Podcast appearances and mentions of Robert Mulligan

Do you love romantic dramedies that deal with prescient topics? Do you love watching movie stars who have undeniable chemistry? Do you like movies that take place in pet stores and feature a whole bunch of fish? Then Love with the Proper Stranger (1963) is the movie for you! Check out this unique and timely classic directed by Robert Mulligan starring Natalie Wood, Steve McQueen, Edie Adams, and Tom Bosley in his feature film debut. Host Sara Greenfield and her guest Oriana Nudo chat about all this and more on this week's episode of Talk Classic To Me. -------------------------------------------------------------------Want to become a subscriber? Use the link below to support the show!https://creators.spotify.com/pod/show/sara-greenfield/subscribe

To honor the release of Eephus, we're talking about baseball movies this week. The second half of our double-header is Robert Mulligan's Fear Strikes Out, the Jim Piersall story starring Anthony Perkins. We talk about performance, psychology, and of course, the crack of the bat. Then, on MiTM, we got into The Monkey, New Blood, and Absolute Power. Get every episode of Extended Clip for $5/mo here: https://www.patreon.com/c/Extended_Clip

We're No Angels (1955) / Fear Strikes Out (1957) This week we're loading the camera horizontally as we discuss the vista-less visions of Michael Curtiz's stagebound comedy and Robert Mulligan's baseball crack-up

Si la infancia es la patria que nunca nos abandona, nuestra vida está marcada por esos años de pérdida de la inocencia. El libro de Harper Lee, "Matar a un ruiseñor" (1960) es de lectura obligatoria en las escuelas de Estados Unidos. Fue la única novela que publicó la escritora durante 55 años, pero muchos la conocen por la versión que hizo en el cine, Robert Mulligan con Gregory Peck como el padre en la ficción de esta niña, que se enfrenta como valiente abogado al racismo del Sur. Harper Lee se cría con el escritor Truman Capote, que aparece en el libro y la película como Dill, el niño que pasa los veranos en ese pequeño pueblo de Alabama, apenas un surco entre plantaciones de algodón y trigales con una sola calle, donde vivían sus dos familias. Los padres de Capote se estaban divorciando y en medio de una amarga disputa por su custodia, lo mandan con unas primas solteronas de su madre. "Ambos sufren de las heridas del rechazo de los padres y sienten el desgarro de la soledad", dice el biógrafo de Capote. "Ella era demasiado bruta para las otras chicas y él demasiado blando para los demás chicos", dice Gerald Clarke. Seguirán siendo amigos toda su vida en Nueva York. Y es ella quien le acompaña en su viaje a Kansas, para investigar el asesinato de la familia que describe en "A sangre fría" (1966). En este programa Al Trasluz escuchamos fragmentos del libro, leído por Adriana Navarro y algunos diálogos de versión doblada de la película de Robert Mulligan en 1962, así como del telefilm sobre el cuento que escribió Capote de "Un recuerdo navideño". Oímos una parodía del libro en Los Simpson y nuevas canciones inspiradas por "Matar a un ruiseñor", como "Atticus" del grupo británico Noisettes y "Harper Lee" de la banda irlandesa Little Green Cars. El guión y la narración es de José de Segovia con el fondo musical de la banda sonora original de Elmer Bernstein, así como la versión del tema principal de la película que hizo el guitarrista de jazz Bill Frisell. El diseño sonoro y realización técnica es de Daniel Panduro.

Josh and Drusilla are joined by Steve Kleinedler to discuss The Other (1972). Steve is an editor, a former lexicographer, and the submissions coordinator for Salem Horror Fest. From wiki: “The Other is a 1972 American horror[4] psychological thriller film, much in the vein of Stephen King and The Twilight Zone, directed by Robert Mulligan, adapted for film by Thomas Tryon from his 1971 novel of the same name. It stars Uta Hagen, Diana Muldaur, and twins Chris and Martin Udvarnoky, with Victor French, John Ritter, and Jenny Sullivan in supporting roles.”Also discussed: Country (1984), Crimes of Passion, The Werewolf vs The Vampire Woman, Buffy the Vampire the Slayer, Demon Wind, Parks & Rec, It Follows, Only Lovers Left Alive, Good Night Mommy, Uta Hagen, Apaches, and more. You can watch The Other on YouTube here: https://youtu.be/gTQw3jrvxjI?si=asWJD8kiGNKkN3LK NEXT WEEK: The Eyes of Laura Mars (1979) Follow them across the internet:Steve Kleinedler:https://bsky.app/profile/skleinedler.bsky.socialhttps://letterboxd.com/stevekl/ Bloodhaus:https://www.bloodhauspod.com/https://www.instagram.com/bloodhauspod/ Drusilla Adeline:https://www.sisterhydedesign.com/https://letterboxd.com/sisterhyde/https://www.instagram.com/sister__hyde/ Joshua Conkelhttps://www.joshuaconkel.com/https://www.instagram.com/joshua_conkel/https://letterboxd.com/JoshuaConkel/https://bsky.app/profile/joshuaconkel.bsky.social  

Support our Patreon: www.patreon.com/thepinksmoke 1974 was a landmark year for film, a convergence of exciting international cinema and the original voices of New Hollywood that still resonates 50 years later. In our new series we invite a different guest for each episode to choose a 1974 movie to talk about, ranging from giant blockbusters to minor cult curios and everything else in between. Host Martin Kessler hops on The Nickel Ride, one of the more unjustly neglected films of that hallowed cinema year that sees director Robert Mulligan instill a distinctively L.A. setting with a shadow of noir desperation and a tinge of French crime drama melancholy. Martin is joined by two ardent cinéastes, podcaster Felicia Maroni and film writer Andrew Nette, to discuss how Mulligan creates a precis of mid-70's American movie constructs - fading machismo, pervasive paranoia, volitional isolation - that thrills even when there's more talking than shooting. The Pink Smoke site: www.thepinksmoke.com Andrew Nette on social media: @pulpcurry.bsky.social Andrew Nette's Pulp Curry website pulpcurry.com Andrew Nette's Substack newsletter: andrewnette.substack.com Felicia Maroni on social media: @CineMaroni Seeing Faces in Movies Podcast seeingfacesinmovies.com/episodes

fWotD Episode 2715: To Kill a Mockingbird Welcome to Featured Wiki of the Day, your daily dose of knowledge from Wikipedia’s finest articles.The featured article for Thursday, 10 October 2024 is To Kill a Mockingbird.To Kill a Mockingbird is a novel by the American author Harper Lee. It was published in July 1960 and became instantly successful. In the United States, it is widely read in high schools and middle schools. To Kill a Mockingbird has become a classic of modern American literature; a year after its release, it won the Pulitzer Prize. The plot and characters are loosely based on Lee's observations of her family, her neighbors and an event that occurred near her hometown of Monroeville, Alabama, in 1936, when she was ten.Despite dealing with the serious issues of rape and racial inequality, the novel is renowned for its warmth and humor. Atticus Finch, the narrator's father, has served as a moral hero for many readers and as a model of integrity for lawyers. The historian Joseph Crespino explains, "In the twentieth century, To Kill a Mockingbird is probably the most widely read book dealing with race in America, and its main character, Atticus Finch, the most enduring fictional image of racial heroism." As a Southern Gothic novel and Bildungsroman, the primary themes of To Kill a Mockingbird involve racial injustice and the destruction of innocence. Scholars have noted that Lee also addresses issues of class, courage, compassion, and gender roles in the Deep South. Lessons from the book emphasize tolerance and decry prejudice. Despite its themes, To Kill a Mockingbird has been subject to campaigns for removal from public classrooms, often challenged for its use of racial epithets. In 2006, British librarians ranked the book ahead of the Bible as one "every adult should read before they die".Reaction to the novel varied widely upon publication. Despite the number of copies sold and its widespread use in education, literary analysis of it is sparse. Author Mary McDonough Murphy, who collected individual impressions of To Kill a Mockingbird by several authors and public figures, calls the book "an astonishing phenomenon". It was adapted into an Academy Award-winning film in 1962 by director Robert Mulligan, with a screenplay by Horton Foote. Since 1990, a play based on the novel has been performed annually in Harper Lee's hometown.To Kill a Mockingbird was Lee's only published book until Go Set a Watchman, an earlier draft of To Kill a Mockingbird, was published on July 14, 2015. Lee continued to respond to her work's impact until her death in February 2016, although she had refused any personal publicity for herself or the novel since 1964.This recording reflects the Wikipedia text as of 00:23 UTC on Thursday, 10 October 2024.For the full current version of the article, see To Kill a Mockingbird on Wikipedia.This podcast uses content from Wikipedia under the Creative Commons Attribution-ShareAlike License.Visit our archives at wikioftheday.com and subscribe to stay updated on new episodes.Follow us on Mastodon at @wikioftheday@masto.ai.Also check out Curmudgeon's Corner, a current events podcast.Until next time, I'm standard Joey.

Un viaggio insieme alla bravissima Dalila tra libri e film, adattamenti fedeli e non. In un mondo in cui non si riesce più a provare nulla, provate noi. Buon ascolto. Lista dei titoli citati: DALILA Il signore degli anelli (Tolkien, 1955 - Peter Jackson, 2001-2003) Testimone d'accusa (Agatha Christie, 1925 - Billy Wilder, 1957) The dressmaker (Rosalie Ham - Jocelyn Moorhouse, 2015) The help (Kathryn Stockett, 2009 - Tate Taylor, 2011) Il diario di Bridget Jones (Helen Fielding, 1995 - Sharon Maguire, 2001) Orgoglio e pregiudizio (Jane Austen, 1813 - Joe Wright, 2005) Via col vento (Margaret Mitchell, 1936 - Victor Fleming, 1939) Il grande Gatsby (Francis Scott Fitzgerald, 1925 - Baz Luhrmann, 2013) Il conformista (Alberto Moravia, 1951 - Bernardo Bertolucci, 1970) Il buio oltre la siepe (Harper Lee, 1960 - Robert Mulligan, 1962) HOUSSY L'uomo invisibile (H.G. Wells, 1897 - James Whale, 1933) Le avventure di Oliver Twist (Charles Dickens, 1838 - David Lean, 1948) Moby Dick  (Herman Melville, 1851 - John Huston, 1956) Il giro del mondo in 80 giorni  (Jules Verne, 1872 - Michael Anderson, 1956) Oltre il giardino (Jerzy Kosinski, 1970 - Hal Ashby, 1979)  I guerrieri della notte (Sol Yurick, 1965 - Anabasi di Senofonte, IV secolo a.C. - Walter Hill, 1979) L'ultimo dei Mohicani (James Fenimore Cooper, 1826 - Michael Mann, 1992) America oggi (Raymond Carver, 1983 - Robert Altman, 1993) L'allievo (Stephen King, 1982 - Brian Singer, 1998) Gomorra  (Roberto Saviano, 2006 - Matteo Garrone, 2008)

Book Vs. Movie: To Kill a MockingbirdThe 1960 Novel Vs. the 1962 MovieThe 1962 film adaptation of To Kill a Mockingbird, directed by Robert Mulligan, is a powerful retelling of Harper Lee's classic novel. The story follows Atticus Finch, played by Gregory Peck in an Oscar-winning performance, as he defends Tom Robinson (Brock Peters), a Black man falsely accused of raping a white woman in 1930s Alabama.The film is seen through the eyes of Atticus's young daughter, Scout (Mary Badham), and her brother Jem (Phillip Alford), who grapple with the harsh realities of racism and injustice in their small town. Key characters include Dill Harris (John Megna), Scout and Jem's imaginative friend, and Boo Radley (Robert Duvall), the mysterious neighbor who ultimately reveals his true character. The movie focuses on the moral courage of Atticus and the loss of innocence experienced by the children, capturing the essence of the novel's themes in a more streamlined narrative.Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The amazing story of Harper Lee and her life and times.  America in the 1950s and race relationsThe 1962 Movie Cast: Gregory Peck (Atticus Finch,) Mary Badham (Scout,) Phillip Alford (Jem,) John Megna (Dill,) Frank Overton (Sheriff Heck Tate,) Rosemary Murphy (Maude,) Ruth White (Mrs. Dubose,) Brock Peters (Tom Robinson,) Estelle Evans (Calpurnia,) Paul Fix (Judge John Taylor,) Collin Wilcox (Mayella,) James Anderson (Bob,) Alice Ghostley (Miss Stephanie Crawford,) Robert Duvall (Boo Radley,) and Richard Hale as Nathan Radley. Clips used:Atticus counsels Scout To Kill a Mockingbird original 1962 trailer“What kind of man are you?The children save Atticus.Scout attacked (Boo rescues her.) Atticus cross-examines Mayella Atticus leaves the courtroomScout meets Boo RadleySissy Spacek and the audiobookMusic for To Kill a Mockingbird by Elmer BernsteinBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Please email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing. Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Book Vs. Movie: To Kill a MockingbirdThe 1960 Novel Vs. the 1962 MovieThe 1962 film adaptation of To Kill a Mockingbird, directed by Robert Mulligan, is a powerful retelling of Harper Lee's classic novel. The story follows Atticus Finch, played by Gregory Peck in an Oscar-winning performance, as he defends Tom Robinson (Brock Peters), a Black man falsely accused of raping a white woman in 1930s Alabama.The film is seen through the eyes of Atticus's young daughter, Scout (Mary Badham), and her brother Jem (Phillip Alford), who grapple with the harsh realities of racism and injustice in their small town. Key characters include Dill Harris (John Megna), Scout and Jem's imaginative friend, and Boo Radley (Robert Duvall), the mysterious neighbor who ultimately reveals his true character. The movie focuses on the moral courage of Atticus and the loss of innocence experienced by the children, capturing the essence of the novel's themes in a more streamlined narrative.Which version did we (the Margos) prefer? Have a listen to find out. In this ep, the Margos discuss:The amazing story of Harper Lee and her life and times.  America in the 1950s and race relationsThe 1962 Movie Cast: Gregory Peck (Atticus Finch,) Mary Badham (Scout,) Phillip Alford (Jem,) John Megna (Dill,) Frank Overton (Sheriff Heck Tate,) Rosemary Murphy (Maude,) Ruth White (Mrs. Dubose,) Brock Peters (Tom Robinson,) Estelle Evans (Calpurnia,) Paul Fix (Judge John Taylor,) Collin Wilcox (Mayella,) James Anderson (Bob,) Alice Ghostley (Miss Stephanie Crawford,) Robert Duvall (Boo Radley,) and Richard Hale as Nathan Radley. Clips used:Atticus counsels Scout To Kill a Mockingbird original 1962 trailer“What kind of man are you?The children save Atticus.Scout attacked (Boo rescues her.) Atticus cross-examines Mayella Atticus leaves the courtroomScout meets Boo RadleySissy Spacek and the audiobookMusic for To Kill a Mockingbird by Elmer BernsteinBook Vs. Movie is part of the Frolic Podcast Network. Find more podcasts you will love Frolic.Media/podcasts. Join our Patreon page “Book Vs. Movie podcast”You can find us on Facebook at Book Vs. Movie Podcast GroupFollow us on Twitter @bookversusmovieInstagram: Book Versus Movie https://www.instagram.com/bookversusmovie/Please email us at bookversusmoviepodcast@gmail.com Margo D. Twitter @BrooklynMargo Margo D's Blog www.brooklynfitchick.com Margo D's Instagram “Brooklyn Fit Chick”Margo D's TikTok https://www.tiktok.com/@margodonohuebrooklynfitchick@gmail.comYou can buy your copy of Filmed in Brooklyn here! Margo P. Twitter @ShesNachoMamaMargo P's Instagram https://www.instagram.com/shesnachomama/Margo P's Blog  https://coloniabook.weebly.com/ Our logo was designed by Madeleine Gainey/Studio 39 Marketing. Follow on Instagram @Studio39Marketing & @musicalmadeleine 

Hosts Josh and Jamie and special guest Katie Stebbins discuss a double feature of very dark New Hollywood rags-to-riches musical showbusiness melodramas with a double feature of Robert Mulligan's attempt at an almost horror take on A STAR IS BORN starring Natalie Wood INSIDE DAISY CLOVER (1965) + James Landis' no-budget rock star industry drama meets dirty teen rebel delinquency movie meets psycho serial killer B-noir RAT FINK (1965). Next week's episode is a patron-exclusive bonus episode on INVASION OF THE BODY SNATCHERS (1956) and INVASION OF THE BODY SNATCHERS (1977), you can get access to that episode (and all past + future bonus episodes) by subscribing to our $5 tier on Patreon: www.patreon.com/sleazoidspodcast Intro // 00:00-13:09 INSIDE DAISY CLOVER // 13:09-1:49:21 RAT FINK // 1:49:21-3:07:08 Outro // 3:07:08-3:12:46 Buy Katie's Zine: https://t.co/1BK20irH0O MERCH: www.teepublic.com/stores/sleazoids?ref_id=17667 WEBSITE: www.sleazoidspodcast.com/ Pod Twitter: twitter.com/sleazoidspod Pod Letterboxd: letterboxd.com/SLEAZOIDS/ Josh's Twitter: twitter.com/thejoshl Josh's Letterboxd: letterboxd.com/thejoshl Jamie's Twitter: twitter.com/jamiemilleracas Jamie's Letterboxd: letterboxd.com/jamiemiller

Joe is on the struggle bus as he and Brenna tackle a classic text: Harper Lee's 1960 book To Kill A Mockingbird and director Robert Mulligan's 1962 adaptation.Issues include the shifting narration, the simplistic moral message, and the egregious use of the N word.Plus: censorship vs contextualizing, why the book isn't more studied, and Brenna's vote for the worst performer in the Oscar-winning film!Wanna connect with the show? Follow us on Twitter, Instagram and BlueSky @HKHSPod or use the hashtag #HKHSPod:> Brenna: @brennacgray (BlueSky/Instagram)> Joe: @bstolemyremote (Twitter/Instagram) or @joelipsett (BlueSky)Have a mail bag question? Email us at hkhspod@gmail.com Theme music: Ben Fox "Think About the Lights" Hosted on Acast. See acast.com/privacy for more information.

