Podcasts about Sammy Fain

Diese Sendung hat Hagen Schulz-Zachow zusammengestellt. Das LIVE – Anspiel diesmal ist : „I‘ll be seeing you“ – eine Komposition von Sammy Fain aus dem Jahr 1938. Folgende Titel sind zu hören: 1. Tutu – Miles Davis 5:18 2. Minuano – Kurt Elling 7:56 3. Horizons new – Barbara Thompson & NDR Bigband 5:41 4. Always and forever – Pat Metheny 5:27 5. Saturday Night and Sunday Morning – Phil Collins 1:26 6. I'll be seeing you – Billie Holiday 3:32 7. Just the way you are – Harry Connick Jr. 3:48 8. September second – Michel Petrucciani 4:42 Für Titelwünsche und Anregungen schreiben Sie gern an: jazztime.mv@ndr.de Keep Swingin' !!!

Casi 160 años después de que el diácono anglicano, lógico matemático, escritor y fotógrafo británico Lewis Carrol escribiera Alicia en el País de las Maravillas (1865), se presenta una exposición en el CaixaForum de Barcelona sobre el impacto del personaje en el imaginario colectivo de múltiples generaciones. La muestra, que viene del museo Victoria & Albert de Londres, llegará a Madrid el año que viene. En ella se documenta la invención de este personaje victoriano, conocido ya en 170 lenguas, su reflejo en la pantalla y la escena, la puerta que significa a otros mundos y el deseo de convertirse en Alicia. En este programa, "Al Trasluz", oímos fragmentos de la versión doblada de la película de Disney en 1951 y el libro original leído por Eva M. Fernández. Las canciones inspiradas en la historia de Alicia son: una versión del tema de Sammy Fain para Disney por el trio del pianista de jazz, Dave Brubeck con la voz de Roberta Gambarini (Alice In Wonderland 2010); la banda psicodélica de San Francisco, Jefferson Airplane (White Rabbit 1967) en la voz de Grace Slick; y el argentino Charly García con su grupo Serú Girán (Canción de Alicia en el País 1982). Los comentarios de José de Segovia llevan de fondo musical instrumental: la banda sonora original de Danny Elfman para la película de Tim Burton en 2010; la composición de Sammy Fein para Disney por el trio del ya fallecido músico de jazz, Chick Corea en 2013; así como la del tristemente también fallecido trompetista Chet Baker con Philip Catherine en París en 1988. Las mezclas y el diseño sonoro son de Daniel Panduro.

Most of the albums so far in my father's collection were of popular artists from the US. This record is the first of four my dad had from an orchestra leader who reportedly was from England, featuring a trumpet player, who reportedly has the same name as the guy who writes all the liner notes for the orchestra leader. Meanwhile, there were a number of musicians who really recorded this album. Who they were is a budget record label mystery. So, get ready to hear some pretty melodies while you're having your afternoon crumpets in Volume 199: Tea and Trumpets. More information about this album, see the Discogs webpage for it.  Credits and copyrights Stanley Applewaite, Roy Freeman – Stanley Applewaite Plays Tea And Trumpets Featuring Roy Freeman Label: Design Records (2) – DLP 40 Format: Vinyl, LP Released: Oct 1957 Genre: Pop Style: If I Had A Love That Loved Me Medley: Darling My Heart Is Yours/Standing In The Rain (written by Sammy Fain, Irving Kahal)/Sing Nightingale Sing (written by Bob Iller, Bruno Balz, Michael Jary) Please written by Leo Robin, Ralph Rainger Moritat written by Kurt Weill, Bertolt Brecht Medley: You Make This World Beautiful / Virginia Blues (written by Ernie Erdman, Fred Meinken) / Two Hearts In May (Michael Jary) John And Julie (fitting to end the show with a song written by another trumpet player.) by Eddie Calvert  I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

This week, Fortnight Tuesday brings two more giants of the American songbook, the team of Irving Kahal, lyricist, and Sammy Fain, composer, both members of the Songwriters' Hall Of Fame, and two men we've featured before, but at last they get the singular honor of their own private, six-song episode. Tune in, my beauties, and be enchanted.

On episode #129 we present a story of a jilted lover's revenge from the grave. “Lily,” by Rick Powell is a modern spin on a very old legend, The Lady in Red.  A Lady in Red or Red Lady is a type of female ghost, similar to the White Lady, but according to legend is more specifically attributed to a jilted lover, killed in a fit of passion, or woman of vanity. Join us for some Red Lady sightings from around the USMusicFesliyan Studios: "Ghost Stories," "Cold Isolation"Audio Jungle: "Halloween Waltzes"Chris DeBurgh: "Lady in Red"Jack Lawrence and Sammy Fain: "Once Upon a Dream"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com    

