Podcasts about guns

104 MinutesPG-13Dexter White writes at and is co-owner of Gold, Goats, and Guns.Dexter joins Pete to talk about the recent attack on Iran by the American military. They also talk about purity spiraling and putting libertarianism behind. Gold, Goats and Guns BlogGold. Goats and Guns PatreonPete and Thomas777 'At the Movies'Support Pete on His WebsitePete's PatreonPete's SubstackPete's SubscribestarPete's GUMROADPete's VenmoPete's Buy Me a CoffeePete on FacebookPete on TwitterBecome a supporter of this podcast: https://www.spreaker.com/podcast/the-pete-quinones-show--6071361/support.

In our previous episode, Alisha introduced you to Anna Marie Hlavka. She was a 20-year-old woman who had been living with her boyfriend and sister at the Tudor Arms apartments in downtown Portland. On June 24th, 1979, Anna's sister Rose Ann returned home from the McDonald's where both sisters worked, and she discovered her sister had been murdered. Susan was lying across the bed, the power cord from her alarm clock radio wrapped around her neck. Investigators followed every lead, but the case very quickly went cold. What the Portland Police didn't know back in ‘79 was that the man who, 40 years later, would come up as a match via Parabon Labs forensic genetic genealogy had spent years terrorizing the state of Texas. MAX- “House of Horrors Kidnapped” Portland Police solve 40-year-old murder - oregonlive.com - Oregon Journal July 25 1979- Woman, 20, strangled in bed here - 1979 - Oregon Crime Rates 1960 to 2019 - The big difference between Portland's violence now and record-setting 1987? Guns and indiscriminate shootings - oregonlive.com - How the “Stranger Danger” Panic of the 1980s Helped Give Rise to Mass Incarceration - The Oregonian Aug. 4 1978- Frances L. Bloch - Keeping it weird at the W Burnside McDonald's : r/Portland - Alberni Valley TImes Aug 1 1979- Obituaries - Newspapers.com Joseph Hlavka - The Oregonian July 26 1979 - Woman strangled in NW Portland Apartment - Oregon Journal Aug 3 1979 - Clues scares in woman's murder - Denton Record Chronicle June 28 1972- Two Dentonites Indicted - Abilene Reporter News- Feb. 1 1973- Haskell Rape Charges Filed - Times Record News April 18 1973- Haskell Man Given Sentence - Corpus Christi Times May 8 1986- Rites set for slain girl; hopes fade for 2 missing - Longview News Journal May 10 1986- Crime Spree/Search - Tyler Morning Telegraph May 8 1986- No Top suspect Yet In Slaying of Wood Youth - the Tyler Courier Times May 11 1986- - Hawkins Youths Found Slain - The tyler Courier Times May 12 1986 Autopsy Shows Hawkins Youths Died of Gunshots - Tyler Morning Telegraph May 13 1986- Bryan Drew Boone - Tyler Morning Telegraph May 14 1986 Services - Austin American Statesman May 23 1986- Man charged with strangling near Hawkins - Longview News Journal June 7 1986 -McFadden indicted in robbery case - Austin American Statesman- July 11 1986- Hostage safe as hunt intensifies for jail escapee - Kerrville Times July 11 1986- Hostage gets away from escaped rapist - The Oregonian Feb 28 1958- Injured Worker wins $36,378 - The Bulletin- Driving while under the influence- Joseph Louis Hlavka, Portland, lodged in jail in lieu of $305 fine - Anna working on a wood project - Alberni Valley Times Aug 1 1979- Hlavka (Koivisto) Funeral - The Bulletin Crook County Circut Cout Dec 2 1971 - The Sunday Oregonian June 7 1987- Wounded man still critical - The Oregonian July 7 1988- Senteced to 90 days in jail - The Oregonian Aug 4 1988 Joseph Car Crash - The Oregonian Dec 8 1988 90 days in Jail - Female Murder Victims and Victim-Offender Relationship, 2021 | Bureau of Justice Statistics. - the Tyler Courier-Times May 7 1986- Ore City Man Held In Hawkins - Tyler Morning Telegraph May 6 1986- Hawkins Teen Slain; Two Friends Missing - El Paso Herald Post July 10 1986- Rapist Accused of Murder Escapes - Longview News Journal Aug 27 1986- McFadden due sentence today - Austin American Statesman Aug 28 1986 'Animal' handed life prison term for lake holdup - Austin American Statesman March 17 1987 Trial would ruin budget, officials say - Fort Worth Star telegram June 23 1987 - Thief was 'Animal', murder trial witness says - Longview News Journal June 30 1987- Autopsies detailed at McFadden trial - Seguin Gazette Enterprise July 1 1987 Murderer testifies about McFadden - Longview news Journal July 15 1987- McFadden given death - Longview News Journal Oct 15 1999- McFadden executed for 1986 murder - Serial killer's cell destroyed as Upshur County courthouse demo continuesSupport this podcast at — https://redcircle.com/murder-in-the-rain/exclusive-contentAdvertising Inquiries: https://redcircle.com/brands

   President Trump is beside himself after Israel and Iran break the agreed to cease fire.  He was so mad, he busted on the F word to describe how stupid these countries are.  Then, the cease fire was back on.  We'll see.     While they won't say which pilots flew the B-2 bombers over Iran Saturday, we have a pretty educated guess that one of them was Kansas City's finest.   Me and Jess have known a family member of the record setting Lt. Colonel at Whiteman that holds the record for most hours in the cockpit of a B-2... over 2000 hours.  We'll give you the name of Kansas City and the World's Top Gun.    The Supreme Court backs Trump on deportation but a lower court judge says he's ignoring it.  This can't end well for the lower judge.   It's crunch time for the Royals and Chiefs regarding funding for where they play. Patrick Mahomes has one very interesting salary cap stat, the NBA gets it's highest rating in 6 years and an ESPN announcer apologizes for no reason at all other than she works at ESPN

   President Trump is beside himself after Israel breaks the cease fire agreed to on Monday... so much so that he busted out the F word.  He's really hot... we have the latest.    While they won't say which pilots flew the B-2 bombers from Whiteman, we have a pretty educated guess as one Lt. Colonel holds the record for most hours in the cockpit.  Me and Jess have known a family member of his for years and we'll just call him KC's finest and  the B-2's Top Gun.    The Supreme Court backs Trump on deportation but a lower court judge is threatening to ignore the court.  This can't end well.    It's crunch time for the Royals and Chiefs regarding funding for where they play.  Patrick Mahomes has one very interesting salary cap statistic, the NBA Final game hits a 6 year record high an ESPN announcer that had nothing to apologize for, apologizes.  Unreal.

Rhode Island Senate Minority Leader Jessica de la Cruz says the bill banning the manufacture, sale, and transfer of commonly owned semi-automatic firearms adopted by the legislature last Friday is just the beginning, and tells Cam she expects anti-gunners will be back to take a bigger bite out of our 2A rights next session.

In June 1997, Uwe Durbin was brutally tortured and murdered in Riverside, California. Durbin, who had been staying with Lester “Woody” Wilson and his wife Barbara Phillips, was accused by Wilson of stealing electronics from their home. In retaliation, Wilson and Phillips abducted Durbin at gunpoint and brought him back to their house. Over several hours, Durbin was savagely beaten, shot in the knee, strangled, and tortured with objects including battery-filled gloves. The attackers also brought chemical drain cleaner, allegedly intending to dissolve his body, and held Durbin's family members hostage during the ordeal.In the early morning hours of June 9, Wilson and others attempted to transport Durbin's battered body but their car broke down along California's Highway 91. There, Durbin was shot five times in the head and left in a roadside drainage ditch. His body was discovered later that day. Wilson was arrested, convicted of first-degree murder with special circumstances of torture and kidnapping, and sentenced to death. Barbara Phillips was also convicted and sentenced to life in prison without parole. The case remains one of Riverside County's most disturbing examples of torture-murder.https://linktr.ee/UnforbiddentruthBecome a supporter of this podcast: https://www.spreaker.com/podcast/unforbidden-truth--4724561/support.