Nos volvemos a asomar en este programa a uno de nuestros géneros favoritos del cine clásico: el "americana", dedicado a contar historias ambientadas en el mundo rural de Estados Unidos. Lo hacemos mediante dos ilustres representantes como «Estrellas en mi corona» (Jacques Tourneur, 1950) y «Matar a un ruiseñor» (Robert Mulligan, 1962), que comparten no pocos rasgos. Entre ellos, una narración de la infancia y el pueblo evocados desde la edad adulta, cargada de recuerdos emotivos, y una visión incisiva del racismo estructural de estas pequeñas comunidades. Participan Miguel Muñoz Garnica, José Luis Forte y Lourdes Esqueda. Música: Olivia Newton-John - Take Me Home Country Roads

This is part of a series about movies from 1971. ***Referenced media:“The Muppet Show” (Jim Henson, 1976-1981)“The Benny Hill Show” (Benny Hill, 1955-1989)“Saturday Night Live” (Lorne Michaels, 1975-now)“The Critic” (Al Jean and Mike Reiss, 1994-1995)“The Simpsons” (Matt Groening, 1989-now)“Manhattan” (Woody Allen, 1979)“Monty Python's Flying Circus” (Graham Chapman, John Cleese, Eric Idle, Terry Jones, Michael Palin, and Terry Gilliam, 1969-1974)“The Wild Bunch” (Sam Peckinpah, 1969)“Straw Dogs” (Sam Peckinpah, 1971)“A Clockwork Orange” (Stanley Kubrick, 1971)“Wide World of Sports” (Edgar Scherick, 1961-1997)“Battleship Potemkin” (Sergei Eisenstein, 1925)“THX 1138” (George Lucas, 1971)“Summer of '42” (Robert Mulligan, 1971)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)“The Big Doll House” (Jack Hill, 1971)“Jaws” (Steven Spielberg, 1975)“The Andromeda Strain” (Robert Wise, 1971)“Billy Jack” (T.C. Frank, 1971)“Plaza Suite” (Arthur Hiller, 1971)“Johnny Got His Gun” (Dalton Trumbo, 1971)“Escape from the Planet of the Apes” (Don Taylor, 1971)“Pink Narcissus” (James Bidgood, 1971)“The Beguiled” (Don Siegel, 1971)“McCabe & Mrs. Miller” (Robert Altman, 1971)Audio quotation:“Bananas” (Woody Allen, 1971)“Fog Horn SOUND EFFECT - Nebelhorn SOUNDS”, https://www.youtube.com/watch?v=1z1xvXDdjMU“The Stranger Song” by Leonard Cohen from McCabe & Mrs. Miller (Robert Altman, 1971), https://www.youtube.com/watch?v=VzcNu016Cbo 

This is part of a series about movies from 1971. ***Referenced media:“The Big Doll House” (Jack Hill, 1971)“Jurassic Park” (Steven Spielberg, 1993)“The X-Files” (Chris Carter, 1993-2002, 2016-2018)“Dr. Strangelove or: How I Learned to Stop Worrying and Love the Bomb” (Stanley Kubrick, 1964)“Wag the Dog” (Barry Levinson, 1997)“Natural Born Killers” (Oliver Stone, 1994)“Citizen Kane” (Orson Welles, 1941)“Magnificent Ambersons” (Orson Welles, 1942)“It's All True” (Orson Welles, 1941-1942)“The Sound of Music” (Robert Wise, 1965)“West Side Story” (Robert Wise and Jerome Robbins, 1961)“The Day the Earth Stood Still” (Robert Wise, 1951)“Airport” (George Seaton, 1970)“Stunt Rock” (Brian Trenchard-Smith, 1978)“Star Wars: Episode IV – A New Hope” (George Lucas, 1977)“Plato's Stepchildren” (David Alexander, 1968), November 22, 1968, Episode 10 of Season three of “Star Trek” (Gene Roddenberry, 1966-1969)“The Thing from Another World” (Christian Nyby, 1951)“Wanda” (Barbara Loden, 1971)“Get Carter” (Mike Hodges, 1971)“THX 1138” (George Lucas, 1971)“Summer of '42” (Robert Mulligan, 1971)“Sweet Sweetback's Baadasssss Song” (Melvin Van Peebles, 1971)Audio quotation:“The Andromeda Strain” (Robert Wise, 1971)Theme from “The X-Files” (Chris Carter, 1993-2002, 2016-2018), written by Mark Snow, https://www.youtube.com/watch?v=v4-GcS1UQyg“RUMSFELD / KNOWNS” https://www.youtube.com/watch?v=REWeBzGuzCc

In our discussion of the 1962 classic To Kill A Mockingbird we get into the differences from Harper Lee's novel, the justice system, childhood, innocents, innocence, child actors, chifferobes, racism, classism, and more!   I Love This You Should Too is hosted by Samantha & Indy Randhawa   To Kill a Mockingbird is a 1962 American coming-of-age legal drama crime film directed by Robert Mulligan. The screenplay by Horton Foote is based on Harper Lee's 1960 Pulitzer Prize–winning novel of the same name. The film stars Gregory Peck as Atticus Finch and Mary Badham as Scout. It marked the film debut of Robert Duvall, William Windom, and Alice Ghostley. It gained overwhelmingly positive reception from both the critics and the public; a box-office success, it earned more than six times its budget. The film won three Academy Awards, including Best Actor for Peck, and was nominated for eight, including Best Picture.

You never really understand a person until you consider things from their point of view. Until you climb inside of their skin and walk around in it. Or until you listen to their podcast. That's right, Vintage Cinema Rewind is back with their Deep Dive on Robert Mulligan's To Kill a Mockingbird! As the court date approaches, Blake and Michael have to prepare their evidence. But can they survive in Maycomb long enough to make it to trial?     Where to watch: To Kill a Mockingbird - movie: watch streaming online (justwatch.com)

Nella puntata di oggi analizziamo tre celebri thriller giudiziari: La parola ai giurati (1957), esordio alla regia di Sidney Lumet, Testimone d'accusa (1957), ennesimo capolavoro assoluto di Billy Wilder e Il buio oltre la siepe (1962), il film più noto di Robert Mulligan.

Cette semaine, on parle de frères, de sœurs et d'horreur. Les films de l'épisode  :- 2'20" L'autre [Robert Mulligan]- 21'34" Les disparus [Paco Cabezas]- 45'42" Deux soeurs [Kim Jee-woon]- 66'13" Malignant [James Wan]Et dimanche dernier alors ? (84'30") :- Lola a fait des ramens. Recette au prochain épisode.- Léo bossait à... la fête de la galette.- Thomas triche en recommandant deux films sortis en 2023 : Showing Up de Kelly Reichardt (et sa bande originale par Ethan Rose) et Tàr de Todd Field.- Camille a vu Pauvres Créatures de Yórgos Lánthimos.⚠️ Attention aux spoilers ⚠️Réalisation et musique : Brice ThierionIdentité visuelle : Noah Ballul

Did you know that some of your favorite actors started out in commercials, appeared in TV shows, or jumped right into film when they were mere tots? Of course you did! Today we're talking about just a few who came to mind—not nearly an exhaustive list!Some highlights:Reese Witherspoon in “The Man in the Moon,” directed by Robert Mulligan of “To Kill a Mockingbird” fameEthan Hawke in “Explorers,” also starring River PhoenixMalcolm Jamal Warner in a certain ShowFrankie Muniz in “Malcolm in the Middle” and “Big Fat Liar”Will Smith in “Fresh Prince of Bel Air” (does that count? He did start rapping at age 12.)Shannon Dougherty in “Little House on the Prairie” and othersWe discuss then and a few from now. That is, a few things we've seen them in recently. For example: “The Morning Show,” “The Purge,” “Accused,” and “Emancipation.”Next week: You'll hear in the episode that we were planning to discuss films by indigenous filmmakers. We're pushing that to later in the year. We'll be chatting about “Hijack” on AppleTV+ (Idris Elba!) and the late Mark Margolis.-Original music by Garrett ThompsonFollow us on Instagram @GeekGirlSoupContinue the conversation on FacebookListen to Cort's podcast with Brad at PureFandom.comCheck out Susan's movie stats on Letterboxd Email your questions and comments to GeekGirlSoup@gmail.comGeek on!

durée : 00:58:24 - "Summer of 42" (Michel Legrand / Marylin & Alan Bergman) (1971) - par : Laurent Valero - "Les thèmes de Michel Legrand se sont souvent invités dans l'émission. Rien d'étonnant quand on sait à quel point ses musiques pour le cinéma ont fait le tour du monde. Summer of 42 est de ceux-là, écrit pour le film américain du même nom, et tourné en 1971, par Robert Mulligan." Laurent Valero - réalisé par : Antoine Courtin

durée : 00:58:24 - "Summer of 42" (Michel Legrand / Marylin & Alan Bergman) (1971) - par : Laurent Valero - "Les thèmes de Michel Legrand se sont souvent invités dans l'émission. Rien d'étonnant quand on sait à quel point ses musiques pour le cinéma ont fait le tour du monde. Summer of 42 est de ceux-là, écrit pour le film américain du même nom, et tourné en 1971, par Robert Mulligan." Laurent Valero - réalisé par : Antoine Courtin

En el episodio de hoy hablamos de una de esas películas que ha pasado a la historia del cine por habernos dado, además de muchos grandes momentos y emociones, al héroe de lo cotidiano por antonomasia, Atticus Finch, encarnado por Gregory Peck. «Matar a un ruiseñor», (1962), de Robert Mulligan es una obra maestra que nos enseña que la vida, vivida asumiendo ese deber que nos es propio, merece la pena y la felicidad. Y que esta ha de vivirse sin matar a ningún ruiseñor, claro. «Atticus Finch no hacía nada que pudiera despertar la admiración de nadie. No cazaba, no jugaba al póquer, no pescaba, no bebía, no fumaba. Se sentía y leía». Y ahí está su grandeza. En este episodio hablamos algo de cine, pero sobre todo hablamos de vida, valga la redundancia. Y lo pasamos muy bien. Recomendaciones libérrimas: —Los libros de Tim Gautreaux. «Luisiana 1923» y «Todo lo que vale», editados por Hespérides; y «El mismo sitio, las mismas cosas» y «El paso siguiente en el baile», editados por La Huerta Grande Editorial. —«Vida oculta», (2019), de Terrence Malick. —«Upbright». —Lapiceros Blackwing. —El tercer movimiento Allegro assai del Concierto de Brandenburgo número 2 de J.S.Bach, interpretado por la Orquesta Mozart con dirección de Claudio Abbado y con Giuliano Carmignola, Reinhold Friedrich, Lucas Macías Navarro y Michala Petri de solistas. (https://www.youtube.com/watch?v=aDB5Bi18iW8&list=RDtp_WeHUKoXM&index=2&ab_channel=EuroArtsChannel) —«Las palabras quedan», de César González-Ruano, editado por Fundación Mapfre Cultura. —«La noche de los gigantes», (1968) de Robert Mulligan. —Librería Café Casamata, muy pronto en Carranza, 22, Madrid. Twitter e Instagram: @CasamataLC Intervienen: Alfonso Paredes (@fonsoparedes) e Iñako Rozas (@inakorozas). Control técnico: Marcos Machado.

0:00 - Intro & Summary2:00 - Movie Discussion55:54- Cast & Crew/Awards59:05 - True Crime/Pop Culture01:04:18-  Rankings & Ratings To see a full list of movies we will be watching and shows notes, please follow our website: https://www.1991movierewind.com/Follow us!https://linktr.ee/1991movierewind Theme: "sunrise-cardio," Jeremy Dinegan (via Storyblocks)Don't forget to rate/review/subscribe/tell your friends to listen to us!