On episode #129 we present a story of a jilted lover's revenge from the grave. “Lily,” by Rick Powell is a modern spin on a very old legend, The Lady in Red.  A Lady in Red or Red Lady is a type of female ghost, similar to the White Lady, but according to legend is more specifically attributed to a jilted lover, killed in a fit of passion, or woman of vanity. Join us for some Red Lady sightings from around the USMusicFesliyan Studios: "Ghost Stories," "Cold Isolation"Audio Jungle: "Halloween Waltzes"Chris DeBurgh: "Lady in Red"Jack Lawrence and Sammy Fain: "Once Upon a Dream"Narration: Robert BreaultPlease join us! Like and follow our Facebook page to become " patron of the Cemetery Hills Library, or (even better!)  jump on our Patreon page and become a VIP Patron.                         Mugs, tee-shirts and eternal thanks await you!                                                                                           Patreon Page: https://www.patreon.com/user?u=61177769&fan_landing=trueWebpage: http://www.afterwordsparanormal.comFacebook: After Words Paranormal PodcastEmail: afterwordsstories@gmail.com    

durée : 00:59:51 - "I'll Be Seeing You" (Sammy Fain / Irving Kahal) (1938) - par : Laurent Valero - "Composée en 1938 pour la comédie musicale "Right This Way" elle aura tenu à Broadway 15 représentations. La mélodie assez lyrique sera très prisée par les crooners des deux sexes, qui s'empresseront de mettre à leur répertoire cette jolie romance qui parle du manque de l'être aimé." Laurent Valero

durée : 00:59:51 - "I'll Be Seeing You" (Sammy Fain / Irving Kahal) (1938) - par : Laurent Valero - "Composée en 1938 pour la comédie musicale "Right This Way" elle aura tenu à Broadway 15 représentations. La mélodie assez lyrique sera très prisée par les crooners des deux sexes, qui s'empresseront de mettre à leur répertoire cette jolie romance qui parle du manque de l'être aimé." Laurent Valero

Northern California kind of sucks, getting naked at Disneyland and the Oscars, a dismal attempt at soccer with Blonde Redhead, some other sports-related failures, weird ass supplements, Mads Mikkelsen, smoking and drinking and chewing tobacco and generally being an idiot, worst college experience ever, a couple of great Los Angeles movies, and a dearly missed Irish bar. Stuff mentioned: Leonard Bernstein (music), Betty Comden and Adolph Green (lyrics) "New York, New York" (1944), On the Town (1949), New York, New York (1977), Sammy Fain, Irving Kahal, and Pierre Norman "You Brought a New Kind of Love to Me (1930), Another Round (2020), Scarlet Pleasure "What A Life" (2020), Riders of Justice (2020), Wild at Heart (1990), Jim Morrison and The Doors "A Feast of Friends" (1978), Tomaso Albinoni's "Adagio in G Minor" (1708, perhaps), In Country (1989), Protomartyr "Polacrilex Kid" (2023), Protomartyr Formal Growth in the Desert (2023), Protomartyr "A Private Understanding" (2017), Protomartyr Relatives in Descent (2017), From Hollywood to Deadwood (1988), The Late Show (1977), and Married...with Children (1987-1997).

Once again we reach into my dad's stack of shellac records where we pull out another big name among the early record labels…Decca. It's a label that saw its share of some of the biggest names in the recording industry. Several you have heard on this show. And if you're watching the video version, you'll see that I pulled out my old timey RCA Ribbon mic. I thought it would give this show extra atmosphere. So get ready to hear an array of artists all recorded during the 1940s in Volume 148: 8 Sides From Decca. Credits and copyrights Wedding Bells - Four Aces (Are Breaking up the Old Gang of Mine) With Chorus and Orchestra Directed by Jack Plies Written by Sammy Fain, Irving Kahal, and Willie Raskin Released April 1954 Three Coins in the Fountain - Four Aces Featuring Al Alberts From the 20th Century Fox film of the same name. With Chorus and Orchestra Directed by Jack Plies Written by Juli Styne and Sammy Cahn Released April 1954 Sabre Dance - Victor Young and his Concert Orchestra From Cayne Ballet Suite. Written by Aram Khachaturian Released in July 1943 For Whom The Bell Tolls - Victor Young and his Concert Orchestra The Massacre and Love Them from the Paramount Picture of the same name. Written by Victor Young Released in July 1943 Jolly Fella Tarantella - The Andrews Sisters, backed by Guy Lombardo and His Royal Canadians The Organ Grinder's Song Written by Dick Manning recorded on July 19, 1949 Stars are the Windows of Heaven - The Andrews Sisters, backed by Guy Lombardo and His Royal Canadians Written by Tommy Malie and Jimmy Steiger. recorded on July 19, 1949 The Matador - Carmen Miranda with the Andrews Sisters with Vic Shoen and His Orchestra Written by Joao DeBarro, Alberto Ribeiro, Ray Gilbert and Bob Russell Released in September 1948 Cuanto La Gusta - Carmen Miranda with the Andrews Sisters with Vic Shoen and His Orchestra From the MGM Picture a Date With Judy. Written by Gabriel Ruiz and Ray Gilbert Released in September 1948 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

A mixed bag of musical allsorts presented weekly by Ray Woodley, produced by Manawatū People's Radio with the support of New Zealand On Air.