For those who haven't heard the announcement I posted, songs from this point on will sometimes be split among multiple episodes, so this is the second part of a two-episode look at the song “Who Knows Where The Time Goes?” by Fairport Convention, and the intertwining careers of Joe Boyd, Sandy Denny, and Richard Thompson. Click the full post to read liner notes, links to more information, and a transcript of the episode. Patreon backers also have a forty-one-minute bonus episode available, on Judy Collins’ version of this song. Tilt Araiza has assisted invaluably by editing, and will hopefully be doing so from now on. Check out Tilt's irregular podcasts at http://www.podnose.com/jaffa-cakes-for-proust and http://sitcomclub.com/ Erratum For about an hour this was uploaded with the wrong Elton John clip in place of “Saturday Sun”. This has now been fixed. Resources Because of the increasing problems with Mixcloud’s restrictions, I have decided to start sharing streaming playlists of the songs used in episodes instead of Mixcloud ones. This Tunemymusic link will let you listen to the playlist I created on your streaming platform of choice — however please note that not all the songs excerpted are currently available on streaming. The songs missing from the Tidal version are “Shanten Bells” by the Ian Campbell Folk Group, “Tom’s Gone to Hilo” by A.L. Lloyd, two by Paul McNeill and Linda Peters, three by Elton John & Linda Peters, “What Will I Do With Tomorrow” by Sandy Denny and “You Never Know” by Charlie Drake, but the other fifty-nine are there. Other songs may be missing from other services. The main books I used on Fairport Convention as a whole were Patrick Humphries' Meet On The Ledge, Clinton Heylin's What We Did Instead of Holidays, and Kevan Furbank's Fairport Convention on Track. Rob Young's Electric Eden is the most important book on the British folk-rock movement. Information on Richard Thompson comes from Patrick Humphries' Richard Thompson: Strange Affair and Thompson's own autobiography Beeswing.  Information on Sandy Denny comes from Clinton Heylin's No More Sad Refrains and Mick Houghton's I've Always Kept a Unicorn. I also used Joe Boyd's autobiography White Bicycles and Chris Blackwell's The Islander.  And this three-CD set is the best introduction to Fairport's music currently in print. Transcript Before we begin, this episode contains reference to alcohol and cocaine abuse and medical neglect leading to death. It also starts with some discussion of the fatal car accident that ended last episode. There’s also some mention of child neglect and spousal violence. If that’s likely to upset you, you might want to skip this episode or read the transcript. One of the inspirations for this podcast when I started it back in 2018 was a project by Richard Thompson, which appears (like many things in Thompson’s life) to have started out of sheer bloody-mindedness. In 1999 Playboy magazine asked various people to list their “songs of the Millennium”, and most of them, understanding the brief, chose a handful of songs from the latter half of the twentieth century. But Thompson determined that he was going to list his favourite songs *of the millennium*. He didn’t quite manage that, but he did cover seven hundred and forty years, and when Playboy chose not to publish it, he decided to turn it into a touring show, in which he covered all his favourite songs from “Sumer Is Icumen In” from 1260: [Excerpt: Richard Thompson, “Sumer is Icumen In”] Through numerous traditional folk songs, union songs like “Blackleg Miner”, pieces by early-modern composers, Victorian and Edwardian music hall songs, and songs by the Beatles, the Ink Spots, the Kinks, and the Who, all the way to “Oops! I Did It Again”: [Excerpt: Richard Thompson, “Oops! I Did it Again”] And to finish the show, and to show how all this music actually ties together, he would play what he described as a “medieval tune from Brittany”, “Marry, Ageyn Hic Hev Donne Yt”: [Excerpt: Richard Thompson, “Marry, Ageyn Hic Hev Donne Yt”] We have said many times in this podcast that there is no first anything, but there’s a reason that Liege and Lief, Fairport Convention’s third album of 1969, and the album other than Unhalfbricking on which their reputation largely rests, was advertised with the slogan “The first (literally) British folk rock album ever”. Folk-rock, as the term had come to be known, and as it is still usually used today, had very little to do with traditional folk music. Rather, the records of bands like The Byrds or Simon and Garfunkel were essentially taking the sounds of British beat groups of the early sixties, particularly the Searchers, and applying those sounds to material by contemporary singer-songwriters. People like Paul Simon and Bob Dylan had come up through folk clubs, and their songs were called folk music because of that, but they weren’t what folk music had meant up to that point — songs that had been collected after being handed down through the folk process, changed by each individual singer, with no single identifiable author. They were authored songs by very idiosyncratic writers. But over their last few albums, Fairport Convention had done one or two tracks per album that weren’t like that, that were instead recordings of traditional folk songs, but arranged with rock instrumentation. They were not necessarily the first band to try traditional folk music with electric instruments — around the same time that Fairport started experimenting with the idea, so did an Irish band named Sweeney’s Men, who brought in a young electric guitarist named Henry McCullough briefly. But they do seem to have been the first to have fully embraced the idea. They had done so to an extent with “A Sailor’s Life” on Unhalfbricking, but now they were going to go much further: [Excerpt: Fairport Convention, “Matty Groves” (from about 4:30)] There had been some doubt as to whether Fairport Convention would even continue to exist — by the time Unhalfbricking, their second album of the year, was released, they had been through the terrible car accident that had killed Martin Lamble, the band’s drummer, and Jeannie Franklyn, Richard Thompson’s girlfriend. Most of the rest of the band had been seriously injured, and they had made a conscious decision not to discuss the future of the band until they were all out of hospital. Ashley Hutchings was hospitalised the longest, and Simon Nicol, Richard Thompson, and Sandy Denny, the other three surviving members of the band, flew over to LA with their producer and manager, Joe Boyd, to recuperate there and get to know the American music scene. When they came back, the group all met up in the flat belonging to Denny’s boyfriend Trevor Lucas, and decided that they were going to continue the band. They made a few decisions then — they needed a new drummer, and as well as a drummer they wanted to get in Dave Swarbrick. Swarbrick had played violin on several tracks on Unhalfbricking as a session player, and they had all been thrilled to work with him. Swarbrick was one of the most experienced musicians on the British folk circuit. He had started out in the fifties playing guitar with Beryl Marriott’s Ceilidh Band before switching to fiddle, and in 1963, long before Fairport had formed, he had already appeared on TV with the Ian Campbell Folk Group, led by Ian Campbell, the father of Ali and Robin Campbell, later of UB40: [Excerpt: The Ian Campbell Folk Group, “Shanten Bells (medley on Hullaballoo!)”] He’d sung with Ewan MacColl and A.L. Lloyd: [Excerpt: A.L. Lloyd, “Tom’s Gone to Hilo” ] And he’d formed his hugely successful duo with Martin Carthy, releasing records like “Byker Hill” which are often considered among the best British folk music of all time: [Excerpt: Martin Carthy and Dave Swarbrick, “Byker Hill”] By the time Fairport had invited him to play on Unhalfbricking, Swarbrick had already performed on twenty albums as a core band member, plus dozens more EPs, singles, and odd tracks on compilations. They had no reason to think they could actually get him to join their band. But they had three advantages. The first was that Swarbrick was sick of the traditional folk scene at the time, saying later “I didn’t like seven-eighths of the people involved in it, and it was extremely opportune to leave. I was suddenly presented with the possibilities of exploring the dramatic content of the songs to the full.” The second was that he was hugely excited to be playing with Richard Thompson, who was one of the most innovative guitarists of his generation, and Martin Carthy remembers him raving about Thompson after their initial sessions. (Carthy himself was and is no slouch on the guitar of course, and there was even talk of getting him to join the band at this point, though they decided against it — much to the relief of rhythm guitarist Simon Nicol, who is a perfectly fine player himself but didn’t want to be outclassed by *two* of the best guitarists in Britain at the same time). And the third was that Joe Boyd told him that Fairport were doing so well — they had a single just about to hit the charts with “Si Tu Dois Partir” — that he would only have to play a dozen gigs with Fairport in order to retire. As it turned out, Swarbrick would play with the group for a decade, and would never retire — I saw him on his last tour in 2015, only eight months before he died. The drummer the group picked was also a far more experienced musician than any of the rest, though in a very different genre. Dave Mattacks had no knowledge at all of the kind of music they played, having previously been a player in dance bands. When asked by Hutchings if he wanted to join the band, Mattacks’ response was “I don’t know anything about the music. I don’t understand it… I can’t tell one tune from another, they all sound the same… but if you want me to join the group, fine, because I really like it. I’m enjoying myself musically.” Mattacks brought a new level of professionalism to the band, thanks to his different background. Nicol said of him later “He was dilligent, clean, used to taking three white shirts to a gig… The application he could bring to his playing was amazing. With us, you only played well when you were feeling well.” This distinction applied to his playing as well. Nicol would later describe the difference between Mattacks’ drumming and Lamble’s by saying “Martin’s strength was as an imaginative drummer. DM came in with a strongly developed sense of rhythm, through keeping a big band of drunken saxophone players in order. A great time-keeper.” With this new line-up and a new sense of purpose, the group did as many of their contemporaries were doing and “got their heads together in the country”. Joe Boyd rented the group a mansion, Farley House, in Farley Chamberlayne, Hampshire, and they stayed there together for three months. At the start, the group seem to have thought that they were going to make another record like Unhalfbricking, with some originals, some songs by American songwriters, and a few traditional songs. Even after their stay in Farley Chamberlayne, in fact, they recorded a few of the American songs they’d rehearsed at the start of the process, Richard Farina’s “Quiet Joys of Brotherhood” and Bob Dylan and Roger McGuinn’s “Ballad of Easy Rider”: [Excerpt: Fairport Convention, “Ballad of Easy Rider”] Indeed, the whole idea of “getting our heads together in the country” (as the cliche quickly became in the late sixties as half of the bands in Britain went through much the same kind of process as Fairport were doing — but usually for reasons more to do with drug burnout or trend following than recovering from serious life-changing trauma) seems to have been inspired by Bob Dylan and the Band getting together in Big Pink. But very quickly they decided to follow the lead of Ashley Hutchings, who had had something of a Damascene conversion to the cause of traditional English folk music. They were listening mostly to Music From Big Pink by the Band, and to the first album by Sweeney’s Men: [Excerpt: Sweeney’s Men, “The Handsome Cabin Boy”] And they decided that they were going to make something that was as English as those records were North American and Irish (though in the event there were also a few Scottish songs included on the record). Hutchings in particular was becoming something of a scholar of traditional music, regularly visiting Cecil Sharp House and having long conversations with A.L. Lloyd, discovering versions of different traditional songs he’d never encountered before. This was both amusing and bemusing Sandy Denny, who had joined a rock group in part to get away from traditional music; but she was comfortable singing the material, and knew a lot of it and could make a lot of suggestions herself. Swarbrick obviously knew the repertoire intimately, and Nicol was amenable, while Mattacks was utterly clueless about the folk tradition at this point but knew this was the music he wanted to make. Thompson knew very little about traditional music, and of all the band members except Denny he was the one who has shown the least interest in the genre in his subsequent career — but as we heard at the beginning, showing the least interest in the genre is a relative thing, and while Thompson was not hugely familiar with the genre, he *was* able to work with it, and was also more than capable of writing songs that fit in with the genre. Of the eleven songs on the album, which was titled Liege and Lief (which means, roughly, Lord and Loyalty), there were no cover versions of singer-songwriters. Eight were traditional songs, and three were originals, all written in the style of traditional songs. The album opened with “Come All Ye”, an introduction written by Denny and Hutchings (the only time the two would ever write together): [Excerpt: Fairport Convention, “Come All Ye”] The other two originals were songs where Thompson had written new lyrics to traditional melodies. On “Crazy Man Michael”, Swarbrick had said to Thompson that the tune to which he had set his new words was weaker than the lyrics, to which Thompson had replied that if Swarbrick felt that way he should feel free to write a new melody. He did, and it became the first of the small number of Thompson/Swarbrick collaborations: [Excerpt: Fairport Convention, “Crazy Man Michael”] Thompson and Swarbrick would become a brief songwriting team, but as much as anything else it was down to proximity — the two respected each other as musicians, but never got on very well. In 1981 Swarbrick would say “Richard and I never got on in the early days of FC… we thought we did, but we never did. We composed some bloody good songs together, but it was purely on a basis of “you write that and I’ll write this, and we’ll put it together.” But we never sat down and had real good chats.” The third original on the album, and by far the most affecting, is another song where Thompson put lyrics to a traditional tune. In this case he thought he was putting the lyrics to the tune of “Willie O'Winsbury”, but he was basing it on a recording by Sweeney’s Men. The problem was that Sweeney’s Men had accidentally sung the lyrics of “Willie O'Winsbury'” to the tune of a totally different song, “Fause Foodrage”: [Excerpt: Sweeney’s Men, “Willie O’Winsbury”] Thompson took that melody, and set to it lyrics about loss and separation. Thompson has never been one to discuss the meanings of his lyrics in any great detail, and in the case of this one has said “I really don't know what it means. This song came out of a dream, and I pretty much wrote it as I dreamt it (it was the sixties), and didn't spend very long analyzing it. So interpret as you wish – or replace with your own lines.” But in the context of the traffic accident that had killed his tailor girlfriend and a bandmate, and injured most of his other bandmates, the lyrics about lonely travellers, the winding road, bruised and beaten sons, saying goodbye, and never cutting cloth, seem fairly self-explanatory: [Excerpt: Fairport Convention, “Farewell, Farewell”] The rest of the album, though, was taken up by traditional tunes. There was a long medley of four different fiddle reels; a version of “Reynardine” (a song about a seductive man — or is he a fox? Or perhaps both — which had been recorded by Swarbrick and Carthy on their most recent album); a 19th century song about a deserter saved from the firing squad by Prince Albert; and a long take on “Tam Lin”, one of the most famous pieces in the Scottish folk music canon, a song that has been adapted in different ways by everyone from the experimental noise band Current 93 to the dub poet Benjamin Zephaniah to the comics writer Grant Morrison: [Excerpt: Fairport Convention, “Tam Lin”] And “Matty Groves”, a song about a man killing his cheating wife and her lover, which actually has a surprisingly similar story to that of “1921” from another great concept album from that year, the Who’s Tommy. “Matty Groves” became an excuse for long solos and shows of instrumental virtuosity: [Excerpt: Fairport Convention, “Matty Groves”] The album was recorded in September 1969, after their return from their break in the country and a triumphal performance at the Royal Festival Hall, headlining over fellow Witchseason artists John and Beverly Martyn and Nick Drake. It became a classic of the traditional folk genre — arguably *the* classic of the traditional folk genre. In 2007 BBC Radio 2’s Folk Music Awards gave it an award for most influential folk album of all time, and while such things are hard to measure, I doubt there’s anyone with even the most cursory knowledge of British folk and folk-rock music who would not at least consider that a reasonable claim. But once again, by the time the album came out in November, the band had changed lineups yet again. There was a fundamental split in the band – on one side were Sandy Denny and Richard Thompson, whose stance was, roughly, that Liege and Lief was a great experiment and a fun thing to do once, but really the band had two first-rate songwriters in themselves, and that they should be concentrating on their own new material, not doing these old songs, good as they were. They wanted to take the form of the traditional songs and use that form for new material — they wanted to make British folk-rock, but with the emphasis on the rock side of things. Hutchings, on the other hand, was equally sure that he wanted to make traditional music and go further down the rabbit hole of antiquity. With the zeal of the convert he had gone in a couple of years from being the leader of a band who were labelled “the British Jefferson Airplane” to becoming a serious scholar of traditional folk music. Denny was tired of touring, as well — she wanted to spend more time at home with Trevor Lucas, who was sleeping with other women when she was away and making her insecure. When the time came for the group to go on a tour of Denmark, Denny decided she couldn’t make it, and Hutchings was jubilant — he decided he was going to get A.L. Lloyd into the band in her place and become a *real* folk group. Then Denny reconsidered, and Hutchings was crushed. He realised that while he had always been the leader, he wasn’t going to be able to lead the band any further in the traditionalist direction, and quit the group — but not before he was delegated by the other band members to fire Denny. Until the publication of Richard Thompson’s autobiography in 2022, every book on the group or its members said that Denny quit the band again, which was presumably a polite fiction that the band agreed, but according to Thompson “Before we flew home, we decided to fire Sandy. I don't remember who asked her to leave – it was probably Ashley, who usually did the dirty work. She was reportedly shocked that we would take that step. She may have been fragile beneath the confident facade, but she still knew her worth.” Thompson goes on to explain that the reasons for kicking her out were that “I suppose we felt that in her mind she had already left” and that “We were probably suffering from post-traumatic stress disorder, though there wasn't a name for it back then.” They had considered inviting Trevor Lucas to join the band to make Denny more comfortable, but came to the (probably correct) conclusion that while he was someone they got on well with personally, he would be another big ego in a band that already had several, and that being around Denny and Lucas’ volatile relationship would, in Thompson’s phrasing, “have not always given one a feeling of peace and stability.” Hutchings originally decided he was going to join Sweeney’s Men, but that group were falling apart, and their first rehearsal with Hutchings would also be their last as a group, with only Hutchings and guitarist and mandolin player Terry Woods left in the band. They added Woods’ wife Gay, and another couple, Tim Hart and Maddy Prior, and formed a group called Steeleye Span, a name given them by Martin Carthy. That group, like Fairport, went to “get their heads together in the country” for three months and recorded an album of electric versions of traditional songs, Hark the Village Wait, on which Mattacks and another drummer, Gerry Conway, guested as Steeleye Span didn’t at the time have their own drummer: [Excerpt: Steeleye Span, “Blackleg Miner”] Steeleye Span would go on to have a moderately successful chart career in the seventies, but by that time most of the original lineup, including Hutchings, had left — Hutchings stayed with them for a few albums, then went on to form the first of a series of bands, all called the Albion Band or variations on that name, which continue to this day. And this is something that needs to be pointed out at this point — it is impossible to follow every single individual in this narrative as they move between bands. There is enough material in the history of the British folk-rock scene that someone could do a 500 Songs-style podcast just on that, and every time someone left Fairport, or Steeleye Span, or the Albion Band, or Matthews’ Southern Comfort, or any of the other bands we have mentioned or will mention, they would go off and form another band which would then fission, and some of its members would often join one of those other bands. There was a point in the mid-1970s where the Albion Band had two original members of Fairport Convention while Fairport Convention had none. So just in order to keep the narrative anything like wieldy, I’m going to keep the narrative concentrated on the two figures from Fairport — Sandy Denny and Richard Thompson — whose work outside the group has had the most influence on the wider world of rock music more broadly, and only deal with the other members when, as they often did, their careers intersected with those two. That doesn’t mean the other members are not themselves hugely important musicians, just that their importance has been primarily to the folk side of the folk-rock genre, and so somewhat outside the scope of this podcast. While Hutchings decided to form a band that would allow him to go deeper and deeper into traditional folk music, Sandy Denny’s next venture was rather different. For a long time she had been writing far more songs than she had ever played for her bandmates, like “Nothing More”, a song that many have suggested is about Thompson: [Excerpt: Fotheringay, “Nothing More”] When Joe Boyd heard that Denny was leaving Fairport Convention, he was at first elated. Fairport’s records were being distributed by A&M in the US at that point, but Island Records was in the process of opening up a new US subsidiary which would then release all future Fairport product — *but*, as far as A&M were concerned, Sandy Denny *was* Fairport Convention. They were only interested in her. Boyd, on the other hand, loved Denny’s work intensely, but from his point of view *Richard Thompson* was Fairport Convention. If he could get Denny signed directly to A&M as a solo artist before Island started its US operations, Witchseason could get a huge advance on her first solo record, while Fairport could continue making records for Island — he’d have two lucrative acts, on different labels. Boyd went over and spoke to A&M and got an agreement in principle that they would give Denny a forty-thousand-dollar advance on her first solo album — twice what they were paying for Fairport albums. The problem was that Denny didn’t want to be a solo act. She wanted to be the lead singer of a band. She gave many reasons for this — the one she gave to many journalists was that she had seen a Judy Collins show and been impressed, but noticed that Collins’ band were definitely a “backing group”, and as she put it “But that's all they were – a backing group. I suddenly thought, If you're playing together on a stage you might as well be TOGETHER.” Most other people in her life, though, say that the main reason for her wanting to be in a band was her desire to be with her boyfriend, Trevor Lucas. Partly this was due to a genuine desire to spend more time with someone with whom she was very much in love, partly it was a fear that he would cheat on her if she was away from him for long periods of time, and part of it seems to have been Lucas’ dislike of being *too* overshadowed by his talented girlfriend — he didn’t mind acknowledging that she was a major talent, but he wanted to be thought of as at least a minor one. So instead of going solo, Denny formed Fotheringay, named after the song she had written for Fairport. This new band consisted at first of Denny on vocals and occasional piano, Lucas on vocals and rhythm guitar, and Lucas’ old Eclection bandmate Gerry Conway on drums. For a lead guitarist, they asked Richard Thompson who the best guitarist in Britain was, and he told them Albert Lee. Lee in turn brought in bass player Pat Donaldson, but this lineup of the band barely survived a fortnight. Lee *was* arguably the best guitarist in Britain, certainly a reasonable candidate if you could ever have a singular best (as indeed was Thompson himself), but he was the best *country* guitarist in Britain, and his style simply didn’t fit with Fotheringay’s folk-influenced songs. He was replaced by American guitarist Jerry Donahue, who was not anything like as proficient as Lee, but who was still very good, and fit the band’s style much better. The new group rehearsed together for a few weeks, did a quick tour, and then went into the recording studio to record their debut, self-titled, album. Joe Boyd produced the album, but admitted himself that he only paid attention to those songs he considered worthwhile — the album contained one song by Lucas, “The Ballad of Ned Kelly”, and two cover versions of American singer-songwriter material with Lucas singing lead. But everyone knew that the songs that actually *mattered* were Sandy Denny’s, and Boyd was far more interested in them, particularly the songs “The Sea” and “The Pond and the Stream”: [Excerpt: Fotheringay, “The Pond and the Stream”] Fotheringay almost immediately hit financial problems, though. While other Witchseason acts were used to touring on the cheap, all packed together in the back of a Transit van with inexpensive equipment, Trevor Lucas had ambitions of being a rock star and wanted to put together a touring production to match, with expensive transport and equipment, including a speaker system that got nicknamed “Stonehenge” — but at the same time, Denny was unhappy being on the road, and didn’t play many gigs. As well as the band itself, the Fotheringay album also featured backing vocals from a couple of other people, including Denny’s friend Linda Peters. Peters was another singer from the folk clubs, and a good one, though less well-known than Denny — at this point she had only released a couple of singles, and those singles seemed to have been as much as anything else released as a novelty. The first of those, a version of Dylan’s “You Ain’t Goin’ Nowhere” had been released as by “Paul McNeill and Linda Peters”: [Excerpt: Paul McNeill and Linda Peters, “You Ain’t Goin’ Nowhere”] But their second single, a version of John D. Loudermilk’s “You’re Taking My Bag”, was released on the tiny Page One label, owned by Larry Page, and was released under the name “Paul and Linda”, clearly with the intent of confusing particularly gullible members of the record-buying public into thinking this was the McCartneys: [Excerpt: Paul and Linda, “You’re Taking My Bag”] Peters was though more financially successful than almost anyone else in this story, as she was making a great deal of money as a session singer. She actually did another session involving most of Fotheringay around this time. Witchseason had a number of excellent songwriters on its roster, and had had some success getting covers by people like Judy Collins, but Joe Boyd thought that they might possibly do better at getting cover versions if they were performed in less idiosyncratic arrangements. Donahue, Donaldson, and Conway went into the studio to record backing tracks, and vocals were added by Peters and another session singer, who according to some sources also provided piano. They cut songs by Mike Heron of the Incredible String Band: [Excerpt: Linda Peters, “You Get Brighter”] Ed Carter, formerly of The New Nadir but by this time firmly ensconced in the Beach Boys’ touring band where he would remain for the next quarter-century: [Excerpt: Linda Peters, “I Don’t Mind”] John and Beverly Martyn, and Nick Drake: [Excerpt: Elton John, “Saturday Sun”] There are different lineups of musicians credited for those sessions in different sources, but I tend to believe that it’s mostly Fotheringay for the simple reason that Donahue says it was him, Donaldson and Conway who talked Lucas and Denny into the mistake that destroyed Fotheringay because of these sessions. Fotheringay were in financial trouble already, spending far more money than they were bringing in, but their album made the top twenty and they were getting respect both from critics and from the public — in September, Sandy Denny was voted best British female singer by the readers of Melody Maker in their annual poll, which led to shocked headlines in the tabloids about how this “unknown” could have beaten such big names as Dusty Springfield and Cilla Black. Only a couple of weeks after that, they were due to headline at the Albert Hall. It should have been a triumph. But Donahue, Donaldson, and Conway had asked that singing pianist to be their support act. As Donahue said later “That was a terrible miscast. It was our fault. He asked if [he] could do it. Actually Pat, Gerry and I had to talk Sandy and Trevor into [it]… We'd done these demos and the way he was playing – he was a wonderful piano player – he was sensitive enough. We knew very little about his stage-show. We thought he'd be a really good opener for us.” Unfortunately, Elton John was