A Reel Page Turner welcomes Dawn Leas on a very special episode featuring the absolute classic "To Kill a Mockingbird." The Harper Lee novel is proclaimed as one of the greatest novels of all time and won the Pulitzer Prize! The film adaptation is a classic in its own right! It features Gregory Peck in the Oscar winning role of Atticus Finch. It was directed by Robert Mulligan and was nominated for Best Picture.More about Dawn Leas:Dawn Leas is the author A Person Worth Knowing (Foothills Publishing), Take Something When You Go (Winter Goose Publishing), and I Know When to Keep Quiet, (Finishing Line Press). Her poetry has appeared in New York Quarterly, The Paterson Literary Review, Literary Mama, The Pedestal Magazine, SWWIM, and elsewhere. She's a writing coach, manuscript consultant, arts educator, and editorial advisor for River and South Review. She's also a back-of-the pack runner, newbie hiker, salt-water lover, and mom of two grown sons. Connect with Dawn:https://thehammockwriter.comhttps://facebook.com/dawnleashttps://instagram.com/thehammockwriterhttps://twitter/DawnLeasPoem by Dawn originally published in "A Person Worth Knowing" published by FootHills Publishing.why it is a sin to kill a mockingbirdThey say, daughter,that children should be seen – not heard. I say, daughter, speak up! Let them hear your voice rattle the windows of Main Street. They say, daughter, listen to your teachersand their chalked-caked books. I say, daughter, get your own hands dirty. Read a book, newspaper, magazine, no matter your age. They say, daughter, girls wear dresses not brother's hand-me-down overalls. I say, daughter, dresses or britches, pressed or patched, do not make the person. They say, daughter, you are unschooled, unpredictable like a thunderstorm,  a tornado. I say, daughter, you have been more rock than shriveling stream, sturdy oak than willow. They say, daughter, shield the childno need for her to see the ugly side of town. I say, daughter, open your eyes  - from courtroom balcony to Radley front porch to tense street on a summer afternoon to a dark October night. These are the places you will learn  why it is a sin to kill a mockingbird.  Connect with A Reel Page Turner: https://www.facebook.com/groups/352221223264794https://www.areelpageturner.com/Twitter: @AReelPageTurnerInstagram: @AReelPageTurnerTikTok:@areelpageturner

Book: To Kill A Mockingbird    By Harper Lee   Film:   To Kill A Mockingbird (1962)   To Kill a Mockingbird is a novel by the American author Harper Lee. It was published in 1960 and was instantly successful. In the United States, it is widely read in high schools and middle schools. To Kill a Mockingbird has become a classic of modern American literature, winning the Pulitzer Prize. The plot and characters are loosely based on Lee's observations of her family, her neighbors and an event that occurred near her hometown of Monroeville, Alabama, in 1936, when she was ten.  Although the novel deals with rape and racial inequality, the book is told with warmth and humour.   The 1962 American drama film directed by Robert Mulligan. The screenplay by Horton Foote is based on Harper Lee's 1960 Pulitzer Prize–winning novel of the same name. The film stars Gregory Peck as Atticus Finch and Mary Badham as Scout. It marked the film debut of Robert Duvall, William Windom and Alice Ghostley.  It gained overwhelmingly positive reception from both the critics and the public; a box-office success, it earned more than six times its budget. The film won three Academy Awards, including Best Actor for Peck, and was nominated for eight, including Best Picture.  In 1995, the film was selected by the Library of Congress for preservation in the National Film Registry as "culturally, historically, or aesthetically significant".   Opening Credits; Introduction (2.33); Background History (17.50); Plot Synopsis (20.57); Book Thoughts(24.52); Let's Rate (1:33.07); Amazing Design Advertisement (1:31.42); Introducing a Film (1:37.53); Film Trailer (1:39.16); Lights, Camera, Action (1:41.55); How Many Stars (1:32.44); End Credits (2:41.44); Closing Credits (2:43.49)   Opening Credits– Epidemic Sound – copyright 2021. All rights reserved   Closing Credits:  Not All Heroes Wear Capes by Owl City – taken from the album Cinematic.  Copyright 2018 Sky Harbor Studios ​ Original Music copyrighted 2020 Dan Hughes Music and the Literary License Podcast.    All rights reserved.  Used with Kind Permission.   All songs available through Amazon Music.

Americans Abroad, Romancing Themselves and Others Month concludes with the fussiest Rock Hudson vehicle yet! Pack up your fake hotel accoutrements and any hope of getting laid - it's 1961's Come September! Featuring Shrishma Naik, Carolyn Naoroz, Katherine Sherlock, and Justin Zeppa. Come September was directed by Robert Mulligan and stars Rock Hudson and Gina Lollobrigida. Join us on Patreon at the Boom Room for exclusive, ad-free bonus content in the form of super-deluxe length episodes: patreon.com/oldmovietimemachine We appreciate your support, so please subscribe, rate, review, and follow the show: Instagram: @timemachinepodcasts Facebook: facebook.com/oldmovietimemachine Email: partyline@oldmovietimemachine.com Buy our luxurious merchandise: www.teepublic.com/user/old-movie-time-machine ★ Support this podcast on Patreon ★

Our Valentine's Day 2023 episode is all about loves from the past who have inconveniently returned. In My Favorite Wife (1940), Irene Dunne is newly remarried Cary Grant's presumed dead wife, while in Kiss Me Goodbye (1982), James Caan is Sally Field's actually dead, or undead, husband, interfering with her engagement to the (ostensibly) less charismatic Jeff Bridges. We apply Stanley Cavell's concept of the "comedy of remarriage" to these movies and conclude that the comedy of My Favorite Wife really has nothing to do with its premise, whereas Kiss Me Goodbye does perform some interesting twists on comedy of remarriage tropes. In Fear and Moviegoing in Toronto, two more movies about love pick up these themes: Stanley Kwan's Rouge (1987) and Dorothy Arzner's Merrily We Go to Hell (1932). Happy Haunted Valentine's Day! Time Codes: 0h 0m 45s:        MY FAVORITE WIFE (1940) [dir. Garson Kanin] 0h 29m 59s:      KISS ME GOODBYE (1982) [dir. Robert Mulligan] 0h 49m 58s:      FEAR & MOVIEGOING IN TORONTO – ROUGE (1987) by Stanley Kwan & MERRILY WE GO TO HELL (1932) by Dorothy Arzner   +++ * Listen to our guest episode on The Criterion Project – a discussion of Late Spring * Marvel at our meticulously ridiculous Complete Viewing Schedule for the 2020s * Intro Song: “Sunday” by Jean Goldkette Orchestra with the Keller Sisters (courtesy of The Internet Archive) * Read Elise's piece on Gangs of New York – “Making America Strange Again” * Check out Dave's Robert Benchley blog – an attempt to annotate and reflect upon as many of the master humorist's 2000+ pieces as he can locate – Benchley Data: A Wayward Annotation Project!  Follow us on Twitter at @therebuggy Write to us at therebuggy@gmail.com We now have a Discord server - just drop us a line if you'd like to join! 

In occasione della recente scomparsa di Gina Lollobrigida, Cinefiliserialmente la ricorda con uno dei suoi film che tanto abbiamo amato.''Torna a Settembre'' di Robert Mulligan, con Rock Hudson e Sandra Dee.

A Cherokee County man has been indicted after prosecutors say he abused his disabled grandmother and did not allow her to leave their home. Nathan Bellino of Canton is charged with four counts of exploitation and intimidation of a disabled adult, one count of aggravated assault — family violence, one count of battery — family violence and one count of false imprisonment, according to the indictment filed January 10. The indictment charges Bellino with strangling his grandmother, hitting and pinching her, and depriving her of medical services, and blocking the exit and refusing to allow her to leave the home they shared in east Cherokee County near Canton. Prosecutors in the indictment say he caused "mental anguish" with his acts of violence, threats of violence and by limiting her contact with other people. The alleged incidents took place in October, according to the indictment. In an arrest warrant filed October 24 by the Cherokee Sheriff's Office, officers say Bellino took his grandmother's cell phone and prevented her from leaving the home for about four days. A Towne Lake collectibles store had “well over 1,000” cards stolen from its collection last week, the store's owner said, but the incident isn't slowing them down. BT Collectibles was broken into during the early morning of January 8. Co-owner Robert Mulligan said there was glass on the floor when he arrived that day. As of Monday, no one had been arrested in connection to this case, said Patty Pan, community affairs liaison for the Cherokee Sheriff's Office. Mulligan said that, after the perpetrator or perpetrators broke into the store, they went to the sealed display cases, smashing them and taking the cards.  Mulligan said there was another robbery in Roswell two days later involving another card shop. Robert Mulligan, alongside his wife, Beatrice Mulligan, opened BT Collectibles about a year-and-a half ago. The store has become popular in the Towne Lake community, and Mulligan said the support from both this community and Cherokee County as a whole has been “overwhelming.” The store fully opened again the following Tuesday, with support pouring in from customers and from social media users. For updates on the store, please visit the BT Collectibles Facebook page. BT Collectibles has a number of sports trading cards, Pokémon cards, memorabilia, comic books, collectibles, figurines, Funko POP figurines and more. In addition to buying cards from the store, customers can also bring in cards to sell. A longtime MUST Ministries employee and volunteer for many community organizations has been named the First Citizen of Cherokee County by the local Chamber of Commerce. As MUST's community liaison for Cherokee County, Kendall Jones is credited with helping hundreds of people with food, shelter and other needs. Jones was surprised with the honor by the Cherokee Chamber Thursday at its annual meeting, and was soon surrounded by family members on stage as he walked up to accept the award. Jones also sang a hymn to the audience, “Make Me a Servant,” which he said he sings to himself most days when he drives to work. Before Jones joined MUST's staff, he was a volunteer at their food pantry. In 2010, he became MUST's volunteer coordinator and intake manager. He was promoted to program director at MUST Cherokee, Cherokee Chamber Pam Carnes said, and in 2019 the nonprofit created his role specifically for him. Jones chairs the Canton Housing Authority, which owns and operates public housing in the city with federal funding, and serves as a board member of Cherokee FOCUS, a collaborative that supports children and families in the community. He also volunteers for the The Homeless Coalition of Cherokee County and for the chamber. In addition to serving Cherokee County through various local organizations, Jones has extended his service abroad as the missions chair at Canton First United Methodist Church. A crew of Cherokee County firefighters is raising money for one of their own after he lost his home to a fire Monday. Firefighter Joel Saunders and his wife, Carolyn, are staying with a friend after their home burned to the ground, according to a GoFundMe page set up by Saunders' crew members. The couple was not home at the time of the fire and no injuries were reported. They lost everything except for their vehicles, according to the page and Cherokee County Fire and Emergency Services. According to Cherokee Fire spokesperson Lieutenant Michael Sims, the couple had lived in Blue Ridge. A link to the Go Fund Me can be found at Tribune Ledger dot com. House of Hope, a Cherokee County-based food bank, is celebrating 10 years in operation supporting their community. The nonprofit organization, with a home base located east of Canton on Cumming Highway, provides aid for between 105 to 130 families coming from as far as Dahlonega and Jasper every week. Its programs include food box pickups, a clothing closet and supplying families with smoke detectors and car seats. Director Wendy Graham shared that when beginning the expansions of the original pantry, she was told that most organizations fizzle out by three years. Ten years later, Graham and operations manager Christy Hofrichter are aiming their sights even higher. The nonprofit took its first steps on December 22, 2012 as a means of providing one hot meal to families connected with Free Home Elementary. Graham went one step further to provide Christmas Eve meals that month. The pantry's generosity grew to meet the needs of their community. Soon they were offering a soup kitchen in January, toiletry bags and care packages of nonperishable food items. When summer came, the organization opened its doors every Wednesday to continue to provide foodstuffs. Plans for the pantry's future include a separate room for the clothing closet and a larger truck for necessary item transportation. Graham said she also wants to help support other budding food banks in the area. Those interested in volunteering are encouraged to visit the food pantry at 11954 Cumming Highway on Tuesday and Thursday mornings. Otherwise, the organization accepts monetary, food and clothing donations year-round. For more information, go to House of Hope dot Org. #CherokeeCounty #Georgia #LocalNews           -          -          -          -          -          -          The Cherokee Tribune Ledger Podcast is local news for Woodstock, Canton, and all of Cherokee County. Register Here for your essential digital news.             This podcast was produced and published for the Cherokee Tribune-Ledger and TribuneLedgerNews.com by BG Ad Group     For more information be sure to visit https://www.bgpodcastnetwork.com/    https://cuofga.org/   https://www.drakerealty.com/   https://www.esogrepair.com/     See omnystudio.com/listener for privacy information.

Writer-director, Charlie Peters, was raised in New York City before spending his high school years at Stonyhurst College in Lancashire, England, where he was classmates with the director Charles Sturridge and actor Edward Duke.  Charlie then studied theater at the University of Connecticut and subsequently received a Schubert Fellowship to do graduate work in playwriting at Carnegie Mellon University here in Pittsburgh.  While at CMU, his plays were acted by fellow students including Holly Hunter and Cherry Jones.  After graduating, he returned to New York to work as a playwright. His plays have been produced at La Mama Experimental Theatre Club, Primary Stages, Playwrights Horizons, The Actors Theater of Louisville and The Edinburgh Festival.  In 1978, Charlie was brought to Los Angeles by Columbia Pictures as part of a program looking for new writers, a program that turned out to be little more than a publicity stunt to distract from the bad PR Columbia had received as a result of its head, David Begelman, embezzling money from various actors.  Charlie's first produced movie, Paternity, is based on a play he'd written while at CMU. It starred Burt Reynolds and was directed by David Steinberg.  He's had a dozen other movies pr oduced including Blame It On Rio directed by Stanley Donen, Kiss Me Goodbye directed by Robert Mulligan, and Her Alibi, directed by Bruce Beresford. He's also directed two of his own: Passed Away with Bob Hoskins, Maureen Stapleton and Frances McDormand and Music From Another Room with Jude Law and Brenda Blethyn. Charlie has doctored over forty other produced movies and many more unproduced ones.  Renee Zellweger won The Golden Bear Award at The Berlin Film Festival for the 2010 movie, My One and Only, that Charlie wrote. Hs most recent film was 5 Flights Up based on the novel by Jill Ciment, which starred no less than Morgan Freeman and Diane Keaton.  

Benvenuti nella raccolta in formato Podcast delle puntate di #CloseUp, a cura di Matteo Righi, aka Houssy. #CloseUp è la rubrica di recensioni cinematografiche in onda su Radio Italia Anni 60 Emilia-Romagna.

This week we're so excited to be joined by writer/director William Brent Bell! He's the filmmaker behind movies like Stay Alive and The Boy and his latest film Orphan: First Kill is the prequel to the cult classic camp masterpiece Orphan! We talk about his horror history, approaching this prequel with trepidation (and death threats?!) and ultimately falling in love with the surprising story. Stick to the end where he talks about two of his upcoming horror creations which sound fantastic.Then we dig into The Other (1972), a film that seems relatively forgotten but needs to be discussed and championed as a precursor to a ton of horror tropes. We discuss evil twins, its legacy, the fantastic direction from To Kill A Mockingbird's Robert Mulligan, Uta Hagen, the queer screenwriter, some of the horrific imagery and so much more. This is one of the most messed up PG rated movies ever.Follow William Brent Bell on Twitter and Instagram. Follow Mary Beth, Terry and the Podcast on Twitter.If you want to support our podcast, please please take a moment to go rate us on Spotify and give us a rating and review on iTunes. It really helps us out with the algorithms. We also have a YouTube channel! If you want to join our community on Twitter, go here. And, coming soon…a Patreon! Our GDPR privacy policy was updated on August 8, 2022. Visit acast.com/privacy for more information.

Welcome back to another episode of the GGtMC!!! This week Will and Sammy take you back to 70s American cinema with a trip on The Nickel Ride (1974) directed by Robert Mulligan, a very under seen crime film we have been wanting to talk about for ages!!! Emails to midnitecinema@gmail.com Adios!!! --- Send in a voice message: https://anchor.fm/ggtmc/message

Matt Duffy joins Brian for a discussion of THE OTHER, starring Uta Hagen and directed by Robert Mulligan. They also talk about Hagan's fascinating career on stage and screen!THE OTHER is available on Amazon: https://www.amazon.com/Other-Uta-Hagen/dp/B000GJ0JVAFollow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts.

