Podcasts about Automatism

You go to bed like any other night… but by morning, someone is dead — was it a dream, or did you kill while still deep in sleep?Get the Darkness Syndicate version of #WeirdDarkness: https://weirddarkness.com/syndicateDISCLAIMER: Ads heard during the podcast that are not in my voice are placed by third party agencies outside of my control and should not imply an endorsement by Weird Darkness or myself. *** Stories and content in Weird Darkness can be disturbing for some listeners and intended for mature audiences only. Parental discretion is strongly advised.IN THIS EPISODE: At least 68 cases of sleepwalking murder have reached a courtroom, giving a jury the unenviable task of deciding whether a murder committed while asleep means criminal responsibility for the unfortunate sleepwalker. (Homicidal Sleepwalking) *** A man begins to see and experience strange things around the house as he cares for his elderly grandmother. 
(The Other Company) *** What does uncontrollable laughing, the Chupacabra, rampant crime, witch burnings, and dancing to exhaustion all have in common? They are all examples of what experts call “mass hysteria”. (Strange Stories of Mass Hysteria) *** Weirdo family member and U.S. veteran Joe Akins shares a personal experience with the paranormal and extraterrestrial! (UFO's & Demonic Shadow Figures) *** Another Weird Darkness fan, Mathew R., sent us a short story about what happened to him while visiting the Watseka Wonder House (The Watseka Wonder)CHAPTERS & TIME STAMPS (All Times Approximate and Only Accurate For the Commercial Version)…00:00:00.000 = Lead-In00:00:38.261 = Show Open00:02:29.182 = Homicidal Sleepwalking00:19:04.509 = The Other Company00:25:15.401 = Strange Stories of Mass Hysteria00:37:24.799 = UFOs and Demonic Shadow Figures00:40:32.570 = The Watseka Wonder00:44:27.202 = Show CloseSOURCES AND RESOURCES FROM THE EPISODE…“Homicidal Sleepwalking” by Fiona Guy for Crime Traveller: http://bit.ly/2nhu93j“The Other Company” by Marc Eulo Boni for Ghost Attic: http://bit.ly/2lN5UcS“Strange Stories of Mass Hysteria” by Doug MacGowan for Historic Mysteries: http://bit.ly/2lIJ8mp“UFO's & Demonic Shadow Figures” by Joe Akins for Weird Darkness“The Watseka Wonder” by Troy Taylor for American Hauntings: http://bit.ly/2nOK1dE, with a short paragraph at the end from Weirdo family member Mathew R.=====(Over time links seen above may become invalid, disappear, or have different content. I always make sure to give authors credit for the material I use whenever possible. If I somehow overlooked doing so for a story, or if a credit is incorrect, please let me know and I will rectify it in these show notes immediately. Some links included above may benefit me financially through qualifying purchases.)= = = = ="I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46= = = = =WeirdDarkness® is a registered trademark. Copyright ©2025, Weird Darkness.=====Originally aired: August 22, 2018EPISODE PAGE at WeirdDarkness.com (includes list of sources): https://weirddarkness.com/HomicidalSleepwalkingTAGS: homicidal sleepwalking, sleepwalking murder, murder while asleep, sleep disorders, sleep crime, parasomnia, automatism defense, sleepwalking trial, true crime, bizarre murders, unexplained murder cases, sleepwalking defense, sleep violence, Matthew Phelps case, Kenneth Parks sleepwalker, Jules Lowe case, sleep disorder crime, sleepwalking legal defense, true crime podcast, Weird Darkness

為能忠實呈現藝術家本人的創作觀點與方法，此次回顧展亦規劃展出手稿、筆記、畫具、訪談紀錄片，展出自1972年起的素描、水墨、油畫、複合媒材繪畫等三百餘件，透過系統性梳理其作品與筆記，回顧許雨仁五十年創作歷程。藉由「從佳里到台北，從台北到紐約....」、「雄山大水....誰知多少？」、「立在石堆裡的自畫像」、「不盡的山山水水石石」、「點，生出了斷點斷線」、「墨墨純純、色色生生」、「慢然鬆生」等七項主題，呈現其創作脈絡與個人精神。【本集精彩段落】(02:14) 舉辦本次回顧展的緣起(02:49) 展出作品數龐大，館方耗時一年多整理(03:11) 本次展覽共規劃七個主題(03:49) 藝術之於許雨仁是什麼？(04:22) 留意創作者自述(05:15) 李仲生對許雨仁的影響(07:11) 李仲生的自動性技法（Automatism）(08:43) 許雨仁：「我感覺繪畫是一種過程。」(09:48) 在漫無目的的繪畫過程中，精神狀態進入絕對純粹的境界(12:23) 紀錄影片《鄉關何處》(12:56) 年輕時曾在林務局打工(13:05) 山海的啟發及關注環境議題(14:19) 細筆、粗筆、彩筆、彩墨的四種筆法(14:43) 以一主軸拓展成系列(15:06) 同時進行多幅作品創作(16:39) 張金蓮的雕塑作品(19:19) 得知考取藝專時，開心地跳進水裡(21:17) 感覺自己彷彿在腦海中游泳一樣(21:44) 不設任何目的直覺看畫(22:20) 看畫第一眼不看繪畫技巧【展覽資訊】展覽│溺浮沉洄：許雨仁回顧展展期│2024/5/18(六)~2024/9/8(日)地點│臺北市立美術館(台北市中山區中山北路三段181號)(以下IC之音官網照片取自主持人陸潔民Facebook)

