme Song)" by Paul Francis Webster and Robert "Bob" Harris) Send Feedback: thearkofe@gmail.com & dirtypoolfilms@gmail.com Follow Us: On Instagram @thearkofenetwork , Twitter @thearkofe , Facebook : The Ark of E , and Our Website : www.thearkofe.com Support: Via our Amazon Affiliate Link : www.thearkofe.com/support/

This week, Jonny and Max take on each and every film in modern Spider-Man history climaxing at the latest Marvel release "Spider-Man: Homecoming." The drink beers from New Glory and a collaboration between Evil Twin and Westbrook. Movie: Spider-Man: Homecoming Beers: Ubahdank, Batter Up by New Glory (Sacramento, CA) Imperial Biscotti Cake Break by Evil Twin/Westbrook Music this week: Homecoming Main theme by Michael Giacchino Original Spider-Man Theme by Paul Francis Webster and Robert Harris As always, thanks for listening and please consider taking a moment to rate/review on iTunes or wherever you listen to this show. Support this podcast by joining us on Patreon. We'll love you forever. Seriously. We're lifers.

Just in time for Spider-Man:Homecoming, join Fire & Water Webheads Chris Franklin (Super Mates), Rob Kelly (Film & Water) and special guest Brian Heiler (Pod Stallions) to discuss Spidey’s first foray into other media, the 1967 Spider-Man animated series!   Brian’s Plaid Stallions: http://www.plaidstallions.com/ Derek William Crabbe’s History of Comics on Film: http://hocof.blogspot.com/ Spider-Man 67 music by Ray Ellis: https://www.youtube.com/watch?v=yCF8JU30gXI Have a question or comment? Leave comments on our FIRE & WATER PODCAST website: http://fireandwaterpodcast.com/podcast/saturday-morning-fever-3-spider-man67/ E-MAIL: firewaterpodcast@comcast.net Opening theme by Luke Daab: http://daabcreative.com This podcast is a proud member of the FIRE AND WATER PODCAST NETWORK: Visit the Fire & Water WEBSITE: http://fireandwaterpodcast.com Follow Fire & Water on TWITTER: https://twitter.com/FWPodcasts Like our Fire & Water FACEBOOK page: https://www.facebook.com/FWPodcastNetwork Use our HASHTAG online: #FWPodcasts Clip credits: Clips from Spider-Man (1967) starring Paul Soles, Paul Kligman and Peg Dixon. Theme from Spider-Man (1967) Bob Harris, Stu Phillips, and D. Kapross, lyrics by Paul Francis Webster. Also performed by The Ramones Score from Spider-Man (1967) by Ray Ellis

Something spotted in the skies above Sunken Harbor draws several townsfolk into the center of an eerie mystery.Part of “Some People You Might Know,” recorded live at The Slipper Room in New York City on Sunday, May 28th 2017.Featured in the cast:James Rieser as Mr. SheldonAli Silva as Mayor Diana BelfairMichael Pate as Cobra Kleinman/The One Who AsksAnnabelle Rollison as CissyAlain LaForest as Simon PerdidoMary Murphy as Lynne Belfair/CathyBill Heidrich as Evan/RomeoKacie LaForest as Julie/AnnieGustavo Rodriguez as The One Who TellsAlso featuring a musical performance by Martina DaSilva: “Somewhere My Love,” written by Maurice Jarre and Paul Francis Webster.Additional music: "Somewhere My Love (Instrumental Version)" by The Love Unlimited OrchestraOriginal story and radioplay by Silbin SandovarDirected by Holly Payne-StrangePodcast production by Ali Silva & Daniel GravesMusical score improvised by Steve BlancoTheme music by Jason GravesProduction Sound Designer & Engineer: Greg RussTechnical Director: Johnny GoddardProduction Coordinator: Dalia MoraliProduced by Gustavo Rodriguez, Ali Silva, Daniel Graves & Rebecca Graves for Fireside Mystery ProductionsCopyright 2017 Fireside Mystery Productionshttp://www.firesidemysterytheatre.com@firesidemystery