rather *too* good. As Donahue continued “we had no idea what he had in mind, that he was going to do the most incredible rock & roll show ever. He pretty much blew us off the stage before we even got on the stage.” To make matters worse, Fotheringay’s set, which was mostly comprised of new material, was underrehearsed and sloppy, and from that point on no matter what they did people were counting the hours until the band split up. They struggled along for a while though, and started working on a second record, with Boyd again producing, though as Boyd later said “I probably shouldn't have been producing the record. My lack of respect for the group was clear, and couldn't have helped the atmosphere. We'd put out a record that had sold disappointingly, A&M was unhappy. Sandy's tracks on the first record are among the best things she ever did – the rest of it, who cares? And the artwork, Trevor's sister, was terrible. It would have been one thing if I'd been unhappy with it and it sold, and the group was working all the time, making money, but that wasn't the case … I knew what Sandy was capable of, and it was very upsetting to me.” The record would not be released for thirty-eight years: [Excerpt: Fotheringay, “Wild Mountain Thyme”] Witchseason was going badly into debt. Given all the fissioning of bands that we’ve already been talking about, Boyd had been stretched thin — he produced sixteen albums in 1970, and almost all of them lost money for the company. And he was getting more and more disillusioned with the people he was producing. He loved Beverly Martyn’s work, but had little time for her abusive husband John, who was dominating her recording and life more and more and would soon become a solo artist while making her stay at home (and stealing her ideas without giving her songwriting credit). The Incredible String Band were great, but they had recently converted to Scientology, which Boyd found annoying, and while he was working with all sorts of exciting artists like Vashti Bunyan and Nico, he was finding himself less and less important to the artists he mentored. Fairport Convention were a good example of this. After Denny and Hutchings had left the group, they’d decided to carry on as an electric folk group, performing an equal mix of originals by the Swarbrick and Thompson songwriting team and arrangements of traditional songs. The group were now far enough away from the “British Jefferson Airplane” label that they decided they didn’t need a female vocalist — and more realistically, while they’d been able to replace Judy Dyble, nobody was going to replace Sandy Denny. Though it’s rather surprising when one considers Thompson’s subsequent career that nobody seems to have thought of bringing in Denny’s friend Linda Peters, who was dating Joe Boyd at the time (as Denny had been before she met Lucas) as Denny’s replacement. Instead, they decided that Swarbrick and Thompson were going to share the vocals between them. They did, though, need a bass player to replace Hutchings. Swarbrick wanted to bring in Dave Pegg, with whom he had played in the Ian Campbell Folk Group, but the other band members initially thought the idea was a bad one. At the time, while they respected Swarbrick as a musician, they didn’t think he fully understood rock and roll yet, and they thought the idea of getting in a folkie who had played double bass rather than an electric rock bassist ridiculous. But they auditioned him to mollify Swarbrick, and found that he was exactly what they needed. As Joe Boyd later said “All those bass lines were great, Ashley invented them all, but he never could play them that well. He thought of them, but he was technically not a terrific bass player. He was a very inventive, melodic, bass player, but not a very powerful one technically. But having had the part explained to him once, Pegg was playing it better than Ashley had ever played it… In some rock bands, I think, ultimately, the bands that sound great, you can generally trace it to the bass player… it was at that point they became a great band, when they had Pegg.” The new lineup of Fairport decided to move in together, and found a former pub called the Angel, into which all the band members moved, along with their partners and children (Thompson was the only one who was single at this point) and their roadies. The group lived together quite happily, and one gets the impression that this was the period when they were most comfortable with each other, even though by this point they were a disparate group with disparate tastes, in music as in everything else. Several people have said that the only music all the band members could agree they liked at this point was the first two albums by The Band. With the departure of Hutchings from the band, Swarbrick and Thompson, as the strongest personalities and soloists, became in effect the joint leaders of the group, and they became collaborators as songwriters, trying to write new songs that were inspired by traditional music. Thompson described the process as “let’s take one line of this reel and slow it down and move it up a minor third and see what that does to it; let’s take one line of this ballad and make a whole song out of it. Chopping up the tradition to find new things to do… like a collage.” Generally speaking, Swarbrick and Thompson would sit by the fire and Swarbrick would play a melody he’d been working on, the two would work on it for a while, and Thompson would then go away and write the lyrics. This is how the two came up with songs like the nine-minute “Sloth”, a highlight of the next album, Full House, and one that would remain in Fairport’s live set for much of their career: [Excerpt: Fairport Convention, “Sloth”] “Sloth” was titled that way because Thompson and Swarbrick were working on two tunes, a slow one and a fast one, and they jokingly named them “Sloth” and “Fasth”, but the latter got renamed to “Walk Awhile”, while “Sloth” kept its working title. But by this point, Boyd and Thompson were having a lot of conflict in the studio. Boyd was never the most technical of producers — he was one of those producers whose job is to gently guide the artists in the studio and create a space for the music to flourish, rather than the Joe Meek type with an intimate technical knowledge of the studio — and as the artists he was working with gained confidence in their own work they felt they had less and less need of him. During the making of the Full House album, Thompson and Boyd, according to Boyd, clashed on everything — every time Boyd thought Thompson had done a good solo, Thompson would say to erase it and let him have another go, while every time Boyd thought Thompson could do better, Thompson would say that was the take to keep. One of their biggest clashes was over Thompson’s song “Poor Will and the Jolly Hangman”, which was originally intended for release on the album, and is included in current reissues of it: [Excerpt: Fairport Convention, “Poor Will and the Jolly Hangman”] Thompson had written that song inspired by what he thought was the unjust treatment of Alex Bramham, the driver in Fairport’s fatal car crash, by the courts — Bramham had been given a prison sentence of a few months for dangerous driving, while the group members thought he had not been at fault. Boyd thought it was one of the best things recorded for the album, but Thompson wasn’t happy with his vocal — there was one note at the top of the melody that he couldn’t quite hit — and insisted it be kept off the record, even though that meant it would be a shorter album than normal. He did this at such a late stage that early copies of the album actually had the title printed on the sleeve, but then blacked out. He now says in his autobiography “I could have persevered, double-tracked the voice, warmed up for longer – anything. It was a good track, and the record was lacking without it. When the album was re-released, the track was restored with a more confident vocal, and it has stayed there ever since.” During the sessions for Full House the group also recorded one non-album single, Thompson and Swarbrick’s “Now Be Thankful”: [Excerpt, Fairport Convention, “Now Be Thankful”] The B-side to that was a medley of two traditional tunes plus a Swarbrick original, but was given the deliberately ridiculous title “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”: [Excerpt: Fairport Convention, “Sir B. McKenzie’s Daughter’s Lament For The 77th Mounted Lancers Retreat From The Straits Of Loch Knombe, In The Year Of Our Lord 1727, On The Occasion Of The Announcement Of Her Marriage To The Laird Of Kinleakie”] The B. McKenzie in the title was a reference to the comic-strip character Barry McKenzie, a stereotype drunk Australian created for Private Eye magazine by the comedian Barry Humphries (later to become better known for his Dame Edna Everage character) but the title was chosen for one reason only — to get into the Guinness Book of Records for the song with the longest title. Which they did, though they were later displaced by the industrial band Test Dept, and their song “Long Live British Democracy Which Flourishes and Is Constantly Perfected Under the Immaculate Guidance of the Great, Honourable, Generous and Correct Margaret Hilda Thatcher. She Is the Blue Sky in the Hearts of All Nations. Our People Pay Homage and Bow in Deep Respect and Gratitude to Her. The Milk of Human Kindness”. Full House got excellent reviews in the music press, with Rolling Stone saying “The music shows that England has finally gotten her own equivalent to The Band… By calling Fairport an English equivalent of the Band, I meant that they have soaked up enough of the tradition of their countryfolk that it begins to show all over, while they maintain their roots in rock.” Off the back of this, the group went on their first US tour, culminating in a series of shows at the Troubadour in LA, on the same bill as Rick Nelson, which were recorded and later released as a live album: [Excerpt: Fairport Convention, “Sloth (live)”] The Troubadour was one of the hippest venues at the time, and over their residency there the group got seen by many celebrities, some of whom joined them on stage. The first was Linda Ronstadt, who initially demurred, saying she didn’t know any of their songs. On being told they knew all of hers, she joined in with a rendition of “Silver Threads and Golden Needles”. Thompson was later asked to join Ronstadt’s backing band, who would go on to become the Eagles, but he said later of this offer “I would have hated it. I’d have hated being on the road with four or five miserable Americans — they always seem miserable. And if you see them now, they still look miserable on stage — like they don’t want to be there and they don’t like each other.” The group were also joined on stage at the Troubadour on one memorable night by some former bandmates of Pegg’s. Before joining the Ian Campbell Folk Group, Pegg had played around the Birmingham beat scene, and had been in bands with John Bonham and Robert Plant, who turned up to the Troubadour with their Led Zeppelin bandmate Jimmy Page (reports differ on whether the fourth member of Zeppelin, John Paul Jones, also came along). They all got up on stage together and jammed on songs like “Hey Joe”, “Louie Louie”, and various old Elvis tunes. The show was recorded, and the tapes are apparently still in the possession of Joe Boyd, who has said he refuses to release them in case he is murdered by the ghost of Peter Grant. According to Thompson, that night ended in a three-way drinking contest between Pegg, Bonham, and Janis Joplin, and it’s testament to how strong the drinking culture is around Fairport and the British folk scene in general that Pegg outdrank both of them. According to Thompson, Bonham was found naked by a swimming pool two days later, having missed two gigs. For all their hard rock image, Led Zeppelin were admirers of a lot of the British folk and folk-rock scene, and a few months later Sandy Denny would become the only outside vocalist ever to appear on a Led Zeppelin record when she duetted with Plant on “The Battle of Evermore” on the group’s fourth album: [Excerpt: Led Zeppelin, “The Battle of Evermore”] Denny would never actually get paid for her appearance on one of the best-selling albums of all time. That was, incidentally, not the only session that Denny was involved in around this time — she also sang on the soundtrack to a soft porn film titled Swedish Fly Girls, whose soundtrack was produced by Manfred Mann: [Excerpt: Sandy Denny, “What Will I Do With Tomorrow?”] Shortly after Fairport’s trip to America, Joe Boyd decided he was giving up on Witchseason. The company was now losing money, and he was finding himself having to produce work for more and more acts as the various bands fissioned. The only ones he really cared about were Richard Thompson, who he was finding it more and more difficult to work with, Nick Drake, who wanted to do his next album with just an acoustic guitar anyway, Sandy Denny, who he felt was wasting her talents in Fotheringay, and Mike Heron of the Incredible String Band, who was more distant since his conversion to Scientology. Boyd did make some attempts to keep the company going. On a trip to Sweden, he negotiated an agreement with the manager and publisher of a Swedish band whose songs he’d found intriguing, the Hep Stars. Boyd was going to publish their songs in the UK, and in return that publisher, Stig Anderson, would get the rights to Witchseason’s catalogue in Scandinavia — a straight swap, with no money changing hands. But before Boyd could get round to signing the paperwork, he got a better offer from Mo Ostin of Warners — Ostin wanted Boyd to come over to LA and head up Warners’ new film music department. Boyd sold Witchseason to Island Records and moved to LA with his fiancee Linda Peters, spending the next few years working on music for films like Deliverance and A Clockwork Orange, as well as making his own documentary about Jimi Hendrix, and thus missed out on getting the UK publishing rights for ABBA, and all the income that would have brought him, for no money. And it was that decision that led to the breakup of Fotheringay. Just before Christmas 1970, Fotheringay were having a difficult session, recording the track “John the Gun”: [Excerpt: Fotheringay, “John the Gun”] Boyd got frustrated and kicked everyone out of the session, and went for a meal and several drinks with Denny. He kept insisting that she should dump the band and just go solo, and then something happened that the two of them would always describe differently. She asked him if he would continue to produce her records if she went solo, and he said he would. According to Boyd’s recollection of the events, he meant that he would fly back from California at some point to produce her records. According to Denny, he told her that if she went solo he would stay in Britain and not take the job in LA. This miscommunication was only discovered after Denny told the rest of Fotheringay after the Christmas break that she was splitting the band. Jerry Donahue has described that as the worst moment of his life, and Denny felt very guilty about breaking up a band with some of her closest friends in — and then when Boyd went over to the US anyway she felt a profound betrayal. Two days before Fotheringay’s final concert, in January 1971, Sandy Denny signed a solo deal with Island records, but her first solo album would not end up produced by Joe Boyd. Instead, The North Star Grassman and the Ravens was co-produced by Denny, John Wood — the engineer who had worked with Boyd on pretty much everything he’d produced, and Richard Thompson, who had just quit Fairport Convention, though he continued living with them at the Angel, at least until a truck crashed into the building in February 1971, destroying its entire front wall and forcing them to relocate. The songs chosen for The North Star Grassman and the Ravens reflected the kind of choices Denny would make on her future albums, and her eclectic taste in music. There was, of course, the obligatory Dylan cover, and the traditional folk ballad “Blackwaterside”, but there was also a cover version of Brenda Lee’s “Let’s Jump the Broomstick”: [Excerpt: Sandy Denny, “Let’s Jump the Broomstick”] Most of the album, though, was made up of originals about various people in Denny’s life, like “Next Time Around”, about her ex-boyfriend Jackson C Frank: [Excerpt: Sandy Denny, “Next Time Around”] The album made the top forty in the UK — Denny’s only solo album to do so — and led to her once again winning the “best female singer” award in Melody Maker’s readers’ poll that year — the male singer award was won by Rod Stewart. Both Stewart and Denny appeared the next year on the London Symphony Orchestra’s all-star version of The Who’s Tommy, which had originally been intended as a vehicle for Stewart before Roger Daltrey got involved. Stewart’s role was reduced to a single song, “Pinball Wizard”, while Denny sang on “It’s a Boy”: [Excerpt: Sandy Denny, “It’s a Boy”] While Fotheringay had split up, all the band members play on The North Star Grassman and the Ravens. Guitarists Donahue and Lucas only play on a couple of the tracks, with Richard Thompson playing most of the guitar on the record. But Fotheringay’s rhythm section of Pat Donaldson and Gerry Conway play on almost every track. Another musician on the album, Ian Whiteman, would possibly have a profound effect on the future direction of Richard Thompson’s career and life. Whiteman was the former keyboard player for the mod band The Action, having joined them just before they became the blues-rock band Mighty Baby. But Mighty Baby had split up when all of the band except the lead singer had converted to Islam. Richard Thompson was on his own spiritual journey at this point, and became a Sufi – the same branch of Islam as Whiteman – soon after the session, though Thompson has said that his conversion was independent of Whiteman’s. The two did become very close and work together a lot in the mid-seventies though. Thompson had supposedly left Fairport because he was writing material that wasn’t suited to the band, but he spent more than a year after quitting the group working on sessions rather than doing anything with his own material, and these sessions tended to involve the same core group of musicians. One of the more unusual was a folk-rock supergroup called The Bunch, put together by Trevor Lucas. Richard Branson had recently bought a recording studio, and wanted a band to test it out before opening it up for commercial customers, so with this free studio time Lucas decided to record a set of fifties rock and roll covers. He gathered together Thompson, Denny, Whiteman, Ashley Hutchings, Dave Mattacks, Pat Donaldson, Gerry Conway, pianist Tony Cox, the horn section that would later form the core of the Average White Band, and Linda Peters, who had now split up with Joe Boyd and returned to the UK, and who had started dating Thompson. They recorded an album of covers of songs by Jerry Lee Lewis, the Everly Brothers, Johnny Otis and others: [Excerpt: The Bunch, “Willie and the Hand Jive”] The early seventies was a hugely productive time for this group of musicians, as they all continued playing on each other’s projects. One notable album was No Roses by Shirley Collins, which featured Thompson, Mattacks, Whiteman, Simon Nicol, Lal and Mike Waterson, and Ashley Hutchings, who was at that point married to Collins, as well as some more unusual musicians like the free jazz saxophonist Lol Coxhill: [Excerpt: Shirley Collins and the Albion Country Band, “Claudy Banks”] Collins was at the time the most respected female singer in British traditional music, and already had a substantial career including a series of important records made with her sister Dolly, work with guitarists like Davey Graham, and time spent in the 1950s collecting folk songs in the Southern US with her then partner Alan Lomax – according to Collins she did much of the actual work, but Lomax only mentioned her in a single sentence in his book on this work. Some of the same group of musicians went on to work on an album of traditional Morris dancing tunes, titled Morris On, credited to “Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield”, with Collins singing lead on two tracks: [Excerpt: Ashley Hutchings, Richard Thompson, Dave Mattacks, John Kirkpatrick and Barry Dransfield with Shirley Collins, “The Willow Tree”] Thompson thought that that album was the best of the various side projects he was involved in at the time, comparing it favourably to Rock On, which he thought was rather slight, saying later “Conceptually, Fairport, Ashley and myself and Sandy were developing a more fragile style of music that nobody else was particularly interested in, a British Folk Rock idea that had a logical development to it, although we all presented it our own way. Morris On was rather more true to what we were doing. Rock On was rather a retro step. I'm not sure it was lasting enough as a record but Sandy did sing really well on the Buddy Holly songs.” Hutchings used the musicians on No Roses and Morris On as the basis for his band the Albion Band, which continues to this day. Simon Nicol and Dave Mattacks both quit Fairport to join the Albion Band, though Mattacks soon returned. Nicol would not return to Fairport for several years, though, and for a long period in the mid-seventies Fairport Convention had no original members. Unfortunately, while Collins was involved in the Albion Band early on, she and Hutchings ended up divorcing, and the stress from the divorce led to Collins developing spasmodic dysphonia, a stress-related illness which makes it impossible for the sufferer to sing. She did eventually regain her vocal ability, but between 1978 and 2016 she was unable to perform at all, and lost decades of her career. Richard Thompson occasionally performed with the Albion Band early on, but he was getting stretched a little thin with all these sessions. Linda Peters said later of him “When I came back from America, he was working in Sandy’s band, and doing sessions by the score. Always with Pat Donaldson and Dave Mattacks. Richard would turn up with his guitar, one day he went along to do a session with one of those folkie lady singers — and there were Pat and DM. They all cracked. Richard smashed his amp and said “Right! No more sessions!” In 1972 he got round to releasing his first solo album, Henry the Human Fly, which featured guest appearances by Linda Peters and Sandy Denny among others: [Excerpt: Richard Thompson, “The Angels Took My Racehorse Away”] Unfortunately, while that album has later become regarded as one of the classics of its genre, at the time it was absolutely slated by the music press. The review in Melody Maker, for example, read in part “Some of Richard Thompson’s ideas sound great – which is really the saving grace of this album, because most of the music doesn’t. The tragedy is that Thompson’s “British rock music” is such an unconvincing concoction… Even the songs that do integrate rock and traditional styles of electric guitar rhythms and accordion and fiddle decoration – and also include explicit, meaningful lyrics are marred by bottle-up vocals, uninspiring guitar phrases and a general lack of conviction in performance.” Henry the Human Fly was released in the US by Warners, who had a reciprocal licensing deal with Island (and for whom Joe Boyd was working at the time, which may have had something to do with that) but according to Thompson it became the lowest-selling record that Warners ever put out (though I’ve also seen that claim made about Van Dyke Parks’ Song Cycle, another album that has later been rediscovered). Thompson was hugely depressed by this reaction, and blamed his own singing. Happily, though, by this point he and Linda had become a couple — they would marry in 1972 — and they started playing folk clubs as a duo, or sometimes in a trio with Simon Nicol. Thompson was also playing with Sandy Denny’s backing band at this point, and played on every track on her second solo album, Sandy. This album was meant to be her big commercial breakthrough, with a glamorous cover photo by David Bailey, and with a more American sound, including steel guitar by Sneaky Pete Kleinow of the Flying Burrito Brothers (whose overdubs were supervised in LA by Joe Boyd): [Excerpt: Sandy Denny, “Tomorrow is a Long Time”] The album was given a big marketing push by Island, and “Listen, Listen” was made single of the week on the Radio 1 Breakfast show: [Excerpt: Sandy Denny, “Listen, Listen”] But it did even worse than the previous album, sending her into something of a depression. Linda Thompson (as the former Linda Peters now was) said of this period “After the Sandy album, it got her down that her popularity didn't suddenly increase in leaps and bounds, and that was the start of her really fretting about the way her career was going. Things only escalated after that. People like me or Martin Carthy or Norma Waterson would think, ‘What are you on about? This is folk music.'” After Sandy’s release, Denny realised she could no longer afford to tour with a band, and so went back to performing just acoustically or on piano. The only new music to be released by either of these ex-members of Fairport Convention in 1973 was, oddly, on an album by the band they were no longer members of. After Thompson had left Fairport, the group had managed to release two whole albums with the same lineup — Swarbrick, Nicol, Pegg, and Mattacks. But then Nicol and Mattacks had both quit the band to join the Albion Band with their former bandmate Ashley Hutchings, leading to a situation where the Albion Band had two original members of Fairport plus their longtime drummer while Fairport Convention itself had no original members and was down to just Swarbrick and Pegg. Needing to fulfil their contracts, they then recruited three former members of Fotheringay — Lucas on vocals and rhythm guitar, Donahue on lead guitar, and Conway on drums. Conway was only a session player at the time, and Mattacks soon returned to the band, but Lucas and Donahue became full-time members. This new lineup of Fairport Convention released two albums in 1973, widely regarded as the group’s most inconsistent records, and on the title track of the first, “Rosie”, Richard Thompson guested on guitar, with Sandy Denny and Linda Thompson on backing vocals: [Excerpt: Fairport Convention, “Rosie”] Neither Sandy Denny nor Richard Thompson released a record themselves in 1973, but in neither case was this through the artists’ choice. The record industry was changing in the early 1970s, as we’ll see in later episodes, and was less inclined to throw good money after bad in the pursuit of art. Island Records prided itself on being a home for great artists, but it was still a business, and needed to make money. We’ll talk about the OPEC oil crisis and its effect on the music industry much more when the podcast gets to 1973, but in brief, the production of oil by the US peaked in 1970 and started to decrease, leading to them importing more and more oil from the Middle East. As a result of this, oil prices rose slowly between 1971 and 1973, then very quickly towards the end of 1973 as a result of the Arab-Israeli conflict that year. As vinyl is made of oil, suddenly producing records became much more expensive, and in this period a lot of labels decided not to release already-completed albums, until what they hoped would be a brief period of shortages passed. Both Denny and Thompson recorded albums at this point that got put to one side by Island. In the case of Thompson, it was the first album by Richard and Linda as a duo, I Want to See the Bright Lights Tonight: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Today, I Want to See the Bright Lights Tonight is widely regarded as one of the greatest albums of all time, and as one of the two masterpieces that bookended Richard and Linda’s career as a duo and their marriage. But when they recorded the album, full of Richard’s dark songs, it was the opposite of commercial. Even a song that’s more or less a boy-girl song, like “Has He Got a Friend for Me?” has lyrics like “He wouldn’t notice me passing by/I could be in the gutter, or dangling down from a tree” [Excerpt: Richard and Linda Thompson, “Has He got a Friend For Me?”] While something like “The Calvary Cross” is oblique and haunted, and seems to cast a pall over the entire album: [Excerpt: Richard and Linda Thompson, “The Calvary Cross”] The album itself had been cheap to make — it had been recorded in only a week, with Thompson bringing in musicians he knew well and had worked with a lot previously to cut the tracks as-live in only a handful of takes — but Island didn’t think it was worth releasing. The record stayed on the shelf for nearly a year after recording, until Island got a new head of A&R, Richard Williams. Williams said of the album’s release “Muff Winwood had been doing A&R, but he was more interested in production… I had a conversation with Muff as soon as I got there, and he said there are a few hangovers, some outstanding problems. And one of them was Richard Thompson. He said there’s this album we gave him the money to make — which was I Want to See the Bright Lights Tonight — and nobody’s very interested in it. Henry the Human Fly had been a bit of a commercial disappointment, and although Island was altruistic and independent and known for only recording good stuff, success was important… Either a record had to do well or somebody had to believe in it a lot. And it seemed as if neither of those things were true at that point of Richard.” Williams, though, was hugely impressed when he listened to the album. He compared Richard Thompson’s guitar playing to John Coltrane’s sax, and called Thompson “the folk poet of the rainy streets”, but also said “Linda brightened it, made it more commercial. and I thought that “Bright Lights” itself seemed a really commercial song.” The rest of the management at Island got caught up in Williams’ enthusiasm, and even decided to release the title track as a single: [Excerpt: Richard and Linda Thompson, “I Want to See the Bright Lights Tonight”] Neither single nor album charted — indeed it would not be until 1991 that Richard Thompson would make a record that made the top forty in the UK — but the album got enough critical respect that Richard and Linda released two albums the year after. The first of these, Hokey Pokey, is a much more upbeat record than their previous one — Richard Thompson has called it “quite a music-hall influenced record” and cited the influence of George Formby and Harry Lauder. For once, the claim of music hall influence is audible in the music. Usually when a British musician is claimed to have a music ha