為能忠實呈現藝術家本人的創作觀點與方法，此次回顧展亦規劃展出手稿、筆記、畫具、訪談紀錄片，展出自1972年起的素描、水墨、油畫、複合媒材繪畫等三百餘件，透過系統性梳理其作品與筆記，回顧許雨仁五十年創作歷程。藉由「從佳里到台北，從台北到紐約....」、「雄山大水....誰知多少？」、「立在石堆裡的自畫像」、「不盡的山山水水石石」、「點，生出了斷點斷線」、「墨墨純純、色色生生」、「慢然鬆生」等七項主題，呈現其創作脈絡與個人精神。【本集精彩段落】(02:14) 舉辦本次回顧展的緣起(02:49) 展出作品數龐大，館方耗時一年多整理(03:11) 本次展覽共規劃七個主題(03:49) 藝術之於許雨仁是什麼？(04:22) 留意創作者自述(05:15) 李仲生對許雨仁的影響(07:11) 李仲生的自動性技法（Automatism）(08:43) 許雨仁：「我感覺繪畫是一種過程。」(09:48) 在漫無目的的繪畫過程中，精神狀態進入絕對純粹的境界(12:23) 紀錄影片《鄉關何處》(12:56) 年輕時曾在林務局打工(13:05) 山海的啟發及關注環境議題(14:19) 細筆、粗筆、彩筆、彩墨的四種筆法(14:43) 以一主軸拓展成系列(15:06) 同時進行多幅作品創作(16:39) 張金蓮的雕塑作品(19:19) 得知考取藝專時，開心地跳進水裡(21:17) 感覺自己彷彿在腦海中游泳一樣(21:44) 不設任何目的直覺看畫(22:20) 看畫第一眼不看繪畫技巧【展覽資訊】展覽│溺浮沉洄：許雨仁回顧展展期│2024/5/18(六)~2024/9/8(日)地點│臺北市立美術館(台北市中山區中山北路三段181號)(以下IC之音官網照片取自主持人陸潔民Facebook)

In this episode, Artist + Intuitive Medium Allison Pharmakis shares how she has come to find beauty and deeper connections in loss; how grief has shifted the ways she interacts with humans, at large; what led her to fully embrace and offer mediumship; and how Spirit is ever-present and ready to be of service, if we know how to invite it in. Pharmakis has possessed the unique gift of connecting with the deceased since her childhood.  She is a facilitator of healing between the living and the dead, and uses automatism (spirit guided writing and drawing) to help channel and connect the past and the present.  Although this was an intuitive ability bestowed upon her, she fine tuned her role as vehicle and vessel.  As a teenager, Pharmakis realized that utilizing the medium of automatic drawing helped her to see her visions more clearly.  She uses the medium of automatism to connect with spirits, as well as the Tarot. Her Visual Mediumship Sessions and Multi-Deck Intuitive Tarot Readings are hands-on and intimate, yet create a safe environment for beginners, and the more experienced, alike.  During each Visual Mediumship Session - which is tailored and personalized to her client - Pharmakis creates an original piece of artwork.  She not only aims to heal and inspire, but to supply her clients with the tools to integrate the experience and to strengthen themselves from within. Allison is part of a large team of Psychics, Mediums and Federal Agents (Find Me Group) who assist law enforcement task forces by helping to locate missing people internationally. You can connect with Allison on Instagram via @mediumforthemessage @apharmakis or through www.mediumforthemessage.com   You can connect with Lauren on Instagram via @lauren.samay and @mymourningroutinepodcast, on Facebook @lauren.samay.coaching or through www.laurensamay.com If you are tuning in and finding value in these episodes, please take a moment to rate and review My Mourning Routine on Apple Podcasts-- it means so much and helps make a bigger, connecting splash in the podcasting pond:  https://podcasts.apple.com/us/podcast/my-mourning-routine/id1654068541 Sign up for Lauren's newsletter here.

This ep is about some legal stuff, but seriously, Automatism is a great name for a band. Anyone able to play anything and want to join? I can play a bit of guitar and Kehoe can too but he will probably want to play a balalaika or a sitar or something equally wacky. Probably need a lead singer (1970's Debbie Harry type) and a drummer (Rick Buckler type) and then Automatism can start rehearsing. Anybody...? Hello...? Find out more at https://barely-legal-comedy-podcast.pinecast.co This podcast is powered by Pinecast.

Episode 103 Crosscurrents in Early Electronic Music: Japan Playlist Experimental Music of Japan (1968 Victor) Album produced and recorded at the NHK Electronic Studio and supervised by K. Akiyama and W. Uenami. The tracks have been slightly reordered to represent the correct chronology of the works. Toshiro Mayuzumi and Makoto Moroi, “Variations Sur” (1956) from (1968 Victor). On this album, this piece was called the first work of electronic tape music produced in Japan. Not so. I know of five earlier works (by the NHK Studio engineers, Mayuzumi, and Shibata) dating back to 1954-1956. This work is also known as “Variations on the Numerical Principle of Seven” and actually dates to 1956, unlike what the liner notes tell us. I have two of those works in the archive and will feature them in a future episode. 14:54 Toru Takemitsu, “Sky, Horse And Death (Concrete-Music)” (1958) from Experimental Music Of Japan (1968 Victor). 3:22 Joji Yuasa, “Projection Esemplastic (For White-Noise)” (1964) from Experimental Music Of Japan (1968 Victor). 7:40 Maki Ishii, “Hamon-Ripples (For Chamber Ensemble, Violin And Taped Music)” (1965) from Experimental Music Of Japan (1968 Victor). 9:53 Toshi Ichiyanagi, “Situation (For Biwa, Koto, Violin, Double Bass, Piano and Multiplier)” (1966) from Experimental Music Of Japan (1968 Victor). 6:31 Toshiro Mayuzumi, “Campanology (For Multi-Piano)” (1967) from Experimental Music Of Japan (1968 Victor). 8:01   Group Ongaku (2011 Seer Sound Archive) Remastered at Inoue Onkyo Kikaku by Kazuya Sakagami, Yukio Fujimoto. Group Ongaku, “Automatism” (1960) from Music of Group Ongaku (2011 Seer Sound Archive). Japanese pressing, includes English language insert, edition of 300. Recorded on May 8, 1960 at Mizuno's house. This is the recording of a live performance for which the players used a piano, a pedal organ, a cello, alto saxophone and various everyday objects such as a vacuum cleaner, radio, an oil drum, dolls, and a set of dishes. The music was spontaneously created and recorded in real-time. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 26:20 Group Ongaku, “Object” (1960) from Music of Group Ongaku (2011 Seer Sound Archive). Japanese pressing, includes English language insert, edition of 300. Recorded on May 8, 1960 at Mizuno's house. Performers were Chieko Shiomi, Mikio Tojima, Shukou Mizuno, Takehisa Kosugi, Yasunao Tone, and Yumiko Tanno. 7:34 Group Ongaku, “Metaplasm 9-15” Parts 1 and 2 (1961) from Music of Group Ongaku (2011 Seer Sound Archive). Japanese pressing, includes English language insert, edition of 300. Recorded on September 15, 1961, at Sogetsu Kaikan Hall, Tokyo. Performers: Cello, Mikio Tojima; Cello, Drums, Tape, Shukou Mizuno; Guitar, Genichi Tsuge; Piano, Chieko Shiomi; Saxophone, Tape, Yasunao Tone; Violin, Saxophone, Tape, Takehisa Kosugi. Part 1, 14:16; Part 2, 11:26. Opening background music, Makoto Moroi, “Shōsanke” for electronic sounds and Japanese traditional instruments (1968) from Experimental Music Of Japan '69 (no. 2) (1969 Victor). Issued also as part of the Prospective 21e siècle series, both Electronic Panorama: Paris, Tokyo, Utrecht, Warszawa Box-Set and self-contained Japanese Electronic Music LP. 13:20. Opening and closing sequences voiced by Anne Benkovitz. Additional opening, closing, and other incidental music by Thom Holmes. See my companion blog that I write for the Bob Moog Foundation. For additional notes, please see my blog, Noise and Notations.