Film composers were starting to take over the duties of writing the music for movie songs in the 1960s, and that was evident in the list of Oscar-nominated songs from that year. Four of the five songs contain music by score composers instead of trained songwriters, which signaled the likely end of an era for the Hollywood songwriter. Sammy Fain was the only traditional song composer of the bunch, writing a song that competed with those written by Henry Mancini, Elmer Berstein, Bronislau Kaper, and Andre Previn. Who took home the Original Song Oscar statuette that year? Host Jeff Commings will tell you on this episode!

My dad's record collection is filled with plenty of albums of previously released music from various artists that were put into a set for various reasons. This record was released to sell toothpaste. So get ready to hear a cross section of hits from the late 1950s with Volume 115: Great and New Sounds. Credits and copyrights Various – Colgate Presents Great Sounds And New Sounds Label: Columbia – none Format: Vinyl, LP, Compilation Country: US Released: 1959  Genre:Jazz, Brass & Military, Folk, World, & Country, Stage & Screen Style:Brass Band, Big Band We will hear 6 of the 12 songs from the album. Les Elgart– When I Take My Sugar To The Sea Written-By – Irving Kahal, Pierre Norman, and Sammy Fain in 1931. First recorded by Melotone Boys. Recorded in 1959 Andre Kostelanetz– I Enjoy Being A Girl Written-By – Oscar Hammerstein II, Richard Rodgers from the 1958 musical Flower Drum Song. Recorded in 1959 Tony Bennett with Percy Faith & His Orchestra– Just In Time Written-By – Adolph Green, Betty Comden, and Jule Styne Recorded in 1956 Johnny Cash–The Troubadour Written-By – Cindy Walker Recorded in 1958 Luther Henderson– Stay As Sweet As You Are Written-By – Harry Revel, and Mack Gordon Recorded in 1959 Mitch Miller–The Band Played On / Oh! You Beautiful Doll Written-By – A. Seymour Brown, Charles Ward, John Palmer, and Nat Ayer Recorded in 1959 I do not own the rights to this music. ASCAP, BMI licenses provided by third-party platforms for music that is not under Public Domain.

From his 1961 album Point Of No Return, here is Frank Sinatra's poignant wartime ballad -- Sammy Fain and Irving Kahal's I'll Be Seeing You. Arranged and conducted by Axel Stordahl. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Mixing and mastering by Amit Zangi Send comments to sinatramatters@gmail.com

 Te estaré viendo, o, Te voy a ver es un tema de Sammy Fain con letra de Irving Kahal, publicado en 1938. Escuchemos versiones de Billie, Sinatra, Rollins y muchos otros

From Frank Sinatra's 1960 album Nice ‘N' Easy, here is Sammy Fain and Lew Brown's That Old Feeling. Arranged and conducted by Nelson Riddle. Credits: Theme music by Erik Blicker and Glenn Schloss Edited by Katie Cali Send comments to sinatramatters@gmail.com