Todd Bonura of Maniacal Arms sits down with Gun Talk Hunt's Kevin “KJ” Jarnagin for the first of a four-part series on hunting with custom rifles. In this episode, the guys cover why you should consider a custom rifle build, why extreme accuracy is what matters most, tips on moisture-proofing your gun, how the swamp can be the best and worst kind of hunt, Todd's “nastiest” hunt story, and more.This Gun Talk Hunt is brought to you by Timney Triggers, Ruger, Leupold, First Person Defender, FAB Defense, and Range Ready Studios.Get 5% off any order at Optics Planet with code GUNTALK.Be sure to check out the Gun Talk / Ammunition Depot Collab page for great deals:ammunitiondepot.com/guntalkCheck out the NEW First Person Defender YouTube channel HERE.About Gun Talk HuntGun Talk Media's Gun Talk Hunt, with Kevin “KJ” Jarnagin, pairs decades of experience with today's latest tools and technology to help you succeed in the field. Whether it runs or flies - no matter what game you pursue - Gun Talk Hunt is a multi-platform podcast that gives today's hunters a voice in the digital world.For more content, subscribe to Gun Talk at guntalktv.com, on Gun Talk's Roku, Apple TV, iOS app, Android app, or find Gun Talk on YouTube, Rumble, Facebook, Instagram, X and guntalk.com. Catch First Person Defender on the new Official FPD YouTube channel. Listen to all Gun Talk Podcasts with Spreaker, iHeart, Apple Podcasts, Spotify or wherever you find podcasts.Copyright ©2025 Freefire Media, LLCGun Talk Hunt 06.23.25Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.