The Lord warns against covenantal automatismTime:MorningMinister:Candidate F. EmadjeuTexts:Luke 13:22–30

Sleep. The Australian Model Criminal Code Committee states the law as follows: At the minimum there needs to be some operation of the will before a physical movement is described as an act. The physical movements of a person who is asleep, for example, probably should not be regarded as acts at all, and certainly should not be regarded as acts for the purposes of criminal responsibility. These propositions are embodied in the rule that people are not held responsible for involuntary 'acts', that is, physical movements which occur without there being any will to perform that act. This situation is usually referred to as automatism. In the U.S., People v Huey Newton (1970) holds that unconsciousness, when not self-induced (say, as by voluntary intoxication), is a complete defense to a criminal act even though the defendant's acts seem very goal-oriented. The medical evidence was that " gunshot wound which penetrates in a body cavity, the abdominal cavity or the thoracic cavity is very likely to produce a profound reflex shock reaction, that is quite different from a gunshot wound which penetrates only skin and muscle and it is not at all uncommon for a person shot in the abdomen to lose consciousness and go into this reflex shock condition for short periods of time up to half an hour or so." But the reflexive activity or unconsciousness need not cause physical collapse: it can exist where the subject physically acts in fact, but is not at the time conscious of acting (cf some European continental jurisdictions classify conduct resulting from automatism under the rubric of unconsciousness). In R v Cogdon (1950), unreported but noted in Morris, Somnambulistic Homicide: Ghosts, Spiders and North Koreans (1951), the defendant struck her daughter on the head with an ax while sleepwalking and dreaming about North Koreans. Her movements were not voluntary, so she was acquitted. This interpretation of automatism is consistent with Lord Denning's dicta in Bratty v Attorney-General for Northern Ireland (1963): No act is punishable if it is done involuntarily: and an involuntary act in this context – some people nowadays prefer to speak of it as 'automatism' – means an act which is done by the muscles without any control by the mind, such as a spasm, a reflex action or a convulsion; or an act done by a person who is not conscious of what he is doing, such as an act done whilst suffering from a concussion or whilst sleepwalking. Situations involving hypnotism, concussion, and sleepwalking may involve apparently deliberate and purposeful conduct. In fact this is the case for many situations where the defense of automatism is presented – spasms or reflex actions are rarely likely to be perceived as criminally liable acts. As for sleepwalking itself, the Canadian case of R v Parks exemplifies a certain judicial willingness to regard a sleepwalker as behaving as an automaton even though he had performed apparently goal-directed acts. The accused fell asleep in his living room. A few hours later he got up and drove 23 kilometers to his in-laws' home. Still asleep, he entered the house, found a knife in the kitchen and went to the bedroom where his in-laws were sleeping. He strangled and cut his father in-law, who survived the attack. The mother in-law died from the repeated stab wounds and the brutal beating. The medical experts at trial unanimously agreed that the accused was sleepwalking and that sleepwalking was not a "disease of mind". The Supreme Court agreed and held that sleepwalking can negate the voluntary ingredient of the actus reus. There is widespread disagreement among forensic sleep experts that Kenneth Parks was in fact sleepwalking – it is not entirely clear the reason why the prosecution did not call its own experts on sleepwalking, one explanation being frank disbelief that the defense could succeed. --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

In criminal law, automatism is a rarely used criminal defense. It is one of the mental condition defenses that relate to the mental state of the defendant. Automatism can be seen variously as lack of voluntariness, lack of culpability (unconsciousness) or excuse. Automatism means that the defendant was not aware of his or her actions when making the particular movements that constituted the illegal act. For example, Esther Griggs in 1858 threw her child out of a first floor window believing that the house was on fire, while having a sleep terror. In 2002, Peter Buck, lead guitarist of the band R E M, was cleared of several charges, including assault, which resulted from automatism brought on by a bad interaction between alcohol and sleeping pills. In a 2009 case in Aberporth in west Wales, Brian Thomas strangled his wife in their camper van, also during a sleep terror, when he mistook his wife for an intruder. The defense of automatism is denying that the person was acting in the sense that the criminal law demands. As such it is really a denial-of-proof – the defendant is asserting that the offense is not made out. The prosecution does not have to disprove the defense as is sometimes erroneously reported; the prosecution has to prove all the elements of the offense including the voluntary act requirement. Automatism is a defense even against strict liability crimes like dangerous driving, where no intent is necessary. There are several limitations to the defense of automatism in English law. Prior fault generally excludes automatism. Intoxication generally excludes automatism, even when involuntary. Any defense that rests on insanity comes under the M'Naghten rules. Under English law internal causes of automatism are generally judged to be insane automatism and so result in the special verdict (not guilty by reason of insanity) rather than simple acquittal. Scope. Automatism is arguably the only defense that excludes responsibility by negating the existence of the actus reus which uniquely allows it to be a defense to both conventional and strict liability offenses (although this argument could be extended to the status defense of insanity, too). Strict automatism is a denial of actus reus and therefore most commonly used as a defense against strict liability offenses. There are a number of reasons why a person may go into a state of automatism, including dissociation or hypo or hyperglycemia. Unconsciousness is the defense of denial of mens rea, which is easier to prove and hence more commonly used for non-strict liability crimes. For example, in cases of homicidal sleepwalking the illegal act is typically not denied but the intent to kill is. The defendant will typically be perplexed and confused and will not cover up the episode. Kenneth Parks, after killing his mother-in-law and severely injuring his father-in-law, drove to the police station stating that he thought he had killed some people. The person's movements seem purposeful - the sleepwalker interacts with their environment in a limited way. Nonetheless the sleepwalker is not conscious of their actions. The use of the term "automatism" for these situations causes some confusion, as in these cases it is really the lack of intent on the part of the defendant which denies the mens rea of the offense rather than the actus reus (although this distinction is problematic in many instances), better called "unconsciousness". Intention is a problem in crimes of strict liability. Very few people intend to crash their vehicles, so clearly something better than intent is required to define automatism. --- Send in a voice message: https://podcasters.spotify.com/pod/show/law-school/message Support this podcast: https://podcasters.spotify.com/pod/show/law-school/support