Sammy Fain

En El Guateque (orm.es; domingos, 22,05h) rescatamos olvidadas melodías del ayer. Esta semana recordamos a Mari Trini (María Trinidad Pérez de Miravete Mille), que se fue un 6 de abril. Tenía 61 años. Fue una de las más populares cantantes españolas en los años setenta y ochenta. En abril nació el amor, En 1974 enviaron el tema Addio amor al Festival de San Remo, aunque en esta ocasión no tuvieron tanta suerte. Addio amor se convertiría en Adiós amor para el disco Mocedades 4. Abril en Portugal es un fado escrito por Raúl Ferrao, que se tituló Coimbra, y que Les Baxter la grabó para Capitol Records en marzo de 1953 y estuvo 22 semanas en lista. Hasta el avispado Julio Iglesias hizo una versión de este tema. AMALIA RODRIGUES. La Reina del Fado, naturalmente la grabó también con ese sonido de guitarras portuguesas respetando las raíces. En abril se echa la calle a la vida. Bienaventurados, disco de 1987 contiene otra de las más bellas canciones de Serrat: Especialmente en abril; el arreglo musical unido a la letra y a la voz de Serrat nos dejan sin aliento. “Especialmente en abril la razón se indisciplina y como una serpentina se enmaraña por ahí. Van buscando los rincones sofocadas las parejas, hacen planes y se dejan llevar por las emociones, sin atender, imprudentes, el consejo de Neruda que las nieves son más crudas en abril especialmente…”. The Spotnicks eran un grupo sueco de rock instrumantal aparecido en 1961. Junto con los Shadows y los Ventures formaron el triunvirato de grandes bandas instrumentales de los 60. Impresionaban con sus indumentarias espaciales en el escenario y también por su innovador sonido de guitarras eléctricas. En 1967 el sello catalán Belter se fija en Elsa Baeza, y la ficha para grabar el que sería su primer disco, el EP, ”Dubeque Dublin", También escucharemos a la grandiosa y espectacular GIGLIOLA CINQUETTI, a los que algunos la han calificado como “EL TESORO DE ITALIA”, una forma de expresar todo el cariño que le prodigan los italianos. Las Grecas nos ofrecen una gran lectura de los Turtles, Happy together. Aunque en la vida real no fueron tan felices. Tina vivia su propia guerra interna. Nos anticipamos al Día Internacional de la Salud con Yolanda. Deliciosa su versión de “La salud”, una composición del siempre irreverente Serge Gainsbourg con un aroma de lo más francés captado por la cantante que hace una buena interpretación. La letra ofrece perlas tan saludables como estas: “Procurar la línea conservar. Por la mañana al despertar, un zumo de limón después seguir la prescripción del doctor Marañón...”. April Come She Will, Simon & Garfunkel. Este clásico de Simon & Farfunkel desgrana los diferentes meses de la primavera y el verano, hasta llegar al otoño en algo así como un camino metafórico del evolucionar de un amor de juventud y primaveral hasta que se marchita. La cantante valenciana Lolita Garrido, una gran cantante de boleros que fue censurada porque cantaba «muy provocativo». Parece una historia de Fellini, pero dicen que cantó para el Sha de Persia en uno de sus palacios. Si quieres viajar a los años 50' de forma inmediata, lo mejor que puedes hacer es cerrar los ojos y escuchar esta canción, April Love, de Sammy Fain. Se trata de un tema instrumental que fue la banda sonora original de la película de 1957 que llevaba el mismo título que el de esta canción. Con la orquesta Mantovani. Cada mes tiene su flor, y la de abril es la margarita. Margarita” ha sido cantada por miles de jóvenes universitarios que pasaron por la Milicias Universitarias. Micky y Los Tonys nos devuelven a la pista con una versión en español de la canción que popularizó el grupo de folk estadounidense The New Christy Minstrels, de Barry McGuire. “Canta con Nosotros”, compuesta por Herrero y Armenteros, fue el primer sencillo de Voces Amigas, que salió al mercado en las postrimerías del emblemático 68, subiendo en las listas como la espuma. La cancioncita de marras era un auténtico banderín de enganche, exhortando a la juventud - a cierta juventud - que “Sabe entender” y atesora “Mucha fe”, a una juventud sana, de buen corazón y nobles y propósitos, a comprometerse, a unirse a una causa que abanderaba valores como la naturaleza, el amor sincero, la paz del mundo...

Join me on my journey through the fabulous world of musicals (stage and screen) - Letter F. This episode looks at shows such as Funny Girl, Follies, Fame and Flowers For Mrs Harris, as well as Performers and Creatives including Sutton Foster, Dorothy Fields, Sammy Fain and Bob Fosse.

Sammy Fain

Diane and Sean fly off to Neverland to discuss Disney's 1953 animated "classic", Peter Pan. Episode music is "The Second Star to the Right"; music by Sammy Fain, lyrics by Sammy Cahn, and performed by the Jud Conlon Chorus and The Mellowmen Quartet from the OST, and the 1980's era Peter Pan Peanut Butter commercial jingle.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=FDAK8MLABD6SG&source=url)

On episode 41 of 55 and Main: A Disney Podcast, Mark and Spencer rank their favorite love songs from Disney movies. They discuss why these songs are so important in the context of Disney storytelling and animation, and why these songs have become such iconic Disney classics. Recorded June 2020 Bella Notte by George Givot, Sonny Burke, and Peggy Lee Can You Feel the Love Tonight? by Elton John and Tim Rice Once Upon a Dream by Tchaikovsky, Jack Lawrence, Sammy Fain, Mary Costa, Bill Shirley, and Lana Del Rey Avengers: Age of Ultron Theme by Brian Tyler and Danny Elfman Beauty and the Beast by Alan Menken and Howard Ashman Something There by Alan Menken and Howard Ashman You'll Be in My Heart by Phil Collins A Whole New World by Alan Menken and Tim Rice You've Got a Friend in Me by Randy Newman I See the Light by Alan Menken Glenn Slater Intro Music - from Jupiter from The Planets Suite by Gustav Holst Outro Music - from The Sleeping Beauty Suite by Tchaikovsky Cover Logo - Designed and created by Parker Gonzalez Facebook Page - https://www.facebook.com/55andMain/ Twitter - https://twitter.com/Podcast55