April in Paris-JAZZANIVERSARIO.-Milt Jackson “Statements”.-JAZZACTUALIDAD.-Jazz Sisters-Babel Ruiz: ‘Las manos de mi madre' PROG.Nº 475.- STANDARD SEMANAL.- “April in Paris”:- -GLENN MILLER. -CHARLIE PARKER. -COLEMAN HAWKINS. -THELONIOUS MONK, grabado en Nueva York el 24-10-1947. -COUNT BASIE,extraída de “April in París, Nueva York el 26-07-1955. -KURT ELLING,extraída de “The Messenger”,Chicago,julio de 1994 a diciembre de 1999 JAZZ RECUERDO ANIVERSARIO.- - Milt Jackson “Statements”(1964)- texto en las semblanzas de AYAX MERINO (periodista de ctxt.es) Comentario: En cuarteto y con dos magnificos pianistas alternandose en la sesion de grabacion (Hank Jones y Tommy Flanagan), el vibrafonista, Milt Jackson, graba para Impulse en 1961, uno de sus discos mas lentos. Lejos del frenetico ritmo que suele imprimir a sus grabaciones, este "Statements" es un canto maravilloso a la balada de jazz. 1. "Statements" (Milt Jackson) – 5:28 2. "Slowly" (Kermit Goell, David Raksin) – 3:02 3. "Thrill from the Blues" (Jackson) – 5:42 4. "Paris Blues" (Duke Ellington) – 2:54 5. "Put Off" (Jackson) – 5:34 6. "Beautiful Romance" (Jackson) – 2:26 7. "Sonnymoon for Two" (Sonny Rollins) – 5:57 8. "Bad and the Beautiful" (Raksin) – 3:07 9. "Blues for Juanita" (Jackson) – 5:38 10. "I Got It Bad (and That Ain't Good)" (Ellington, Paul Francis Webster) – 2:38 11. "Big George" (Jackson) – 4:43 12. "Gingerbread Boy" (Jimmy Heath) – 3:41 13. “Jazz ´n´ Samba” • Milt Jackson – vibraphone • Jimmy Heath – tenor saxophone • Tommy Flanagan – piano • Hank Jones – piano • Richard Davis – bass • Connie Kay – drums JAZZ ACTUALIDAD.- Esta semana tendremos dos novedades, comenzaremos con: Jazz Sisters Ref.: Youkali 112 Cuando dos amigas de toda la vida se encuentran por el camino y adema?s de una gran amistad, comparten profesión y un amor profundo por el Jazz, el Swing y el Blues, lo que surge es una explosión de energía, arte, y vena canalla sin precedentes. Eso exactamente es JAZZ SISTERS. El fantástico dúo vocal formado por dos de las cantantes más inquietas y fascinantes de ultimísima escena jazzística nacional, Susana Ruiz y Yoio Cuesta (junto a sus cómplices de siempre, los FREAKING BROTHERS, Gonzalo Maestre a la Batería, Francisco Loque al Contrabajo, Jacob Sureda al Piano y Roberto Pacheco al Trombón) es el creador, impulsor, y máximo responsable de esta propuesta llena de Swing y Jazz, noctámbula y diferente. Marcada por una embriagadora combinación de fuerza, talento, delicadeza y sofisticación, que solo ellas saben imprimir... Yoio y Susana, JAZZ SISTERS crean un tándem perfecto, un equipo único. Un carrusel de sorpresas y sonrisas. Un cóctel de espontaneidad, talento vocal y humor improvisado. Un viaje al corazón del Swing más “Chic” y más juerguista de los 40 y los 50. Un pellizco para el alma. Un sueño hecho disco. Únicas. 1.- I GOT RHYTHM. 2.- SENTIMENTAL JOURNEY. 3.- RUM AND COCA-COLA. 4.- LET´S CALL THE WHOLE THING OFF. 5.- SWING,BROTHER, SWING. 6.- ALRIGHT,OKAY YOU WIN. 7.- BEI MIR BIST DU SCHON. 8.- GET HAPPY. 9.- IT´S ONLY A PAPER MOON. 10.