Theme: The Lord warns us against covenantal automatismTime:MorningMinister:Seminarian Faustin EmadjeuTexts:Luke 13:22–30Matthew 3:1–10Philippians 2:12–13

This week on Legally Speaking with Michael Mulligan:Criminal offences require two things, often described with Latin names: actus reus and mens rea. Actus reus is an intentional physical act. Mens rea is a guilty mind. We don't wish to convict people for physical acts that were not intentional: crashing your car when you have a heart attack or tripping and falling into someone else would not be criminal offences, even if someone else was injured. We also don't want to convict people who don't intend to do something wrong. If, for example,  a checkout clerk at a store fails to scan something in your grocery cart properly and you walk out of the store without having paid for the item, it would not constitute theft. Being drunk will not ordinarily provide a defence to a criminal offence. When, however, someone is so impaired by alcohol or drugs that they are no longer capable of voluntary actions, it can amount to automatism. Such a state could result in involuntary movements like those that might result from sleepwalking or someone having a seizure. The Supreme Court of Canada recently considered a case in which a young man consumed alcohol and psilocybin mushrooms which, according to expert evidence that a trial judge accepted, caused hallucinations and ultimately for him to lose voluntary control over his actions. In this state, the man broke into a house and hit a random woman with a broom, injuring her.The Supreme Court of Canada found section 33.1 of the Criminal Code, which permitted convictions even where there was no actus reus, or mens rea, because of voluntary intoxication, to be unconstitutional. The Supreme Court of Canada pointed out that section 33.1 made no distinction between legal and illegal drugs. Someone who had an adverse reaction to an anesthetic and, while incapacitated, involuntarily hit someone could have been convicted of assault because of section 33.1. The court pointed out that it would be constitutionally permissible to create an offence of criminal intoxication, which would be focused on intentionally getting into a state of extreme impairment and then causing harm, rather than attempting to convict people for physical acts they had no control over. Also, on the show, in a companion decision to the one referred to above, the SCC clarified the concept of Horizontal stare decisis. The court system is organized as a hierarchy. There is a Provincial Court, a Superior Court, and a Court of Appeal in each province. The Supreme Court of Canada then hears appeals from all the Courts of Appeal. Lower courts are required to follow the decisions of higher courts in the same province. The Supreme Court of Canada pointed out that judges are also required to follow the decisions of other judges from the same level of court in their province: Horizontal stare decisis.This requirement promotes consistent, predictable decision-making. A judge is only permitted to depart from a legal finding of a previous judge of the same court in the circumstances set out in a BC case dating from 1954: Re Hansard Spruce Mills. Finally, on the show, the BC Court of Appeal, in a 2 – 1 split decision, has found some impugned provisions of the ICBC no-fault scheme to be constitutionally permissible. The provisions prevent injured people from suing in Supreme Court.The issues in the case involved the jurisdiction of the BC Supreme Court judges and the lack of independence of the Civil Resolution Tribunal, which has been permitted to make decisions concerning disputes with ICBC, even though it's not independent of government. Follow this link for a transcript of the show and links to the cases discussed. 

Today's ID the Future concludes a three-part series featuring author Neil Thomas in a free-ranging conversation with radio show host Hank Hanegraaff. The focus is Thomas's recent book, Taking Leave of Darwin: A Longtime Agnostic Discovers the Case for Design. Here Thomas and Hanegraaff discuss the logical positivists and what Thomas sees as their failure to consistently apply their evidential standards to Darwinism. Thomas also contrasts the cosmic nihilism of Richard Dawkins with the mounting evidence of fine tuning for life, and calls out what Thomas describes as the magical thinking at the heart of Darwinism. Hanegraaff and Thomas also explore how Darwin's theory of evolution has roots in an ancient philosophical system that was long regarded as resting on Read More › Source

