Podcasts about Wolfgang Petersen

This week on Born to Watch, it's time for our Air Force One Movie Review, the movie review podcast where we don't take the movies or ourselves too seriously. Whitey, G-Man, and Will the Worky climb aboard one of the most patriotic action films ever made, as Harrison Ford swaps his whip and fedora for the Oval Office and proves that sometimes the President really can save the day.Released in 1997 and directed by Wolfgang Petersen, Air Force One became one of the biggest blockbusters of the year, delivering a simple but irresistible premise. Terrorists hijack the President's plane, take his family hostage and quickly discover they've picked a fight with a Commander-in-Chief who just happens to be a Medal of Honour recipient.The boys dive into whether this 90s action favourite still holds up almost three decades later, or whether nostalgia is doing most of the heavy lifting.Harrison Ford once again proves why he remains one of Hollywood's greatest accidental heroes. Whether he's Han Solo, Indiana Jones, Dr Richard Kimble or President James Marshall, Ford has a knack for making ordinary people believe they can survive extraordinary situations. The team discusses why his grounded style works so well and why he's able to elevate even the most over-the-top action movies.Of course, no discussion of Air Force One would be complete without Gary Oldman. His performance as terrorist Ivan Korshunov is as intense as ever, even if the boys question whether one of cinema's greatest actors deserved a stronger script. Along the way, they celebrate Oldman's incredible career, from Leon and True Romance through to The Dark Knight, Darkest Hour and beyond.As always, the movie quickly becomes secondary to the ridiculous questions that only Born to Watch can ask.Just how many parachutes does Air Force One actually carry?Why is everyone smiling after jumping out of a plane somewhere over Kazakhstan?Does a 1997 satellite phone really keep working at 20,000 feet?Why is there an endless supply of drinks hidden in the cargo hold?And how exactly does one MiG fighter somehow survive an entire squadron attack just so the movie can have one more action sequence?The crew also takes aim at some wonderfully cheesy taglines, debates whether this is one of cinema's greatest presidential action thrillers, and wonders if Australians will ever truly understand America's obsession with the presidency.Elsewhere, G-Man delivers another outstanding Ordinary People segment, covering Harrison Ford, Gary Oldman, Glenn Close and a cast full of "that guy" character actors you've seen in dozens of movies. There's also a look back at the massive year that was 1997, including Titanic, Men in Black, The Lost World: Jurassic Park and Good Will Hunting.Hit, Sleeper or Dud returns with another trio of recommendations, including Wesley Snipes' underrated Murder at 1600, the Spanish original that inspired Vanilla Sky, and one of the greatest movie titles ever discovered in the Dud category.As always, expect plenty of laughs, terrible impressions, completely unnecessary tangents, and more than a few moments where the logic of Hollywood action films is left hanging out the side of the aircraft.So buckle up, secure your tray table, prepare for decompression, and remember one thing...Get off my podcast!If you enjoy what we do, we'd love your support. Subscribe wherever you listen, leave us a five-star review, share the episode with your mates, and follow Born to Watch across social media. Every listen helps us keep celebrating the movies we all grew up with, one ridiculous review at a time.#AirForceOne #HarrisonFord #GaryOldman #WolfgangPetersen #MovieReview #BornToWatchPodcast #90sMovies #ActionMovies #FilmPodcast #GetOffMyPlane

“I want someone who has regrets. I want someone who's learned the hard way. I want someone who understands that life is made of those messy compromises.” — Joel Christensen on the Odysseus he hopes to see in Matt Damon Christopher Nolan's The Odyssey is out — the controversial movie of the year, much of the controversy raging before anyone had seen a frame. So, before either of us had seen the epic, I talked to the CUNY classicist Joel Christensen, author of the timely Why Odysseus? Survivor, Scoundrel, (Anti)hero. What, I asked Christensen, did he most dread about Hollywood's treatment of his beloved Odyssey? His answer: a hero too noble to be interesting. The Odysseus of the epic is a survivor, a scoundrel, an antihero — the master sergeant who does what needs to be done, from engineering the Trojan Horse to making sure Hector's infant son doesn't survive it. Christensen's worry about Matt Damon came down to one word: too likeable. What he wanted instead was a man with regrets — De Niro in Raging Bull rather than anybody noble. So did Christensen get the Odysseus he wanted? Below is his review, written after seeing the film when it came out. Postscript: Joel Christensen's Verdict on the Film Nolan's Odyssey is not Homer's Odyssey. This should be clear to anyone. Nolan faced an almost impossible task well: ancient audiences knew the story already. Modern audiences do not, so he created a ring structure with the beginning union of Penelope and Odysseus anticipating the reunion at the end, also introducing plot elements like the dog Argos and the pin by which Penelope will recognize Odysseus. The film is not Homer. Homer's power is poetry; the film's is image. Some of the images are striking: the scene when Circe turns his men into animals is the most arresting in the whole movie, showing everything that can be done with visceral imagery and a slight adaptation (Circe here is a survivor of sexual assault). The changes made to the plot such as omitting the Phaeacians, Nestor, Laertes, the bed and more are not as jarring as some of the general decisions. Calling “Zeus' Law” “do unto others…” makes an understandable translation to a Christian context, but it is somewhat nonsensical for Homer. Depicting a mutilated Helen is a strange decision that I am struggling with. What the movie gets right is making humans responsible for their own suffering. In a novel take on Odysseus as a traumatized warrior, the hero spends seven years with Calypso eating Lotus to forget the loss of his men. Damon, too likeable, regrets the trick of the Trojan Horse after witnessing the slaughter during the sack of Troy. We find out as well that the “sea people” from history, bringing an end to the “civilization” are actually the Greeks returning from the Trojan War and suffering for the transgressions they committed there. Is this ending an echo of Zeus' plan to end the race of heroes in the Trojan War? Is it an allegory for our civilizational collapse in the future thanks to technology, environmental catastrophe, and fascism? Any potential social critique dissipates with the movie's end. The traumatized veteran turns out to be merciful and kills only some of the suitors, showing many mercy. Then, guilty of violating “Zeus' Law”, Odysseus happily goes into exile with Penelope, leaving Telemachus to be king. There's no way to make Homer's Odyssey into a film and convey all its ambiguity and depth. That would be an unfair expectation. Nolan's film is a compelling spectacle and it makes me wonder more about how it reflects who we are as an audience. Do we need the hero to be ultimately good, even if he messed up? Are we so simple that we need to hear about Zeus' Law and the Sea People so repetitively? I fear that in this age where fiction and fact are so hard to disentangle, that we long for narratives that are just simpler. We don't get the Odyssey we want; we get the one we deserve. Five Takeaways •       A Complicated Man: The Translation Problem. Every word of Homer carries echoes no English can hold, and the fights over Nolan's dialogue replay the fights over translation. Emily Wilson detonated a controversy by rendering polytropos — poly, many; tropos, turn — as “a complicated man,” alluding at once to Odysseus's travels and the many forms of his character; Daniel Mendelsohn's “man of roundabout ways” does the work too, if you can stop thinking about rotaries. Even the objection to Tom Holland's Telemachus saying “dad” collapses on inspection: Telemachus uses the colloquial form in Homer. And the “authentic” dialect purists want was an artificial amalgam that no ancient Greek ever spoke. •       The Culture Wars Come for Homer. Nobody remembers a brouhaha over Wolfgang Petersen's Troy — a pretty bad movie, Christensen notes — but Nolan's Odyssey generates more controversy than a scholar can track daily. Lupita Nyong'o's Helen is attacked as inauthentic by one side and as cultural appropriation by the other; since 2015, classicists have watched the Western tradition weaponized by the alt-right while their own field argues about who owns it. Christensen's advice channels the epic itself: between Scylla and Charybdis, take Scylla. You'll lose six men. The alternative is losing the ship — and if the story doesn't persuade in three hours, nobody will remember the armor anyway. •       The Valence of Violence. Modern audiences are more accustomed to represented violence than any in history — you don't need Natural Born Killers when Twitter serves unverifiable clips from Gaza and Iran. The question Christensen brings to the film is what the violence is for. Uberto Pasolini's The Return gave Ralph Fiennes's Odysseus a steady, untroubled thump of arrows; the epic's own slaughter of the suitors, read closely, approaches Tarantino-adjacent parody. And the hardest tests are the atrocities the adaptations always cut: the mutilation of the goatherd Melanthius, and Telemachus hanging the enslaved women. Does the violence glorify the hero — or show what even the best of us are capable of? •       Keep Penelope Ambiguous. The great interpretive question of the Odyssey is when Penelope knows the beggar is her husband — the suitors, dead in the underworld, are convinced she was in on it all along. The epic grants her remarkable intelligence and agency, then reins it in: Agamemnon's ghost praises her by way of insulting all women, and she vanishes from the text. Christensen's advice to Nolan wouldn't be Margaret Atwood's Penelopiad, which centers the women's voices; it would be more screen time and total ambiguity — no access to her mind, a wife who matches her husband in wits and may even have outwitted him. Though based on Nolan's arc, he doubts we'll get a woman at the center. •       Survivor, Scoundrel, (Anti)hero. Christensen's worry about Matt Damon was simple: too likable. Odysseus is the master sergeant — the one who takes the hard orders, tricks Achilles into the war, engineers the Horse, and makes sure Hector's infant son doesn't survive to rebuild Troy. The ancient hero is neither good nor ...