Today we catch up on recent news and topics we missed while we were on a massive podcast tour! Send Superchats at any time here: https://streamlabs.com/jaydyer/tip Join this channel to get access to perks: https://www.youtube.com/channel/UCnt7Iy8GlmdPwy_Tzyx93bA/join PRE-Order New Book Available in JULY here: https://jaysanalysis.com/product/esoteric-hollywood-3-sex-cults-apocalypse-in-films/ Get started with Bitcoin here: https://www.swanbitcoin.com/jaydyer/ The New Philosophy Course is here: https://marketplace.autonomyagora.com/philosophy101 Set up recurring Choq subscription with the discount code JAY44LIFE for 44% off now https://choq.com Lore coffee is here: https://www.patristicfaith.com/coffee/ Orders for the Red Book are here: https://jaysanalysis.com/product/the-red-book-essays-on-theology-philosophy-new-jay-dyer-book/ Subscribe to my site here: https://jaysanalysis.com/membership-account/membership-levels/ Follow me on R0kfin here: https://rokfin.com/jaydyer Music by Amid the Ruins 1453 https://www.youtube.com/@amidtheruinsOVERHAULBecome a supporter of this podcast: https://www.spreaker.com/podcast/jay-sanalysis--1423846/support.

Cam details the wins and losses in New England legislatures last week, as well as the latest on the Senate budget language removing taxes and registration of suppressors, short-barreled firearms, and "any other weapons."