In Part 2, we move the conversation to discuss some points brought up in few academic articles, such as how rituals create a liminal space for connection with the invisible realm; the importance of exhibitions for providing spaces of encounter; the importance of religion or spirituality in the art space; what automatism is; and how art can respond to, or cope with, radical changes in the world.PROGRAM NOTESPádraic E. Moore - Website: Padraic MooreAcademia.edu page: Pádraic E. Moore | UCD Ireland - Academia.eduArticle "A Mystic Milieu: Johannes Itten and Mazdaznan at Bauhaus Weimar": A Mystic Milieu - Articles – bauhaus imaginista (bauhaus-imaginista.org)Twitter: Páḋraic E. Moore (@M0REM00REM0RE) / TwitterEwoud van Rijn -Website: ewoud van rijnAcademia.edu page: Ewoud van Rijn | KABK Royal Academy of Art The Hague - Academia.eduArticle "Playing with the Other in the Beyond": (PDF) Playing with the Other in the Beyond | Ewoud van Rijn - Academia.eduInstagram: Ewoud van Rijn (@ewoudvanrijn) • Instagram-foto's en -video'sGarage Rotterdam, The Netherlands; "The Great Invocation" Exhibition: Catalogue | The Great Invocation (garagerotterdam.nl)Kurt Seligmann -The Mirror of Magic (innertraditions.com)Kurt Seligmann 1900-1962 : Leben und Werk. by Hauser, Stephan E.: Very Good Hardcover (1997) First edition. | Roe and Moore (abebooks.com)Paintings of Kurt Seligmann (surrealism.website)Essays by Grazina Subelyte in collected works - "Kurt Seligmann, Surrealism, and the Occult" in- EBOOK: Surrealism Occultism And Politics Book PDF EPUB TUEBL MOBI (findfullebook.com)"Spectrality and the Dance of Death in the Art of Kurt Seligmann" in - Black Mirror 2 – elsewhere – Fulgur PressInfo Grazina Subelyte: Grazina Subelyte - The CourtauldSelected Articles and Books"The Other Side" by Lars Bang Larsen: The Other Side by Lars Bang Larsen — fine print (fineprintmagazine.com)"Coming Forth by Night: Contemporary Art and the Occult" by Dr. Marco Pasi: (PDF) Coming Forth by Night. Contemporary art and the occult | Marco Pasi - Academia.eduSuzi Gablik -The Reenchantment of Art: Gablik, Suzi: 9780500276891: Amazon.com: BooksHas Modernism Failed?: Suzi Gablik: 9780500284841: Amazon.com: Books Artists Mentioned in the Podcast -Redfern Barrett, AA Bronson and Angus Cameron - Witches: Hunted, Appropriated, Empowered, Queered [Second Edition] - Printed MatterLes Complices - Witches: hunted, appropriated, empowered, queeredLinda Stupartchiara fumaiOther Reference Material -The Rosicrucian Enlightenment (archive.org)The Theosophical Enlightenment (S U N Y Series in Western Esoteric Traditions): Godwin, Joscelyn: 9780791421529: Amazon.com: BooksTheme Music: Daniel P. SheaOther Music: Stephanie Shea 

In Part 1, Pádraic and Ewoud both talk about their backgrounds and their own interests in the esoteric/occult, and then we move on to talk more about the inspiration for 'The Great Invocation' (Garage Rotterdam), plus Ewoud's inspiration for his own installation there. We talk more about the Theosophical Society as a movement and how it relates to contemporary art; we talk about Kurt Seligmann and the surrealists' viewpoints on art, magic, and the potential of the human mind; and Ewoud discusses an experience he had in the search for a new form of art practice. PROGRAM NOTESPádraic E. Moore - Website: Padraic MooreAcademia.edu page: Pádraic E. Moore | UCD Ireland - Academia.eduArticle "A Mystic Milieu: Johannes Itten and Mazdaznan at Bauhaus Weimar": A Mystic Milieu - Articles – bauhaus imaginista (bauhaus-imaginista.org)Twitter: Páḋraic E. Moore (@M0REM00REM0RE) / TwitterEwoud van Rijn -Website: ewoud van rijnAcademia.edu page: Ewoud van Rijn | KABK Royal Academy of Art The Hague - Academia.eduArticle "Playing with the Other in the Beyond": (PDF) Playing with the Other in the Beyond | Ewoud van Rijn - Academia.eduInstagram: Ewoud van Rijn (@ewoudvanrijn) • Instagram-foto's en -video'sGarage Rotterdam, The Netherlands; "The Great Invocation" Exhibition: Catalogue | The Great Invocation (garagerotterdam.nl)Kurt Seligmann -The Mirror of Magic (innertraditions.com)Kurt Seligmann 1900-1962 : Leben und Werk. by Hauser, Stephan E.: Very Good Hardcover (1997) First edition. | Roe and Moore (abebooks.com)Paintings of Kurt Seligmann (surrealism.website)Essays by Grazina Subelyte in collected works - "Kurt Seligmann, Surrealism, and the Occult" in- EBOOK: Surrealism Occultism And Politics Book PDF EPUB TUEBL MOBI (findfullebook.com)"Spectrality and the Dance of Death in the Art of Kurt Seligmann" in - Black Mirror 2 – elsewhere – Fulgur PressInfo Grazina Subelyte: Grazina Subelyte - The CourtauldSelected Articles and Books"The Other Side" by Lars Bang Larsen: The Other Side by Lars Bang Larsen — fine print (fineprintmagazine.com)"Coming Forth by Night: Contemporary Art and the Occult" by Dr. Marco Pasi: (PDF) Coming Forth by Night. Contemporary art and the occult | Marco Pasi - Academia.eduSuzi Gablik -The Reenchantment of Art: Gablik, Suzi: 9780500276891: Amazon.com: BooksHas Modernism Failed?: Suzi Gablik: 9780500284841: Amazon.com: Books Artists Mentioned in the Podcast -Redfern Barrett, AA Bronson and Angus Cameron - Witches: Hunted, Appropriated, Empowered, Queered [Second Edition] - Printed MatterLes Complices - Witches: hunted, appropriated, empowered, queeredLinda Stupartchiara fumaiOther Reference Material -The Rosicrucian Enlightenment (archive.org)The Theosophical Enlightenment (S U N Y Series in Western Esoteric Traditions): Godwin, Joscelyn: 9780791421529: Amazon.com: BooksTheme Music: Daniel P. SheaOther Music: Stephanie Shea 

Brief contemplation on the automatism inherent to mental personas and characters, viewed in relation to the ego and the Essence beyond them. Related contemplations: Shame and pride - https://youtu.be/5iokcwq9Iiw The middle - https://youtu.be/vD8GMsyQk2A Guilt and victimhood - https://youtu.be/jVOISEku8Rc Victim and guilthood - https://youtu.be/tlW44xq20Kk Identification and Expectation - https://youtu.be/LgpEF26yYdQ Miracles - https://youtu.be/YbUcjPA5tp0 --- Send in a voice message: https://anchor.fm/armunnrigh/message