With Christopher Nolan's THE ODYSSEY on the horizon, the MovieFilm boys revisit Wolfgang Petersen's ambitious 2004 epic TROY! How does this big-budget reimagining of Homer's ILIAD hold up more than two decades later? Join us as we discuss the film's all-star cast (Brad Pitt! Eric Bana! Orlando Bloom! Sean Bean), its sweeping battle sequences, the creative liberties it takes with the source material, and its legacy as Hollywood returns to the world of Greek mythology. Listen separately or synch up your copy of the movie and watch along!Listen ad-free at Patreon: https://patreon.com/MovieFilmPodcast

THE LEGEND THAT INSPIRED CHRISTOPHER NOLAN'S THE ODYSSEY! With anticipation building for Christopher Nolan's The Odyssey, Jackie Bonsignore & Paige Kimsey experience Troy: Director's Cut (2004) for the first time watching, revisiting Wolfgang Petersen's epic retelling of the Trojan War that brings Achilles, Hector, Paris, Helen, and the legendary siege of Troy to life. From the iconic Achilles vs. Hector duel and the Trojan Horse to heartbreaking sacrifices and massive battlefield spectacle, this Troy Director's Cut reaction celebrates one of cinema's greatest historical epics. Troy: Director's Cut Reaction (Full Length Watch Along):   / thereelrejects   The best businesses aren't built in boardrooms. They're built by people who just started. Free trial at shopify.com/rejects In this Troy: Director's Cut reaction, historical movie reaction, and review, Jackie & Paige experience Wolfgang Petersen's (The Perfect Storm, Air Force One) sweeping adaptation inspired by Homer's Iliad. The film stars Brad Pitt as Achilles (Fight Club, Once Upon a Time in Hollywood), Eric Bana as Hector (Munich, Hulk), Orlando Bloom as Paris (The Lord of the Rings, Pirates of the Caribbean), Diane Kruger as Helen (Inglourious Basterds, National Treasure), Sean Bean as Odysseus (The Lord of the Rings, Game of Thrones), Brian Cox as Agamemnon (Succession, Braveheart), Peter O'Toole as King Priam (Lawrence of Arabia, The Lion in Winter), Brendan Gleeson as Menelaus (The Banshees of Inisherin, Harry Potter), and Rose Byrne as Briseis (Bridesmaids, X-Men: First Class). Featuring unforgettable moments like the opening duel with Boagrius, the storming of Troy's beaches, the breathtaking Achilles vs. Hector battle, the emotional meeting between Achilles and King Priam, Paris' fateful choices, and the legendary Trojan Horse finale, Troy: Director's Cut expands on the theatrical release with additional character moments and extended battle sequences. As excitement continues to build for Christopher Nolan's The Odyssey, Jackie & Paige revisit the mythic world that introduced audiences to many of Greek mythology's greatest heroes and helped pave the way for Odysseus' legendary journey home. Follow Jackie Bonsignore: https://www.instagram.com/jackiebonsignore/ Follow Paige Kimsey https://www.instagram.com/paige.popcorn?igsh=NTc4MTIwNjQ2YQ%3D%3DIntense Suspense by Audionautix is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... Support The Channel By Getting Some REEL REJECTS Apparel! https://www.rejectnationshop.com/ Follow Us On Socials:  Instagram: https://www.instagram.com/reelrejects/  Tik-Tok: https://www.tiktok.com/@reelrejects?lang=en Twitter: https://x.com/reelrejects Facebook: https://www.facebook.com/TheReelRejects/ Music Used In Ad:  Hat the Jazz by Twin Musicom is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Happy Alley by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/... POWERED BY @GFUEL Visit https://gfuel.ly/3wD5Ygo and use code REJECTNATION for 20% off select tubs!! Head Editor: https://www.instagram.com/praperhq/?hl=en Co-Editor: Greg Alba Co-Editor: John Humphrey Music In Video: Airport Lounge - Disco Ultralounge by Kevin MacLeod is licensed under a Creative Commons Attribution 4.0 license. https://creativecommons.org/licenses/by/4.0/ Ask Us A QUESTION On CAMEO: https://www.cameo.com/thereelrejects Follow TheReelRejects On FACEBOOK, TWITTER, & INSTAGRAM:  FB:  https://www.facebook.com/TheReelRejects/ INSTAGRAM:  https://www.instagram.com/reelrejects/ TWITTER:  https://twitter.com/thereelrejects Follow GREG ON INSTAGRAM & TWITTER: INSTAGRAM:  https://www.instagram.com/thegregalba/ TWITTER:  https://twitter.com/thegregalba Learn more about your ad choices. Visit megaphone.fm/adchoices

Wolfgang Petersen's The Never Ending Story  This week we look into the cinematic psyche of Mr. Ibrahim Chavez. Our path is Wolfgang Petersen's 1984 Childrens' Dark Fantasy, The Never Ending Story. A childrens' adventure/heroes journey of youth battling nihilism (in this case The Nothing), bullies, parental loss, and the power of imagination, self-worth (self-belief), and self-realization. Possibilities abound in this story surrounding a magical book, a young warrior (Atreyu), beautiful, frightening, and troubling settings (The Swamp of Sadness - one of the most depressing and overpowering setttings in The History of Movies), and imaginative puppetry (The Luck Dragon - Falkor, Gmork, Turtle-like Morla, and The Rock-Eater - truly magnificent). The struggle to save the mythical Fantasia of the film presents imaginative and important points for those of us who have always loved reading and literature and the new generations that are understanding the power of literature. Take a listen and let us know what you think. As always, we can be reached at gondoramos@yahoo.com - Our Continued Thanks.  For those of you who would like to donate to this undying labor of love, you can do so with a contribution at https://www.buymeacoffee.com/watchrickramos - Anything and Everything is appreciated, You Cheap Bastards.