- SING, SING,SING. Para continuar con: Babel Ruiz: ‘Las manos de mi madre' Músicos: Babel Ruiz (voz, kalimba), Tino Van Ders Man (guitarra, buzuki), Angel Andres Muñoz (piano) Juanmi Guzman (contrabajo), Jose San Martin (batería), Alvaro Maldonado (batería),Youssef Chair (percusión), Rafael Trenas (guitarra española), Diego Ebbeler (piano), Jorge Cerrato (bajo eléctrico) Discográfica: Autoedicion Año: 2016 Estilo: Jazz vocal Babel Ruiz vuelve a sorprendernos. Con su personal voz entre Bebe, Kiko Veneno, Martirio, Albert Plá como ya nos ocurrió con su anterior entrega ‘Numberland' y con su personal visión del mundo. ‘Las manos de mi Madre' que ahora sale al mercado en autoedición vuelve a ser un compendio muy personal del mundo que vivimos visto a través de los personales ojos de la cantante Ceuti. La interesante voz de esta mujer parece provenir de la mezcla del estudio del canto lírico con los cantos marroquíes de su infancia, el estudio del scat y la expresión jazzística. Con una rica coloratura del timbre vocal tan peculiar como expresiva Babel sabe arrastrarte a su mundo y no dejarte indiferente. Este ‘Las Manos de Mi Madre' es su tercer disco. ‘Vuelvo a África' del 2012 fue su primera apuesta con temas inéditos en su totalidad, compuestos y escritos por ella, en una inusual formación de quinteto de jazz con dos guitarras. Estaba dedicado a ‘Los expulsados del paraíso' y obtuvo excelentes críticas. ‘Numberland' del 2013 fue su segundo trabajo original, ofreciendo nuevos temas compuestos y escritos en su totalidad por Babel, en el se acercaba al mundo de la infancia y el autismo. ‘Las manos de mi madre' es el que ahora nos ocupa. En esta ocasión Babel reinterpretará junto a composiciones propias, canciones de la música popular de todo el mundo con un nuevo sonido a cargo de un quinteto con toques étnicos y muy variados. Tino Van ders Man, de Holanda aporta su guitarra española, buzuki y cordófonos orientales, Youssef Chair de Marruecos, darbukas y percusiones varias, José San Martín de origen Uruguayo aporta su batería y los andaluces Juanmi Guzmán y Ángel Andrés Muñoz están al contrabajo y piano respectivamente. Este proyecto vuelve a enfrentarnos a todo lo que es Babel Ruiz y queda muy clarito desde la inicial historia que aparece en el folleto del disco donde nos cuenta la génesis del titulo. A partir de esto y con tu corazón ganado ya viene el despliegue artístico sonoro de este terremoto que tan pronto te hace una can canción argentina por bulerias ‘Las Manos de mi Madre', como un tema senegalés en clave de Jazz ‘Malaka Nakupenda', como se atreve con ‘La Tarara' dándole aires marroquíes. Si aun te queda espacio para la sorpresa puedes escuchar una nana marroquí en clave de ‘buleria-jazz experimental' ‘Berceuse du Monde', como un fado no fado ‘Meu Fado Meu' o un tema brasileño ‘Nem Mesmo Eu' donde se mezcla el jazz con el forro ‘brasileiro'. Babel aporta tres composiciones propias a este magnifico ejemplo de que todavía hay sitio para algo único y diferente, que quizás no sea del agrado de todo el mundo, pero que creo muy necesario en este mundo cada vez mas uniforme. Como ya dije de ‘Numberland': “Estamos ante un disco que merece más de una escucha, sobre todo por sus letras y que sabe traspasar fronteras musicales y estilísticas. Un disco lleno de sentimientos positivos”. I. Ortega