Pour cet épisode-dossier, le trio Gravlax – Papa(Gubi)da – Casa s'est penché sur le thème très riche des **films de complots**. Après une petite introduction sur le thème dans la fiction, il traite d'un des thèmes fondateurs du genre dans le cinéma des années 1970 : l'assassinat de John Fitzgerald Kennedy. Le film central de cet épisode est celui choisi par Gravlax : « À cause d'un assassinat ( The Parallax View ) » d'Alan J.Pakula ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1349.html Il y aura d'autres métrages sur ce thème qui seront plus développés que d'habitude :« Les hommes du Président » d'Alan J.Pakula ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=3690.html « Complot à Dallas » de David Miller ( 1973 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=130689.html « Les 3 Jours du Condor » de Sydney Pollack ( 1975 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33360.html « La Théorie des Dominos » de Stanley Kramer ( 1977 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=31392.html « Winter Kills – Qui a tué le Président ? » de William Richert ( 1979 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=34488.html( traité par Gravlax dans l'épisode « Saison 1.5 - L.A. Confinemential 1** » :https://podcloud.fr/podcast/tu-las-vu/episode/saison-1-point-5-la-confinemential-1-les-films-vus-pendant-le-confinement ) Films de complots évoqués dans d'autres épisodes de « Tu L'As Vu ? » : La « trilogie de la paranoïa » de John Frankheimer :“Un crime dans la tête” de John Frankenheimer ( 1962 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=5170.html“Sept Jours en Mai” de John Frankenheimer ( 1964 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=4424.html« Seconds – L'Opération Diabolique » de John Frankenheimer ( 1966 ) :http://www.allocine.fr/film/fichefilm_gen_cfilm=121907.htmlÉvoqués et/ou traités dans l'épisode « 22 - 1.001 Films à Voir ( 3 films choisis dans le livre )** »https://podcloud.fr/podcast/tu-las-vu/episode/22-1-point-001-films-a-voir-3-films-choisis-dans-le-livre « Winter Kills – Qui a tué le Président ? » de William Richert ( 1979 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=34488.htmlTraité par Gravlax dans l'épisode « Saison 1.5 - L.A. Confinemential 1** » :https://podcloud.fr/podcast/tu-las-vu/episode/saison-1-point-5-la-confinemential-1-les-films-vus-pendant-le-confinement Œuvres citées dans l'épisode : Le roman « Une Ténébreuse Affaire » d'Honoré de Balzac ( 1841 ) :https://fr.wikipedia.org/wiki/Une_t%C3%A9n%C3%A9breuse_affaire Le roman « Le Juif Errant » d'Eugène Sue ( 1845 ) :https://fr.wikipedia.org/wiki/Le_Juif_errant Le roman « Joseph Balsamo » d'Alexandre Dumas ( 1853 ) :https://fr.wikipedia.org/wiki/Joseph_Balsamo_(roman) Le roman « Les 39 Marches » de John Buchan ( 1915 ) :https://fr.wikipedia.org/wiki/Les_39_Marches_(roman) « Les 39 Marches » d'Alfred Hitchcock ( 1935 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2161.html Le roman « Le Procès » de Franz Kafka ( 1925 ) :https://fr.wikipedia.org/wiki/Le_Proc%C3%A8s « Le Procès » d'Orson Welles ( 1962 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=279.html Le roman « 1984 » de George Orwell ( 1949 ) :https://fr.wikipedia.org/wiki/1984_(roman) « 1984 » de Michael Radford ( 1984 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1791.html Le roman « Vente à la criée du lot 49 » de Thomas Pynchon ( 1966 ) :https://fr.wikipedia.org/wiki/Vente_%C3%A0_la_cri%C3%A9e_du_lot_49 Le roman « L'Arc-en-ciel de la Gravité » de Thomas Pynchon ( 1973 ) :https://fr.wikipedia.org/wiki/Vente_%C3%A0_la_cri%C3%A9e_du_lot_49 Le roman « Outremonde (Underworld) » de Don DeLillo ( 1997 ) :https://fr.wikipedia.org/wiki/Outremonde « Greetings » de Brian de Palma ( 1968 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=28138.html « Klute » d'Alan J.Pakula ( 1971 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=45028.html « Du Silence et des Ombres » de Robert Mulligan ( 1962 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=42792.html « Le Choix de Sophie » d'Alan J.Pakula ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2362.html « Présumé Innocent » d'Alan J.Pakula ( 1990 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=6003.html « L'affaire Pélican » d'Alan J.Pakula ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=33300.html « Ennemis Rapprochés » d'Alan J.Pakula ( 1997 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=13551.html « Bonnie & Clyde » d'Arthur Penn ( 1967 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1353.html « Blow Out » de Brian de Palma ( 1981 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1993.html « Dans la ligne de mire » de Wolfgang Petersen ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8293.html « L'inspecteur Harry » de Don Siegel ( 1971 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=381.html « Phantom of the Paradise » de Brian de Palma ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=59996.html « Le Parrain » de Francis Ford Coppola ( 1972 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1628.html « Marathon Man » de John Schlesi nger ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8172.html “JFK” d'Oliver Stone ( 1991 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1417.html « The Secret Man – Mark Felt » de Peter Landesman ( 2017 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=242448.html « Network – Main basse sur la télévision » de Sidney Lumet ( 1976 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=46077.html « Et au milieu coule une rivière » de Robert Redford ( 1992 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=5362.html « Captain America – Le Soldat de l'Hiver » d'Anthony et Joe Russo ( 2014 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=193113.html « Conversation secrète » de Francis Ford Coppola ( 1974 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=9955.html « Devine qui vient dîner » de Stanley Kramer ( 1967 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=12693.html « Le Groupe » de Sidney Lumet ( 1966 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=42737.html « Soldat Bleu » de Ralph Nelson ( 1970 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=7567.html « Gandhi » de Richard Attenborough ( 1982 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=2596.html « Miss Detective » de Donald Petrie ( 2000 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=26861.html « Il était une fois la Légion » de Dick Richards ( 1977 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=46835.html « Ennemi d'État » de Tony Scott ( 1998 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=16026.html « Blow Up » de Michelangelo Antonioni ( 1966 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=1422.html « Snake Eyes » de Brian de Palma ( 1998 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=19439.html La série « 22/11/63 » de Bridget Carpenter ( 2016 ) :https://www.allocine.fr/series/ficheserie_gen_cserie=18160.html « American Graffiti » de George Lucas ( 1973 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=37040.html « Un Monde Parfait » de Clint Eastwood ( 1993 ) :https://www.allocine.fr/film/fichefilm_gen_cfilm=8966.html Musique diffusée durant l'épisode : Générique « Loud Pop » ( Gravlax ) Aurélien Rivière « Focus on the road » Louis Levy « 39 Steps Suite » David Bagatelle, Charles Breteville & Jean Villa « Stray Dogs Squad » Michael Small « The Parallax View Suite » / “Marathon Man Suite” Michael Small “B.O de Klute” : “Love theme” / “Main title” / “I Want to Speak to You” / “Phone Call Play Back” / “Walk to Casting Office” / “Casting Office” / “Goldfarb's Record” / “On the Road” / “Tea With Madame” / “Ligourin's Disco” /"First Disco" / "Bree Followed on Street" David Shire “Presidents Man Suite” Randy Edelman “Executive Action – Main Title” Dave Grusin “Three Days of the Condor Suite” Harry Shannon “Some Day Soon” Samuel Chastan « Exile » Maurice Jarre « L'année de tous les dangers Suite » Liens : L'excellente conférence de Jean-Baptiste Thoret sur « The Parallax View » :https://youtu.be/6k-P2p2mC9Y Le livre « 26 secondes : L'Amérique éclaboussée » de Jean-Baptiste Thoret ( 2003 ) :https://www.rougeprofond.com/produit/26-secondes-lamerique-eclaboussee/ Scène du test de la Parallax : https://youtu.be/8wCLHHKgCKc?t=15 Documentaire « Warren Beatty, une obsession hollywoodienne » d'Olivier Nicklaus ( 2015 ) :https://boutique.arte.tv/detail/warren_beatty_une_obsession_hollywoodienne Chaîne YouTube TLV Podcast :https://www.youtube.com/channel/UCoLK73hPXzMYGnZEYVRvAEQ Lien Twitter : https://twitter.com/TLVPodcast Page Facebook : https://www.facebook.com/M.Gravlax Page du podcast : https://podcloud.fr/podcast/tu-las-vu Page Sens Critique avec tous les films traités dans le podcast :https://www.senscritique.com/liste/Tous_les_films_traites_dans_notre_podcast_Tu_l_as_vu_venez_n/2716388

Author Tom Santopietro, the man behind Why To Kill a Mockingbird Matters, sits down with the Ticklish crew to discuss Robert Mulligan's 1962 adaptation of Harper Lee's classic. The group discusses Gregory Peck's career-defining role as Atticus Finch, the way the movie gives us the children's POV, and why the sequel novel isn't necessarily worth reading.   Also, listen all the way to the end as we're giving a bite-sized sneak peek of our interview with Jean Louise "Scout" Finch herself, actress Mary Badham which you can listen to exclusively on Patreon with a full transcript at TicklishBiz.com.   Reviews matter and you can help us out by giving us 5 stars on Apple Podcasts! Also, tell your friends to like and subscribe to our Patreon, Instagram, Twitter and YouTube channels! We also have a shiny new website you can visit now!   Produced and edited by Kimberly Pierce   This episode created thanks to our Patrons: Peter Bryant Jacob Haller Laura Neill Christine Mier David Floyd Peter Dawson Jeffrey Danny Fuckbois of Literature Christina Lane Rosa McF Donna Hill Cat Cooper Harry Holland Rachel Kramarchuk sweetcomrade

2 Guys 5 Movies are back to the 1970s horror movies this week as they cover Frank's top five of 1972. The list includes Bob Clark's Children Shouldn't Play with Dead Things, the Donald Pleasance film, Death Line, the somewhat inscrutable The Legend of Boggy Creek, Robert Mulligan's The Other, and Brian De Palma's Sisters. Finally, if you have your own ideas for the podcast, you can also email us with list suggestions at 2guys5movies@gmail.com, and thank you all for listening and your support.

Javier Ocaña es crítico de cine en El País y colaborador en el programa 'Hoy por Hoy' de la Cadena Ser. Acaba de publicar su libro "De Blancanieves a Kurosawa: La aventura de ver cine con los hijos" (Ed. Península). Hoy viene al Hotel para tomarse una copa conmigo y charlar de lo que aprendimos viendo cine de niños, de las distintas capas del humor, de Blancanieves, Kurosawa, Matilda, los Hermanos Marx, Bob Esponja, Spielberg o Big, de eso que ahora llaman "cine con valores", del a veces tan denostado cine familiar, de pequeños traumas infantiles, de recuerdos, escenas y mucho, mucho más. Como siempre, donde siempre. Películas Mencionadas: - Jumanji, Joe Johnston, 1995 - Rescate, Ron Howard, 1996 - El infierno del odio, Akira Kurosawa, 1996 - Matar a un ruiseñor, Robert Mulligan, 1964 - Aterriza como puedas, 1980 - El olvido que seremos, Fernando Trueba, 2019 - Scarface, Brian de Palma, 1983 - El guardaespaldas, Mick Jackson, 1992 - Revuelta en Haití, Jean Negulesco, 1952 - Evasión o victoria, John Huston, 1981 - Sopa de Ganso, Leo McCarey, 1933 - Bob Esponja: La Película, 2004 - Big, Penny Marshall, 1988 - Mi Chica, Howard Zieff, 1991 - Descubriendo a Forrester, Gus Van Sant, 2000 - Coco, Adrián Molina y Lee Unkrich, 2017 - El Gran Dictador, Charles Chaplin, 1940 - Rocky, John G. Avildsen, 1976 - Lawrence de Arabia, David Lean, 1962 - Call me by your name, Luca Guadagnino, 2017 - Charada, Stanley Donen, 1963 - La Soga, Alfred Hitchcock, 1948 - Parque Jurásico, Steven Spielberg, 1993 - Tiburón, Steven Spielberg, 1975 - Sonrisas y Lágrimas, Robert Wise, 1965 - Algo para recordar, Nora Ephron, 1993 - Tienes un email, Nora Ephron, 1998 - Tú y yo, Leo McCarey, 1957 - El Padrino 3, Francis Ford Coppola, 1990 - Aguirre, la cólera de Dios, Werner Herzog, 1975 - Dune, Dennis Villeneuve, 2021 - Arrival, Dennis Villeneuve, 2016 - Prisioneros, Dennis Villeneuve, 2013 - Enemy, Dennis Villeneuve, 2013 - Blade Runner 2049, Dennis Villeneuve, 2017 - Isla de Perros, Wes Anderson, 2018 - Matilda, Danny DeVito, 1996 - La maldicion de las Brujas, Nicolas Roeg, 1990 - Academia Rushmore, Wes Anderson, 1998 - Los Santos Inocentes, Mario Camus, 1984

Frame Fatale es un podcast sobre películas ¿no canónicas? conducido por Sebastián De Caro y Santiago Calori. En este trigésimo sexto episodio, nos ocupamos de Los mellizos del terror (The Other, 1972) de Robert Mulligan. Podés comentar este episodio o agregar una pregunta que nada que ver usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, ya explicamos varias veces, es lo menos importante.

De un tiempo a esta parte el Medio Rural está siendo ferozmente atacado, pero este ataque no se limita a la producción cárnica o láctea, el agua, la caza, los fertilizantes y estiércoles, las herramientas que utilizamos para la salud vegetal y animal etc., sino que es mucho más profundo porque va dirigido hacia nuestras costumbres, cultura, historia y raíces. Se está poniendo en cuestión nuestra forma de vivir, entender e interrelacionarnos entre nosotros y también con nuestro entorno natural y sobrenatural. Es una corriente ideológica muy fuerte que amenaza con subvertir nuestros valores. Por ello es fundamental nuestro esfuerzo por entender, comprender y discernir. El verdadero conocimiento forma parte inseparable del ser humano. Viene a mi memoria la novela “Matar a un ruiseñor” escrita por Harper Lee en 1960 y llevada con gran éxito al cine por Robert Mulligan, quien cosechó varios Oscar, entre ellos el de Gregory Peck como mejor actor principal por su interpretación de Atticus Finch. El protagonista es una “rara avis” en medio de la mediocridad que empapa cada rincón de ese pueblo. Su integridad y firmeza en la lucha contra los prejuicios se complementan con su bondad y tolerancia hacia los demás. Atticus no destaca en nada que pueda ser objeto de admiración por parte de sus vecinos: no caza, no juega al póker, no pesca, no bebe, no fuma. Sin embargo, su vida esconde el misterio de los “grandes hombres”: combatir la estridencia del mal con su presencia callada y serena. Su única ocupación conocida, aparte de ejercer la abogacía en ese pueblo olvidado de todos, es atender a su familia y leer. Sus valores impiden la destrucción de la inocencia, especialmente en la visión del mundo que rodea a sus hijos Scout y Jem, los otros personajes que, junto a Atticus, mantienen con fuerza el mensaje de la película: la esperanza, pese a todas las apariencias, en la dignidad del ser humano. https://www.asajahuesca.es/noticias/editorial-agosto-de-angel-samper-matar-al-ruisenor --- Send in a voice message: https://anchor.fm/on-air-ediciones/message

Ian and Pat look at a very different kind of war movie, Robert Mulligan's 1971 coming-of-age drama, Summer of ‘42!The film centers on three WWII-era teen boys whose lazy summer is spent roughhousing, pursuing girls, and generally blocking out the world outside their idyllic beach-front community. When Hermie (Gary Grimes) falls in love with an older woman named Dorothy (Jennifer O'Neill), his ideas about the opposite sex are challenged in ways the characters and the audience may find surprising.In this wide-ranging review, the guys explore how Summer of ‘42 compares and contrasts from the teen sex comedies that would flood cinemas a decade later; why the film makes them feel at once cozy and uncomfortable; and its unlikely modern-day successor.Show Links:Watch the Summer of ‘42 trailer.Keep up with Pat at HollywoodChicago.com.Watch Pat's interview with Godspell star Robin Lamont (referenced in the episode):Part 1Part 2Subscribe to, like, and comment on the Kicking the Seat YouTube channel!