Send us Fan MailIn today's episode, I interview Misha Calvert, director of the short film “Fault,” an exploration of buried trauma that threatens the career of a star tennis player on the eve of the U.S. Open.Listen to hear about the story that was adapted from the personal story of the film's star, the potential alternate setting for the film that still comes through in the final product, and how they found the fantastic home that the film uses as its main setting.Books mentioned in this episode include:The Prophet by Kahlil GibranFilms and TV shows mentioned in this episode include:“Fault” directed by Misha CalvertRaiders of the Lost Ark directed by Steven SpielbergJurassic Park directed by Steven SpielbergWillow directed by Ron HowardThe Passion of Joan of Arc directed by Carl Th. DreyerThe NeverEnding Story directed by Wolfgang Petersen"Pink Flags" directed by Misha Calvert (forthcoming)"The F*ckboy Diaries" directed by Misha Calvert (forthcoming)Follow Misha on Instagram @mishacalvert and follow the film @faultfilmofficial.Support the show

TROYA de 2004 fue una película que gustó y disgustó en proporciones de diferente orden. La versión de Wolfgang Petersen adaptaba libremente La Ilíada de Homero, suprimiendo las constantes intervenciones divinas de los dioses y aplicando cambios muy drásticos con respecto al original. Con todo, nos dio un Aquiles irrepetible y un Héctor, un Príamo y una Helena difíciles de olvidar. No obstante, amén de contar toda la historia de su producción y de analizar la trama de principio a fin, abordaremos el texto original homérico para acercársela a todos los oyentes, señalando la diferencias y ampliando mitología allí donde Petersen se quedó muy corto. Así que hoy os presentamos un programa con casi tanto Homero como Brad Pitt y compañía. Con sandalias recién estrenadas y micrófonos de cobre estarán Coronel Kurtz, Jaime Angulo, Abel Rodríguez y Antonio Runa. Veremos si esta vez también arde Troya. Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

TROYA de 2004 fue una película que gustó y disgustó en proporciones de diferente orden. La versión de Wolfgang Petersen adaptaba libremente La Ilíada de Homero, suprimiendo las constantes intervenciones divinas de los dioses y aplicando cambios muy drásticos con respecto al original. Con todo, nos dio un Aquiles irrepetible y un Héctor, un Príamo y una Helena difíciles de olvidar. No obstante, amén de contar toda la historia de su producción y de analizar la trama de principio a fin, abordaremos el texto original homérico para acercársela a todos los oyentes, señalando la diferencias y ampliando mitología allí donde Petersen se quedó muy corto. Así que hoy os presentamos un programa con casi tanto Homero como Brad Pitt y compañía. Con sandalias recién estrenadas y micrófonos de cobre estarán Coronel Kurtz, Jaime Angulo, Abel Rodríguez y Antonio Runa. Veremos si esta vez también arde Troya.

A retelling of Homer's epic - well, an attempt...Directed by Wolfgang PetersenScreenplay byDavid BenioffBased on Iliad by HomerPosthomerica by Quintus SmyrnaeusProduced by Wolfgang Petersen, Diana Rathbun, Colin WilsonStarring Brad Pitt, Eric Bana, Orlando Bloom, Diane Kruger, Brian Cox, Sean Bean, Brendan Gleeson, Peter O'TooleCinematography Roger PrattEdited by Peter HonessMusic by James HornerProduction companies Warner Bros. Pictures, Radiant Productions, Plan B Entertainment, Helena Productions, Latina Pictures, Nimar StudiosDistributed byWarner Bros. PicturesRelease datesMay 13, 2004 (Cannes)May 14, 2004 (United States)Running time163 minutesBudget$175,000,000 (estimated)Gross US & Canada$133,378,256Opening weekend US & Canada$46,865,412May 16, 2004Gross worldwide$497,409,852

This week, we're staking out the hacienda with 1991's "Shattered." We unravel Wolfgang Petersen's amnesia thriller and talk about Tom Berenger's squint, Bob Hoskins' stare, the movie's cool car crashes and the silly but satisfying twist. Listen now.

In what will become a trend for at least the next little while, I've got 2 reviews in one episode here in podcast #727. First, I detail my favourite moments, lines and scenes in Wolfgang Petersen's In The Line Of Fire. John Malkovich has rarely been in better form as the villain and Clint Eastwood has never been funnier or more charming as the hero. Malkovich wants to assassinate the president and Secret Service man Clint is determined to stop him. Then Best Picture winner of 1931, Wesley Ruggles' Cimarron, gets more of my usual beat-by-beat analysis. It's a western about a successful newspaperman and lawyer (Richard Dix) who has wanderlust...and his racist wife (Irene Dunne) who evolves on that issue and becomes a leader in the town. So rendezvous with my, uh, show about both In The Line Of Fire and Cimarron. Subscribe to Have You Ever Seen, but how about also jotting down a review? You can rate the show too (5 stars!). And click over to Letterboxd to look at my written reviews: RyanHYES. Email me your OWN thoughts about various great movies (haveyoueverseenpodcast@gmail.com). That or follow me on Twi-X (@moviefiend51) and/or Bluesky (ryan-ellis).

A bullied boy finds a magic book, bringing him into a fantastical world under threat of annihilation.  Dennis Vs the Movies month continues with the movie that scarred millions of millennials. Starring Barret Oliver, Noah Hathaway, Tami Stronach, and Alan Oppenheimer. Written by Wolfgang Petersen and Herman Weigel. Directed by Wolfgang Petersen.

Mit "Das Boot" und dem Tatort "Reifezeugnis" schuf Wolfgang Petersen Meisterwerke des deutschen Films, die ihm den Weg nach Hollywood ebneten. Dort drehte er erfolgreiche Blockbuster. Vor 85 Jahren wurde er geboren. Klasen, Andrea www.deutschlandfunk.de, Kalenderblatt

It's the episode you literally voted for, so this week democracy wins. We hesitantly got on peak dad-hero Harrison Ford's Air Force One (and he seemed a little grumpy about it, tbh.)It feels a lot like The Fugitive, but with more neck-snapping, and the delightfully unhinged Gary Oldman as a terrorist who somehow hijacks both the world's most secure aircraft and Joe's heart.Directed by submarine-and-storm enthusiast Wolfgang Petersen, this is Greg's ultimate “Die Hard on a blank” entry — a movie where the President of the United States personally handles hostage negotiations by punching them. (The Vice President, Glenn Close, does all the negotiations, obviously. Vice Presidents do that.)Is it ridiculous? Yes.Is it sincere? Also yes.Does it feature the Leader of the Free World growling “Get off my plane” before launching a man into open air? You bet your nuclear codes it does.Greg and Joe strap in, secure the escape pod, and learn a little something about themselves along the way.As with every episode, this is the love letter that needed to happen about this movie. Also: Drinking Games, Important Questions, Joe's Back of the Box, and more.If you'd like to advertise with us or sponsor us, please e-mail greatbadmoviesshow@gmail.comSubscribe to Great Bad Movies wherever you listen to podcastsMore Great Bad Movies online:InstagramGreat Bad Movies WebsiteYouTubeEmail us at greatbadmoviesshow@gmail.com Hosted on Acast. See acast.com/privacy for more information.

This week, the boys jump aboard the Andrea Gail for The Perfect Storm 2000 Review, the Wolfgang Petersen disaster epic that tried to answer one simple question:What if Mother Nature just decided you were finished?It's a Monday night. You've done your research.You head down past Burleigh, just west of Palm Beach. Three chairs are waiting. Gow's checking stats, Damo's preparing the Snorbs Report, and Whitey's tweaking the levels.Game time.Based on the true story of a sword-fishing crew who sailed directly into a once-in-a-lifetime weather system, the film brings together an all-star cast, George Clooney, Mark Wahlberg, John C. Reilly, Diane Lane and a collection of "hey-that-guy!" actors, but the real star might just be the ocean itself.Whitey is deep in his Clooney phase and openly declares him possibly "the most handsome man we've ever reviewed," while Gow and Damo debate whether the movie actually needs characters at all once the waves hit 100 feet. Because this is Born to Watch, the conversation doesn't stay serious for long.We cover:The legendary boat-on-the-wave shotWhy every sea captain is basically Captain AhabThe world's worst job (professional fisherman easily makes the grand final)Mark Wahlberg's historically patchy beardThe glow-stick responsibilities aboard a fishing vesselWhether the crew should've just sailed to Portugal insteadThe boys also dig into the film's strange structure. Half character drama, half disaster movie, half weather documentary, and somehow still compelling once the storm begins. Even critics admitted the storytelling problems stop mattering once the chaos kicks in. There's praise for the James Horner score, debate about the true events versus movie invention, and an unexpected emotional reaction to the funeral scenes. Plus:The 2000 Movie Lottery (Remember the Titans vs Bring It On vs The Cell)Box office success vs critic ratingsThe Snores Report returnsMichael Ironside is officially considered for Born to Watch RoyaltyAnd of course, the most important question of all:If you knew the storm was coming… would you still turn the boat around for the payday?Because sometimes the scariest part of a disaster movie isn't the wave, it's the decision that leads to it.JOIN THE CREWIf you enjoyed the episode, don't just listen, become part of the Born to Watch community. Leave a rating on Spotify or Apple, drop a YouTube comment, and tell us:Did Billy Tyne make the right call… or did he doom the Andrea Gail?#BornToWatch #ThePerfectStorm #MoviePodcast #FilmReview #GeorgeClooney #MarkWahlberg #DisasterMovies #2000sMovies #TrueStoryMovies #MovieNostalgia