Automatism is a rarely used criminal defense. It is one of the mental condition defenses that relate to the mental state of the defendant. Automatism can be seen variously as lack of voluntariness, lack of culpability (unconsciousness) or excuse (Schopp). Automatism means that the defendant was not aware of his or her actions when making the particular movements that constituted the illegal act. For example, Esther Griggs in 1858 threw her child out of a first floor window believing that the house was on fire, while having a sleep terror. In 2002, Peter Buck, lead guitarist of the band R E M, was cleared of several charges, including assault, which resulted from automatism brought on by a bad interaction between alcohol and sleeping pills. In a 2009 case in Aberporth in west Wales, Brian Thomas strangled his wife in their camper van, also during a sleep terror, when he mistook his wife for an intruder. The defense of automatism is denying that the person was acting in the sense that the criminal law demands. As such it is really a denial-of-proof – the defendant is asserting that the offence is not made out. The prosecution does not have to disprove the defense as is sometimes erroneously reported; the prosecution must prove all the elements of the offence including the voluntary act requirement. Automatism is a defense even against strict liability crimes like dangerous driving, where no intent is necessary. There are several limitations to the defense of automatism in English law. Prior fault generally excludes automatism. Intoxication generally excludes automatism, even when involuntary. Any defense that rests on insanity comes under the M'Naghten rules. Under English law internal causes of automatism are generally judged to be insane automatism and so result in the special verdict ('not guilty by reason of insanity') rather than simple acquittal. --- Send in a voice message: https://anchor.fm/law-school/message Support this podcast: https://anchor.fm/law-school/support

In 2013, 44 year-old former drug addict David Sullivan attacked and repeatedly stabbed his elderly mother. In 2015, 19 year-old former high school rugby star Thomas Chan brutally murdered his own father. Both suffered severe psychotic breaks that led to their violent actions, but due to a quirk in Canadian law, both were convicted and sentenced to five years in prison. The successful appeal of these cases was reported as the court legalizing intoxication as a defense for sexual assault, resulting in a massive public backlash largely unrelated to the ultimate fates of two innocent men. Maclean's Article: https://www.macleans.ca/longforms/thomas-chan-supreme-court/ Legal Analysis from the Saskatchewan Review: https://sasklawreview.ca/the-constitutionality-of-section-33.1-a-never-ending-story.php

On this episode, Brian teaches Emma about parasomnia and how terrifying it really is. Sleep is scary. Want to get in touch with us? For work related inquires and suggestions for the show: murdermirthmonsters@gmail.com Twitter: @MirthAndMurder Sources for this episode: https://www.webmd.com/sleep-disorders/sleep-paralysis https://en.wikipedia.org/wiki/Homicidal_sleepwalking https://en.wikipedia.org/wiki/Albert_Tirrell https://en.wikipedia.org/wiki/Automatism_(law) https://www.healthline.com/health/parasomnia#causes

Ships Fly Up – Keep your freedom PG.Lost – E22 CNJR – The destroyers Shy, Low – Dialects Astralia – So far so near Automatism – Monochroe torpedo I Hear …

This week on Prog-Watch it's another variety program full of mostly new material! (Hey, at least we got a lot of good music this year!) I've got great stuff from Circuline, Automatism, The Mighty Handful, Keith and the Tiger Moth, Bob Beland, Whiteside's Daughter, Okyr, Taskaha, Michele Conta, Grus Paridae, and Watertank! I hope you will join me!

On June 3rd 2020, the Ontario Court of Appeal found that Section 33.1 of the Criminal Code of Canada (Self-induced intoxication) infringed on the Charter rights of the accused, causing an uproar about the potential use for said defense in cases of sexual assault and rape. On the heels of this decision, Mike and Adam discuss some recent (and not-so-recent) changes to laws pertaining to alcohol in Canada, in a follow up to Episode 51, "Quirky Laws in Canada". Subscribe to listen to all of our episodes! Apple Podcasts - https://podcasts.apple.com/ca/podcast/poutine-politics/id1468816897 Spotify - https://open.spotify.com/show/77wDAUeqUdHpJwAWLMdMOC Google Play - https://play.google.com/music/listen?u=0#/ps/Inalkep3ipxrgbhsoia3jyhgm3a YouTube - https://www.youtube.com/channel/UC1TRUHywSyYytmVpsa_l2yQ Become a Patron and gain access to our UNCUT and bonus episodes! https://www.patreon.com/poutinepolitics

Evolution In Two Worlds By Andre Luiz - Chapter 4 - Automatism And Spiritual Body by Kardec Radio

Dacă te învârți în cerc, încetează. Oprește-te. Respiră puțin. Trage-ți sufletul. A sosit momentul să re-evaluezi situația sau situațiile. Ce poate că nu realizezi este că cercul acesta "vicios" este creat de propria minte. E creat de propria ta interpretare pe care o dai evenimentelor. Și nu este creat de situațiile și persoanele care aparent te țin blocat. Ce ține cercul sau tiparul mental în viață? Ce-i dă putere? Cum îl întrerupem. La toate aceste întrebări răspundem în episodul intitulat "Întrerupe Tiparul".

Hi SOTAns! Wow, we are so excited to bring you this episode! It is overflowing with arty goodness. First, we have a bitter-sweet story on local artist Aldo Moroni, who called upon help from the local arts community to help finish his last project. Next, we present to you The Most Open Museum, aka. The Chazen Museum of Art at the University of Wisconsin in Madison! This museum has changed its hours to be open 12 hours a day, 7 days a week. How does this benefit the community? What possible challenges does it pose for the museum? Listen in to join our discussion! Finally, we get a three-person conversation with Donny Gettinger, Teréz Iacovino, and Sarah on the exhibition The Anti-Automatism Laboratory at the Truckstop Gallery in Minneapolis! We love you, SOTAland! References: Aldo Moroni's Website "After cancer diagnosis, Aldo Moroni asks for help finishing his final project" -CityPages "12 Hours a Day, 7 Days a Week: Wisconsin Art Museum Aims to Become ‘Most Open' in America" - ArtNews The Anti-Automatism Laboratory by Donny Gettinger at Truckstop Gallery Donny Gettinger's Website Teréz Iacovino's Website --- This episode is sponsored by · Anchor: The easiest way to make a podcast. https://anchor.fm/app --- Send in a voice message: https://anchor.fm/sota/message Support this podcast: https://anchor.fm/sota/support