A film where a teenaged boy falls in love with the wife of his next door neighbour. Kyle has nostalgia for his summer vacations. Dave continues to hate small town America. The Machine wonders why everyone is so weird about buying condoms.You can follow us on Letterboxd to see the entire list of movies we've talked about: https://letterboxd.com/kdvstm/Watch the trailer for Summer of '42 here: https://youtu.be/5c119LHL-pYOur sponsors this week are:  Pod Power - With Pod Power, our sponsors are making it possible for us to amplify the voices of Albertans and Alberta podcasters. This episode, Edmonton Community Foundation is helping us give a Pod Power shout out to What's the Tsismis? - https://www.cjsr.com/shows/whats-the-tsismis/ -  An inside look on Pilipinx identity in the diaspora.  Rümi - https://www.rumi.ca/ - Our guiding mission is to create homeowner happiness, one smile at a time. Right now, you'll only find us in Calgary, Edmonton and the surrounding areas, but you'll be able to find us in other Alberta cities soon. By offering a range of home solutions, we express our true purpose—to provide the best, most complete, homeowner experience to all. Send feedback to kyleanddavevsthemachine@gmail.comKyle and Dave vs The Machine is a proud member of The Alberta Podcast Network: Locally grown. Community supported. Here's their link again: https://www.albertapodcastnetwork.comKeep up to date with Kyle and Dave vs The Machine by following its social media channels: Twitter: https://twitter.com/kdvstmInstagram: https://www.instagram.com/kdvstm/YouTube: https://www.youtube.com/channel/UCEZKUfH0IOp-lH5OQdIpvLwPatreon: https://www.patreon.com/kdvstmThis week the Machine printed out: 01001001 00100000 01100111 01110101 01100101 01110011 01110011 00100000 01101100 01101111 01110110 01100101 00100000 01101101 01100101 01100001 01101110 01110011 00100000 01101110 01100101 01110110 01100101 01110010 00100000 01101000 01100001 01110110 01101001 01101110 01100111 00100000 01110100 01101111 00100000 01110011 01100001 01111001 00100000 01110111 01101000 01100101 01110100 01101000 01100101 01110010 00100000 01111001 01101111 01110101 00100000 01101000 01100001 01100100 00100000 01110011 01100101 01111000 00100000 01110111 01101001 01110100 01101000 00100000 01100001 01101110 00100000 01101111 01101100 01100100 01100101 01110010 00100000 01110111 01101111 01101101 01100001 01101110 00100000 01101111 01110010 00100000 01101110 01101111 01110100 00101110 ★ Support this podcast on Patreon ★

Nesse episódio especial, nossa equipe recebe o Doutor, Professor e Advogado Marco Félix Jobim para uma conversa muito descontraída sobre as duas paixões de nosso convidado, bem como a relação entre filmes e a ciência jurídica. Currículo e contato do convidado: Lattes - http://lattes.cnpq.br/7781138223264118; Instagram - @marcofelixjobim; Facebook – Marco Jobim; Website – marcojobimadv.com.br Seja um padrinho do DLI Podcast. Acesse padrim.com/dlipodcast e escolha a sua categoria! Referências citadas: Filmes: A QUALQUER PREÇO (A Civil Action). Diretor: Steven Zaillian. Estados Unidos, 1998. ADVOGADO DO DIABO (The Devil`s Advocate). Diretor: Taylor Hackford. Estados Unidos, 1997. CINEMA PARADISO (Nuovo Cinema Paradiso). Direção: Guiseppe Tornatore. Itália/França, 1988; CÓDIGO DE HONRA (Puncture). Direção: Mark Kassen, Adam Kassen. Estados Unidos, 2011; ERIN BROCOVICH – UMA MULHER DE TALENTO (Erin Brocovich). Diretor: Steven Soderbergh. Estados Unidos, 2000. JULGAMENTO FINAL (Class Action). Diretor: Michael Apted. Estados Unidos, 1991. O ADVOGADO DO TERROR (L'Avocat de la Terreur). Direção: Barbet Schroeder. França, 2008; O MELHOR DOS INIMIGOS (The Best of Enemies). Diretor: Robin Bissel. Estados Unidos, 2019.) O POVO CONTRA LARRY FLYNT (The People vs. Larry Flynt). Direção: Miloŝ Forman. Estados Unidos, 1996. O SOL É PARA TODOS (To Kill a Mockingbird). Direção: Robert Mulligan. Estados Unidos, 1962. O VEREDITO (The Veredict). Diretor: Sidney Lumet. Estados Unidos, 1982. OS 7 DE CHICAGO (The Trial of Chicago 7). Direção: Aaron Sorkin. Estados Unidos, 2020. PONTO DE VISTA (Vantage Point). Diretor: Pete Travis. Estados Unidos, 2008. RECONTAGEM (Recount). Direção: Jay Roach. Estados Unidos, 2008; SEPARADOS, MAS IGUAIS (Separate But Equal). Direção: George Stevens Jr. Estados Unidos, 1991; SOB SUSPEITA (Find Me Guilty). Direção: Sidney Lumet. Estados Unidos, 2006; TEMPO DE MATAR (A Time To Kill). Direção: Joel Schumacher. Estados Unidos, 1996; TERRA FRIA (North Country). Direção: Niki Caro. Estados Unidos, 2005; Séries: BETTER CALL SAUL (Better Call Saul). Criação: Vince Gilligan, Peter Gould. Estados Unidos, 2015- (05 temporadas); HOMENS DE TERNO (Suits). Criação: Aaron Korsh. Estados Unidos, 2011-2019 (09 temporadas); JUSTIÇA SEM LIMITES (Boston Legal). Criação: David E. Kelley. Estados Unidos, 2004-2008 (05 temporadas); O DESAFIO (The Practice). Criação: David E. Kelley. Estados Unidos, 1997-2004 (08 temporadas); SOB MEDIDA (Drop Dead Diva). Criação: Josh Berman. Estados Unidos, 2009-2014 (06 temporadas); WILL & GRACE (Will & Grace). Criação: David Kohan, Max Mitchnick. Estados Unidos, 1998-2006, 2017-2020 (11 temporadas); Livros: MORIN, Edgar. O Cinema ou o Homem Imaginário: Ensaio de Antropologia Sociológica. São Paulo: É Realizações, 2014. SANDEL, Michael J. Justiça: O que é fazer a coisa certa. 26. ed. São Paulo: Civilização Brasileira, 2011.

‘Verano del 42’ de Robert Mulligan es una de las mejores películas del cine clásico sobre el tránsito de la infancia a la adolescencia y este 19 de abril se cumplen 50 años de su estreno. Y hace 30 nos dejaba David Lean, uno de los grandes directores de la historia del cine, autor de películas como ‘Lawrence de Arabia’, ‘Doctor Zhivago’ o ‘El puente sobre el río Kwai.’

‘Verano del 42' de Robert Mulligan es una de las mejores películas del cine clásico sobre el tránsito de la infancia a la adolescencia y este 19 de abril se cumplen 50 años de su estreno. Y hace 30 nos dejaba David Lean, uno de los grandes directores de la historia del cine, autor de películas como ‘Lawrence de Arabia', ‘Doctor Zhivago' o ‘El puente sobre el río Kwai.'

El cine ha cambiado tras el MeToo, prueba de ello es ‘Una joven prometedora', una historia de venganza con Carey Mulligan que ha sido uno de los debuts más importantes del año. Johnny Depp produce el documental ‘Crock of Gold', una mirada a la historia del músico de The Pogues, Shane McGowan, pero también a las adicciones y a la historia de Irlanda. El choque cultural funciona en las comedias y repite la fórmula ‘Una veterinaria en la Borgoña', una historia de superación con animales de por medio. Han sido muchos los actores que han interpretado al mafioso Al Capone en la gran pantalla, ahora se suma a esa lista Tom Hardy. En cine clásico repasamos la carrera de David Lean y celebramos los 50 años de ‘Verano del 42', la película de Robert Mulligan. En televisión, esta semana hablamos con Daniel Brühl, el villano de ‘Falcon y el Soldado de invierno' y celebramos la diversidad lingüística de las nuevas series españolas.

It's a solo podcast with just John! He talks about Robert Mulligan's take on Lee's classic To Kill a Mockingbird.  Tune in to listen to John: Lament not having his partner with him Stutter like, a lot Talk about Justice and Mercy, and whether or not they can be had in a society where people are unequal Say "And Um" about 50,000 times  Apologize profusely for his sorry performance, and then beg for reviews and ratings like the whore he is. And more! Please rate and review us wherever you may be listening, if you care, I (or Michael pending a fixed computer) will read them, good or bad. 

Mark Lynn joins Brian for a discussion of SUMMER OF '42, the fourth highest grossing film of 1971, directed by Robert Mulligan. They also talk about Mulligan's fantastic career and pick his three best films!SUMMER OF '42 is available on Amazon Prime: https://amzn.to/3rAJebqFollow us at filmatfifty.com and @filmatfifty on social media, and please leave us a five-star review on Apple Podcasts or wherever you listen to your podcasts. You can also email the podcast at fiftyyearsagoinfilm@gmail.com!/// SUPPORT FILM AT FIFTY ///Check out our Patreon page at patreon.com/filmatfifty to unlock two or more bonus episodes a month not available on the regular podcast. We'd love your support!

Au sommaire de cette spéciale sorties vidéo : -Chroniques de deux films de Billy Wilder : UNIFORMES ET JUPONS COURTS (1942) sorti chez RIMINI ainsi qu'ARIANE (1957) édité par CARLOTTA ;-Débat autour des dernières sorties ELEPHANT FILMS dont, NE DITES JAMAIS ADIEU (1956) de Jerry Hopper, LE SPORT FAVORI DE L'HOMME (1964) d'Howard Hawks, LES YEUX BANDES de Philip Dunne (1965), ETRANGES COMPAGNONS DE LIT (1965) de Melvin Frank, trois films de Robert Mulligan intitulés LE RENDEZ-VOUS DE SEPTEMBRE, LE ROI DES IMPOSTEURS (1961) et L'HOMME DE BORNEO (1962) ainsi que quelques films de guerre, à savoir, L'ENFER DES HOMMES (1955) de Jesse Hibs, LES HEROS D'IWO JIMA (1960) de Delbert Mann, LE COMBAT DU CAPITAINE NEWMAN (1963) de David Miller, TOBROUK COMMANDO POUR L'ENFER (1967) d'Arthur Hiller et LE CINQUIEME COMMANDO (1971) d'Henry Hataway ;-Evocation de JARDINS DE PIERRE (1987) de Francis Ford Coppola paru chez CARLOTTA ;-Critiques de quelques perles du cinéma asiatique telles LA VENGEANCE D'UN ACTEUR (1963) de Kon Ichikawa (RIMINI), LA CONDITION DE L'HOMME, trilogie réalisée par Masaki Kobayashi (1959 - 1961), SILENCE (1971) de Masahiro Shinoda, MADE IN HONG KONG (1997) de Fruit Chan et JUDO (2004) de Johnnie To (CARLOTTA), EXPECT THE UNEXPECTED (1998) de Patrick Yau et LOVE & PEACE (2015) de Sono Sion (SPECTRUM FILMS). Bonne écoute à toutes et à tous.

Why are illustrators hired to capture trials? Going where cameras cannot and recording everything from Charles Manson’s trial to Supreme Court proceedings, these artists play a crucial role in showing the public what happens behind closed doors. We speak with veteran courtroom illustrators Bill Robles, Jane Rosenberg, Arthur Lien, and Elizabeth Williams to discover if artists can ever be objective observers. To find blogs and images for each episode, go to domestika.org/podcasts. And to find online courses on hundreds of creative topics, go to domestika.org.  This episode includes audio clips from Chicago (2002) by Rob Marshall, The Aviator (2004) by Martin Scorsese, and To Kill a Mockingbird (1962) by Robert Mulligan.

Frame Fatale es un podcast sobre películas no canónicas conducido por Sebastián De Caro y Santiago Calori. En este octavo episodio, nos ocupamos de El odio es ciego (No Way Out, 1950) de Joseph L. Mankiewicz. Como nos suele ocurrir, hablamos de esa, pero terminamos hablando estas otras: ¿Sabes quién viene a cenar? (Guess Who's Coming to Dinner, 1967) de Stanley Kramer, Pantera negra (Black Panther, 2018) de Ryan Coogler, Blade, cazador de vampiros (Blade, 1998) de Stephen Norrington, La malvada (All About Eve, 1950) y De repente en el verano (Suddenly, Last Summer, 1959) de Joseph L. Mankiewicz, Al calor de la noche (In the Heat of the Night, 1967) de Norman Jewison, La jaula de las locas (La Cage aun Folles, 1978) de Edouard Molinaro, El planeta de los simios (The Planet of the Apes, 1968) de Franklin J Schaffner, Tiburón (Jaws, 1975) de Steven Spielberg, Matar un ruiseñor (To Kill a Mockingbird, 1962) de Robert Mulligan, Heradarás el viento (Inherit the Wind, 1960) de Stanley Kramer, Caballero sin espada (Mr Smith Goes to Washington, 1939) de Frank Capra, Los mellizos del terror (The Other, 1972) de Robert Mulligan, La noche de los muertos vivientes (The Night of the Living Dead, 1968) de George A. Romero, Carnaval de las almas (Carnival of Souls, 1962) de Herk Harvey, El loco de la motosierra (The Texas Chansaw Massacre, 1974) de Toby Hooper, Deadbeat at Dawn (1988) de Jim Van Bebber, Diabólico (The Evil Dead, 1981) de Sam Raimi, Shaft (1971) de Gordon Parks, Masacre policial (Sweet Sweetback's Baadasssss Song, 1971) de Melvin Van Peebles, Sheba Baby (1975) de William Girdler, Coffy (1973) y Foxy Brown (1974) de Jack Hill, Cleopatra Jones (1973) de Jack Starrett, Dolemite (1975) de D'Urville Martin, The Black Gestapo (1975) de Lee Frost, Ilsa la loba de las SS (Ilsa: She Wolf of the SS, 1975) de Don Edmonds, El desquite (1983), La búsqueda (1985) y En retirada (1984) de Juan Carlos Desanzo, Tienes un email (You've Got Mail, 1998), Todos los hombres del presidente (All the President's Men, 1976) de Alan J. Pakula, Ingrid Goes West (2017) y Red social (The Social Network, 2010) de David FIncher... ... por si justo te dio paja anotar, y hasta contestamos preguntas de lxs oyentes. Podés comentar este episodio o hacer nuevas preguntas para los próximos usando el hashtag #FrameFatale en Twitter. Frame Fatale volverá el lunes que viene. Quizás sea una pegada total suscribirte en donde sea que escuches tus podcasts y tener la primicia que de todas maneras, como ya explicamos varias veces, es lo menos importante.

Movie Geeks United co-host Adam Long speaks with film historian and video essayist Adam Zanzie about the under-the-radar horror classic The Other from director Robert Mulligan. Support this podcast

Movie Geeks United co-host Adam Long speaks with film historian and video essayist Adam Zanzie about the under-the-radar horror classic The Other from director Robert Mulligan. Support this podcast

In this episode of RPG Heroes, we delve into our main topic: "Cyberpunk" with the help of the passionate and energetic Rob Mulligan III from the Cyberpunk Uncensored podcast. We talk about what makes Cyberpunk an excellent RPG genre, the changes the R Talsorian game has gone through, how to deal with some of the trickier situations that can come up in the Dark Future and of course who Rob's RPG heroes are. If you are reading these show notes in a podcast player, please go to rpgheroes.buzzsprout.com for all the links etcetera.Useful links Cyberpunk Uncensored: https://www.cyberpunkuncensored.com/ Romero's A to Zombie: https://www.amazon.nl/dp/0692838635 Cyberpunk RED on DriveThruRPG: https://www.drivethrurpg.com/product/279014?affiliate_id=747707R Talsorian: https://rtalsoriangames.com/Datafortress2020: https://datafortress2020.com/ Cyberpunk genre info: https://en.wikipedia.org/wiki/CyberpunkInterface Zero: https://gunmetalgames.net/interface-zero/Altered State: https://www.drivethrurpg.com/product/304415?affiliate_id=747707Hack the Planet: https://www.drivethrurpg.com/product/268457?affiliate_id=747707There are still tickets available to some excellent games at Albacon! Get your game face on and support a worthy charity in the process: https://albacon.co.uk/rpg-schedule/Want to support the show? Please visit my Patreon page: https://www.patreon.com/rpgheroes Want to support the show at no additional cost to you while buying RPG products on DriveThruRPG? https://www.drivethrurpg.com/browse.php?affiliate_id=747707Intro and outro music used with permission from the artist: "To Storm the Cyclopean Gates of Byzantium" by Bal-Sagoth. Check them out, EPIC band! http://www.bal-sagoth.com/ Thanks for listening, and STAY HEROIC!Support the show (https://www.patreon.com/rpgheroes)

Au sommaire de cette spéciale sorties vidéos : -Les dernières sorties RIMINI avec LE SILLAGE DE LA VIOLENCE de Robert Mulligan, NIGHTFALL de Jacques Tourneur, LA BATAILLE POUR ANZIO d'Edward Dmytrick, LE CHAMPION de Mark Robson et LES MUTINES DU TEMERAIRE de Lewis Gilbert ;-Quelques films édités par SPECTRUM FILMS avec DEVIL HUNTERS de Tony Liu et FULL ALERT de Ringo Lam. Bonne écoute à toutes et à tous.