We review Poseidon (2006) on movie podcast The Collector's Cut. Poseidon is directed Wolfgang Petersen and stars Kurt Russell, Josh Lucas, Richard Dreyfuss, Emmy Rossum patreon: https://www.patreon.com/mildfuzztv twitter: https://twitter.com/ScreamsMidnight all links: https://linktr.ee/mildfuzz Audio version: https://the-collectors-cut.pinecast.co/

In this captivating conversation, host Neil Haley welcomes Tami Stronach, the actress who captured hearts worldwide as the Childlike Empress in the 1984 fantasy classic The NeverEnding Story. Stronach shares the remarkable story of how a chance encounter with a casting agent at her San Francisco acting class led to three auditions across two continents, ultimately landing her the iconic role at just 10 years old. She opens up about the intense filming experience at Bavaria Studios in Germany, working with director Wolfgang Petersen, and how the grueling but magical shoot instilled in her a lifelong love of fantasy storytelling. Despite the film's massive success and her memorable performance, Stronach reveals the thoughtful family decision to walk away from Hollywood as a child, turning down scripts that didn't align with her values, including some that contained violence and nudity inappropriate for an 11-year-old.Now, decades later, Stronach has come full circle in her creative journey. After dedicating 20 years to professional dance in New York City, performing with various companies, running her own dance troupe, teaching at Marymount Manhattan College, and acting in theater productions, she has launched Paper Canoe Company with her husband. This family entertainment venture creates shows, concerts, and content that echo the whimsical spirit of The NeverEnding Story while involving their daughter Maya in the creative process. Stronach discusses her recent return to the public eye through comic conventions and social media (Twitter: @NeverEndingTammy), expressing genuine surprise and gratitude that fans continue to cherish the film and encourage her to return to screen acting. She reflects on how fantasy stories help us process difficult realities, the formative impact of childhood experiences, and her excitement about potentially exploring film acting again after focusing on live performance for so many years.

Wolfgang Petersen's 1984 mythical fantasy adventure, THE NEVERENDING STORY, is our feature presentation this week! We discuss author Michael Ende's lawsuit against the adaptation, nostalgia being a bitch, the heavies on the Sphynx gatekeepers, and much more! We also pick our Top 7 Movies Viewed in a Classroom in this week's Silver Screen 7!  Join our Patreon ($2.99/month) here linktr.ee/brokenvcr to watch the episodes LIVE in video form day/weeks early. Find us on Instagram @thebrokenvcr and follow us on LetterBoxd! Become a regular here at THE BROKEN VCR!

This week week on 12/18 and 12/20, respectively, we celebrate The BIG 4-0's of Steven Spielberg's THE COLOR PURPLE and Wolfgang Petersen's ENEMY MINE; and Ron celebrates his Big 4-7, so we take a look at one of his all-time favorite films - and it just so happens he and Peter were able to see it on the big screen for the first time in 37 years this past weekend - the greatest buddy cop movie of all-time: LETHAL WEAPON. We also talk KILL BILL: THE WHOLE BLOODY AFAIR and Kiefer Sutherland's Christmas romcom TINSEL TOWN, and VARSITY BLUES. PLus, THREE seperate box office challenges!NEXT WEEK: It's our big season finale as we bring 1985 to a close, wishing a happy BIG 4-0 (DD) to THE HOWELING II: YOUR SISTER IS A WEREWOLF (no shit, that's the title), and so we'll look at the original HOWELING (1981) as well; plus our annual year-end BEST & WORST LISTS. Join us as we bid adieu to 1985!

En nuestra tertulia de maduritos interesantes, con José Luis Garci, Andrés Aberasturi, Xosé Castro y Javier Fuentes, hablamos de cómo Lanzarote se ha transformado en un escenario de película. La isla, además de ser un destino turístico de primer nivel con playas y paisajes lunares, ha servido como plató natural para títulos como Hace un millón de años (Don Chaffey, 1966), Viaje al centro de la Tierra (Juan Piquer Simón, 1977), Mararía (Antonio Betancor, 1998), Los abrazos rotos (Pedro Almodóvar, 2009), Furia de Titanes (Louis Leterrier, 2010) y Eternals (Chloé Zhao, 2021, Marvel).No solo hablamos de las películas que fueron rodadas en Lanzarote, también nos detenemos en aquellas en las que el mar se convierte en un protagonista más. El océano ha sido escenario central de grandes títulos de la historia del cine, como La tragedia de la Bounty (Frank Lloyd, 1935), Capitanes intrépidos (Victor Fleming, 1937), Moby Dick (John Huston, 1956), Tiburón (Steven Spielberg, 1975), Titanic (James Cameron, 1997), La tormenta perfecta (Wolfgang Petersen, 2000) y muchas más. Escuchar audio

In this week's episode of Born to Watch, the boys dive headfirst into a movie that feels a little too real after the last few years. Our Outbreak 1995 Movie Review isn't just a look back at a blockbuster about a killer virus; it's a full breakdown of a film that somehow became more relevant decades after its release. For Whitey, Gow and Damo, revisiting Wolfgang Petersen's tense, fast-paced viral thriller has stirred up memories of VHS nights, cinema crowds, and that one mate coughing a bit too loudly during COVID. But Outbreak isn't just a virus film. As the boys quickly discover, it's an action romance conspiracy hybrid, depending entirely on which one of them you ask.From the moment Dustin Hoffman strides in as Sam Daniels, the stubborn, brilliant, pigheaded virologist who refuses to let common sense get in the way of his moral compass, the team is hooked. Damo is convinced it's a love story, Gow reckons it's a straight-up action blockbuster, and Whitey is adamant it's a conspiracy movie wrapped in a hazmat suit. One thing they all agree on, though, is that Outbreak pumps along at an absolute clip. Even with the science occasionally held together by duct tape, there's never a dull moment.The boys relive everything from the opening scene in Zaire to the helicopter chase that absolutely no one asked for but everyone secretly loved. The idiocy of certain characters becomes a major talking point. Jimbo, Jim Bob, Hibbo, whoever he is, returns from Africa with a virus, bleeds from multiple orifices, and still wanders around town like he's only got hay fever. His girlfriend passionately kisses him while he looks like he's one hour from the morgue. Then there's the world's worst lab tech, sticking his hand inside a spinning blood machine like he's checking the oil in a 1992 Corolla.Hoffman's performance gets a full deep dive. Gow breaks down his entire career from The Graduate to Rain Man to Wag the Dog. Whitey points out how small Dustin Hoffman really is, particularly when stacked up next to Renee Russo, and how this might be the least believable on-screen couple we've covered since Sharon Stone and anyone. The crew also discuss the real MVP of the movie, the man with the greatest eyebrows in cinema history, Donald Sutherland, delivering pure villainy with the energy of a man who genuinely enjoys ordering towns to be firebombed.Morgan Freeman, as always, earns unanimous praise for bringing gravitas with every line, even when delivering military exposition about viral containment strategies. JT Walsh gets special mention for turning up for one single scene and blowing everyone off the screen with a thundering, no-nonsense speech that still hits hard.From 90s nostalgia to scientific nitpicking, from snorbs reporting chaos to the classic Born to Watch overs-and-unders debate, this episode has everything. The boys even pick their own 1995 sleepers and duds, featuring Clueless, Just Cause, and Get Shorty. And yes, Damo manages to squeeze in a reference to Big Tit Monastery. Of course he does.If you loved Outbreak back in the day, or if watching it post-pandemic makes you question every life decision you've ever made, this is an episode you cannot miss. Dive in for big laughs, big nostalgia, big stupidity, and some of the most questionable hazmat protocols ever put to film.JOIN THE CONVERSATION  Does Outbreak hit different post-COVID? Should a monkey really be the hero of the third act? Was that helicopter chase the most unnecessary scene in '90s cinema?Listen now on Spotify, Apple Podcasts, or BornToWatch.com.au#Outbreak1995 #BornToWatch #MoviePodcast #90sMovies #FilmReview #DustinHoffman #MorganFreeman #ViralThrillers #WolfgangPetersen #PopCulture