PROG.Nº 448.-Comenzamos con el estándar de la semana escuchando el tema “Ev'ry Time We Say Goodbye”(cada vez que decimos adios) con SARAH VAUGHAN , y esta semana Jazz en el Recuerdo Aniversario.- Vamos a celebrar aniversario con THAD JONES, (DETROIT-NEW YORK JUNCTION), y aniversario de la muerte de SARAH VAUGHAN(THE DIVINE ONE). JAZZ ACTUALIDAD.- Esta semana tendremos a JUAN ULL QUARTET con su albúm “CIUDADE”. Y terminaremos con lo que va a acontecer este martes en el teatro LOPE DE VEGA de Sevilla con el concierto del saxofonista JOSHUA REDMAN y Trondheim Jazz Orquestra , en el ciclo de jazz a las 20:30 horas. Thad Jones ?– Detroit-New York Junction PistasOcultar Créditos 1 Blue Room Composed By – Rodgers & Hart 6:45 2 Tarriff Composed By – T. Jones* 5:30 3 Little Girl Blue Composed By – Rodgers & Hart 2:48 4 Scratch Composed By – T. Jones* 10:28 5 Zec Composed By – T. Jones* 8:46 • Bass – Oscar Pettiford • Creative Director [Reissue] – Gordon H Jee • Design [Cover] – Reid Miles • Design [Reissue] – Amanda Wray • Drums – Shadow Wilson • Liner Notes – Takao Ogawa • Liner Notes [Reissue] – Bob Blumenthal • Photography By [Cover Photograph, Liner Photographs] – Francis Wolff • Piano – Tommy Flanagan • Producer – Alfred Lion • Reissue Producer – Michael Cuscuna • Remastered By [2006] – Rudy Van Gelder • Tenor Saxophone – Billy Mitchell • Trumpet – Thad Jones Título: Detroit-NewYork-Junction Músico: ThadJones Acompañantes: OscarPetiford FechadeGrabación: 1956 LugardeGrabación: NewJersey SelloDiscográfico: BlueNote Nºdetemas:5 Formato: CD Instrumento: Trompeta Estilo: Hardbop AñodeEdición: 1997 Duración: 30:12 Calificación: 4* Comentario: El hermano menor de la saga, el trompetista, Thad Jones, debuta en 1956 en el sello Blue Note, con un disco espectacular. "Detroit-New York Junction", es todo un manifiesto de las intenciones de este maestro de la trompeta, y que se manifestaría totalmente en los siguientes albumes de Thad Jones para Blue Note. Un disco sin fisuras y que resiste de manera extraordinaria el paso del tiempo. SARAH VAUGHAN THE DIVINE ONE 1. "Have You Met Miss Jones?" (Lorenz Hart, Richard Rodgers) – 2:21 2. "Ain't No Use" (Leroy Kirkland, Sidney Wyche) – 3:53 3. "Every Time I See You" (Hal Dickerson) – 3:01 4. "You Stepped Out of a Dream" (Nacio Herb Brown, Gus Kahn) – 2:20 5. "Gloomy Sunday" (Rezs? Seress, László Jávor, Sam M. Lewis) – 3:26 6. "What Do You See in Her?" (Hal David, Frank Weldon) – 2:51 7. "Jump for Joy" (Duke Ellington, Sid Kuller, Paul Francis Webster) – 2:27 8. "When Your Lover Has Gone" (Einar Aaron Swan) – 2:18 9. "I'm Gonna Laugh You Out of My Life" (Cy Coleman, Joseph McCarthy) – 2:50 10. "Wrap Your Troubles in Dreams" (Harry Barris, Ted Koehler, Billy Moll) – 2:33 11. "Somebody Else's Dream" (Hal Dickenson) – 2:24 12. "Trouble Is a Man" (Alec Wilder) – 3:18 • Sarah Vaughan - vocal • Harry "Sweets" Edison – trumpet • Jimmy Jones – piano, arranger • Don Lamond – drums FechadeGrabación: 1950 LugardeGrabación: NewYork SelloDiscográfico: Roulette Nºdetemas: 12 Formato: CS Instrumento: Voz Estilo: Jazzvocal AñodeEdición: 1993 Duración: 0:33:00 Calificación: 4* Comentario: Roulette fue el sello discográfico con el que la gran Sarah Vaughan finalizó su carrera. Ya antes había dejado para el sello Emarcy lo mejor de su carrera, pero aquí está especialmente inspirada y Sarah quiso, en esta sesión grabada en 1950, hacer honor a su apodo. La "divina" Sarah Vaughan en todo su esplendor. JAZZ ACTUALIDAD.