Faire des enfants a son utilité. Perpétuer la race humaine, par exemple (encore que…). Mais surtout, ça permet d'avoir des films d'enfants méchants, délicieux sous-genre qui inverse les codes et transforme d'adorables bambins en machines à tuer. À l'occasion de la (res)sortie en salles et en Blu-ray du chef d'œuvre Les Révoltés de l'an 2000, le PIFFFcast vous propose une sélection de films qui alimenteront joyeusement votre pédophobie ! Avec Véronique Davidson, Xavier Colon, Talal Selhami, Laurent Duroche et Cyril Despontin. Réalisation : Xavier Colon Musique du générique : Donuts' slap par Laurent Duroche ► Flux RSS pour Android : bit.ly/2FrUwHo ► En écoute aussi sur Itunes : apple.co/2Enma9n ► Sur Deezer : www.deezer.com/fr/show/56007 ► Sur Spotify : open.spotify.com/show/4n3gUOfPZhyxL5iKdZIjHA ► Sur Youtube : https://youtu.be/LMLHtxQ0Vy8 ► La liste des films abordés dans les précédentes émissions : bit.ly/PIFFFcast-List ► Venir discuter avec nous du PIFFFcast : bit.ly/ForumPIFFFcast REFERENCES L'oeil du PIFFF : - German Angst de Michal Kosakowski, Andreas Marschall, Jörg Buttgereit (2015) - The Profan exhibit (2013) - Zero Killed de Michal Kosakowski (2012) - Gretel & Hansel de Oz Perkins (2020) - Pluie Noire de Shōhei Imamura (1989) - Palm Springs de Max Barbakow (2020) - Irréversible inversion intégrale de Gaspar Noé (2002) - Lux Aeterna de Gaspar Noé (2019) - Le fils de Saul de László Nemes (2015) Le dossier : - L'autre de Robert Mulligan (1972) - Du Silence et des ombres (To kill a mockingbird) de Robert Mulligan (1962) - L'enfant miroir de Philip Ridley (1990) - Les révoltés de l'an 2000 de Narciso Ibanez Serrador (1976) - La résidence de Narciso Ibanez Serrador (1969) https://soundcloud.com/pifffcast/pifffcast-57-romero-undead - Come out and play de Makinov (2012) - La faute de Narciso Ibanez Serrador (2006) - Don't grow up de Thierry Poiraud (2015) - La Malédiction de Richard Donner (1976) - Damien, La Malédiction 2 de Don Taylor, Mike Hodges (1978) - La Malédiction finale de Graham Baker (1981) - La Malédiction de John Moore (2006) - De bons présages de Neil Gaiman, Terry Pratchett (roman - 1990) - La sentinelle des maudits de Michael Winner (1977) - Joshua de George Ratliff (2007) - Le bon fils de Joseph Ruben (1993) - Esther de Jaume Collet-Serra (2009) - Birth de Jonathan Glazer (2004) - Photo Obsession de Mark Romanek (2002) - Goodnight Mommy de Veronika Franz et Severin Fiala (2014) - The Lodge de Veronika Franz et Severin Fiala (2019) https://soundcloud.com/pifffcast/pifffcast-72-bad-robots Les recos en vrac : - Programmation des Hallucinations Collectives à Lyon : http://www.hallucinations-collectives.com/ - Lesson of the evil de Takashi Miike (2012) - I am a hero de Shinske Sato (2015) https://soundcloud.com/pifffcast/pifffcast-64-nos-meilleurs-inedits-volume-2 - Mr. Bungle "Raping your mind" https://www.youtube.com/watch?v=3U5ZKKxqUzY - Pour Sama de Waad Al-Kateab, Edward Watts (2019) - CERNO l'anti enquête (podcast) https://play.acast.com/s/cerno - First Reformed / Sur le chemin de la redemption de Paul Schrader (2017) - Mishima de Paul Schrader (1985)

Bom dia, boa tarde e boa noite. Tudo bem com vocês? Comentamos a adaptação cinematográfica de "O Sol é Para Todos" (1962), filme ganhador de dois Oscars e dirigido por Robert Mulligan. Quer falar o que achou do nosso podcast? Mande uma mensagem pra gente! clvladimirnabokov@gmail.com

Bülbülü Öldürmek, bir büyüme öyküsü eşliğinde önyargılar, ırkçılık, eşitsizlik, sınıf farklılıkları, cesaret gibi konuları düşünmemizi sağlayan bir klasik. Harper Lee, bu eseri edebiyat dünyasına 1960 yılında kazandırdı. Roman, gördüğü ilgi üzerine iki yıl sonra Robert Mulligan tarafından sinemaya uyarlandı. Bu podcast kaydında hem roman hem de film üzerinden kısa bir inceleme yapılıyor.

Michel Legrand estudió música en el Conservatorio de París graduándose con las máximas notas como compositor y pianista. Trabajó en Estados Unidos con gente de la talla de Miles Davis o Stan Getz. Su salto a la fama le llegó con la película de Jacques Demy “Los paraguas de Cherburgo” en el que todos los diálogos eran cantados. Aunque compuso más de 200 bandas sonoras para el cine con las que ganaría tres Oscar ,en esta playlist daremos un repaso a sus canciones para películas como “El caso Thomas Crown” (1968, Norman Jewison), “Verano del 42” (1971, Robert Mulligan), “Con los ojos cerrados” (1969, Richard Brooks), “La piscina” (1969, Jacques Deray), “Cumbres borrascosas” (1970, Robert Fuest), "El ocaso de una estrella" (1972, Sidney J. Furie), "Amigos muy íntimos (1982, Norman Jewison) o “Primavera en otoño” (1973, Clint Eastwood). En los primeros 100 minutos hemos alternado temas cantados por tres magníficas voces femeninas que trabajaron muy estrechamente con Legrand: Barbra Streisand, Melissa Errico y Kiri Te Kanawa. La segunda parte de la playlist incluye temas suyos interpretados por solistas como Sarah Vaugham, Jessye Norman, Regine Velasquez, Ray Charles, Neil Diamond, Nana Moskouri o Matt Monro, entre otros. Espero os guste. 00h 00'00" Presentación 00h 01'42" Cabecera 00h 02'18" Pieces of dreams - Barbra Streisand 00h 05'40" His eyes, her eyes - Melissa Errico 00h 11'40" I will say goodbye - Kiri Te Kanawa 00h 14'41" What are you doing the rest of your life - Barbra Streisand 00h 17'56" Dis moi - Melissa Errico 00h 20'48" Summer me, Winter me - Kiri Te Kanawa 00h 23'39" Between yesterday and tomorrow - Barbra Streisand 00h 27'08" The windmills of your mind - Melissa Errico 00h 32'09" Breezy’s song - Kiri Te Kanawa 00h 35'24" The summer knows - Barbra Streisand 00h 38'59" Maybe someone dreamed us - Melissa Errico 00h 43'08" Magic - Kiri Te Kanawa 00h 46'14" Once upon a summertime - Barbra Streisand 00h 49'41" Martina - Melissa Errico 00h 52'15" One at a time - Kiri Te Kanawa 00h 56'02" Love and learn - Barbra Streisand 00h 58'28" In another life - Melissa Errico 01h 02'07" Secret places - Kiri Te Kanawa 01h 05'32" On my way to you - Barbra Streisand 01h 09'12" I was born in love with you - Melissa Errico 01h 13'44" Comme elle est long a morir ma jeunesse - Kiri Te Kanawa 01h 15'38" Ask yourself why - Barbra Streisand 01h 19'30" You must believe in spring - Melissa Errico 01h 24'16" A rose in the snow - Kiri Te Kanawa 01h 27'34" Something new in my life - Barbra Streisand 01h 31'31" Celui-là - Melissa Errico 01h 34'16" One day - Kiri Te Kanawa 01h 37'06" After the rain - Barbra Streisand 01h 40'42" Blue, green, grey and gone - Kiri Te Kanawa 01h 44'24" If there were no dreams - Neil Diamond 01h 47'42" Never say never again - Lani Hall 01h 50'40" Nobody knows - Bill Medley 01h 53'44" A place in Paris - Matt Monro 01h 56'11" La trentaine - Michel Legrand 01h 59'40" How do you keep the music playing?- James Ingram & Patty Austin 02h 03'40" One more moment - Guy Thomas 02h 06'05" Une chanson d'amour - Sophie Della 02h 10'24" Love makes the change - Ray Charles 02h 14'43" Un peu du ciel - Réjane Perry 02h 19'48" Pretty Polly - Matt Monro 02h 22'03" Et si demain - Michel Legrand & Nana Moskouri 02h 24'43" Happy - Michael Jackson 02h 28'01" Vivre - Michel Legrand & Nana Moskouri Solo me queda recordaros que si queréis suscribiros GRATUITAMENTE al canal de Love4musicals podéis hacerlo pinchando en los siguientes enlaces de ivoox o itunes para recibir notificación cada vez que publiquemos un nuevo programa.

Michel Legrand estudió música en el Conservatorio de París graduándose con las máximas notas como compositor y pianista. Trabajó en Estados Unidos con gente de la talla de Miles Davis o Stan Getz. Su salto a la fama le llegó con la película de Jacques Demy “Los paraguas de Cherburgo” en el que todos los diálogos eran cantados. Aunque compuso más de 200 bandas sonoras para el cine con las que ganaría tres Oscar ,en esta playlist daremos un repaso a sus canciones para películas como “El caso Thomas Crown” (1968, Norman Jewison), “Verano del 42” (1971, Robert Mulligan), “Con los ojos cerrados” (1969, Richard Brooks), “La piscina” (1969, Jacques Deray), “Cumbres borrascosas” (1970, Robert Fuest), "El ocaso de una estrella" (1972, Sidney J. Furie), "Amigos muy íntimos (1982, Norman Jewison) o “Primavera en otoño” (1973, Clint Eastwood). En los primeros 100 minutos hemos alternado temas cantados por tres magníficas voces femeninas que trabajaron muy estrechamente con Legrand: Barbra Streisand, Melissa Errico y Kiri Te Kanawa. La segunda parte de la playlist incluye temas suyos interpretados por solistas como Sarah Vaugham, Jessye Norman, Regine Velasquez, Ray Charles, Neil Diamond, Nana Moskouri o Matt Monro, entre otros. Espero os guste. 00h 00'00" Presentación 00h 01'42" Cabecera 00h 02'18" Pieces of dreams - Barbra Streisand 00h 05'40" His eyes, her eyes - Melissa Errico 00h 11'40" I will say goodbye - Kiri Te Kanawa 00h 14'41" What are you doing the rest of your life - Barbra Streisand 00h 17'56" Dis moi - Melissa Errico 00h 20'48" Summer me, Winter me - Kiri Te Kanawa 00h 23'39" Between yesterday and tomorrow - Barbra Streisand 00h 27'08" The windmills of your mind - Melissa Errico 00h 32'09" Breezy’s song - Kiri Te Kanawa 00h 35'24" The summer knows - Barbra Streisand 00h 38'59" Maybe someone dreamed us - Melissa Errico 00h 43'08" Magic - Kiri Te Kanawa 00h 46'14" Once upon a summertime - Barbra Streisand 00h 49'41" Martina - Melissa Errico 00h 52'15" One at a time - Kiri Te Kanawa 00h 56'02" Love and learn - Barbra Streisand 00h 58'28" In another life - Melissa Errico 01h 02'07" Secret places - Kiri Te Kanawa 01h 05'32" On my way to you - Barbra Streisand 01h 09'12" I was born in love with you - Melissa Errico 01h 13'44" Comme elle est long a morir ma jeunesse - Kiri Te Kanawa 01h 15'38" Ask yourself why - Barbra Streisand 01h 19'30" You must believe in spring - Melissa Errico 01h 24'16" A rose in the snow - Kiri Te Kanawa 01h 27'34" Something new in my life - Barbra Streisand 01h 31'31" Celui-là - Melissa Errico 01h 34'16" One day - Kiri Te Kanawa 01h 37'06" After the rain - Barbra Streisand 01h 40'42" Blue, green, grey and gone - Kiri Te Kanawa 01h 44'24" If there were no dreams - Neil Diamond 01h 47'42" Never say never again - Lani Hall 01h 50'40" Nobody knows - Bill Medley 01h 53'44" A place in Paris - Matt Monro 01h 56'11" La trentaine - Michel Legrand 01h 59'40" How do you keep the music playing?- James Ingram & Patty Austin 02h 03'40" One more moment - Guy Thomas 02h 06'05" Une chanson d'amour - Sophie Della 02h 10'24" Love makes the change - Ray Charles 02h 14'43" Un peu du ciel - Réjane Perry 02h 19'48" Pretty Polly - Matt Monro 02h 22'03" Et si demain - Michel Legrand & Nana Moskouri 02h 24'43" Happy - Michael Jackson 02h 28'01" Vivre - Michel Legrand & Nana Moskouri Solo me queda recordaros que si queréis suscribiros GRATUITAMENTE al canal de Love4musicals podéis hacerlo pinchando en los siguientes enlaces de ivoox o itunes para recibir notificación cada vez que publiquemos un nuevo programa.