Tired of commercials interrupting your listening experience? For just $5 per month you can listen to all past, present, and future #WeirdDarkness episodes commercial-free – plus BONUS AUDIO and news about the podcast! Learn more at http://www.WeirdDarkness.com/WEIRDO.Feel depressed or hopeless? Visit http://www.iFred.org. Suicide thoughts? Call anytime (800)273-8255.IN THIS EPISODE: A man begins to see and experience strange things around the house as he cares for his elderly grandmother. 
(The Other Company) *** What does uncontrollable laughing, the Chupacabra, rampant crime, witch burnings, and dancing to exhaustion all have in common? They are all examples of what experts call “mass hysteria”. (Strange Stories of Mass Hysteria) *** Weirdo family member and U.S. veteran Joe Akins shares a personal experience with the paranormal and extraterrestrial! (UFO's & Demonic Shadow Figures) *** Another Weird Darkness fan, Mathew R., sent us a short story about what happened to him while visiting the Watseka Wonder House (The Watseka Wonder) *** At least 68 cases of sleepwalking murder have reached a courtroom, giving a jury the unenviable task of deciding whether a murder committed while asleep means criminal responsibility for the unfortunate sleepwalker. (Homicidal Sleepwalking)MENTIONED LINKS...“Let Us In” (black eyed children) episode: http://weirddarkness.com/archives/4428 STORY AND MUSIC CREDITS/SOURCES…“Homicidal Sleepwalking” by Fiona Guy for Crime Traveller: http://bit.ly/2nhu93j “The Other Company” by Marc Eulo Boni for Ghost Attic: http://bit.ly/2lN5UcS “Strange Stories of Mass Hysteria” by Doug MacGowan for Historic Mysteries: http://bit.ly/2lIJ8mp “UFO's & Demonic Shadow Figures” by Joe Akins for Weird Darkness“The Watseka Wonder” by Troy Taylor for American Hauntings: http://bit.ly/2nOK1dE, with a short paragraph at the end from Weirdo family member Mathew R.Weird Darkness theme by Manuel Marino (http://bit.ly/2JLBRKp). Background music provided by EpidemicSound and AudioBlocks with paid license. Music by Shadows Symphony (http://bit.ly/2W6N1xJ) and Midnight Syndicate (http://amzn.to/2BYCoXZ) is also sometimes used with permission. SUPPORT THE PODCAST…Become a PATRON (Official Weirdo): http://www.WeirdDarkness.com/WEIRDO Visit my sponsors: http://www.WeirdDarkness.com/sponsors Subscribe to my other podcast, “Lifelines: Verse Of The Day”: https://www.spreaker.com/show/lifelinesverse MY RECORDING TOOLS…* MICROPHONE (Neumann TLM103): http://amzn.to/2if01CL* POP FILTER (AW-BM700): http://amzn.to/2zRIIyK* XLR CABLE (Mogami Gold Studio): http://amzn.to/2yZXJeD * MICROPHONE PRE-AMP (Icicle): http://amzn.to/2vLqLzg * SOFTWARE (Adobe Audition): http://amzn.to/2vLqI6E * HARDWARE (MacBook Pro): http://amzn.to/2vQzD5g I always make sure to give authors credit for the material I use. If I somehow overlooked doing that for a story, or if a credit is incorrect, please let me know and I’ll rectify it the show notes as quickly as possible.***WeirdDarkness™ - is a registered trademark of Marlar House Productions. Copyright © Marlar House Productions, 2019."I have come into the world as a light, so that no one who believes in me should stay in darkness." — John 12:46 *** How to escape eternal darkness: https://www.youtube.com/watch?v=2IYmodFKDaM

This episode is inspired by a conversation between John Pranjic and John Kokkoris on the 343 podcast ... a light bulb has gone off in my head! And I wanted to share my take and thoughts on the topic of Repetition, Automatism, and Mastery! I am working on a blog post on Medium to help organize my thoughts as this episode may be a bit sporadic! --- Support this podcast: https://anchor.fm/kieronsminirants/support

In the latest episode of Blood on the Rocks, I'll talk about the criminal defence of Automatism; particularly in the case of sleepwalkers that kill such as in the R. v. Parks case of 1987 and a few other examples in passing. Social Media: www.Facebook.com/bloodontherocks www.Twitter.com/thebloodyrocks www.Instagram.com/thebloodyrocks Email: BOTRpodcast@gmail.com Discord chat: https://discord.gg/uqxjqHm Intro/Outro music by Akshay Tailor Intermission Music by Nox Arcana (noxarcana.com) A part of the Murder.ly true crime network. Learn more about your ad choices. Visit megaphone.fm/adchoices

Described by Pitchfork as a "musical polymath," composer/violist Eyvind Kang has created and collaborated on hundreds of recordings and countless tours, from his own solo masterpieces to his work with Laurie Anderson, Bill Frisell, Animal Collective, Sun O))), The Decemberists, and Blonde Redhead. On this episode, he tells us about his early inspirations, his favorite project, and the music his teacher thought was garbage.   Playlist Here is a Spotify playlist to pair with Underscore Episode 5 with Eyvind Kang. It features hand--picked selections from Chrysanthe and Thomas to encapsulate the conversations and recommendations from the episode.   Music Featured in Interview: "Marriage of Days" by Eyvind Kang (iTunes / Spotify) "The Island" by The Decemberists (iTunes / Spotify) "Partita No. 3 in E Major: Preludio" by J.S. Bach (iTunes / Spotify) "Straight Outta Compton" by N.W.A. (iTunes / Spotify) "Giant Steps" by John Coltrane (iTunes / Spotify) "Dhun" by Ravi Shankar (iTunes / Spotify) "Gimme Shelter" by The Rolling Stones (iTunes / Spotify) "It’s a Man’s, Man’s, Man’s World" by James Brown (iTunes / Spotify) "Automatism" by Group Ongaku (YouTube) "Seva" by Jessika Kenney and Eyvind Kang (unreleased) "Cyclades" by Anne Carson, Robert Currie, and Eyvind Kang (unreleased) "Side 1" from Plainlight by Eyvind Kang (LP) Lightning Round Questions What genre is your music? Non--music Performance ritual? Quigong and tai chi A modern/technological tool that’s extremely helpful to your practice? Recording and playback A failure that turned out for the best? He tried to adapt a kacapi (Sudanese zither) technique for the viola but ended up creating a new pizzicato technique for himself instead. Something besides music that you’re obsessed with right now? Agriculture, philosophy, questions of justice and human rights A piece of art that changed your life? The Large Glass by Marcel Duchamp Something Old: Einstein on the Beach -- "Scene 3: Spaceship" by Phillip Glass. (iTunes / Spotify) Something New: Music by Black Composers made a Living Composers Directory. Recommended track: "Starburst" by Jessie Montgomery (iTunes / Spotify) Something Borrowed: "Iron" by Woodkid (iTunes / Spotify) Something Blue: "Prometheus, The Poem of Fire" by Alexander Scriabin (iTunes / Spotify) Credits: Hosts: Thomas Kotcheff and Chrysanthe Tan Script: Chrysanthe Tan Guest: Eyvind Kang Recording engineer: Mark Hatwan Produced by: Chrysanthe Tan Editing: Mark Hatwan Underscore is an extension of the Classical KUSC family Podcast theme: "Playground Day" by Chrysanthe Tan (iTunes / Spotify)   Social Media Facebook: /underscorefm Twitter: @underscorefm Instagram: @underscorefm Thomas is @thomaskotcheff on Twitter and Instagram. Chrysanthe is @chrysanthetan on Facebook, Twitter, and Instagram. Facebook group: Join our Facebook group, Underscore Society, to give us your thoughts, request future topics, and connect with other podcast listeners! Newsletter: Sign up for our mailing list to receive Underscore updates, offers, and opportunities to connect with other music aficionados. Email: Thoughts, questions, suggestions? We’re at info@underscore.fm