- Esta semana tendremos a JUAN ULL QUARTET con su albúm “CIUDADE”. El jazz del saxofonistaJuan Ull es un jazz contemporáneo, lleno de ideas, que se centra en la melodía sin buscar efectismos, recreándose en su estilo de tocar, limpio e inspirado tanto en el tenor como en el soprano, un jazz moderno y urbano, quizás más lejos de Nueva Orleáns de lo que desearíamos pero felizmente cerca de la escena europea. En estas fechas presenta su álbumCiudade (Sedajazz, 2015). Acabamos de conocer a Juan Ull y descubrimos que es un saxofonista procedente del Conservatorio de Valencia que se ha formado en Estados Unidos pasando por la Intercultural Saxophone Ensemble Of Philadelphia, la Universidad de Indiana y la de Nueva York, donde se graduó en Interpretación y Composición de Jazz. Casi nada. Pero hablemos del álbum... Ciudade comienza con una melodía aparentemente dulce y liviana ("Waiting For") que, en realidad, esconde un tema complejo y denso, una composición donde los músicos pueden trabajar con libertad y espacio, anunciando las líneas generales del proyecto: bases rítmicas que (en algunos momentos) se acercan al jazz-rock, lo cual aporta una intensidad inusitada a los temas sin recurrir explícitamente a la agresividad del rock, y en otros al más cerebral jazz moderno. En total son ocho melodías amables que abordan con optimismo las historias de la gran ciudad en que se inspira. "Luz D Mediodía" es un ejemplo de lo que hablamos, un tema optimista, imaginativo, lleno de color y de recursos, que apela en algunos compases al blues y que merece la pena escuchar. "Initium" es otro ejemplo de tema que comienza sonando a banda sonora (esa banda sonora de la ciudad de la que hablábamos) en una carrera de fondo que el soprano hace crecer y crecer, y lo hace con su voz lírica y con lógica y sensibilidad. Sin abandonar estas premisas, hay algún tema más complejo ("Madagascar") que enlaza el bop con ritmos más primitivos y que resultan, a la postre, extrañamente sofisticados y modernos. Todas son composiciones originales de Juan Ull. Por fin, el disco termina con el breve y lírico "Ferrol", un tema que los músicos grabaron sin ensayar y cuya frescura sirve para redondear la idea general del proyecto, lírica e intelectual a un tiempo, si es posible tal dicotomía. Una instantánea de la grabación del disco en los estudios Medusa de Barcelona En general, el álbum muestra una cómoda complicidad entre los músicos, destacando el papel de alter ego de Ull que interpreta Roger Mas al piano (buen solo en "Colours Of My Journey"). También cabría destacar en trabajo de la sección rítmica desde el punto de vista del proyecto. El versátil Marc Ayza, al que hemos escuchado en directo en distintos proyectos, se adapta a los requerimientos de la música de Ull con precisión, tanto en lo lírico ("En Mi Pensamiento") como en lo atrevido ("Madagascar"). A su lado, Tom Warburton, al contrabajo, pone el contrapunto rítmico con muy buen gusto y mucho color. No se buscan momentos de protagonismo solista pero tanto Ayza como Warburton aportan la altura suficiente para que el piano y el saxo brillen en un escenario adecuado. Podría ser la banda sonora de cualquier ciudad, pero no de esa ciudad de prisas que vivimos todos los días, sino de una ciudad plácida, que se deja observar, una ciudad donde se puede vivir y que, de vez en cuando, nos paramos a observar mientras estamos, por ejemplo, "Waiting For" y descubrimos sus luces, sus colores, el complicado algoritmo que mueve a sus habitantes como títeres de guiñol. Esa es la ciudad que se puede escuchar en Ciudade, a través del jazz contemporáneo y vivo de Juan Ull.