In this week's episode, we talk to historian and Augusta University professor Dr. Ruth McClelland-Nugent about connections between the current COVID-19 pandemic and the lessons we can learn from World War 2 public messaging. References: Introduction from: Britain Can Take It: The British Cinema in the Second World War, New Edition (Cinema and Society), by Tony Aldgate and Jeffrey Richards Introduction from: We’ll Always Have the Movies: American Cinema During World War II by Robert McLaughlin and Sally E. Perry Amplifer call for art: https://community.amplifier.org/campaign/global-open-call-for-art/ Churchill “Their Finest Hour” speech Churchill “The Few” speech Stock media: Pond5 “I’ll Be Seeing You” performed by Scheele’s Greene, Music by Sammy Fain, lyrics by Irving Kahal Images: Careless talk Potluck Keep those hands off Your pen...an enemy weapon Hey boy friend Your talk may kill Attack on all fronts

On this episode of The Bluth, the Whole Bluth, and Nothing But the Bluth, it's part two of Don Bluth's Disney Days! We discuss two films from 1977 that couldn't be more different: The Rescuers and Pete's Dragon. Whether you're a Madame Medusa fan or just really into lighthouses for some reason, there's bound to be something for everyone. Put the kids and crocodiles to bed, grab your favorite imaginary friend, and join us for a Brazzle Dazzle discussion that might also include The Fox and the Hound if we can end up remembering anything from it! Links: These films are all available to watch on Disney+ https://www.disneyplus.com Video on Medusa's animation https://bit.ly/33wjp20 Various interview segments with Milt Kahl https://bit.ly/3dgRGHa The Animated Films of Don Bluth https://bit.ly/2WsaWeJ Fan animation of Richard Williams and Milt Kahl https://bit.ly/2J2HZ14 The Day of the Fox https://bit.ly/3a8OL13 Miracle Musical cover of “Candle on the Water” https://bit.ly/3baM5A8 Follow Dax https://www.instagram.com/daxschaffer https://twitter.com/DaxSchaffer Follow Sara https://www.instagram.com/saraiyer https://twitter.com/saraanjuliiyer Follow Analise https://www.instagram.com/lalalanalise https://twitter.com/lalalanalise Follow the Podcast on Instagram https://www.instagram.com/nothingbutthebluth Like the Podcast on Facebook https://www.facebook.com/TheBluthTheWholeBluthAndNothingButTheBluth Check out Dax's other pod, Cineppraisal @Cineppraisal on FB/Twitter/IG https://anchor.fm/cineppraisal Songs from The Rescuers by Carol Connors and Ayn Robbins with score by Artie Butler. "Someone's Waiting for You" by Carol Connors, Ayn Robbins, and Sammy Fain. Songs from Pete's Dragon by Al Kasha and Joel Hirschhorn with score by Irwin Kostal. Song from The Fox and the Hound ("Best of Friends") by Stan Fidel with score by Buddy Baker. Audio clips are (mostly) from The Rescuers, Pete's Dragon, and The Fox and the Hound by Walt Disney Productions.

Diane and Sean discuss the effects of psychedelic drugs...also known as Alice in Wonderland. Episode music is "Painting the Roses Red" and "Alice in Wonderland" by Sammy Fain and Bob Hilliard, performed by The Mellomen, and The Jud Conlon Chorus.Support the show (https://www.paypal.com/cgi-bin/webscr?cmd=_s-xclick&hosted_button_id=FDAK8MLABD6SG&source=url)

Episode # 15 Footlight Parade Hello movie lovers! - the latest episode of the States & Kingdoms Podcast! Home of the classic-est movies ever !!! This week’s conversation is about a musical with some of the catchiest songs ever… watch out! Enjoy :) Footlight Parade (1933) Directed by Lloyd BaconStarring James Cagney, Joan Blondell, Ruby Keeler, Dick Powell, Frank McHugh, Guy Kibbee, Hugh Herbert and Ruth DonnellyScreenplay by Manuel Seff & James SeymourMusical numbers by Busby BerkeleyMusic by Harry Warren (music) & Al Dubin (lyrics), Sammy Fain (music) & Irving Kahal (lyrics)Studio: Warner Bro. *****States & Kingdoms theme music by Sean Newton Be sure to check out our nascent Instagram presence and follow us there- @statesandkingdomsPlease subscribe! Then leave us a 5 star review if you liked what you heard & share with your film-loving friends! Thanks for listening! Keep it classic movie people… xxSean & Jenna

In PART 2 of Episode 50 the gang discusses some more current news topics such as Robert Pattinson being cast as the new BATMAN. The gang analyzes John Wick: Chapter 3 -  Parabellum.  Nick pays tribute to Doris Day and Grumpy Cat. Movies Spoiled: John Wick: Chapter 3 - Parabellum (2019)  Music Used: Assault on the Tower written by Michael Kamen for Die Hard Motion Picture Soundtrack, Windy City performed by Doris Day and written by Paul Francis Webster and Sammy Fain for Calamity Jane motion picture soundtrack, Que Sera, Sera (Whatever Will Be) performed by Doris Day, written by Jay Livingston and Ray Evans for The Man Who Knew Too Much soundtrack