This week, Jeff and Amber celebrate the 25th anniversary of Wolfgang Petersen's sea-faring thriller, The Perfect Storm, with a discussion about the actors, crew, and incredible director that brought this true story to life for the big screen.Check out our NEW YouTube Channel and subscribe now! If you're one of the first 100 subscribers, you'll be entered to win a weekend pass for one of several comic cons happening in 2026!Head over to our Patreon and get started with a FREE 7-day trial. We've got plenty of exclusive content and episodes that you'll only find there! You can also sign up as a free member! www.afilmbypodcast.com/ for more information.Email us at afilmbypodcast@gmail.com with your questions, comments, and requests.Find us on Instagram, X, and Facebook @afilmbypodcast.

Latest film club is to celebrate the publication of Roger Moorhouse's latest book, Wolfpack, and it's Das Boot, the Wolfgang Petersen masterpiece. Links Wolfpack Das Boot on Wikipedia Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Latest film club is to celebrate the publication of Roger Moorhouse's latest book, Wolfpack, and it's Das Boot, the Wolfgang Petersen masterpiece. Links Wolfpack Das Boot on Wikipedia Ollie on X Tim on X Roger on X Latest Issue out - Annual Subscription to Aspects of History Magazine only $9.99/£9.99 Aspects of History on Instagram Get in touch: history@aspectsofhistory.com Learn more about your ad choices. Visit podcastchoices.com/adchoices

Actress and singer Beverly D'Angelo (Vacation, Entourage) joins Matt & Tim to discuss the 1993 Wolfgang Petersen film, In The Line Of Fire, starring Clint Eastwood, Rene Russo, and John Malkovich. Jim Curley plays the President. It doesn't matter. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beverly D'Angelo https://instagram.com/officialbeverlydangeloSecond In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Actress and singer Beverly D'Angelo (Vacation, Entourage) joins Matt & Tim to discuss the 1993 Wolfgang Petersen film, In The Line Of Fire, starring Clint Eastwood, Rene Russo, and John Malkovich. Jim Curley plays the President. It doesn't matter. For the rest of this conversation, go to ⁠⁠https://patreon.com/secondincommand⁠⁠ and become a patron! Matt Walsh ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/mrmattwalsh⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Timothy Simons ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://www.instagram.com/timothycsimons⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Beverly D'Angelo https://instagram.com/officialbeverlydangeloSecond In Command ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠https://instagram.com/secondincommandpodcast⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Email questions to: secondincommandatc@gmail.com

Mark and John discuss the 2006 disaster film Poseidon. Directed by Wolfgang Petersen, and starring Kurt Russell, Josh Lucas, Emmy Rossum and lots of water, the movie focuses on what happens when a rogue wave wrecks a boat party. In this episode, they also talk about drowning scenes, elevator death, and Kurt Russell. Enjoy!

On this episode we try something new and discuss the week of June 30, 2000. That's the week Nelly's first album, Country Grammar, came out. Also, Wolfgang Petersen's, The Perfect Storm, stormed into theaters. Country Grammar The Perfect Storm

That's not gonna happen! NostalgiaCast continues its '90s Bucket List season with a look back at IN THE LINE OF FIRE, directed by Wolfgang Petersen and starring Clint Eastwood, John Malkovich, and Rene Russo. Our buddy and actor/director extraordinaire Jeannette Miller returns to the 'Cast to help Jonny and Darin recap the pulse-pounding performances and cat-and-mouse thrills of Petersen's 1993 action classic, and also the unfortunate "window dressing" that hampers so many '90s films.

Today's movie is The Neverending Story directed by Wolfgang Petersen. This movie is part of our Kickstarter promo series, where we watch movies that are related in one way or another to our graphic novel trilogy Meow the Infinite. The campaign for the final book is now live on Kickstarter! If you enjoy the podcast, please consider checking it out!We both like aspects of The Neverending Story, but ultimately the movie fails to deliver. It starts out strong, with an engaging story and creative visuals, but it's ultimately let down by an unfocused plot that seems completely confused about what the movie is trying to say.Thanks for joining us for another episode of Molly Movie Club! This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit www.mollymovieclub.com

Neste episódio, os Founding Fathers Alexandre, Fred, Marcelo e Sergio se alistam na Marinha para como submarinistas, encarar juntos um dos maiores desafios de produção do cinema alemão. O papo de hoje é sobre "O Barco - Inferno no Mar" (Das Boot, 1981), clássico dirigido por Wolfgang Petersen e estrelado por Jürgen Prochnow e até hoje um dos filmes mais caros e desafiadores de seu país, por conta do cuidado com os detalhes na produção de arte de forma a atingir o realismo da vida de um marinheiro alemão dentro de um submarino durante a Segunda Guerra Mundial na Batalha do Atlântico. Nos ajudando, contamos com a participação especial do amigo, submarinista e capitão Amilton Ferreira.----------------------Acesse nosso site: ⁠⁠⁠http://www.filmesclassicos.com.br⁠⁠⁠Acesse nosso perfil no Instagram : ⁠⁠@podcastfc⁠⁠Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Clint Eastwood might be known for playing grizzled, hard-as-nails lawmen, but in our In the Line of Fire (1993) Review, he takes things in a different direction, just slightly. This week, the Born to Watch crew dives into this overlooked 90s political thriller that pits Eastwood's aging Secret Service agent Frank Horrigan against one of cinema's most memorable villains: John Malkovich as the terrifying Mitch Leary.Whitey, G-Man, and Will “The Worky” are in studio to unpack the deadly game of cat and mouse that unfolds in Wolfgang Petersen's taut, tense, and occasionally trope-heavy flick. What follows is a mix of movie breakdowns, personal throwbacks, accidental roastings, and a bold declaration that Malkovich might just rival Hannibal Lecter as one of the great screen psychopaths.Eastwood: Still Got It (But Also, He's 63) Gow calls Eastwood's performance “Dirty Harry with a blue pill next to the bed.” Whitey thinks it's flirty, even charming, a rare side of Clint. Will just seems shocked that he's now the Born to Watch Eastwood expert. The team debates whether Frank Horrigan is one of Clint's best post-Unforgiven roles or just another iteration of his go-to tough guy with a badge and a haunted past.Malkovich: BAFTA Noms, Creepy Vibes, and a Murderous Basement John Malkovich steals the show as Mitch Leary, a former CIA assassin with a grudge, a creepy lair that looks suspiciously like Buffalo Bill's basement, and a habit of tormenting Clint over the phone. His calm delivery, terrifying intensity, and sheer unpredictability earned him an Academy Award nomination and earned our crew's unanimous praise. The guys marvel at his screen presence, his range, and yes, his mysterious career choices.'90s Tropes and Why We Love Them The gang agrees: In the Line of Fire is soaked in ‘90s action movie tropes, and that's not a complaint. From overbearing chiefs of staff and cheesy one-liners to conveniently timed sniper reveals and romantic subplots with massive age gaps, the movie wears its era on its sleeve. Renee Russo's chemistry with Clint is questionable at best, and her role sparks a deep (and hilarious) debate about whether she's “a good sort” or a “right-light good sort.”Clint's Dating Age Gap: A Cinematic Tradition With Eastwood at 63 and Russo at 39, the romantic tension raises eyebrows. “She's two years younger than his daughter,” Whitey points out. “It could've been a father-daughter thing.” The conversation doesn't stop there; it spirals into references to Seinfeld, Once Upon a Time in Hollywood, and Monty Burns.Cat, Mouse, and Jazz Piano This movie isn't just about bullets and bravado — it's got emotional weight too. Frank's regret over JFK's assassination adds gravitas to the plot, and the constant tension between him and Leary plays out over landlines and cassette recorders. The team loves the phone calls, the psychological warfare, and yes, Clint's real-life jazz piano skills.IN THIS EPISODE:Eastwood's “grizzled flirt” energy gets ratedMalkovich's villain performance gets compared to movie greatsThe trailer's original JFK-themed edit sparks a nostalgic digression‘90s newsagents, porno mags, and the glory days of inside sport magazinesDamo cops heat in the Snobs Report beef from a random footy guyIt's a movie about obsession, redemption, and running beside the presidential limo at 60+. It's also a conversation packed with pop culture tangents, Eastwood trivia, and plenty of digs at Morgs (who's nowhere to defend himself).LISTEN NOW on Spotify, Apple Podcasts, or wherever you get your pods.Join the conversation:Is In the Line of Fire Clint's last great performance?Did Malkovich deserve the Oscar?Is 63 too old to be jogging beside the president's car?Drop us a voicemail at BornToWatch.com.au and let us know.#InTheLineOfFire #ClintEastwood #JohnMalkovich #BornToWatchPodcast #90sThriller #MoviePodcast #ReneeRusso #SecretServiceMovie