Your Insert Credit panel covers open world games, the Tango & Cash NES platformer, and the many secrets of The Ooze. Plus, credits are spent to make everyone to play a game. Hosted by Alex Jaffe, with Frank Cifaldi, Ash Parrish, and Brandon Sheffield. Edited by Esper Quinn, original music by Kurt Feldman. Watch episodes with full video on YouTube Discuss this episode in the Insert Credit Forums SHOW NOTES: 1: Ash, how was Summer Game Fest? (02:16) Summer Game Fest Astro Bot Resident Evil Requiem Outer Worlds 2 Ben Starr Magic the Gathering Final Fantasy XVI Clive Rosfield (Vial Smasher the Fierce) Doom John Carmack Killer7 Teenage Mutant Ninja Turtles Cam Clarke Die Fledermaus The Tick Liquid Snake Chairface Chippendale 2: merritt k asks, which classic film should have gotten an inexplicable platformer on the NES? (10:22) Tango & Cash (1989) Turner & Hooch (1989) Nintendo Entertainment System Last Action Hero Arachnophobia (1990) Arachnaphobia Ocean's Eleven (2001) Ocean's 11 (1960) Relooted Indiana Jones Lara Croft Nathan Drake Ernest Goes to Jail (1990) Flatliners (1990) Highlander (1986) It (1990) Highlander Super Mario Bros. the Movie (1993) 3: When should a video game have an open world? (16:23) Red Dead Redemption Kaizen Game Works Paradise Killer Promise Mascot Agency Any Austin Demonschool Pragmata Brandon's Robocop 3 post Transformers: Kiss Players Marvel's Deadpool VR 4: Happy pride! What are some extremely complicated things developers can do to make their games more queer? (24:20) The Hundred Line: Last Defense Academy Twine Stellar Blade David Cage 5: Littleboat asks, what is the worst goo in a videogame? (29:04) Gooigi Super Mario Bros. Wonder The Ooze Boogerman: A Pick and Flick Adventure Death Stranding Teenage Mutant Ninja Turtles II: The Secret of the Ooze (1991) A Boy and His Blob Chemical Plant Zone Captain Planet and the Planeteers Gooey Slime Final Fantasy Tactics Kingdom Hearts Doctor Who missing episodes 6: How were 90's video games informed by their wider historical context? (35:15) G. I. Joe Disney's Toy Story Clockwork Knight Sonic 3D Blast The Adventures of Batman & Robin Sega Genesis Demoscene Mr. Nutz Punky Skunk Awesome Possum Kicks Dr. Machino's Butt Daxter 7: What is the “BlueSky is dying” of video games? (41:32) NBA 2K23 Magic: The Gathering Arena Fallout series Assassins Creed series Final Fantasy VI Triple Triad LIGHTNING ROUND: Famicom Feud - Repeatedly Novelized Game Series (47:45) Recommendations and Outro (01:00:29): Brandon: Support your alt weeklies, Guns and Guts (1974) Ash: Subscribe to the Patreon at a $10 level to get drag names from Ash, Steam Next Fest This week's Insert Credit Show is brought to you by patrons like you. Thank you. This week's horrible buzzer was sent in by B. B. Kaizo. Thanks! To submit your own horrible buzzer, send an original recording no longer than two seconds in mp3 or wav format to show@insertcredit.com, and maybe we'll use it on the show! Subscribe: RSS, YouTube, Apple Podcasts, Spotify, and more!

We're FINALLY getting the Ironheart series this week and we're hyped! Join Hoody and Kevin as we make our last-minute predictions for the next entry in the MCU and figure out if those Mephisto rumors are actually true or not! Plus is Spider-Man: Brand New Day adding too many characters? All that and more with the Crisis Crew!Buy Your Own Crisis Crew Shirt!: https://bit.ly/3I5Lv8GNew Episodes of Crisis on Infinite Podcasts come out every Monday and Thursday! Make sure to rate us and subscribe to us on your platform of choice and send us a secret message and we'll read it out loud on next week's show!!

In 2025, few societal phenomena pose a greater or more immediate threat to the mental and physical wellbeing of Americans than gun violence. Gun violence is now, quite shamefully, the leading cause of death for children and youth in our country. And when this sobering fact is combined with the ongoing rise in political violence […]

In This Hour:-- The inside story on the new Gun Talk Scout Rifle.  A call that started out with Jason Cloesner, from Lipseys, but ended up with a suprise interruption by Ryan Gresham.--  North Carolia legislators, constitutional carry, and the need to remind them who voted them in.--  Rabbits are eating his apples.  What gun to get?Gun Talk 06.22.25 Hour 2Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.

In This Hour:-- Incredibly, the 9th Circuit Court of Appeals strikes down California's gun rationing (only 1 gun in 30 days) law.--  What's the best upgrade for an AR-15?--  A man shoots up a Michigan church only to be run over by a deacon and then shot to death by a church security guard.Gun Talk 06.22.25 Hour 3Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.

In This Hour:-- Noted 2A journalist AWR Hawkins delivers the update on big Second Amendent developments of the week.--  Women For Gun Rights hits DC to lobby officials. Dianna Mueller describes the action,.--  How to choose between two popular rifle calibers. The new Gun Talk Scout Rifle comes in 5.56 and .308, and the sales between the two surprised Tom. Gun Talk 06.22.25 Hour 1Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.

This week on Gun For Hire Radio... Mixed emotion show this week. First, the constant attack on we the people in NJ. Second, Brian R from https://operationk9beethoven.com/ joins us to tell us about his great organization and how Neil found his home! Donate here - https://gunforhire.com/neil Support those who support you! Please listen, learn, like, follow, share, donate, and [...] The post The Gun For Hire Radio Broadcast: Episode 735 appeared first on Best Gun Range NYC and NJ Area | Gun Range Near Me.

  Episode 243-Lock Up Gun Owners and Throw Away The Key Also Available On Searchable Podcast Transcript Gun Lawyer -- Episode 243 Transcript SUMMARY KEYWORDS New Jersey gun laws, pre-trial detention, gun owner Gulag, Senate Bill 3896, Senate

Thank you for joining us on the Misfits Media Podcast. On this episode Tom Palmatier joins us to discuss all things firearm related. This episode is packed full of topics including new product announcements, beginner shooter advice, and as always, there's listener feedback, Guess the Gun, Gay or Gray and Fully-Semi-Automatic. So load, make ready and join in on the fun. Sponsors: Title Sponsor: A&J Sporting https://aandjsporting.com/ Use code ‘MM10' for 10% off qualifying purchases   Travis's Garage Woodworking and Laser Engraving Email: tgwoodandlaser@gmail.com Facebook: https://www.facebook.com/profile.php?id=61557696364367&sk=about Instagram: https://www.instagram.com/tgwoodlaser/   Red Mist Tripods Website: https://www.red-mist-tripods.com/ Facebook: https://www.facebook.com/people/RED-MIST-Tripods/61556579574054/ Instagram: https://www.instagram.com/red_mist_tripods/   Misfits Media Podcast Email: misfitsmediagroup@gmail.com Patreon: https://patreon.com/MisfitsMediaPodcast YouTube: https://www.youtube.com/@Misfits_Media_Podcast FB: https://www.facebook.com/people/Misfits-Media-Podcast/61559504157666/ IG: https://www.instagram.com/misfits_media_podcast/ Firearms Radio Network: https://firearmsradio.net/category/podcasts/misfits-media/ X: https://x.com/LeftEdgeSendIt Rumble: https://rumble.com/c/MisfitsMediaPodcast Trigger Hill: https://triggerhill.com/Misfits_Media_Podcast   Full Circle Reloading & Firearms: Website: https://fullcirclereloading.com/home YouTube: https://www.youtube.com/@FullCircleReloading Products / Companies / Show Mentions: Redacted Images: https://www.instagram.com/redacted.images/ , https://www.facebook.com/redactedimage/ Vitalis Precision Ammunition: https://www.vitalisprecision.com/ Mitchell Defense: https://www.mitchelldefense.com/ Two Guys and a Fence Post Podcast: https://firearmsradio.net/category/podcasts/two-guys-and-a-fence-post/ Dang Free: website - https://dangfree.net/ , Apple Store - https://apps.apple.com/us/app/dang-free/id6736410088 , Google Play - https://play.google.com/store/apps/details?id=com.PeepSo.DangFreeCommunity   2nd Amendment Organizations: Gun Owners of America: https://www.gunowners.org/ Firearms Policy Coalition: https://www.firearmspolicy.org/ Second Amendment Foundation: https://saf.org/

Phil Bourjaily, Ducks Unlimited magazine shotgunning columnist, joins host Chris Jennings to talk about buying used waterfowl guns. Bourjaily offers some tips for finding quality used guns, modifying an old gun, and even what to avoid when searching for a used shotgun. Listen now: www.ducks.org/DUPodcastSend feedback: DUPodcast@ducks.org

One of my listeners, Scott Weiner, joined me on this episode for some guns, cats and bicycles discussion. Patreon Support, https://www.patreon.com/c/handgunworld Follow Scott on Facebook https://www.facebook.com/scott.weiner.3 Follow Scott's cat Keeley Jones Durham, “The Bull City Kitty” on Instagram https://www.instagram.com/keeleyjonesdurham?igsh=MTV0bXI4NmJlbWV3dg==

See omnystudio.com/listener for privacy information.