Today's Reel Change concludes our delightful dive into the history of the Movie Musical. We continue our travel backwards in time, as we step song by song down memory lane. We hope today's selections (by no means intended as an exhaustive 'greatest of' list) spark joy in the way only great movie musicals can.Join us and be prepared - you may find yourself suddenly and uncontrollably bursting into song.[Note: This 2-part podcast focuses on songs from live-action Movie Musicals. A future Reel Change will cover the wonderful tradition of music from Animated Musicals].Listen to Reel Change: The Movie Musical (Part II)  Today's Selections:Little Shop of Horrors “Little Shop of Horrors” (music: Alan Menken, lyrics: Howard Ashman)Annie“Maybe” (music: Charles Strouse, lyrics: Martin Charnin)Grease“You’re the One that I Want” (John Farrar)Willy Wonka & the Chocolate Factory“Pure Imagination” (Leslie Bricusse / Anthony Newley)Hello Dolly“It Only Takes a Moment” (Jerry Herman)The Sound of Music“The Sound of Music” (music: Richard Rodgers, lyrics: Oscar Hammerstein)Mary Poppins“A Spoonful of Sugar” (Richard Sherman / Robert Sherman)The Music Man“Marian the Librarian” (Meredith Wilson)West Side Story“Something’s Coming” (music: Leonard Bernstein, lyrics: Stephen Sondheim)Carousel“If I Loved You” (music: Richard Rodgers, lyrics: Oscar Hammerstein)Calamity Jane“The Deadwood Stage” (music: Sammy Fain, lyrics: Paul Francis Webster)Singin' in the Rain“Singin' in the Rain” (music: Nacio Herb Brown, lyrics: Arthur Freed)Annie Get Your Gun“They Say It's Wonderful” (Irving Berlin)Meet Me in St. Louis“The Boy Next Door” (Hugh Martin / Ralph Blane)■ ■ ■For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com---------------------------------------------------------------------to support the show, please visit www.patreon.com/underscorepodcast

Music of Sammy Fain and Fred Ahlert Name Artist Album Year Comments March Of The Cards Chris McPhee Concert Hits 1995 3-17 Wurlitzer, Orion Centre, Canterbury, NSW; ex 1928 Sydney Capitol Theatre 3-15 By A Waterfall Gus Farney Giant Pipes [Warner Bros. BS 1433] 1962 5-24 Wurlitzer, Organ Loft, Salt Lake City, UT Let A Smile Be Your Umbrella (On A Rainy, Rainy Day) Arsene Siegel Matinee [Replica 513] s 1957 4-20 Wurlitzer, Oriental Theatre, Chicago Spin A Little Web Of Dreams Lyn Larsen Coast To Coast [Malar MAS 1004] 1967 3-15 Wurlitzer, Avenue Theatre, San Francisco, CA; ex-State-Lake Theatre, Chicago (3-13) Mean To Me Vic Hammett Pipin' Hot! from the Cap'ns Galley [Doric 1401] 1978 4-18 Wurlitzer, Cap'ns Galley, Redwood City CA; ex-1926 Fifth Avenue Theatre, Seattle, WA Where The Blue Of The Night Meets The Gold Of The Day Lew Williams Live At The Pasadena Civic [Piping Hot CD] 1987 5-28 Moller, ex Reginald Foort Touring Organ Walkin' My Baby Back Home Chris McPhee Polished Pipes 1994 4-24 Wurlitzer Hybrid, Capri Theatre, Adelaide I'll Get By (As Long As I Have You) Jesse Crawford The Early Years [Piping Hot PH2008] 1929 4-21 Wurlitzer, Paramount Theatre Studio, New York Turkish Towel Chris Elliott From Shore To Shore [CPE Productions CD] 1998 4-36 Wurltzer, Plummer Auditorium, Fullerton, CA

Silvio, Palito Ortega, Voces Amigas, Aphrodite's Child, Françoise Hardy, Licia, Luisita Tenor, Los pasos, Los Corbs, Joan Manuel Serrat, Lolita Garrido, Sammy Fain y la Orquesta Mantovani, Simon & Garfunkel, Manolo Escobar, Mari Trini