A little bonus for you. Here is the audio for a recent YouTube video I made. As I was denied access to YouTube's advanced features, this is an opportunity to share links I could not share in the video description. Featuring: Brad Kerr's Demon Driven to the Maw https://www.drivethrurpg.com/en/product/372360/demon-driven-to-the-maw?src=DotDem Yochai Gal's Rise of the Blood Olms & Beyond the Pale https://www.drivethrurpg.com/en/product/475984/cas-2-rise-of-the-blood-olms?src=DotDem https://www.lostpages.co.uk/presskit/sheet.php?p=beyond_the_pale https://www.exaltedfuneral.com/products/beyond-the-pale?srsltid=AfmBOopC45WzIB3Ty9KyevATSrL2L_xGiT6BYZcErwi1KyX7LJZWaWoe Oozejar's Illustrated Bestiary https://gourdin-konbo-club.itch.io/illustrated-bestiary For next Movie Monday I'm sticking with 1984. The Neverending Story directed by Wolfgang Petersen is based on Michael Ende's fantasy novel from 1979. See below for details on contacting the show. The episode airs on March 31st, submissions by the 29th, please if you want to be included in the show. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

30 years ago a terrifying virus took over movie theaters; and five years after a terrifying virus took over the world the MovieFilm boys decided to rewatch the action thriller OUTBREAK, directed by the late Wolfgang Petersen and starring Dustin Hoffman, for our latest commentary track! Listen separately or watch along as we talk through the project's convoluted backstory, behind-the-scenes stories, humorous asides and much more!

Friend of the Show Screen Time Kota (https://www.tiktok.com/@screentimekota) returns to discuss the 1985 sci-fi film Enemy Mine. This hidden gem of an ‘80s sci-fi film has everything you want: practical effects, elaborate sets, miniature spaceships, matte paintings, and incredible makeup. Even more impressive is the performance of Louis Gossett Jr. underneath the intricate alien makeup. He and Dennis Quaid (a human) get stranded on a planet together; their species hate each other more than anything else… but somehow, they'll need to learn to get along if they want to survive this. (They do.)   Next week: The Firm (1993)   Subscribe to our Patreon, Load Bearing Beams: Collector's Edition for $5 a month to get two extra episodes! patreon.com/loadbearingbeams    Time stamps: 00:01:34 — Kota's history with Enemy Mine 00:11:10 — History segment: Development of Enemy Mine, from novella to production under original director Richard Loncraine, to Loncraine getting replaced with Wolfgang Petersen; brief career overviews of stars Dennis Quaid and Louis Gossett, Jr. 00:28:25 — In-depth movie discussion 01:13:35 — Final thoughts and star ratings   Sources: “Wolfgang Petersen, the creator of Das Boot, ventures into outer space” by Michael Blowen | The Boston Globe (1985) “Gossett makes his own breaks” by Jay Scott | The Globe and Mail (1985)    Artwork by Laci Roth.   Music by Rural Route Nine. Listen to their album The Joy of Averages on Spotify (https://bit.ly/48WBtUa), Apple Music (https://bit.ly/3Q6kOVC), or YouTube (https://bit.ly/3MbU6tC).   Songs by Rural Route Nine in this episode: “Winston-Salem” - https://youtu.be/-acMutUf8IM “Snake Drama” - https://youtu.be/xrzz8_2Mqkg “The Bible Towers of Bluebonnet” - https://youtu.be/k7wlxTGGEIQ   Follow the show! Twitter: @LoadBearingPod | @MattStokes9 | @LRothConcepts Instagram: @loadbearingbeams TikTok: @load.bearing.beams | @mattstokes9 Letterboxd: @loadbearinglaci | @mattstokes9 Bluesky: @loadbearingbeams.bsky.social  

Yay! I'm still alive and Movie Monday feedback is back! I share an email from Lex Mandrake of Dank Dungeon and calls from Joe Richter of Hindsightless, and Jason Connerley of Nerd's RPG Variety cast. For next Movie Monday I'm sticking with 1984. The Neverending Story directed by Wolfgang Petersen is based on Michael Ende's fantasy novel from 1979. See below for details on contacting the show. The episode airs on March 31st, submissions by the 29th, please if you want to be included in the show. Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co ⁠ You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

Firstly, apologies for the delay in show notes. I've been laid up with a stomach bug the last few days and any kind of infection exacerbates my MS symptoms which effectively leaves me bedridden. But enough about that… As a tribute to the passing of visionary David Lynch, this month's movie was Dune from 1985. An adaptation of Frank Herbert's epic sci-fi novel.This episode features contributions from: (in order of appearance) Jason Connerley of Nerd's RPG Variety Cast (podcast & blog) Joe Richter of Hindsightless (podcast) Goblin's Henchman (podcast & blog) & the Umber Bulk M.W. Lewis of The World's of MW Lewis (podcast) The Movie Monday Letterboxd list https://letterboxd.com/the39thman/list/movie-monday-1/ Sticking with 1984, March's film is The Neverending Story directed by Wolfgang Petersen, based on Michael Ende's fantasy novel from 1979. See below for details on contacting the show. The episode airs on March 31st, submissions by the 29th, please. "Warning" by Lieren of Updates From the Middle of Nowhere Leave me an audio message via ⁠https://www.speakpipe.com/KeepOffTheBorderlands You can email me at ⁠spencer.freethrall@gmail.com⁠ You can find me in a bunch of other places here ⁠https://freethrall.carrd.co ⁠You can also find me on Discord by searching for freethrall This is a public episode. If you would like to discuss this with other subscribers or get access to bonus episodes, visit freethrall.substack.com

We return to Wolfgang Petersen's Troy: Director's Cut 20 years after its initial release and discover a film that's aged surprisingly well. Featuring an incredible cast including Brad Pitt, Eric Bana, Peter O'Toole, Sean Bean, Brian Cox, Brendan Gleeson, and Orlando Bloom, Troy is carried by the actors' strong performances. While not strictly true to the Iliad, Troy's daring attempt to place the Trojan War on film deserves praise, as do the incredible combat and battle sequences. While the quality is incredibly uneven and varies scene-to-scene, our hosts are willing to cope with the awful Achilles-Briseis romantic arc to enjoy the well-told stories of Hector and Priam. Learn more about your ad choices. Visit podcastchoices.com/adchoices