Mark and Paul Markel, Student of the gun discuss the reconciliation bill that includes restoration of our gun rights by virtually eliminating the unconstitutional NFA and its imposed taxes on our gun rights.

Saturday, June 14, 2025 was a very eventful day.  First of all, it is Flag Day.  It's also President Trump's birthday, and the 25th anniversary of our U.S. military.  Also, on that day, two Deomcatic state lawmakers were shout in their homes by an assassin.  It was difinately polically motifrated, and because some of the facts that don't make since, it's unclear of the motive.  Minnesota Governor, Tim Walz, was one of a few Democratic governors that had to testify in front of congress for providing Sancuary states for illegal immigrants.  -Thank you for listening!- 

FLORIDA FRIDAY - Florida woman (and Karen) arrested for off-road tailgating teen on an e-bike. Floridaman Urinates on $10k Worth of Spam and Vienna Sausages at a Sam's Club. Florida attorney general pitches ‘Alligator Alcatraz' to hold migrants. Argument over mangos ends with Florida man pulling gun. // SUPPORT by joining the Weird AF News Patreon http://patreon.com/weirdafnews - OR buy Jonesy a coffee at http://buymeacoffee.com/funnyjones Buy MERCH: https://weirdafnews.merchmake.com/ - Check out the official website https://WeirdAFnews.com and FOLLOW host Jonesy at http://instagram.com/funnyjones

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 581. This episode is brought to you by Primary Arms, Walker Defense, XS Sights, and VZ Grips. In this show we have a Reusable target review. We talk about a lanyard of sorts, a roller delay pcc, a pinned barrel, and an auto, not […] The post Gun & Gear Review 581 – Torso appeared first on Firearms Radio Network.

  Welcome to the Firearms Insider Gun & Gear Review Podcast episode 581. This episode is brought to you by Primary Arms, Walker Defense, XS Sights, and VZ Grips. In this show we have a Reusable target review. We talk about a lanyard of sorts, a roller delay pcc, a pinned barrel, and an auto, not auto knife   As you may know, we showcase guns, gear, and anything else you might be interested in. We do our best to evaluate products from an unbiased and honest perspective.   I'm Chad Wallace, host of the most dedicated firearms podcast around With me tonight are: Tony, Rob, Rusty   Sponsor #1: XS Sights   For over 25 years, XS Sights has helped you get on target faster. Offering tritium sights in all different types and styles, low light is no longer an obstacle. Most options come with a brightly colored photoluminescent ring around the tritium. That colored ring makes them work great in the daylight also. XS Sights has sight styles for everyone: Big Dot's, Ghost Rings, Standard Notch and Post, Minimalist, Suppressor Height, all offering tritium options. Available for a plethora of firearms types, from shotguns to handguns, XS sights has you covered for all your low light sighting needs.   Our XS Sights Product of the week is - DXT2 Big Dot Suppressor Height Night Sights fits Glock   Use Code “GGR20” for 20% off of almost everything at xssights.com   What we did in Firearms:   Announcements: Bandwidth sponsor Patriot Patch Co.  And their Patch of the Month Club! T-shirts are available through our FRN site, or click the “Merch” tab on Firearmsinsider.tv   AFFILIATES / DISCOUNTS: Walker Defense Research - enter “INSIDER15” for 15% off XS Sights - “GGR20” for 20% off Primary Arms VZ Grips - “GGR15” for 15% off handgun and rifle grips Brownells Gun Guys Garage discount code - “FRN15OFF” LA Police Gear Atibal Optics - enter “FIREARMSINSIDER20” for 20% off 5.11 Tactical PowerTac Lights - enter “GGR” for a real good discount JSD Supply Modern Spartan Systems - “GGR15” for 15% off Rough Cut Holsters - “firearmsinsider” for 20% off Global Ordnance Infinite Defense (Infinity Targets) - “PEW15” for 15% off Guns.com Magpul Palmetto State Armory Unique ARs - “GunGearReview” for 10% off CobraTec Knives - “GGR10” for 10% off Nutrient Survival - “GGR10” for 10% off Gideon Optics - “GGR” or “INSIDER” for 10% off Lone Wolf Arms US Optics - “INSIDER15” for 15% off Camorado - “FIREARMSINSIDER” for 5% off Optics Planet Midway USA Strike Industries North Forest Arms - “GGR” for 10% off Kini SafeAlert - “GGR” for 20% off   ROB - Disclaimer The views and opinions expressed in this podcast are those of the individual co-hosts and do not reflect the official policy or position of the Firearms Radio Network and/or their employers. This is NOT legal advice, nor should it be considered as such. Viewer discretion is advised. This is especially true on live shows.   Main Topic is sponsored by: VZ Grips    VZ Grips has been manufacturing handgun grips since 2003. With a reputation for quality, consistency & innovation, top tier manufacturers choose VZ grips. They come in a variety of styles, patterns, colors, and are manufactured from proprietary G10, Micarta, Carbon fiber, or polymer. Available with varying degrees of texture, VZ offers a wide range of grips for all different firearm types. Made in the USA, VZ gives you the grip you can count on.   Featured Grip of the week - Sharps Bros P320  VZ Operator II   Coupon code “GGR15” gets 15% off handgun and rifle grips at vzgrips.com   Main Topic: Product Review Chad - TCRT Targets   Product Spotlight and Discussion:    M4Gunslinger S.I.A.P  MSRP - $20.00   Matador Arms MAT-K Roller Delayed Estoque Pistol - MP5 MSRP - $1350.00   Sponsor #3: Walker Defense Research  

What flavors are we trying today from Smoking Gun Jerky of Nebraska? Use promo code EARLY at SmokingGunJerky.com to get 10% off or stop by the store at 48th and R in Lincoln Show Sponsored by NEBCOOur Sponsors:* Check out Hims: https://hims.com/EARLYBREAKAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

The Rebel News podcasts features free audio-only versions of select RebelNews+ content and other Rebel News long-form videos, livestreams, and interviews. Monday to Friday enjoy the audio version of Ezra Levant's daily TV-style show, The Ezra Levant Show, where Ezra gives you his contrarian and conservative take on free speech, politics, and foreign policy through in-depth commentary and interviews. Wednesday evenings you can listen to the audio version of The Gunn Show with Sheila Gunn Reid the Chief Reporter of Rebel News. Sheila brings a western sensibility to Canadian news. With one foot in the oil patch and one foot in agriculture, Sheila challenges mainstream media narratives and stands up for Albertans. If you want to watch the video versions of these podcasts, make sure to begin your free RebelNewsPlus trial by subscribing at http://www.RebelNewsPlus.com

Send us a textThe infamous Belle Starr—a pistol-packing outlaw queen of the Wild West or a misunderstood historical figure whose legend overshadows reality? This fascinating exploration of Myra Maybel Shirley Starr reveals the stark contrast between the woman herself and the sensationalized "Bandit Queen" who captured America's imagination.Born in 1848 Missouri to a prosperous family, young May Shirley straddled two worlds—receiving a refined classical education at Carthage Female Academy while simultaneously developing remarkable riding and shooting skills under her beloved brother Bud's guidance. This duality would define her life, creating a woman comfortable in multiple spheres and unwilling to conform to 19th-century expectations of femininity.The Civil War shattered the Shirleys' comfortable existence. Missouri's brutal guerrilla conflict exposed May to violence, betrayal, and a moral code that existed outside conventional law. When her idolized brother Bud was killed by Union soldiers in 1864 and their hometown of Carthage burned, the family fled to Texas, joining countless displaced Southerners seeking new beginnings. This dramatic downward mobility—from affluence to a primitive dugout dwelling in lawless Scyene, Texas—became the crucible that transformed an educated young woman into a figure who would associate with notorious outlaws.Through meticulous historical research, we unravel how the seeds of the Belle Starr legend were planted in this tumultuous period of American history. The podcast examines how personal tragedy, war trauma, and frontier justice shaped not just Belle's trajectory but the wider cultural fascination with outlaws who defied authority in the post-Civil War era. What emerges is a captivating portrait of resilience, reinvention, and the complex dynamics between historical truth and American mythmaking.Follow our four-part series on Belle Starr and other remarkable women who shaped Western narratives. Subscribe now to journey with us through the untamed territories of fact, fiction, and the compelling gray areas where legends are born.Support the showIf you'd like to buy one or more of our fully illustrated dime novel publications, you can click the link I've included. "Edward Masterson and the Texas Cowboys," penned by Michael King, takes readers on an exhilarating ride through the American West, focusing on the lively and gritty cattle town of Dodge City, Kansas. This thrilling dime novel plunges into the action-packed year of Ed Masterson's life as a lawman, set against the backdrop of the chaotic cattle trade, filled with fierce conflicts, shifting loyalties, and rampant lawlessness. You can order the book on Amazon.

Austin and Stephen are discussing tons of New Trailers Movie Announcements and more! Don't forget to follow us on socials; you can find us everywhere via our link - https://lnk.bio/rXxW - Also, www.movigapodcast.comTime codes:1:00 - Top 322:00 - Main Discussion 1:05:00 - Community Discussion/Wrap-Up

For this “Hollywood's Private Collection” (Vol. 3)  episode, Sonny is sharing some of the many items and music he collects. In this episode he shares some of his collection of 45s. The Friday Quick Fix Concept: The Friday Quick Fix is your single dose of Rock n Roll in 15 minutes or less to get your weekend off to a rockin' start. Every Friday, we will deliver a different segment  that focuses on albums, songs, movies, Playlist,  and generally just about anything we find entertaining and want to share with you. You will still get a regular full length episode every Sunday as usual Please Consider Supporting The Artist We Feature In This and Every Episode: (You can support them by purchasing Music, Merch, or A Concert Ticket) In This Episode You Heard: Bon Jovi, Club Nouveau, Guns & Roses, Night Ranger Reach Out To Us: Email: growinuprock@gmail.com Follow Us@: Facebook Loud Minority Group Twitter Instagram Website: https://growinuprock.com Pantheon Podcast Network A Special THANK YOU to Restrayned for the Killer Show Intro and transition music!! Restrayned Website Please consider leaving us a five star review in one of the following places to help the podcast get discovered by others: GUR On Apple Podcast GUR On Podchaser GUR On Spotify Learn more about your ad choices. Visit megaphone.fm/adchoices

Authorities report that a bowling coach in Michigan fatally shot a 17-year-old girl, a member of her high school bowling team.See omnystudio.com/listener for privacy information.

TPCCafe Radio Presents Classic Westerns, Have Gun Will Travel: The Five Books Of Owen Deaver

Contributing writer Jake Fogleman and I break down Senate Republicans' new proposal to remove everything but machineguns and destructive devices from regulation under the National Firearms Act as part of President Trump's "big beautiful bill." We discuss the upsides and pitfalls of this approach for gun-rights advocates and explain what needs to happen next for it to become law. We also cover a new ruling out of the Fifth Circuit Court of Appeals on the federal Gun Free School Zones Act, a new DOJ brief arguing that AR-15s are protected by the Second Amendment, and emerging new details surrounding a tragic shooting at a recent protest in Salt Lake City.