Star Wars: The Last Jedi (100)It's Christmas time, which also now means that it's Star Wars time! Christopher Coleman is joined by Kristen Romanelli, Erik Woods and Justin Craig for this special 100th episode to talk about John Williams' original score for Star Wars: The Last Jedi ... and a wee bit about the film, too. They discuss new themes, returning themes, stand out cues on the soundtrack and, finally, rank the Star Wars films and original scores.Episode Highlights00:30 - Introduction - Star Wars: The Last Jedi04:49 - General Film Reaction (No Spoilers)18:30 - General Score Reaction (No Spoilers)34:33 - In-depth Score Discussion with Spoilers!70:02 - Ranking the film and score85:00 - Find and Follow88:48 - Bonus Track Music Selections00:00 - "Main Titles and Escape" (Star Wars: The Last Jedi) by John Williams17:51 - "The Rebellion is Reborn" (Star Wars: The Last Jedi) by John Williams33:44 - "Chrome Dome" (Star Wars: The Last Jedi) by John Williams35:06 - "Main Titles and Escape" (Star Wars: The Last Jedi) by John Williams41:20 - "Fun with Fin and Rose" (Star Wars: The Last Jedi) by John Williams44:27 - "Vada's Theme" (My Girl) by James Newton Howard45:06 - "Anakin's Theme" (Star Wars: The Phantom Menace) by John Williams48:51 - "The Windy City" (Calamity Jane) by Sammy Fain, Paul Francis Webster49:51 - "The Rebellion is Reborn" (Star Wars: The Last Jedi) by John Williams51:42 - "Finale" (Star Wars: The Last Jedi) by John Williams51:42 - "Main Titles and Escape" (Star Wars: The Last Jedi) by John Williams65:23 - "Finale" (Star Wars: The Last Jedi) by John Williams87:56 - "Canto Bight" (Star Wars: The Last Jedi) by John WilliamsNotes:"Vada's Theme" (My Girl) on Youtube "The Windy City" (Calamity Jane on YoutubeFind and Follow:Follow Kristen Romanelli on Twitter. https://twitter.com/kbfornowFollow Erik Woods on Twitter https://twitter.com/cinsoundradioFollow Justin Craig on Twitter. (Just do a Twitter search) :PFollow The Soundcast on Twitter: https://twitter.com/audiosoundcastFollow Tracksounds on Twitter. https://twitter.com/tracksoundsFollow Christopher Coleman on Twitter. https://twitter.com/ccolemanSpotify:Find our Spotify Companion Playlist here!https://open.spotify.com/user/tracksounds/playlist/6xbi7x5MrZwnZUkwVk4LDjSupport Tracksounds:Most of the soundtracks mentioned in this episode can be found at Amazon. Your purchases through these links help us to keep on keepin' on! Thank You!Buy Soundtracks at Amazon.comhttp://bit.ly/amazonsoundtracksSubscribe and More Infohttp://www.thesoundcast.com/p/the-official-podcast-of-tracksounds.htmlaCASTGOOGLE PLAYiTUNESRSS FEEDSTITCHER RADIOTUNEIN RADIOThe official podcast of Tracksounds.com, The SoundCast is hosted by Christopher Coleman and features reviews and discussions centered around film, TV, and video game soundtracks. Special edition episodes include interviews with composers and other industry professionals.The Soundcast Stereo is co-hosted by Christopher Coleman and Erik Woods (Cinematic Sound Radio). Each episode is a 30 minute (ish), two channel conversation about the world of film, television, and video game music.

En El Guateque saludamos al mes de abril con Joan Manuel Serrat, Sammy Fain, Lolita Garrido, Simon & Garfunkel; celebramos el Día Mundial de la Salud (7 abril) con Los Stop, y el aniversario de Bille Hollyday. Además, France Gall, Françoise Hardy, Marichela, Betina, Cassen, Tony Ronald y sus Kroner's, Micky y Los Tonys, Los Ángeles, Bruno Lomas, Karina

Radio Free Disneyland is a curated music podcast that tells the stories of the Disneyland Resort in a unique and tuneful way. Using Disney music, not-so-Disney music, and definitely-not-Disney music to tell the stories of the “lands,” their origins, and their citizenry. Real and imagined. Usually with a backbeat.  PLAY THIS PODCAST LOUD! An incredibly detailed Soviet map of Orange County, California. Gotta be able to get the tanks down the streets. Which Chapman Ave. should we attack from? Act 1 Show Notes: Show Opening Sound Logo (Audio Montage)   Includes: Recording:  Overture: M. Gustave H Artist:         Alexandre Desplat Album:       Grand Budapest Hotel Original Sountrack         Recording:   852 Artist:          The Cellar & Point Album:        Ambit       Thanks to these fine artists for setting the tone of the Podcast. Discover their music via the buttons. Intercepted Transmission 7/17/55 (Audio Montage)   Includes: Recording:     Hall of Trade Unions, Moscow Artist:            Thomas Newman Album:           Bridge of Spies Soundtrack (2015)       Recording:    Dedication of Disneyland Artist:           Walt Disney Album:         The Legacy Collection-Disneyland       I Can't Live Without My Radio Recording:     I Can't Live Without My Radio Artist:            Halloween Alaska Album:          Too Tall To Hide A smooth and soulful cover of the LL Cool J's Hip Hop anthem. Halloween Alaska is a Minnesota-based band consisting of James Diers, Jake Hanson, Bill Shaw, and David King. All of the group's members live in the Twin Cities.     Radio Nowhere   Recording:        Radio Nowhere Artist:               Bruce Springsteen Album:             The Essential Bruce Springsteen       Various Static (Audio Montage)   Contains excerpts of Walt Disney's Carousel of Progress,
 Toni Basil's "Mickey" in Spanish, Rocky and Bullwinkle, 
and the battle cry of the 1960s iconic Los Angeles radio 93-KHJ. 
Boss Radio's iconic non-sequitur "Tina Delgado is alive, alive!" was the invention of DJ "The Real Don Steel." This cut also contains Artisanal Radio Static.     Vauxhall Bridge (with voice over)   Recording:      Vauxhall Bridge Artist:             Thomas Newman Album:           Spectre Original Soundtrack (2015) Deejay contemplates the futility of his assignment.       Artists of the Week - Los Lobos In 2009 Los Lobos did a whole album of interpretations of Disney musical fare.  On October 9, 2015, Los Lobos was nominated for induction into the a Rock and Roll Hall of Fame for the first time. Viva Los Lobos!   Deep Dossier: On America, Xenophobia and Los Lobos: Dream In Blue No Depression - Easy Ed's Broadside Review of Chris Morris' Los Lobos bio-book. http://nodepression.com/article/america-xenophobia-and-los-lobos-dream-blue           Gates of Gold Recording:        Gates of Gold Artist:               Los Lobos Album:             Gates of Gold The place they describe on this title track seems somehow familiar. "A place where you never grow old." The anticipation of arrival at a magical place is palpable.        Main Street Parade   Recording:       Main Street Parade Artist:              Louise Goffin Album:            Songs From The Mine I'm not imagining this one. Listen to the words!        Clef Club No. 2 (From Ragtime)   Recording:        Clef Club No 2 Artist:               Randy Newman Album:             Ragtime (Original Sound Track)         Once Upon A Dream (Band Organ)   Recording:       Once Upon A Dream Artist:              Walt Disney Imagineering Composers:     Sammy Fain and Jack Lawrence Album:             A Musical History of Disneyland