On this week's episode of Unclear and Present Danger, Jamelle and John are joined by Max Read — of the Max Read Substack — to talk Air Force One, the 1997 action thriller directed by Wolfgang Petersen and starring none other than Harrison Ford as The President. Air Force One also stars Gary Oldman, Glenn Close, Wendy Crewson, Paul Guilfoyle, William H. Macy, Liesel Matthews and Dean Stockwell.In Air Force One, as I'm sure you know, the president's aircraft is hijacked by a group of terrorists who demand the release of their country's imprisoned dictator. Rather than flee for safety, President James Marshall decides to take things into his own hands, confronting the terrorists one by one in an attempt to retake his plane. You can find Air Force One to buy or rent on Amazon Prime and Apple TV. The tagline for Air Force One is “Harrison Ford is the President of the United States.”For our next episode, we will cover Richard Donner's Conspiracy Theory, starring Mel Gibson, Julia Roberts and Patrick Stewart.Be sure to sign up for our Patreon, where we watch the films of the Cold War and try to unpack them as political and historical documents! For $5 a month, you get two bonus episodes every month as well as access to the entire back catalog — we're almost two years deep at this point. Sign up at patreon.com/unclearpod.

paypal.me/LibroTobias Esta semana en nuestra “Sección principal” tengo una petición de una donante vía PayPal que desea mantener el anonimato y que me ha pedido que comente “La historia interminable” de Wolfgang Petersen que adaptó en 1984 la mitad de la novela homónima de Michael Ende. Además en nuestra sección “El callejón oscuro” os traigo al depredador sexual y asesino británico Tony Alexander King “el asesino de la costa del sol” que acabo con las vidas de Rocío Wanninkhof y Sonia Carabantes además de violar a 3 chicas en Málaga. Tiempos: Sección principal: del 00:02:21 al 01:34:07 Sección “El callejón oscuro”: del 01:34:08 al 02:33:58 Presentación, dirección, edición y montaje: Asier Menéndez Marín Diseño logo Podcast: albacanodesigns (Alba Cano) Escucha el episodio completo en la app de iVoox, o descubre todo el catálogo de iVoox Originals

On this week's episode of Unclear and Present Danger, Jamelle and John watched Contact, the 1997 science-fiction drama directed by Robert Zemeckis. Based on the book by Carl Sagan, Contact stars Jodie Foster as Dr. Ellie Arroway, a SETI scientist who discovers extraterrestrial life and is eventually chosen to make first contact with the alien life. Foster is joined by a stacked cast of character actors, including Matthew McConaughey, James Woods, Tom Skerritt, William Fichtner, John Hunt, Rob Lowe and Angela Bassett. In their conversation, Jamelle and John discuss the distinctly neoliberal politics of the film as well as the extent to which Contact is a prominent example of the “end of history” utopianism that marked political and cultural life as the 1990s came to a close.You can find Contact to rent or purchase on Amazon or Apple TV.For the next episode of the podcast, Jamelle and John will watch Air Force One, directed by Wolfgang Petersen and starring Harrison Ford as the president who punches. And don't forget the Patreon, where they watch the political and military thrillers of the Cold War and talk about the politics of those decades! On the most recent episode of the Patreon, Jamelle and John watched the 1970 political drama WUSA. You can listen to that and more at patreon.com/unclearpod.Our producer is Connor Lynch and our artwork is by Rachel Eck.

Watch the full video podcast here on YouTube: https://www.youtube.com/watch?v=CWfcjN8ajHg MORE FULL FILM COURAGE INTERVIEWS https://tinyurl.com/mr42eye2 Corey Mandell is an award-winning playwright and screenwriter who has written projects for Ridley Scott, Wolfgang Petersen, Harrison Ford, John Travolta, Warner Brothers, Universal, 20th Century Fox, Fox 2000, Fox Family, Working Title, Paramount, Live Planet, Beacon Films, Touchstone, Trilogy, Radiant and Walt Disney Pictures. Corey teaches screenwriting via private online classes using video conferencing to allow participants to see and hear each other in real time. His highly popular classes draw students from across the US, Europe and Australia. His students have gone on to sell or option scripts to Warner Brothers, Paramount, Sony Pictures, Disney, Fox, Fox 2000, MGM, Universal, USA Network and Lifetime. Others have gained admission to the USC Graduate Screenwriting Program, the AFI Conservatory Screenwriting Program and Sundance Screenwriter's Lab. STUDY WITH COREY MANDELL https://coreymandell.net SUBSCRIBE TO COREY MANDELL'S YOUTUBE CHANNEL https://www.youtube.com/@coreymandell CONNECT WITH COREY MANDELL http://coreymandell.net https://twitter.com/coreymandell https://www.instagram.com/coreymandellworkshops https://www.youtube.com/@coreymandell MORE VIDEOS WITH COREY MANDELL https://tinyurl.com/mrxrcfp2 MORE VIDEOS LIKE THIS Business and Craft Of Screenwriting - https://youtu.be/cj5tlCDEdcE Learning Screenplay Story Structure - https://youtu.be/iywvNIWKbPI Write Your Life And Become A Better Storyteller - https://youtu.be/xFK5Ih3CPFc Solve Your Story Structure Problems In 11 Steps - https://youtu.be/RPGTIqHBmUE It's All About Story And Nothing Else - https://youtu.be/_tT_GjjlCLs CONNECT WITH FILM COURAGE http://www.FilmCourage.com http://twitter.com/#!/FilmCourage https://www.facebook.com/filmcourage https://www.instagram.com/filmcourage http://filmcourage.tumblr.com http://pinterest.com/filmcourage SUBSCRIBE TO THE FILM COURAGE YOUTUBE CHANNEL http://bit.ly/18DPN37 SUPPORT FILM COURAGE BY BECOMING A MEMBER https://www.youtube.com/channel/UCs8o1mdWAfefJkdBg632_tg/join SUPPORT FILM COURAGE BY BECOMING A PATRON https://www.patreon.com/filmcourage LISTEN TO THE FILM COURAGE PODCAST https://soundcloud.com/filmcourage-com (Affiliates) ►WE USE THIS CAMERA (B&H) – https://buff.ly/3rWqrra ►WE USE THIS SOUND RECORDER (AMAZON) – http://amzn.to/2tbFlM9 Stuff we use: LENS - Most people ask us what camera we use, no one ever asks about the lens which filmmakers always tell us is more important. This lens was a big investment for us and one we wish we could have made sooner. Started using this lens at the end of 2013 - http://amzn.to/2tbtmOq AUDIO Rode VideoMic Pro - The Rode mic helps us capture our backup audio. It also helps us sync up our audio in post https://amzn.to/425k5rG Audio Recorder - If we had to do it all over again, this is probably the first item we would have bought - https://amzn.to/3WEuz0k LIGHTS - Although we like to use as much natural light as we can, we often enhance the lighting with this small portable light. We have two of them and they have saved us a number of times - http://amzn.to/2u5UnHv *Disclaimer: This video and description contains affiliate links, which means that if you click on one of the product links, we'll receive a small commission. This helps support the channel and allows us to continue to make videos like this. Thank you for your support!

In this episode, we attempt to collect our thoughts after finally watching the epic 1981 submarine war drama, "Das Boot", from writer/director Wolfgang Petersen and starring Jurgen Prochnow!