Is RI facing a new AWB?  Also, Mexico's lawsuit against US gunmakers is shut down by SCOTUS, local case roundup, and more

Friday is slated to be the last day of this year's legislative session in Rhode Island. It's also the day the full Senate is expected to vote on an "assault weapons" ban; one that, at the moment, differs from the version passed by the House. Cam details the potential scenarios for the bill, while also taking a look at the gun control bills that failed to become law in New York this year.

Welcome back to The Following Films Podcast, where we look at the craft of storytelling, the magic of cinema, and the people who bring it all to life. I'm your host, Chris Maynard.Today's episode is a short one, but a good one.We're joined by two remarkable guests: acclaimed actor Dermot Mulroney, whose filmography spans everything from My Best Friend's Wedding to Young Guns and Yellowstone… and director Salvador Litvak, whose bold new film Guns & Moses is already sparking conversation across the country.Inspired by real events, Guns & Moses follows a desert rabbi who becomes an unlikely warrior when his community is attacked—blending the intensity of an action-thriller with the heart of a deeply personal story. It's a film that takes on antisemitism, courage, and what it means to protect what matters most… all with style, grit, and yes, a little Hitchcock flair.We talk about the making of the film, the urgency of its message, and the humanity behind the characters. So stay tuned—this is one conversation you won't want to miss.

191: On this episode, Tony interviews Erik Tweedt founder of Archetype of the Gun and new owner of Chicagoland gun shop Shore Galleries! Tony talks to Erik about his early days starting his training company Archetype of the Gun and how that lead to him buying a long standing Chicago area gun shop Shore Galleries. If you have follow up questions for this interview PLEASE shoot us an email at pewtimepodcast@gmail.com We would love to do a follow up with all of your questions! If you guys want to save some on your own set of sexy Italian wood furniture from Woox for your shotgun or AR be sure to use code: laughnload10 For that Blackout Coffee link to support the show click https://www.blackoutcoffee.com?p=SJxs6gMea Be sure to use code LNL20 if it is your first order and get 20% off! Thanks for all of your guy's support! We love ya! Please help us out by rating and reviewing the podcast! Thank you! Got questions? Email us at pewtimepodcast@gmail.com If you want to book Tony for a class email him at performancegun@gmail.com Looking for some new range wear? Head over to https://www.laughnload.com to check out some of the shirts, hats, hoodies and more that are currently available. What to check out some more from us you can search Laugh n Load on IG, FB and YouTube. FB: https://www.facebook.com/252407111792056/ IG: https://instagram.com/laughnload?igshid=tm0tboj9syru YT: https://www.youtube.com/channel/UCvK8P5NQ_sCpz1Hwasmd62Q

On this episode of TFB's Behind the Gun Podcast, we're joined once again by Bryce from the Carry Handle Podcast as we go through some of the industry's latest news and trends. Up first we talk a bit about a recent post from Calvin of FirepowerUnited asking some important questions about the intersection of competition and military firearms. However, our biggest topic of the day is of course in refrence to the "Big Beautiful Bill" and some recent changes made to it by the Senate Finance Committee. Today Bryce and I will share our own interpreation of the changes made to the bill, and what we think it might mean for the the country in terms of opening up a lot of new doors for people when it comes to firearms ownership.  The Carry Handle Podcast on YouTube The Carry Handle Podcast on Spotify The Carry Handle Podcast RSS  The Carry Handle Podcast on Instagram

"Punk music has produced some of the greatest performers and some of the greatest musician nicknames. Here is a list of the best names and where they came form."

Gun Talk Nation presents the exclusive reveal of the Ruger Gun Talk Scout Rifle (GT30) — a special edition rifle celebrating 30 years of Gun Talk Radio. Jason Klossner of Lipsey's joins Ryan Gresham to break down the design, features, and history behind this special-edition scout rifle built on the Ruger American Gen 2 platform.This in-depth discussion covers the evolution of the scout rifle concept, inspired by Gunsite Academy founder Jeff Cooper, and how this gun blends modern tactical features with classic utility. Available in .308 Winchester and 5.56 NATO, the GT30 is a true multi-purpose bolt-action rifle — ideal for hunting, home defense, or just having fun at the range.Learn more at guntalkscout.comThis Gun Talk Nation is brought to you by Black Hills Ammunition, Leupold, First Person Defender, Ruger, Winchester Optics, Safari Specialty Importers, Colt, and Military Armament Corp.Be sure to check out the Gun Talk / Ammunition Depot Collab page for great deals:ammunitiondepot.com/guntalkGet 10% off any order of $150 or more at Brownells with code GUNTALK10.Check out the NEW First Person Defender YouTube channel HERE.About Gun Talk NationGun Talk Media's Gun Talk Nation is a weekly multi-platform podcast that offers a fresh look at all things firearms-related. Featuring notable guests and a lot of laughs. Gun Talk Nation is available as an audio podcast or available in video format.For more content, subscribe to Gun Talk at guntalktv.com, on Gun Talk's Roku, Apple TV, iOS app, Android app, or find Gun Talk on YouTube, Rumble, Facebook, Instagram, X and guntalk.com. Catch First Person Defender on the new Official FPD YouTube channel. Listen to all Gun Talk Podcasts with Spreaker, iHeart, Apple Podcasts, Spotify or wherever you find podcasts.Copyright ©2025 Freefire Media, LLCGun Talk Nation 06.18.25Become a supporter of this podcast: https://www.spreaker.com/podcast/gun-talk--6185159/support.

In this powerful episode of Spawn on Me, we sit down with Olivia Brown from Project Unloaded to dive deep into the critical work of tracking and analyzing gun violence data. Olivia shares insights into how Project Unloaded is revolutionizing our understanding of gun violence through comprehensive data collection and community-driven research.We explore the challenges of gathering accurate gun violence statistics, the impact of data transparency on policy decisions, and how grassroots organizations are filling crucial gaps in national reporting. Olivia discusses the human stories behind the numbers and explains how better data can lead to more effective violence prevention strategies.Whether you're interested in public health, social advocacy, or data-driven solutions to complex problems, this conversation offers valuable perspectives on one of America's most pressing issues. Join us for an eye-opening discussion about the intersection of technology, community organizing, and social change.Don't forget to like, subscribe, and share your thoughts in the comments below!

On this episode of The Jock and Nerd Podcast, the gang dives into the latest DCU buzz as James Gunn shares updates and Superman presales start heating up! They react to the new “Tickets On Sale” trailer for Superman and break down the newly released trailer for The Naked Gun reboot. Plus, a surprise announcement... The post JAN 593: Predator: Killer of Killers (2025) Review – Superman and Naked Gun Trailers (06/18/25) appeared first on The Jock and Nerd Podcast.

  In this episode of the State of the Second John and Kailey are joined by Bill Cleftis, CEO of Otis Technology, to dive deep into the world of gun cleaning, CCW training, and what it's really like to be a gun owner in post-Bruen New York. Whether you're a seasoned 2A advocate or a new gun owner, this episode is packed with real talk, expert advice, and hard-earned wisdom from one of the leading voices in firearms maintenance. Register for GOALS 2025, August 9th & 10th: https://events.goa.org/goals/ Thanks to AAC Ammo & Palmetto State Armory for sponsoring our guest gear! Special thanks to our sponsor for supporting this season!   Ammo² – The smarter way to stockpile ammo, one round at a time. Start your ammo savings today!

Today's Mystery:Charlie Chan and Sheriff Holt want an explanation of the gun Cecille was carrying and decide to stage a reenactment.Original Radio Broadcast Date: 1935 or 1936Originating from Los AngelesStarring: Walter Connolly as Inspector Charlie ChanSupport the show monthly at https://patreon.greatdetectives.netPatreon Supporter of the Day: Grisel, Patreon supporter since December 2024.Support the show on a one-time basis at http://support.greatdetectives.net.Mail a donation to: Adam Graham, PO Box 15913, Boise, Idaho 83715Take the listener survey at http://survey.greatdetectives.netGive us a call at 208-991-4783Follow us on Instagram at http://instagram.com/greatdetectivesFollow us on Twitter @radiodetectivesJoin us again tomorrow for another detective drama from the Golden Age of Radio.

This Week on True Crime News The Podcast: A torrid relationship between deputy coroner Christopher Dontell and body transporter Meagan Jackson allegedly ended with another dead body when Jackson gunned down Gregory Rice, the father of her four children. Rachel Fiset joins host Ana Garcia. To learn more about listener data and our privacy practices visit: https://www.audacyinc.com/privacy-policy Learn more about your ad choices. Visit https://podcastchoices.com/adchoices

Summary In this episode of Armed American Radio, host Mark Walters discusses various topics related to gun rights, including the recent developments in the Peterson suppressor case, the changing position of the DOJ on suppressors, and the implications of the Senate's reconciliation bill on firearm regulations. The conversation also touches on the media's response to recent shootings and the potential impact on gun control legislation in Minnesota. Throughout the episode, Walters emphasizes the importance of supporting the National Rifle Association and staying informed about ongoing legislative changes. Takeaways The Peterson suppressor case has significant implications for Second Amendment rights. The DOJ has changed its stance on suppressors, now recognizing them as protected under the Second Amendment. The Senate's reconciliation bill could lead to major changes in firearm regulations, including the removal of taxes on suppressors and short-barreled rifles. Media narratives often focus on political agendas rather than the victims of gun violence. Gun owners must remain vigilant and active in supporting their rights amidst changing legislation. The importance of the NRA in advocating for gun rights cannot be overstated. Recent developments indicate a potential shift in how suppressors are viewed legally. The conversation highlights the need for unity among gun owners to protect their rights. Political maneuvering can impact the outcome of firearm legislation significantly. The episode underscores the necessity of having legal representation for gun owners. Keywords Armed American Radio, Second Amendment, suppressors, firearm regulations, DOJ, Peterson case, Senate bill, gun rights, media response, Minnesota shooting  

About this episode: Homicides in the U.S., particularly those involving gun violence, peaked in 2022 following a rapid rise during the COVID pandemic. In the years that followed, there were notable decreases and 2025, so far, shows one of the most dramatic reductions in homicides in decades. In this episode: A look at some of the reasons behind the rise and fall of deaths, and why staying the policy course may be key to avoiding another spike. Guest: Daniel Webster is a Bloomberg Professor of American Health who has studied gun violence and prevention for more than thirty years. Host: Dr. Josh Sharfstein is vice dean for public health practice and community engagement at the Johns Hopkins Bloomberg School of Public Health, a faculty member in health policy, a pediatrician, and former secretary of Maryland's Health Department. Show links and related content: Deadly decisions? Trump guts anti-crime program as summer violence looms—USA Today Supreme Court upholds Biden regulations on ‘ghost gun' kits—NBC News City of Baltimore Reaches Settlement in Polymer80—Mayor Brandon Scott, Baltimore City A Safer Gun Buying Process—Public Health On Call (February 2025) Transcript information: Looking for episode transcripts? Open our podcast on the Apple Podcasts app (desktop or mobile) or the Spotify mobile app to access an auto-generated transcript of any episode. Closed captioning is also available for every episode on our YouTube channel. Contact us: Have a question about something you heard? Looking for a transcript? Want to suggest a topic or guest? Contact us via email or visit our website. Follow us: @‌PublicHealthPod on Bluesky @‌JohnsHopkinsSPH on Instagram @‌JohnsHopkinsSPH on Facebook @‌PublicHealthOnCall on YouTube Here's our RSS feed Note: These podcasts are a conversation between the participants, and do not represent the position of Johns Hopkins University.