Jherek started off as bassist in the late '90s for the Seattle art rock bands The Dead Science and Parenthetical Girls, and has released about five solo albums (and other things) since 2006, the last two being full-on orchestral works. We discuss the title track from Cistern (2016), "The Nest" featuring Mirah from Composed (2012), and "Blackstar," featuring Anna Calvi, from a David Bowie tribute with Amanda Palmer called Strung Out in Heaven (2016). We conclude by listening to "Eyes" feat. David Byrne, also from Composed. Opening/closing music: "Automatism" from Cistern. For more info, see jherekbischoff.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us at patreon.com/nakedlyexaminedmusic.

Jherek started off as bassist in the late '90s for the Seattle art rock bands The Dead Science and Parenthetical Girls, and has released about five solo albums (and other things) since 2006, the last two being full-on orchestral works. We discuss the title track from Cistern (2016), "The Nest" featuring Mirah from Composed (2012), and "Blackstar," featuring Anna Calvi, from a David Bowie tribute with Amanda Palmer called Strung Out in Heaven (2016). We conclude by listening to "Eyes" feat. David Byrne, also from Composed. Opening/closing music: "Automatism" from Cistern. For more info, see jherekbischoff.com. Hear more Nakedly Examined Music. Like our Facebook page. Support us at patreon.com/nakedlyexaminedmusic.

Joe and Matthew are joined by artist William Downs. They delve into art career paths and trajectories. Automatism and the practice of performative drawing are explored. Studio visits, critics, and the trials and tribulations of academic life are discussed. Along the way, numerous artists and luminaries are name-checked including: Eva Hesse Louise Bourgeois Philip Guston […] The post The High Life with William Downs | Episode 15 appeared first on Brain Fuzz.

John and Myself join Dr. Hans Utter(https://mindcontrolmusic.wordpress.com) for a riveting discussion regarding F.M. Radio, Car Club Culture, The Grateful Dead,The Drug Culture, The Aerospace Industry, Hot Rods, Modernism, The Crisis of Representation, Anti-representationalism, Postmodernism, Cubism, Walter Benjamin, Native Revivalism, Picasso, Tiki Culture, Bauhaus Movement, Da Da, Automatism, Hippy Culture, Jean Baudrillard, Simulacra and Simulation, Arnold Schoenberg, Stalanism, Punk Rock, American Hardcore, Discord Records, Ian MacKaye,D.C. Punk Music Scene, Art and Authority,Commute Music -Max Frost And The Troopers - Shape Of Things To Come......hoaxbusterscall.com

If you wish to receive Private Tutoring: shaveen@outlook.com For complete courses, including Spider Graphs and Case Summaries, visit: English Legal System: http://www.udemy.com/learn-english-law/ Criminal Law: https://goo.gl/N1PM61 Contract Law: https://goo.gl/MBC7A8 Constitutional Law: https://goo.gl/wGcMuF Property Law: https://goo.gl/tGExGJ Tort Law: https://goo.gl/GAhG6p Trust Law: https://goo.gl/9JHgRH Intellectual Property: https://goo.gl/4z9eJG Jurisprudence: https://goo.gl/Ei2Ntv Commercial Law: https://goo.gl/r22QDr Conflict of Laws: https://goo.gl/TVzZmj History of English Law: https://goo.gl/A22PDL GET ALL COURSES FOR $69! https://goo.gl/9K5UXs Examination Techniques: ACE Constitutional Law: https://goo.gl/JiHNp7 ACE Contract Law: https://goo.gl/rp4Vh9 ACE Criminal Law: https://goo.gl/swxuCc ACE Tort Law: https://goo.gl/1BLVCe Amazon Kindle Books: Criminal Law: http://bit.ly/CriminalLawKindle Public Law: http://bit.ly/PublicLawKindle Trust Law: http://bit.ly/TrustLawKindle Property Law: http://bit.ly/PropertyLawKindle Jurisprudence: http://bit.ly/JurisprudenceKindle Commercial Law: http://bit.ly/CommercialLawKindle FACEBOOK: http://www.facebook.com/TheLawSimplified LINKEDIN: https://www.linkedin.com/company/thelawsimplified/ GOOGLE+: http://www.plus.google.com/+TheLawSimplified INSTAGRAM: http://www.instagram.com/thelawsimplified

Audio recording of Agency and Automatism: Photography as Art since the 1960s conference at Tate Modern

Audio recording of Agency and Automatism: Photography as Art since the 1960s past conference at Tate Modern

Audio recording of Agency and Automatism: Photography as Art since the 1960s conference

Audio recording of Agency and Automatism: Photography as Art since the 1960s past conference at Tate Modern

Dawn Ades, Professor of Art History and Theory at Essex University, gives the first Slade lecture in Surrealism and Art History on 20th January 2010. The Slade Professorship of Fine Art is the oldest professorship of art at the universities of Cambridge, Oxford and London. The chairs were founded concurrently in 1869 by a bequest from the art collector and philanthropist Felix Slade, with studentships also created in the University of London.