Sull'onda di quello che sta succedendo negli Stati Uniti, a DeGenerando riflettiamo sul razzismo e come sempre lo facciamo attraverso il cinema ed una serie di pellicole che ne hanno raccontato il buio e la luce, la disperazione e la speranza. Elenco dei titoli citati:Indovina chi viene a cena (Stanley Kramer, 1967)The help (Tate Taylor, 2012) Il diritto di contare (Theodore Melfi, 2016) Green Book (Peter Farrelly, 2018) La lunga strada verso casa (Richard Pierce, 1990) Il buio oltre la siepe (Robert Mulligan, 1962)Il diritto di opporsi (Destin Daniel Cretton, 2019) Invictus (Eastwood, 2009) Gran Torino (Eastwood, 2008) Hotel Rwanda (Terry George, 2004) Il coraggio della verità (The hate u give) - (George Tillman Jr. 2018)L’odio (Kassovitz, 1995)American History X (Tony Kaye, 1998)Fa’ la cosa giusta (Spike Lee, 1989) Detroit (Kathryn Bigelow, 2017) L’odio esplode a Dallas (Roger Corman, 1962)Mississippi Burning (Alan Parker, 1988) Sorry to bother you (Boots Riley, 2018)Django unchained (Tarantino, 2012)Get Out / Us (Jordan Peele, 2017-2019)

Creepy twins are everywhere in pop culture. They’re performing in American Horror Story’s Freak Show. They’re navigating a vaguely incestual relationship on Riverdale. They’re in so many Lifetime thrillers, they’re basically their own subgenre. Seeing twins in horror movies is like going into the basement or investigating a suspicious noise: it’s one of those universal rules that almost always signals something sinister. Nothing encapsulates this better than The Shining, a two-and-a-half-hour psychological endurance test that includes all the hallmarks of a good horror movie: a haunted hotel, a disturbed young boy, one man’s gradual descent into ax-wielding insanity. And yet it’s the Grady twins — on screen for less than two minutes in total — who have most deeply imprinted upon the cultural psyche. They’ve been eternally analyzed, parodied ad infinitum, trotted out each year as Halloween costumes. A Google search for them returns over 12 million results, while one for Jack Torrance, the film’s lead character, yields a little under 8 million. This is in part because a mythos has surrounded twins since essentially the dawn of time. Often assumed to share an insular closeness and an eerie similarity in both appearance and manner, they've served as a longstanding subject of fascination both in literature and society. In the late 19th century, a confluence of events cemented twins as what Karen Dillon, the author of The Spectacle of Twins in American Literature and Popular Culture, refers to as a “double freak.” It was then that P.T. Barnum began parading twins as circus freaks and Francis Galton began experimenting on them amid the early eugenics movement. They became both a public spectacle and a scientific aberration — meant to be gawked at and prodded. Horror filmmakers began representing this onscreen in the 1930s, starting with Tod Browning’s Freaks and Roy William Neill’s The Black Room. When the genre boomed in the ‘70s, so too did horror stories about twins, including Alan Gibson’s Goodbye Gemini, Robert Mulligan’s The Other, and Brian de Palma’s cult slasher Sisters, all movies in which twins are preternaturally disposed to mayhem and murder. By the time The Shining premiered in 1980, twins had become so synonymous with fear and freakishness that the Grady sisters were instinctually terrifying. Ultimately, it didn’t matter that they weren’t technically twins or may in fact be the same person: they were scary either way. It’s not just about shock value, though. Horror is most effective when it feeds into our own subliminal fears and anxieties, and twins are a psychic horror as much as they are a visual abhorrence. Identical twins are often used as moral allegories for our internal struggle between good and evil, or else portray an elevated codependence and uncanniness that subconsciously disturbs our notion of individuality. “We tend to feel confident that we are individuals with clear borders,” says Juliana de Nooy, author of Twins in Contemporary Literature and Culture. “[So] to be confronted with an image of people where there’s maybe one person in two bodies or two people in one body, it ... immediately tells us, ‘Gasp, there might be two of us. There might be some scary other me that I can’t control.’” This calls back to the notion of the shadow self or “id” championed by Carl Jung and Sigmund Freud: the idea that there is some unconscious, uncontrollable other self driving our thoughts, behaviors, and desires. Twins literalize the division between these two selves, forcing us to stare down the parts of ourselves we’d otherwise prefer not to acknowledge. Unlike its predecessors, The Shining is not explicitly about twins, and at surface level doesn’t delve into these themes deeply. That’s what made it so impactful. “[It has] to be one of the first uses of twins as nothing but an image of horror,” Dillon says. But it is a film about duality. Isolated in an expansive, empty hotel and driven further and further into the dark corners of his mind, Jack (Jack Nicholson) devolves into his most primal, violent self — or perhaps, as the final scene hints, a past self. His son Danny (Danny Lloyd), meanwhile, spends his stay at the Overlook wrestling his alter ego “Tony” before being overtaken by him entirely. “Danny’s not here, Mrs. Torrance,” he tells his mother late in the movie. “Danny can’t wake up.” The Grady twins amplify and actualize what both characters are experiencing. Though they’re initially only hinted at, the girls’ presence is felt throughout the film via highly symmetrical scenes, recurring mirror shots, and a continued color scheme that mimics the image of their pale blue dresses against the red of their own blood. As Danny peddles dizzily around the hotel’s maze of hallways, the camera dips to his level, forcing us to see things through his eyes and from a more vulnerable position. By the time he encounters the twins dead-eyed, talking in unison, and beckoning him to “come play,” the movie’s psychological paranoia is at its peak. “At that point, it’s the full horror of, what am I looking at? Is this a hallucination of some sort?” Manchester Metropolitan University horror film scholar Xavier Aldana Reyes says, likening it to the feeling of having double vision. “I think it plays into the film’s focus on, is it really there? Is it not there? Are we going mad?” All of this helped to sear the Grady sisters into collective memory. Forty years later, they remain the quintessential image of creepy twins — as much a symbol of terror as our enduring obsession.

This week, we watch the sprawling tale of what it was like to be a kid in the rural South in the 30s. This film has some of the best acting in an older film we’ve seen, and the film remains an amazingly moral tale about what it takes to stand up for a cause and defend all human rights equally. To Kill a Mockingbird (1962), directed by Robert Mulligan.

Aujourd'hui on a regardé un film cher aux cœurs de nos invités : Une certaine rencontre (Love With The Proper Stranger)de Robert Mulligan. Alice Bégon, Arnaud de Cazes et Amina Doumar en discutent par skype, confinement oblige. Abonnez-vous à Troisième Rang sur iTunes ! itunes.apple.com/fr/podcast/trois…d1367218031?l=en facebook : www.facebook.com/3emeRang Twitter : www.twitter.com/3emeRang instagram : www.instagram.com/troisiemerang3/ e-mail : 3emerang@gmail.com

Uno sguardo piuttosto ampio ai Legal Movies, a cavallo tra Dramma, Thriller e commedia.Il buio oltre la siepe (Robert Mulligan, 1962)A civil action (Steven Zaillian, 1998)… e giustizia per tutti (Norman Jewison, 1979)La giuria (Gary Fleder, 2003)Michael Clayton (Tony Gilroy, 2007)Mio cugino Vincenzo (Jonathan Lynn, 1992)Il momento di uccidere (Joel Schumacher, 1996)La parola ai giurati (Sidney Lumet, 1957)Pazza (Martin Ritt, 1987)Philadelphia (Jonathan Demme, 1993)Presunto innocente (Alan J Pakula, 1990)Il rapporto Pelikan (Alan J Pakula, 1993)Ricchi, ricchissimi… praticamente in mutande (Sergio Martino, 1982)La rivincita delle bionde (Robert Luketic, 2001)Sleepers (Barry Levinson, 1996)Il socio (Sidney Pollack, 1993)Sotto accusa (Jonathan Kaplan, 1983)Suspect (Peter Yates, 1987)Testimone d’accusa (Billy Wilder, 1957)L’uomo della pioggia (Francis Ford Coppola, 1997)Codice d’onore (Rob Reiner, 1992)Pericolosamente insieme (Ivan Reitman, 1986)Cattive acque (Todd Haynes, 2019)

Matthew and Shane discover a lost classic and are blown away by Robert Mulligan's crime thriller The Nickel Ride from 1974.Notes:Video enhanced version of this episode: https://youtu.be/bA9NLEyMO7kAdam Zanzie's authorative video essay on the making of The Nickel Ride: https://youtu.be/pbavxuk-1rYThe Nickel Ride at IMDB: https://www.imdb.com/title/tt0073451The Nickel Ride trailer: https://youtu.be/-PiNYkL4JcU 

Alexandre, Fred e Sergio se reúnem para debater um dos grandes clássicos americanos de 1962, ano que rendeu ao cinema uma quantidade considerável de filmes relevantes para a sétima arte. Desta vez o foco do podcast fica em "O Sol é Para Todos" (To Kill a Mockingbird), dirigido por Robert Mulligan e produzido por Alan J. Pakula para a Universal Studios. Baseado no romance homônimo que deu um Prêmio Pulitzer para a escritora Harper Lee, o filme sobre racismo e tolerância, considerados sob o ponto de vista de crianças crescendo numa cidade do sul dos Estados Unidos, ganhou três Oscars da Academia, entre eles o de melhor ator para Gregory Peck, no papel inesquecível de Atticus Finch. ----------------- Acesse nosso site: http://www.filmesclassicos.com.br Acesse nosso grupo: https://www.facebook.com/groups/1475312462775785/ Nos procure no seu aplicativo de podcast do celular, no Spotify, YouTube, Anchor ou iTunes.

Nueva entrega de La Gran Evasión, viajamos a un momento crucial de la vida americana, al sur profundo, a una aldea idílica donde se pondrán en entredicho los valores que rigen la sociedad. Un abogado que se enfrenta a una injusticia, un pueblo que es complice, tres niños que emprenden un viaje hacia el mundo de los adultos, un negro y unos desarrapados blancos como víctimas, un Ruiseñor que aparece en las sombras para entonar un canto de amor y libertad….. La Historia de Matar a un Ruiseñor, 1962, Robert Mulligan. La novela de Harper Lee es un texto imprescindible de lo sesenta, el libro recorre la historia mas oscura de los EE.UU, el racismo y la forma de vida aceptada en el sur. Repasa el sistema judicial americano, las injusticias sociales, el status quo reinante en la comunidad sureña, el momento de cambio de los sesenta, pero sobre todo el libro está lleno de amor por la figura del Padre, por ese Atticus Finch, que ya por y para siempre será Gregory Peck para todo los amantes del cine. El héroe cotidiano por excelencia. Mulligan capta todo los niveles de profundidad que tiene el libro y los funde en la película, apoyado en un gran guión de Horton Foote. Comienza siendo un retrato costumbrista de Maycomb, y por ende, del Sur de los EE.UU. Conocemos sus veranos, sus vecinos, como se para el tiempo para esos tres niños que empiezan a crecer y vivir aventuras. También es un cuento de terror, con la figura de Boo, esa casa lóbrega y misteriosa de la esquina, con tesoros en el hueco de un árbol. Vaya primer papel del gran Robert Duvall. Nos movemos por la comunidad negra y su vida de trabajo conviviendo con una comunidad blanca que no los considera iguales, el eje central con el juicio y la defensa de Atticus desenmascara lo que hay oculto en ese pueblo encantador. Aunque las pruebas sean irrefutables, ningún negro puede librarse de una acusación, simplemente por que lo ha denunciado una persona de piel blanca. La figura de Bob Ewel , y su hija Mayella, son la prueba del fracaso de la sociedad, basura blanca que vive al borde de la miseria y se siente superior a los negros. Extraordinaria obra maestra con escenas inolvidables, unos niños, Jem Y Scout, rememorando a la madre ausente en la habitación, mientras Atticus abraza el hueco de esa ausencia en el porche; Una turba dispuesta a linchar a un negro, que es derrotada por la inocencia de una niña; Un alegato, una suplica, pidiendo a todo un pueblo que no cometa una injusticia, mientras una fila de negros se levanta en señal de respeto…… Todo engarzado por una hermosa e intima banda sonora de Elmer Bernstein y una portentosa fotografía en blanco y negro de Russell Harlan, una de ese puñado de películas que te reconcilia con la vida. Esta noche soporífera, sudamos cine y nos ponemos los zapatos del otro, José Miguel Moreno, Raúl Gallego, Zacarías Cotán, Elio Cubiles y Gervi Navío.

Kevin brings back Gold Derby writer Tony Ruiz to talk about Robert Mulligan's drama 'To Kill a Mockingbird,' the likely runner-up in the 1962 Oscar race that lost to 'Lawrence of Arabia.'   0:00 - 1:15 - Introduction   1:15 - 38:06 - 'To Kill a Mockingbird' review   38:07 - 1:02:28 - Why 'To Kill a Mockingbird' lost Best Picture   1:02:29 - 1:24:19 - Shoulda been a contender   1:24:20 - 1:30:56 - Did 'To Kill a Mockingbird' deserve to win? Support And the Runner-Up Is on Patreon at patreon.com/andtherunnerupis! Follow Kevin Jacobsen on Twitter:   @Kevin_Jacobsen   Follow Tony Ruiz on Twitter:   @goldderbytony   Follow And the Runner-Up Is on Twitter:   @OscarRunnerUp   Theme/End Music is "The Virtue" by Jonathan Adamich

La amarga melodía de Miklós Rózsa se adivina tras la puerta de una villa a la que sólo se puede llegar en barca desde la isla de Corfú. El fantasma de una actriz que reinó en el Hollywood de los grandes fastos, se negó a envejecer, los ojos sin rostro de Franju, la máscara de Greta Garbo, una Ana Karenina desdoblada en madre e hija. Ambas se necesitan y se destruyen. A veces la naftalina no ahuyenta a las polillas. El séquito de la Condesa toma el sol mediterráneo, una lúgubre presencia en silla de ruedas y bastón regaña a una mujer con gafas oscuras, pamela y expresión desabrida. Mortuorio comienzo y cierre en un funeral, controlado por la señora de negro, y un productor en busca de la actriz que le encandiló en una playa de California mucho tiempo atrás. Tras dirigir Primera Plana, mordaz sátira sobre la prensa y sus trapos sucios, Wilder vuelve a apoyarse en el guión de su colaborador I A L Diamond y en el relato original de Tom Tryon, cuyo escrito más conocido fue El otro, llevado a la pantalla por Robert Mulligan. Un magnífico William Holden, personaje de vuelta de todo, menos del recuerdo, portavoz de Wilder y conectado al guionista de Sunset Boulevard, su contención y saber estar aportan equilibrio a una densa y sórdida historia. Mitos y tópicos de Hollywood, el envejecimiento, las cirugías, el tratamiento de un doctor al que la diva, devoradora de almas, desprecia y recluye, lo siente responsable de su drama. Todos se utilizan, secuestradores de sí mismos. La mentira del glamour da paso al cinema verité, los intelectuales barbudos que un cínico Dutch menciona no podrán nunca huir de las mitologías. Han cambiado los vientos, y los prototipos de un tiempo pasado se reúnen en el velatorio de una muerta maquillada. Curiosos y admiradores hacemos cola para contemplar durante unos instantes la lividez, la blancura de unas manos entrelazadas que en vida ocultaban la juventud con unos guantes blancos. Raúl Gallego Esta noche nos acercamos a la bella Fedora para tapar su desnudez con nenúfares... José Miguel Moreno, Raúl Gallego, Elio Cubiles y Zacarías Cotán.

Robert Mulligan incursiona puntualmente en el cine de terror para aportar una obra maestra irrepetible. El mundo de la infancia visto con otros ojos. Mulligan produce y dirige esta película de vocación clásica pero de espíritu rompedor. David G. Panadero y Santiago Alonso reivindican este clásico del cine de los setenta desde los micros de Sesión Prótesis.

Bob and Brad take on To Kill a Mockingbird, discussing whether it holds up in 2019, as well as whether director Robert Mulligan was up to the task of adapting the Great American Novel. Also, child actors. SO MANY CHILD ACTORS. Meanwhile, they sip on Tullamore Dew, the world's second-most-popular Irish whiskey. Brad loves it. Like, LOVES it. 0:00 - Intro and Initial Thoughts 29:40 - Tullamore Dew Review 37:08 - Analysis and Final Thoughts Film & Whiskey Podcast. New episodes every Monday. Theme music: "New Shoes" by Blue Wednesday Sound effects via Daniel Simion and espectral --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/filmwhiskey/message Support this podcast: https://anchor.fm/filmwhiskey/support

We celebrate Whoopi Goldberg from her days as a boundary-pushing stand-up comedian in the early ’80s to her current role as professional curmudgeon on “The View.”Discussed this week:“Whoopi Goldberg” (Ottessa Moshfegh, Garage magazine: Issue 16, Feb. 19, 2019)“Whoopi Goldberg: Direct From Broadway” (directed by Thomas Schlamme, 1985)“The Color Purple” (directed by Steven Spielberg, 1985)“Jumpin’ Jack Flash” (directed by Penny Marshall, 1986)“Burglar” (directed by Hugh Wilson, 1987)“Fatal Beauty” (directed by Tom Holland, 1987)“Clara’s Heart” (directed by Robert Mulligan, 1988)“Ghost” (directed by Jerry Zucker, 1990)Whoopi Goldberg winning the best supporting actress Oscar for her role in Ghost (1991)“Sister Act” (directed by Emile Ardolino, 1992)“The Fine Print: Danson in the Dark” (Louis Theroux, Spy magazine, February 1994)“The Associate” (directed by Donald Petrie, 1996)

Have You Watched This?! In our first ever MOVIESODE, Andrea and Megan discuss filmmaker choices and sexy Boo Radley in Robert Mulligan's 1962 version of To Kill A Mockingbird, as well as share some strongly worded thoughts on the new Broadway adaptation by Aaron Benjamin Sorkin.