Matthew Sweet looks at film music inspired by Lewis Carroll's Alice, in the week of the release of the new Disney film, "Alice Through The Looking Glass". Matthew looks at music for some of the many films based on the Alice books and also films that are more indirectly inspired by them, including Dmitri Tiomkin's music for the 1933 "Alice in Wonderland"; John Barry's 1974 version; Richard Hartley's score for the 1999 TV version; and music by Danny Elfman for Tim Burton. The programme also features music by Howard Shore for "The Last Mimzy"; Christian and Joe Henson for "Malice in Wonderland"; Christophe Beck for "Phoebe in Wonderland" and Don Davis's music for "The Matrix". The Classic Score of the Week is Sammy Fain's and Oliver Wallace's music for Walt Disney's 1951 animated "Alice in Wonderland".

En El Guateque (domingos, 15:05h) celebramos la llegada de Abril y el Día Mundial de la Salud, y recordamos la canción "Margarita se llama mi amor", cantada por miles de universitarios. Con Los Stop, Simon & Garfunkel, Sammy Fain y la Mantovani Orchestra, Los Salvajes, Bruno Lomas, Pop Tops, Los Puntos, Karina, Tony Ronald y sus Kroners, Micky y los Tonys, Silvana Velasco, Los Pasos, Pan y Regaliz, Los Ángeles...

The life and work of songwriter, Sammy Fain. Songs include: Love is a Many Splendored Thing, I'll Be Seeing You, That Old Feeling, By a Waterfall and Secret Love.  Performers include: Dorris Day, Shep Fields, Billie Holliday, The Four Aces, Dick Powell and Maurice Chevalier.

(((HEADPHONES STRONGLY RECOMMENDED))) To provide production support for the Mouse Lounge visit mouselounge.com and look for the Paypal link on the left side.  If you like the show please post a review for the Mouse Lounge Podcast on iTunes. Each week, in From the Vault we sample a clip from a classic Disney film, short, television or radio program, or Disneyland Record.   This week we present a Disneyland Little Long Playing Record.  First, listen to a short biography about the incomparable Disneyland Story Reader, Robie Lester followed by her exquisite telling of the Story of Sleeping Beauty!    Next: a special Mouse Lounge mini-documentary about the history of the 1959 feature film, Sleeping Beauty. Each week we present a high definition ride-through from a Disney Park East or a Disney Park West.   This week we feature a slight departure from our typical ride-thrus.  So often we walk through Sleeping Beauty Castle in Disneyland on our way to our favorite Fantasyland attractions.  This time, we stop just beyond the castle bridge and listen; to hear a beautiful medley of music from the films that define the Fantasyland sound experience.  We'll close this week’s show with a trio of unique interpretations of Sammy Fain’s, “Once Upon a Dream”.  First, from the six disc superset, “A Musical History of Disneyland” we board King Arthur’s Carousel and hear a fantastic arrangement for Stinson Band Organ.  Then, we’ll delve in a bit of Disney Bubble Gum Pop and hear Emily Osments auto-tuned performance.  And just about when three minutes of Disneymania convinces you there’s no such thing as talent, have a listen to the original Aurora and Prince Philip, Mary Costa & Bill Shirley from the re-mastered soundtrack. Enjoy!