Dash Mihok has worked with some of the best: Baz Luhrmann, Wolfgang Petersen, and Terrence Malick just to name a few! And now he's on Geekscape to discuss his brand new film 'Armor', starring Sylvester Stallone and Jason Patric! Along the way we talked directing (of course), what he learned on the set of Malick's 'The Thin Red Line', collaborating with Stallone, and OF COURSE I had to talk Whiteboyz! Enjoy! You can also subscribe to the Geekscape podcast on Spotify: https://spoti.fi/3H27uMH Apple Podcasts: https://apple.co/3BVrnkW Learn more about your ad choices. Visit megaphone.fm/adchoices

Episode 75 - Stop Acting! Insights on Acting With Kirk Woller In part two of their interview on the Faith and Family Filmmakers podcast, host Geoffrey Whitt has an in-depth discussion with actor Kirk Woller about his journey on the series 'The Chosen', and offers wisdom and advice for Actors. Kirk shares insights about the unexpected twists and turns his character Gaius has taken, and emphasizes the importance of having a solid acting technique. He introduces listeners to his 'Woller Technique', stressing the need for authenticity, continual practice, and focusing on personal truth in the craft of acting. Kirk also highlights the necessity of hard work and determination in a highly competitive industry and offers resources for aspiring actors to further their careers.Highlights Include:The Chosen: Unexpected Twists and TurnsGaius' Journey and Character DevelopmentIntroduction to the Woller TechniqueThe Importance of Having a Technique in ActingPractical Advice for Aspiring ActorsResources and Final ThoughtsOnline mentorship sessions https://www.actorklass.com/Actor training, audition prep and mentoring https://thewollertechnique.com/Bio:Kirk Woller has 39 years of acting experience and 31 years earning a living in film and television. With over 170 film and television appearances, he has worked with Oscar winning directors Steven Spielberg and Clint Eastwood. And has acted directly opposite Jodie Foster, Kathy Bates, Tom Cruise, Woody Harrelson, and Samuel L. Jackson, to name a few. You probably know him from many of his other works, but we all know him as Gaius from The Chosen. Here are some highlights from Kirk's Career:170+ Film & Television appearances working with Oscar winning directors Steven Spielberg, Clint Eastwood, Ang Lee, and Oscar nominated Wolfgang Petersen, and Emmy winners Paris Barclay, John Frankenheimer and moreDirectly opposite Oscar winners Jodie Foster, Forest Whitaker, Kathy Bates, Louis Gossett Jr., Holly Hunter, and Oscar nominated Tom Cruise, Woody Harrelson, Samuel L. Jackson, Alec Baldwin, George Segal, Don Cheadle, Tim Roth and Alfre Woodard39 years Acting experience30 stage Plays at professional regional & independent theaters nation-wide36 years Screen Actor Guild member31 years Film Industry -earning living in Film & TV20% Career booking ratio -auditions to paid work Jaclyn's Book, In the Beginning, Middle, and End https://www.amazon.com/dp/B0D9R7XS9VThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.

Episode 74 - The Chosen's Kirk Woller: A Lifetime of Preparation In this episode of the Faith and Family Filmmakers Podcast, hosts Geoffrey and Jaclyn Whitt interview acclaimed actor Kirk Woller. With 39 years of acting experience, including over 170 film and TV appearances, Kirk shares his journey from his first acting role in third grade to his current role as Gaius in 'The Chosen.' He delves into his early Journey, training under legends like Sanford Meisner, and his passion for teaching the craft through his Woller Technique. Kirk also discusses his long-standing collaboration with Dallas Jenkins and the incredible evolution of 'The Chosen' series.Highlights Include:Kirk's Early BeginningsPursuing Acting Against the OddsTraining and Education in ActingTraining with Sanford MeisnerThe Philosophy of ActingKirk's Mentorship ProgramThe Woller TechniqueOnline mentorship sessions https://www.actorklass.com/Actor training, audition prep and mentoring https://thewollertechnique.com/Bio:Kirk Woller has 39 years of acting experience and 31 years earning a living in film and television. With over 170 film and television appearances, he has worked with Oscar winning directors Steven Spielberg and Clint Eastwood. And has acted directly opposite Jodie Foster, Kathy Bates, Tom Cruise, Woody Harrelson, and Samuel L. Jackson, to name a few. You probably know him from many of his other works, but we all know him as Gaius from The Chosen. Here are some highlights from Kirk's Career:170+ Film & Television appearances working with Oscar winning directors Steven Spielberg, Clint Eastwood, Ang Lee, and Oscar nominated Wolfgang Petersen, and Emmy winners Paris Barclay, John Frankenheimer and moreDirectly opposite Oscar winners Jodie Foster, Forest Whitaker, Kathy Bates, Louis Gossett Jr., Holly Hunter, and Oscar nominated Tom Cruise, Woody Harrelson, Samuel L. Jackson, Alec Baldwin, George Segal, Don Cheadle, Tim Roth and Alfre Woodard39 years Acting experience30 stage Plays at professional regional & independent theaters nation-wide36 years Screen Actor Guild member31 years Film Industry -earning living in Film & TV20% Career booking ratio -auditions to paid work Jaclyn's Book, In the Beginning, Middle, and End https://www.amazon.com/dp/B0D9R7XS9VThe Faith & Family Filmmakers podcast helps filmmakers who share a Christian worldview stay in touch, informed, and inspired. Releasing new episodes every week, we interview experts from varying fields of filmmaking; from screenwriters, actors, directors, and producers, to film scorers, talent agents, and distributors. It is produced and hosted by Geoffrey Whitt and Jaclyn Whitt , and is brought to you by the Faith & Family Filmmakers Association Support Faith & Family Filmmakers Our mission is to help filmmakers who share a Christian Worldview stay in touch, informed, and inspired. If you would like to assist with the costs of producing this podcast, you can help by leaving a tip.Get Email Notifications Enter the Faith & Family Screenwriting Awards festival Faith and Family Screenwriting...

Just in time for election season, we're kicking off our Political Thriller series with IN THE LINE OF FIRE starring Clint Eastwood, John Malkovich and Rene Russo. Wolfgang Petersen directed this 1993 suspense actioner about a Secret Service agent trying to thwart a would-be assassin targeting the U.S. President. Upon release, IN THE LINE OF FIRE was a critical and commercial hit, garnering Oscar nominations for Malkovich, screenwriter Jeff Maguire and editor Anne V. Coates. From now until Election Day, Mama Needs a Movie will delve into paranoia-driven political thrillers, starting with this pulse-pounding episode on IN THE LINE OF FIRE which contains the premiere of a new segment, Poetry Corner, the return of Let's Talk Physical, and diversions into Law & Order, the Olympics, Dermot Mulroney, incels, the 2024 election cycle and much, much more! IN THE LINE OF FIRE is available from most streaming rental platforms and can also be streamed with a subscription to MGM+.

Let's take a ride on Falcor and fly back to 1984! Mark welcomes fellow podcasters and movie lovers Josh and Joe from Video Dropbox to reopen The Neverending Story and celebrate the memorable Wolfgang Petersen movie's 40th anniversary. They follow little bullied Bastian and model tween Atreyu into the world of Fantasia, where there are Swamps of Sadness, sexy Sphinxes, and lots of amazing '80s practical effects. They discuss the trilogy of films, rave about the Limahl theme song, and wonder what even is Moon Child? 

Let's go back in time as the hosts get ready for the battle of Troy, as they continue to their new season format to review the epic historical war film, Troy, starring Brad Pitt, Orlando Bloom, Eric Bana, Diane Kruger and directed by Wolfgang Petersen. Based on the epic poem, The Iliad, by Homer. Many agree, the film was one of the most ambitious films of its time and over the years, audiences realize what a rare classic the movie has become. The hosts paired the film with The Trojan Horse Cocktail. Join the hosts as they get ready for this epic tale, that has been passed on from generation to generation. Come listen and follow us on Instagram @the.gentlemenpodcast and our website thegentlemenpodcast.com

This April The New Beverly presents a curated look at 100 years of cinematic moments from Columbia Pictures, from The Three Stooges shorts to Gloria Grahame noir, Toho epics to Wolfgang Petersen presidential thrillers, + beyond - Elric, Brian and Phil are joined by Patrick Bromley (from FThis Movie) to discuss the months offerings. Patrick also has co-authored a new book - In Search Of Darkness Book - all about 80s horror that you can order here: https://aminkpublishing.com/in-search-of-darkness Check out all things New Beverly here: https://thenewbev.com/ If You Enjoy the show, You can help support us at Pure Cinema by going to: https://www.patreon.com/purecinemapod