"You never really understand a person until you consider things from his point of view... Until you climb inside of his skin and walk around in it." To Kill A Mockingbird (1962) directed by Robert Mulligan and starring Gregory Peck, Mary Badham, Phillip Allford and Brock Peters. Next Time: The Shop Around The Corner (1940)

Dræb ikke en sangfugl (1962) instrueret af Robert Mulligan efter en roman af Harper Lee. Den 13. film på Morten og Thomas liste over de 100 bedste film. I 1930'ernes Alabama følger vi Gregory Peck i hovedrollen som enkemanden Atticus Finch, der er forsvarsadvokat og alenefar med børnene Scout og Jem. Handlingen foregår i krydsfeltet mellem børnenes verden og en langt alvorligere virkelighed under en retsag, hvor en sort mand uskyldigt bliver dømt for at have voldtaget en hvid kvinde. Thomas og Morten tager snak om barndommens land, børneopdragelse og masse af sirup.

‘Podcast for Parents’ looks at the different resources and services available to parents and carers when their child falls ill or has an accident. The podcast is presented by Dr Laura Hill, local GP and Clinical Chair of NHS Crawley Clinical Commissioning Group (CCG), who will be talking to Veryan Nicholls, Children’s and Maternity Programme Manager for NHS Crawley CCG and NHS Horsham and Mid Sussex CCG. Both will be discussing ways in which parents and carers can arm themselves with the appropriate information in order for them to choose well and get the right care for their child, quickly. NHS Crawley CCG is part of the Central Sussex and East Surrey Commissioning Alliance (CSESCA) Podcast produced by Robert Mulligan

Movie Geeks United! home entertainment correspondent Adam Long celebrates the 60th anniversary of the classic Fear Strikes Out with the film's female lead Norma Moore. Directed by Robert Mulligan and produced by Alan Pakula, the film tells the story of Jimmy Piersall, a major league baseball sensation who suffered from mental illness. Ms. Moore discusses her working relationship with all of the principle talents associated with the film, including star Anthony Perkins, and her additional experiences in classic Hollywood.

Movie Geeks United! home entertainment correspondent Adam Long celebrates the 60th anniversary of the classic Fear Strikes Out with the film's female lead Norma Moore. Directed by Robert Mulligan and produced by Alan Pakula, the film tells the story of Jimmy Piersall, a major league baseball sensation who suffered from mental illness. Ms. Moore discusses her working relationship with all of the principle talents associated with the film, including star Anthony Perkins, and her additional experiences in classic Hollywood. Support this podcast

In today's Reel Change we explore film music's most magical palette, the Lydian mode. From the twistedly comic to the ethereally cosmic, we chart Lydian's evocative power around the world and into the 20th century of American film music. Join us for a podcast that unites Leonard Bernstein, Ravi Shankar, James Horner and more. It's a celebration of true movie magic - enjoy!Listen to Reel Change: The Lydian Mode:Raga Yaman Kalyan - Ravi Shankar - 1974Maria - Leonard Bernstein/Stephen Sondheim - West Side Story - 1957Blue in Green - Miles Davis - Kind of Blue - 1959Tonight - Leonard Bernstein/Stephen Sondheim - West Side Story - 1957Main Title - Elmer Bernstein - To Kill A Mockingbird - 1962 (Robert Mulligan, dir.)Moon River - Henry Mancini - Breakfast At Tiffany's - 1961 (Blake Edwards, dir.)The Flying Scene - John Williams - Superman - 1978 (Richard Donner, dir.)Yoda's Theme - John Williams - The Empire Strikes Back - 1980 (Irvin Kershner, dir.)Flug auf dem Glücksdrachen - Klaus Doldinger - 1984 (Wolfgang Petersen, dir.)My Name is Chance - Bruce Broughton - Homeward Bound - 1993 (Duwayne Dunham, dir.)Universal Pictures Theme - James Horner - 1990Space Dance - Thomas Newman - Wall·E  - 2008 (Andrew Stanton, dir.)Belle (reprise) - Alan Menken/Howard Ashman - 2017 (Bill Condon, dir.)For score reductions, additional links and more,the discussion continues at: www.underscorepodcast.com

Au sommaire de cette émission : un grand entretien avec le réalisateur Costa Gavras, réalisé dans le cadre de la 29ème édition du festival Premiers Plans d'Angers, à l'occasion de la sortie du coffret "Costa-Gavras : Intégrale Vol. 1 (1965 – 1983)" co-édité par KG Productions et ARTE, pour les 50 ans de carrière du cinéaste. Autre invité exceptionnel d'Antoine Sire et Antoine Jullien : Thierry Frémaux, directeur de l’Institut Lumière de Lyon, délégué général du Festival de Cannes et président de l'association Frères Lumière qui revient pour nous sur le film documentaire "Lumière ! L'Aventure Commence", sorti le 25 janvier 2017. Antoine Sire dresse quant à lui un panorama ludique et passionnant de toutes les références et clins d'oeil cinématographiques à retrouver dans l'excellent "La La Land" de Damien Chazelle. Nos deux experts des classiques du cinéma reviennent sur les ressorties de ce mois de février ("Love Streams" de John Cassavetes, "Du Silence et des Ombres" de Robert Mulligan, "Le Gouffre aux Chimères" de Billy Wilder) sans oublier les événements et rétrospectives du moment. Flashback ne pouvait enfin pas ne pas rendre hommage à l'actrice Emmanuelle Riva, décédée le 27 janvier dernier... Voir Acast.com/privacy pour les informations sur la vie privée et l'opt-out.

Just mention the title To Kill A Mockingbird, and most people will get a faraway look in their eyes and just sigh, for Harper Lee’s semi-autobiographical paean to childhood strikes a chord in the heart of those who have read the Pulitzer Prize winning novel or seen Robert Mulligan’s award-winning movie, a “studio film with indie sensibilities.” Telling people that this is a Perfect Movie is like telling them that “the sky is blue.” From the script to the casting, from cinematography to set design, from the opening credits to Elmer Bernstein’s evocative score, this is, arguably a truly perfect movie. And this week, we had extra back-up as the magnificent and magnanimous Lee Sklar joined us to add his own commentary and anecdotes. A big thank you to Lee for taking the extra time from his very busy day to discuss To Kill A Mockingbird with “The Film Guys!”

Esta semana Angel se lanza a la piscina, tenía muchas ganas de meterse ya con cine clásico o empezar al menos en nuestro podcast a dar pinceladas sobre lo que fue las grandes bases de nuestro cine actual. Hacemos un programa picadito sobre varios temas, como siempre, incluímos primero a Wilder en su entorno, unos años 60 en los que tenemos a unas generaciones tanto de actores como de directores casi irrepetible. Despues nosmetemos en harina directamente con una pequeña biografía de Wilder y de lleno a desgranar de forma rápida 'El apartamento'. Para muestra de todos los temas que tocamos dejo aquí una lista: - Easy Rider. - Grupo Salvaje. - Psicosis. - La Semilla del Diablo. - La Noche de los mueros vivientes. - John Frankenheimer, Sidney Lumet, Martin Ritt, Robert Mulligan y Arthur Penn (Generación de la televisión). - Matar a um Ruiseñor - Adivina quien viene a cenar esta noche - En el calor de la noche - El prestamista - la jauría humana - El graduado - Cowboy de media noche - Bonie and Clyde - Cine Francés: Alain Resnais (El año pasado en Marienbad, Claude Chabrol (Ofelia, 1962; La mujer infiel, 1968), Louis Malle (Fuego fatuo, 1963; ¡Viva María!, 1965), Agnès Varda (Cleo de 5 a 7, 1962) o Eric Rohmer (Mi noche con Maud, 1969). - Cine Inglés: Lindsay Anderson (El ingenuo salvaje, 1962), Tony Richardson (Mirando hacia atrás con ira, 1959; La soledad del corredor de fondo, 1962) - 2001: Odisea del espacio (1968), de Stanley Kubrick. - El hombre que mató a Liberty Valance - Días de Vino y Rosas - El milagro de Anna Sullivan - Qué fue de Baby Jane - Carrera de Wilder y ya despues EL APARTAMENTO...

You might know us as the lit tribe, but if there's one thing besides books that all Andrews love, it's a good movie. So when you combine our two passions, books and movies, you get....a lot of opinions. This time on BiblioFiles, we decided to have a little fun with some lite conversation about movie adaptations. What must a director do or not do in order to pass muster? When does a director do violence to a book? Is that possible? You'll want to grab some popcorn for this one!Referenced Works:-Pride and Prejudice by Jane Austen, directed by Simon Langton (1995), directed by Joe Wright (2005)-The Last of the Mochicans by James Fenimore Cooper, directed by Michael Mann (1992)-"Babette's Feast" by Isak Dinesen, directed by Gabriel Axel (1987)-The Little Prince by Antoine de Saint-Exupery, directed by Mark Osbourne (2015)-The Tale of Despereaux by Kate DiCamillo, directed by Sam Fell and Robert Stevenhagen (2008)-Faust by Johann Wolfgang von Goethe and Dr. Faustus by Christopher Marlowe-Noah, directed by Darren Aronofsky (2014)-Paradise Lost John Milton-The Hobbit and The Lord of the RIngs by J.R.R. Tolkien, directed by Peter Jackson (2012-2014, 2001-2003)-Little Dorrit by Charles Dickens, adapted by Andrew Davis (2008)-The Great Gatsby by F. Scott Fitzgerald, directed by Baz Luhrmann (2013)-Macbeth by William Shakespeare, directed by Justin Kurzel (2015)-Gustave Dore, The Divine Comedy illustrations-To Kill a Mockingbird by Harper Lee, directed by Robert Mulligan (1962)-Anne of Green Gables by Lucy Laud Montgomery, directed by Kevin Sullivan (1985)-The Hollow Crown, directed by Thea Sharrock (2012-2016)-Eragon by Christopher Paolini, directed by Stefan Fangmeier (2006)-Grantchester, directed by Harry Bradbeer (2014-), based on The Grantchester Mysteries by James Runcie We love hearing your questions and comments! You can contact us by emailing adam@centerforlit.com, or you can visit our website www.centerforlit.com to find even more ways to participate in the conversation.

Esta semana nos hemos sentido tan solitos que hemos decidido llamar a un nuevo invitado para que nos hablara de una de sus películas de terror favoritas. Se trata de Ángel Ripalda, con el que hablaremos de El Otro, película de 1972 dirigida por el gran Robert Mulligan. Ojo, que Ripalda también es director y nos habla de su corto "Yo no he sido". Estad atentos. ¡y a disfrutar!

Oscar-nominated actor Robert Forster joins the show to discuss his role in "London Has Fallen." The sequel to the highly successful "Olympus Has Fallen," Forster reprises his character of General Edward Clegg in this explosive tale of devastation and revenge. "London Has Fallen" hits shelves on Tuesday, June 14th. Devastation of a world capital and a revenge plan against an American president fuel the high-octane London Has Fallen, coming to Blu-ray™, DVD and On Demand on June 14, 2016 from Universal Pictures Home Entertainment. The sequel to the worldwide smash hit Olympus Has Fallen raises the stakes with non-stop action and suspenseful plot twists. The Blu-ray™ and Digital HD versions also include exclusive bonus features about the can't-miss thriller. In London Has Fallen, the stellar cast of Gerard Butler (300), Aaron Eckhart (The Dark Knight), Angela Bassett (American Horror Story), Robert Forster (Jackie Brown), Melissa Leo (The Fighter), Radha Mitchell (Pitch Black), Sean O'Bryan (Vantage Point), and Morgan Freeman (Lucy) reprises their original roles from Olympus Has Fallen, joined by Alon Moni Aboutboul (The Dark Knight Rises), Jackie Earle Haley (Watchmen), Charlotte Riley (Edge of Tomorrow), and Waleed F. Zuaiter (Homeland). Babak Najafi directs London Has Fallen.When the British Prime Minster dies unexpectedly, Secret Service Agent Mike Banning (Gerard Butler) knows it is his duty to prep with Secret Service Director Lynne Jacobs (Angela Bassett) for them to accompany U.S. President Benjamin Asher (Aaron Eckhart) to the state funeral at St Paul's Cathedral in London. With every powerful world leader set to attend, the funeral should be the most protected event on Earth. Yet within moments of arriving, heads of government are assassinated and London landmarks are attacked. Asher, Banning, and Jacobs are ambushed and retreat amidst a hail of gunfire and explosives. The devastated British capital goes into lockdown. Banning will stop at nothing to secure Asher's safe return home. Back at the White House, Vice President Allan Trumbull (Morgan Freeman) races against time brainstorming with top advisors in the Situation Room to get those trapped in London a lifeline of support and a way out. Outnumbered and outgunned, Banning reaches out for help to an English MI6 agent (Charlotte Riley) who rightly trusts no one. Failure is not an option as they attempt to stop the criminals from carrying out the final phase of their revenge plan.BONUS FEATURES:The Making of London Has Fallen – An inside look at the massive undertaking of shooting such a large-scale film in London. Featuring interviews with cast and crew, this piece shows the unique challenges encountered on-set, director Babak Najafi's process, and the cast's inspiration for their characterizations.Guns, Knives & Explosives – Delve deeper into Gerard Butler's iconic character of Mike Banning, and the extensive training and preparation the actor needed to play a Secret Service agent. ABOUT ROBERT:Robert Forster (born July 13, 1941) is an American actor, best known for his roles as John Cassellis in Haskell Wexler's Medium Cool, and as Max Cherry in Quentin Tarantino's Jackie Brown, the latter of which gained him an Academy Award nomination for Best Supporting Actor. He has recently appeared as George Clooney's father-in-law in Alexander Payne's The Descendants.Forster was born Robert Wallace Foster, Jr. in Rochester, New York, the son of Grace Dorothy (née Montanarella) and Robert Wallace Foster, Sr., who worked as an elephant trainer for the Ringling Bros. and Barnum & Bailey Circus and later as an executive for a baking supply company. His mother was Italian American and his father was of English and Irish ancestry. The two divorced in 1949. As a tribute to his father, Forster hung one of his father's Barnum & Bailey Circus posters in the office of his character "Max Cherry" in the Quentin Tarantino film Jackie Brown.Forster completed his Bachelor of Arts degree in history at the University of Rochester, where he starred in student dramatic performances such as Bye Bye Birdie and, after initially intending to go on to study law, instead decided to forego his future legal career in favor of pursuing drama. He graduated with a B.A. in history in 1964.After acclaimed supporting performances in two major Hollywood films, one as Private Williams in John Huston's Reflections in a Golden Eye (1967), another as part-Indian Army scout Nick Tana in Robert Mulligan's The Stalking Moon (1968), Forster starred in the critically acclaimed 1969 film Medium Cool. After starring roles in the TV shows Banyon (1972) and Nakia (1974), he played mostly supporting roles in action and horror films including Disney's The Black Hole (1979). Forster had lead roles in cult B-movies in the 1980s like Alligator (1980), Vigilante (1983), The Delta Force (1986), and The Banker (1989). He was nominated for an Academy Award for Best Supporting Actor in 1997 for Jackie Brown, which he credits with reviving his career. He has since had consistent work in the film industry, appearing in Like Mike; Mulholland Drive; Me, Myself, & Irene; Lucky Number Slevin and Firewall, to name a few. He recently appeared in the made for television movie The Hunt for the BTK Killer, as the detective intent on capturing serial killer Dennis Rader. Forster also played the father of Van on the short-lived Fox series Fastlane.Forster recorded a public service announcement for Deejay Ra's 'Hip-Hop Literacy' campaign, encouraging reading of books by Elmore Leonard (he starred in the movie adaption of Leonard's book Rum Punch, Jackie Brown, for which he was nominated for an Academy Award for Best Supporting Actor). Forster is also a motivational speaker.He appeared in the hit NBC show Heroes as Arthur Petrelli, the father of Nathan and Peter Petrelli.Twice divorced, Forster is a father of four children. His eldest child, Kate Forster (born 1969), has worked as an actress, also appearing in Mulholland Drive.WWW.ROBERTFORSTER.COM

Robert Mulligan presents Religion as Adaptation: The Role of Time Preference. From the 2009 ASC Panel: Sociology of Social Change.